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Speaker 1: Welcome back to another episode of Alchemy. This I'm Craig Kaikowski.

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Speaker 1: It's fun to say, you know, even it's my own name,

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Speaker 1: but there's a lot of hard see and kay sounds,

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Speaker 1: and it's just it's just fun to say everybody wherever

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Speaker 1: you are right now, even if you're at work on

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Speaker 1: the subway. So let's just take a moment to say,

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Speaker 1: Craig Kowski, Craig the power that I have. Uh, let's

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Speaker 1: say hello to our alchemists today. Everybody's gonna get the

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Speaker 1: same question because we're all from different states. Uh, and

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Speaker 1: so I'm curious, what about you? Epitomizes the state that

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Speaker 1: you're from, Chris Elarado, Why are you so California? Because

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Speaker 1: I grew up in the hood. I grew up in

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Speaker 1: a crazy part, not a not a fantastic part of

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Speaker 1: Los Angeles, surrounded by even cromier cities, So I think

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Speaker 1: I think that's my flavor. I think when I moved

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Speaker 1: to Chicago, people were like, dang, dude, you're not like

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Speaker 1: the surfer type California. And I was like, because I'm

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Speaker 1: because I'm I'm a gangster. So I'm really embarrassed by

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Speaker 1: that answer. By the way, type in the surfer type

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Speaker 1: of California. That's absolutely true, a duel thank you and

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Speaker 1: thank you. I think it's the last thing. I guess

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Speaker 1: if I can kind of like settle it, like kind

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Speaker 1: of like solidify this for me, if like it's like

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Speaker 1: an ice cube song comes on, like something with like

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Speaker 1: west Side, Like I really feel that kind of like

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Speaker 1: that kind of like so cal l a bumping music

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Speaker 1: that's really like it's in my d n A. So

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Speaker 1: I hope that kind of set that kind of cleared

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Speaker 1: that up a little bit. Yes, thank you. You're a

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Speaker 1: territorial where you were from? Jackie Gonzalez do ruthy uh?

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Speaker 1: What about you? Epitomizes Florida, you know, Florida, Florida woman,

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Speaker 1: Florida so ashamed at this point. Um, but if you've

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Speaker 1: been to Miami, you know it's very different from Florida,

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Speaker 1: though it shares some of its heinous traits, of course,

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Speaker 1: some of its conservative traits. However, it is a different land.

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Speaker 1: So I would say, what about me, epitobizes my Miami

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Speaker 1: is probably I would just say my body, like moving

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Speaker 1: my body, I would say, like moving my body while

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Speaker 1: I talk, but also like dancing and like my you

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Speaker 1: know what I mean. I also feel like in public

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Speaker 1: I have no shame in terms of dancing and singing,

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Speaker 1: like being loud and like tell what you know. And

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Speaker 1: that's very Miami in terms of like, yeah, like if

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Speaker 1: I'm with my friends or in a grocery store and

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Speaker 1: a song comes on that we like like we're gonna

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Speaker 1: start dancing, and that's it feels very Miami. Okay, but

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Speaker 1: not so much Pensacola or Jacksonville or Water not the

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Speaker 1: Florida in me. I do like a lizard. Um, what

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Speaker 1: is going on? Okay, we'll get we'll go with your

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Speaker 1: first answer. Your first answer, I like a lizard. I'm

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Speaker 1: not scared. I like like a lizard a tool sing.

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Speaker 1: Uh what about you? Is so Texas? Oh? Thanks? When

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Speaker 1: Jackie said lizard, I did think she meant eating lizards

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Speaker 1: and not just she likes lizards, so that she clarified

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Speaker 1: that sort of What about Texas? So, uh, they're they're

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Speaker 1: growing up in Texas. There was a lot of state pride.

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Speaker 1: Uh um, we say the biggest state in the continuous US,

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Speaker 1: so to to geographically maybe that very clear that in

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Speaker 1: the forty eight connected states we are the biggest, not

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Speaker 1: worried about Alaska in this count Um, you know everything

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Speaker 1: really there is a concern. So I always used to

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Speaker 1: take a lot of pride in that, Uh, we have

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Speaker 1: shirts to say, y'all can go to Hell. I'm going

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Speaker 1: to Texas. This is sponsored Don't Mess with Texas. One

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Speaker 1: of the best marketing campaigns that ever existed. Um, just

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Speaker 1: a lot of state pride. And I always like that,

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Speaker 1: even though some of it was for for silly things. Um,

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Speaker 1: how does that exemplify itself Texas stuff in my day

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Speaker 1: to day? Um? Yeah. I also liked when I when

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Speaker 1: I moved to New York and I realized the pace

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Speaker 1: was much faster, I did like I always miss the

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Speaker 1: Texas pace, which is just like, hey, how you doing

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Speaker 1: when you're at the seven eleven or whatever and slow down?

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Speaker 1: Need a lizard? I got a friend, I got a

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Speaker 1: friend in Miami. Alright, well are you in a hurry? Bell,

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Speaker 1: Just sit down, have a lizard. Let's head on over

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Speaker 1: to uh, to the state that borders more states than

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Speaker 1: any other. Tennessee's I think tied with Missouri. I think gags.

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Speaker 1: What about you like to point out that that that quote, uh,

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Speaker 1: y'all can go to hell? I'm going to Texas, said

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Speaker 1: by a famous Tennessee and David Crockett. And I think

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Speaker 1: I think the thing that makes me most Tennessee and

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Speaker 1: in in mentioning famous people from our from my state, uh,

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Speaker 1: in mentioning David Crockett, I think that for me, it

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Speaker 1: is a combination of two of my heroes growing up,

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Speaker 1: one from right near where I'm from and one from

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Speaker 1: the other end of the state. And those two people

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Speaker 1: would of course be Elvis Presley and Dolly Parton. It

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Speaker 1: is I like to think of myself as the combination

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Speaker 1: of Elvis Presley and Dolly Parton. I'd like to hope

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Speaker 1: that that is what I exude. Uh is a is

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Speaker 1: a combination of those two. Um, that's what makes well, yeah,

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Speaker 1: what about what about you? Can we turn this? I

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Speaker 1: know you're the one hosting and asking, can we turn

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Speaker 1: this around to you, Craig and ask about virgin It Well,

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Speaker 1: Virginia is for lovers, said, enough said. I'm also from

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Speaker 1: very suburban Virginia, meaning there are no rap songs that

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Speaker 1: immediately make me be like oh yeah, this is like yeah, yeah,

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Speaker 1: about a half hour drive down. Uh. By the way,

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Speaker 1: if you're from the east coast. You just say the interstate,

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Speaker 1: you don't put the in front of it. So that's

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Speaker 1: a California thing. It's also in the South it's it's

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Speaker 1: uh yeah, yeah, same in in Florida, whether you count

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Speaker 1: that as the South where I'm from the Caribbeant. Well,

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Speaker 1: we can talk about regional differences all day, and I'm

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Speaker 1: sure our Australian and German listeners are really enjoying this

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Speaker 1: as well, but it's time to move on to another

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Speaker 1: episode of our Give Me This. All of our scene

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Speaker 1: suggestions are gathered from listeners emails or from our Patreon

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Speaker 1: v I p s to become a Patreon supporter of

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Speaker 1: the show and enjoy exclusive content like standalone bonus scenes,

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Speaker 1: video of our recording sessions, and at the highest level

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Speaker 1: of support Alcimediac, you'll have a chance to join one

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Speaker 1: of our recording sessions. Just head on over to patreon

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Speaker 1: dot com slash alcheve me this. If you'd like to

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Speaker 1: submit a scene suggestion via email, please write to the

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Speaker 1: podcast on our new email address. I'll give me this

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Speaker 1: email at gmail dot com. That's Texas Seene one Today

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Speaker 1: comes from Big Mike Car Battery Possible pseudonym. That's a

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Speaker 1: great name, whether it's a pity or fake name. Big

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Speaker 1: Mike car Battery is the is the submitter. Uh. They

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Speaker 1: say five Guys gets its potatoes from Idaho ten months

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Speaker 1: out of the year. The other two months are filled

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Speaker 1: with gap potatoes, which comes from watching Din or Oregon.

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Speaker 1: So the suggestion is gap potatoes. And excuse me, do

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Speaker 1: you have this sweater in a light blue? And also

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Speaker 1: can I get this potato in a small? Yes? Of course.

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Speaker 1: Let me let me look in the back for for

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Speaker 1: the see if we have that particular potato and small,

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Speaker 1: if not the ones on either side of it, you

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Speaker 1: can there's not that much difference in the potatoes. You

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Speaker 1: want me to bring out one of each and a

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Speaker 1: small for you to just check them out? Yeah, I

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Speaker 1: want to each in a small and the blue. I

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Speaker 1: just think that color. No, I know you're I know

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Speaker 1: you mentioned it. I didn't forget that part. I'm just

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Speaker 1: I'm just saying I didn't forget that part. I'll be

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Speaker 1: right back. He's being weird with me, right. He shouldn't

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Speaker 1: talk to you like that. No one should talk to

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Speaker 1: you like that. He's acting like we didn't go to

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Speaker 1: fucking high school together. Was he a loser? I but

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Speaker 1: he was a loser in high school. I mean he

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Speaker 1: wasn't like, wouldn't like popular, But I wouldn't call him

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Speaker 1: a loser to him. But Okay, UH found it. I

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Speaker 1: found Here's here is the baby blue that you wanted.

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Speaker 1: Thank you so much? Yeah, sure, thing, it's perfect. Do

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Speaker 1: you do you remember her because you're acting like you

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Speaker 1: she went to high school with you. Yeah, no, I know.

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Speaker 1: She's a doctor. Everybody remembers, sir. She gave the best

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Speaker 1: valedictorian speech our school ever had. We all remember her,

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Speaker 1: we remember, we remember after that when she went off

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Speaker 1: and served in Congress for two years, we all remember

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Speaker 1: all of this. She's the youngest, she's the highest woman. Yes,

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Speaker 1: she's the state of Delaware, the highest performing member of

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Speaker 1: our school in Delaware. Yeah, so of course I remember her. Now.

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Speaker 1: Can I get back to the stock room please? Wow, Well,

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Speaker 1: thank you, Hoyt. I just wanted to acknowledge the help

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Speaker 1: that you've given us. Um and wait wait hey yeah

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Speaker 1: look likeez yeah. Sorry, I'm just boy's night. Get the darts,

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Speaker 1: let's go. Yeah. Sorry, it was a crazy thing happened

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Speaker 1: at work today. It was just it was. Yeah, it was, well,

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Speaker 1: this this this like the most perfect person from our school,

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Speaker 1: like you know, this untouchable person from our school. Like

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Speaker 1: she she came into the into the into the mall,

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Speaker 1: and she came to you know, she came to the

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Speaker 1: gap for potatoes and I I wasn't wearing my name

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Speaker 1: tag and she knew my name. It's really weird. Like

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Speaker 1: that's that's a good thing, right, it's awesome. I mean, honestly,

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Speaker 1: it's it's a pretty unusual name. I guess that's true.

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Speaker 1: It's just kind of threw me off. Sorry, Sorry, I

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Speaker 1: know it's it's my frame alp. Yeah, it's wait, I said,

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Speaker 1: darts arts wake up. Sorry, it's it's guys nights. It's

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Speaker 1: it's frame and listen, guys night, guys night. Did she

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Speaker 1: make you feel I just want to get I just

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Speaker 1: want to clarify. Did she make you feel special or

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Speaker 1: did you feel man? No, she made me like I

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Speaker 1: was kind of a dick to her. And then and

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Speaker 1: then she made me feel special just by that one

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Speaker 1: little move of remembering my name. And I mean I

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Speaker 1: realized it's yeah, it was weird. It was she probably

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Speaker 1: wants to come on you say that about everyone that

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Speaker 1: anyone has ever mentioned a conversation. You always think they

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Speaker 1: want to do two pictures too. Pictures there you are enjoy, gentlemen,

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Speaker 1: Thank you so much. That person right there now, don't

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Speaker 1: say it she wants to do We even order to. Yes,

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Speaker 1: I don't mean to be like judgmental or rude or anything,

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Speaker 1: but like, yeah, she gets hurt. She buys Gap potatoes.

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Speaker 1: Not like no disrespect like I know, like a job's

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Speaker 1: a job. No, I mean it sounds like disrespect, Like

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Speaker 1: I just mean, like, yeah, I used to get my

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Speaker 1: my potest from Gap in like high school, like when

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Speaker 1: I was like poor college did he moved on to

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Speaker 1: Abercrombie potatoes, Yeah, and then that became very problematic. So

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Speaker 1: then I moved on to because they peel their potatoes.

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Speaker 1: All their potatoes are just out there without all right.

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Speaker 1: So I'm just saying, at the at the very least,

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Speaker 1: I'm a Jay Crew potato guy. It just sounds like

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Speaker 1: it's always about brands for you though. Man, It's just

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Speaker 1: it's it's potatoes. It's yeah, you know. Anyway, Sorry, I

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Speaker 1: haven't got so thrown off by all of this, guys.

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Speaker 1: I'm gonna hold on hold on. I'm gonna I'm gonna

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Speaker 1: speak for all the all the fellows here, Fellows are

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Speaker 1: you thinking when I'm thinking? We pile in my car

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Speaker 1: and we drive over to this girl's house and let

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Speaker 1: White profess his love to her. We just what Oh,

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Speaker 1: no one was thinking that. No, man, this is an

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Speaker 1: existential moment. I don't know what I mean. Okay, bab

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Speaker 1: I want to show you everything that I got because

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Speaker 1: some of it's for me, but some of it's for

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Speaker 1: you too. So I got these jeans and I know

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Speaker 1: that they're like not the super huggiest on my ask

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Speaker 1: because that's not what's in right now. And you prefer

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Speaker 1: it to be a little tighter. But trust me, I'll

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Speaker 1: only wear it with the tiniest little crop top. Keep

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Speaker 1: it tiny, keep it tight on top, keep it loose

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Speaker 1: and flowing on the bottom. Got this little blue sweater

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Speaker 1: so cute, Oh my gosh, really looks good with my eyes.

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Speaker 1: And for you, I got these small potatoes. Are these

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Speaker 1: new potatoes? Yeah? I got them from the gap. I

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Speaker 1: don't know. It's just like I thought it would be

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Speaker 1: like kind of fun to like, there's some finger finger

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Speaker 1: links in there too. Yeah, I can get some of those.

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Speaker 1: If that's like you're into um whatever these are there,

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Speaker 1: that's a finger link. Okay, So I got these these

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Speaker 1: little potatoes for us us, you know, for you, and

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Speaker 1: if you want, I can try him on. Well hawait

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Speaker 1: just dropped off all the fellows. It's uh yeah off. Look,

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Speaker 1: you can go in your house play call of duty,

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Speaker 1: drink yourself to sleep, or you go tell that tell

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Speaker 1: that woman. Wait, how you feeling? I don't know. I

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Speaker 1: had thought about her in so long, and I mean

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Speaker 1: she was valedictorian of the school. Plus she's she's married

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Speaker 1: to that that that that the mob guy, you know,

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Speaker 1: the mob guy from the paper. Oh my god, the

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Speaker 1: mob guy. Yeah, yeah, I don't like like Torino or

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Speaker 1: I don't even remember what his name was, but it

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Speaker 1: was called I just remember him being the mob guy.

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Speaker 1: Look I help you, um um babe, another guy from

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Speaker 1: the Master love with you, another guy for you. I

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Speaker 1: have to go. I'm so sorry, I'm gonna go. You

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Speaker 1: see rena serenader. I mean, look, this was a bad idea.

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Speaker 1: I didn't even think that this is how this do.

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Speaker 1: People usually serenade you like some people do to love

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Speaker 1: actually cute card thing. I didn't I don't like whatever

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Speaker 1: makes you feel the best, and now like, yeah, I'll

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Speaker 1: go in the other room. I guess some mob stuff

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Speaker 1: to take care of. Okay, I'm this is, this is

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Speaker 1: I don't. I feel like I just have to kind

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Speaker 1: of improvise something dramatic, now attention. I love dramatic. All right? Um,

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Speaker 1: can I get a suggestion? Hey? Oh, every time we

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Speaker 1: have the mom meeting at your house, there's always so

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Speaker 1: many interruptions. Can we just do it down at our club?

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Speaker 1: Can we just do it at the club? H look,

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Speaker 1: Don Ron, uh my, I get the nicest house, right,

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Speaker 1: I mean, it's done. That is no doubt you have

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Speaker 1: a nice house. You have a four bedroom, three bad

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Speaker 1: three thousand square feet. I get it. I just want

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Speaker 1: to clarify something. Were you calling him Don Ron or

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Speaker 1: were you saying Don and Ron? I thought I was.

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Speaker 1: I was talking to Don Ron, not to Ron. Oh.

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Speaker 1: When I'm talking to you Ron, you'll know it. No,

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Speaker 1: of course, of course, of course I'm sorry Don Ron Ron. Yeah, Ron,

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Speaker 1: Unfortunately are not made yet, so you can't be referred

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Speaker 1: to as Don. That is the rules. Can we talk

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Speaker 1: about that for a second. Sure, Actually, we wanted to

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Speaker 1: talk to you about that. I feel like I feel

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Speaker 1: like I'm never gonna be made. Uh that's where you're

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Speaker 1: getting made when you least expected. Okay, see that sounds

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Speaker 1: like I'm gonna get whacked when I at least expected.

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Speaker 1: I don't know. We got this trophy for right here?

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Speaker 1: Look at this best rod? All right, it's nice. R

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Speaker 1: whoa no offense done right? No nose? Hey? What what?

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Speaker 1: What do you? What are you doing? I know it's

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Speaker 1: like I know, it's like I just I couldn't sleep yet.

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Speaker 1: How did it go? How did it go? Terribly? It

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Speaker 1: went terribly. I stood there for forty five minutes and

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Speaker 1: did a dramatic improv set in front of me. I said,

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Speaker 1: I need to improvise. I didn't. No, there's not I mean,

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Speaker 1: it's dramatic improv is. It's it's a style and people

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Speaker 1: do it. But I wasn't expecting to do it. I said, improvise,

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Speaker 1: And suddenly I'm up there like like I'm doing a show,

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Speaker 1: and and it did not go well. I don't know

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Speaker 1: at one. That's here's what I want to say. I

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Speaker 1: want to say, when you do in dramatic improv you

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Speaker 1: don't get the laughs that you typically would in your

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Speaker 1: normally improv, so you don't know she she might have

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Speaker 1: been captivated engage. Let me ask you this. What was

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Speaker 1: she wearing something like tie the top and flowing the

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Speaker 1: bottom or what? Well, yeah, it was she was wearing

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Speaker 1: the Model three or four jeans, which we actually just

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Speaker 1: put on sale. Uh and then she had that blue Uh. Sorry,

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Speaker 1: I don't mean to bring work into this, but I'm

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Speaker 1: just trying to get some sleep. Man, I'm just trying

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Speaker 1: to get some sleep after a really for Fox say yeah,

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Speaker 1: come on in. I mean, okay, baby, he's gone. Did

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Speaker 1: you did you win you back? No? You know, no

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Speaker 1: one can ever win from you. Also ended up doing

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Speaker 1: like improv, but it wasn't funny, so I didn't really

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Speaker 1: know what he was doing, right, impro was funny? Yeah,

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Speaker 1: I was just like when he said improv, I was like, okay, cool,

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Speaker 1: I'm ready to laugh. I'm expecting to laugh and I'm

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Speaker 1: ready to laugh. And then he wasn't laughing, and I

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Speaker 1: was like, what the fuck is going on? I like

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Speaker 1: him provay, Hey are you sleeping? Yeah? Hell, I mean

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Speaker 1: I was because I was thinking I was thinking, like

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Speaker 1: they are like other ways an audience can show that

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Speaker 1: they're interested, right, and like dramatic improvisation is something that

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Speaker 1: is like some of the most beautiful art that happens

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Speaker 1: on this planet. You know. Can we talk about this

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Speaker 1: in the morning, Yes, of course, of course. Maybe. I

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Speaker 1: love when you improv Yeah, I'm funny. You're so funny.

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Speaker 1: You're always You're always improvising. You're always eating banana and

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Speaker 1: saying you're eating an apple, and I'm always laughing and

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Speaker 1: laughing Um. John Ron told me after whack Ron what

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Speaker 1: I had to tell somebody like. I feel terrible about it.

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Speaker 1: I'm so sorry. How can I thinks he's gonna get

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Speaker 1: made down whack him instead? Oh my gosh, she's going

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Speaker 1: to be made into to eat the fishes. What. Yeah,

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Speaker 1: he's gonna he's gonna be made to eat the fishes. Sorry, no, no,

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Speaker 1: that's how I'm to kill him. Hey fellas, Hey, hey, oh,

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Speaker 1: meeting at a warehouse. I liked it. What did this? Oh?

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Speaker 1: Go snacks? Here? Gold fish? You let gold fish? Right,

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Speaker 1: have a couple of here. Do you got an I

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Speaker 1: ain't got any water or something? No, no keeping fish?

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Speaker 1: Oh no, oh no, fellas, come on, what did you

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Speaker 1: what did you put that trophy? We gave you. We

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Speaker 1: need it back. I'll never tell you jumping. We don't

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Speaker 1: need a back we got. I'm joking at that. I'm

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Speaker 1: joking at that little water. I can't give you water,

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Speaker 1: all right, don Torino. I will assume you will take

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Speaker 1: care of the buddy. Yeah, Can I get a suggestion

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Speaker 1: of a place to put the body? Look? What kind

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Speaker 1: of look? You're a valedictorian, So you're smart enough to

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Speaker 1: know that when this light is on you, you're sitting

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Speaker 1: at this table, and there's a mirror right there that

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Speaker 1: we want answers. We want answers about you, your husband

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Speaker 1: and everything you know. Did your husband happen to give

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Speaker 1: away any secrets to you before the untimely murder of Ron?

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00:21:32,960 --> 00:21:34,919
Speaker 1: I'm also smart enough to know that I have a

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Speaker 1: right to a lawyer, and I don't need to say

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Speaker 1: a goddamn thing until she gets here. Fine, you want

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00:21:40,840 --> 00:21:44,280
Speaker 1: your lawyer here. We can sit here and wait all day.

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Speaker 1: I'm gonna put my feet up, I'm gonna give myself

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Speaker 1: a snack, and I'm just gonna glare at you from

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Speaker 1: across this table because I know you know something. I

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Speaker 1: know you know something. Hello, are you know? Brockovich? Ch crap,

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Speaker 1: Aaron Brock, you talked to me from now on as

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Speaker 1: my client had anything to drink. I don't know. I

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Speaker 1: didn't breathalyze her. Oh, just like a water single of water.

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Speaker 1: Why don't you, detective? Do you mind just going and

351
00:22:16,480 --> 00:22:21,400
Speaker 1: get in that right and turn off the recording device? Please? God,

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Speaker 1: I can't help but to say yes to everything she asks,

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Speaker 1: unless you want me to have your badge up my ass,

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Speaker 1: I would suggest you do everything that's our first see

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00:22:37,080 --> 00:22:41,280
Speaker 1: see too Today is from Jeanette. Hello, wonderful alchemists. You

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Speaker 1: keep me sane or at least giggling while I wrestle

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Speaker 1: with complicated geometry. I thank you for that. I don't

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Speaker 1: know if that's Janette's job or just just something she

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Speaker 1: does as a hobby. Uh. This is from Jeanette to Jackie.

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Speaker 1: It delights me extra every time you're on the show.

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Speaker 1: I'm a former concert master, and I love Craig's to

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Speaker 1: piction of an unassuming bassoonist in the New National Anthem episode.

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Speaker 1: I have no memory of that, so hoping for more

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Speaker 1: musical magic, my suggestion is overly full orchestra gratitude and love.

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Speaker 1: Jeanette in Seattle maestro, there is a third oboe player.

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Speaker 1: And I'm just I, um, I'm not a problem starter, um,

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Speaker 1: but I just want to know why there's so many chairs.

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Speaker 1: It sounds a little bit like you're a problem starter, maestro. Maestro, Maestro,

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Speaker 1: I love you. I've loved you from your days in Tennessee.

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Speaker 1: Two here and no disrespective man. Yes, I started out

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Speaker 1: in the Tennessee is it in a very small and

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Speaker 1: now it is my my goal to have the biggest

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Speaker 1: orchestriving of the world. So if I want the three

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Speaker 1: Oh bowls, and then I get to three Oh bowls, okay,

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Speaker 1: and you a third chair right now? I don't know

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Speaker 1: why I was complaining. Geez, all right, thank you, mis Hey,

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Speaker 1: how's it going. You knew you need to the correct

378
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Speaker 1: you're talking to me, I couldn't you he's talking to Okay,

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Speaker 1: enough with the sample, Okay, Okay, I'm not gonna look

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Speaker 1: over the score for today as you guys have a

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00:24:42,920 --> 00:24:50,639
Speaker 1: your little conversation. Okay, I'm sorry you were saying. I

382
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Speaker 1: was saying, you're obviously third chair obow. Yeah. I don't

383
00:24:55,280 --> 00:24:59,320
Speaker 1: know if you noticed, but this orchestra is overly so

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00:24:59,359 --> 00:25:02,359
Speaker 1: we're looking at cut back what I just asked the

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Speaker 1: maestro about and he said that he's not gonna do it.

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Speaker 1: I don't know if you've talked to him. Yeah, he's

387
00:25:08,080 --> 00:25:12,040
Speaker 1: not gonna do it. He's not gonna do it. Are

388
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Speaker 1: you going to handle this on the inside? This is

389
00:25:17,640 --> 00:25:22,960
Speaker 1: a beautiful instrument you have. I just wanted to one

390
00:25:22,960 --> 00:25:25,600
Speaker 1: more time make an announcement to everyone. If you know

391
00:25:25,720 --> 00:25:29,159
Speaker 1: anyone who plays an instrument, just let him know about this.

392
00:25:29,520 --> 00:25:32,960
Speaker 1: Like the more the marrier, honestly, like, uh, you know,

393
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Speaker 1: any anything, and it doesn't have to be an orchestral instrument.

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Speaker 1: You know, we've got a lot of islands. We've got

395
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Speaker 1: a few viola's, you know. I know guy, Yeah, yeah,

396
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Speaker 1: you know a guy. You know, a guy who can

397
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Speaker 1: get get me into an orchestra. I mean you play

398
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Speaker 1: the the what's the desider zi phone? It's my own invention,

399
00:26:01,840 --> 00:26:11,920
Speaker 1: sweethearts to this homeless man. Don't do like that, don't no,

400
00:26:12,160 --> 00:26:15,439
Speaker 1: it's it's okay. Nobody wants to talk to me and

401
00:26:15,560 --> 00:26:20,520
Speaker 1: my Zida phone. I guess I'll be making man. I'm here.

402
00:26:20,560 --> 00:26:23,359
Speaker 1: I'm here, crossing this street every day to go get

403
00:26:23,440 --> 00:26:27,040
Speaker 1: you milk and cookies and bring that home for you,

404
00:26:27,440 --> 00:26:32,800
Speaker 1: and so I know his talent. He's very good. For

405
00:26:32,880 --> 00:26:38,239
Speaker 1: one second, for one second, listen to this man. Do

406
00:26:38,240 --> 00:26:40,000
Speaker 1: you have a do you have a favorite song I

407
00:26:40,119 --> 00:26:47,840
Speaker 1: can play on? And don't even like that? Sure, let

408
00:26:47,840 --> 00:26:50,000
Speaker 1: me put let me, let me put my Zida phone on.

409
00:26:51,000 --> 00:26:56,919
Speaker 1: Climbing here and it's incredible. Let me just get the

410
00:26:57,000 --> 00:27:01,400
Speaker 1: rope here, twist around and inside down. All right, here

411
00:27:01,440 --> 00:27:05,240
Speaker 1: we go in. Don't do me like that. Don't do

412
00:27:05,320 --> 00:27:10,080
Speaker 1: me like that. And I just want to give you

413
00:27:10,080 --> 00:27:14,360
Speaker 1: a hundred dollar tip. Keep it up. Oh thanks, Mr.

414
00:27:15,040 --> 00:27:19,400
Speaker 1: Don't do me like that. He must be like that. Okay,

415
00:27:19,440 --> 00:27:22,000
Speaker 1: one more time from the top. We're going to do

416
00:27:22,119 --> 00:27:28,040
Speaker 1: a two hundred and fifty piece instrument version of Tom

417
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Speaker 1: Petty and the Heartbreakers and don't do me like that. Okay,

418
00:27:32,080 --> 00:27:35,520
Speaker 1: But it's it's a missing it's a missing something. Yes,

419
00:27:35,800 --> 00:27:39,199
Speaker 1: excuse me. Um, I'm here, I'm I'm on the trumpets

420
00:27:40,000 --> 00:27:42,880
Speaker 1: and I've got the chorus down, but I can't think

421
00:27:42,880 --> 00:27:47,879
Speaker 1: of how the song starts. It goes. I was talking

422
00:27:47,880 --> 00:27:50,280
Speaker 1: with a friend of mine, said a woman had a

423
00:27:50,359 --> 00:27:53,240
Speaker 1: heart his pride told her that he loved him. So

424
00:27:54,040 --> 00:27:56,640
Speaker 1: turn him, let him go, and you say you're better

425
00:27:56,640 --> 00:28:00,600
Speaker 1: watch your step or you're gonna get hurt yourself. Someone'll

426
00:28:00,680 --> 00:28:04,800
Speaker 1: tell you a lie, cut you down to size, and

427
00:28:04,800 --> 00:28:09,080
Speaker 1: then you're singing the Corse like forever. I feel like Stephanie.

428
00:28:09,160 --> 00:28:11,440
Speaker 1: It doesn't know site reading. It's all on the site

429
00:28:11,440 --> 00:28:13,600
Speaker 1: of music or in front of it is all on

430
00:28:13,640 --> 00:28:15,920
Speaker 1: the side. Was like, but I want the big orchestra,

431
00:28:16,040 --> 00:28:20,600
Speaker 1: so I don't care whether people can my sure, my sure,

432
00:28:20,760 --> 00:28:30,040
Speaker 1: somebody willed in this metal and tubes sticking out, there's

433
00:28:30,080 --> 00:28:34,600
Speaker 1: a person living in it. Oh, I know, I just

434
00:28:34,960 --> 00:28:39,040
Speaker 1: I didn't mean to interrupt your your orchestra, but I

435
00:28:39,040 --> 00:28:42,920
Speaker 1: I heard you were looking for new new people and instruments.

436
00:28:42,920 --> 00:28:46,320
Speaker 1: To add, I'd like to offer up the services of

437
00:28:46,440 --> 00:28:51,640
Speaker 1: Mazda phone is zidaphone. Yeah, yeah, I've only heard of

438
00:28:51,920 --> 00:28:57,160
Speaker 1: it after myself because I made it up. Well, we

439
00:28:57,160 --> 00:29:01,200
Speaker 1: were trying a very very difficult to Pete. I don't

440
00:29:01,200 --> 00:29:03,440
Speaker 1: know if you overheard it. It's a Tom Petty and

441
00:29:03,440 --> 00:29:07,520
Speaker 1: the Heartbreakers that don't don't do like that. Yeah, of

442
00:29:07,560 --> 00:29:10,959
Speaker 1: course I know that, you know. Yeah, I was just

443
00:29:11,040 --> 00:29:14,840
Speaker 1: doing it for a nice folks out out on the

444
00:29:14,880 --> 00:29:16,880
Speaker 1: street out there. I was playing it for him. They

445
00:29:17,080 --> 00:29:20,479
Speaker 1: like like my version, my show my show. I'm sorry,

446
00:29:20,520 --> 00:29:26,280
Speaker 1: but isn't this orchestra clearly over? You know your your

447
00:29:26,320 --> 00:29:34,560
Speaker 1: oboist is right? I should just go if I do? No, oh, no,

448
00:29:34,600 --> 00:29:37,160
Speaker 1: go ahead. It sounded like you're about to give me

449
00:29:37,480 --> 00:29:41,480
Speaker 1: you want to hear this ida phone? Alright, well hold on,

450
00:29:41,560 --> 00:29:45,440
Speaker 1: let me get it ready. Climbing here, get this, pull

451
00:29:45,520 --> 00:29:49,600
Speaker 1: this strap over here. Oh, this one's down these downstairs.

452
00:29:49,640 --> 00:29:53,360
Speaker 1: I gotta go downstairs and get this one. It's a multilevel.

453
00:29:54,040 --> 00:29:58,440
Speaker 1: Put get the three more. Just there's gotta be one

454
00:29:58,440 --> 00:30:00,640
Speaker 1: of these hammers is a little off. Let me fix that.

455
00:30:01,000 --> 00:30:03,920
Speaker 1: I just got to oil this one spot here And okay,

456
00:30:04,000 --> 00:30:07,480
Speaker 1: I think I'm ready. Just when don't you just hit

457
00:30:07,560 --> 00:30:12,840
Speaker 1: that big button on the outside. Don't do it like that.

458
00:30:13,920 --> 00:30:17,360
Speaker 1: Don't know a straight straight to the car. It's okay,

459
00:30:18,240 --> 00:30:23,840
Speaker 1: I don't know the verse. Uh. These are primost seats

460
00:30:23,880 --> 00:30:28,280
Speaker 1: to the orchestra. I'm talking dead center orchestra seating. And

461
00:30:28,360 --> 00:30:30,160
Speaker 1: do I get a little bit of discount because I

462
00:30:30,200 --> 00:30:34,440
Speaker 1: actually discovered one of the orchestra players. Let me put

463
00:30:34,480 --> 00:30:38,120
Speaker 1: that in coupon code. We don't need a discount, we

464
00:30:38,160 --> 00:30:42,440
Speaker 1: need discount paper. Right now. They have them, let us

465
00:30:42,480 --> 00:30:46,760
Speaker 1: have them. We just turned rich. Everybody turns down the discount,

466
00:30:46,760 --> 00:30:51,840
Speaker 1: we can't then give it, sir, not a problem, a problem,

467
00:30:52,240 --> 00:30:56,000
Speaker 1: cash or cash? Okay, great, it's really changed since he

468
00:30:56,160 --> 00:31:01,600
Speaker 1: got rich. Changed. I just got rip week. Can I

469
00:31:01,640 --> 00:31:07,760
Speaker 1: ask what was the miracle the success for you? Of course,

470
00:31:08,720 --> 00:31:11,400
Speaker 1: I'm an inventor. I invented something you use every day

471
00:31:11,400 --> 00:31:16,440
Speaker 1: and don't even know that something dollars for all thousand

472
00:31:16,520 --> 00:31:20,920
Speaker 1: dollar bills one to three, four six perfect. Put that

473
00:31:20,960 --> 00:31:24,640
Speaker 1: in the two very expensive scene and we will just

474
00:31:24,960 --> 00:31:32,880
Speaker 1: email you the team nues. Just check your phone that's

475
00:31:32,880 --> 00:31:35,760
Speaker 1: probably there right now. We use this. We don't bring

476
00:31:35,840 --> 00:31:38,240
Speaker 1: our phones. This new app we just got last week,

477
00:31:38,320 --> 00:31:41,200
Speaker 1: which emails tickets to you directly. Can we get a

478
00:31:41,240 --> 00:31:46,719
Speaker 1: printed version? This time version? Remail it to myself and

479
00:31:46,760 --> 00:31:50,720
Speaker 1: then I'll print it out. All right? What wait? I

480
00:31:50,720 --> 00:31:58,080
Speaker 1: can hear it's starting to send it to my Yeah,

481
00:31:58,400 --> 00:32:02,719
Speaker 1: and I don't use that anymore. This is taking a

482
00:32:02,760 --> 00:32:05,440
Speaker 1: long time. Oh it's warning me that I sent it

483
00:32:05,480 --> 00:32:08,320
Speaker 1: to two separate email addresses. But I'm gonna say, okay,

484
00:32:08,360 --> 00:32:11,280
Speaker 1: not a problem, just one more minute, okay. I just

485
00:32:11,360 --> 00:32:14,680
Speaker 1: want to let you know how a special you all

486
00:32:14,760 --> 00:32:17,920
Speaker 1: are to me, and except you I don't know you,

487
00:32:18,040 --> 00:32:22,440
Speaker 1: but but come on in, welcome, join us, um and

488
00:32:22,680 --> 00:32:25,240
Speaker 1: we have a children's choir. We have a fifty piece

489
00:32:25,320 --> 00:32:28,160
Speaker 1: children's choir which is going to be joining us tonight.

490
00:32:29,320 --> 00:32:33,240
Speaker 1: And uh what else we got? We got a banjo? Now,

491
00:32:33,440 --> 00:32:36,960
Speaker 1: like it's like why not? Hey? Sorry, I'm like, can

492
00:32:36,960 --> 00:32:39,960
Speaker 1: I play my mouth art for you the orchestra? Yeah?

493
00:32:39,960 --> 00:32:43,480
Speaker 1: Sure thing, come on in? Do you know adult to

494
00:32:43,520 --> 00:32:46,720
Speaker 1: do me like that? Sure? Everybody knows. Don't do me

495
00:32:46,800 --> 00:32:50,719
Speaker 1: like that? Don't don't you want? Don't you that is?

496
00:32:50,920 --> 00:32:55,360
Speaker 1: That is exactly the song. Yeah. Now I want you

497
00:32:55,440 --> 00:32:59,680
Speaker 1: to know because the tickets are like prohibitively expensive, so

498
00:33:00,200 --> 00:33:04,440
Speaker 1: you know, uh, it's a it's a very elitist crowd.

499
00:33:05,080 --> 00:33:10,000
Speaker 1: And yes, maestro, yes, first chair, Obo, what is this?

500
00:33:11,600 --> 00:33:16,320
Speaker 1: What is this all about? What? What are you doing?

501
00:33:17,240 --> 00:33:19,120
Speaker 1: What is going on with you that you need to

502
00:33:19,200 --> 00:33:23,440
Speaker 1: fill every single space on the stage and theater with

503
00:33:23,640 --> 00:33:28,160
Speaker 1: other people? What do you? How do you? What void

504
00:33:29,120 --> 00:33:32,840
Speaker 1: are you trying to fill? Maestro? I can't hear anything

505
00:33:32,880 --> 00:33:37,080
Speaker 1: from in here. Fire him mastro and move all the

506
00:33:37,080 --> 00:33:40,920
Speaker 1: Obo's open chair. First of all, I love the music,

507
00:33:42,040 --> 00:33:44,600
Speaker 1: and uh, I think a music shouldn't be shared with

508
00:33:44,640 --> 00:33:48,320
Speaker 1: as a many people as possible. But but to be

509
00:33:48,360 --> 00:33:51,720
Speaker 1: honest with you, I am missing a little something. I

510
00:33:51,800 --> 00:33:54,160
Speaker 1: went to to high school with a girl and I

511
00:33:54,240 --> 00:33:57,640
Speaker 1: developed a crush on her and I can't get her

512
00:33:57,760 --> 00:34:02,880
Speaker 1: out of my mind. Been there? And is she coming

513
00:34:02,880 --> 00:34:06,360
Speaker 1: to the show tonight? I hope? So I sent her

514
00:34:06,800 --> 00:34:09,719
Speaker 1: a ticket to every show I do and she never

515
00:34:09,760 --> 00:34:14,239
Speaker 1: shows up. But I would love to take all of

516
00:34:14,280 --> 00:34:22,080
Speaker 1: you to serenade her outside of her house. Oh that

517
00:34:22,120 --> 00:34:26,239
Speaker 1: makes a lot of sense my show. Yeah, look, can

518
00:34:26,280 --> 00:34:32,520
Speaker 1: I help you? Yes? Um, this is a this is awkward,

519
00:34:32,640 --> 00:34:38,359
Speaker 1: but I have a brought looks like, huh, it's true

520
00:34:38,360 --> 00:34:41,839
Speaker 1: fool to be an orchestra. No, no, it's She's not

521
00:34:42,000 --> 00:34:48,479
Speaker 1: overly fool. It's it's actually just the right amount song.

522
00:34:49,600 --> 00:34:53,080
Speaker 1: And babe, there's another guy's love with you is here?

523
00:34:54,000 --> 00:34:59,080
Speaker 1: Oh my god, are you kidding me? Okay, hold on,

524
00:34:59,160 --> 00:35:01,560
Speaker 1: hold on, le put on my potato. All right, I'm

525
00:35:01,560 --> 00:35:04,600
Speaker 1: gonna be the other room with with Don Ron, Don

526
00:35:04,719 --> 00:35:08,520
Speaker 1: john and Don Johnson. He's not the mob, but he's

527
00:35:08,560 --> 00:35:13,640
Speaker 1: a Don Threno. Another interruption. I really should have this

528
00:35:13,719 --> 00:35:18,200
Speaker 1: meeting somewhere else. Don Johnson is getting annoyed, and Don

529
00:35:18,280 --> 00:35:26,320
Speaker 1: john obviously. Look, Don Johnson, I loved your Miami vice

530
00:35:26,800 --> 00:35:30,279
Speaker 1: and now you, uh, you're created knives out kind of

531
00:35:30,360 --> 00:35:35,360
Speaker 1: entering your character actor phase. Thanks. I just don't we

532
00:35:35,400 --> 00:35:41,640
Speaker 1: don't need an IMDb for Don Johnson any Thanks. I'm

533
00:35:41,680 --> 00:35:44,319
Speaker 1: just hoping I have somebody to play opposite against because

534
00:35:44,320 --> 00:35:46,439
Speaker 1: I've been doing a lot of solo improv for these

535
00:35:46,480 --> 00:35:58,560
Speaker 1: guys and somebody who gets it don't do me. I

536
00:35:58,560 --> 00:36:00,239
Speaker 1: hope it worked. I holp it worse than my true

537
00:36:01,480 --> 00:36:09,800
Speaker 1: What do you think? Is there another one? I guess

538
00:36:09,840 --> 00:36:15,960
Speaker 1: we could do a refuge one, two, three four in

539
00:36:16,000 --> 00:36:23,759
Speaker 1: that scene number two see three Todays from listener. Mo

540
00:36:24,680 --> 00:36:33,000
Speaker 1: just mo, hey everyone, anyways, the nice yeah mo is

541
00:36:33,080 --> 00:36:37,080
Speaker 1: all business. Hey everyone, anyways, here's my scene suggestion. Benjamin

542
00:36:37,080 --> 00:36:41,920
Speaker 1: Franklin tries to get finders Keepers into the Constitution, Thanks alchemists. Mo,

543
00:36:44,960 --> 00:36:50,839
Speaker 1: Hey everybody, Hey, let's just focus here, all right, this

544
00:36:50,920 --> 00:36:53,600
Speaker 1: is I don't want to spend the night in Philadelphia

545
00:36:53,840 --> 00:36:57,719
Speaker 1: like everybody else. All right, the ship town with the

546
00:36:57,880 --> 00:37:03,080
Speaker 1: ship people in. Let's just hammer this thing out. We've

547
00:37:03,080 --> 00:37:08,160
Speaker 1: been hammering this thing out for days days. It's down, John,

548
00:37:08,400 --> 00:37:11,560
Speaker 1: sit down, John, don't tell me to sit down. Thomas,

549
00:37:11,600 --> 00:37:13,880
Speaker 1: I will stand if I want to stand. We've been

550
00:37:13,960 --> 00:37:20,960
Speaker 1: hammering this out for days. Ah you just oh, Franklin,

551
00:37:21,080 --> 00:37:28,120
Speaker 1: Franklin wants to talk. Here he comes, just here, he comes. Ben? Yes, Ben, Hello,

552
00:37:29,239 --> 00:37:32,920
Speaker 1: okay Ben, it would help if you would. I mean,

553
00:37:32,960 --> 00:37:38,200
Speaker 1: I'm not saying anything said some light yes, yes, shed

554
00:37:38,280 --> 00:37:42,640
Speaker 1: like Ben. Okay, Wait, well we all look up to you.

555
00:37:42,680 --> 00:37:46,280
Speaker 1: We have such respect for you. Where is this document headed?

556
00:37:48,200 --> 00:37:52,040
Speaker 1: I'm looking, I'm looking, I'm looking. I feel like I

557
00:37:52,120 --> 00:37:59,520
Speaker 1: must invent one more thing to make it complete. Yes, yes, okay,

558
00:37:59,680 --> 00:38:05,960
Speaker 1: I think we need to sign into officiality finders keepers,

559
00:38:06,880 --> 00:38:11,560
Speaker 1: finders Keepers? What does sign? What is finders Keepers? Then

560
00:38:11,640 --> 00:38:16,759
Speaker 1: if you lost your gourd? Well the other day, I

561
00:38:16,800 --> 00:38:22,440
Speaker 1: was in the marsh, just experimenting, and there was a

562
00:38:22,480 --> 00:38:28,600
Speaker 1: little bit of a pantaloon, just a piece of it

563
00:38:28,640 --> 00:38:31,480
Speaker 1: was just floated on up and I picked it up

564
00:38:31,520 --> 00:38:34,440
Speaker 1: and I said, well, this is an interesting cloth, and

565
00:38:34,480 --> 00:38:37,399
Speaker 1: I'm going to look at this later. But then, hey,

566
00:38:37,520 --> 00:38:42,600
Speaker 1: there's my pantaloons. This is just a piece of pantaloons. Well,

567
00:38:42,640 --> 00:38:46,040
Speaker 1: let's mind. Now it's in my hands. Was missing a

568
00:38:46,080 --> 00:38:48,880
Speaker 1: little piece. I can see that, and it would easily

569
00:38:48,960 --> 00:38:52,400
Speaker 1: be sewn back on by someone with a nimble thumb

570
00:38:52,480 --> 00:38:56,520
Speaker 1: and thimberland thread. But here I am holding it in

571
00:38:56,600 --> 00:39:03,760
Speaker 1: my hands, making it mine. But Franklin, what possible reason

572
00:39:03,840 --> 00:39:05,279
Speaker 1: would you have to hold on to a piece of

573
00:39:05,280 --> 00:39:07,680
Speaker 1: another man's pantaloo? How did he lose that piece of

574
00:39:07,719 --> 00:39:12,000
Speaker 1: pantal It was more about feeling like it was mine

575
00:39:12,120 --> 00:39:17,760
Speaker 1: in the moments. Which marsh was it? Oh, the boggy marsh? Oh,

576
00:39:17,800 --> 00:39:23,719
Speaker 1: I know the boggy marsh. Yes, just outside the city exactly.

577
00:39:23,760 --> 00:39:24,920
Speaker 1: And that's what I like to do a lot of

578
00:39:24,920 --> 00:39:30,920
Speaker 1: my experimenting. But Dr Franklin, please, this this, this notion

579
00:39:31,000 --> 00:39:33,400
Speaker 1: of if something is in your hand it suddenly belongs

580
00:39:33,440 --> 00:39:37,000
Speaker 1: to you, feels fundamentally un American. That's the thing. It's

581
00:39:37,040 --> 00:39:41,480
Speaker 1: not about the hand, it's about finding it. And if

582
00:39:41,520 --> 00:39:43,959
Speaker 1: you have found it, you have the right to keep

583
00:39:44,000 --> 00:39:46,640
Speaker 1: it because that means it was lost and the person

584
00:39:46,680 --> 00:39:50,000
Speaker 1: who lost it, Ben, that's my wife. We do all

585
00:39:50,040 --> 00:39:57,080
Speaker 1: my wife. If you you've lost her, you didn't I

586
00:39:57,120 --> 00:40:00,520
Speaker 1: went to work. Well, listen, this is your If she's

587
00:40:00,600 --> 00:40:05,840
Speaker 1: running around looking for new fun, is that not? I

588
00:40:06,600 --> 00:40:09,120
Speaker 1: guess I have to go with Mr Frankelin and Elijah

589
00:40:10,200 --> 00:40:14,160
Speaker 1: I guess I have to. That happened in the marsh too,

590
00:40:15,200 --> 00:40:18,480
Speaker 1: and I didn't appreciate her attitude about it. I wanted

591
00:40:18,480 --> 00:40:21,239
Speaker 1: her to want to come with me, you know. She

592
00:40:21,520 --> 00:40:25,400
Speaker 1: is more of about obligatory. But either way, it proves

593
00:40:25,440 --> 00:40:29,920
Speaker 1: the point of finders keepers. You know, I don't want to.

594
00:40:30,080 --> 00:40:33,279
Speaker 1: I'm a medical doctor. I would just be careful with

595
00:40:33,320 --> 00:40:36,799
Speaker 1: all these stories you have of regaling women. You know,

596
00:40:36,960 --> 00:40:39,440
Speaker 1: just you know what I mean, what do you mean,

597
00:40:40,120 --> 00:40:47,000
Speaker 1: I'm I'm a doctor as well. Doctors? All right, we

598
00:40:47,040 --> 00:40:50,520
Speaker 1: don't need to It's not like the mafia or anything,

599
00:40:50,800 --> 00:40:53,480
Speaker 1: Ben Ben, So are you're saying from the smallest thing

600
00:40:53,640 --> 00:40:55,759
Speaker 1: like a piece of pen I liked what you just

601
00:40:55,800 --> 00:41:00,840
Speaker 1: said about the mafia. Let's call me Doc Ben. Anyone

602
00:41:00,880 --> 00:41:03,920
Speaker 1: who's a doctor should get the doc no doc for doctor,

603
00:41:04,080 --> 00:41:08,440
Speaker 1: doctor Doc Ben? Alright, doc five? Well look, Doc Ben.

604
00:41:08,760 --> 00:41:13,000
Speaker 1: If we enshrine this principle of finders keepers into our constitution,

605
00:41:13,920 --> 00:41:17,840
Speaker 1: there's has to be some principle that that adheres to

606
00:41:17,880 --> 00:41:29,480
Speaker 1: the losers in both instances. Always one example, what about

607
00:41:29,520 --> 00:41:38,040
Speaker 1: Theo's guy was more of a cry and the other

608
00:41:38,080 --> 00:41:40,560
Speaker 1: one was more of a weep, you know, but both

609
00:41:40,800 --> 00:41:43,920
Speaker 1: both having to do with tears and emotions, and I've

610
00:41:43,960 --> 00:41:50,239
Speaker 1: got it. Finders keepers, losers cry Thomas, as always, you're

611
00:41:50,400 --> 00:41:54,560
Speaker 1: very close. But I said, right there, you sit down, Tomas,

612
00:41:54,560 --> 00:41:58,400
Speaker 1: stop telling me what to do. I have one finders, keepers,

613
00:42:00,200 --> 00:42:05,120
Speaker 1: not finders, not getters. So it's very clear it's nothing

614
00:42:05,160 --> 00:42:09,040
Speaker 1: to do with the crying at all. Got it. The gentlemen, gentlemen,

615
00:42:09,040 --> 00:42:13,600
Speaker 1: these please please no, no go ahead, no go ahead,

616
00:42:14,120 --> 00:42:18,160
Speaker 1: Please sit down. Why is everyone always telling me to

617
00:42:18,160 --> 00:42:25,400
Speaker 1: sit down? Here's my finders keepers, loser, sobbers, loser, sobbers. Gentlemen.

618
00:42:25,480 --> 00:42:28,640
Speaker 1: It is the mere notion that if you find something

619
00:42:28,719 --> 00:42:31,600
Speaker 1: it is yours, that we should fundamentally have a problem

620
00:42:31,640 --> 00:42:34,800
Speaker 1: with the pithy saying that we attached to it should

621
00:42:34,800 --> 00:42:41,120
Speaker 1: make no influence whatsoever. I disagree. Listen, we came here, right,

622
00:42:41,560 --> 00:42:43,480
Speaker 1: we came here, and people already here. I guess what

623
00:42:44,000 --> 00:42:49,520
Speaker 1: it's ours now? Mm? Also also furthermore pithy sayings is

624
00:42:49,560 --> 00:42:54,680
Speaker 1: what this new country is found in on? Yeah, well,

625
00:42:54,760 --> 00:42:57,440
Speaker 1: it hasn't been founded yet, and if we don't get

626
00:42:57,520 --> 00:43:00,640
Speaker 1: asked this, it won't be founded. Where are we now

627
00:43:02,040 --> 00:43:05,520
Speaker 1: held Alphia in the summer? What? Okay? So literal, so

628
00:43:05,600 --> 00:43:09,160
Speaker 1: literal jokay, okay, you may sit down, Thomas, you understanding,

629
00:43:09,400 --> 00:43:13,319
Speaker 1: May I remind us all of a pithy I'm sitting down.

630
00:43:13,560 --> 00:43:16,920
Speaker 1: I'm gonna remind us all because remark you do stop

631
00:43:16,960 --> 00:43:19,839
Speaker 1: it now. I just say I told him to sit down,

632
00:43:19,880 --> 00:43:21,319
Speaker 1: and he sat down. That means he listens to me.

633
00:43:21,480 --> 00:43:27,680
Speaker 1: This pithy quip has been a cornerstone to the building

634
00:43:27,680 --> 00:43:32,240
Speaker 1: of this of this of this land nation. No uh,

635
00:43:32,440 --> 00:43:38,320
Speaker 1: no cuts, no butts, no coconuts, coconuts, no cuts, no butts,

636
00:43:38,360 --> 00:43:42,680
Speaker 1: no coconuts. That's true, You've done it. I mean I

637
00:43:42,719 --> 00:43:51,160
Speaker 1: can't disagree with that, and I think we should add finders, keepers, losers, weepers. No,

638
00:43:51,239 --> 00:43:53,279
Speaker 1: I think the cuts one should be in the in

639
00:43:53,360 --> 00:43:59,080
Speaker 1: the in the constitution. So yeah, the cuts one, no cuts,

640
00:43:59,400 --> 00:44:02,120
Speaker 1: that one one should be in the constitution. Yes, yes,

641
00:44:02,719 --> 00:44:08,720
Speaker 1: no coconuts. Ben say that again, finders keepers, losers, weepers.

642
00:44:09,719 --> 00:44:14,759
Speaker 1: M hmm, like something argue when you get to keep it?

643
00:44:14,840 --> 00:44:19,680
Speaker 1: Is it not really what this country's kind all about?

644
00:44:20,960 --> 00:44:25,360
Speaker 1: We found the Great State of Virginia. Elexander, did you

645
00:44:25,400 --> 00:44:29,840
Speaker 1: bring your dog to the God's sake? Go great? It

646
00:44:29,960 --> 00:44:34,000
Speaker 1: is a mad house in here. The Great State of Virginia. Virginia.

647
00:44:34,160 --> 00:44:37,160
Speaker 1: Virginia's for lovers, Virginia's for lovers. Where I am from

648
00:44:37,400 --> 00:44:44,480
Speaker 1: is built on three great principles, Gas Grass. As we

649
00:44:44,560 --> 00:44:48,359
Speaker 1: all know, in Virginia, no one rides for free, that's right.

650
00:44:50,080 --> 00:44:52,600
Speaker 1: So if we can get that into the constitution somehow,

651
00:44:54,080 --> 00:44:56,640
Speaker 1: let's just put all of our all of the nothing

652
00:44:56,680 --> 00:44:59,880
Speaker 1: but pithy sayings. We've got to create a document. We

653
00:45:00,000 --> 00:45:03,800
Speaker 1: are so close. We've created two branches of government we've

654
00:45:03,840 --> 00:45:06,839
Speaker 1: created uh, and I still maintain we need a third.

655
00:45:06,840 --> 00:45:10,000
Speaker 1: We've we've created a system for for for liberty and

656
00:45:10,080 --> 00:45:12,880
Speaker 1: a system for for trial by jury and all of

657
00:45:12,920 --> 00:45:15,399
Speaker 1: these things. But we're going to to tell this all

658
00:45:15,440 --> 00:45:18,840
Speaker 1: apart just for some some tiny pithy sayings. Is that

659
00:45:18,880 --> 00:45:23,680
Speaker 1: what's adding to it? John? John? Part of me? If

660
00:45:23,719 --> 00:45:26,840
Speaker 1: you just move your foot over, I I found the

661
00:45:26,840 --> 00:45:31,239
Speaker 1: pocket watch that well, that's my pocket watch that must

662
00:45:31,239 --> 00:45:35,880
Speaker 1: have fallen out. No, no, it's his now and you

663
00:45:36,000 --> 00:45:51,920
Speaker 1: have to you have to cry. It's in the constitution. Weep. Oh,

664
00:45:51,960 --> 00:45:57,400
Speaker 1: welcome back, Mr Jefferson. Your room is ready than you. Um.

665
00:45:57,560 --> 00:46:05,240
Speaker 1: Would you like some accompaniment tonight? Uh? Yes I would.

666
00:46:06,040 --> 00:46:09,279
Speaker 1: We're talking music, right of course, Yes, yes, of course

667
00:46:09,600 --> 00:46:17,600
Speaker 1: we have. That's our I think that's how any instrument. Actually,

668
00:46:17,640 --> 00:46:21,000
Speaker 1: I'm not gonna that's a lot of instruments. Yes, yes,

669
00:46:21,160 --> 00:46:27,000
Speaker 1: your choice. We have the largest accompaniment section. Okay, can

670
00:46:27,080 --> 00:46:29,840
Speaker 1: we uh get some wine up through the dumb waiter

671
00:46:29,920 --> 00:46:33,440
Speaker 1: that I invented here? Hey hey, hey hey, oh no,

672
00:46:33,560 --> 00:46:37,400
Speaker 1: I got wine for you, the one you invented. I

673
00:46:37,400 --> 00:46:41,600
Speaker 1: thought I told you fired that dumb waiter, but I

674
00:46:41,719 --> 00:46:48,680
Speaker 1: brought you wine. No smour please please, yeah, we'll take man, Sam,

675
00:46:49,320 --> 00:46:55,040
Speaker 1: just go outside. Okay, so we'll see this store. Yes, yes,

676
00:46:55,760 --> 00:47:00,200
Speaker 1: thank you. Okay, any instrument you'd like, we'll have it

677
00:47:00,280 --> 00:47:02,719
Speaker 1: sent up. Your wine will come through the dumb water,

678
00:47:02,880 --> 00:47:06,320
Speaker 1: your accompaniment will come up the stairs. I'm so excited

679
00:47:06,360 --> 00:47:09,239
Speaker 1: about this constitution that we how's it going with how's

680
00:47:09,280 --> 00:47:13,279
Speaker 1: it going in there? Good, good, good stuff being said. Yes, yes,

681
00:47:13,320 --> 00:47:18,160
Speaker 1: we're opening with no shirt, no shoes, no service. Do

682
00:47:18,239 --> 00:47:22,279
Speaker 1: you need um my, My wife has a lot of

683
00:47:23,000 --> 00:47:25,399
Speaker 1: good ideas. Do you want some women to combine like

684
00:47:26,200 --> 00:47:39,120
Speaker 1: chip in and women? Well? Ah, yeah, I guess it

685
00:47:39,200 --> 00:47:44,120
Speaker 1: was silly, silly. Just well, we'll send you. I'll pick

686
00:47:44,120 --> 00:47:46,759
Speaker 1: an instrument and send it up to you. Very good

687
00:47:47,520 --> 00:47:52,520
Speaker 1: and very good sent some red. Okay, Duc, Ben, let

688
00:47:52,520 --> 00:47:54,279
Speaker 1: me get this straight. Now. This might be a little

689
00:47:54,320 --> 00:47:57,040
Speaker 1: convolute because I'm just trying to wrap my mind around

690
00:47:57,080 --> 00:48:02,320
Speaker 1: how brilliant you are. You're saying you round electricity in

691
00:48:02,520 --> 00:48:08,319
Speaker 1: the sky and the rain was God crying. That's right,

692
00:48:08,760 --> 00:48:12,200
Speaker 1: that's what I yes. So I was holding a key, right,

693
00:48:12,920 --> 00:48:15,760
Speaker 1: and then light and it was raining. God was crying.

694
00:48:16,160 --> 00:48:20,319
Speaker 1: God was God was weeping, weeping. He was weeping. And

695
00:48:20,360 --> 00:48:24,040
Speaker 1: then a lightning bolt hit the key and I said, wow,

696
00:48:24,080 --> 00:48:27,960
Speaker 1: that's powerful, strong, and I felt it in my body

697
00:48:28,000 --> 00:48:33,560
Speaker 1: and I felt an electric situation at a search go

698
00:48:33,760 --> 00:48:36,680
Speaker 1: through me, and I thought, I can capitalize on this.

699
00:48:37,400 --> 00:48:42,359
Speaker 1: So even even even God is not exempt from from

700
00:48:42,360 --> 00:48:46,359
Speaker 1: the finders, keepers, losers, weepers. Well, listen, he lost the ball.

701
00:48:46,400 --> 00:48:48,279
Speaker 1: So it came to me. Now the electricity is mine

702
00:48:48,320 --> 00:48:53,120
Speaker 1: and he's weeping. Very well, very well. I will leave

703
00:48:53,160 --> 00:49:03,839
Speaker 1: you to bed um. Thank you, benneh. I saw you

704
00:49:03,880 --> 00:49:06,920
Speaker 1: with that Duc, man, you saw you with that girl

705
00:49:07,000 --> 00:49:09,239
Speaker 1: last night? Man? What's up? What's up? What's up? You do?

706
00:49:09,480 --> 00:49:12,359
Speaker 1: You You got that, didn't you? Didn't you? You got that?

707
00:49:12,400 --> 00:49:16,480
Speaker 1: Didn't you? You know? I actually didn't Ben? Throw the darts?

708
00:49:16,520 --> 00:49:20,800
Speaker 1: Please Okay, Oh my gosh, just give me a moment.

709
00:49:21,000 --> 00:49:26,520
Speaker 1: It's hard for me to multitask. Good God, you get

710
00:49:26,600 --> 00:49:28,759
Speaker 1: laid all the time, aren't you. Duck man? I mean

711
00:49:28,800 --> 00:49:31,200
Speaker 1: I get laid. I wouldn't say all the time. So

712
00:49:31,680 --> 00:49:35,440
Speaker 1: I was in my bed and this bozo comes in

713
00:49:35,520 --> 00:49:39,520
Speaker 1: and talk to me about finds keepers and really debate

714
00:49:39,560 --> 00:49:44,640
Speaker 1: it with me. So dumb waiter. No, gosh, it wasn't

715
00:49:44,719 --> 00:49:50,680
Speaker 1: the dumb waiter. He got fired. And be, my favorite

716
00:49:50,680 --> 00:49:52,359
Speaker 1: thing about you is that you sleep with all these

717
00:49:52,360 --> 00:49:55,200
Speaker 1: women because you are a playboy. And then your wife

718
00:49:55,440 --> 00:50:00,319
Speaker 1: is just home built in that house and having multiple strokes. Hell, yeah,

719
00:50:00,600 --> 00:50:07,560
Speaker 1: that's my favorite thing about each that's ours. I just

720
00:50:07,640 --> 00:50:16,520
Speaker 1: watched a documentary, Yes, Mark, Yes, did you watch that? Mark?

721
00:50:17,400 --> 00:50:19,440
Speaker 1: Not yet? No, I gotta look. It's two of my

722
00:50:19,480 --> 00:50:25,200
Speaker 1: favorite things. It's a show tune Smith and ken Burns

723
00:50:25,200 --> 00:50:28,200
Speaker 1: so much fun, folks. And uh, I hope you learned

724
00:50:28,239 --> 00:50:32,239
Speaker 1: a little bit about American history. And uh, let's let's

725
00:50:32,320 --> 00:50:34,959
Speaker 1: check in with our alchemists one more time. Mark Agley already.

726
00:50:34,960 --> 00:50:37,839
Speaker 1: Always nice to have somebody who actually knows American history here.

727
00:50:38,680 --> 00:50:41,440
Speaker 1: I'm a big fan. And uh and I it's you

728
00:50:41,520 --> 00:50:44,080
Speaker 1: are all such a delight and I I thank you

729
00:50:44,120 --> 00:50:46,479
Speaker 1: for letting me sit at the cool kids table and play.

730
00:50:46,600 --> 00:50:49,560
Speaker 1: So thank you. And Mark Agliarity, of course, the original

731
00:50:49,640 --> 00:50:53,319
Speaker 1: drunk history storyteller from the very first drunk History episode

732
00:50:53,320 --> 00:50:57,359
Speaker 1: that was that was online that you did. Uh uh

733
00:50:57,440 --> 00:51:03,600
Speaker 1: Hamilton's bird Duel was the story right, It's still available online. Yeah. Uh.

734
00:51:03,600 --> 00:51:06,960
Speaker 1: And then and then it began a juggernaut that you

735
00:51:06,960 --> 00:51:09,200
Speaker 1: you spent a hell of a lot more time with

736
00:51:09,239 --> 00:51:12,239
Speaker 1: than I did, but you were you were always our

737
00:51:12,280 --> 00:51:17,640
Speaker 1: favorite drunk storyteller. And uh it. Mark always would lie

738
00:51:17,640 --> 00:51:22,520
Speaker 1: down on the floor, that's his go to I get drunk.

739
00:51:22,520 --> 00:51:26,360
Speaker 1: I would always wind up on the floor. Uh. Chris Albarado,

740
00:51:26,400 --> 00:51:30,040
Speaker 1: what do you know about American history? Um? Not much,

741
00:51:30,360 --> 00:51:33,200
Speaker 1: not much. Were like I just said, Um, I watched

742
00:51:33,200 --> 00:51:37,279
Speaker 1: that Ben Franklin documentary, really enjoyed it. I think I

743
00:51:37,280 --> 00:51:39,600
Speaker 1: said this tell you guys in in private maybe, but

744
00:51:39,760 --> 00:51:43,200
Speaker 1: you know I did submit my own my own self

745
00:51:43,239 --> 00:51:48,399
Speaker 1: produced drunk history tape once. Um this is true. My yeah. Mark,

746
00:51:49,000 --> 00:51:52,440
Speaker 1: what my manager was like A I was like, oh,

747
00:51:52,600 --> 00:51:54,080
Speaker 1: I can get it to their table, like I can

748
00:51:54,080 --> 00:51:56,080
Speaker 1: get it to the to the desk, Like go ahead,

749
00:51:56,120 --> 00:51:57,840
Speaker 1: and just make one yourself. So I did one. I

750
00:51:57,880 --> 00:52:00,799
Speaker 1: got really hammered by myself. What a friend? Who issue?

751
00:52:00,840 --> 00:52:03,040
Speaker 1: What you mean? I told a story about Bob Dylan

752
00:52:03,120 --> 00:52:06,560
Speaker 1: or something like that. So An, it's very very similar

753
00:52:06,600 --> 00:52:11,240
Speaker 1: mark you and a very very similar beginnings. Craig, wonderful

754
00:52:11,320 --> 00:52:14,319
Speaker 1: job hosting. I love you so much. Amen, this this

755
00:52:14,440 --> 00:52:18,479
Speaker 1: was a blast, Jackie Gonzalez do Ruthy, what what story

756
00:52:18,520 --> 00:52:20,960
Speaker 1: would you tell on drunk History if it came back

757
00:52:20,960 --> 00:52:24,120
Speaker 1: from cancelation? You know, I do? I am. History is

758
00:52:24,160 --> 00:52:27,560
Speaker 1: a very bad subject for me. It's not my strong

759
00:52:27,800 --> 00:52:31,640
Speaker 1: suit at all. Um. Dates are really bad for me.

760
00:52:31,880 --> 00:52:39,840
Speaker 1: Numbers are really bad. So um, what story I remember?

761
00:52:40,160 --> 00:52:42,120
Speaker 1: You know what? You you look it up first. It's

762
00:52:42,160 --> 00:52:46,959
Speaker 1: not something that you innately know. And are you telling

763
00:52:47,040 --> 00:52:49,440
Speaker 1: them how it works? You know you you look it

764
00:52:49,480 --> 00:52:53,799
Speaker 1: up either your research. I would, I would, Um, I

765
00:52:53,880 --> 00:52:56,759
Speaker 1: would tell the story of the challenger exploding. And I

766
00:52:56,840 --> 00:52:59,520
Speaker 1: don't know why that is, like what came to my mind.

767
00:53:00,280 --> 00:53:03,120
Speaker 1: That's what came to my mind. And I'm really sorry

768
00:53:03,239 --> 00:53:07,319
Speaker 1: to everyone and myself that that's my mind. It would

769
00:53:07,320 --> 00:53:12,839
Speaker 1: be a hilarious episode. Sure you do. You do get

770
00:53:12,880 --> 00:53:15,400
Speaker 1: a researcher who can give you information as well, so

771
00:53:15,440 --> 00:53:18,120
Speaker 1: of like and you're you're allowed to to do your

772
00:53:18,120 --> 00:53:23,440
Speaker 1: own research. That's well history that that phrase, that phrase

773
00:53:23,480 --> 00:53:27,480
Speaker 1: has become bloated a tool thing. What what what's your

774
00:53:27,680 --> 00:53:32,400
Speaker 1: best subject? Uh? Math? I love math. We Yeah, I

775
00:53:32,480 --> 00:53:34,600
Speaker 1: was always ahead in the math class. Is always trying

776
00:53:34,600 --> 00:53:36,799
Speaker 1: to take the higher math and every level of my

777
00:53:37,440 --> 00:53:41,719
Speaker 1: growing up education experience. So but I like I like

778
00:53:41,840 --> 00:53:45,800
Speaker 1: them all. I did research for like a nonprofit organization,

779
00:53:45,840 --> 00:53:48,040
Speaker 1: So whenever I hear do your own research, I'm like, no, no,

780
00:53:48,080 --> 00:53:49,759
Speaker 1: you don't know how to do it. It's a lot

781
00:53:49,800 --> 00:53:52,440
Speaker 1: of f and work to do proper research and turn

782
00:53:52,520 --> 00:53:57,560
Speaker 1: into report. Uh yeah. In Texas history, like u S history,

783
00:53:57,600 --> 00:54:00,280
Speaker 1: we got we had Texas history start in the sixth grade,

784
00:54:00,480 --> 00:54:05,600
Speaker 1: I think through the rest of us. Yeah, whoa, yeah,

785
00:54:05,960 --> 00:54:08,439
Speaker 1: there's a lot of it. Texas Rangers. Maybe I would

786
00:54:08,440 --> 00:54:11,640
Speaker 1: probably not love the more revisionist take that we had

787
00:54:11,880 --> 00:54:15,560
Speaker 1: on drunk history on the Alamo. Uh. That that's a loaded,

788
00:54:16,160 --> 00:54:18,760
Speaker 1: loaded story for for Texas. I think all the missions

789
00:54:19,000 --> 00:54:22,399
Speaker 1: in their history is gonna slowly turn or not totally turned,

790
00:54:22,440 --> 00:54:24,000
Speaker 1: but it's going to be seen from the other side

791
00:54:24,000 --> 00:54:27,719
Speaker 1: of it. And that's yeah, that's a fair Point. Thank you, Alchemist.

792
00:54:27,719 --> 00:54:31,400
Speaker 1: Then thank you to our engineering producer Doug Babe and

793
00:54:31,600 --> 00:54:33,919
Speaker 1: all the fine folks at I heart Media dot com.

794
00:54:34,880 --> 00:54:36,440
Speaker 1: Please write to us at UPO me this email at

795
00:54:36,440 --> 00:54:40,080
Speaker 1: gmail dot com until next time