WEBVTT - Gap potatoes

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<v Speaker 1>Welcome back to another episode of Alchemy. This I'm Craig Kaikowski.

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<v Speaker 1>It's fun to say, you know, even it's my own name,

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<v Speaker 1>but there's a lot of hard see and kay sounds,

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<v Speaker 1>and it's just it's just fun to say everybody wherever

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<v Speaker 1>you are right now, even if you're at work on

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<v Speaker 1>the subway. So let's just take a moment to say,

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<v Speaker 1>Craig Kowski, Craig the power that I have. Uh, let's

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<v Speaker 1>say hello to our alchemists today. Everybody's gonna get the

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<v Speaker 1>same question because we're all from different states. Uh, and

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<v Speaker 1>so I'm curious, what about you? Epitomizes the state that

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<v Speaker 1>you're from, Chris Elarado, Why are you so California? Because

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<v Speaker 1>I grew up in the hood. I grew up in

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<v Speaker 1>a crazy part, not a not a fantastic part of

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<v Speaker 1>Los Angeles, surrounded by even cromier cities, So I think

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<v Speaker 1>I think that's my flavor. I think when I moved

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<v Speaker 1>to Chicago, people were like, dang, dude, you're not like

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<v Speaker 1>the surfer type California. And I was like, because I'm

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<v Speaker 1>because I'm I'm a gangster. So I'm really embarrassed by

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<v Speaker 1>that answer. By the way, type in the surfer type

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<v Speaker 1>of California. That's absolutely true, a duel thank you and

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<v Speaker 1>thank you. I think it's the last thing. I guess

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<v Speaker 1>if I can kind of like settle it, like kind

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<v Speaker 1>of like solidify this for me, if like it's like

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<v Speaker 1>an ice cube song comes on, like something with like

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<v Speaker 1>west Side, Like I really feel that kind of like

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<v Speaker 1>that kind of like so cal l a bumping music

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<v Speaker 1>that's really like it's in my d n A. So

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<v Speaker 1>I hope that kind of set that kind of cleared

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<v Speaker 1>that up a little bit. Yes, thank you. You're a

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<v Speaker 1>territorial where you were from? Jackie Gonzalez do ruthy uh?

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<v Speaker 1>What about you? Epitomizes Florida, you know, Florida, Florida woman,

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<v Speaker 1>Florida so ashamed at this point. Um, but if you've

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<v Speaker 1>been to Miami, you know it's very different from Florida,

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<v Speaker 1>though it shares some of its heinous traits, of course,

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<v Speaker 1>some of its conservative traits. However, it is a different land.

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<v Speaker 1>So I would say, what about me, epitobizes my Miami

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<v Speaker 1>is probably I would just say my body, like moving

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<v Speaker 1>my body, I would say, like moving my body while

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<v Speaker 1>I talk, but also like dancing and like my you

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<v Speaker 1>know what I mean. I also feel like in public

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<v Speaker 1>I have no shame in terms of dancing and singing,

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<v Speaker 1>like being loud and like tell what you know. And

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<v Speaker 1>that's very Miami in terms of like, yeah, like if

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<v Speaker 1>I'm with my friends or in a grocery store and

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<v Speaker 1>a song comes on that we like like we're gonna

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<v Speaker 1>start dancing, and that's it feels very Miami. Okay, but

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<v Speaker 1>not so much Pensacola or Jacksonville or Water not the

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<v Speaker 1>Florida in me. I do like a lizard. Um, what

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<v Speaker 1>is going on? Okay, we'll get we'll go with your

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<v Speaker 1>first answer. Your first answer, I like a lizard. I'm

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<v Speaker 1>not scared. I like like a lizard a tool sing.

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<v Speaker 1>Uh what about you? Is so Texas? Oh? Thanks? When

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<v Speaker 1>Jackie said lizard, I did think she meant eating lizards

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<v Speaker 1>and not just she likes lizards, so that she clarified

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<v Speaker 1>that sort of What about Texas? So, uh, they're they're

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<v Speaker 1>growing up in Texas. There was a lot of state pride.

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<v Speaker 1>Uh um, we say the biggest state in the continuous US,

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<v Speaker 1>so to to geographically maybe that very clear that in

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<v Speaker 1>the forty eight connected states we are the biggest, not

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<v Speaker 1>worried about Alaska in this count Um, you know everything

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<v Speaker 1>really there is a concern. So I always used to

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<v Speaker 1>take a lot of pride in that, Uh, we have

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<v Speaker 1>shirts to say, y'all can go to Hell. I'm going

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<v Speaker 1>to Texas. This is sponsored Don't Mess with Texas. One

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<v Speaker 1>of the best marketing campaigns that ever existed. Um, just

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<v Speaker 1>a lot of state pride. And I always like that,

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<v Speaker 1>even though some of it was for for silly things. Um,

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<v Speaker 1>how does that exemplify itself Texas stuff in my day

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<v Speaker 1>to day? Um? Yeah. I also liked when I when

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<v Speaker 1>I moved to New York and I realized the pace

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<v Speaker 1>was much faster, I did like I always miss the

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<v Speaker 1>Texas pace, which is just like, hey, how you doing

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<v Speaker 1>when you're at the seven eleven or whatever and slow down?

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<v Speaker 1>Need a lizard? I got a friend, I got a

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<v Speaker 1>friend in Miami. Alright, well are you in a hurry? Bell,

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<v Speaker 1>Just sit down, have a lizard. Let's head on over

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<v Speaker 1>to uh, to the state that borders more states than

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<v Speaker 1>any other. Tennessee's I think tied with Missouri. I think gags.

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<v Speaker 1>What about you like to point out that that that quote, uh,

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<v Speaker 1>y'all can go to hell? I'm going to Texas, said

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<v Speaker 1>by a famous Tennessee and David Crockett. And I think

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<v Speaker 1>I think the thing that makes me most Tennessee and

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<v Speaker 1>in in mentioning famous people from our from my state, uh,

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<v Speaker 1>in mentioning David Crockett, I think that for me, it

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<v Speaker 1>is a combination of two of my heroes growing up,

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<v Speaker 1>one from right near where I'm from and one from

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<v Speaker 1>the other end of the state. And those two people

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<v Speaker 1>would of course be Elvis Presley and Dolly Parton. It

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<v Speaker 1>is I like to think of myself as the combination

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<v Speaker 1>of Elvis Presley and Dolly Parton. I'd like to hope

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<v Speaker 1>that that is what I exude. Uh is a is

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<v Speaker 1>a combination of those two. Um, that's what makes well, yeah,

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<v Speaker 1>what about what about you? Can we turn this? I

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<v Speaker 1>know you're the one hosting and asking, can we turn

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<v Speaker 1>this around to you, Craig and ask about virgin It Well,

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<v Speaker 1>Virginia is for lovers, said, enough said. I'm also from

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<v Speaker 1>very suburban Virginia, meaning there are no rap songs that

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<v Speaker 1>immediately make me be like oh yeah, this is like yeah, yeah,

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<v Speaker 1>about a half hour drive down. Uh. By the way,

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<v Speaker 1>if you're from the east coast. You just say the interstate,

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<v Speaker 1>you don't put the in front of it. So that's

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<v Speaker 1>a California thing. It's also in the South it's it's

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<v Speaker 1>uh yeah, yeah, same in in Florida, whether you count

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<v Speaker 1>that as the South where I'm from the Caribbeant. Well,

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<v Speaker 1>we can talk about regional differences all day, and I'm

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<v Speaker 1>sure our Australian and German listeners are really enjoying this

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<v Speaker 1>as well, but it's time to move on to another

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<v Speaker 1>episode of our Give Me This. All of our scene

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<v Speaker 1>podcast on our new email address. I'll give me this

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<v Speaker 1>email at gmail dot com. That's Texas Seene one Today

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<v Speaker 1>comes from Big Mike Car Battery Possible pseudonym. That's a

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<v Speaker 1>great name, whether it's a pity or fake name. Big

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<v Speaker 1>Mike car Battery is the is the submitter. Uh. They

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<v Speaker 1>say five Guys gets its potatoes from Idaho ten months

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<v Speaker 1>out of the year. The other two months are filled

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<v Speaker 1>with gap potatoes, which comes from watching Din or Oregon.

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<v Speaker 1>So the suggestion is gap potatoes. And excuse me, do

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<v Speaker 1>you have this sweater in a light blue? And also

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<v Speaker 1>can I get this potato in a small? Yes? Of course.

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<v Speaker 1>Let me let me look in the back for for

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<v Speaker 1>the see if we have that particular potato and small,

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<v Speaker 1>if not the ones on either side of it, you

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<v Speaker 1>can there's not that much difference in the potatoes. You

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<v Speaker 1>want me to bring out one of each and a

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<v Speaker 1>small for you to just check them out? Yeah, I

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<v Speaker 1>want to each in a small and the blue. I

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<v Speaker 1>just think that color. No, I know you're I know

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<v Speaker 1>you mentioned it. I didn't forget that part. I'm just

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<v Speaker 1>I'm just saying I didn't forget that part. I'll be

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<v Speaker 1>right back. He's being weird with me, right. He shouldn't

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<v Speaker 1>talk to you like that. No one should talk to

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<v Speaker 1>you like that. He's acting like we didn't go to

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<v Speaker 1>fucking high school together. Was he a loser? I but

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<v Speaker 1>he was a loser in high school. I mean he

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<v Speaker 1>wasn't like, wouldn't like popular, But I wouldn't call him

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<v Speaker 1>a loser to him. But Okay, UH found it. I

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<v Speaker 1>found Here's here is the baby blue that you wanted.

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<v Speaker 1>Thank you so much? Yeah, sure, thing, it's perfect. Do

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<v Speaker 1>you do you remember her because you're acting like you

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<v Speaker 1>she went to high school with you. Yeah, no, I know.

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<v Speaker 1>She's a doctor. Everybody remembers, sir. She gave the best

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<v Speaker 1>valedictorian speech our school ever had. We all remember her,

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<v Speaker 1>we remember, we remember after that when she went off

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<v Speaker 1>and served in Congress for two years, we all remember

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<v Speaker 1>all of this. She's the youngest, she's the highest woman. Yes,

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<v Speaker 1>she's the state of Delaware, the highest performing member of

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<v Speaker 1>our school in Delaware. Yeah, so of course I remember her. Now.

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<v Speaker 1>Can I get back to the stock room please? Wow, Well,

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<v Speaker 1>thank you, Hoyt. I just wanted to acknowledge the help

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<v Speaker 1>that you've given us. Um and wait wait hey yeah

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<v Speaker 1>look likeez yeah. Sorry, I'm just boy's night. Get the darts,

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<v Speaker 1>let's go. Yeah. Sorry, it was a crazy thing happened

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<v Speaker 1>at work today. It was just it was. Yeah, it was, well,

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<v Speaker 1>this this this like the most perfect person from our school,

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<v Speaker 1>like you know, this untouchable person from our school. Like

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<v Speaker 1>she she came into the into the into the mall,

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<v Speaker 1>and she came to you know, she came to the

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<v Speaker 1>gap for potatoes and I I wasn't wearing my name

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<v Speaker 1>tag and she knew my name. It's really weird. Like

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<v Speaker 1>that's that's a good thing, right, it's awesome. I mean, honestly,

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<v Speaker 1>it's it's a pretty unusual name. I guess that's true.

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<v Speaker 1>It's just kind of threw me off. Sorry, Sorry, I

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<v Speaker 1>know it's it's my frame alp. Yeah, it's wait, I said,

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<v Speaker 1>darts arts wake up. Sorry, it's it's guys nights. It's

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<v Speaker 1>it's frame and listen, guys night, guys night. Did she

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<v Speaker 1>make you feel I just want to get I just

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<v Speaker 1>want to clarify. Did she make you feel special or

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<v Speaker 1>did you feel man? No, she made me like I

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<v Speaker 1>was kind of a dick to her. And then and

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<v Speaker 1>then she made me feel special just by that one

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<v Speaker 1>little move of remembering my name. And I mean I

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<v Speaker 1>realized it's yeah, it was weird. It was she probably

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<v Speaker 1>wants to come on you say that about everyone that

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<v Speaker 1>anyone has ever mentioned a conversation. You always think they

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<v Speaker 1>want to do two pictures too. Pictures there you are enjoy, gentlemen,

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<v Speaker 1>Thank you so much. That person right there now, don't

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<v Speaker 1>say it she wants to do We even order to. Yes,

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<v Speaker 1>I don't mean to be like judgmental or rude or anything,

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<v Speaker 1>but like, yeah, she gets hurt. She buys Gap potatoes.

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<v Speaker 1>Not like no disrespect like I know, like a job's

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<v Speaker 1>a job. No, I mean it sounds like disrespect, Like

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<v Speaker 1>I just mean, like, yeah, I used to get my

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<v Speaker 1>my potest from Gap in like high school, like when

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<v Speaker 1>I was like poor college did he moved on to

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<v Speaker 1>Abercrombie potatoes, Yeah, and then that became very problematic. So

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<v Speaker 1>then I moved on to because they peel their potatoes.

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<v Speaker 1>All their potatoes are just out there without all right.

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<v Speaker 1>So I'm just saying, at the at the very least,

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<v Speaker 1>I'm a Jay Crew potato guy. It just sounds like

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<v Speaker 1>it's always about brands for you though. Man, It's just

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<v Speaker 1>it's it's potatoes. It's yeah, you know. Anyway, Sorry, I

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<v Speaker 1>haven't got so thrown off by all of this, guys.

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<v Speaker 1>I'm gonna hold on hold on. I'm gonna I'm gonna

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<v Speaker 1>speak for all the all the fellows here, Fellows are

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<v Speaker 1>you thinking when I'm thinking? We pile in my car

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<v Speaker 1>and we drive over to this girl's house and let

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<v Speaker 1>White profess his love to her. We just what Oh,

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<v Speaker 1>no one was thinking that. No, man, this is an

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<v Speaker 1>existential moment. I don't know what I mean. Okay, bab

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<v Speaker 1>I want to show you everything that I got because

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<v Speaker 1>some of it's for me, but some of it's for

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<v Speaker 1>you too. So I got these jeans and I know

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<v Speaker 1>that they're like not the super huggiest on my ask

0:13:10.200 --> 0:13:12.520
<v Speaker 1>because that's not what's in right now. And you prefer

0:13:12.600 --> 0:13:15.880
<v Speaker 1>it to be a little tighter. But trust me, I'll

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<v Speaker 1>only wear it with the tiniest little crop top. Keep

0:13:19.360 --> 0:13:21.320
<v Speaker 1>it tiny, keep it tight on top, keep it loose

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<v Speaker 1>and flowing on the bottom. Got this little blue sweater

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<v Speaker 1>so cute, Oh my gosh, really looks good with my eyes.

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<v Speaker 1>And for you, I got these small potatoes. Are these

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<v Speaker 1>new potatoes? Yeah? I got them from the gap. I

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<v Speaker 1>don't know. It's just like I thought it would be

0:13:43.880 --> 0:13:46.760
<v Speaker 1>like kind of fun to like, there's some finger finger

0:13:46.840 --> 0:13:50.280
<v Speaker 1>links in there too. Yeah, I can get some of those.

0:13:50.360 --> 0:13:55.640
<v Speaker 1>If that's like you're into um whatever these are there,

0:13:58.120 --> 0:14:01.880
<v Speaker 1>that's a finger link. Okay, So I got these these

0:14:01.920 --> 0:14:05.760
<v Speaker 1>little potatoes for us us, you know, for you, and

0:14:05.920 --> 0:14:08.880
<v Speaker 1>if you want, I can try him on. Well hawait

0:14:09.160 --> 0:14:14.600
<v Speaker 1>just dropped off all the fellows. It's uh yeah off. Look,

0:14:15.360 --> 0:14:19.000
<v Speaker 1>you can go in your house play call of duty,

0:14:19.280 --> 0:14:24.800
<v Speaker 1>drink yourself to sleep, or you go tell that tell

0:14:24.840 --> 0:14:27.720
<v Speaker 1>that woman. Wait, how you feeling? I don't know. I

0:14:28.560 --> 0:14:30.680
<v Speaker 1>had thought about her in so long, and I mean

0:14:30.720 --> 0:14:34.480
<v Speaker 1>she was valedictorian of the school. Plus she's she's married

0:14:34.520 --> 0:14:38.280
<v Speaker 1>to that that that that the mob guy, you know,

0:14:38.360 --> 0:14:41.080
<v Speaker 1>the mob guy from the paper. Oh my god, the

0:14:41.160 --> 0:14:45.880
<v Speaker 1>mob guy. Yeah, yeah, I don't like like Torino or

0:14:45.920 --> 0:14:47.760
<v Speaker 1>I don't even remember what his name was, but it

0:14:47.840 --> 0:14:51.440
<v Speaker 1>was called I just remember him being the mob guy.

0:14:52.000 --> 0:14:59.160
<v Speaker 1>Look I help you, um um babe, another guy from

0:14:59.040 --> 0:15:04.800
<v Speaker 1>the Master love with you, another guy for you. I

0:15:04.840 --> 0:15:10.640
<v Speaker 1>have to go. I'm so sorry, I'm gonna go. You

0:15:10.680 --> 0:15:15.640
<v Speaker 1>see rena serenader. I mean, look, this was a bad idea.

0:15:15.720 --> 0:15:18.360
<v Speaker 1>I didn't even think that this is how this do.

0:15:18.480 --> 0:15:21.680
<v Speaker 1>People usually serenade you like some people do to love

0:15:21.680 --> 0:15:27.560
<v Speaker 1>actually cute card thing. I didn't I don't like whatever

0:15:27.680 --> 0:15:31.040
<v Speaker 1>makes you feel the best, and now like, yeah, I'll

0:15:31.080 --> 0:15:32.560
<v Speaker 1>go in the other room. I guess some mob stuff

0:15:32.600 --> 0:15:37.400
<v Speaker 1>to take care of. Okay, I'm this is, this is

0:15:37.440 --> 0:15:39.320
<v Speaker 1>I don't. I feel like I just have to kind

0:15:39.320 --> 0:15:47.360
<v Speaker 1>of improvise something dramatic, now attention. I love dramatic. All right? Um,

0:15:47.440 --> 0:15:53.480
<v Speaker 1>can I get a suggestion? Hey? Oh, every time we

0:15:53.560 --> 0:15:56.440
<v Speaker 1>have the mom meeting at your house, there's always so

0:15:56.480 --> 0:16:00.880
<v Speaker 1>many interruptions. Can we just do it down at our club?

0:16:01.280 --> 0:16:04.480
<v Speaker 1>Can we just do it at the club? H look,

0:16:05.160 --> 0:16:10.200
<v Speaker 1>Don Ron, uh my, I get the nicest house, right,

0:16:11.000 --> 0:16:13.760
<v Speaker 1>I mean, it's done. That is no doubt you have

0:16:13.840 --> 0:16:16.440
<v Speaker 1>a nice house. You have a four bedroom, three bad

0:16:16.680 --> 0:16:19.680
<v Speaker 1>three thousand square feet. I get it. I just want

0:16:19.720 --> 0:16:23.080
<v Speaker 1>to clarify something. Were you calling him Don Ron or

0:16:23.080 --> 0:16:26.760
<v Speaker 1>were you saying Don and Ron? I thought I was.

0:16:26.880 --> 0:16:31.320
<v Speaker 1>I was talking to Don Ron, not to Ron. Oh.

0:16:31.240 --> 0:16:34.080
<v Speaker 1>When I'm talking to you Ron, you'll know it. No,

0:16:34.200 --> 0:16:39.160
<v Speaker 1>of course, of course, of course I'm sorry Don Ron Ron. Yeah, Ron,

0:16:39.320 --> 0:16:42.000
<v Speaker 1>Unfortunately are not made yet, so you can't be referred

0:16:42.000 --> 0:16:45.280
<v Speaker 1>to as Don. That is the rules. Can we talk

0:16:45.280 --> 0:16:48.080
<v Speaker 1>about that for a second. Sure, Actually, we wanted to

0:16:48.120 --> 0:16:49.680
<v Speaker 1>talk to you about that. I feel like I feel

0:16:49.680 --> 0:16:52.720
<v Speaker 1>like I'm never gonna be made. Uh that's where you're

0:16:52.720 --> 0:16:56.200
<v Speaker 1>getting made when you least expected. Okay, see that sounds

0:16:56.240 --> 0:16:58.000
<v Speaker 1>like I'm gonna get whacked when I at least expected.

0:16:58.440 --> 0:17:00.480
<v Speaker 1>I don't know. We got this trophy for right here?

0:17:00.520 --> 0:17:08.159
<v Speaker 1>Look at this best rod? All right, it's nice. R

0:17:09.600 --> 0:17:19.240
<v Speaker 1>whoa no offense done right? No nose? Hey? What what?

0:17:19.240 --> 0:17:21.640
<v Speaker 1>What do you? What are you doing? I know it's

0:17:21.680 --> 0:17:23.720
<v Speaker 1>like I know, it's like I just I couldn't sleep yet.

0:17:23.800 --> 0:17:27.480
<v Speaker 1>How did it go? How did it go? Terribly? It

0:17:27.600 --> 0:17:30.760
<v Speaker 1>went terribly. I stood there for forty five minutes and

0:17:30.800 --> 0:17:34.600
<v Speaker 1>did a dramatic improv set in front of me. I said,

0:17:34.640 --> 0:17:38.280
<v Speaker 1>I need to improvise. I didn't. No, there's not I mean,

0:17:38.680 --> 0:17:41.879
<v Speaker 1>it's dramatic improv is. It's it's a style and people

0:17:41.960 --> 0:17:44.880
<v Speaker 1>do it. But I wasn't expecting to do it. I said, improvise,

0:17:45.119 --> 0:17:47.680
<v Speaker 1>And suddenly I'm up there like like I'm doing a show,

0:17:47.880 --> 0:17:50.760
<v Speaker 1>and and it did not go well. I don't know

0:17:51.280 --> 0:17:53.720
<v Speaker 1>at one. That's here's what I want to say. I

0:17:53.720 --> 0:17:55.679
<v Speaker 1>want to say, when you do in dramatic improv you

0:17:55.680 --> 0:17:57.919
<v Speaker 1>don't get the laughs that you typically would in your

0:17:57.920 --> 0:17:59.800
<v Speaker 1>normally improv, so you don't know she she might have

0:17:59.840 --> 0:18:02.199
<v Speaker 1>been captivated engage. Let me ask you this. What was

0:18:02.240 --> 0:18:04.439
<v Speaker 1>she wearing something like tie the top and flowing the

0:18:04.480 --> 0:18:07.359
<v Speaker 1>bottom or what? Well, yeah, it was she was wearing

0:18:07.359 --> 0:18:09.479
<v Speaker 1>the Model three or four jeans, which we actually just

0:18:09.520 --> 0:18:13.399
<v Speaker 1>put on sale. Uh and then she had that blue Uh. Sorry,

0:18:13.440 --> 0:18:16.200
<v Speaker 1>I don't mean to bring work into this, but I'm

0:18:16.240 --> 0:18:18.680
<v Speaker 1>just trying to get some sleep. Man, I'm just trying

0:18:18.680 --> 0:18:23.160
<v Speaker 1>to get some sleep after a really for Fox say yeah,

0:18:23.280 --> 0:18:30.199
<v Speaker 1>come on in. I mean, okay, baby, he's gone. Did

0:18:30.240 --> 0:18:33.520
<v Speaker 1>you did you win you back? No? You know, no

0:18:33.560 --> 0:18:36.760
<v Speaker 1>one can ever win from you. Also ended up doing

0:18:36.840 --> 0:18:41.720
<v Speaker 1>like improv, but it wasn't funny, so I didn't really

0:18:41.760 --> 0:18:47.200
<v Speaker 1>know what he was doing, right, impro was funny? Yeah,

0:18:47.200 --> 0:18:49.760
<v Speaker 1>I was just like when he said improv, I was like, okay, cool,

0:18:49.800 --> 0:18:51.880
<v Speaker 1>I'm ready to laugh. I'm expecting to laugh and I'm

0:18:51.880 --> 0:18:54.080
<v Speaker 1>ready to laugh. And then he wasn't laughing, and I

0:18:54.119 --> 0:18:58.560
<v Speaker 1>was like, what the fuck is going on? I like

0:18:58.680 --> 0:19:06.240
<v Speaker 1>him provay, Hey are you sleeping? Yeah? Hell, I mean

0:19:06.280 --> 0:19:11.399
<v Speaker 1>I was because I was thinking I was thinking, like

0:19:11.480 --> 0:19:15.280
<v Speaker 1>they are like other ways an audience can show that

0:19:15.320 --> 0:19:19.199
<v Speaker 1>they're interested, right, and like dramatic improvisation is something that

0:19:19.400 --> 0:19:22.040
<v Speaker 1>is like some of the most beautiful art that happens

0:19:22.200 --> 0:19:24.840
<v Speaker 1>on this planet. You know. Can we talk about this

0:19:24.920 --> 0:19:28.119
<v Speaker 1>in the morning, Yes, of course, of course. Maybe. I

0:19:28.200 --> 0:19:33.080
<v Speaker 1>love when you improv Yeah, I'm funny. You're so funny.

0:19:33.480 --> 0:19:37.560
<v Speaker 1>You're always You're always improvising. You're always eating banana and

0:19:37.600 --> 0:19:41.120
<v Speaker 1>saying you're eating an apple, and I'm always laughing and

0:19:41.240 --> 0:19:47.560
<v Speaker 1>laughing Um. John Ron told me after whack Ron what

0:19:49.640 --> 0:19:53.359
<v Speaker 1>I had to tell somebody like. I feel terrible about it.

0:19:53.600 --> 0:19:56.520
<v Speaker 1>I'm so sorry. How can I thinks he's gonna get

0:19:56.520 --> 0:19:59.080
<v Speaker 1>made down whack him instead? Oh my gosh, she's going

0:19:59.119 --> 0:20:05.960
<v Speaker 1>to be made into to eat the fishes. What. Yeah,

0:20:06.320 --> 0:20:10.720
<v Speaker 1>he's gonna he's gonna be made to eat the fishes. Sorry, no, no,

0:20:10.760 --> 0:20:14.840
<v Speaker 1>that's how I'm to kill him. Hey fellas, Hey, hey, oh,

0:20:15.160 --> 0:20:21.959
<v Speaker 1>meeting at a warehouse. I liked it. What did this? Oh?

0:20:22.119 --> 0:20:25.919
<v Speaker 1>Go snacks? Here? Gold fish? You let gold fish? Right,

0:20:27.359 --> 0:20:30.520
<v Speaker 1>have a couple of here. Do you got an I

0:20:30.520 --> 0:20:34.399
<v Speaker 1>ain't got any water or something? No, no keeping fish?

0:20:34.760 --> 0:20:40.320
<v Speaker 1>Oh no, oh no, fellas, come on, what did you

0:20:40.680 --> 0:20:42.399
<v Speaker 1>what did you put that trophy? We gave you. We

0:20:42.440 --> 0:20:46.440
<v Speaker 1>need it back. I'll never tell you jumping. We don't

0:20:46.440 --> 0:20:50.840
<v Speaker 1>need a back we got. I'm joking at that. I'm

0:20:50.920 --> 0:20:54.120
<v Speaker 1>joking at that little water. I can't give you water,

0:20:56.720 --> 0:20:59.640
<v Speaker 1>all right, don Torino. I will assume you will take

0:20:59.680 --> 0:21:03.120
<v Speaker 1>care of the buddy. Yeah, Can I get a suggestion

0:21:03.359 --> 0:21:06.240
<v Speaker 1>of a place to put the body? Look? What kind

0:21:06.280 --> 0:21:12.119
<v Speaker 1>of look? You're a valedictorian, So you're smart enough to

0:21:12.240 --> 0:21:15.159
<v Speaker 1>know that when this light is on you, you're sitting

0:21:15.200 --> 0:21:18.040
<v Speaker 1>at this table, and there's a mirror right there that

0:21:18.119 --> 0:21:21.960
<v Speaker 1>we want answers. We want answers about you, your husband

0:21:22.119 --> 0:21:25.440
<v Speaker 1>and everything you know. Did your husband happen to give

0:21:25.480 --> 0:21:31.720
<v Speaker 1>away any secrets to you before the untimely murder of Ron?

0:21:32.960 --> 0:21:34.919
<v Speaker 1>I'm also smart enough to know that I have a

0:21:35.040 --> 0:21:36.520
<v Speaker 1>right to a lawyer, and I don't need to say

0:21:36.560 --> 0:21:40.840
<v Speaker 1>a goddamn thing until she gets here. Fine, you want

0:21:40.840 --> 0:21:44.280
<v Speaker 1>your lawyer here. We can sit here and wait all day.

0:21:44.400 --> 0:21:46.560
<v Speaker 1>I'm gonna put my feet up, I'm gonna give myself

0:21:46.560 --> 0:21:49.480
<v Speaker 1>a snack, and I'm just gonna glare at you from

0:21:49.520 --> 0:21:52.119
<v Speaker 1>across this table because I know you know something. I

0:21:52.200 --> 0:22:01.119
<v Speaker 1>know you know something. Hello, are you know? Brockovich? Ch crap,

0:22:01.160 --> 0:22:05.200
<v Speaker 1>Aaron Brock, you talked to me from now on as

0:22:05.280 --> 0:22:09.800
<v Speaker 1>my client had anything to drink. I don't know. I

0:22:09.800 --> 0:22:13.520
<v Speaker 1>didn't breathalyze her. Oh, just like a water single of water.

0:22:14.280 --> 0:22:16.480
<v Speaker 1>Why don't you, detective? Do you mind just going and

0:22:16.480 --> 0:22:21.400
<v Speaker 1>get in that right and turn off the recording device? Please? God,

0:22:21.440 --> 0:22:24.520
<v Speaker 1>I can't help but to say yes to everything she asks,

0:22:25.280 --> 0:22:27.560
<v Speaker 1>unless you want me to have your badge up my ass,

0:22:27.760 --> 0:22:31.200
<v Speaker 1>I would suggest you do everything that's our first see

0:22:37.080 --> 0:22:41.280
<v Speaker 1>see too Today is from Jeanette. Hello, wonderful alchemists. You

0:22:41.359 --> 0:22:43.720
<v Speaker 1>keep me sane or at least giggling while I wrestle

0:22:43.800 --> 0:22:46.960
<v Speaker 1>with complicated geometry. I thank you for that. I don't

0:22:46.960 --> 0:22:50.199
<v Speaker 1>know if that's Janette's job or just just something she

0:22:50.240 --> 0:22:53.560
<v Speaker 1>does as a hobby. Uh. This is from Jeanette to Jackie.

0:22:53.560 --> 0:22:56.600
<v Speaker 1>It delights me extra every time you're on the show.

0:22:57.600 --> 0:22:59.920
<v Speaker 1>I'm a former concert master, and I love Craig's to

0:23:00.040 --> 0:23:03.720
<v Speaker 1>piction of an unassuming bassoonist in the New National Anthem episode.

0:23:04.160 --> 0:23:07.360
<v Speaker 1>I have no memory of that, so hoping for more

0:23:07.520 --> 0:23:12.640
<v Speaker 1>musical magic, my suggestion is overly full orchestra gratitude and love.

0:23:12.720 --> 0:23:26.719
<v Speaker 1>Jeanette in Seattle maestro, there is a third oboe player.

0:23:26.840 --> 0:23:34.160
<v Speaker 1>And I'm just I, um, I'm not a problem starter, um,

0:23:34.200 --> 0:23:35.840
<v Speaker 1>but I just want to know why there's so many chairs.

0:23:36.680 --> 0:23:41.880
<v Speaker 1>It sounds a little bit like you're a problem starter, maestro. Maestro, Maestro,

0:23:42.880 --> 0:23:46.399
<v Speaker 1>I love you. I've loved you from your days in Tennessee.

0:23:46.960 --> 0:23:52.120
<v Speaker 1>Two here and no disrespective man. Yes, I started out

0:23:52.160 --> 0:23:58.000
<v Speaker 1>in the Tennessee is it in a very small and

0:23:58.119 --> 0:24:01.920
<v Speaker 1>now it is my my goal to have the biggest

0:24:02.040 --> 0:24:04.840
<v Speaker 1>orchestriving of the world. So if I want the three

0:24:04.880 --> 0:24:10.720
<v Speaker 1>Oh bowls, and then I get to three Oh bowls, okay,

0:24:10.760 --> 0:24:13.760
<v Speaker 1>and you a third chair right now? I don't know

0:24:13.800 --> 0:24:19.680
<v Speaker 1>why I was complaining. Geez, all right, thank you, mis Hey,

0:24:19.840 --> 0:24:23.800
<v Speaker 1>how's it going. You knew you need to the correct

0:24:24.320 --> 0:24:36.280
<v Speaker 1>you're talking to me, I couldn't you he's talking to Okay,

0:24:36.400 --> 0:24:40.440
<v Speaker 1>enough with the sample, Okay, Okay, I'm not gonna look

0:24:40.440 --> 0:24:42.840
<v Speaker 1>over the score for today as you guys have a

0:24:42.920 --> 0:24:50.639
<v Speaker 1>your little conversation. Okay, I'm sorry you were saying. I

0:24:50.720 --> 0:24:55.280
<v Speaker 1>was saying, you're obviously third chair obow. Yeah. I don't

0:24:55.280 --> 0:24:59.320
<v Speaker 1>know if you noticed, but this orchestra is overly so

0:24:59.359 --> 0:25:02.359
<v Speaker 1>we're looking at cut back what I just asked the

0:25:02.359 --> 0:25:05.200
<v Speaker 1>maestro about and he said that he's not gonna do it.

0:25:05.200 --> 0:25:08.080
<v Speaker 1>I don't know if you've talked to him. Yeah, he's

0:25:08.080 --> 0:25:12.040
<v Speaker 1>not gonna do it. He's not gonna do it. Are

0:25:12.080 --> 0:25:17.639
<v Speaker 1>you going to handle this on the inside? This is

0:25:17.640 --> 0:25:22.960
<v Speaker 1>a beautiful instrument you have. I just wanted to one

0:25:22.960 --> 0:25:25.600
<v Speaker 1>more time make an announcement to everyone. If you know

0:25:25.720 --> 0:25:29.159
<v Speaker 1>anyone who plays an instrument, just let him know about this.

0:25:29.520 --> 0:25:32.960
<v Speaker 1>Like the more the marrier, honestly, like, uh, you know,

0:25:33.040 --> 0:25:36.200
<v Speaker 1>any anything, and it doesn't have to be an orchestral instrument.

0:25:36.640 --> 0:25:38.959
<v Speaker 1>You know, we've got a lot of islands. We've got

0:25:39.000 --> 0:25:48.840
<v Speaker 1>a few viola's, you know. I know guy, Yeah, yeah,

0:25:48.680 --> 0:25:51.040
<v Speaker 1>you know a guy. You know, a guy who can

0:25:51.119 --> 0:25:54.560
<v Speaker 1>get get me into an orchestra. I mean you play

0:25:54.640 --> 0:26:01.520
<v Speaker 1>the the what's the desider zi phone? It's my own invention,

0:26:01.840 --> 0:26:11.920
<v Speaker 1>sweethearts to this homeless man. Don't do like that, don't no,

0:26:12.160 --> 0:26:15.439
<v Speaker 1>it's it's okay. Nobody wants to talk to me and

0:26:15.560 --> 0:26:20.520
<v Speaker 1>my Zida phone. I guess I'll be making man. I'm here.

0:26:20.560 --> 0:26:23.359
<v Speaker 1>I'm here, crossing this street every day to go get

0:26:23.440 --> 0:26:27.040
<v Speaker 1>you milk and cookies and bring that home for you,

0:26:27.440 --> 0:26:32.800
<v Speaker 1>and so I know his talent. He's very good. For

0:26:32.880 --> 0:26:38.239
<v Speaker 1>one second, for one second, listen to this man. Do

0:26:38.240 --> 0:26:40.000
<v Speaker 1>you have a do you have a favorite song I

0:26:40.119 --> 0:26:47.840
<v Speaker 1>can play on? And don't even like that? Sure, let

0:26:47.840 --> 0:26:50.000
<v Speaker 1>me put let me, let me put my Zida phone on.

0:26:51.000 --> 0:26:56.919
<v Speaker 1>Climbing here and it's incredible. Let me just get the

0:26:57.000 --> 0:27:01.400
<v Speaker 1>rope here, twist around and inside down. All right, here

0:27:01.440 --> 0:27:05.240
<v Speaker 1>we go in. Don't do me like that. Don't do

0:27:05.320 --> 0:27:10.080
<v Speaker 1>me like that. And I just want to give you

0:27:10.080 --> 0:27:14.360
<v Speaker 1>a hundred dollar tip. Keep it up. Oh thanks, Mr.

0:27:15.040 --> 0:27:19.400
<v Speaker 1>Don't do me like that. He must be like that. Okay,

0:27:19.440 --> 0:27:22.000
<v Speaker 1>one more time from the top. We're going to do

0:27:22.119 --> 0:27:28.040
<v Speaker 1>a two hundred and fifty piece instrument version of Tom

0:27:28.119 --> 0:27:32.000
<v Speaker 1>Petty and the Heartbreakers and don't do me like that. Okay,

0:27:32.080 --> 0:27:35.520
<v Speaker 1>But it's it's a missing it's a missing something. Yes,

0:27:35.800 --> 0:27:39.199
<v Speaker 1>excuse me. Um, I'm here, I'm I'm on the trumpets

0:27:40.000 --> 0:27:42.880
<v Speaker 1>and I've got the chorus down, but I can't think

0:27:42.880 --> 0:27:47.879
<v Speaker 1>of how the song starts. It goes. I was talking

0:27:47.880 --> 0:27:50.280
<v Speaker 1>with a friend of mine, said a woman had a

0:27:50.359 --> 0:27:53.240
<v Speaker 1>heart his pride told her that he loved him. So

0:27:54.040 --> 0:27:56.640
<v Speaker 1>turn him, let him go, and you say you're better

0:27:56.640 --> 0:28:00.600
<v Speaker 1>watch your step or you're gonna get hurt yourself. Someone'll

0:28:00.680 --> 0:28:04.800
<v Speaker 1>tell you a lie, cut you down to size, and

0:28:04.800 --> 0:28:09.080
<v Speaker 1>then you're singing the Corse like forever. I feel like Stephanie.

0:28:09.160 --> 0:28:11.440
<v Speaker 1>It doesn't know site reading. It's all on the site

0:28:11.440 --> 0:28:13.600
<v Speaker 1>of music or in front of it is all on

0:28:13.640 --> 0:28:15.920
<v Speaker 1>the side. Was like, but I want the big orchestra,

0:28:16.040 --> 0:28:20.600
<v Speaker 1>so I don't care whether people can my sure, my sure,

0:28:20.760 --> 0:28:30.040
<v Speaker 1>somebody willed in this metal and tubes sticking out, there's

0:28:30.080 --> 0:28:34.600
<v Speaker 1>a person living in it. Oh, I know, I just

0:28:34.960 --> 0:28:39.040
<v Speaker 1>I didn't mean to interrupt your your orchestra, but I

0:28:39.040 --> 0:28:42.920
<v Speaker 1>I heard you were looking for new new people and instruments.

0:28:42.920 --> 0:28:46.320
<v Speaker 1>To add, I'd like to offer up the services of

0:28:46.440 --> 0:28:51.640
<v Speaker 1>Mazda phone is zidaphone. Yeah, yeah, I've only heard of

0:28:51.920 --> 0:28:57.160
<v Speaker 1>it after myself because I made it up. Well, we

0:28:57.160 --> 0:29:01.200
<v Speaker 1>were trying a very very difficult to Pete. I don't

0:29:01.200 --> 0:29:03.440
<v Speaker 1>know if you overheard it. It's a Tom Petty and

0:29:03.440 --> 0:29:07.520
<v Speaker 1>the Heartbreakers that don't don't do like that. Yeah, of

0:29:07.560 --> 0:29:10.959
<v Speaker 1>course I know that, you know. Yeah, I was just

0:29:11.040 --> 0:29:14.840
<v Speaker 1>doing it for a nice folks out out on the

0:29:14.880 --> 0:29:16.880
<v Speaker 1>street out there. I was playing it for him. They

0:29:17.080 --> 0:29:20.479
<v Speaker 1>like like my version, my show my show. I'm sorry,

0:29:20.520 --> 0:29:26.280
<v Speaker 1>but isn't this orchestra clearly over? You know your your

0:29:26.320 --> 0:29:34.560
<v Speaker 1>oboist is right? I should just go if I do? No, oh, no,

0:29:34.600 --> 0:29:37.160
<v Speaker 1>go ahead. It sounded like you're about to give me

0:29:37.480 --> 0:29:41.480
<v Speaker 1>you want to hear this ida phone? Alright, well hold on,

0:29:41.560 --> 0:29:45.440
<v Speaker 1>let me get it ready. Climbing here, get this, pull

0:29:45.520 --> 0:29:49.600
<v Speaker 1>this strap over here. Oh, this one's down these downstairs.

0:29:49.640 --> 0:29:53.360
<v Speaker 1>I gotta go downstairs and get this one. It's a multilevel.

0:29:54.040 --> 0:29:58.440
<v Speaker 1>Put get the three more. Just there's gotta be one

0:29:58.440 --> 0:30:00.640
<v Speaker 1>of these hammers is a little off. Let me fix that.

0:30:01.000 --> 0:30:03.920
<v Speaker 1>I just got to oil this one spot here And okay,

0:30:04.000 --> 0:30:07.480
<v Speaker 1>I think I'm ready. Just when don't you just hit

0:30:07.560 --> 0:30:12.840
<v Speaker 1>that big button on the outside. Don't do it like that.

0:30:13.920 --> 0:30:17.360
<v Speaker 1>Don't know a straight straight to the car. It's okay,

0:30:18.240 --> 0:30:23.840
<v Speaker 1>I don't know the verse. Uh. These are primost seats

0:30:23.880 --> 0:30:28.280
<v Speaker 1>to the orchestra. I'm talking dead center orchestra seating. And

0:30:28.360 --> 0:30:30.160
<v Speaker 1>do I get a little bit of discount because I

0:30:30.200 --> 0:30:34.440
<v Speaker 1>actually discovered one of the orchestra players. Let me put

0:30:34.480 --> 0:30:38.120
<v Speaker 1>that in coupon code. We don't need a discount, we

0:30:38.160 --> 0:30:42.440
<v Speaker 1>need discount paper. Right now. They have them, let us

0:30:42.480 --> 0:30:46.760
<v Speaker 1>have them. We just turned rich. Everybody turns down the discount,

0:30:46.760 --> 0:30:51.840
<v Speaker 1>we can't then give it, sir, not a problem, a problem,

0:30:52.240 --> 0:30:56.000
<v Speaker 1>cash or cash? Okay, great, it's really changed since he

0:30:56.160 --> 0:31:01.600
<v Speaker 1>got rich. Changed. I just got rip week. Can I

0:31:01.640 --> 0:31:07.760
<v Speaker 1>ask what was the miracle the success for you? Of course,

0:31:08.720 --> 0:31:11.400
<v Speaker 1>I'm an inventor. I invented something you use every day

0:31:11.400 --> 0:31:16.440
<v Speaker 1>and don't even know that something dollars for all thousand

0:31:16.520 --> 0:31:20.920
<v Speaker 1>dollar bills one to three, four six perfect. Put that

0:31:20.960 --> 0:31:24.640
<v Speaker 1>in the two very expensive scene and we will just

0:31:24.960 --> 0:31:32.880
<v Speaker 1>email you the team nues. Just check your phone that's

0:31:32.880 --> 0:31:35.760
<v Speaker 1>probably there right now. We use this. We don't bring

0:31:35.840 --> 0:31:38.240
<v Speaker 1>our phones. This new app we just got last week,

0:31:38.320 --> 0:31:41.200
<v Speaker 1>which emails tickets to you directly. Can we get a

0:31:41.240 --> 0:31:46.719
<v Speaker 1>printed version? This time version? Remail it to myself and

0:31:46.760 --> 0:31:50.720
<v Speaker 1>then I'll print it out. All right? What wait? I

0:31:50.720 --> 0:31:58.080
<v Speaker 1>can hear it's starting to send it to my Yeah,

0:31:58.400 --> 0:32:02.719
<v Speaker 1>and I don't use that anymore. This is taking a

0:32:02.760 --> 0:32:05.440
<v Speaker 1>long time. Oh it's warning me that I sent it

0:32:05.480 --> 0:32:08.320
<v Speaker 1>to two separate email addresses. But I'm gonna say, okay,

0:32:08.360 --> 0:32:11.280
<v Speaker 1>not a problem, just one more minute, okay. I just

0:32:11.360 --> 0:32:14.680
<v Speaker 1>want to let you know how a special you all

0:32:14.760 --> 0:32:17.920
<v Speaker 1>are to me, and except you I don't know you,

0:32:18.040 --> 0:32:22.440
<v Speaker 1>but but come on in, welcome, join us, um and

0:32:22.680 --> 0:32:25.240
<v Speaker 1>we have a children's choir. We have a fifty piece

0:32:25.320 --> 0:32:28.160
<v Speaker 1>children's choir which is going to be joining us tonight.

0:32:29.320 --> 0:32:33.240
<v Speaker 1>And uh what else we got? We got a banjo? Now,

0:32:33.440 --> 0:32:36.960
<v Speaker 1>like it's like why not? Hey? Sorry, I'm like, can

0:32:36.960 --> 0:32:39.960
<v Speaker 1>I play my mouth art for you the orchestra? Yeah?

0:32:39.960 --> 0:32:43.480
<v Speaker 1>Sure thing, come on in? Do you know adult to

0:32:43.520 --> 0:32:46.720
<v Speaker 1>do me like that? Sure? Everybody knows. Don't do me

0:32:46.800 --> 0:32:50.719
<v Speaker 1>like that? Don't don't you want? Don't you that is?

0:32:50.920 --> 0:32:55.360
<v Speaker 1>That is exactly the song. Yeah. Now I want you

0:32:55.440 --> 0:32:59.680
<v Speaker 1>to know because the tickets are like prohibitively expensive, so

0:33:00.200 --> 0:33:04.440
<v Speaker 1>you know, uh, it's a it's a very elitist crowd.

0:33:05.080 --> 0:33:10.000
<v Speaker 1>And yes, maestro, yes, first chair, Obo, what is this?

0:33:11.600 --> 0:33:16.320
<v Speaker 1>What is this all about? What? What are you doing?

0:33:17.240 --> 0:33:19.120
<v Speaker 1>What is going on with you that you need to

0:33:19.200 --> 0:33:23.440
<v Speaker 1>fill every single space on the stage and theater with

0:33:23.640 --> 0:33:28.160
<v Speaker 1>other people? What do you? How do you? What void

0:33:29.120 --> 0:33:32.840
<v Speaker 1>are you trying to fill? Maestro? I can't hear anything

0:33:32.880 --> 0:33:37.080
<v Speaker 1>from in here. Fire him mastro and move all the

0:33:37.080 --> 0:33:40.920
<v Speaker 1>Obo's open chair. First of all, I love the music,

0:33:42.040 --> 0:33:44.600
<v Speaker 1>and uh, I think a music shouldn't be shared with

0:33:44.640 --> 0:33:48.320
<v Speaker 1>as a many people as possible. But but to be

0:33:48.360 --> 0:33:51.720
<v Speaker 1>honest with you, I am missing a little something. I

0:33:51.800 --> 0:33:54.160
<v Speaker 1>went to to high school with a girl and I

0:33:54.240 --> 0:33:57.640
<v Speaker 1>developed a crush on her and I can't get her

0:33:57.760 --> 0:34:02.880
<v Speaker 1>out of my mind. Been there? And is she coming

0:34:02.880 --> 0:34:06.360
<v Speaker 1>to the show tonight? I hope? So I sent her

0:34:06.800 --> 0:34:09.719
<v Speaker 1>a ticket to every show I do and she never

0:34:09.760 --> 0:34:14.239
<v Speaker 1>shows up. But I would love to take all of

0:34:14.280 --> 0:34:22.080
<v Speaker 1>you to serenade her outside of her house. Oh that

0:34:22.120 --> 0:34:26.239
<v Speaker 1>makes a lot of sense my show. Yeah, look, can

0:34:26.280 --> 0:34:32.520
<v Speaker 1>I help you? Yes? Um, this is a this is awkward,

0:34:32.640 --> 0:34:38.359
<v Speaker 1>but I have a brought looks like, huh, it's true

0:34:38.360 --> 0:34:41.839
<v Speaker 1>fool to be an orchestra. No, no, it's She's not

0:34:42.000 --> 0:34:48.479
<v Speaker 1>overly fool. It's it's actually just the right amount song.

0:34:49.600 --> 0:34:53.080
<v Speaker 1>And babe, there's another guy's love with you is here?

0:34:54.000 --> 0:34:59.080
<v Speaker 1>Oh my god, are you kidding me? Okay, hold on,

0:34:59.160 --> 0:35:01.560
<v Speaker 1>hold on, le put on my potato. All right, I'm

0:35:01.560 --> 0:35:04.600
<v Speaker 1>gonna be the other room with with Don Ron, Don

0:35:04.719 --> 0:35:08.520
<v Speaker 1>john and Don Johnson. He's not the mob, but he's

0:35:08.560 --> 0:35:13.640
<v Speaker 1>a Don Threno. Another interruption. I really should have this

0:35:13.719 --> 0:35:18.200
<v Speaker 1>meeting somewhere else. Don Johnson is getting annoyed, and Don

0:35:18.280 --> 0:35:26.320
<v Speaker 1>john obviously. Look, Don Johnson, I loved your Miami vice

0:35:26.800 --> 0:35:30.279
<v Speaker 1>and now you, uh, you're created knives out kind of

0:35:30.360 --> 0:35:35.360
<v Speaker 1>entering your character actor phase. Thanks. I just don't we

0:35:35.400 --> 0:35:41.640
<v Speaker 1>don't need an IMDb for Don Johnson any Thanks. I'm

0:35:41.680 --> 0:35:44.319
<v Speaker 1>just hoping I have somebody to play opposite against because

0:35:44.320 --> 0:35:46.439
<v Speaker 1>I've been doing a lot of solo improv for these

0:35:46.480 --> 0:35:58.560
<v Speaker 1>guys and somebody who gets it don't do me. I

0:35:58.560 --> 0:36:00.239
<v Speaker 1>hope it worked. I holp it worse than my true

0:36:01.480 --> 0:36:09.800
<v Speaker 1>What do you think? Is there another one? I guess

0:36:09.840 --> 0:36:15.960
<v Speaker 1>we could do a refuge one, two, three four in

0:36:16.000 --> 0:36:23.759
<v Speaker 1>that scene number two see three Todays from listener. Mo

0:36:24.680 --> 0:36:33.000
<v Speaker 1>just mo, hey everyone, anyways, the nice yeah mo is

0:36:33.080 --> 0:36:37.080
<v Speaker 1>all business. Hey everyone, anyways, here's my scene suggestion. Benjamin

0:36:37.080 --> 0:36:41.920
<v Speaker 1>Franklin tries to get finders Keepers into the Constitution, Thanks alchemists. Mo,

0:36:44.960 --> 0:36:50.839
<v Speaker 1>Hey everybody, Hey, let's just focus here, all right, this

0:36:50.920 --> 0:36:53.600
<v Speaker 1>is I don't want to spend the night in Philadelphia

0:36:53.840 --> 0:36:57.719
<v Speaker 1>like everybody else. All right, the ship town with the

0:36:57.880 --> 0:37:03.080
<v Speaker 1>ship people in. Let's just hammer this thing out. We've

0:37:03.080 --> 0:37:08.160
<v Speaker 1>been hammering this thing out for days days. It's down, John,

0:37:08.400 --> 0:37:11.560
<v Speaker 1>sit down, John, don't tell me to sit down. Thomas,

0:37:11.600 --> 0:37:13.880
<v Speaker 1>I will stand if I want to stand. We've been

0:37:13.960 --> 0:37:20.960
<v Speaker 1>hammering this out for days. Ah you just oh, Franklin,

0:37:21.080 --> 0:37:28.120
<v Speaker 1>Franklin wants to talk. Here he comes, just here, he comes. Ben? Yes, Ben, Hello,

0:37:29.239 --> 0:37:32.920
<v Speaker 1>okay Ben, it would help if you would. I mean,

0:37:32.960 --> 0:37:38.200
<v Speaker 1>I'm not saying anything said some light yes, yes, shed

0:37:38.280 --> 0:37:42.640
<v Speaker 1>like Ben. Okay, Wait, well we all look up to you.

0:37:42.680 --> 0:37:46.280
<v Speaker 1>We have such respect for you. Where is this document headed?

0:37:48.200 --> 0:37:52.040
<v Speaker 1>I'm looking, I'm looking, I'm looking. I feel like I

0:37:52.120 --> 0:37:59.520
<v Speaker 1>must invent one more thing to make it complete. Yes, yes, okay,

0:37:59.680 --> 0:38:05.960
<v Speaker 1>I think we need to sign into officiality finders keepers,

0:38:06.880 --> 0:38:11.560
<v Speaker 1>finders Keepers? What does sign? What is finders Keepers? Then

0:38:11.640 --> 0:38:16.759
<v Speaker 1>if you lost your gourd? Well the other day, I

0:38:16.800 --> 0:38:22.440
<v Speaker 1>was in the marsh, just experimenting, and there was a

0:38:22.480 --> 0:38:28.600
<v Speaker 1>little bit of a pantaloon, just a piece of it

0:38:28.640 --> 0:38:31.480
<v Speaker 1>was just floated on up and I picked it up

0:38:31.520 --> 0:38:34.440
<v Speaker 1>and I said, well, this is an interesting cloth, and

0:38:34.480 --> 0:38:37.399
<v Speaker 1>I'm going to look at this later. But then, hey,

0:38:37.520 --> 0:38:42.600
<v Speaker 1>there's my pantaloons. This is just a piece of pantaloons. Well,

0:38:42.640 --> 0:38:46.040
<v Speaker 1>let's mind. Now it's in my hands. Was missing a

0:38:46.080 --> 0:38:48.880
<v Speaker 1>little piece. I can see that, and it would easily

0:38:48.960 --> 0:38:52.400
<v Speaker 1>be sewn back on by someone with a nimble thumb

0:38:52.480 --> 0:38:56.520
<v Speaker 1>and thimberland thread. But here I am holding it in

0:38:56.600 --> 0:39:03.760
<v Speaker 1>my hands, making it mine. But Franklin, what possible reason

0:39:03.840 --> 0:39:05.279
<v Speaker 1>would you have to hold on to a piece of

0:39:05.280 --> 0:39:07.680
<v Speaker 1>another man's pantaloo? How did he lose that piece of

0:39:07.719 --> 0:39:12.000
<v Speaker 1>pantal It was more about feeling like it was mine

0:39:12.120 --> 0:39:17.760
<v Speaker 1>in the moments. Which marsh was it? Oh, the boggy marsh? Oh,

0:39:17.800 --> 0:39:23.719
<v Speaker 1>I know the boggy marsh. Yes, just outside the city exactly.

0:39:23.760 --> 0:39:24.920
<v Speaker 1>And that's what I like to do a lot of

0:39:24.920 --> 0:39:30.920
<v Speaker 1>my experimenting. But Dr Franklin, please, this this, this notion

0:39:31.000 --> 0:39:33.400
<v Speaker 1>of if something is in your hand it suddenly belongs

0:39:33.440 --> 0:39:37.000
<v Speaker 1>to you, feels fundamentally un American. That's the thing. It's

0:39:37.040 --> 0:39:41.480
<v Speaker 1>not about the hand, it's about finding it. And if

0:39:41.520 --> 0:39:43.959
<v Speaker 1>you have found it, you have the right to keep

0:39:44.000 --> 0:39:46.640
<v Speaker 1>it because that means it was lost and the person

0:39:46.680 --> 0:39:50.000
<v Speaker 1>who lost it, Ben, that's my wife. We do all

0:39:50.040 --> 0:39:57.080
<v Speaker 1>my wife. If you you've lost her, you didn't I

0:39:57.120 --> 0:40:00.520
<v Speaker 1>went to work. Well, listen, this is your If she's

0:40:00.600 --> 0:40:05.840
<v Speaker 1>running around looking for new fun, is that not? I

0:40:06.600 --> 0:40:09.120
<v Speaker 1>guess I have to go with Mr Frankelin and Elijah

0:40:10.200 --> 0:40:14.160
<v Speaker 1>I guess I have to. That happened in the marsh too,

0:40:15.200 --> 0:40:18.480
<v Speaker 1>and I didn't appreciate her attitude about it. I wanted

0:40:18.480 --> 0:40:21.239
<v Speaker 1>her to want to come with me, you know. She

0:40:21.520 --> 0:40:25.400
<v Speaker 1>is more of about obligatory. But either way, it proves

0:40:25.440 --> 0:40:29.920
<v Speaker 1>the point of finders keepers. You know, I don't want to.

0:40:30.080 --> 0:40:33.279
<v Speaker 1>I'm a medical doctor. I would just be careful with

0:40:33.320 --> 0:40:36.799
<v Speaker 1>all these stories you have of regaling women. You know,

0:40:36.960 --> 0:40:39.440
<v Speaker 1>just you know what I mean, what do you mean,

0:40:40.120 --> 0:40:47.000
<v Speaker 1>I'm I'm a doctor as well. Doctors? All right, we

0:40:47.040 --> 0:40:50.520
<v Speaker 1>don't need to It's not like the mafia or anything,

0:40:50.800 --> 0:40:53.480
<v Speaker 1>Ben Ben, So are you're saying from the smallest thing

0:40:53.640 --> 0:40:55.759
<v Speaker 1>like a piece of pen I liked what you just

0:40:55.800 --> 0:41:00.840
<v Speaker 1>said about the mafia. Let's call me Doc Ben. Anyone

0:41:00.880 --> 0:41:03.920
<v Speaker 1>who's a doctor should get the doc no doc for doctor,

0:41:04.080 --> 0:41:08.440
<v Speaker 1>doctor Doc Ben? Alright, doc five? Well look, Doc Ben.

0:41:08.760 --> 0:41:13.000
<v Speaker 1>If we enshrine this principle of finders keepers into our constitution,

0:41:13.920 --> 0:41:17.840
<v Speaker 1>there's has to be some principle that that adheres to

0:41:17.880 --> 0:41:29.480
<v Speaker 1>the losers in both instances. Always one example, what about

0:41:29.520 --> 0:41:38.040
<v Speaker 1>Theo's guy was more of a cry and the other

0:41:38.080 --> 0:41:40.560
<v Speaker 1>one was more of a weep, you know, but both

0:41:40.800 --> 0:41:43.920
<v Speaker 1>both having to do with tears and emotions, and I've

0:41:43.960 --> 0:41:50.239
<v Speaker 1>got it. Finders keepers, losers cry Thomas, as always, you're

0:41:50.400 --> 0:41:54.560
<v Speaker 1>very close. But I said, right there, you sit down, Tomas,

0:41:54.560 --> 0:41:58.400
<v Speaker 1>stop telling me what to do. I have one finders, keepers,

0:42:00.200 --> 0:42:05.120
<v Speaker 1>not finders, not getters. So it's very clear it's nothing

0:42:05.160 --> 0:42:09.040
<v Speaker 1>to do with the crying at all. Got it. The gentlemen, gentlemen,

0:42:09.040 --> 0:42:13.600
<v Speaker 1>these please please no, no go ahead, no go ahead,

0:42:14.120 --> 0:42:18.160
<v Speaker 1>Please sit down. Why is everyone always telling me to

0:42:18.160 --> 0:42:25.400
<v Speaker 1>sit down? Here's my finders keepers, loser, sobbers, loser, sobbers. Gentlemen.

0:42:25.480 --> 0:42:28.640
<v Speaker 1>It is the mere notion that if you find something

0:42:28.719 --> 0:42:31.600
<v Speaker 1>it is yours, that we should fundamentally have a problem

0:42:31.640 --> 0:42:34.800
<v Speaker 1>with the pithy saying that we attached to it should

0:42:34.800 --> 0:42:41.120
<v Speaker 1>make no influence whatsoever. I disagree. Listen, we came here, right,

0:42:41.560 --> 0:42:43.480
<v Speaker 1>we came here, and people already here. I guess what

0:42:44.000 --> 0:42:49.520
<v Speaker 1>it's ours now? Mm? Also also furthermore pithy sayings is

0:42:49.560 --> 0:42:54.680
<v Speaker 1>what this new country is found in on? Yeah, well,

0:42:54.760 --> 0:42:57.440
<v Speaker 1>it hasn't been founded yet, and if we don't get

0:42:57.520 --> 0:43:00.640
<v Speaker 1>asked this, it won't be founded. Where are we now

0:43:02.040 --> 0:43:05.520
<v Speaker 1>held Alphia in the summer? What? Okay? So literal, so

0:43:05.600 --> 0:43:09.160
<v Speaker 1>literal jokay, okay, you may sit down, Thomas, you understanding,

0:43:09.400 --> 0:43:13.319
<v Speaker 1>May I remind us all of a pithy I'm sitting down.

0:43:13.560 --> 0:43:16.920
<v Speaker 1>I'm gonna remind us all because remark you do stop

0:43:16.960 --> 0:43:19.839
<v Speaker 1>it now. I just say I told him to sit down,

0:43:19.880 --> 0:43:21.319
<v Speaker 1>and he sat down. That means he listens to me.

0:43:21.480 --> 0:43:27.680
<v Speaker 1>This pithy quip has been a cornerstone to the building

0:43:27.680 --> 0:43:32.240
<v Speaker 1>of this of this of this land nation. No uh,

0:43:32.440 --> 0:43:38.320
<v Speaker 1>no cuts, no butts, no coconuts, coconuts, no cuts, no butts,

0:43:38.360 --> 0:43:42.680
<v Speaker 1>no coconuts. That's true, You've done it. I mean I

0:43:42.719 --> 0:43:51.160
<v Speaker 1>can't disagree with that, and I think we should add finders, keepers, losers, weepers. No,

0:43:51.239 --> 0:43:53.279
<v Speaker 1>I think the cuts one should be in the in

0:43:53.360 --> 0:43:59.080
<v Speaker 1>the in the constitution. So yeah, the cuts one, no cuts,

0:43:59.400 --> 0:44:02.120
<v Speaker 1>that one one should be in the constitution. Yes, yes,

0:44:02.719 --> 0:44:08.720
<v Speaker 1>no coconuts. Ben say that again, finders keepers, losers, weepers.

0:44:09.719 --> 0:44:14.759
<v Speaker 1>M hmm, like something argue when you get to keep it?

0:44:14.840 --> 0:44:19.680
<v Speaker 1>Is it not really what this country's kind all about?

0:44:20.960 --> 0:44:25.360
<v Speaker 1>We found the Great State of Virginia. Elexander, did you

0:44:25.400 --> 0:44:29.840
<v Speaker 1>bring your dog to the God's sake? Go great? It

0:44:29.960 --> 0:44:34.000
<v Speaker 1>is a mad house in here. The Great State of Virginia. Virginia.

0:44:34.160 --> 0:44:37.160
<v Speaker 1>Virginia's for lovers, Virginia's for lovers. Where I am from

0:44:37.400 --> 0:44:44.480
<v Speaker 1>is built on three great principles, Gas Grass. As we

0:44:44.560 --> 0:44:48.359
<v Speaker 1>all know, in Virginia, no one rides for free, that's right.

0:44:50.080 --> 0:44:52.600
<v Speaker 1>So if we can get that into the constitution somehow,

0:44:54.080 --> 0:44:56.640
<v Speaker 1>let's just put all of our all of the nothing

0:44:56.680 --> 0:44:59.880
<v Speaker 1>but pithy sayings. We've got to create a document. We

0:45:00.000 --> 0:45:03.800
<v Speaker 1>are so close. We've created two branches of government we've

0:45:03.840 --> 0:45:06.839
<v Speaker 1>created uh, and I still maintain we need a third.

0:45:06.840 --> 0:45:10.000
<v Speaker 1>We've we've created a system for for for liberty and

0:45:10.080 --> 0:45:12.880
<v Speaker 1>a system for for trial by jury and all of

0:45:12.920 --> 0:45:15.399
<v Speaker 1>these things. But we're going to to tell this all

0:45:15.440 --> 0:45:18.840
<v Speaker 1>apart just for some some tiny pithy sayings. Is that

0:45:18.880 --> 0:45:23.680
<v Speaker 1>what's adding to it? John? John? Part of me? If

0:45:23.719 --> 0:45:26.840
<v Speaker 1>you just move your foot over, I I found the

0:45:26.840 --> 0:45:31.239
<v Speaker 1>pocket watch that well, that's my pocket watch that must

0:45:31.239 --> 0:45:35.880
<v Speaker 1>have fallen out. No, no, it's his now and you

0:45:36.000 --> 0:45:51.920
<v Speaker 1>have to you have to cry. It's in the constitution. Weep. Oh,

0:45:51.960 --> 0:45:57.400
<v Speaker 1>welcome back, Mr Jefferson. Your room is ready than you. Um.

0:45:57.560 --> 0:46:05.240
<v Speaker 1>Would you like some accompaniment tonight? Uh? Yes I would.

0:46:06.040 --> 0:46:09.279
<v Speaker 1>We're talking music, right of course, Yes, yes, of course

0:46:09.600 --> 0:46:17.600
<v Speaker 1>we have. That's our I think that's how any instrument. Actually,

0:46:17.640 --> 0:46:21.000
<v Speaker 1>I'm not gonna that's a lot of instruments. Yes, yes,

0:46:21.160 --> 0:46:27.000
<v Speaker 1>your choice. We have the largest accompaniment section. Okay, can

0:46:27.080 --> 0:46:29.840
<v Speaker 1>we uh get some wine up through the dumb waiter

0:46:29.920 --> 0:46:33.440
<v Speaker 1>that I invented here? Hey hey, hey hey, oh no,

0:46:33.560 --> 0:46:37.400
<v Speaker 1>I got wine for you, the one you invented. I

0:46:37.400 --> 0:46:41.600
<v Speaker 1>thought I told you fired that dumb waiter, but I

0:46:41.719 --> 0:46:48.680
<v Speaker 1>brought you wine. No smour please please, yeah, we'll take man, Sam,

0:46:49.320 --> 0:46:55.040
<v Speaker 1>just go outside. Okay, so we'll see this store. Yes, yes,

0:46:55.760 --> 0:47:00.200
<v Speaker 1>thank you. Okay, any instrument you'd like, we'll have it

0:47:00.280 --> 0:47:02.719
<v Speaker 1>sent up. Your wine will come through the dumb water,

0:47:02.880 --> 0:47:06.320
<v Speaker 1>your accompaniment will come up the stairs. I'm so excited

0:47:06.360 --> 0:47:09.239
<v Speaker 1>about this constitution that we how's it going with how's

0:47:09.280 --> 0:47:13.279
<v Speaker 1>it going in there? Good, good, good stuff being said. Yes, yes,

0:47:13.320 --> 0:47:18.160
<v Speaker 1>we're opening with no shirt, no shoes, no service. Do

0:47:18.239 --> 0:47:22.279
<v Speaker 1>you need um my, My wife has a lot of

0:47:23.000 --> 0:47:25.399
<v Speaker 1>good ideas. Do you want some women to combine like

0:47:26.200 --> 0:47:39.120
<v Speaker 1>chip in and women? Well? Ah, yeah, I guess it

0:47:39.200 --> 0:47:44.120
<v Speaker 1>was silly, silly. Just well, we'll send you. I'll pick

0:47:44.120 --> 0:47:46.759
<v Speaker 1>an instrument and send it up to you. Very good

0:47:47.520 --> 0:47:52.520
<v Speaker 1>and very good sent some red. Okay, Duc, Ben, let

0:47:52.520 --> 0:47:54.279
<v Speaker 1>me get this straight. Now. This might be a little

0:47:54.320 --> 0:47:57.040
<v Speaker 1>convolute because I'm just trying to wrap my mind around

0:47:57.080 --> 0:48:02.320
<v Speaker 1>how brilliant you are. You're saying you round electricity in

0:48:02.520 --> 0:48:08.319
<v Speaker 1>the sky and the rain was God crying. That's right,

0:48:08.760 --> 0:48:12.200
<v Speaker 1>that's what I yes. So I was holding a key, right,

0:48:12.920 --> 0:48:15.760
<v Speaker 1>and then light and it was raining. God was crying.

0:48:16.160 --> 0:48:20.319
<v Speaker 1>God was God was weeping, weeping. He was weeping. And

0:48:20.360 --> 0:48:24.040
<v Speaker 1>then a lightning bolt hit the key and I said, wow,

0:48:24.080 --> 0:48:27.960
<v Speaker 1>that's powerful, strong, and I felt it in my body

0:48:28.000 --> 0:48:33.560
<v Speaker 1>and I felt an electric situation at a search go

0:48:33.760 --> 0:48:36.680
<v Speaker 1>through me, and I thought, I can capitalize on this.

0:48:37.400 --> 0:48:42.359
<v Speaker 1>So even even even God is not exempt from from

0:48:42.360 --> 0:48:46.359
<v Speaker 1>the finders, keepers, losers, weepers. Well, listen, he lost the ball.

0:48:46.400 --> 0:48:48.279
<v Speaker 1>So it came to me. Now the electricity is mine

0:48:48.320 --> 0:48:53.120
<v Speaker 1>and he's weeping. Very well, very well. I will leave

0:48:53.160 --> 0:49:03.839
<v Speaker 1>you to bed um. Thank you, benneh. I saw you

0:49:03.880 --> 0:49:06.920
<v Speaker 1>with that Duc, man, you saw you with that girl

0:49:07.000 --> 0:49:09.239
<v Speaker 1>last night? Man? What's up? What's up? What's up? You do?

0:49:09.480 --> 0:49:12.359
<v Speaker 1>You You got that, didn't you? Didn't you? You got that?

0:49:12.400 --> 0:49:16.480
<v Speaker 1>Didn't you? You know? I actually didn't Ben? Throw the darts?

0:49:16.520 --> 0:49:20.800
<v Speaker 1>Please Okay, Oh my gosh, just give me a moment.

0:49:21.000 --> 0:49:26.520
<v Speaker 1>It's hard for me to multitask. Good God, you get

0:49:26.600 --> 0:49:28.759
<v Speaker 1>laid all the time, aren't you. Duck man? I mean

0:49:28.800 --> 0:49:31.200
<v Speaker 1>I get laid. I wouldn't say all the time. So

0:49:31.680 --> 0:49:35.440
<v Speaker 1>I was in my bed and this bozo comes in

0:49:35.520 --> 0:49:39.520
<v Speaker 1>and talk to me about finds keepers and really debate

0:49:39.560 --> 0:49:44.640
<v Speaker 1>it with me. So dumb waiter. No, gosh, it wasn't

0:49:44.719 --> 0:49:50.680
<v Speaker 1>the dumb waiter. He got fired. And be, my favorite

0:49:50.680 --> 0:49:52.359
<v Speaker 1>thing about you is that you sleep with all these

0:49:52.360 --> 0:49:55.200
<v Speaker 1>women because you are a playboy. And then your wife

0:49:55.440 --> 0:50:00.319
<v Speaker 1>is just home built in that house and having multiple strokes. Hell, yeah,

0:50:00.600 --> 0:50:07.560
<v Speaker 1>that's my favorite thing about each that's ours. I just

0:50:07.640 --> 0:50:16.520
<v Speaker 1>watched a documentary, Yes, Mark, Yes, did you watch that? Mark?

0:50:17.400 --> 0:50:19.440
<v Speaker 1>Not yet? No, I gotta look. It's two of my

0:50:19.480 --> 0:50:25.200
<v Speaker 1>favorite things. It's a show tune Smith and ken Burns

0:50:25.200 --> 0:50:28.200
<v Speaker 1>so much fun, folks. And uh, I hope you learned

0:50:28.239 --> 0:50:32.239
<v Speaker 1>a little bit about American history. And uh, let's let's

0:50:32.320 --> 0:50:34.959
<v Speaker 1>check in with our alchemists one more time. Mark Agley already.

0:50:34.960 --> 0:50:37.839
<v Speaker 1>Always nice to have somebody who actually knows American history here.

0:50:38.680 --> 0:50:41.440
<v Speaker 1>I'm a big fan. And uh and I it's you

0:50:41.520 --> 0:50:44.080
<v Speaker 1>are all such a delight and I I thank you

0:50:44.120 --> 0:50:46.479
<v Speaker 1>for letting me sit at the cool kids table and play.

0:50:46.600 --> 0:50:49.560
<v Speaker 1>So thank you. And Mark Agliarity, of course, the original

0:50:49.640 --> 0:50:53.319
<v Speaker 1>drunk history storyteller from the very first drunk History episode

0:50:53.320 --> 0:50:57.359
<v Speaker 1>that was that was online that you did. Uh uh

0:50:57.440 --> 0:51:03.600
<v Speaker 1>Hamilton's bird Duel was the story right, It's still available online. Yeah. Uh.

0:51:03.600 --> 0:51:06.960
<v Speaker 1>And then and then it began a juggernaut that you

0:51:06.960 --> 0:51:09.200
<v Speaker 1>you spent a hell of a lot more time with

0:51:09.239 --> 0:51:12.239
<v Speaker 1>than I did, but you were you were always our

0:51:12.280 --> 0:51:17.640
<v Speaker 1>favorite drunk storyteller. And uh it. Mark always would lie

0:51:17.640 --> 0:51:22.520
<v Speaker 1>down on the floor, that's his go to I get drunk.

0:51:22.520 --> 0:51:26.360
<v Speaker 1>I would always wind up on the floor. Uh. Chris Albarado,

0:51:26.400 --> 0:51:30.040
<v Speaker 1>what do you know about American history? Um? Not much,

0:51:30.360 --> 0:51:33.200
<v Speaker 1>not much. Were like I just said, Um, I watched

0:51:33.200 --> 0:51:37.279
<v Speaker 1>that Ben Franklin documentary, really enjoyed it. I think I

0:51:37.280 --> 0:51:39.600
<v Speaker 1>said this tell you guys in in private maybe, but

0:51:39.760 --> 0:51:43.200
<v Speaker 1>you know I did submit my own my own self

0:51:43.239 --> 0:51:48.399
<v Speaker 1>produced drunk history tape once. Um this is true. My yeah. Mark,

0:51:49.000 --> 0:51:52.440
<v Speaker 1>what my manager was like A I was like, oh,

0:51:52.600 --> 0:51:54.080
<v Speaker 1>I can get it to their table, like I can

0:51:54.080 --> 0:51:56.080
<v Speaker 1>get it to the to the desk, Like go ahead,

0:51:56.120 --> 0:51:57.840
<v Speaker 1>and just make one yourself. So I did one. I

0:51:57.880 --> 0:52:00.799
<v Speaker 1>got really hammered by myself. What a friend? Who issue?

0:52:00.840 --> 0:52:03.040
<v Speaker 1>What you mean? I told a story about Bob Dylan

0:52:03.120 --> 0:52:06.560
<v Speaker 1>or something like that. So An, it's very very similar

0:52:06.600 --> 0:52:11.240
<v Speaker 1>mark you and a very very similar beginnings. Craig, wonderful

0:52:11.320 --> 0:52:14.319
<v Speaker 1>job hosting. I love you so much. Amen, this this

0:52:14.440 --> 0:52:18.479
<v Speaker 1>was a blast, Jackie Gonzalez do Ruthy, what what story

0:52:18.520 --> 0:52:20.960
<v Speaker 1>would you tell on drunk History if it came back

0:52:20.960 --> 0:52:24.120
<v Speaker 1>from cancelation? You know, I do? I am. History is

0:52:24.160 --> 0:52:27.560
<v Speaker 1>a very bad subject for me. It's not my strong

0:52:27.800 --> 0:52:31.640
<v Speaker 1>suit at all. Um. Dates are really bad for me.

0:52:31.880 --> 0:52:39.840
<v Speaker 1>Numbers are really bad. So um, what story I remember?

0:52:40.160 --> 0:52:42.120
<v Speaker 1>You know what? You you look it up first. It's

0:52:42.160 --> 0:52:46.959
<v Speaker 1>not something that you innately know. And are you telling

0:52:47.040 --> 0:52:49.440
<v Speaker 1>them how it works? You know you you look it

0:52:49.480 --> 0:52:53.799
<v Speaker 1>up either your research. I would, I would, Um, I

0:52:53.880 --> 0:52:56.759
<v Speaker 1>would tell the story of the challenger exploding. And I

0:52:56.840 --> 0:52:59.520
<v Speaker 1>don't know why that is, like what came to my mind.

0:53:00.280 --> 0:53:03.120
<v Speaker 1>That's what came to my mind. And I'm really sorry

0:53:03.239 --> 0:53:07.319
<v Speaker 1>to everyone and myself that that's my mind. It would

0:53:07.320 --> 0:53:12.839
<v Speaker 1>be a hilarious episode. Sure you do. You do get

0:53:12.880 --> 0:53:15.400
<v Speaker 1>a researcher who can give you information as well, so

0:53:15.440 --> 0:53:18.120
<v Speaker 1>of like and you're you're allowed to to do your

0:53:18.120 --> 0:53:23.440
<v Speaker 1>own research. That's well history that that phrase, that phrase

0:53:23.480 --> 0:53:27.480
<v Speaker 1>has become bloated a tool thing. What what what's your

0:53:27.680 --> 0:53:32.400
<v Speaker 1>best subject? Uh? Math? I love math. We Yeah, I

0:53:32.480 --> 0:53:34.600
<v Speaker 1>was always ahead in the math class. Is always trying

0:53:34.600 --> 0:53:36.799
<v Speaker 1>to take the higher math and every level of my

0:53:37.440 --> 0:53:41.719
<v Speaker 1>growing up education experience. So but I like I like

0:53:41.840 --> 0:53:45.800
<v Speaker 1>them all. I did research for like a nonprofit organization,

0:53:45.840 --> 0:53:48.040
<v Speaker 1>So whenever I hear do your own research, I'm like, no, no,

0:53:48.080 --> 0:53:49.759
<v Speaker 1>you don't know how to do it. It's a lot

0:53:49.800 --> 0:53:52.440
<v Speaker 1>of f and work to do proper research and turn

0:53:52.520 --> 0:53:57.560
<v Speaker 1>into report. Uh yeah. In Texas history, like u S history,

0:53:57.600 --> 0:54:00.280
<v Speaker 1>we got we had Texas history start in the sixth grade,

0:54:00.480 --> 0:54:05.600
<v Speaker 1>I think through the rest of us. Yeah, whoa, yeah,

0:54:05.960 --> 0:54:08.439
<v Speaker 1>there's a lot of it. Texas Rangers. Maybe I would

0:54:08.440 --> 0:54:11.640
<v Speaker 1>probably not love the more revisionist take that we had

0:54:11.880 --> 0:54:15.560
<v Speaker 1>on drunk history on the Alamo. Uh. That that's a loaded,

0:54:16.160 --> 0:54:18.760
<v Speaker 1>loaded story for for Texas. I think all the missions

0:54:19.000 --> 0:54:22.399
<v Speaker 1>in their history is gonna slowly turn or not totally turned,

0:54:22.440 --> 0:54:24.000
<v Speaker 1>but it's going to be seen from the other side

0:54:24.000 --> 0:54:27.719
<v Speaker 1>of it. And that's yeah, that's a fair Point. Thank you, Alchemist.

0:54:27.719 --> 0:54:31.400
<v Speaker 1>Then thank you to our engineering producer Doug Babe and

0:54:31.600 --> 0:54:33.919
<v Speaker 1>all the fine folks at I heart Media dot com.

0:54:34.880 --> 0:54:36.440
<v Speaker 1>Please write to us at UPO me this email at

0:54:36.440 --> 0:54:40.080
<v Speaker 1>gmail dot com until next time