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Speaker 1: Like dude I missed with dude. He wanted them, you understand,

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Speaker 1: but I think he failed to deliver what we was wanting.

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Speaker 1: On that other end, you knew he was gonna smother

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Speaker 1: you with songs. You posed it killed him with style.

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Speaker 1: You posed it killed him with style. You understand, but

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Speaker 1: you embraced them. You you weren't easy on him on

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Speaker 1: the fifty top. You know that's your homeboy. But let's

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Speaker 1: look at a few clips. You know what Lady's and

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Speaker 1: gentleman Lady's and gentleman Dude City. What the fuck you see?

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Speaker 1: This is when they first brought Fat Joe out. What

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Speaker 1: the fuck is it? We got love for queens? What

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Speaker 1: it's going down tonight? See the outfit. I didn't get that.

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Speaker 1: I didn't for those of you that listening to the podcast,

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Speaker 1: he has on a green like a army green, almost

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Speaker 1: like a dicky suit type vibe. But it relays this

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Speaker 1: is him you see trying to turn it up. You

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Speaker 1: see him so what he's doing and trying to set

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Speaker 1: the tone. See Jada kiss, This is why I love

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Speaker 1: hip hop. This is what I love about hip hop,

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Speaker 1: And this is me getting into that bag that people

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Speaker 1: come to me fun. But this is what I love

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Speaker 1: about rap, hip hop and things like that. Right you

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Speaker 1: see how you see another millionaire on the stage. That's

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Speaker 1: a rapper. These rappers are coming because guess why the

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Speaker 1: rappers in our culture may can't create the brands they can't.

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Speaker 1: I can, respectfully. I don't know who can't, but I

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Speaker 1: can respectfully. Our coachure may not be at the forefront

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Speaker 1: of creating all these brands, but one thing they can

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Speaker 1: say about our coaches, we set the standard for the brand.

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Speaker 1: Now you see people chasing that Jada Kiss, what Jada

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Speaker 1: Kiss did on that dip set versus locks. You see

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Speaker 1: people now chasing that. You see Fat Joe up there,

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Speaker 1: you see Ja rule. They know this. How you gotta calm.

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Speaker 1: Jada set the tone. And I've been waiting on one

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Speaker 1: of them. I'm gonna get into something about versus that.

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Speaker 1: I get to this Fat Joe. That's a point nobody

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Speaker 1: has made, of course, but I'm gonna get to it.

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Speaker 1: But Jada set the standard. That's what hip hop does

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Speaker 1: when we put it on. When when when our coach

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Speaker 1: it put it on, everybody know that's the thing to do.

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Speaker 1: Jada killed it the field. He got the reaction come

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Speaker 1: from online, then it's like, yo, if you don't come

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Speaker 1: out letting them know this what it is. This is battle,

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Speaker 1: this is war. He set the tone everything out there

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Speaker 1: that you watch rappers try to emulate and imitate what

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Speaker 1: Jada done. Y'all gotta get Jada's flowers for that. Y'all

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Speaker 1: gonna learn tonight. Yeah, hi, and shit like that, shit

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Speaker 1: like thatsh it like that. We don't give sweater out

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Speaker 1: the promises here and yo, what's on it? What's funny?

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Speaker 1: Is ja Rule really said he had a cart again

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Speaker 1: sweater that he took it off. You hear him saying

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Speaker 1: brain the card again that he said he really had

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Speaker 1: a cart and sweater on. He took it off and

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Speaker 1: came out in the shirt. Why city, New York City?

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Speaker 1: Where you at make some noise for living my life

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Speaker 1: pucking your wife. I don't give a fool like yall, y'alli,

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Speaker 1: I know y'all, Hey, that's hidden. Don cut the play.

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Speaker 1: It's too much. The bad bather lies my cop, my

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Speaker 1: dis close my eyes taking up hitting that couldn't be

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Speaker 1: blue the hid time niggas hit this but fly out. Hey,

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Speaker 1: you forgot y'all ruin used to rid them tracks. A

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Speaker 1: little boy trains in your range. Broke with the kids

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Speaker 1: and break this strange we your murders, y'all put you

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Speaker 1: which back for we niggas. You can't trucks, tell them

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Speaker 1: really give a fuck. We didn't get out the screen

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Speaker 1: like a game. And I don't want to be on

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Speaker 1: the black black tipping my niggas told douns, but just

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Speaker 1: start the battle. What this has got that is this

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Speaker 1: ship the niggas if you want to go and believe

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Speaker 1: you are, you see that come turning ship off back

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Speaker 1: this turn this ship off. So what nigga? What the murder?

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Speaker 1: Han just you got? Naggy touched you go first, Ja Rule.

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Speaker 1: Let me tell you something, my brother, you're my brother too.

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Speaker 1: This shit I'm gonna drive you was not outside when

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Speaker 1: this ship came out. I might matter who sold me. Nigga. Listen,

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Speaker 1: Supreme Old Rock to this ship. Let's come here. You

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Speaker 1: see what say it's the credibility to talk. You're trying

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Speaker 1: to get that his credibility. I think he took it

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Speaker 1: a little easy on him though. That's his homeboy, you know,

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Speaker 1: Jah Rule as his as his people. I was telling

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Speaker 1: her like, oh he came and saved, not saved, but

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Speaker 1: he added Cachet back to Jah rule him and Jada

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Speaker 1: with the New York Record. Whether or not they did

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Speaker 1: that intentional, but what they're done was they gave him

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Speaker 1: light because, as I explained, he got tricked out his

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Speaker 1: spot by fifty cent. You allowed a man to come

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Speaker 1: in and tell you to not do what's working for you.

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Speaker 1: I keep telling you how see that why I tell

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Speaker 1: people did why folk don't like me to this day.

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Speaker 1: It's a lot of people writing now it can't understand

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Speaker 1: why I don't do what nobody asked me to do.

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Speaker 1: What I do got to work for me. I don't

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Speaker 1: care if I'm going out there digging my food about

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Speaker 1: the Mud. If I'm going out there dig in my

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Speaker 1: food about the Mud and cooking it and they ain't

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Speaker 1: getting sick and feeling good, and everything's working for me,

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Speaker 1: and don't got nothing to do with you. People want

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Speaker 1: to influence things that they don't carry the bird. Nor

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Speaker 1: you understand me if it fail, who it fall on?

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Speaker 1: It fall on me? Why I need to take your advice? Now?

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Speaker 1: I understand information. Advice and information are two different things.

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Speaker 1: Though follow me, though advice and information are two different things.

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Speaker 1: I need people to distinguish that. I need you to

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Speaker 1: attach gravity to what I'd be saying to y'all. I

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Speaker 1: ain't one of them little dudes. I'm telling you something, right.

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Speaker 1: I don't really take advice. I take information and then

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Speaker 1: I dissected and figure out whether did will worked for me?

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Speaker 1: And if you're not doing that, I feel as though

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Speaker 1: you know you may be in the wrong business. If

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Speaker 1: you in this business, you need to be in somewhere

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Speaker 1: where somebody to set you somewhere. Let you work in

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Speaker 1: a structured environment because the way that all parts are

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Speaker 1: moving with this, you don't have what it takes to

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Speaker 1: pay attention. You don't you don't know what you're dealing with.

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Speaker 1: But he was going for the credibility to talk and

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Speaker 1: telling them, supreme them, his big homes. They was outside.

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Speaker 1: You wasn't real outside when this was doing what it

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Speaker 1: was doing. I need you to understand that we don't

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Speaker 1: believe you. When which your card again, guy, what you're

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Speaker 1: gonna hip hop and rapping? Seeing me to death? Right?

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Speaker 1: That was his that was his move. It wasn't received

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Speaker 1: right though he didn't have to. He post the head

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Speaker 1: it on. Man, I'm disappointed in him on that got

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Speaker 1: a got a lot of not so never sweating nobody.

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Speaker 1: It's that by the fucking body. If you push your

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Speaker 1: shots and I'm going through to see if I can

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Speaker 1: catch anymore, I just have covers before. It's never say

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Speaker 1: that drums on that burderous ship when I'm looking at

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Speaker 1: the bed room, but reflection is chilling. Sigar shot. He's

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Speaker 1: playing records with him and Jayson. I see some good

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Speaker 1: Hey that boy, Hey that boy. Now when I when

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Speaker 1: I hit back now with that boy, Joe will hit

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Speaker 1: him with some like sledging Jerry if I wrote in

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Speaker 1: the book with me very scary play giving me jim

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Speaker 1: Man was theo's never seen the crack. Never that was

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Speaker 1: one of the one bring it on mothers, never seen

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Speaker 1: the brig don't he do with the man? Want to

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Speaker 1: play with me? Don't you know what you do when

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Speaker 1: you forward? Joey crack, honey, honey like that. I like that.

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Speaker 1: I came by your little ship's getting spices. Take it out,

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Speaker 1: No lit this ship. See that crack. It's early in

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Speaker 1: the make. You're right now. Take this ship, dot pupa

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Speaker 1: nigga talking ship. Crack like that's cute. All that shit

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Speaker 1: is cute, but we hear the motherfucking dog cow snigger.

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Speaker 1: We're in the I can juggle the garden. New York cities.

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Speaker 1: He rule got many more, Nigga, they want to hit

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Speaker 1: these hands, Oh New York. Tell you now, John, We're

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Speaker 1: about the fucking burn the bill for you all that

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Speaker 1: old city who we're doing a ship to Jo? What

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Speaker 1: now say, nigga, you gotta be kidding me. Come on,

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Speaker 1: everybody can back me. Everybody shit back everybody Shia yo,

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Speaker 1: Can I get it? They're gonna cray. You can hear

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Speaker 1: the crowd can get them. You can hear the crowd.

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Speaker 1: Y'all know what time it is. I get from all

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Speaker 1: the money. Yeah, I get the New Yall, New y'all

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Speaker 1: come on me for me. Everybody gets you damn everybody

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Speaker 1: ll men for everybody. Men't even a question? How about clothes.

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Speaker 1: I'm good to these man holes like my boots sweating.

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Speaker 1: I'll dry like damn hooks, which I think his Joe. Nope,

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Speaker 1: it's easy. He quits if now you know what, I

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Speaker 1: still nigga. His boys just hit he he Hi, Chris,

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Speaker 1: that's a jay Z feature. No no, no, no, no,

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Speaker 1: I say something, don't get con standing, you don't get it.

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Speaker 1: Twist me hold you that I wrote that Chris came over.

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Speaker 1: Then don't chilling. You don't try Let me ask you

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Speaker 1: a motherfuck? You win me your features? Who you talking to?

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Speaker 1: I can't do just straight food sucking cho motherfuck? Is

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Speaker 1: you like he that now in this true New York? Yeah?

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Speaker 1: I mean, I just think I'm trying to find the

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Speaker 1: part when Remy came out, because that was a dope part.

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Speaker 1: This is funny, right, this ship, deal with it, this

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Speaker 1: murder ship. We ain't seeing bus one man, nigga. We

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Speaker 1: don't see this nigga, busy nigga. You know about us

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Speaker 1: overhead stop it. You see that. That's a credibility to talk.

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Speaker 1: That said, that's a credibility to talk. But he spanned him.

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Speaker 1: You know how we playing yoo yoo. Ain't gonna lie.

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Speaker 1: You got cute songs? You do a lot of songs

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Speaker 1: with females. Yeah, I write them. I write I do

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Speaker 1: them too. I write them too. The difference is that's

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Speaker 1: the point. My bitch hit different. I think this was

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Speaker 1: a dope moment. I'm gonna play this and then we'll

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Speaker 1: move on. But remy shook this rim had that ship

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Speaker 1: on to the keys. That's all be she's wrapping right there.

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Speaker 1: I want you to really understand that, because I don't

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Speaker 1: know funny and you're just doing anybody. You're rim safer

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Speaker 1: safer dude, do your records for room ahead, get them

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Speaker 1: see ja rule, you get the effect. And she posted

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Speaker 1: they posted they got an implemental rule to cut their

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Speaker 1: mic off. I know almost got upset right there, like John,

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Speaker 1: you can't wrap talk to a rubb check it out.

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Speaker 1: Watch she going this needle shoot the count Hall said

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Speaker 1: in the middle of little Italy, little du we no

193
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Speaker 1: heavy viddle to middle middle? Did healy? Real now Forrilla

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Speaker 1: wouldn't have to take the candy sat spec I like you,

195
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Speaker 1: I bub you packs up the earth and curse the filing.

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Speaker 1: These children like gave me to feel the drilling nerve

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Speaker 1: and can't saying it. He chrisen up and filling the mush.

198
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Speaker 1: You can't it beat the end the key that you

199
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Speaker 1: mane I'm feeling without them rolling out the boys helping

200
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Speaker 1: take the bullet ching like down the point. I support anything,

201
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Speaker 1: do anything. He lines something from a number Mumma set

202
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Speaker 1: from the Boma just like me en pike didn't even

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Speaker 1: better evening all the spike me can't paint a better

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Speaker 1: pitches your sore. Rambo went up to brains can bridges,

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Speaker 1: hinch you with the man match spiking pitch nigger water

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Speaker 1: my chicken. She had the fu juice posing in the

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Speaker 1: rain bull and catching plan. Shoot the one and put

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Speaker 1: the hunters on the back room that shoe the holding

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Speaker 1: next the kiddy. She shook that I want you to

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Speaker 1: really understand. She shook that I'm gonna find the part

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Speaker 1: where the viting them came out. Then I moved on

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Speaker 1: because I spoke on that I need you to see that.

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Speaker 1: All right, let me just pay the framework. Right, So

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Speaker 1: we just saw m Ramon man come out and and

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Speaker 1: again just you know, add her quality to the verses.

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Speaker 1: You did what I'm saying. And so now following that,

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Speaker 1: a couple of more records playing, and then jar Rule

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Speaker 1: Broughtsom guests out a shantan little Mole and Vita, let's

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Speaker 1: see you don't like nigger because I'm just I think

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Speaker 1: little mo Look, okay, it's a crown be damn you

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Speaker 1: can hit a crowd on that tunes cycling together for

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Speaker 1: pleasure to put. My buddy is solding the winter. And

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Speaker 1: I heard Joe button and all y'all say that fat

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Speaker 1: Joe wasn't talking to it's DJ. You see him right there,

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Speaker 1: quarterback quarterback in the plate. Now they didn't give him

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Speaker 1: no credit for quarterback in the plate, but you can

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Speaker 1: see it right there on the screen. I just, you know,

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Speaker 1: versus a A versus a is a great platform, you

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Speaker 1: know for the coach. It's very dope. All right, So

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Speaker 1: this is Vita. I didn't know who this was. Now

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Speaker 1: I hear the crowd. I hear the crowd going wild, right,

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Speaker 1: So I say, I say, who is this? Right? And

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Speaker 1: I just I didn't remember her being slim like that,

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Speaker 1: you know, but my old lady was kept telling me

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Speaker 1: she's being slam So I said, okay, cool, But I

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Speaker 1: called it right then, I said, when this is over,

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Speaker 1: he gonna say something about them. But again the mistake

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Speaker 1: was he put it on them. He posted, kept it

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Speaker 1: on job, even if he kind of referenced them, kept

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Speaker 1: it on job. But that that's the talent, as I explained,

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Speaker 1: that's the talent that is where if the way your

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Speaker 1: mind works and how you you know, navigate through situations,

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Speaker 1: but it was it kind of came off to them. Again.

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Speaker 1: I know he didn't mean none bad. It was in

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Speaker 1: the heat of the moment. Don't come out on this

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Speaker 1: stage with all of that right were playing out, we

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Speaker 1: were selling the fight out here. It's like coming into

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Speaker 1: the ring. You see. We don't really mean all this

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Speaker 1: that we say in these verses, in these little things,

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Speaker 1: we really it's it's it's like a boxing match. So

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Speaker 1: don't come on this stage and then say, oh my god,

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Speaker 1: you said that about me. You did this is like boxing, respectfully,

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Speaker 1: because we want to hold everybody to the highest regard,

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Speaker 1: but we also want to enjoy the play for him

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Speaker 1: till it's fullest extent. So I want to propose a

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Speaker 1: understanding when you get on the versus stage that it's

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Speaker 1: it's equivalent to a boxing match. There's gonna be some

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Speaker 1: things said, there's gonna be some things done. That's gonna

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Speaker 1: with selling a fight. We want to sell tickets. We're

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Speaker 1: here for that reason. Um. Everything should be took in

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Speaker 1: good faith, right um. And if you don't want to

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Speaker 1: participate in that, I would hope that people will keep

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Speaker 1: you far away from that. As we don't mean some

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Speaker 1: of the things we say UM on that on that platform,

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Speaker 1: like let's let's let's um, let's take some time out

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Speaker 1: and and let the platform grow in and be able

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Speaker 1: to tell jokes and have a good time as long

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Speaker 1: as no malice is attached to it. UM. And and

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Speaker 1: again Fat Joe did apologize three times. I think, UM,

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Speaker 1: he's he's ram parallel with us for as long as

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Speaker 1: I can remember, man, And UM, I just I don't

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Speaker 1: I don't know. Man. It kind of felt like we

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Speaker 1: will not we but it kind of felt like that

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Speaker 1: there was a pocket of people that was about to

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Speaker 1: go on attack, and it felt uncomfortable because it felt

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Speaker 1: like you took a moment that again was in my

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Speaker 1: mind it's almost like a boxing match and almost weaponized

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Speaker 1: that to make it feel as though someone is really

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Speaker 1: attacking you personally knowing that, Yo, this is a stage,

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Speaker 1: there's cameras, this is a production, this is a versus that.

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Speaker 1: Just look at the name of what we're This is

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Speaker 1: a versus right, So UM, with all due respect, let

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Speaker 1: us let us please try to let this platform continue

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Speaker 1: to flourish. Respectfully to everyone that's involved in UM. UM

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Speaker 1: just just kind of approach you with an understanding that

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Speaker 1: in here, baby, we don't mean none of this that

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Speaker 1: we're saying. They were saying things to each other, they

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Speaker 1: didn't really they homies, you know, Jada and Dip setting

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Speaker 1: them out locks and Dip said they homies. Right, this

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Speaker 1: is this is just what this is. And UM, I

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Speaker 1: just hope that's not lost in translation. I know we

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Speaker 1: want to protect black women, protect black culture, protect black men,

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Speaker 1: protect black everything, but let's not hinder each other and

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Speaker 1: start in fighting, um over things that that that beat

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Speaker 1: that could be considered just a misunderstanding. UM, we don't

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Speaker 1: want people to get attacked. Of course, I want to

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Speaker 1: make sure I say that because I know the internet

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Speaker 1: is a is a weird place. But again, it's almost

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Speaker 1: like in a movie script if someone says some things

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Speaker 1: to you or smacked you and this and that, like

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Speaker 1: it's just it's a role we got going on. And UM,

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Speaker 1: I want to offer that bit of information, um to

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Speaker 1: Little Mo, t Vita, to Fat Joe, the versus Swiss Beats,

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Speaker 1: to Jah Rule, everybody involved, to thriller. UM, I just

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Speaker 1: want to offer that bit of understanding and information just

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Speaker 1: as a kind of a PSA as to UM my

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Speaker 1: understanding of the versus platform and just trying to be

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Speaker 1: part of the growth of it. Right. So that being said, um,

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Speaker 1: we'll play a little bit more this and then we'll

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Speaker 1: move on current. I watch your tim for sleeping something

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Speaker 1: in the back of your mind against you and the

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Speaker 1: time together. You would never let me go back. That's

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Speaker 1: a lot of phones up. They appreciate your tim. This nigga,

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Speaker 1: This dude, j'all Roe was killing this, this lane right here.

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Speaker 1: When he was killing it, he left fifty What was

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Speaker 1: you thinking you were killing this? This would have made

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Speaker 1: you multi million dollars. You let a man trick you?

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Speaker 1: Now look at him? He up. He'd been saying every since.

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Speaker 1: Let this bear listening to anybody listening to meet right

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Speaker 1: when you ever letting nobody trick you out of whatever

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Speaker 1: working for you? It's your bid. I remember they told me,

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Speaker 1: don't nobody if you sell damns, you pity. So I

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Speaker 1: stopped selling damns. I look up they were selling damns.

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Speaker 1: Then why I got that game from? I knew? Oh man.

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Speaker 1: Then they used to tell me, man, don't nobody go

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Speaker 1: home to the gel. Look up there anybody going home

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Speaker 1: to the gab with me? Out of y'all? Come on, man,

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Speaker 1: it's been this been. What dudes do? This been? What

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Speaker 1: the cold you do? Tricky out your spot? Look at

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Speaker 1: that that cleft back shit. Don't ring off like that.

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Speaker 1: Come on, you gonna get I love that song. You

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Speaker 1: gotta feed these girls something. You gotta feed these girls. God,

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Speaker 1: that's what I mean, My bitches is rich. You gonna

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Speaker 1: get these you gotta play. I think he should have

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Speaker 1: followed that with that leading back remix. If he would have,

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Speaker 1: if he would have, and and again that's that's the

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00:25:22,359 --> 00:25:25,440
Speaker 1: comments that got him, you know, that made them kind

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Speaker 1: of go at him and say this and that about him.

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Speaker 1: But if he would have came out of that with

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Speaker 1: the leaning back remix, said a few little things, but

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00:25:32,280 --> 00:25:34,399
Speaker 1: blah blah, blah blah, and let jay Z come with

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00:25:34,480 --> 00:25:38,400
Speaker 1: the leanback remix, that would have hit hard. Again, everybody

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Speaker 1: is speaking to the sequence of Fat Joe Um Fat

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Speaker 1: Joe's versus right. It was. It was poorly put together,

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Speaker 1: a lot of songs. I think he even spoke about

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Speaker 1: he got a pocket of our killer songs that he

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Speaker 1: couldn't play. So you know, these things are circumstantial. But again,

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Speaker 1: it's a fight. Let's respect it for what it is

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Speaker 1: um shout out switch and Timberlin now up. Their podcast

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00:26:01,560 --> 00:26:04,920
Speaker 1: is a place where you get a unique perspective. And

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Speaker 1: I think that's that speaks to wise growing at the

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Speaker 1: rate that it is growing, and people are engaged from

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Speaker 1: the level that they engaged. And I appreciate y'all, But um,

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Speaker 1: with versus, I want to speak about versus being something

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Speaker 1: and someone classic another classic case of dropping fumbling the bag,

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Speaker 1: give amendment it and and what I'm about to say,

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Speaker 1: and what I say is with all due respect to

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Speaker 1: everyone's business acumen and how they're able to you know,

359
00:26:38,320 --> 00:26:41,320
Speaker 1: get their bags. It's just an observation from another king,

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Speaker 1: um and and and and it should be received that way.

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Speaker 1: And if it's not, then you can push up on

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00:26:47,960 --> 00:26:50,480
Speaker 1: me and we can have a conversation either way. And

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Speaker 1: that's about anything I say. I want to put that

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Speaker 1: PSA out there that anything I say should be received

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Speaker 1: um as a tigued as a critique from just someone

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Speaker 1: that observes the game as well as Breakfast Club as

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00:27:07,080 --> 00:27:11,000
Speaker 1: well as all these other platforms, shave room and whatever

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Speaker 1: the case may be, right as well as seeing then

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Speaker 1: or whatever the case may be. But nonetheless, I want

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Speaker 1: to speak about a classic case of dropping the ball,

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Speaker 1: fumbling the bag with Smack. Smack over at the u

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Speaker 1: r L. He had the right right train, just the

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Speaker 1: wrong track. When I look at versus, I look at

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00:27:40,480 --> 00:27:49,639
Speaker 1: Urel literally versus it's only battle round. It's literally the

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00:27:49,760 --> 00:27:55,080
Speaker 1: battle rap concept tweaked just a little bit and it shot.

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Speaker 1: I'm not sure, maybe I think it has already shot

377
00:27:57,640 --> 00:28:00,720
Speaker 1: pass battle round, but the end fluence is on the

378
00:28:00,800 --> 00:28:04,200
Speaker 1: side of the other verses is way different than in

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Speaker 1: battle rap. But nonetheless, the reason I say Smack dropped

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Speaker 1: the ball is because he had the right idea. Right.

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Speaker 1: You remember when he was flirting bringing battle rappers over there.

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00:28:14,440 --> 00:28:19,480
Speaker 1: He was bringing industry people into battle rep. But he

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00:28:19,600 --> 00:28:21,960
Speaker 1: made a mistake when he brought him into battle rap.

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00:28:22,040 --> 00:28:24,680
Speaker 1: He tried to make them make the industry dudes do

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Speaker 1: what the battle rappers do. Instead of saying I'm gonna

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00:28:27,840 --> 00:28:31,240
Speaker 1: bring to industry dudes over here and let them battle

387
00:28:31,800 --> 00:28:35,879
Speaker 1: five songs, ten songs, he would have already had this

388
00:28:36,080 --> 00:28:39,520
Speaker 1: concept put down and he could have grew that as

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00:28:39,600 --> 00:28:42,840
Speaker 1: another side of the business. He already had the platform,

390
00:28:43,040 --> 00:28:47,280
Speaker 1: the audience, he had everything in place. But instead of

391
00:28:47,520 --> 00:28:50,200
Speaker 1: doing that, they chose to say, hey, I want you

392
00:28:50,280 --> 00:28:53,400
Speaker 1: to come over here and write ball right battle raps

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Speaker 1: Swiss and Timberland step right in because if you, if you,

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Speaker 1: if you notice the celebrity eyes that was on battle Rap,

395
00:29:04,160 --> 00:29:08,440
Speaker 1: they're they're but they're only they're in spurts certain matches.

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00:29:11,480 --> 00:29:14,400
Speaker 1: They've now they all on verses every single time. But

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00:29:14,520 --> 00:29:18,920
Speaker 1: if you remember, it'll be it'll be Diddy and Floyd

398
00:29:19,200 --> 00:29:23,000
Speaker 1: and Buster and all these people at the battles. They

399
00:29:23,080 --> 00:29:26,479
Speaker 1: had the audience, they had it, they had it bro,

400
00:29:27,880 --> 00:29:31,959
Speaker 1: they had it bro. They made a mistake. They let

401
00:29:32,040 --> 00:29:35,760
Speaker 1: people come over there, y'all start battle rapping. You know,

402
00:29:35,920 --> 00:29:38,760
Speaker 1: a gun so big that they now come over here,

403
00:29:38,880 --> 00:29:41,560
Speaker 1: y'all take y'all hits, you take your songs, You take

404
00:29:41,640 --> 00:29:44,000
Speaker 1: your songs. We're gonna play five records. Let the people

405
00:29:44,440 --> 00:29:46,960
Speaker 1: because we got the battle rap crowd in here, they'll

406
00:29:47,000 --> 00:29:50,600
Speaker 1: react a certain way. I know they're looking at that, like, man,

407
00:29:50,680 --> 00:29:54,360
Speaker 1: we dropped the bag on that. You understand me? And

408
00:29:54,480 --> 00:29:59,320
Speaker 1: now the celebrity influence and and and engagement that they

409
00:29:59,400 --> 00:30:03,080
Speaker 1: had as when down because now instead of doing battle rap,

410
00:30:03,200 --> 00:30:07,000
Speaker 1: I reather do a versus. It was a moment where

411
00:30:07,040 --> 00:30:09,920
Speaker 1: battle rappers were hidden was starting to go broken, starting

412
00:30:09,960 --> 00:30:12,080
Speaker 1: to be like, yo, I think I'm gonna try battle rapping.

413
00:30:13,040 --> 00:30:15,360
Speaker 1: Now they're starting to go broken, trying to reach out

414
00:30:15,400 --> 00:30:21,040
Speaker 1: the Swiss beats Timberlin versus Right. So I always pay

415
00:30:21,080 --> 00:30:24,320
Speaker 1: attention to know when your business is evolving, knowing when

416
00:30:24,360 --> 00:30:28,840
Speaker 1: the market is evolving, knowing what your reach is. Like

417
00:30:29,080 --> 00:30:32,680
Speaker 1: Smack had to reach most of all these same people

418
00:30:32,720 --> 00:30:34,320
Speaker 1: he could have got in touch with that Why I

419
00:30:34,360 --> 00:30:37,080
Speaker 1: say they got the call me putting me on these boards. Man,

420
00:30:37,160 --> 00:30:40,120
Speaker 1: my eyes is wide open. I'm not sure what's going

421
00:30:40,200 --> 00:30:43,000
Speaker 1: on in the industry, but there's bags everywhere. The dudes

422
00:30:43,080 --> 00:30:46,760
Speaker 1: ain't picking up and not bags where you gotta use

423
00:30:46,880 --> 00:30:51,480
Speaker 1: and manipulablade and cheat people. Legitimate bags wealth, long term

424
00:30:53,840 --> 00:30:56,560
Speaker 1: bags attest to some of these brands that they don't

425
00:30:56,560 --> 00:31:01,240
Speaker 1: even see. But I know smacking them even though they

426
00:31:01,320 --> 00:31:05,200
Speaker 1: got the caffeine situation in a multimillion dollars situation over there,

427
00:31:05,800 --> 00:31:08,040
Speaker 1: this could have been another leg of the business and

428
00:31:08,520 --> 00:31:11,320
Speaker 1: outgrew that and you could leverage both and going to

429
00:31:11,440 --> 00:31:13,840
Speaker 1: it like it could have been a monster thing. But

430
00:31:13,960 --> 00:31:17,000
Speaker 1: it was just a mistake. Um, So we'll move on

431
00:31:17,160 --> 00:31:20,480
Speaker 1: from that. Shout out Smack shout out Swiss Timberland, thrill

432
00:31:20,600 --> 00:31:23,320
Speaker 1: all the people involved, great thing going on with them.

433
00:31:23,640 --> 00:31:29,000
Speaker 1: Last segment on Versus, you got um again. You get

434
00:31:29,080 --> 00:31:31,360
Speaker 1: that feeling when you when you're going to battle Mold

435
00:31:31,560 --> 00:31:33,840
Speaker 1: and you're going to some of these spots where these

436
00:31:33,920 --> 00:31:36,040
Speaker 1: things are going down, that I need to start to

437
00:31:36,120 --> 00:31:39,600
Speaker 1: be involved. When of y'all sent me some tickets. You

438
00:31:39,680 --> 00:31:42,080
Speaker 1: know I'm influential in this coach, and send me two

439
00:31:42,160 --> 00:31:46,160
Speaker 1: or three tickets. Take take good care of men, you understand.

440
00:31:47,280 --> 00:31:53,520
Speaker 1: But JD Jermaine Dupri was in Madison Square Garden that

441
00:31:53,640 --> 00:31:57,960
Speaker 1: the Fat Joe and Jarl Roule versus, and he posted

442
00:31:58,080 --> 00:32:02,040
Speaker 1: something he posted to tell pe did it puff Daddy,

443
00:32:02,680 --> 00:32:05,520
Speaker 1: that I'm here and I hope he getting ready. I

444
00:32:05,680 --> 00:32:08,560
Speaker 1: want to smoke. You know. It was something to that effect,

445
00:32:08,800 --> 00:32:12,760
Speaker 1: basically calling him out to a versus. And at first thought,

446
00:32:12,800 --> 00:32:15,480
Speaker 1: I said, now, man, what your main Dupre doing because

447
00:32:15,520 --> 00:32:20,800
Speaker 1: I'm thinking money business. Then I had to think, oh

448
00:32:21,800 --> 00:32:25,840
Speaker 1: that is j D. That's your main Dupri. That's Ussher

449
00:32:27,040 --> 00:32:31,800
Speaker 1: Mariah Carey. That's then he also got them club his

450
00:32:32,040 --> 00:32:36,520
Speaker 1: with the franchise and never scared, and he'd been all

451
00:32:36,600 --> 00:32:40,200
Speaker 1: over the place, you understand, I had to push some

452
00:32:40,320 --> 00:32:42,840
Speaker 1: respect on it, but at for split second that then

453
00:32:42,880 --> 00:32:45,600
Speaker 1: you gotta think by wild that whole vibe. He was

454
00:32:45,680 --> 00:32:49,440
Speaker 1: on fire for a minute. But when I first thought again,

455
00:32:49,560 --> 00:32:52,960
Speaker 1: I'm thinking business, I'm thinking, y'all, did he got big feet?

456
00:32:54,600 --> 00:32:56,400
Speaker 1: Then I got the thing and whold love loan you

457
00:32:56,600 --> 00:33:00,080
Speaker 1: is from the South, and that is j D. It

458
00:33:00,240 --> 00:33:06,360
Speaker 1: is morale ushit now that is them boys. Now that's that.

459
00:33:06,680 --> 00:33:09,400
Speaker 1: That is that cloth talk. So I had to fall

460
00:33:09,520 --> 00:33:12,040
Speaker 1: back on that. But then I got to think him,

461
00:33:14,520 --> 00:33:18,760
Speaker 1: what if this really happened? And Mary J. Blige, because

462
00:33:18,800 --> 00:33:22,880
Speaker 1: you gotta think, did it got classic shit? Did he

463
00:33:23,000 --> 00:33:26,040
Speaker 1: got married? Bro? Mary is to us, I don't know

464
00:33:26,160 --> 00:33:28,440
Speaker 1: what she is to the rest of the world, but

465
00:33:28,600 --> 00:33:32,760
Speaker 1: to my little culture, that pocket that black, Yeah, marry

466
00:33:32,880 --> 00:33:36,160
Speaker 1: that thing. Man, Mary can't be that's yeah, nah, you

467
00:33:36,240 --> 00:33:43,479
Speaker 1: can't get with Mary respectfully. And I gotta say, R killing.

468
00:33:44,680 --> 00:33:47,520
Speaker 1: We don't condone nothing R killer staying for but man

469
00:33:47,640 --> 00:33:51,720
Speaker 1: him and Mary them too, death's like them type records

470
00:33:51,760 --> 00:33:54,280
Speaker 1: they had was it was just a little too much.

471
00:33:54,400 --> 00:33:58,840
Speaker 1: But but Mary Mary J Blind he got Biggie then

472
00:33:58,920 --> 00:34:01,040
Speaker 1: you gotta think he was the king of the one

473
00:34:01,160 --> 00:34:04,640
Speaker 1: hit one day and the remix and the man. You

474
00:34:04,760 --> 00:34:08,120
Speaker 1: gotta be careful with the remix bag. A lot of

475
00:34:08,160 --> 00:34:10,759
Speaker 1: people don't think about their remix bag. That's what Fat

476
00:34:10,880 --> 00:34:12,960
Speaker 1: Joe dropped the ball. He posted to dropped that lean

477
00:34:13,040 --> 00:34:15,000
Speaker 1: back remix with jay Z. I don't know what he

478
00:34:15,200 --> 00:34:18,400
Speaker 1: was doing. He gotta make me think it might be

479
00:34:18,520 --> 00:34:22,200
Speaker 1: something there, Like the jay Z song didn't come. It

480
00:34:22,280 --> 00:34:25,440
Speaker 1: didn't make sense to me. They're gonna react to jay

481
00:34:25,560 --> 00:34:28,359
Speaker 1: Z in New York Dog hands down, he runs the town.

482
00:34:30,320 --> 00:34:33,640
Speaker 1: But Button, nonetheless, when you talk did it? First of all?

483
00:34:33,719 --> 00:34:36,080
Speaker 1: You talking to rock, you're talking when he said out,

484
00:34:36,200 --> 00:34:39,880
Speaker 1: you know how many people going already by default be

485
00:34:40,000 --> 00:34:43,319
Speaker 1: on his side anyway, and he coming with them? He does.

486
00:34:44,840 --> 00:34:48,680
Speaker 1: But then Jad on that other side looks, shout, looks

487
00:34:48,719 --> 00:34:54,120
Speaker 1: shouted on that other side, punching back, and he sounded

488
00:34:54,160 --> 00:34:58,160
Speaker 1: like he wants to smoke too. Sound like he feels

489
00:34:58,239 --> 00:35:02,280
Speaker 1: something we don't feel. Sound like he's separating money in music,

490
00:35:03,800 --> 00:35:06,680
Speaker 1: you know, sound like he separate money in music. But

491
00:35:06,960 --> 00:35:09,120
Speaker 1: I think he dropped the ball here. And I'm gonna

492
00:35:09,160 --> 00:35:11,480
Speaker 1: play some of this and we're gonna get intour. But

493
00:35:11,600 --> 00:35:13,560
Speaker 1: I think he dropped the ball right here. He could

494
00:35:13,600 --> 00:35:16,279
Speaker 1: have baited him right in. He could have put the

495
00:35:16,360 --> 00:35:18,520
Speaker 1: worm right on the hook right here, but he dropped

496
00:35:18,560 --> 00:35:21,919
Speaker 1: the ball. But let's what happened was after that, Fat Joe,

497
00:35:22,200 --> 00:35:26,440
Speaker 1: after the fat joint j'ah rule versus Fat Joe went

498
00:35:26,520 --> 00:35:30,640
Speaker 1: on his Instagram to recall. He goes to recab. Of

499
00:35:30,760 --> 00:35:33,320
Speaker 1: course j D had already put that out. The blalls

500
00:35:33,400 --> 00:35:38,600
Speaker 1: picked that up. Now, JD is on Fat Joe's Instagram

501
00:35:38,760 --> 00:35:41,080
Speaker 1: live his show. He has a show Fat Joe. For

502
00:35:41,160 --> 00:35:43,359
Speaker 1: those of you that don't know, Snoop Doll end up

503
00:35:43,400 --> 00:35:45,759
Speaker 1: getting up there. So now with Snoop Doll, Fat Joe,

504
00:35:46,280 --> 00:35:49,680
Speaker 1: JD Snoop Dog because you know he big feet two

505
00:35:49,800 --> 00:35:52,080
Speaker 1: in the game, so he sadn't get on here. He's

506
00:35:52,120 --> 00:35:54,480
Speaker 1: telling his son, one of y'all get get the homie

507
00:35:54,560 --> 00:35:57,120
Speaker 1: on here. So did he did he come on down

508
00:35:57,160 --> 00:35:59,400
Speaker 1: and get on So let's let's let's look at it

509
00:35:59,480 --> 00:36:02,520
Speaker 1: from that point, and I'm gonna show y'all something ain't

510
00:36:02,560 --> 00:36:05,360
Speaker 1: nobody said this shit, but but but let's look at it.

511
00:36:07,320 --> 00:36:19,560
Speaker 1: Request I can't go hey, hey, hey, hey, hey hey,

512
00:36:21,000 --> 00:36:27,520
Speaker 1: let's let's go hey y'all, and your short arms. You

513
00:36:27,600 --> 00:36:31,200
Speaker 1: need to shut out short arms. You hear me. You

514
00:36:31,280 --> 00:36:36,160
Speaker 1: need to shut out to him and your best friend.

515
00:36:38,360 --> 00:36:42,960
Speaker 1: I love you, but first I want to notice. Hull

516
00:36:43,040 --> 00:36:44,800
Speaker 1: this out. I want the world and know that this

517
00:36:45,000 --> 00:36:47,960
Speaker 1: is one of my best friends. You know, one of

518
00:36:48,040 --> 00:36:52,359
Speaker 1: my best inspirations. This is my brother. Like shut out.

519
00:36:53,760 --> 00:36:56,440
Speaker 1: I love him, I love him. I'm not. I'm not.

520
00:36:56,760 --> 00:37:00,719
Speaker 1: I'm not here to play. I must say this to everybody.

521
00:37:01,080 --> 00:37:04,120
Speaker 1: You am knees, you're having motherfucker's I didn't gave your

522
00:37:04,239 --> 00:37:08,200
Speaker 1: life for motherfucking twenty years of music. But you know

523
00:37:08,200 --> 00:37:11,680
Speaker 1: what I'm saying. I'm gonna tell j anything I touched,

524
00:37:12,000 --> 00:37:15,839
Speaker 1: anything I breathed on, executive produced, anything I thought up,

525
00:37:15,960 --> 00:37:20,279
Speaker 1: anything I fucking did. Whatever you hear me, don't play

526
00:37:20,360 --> 00:37:27,759
Speaker 1: with me, boy ah no, no, no, but but I'm

527
00:37:28,200 --> 00:37:31,560
Speaker 1: yo j D. I can't hear you. I'll try to

528
00:37:31,600 --> 00:37:34,919
Speaker 1: hear you say something, or you can't hear me. He's

529
00:37:34,920 --> 00:37:37,480
Speaker 1: saying a lot. We heard you, chicken, maybe we heard

530
00:37:37,520 --> 00:37:40,120
Speaker 1: you say something and y'all not heard. I'm I'm just

531
00:37:40,200 --> 00:37:43,799
Speaker 1: saying for real. Once you get y'all, y'all, bro, bro,

532
00:37:43,920 --> 00:37:45,759
Speaker 1: we can you talk about the undies? What are you?

533
00:37:45,840 --> 00:37:47,680
Speaker 1: What are you gonna do? In one more chance? Drops.

534
00:37:47,840 --> 00:37:50,960
Speaker 1: What you're gonna dance, dannag drops. I'm gonna listen, by

535
00:37:51,000 --> 00:37:55,120
Speaker 1: the way, Yeah you ask you listen, I'm not listen.

536
00:37:55,160 --> 00:37:58,000
Speaker 1: I'm a party with ya. Ya ya ya tell us

537
00:37:58,000 --> 00:37:59,719
Speaker 1: out hey ya. I can't even let you chalk because

538
00:38:00,080 --> 00:38:05,120
Speaker 1: talking too much I would. Yeah, you know what I'm saying, right, listen,

539
00:38:05,160 --> 00:38:08,919
Speaker 1: we ain't gotta talk. And you know I'm the great ya,

540
00:38:08,960 --> 00:38:11,680
Speaker 1: I'm the greatest. Cut your hand, the greatest nigger with

541
00:38:11,760 --> 00:38:17,919
Speaker 1: the fuck y'all talk. Tell yo your mohad number one

542
00:38:19,080 --> 00:38:22,359
Speaker 1: the most as an artist, I'm not getting you as

543
00:38:22,400 --> 00:38:27,800
Speaker 1: a producer. This, don't do that. Stop playing with yourself.

544
00:38:27,920 --> 00:38:31,279
Speaker 1: Oh no, no, no. As an artist, I had the most.

545
00:38:33,160 --> 00:38:36,040
Speaker 1: So I don't know. I thought I thought you over

546
00:38:36,160 --> 00:38:38,240
Speaker 1: me as an artist, all of them us, your songs

547
00:38:38,719 --> 00:38:41,440
Speaker 1: I talk about over me. We talk about number one.

548
00:38:41,480 --> 00:38:44,200
Speaker 1: I tell you somebody over me. You as an artist.

549
00:38:45,560 --> 00:38:51,480
Speaker 1: I applaud you. What Yo did? Yo? Did he did? He?

550
00:38:51,640 --> 00:38:53,560
Speaker 1: What we're doing? No, I don't even hear them play

551
00:38:53,600 --> 00:38:55,719
Speaker 1: none of your ship and Yo when they go back

552
00:38:56,000 --> 00:39:00,440
Speaker 1: when they got I don't hear nobody. It's cool to

553
00:39:00,520 --> 00:39:03,560
Speaker 1: see did it with the energy though, Right, it's cool

554
00:39:03,680 --> 00:39:07,839
Speaker 1: that that's billion dollars. Did it revokes the rock? That's

555
00:39:08,000 --> 00:39:10,400
Speaker 1: that's billion dollars? Did it still tapping in with the

556
00:39:10,520 --> 00:39:13,560
Speaker 1: culture like that, that's a beautiful thing. We need to

557
00:39:13,600 --> 00:39:17,759
Speaker 1: see more. Y'all stop being too big, you understand. We

558
00:39:17,840 --> 00:39:21,040
Speaker 1: see Kanye he kind of tap dance with the culture.

559
00:39:21,120 --> 00:39:23,359
Speaker 1: You know, we see Jay tap dance a little bit.

560
00:39:23,680 --> 00:39:26,000
Speaker 1: But come on down here and get with the gang,

561
00:39:27,120 --> 00:39:31,080
Speaker 1: you know, not only the gang gang, but get down here, brain.

562
00:39:31,239 --> 00:39:33,080
Speaker 1: Some of them eyes with you, you know how they

563
00:39:33,160 --> 00:39:35,680
Speaker 1: do now they pay with the eyeball. Brain. Some of

564
00:39:35,719 --> 00:39:38,600
Speaker 1: them eyes withching down through here. You know. I mean,

565
00:39:38,680 --> 00:39:41,319
Speaker 1: we won't need no money. They used to drop out

566
00:39:41,400 --> 00:39:44,120
Speaker 1: money and to get old. We got wet. We need

567
00:39:44,200 --> 00:39:46,560
Speaker 1: to get something set up in to get old. Way

568
00:39:46,560 --> 00:39:49,759
Speaker 1: as people doing shit. Well, when the y'all don't gotta

569
00:39:49,840 --> 00:39:52,759
Speaker 1: drop ward off, come through and do an interview with

570
00:39:52,920 --> 00:39:55,879
Speaker 1: the little eighteen year old podcast. We got a video due.

571
00:39:55,960 --> 00:39:59,400
Speaker 1: Let them shoot your video through the label. Let them

572
00:39:59,440 --> 00:40:01,400
Speaker 1: cut the chick to his little company. We set him

573
00:40:01,480 --> 00:40:04,560
Speaker 1: up in lac That's ways the work revenue in this.

574
00:40:05,120 --> 00:40:08,479
Speaker 1: But shout out did it for even being involved being

575
00:40:08,560 --> 00:40:11,439
Speaker 1: being that did it, being involved in that that's dope

576
00:40:14,440 --> 00:40:29,360
Speaker 1: him play Wait wait wait wait Chris, wait wait whether Rhody?

577
00:40:29,719 --> 00:40:36,960
Speaker 1: Oh that was so he won't Dre. You know what

578
00:40:37,000 --> 00:40:39,279
Speaker 1: I'm saying that he said what he said that was

579
00:40:39,640 --> 00:40:42,560
Speaker 1: a motherfucker. I liked it, you know, did it won't Dre?

580
00:40:42,960 --> 00:40:46,360
Speaker 1: You know what I'm saying. The situation you deal with

581
00:40:46,520 --> 00:40:49,000
Speaker 1: with him and Dre is cool. But Babe, the contrast

582
00:40:49,200 --> 00:40:52,320
Speaker 1: is a little different because Drake, they go. Hold on,

583
00:40:52,480 --> 00:40:57,000
Speaker 1: let's go back, because you can sit there and you

584
00:40:57,080 --> 00:40:59,600
Speaker 1: can write him out, you can play him now. Let's

585
00:40:59,640 --> 00:41:02,279
Speaker 1: go now, nigga, go now, just do a test five

586
00:41:02,360 --> 00:41:07,920
Speaker 1: for five real quick. Why you see why I'm at

587
00:41:08,040 --> 00:41:12,640
Speaker 1: you in your backyard. I don't play no games, damn

588
00:41:12,680 --> 00:41:15,439
Speaker 1: my niggas, and you're my STUDI yeard that you listen.

589
00:41:15,760 --> 00:41:18,600
Speaker 1: I don't live my trip because you play. I got

590
00:41:18,680 --> 00:41:22,360
Speaker 1: three because I got three, I got three studios in

591
00:41:22,480 --> 00:41:25,880
Speaker 1: my crip. I'm in the lad I swear I'm in

592
00:41:26,000 --> 00:41:29,040
Speaker 1: my lab work. When niggas, when niggas you know JD,

593
00:41:29,080 --> 00:41:32,240
Speaker 1: when niggas is getting married or there's a special exent

594
00:41:32,320 --> 00:41:34,160
Speaker 1: and people want to dad have a good time. I

595
00:41:34,239 --> 00:41:37,520
Speaker 1: don't hear none of your shit. You never heard what

596
00:41:37,800 --> 00:41:40,040
Speaker 1: you never hear. You never hear let's get mad at

597
00:41:40,080 --> 00:41:46,040
Speaker 1: a wedding. Get the fuck yeah, serious, trying to make

598
00:41:46,080 --> 00:41:52,160
Speaker 1: it that litt of New York. Listen, let me get

599
00:41:53,360 --> 00:42:03,879
Speaker 1: ya ya he yo, y sure, it's yo like he's

600
00:42:03,880 --> 00:42:09,400
Speaker 1: sitting down when he's standing up. J D so short

601
00:42:09,560 --> 00:42:12,080
Speaker 1: right there. Look at that. He looked like he's sitting down.

602
00:42:12,760 --> 00:42:21,680
Speaker 1: He's standing up. Contest. I bust your asking that too.

603
00:42:24,400 --> 00:42:28,080
Speaker 1: You know that, Dace flow, don't do that. Don't call

604
00:42:28,120 --> 00:42:30,239
Speaker 1: it the buying. Don't call no niggas in the la.

605
00:42:30,600 --> 00:42:39,320
Speaker 1: You know what I do to you. Let's go, y'all.

606
00:42:39,400 --> 00:42:48,000
Speaker 1: Kick you in your leg? JJ looks beat me up. No, no,

607
00:42:48,120 --> 00:42:50,320
Speaker 1: I'm gonna be quiet now, everybody. This is all. This

608
00:42:50,480 --> 00:42:54,000
Speaker 1: is all friends and family and and and you know

609
00:42:54,160 --> 00:42:57,359
Speaker 1: it's all love. Man. It ain't ain't nothing. It ain't nothing.

610
00:42:57,400 --> 00:43:05,560
Speaker 1: This is what you'll game. What we did? What God

611
00:43:05,680 --> 00:43:09,840
Speaker 1: say something? Yo did? He What Snoop told me was listen,

612
00:43:10,120 --> 00:43:13,120
Speaker 1: Drey is not into this. He's not gonna get in

613
00:43:13,200 --> 00:43:15,840
Speaker 1: the ring. It's just not what he wants to do.

614
00:43:16,440 --> 00:43:20,759
Speaker 1: He's not gonna do it. As Snoop dog I would say.

615
00:43:20,800 --> 00:43:24,520
Speaker 1: It's the closest thing to doctor Drey. So now he's

616
00:43:24,560 --> 00:43:28,440
Speaker 1: out the equation. Can the verses? Can Timberland the Swiss

617
00:43:28,920 --> 00:43:39,080
Speaker 1: say we will get that? That's it. I can't, y'all.

618
00:43:39,680 --> 00:43:41,719
Speaker 1: I'm not trying to make one of them meet him

619
00:43:41,760 --> 00:43:44,399
Speaker 1: down there to say, y'all something, one of them, one

620
00:43:44,440 --> 00:43:46,680
Speaker 1: of them gotta meet me down there, the brain the

621
00:43:46,800 --> 00:43:49,319
Speaker 1: ass down there, because if I do that, I can't

622
00:43:49,360 --> 00:43:51,680
Speaker 1: do numb but lose. But I think it'll be good

623
00:43:51,760 --> 00:43:54,560
Speaker 1: for the culture. But it can't be you know, I

624
00:43:54,640 --> 00:43:58,320
Speaker 1: don't know, like but the two billionaires down there, it's

625
00:43:58,360 --> 00:44:07,440
Speaker 1: a different thing. I'm as you know, this is the rock,

626
00:44:07,520 --> 00:44:09,799
Speaker 1: the much Fund of Vodka. Don't get it fucked up?

627
00:44:10,560 --> 00:44:13,359
Speaker 1: So rock, Yeah, you don't get it fucked up. Thank

628
00:44:13,440 --> 00:44:22,800
Speaker 1: you don't know that? Yeah number one. M So it

629
00:44:22,880 --> 00:44:25,480
Speaker 1: ain't going down. Yeah, I'm I'm, I'm, I'm all right.

630
00:44:26,239 --> 00:44:31,160
Speaker 1: I'm gonna be because I just so in my face

631
00:44:31,719 --> 00:44:33,719
Speaker 1: and stop trying to make it at Lanta Verse New

632
00:44:33,800 --> 00:44:41,799
Speaker 1: York man. What what I ain't hit me? I hear

633
00:44:42,360 --> 00:44:49,600
Speaker 1: I would say, no, I said, I said, you know

634
00:44:49,600 --> 00:44:53,600
Speaker 1: what I'm saying. Did his having phone internet issues? He's saying,

635
00:44:53,640 --> 00:44:55,960
Speaker 1: stop trying to make it a Lanta versus New York.

636
00:44:58,960 --> 00:45:00,680
Speaker 1: Oh no, I'm not. I know. You know I'm saying

637
00:45:00,680 --> 00:45:03,440
Speaker 1: I'm from I'm you know I'm Froming. You know where

638
00:45:03,440 --> 00:45:08,279
Speaker 1: you're acting? Hello? Oh yeah, take that up. I'm saying

639
00:45:08,360 --> 00:45:11,040
Speaker 1: I represent a Lanta. You know that you want the

640
00:45:11,080 --> 00:45:13,680
Speaker 1: woman to Atlanta remix, you weep, you work, you, you

641
00:45:13,840 --> 00:45:17,200
Speaker 1: represent New York. I'm just I'm just speaking on where

642
00:45:17,239 --> 00:45:21,560
Speaker 1: we where we fromm That's all I'm saying. And now

643
00:45:21,640 --> 00:45:23,440
Speaker 1: you know other people are gonna take it how they

644
00:45:23,560 --> 00:45:25,640
Speaker 1: want to take it. You and I have been doing

645
00:45:25,680 --> 00:45:28,839
Speaker 1: this forever. You know what I'm saying. We've We've been

646
00:45:28,880 --> 00:45:31,480
Speaker 1: doing this forever, going back and forth like this forever.

647
00:45:31,880 --> 00:45:37,360
Speaker 1: I represent that LTT in New York, that's all. And

648
00:45:37,560 --> 00:45:43,400
Speaker 1: I represent the whole motherfucking West Home where it's the

649
00:45:43,480 --> 00:45:49,520
Speaker 1: whole remix right here, this to remix, right, that's the whole.

650
00:45:51,239 --> 00:45:53,239
Speaker 1: I love you niggas, man, and I love y'all, and

651
00:45:53,280 --> 00:45:55,839
Speaker 1: I just feel like a culture, the culture, love y'all.

652
00:45:55,880 --> 00:45:57,600
Speaker 1: When I got out the ring in the verses the battle,

653
00:45:57,640 --> 00:45:59,279
Speaker 1: it made me feel so much better than me and

654
00:45:59,320 --> 00:46:01,480
Speaker 1: didn't make it together. And I just want to see

655
00:46:01,520 --> 00:46:03,319
Speaker 1: two of my friends getting the ring car that's all.

656
00:46:03,440 --> 00:46:05,040
Speaker 1: I just love all of you niggas. I just want

657
00:46:05,040 --> 00:46:18,640
Speaker 1: to see y'all doing Swiss golf with pup houseption. What

658
00:46:18,880 --> 00:46:26,080
Speaker 1: you say? Why my recept? Your house? Who did it? Man?

659
00:46:27,840 --> 00:46:32,520
Speaker 1: Rept so bad? You made? What is your top five records?

660
00:46:32,560 --> 00:46:35,719
Speaker 1: You play at this battle? I'm we're not doing all that.

661
00:46:36,000 --> 00:46:38,840
Speaker 1: We're not doing all that? Are you scared? As I

662
00:46:39,040 --> 00:46:42,239
Speaker 1: dare you? You ain't going that. I'm gonna tell you,

663
00:46:42,320 --> 00:46:46,080
Speaker 1: I'm always coming at you. I'm not doing that. You

664
00:46:46,160 --> 00:46:51,600
Speaker 1: know I'm gonna tell you. Can't you listen to imagine?

665
00:46:51,680 --> 00:46:54,440
Speaker 1: Matter fact? Listen, we ain't gonna keep talking about harting

666
00:46:54,480 --> 00:46:56,920
Speaker 1: about what are y'all talking about? Anna? Do you think?

667
00:46:57,000 --> 00:46:59,360
Speaker 1: What do you think was that? This whole ship? Nigga?

668
00:46:59,480 --> 00:47:05,040
Speaker 1: What does I won't see the treason the back the house?

669
00:47:05,200 --> 00:47:08,400
Speaker 1: We talk about downhill? When I mean we talk about

670
00:47:08,440 --> 00:47:12,839
Speaker 1: my house? Your house is your house. I took the top,

671
00:47:13,239 --> 00:47:16,920
Speaker 1: said I bank. First I hit you with with with victory,

672
00:47:17,080 --> 00:47:20,640
Speaker 1: just to start off. And then and then I hit

673
00:47:20,680 --> 00:47:23,640
Speaker 1: you with hypnotime? What you with me with? What I

674
00:47:23,800 --> 00:47:28,840
Speaker 1: hit you with? Hctory of time to hit I hit you?

675
00:47:30,920 --> 00:47:42,680
Speaker 1: Hey and Joe Joe Buddy couldn't do this. Let me

676
00:47:42,760 --> 00:47:46,360
Speaker 1: say this because I just want to do that. He

677
00:47:46,440 --> 00:47:50,359
Speaker 1: has an I don't have enough hit with other celebrities.

678
00:47:51,440 --> 00:47:54,080
Speaker 1: Every song that I can play if it, if I

679
00:47:54,239 --> 00:47:56,880
Speaker 1: wanted to, would be a number one record. He just

680
00:47:57,040 --> 00:47:59,080
Speaker 1: told me he was gonna start off with a mediocre

681
00:47:59,160 --> 00:48:04,200
Speaker 1: as song. Come on, man, number one? You got twenty

682
00:48:04,320 --> 00:48:07,840
Speaker 1: number one j D? More than twenty number one? What?

683
00:48:08,880 --> 00:48:15,520
Speaker 1: Yes talking about Joe Can? Y'all hearing me? We call

684
00:48:15,640 --> 00:48:19,160
Speaker 1: you Can, y'all hear me. I'm telling you you know

685
00:48:19,320 --> 00:48:24,600
Speaker 1: I can play number one j D? How many number

686
00:48:24,640 --> 00:48:26,439
Speaker 1: ones do you think I got? Have you really checked

687
00:48:26,520 --> 00:48:30,480
Speaker 1: my resume? You told me you listen, you just told

688
00:48:30,480 --> 00:48:33,600
Speaker 1: me you you sna clot a mediocre record at me.

689
00:48:33,719 --> 00:48:35,200
Speaker 1: You don't want to do that. You might want to

690
00:48:35,200 --> 00:48:38,000
Speaker 1: go back. That's all I'm gonna tell you. He victory

691
00:48:38,080 --> 00:48:41,919
Speaker 1: of medio. Come on, come on? So did it jump

692
00:48:42,080 --> 00:48:44,480
Speaker 1: right in that bag? He want to? Yeah, you know

693
00:48:44,600 --> 00:48:46,799
Speaker 1: he want to promote the fight. Come on? What you're

694
00:48:46,800 --> 00:48:49,360
Speaker 1: looking at that though? Let me be clean, said the stage.

695
00:48:50,200 --> 00:48:53,520
Speaker 1: You looking they didn't understanding what the game currently sits.

696
00:48:54,400 --> 00:48:58,880
Speaker 1: And you looking at jas D me with you hit

697
00:48:58,960 --> 00:49:01,400
Speaker 1: me with I explained it. The minute, Come on you

698
00:49:01,600 --> 00:49:13,439
Speaker 1: sway anybody listen, Wait, y'all, what I can't? I can't

699
00:49:14,719 --> 00:49:18,920
Speaker 1: hold on ship, hold on, hold on hey Joe, Joe, dude,

700
00:49:19,400 --> 00:49:21,919
Speaker 1: I'm gonna pay somebody sat out where he went? Well?

701
00:49:23,040 --> 00:49:30,799
Speaker 1: Hey man, hold up Friday, Hey bank something bang something

702
00:49:30,800 --> 00:49:33,919
Speaker 1: the nigga. Let me hear shot up man put up ship?

703
00:49:34,360 --> 00:49:38,879
Speaker 1: But this shop man nineteen joy well Ship, don't ask

704
00:49:39,000 --> 00:49:42,600
Speaker 1: him this clay in nineteen when when Chris Cross called

705
00:49:42,680 --> 00:49:44,279
Speaker 1: him out, You ain't gonna love it? Where you go

706
00:49:44,880 --> 00:49:48,120
Speaker 1: this wumble man? What record did he else? Somebody gets

707
00:49:48,239 --> 00:49:50,799
Speaker 1: right on the phone. I'm not talking to this cat man.

708
00:49:51,480 --> 00:49:54,919
Speaker 1: Somebody rank to get out of the phone. Somebody can't

709
00:49:55,000 --> 00:50:13,640
Speaker 1: playing on the phone on Instagram. Hit with another one,

710
00:50:14,080 --> 00:50:19,040
Speaker 1: hit with another one. Let's say, hold on, hold on, No,

711
00:50:19,200 --> 00:50:22,440
Speaker 1: you gotta me high, you gotta I'm like this the

712
00:50:22,560 --> 00:50:33,319
Speaker 1: bro I gotta stop. You gotta stop him. And if

713
00:50:33,320 --> 00:50:36,400
Speaker 1: you play a right out, just plain Mary whatever you do,

714
00:50:37,000 --> 00:50:44,680
Speaker 1: I man, I gotta go many patience. Hey, let's time

715
00:50:44,800 --> 00:50:48,879
Speaker 1: that man familiar for usher? I need do you find

716
00:50:49,000 --> 00:50:54,279
Speaker 1: the paperwork? All that? Playing the music on I'm gonna

717
00:50:54,320 --> 00:50:59,760
Speaker 1: tell the work y y'all gonna be straight up with you, y'all. Snoop,

718
00:51:00,040 --> 00:51:02,120
Speaker 1: let's go down. I'm gonna give it up. We all

719
00:51:02,200 --> 00:51:04,680
Speaker 1: have losing for my friend. This go down. I'm gonna

720
00:51:04,680 --> 00:51:07,520
Speaker 1: give me the rig. Fucking that's your blue Magic Baby,

721
00:51:07,920 --> 00:51:11,719
Speaker 1: Blue Magic Baby. I need that rag man, y'all, can

722
00:51:11,760 --> 00:51:15,879
Speaker 1: you tell him to play? Fucking fuck that? Bang something,

723
00:51:15,960 --> 00:51:18,239
Speaker 1: jay D? Bang something, Jady, you're in the studio. Bang

724
00:51:18,320 --> 00:51:21,000
Speaker 1: come down. I'm gonna edit this down. It's not as

725
00:51:21,080 --> 00:51:33,359
Speaker 1: long that a fuck the building up? Man? Oh man,

726
00:51:33,840 --> 00:51:42,279
Speaker 1: haven't that a fuck the building the building up? Yeah? Yeah, yeah.

727
00:51:42,280 --> 00:51:44,719
Speaker 1: Biggie was hard though some of them tracks. They was

728
00:51:44,760 --> 00:51:46,759
Speaker 1: hard to me. I'm gonna fuck you up right now

729
00:51:46,800 --> 00:51:52,280
Speaker 1: on the fire. This is coming. I don't need play something.

730
00:51:53,800 --> 00:51:58,760
Speaker 1: Don't go to Jose Damn. I forgot about the dam

731
00:52:00,000 --> 00:52:05,600
Speaker 1: for us Jo to see, for us, say what you're

732
00:52:05,640 --> 00:52:09,680
Speaker 1: doing in your backyard? I want you to watch. J

733
00:52:09,840 --> 00:52:16,000
Speaker 1: D's a dinosaur. See j D's a dinosaur. What you're

734
00:52:16,040 --> 00:52:19,600
Speaker 1: dealing with? I explain what you're dealing with is the

735
00:52:19,719 --> 00:52:47,880
Speaker 1: reason why. Let me get that face right on. And

736
00:52:48,239 --> 00:52:51,800
Speaker 1: somebody told Day to play a record back day we

737
00:52:52,320 --> 00:53:00,840
Speaker 1: could get them. Go hey, you can paperwork back. I

738
00:53:02,560 --> 00:53:04,840
Speaker 1: listen I listen, and I like the fact that you

739
00:53:05,040 --> 00:53:07,279
Speaker 1: do listen to me. You listen to me. I told

740
00:53:07,320 --> 00:53:10,080
Speaker 1: you you need to train, Nigga. I told you you're

741
00:53:10,120 --> 00:53:13,120
Speaker 1: back in your backyard training. I love it. I love

742
00:53:13,200 --> 00:53:15,640
Speaker 1: it you listen to me. I told you you needed

743
00:53:15,680 --> 00:53:18,279
Speaker 1: to train. Now you show me that you training. I

744
00:53:18,520 --> 00:53:23,360
Speaker 1: love it. Yes, you gonna need to train. Nigga, can't training.

745
00:53:24,239 --> 00:53:26,680
Speaker 1: Shout out my brother, y'all rule over the checking cooler

746
00:53:26,760 --> 00:53:35,719
Speaker 1: ja on the check. It training, sobody. I don't have

747
00:53:35,840 --> 00:53:37,839
Speaker 1: to ready, I stay ready. I don't have to get

748
00:53:37,920 --> 00:53:41,359
Speaker 1: ready to trash. Stay gotta train. Play my whole life.

749
00:53:41,960 --> 00:53:44,120
Speaker 1: You gotta train. I like I like it, y'all. When

750
00:53:44,120 --> 00:53:47,799
Speaker 1: you and you play the record, please the people wants

751
00:53:47,840 --> 00:53:57,840
Speaker 1: to play the word because I'm saying what but just

752
00:53:58,040 --> 00:54:00,600
Speaker 1: such a st they have no feeling. They don't have

753
00:54:01,440 --> 00:54:10,080
Speaker 1: pay d J. Play how many times you're gonna play this?

754
00:54:11,800 --> 00:54:14,359
Speaker 1: This niggas soldier for you're not playing two simes play.

755
00:54:16,400 --> 00:54:19,360
Speaker 1: Don't say that, Munna get you je, don't say that.

756
00:54:21,239 --> 00:54:23,480
Speaker 1: I think it's doing the soldier boy. You don't playing dinner.

757
00:54:23,560 --> 00:54:25,960
Speaker 1: I was ty Reefs on the check and we're the

758
00:54:26,040 --> 00:54:29,520
Speaker 1: best music on the check. It J's on the jacket,

759
00:54:29,640 --> 00:54:32,759
Speaker 1: play tell you, Wilson on the t play something. I'll

760
00:54:32,800 --> 00:54:36,719
Speaker 1: playing this. Jady banged something cuming on Jady, come ja,

761
00:54:37,080 --> 00:54:40,480
Speaker 1: come on, man, you been you want this. I just

762
00:54:40,680 --> 00:54:43,160
Speaker 1: find pump Daddy for a long time, I know, for

763
00:54:43,239 --> 00:54:46,240
Speaker 1: a long time. Get pump Daddy to side the pictures

764
00:54:46,280 --> 00:54:50,200
Speaker 1: of mistakes. You ain't gonna hit from me. Just say yeah, yo,

765
00:54:50,280 --> 00:54:52,560
Speaker 1: yo yo, tell the side because Yo, we don't need

766
00:54:52,640 --> 00:55:10,120
Speaker 1: no paperwork. Yeah you need bad anything him was monster.

767
00:55:12,560 --> 00:55:14,399
Speaker 1: I can just play the influes. I may not even

768
00:55:14,520 --> 00:55:17,600
Speaker 1: play an I don't need a house for you. I

769
00:55:17,680 --> 00:55:22,480
Speaker 1: can do it very live. Why we got away? I

770
00:55:22,560 --> 00:55:25,239
Speaker 1: can do it right now. You know what I'm said,

771
00:55:25,440 --> 00:55:30,400
Speaker 1: he tells out why we got away? Yo, super you

772
00:55:32,719 --> 00:55:36,479
Speaker 1: do me a favor. Some mistakes from over there shop.

773
00:55:36,600 --> 00:55:42,120
Speaker 1: I'm gonna make that point again about ten millions million, y'all.

774
00:55:42,800 --> 00:55:45,279
Speaker 1: I'm not let me leave you over the record. I

775
00:55:45,360 --> 00:55:48,720
Speaker 1: think ain't gonna play a record and all your fucking

776
00:55:49,400 --> 00:55:58,719
Speaker 1: whoever on the internet. Some mistake by JD. It's some

777
00:55:58,880 --> 00:56:04,839
Speaker 1: mistake you hit me. When I'm to remind why these

778
00:56:04,960 --> 00:56:08,279
Speaker 1: guys don't evolve with the coach. Ain't gonna lie to you.

779
00:56:13,000 --> 00:56:16,640
Speaker 1: This dude is dropping me. Why I didn't know you

780
00:56:16,719 --> 00:56:25,680
Speaker 1: produced that song. I didn't know you you produced that song.

781
00:56:26,600 --> 00:56:30,120
Speaker 1: Somebody said this, Mikey, that's my seat. That's what you

782
00:56:30,200 --> 00:56:37,799
Speaker 1: gotta understand. I get credit for everything I did. Girl

783
00:56:38,040 --> 00:56:43,879
Speaker 1: joins het girl joints. I forgot about them. Joint dude

784
00:56:44,040 --> 00:56:47,520
Speaker 1: got some joy. I gotta go, Guys, I can't play

785
00:56:47,560 --> 00:56:56,879
Speaker 1: with this guy. Carl Hey, Swissing. You don't call called

786
00:56:56,920 --> 00:56:59,120
Speaker 1: me back and tell me the date. I don't want

787
00:56:59,120 --> 00:57:01,439
Speaker 1: to hit nothing else. Pluck, don't get back. I'm gonna

788
00:57:01,440 --> 00:57:05,000
Speaker 1: tell that you're talking about my rock ni Yo Yo.

789
00:57:05,120 --> 00:57:09,240
Speaker 1: Don't get back on unless you talk about rock nicker.

790
00:57:09,560 --> 00:57:17,280
Speaker 1: Don't all about the Benjamin. That's another monster song. This

791
00:57:17,480 --> 00:57:24,400
Speaker 1: dude got Monster records. Man, this dude did. It's a reason,

792
00:57:30,960 --> 00:57:33,680
Speaker 1: as your friend, you're not playing a song. It's so

793
00:57:35,520 --> 00:57:39,640
Speaker 1: it's so rad you're not right. He shot the whole

794
00:57:40,520 --> 00:57:43,240
Speaker 1: and and and nobody's making the point I'm making that

795
00:57:43,360 --> 00:57:45,919
Speaker 1: I'm about to make. But I'm enjoying this moment. Y'all.

796
00:57:45,960 --> 00:57:51,200
Speaker 1: Just ride with this moment. So bad you play on

797
00:57:52,600 --> 00:57:59,400
Speaker 1: show on Sweet Gard people didn't want to know what

798
00:57:59,480 --> 00:58:04,480
Speaker 1: he did. Stop that you don't get no play. So hey,

799
00:58:04,560 --> 00:58:06,800
Speaker 1: one of y'all send me two three of them tickets. Man,

800
00:58:06,880 --> 00:58:12,120
Speaker 1: make sure me and my loved ones getting all you

801
00:58:12,240 --> 00:58:14,840
Speaker 1: suckers run around. Make sure me and Game get in there.

802
00:58:14,920 --> 00:58:17,320
Speaker 1: Make sure me and my loved ones get in the verses.

803
00:58:18,000 --> 00:58:21,800
Speaker 1: I am Game, good date. All this playing music on Instagram?

804
00:58:21,840 --> 00:58:27,520
Speaker 1: Shit fuck that we're back outside. Let's do it. It's

805
00:58:27,560 --> 00:58:31,960
Speaker 1: a mistake by j jimin the tree all ya, j D,

806
00:58:32,120 --> 00:58:39,280
Speaker 1: could you play? It's a billion now, billion now, it's

807
00:58:39,280 --> 00:58:44,040
Speaker 1: a billion now playing in the music business, playing records,

808
00:58:44,760 --> 00:58:47,520
Speaker 1: and you got j D not playing nothing. It's a mistake.

809
00:58:49,320 --> 00:58:54,840
Speaker 1: Lay please please, brother Love just blazed up. You know

810
00:58:54,880 --> 00:59:00,600
Speaker 1: it's real now Yeah that you can't really gonna say something.

811
00:59:00,800 --> 00:59:06,880
Speaker 1: He's gonna say something. Atlanted ass who little but one

812
00:59:06,920 --> 00:59:09,560
Speaker 1: of those soft breakers that have disappeared off the planet

813
00:59:09,640 --> 00:59:13,800
Speaker 1: earth play one. Hold hold up when we talking about

814
00:59:13,840 --> 00:59:16,240
Speaker 1: the ft record, right we talk, let's talk about one

815
00:59:16,280 --> 00:59:29,560
Speaker 1: of the soft round a whole decades. See y'all, that's

816
00:59:29,600 --> 00:59:32,040
Speaker 1: a biggie man. It's gonna be hard in New York

817
00:59:32,080 --> 00:59:35,439
Speaker 1: to go and being set. I say, the building gonna

818
00:59:35,480 --> 00:59:39,439
Speaker 1: go crazy. Oh you ain't playing the Atlantic ship. Oh yeah,

819
00:59:39,480 --> 00:59:45,280
Speaker 1: play some Atlantic Ship Dallas. Let Yon Joy. Don't forget

820
00:59:45,400 --> 00:59:50,000
Speaker 1: he got sill with future Joy. Joey Joe, I cannot

821
00:59:50,240 --> 00:59:52,560
Speaker 1: leave that you're letting it Joe and Snoop. I cannot

822
00:59:52,600 --> 00:59:54,480
Speaker 1: believe you're a letting this guy get away when not

823
00:59:54,640 --> 01:00:13,080
Speaker 1: playing one record? Now to play record? I'm flock? What

824
01:00:13,240 --> 01:00:18,520
Speaker 1: he did? He did respect Walker? You had franchise boys?

825
01:00:18,560 --> 01:00:21,520
Speaker 1: How you did respect Walker Flocker? See that? What that? What?

826
01:00:21,640 --> 01:00:23,800
Speaker 1: I don't you talk to Atlanta talk? Then you did

827
01:00:23,880 --> 01:00:27,520
Speaker 1: respect Walker Flocker? You polled the embraced Walker Flocker right there.

828
01:00:27,640 --> 01:00:31,720
Speaker 1: Jermaine Dupris, you need Atlanta ran with you on this,

829
01:00:31,880 --> 01:00:34,280
Speaker 1: Jermaine dupri Or. They gonna treat you like a little

830
01:00:34,360 --> 01:00:37,640
Speaker 1: boy if they don't think that they're disrespecting Atlanta when

831
01:00:37,640 --> 01:00:40,160
Speaker 1: they're talking to you. They're gonna treat you like Leon,

832
01:00:41,560 --> 01:00:44,920
Speaker 1: Leon the Pion, if they don't think that you represent

833
01:00:45,040 --> 01:00:47,120
Speaker 1: the whole Atlanta. Like how you trying to make it

834
01:00:48,400 --> 01:00:51,320
Speaker 1: but to not shed light? Don't come on, dog, I

835
01:00:51,400 --> 01:00:54,720
Speaker 1: took that like yo, big up your home and embrace

836
01:00:54,840 --> 01:00:58,760
Speaker 1: your fellow Atlanta. Doe did he come down? Jump on

837
01:00:58,880 --> 01:01:01,680
Speaker 1: that record? Don't shut your man. If I was dead

838
01:01:01,800 --> 01:01:04,440
Speaker 1: out of shot at that. That was a mistake. It's

839
01:01:04,480 --> 01:01:08,200
Speaker 1: all kind of internet mistakes going on with you right now, Homer.

840
01:01:11,480 --> 01:01:13,480
Speaker 1: But I love the South. I'm with the South. Let's go.

841
01:01:15,040 --> 01:01:16,960
Speaker 1: But I don't know who I'm taking on this battle.

842
01:01:16,960 --> 01:01:19,360
Speaker 1: I'm telling you that J D d J drummers on

843
01:01:19,480 --> 01:01:26,240
Speaker 1: the play something. If you don't, I'm drummer Jazzy everybody

844
01:01:26,280 --> 01:01:32,040
Speaker 1: in that. I'm not talking. I'm not listen. I love it.

845
01:01:32,160 --> 01:01:34,080
Speaker 1: I love all your music. You're doing a great job

846
01:01:34,080 --> 01:01:36,200
Speaker 1: about that. Keep rehearsing, my nigga. When you want to

847
01:01:36,240 --> 01:01:40,600
Speaker 1: sign that paper, let me know until that. No, Jay Lady,

848
01:01:40,640 --> 01:01:44,800
Speaker 1: you don't run, thank god. Damn j Jadie you Jade.

849
01:01:44,840 --> 01:01:47,000
Speaker 1: You don't call no shots, my nigga. You don't call

850
01:01:47,080 --> 01:01:50,080
Speaker 1: those shots. Play a record, big, rehearses hip hop. This

851
01:01:50,240 --> 01:01:52,760
Speaker 1: is hip hop. You never seen somebody come try to

852
01:01:52,840 --> 01:01:55,880
Speaker 1: battle somebody and and they and they like on the

853
01:01:56,000 --> 01:01:59,200
Speaker 1: corner like you know, you don't like on one hundred

854
01:01:59,200 --> 01:02:11,600
Speaker 1: and forty ships and up to somebody that whatever this

855
01:02:11,800 --> 01:02:15,240
Speaker 1: this this is what's going on. This is a mistake, right,

856
01:02:15,920 --> 01:02:18,920
Speaker 1: This is um again. This is a reason why you

857
01:02:19,000 --> 01:02:21,600
Speaker 1: look at some of the old heads in the game respectfully,

858
01:02:21,600 --> 01:02:24,120
Speaker 1: and you see they don't evolve with the culture. You

859
01:02:24,200 --> 01:02:28,000
Speaker 1: see that they can't their position, their mindset. It's dinosaurs.

860
01:02:28,760 --> 01:02:32,240
Speaker 1: J j D is a dinosaur. You're not even seeing

861
01:02:32,320 --> 01:02:34,520
Speaker 1: the moment you're in right now. This is why you

862
01:02:34,760 --> 01:02:38,480
Speaker 1: never went viral. This is why nothing you do gets

863
01:02:38,560 --> 01:02:41,200
Speaker 1: in the real traction. We love you and your talented

864
01:02:41,280 --> 01:02:44,880
Speaker 1: you're one of the best, your goal respectfully, but as

865
01:02:44,920 --> 01:02:48,280
Speaker 1: far as where the game currently sits, we're looking at

866
01:02:48,680 --> 01:02:51,600
Speaker 1: the reason. Why did it is the head of Revolte

867
01:02:51,680 --> 01:02:55,200
Speaker 1: and Sirok and Delhian or whatever all these other things,

868
01:02:55,280 --> 01:02:57,680
Speaker 1: and why JAYD is sitting in the studio and won't

869
01:02:57,720 --> 01:03:01,440
Speaker 1: play a record. These people gotta understand how to evolve

870
01:03:01,520 --> 01:03:04,880
Speaker 1: with what's going on. You capitalize that was your tent

871
01:03:05,040 --> 01:03:09,200
Speaker 1: chance to engage your customer, Separate your customer from your fan,

872
01:03:09,960 --> 01:03:14,120
Speaker 1: separate your looker from your fan. Just somebody there because

873
01:03:14,200 --> 01:03:17,560
Speaker 1: y'all talking versus who really engaged. This is where you

874
01:03:17,680 --> 01:03:20,439
Speaker 1: can really weed them out. And you got people that's

875
01:03:20,480 --> 01:03:23,000
Speaker 1: really invested at this point. This is where you can

876
01:03:23,080 --> 01:03:26,640
Speaker 1: make Diddy come on down. You understand, but to act

877
01:03:26,680 --> 01:03:29,280
Speaker 1: like you calling the shots, that ain't even a good move.

878
01:03:29,840 --> 01:03:32,040
Speaker 1: How I'm gonna put myself in a position to let

879
01:03:32,120 --> 01:03:35,440
Speaker 1: you call the shots when you can't even evolved. You

880
01:03:35,560 --> 01:03:37,720
Speaker 1: look at like a dinosaur. We need you to be

881
01:03:38,240 --> 01:03:40,919
Speaker 1: help on the moment. We need you to understand what's

882
01:03:40,960 --> 01:03:43,880
Speaker 1: going on. You got the whole game saying play something,

883
01:03:44,000 --> 01:03:47,920
Speaker 1: JD play something. Sixty seventy thousand people in the live

884
01:03:48,080 --> 01:03:50,880
Speaker 1: play something. Play You tell my na, na I ain't

885
01:03:50,920 --> 01:03:53,919
Speaker 1: doing that. Wait, NA, I ain't doing that. Now wait

886
01:03:53,960 --> 01:03:56,680
Speaker 1: I ain't doing that. Yo. Bro, you're a dinosaur. Bro.

887
01:03:56,840 --> 01:04:01,400
Speaker 1: You tapped out. You tapped out. Bro, you don't even

888
01:04:01,480 --> 01:04:04,120
Speaker 1: know where the game see that. That's why see them

889
01:04:04,280 --> 01:04:07,560
Speaker 1: artists you're working with, I know they and not respectfully

890
01:04:07,640 --> 01:04:10,160
Speaker 1: to your talent. Again, I want to be clear on that,

891
01:04:10,560 --> 01:04:12,440
Speaker 1: but I know some of these artists that may be

892
01:04:12,600 --> 01:04:18,720
Speaker 1: under your tutorlage maybe having an issue which you understanding

893
01:04:19,320 --> 01:04:23,320
Speaker 1: what they need in regards to making that people engage

894
01:04:23,400 --> 01:04:27,680
Speaker 1: on social media down. Social media is a playground. You

895
01:04:27,760 --> 01:04:29,680
Speaker 1: don't know who's gonna come and play with you or

896
01:04:29,760 --> 01:04:32,080
Speaker 1: be on your ride. It's just a place where a

897
01:04:32,120 --> 01:04:34,960
Speaker 1: whole bunch of people that it's your job to connect

898
01:04:35,000 --> 01:04:39,040
Speaker 1: with folk figure out who is who. You had your

899
01:04:39,120 --> 01:04:41,760
Speaker 1: whole play right on the line. You had your audience,

900
01:04:42,200 --> 01:04:45,480
Speaker 1: you had your customers right there. You had the people

901
01:04:45,560 --> 01:04:49,240
Speaker 1: who are over the event in the building. You had

902
01:04:49,320 --> 01:04:52,640
Speaker 1: joy opponent in the building who just if we're dealing

903
01:04:52,720 --> 01:04:55,840
Speaker 1: with stature, it's of a high statue than you. You

904
01:04:55,960 --> 01:04:59,440
Speaker 1: had everything your way right there to set it up,

905
01:05:00,800 --> 01:05:03,400
Speaker 1: and you just kept wanting to play that old dinosaur

906
01:05:03,600 --> 01:05:08,240
Speaker 1: card of I ain't showing my hand, say bro. With

907
01:05:08,400 --> 01:05:12,600
Speaker 1: social media and Instagram and things like that, excuse me,

908
01:05:12,760 --> 01:05:18,840
Speaker 1: the game doesn't change. But we're able to see and

909
01:05:19,000 --> 01:05:21,280
Speaker 1: we probably don't have nobody close enough to you to

910
01:05:21,400 --> 01:05:23,880
Speaker 1: understand what I understand. So I want to put that

911
01:05:24,000 --> 01:05:26,560
Speaker 1: out there. We're able to see why you why you

912
01:05:26,720 --> 01:05:30,000
Speaker 1: may have trouble with your with your engagement. Are the

913
01:05:30,080 --> 01:05:33,240
Speaker 1: people that know your name right, because Jermaine Dupre is

914
01:05:33,280 --> 01:05:36,640
Speaker 1: a household name, or what does your engagement look like

915
01:05:36,800 --> 01:05:39,920
Speaker 1: in two thousand and twenty one, two twenty two, It

916
01:05:40,160 --> 01:05:43,360
Speaker 1: probably could be based on your approach. I want to

917
01:05:43,400 --> 01:05:45,919
Speaker 1: hold everything in. I wanted to be perfect. I needed

918
01:05:46,000 --> 01:05:48,640
Speaker 1: to be at this point. You gotta show a little

919
01:05:48,680 --> 01:05:52,760
Speaker 1: bit too. You gotta yeah, yeah, yeah, you gotta, you gotta.

920
01:05:52,840 --> 01:05:55,360
Speaker 1: You can't just dorm like that. It ain't working. That's

921
01:05:55,440 --> 01:05:58,200
Speaker 1: old school. I hate to see that because it's seventy

922
01:05:58,280 --> 01:06:01,600
Speaker 1: eighty thousand people in there. You got did it? Bigging

923
01:06:01,680 --> 01:06:05,880
Speaker 1: that revoke guy playing music, play something you got Snoop

924
01:06:05,960 --> 01:06:11,200
Speaker 1: Dog the legend, been doing it twenty five years, sprite commercials,

925
01:06:12,160 --> 01:06:14,960
Speaker 1: being gay Kaye. The dude got all kind of rastling.

926
01:06:15,120 --> 01:06:19,240
Speaker 1: This dude is every Martha NBC. He everywhere, one of

927
01:06:19,280 --> 01:06:22,200
Speaker 1: the biggest names in hill how Fat Joe fresh out

928
01:06:22,280 --> 01:06:27,480
Speaker 1: the versus name piping hot Jermaine Duprix. Nobody's talking about

929
01:06:29,280 --> 01:06:31,680
Speaker 1: a lot of respect in the game, a lot of caste.

930
01:06:31,880 --> 01:06:36,840
Speaker 1: He can call and get a record deal guaranteed, garrantee.

931
01:06:37,000 --> 01:06:40,880
Speaker 1: But that ain't what we're talking about. We're talking about

932
01:06:41,000 --> 01:06:44,240
Speaker 1: right now. Nobody's saying your name. Your engagement is low.

933
01:06:44,400 --> 01:06:47,800
Speaker 1: This is your time to engage with them people. Y'all

934
01:06:47,880 --> 01:06:50,360
Speaker 1: must have forgot two three records. This ain't the show.

935
01:06:50,480 --> 01:06:52,720
Speaker 1: You think we don't know that this you putting the

936
01:06:52,800 --> 01:06:55,840
Speaker 1: worm on the hook for did it and getting your

937
01:06:55,880 --> 01:06:58,360
Speaker 1: engagement up. I just got a lick out of y'all

938
01:06:58,400 --> 01:07:02,360
Speaker 1: without even giving y'all none as far as engagement wise.

939
01:07:02,720 --> 01:07:07,920
Speaker 1: But you don't understand that because you dinosaur, you understand respectful.

940
01:07:08,000 --> 01:07:10,720
Speaker 1: And again it ain't too many pins missing with dude

941
01:07:12,120 --> 01:07:15,040
Speaker 1: with that Usher bag and then Marah bag and then

942
01:07:15,840 --> 01:07:18,720
Speaker 1: you know, lovers and friends. I'm not sure if that

943
01:07:18,880 --> 01:07:21,400
Speaker 1: was him whoever bag? That was just that whole error

944
01:07:21,520 --> 01:07:25,280
Speaker 1: right there was them. It was some you got a

945
01:07:25,360 --> 01:07:28,320
Speaker 1: problem dealing with Usher. But again, did he got Jodason?

946
01:07:29,600 --> 01:07:37,120
Speaker 1: I forgot about Jodason. I forgot about Jodasi. See got married.

947
01:07:37,360 --> 01:07:40,320
Speaker 1: He got Marah Like, that's a hell of a thing. Dog.

948
01:07:40,400 --> 01:07:42,560
Speaker 1: I would look, if they do that, it's gonna be

949
01:07:42,640 --> 01:07:44,720
Speaker 1: so due. It's gonna probably be one of the biggest

950
01:07:44,760 --> 01:07:47,640
Speaker 1: ones break out of records, you know, but we gotta

951
01:07:47,880 --> 01:07:49,800
Speaker 1: they gonna have to be careful with how they get

952
01:07:49,920 --> 01:07:53,480
Speaker 1: did to do it. You know. JD ain't gonna bear

953
01:07:53,600 --> 01:07:55,760
Speaker 1: to bully him into it. That ain't gonna work. He

954
01:07:55,880 --> 01:07:59,280
Speaker 1: got more cachet than you. It gonna look bad just

955
01:07:59,480 --> 01:08:01,480
Speaker 1: me showing up on stage. Now. I might do it

956
01:08:01,600 --> 01:08:03,800
Speaker 1: for hip hop and now all this, but I just

957
01:08:03,960 --> 01:08:06,040
Speaker 1: think it come off bad. If you tell me about

958
01:08:06,080 --> 01:08:09,400
Speaker 1: signing the paperwordd and I got way more cache than

959
01:08:09,480 --> 01:08:13,000
Speaker 1: you in every arena we can talk about it just

960
01:08:13,200 --> 01:08:15,880
Speaker 1: feel funny. But let's look at a little bit more. Um,

961
01:08:16,040 --> 01:08:18,800
Speaker 1: But that point hasn't been made. These points that I make,

962
01:08:18,920 --> 01:08:21,880
Speaker 1: nobody make some. It's unique to me. That's why people

963
01:08:22,000 --> 01:08:23,680
Speaker 1: come here. But let's look at a little bit more

964
01:08:23,720 --> 01:08:30,599
Speaker 1: than we out. Listen rock the down right now right?

965
01:08:30,920 --> 01:08:37,240
Speaker 1: You a producer? Play something new, nigga j Come on, man,

966
01:08:47,760 --> 01:09:00,320
Speaker 1: play something new about listen guys record jayd ain't got

967
01:09:00,400 --> 01:09:03,400
Speaker 1: no hen anybody he stopped. We ain't trying to make

968
01:09:03,439 --> 01:09:05,479
Speaker 1: a hit. What are your daddy? You in there trying

969
01:09:05,479 --> 01:09:09,960
Speaker 1: to make a hit? Yo, this guy won't play yo joke.

970
01:09:10,200 --> 01:09:15,080
Speaker 1: How will you letting us happen? Louise? We got boy,

971
01:09:15,560 --> 01:09:38,880
Speaker 1: bad boy, bad boy boy? Use man. First he dropped,

972
01:09:38,880 --> 01:09:40,680
Speaker 1: he dropped, He dropped the ball. I'm gonna let you

973
01:09:40,760 --> 01:09:44,479
Speaker 1: hear what Swiss is saying, um, because they told him, bro,

974
01:09:44,600 --> 01:09:46,760
Speaker 1: you dropped the ball, man, and you made it hard

975
01:09:46,880 --> 01:09:53,920
Speaker 1: on us. They went for another fifteen twenty minutes, just on,

976
01:09:54,760 --> 01:09:57,479
Speaker 1: just on that, you know, just on some bro, you

977
01:09:57,600 --> 01:09:59,880
Speaker 1: dropped the ball. Come on, man, play a record player,

978
01:10:00,000 --> 01:10:02,680
Speaker 1: record player, record player record. He told me no, Now

979
01:10:02,760 --> 01:10:05,040
Speaker 1: let's get in the ring. He don't even understand where

980
01:10:05,040 --> 01:10:07,720
Speaker 1: the game. Man. You know music would give you that

981
01:10:07,880 --> 01:10:12,200
Speaker 1: you got there. Nobody can take uncontested shot. You got

982
01:10:12,280 --> 01:10:16,320
Speaker 1: the music, but the game doesn't evolved in the You

983
01:10:16,400 --> 01:10:21,320
Speaker 1: gotta be You gotta engage with the people man like

984
01:10:21,920 --> 01:10:24,040
Speaker 1: like like you could have hit him with like two

985
01:10:24,160 --> 01:10:26,719
Speaker 1: or three sighs. They're looking at Swiss Beach and people.

986
01:10:26,800 --> 01:10:30,080
Speaker 1: The people want you want. I wanted to date Swiss.

987
01:10:30,280 --> 01:10:33,840
Speaker 1: I'm really I really ain't playing around now, you you know,

988
01:10:34,000 --> 01:10:36,840
Speaker 1: we want to date more than everybody. I want, I want,

989
01:10:37,080 --> 01:10:39,880
Speaker 1: But I ain't playing around. He's playing around, and he

990
01:10:40,680 --> 01:10:42,680
Speaker 1: ain't making everybody far with it. That's how puck that

991
01:10:42,760 --> 01:10:46,840
Speaker 1: he do. He playing around. Everybody get with respect. That

992
01:10:46,960 --> 01:10:53,360
Speaker 1: man didn't look like he was playing around. Was playing around.

993
01:10:53,720 --> 01:10:56,400
Speaker 1: He over that practicing too. I don't know. But but

994
01:10:56,840 --> 01:10:59,400
Speaker 1: but this is the thing, though, I think that like

995
01:11:00,520 --> 01:11:02,560
Speaker 1: we gotta get and really organize it, you know what

996
01:11:02,600 --> 01:11:05,040
Speaker 1: I'm saying, and organized. You got your point, He got

997
01:11:05,120 --> 01:11:07,320
Speaker 1: his point. I think the point is, let's give the

998
01:11:07,360 --> 01:11:08,960
Speaker 1: people what they want. You know what I'm saying, Let's

999
01:11:09,000 --> 01:11:12,040
Speaker 1: let's let's give this celebration because it's truly a celebration,

1000
01:11:12,479 --> 01:11:14,320
Speaker 1: and I just think it's amazing, you know what I'm saying.

1001
01:11:14,439 --> 01:11:17,439
Speaker 1: And you know one thing about Versus and their hits,

1002
01:11:17,520 --> 01:11:20,439
Speaker 1: Like everybody gotta bring they hits to the table, but

1003
01:11:20,600 --> 01:11:24,120
Speaker 1: sometimes the number one hits don't hit like certain things.

1004
01:11:24,160 --> 01:11:26,880
Speaker 1: That feeling that's from both sides, because it's about how

1005
01:11:27,080 --> 01:11:29,880
Speaker 1: you stack your decks and we've seen that with dip

1006
01:11:30,000 --> 01:11:32,400
Speaker 1: set locks. Like you study versus, you know what I'm saying,

1007
01:11:32,840 --> 01:11:35,599
Speaker 1: and so like it's about the energy and the vibe

1008
01:11:36,160 --> 01:11:39,280
Speaker 1: and and and that's what it brings everything to the table,

1009
01:11:39,360 --> 01:11:42,000
Speaker 1: like when you've seen Joe and Jody brought the energy.

1010
01:11:42,520 --> 01:11:44,240
Speaker 1: You know what I'm saying, Like a lot of people,

1011
01:11:44,439 --> 01:11:46,840
Speaker 1: the whole shit is for the people. Yeah, the hold

1012
01:11:46,920 --> 01:11:49,519
Speaker 1: the whole thing for the people. Truly for the people,

1013
01:11:49,640 --> 01:11:52,479
Speaker 1: the whole thing. That's what I'm saying. I'm friend, I'm

1014
01:11:52,560 --> 01:11:55,760
Speaker 1: ready for the people. But the fact that you all

1015
01:11:55,840 --> 01:11:57,920
Speaker 1: got on me and that you're both ready, you know

1016
01:11:57,920 --> 01:12:01,000
Speaker 1: what I'm saying. Puff Puff reading with Jad, I'm not

1017
01:12:01,040 --> 01:12:02,960
Speaker 1: gonna lie to you. He should have played you should

1018
01:12:03,040 --> 01:12:07,320
Speaker 1: and went. I mean, you know, Swiss, you're supposed to

1019
01:12:09,120 --> 01:12:12,400
Speaker 1: never said I ain't never scared. I ain't never scared.

1020
01:12:12,400 --> 01:12:14,880
Speaker 1: You supposed to drop that on his hand. When or

1021
01:12:14,960 --> 01:12:18,760
Speaker 1: you want me to play something, I'm just telling me

1022
01:12:18,840 --> 01:12:26,080
Speaker 1: it's gonna you don't respect him. Truth. When he played

1023
01:12:26,120 --> 01:12:29,519
Speaker 1: them drinking seemed like seemed like JAD don't respect them.

1024
01:12:29,600 --> 01:12:32,479
Speaker 1: Never Skids and then Walker Flockers and now all let

1025
01:12:32,840 --> 01:12:35,960
Speaker 1: and that was a very very pivotal time and people

1026
01:12:36,000 --> 01:12:38,799
Speaker 1: got a lot of respect for that time. And in music,

1027
01:12:39,320 --> 01:12:43,200
Speaker 1: I played them drink, They're gonna hit. I know he

1028
01:12:43,360 --> 01:12:46,160
Speaker 1: felt like he already won and he was shocked good.

1029
01:12:46,479 --> 01:12:49,080
Speaker 1: He said, I already wanted he put on that when

1030
01:12:49,120 --> 01:12:52,800
Speaker 1: he came. Niggas already heard him play. If they feel

1031
01:12:52,880 --> 01:13:00,360
Speaker 1: like they heard him already forgot that Dinosaur meant reality

1032
01:13:00,720 --> 01:13:02,840
Speaker 1: olden records they heard and play, They're gonna say he

1033
01:13:02,960 --> 01:13:06,000
Speaker 1: played them already, No, sir, they not. It's a totally

1034
01:13:06,120 --> 01:13:09,680
Speaker 1: different feel. You can't now. I know you want to

1035
01:13:09,760 --> 01:13:13,080
Speaker 1: keep everything fresh, but this is like you ever seen

1036
01:13:13,160 --> 01:13:15,320
Speaker 1: the way into see Swiss can't say what I just

1037
01:13:15,520 --> 01:13:17,360
Speaker 1: said because he don't know how to put it the

1038
01:13:17,400 --> 01:13:19,880
Speaker 1: way I just said it. Shout out Swiss, but he's

1039
01:13:19,920 --> 01:13:23,400
Speaker 1: saying the same thing, like, Bro, you bugging that? Ain't

1040
01:13:23,520 --> 01:13:27,400
Speaker 1: that you just missed the moment? Bro? You tripping, respectfully.

1041
01:13:29,080 --> 01:13:35,759
Speaker 1: This is the way in hold on the biggest fucking recap.

1042
01:13:36,240 --> 01:13:40,320
Speaker 1: The biggest is the fucking yesterday's price, just not today's price.

1043
01:13:40,760 --> 01:13:43,479
Speaker 1: Don't fucking do a recap if it ain't Fat Joe

1044
01:13:43,760 --> 01:13:47,040
Speaker 1: the big big show of any verse, this is the precap.

1045
01:13:47,600 --> 01:13:53,800
Speaker 1: That's just fanos. What does that? What does that mean? Thanos? Shit,

1046
01:13:54,600 --> 01:13:59,439
Speaker 1: that's the baddest motherfucking town Hodanos is what is that?

1047
01:14:00,160 --> 01:14:02,519
Speaker 1: Oh ship? Look at Diddy on here talking about people.

1048
01:14:02,600 --> 01:14:10,760
Speaker 1: Did I win? Always got that wist thirty years in

1049
01:14:10,880 --> 01:14:13,839
Speaker 1: the game, still got the West coast of gender shutout. Snoop.

1050
01:14:16,479 --> 01:14:18,639
Speaker 1: You poked that bitch out like you was a sucker

1051
01:14:18,720 --> 01:14:22,080
Speaker 1: for right, but you stuck. I'm not gonna lie. I

1052
01:14:22,120 --> 01:14:28,680
Speaker 1: would hit that out. I would have played that. I

1053
01:14:28,720 --> 01:14:33,320
Speaker 1: ain't never scared. You can't do that. That's the way,

1054
01:14:34,400 --> 01:14:35,960
Speaker 1: you know what I'm saying. That's the way. The fact

1055
01:14:36,000 --> 01:14:39,200
Speaker 1: that Puppa's on there giving you that time exactly. That's

1056
01:14:39,200 --> 01:14:42,280
Speaker 1: supposed to be the zire right then, Yeah, he's supposed

1057
01:14:42,320 --> 01:14:44,160
Speaker 1: to go. He was. He was in the studio too.

1058
01:14:44,240 --> 01:14:47,599
Speaker 1: I think it shipped that low right now. That's how

1059
01:14:47,640 --> 01:14:49,479
Speaker 1: me and Tim started, just like that. That's how the

1060
01:14:49,600 --> 01:14:55,120
Speaker 1: virgin started just like that, like they scaled the versus. Now,

1061
01:14:56,120 --> 01:14:59,719
Speaker 1: shout out right now now they scaled that versus so quick.

1062
01:15:01,600 --> 01:15:06,080
Speaker 1: That was the smoke. Let's go right now. He went

1063
01:15:06,160 --> 01:15:14,000
Speaker 1: in pop, that's in fop man. He love this guy.

1064
01:15:14,320 --> 01:15:16,960
Speaker 1: I just think that I just think that I know,

1065
01:15:17,240 --> 01:15:19,400
Speaker 1: I know, I know what I know the strategy j

1066
01:15:19,520 --> 01:15:23,040
Speaker 1: D was using. But I just think that he heard us.

1067
01:15:23,080 --> 01:15:25,080
Speaker 1: He could he might have hurt himself a little bit

1068
01:15:25,160 --> 01:15:26,760
Speaker 1: with it, you know what I'm saying, j D. The

1069
01:15:26,840 --> 01:15:29,200
Speaker 1: at l donna be on his heels a little bit. Pup,

1070
01:15:29,560 --> 01:15:31,840
Speaker 1: pup did a little tap dance just now, and he

1071
01:15:31,960 --> 01:15:40,599
Speaker 1: was able to get away with it. Jesus and then drops.

1072
01:15:42,120 --> 01:15:43,640
Speaker 1: You know, we crip a little different out here in

1073
01:15:43,640 --> 01:15:48,120
Speaker 1: the West Coast. We're tim We're tim take all right,

1074
01:15:48,240 --> 01:15:50,679
Speaker 1: we take light, threats heavy. You know what I'm saying

1075
01:15:51,600 --> 01:15:56,000
Speaker 1: on Orien. Yeah. Yeah, But they continued on to say

1076
01:15:56,040 --> 01:15:59,160
Speaker 1: that heyo switch, I gotta introduce you to this. This

1077
01:15:59,360 --> 01:16:04,760
Speaker 1: brother got the greatest part, your little singer. Yeah, the

1078
01:16:04,920 --> 01:16:12,280
Speaker 1: shot is shot. We're gonna show when they brought to

1079
01:16:12,400 --> 01:16:22,160
Speaker 1: him up. Damn JD. You gotta know what it's the

1080
01:16:22,280 --> 01:16:27,800
Speaker 1: pre game manus up. He I know seem I know

1081
01:16:27,920 --> 01:16:30,360
Speaker 1: from Swiss and Swiss thought you gotta you gotta know,

1082
01:16:30,840 --> 01:16:33,040
Speaker 1: he gotta know. That was the pre game. Give us

1083
01:16:33,040 --> 01:16:35,479
Speaker 1: a couple of dunks, give us a reverse dunk, give

1084
01:16:35,560 --> 01:16:40,599
Speaker 1: us some er Ali Hooper, some yeah. Man. They saying

1085
01:16:40,720 --> 01:16:45,920
Speaker 1: that j D troll. You don't troll somebody that they

1086
01:16:46,080 --> 01:16:50,080
Speaker 1: got more you can actually get a match with that's

1087
01:16:50,080 --> 01:16:57,160
Speaker 1: supposed to be serious. Yeah, I was tell you it

1088
01:16:57,280 --> 01:17:00,400
Speaker 1: was a mistake. J D's just a dinosaur, bro. He's

1089
01:17:00,439 --> 01:17:03,200
Speaker 1: from that old school. He hasn't evolved with the culture.

1090
01:17:03,280 --> 01:17:06,080
Speaker 1: Hence why you don't. He's never been viral. Someone with

1091
01:17:06,200 --> 01:17:09,840
Speaker 1: that much cachet attached to their name there's never been viral.

1092
01:17:09,960 --> 01:17:13,360
Speaker 1: Tells you something. Unless they're not actively in music, that

1093
01:17:13,520 --> 01:17:17,400
Speaker 1: means they don't understand what's happening. The music will always

1094
01:17:17,479 --> 01:17:19,639
Speaker 1: be great coming from j D. He has too much

1095
01:17:19,720 --> 01:17:23,479
Speaker 1: experience he's put in the hours. What's happened is he

1096
01:17:23,600 --> 01:17:29,240
Speaker 1: has he has he has failed to transition with the culture, man,

1097
01:17:29,360 --> 01:17:32,120
Speaker 1: and you've just seen an example of it. These people

1098
01:17:32,280 --> 01:17:38,479
Speaker 1: up here have transitioned. Timberland switch be Snoop one percent.

1099
01:17:38,520 --> 01:17:41,240
Speaker 1: It's transitioned four or five times. Fat Joe has two

1100
01:17:41,360 --> 01:17:43,680
Speaker 1: two or three times like did it two or three

1101
01:17:43,800 --> 01:17:47,160
Speaker 1: four times? Different names fifty All these people are transitioning.

1102
01:17:47,640 --> 01:17:51,160
Speaker 1: JD is still same old Jermaine from back then. No

1103
01:17:51,400 --> 01:17:57,439
Speaker 1: transition at all, but talented. Let's be respectful with that

1104
01:18:00,240 --> 01:18:07,760
Speaker 1: crazy when you go to those records. It ain't no play.

1105
01:18:07,840 --> 01:18:12,840
Speaker 1: I'm not trying to play hold up when you battle Tim.

1106
01:18:13,640 --> 01:18:19,400
Speaker 1: Every time Tim played Aliah, I said, okay, like we

1107
01:18:20,040 --> 01:18:23,439
Speaker 1: that's that's a goal. He just played like four biggie

1108
01:18:23,520 --> 01:18:29,560
Speaker 1: smalls back to back victory. Fucking um hypnotize this. What

1109
01:18:29,720 --> 01:18:34,439
Speaker 1: do you do when he plays those biggie joints? See

1110
01:18:34,600 --> 01:18:37,799
Speaker 1: and I think I felt like I felt like Jeff Hamilton.

1111
01:18:38,960 --> 01:18:41,640
Speaker 1: It just it just uh uh uh. You posted a

1112
01:18:41,680 --> 01:18:47,320
Speaker 1: commismat you put um um and J ready jad ready

1113
01:18:47,479 --> 01:18:52,320
Speaker 1: to fight man records Yeah, j D, P J got

1114
01:18:52,800 --> 01:18:55,000
Speaker 1: j gotta let me let me get on my joke

1115
01:18:55,080 --> 01:18:58,760
Speaker 1: from win Free right now. Jb ready he wants the date.

1116
01:18:59,000 --> 01:19:01,800
Speaker 1: He don't want no tap dance. He want to day

1117
01:19:02,240 --> 01:19:05,200
Speaker 1: and number two he wants to check. I mean, let's

1118
01:19:05,280 --> 01:19:10,680
Speaker 1: keep in a ball. He's not fucking I think that's

1119
01:19:10,920 --> 01:19:12,639
Speaker 1: something that we don't even got to talk about that's

1120
01:19:12,680 --> 01:19:15,120
Speaker 1: already is as I like, No, we don't talk like that.

1121
01:19:15,560 --> 01:19:18,080
Speaker 1: I'm just saying I think he's made me too focused

1122
01:19:18,120 --> 01:19:20,639
Speaker 1: on some other things. He should have shot his shot.

1123
01:19:21,720 --> 01:19:25,040
Speaker 1: He focused on saving his load for when he come out.

1124
01:19:25,320 --> 01:19:27,680
Speaker 1: Everybody got a different strategy of what they want to do.

1125
01:19:28,120 --> 01:19:29,840
Speaker 1: He didn't want to fall, and he felt he was

1126
01:19:29,920 --> 01:19:32,360
Speaker 1: being baited by buff a little bit. And they knew

1127
01:19:32,400 --> 01:19:34,639
Speaker 1: each other for super years. You know what I'm saying.

1128
01:19:34,680 --> 01:19:38,720
Speaker 1: So the brothers, I wouldn't his brothers. I wouldn't. I

1129
01:19:38,760 --> 01:19:41,760
Speaker 1: would have listened to to to my close people next

1130
01:19:41,800 --> 01:19:45,360
Speaker 1: to me. I would have played at least three Dallas.

1131
01:19:45,800 --> 01:19:51,320
Speaker 1: I would way, I'm gonna give you this work and

1132
01:19:51,439 --> 01:19:57,840
Speaker 1: sign some Swiss Dallas, Sauceton, Jassey Faye, Djay Drama, the

1133
01:19:57,960 --> 01:20:01,880
Speaker 1: whole fucking at. I was like, Yo, j D Player Joy,

1134
01:20:04,600 --> 01:20:07,639
Speaker 1: the whole West Coast said the same thing we were saying,

1135
01:20:07,680 --> 01:20:11,840
Speaker 1: the same ship. Dad said he wanted to Joy. Yeah,

1136
01:20:12,800 --> 01:20:17,080
Speaker 1: he man, Hey, Joey, Hey versus hit different boy with

1137
01:20:17,200 --> 01:20:22,840
Speaker 1: people talk No ja ja say let him come back.

1138
01:20:22,880 --> 01:20:26,160
Speaker 1: Anybody let me. I could only have three guests right now. Jendy,

1139
01:20:26,240 --> 01:20:28,519
Speaker 1: I'm not trying to play with you. I get out,

1140
01:20:28,600 --> 01:20:30,000
Speaker 1: I get out and let him come in because we're

1141
01:20:30,000 --> 01:20:31,519
Speaker 1: trying to push this battle. We're trying to get shit

1142
01:20:31,600 --> 01:20:34,400
Speaker 1: going cause y'all keep it all right. I love, I

1143
01:20:34,520 --> 01:20:37,479
Speaker 1: love y'all. Yeah, So they just had to telling me

1144
01:20:37,600 --> 01:20:40,400
Speaker 1: dropped the bag man dropped the ball again. I explained

1145
01:20:40,520 --> 01:20:48,479
Speaker 1: why what shop? You know? The game is. The game

1146
01:20:48,640 --> 01:20:50,760
Speaker 1: is a strange place, you know. Um, So you got

1147
01:20:50,920 --> 01:20:54,760
Speaker 1: evolved with the game. Man, I got more, but I

1148
01:20:54,800 --> 01:20:57,080
Speaker 1: ain't gonna do no more this week. I gave y'all

1149
01:20:57,160 --> 01:20:59,599
Speaker 1: a lot. Y'all have been showing me love. So I'm

1150
01:20:59,600 --> 01:21:04,280
Speaker 1: trying to y'all more content you know, um and um

1151
01:21:04,439 --> 01:21:07,400
Speaker 1: and just gee, y'all more to listen to throughout the week,

1152
01:21:07,560 --> 01:21:09,280
Speaker 1: you know what I mean. So I might break this

1153
01:21:09,439 --> 01:21:13,200
Speaker 1: down into two episodes, um and put one out Monday

1154
01:21:13,200 --> 01:21:16,920
Speaker 1: and then one out wins that so y'all can enjoy

1155
01:21:17,040 --> 01:21:20,840
Speaker 1: both of them. You did what I'm saying, so m again,

1156
01:21:20,880 --> 01:21:25,479
Speaker 1: I appreciate that everybottter that that listens to my podcast

1157
01:21:25,600 --> 01:21:29,360
Speaker 1: all the way out. Um, if you listen up into

1158
01:21:29,479 --> 01:21:31,760
Speaker 1: this point again, go get you some merch and my

1159
01:21:31,880 --> 01:21:37,160
Speaker 1: t spring accounts up there, podcast dot com. I'm sorry,

1160
01:21:37,240 --> 01:21:41,000
Speaker 1: t Spring dot com. Slash It's up There podcast, Subscribe

1161
01:21:41,000 --> 01:21:45,320
Speaker 1: to fojfo TV on YouTube, follow me a fo jffo

1162
01:21:45,479 --> 01:21:50,280
Speaker 1: underscore Loni on all social Clubhouse included. I'm going to

1163
01:21:50,320 --> 01:21:53,720
Speaker 1: start giving some game on Clubhouse here and there. I

1164
01:21:53,840 --> 01:21:57,080
Speaker 1: see where they got it. Um kind of cranked up

1165
01:21:57,120 --> 01:21:59,560
Speaker 1: and I can shine in that arena real easy. So

1166
01:22:00,120 --> 01:22:02,000
Speaker 1: I'm gonna go ove. Ain't get into it a little bit.

1167
01:22:02,200 --> 01:22:04,840
Speaker 1: Make sure you go to patreon dot com slash It's

1168
01:22:04,920 --> 01:22:08,360
Speaker 1: up There podcasting and subscribe there to show some support.

1169
01:22:08,800 --> 01:22:13,759
Speaker 1: Share on Facebook, Twitter, and Instagram any clips you find

1170
01:22:13,960 --> 01:22:17,600
Speaker 1: of mine, Um, and uh, put somebody on top of

1171
01:22:17,640 --> 01:22:20,280
Speaker 1: the game. You know what I'm saying, Go download and stream.

1172
01:22:20,360 --> 01:22:22,720
Speaker 1: I was being home and when you met me. My

1173
01:22:23,520 --> 01:22:27,240
Speaker 1: new album is out in Lonely Luciano the artists, so

1174
01:22:27,680 --> 01:22:29,720
Speaker 1: um go get that as well. And we're gonna keep

1175
01:22:29,760 --> 01:22:32,559
Speaker 1: grinding and keep getting the money. We'll appreciate everybody that's

1176
01:22:32,560 --> 01:22:35,160
Speaker 1: tapped in with us. You know what. You know why

1177
01:22:35,160 --> 01:22:41,120
Speaker 1: I understanding is it's up there. This is not the

1178
01:22:41,360 --> 01:22:44,479
Speaker 1: Joe Button podcast, This is not Million Do