1 00:00:01,080 --> 00:00:03,040 Speaker 1: Podcast playground. 2 00:00:08,640 --> 00:00:14,040 Speaker 2: Taking a Walk with buzs Night, We'll Pequin Hollis, singer, 3 00:00:14,120 --> 00:00:18,880 Speaker 2: songwriter guitarist jump started his career without a record label's help. 4 00:00:19,320 --> 00:00:21,360 Speaker 1: Welcome to this edition of Taking a Walk. 5 00:00:22,000 --> 00:00:25,600 Speaker 3: I'm Buzz Night and we are at a familiar spot 6 00:00:25,640 --> 00:00:30,080 Speaker 3: for Taking a Walk episodes, the historic North Bridge, and 7 00:00:30,280 --> 00:00:33,720 Speaker 3: my guest today is Will Pequin, a talented young musician 8 00:00:34,200 --> 00:00:37,280 Speaker 3: who was forging his own independent path. 9 00:00:38,040 --> 00:00:39,680 Speaker 1: Will welcome to Taking a Walk. 10 00:00:40,360 --> 00:00:42,280 Speaker 4: Hello there, good to be here. 11 00:00:42,440 --> 00:00:44,000 Speaker 1: Yeah, the North taking a walk. 12 00:00:44,120 --> 00:00:45,599 Speaker 4: It's there to stay out. 13 00:00:45,600 --> 00:00:49,519 Speaker 1: Beautiful day here, beautiful. So how have you foregone the 14 00:00:49,640 --> 00:00:51,120 Speaker 1: labels in your path? 15 00:00:51,200 --> 00:00:54,760 Speaker 3: I find that story which Rolling Stone picked up on, 16 00:00:55,040 --> 00:00:58,400 Speaker 3: and I'm sure some others within the industry. 17 00:00:58,720 --> 00:01:03,080 Speaker 1: How have you picked that path? And why? 18 00:01:03,480 --> 00:01:06,880 Speaker 5: Well, I originally was not supposed to. I was actually 19 00:01:06,920 --> 00:01:13,040 Speaker 5: about to sign to a label. Basically, I just kind 20 00:01:13,040 --> 00:01:17,400 Speaker 5: of had a your run of the mill viral moment. 21 00:01:18,120 --> 00:01:19,800 Speaker 4: As they'd call it. 22 00:01:20,120 --> 00:01:22,959 Speaker 5: And you know, there's a lot of pressure on me 23 00:01:23,080 --> 00:01:27,280 Speaker 5: to put a song out, and which, by the way, 24 00:01:27,319 --> 00:01:30,279 Speaker 5: I've never before then, I'd never written a song before, 25 00:01:30,600 --> 00:01:34,400 Speaker 5: So I'm you call me a singer songwriter, but it's 26 00:01:34,520 --> 00:01:37,280 Speaker 5: kind of funny because I'm very much new to this 27 00:01:37,319 --> 00:01:37,800 Speaker 5: whole thing. 28 00:01:39,680 --> 00:01:40,720 Speaker 4: So yeah, I mean I was. 29 00:01:41,600 --> 00:01:41,959 Speaker 1: I was. 30 00:01:43,640 --> 00:01:44,800 Speaker 4: This was in twenty twenty. 31 00:01:44,840 --> 00:01:49,120 Speaker 5: I was just recording my music and all the while, 32 00:01:49,360 --> 00:01:52,520 Speaker 5: you know, labels were hitting me up left and right 33 00:01:53,600 --> 00:01:57,760 Speaker 5: to a nauseating amount. It was very stressful at the time. 34 00:01:58,560 --> 00:01:59,360 Speaker 1: They were pestering. 35 00:02:00,000 --> 00:02:04,400 Speaker 5: Oh yeah, yeah, definitely it was. It was pretty overwhelming 36 00:02:04,400 --> 00:02:06,920 Speaker 5: because you know, I was in school. I you know, 37 00:02:07,040 --> 00:02:11,960 Speaker 5: I had an internship. I was, what was I junior 38 00:02:12,000 --> 00:02:12,480 Speaker 5: at the year. 39 00:02:12,840 --> 00:02:13,440 Speaker 1: So I was. 40 00:02:13,520 --> 00:02:16,440 Speaker 4: Just just working. 41 00:02:16,560 --> 00:02:18,799 Speaker 5: I had no plans on being a musician at all, 42 00:02:19,040 --> 00:02:22,000 Speaker 5: and all of a sudden, the music industry is interested. 43 00:02:22,120 --> 00:02:25,680 Speaker 4: And you know, I was talking to a bunch of 44 00:02:25,680 --> 00:02:27,440 Speaker 4: an ars and they're. 45 00:02:27,280 --> 00:02:31,000 Speaker 5: All very nice and very good at you know, speaking 46 00:02:31,080 --> 00:02:34,160 Speaker 5: about their label in a very good way. And I 47 00:02:34,360 --> 00:02:37,400 Speaker 5: was interested in it for a while and I was 48 00:02:37,440 --> 00:02:42,320 Speaker 5: planning on signing, but very last minute, actually, the morning 49 00:02:42,360 --> 00:02:45,080 Speaker 5: of when I was supposed to sign, I said no thanks, 50 00:02:46,000 --> 00:02:48,400 Speaker 5: and I just went independent because it was more of 51 00:02:48,480 --> 00:02:49,440 Speaker 5: like a gut reaction. 52 00:02:52,000 --> 00:02:55,360 Speaker 1: And was this when your viral moment had already happened or. 53 00:02:55,800 --> 00:02:58,880 Speaker 4: So, no, this was before I had even released song. 54 00:02:59,080 --> 00:03:02,760 Speaker 1: Okay, but something told you it was the wrong thing 55 00:03:02,840 --> 00:03:03,160 Speaker 1: to do. 56 00:03:04,040 --> 00:03:07,400 Speaker 5: Yeah, just it just didn't seem like the right thing 57 00:03:07,440 --> 00:03:13,000 Speaker 5: because I'd always heard people saying how they screwed people 58 00:03:13,080 --> 00:03:17,000 Speaker 5: over and whatnot, and I honestly like didn't really believe it. 59 00:03:17,040 --> 00:03:18,919 Speaker 5: I was like, oh, that's just a bunch of bologney, 60 00:03:19,040 --> 00:03:21,360 Speaker 5: and I'm sure they're actually. 61 00:03:21,000 --> 00:03:21,919 Speaker 1: Not that bad. 62 00:03:23,160 --> 00:03:27,040 Speaker 4: But I kept telling myself that at least, and it just. 63 00:03:28,800 --> 00:03:31,280 Speaker 5: There's just something in the back of my mind saying 64 00:03:31,320 --> 00:03:34,240 Speaker 5: I really shouldn't do this because I'd never released a 65 00:03:34,320 --> 00:03:38,640 Speaker 5: song before and I had no It was really like, 66 00:03:38,840 --> 00:03:40,520 Speaker 5: in the span of two months that I had to 67 00:03:40,560 --> 00:03:45,440 Speaker 5: just become a singer songwriter and I didn't know, you know, 68 00:03:45,840 --> 00:03:48,680 Speaker 5: where my career was gonna go in even the next 69 00:03:48,760 --> 00:03:52,240 Speaker 5: few months after that. So I thought I'd just released 70 00:03:52,240 --> 00:03:55,440 Speaker 5: this song independently. I just thought it was the right 71 00:03:55,440 --> 00:03:56,880 Speaker 5: thing to do and just see what happens. 72 00:03:56,960 --> 00:04:00,320 Speaker 4: Yeah. Yeah, it was kind of a whirl, and I 73 00:04:00,360 --> 00:04:04,320 Speaker 4: honestly don't even remember much of it, that's right. I 74 00:04:04,360 --> 00:04:06,040 Speaker 4: was kind of freaking out the whole time. 75 00:04:06,360 --> 00:04:09,240 Speaker 6: Well, because once again, like you said, you were you 76 00:04:09,280 --> 00:04:11,520 Speaker 6: were studying and you were trying to get through that, 77 00:04:11,600 --> 00:04:17,840 Speaker 6: which is stressful enough and is it fair to say what. 78 00:04:17,760 --> 00:04:23,080 Speaker 3: You were doing musically was just having fun and just 79 00:04:23,440 --> 00:04:26,360 Speaker 3: it was fulfilling a passion part of your life, not 80 00:04:26,400 --> 00:04:27,640 Speaker 3: really anything that was. 81 00:04:27,600 --> 00:04:30,080 Speaker 1: A course in your career or anything. 82 00:04:30,240 --> 00:04:37,280 Speaker 5: I mean, I was studying to be a statistical advertising guy, 83 00:04:37,440 --> 00:04:41,279 Speaker 5: you know, just being an analysis for advertising. That's what 84 00:04:41,320 --> 00:04:43,320 Speaker 5: I was studying, and that's what I was like, I 85 00:04:43,320 --> 00:04:44,160 Speaker 5: had an internship. 86 00:04:44,200 --> 00:04:45,480 Speaker 4: I was just planning on doing that. 87 00:04:47,520 --> 00:04:51,040 Speaker 5: So yeah, it was more just having fun. During COVID, 88 00:04:52,760 --> 00:04:58,520 Speaker 5: I was just playing my guitar and putting stuff online 89 00:04:58,680 --> 00:05:01,680 Speaker 5: and then it just kind of exploded. 90 00:05:01,160 --> 00:05:04,720 Speaker 1: Out of nowhere and which saw it was a chandelier. 91 00:05:04,760 --> 00:05:05,760 Speaker 4: It was chandelier ypp. 92 00:05:06,440 --> 00:05:09,800 Speaker 3: So why was the first moment that you actually looked 93 00:05:09,960 --> 00:05:14,200 Speaker 3: and went fully smokes, this thing really maybe has something? 94 00:05:15,560 --> 00:05:15,760 Speaker 1: Well. 95 00:05:15,800 --> 00:05:19,080 Speaker 5: I started out with the guitar part, and when I 96 00:05:19,080 --> 00:05:21,039 Speaker 5: made the guitar part, I knew it was I knew 97 00:05:21,080 --> 00:05:25,160 Speaker 5: it was something interesting, and I remember when I. 98 00:05:25,120 --> 00:05:27,320 Speaker 4: Wrote the part, I was like, oh wow, that's cool. 99 00:05:28,680 --> 00:05:32,040 Speaker 5: So I made a video for it on TikTok the 100 00:05:32,520 --> 00:05:35,320 Speaker 5: next day and then I went to bed and woke 101 00:05:35,440 --> 00:05:36,719 Speaker 5: up and it had a bunch of. 102 00:05:36,760 --> 00:05:40,040 Speaker 1: Views and it was like three or three million. 103 00:05:40,880 --> 00:05:43,240 Speaker 5: Oh well, it was like it was like a million 104 00:05:44,600 --> 00:05:47,400 Speaker 5: yeah or something like that, whoa, this is me. 105 00:05:48,240 --> 00:05:51,359 Speaker 4: Yeah, it was unreal and I couldn't really believe. I 106 00:05:51,400 --> 00:05:52,160 Speaker 4: never thought. 107 00:05:51,920 --> 00:05:56,479 Speaker 5: That that like the genre of music's kind of like 108 00:05:57,080 --> 00:06:00,320 Speaker 5: it's not very like traditional, so I never thought that 109 00:06:00,400 --> 00:06:02,200 Speaker 5: it would be like something that would go. 110 00:06:02,360 --> 00:06:03,680 Speaker 1: You know, viral or anything. 111 00:06:04,680 --> 00:06:09,440 Speaker 4: So it was a huge surprise and it was really exciting. 112 00:06:09,440 --> 00:06:13,839 Speaker 7: But it was also like, oh, crapped, Like I need 113 00:06:13,839 --> 00:06:16,880 Speaker 7: to get on this because you know, I was getting 114 00:06:16,880 --> 00:06:19,359 Speaker 7: a million comments being like Okay, the song needs to 115 00:06:19,360 --> 00:06:21,880 Speaker 7: come out tomorrow. 116 00:06:22,279 --> 00:06:25,480 Speaker 3: And then at that point when that happened, did the 117 00:06:25,560 --> 00:06:30,200 Speaker 3: calls or contacts from label people and everything further accelerate? 118 00:06:31,000 --> 00:06:34,719 Speaker 5: Oh yeah, so I hadn't I wasn't even known by 119 00:06:34,839 --> 00:06:35,680 Speaker 5: any sort. 120 00:06:35,440 --> 00:06:36,400 Speaker 4: Of label before that. 121 00:06:36,640 --> 00:06:40,480 Speaker 5: Yeah, and then that day like I got like three 122 00:06:40,600 --> 00:06:44,719 Speaker 5: or four emails from different labels, And then for the 123 00:06:44,760 --> 00:06:47,080 Speaker 5: next like two months after that, it was just. 124 00:06:47,040 --> 00:06:50,200 Speaker 4: Like every day a different an R. 125 00:06:51,160 --> 00:06:53,880 Speaker 5: I was on the phone like four hours a day 126 00:06:54,279 --> 00:06:57,360 Speaker 5: because I didn't have management, I didn't have any nope, 127 00:06:57,600 --> 00:07:01,520 Speaker 5: nothing to help me through it. So I was just 128 00:07:01,560 --> 00:07:05,920 Speaker 5: on the phone with them in between classes and during classes, 129 00:07:06,120 --> 00:07:13,120 Speaker 5: and yeah, it was it was pretty crazy, and it 130 00:07:13,160 --> 00:07:14,280 Speaker 5: definitely tired me out. 131 00:07:15,520 --> 00:07:17,080 Speaker 1: Yeah, and probably stressed you out too. 132 00:07:17,280 --> 00:07:18,480 Speaker 4: Definitely stressed me out. 133 00:07:19,040 --> 00:07:23,600 Speaker 3: So, but your perception still of labels during that period 134 00:07:24,400 --> 00:07:27,080 Speaker 3: was really based on the fact that did you feel 135 00:07:27,080 --> 00:07:31,000 Speaker 3: it was too corporate or yeah? 136 00:07:31,040 --> 00:07:31,480 Speaker 4: I guess so. 137 00:07:31,600 --> 00:07:36,480 Speaker 5: I always respected independent artists my whole life, and most 138 00:07:36,480 --> 00:07:38,680 Speaker 5: of the artists I listened to are independent. 139 00:07:40,880 --> 00:07:42,880 Speaker 4: Well, at least they were back then. I'm not sure 140 00:07:42,880 --> 00:07:43,520 Speaker 4: about now, but. 141 00:07:45,960 --> 00:07:48,160 Speaker 5: Yeah, I just always thought it would it was better 142 00:07:48,200 --> 00:07:53,360 Speaker 5: to do it yourself. That's kind of the mantra I've 143 00:07:53,440 --> 00:07:56,560 Speaker 5: always had, just not even in music, just in general. 144 00:07:56,720 --> 00:07:57,960 Speaker 1: Yeah, go independent. 145 00:07:58,280 --> 00:07:59,520 Speaker 4: Yeah. 146 00:08:00,080 --> 00:08:04,320 Speaker 3: So if someone's never heard you, describe them to you 147 00:08:04,960 --> 00:08:05,560 Speaker 3: if you could. 148 00:08:05,760 --> 00:08:08,440 Speaker 5: Oh, okay, I don't even really know. 149 00:08:08,680 --> 00:08:10,640 Speaker 4: Everyone always asked me this. I don't even know how to. 150 00:08:11,840 --> 00:08:16,680 Speaker 5: Well, it's very guitar heavy because I'm really first and 151 00:08:16,800 --> 00:08:21,160 Speaker 5: guitar player and the second song or other. So I 152 00:08:21,160 --> 00:08:26,240 Speaker 5: guess you'd call it like some alternative I guess indie. 153 00:08:28,440 --> 00:08:31,080 Speaker 5: Maybe a bit of rock influence. 154 00:08:30,800 --> 00:08:32,640 Speaker 4: And listen to a lot of rock music. 155 00:08:32,600 --> 00:08:37,199 Speaker 3: YEP, But isn't part of the cool factor if you 156 00:08:37,280 --> 00:08:40,240 Speaker 3: will that it is hard to describe you. 157 00:08:40,640 --> 00:08:42,920 Speaker 1: I mean isn't that something that is a good thing. 158 00:08:43,160 --> 00:08:45,760 Speaker 5: Yeah, yeah, and it's it wasn't on purpose, that was 159 00:08:45,800 --> 00:08:47,880 Speaker 5: just the way it is. Yeah, I was really just 160 00:08:47,880 --> 00:08:52,360 Speaker 5: trying to make I really didn't have any influences for 161 00:08:52,800 --> 00:08:57,079 Speaker 5: the song itself. It was more just like, I need 162 00:08:57,080 --> 00:08:59,920 Speaker 5: to get a song together right now, and I just 163 00:09:00,080 --> 00:09:01,800 Speaker 5: did what I thought at the time. 164 00:09:02,040 --> 00:09:05,040 Speaker 3: Yeah, it just happened, it came out. 165 00:09:05,160 --> 00:09:05,520 Speaker 4: Yeah. 166 00:09:05,600 --> 00:09:05,800 Speaker 1: Yeah. 167 00:09:05,880 --> 00:09:07,480 Speaker 4: And it's funny because I listen back and I'm like, 168 00:09:07,480 --> 00:09:09,080 Speaker 4: oh my god, this sounds terrible. 169 00:09:09,280 --> 00:09:12,160 Speaker 1: Now you look at you think about it differently now. 170 00:09:11,960 --> 00:09:12,520 Speaker 4: Oh of course. 171 00:09:12,559 --> 00:09:14,600 Speaker 5: I mean it was at the time, it was really 172 00:09:14,679 --> 00:09:17,840 Speaker 5: just the best I could do. Yeah, and my capacity 173 00:09:18,000 --> 00:09:21,160 Speaker 5: was pretty because I just never it was my first time, 174 00:09:21,280 --> 00:09:26,040 Speaker 5: you know, writing lyrics, first time singing ever, first time 175 00:09:26,679 --> 00:09:31,520 Speaker 5: recording an actual song, so it was a lot of 176 00:09:31,559 --> 00:09:33,920 Speaker 5: first from me. I look back and like, oh man, 177 00:09:33,960 --> 00:09:35,320 Speaker 5: I could have done this so much better. 178 00:09:35,360 --> 00:09:36,880 Speaker 4: But well that's natural. 179 00:09:37,280 --> 00:09:40,320 Speaker 1: Yeah, that's good. That's a good part of it. Yeah. 180 00:09:40,360 --> 00:09:43,840 Speaker 1: So I think when I listened to your music, the 181 00:09:43,960 --> 00:09:47,720 Speaker 1: music is what's interesting about it. 182 00:09:47,559 --> 00:09:52,880 Speaker 3: Is I could see and feel like many different influences 183 00:09:53,440 --> 00:09:56,319 Speaker 3: all converging in different places. 184 00:09:56,400 --> 00:09:59,320 Speaker 1: So it feels like it's for multiple. 185 00:09:59,000 --> 00:10:05,120 Speaker 3: Genres of music and and all kind of in its 186 00:10:05,120 --> 00:10:10,360 Speaker 3: own way into the special sauce. Who would some of 187 00:10:10,400 --> 00:10:15,600 Speaker 3: those particular influences be, Maybe you could mention and why 188 00:10:16,240 --> 00:10:19,760 Speaker 3: that they are influences and that you like them well. 189 00:10:19,800 --> 00:10:23,200 Speaker 5: At the time, so over COVID, I was like learning 190 00:10:23,200 --> 00:10:26,360 Speaker 5: how to fingerpick, like doing classical stuff. I'm not like 191 00:10:26,440 --> 00:10:29,319 Speaker 5: classically trained or anything. I was just kind of teaching myself. 192 00:10:30,120 --> 00:10:31,800 Speaker 5: So I was doing a lot of fingerpicking, listen to 193 00:10:32,040 --> 00:10:37,200 Speaker 5: a lot of like Brazilian guitarists like Bottom Powell and 194 00:10:37,320 --> 00:10:39,920 Speaker 5: Luis Bonfa and Tolkeinho. 195 00:10:40,040 --> 00:10:42,199 Speaker 4: Those are like the three that I was listening to. 196 00:10:42,240 --> 00:10:46,360 Speaker 5: At the time, and that's a lot of where the 197 00:10:46,400 --> 00:10:51,040 Speaker 5: guitar playing in the song was coming from. And on 198 00:10:51,120 --> 00:10:54,920 Speaker 5: top of that, which is kind of an opposite influence, 199 00:10:54,960 --> 00:10:56,640 Speaker 5: I was listening to a lot of towns van zandt 200 00:10:56,840 --> 00:10:59,199 Speaker 5: uh huh. 201 00:10:58,880 --> 00:11:00,200 Speaker 4: So a lot of my lyric. 202 00:11:01,600 --> 00:11:05,600 Speaker 5: I was pretty much just trying to write a townsman's 203 00:11:05,600 --> 00:11:10,760 Speaker 5: ant song because that was really my only songwriter influence 204 00:11:10,800 --> 00:11:11,320 Speaker 5: at the time. 205 00:11:11,600 --> 00:11:13,120 Speaker 4: Yeah, I listened to a lot of. 206 00:11:13,080 --> 00:11:19,439 Speaker 5: Like instrumental music, so I wasn't really focused on writing lyrics, 207 00:11:19,480 --> 00:11:22,839 Speaker 5: so I looked to Towns to inspire me on that. 208 00:11:23,520 --> 00:11:26,319 Speaker 3: What an inspiring figure. My favorite of Towns is a 209 00:11:26,960 --> 00:11:27,880 Speaker 3: poncho and lefty. 210 00:11:27,920 --> 00:11:29,600 Speaker 4: Huh oh, Yeah, that's a good song. 211 00:11:29,880 --> 00:11:33,480 Speaker 3: Yeah, but what a what a unique figure, but what 212 00:11:33,600 --> 00:11:36,280 Speaker 3: a tremendous figure as well, you know. 213 00:11:36,640 --> 00:11:40,120 Speaker 5: Yeah, he's he's like pretty much my hero. I think 214 00:11:40,120 --> 00:11:43,679 Speaker 5: he's just the coolest dude. Yep, he's really really cool. 215 00:11:45,040 --> 00:11:48,640 Speaker 5: So yeah, listening to that, Honestly, I could probably even 216 00:11:48,760 --> 00:11:52,400 Speaker 5: stop there in terms of influence on that song. That 217 00:11:52,520 --> 00:11:54,520 Speaker 5: was really just the two things I was listening to 218 00:11:54,640 --> 00:11:56,760 Speaker 5: at the time, okay, and the rest kind of just 219 00:11:56,800 --> 00:11:57,679 Speaker 5: filled itself in. 220 00:11:58,760 --> 00:12:01,600 Speaker 3: But a lot of what I hear are are certainly, 221 00:12:03,840 --> 00:12:09,559 Speaker 3: you know, jazz influences within guitar players as well. 222 00:12:10,160 --> 00:12:12,920 Speaker 4: Yeah, I mean I listen, I do listen to a 223 00:12:12,960 --> 00:12:13,600 Speaker 4: bit of jazz. 224 00:12:13,640 --> 00:12:19,040 Speaker 5: I was like a jazz guitarist before, before COVID even 225 00:12:19,080 --> 00:12:21,560 Speaker 5: I was. I was in jazz band in high school 226 00:12:21,600 --> 00:12:27,720 Speaker 5: and trying to get my chops up. A few months 227 00:12:27,760 --> 00:12:31,800 Speaker 5: before I wrote the song, I was trying to transcribe 228 00:12:31,840 --> 00:12:35,280 Speaker 5: the solo to Sonny pat Martino's version. 229 00:12:35,520 --> 00:12:38,480 Speaker 3: Uh huh, I haven't heard that name in a long time. 230 00:12:38,520 --> 00:12:42,920 Speaker 5: Whow which is a it's just a ridiculously hard solo. 231 00:12:44,000 --> 00:12:46,720 Speaker 5: I ended up just giving up because it was too hard, 232 00:12:47,400 --> 00:12:50,120 Speaker 5: and I just started fingerpicking instead. It was kind of 233 00:12:50,160 --> 00:12:54,640 Speaker 5: a an action of defeat is from going finger picking. 234 00:12:54,640 --> 00:12:59,520 Speaker 3: An action that well, now, how about Pat METHENI I 235 00:12:59,559 --> 00:13:01,800 Speaker 3: pictures of that too, Pat mcthaney. 236 00:13:03,040 --> 00:13:06,040 Speaker 5: No, No, I wouldn't say so. 237 00:13:06,160 --> 00:13:06,920 Speaker 4: I wouldn't say so. 238 00:13:07,000 --> 00:13:10,000 Speaker 5: I was listening to in terms of jazz guitarists, probably 239 00:13:10,000 --> 00:13:15,080 Speaker 5: like more like just Kenny Burrell, West Montgomery. 240 00:13:15,240 --> 00:13:16,880 Speaker 1: I was gonna say west Montgomery too. 241 00:13:17,200 --> 00:13:20,400 Speaker 5: Yeah, and he yeah, he uses his thumb to pick, 242 00:13:20,520 --> 00:13:25,480 Speaker 5: so he's almost a fingerpicker as well. Yeah, but yeah, 243 00:13:25,480 --> 00:13:27,520 Speaker 5: I've always loved them. 244 00:13:27,720 --> 00:13:29,920 Speaker 4: My dad, you know, he always instence to that stuff. 245 00:13:30,880 --> 00:13:35,920 Speaker 3: So where do you find other things that are musically influential? 246 00:13:35,960 --> 00:13:39,160 Speaker 3: How do you discover them just from friends or just 247 00:13:39,520 --> 00:13:41,679 Speaker 3: your own perusing and studying it. 248 00:13:41,720 --> 00:13:45,640 Speaker 5: Or it's nearly only my perusing. It's funny because most 249 00:13:45,640 --> 00:13:46,439 Speaker 5: of my friends. 250 00:13:46,120 --> 00:13:50,600 Speaker 4: Aren't in the music world at all. I was a. 251 00:13:52,080 --> 00:13:56,600 Speaker 5: Rugby player in college, and you know, all my friends 252 00:13:56,600 --> 00:14:01,080 Speaker 5: you work on rugby players. Yeah, I don't really talk 253 00:14:01,160 --> 00:14:03,640 Speaker 5: about music at all with them, So it's kind of like. 254 00:14:03,600 --> 00:14:04,360 Speaker 4: A separate life. 255 00:14:04,679 --> 00:14:09,280 Speaker 5: Interesting, and before COVID, I tore both my shoulders, so 256 00:14:09,400 --> 00:14:13,239 Speaker 5: I had nothing to do during COVID except playing guitar. 257 00:14:13,120 --> 00:14:14,480 Speaker 4: For like eleven hours a day. 258 00:14:15,240 --> 00:14:19,120 Speaker 8: That's a way to, yeah, to rededicate yourself, I guess 259 00:14:19,200 --> 00:14:19,600 Speaker 8: right to. 260 00:14:19,680 --> 00:14:20,360 Speaker 1: Think about it. 261 00:14:21,040 --> 00:14:24,800 Speaker 4: But yeah, it's mostly just my own searching. I really 262 00:14:24,840 --> 00:14:26,280 Speaker 4: my whole life. 263 00:14:26,280 --> 00:14:30,320 Speaker 5: I've been always searching for new music and I still 264 00:14:30,360 --> 00:14:34,200 Speaker 5: am just doing the same stuff. I'm just scrolling through Spotify. 265 00:14:37,080 --> 00:14:39,040 Speaker 5: Me and my brother we talked about music a lot. 266 00:14:39,840 --> 00:14:41,320 Speaker 5: He's always turned me on to stuff. 267 00:14:41,400 --> 00:14:42,480 Speaker 1: And he plays too right. 268 00:14:43,120 --> 00:14:44,760 Speaker 4: He used to play, He used to play. 269 00:14:44,880 --> 00:14:48,120 Speaker 5: He does have a guitar in his apartment still, and 270 00:14:48,480 --> 00:14:53,280 Speaker 5: every once in a while we'll break it out. But yeah, 271 00:14:53,360 --> 00:14:56,760 Speaker 5: it's He's definitely a music appreciator for sure. 272 00:14:57,360 --> 00:15:01,280 Speaker 3: So how do you approach a creative pro where you 273 00:15:01,320 --> 00:15:05,280 Speaker 3: know you're setting out to write something? First of all, 274 00:15:05,280 --> 00:15:07,600 Speaker 3: do you put yourself on a deadline to try to 275 00:15:08,360 --> 00:15:08,920 Speaker 3: like create? 276 00:15:09,800 --> 00:15:10,480 Speaker 1: No, I don't. 277 00:15:10,960 --> 00:15:11,440 Speaker 4: I don't. 278 00:15:11,680 --> 00:15:14,040 Speaker 5: I've tried to do that in the past and it 279 00:15:14,120 --> 00:15:15,080 Speaker 5: usually doesn't work. 280 00:15:15,280 --> 00:15:18,520 Speaker 4: Yeah, I it actually takes me like. 281 00:15:20,080 --> 00:15:20,400 Speaker 1: Months. 282 00:15:20,440 --> 00:15:22,600 Speaker 4: I never really just sit down and write anything. 283 00:15:23,000 --> 00:15:26,080 Speaker 5: It usually will take me like months and months to 284 00:15:27,440 --> 00:15:30,560 Speaker 5: have a song be finished because I I never like 285 00:15:30,640 --> 00:15:34,840 Speaker 5: just sit down and, you know, write lyrics or write 286 00:15:34,880 --> 00:15:39,280 Speaker 5: guitar parts. Usually it just comes about like I'll fumble around, 287 00:15:39,440 --> 00:15:43,760 Speaker 5: like get a guitar part like roughly, and then write 288 00:15:43,800 --> 00:15:46,880 Speaker 5: a few words down, and then I'll come back to 289 00:15:46,960 --> 00:15:50,680 Speaker 5: it in two weeks and put another few lines down 290 00:15:51,320 --> 00:15:56,680 Speaker 5: and sort of finalize the parts, finalize the melodies, and 291 00:15:56,720 --> 00:16:00,240 Speaker 5: I'll just keep doing that for a month or two 292 00:16:00,360 --> 00:16:02,640 Speaker 5: until the song is just magically finished. 293 00:16:02,800 --> 00:16:03,360 Speaker 4: It kind of I. 294 00:16:03,360 --> 00:16:06,520 Speaker 5: Don't really try to force lyrics out of me because 295 00:16:06,520 --> 00:16:07,440 Speaker 5: I'm really bad that. 296 00:16:08,360 --> 00:16:09,920 Speaker 3: You just know it's not going to be your best 297 00:16:09,920 --> 00:16:12,280 Speaker 3: work force, right, Yeah. 298 00:16:12,840 --> 00:16:16,800 Speaker 5: And I actually just started kind of fully doing that 299 00:16:17,600 --> 00:16:21,000 Speaker 5: like before after Chandelier, I was just like really getting 300 00:16:21,040 --> 00:16:22,120 Speaker 5: pressure to write music. 301 00:16:23,560 --> 00:16:26,200 Speaker 4: So I actually did just force myself just. 302 00:16:26,160 --> 00:16:29,880 Speaker 5: In a week to sit down and write, which I 303 00:16:29,960 --> 00:16:33,920 Speaker 5: didn't like as much. And I nowadays I really just 304 00:16:34,080 --> 00:16:35,080 Speaker 5: let things come to me. 305 00:16:37,200 --> 00:16:39,120 Speaker 4: It's almost subconsciously. 306 00:16:39,440 --> 00:16:40,560 Speaker 1: Yeah. 307 00:16:41,600 --> 00:16:47,560 Speaker 3: Some would use the athletic analogy that if you're just 308 00:16:47,640 --> 00:16:50,560 Speaker 3: in the zone, then you're going to be best creating 309 00:16:50,680 --> 00:16:52,680 Speaker 3: when you're in the zone, right, And you can't force 310 00:16:52,720 --> 00:16:55,760 Speaker 3: that necessarily, but it is good to identify that. 311 00:16:55,800 --> 00:16:58,000 Speaker 5: You know, you're in the zone, you know, Yeah, and 312 00:16:58,040 --> 00:17:00,240 Speaker 5: you've got to put yourself there, which is the hardest part, 313 00:17:00,880 --> 00:17:04,239 Speaker 5: because the zone does not just come to you, right. 314 00:17:04,440 --> 00:17:06,160 Speaker 4: You really need to be in. 315 00:17:06,119 --> 00:17:11,080 Speaker 5: A place where you can just let your subconscious take over. 316 00:17:11,720 --> 00:17:14,720 Speaker 5: Because I'm not a very I am a very like 317 00:17:15,160 --> 00:17:19,119 Speaker 5: strategic person, and I like, before all this, I was 318 00:17:19,160 --> 00:17:20,920 Speaker 5: really like, you know, I. 319 00:17:20,920 --> 00:17:24,440 Speaker 4: Was the statistics yep major, So I was. 320 00:17:25,640 --> 00:17:29,800 Speaker 5: I was thinking very analytically and critically, which you really can't. 321 00:17:30,040 --> 00:17:33,240 Speaker 5: Well you can, but I feel like the best work 322 00:17:33,320 --> 00:17:37,560 Speaker 5: is not thinking critically on your own stuff, and it's 323 00:17:37,600 --> 00:17:41,760 Speaker 5: to just I feel like the subconscious is always the 324 00:17:41,800 --> 00:17:44,080 Speaker 5: best route for creative thinking. 325 00:17:44,359 --> 00:17:44,600 Speaker 1: Yep. 326 00:17:45,720 --> 00:17:48,520 Speaker 3: I asked people who are around music this question on 327 00:17:48,560 --> 00:17:49,320 Speaker 3: the podcast. 328 00:17:49,840 --> 00:17:51,080 Speaker 1: So I've got to ask you. 329 00:17:51,160 --> 00:17:56,720 Speaker 3: Why is music such a special part of our lives? 330 00:17:56,800 --> 00:17:59,840 Speaker 1: Like? What about it? I mean, obviously it goes back 331 00:18:00,080 --> 00:18:01,560 Speaker 1: a you know caveman. 332 00:18:01,800 --> 00:18:06,399 Speaker 2: Yeah, why is music so special? 333 00:18:06,440 --> 00:18:10,080 Speaker 5: Oh jeez, that's that's a good one, I think, Like, 334 00:18:11,359 --> 00:18:15,960 Speaker 5: I mean, for me at least, it's just it is 335 00:18:16,160 --> 00:18:19,159 Speaker 5: just a it's kind of like reading a book in 336 00:18:19,200 --> 00:18:22,720 Speaker 5: its own way. It's kind of just transporting yourself to 337 00:18:23,720 --> 00:18:27,240 Speaker 5: just a different environment. I always, you know, I was 338 00:18:27,400 --> 00:18:31,080 Speaker 5: I was telling my friend yesterday about skiing and how 339 00:18:32,200 --> 00:18:35,840 Speaker 5: people don't really you know, he didn't really understand it. 340 00:18:35,960 --> 00:18:40,000 Speaker 5: He was like, why do people go skiing? And I 341 00:18:40,080 --> 00:18:42,520 Speaker 5: was just God, I just said, like, it's just really 342 00:18:42,520 --> 00:18:45,639 Speaker 5: about just being in a different environment, just in a 343 00:18:45,640 --> 00:18:49,240 Speaker 5: totally different world. You kind of forget everything going on 344 00:18:49,480 --> 00:18:51,880 Speaker 5: at the time and you're just kind of focused on 345 00:18:52,280 --> 00:18:55,240 Speaker 5: what's around you, just the mountain. And I feel like 346 00:18:55,320 --> 00:18:58,560 Speaker 5: kind of music's the same way. You just for me, 347 00:18:58,640 --> 00:19:02,800 Speaker 5: I just sort of forget about a lot of things 348 00:19:02,840 --> 00:19:04,879 Speaker 5: and I just get put in the environment that the 349 00:19:05,000 --> 00:19:07,240 Speaker 5: artist puts forth. 350 00:19:07,680 --> 00:19:11,000 Speaker 4: And that's that's really why I love music and listen 351 00:19:11,040 --> 00:19:13,440 Speaker 4: to a lot of it as much as possible. 352 00:19:13,520 --> 00:19:17,360 Speaker 3: It is transporting, right, you know, and it does everything, 353 00:19:17,400 --> 00:19:18,760 Speaker 3: you know, brings you up, brings you. 354 00:19:18,840 --> 00:19:21,359 Speaker 1: Down, you know, tugs at you, and energizes you. 355 00:19:21,880 --> 00:19:22,119 Speaker 3: You know. 356 00:19:23,040 --> 00:19:25,840 Speaker 1: It's, uh, where would we be without it? Right? 357 00:19:26,359 --> 00:19:26,919 Speaker 4: Yeah? 358 00:19:26,960 --> 00:19:29,720 Speaker 5: And it's funny like you think that if you're really 359 00:19:30,400 --> 00:19:32,359 Speaker 5: you know, if you're feeling really down one day, you'd 360 00:19:32,359 --> 00:19:36,040 Speaker 5: want to listen to music that's happy to uplift you. 361 00:19:36,119 --> 00:19:38,720 Speaker 5: But right for me, it's the exact opposite. I want 362 00:19:38,760 --> 00:19:42,719 Speaker 5: to listen to music that aligns with what I'm feeling. 363 00:19:42,880 --> 00:19:44,639 Speaker 5: So if I'm feeling down, I'm going to listen to 364 00:19:45,359 --> 00:19:46,480 Speaker 5: music that's very. 365 00:19:46,359 --> 00:19:48,720 Speaker 4: Down and very like somber. 366 00:19:49,119 --> 00:19:52,560 Speaker 5: Because it kind of empathizes in its. 367 00:19:52,440 --> 00:19:56,040 Speaker 4: Own way, Yes, with what I'm feeling. So I just, 368 00:19:56,200 --> 00:19:57,960 Speaker 4: you know, feel a little less. It actually makes me 369 00:19:58,000 --> 00:19:58,520 Speaker 4: feel better. 370 00:19:59,480 --> 00:20:02,120 Speaker 1: Yeah, I feel the same way. I Mean, there are times. 371 00:20:01,760 --> 00:20:05,880 Speaker 3: Sometimes I'll deliberately want something that will lift me up 372 00:20:05,960 --> 00:20:09,840 Speaker 3: if I'm down, but I would say, yeah, three quarters 373 00:20:09,840 --> 00:20:10,120 Speaker 3: of the. 374 00:20:10,080 --> 00:20:14,320 Speaker 1: Time or more, I want to match the mood. You know. 375 00:20:15,119 --> 00:20:17,119 Speaker 1: I don't shy away from that, you know. 376 00:20:18,520 --> 00:20:22,600 Speaker 5: Yeah, I feel like it is very important too. It's 377 00:20:22,680 --> 00:20:25,679 Speaker 5: kind of it's almost like someone that talks. It's almost 378 00:20:25,720 --> 00:20:27,560 Speaker 5: like someone's talking to you, right. 379 00:20:27,520 --> 00:20:31,080 Speaker 6: Yeah, when you're listening to something, you kind of go, 380 00:20:31,160 --> 00:20:34,440 Speaker 6: that's yeah, it's like conversation almost six one side. 381 00:20:34,600 --> 00:20:36,920 Speaker 3: Yeah, listen to me talking as if I'm a musician. 382 00:20:36,920 --> 00:20:38,600 Speaker 3: I don't know any of this. 383 00:20:39,480 --> 00:20:43,280 Speaker 5: Well anyway, Well, it's just universal, like anyone anyone can 384 00:20:43,320 --> 00:20:44,120 Speaker 5: feel that way. 385 00:20:44,320 --> 00:20:45,960 Speaker 4: You know, you don't have to be a musician. That's 386 00:20:45,960 --> 00:20:47,200 Speaker 4: what is so great about you. 387 00:20:47,280 --> 00:20:48,359 Speaker 1: Right right. 388 00:20:48,720 --> 00:20:53,679 Speaker 3: So what's on the sort of road map in terms 389 00:20:53,680 --> 00:20:56,600 Speaker 3: of what you're up to. I know you had mentioned 390 00:20:57,040 --> 00:21:00,560 Speaker 3: there's some studio work going on. I know there's been 391 00:21:01,440 --> 00:21:05,399 Speaker 3: some concert appearances that you've been part of as well. 392 00:21:05,520 --> 00:21:09,199 Speaker 1: So what's kind of on your you know, roadmap in 393 00:21:09,280 --> 00:21:12,120 Speaker 1: the coming weeks and months. 394 00:21:12,440 --> 00:21:16,280 Speaker 5: Yeah, well, I yep, just like you said, I'm recording. 395 00:21:16,560 --> 00:21:21,600 Speaker 5: I've been recording the past like two months, just getting 396 00:21:21,640 --> 00:21:25,280 Speaker 5: a bunch of songs together and just in a more 397 00:21:25,320 --> 00:21:30,440 Speaker 5: cohesive project. And I'll be releasing music throughout the year 398 00:21:30,640 --> 00:21:33,720 Speaker 5: into the next and then hopefully, if I get my 399 00:21:33,800 --> 00:21:37,400 Speaker 5: act really together, I'll have a EP to release ep 400 00:21:37,520 --> 00:21:41,879 Speaker 5: R album to release in probably this month of spring 401 00:21:42,080 --> 00:21:42,800 Speaker 5: of next year. 402 00:21:44,240 --> 00:21:45,400 Speaker 4: That's the overall goal. 403 00:21:46,680 --> 00:21:49,600 Speaker 5: And I also have some shows to play during that 404 00:21:49,680 --> 00:21:54,760 Speaker 5: time too, in April, so that's kind of the overall goal. 405 00:21:54,800 --> 00:21:55,480 Speaker 4: It's kind of funny. 406 00:21:55,480 --> 00:22:01,960 Speaker 5: I I really planned my schedule in like one week increments, 407 00:22:02,680 --> 00:22:04,760 Speaker 5: so I'll get through my week, and then I'll plan 408 00:22:04,880 --> 00:22:07,440 Speaker 5: that next week, and then I'll get through that week. 409 00:22:08,080 --> 00:22:14,840 Speaker 5: Because I found things change quite often in this business, 410 00:22:15,600 --> 00:22:16,880 Speaker 5: so I'm always having to. 411 00:22:18,680 --> 00:22:20,240 Speaker 4: Schedule flip and. 412 00:22:21,760 --> 00:22:24,080 Speaker 5: Take you pitvot in a different direction than I think 413 00:22:24,119 --> 00:22:26,720 Speaker 5: I'm going to go, and I kind of like it 414 00:22:26,760 --> 00:22:27,320 Speaker 5: that way. 415 00:22:27,040 --> 00:22:29,000 Speaker 4: It's fun in its own way. 416 00:22:29,480 --> 00:22:31,280 Speaker 1: What was it like opening for the Walters? 417 00:22:31,840 --> 00:22:33,919 Speaker 5: It was cool, It was really I mean, it was 418 00:22:34,800 --> 00:22:39,359 Speaker 5: incredibly nerve wracking. I'd never played a show before, but 419 00:22:39,400 --> 00:22:41,760 Speaker 5: it was still really fun and a really good experience. 420 00:22:43,160 --> 00:22:45,960 Speaker 5: It was pretty crazy to, you know, have your first 421 00:22:46,400 --> 00:22:49,520 Speaker 5: few shows in front of so many people. 422 00:22:51,280 --> 00:22:52,640 Speaker 4: Those rooms were massive. 423 00:22:52,680 --> 00:22:55,360 Speaker 5: I've never even I'd barely even been to a concert 424 00:22:55,440 --> 00:22:58,840 Speaker 5: in a room that big, so it felt like I was. 425 00:22:58,880 --> 00:23:03,760 Speaker 4: Kind of on the moon a little. Yeah, on the stage. 426 00:23:04,480 --> 00:23:07,840 Speaker 3: Was it an experience though in the midst of obviously 427 00:23:08,560 --> 00:23:10,520 Speaker 3: you know, the tension. 428 00:23:10,720 --> 00:23:13,680 Speaker 1: Was it an experience you enjoyed? Yeah? 429 00:23:13,760 --> 00:23:17,159 Speaker 5: I think it definitely drove me and I learned a 430 00:23:17,160 --> 00:23:19,640 Speaker 5: lot from it and what I want to do differently 431 00:23:19,720 --> 00:23:25,480 Speaker 5: and want to want to keep the same, and yeah, 432 00:23:25,560 --> 00:23:28,560 Speaker 5: you definitely just like grow up quick. You have no 433 00:23:29,359 --> 00:23:32,280 Speaker 5: you really don't have a choice. Like I was offered 434 00:23:32,320 --> 00:23:35,879 Speaker 5: the show months before and I was really unprepared. 435 00:23:35,920 --> 00:23:38,200 Speaker 4: I was like, oh boy, I have. 436 00:23:38,240 --> 00:23:41,359 Speaker 5: No I don't even have enough songs to play for 437 00:23:41,400 --> 00:23:46,000 Speaker 5: thirty minutes, so I better write some songs. So it 438 00:23:46,080 --> 00:23:48,880 Speaker 5: was kind of a flame under my butt to just. 439 00:23:48,880 --> 00:23:49,960 Speaker 4: Get going and. 440 00:23:51,400 --> 00:23:55,240 Speaker 5: You know, not overthink things and just get something together 441 00:23:55,280 --> 00:23:56,880 Speaker 5: because you have to get something. 442 00:23:57,160 --> 00:23:59,440 Speaker 1: Yep. And that was. 443 00:23:59,640 --> 00:24:04,080 Speaker 5: Definitely like the best takeaway from it is sometimes when 444 00:24:04,080 --> 00:24:07,920 Speaker 5: you're just put under a good amount of pressure, you've 445 00:24:07,960 --> 00:24:11,760 Speaker 5: got something ahead that you need to you need to accomplish, 446 00:24:11,840 --> 00:24:15,720 Speaker 5: you just gotta wrestle up something. 447 00:24:18,800 --> 00:24:21,439 Speaker 4: And that's what I'm doing. So I'm kind of in 448 00:24:21,480 --> 00:24:22,720 Speaker 4: the same situation now. 449 00:24:23,680 --> 00:24:26,919 Speaker 5: I've got a few shows coming up in the spring 450 00:24:27,680 --> 00:24:29,600 Speaker 5: and I'm kind of in the same zone right now. 451 00:24:29,840 --> 00:24:32,679 Speaker 5: Just all right, got to get something, get something different. 452 00:24:34,000 --> 00:24:35,160 Speaker 1: Are you working with a manager. 453 00:24:35,600 --> 00:24:36,240 Speaker 4: I'm a manager. 454 00:24:36,320 --> 00:24:36,880 Speaker 1: Yep, yep. 455 00:24:37,800 --> 00:24:39,440 Speaker 4: It's going well, and that's kind of new. 456 00:24:40,600 --> 00:24:45,360 Speaker 5: I went two years without one pretty much, and it's 457 00:24:45,400 --> 00:24:50,280 Speaker 5: pretty tough doing everything yourself. It's doable, but it is 458 00:24:50,960 --> 00:24:54,720 Speaker 5: it's pretty exhausting. So yeah, I've got a manager on 459 00:24:54,800 --> 00:24:57,760 Speaker 5: board now, got a lawyer. 460 00:24:59,160 --> 00:25:01,520 Speaker 4: And that's pretty much the extent of my team. 461 00:25:02,480 --> 00:25:05,359 Speaker 3: I'm amazed that I was able to get through your 462 00:25:05,359 --> 00:25:07,480 Speaker 3: publicity people to be able to talk to you. 463 00:25:08,119 --> 00:25:14,880 Speaker 5: Oh yeah, my publicist and right, my four managers. 464 00:25:13,880 --> 00:25:18,200 Speaker 1: That's right. Yeah, I had an elbow way through will Yeah. Yeah. 465 00:25:18,200 --> 00:25:23,800 Speaker 1: So if somebody's listening to this who was aspiring. 466 00:25:23,359 --> 00:25:28,320 Speaker 8: Wanting to grow an independent path musically or in any 467 00:25:29,000 --> 00:25:34,400 Speaker 8: way field, what advice would you give them. 468 00:25:34,440 --> 00:25:37,080 Speaker 4: Well, it's a good question. 469 00:25:37,200 --> 00:25:39,960 Speaker 5: I mean, I'm asking myself the same thing every day. 470 00:25:40,880 --> 00:25:44,400 Speaker 5: But I feel like, I mean, this might come off 471 00:25:44,440 --> 00:25:46,320 Speaker 5: as generic or cheesy, but. 472 00:25:46,320 --> 00:25:49,040 Speaker 4: I feel like it's really true. I was told in 473 00:25:49,080 --> 00:25:49,800 Speaker 4: New York. 474 00:25:49,640 --> 00:25:53,120 Speaker 5: Actually last week, we were kind of talking about this, 475 00:25:53,359 --> 00:25:57,959 Speaker 5: and I was saying, how for the first few years 476 00:25:58,000 --> 00:26:01,560 Speaker 5: of doing this, I was really just doing stuff I 477 00:26:01,640 --> 00:26:04,600 Speaker 5: wasn't happy about, but I was doing it because I thought, 478 00:26:04,920 --> 00:26:09,240 Speaker 5: you know, people would like it, and you know, there's 479 00:26:09,280 --> 00:26:13,600 Speaker 5: benefits to that. But it's not long term because I 480 00:26:13,600 --> 00:26:15,600 Speaker 5: feel like if you're doing something that you don't want 481 00:26:15,640 --> 00:26:23,680 Speaker 5: to do musically, you will eventually burn out and. 482 00:26:21,119 --> 00:26:25,119 Speaker 4: You just can't keep that going for super long. 483 00:26:25,920 --> 00:26:29,040 Speaker 5: So I feel like my advice is just making something 484 00:26:29,080 --> 00:26:34,040 Speaker 5: that you truly are happy with and it doesn't matter, 485 00:26:34,080 --> 00:26:36,880 Speaker 5: you know, what anyone else thinks. As long as you're 486 00:26:36,960 --> 00:26:39,959 Speaker 5: happy with it, that's the most in terms of longevity. 487 00:26:40,000 --> 00:26:41,080 Speaker 4: That's just the best. 488 00:26:40,920 --> 00:26:44,960 Speaker 5: Way to stay in this and not lose your mind, 489 00:26:45,880 --> 00:26:50,560 Speaker 5: because there's nothing worse than playing songs that you're not 490 00:26:50,720 --> 00:26:54,880 Speaker 5: happy with to an audience. You know, I think it's 491 00:26:55,280 --> 00:26:58,359 Speaker 5: best that you're because the audience can tell. I feel 492 00:26:58,359 --> 00:27:01,439 Speaker 5: like the audience can tell when you're playing something that 493 00:27:01,480 --> 00:27:05,600 Speaker 5: you like versus playing something that you don't like. So yeah, 494 00:27:05,760 --> 00:27:10,200 Speaker 5: just stay true to your vision, and you know, don't 495 00:27:10,200 --> 00:27:13,480 Speaker 5: worry about it too much, don't worry about standing out 496 00:27:13,720 --> 00:27:20,560 Speaker 5: or you know, being unique. Just kind of do whatever, 497 00:27:20,720 --> 00:27:21,720 Speaker 5: do what you want to do. 498 00:27:22,920 --> 00:27:23,399 Speaker 1: I love it. 499 00:27:23,720 --> 00:27:27,320 Speaker 3: We'll pequin thanks for taking a walk and enjoy the 500 00:27:27,440 --> 00:27:31,040 Speaker 3: ride and continued success and. 501 00:27:32,960 --> 00:27:35,200 Speaker 1: Enjoying the creative process. 502 00:27:35,640 --> 00:27:38,320 Speaker 4: Well, thank you very much. Thanks for walking with me. 503 00:27:39,000 --> 00:27:39,399 Speaker 1: Thank you. 504 00:27:40,720 --> 00:27:45,960 Speaker 2: Taking a Walk with Buzznight is available on Spotify, Apple Podcasts, 505 00:27:46,480 --> 00:27:49,640 Speaker 2: or wherever you get your podcasts.