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Speaker 1: Really, I don't want to see myself today. It's so

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Speaker 1: here's how I got on today's zoom. You guys, as

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Speaker 1: I just went you remember that book when you were

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Speaker 1: a kid, Alexander in the Terrible, horrible, no good, very

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Speaker 1: Bad Day, I was like that, I'm Alexander today, so

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Speaker 1: uh yeah, yeah, it's every to day. I just woke up.

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Speaker 2: On the wrong side. Yeah, it's you need to do

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Speaker 2: really on.

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Speaker 3: The wrong side of the bed. Yeah it was.

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Speaker 2: But you didn't break anything. You're not in the er

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Speaker 2: like this is.

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Speaker 1: No, I'm not in the r although I did trip

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Speaker 1: and spill my coffee all over the patio this money

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Speaker 1: there's that, which was like just I was like, okay,

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Speaker 1: I'm going to go outside. I'm in a crap mood.

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Speaker 1: Let me go for myself some coffee and go sit

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Speaker 1: out on the patio before it's too and like enjoy

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Speaker 1: a morning. And as I'm heading out, I trip over

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Speaker 1: like a two inch step that's there every time I

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Speaker 1: walk out of the house, trip, spill the coffee everywhere,

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Speaker 1: almost pour hot coffee on the dog.

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Speaker 3: And I was I literally had a tantrum, like you know.

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Speaker 1: Like it was either that or I was gonna hurl

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Speaker 1: the coffee mug at the fence.

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Speaker 3: So I was like, let's go with the tanker.

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Speaker 2: That's a lot easier to like.

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Speaker 3: I just like waved my hands. I'm like stomp my feet.

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Speaker 2: It's like, ah, like you don't have the words to

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Speaker 2: be able to say what you're annoyed at.

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Speaker 3: As like a two year old. Yeah, I was like, okay,

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Speaker 3: this is even.

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Speaker 1: The dog came in just once I finally refilled my coffee,

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Speaker 1: wiped myself off, changed my sweatpants, came sat outside. The

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Speaker 1: dog was just sitting there looking at me.

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Speaker 2: Like, oh no, yeah, she's used to it.

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Speaker 1: No, she's I'm usually not in a bad mood I am.

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Speaker 1: I am very much like spilly.

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Speaker 2: Yeah, she's like she's to kind've tripped on your patio doors.

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Speaker 2: I blame those mosquito.

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Speaker 1: It's screen things, the mosquito net things. But the dog

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Speaker 1: goes in and out, so you got to have the magnetized.

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Speaker 2: It's useful, but it is.

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Speaker 1: It's you step out of the sliding door and then

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Speaker 1: there's just like a tiny little like one brick step. Yeah,

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Speaker 1: that goes off and if you if you miscalculate, you're

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Speaker 1: going right up.

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Speaker 2: If you get tangled in the mosquito door nets. Then

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Speaker 2: that's just straight.

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Speaker 1: It's all bad.

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Speaker 2: It's all downhill from here.

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Speaker 3: Well, anyway, how are you today? Abe? It's been we've

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Speaker 3: got a week off. You've had a birthday a year older?

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Speaker 2: Do I know?

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Speaker 1: I do?

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Speaker 2: I look a year older. I don't feel a year

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Speaker 2: old at all.

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Speaker 1: Also important news, Uh, the eagles returned to their nest,

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Speaker 1: did they not?

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Speaker 2: Well, not the baby. The babies are gone, the babies,

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Speaker 2: but the moment Dad, Jackie and Shadow and they'd.

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Speaker 3: Been gone for the Jackie chat, have been gone for

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Speaker 3: like a weekend. Well when the.

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Speaker 2: Fire works, I'm telling you, I really hate fireworks, and

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Speaker 2: now I used to love it as a kid. Now

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Speaker 2: I'm just like fire Why are we doing this? It's

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Speaker 2: just hate everything about it. But yeah, the fireworks scared

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Speaker 2: off probably all of the wildlife up and right.

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Speaker 3: Where do they go? They're like, God, it's everywhere.

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Speaker 1: Yeah, it's everywhere.

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Speaker 2: So Jackie Shadow came back, so that okay, I'm probably

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Speaker 2: used to this. They're like, we've been here a few years.

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Speaker 3: We get this is the thing again. What is it

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Speaker 3: that they do every year?

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Speaker 2: Yeah? Why do they do? Why are these humans doing.

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Speaker 2: Why do we have this right? But yeah, between scaring

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Speaker 2: the wildlife, scaring the dogs, I'm just like what, I

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Speaker 2: don't leave the house anymore on fourth of July. Now

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Speaker 2: there's just no.

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Speaker 3: There's no reason to. But on the third of July.

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Speaker 2: Way it was. I'm so I got my my slip

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Speaker 2: on shoes. I got see they're not Look how cute

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Speaker 2: they are. These are durable. They don't look like Grandma.

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Speaker 1: Okay for everyone I'm going to describe since where this

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Speaker 1: is a radio show.

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Speaker 3: They actually not terrible. I'm not gonna they're not terrible.

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Speaker 3: They look like there's little tennis shoes. Yeah, they're cute.

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Speaker 1: They're pink and gray, and they've got a little and

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Speaker 1: the little thing and then you just snat like stuffed

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Speaker 1: the little heel in there and you see slip them on.

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Speaker 2: Yet it's got like a reinforced heel, so you can

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Speaker 2: just slip them on. Okay, it's got real laces.

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Speaker 1: Like this places though, so you don't look like you're

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Speaker 1: wearing orthotics or orthotics or you know, old people's shoes.

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Speaker 3: They're great.

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Speaker 2: I'm so happy for anyways.

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Speaker 1: Have you have you slid them on and off yet?

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Speaker 1: Have you been all the time.

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Speaker 2: Yes, I haven't even gone. I haven't even gone anywhere.

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Speaker 3: And yep, like you need to go at the one

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Speaker 3: of the plants.

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Speaker 2: Yet. Yes, it's exchanged my life. I love it. And

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Speaker 2: I got my binoculars, which I won't pull those out

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Speaker 2: because they're they're kind of put away. But yeah, I

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Speaker 2: got my binocular So I've just been bird watching.

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Speaker 1: You exactly what I wish you.

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Speaker 2: And yes, I was like, sent me that lovely gift

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Speaker 2: basket and I was it was perfect, Like that's all

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Speaker 2: I did. I sat on the patio with all my

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Speaker 2: snacks that you sent me and just watch all day.

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Speaker 1: I'm like this snacks already nine uh and Harry and

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Speaker 1: Davids snacks are debitious and I, oh my gosh, there's

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Speaker 1: so good.

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Speaker 2: Yeah, Mike, Michael and I.

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Speaker 1: Like a seventeen dollars pair, you know what I mean,

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Speaker 1: Like it's yeah that's wrapped in like gold leaving.

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Speaker 2: But they're the best.

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Speaker 1: But they're the best pair, the best years. And yeah,

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Speaker 1: I was like, I said, may you may you be

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Speaker 1: walking around in your slide off slip on shoes and

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Speaker 1: a bird watching all day or something.

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Speaker 2: Yeah, and that's what I did. I did that exactly.

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Speaker 2: It was perfect. That was so thoughtful.

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Speaker 1: Oh my god, of.

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Speaker 3: Course did you go to did you get an ollow

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Speaker 3: night in?

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Speaker 2: She did not know? I know, it was very I

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Speaker 2: just yeah, there was that. I just strayed from tradition

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Speaker 2: this year. You know, we just stayed home. It was

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Speaker 2: just with Holli. She's nearing the end of her life.

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Speaker 3: You don't want to.

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Speaker 2: I just to spend as much time with her as could.

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Speaker 1: She put her in a bag, so not like a

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Speaker 1: clothes one, like a dog bag, you know, I mean

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Speaker 1: not like a like a paper bag, but you know,

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Speaker 1: like like a little dog bag.

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Speaker 3: She wouldn't know, Yeah.

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Speaker 2: I could she but she gets nerves will she gets

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Speaker 2: nervous when she's in places she's unfamiliar with because she's blind.

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Speaker 1: And yeah, she's probably what she'd be like worthing.

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Speaker 2: So I feel like it's just yeah, she would be like, hey,

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Speaker 2: give me some of those give me some of those fahdas.

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Speaker 2: So yeah, so no, I mean we'll go to Alo sometimes.

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Speaker 2: But I was just wondering, we can't go this time. Yeah,

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Speaker 2: I'll get there, I know regular, but I was just

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Speaker 2: wondering because it's a birthday to go for my birthday

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Speaker 2: of it is my cattle. I'm still waiting the cadillact.

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Speaker 2: Margarita is still wait for me.

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Speaker 3: That's all right, but you.

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Speaker 2: Gotta drag me off the porch.

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Speaker 1: I gotta drag the old lady out of her rocking chair,

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Speaker 1: get her to slip on her shoes and go for

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Speaker 1: a walk.

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Speaker 2: I'm a little embarrassed though, because like, you're my embarrassed

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Speaker 2: my neighbor over the shoes. I'm a little no okay,

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Speaker 2: well no, no, not embarrassed about the shoes at all.

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Speaker 2: But when I was using the binoculars. So my neighbor, my.

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Speaker 1: Neighbors, were you now are you gonna get calls as

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Speaker 1: like a peeping tom?

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Speaker 2: I know? Well my neighbor walked right in my life

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Speaker 2: of vision, and I'm like, so I just I'm like,

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Speaker 2: oh my god, he thinks I'm like this peeping Okay,

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Speaker 2: that was a nice house walking across the driveway.

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Speaker 1: Yeah, but he sees it, and I'm like this, you

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Speaker 1: really are that old lady now next door?

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Speaker 3: Like who's the old lady with the binoculars?

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Speaker 2: Just you know, well, And then a few hours later

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Speaker 2: I went to my backyard because I'm like, maybe i'll

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Speaker 2: see birds out here. He walked by again.

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Speaker 1: To get the coop where the cock is, yet again

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Speaker 1: turning everything.

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Speaker 3: No, I don't.

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Speaker 1: I don't think it's weird though if you were, if

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Speaker 1: if he walked by his bedroom window and you were

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Speaker 1: pointed there, that would be odd.

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Speaker 2: Okay, No, no, no, you know what I mean, unless.

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Speaker 1: There were a bird perch directly outside of it outdoors.

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Speaker 2: But I think that, you know, okay. I never said

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Speaker 2: I can't see your final all just like that yard,

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Speaker 2: and I mean you could just yell out.

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Speaker 1: It was still just look side not you don't be weird, right,

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Speaker 1: I don't. Does that make it worse? I don't know.

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Speaker 2: That just looks so embarrassed.

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Speaker 1: I should have said, I just wave, you know what

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Speaker 1: I mean, and point like there's a really fascinating bird

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Speaker 1: and be like oh, and then flew away.

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Speaker 3: You know I should have done that, Yeah yeah, yeah, yeah.

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Speaker 2: Yeah, But no, I made it worse by running away.

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Speaker 3: Right now, You're like, oh god, he.

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Speaker 1: Saw me, I should run And he's like, why is

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Speaker 1: running away?

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Speaker 3: Give me from full house stocking, right, I'm just waiting.

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Speaker 2: I'm waiting for that. He's got little kids under the

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Speaker 2: age of seven. And so I'm just waiting for that

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Speaker 2: for them to connect, but so.

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Speaker 3: Far I'm just stalking me.

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Speaker 2: Yeah, when you see the t m Z article, it's

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Speaker 2: like give her a peeping tom.

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Speaker 1: Like she is the world, and the source will be

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Speaker 1: like I've known it for years and just be me.

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Speaker 3: She's been like this for years.

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Speaker 2: So she's just that annoying neighbors through.

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Speaker 1: And I ever grew out of it.

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Speaker 2: Commit to the bit.

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Speaker 3: Anyways, So you had your birthday, you stalked your.

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Speaker 2: I enjoyed my birthday. I ate very well. I stalked

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Speaker 2: a neighbor. I got my slip punch shoes and my

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Speaker 2: binoculars that I couldn't have.

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Speaker 3: Are that's You're perfect?

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Speaker 1: There you go.

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Speaker 2: Yeah, well, now I can see detail. I didn't realize

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Speaker 2: we have red tails and red shoulder hawks. I couldn't

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Speaker 2: tell the difference.

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Speaker 3: One is a tail and one is a shoulder.

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Speaker 2: Right, But when they're up in the sky and you

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Speaker 2: don't have binoculars, sometimes you can't really tell. But when

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Speaker 2: I'm looking at them up close, I can see all

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Speaker 2: the t in the mark.

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Speaker 1: I don't tell me about the day I walked out

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Speaker 1: on my patio on the fence, right, here and there.

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Speaker 3: Was a red tailed hawk just sitting there.

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Speaker 1: Yeah.

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Speaker 3: All these birds were going.

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Speaker 1: Nuts, dive bombing and everything, and this hawk was just

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Speaker 1: sitting there unbothered.

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Speaker 3: Oh yeah, yeah, that was the closest I ever got

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Speaker 3: to one.

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Speaker 2: Though.

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Speaker 3: I like walked down and I was like, oh, oh.

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Speaker 2: They're scary, Yeah, they're well yeah, because.

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Speaker 3: I was like, I don't know.

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Speaker 1: I mean, I don't think he's gonna try go for

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Speaker 1: me because I don't look like a small rabbit.

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Speaker 2: But right, no, I think I think you're a little

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Speaker 2: too big. East is probably fine because she's too big.

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Speaker 2: But you know, Holly, I have to protect Hollie.

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Speaker 1: Because these hawks could easily swoop her up and take

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Speaker 1: her dog Ginger. She she almost got swooped up by

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Speaker 1: a hawk in her backyard one day. Oh you like

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Speaker 1: twenty years ago. Yeah, she's a little Yorky.

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Speaker 2: Oh and we.

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Speaker 1: Had redtail hawks and this one just swooped through the

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Speaker 1: yard and she like looked up and just walked inside

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Speaker 1: and was like yeah, nothing, like I.

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Speaker 2: Cannot with this. No, these hawks, go find there's plenty

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Speaker 2: of squirrels out there, Go find one of those, right,

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Speaker 2: No pets, no pets?

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Speaker 3: Well, shall we do it. Should we do the thing

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Speaker 3: that we do.

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Speaker 1: Let's do the thing I mean other than the incessant yammering,

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Speaker 1: but like the actual show part.

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Speaker 2: Yes, we've kept it to a tight eleven and not

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Speaker 2: a tight ten, but tight eleven. Yeah, and uh yeah,

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Speaker 2: let's be on time today. Let's not draw it, drag

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Speaker 2: this out. Let's just start the show. Welcome back to

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Speaker 2: Howard tan Ritos. I'm Andrea Barber and I'm Jody Sweeten,

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Speaker 2: and today we're discussing season five, episode four, Oh Where,

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Speaker 2: Oh Where has my Little Girl Gone? It originally aired

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Speaker 2: October eighth, nineteen ninety one, and it goes a little

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Speaker 2: something like this. After snooping in DJ's room and finding

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Speaker 2: out that a bad rumor about her has been spread

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Speaker 2: around school and she refuses to talk to him about it,

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Speaker 2: Danny worries that their father daughter Bond, is fading. Oh Danny,

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Speaker 2: and he's going through it in this one right. It

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Speaker 2: was directed by Joelswick, it was written by Mark Fink,

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Speaker 2: and we have two amazing guest stars as well. Yes,

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Speaker 2: Brian Kale, Brian Kas's father, Like, he's our dialogue coach.

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Speaker 2: He's just so wonderful and so great.

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Speaker 3: And has the best radio voice ever.

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Speaker 1: He does, he really does.

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Speaker 2: It's so distinctive to me. I don't know if it

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Speaker 2: is to our audience. Yeah yeah, but it's so distinctive

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Speaker 2: that as soon as I hear it, I'm like, oh,

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Speaker 2: Brian kle bran Ale. But this time he had a line,

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Speaker 2: so I hope he got paid and he got a credit,

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Speaker 2: So yeah, fantastic. And then we have Megan Parlan as

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Speaker 2: Bowling Girl. So cute. She start on the NBC series

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Speaker 2: Hangtime in nineteen ninety five. She worked on that for

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Speaker 2: six years. Oh and then she went on to get

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Speaker 2: her master's degree in broadcast journalism. She's now a science

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Speaker 2: documentary writer and producer. Hell yeah, we launched.

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Speaker 3: A great career like.

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Speaker 1: Girl, Yes, Megan, get it, hit It, hit It girls

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Speaker 1: and Stem we love it.

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Speaker 2: She's so proud of her. It all started in the

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Speaker 2: bowling alley.

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Speaker 3: It really did. I saw it. I saw it there.

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Speaker 2: So we start in the basement the newly renovated base.

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Speaker 1: Okay, I forgot I mean I knew that we Jesse

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Speaker 1: built up a studio, yes, but.

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Speaker 2: This it was like what has insane? This is insane?

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Speaker 1: That's like a two hundred thousand dollars studio that they

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Speaker 1: built in the basement.

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Speaker 2: Yeah, there's real recording artists that don't have that.

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Speaker 3: I like that.

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Speaker 2: Yeah. First, the number of renovations these family has gone

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Speaker 2: through in just five years.

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Speaker 3: I really need to know where the money comes from.

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Speaker 2: Yeah, some trust fund or oil rights or something.

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Speaker 1: I don't Yeah, yeah, but I need to know. I

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Speaker 1: got to make up this backstory. But I don't know

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Speaker 1: family gets all this money.

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Speaker 2: Let's get like an economist on the show to correct

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Speaker 2: how could the family of right, what would.

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Speaker 1: It actually cost to do all of these renovations in

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Speaker 1: the late eighties early nineties in San Francisco.

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Speaker 3: Yeah, and you know what they love to let you

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Speaker 3: do in.

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Speaker 1: Historic homes in San Francisco is got the basement and

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Speaker 1: build a recording studio.

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Speaker 2: Yeah, permits ran would take five years to get you

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Speaker 2: exact right. Yeah?

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Speaker 3: No, no, no, not in the Tanner House.

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Speaker 2: No, No, they probably aren't permitted. Like the Tanner House

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Speaker 2: was completely.

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Speaker 1: Why he had to give the house to DJ and

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Speaker 1: Fuller because.

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Speaker 3: You can't sell it because everything's un permitted. It can

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Speaker 3: never leave the family.

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Speaker 1: Does he stay in the family, stay in the family,

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Speaker 1: because that can't be sold because the permits.

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Speaker 3: Would kill you.

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Speaker 2: Yeah, that is that. That explains a lot.

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Speaker 1: Now actually explains a lot, but it doesn't explain how

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Speaker 1: we got here in the first place. But anyway, it's fine.

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Speaker 3: That's a hippy.

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Speaker 1: It was Pam. Maybe Pam had a big life insurance payment.

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Speaker 2: Oh yeah, I feel anyway. I feel like Danny was

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Speaker 2: very organized, so I assume Pam was to like they

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Speaker 2: they got their they got their their living will and

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Speaker 2: trust and order in their right insurance.

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Speaker 3: Now we have an amazing personal recording studio.

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Speaker 2: It's so amazing. So Jesse piggybacks Michelle down to the basement,

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Speaker 2: which has transformed into his own personal recording studio. He

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Speaker 2: sets her down and asks, what do you think of

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Speaker 2: all this music equipment? Michelle scans the room and admiration.

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Speaker 2: You got better toys than I do. For real, Jesse

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Speaker 2: grinns to show appreciation for your dad letting me build

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Speaker 2: this studio. I thought we'd record a song together. What

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Speaker 2: song do you want to sing? Michelle doesn't hesitate. Let's

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Speaker 2: sing the spelling song. Jesse adjusts his mic to or

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Speaker 2: adjusts a mic to her height and counts her in.

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Speaker 2: He starts to sing a b CD and Michelle Yell's

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Speaker 2: cut not that spelling song, the Cool Spelling Song. She

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Speaker 2: hits a button on Jesse's drum machine and a beat

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Speaker 2: kicks in and she sings at the top of her

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Speaker 2: lungs R E S P E C T. I didn't

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Speaker 2: know where this was going, so I was legitimately I

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Speaker 2: laughed at and so Jesse joins in and Michelle's BN

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Speaker 2: A n as.

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Speaker 1: That's what it was. It's yeah yeah, which is the

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Speaker 1: only way I know how to spell bananas. Now from

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Speaker 1: that Gwen's Too Bunny song.

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Speaker 2: Oh hey, there you go, it's a yes yeah. So

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Speaker 2: Michelle starts repeating on a loop socket to me, sock

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Speaker 2: it to me, sock it to me, and Jesse halts

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Speaker 2: this jam sash hold it, but Michelle tells him, I'm sorry,

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Speaker 2: but this song is about socket to me, and she

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Speaker 2: keeps singing. Jesse tiggles her mid verse and she giggles

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Speaker 2: into the microphone, and you know, it stood out to

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Speaker 2: me most in this whole scene. John's white socks with

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Speaker 2: the black shoes.

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Speaker 1: I was like, literally the socks it was when he

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Speaker 1: knelt down, I.

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Speaker 2: Was like, oh, his pants kind of went up a

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Speaker 2: little bit you can see it was Michael Jackson.

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Speaker 1: Well, you know what those socks are never socks are

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Speaker 1: always a struggle, you never know because the white sticks

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Speaker 1: out the black sticks.

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Speaker 2: It just never. He should have gone with like either

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Speaker 2: a dark gray or just black, you know, and just

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Speaker 2: don't like white socks. It's just like a neon signs.

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Speaker 1: It is just white socks bought in bulk at Costco. Now,

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Speaker 1: because he spent all of his money building that studio.

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Speaker 2: Good point, good point, just save money.

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Speaker 3: Yes, all he could buy is the gym size.

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Speaker 1: They're actually Danny's old socks.

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Speaker 2: He's just a little too close.

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Speaker 1: Well, the family, they cheap out on the important stuff

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Speaker 1: and they spend frivolous money on everything else.

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Speaker 2: Renovate the basement three times, sure, but socks, I don't know.

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Speaker 1: Well, they just moved all the stuff from up in

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Speaker 1: the attic down to the basement.

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Speaker 2: They store in their storage facility. It doesn't think they

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Speaker 2: just there's gotta be secrets, similar to couldn't it be

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Speaker 2: great to just do that? If yeah, if our real

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Speaker 2: lives were like sitcom lives, or you just didn't have

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Speaker 2: to think things through, and it's just magically happens.

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Speaker 3: This is Gavin Newsome.

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Speaker 4: Being a television showrunner is almost like being a governor.

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Speaker 4: You know, it's the.

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Speaker 3: Same thing from Gleed and Nip Tuck.

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Speaker 4: The days of civil discourse are over. The thing that

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Speaker 4: I was not prepared for was the Kennedy firestorm.

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Speaker 3: Monsters, the Lyle and Eric Menendez story.

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Speaker 4: And I haven't really spoken about this. One of my

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Speaker 4: good friends who's the star of one of my shows

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Speaker 4: coming up, Kim Kardashian.

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Speaker 2: You may have heard of her, one of the most

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Speaker 2: prolific writers, producers, and directors in Hollywood today.

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Speaker 4: Are monsters made or are they born?

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Speaker 1: This is Ryan Murphy.

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Speaker 4: Hollywood used to be Hollywood.

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Speaker 1: How about the pressure you put on yourself. You're competing

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Speaker 1: against this guy, Ryan Murphy.

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Speaker 4: Well, that's the secret of my career. To the opposite

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Speaker 4: of what you just did.

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Speaker 1: Get another twenty years of this in you.

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Speaker 4: That's interesting.

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Speaker 2: Listen to This is Gavin Newsome on the iHeartRadio app,

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Speaker 2: Apple Podcasts or wherever you get your podcasts. So next

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Speaker 2: in the kitchen, unsurprisingly, we have Danny cleaning his cleaning supplies.

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Speaker 1: That feels like we've crossed the line into Danny might

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Speaker 1: need some therapy.

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Speaker 2: Yes, it's just it's.

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Speaker 3: Like that is that was real OZD.

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Speaker 2: Very very on brand for Danny Tanner. He ducks behind

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Speaker 2: the counter to put some items away, and that's when

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Speaker 2: DJ and Kimmy burst in. DJ is pleading with Kimmy,

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Speaker 2: you gotta tell me this is a nightmare, and on cue,

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Speaker 2: Danny pops up from behind the counter. What's a nightmare?

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Speaker 2: DJ freezes this whole savings and loan crisis?

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Speaker 3: Oh god, remember that?

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Speaker 2: Yeah, that was that was bad.

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Speaker 1: I was like, I was like, not in two thousand

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Speaker 1: and eight one, we're under it out. But yeah, I

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Speaker 1: don't know.

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Speaker 2: Hey, the old savings and loan crisis of nineteen ninety one,

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Speaker 2: that is a bad one.

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Speaker 1: Yeah.

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Speaker 2: She questions Danny, why were you hiding behind the counter,

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00:19:21,240 --> 00:19:23,720
Speaker 2: and Danny says he wasn't hiding, he was just cleaning

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Speaker 2: his cleaning products, and DJ remembers, oh, yeah, it's Friday.

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Speaker 2: Kimmy sarcastically notes, boy, mister t you sure know how

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Speaker 2: to kick off a weekend, and Danny just glares at

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00:19:34,800 --> 00:19:38,679
Speaker 2: her in annoyance and with that gimme chirps see ya

436
00:19:38,880 --> 00:19:41,280
Speaker 2: and heads for the door, but DJ grabs her by

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Speaker 2: the hand before she can escape and drags her upstairs.

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00:19:46,119 --> 00:19:47,720
Speaker 2: I should save this for it everywhere you look, but

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00:19:47,760 --> 00:19:50,760
Speaker 2: I'm not. I'm going straight for it. Oh outfit I'm

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Speaker 2: wearing and this scene is the same outfit I'm wearing

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Speaker 2: in my opening credit, which finally will appear next episode.

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Speaker 1: So I was like, I know this outfit. I was

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Speaker 1: like this out that was very cute on you, thank you.

444
00:20:01,840 --> 00:20:04,000
Speaker 1: I like this out I wonder if I wonder if

445
00:20:04,040 --> 00:20:07,600
Speaker 1: this is the week that you shot your it is, yeah,

446
00:20:07,640 --> 00:20:07,800
Speaker 1: and I.

447
00:20:07,840 --> 00:20:13,919
Speaker 2: Probably it's because uh Candace. Okay, So Candace is opening credit.

448
00:20:14,000 --> 00:20:16,320
Speaker 2: It takes place in her new room at the computer,

449
00:20:17,040 --> 00:20:18,960
Speaker 2: So I think they were waiting for the new room

450
00:20:19,080 --> 00:20:23,480
Speaker 2: reveal the DJ's new room to do whym until this week.

451
00:20:23,920 --> 00:20:27,760
Speaker 2: Raw thirty something years. But I finally figured it out.

452
00:20:27,880 --> 00:20:29,320
Speaker 1: Here's a method to the madness.

453
00:20:29,400 --> 00:20:32,800
Speaker 2: Yeah, I'm finally over my bitterness of the last four

454
00:20:32,840 --> 00:20:34,560
Speaker 2: episodes of Where's my opening credit?

455
00:20:34,720 --> 00:20:35,120
Speaker 3: Right right?

456
00:20:35,119 --> 00:20:39,720
Speaker 2: It's coming next episode? People, Okay, moving right along. Up

457
00:20:39,760 --> 00:20:43,320
Speaker 2: in the hallway, DJ demands spill it, Kimmy. Why is

458
00:20:43,400 --> 00:20:46,639
Speaker 2: everyone talking behind my back? And Kimmy says, because they

459
00:20:46,680 --> 00:20:49,200
Speaker 2: don't have the guts to tell you to your face. Well,

460
00:20:49,240 --> 00:20:53,240
Speaker 2: now DJ grabs her by the backpack and shoves Kimmy

461
00:20:53,280 --> 00:20:57,520
Speaker 2: into her room, calling her a coward now in the

462
00:20:57,560 --> 00:21:00,679
Speaker 2: privacy of her own newly decorated room, which.

463
00:21:00,440 --> 00:21:01,679
Speaker 3: Is very again.

464
00:21:03,480 --> 00:21:05,760
Speaker 2: Right, yeah, yeah, it's just in a week. It's just

465
00:21:06,080 --> 00:21:09,359
Speaker 2: it's very It's very Laura Ashley. This room, you know

466
00:21:09,400 --> 00:21:10,280
Speaker 2: what it was like, Laura.

467
00:21:10,440 --> 00:21:14,679
Speaker 1: This is the ultimate like late eighties, early nineties.

468
00:21:14,760 --> 00:21:16,000
Speaker 3: There is a wicker bed.

469
00:21:16,320 --> 00:21:18,840
Speaker 2: Oh yes, there is like just.

470
00:21:18,880 --> 00:21:24,639
Speaker 1: Sort of non descript peaches and blues and greens like stage.

471
00:21:25,040 --> 00:21:27,280
Speaker 1: Very The color scheme is very early nineties.

472
00:21:27,359 --> 00:21:30,080
Speaker 2: Yeah, very early graineties. If it can be covered in

473
00:21:30,119 --> 00:21:31,280
Speaker 2: floral is.

474
00:21:31,400 --> 00:21:34,840
Speaker 1: Oh, let me tell you my mom loves Yeah.

475
00:21:34,680 --> 00:21:36,960
Speaker 2: Yeah, I live how sweet and designed this.

476
00:21:36,720 --> 00:21:40,640
Speaker 1: This is I Yeah, the chair that's in DJ's corner,

477
00:21:40,640 --> 00:21:42,680
Speaker 1: the big floral girl was like, oh I had that.

478
00:21:42,600 --> 00:21:43,359
Speaker 3: In my room.

479
00:21:43,600 --> 00:21:46,280
Speaker 1: Uh yeah, I totally had one of those. Yeah, mom

480
00:21:46,359 --> 00:21:49,280
Speaker 1: stole it stolen after the mauve carpeting. Let me tell

481
00:21:49,320 --> 00:21:50,840
Speaker 1: you mauv mauve whatever.

482
00:21:50,560 --> 00:21:51,000
Speaker 2: You call it.

483
00:21:51,200 --> 00:21:54,080
Speaker 1: Yeah, yeah, yeah, lived in many houses with MAV carpeting

484
00:21:54,160 --> 00:21:55,200
Speaker 1: throughout my childhood.

485
00:21:55,400 --> 00:21:57,959
Speaker 2: Oh I got I kind of though. I miss the

486
00:21:58,040 --> 00:22:03,240
Speaker 2: posters like I missed the teenage Jackson posters and news b.

487
00:22:03,400 --> 00:22:05,840
Speaker 1: Has posters all over her room. She's got tired of

488
00:22:05,840 --> 00:22:07,880
Speaker 1: the creator and TV girl. She got stuff hanging from

489
00:22:07,880 --> 00:22:08,359
Speaker 1: her ceiling.

490
00:22:08,600 --> 00:22:10,560
Speaker 2: Yeah, well that's anomal like I missed.

491
00:22:10,560 --> 00:22:11,879
Speaker 1: The DJ's room has none.

492
00:22:11,760 --> 00:22:15,440
Speaker 2: Of that, So like I wish she had just throw

493
00:22:15,800 --> 00:22:19,199
Speaker 2: Janet Jackson. Yeah, a little bit like a I don't know,

494
00:22:19,240 --> 00:22:21,400
Speaker 2: like a showroom. It didn't look like a right right, right,

495
00:22:21,440 --> 00:22:22,720
Speaker 2: didn't look like a teenager's room.

496
00:22:23,040 --> 00:22:24,840
Speaker 3: It looked like a very well put together guest room.

497
00:22:25,520 --> 00:22:28,440
Speaker 2: Yes it does, it does, but that's okay. DJ's happy

498
00:22:28,480 --> 00:22:33,359
Speaker 2: she has privacy. So once again, she orders Kimmy to

499
00:22:33,520 --> 00:22:37,280
Speaker 2: tell her what's going on, and Kimmy flops onto the bed, deflecting,

500
00:22:38,240 --> 00:22:40,360
Speaker 2: I love what you've done with your new room. All

501
00:22:40,400 --> 00:22:42,480
Speaker 2: you need now is a poster of Patrick Swayze on

502
00:22:42,520 --> 00:22:45,919
Speaker 2: your ceiling, and she looks up on the ceiling and

503
00:22:46,200 --> 00:22:48,639
Speaker 2: pictures it. You can just kick back and hope the

504
00:22:48,720 --> 00:22:53,600
Speaker 2: Scotch tape gives out. Give me such a horn dog

505
00:22:53,680 --> 00:22:54,480
Speaker 2: like she really is?

506
00:22:56,280 --> 00:22:59,119
Speaker 1: Yeah, yeh, Kimmy is she?

507
00:22:59,320 --> 00:23:00,000
Speaker 2: I'm sorryful?

508
00:23:00,320 --> 00:23:01,240
Speaker 1: Yeah.

509
00:23:01,359 --> 00:23:03,480
Speaker 2: So DJ pulls a note out of her backpack and

510
00:23:03,520 --> 00:23:07,240
Speaker 2: begs please I'm desperate. Look at this card I got

511
00:23:07,280 --> 00:23:10,879
Speaker 2: from Kathy Santoni and Kimmy reads it out loud. My

512
00:23:11,000 --> 00:23:15,120
Speaker 2: thoughts are with you during your mega crisis. DJ huffs,

513
00:23:15,280 --> 00:23:17,679
Speaker 2: I can't believe I'm having a mega crisis and I

514
00:23:17,720 --> 00:23:20,600
Speaker 2: don't even know what it is. Oh, gim me sorry.

515
00:23:21,000 --> 00:23:22,439
Speaker 3: I felt like that this morning when I woke up.

516
00:23:22,640 --> 00:23:23,919
Speaker 1: Yeah, you're having a mega crisis.

517
00:23:24,800 --> 00:23:25,800
Speaker 3: I don't even know what it is.

518
00:23:25,920 --> 00:23:26,120
Speaker 1: Yeah.

519
00:23:27,680 --> 00:23:30,520
Speaker 2: So Kimmy finally says, I guess it's better you hear

520
00:23:30,560 --> 00:23:33,160
Speaker 2: this from your best friend. The word that's going around

521
00:23:33,280 --> 00:23:37,520
Speaker 2: is that you're the worst kisser in school. DJ is

522
00:23:37,560 --> 00:23:41,159
Speaker 2: in shock. I am not who said that, and Kimmy

523
00:23:41,200 --> 00:23:42,679
Speaker 2: claims it's Todd Mitchell.

524
00:23:43,080 --> 00:23:47,440
Speaker 3: Oh Todd Todd. Damn it, Todd, not again.

525
00:23:47,320 --> 00:23:51,280
Speaker 2: Not again. DJ screnches her face in disgust. I could

526
00:23:51,400 --> 00:23:54,040
Speaker 2: kill him. He walked me home from the library. He

527
00:23:54,160 --> 00:23:56,240
Speaker 2: tried to kiss me, but I didn't want to, so

528
00:23:56,320 --> 00:24:00,720
Speaker 2: I turned my cheek and he slobbered all over my ear. Yeah,

529
00:24:01,080 --> 00:24:05,000
Speaker 2: Kimmy recoiled. You you don't be kissed you. Yeah. Gross.

530
00:24:05,359 --> 00:24:07,640
Speaker 2: Just then there's a knock at the door. DJ says,

531
00:24:07,680 --> 00:24:11,439
Speaker 2: come in and quickly hides the card. Danny smiles as

532
00:24:11,480 --> 00:24:14,639
Speaker 2: he walks in and casually asks, so, honey, I was

533
00:24:14,640 --> 00:24:19,239
Speaker 2: school today, and Kimmy cheerfully answers, fine, mister T and

534
00:24:19,280 --> 00:24:22,200
Speaker 2: thank you for caring, and then I do the most

535
00:24:22,240 --> 00:24:25,240
Speaker 2: awkward cross the most I was.

536
00:24:25,200 --> 00:24:27,080
Speaker 3: Like, oh, that was such Yeah.

537
00:24:27,080 --> 00:24:29,679
Speaker 1: It was one of those crosses where like, as an adult,

538
00:24:29,680 --> 00:24:32,320
Speaker 1: you'd be like, I need a purpose to do this.

539
00:24:32,320 --> 00:24:36,080
Speaker 1: This is so right and there's no motivations. I just

540
00:24:36,080 --> 00:24:37,119
Speaker 1: need to be on the side of the bed so

541
00:24:37,119 --> 00:24:38,000
Speaker 1: they can have a conversation.

542
00:24:39,600 --> 00:24:40,600
Speaker 3: It was so fake.

543
00:24:40,680 --> 00:24:43,760
Speaker 2: It's you know, yeah, you learn with time. That's like, no,

544
00:24:43,840 --> 00:24:44,919
Speaker 2: you need a reason go.

545
00:24:44,760 --> 00:24:47,960
Speaker 1: Grab You're like, I don't know, I just have to

546
00:24:47,960 --> 00:24:49,320
Speaker 1: go over here now and then turn around.

547
00:24:49,359 --> 00:24:51,200
Speaker 2: Just walk up, you stand, and then you just place

548
00:24:51,240 --> 00:24:54,520
Speaker 2: yourself on your new mark yees. So bad. I learned

549
00:24:54,520 --> 00:24:57,240
Speaker 2: a lot that season, so.

550
00:24:57,320 --> 00:24:59,000
Speaker 3: We're glad you brought that up, though, because I did notice.

551
00:24:59,000 --> 00:25:05,200
Speaker 2: I was like, wow, awkward, it's so bad. So uh again,

552
00:25:05,800 --> 00:25:10,280
Speaker 2: Danny glares at Kimmy before addressing DJJ. You seemed a

553
00:25:10,320 --> 00:25:13,240
Speaker 2: little upset downstairs. I just want you to remember that

554
00:25:13,280 --> 00:25:16,840
Speaker 2: you can talk to me about anything, and she responds, well,

555
00:25:17,280 --> 00:25:19,800
Speaker 2: there is something I want to say to you. Danny

556
00:25:19,800 --> 00:25:23,200
Speaker 2: perks up, Oh great, great, I'm right here, hun, DJ

557
00:25:23,320 --> 00:25:26,560
Speaker 2: Flatley states Kimmy and I want to be alone, and

558
00:25:26,680 --> 00:25:29,600
Speaker 2: Danny plays it off. Fine, great, that's a great idea.

559
00:25:29,920 --> 00:25:32,199
Speaker 2: What's important here is that we have opened up the

560
00:25:32,240 --> 00:25:35,560
Speaker 2: door for communication. As she closes the door on him,

561
00:25:35,600 --> 00:25:38,800
Speaker 2: she exclaims, right, Dad, bye, and then she turns to

562
00:25:38,840 --> 00:25:42,960
Speaker 2: Kimmy in sighs damage control. This one bad thing could

563
00:25:43,000 --> 00:25:45,879
Speaker 2: ruin my social life forever. Just how far has this

564
00:25:46,000 --> 00:25:49,560
Speaker 2: rumor gone? And Kimmy frowns hard to say, I heard

565
00:25:49,600 --> 00:25:53,840
Speaker 2: it from my algebra teacher. Wow, the teachers are gossiping

566
00:25:53,840 --> 00:25:57,840
Speaker 2: about it, right, you know it's bad, Poor DJ, I

567
00:25:57,880 --> 00:26:01,120
Speaker 2: remember that I remember this from high school though. Yeah,

568
00:26:01,240 --> 00:26:04,880
Speaker 2: like everything, every just a slight rumor, you like, this

569
00:26:04,920 --> 00:26:05,800
Speaker 2: is everything.

570
00:26:06,080 --> 00:26:10,080
Speaker 1: We're not gonna survive this, right, and now can you imagine?

571
00:26:11,080 --> 00:26:11,199
Speaker 3: Now?

572
00:26:13,320 --> 00:26:16,200
Speaker 2: Forget it? No damaging?

573
00:26:16,600 --> 00:26:19,679
Speaker 3: Yeah, And it sounds like Candace is sick in this episode.

574
00:26:19,720 --> 00:26:20,240
Speaker 1: She has a cold.

575
00:26:20,359 --> 00:26:20,960
Speaker 3: Yes, I can tell.

576
00:26:21,240 --> 00:26:22,720
Speaker 2: I noticed the same thing.

577
00:26:23,160 --> 00:26:23,879
Speaker 3: The second she walked in.

578
00:26:23,920 --> 00:26:24,680
Speaker 1: I was like, Oh, she's sick.

579
00:26:25,400 --> 00:26:28,160
Speaker 2: Like tell the scenes that you know they pre taped,

580
00:26:28,200 --> 00:26:31,280
Speaker 2: like the Bowling Alley, the bullying, You're like, she's super

581
00:26:31,320 --> 00:26:33,480
Speaker 2: sick on the Thursday pre tape day. She got a

582
00:26:33,480 --> 00:26:36,040
Speaker 2: little bit better in the tape, but all the scenes

583
00:26:36,080 --> 00:26:38,320
Speaker 2: they pretabed. I'm like, oh, she's very sick. Yeah, episode

584
00:26:38,440 --> 00:26:40,760
Speaker 2: so what you always get the most sick during like

585
00:26:40,800 --> 00:26:44,879
Speaker 2: this your story? Like cool? Cool? Why did we we

586
00:26:44,920 --> 00:26:47,400
Speaker 2: even had to cancel when the one time we canceled

587
00:26:47,400 --> 00:26:49,959
Speaker 2: the taping is because you were sick and I think

588
00:26:50,040 --> 00:26:51,639
Speaker 2: it was your storyline.

589
00:26:51,200 --> 00:26:51,960
Speaker 1: Was my storyline?

590
00:26:51,960 --> 00:26:54,400
Speaker 2: We couldn't do it, couldn't do it. Dang it, man.

591
00:26:55,040 --> 00:26:56,800
Speaker 3: I actually just wanted to pull a diva moment. I

592
00:26:56,840 --> 00:26:57,320
Speaker 3: was like seven.

593
00:26:57,440 --> 00:27:01,320
Speaker 1: I was like with they were how I would never

594
00:27:01,359 --> 00:27:04,320
Speaker 1: do that? Yeah, yeah, I'm not coming out of my drana.

595
00:27:04,600 --> 00:27:10,400
Speaker 2: Yeah, such a diva. So over in Stephanie and Michelle's

596
00:27:10,480 --> 00:27:14,359
Speaker 2: room again, this is so many decorated no no, no, no,

597
00:27:14,480 --> 00:27:16,520
Speaker 2: no nice you can just move the furniture. Too many

598
00:27:16,560 --> 00:27:18,920
Speaker 2: reveals in one episode. You know, I got it time,

599
00:27:19,040 --> 00:27:21,240
Speaker 2: gotta give it time. Yeah, the bud the budget was blown.

600
00:27:22,040 --> 00:27:24,320
Speaker 1: They're like, sorry, Steph, you got to live in the

601
00:27:24,320 --> 00:27:26,480
Speaker 1: bathroom again because we blew it all on a two

602
00:27:26,520 --> 00:27:29,280
Speaker 1: hundred thousand dollars studio. In your sister's room. So at

603
00:27:29,320 --> 00:27:30,879
Speaker 1: least they got their priority straight.

604
00:27:31,119 --> 00:27:35,119
Speaker 2: What about a tent, Steph, do you think, yes, you

605
00:27:35,200 --> 00:27:38,800
Speaker 2: are the middle child through and through, you know, just

606
00:27:39,160 --> 00:27:42,960
Speaker 2: always getting the Yeah, you just the middle child.

607
00:27:43,240 --> 00:27:43,480
Speaker 1: Yep.

608
00:27:44,040 --> 00:27:47,080
Speaker 2: Uh so, yes, the girls are moving their stuff around,

609
00:27:47,119 --> 00:27:52,200
Speaker 2: they're settling into their shared space and stuff boasts. Living

610
00:27:52,240 --> 00:27:53,960
Speaker 2: on this side of the room is going to be

611
00:27:54,040 --> 00:27:57,680
Speaker 2: so cool. I got the cool window, the cool closet,

612
00:27:57,960 --> 00:28:01,320
Speaker 2: and the cool mirror to look at my cool self.

613
00:28:01,720 --> 00:28:02,800
Speaker 1: In that cool outfit.

614
00:28:03,080 --> 00:28:06,080
Speaker 2: That was adorable, that hot pink little number with that

615
00:28:06,160 --> 00:28:07,200
Speaker 2: floral collar.

616
00:28:07,440 --> 00:28:11,200
Speaker 3: That collar is jigants flying none.

617
00:28:11,480 --> 00:28:12,760
Speaker 2: Yeah, it's huge.

618
00:28:12,880 --> 00:28:15,439
Speaker 3: I could take off. I could just fly it was.

619
00:28:15,560 --> 00:28:18,320
Speaker 2: It was so but the matching shorts like it was

620
00:28:18,680 --> 00:28:19,840
Speaker 2: very spongey.

621
00:28:20,240 --> 00:28:21,040
Speaker 3: Yeah, the whole thing.

622
00:28:21,119 --> 00:28:23,640
Speaker 2: I could see you wearing this in real life too,

623
00:28:23,720 --> 00:28:25,760
Speaker 2: because right, that was just something you would wear.

624
00:28:26,080 --> 00:28:27,760
Speaker 1: It was something Jane Sweton would have picked it.

625
00:28:28,240 --> 00:28:31,159
Speaker 2: Yes, that's what it is, correction is something Jannae Sweeten

626
00:28:31,200 --> 00:28:35,400
Speaker 2: picked out. Yeah, so Steph grins. She gives a little

627
00:28:35,440 --> 00:28:38,600
Speaker 2: wave to herself in the mirror. Her confidence is just unmatched.

628
00:28:38,640 --> 00:28:42,280
Speaker 2: I love that about her. Michelle walks over hugging a

629
00:28:42,360 --> 00:28:46,920
Speaker 2: giant plush bear. I'm cool too, look at this, and

630
00:28:46,920 --> 00:28:50,680
Speaker 2: Stephanie face drops. You are not hanging Barney the bear

631
00:28:50,840 --> 00:28:54,480
Speaker 2: in my room. It's my room too, Michelle retorts, and

632
00:28:54,480 --> 00:28:57,400
Speaker 2: Stephanie shrugs with a smile. Yes it is, and I

633
00:28:57,440 --> 00:29:00,760
Speaker 2: have the perfect spot to hang Barney. She grabs the

634
00:29:00,760 --> 00:29:03,880
Speaker 2: bear and stuffs him into the closet, saying he can hibernate.

635
00:29:03,920 --> 00:29:08,040
Speaker 2: They are all winter. Michelle narrows her eyes. Is this

636
00:29:08,080 --> 00:29:13,480
Speaker 2: a trick? And Stephanie raises her arms. Michelle, bubby, baby,

637
00:29:13,600 --> 00:29:16,760
Speaker 2: would I trick you? Except you're not saying but what

638
00:29:16,760 --> 00:29:21,440
Speaker 2: are you saying? Booby booby booby booby booby. It's like

639
00:29:21,680 --> 00:29:24,160
Speaker 2: a Yiddish word, yeah, booby, Yiddish word. But I was

640
00:29:24,240 --> 00:29:26,640
Speaker 2: just like boo, not booby and not bubby.

641
00:29:26,880 --> 00:29:30,760
Speaker 1: Is it bubby booby booby booby bob it's a shortened

642
00:29:30,840 --> 00:29:34,200
Speaker 1: kind of Oh, it's a not yeah, you know, a booby.

643
00:29:34,240 --> 00:29:39,280
Speaker 2: Both, And I'm like bobby a funny bit. So just

644
00:29:39,320 --> 00:29:42,480
Speaker 2: then Danny enters. He asks Stephanie if she heard DJ

645
00:29:42,640 --> 00:29:46,600
Speaker 2: mention anything that might be bothering her. Steph reminds him, Dad,

646
00:29:46,840 --> 00:29:50,000
Speaker 2: I live with a kindergarten kid. Now. The only hot rumors.

647
00:29:50,000 --> 00:29:52,280
Speaker 2: I hear are who put their water who put their

648
00:29:52,280 --> 00:29:53,600
Speaker 2: mouth on the water fountain?

649
00:29:53,960 --> 00:29:56,920
Speaker 3: You who put their water fountain on the mouth right?

650
00:29:59,080 --> 00:30:03,440
Speaker 2: Just hoist it up there, right, yeah? Then Michelle pipes up, Daddy,

651
00:30:03,600 --> 00:30:06,920
Speaker 2: could you put Barney over my bed? And Danny crouches

652
00:30:06,920 --> 00:30:09,600
Speaker 2: to her level. You bet I can, Honey, I'll tack

653
00:30:09,680 --> 00:30:12,120
Speaker 2: him right up over here where nobody can miss him.

654
00:30:12,760 --> 00:30:16,400
Speaker 2: Thrilled is so mad right now. As he hangs the

655
00:30:16,400 --> 00:30:18,960
Speaker 2: bear near Michelle's bed, he mimics Barney in a high

656
00:30:18,960 --> 00:30:24,280
Speaker 2: pitched voice. Careful, Danny, careful, thank you Danny. That felt good, boy.

657
00:30:24,480 --> 00:30:25,360
Speaker 3: That was a bob ddition.

658
00:30:26,160 --> 00:30:31,440
Speaker 2: That was a bob ad lib. Michelle is so happy,

659
00:30:31,480 --> 00:30:35,120
Speaker 2: she's beaming. Don't you think Barney looks cool? And Danny

660
00:30:35,160 --> 00:30:38,880
Speaker 2: nods in agreement before walking out. Then Michelle turns to

661
00:30:38,880 --> 00:30:45,160
Speaker 2: Stephanie with a smirk. I know some tricks too, Booby Booby,

662
00:30:45,280 --> 00:30:48,160
Speaker 2: Booby Bubby booby, but I'm just gonna call you Booby

663
00:30:48,200 --> 00:30:49,560
Speaker 2: for the rest of this episode.

664
00:30:50,360 --> 00:30:50,960
Speaker 3: Be the first time.

665
00:30:52,000 --> 00:30:54,200
Speaker 2: Now, I didn't think this Barney the Bear was so bad.

666
00:30:54,240 --> 00:30:56,240
Speaker 2: I kept picturing Barney the Purple Dinosaur.

667
00:30:56,400 --> 00:30:59,000
Speaker 1: I think this was I was this pre this is

668
00:30:59,200 --> 00:31:01,040
Speaker 1: pre Barney. Yeah.

669
00:31:01,080 --> 00:31:03,680
Speaker 2: God, think of the timeline we could have had. This

670
00:31:03,720 --> 00:31:04,960
Speaker 2: could have been existed in.

671
00:31:04,920 --> 00:31:07,680
Speaker 1: This universe and Barney the Purple Dinosaur never came out.

672
00:31:07,880 --> 00:31:10,200
Speaker 2: Yeah, Matt, So I was like, this, Barney the.

673
00:31:10,200 --> 00:31:12,760
Speaker 1: Bear wouldn't be where we are today if that happened. Oh,

674
00:31:14,200 --> 00:31:16,280
Speaker 1: so really trace everything back to that.

675
00:31:17,000 --> 00:31:20,720
Speaker 2: Yes, begunness for this Barney the Bear because he is

676
00:31:20,800 --> 00:31:26,360
Speaker 2: just yeah, a completely different world. Yes. So. Over in

677
00:31:26,440 --> 00:31:30,160
Speaker 2: DJ's room, we see Danny carrying a laundry basket and

678
00:31:30,240 --> 00:31:33,720
Speaker 2: knocks on DJ's door before walking in. He looks around

679
00:31:33,840 --> 00:31:36,440
Speaker 2: and there's no sign of DJ, so he steps further

680
00:31:36,480 --> 00:31:40,280
Speaker 2: into the room while just casually whistling. He's head straight

681
00:31:40,280 --> 00:31:43,600
Speaker 2: for the dresser where the card is hidden. Just as

682
00:31:43,600 --> 00:31:46,120
Speaker 2: he's about to read the mysterious note, Michelle walks in.

683
00:31:46,520 --> 00:31:49,200
Speaker 2: She startles Danny and he quickly stuffs the card behind

684
00:31:49,200 --> 00:31:52,880
Speaker 2: his back to avoid suspicion, but Michelle questions, what are

685
00:31:52,880 --> 00:31:56,640
Speaker 2: you doing. Oh, I'm just putting away some laundry, honey,

686
00:31:56,720 --> 00:32:00,440
Speaker 2: Danny replies, trying to play it off cool, but Michelle

687
00:32:00,440 --> 00:32:05,280
Speaker 2: reminds him laundry day is Monday. Danny stammers, yeah, well

688
00:32:05,360 --> 00:32:07,600
Speaker 2: I switched it with dustin day, you know, just to

689
00:32:07,680 --> 00:32:11,120
Speaker 2: keep life exciting. Michelle gives him a dramatic eye roll

690
00:32:11,680 --> 00:32:15,200
Speaker 2: okay and walks away, and the audience loves it. They

691
00:32:15,440 --> 00:32:19,360
Speaker 2: applaud this was a funny little eye roll that she did.

692
00:32:19,480 --> 00:32:20,320
Speaker 1: It was very cute.

693
00:32:22,320 --> 00:32:25,400
Speaker 2: Back in the kitchen, Jesse stands under the staircase holding

694
00:32:25,440 --> 00:32:28,440
Speaker 2: a red light bulb while Becky and Joey watch him closely,

695
00:32:29,160 --> 00:32:32,880
Speaker 2: observe very carefully. Jesse instructs as he screws in the

696
00:32:32,960 --> 00:32:36,840
Speaker 2: light bulb. After the job is done, Becky sarcastically admits, Oh,

697
00:32:36,960 --> 00:32:39,240
Speaker 2: I only wish the twins were born. They would be

698
00:32:39,360 --> 00:32:44,200
Speaker 2: so proud of their dad. Jesse demands some respect. Come on,

699
00:32:44,520 --> 00:32:46,720
Speaker 2: this is very important to me. When the red light

700
00:32:46,840 --> 00:32:49,200
Speaker 2: is on, it means I'm recording and I'm not to

701
00:32:49,240 --> 00:32:53,960
Speaker 2: be disturbed for anything whatsoever. Joey raises an eyebrow. What

702
00:32:54,000 --> 00:32:58,760
Speaker 2: if Godzilla attacks like those old Japanese movies, He growls,

703
00:32:58,920 --> 00:32:59,440
Speaker 2: what if?

704
00:33:00,080 --> 00:33:03,200
Speaker 1: What have we? He imitates these movies.

705
00:33:03,200 --> 00:33:06,280
Speaker 2: Godzilla is attacking, we must inform Jesse, and then he

706
00:33:06,360 --> 00:33:08,480
Speaker 2: keeps his mouth moving to illustrate that it's a dubbed

707
00:33:08,480 --> 00:33:15,160
Speaker 2: film that he's imitating. Then he panically responds back to himself,

708
00:33:15,200 --> 00:33:18,160
Speaker 2: we can't. The red light is on. Jesse tries to

709
00:33:18,240 --> 00:33:20,840
Speaker 2: keep a straight face and he points a finger at Joey.

710
00:33:21,240 --> 00:33:25,960
Speaker 2: You are the mother of all idiots. He heads downstairs

711
00:33:26,000 --> 00:33:30,600
Speaker 2: and Joey trails after him. In the basement, Joey looks

712
00:33:30,640 --> 00:33:33,520
Speaker 2: around at the new equipment and admits Jess, this is

713
00:33:33,560 --> 00:33:36,840
Speaker 2: a big moment, and Jesse nods taking it in, I know,

714
00:33:37,520 --> 00:33:42,520
Speaker 2: the first time working in my new studio, and Joey clarifies, No,

715
00:33:42,680 --> 00:33:45,280
Speaker 2: I'm talking about our partnership. You and I were in

716
00:33:45,320 --> 00:33:48,560
Speaker 2: the ad business together for three years, and now you're

717
00:33:48,560 --> 00:33:51,440
Speaker 2: committed to your music. I'm going back to my comedy

718
00:33:51,440 --> 00:33:53,720
Speaker 2: full time. It's the end of an era.

719
00:33:54,880 --> 00:33:58,080
Speaker 1: But didn't they quit the music and the comedy because

720
00:33:58,080 --> 00:33:59,520
Speaker 1: they weren't doing well in it?

721
00:33:59,760 --> 00:34:04,120
Speaker 2: Right, That's why they started the ad The ad well, three.

722
00:34:04,040 --> 00:34:06,160
Speaker 1: Years of the ad business, I mean it's like thirty

723
00:34:06,320 --> 00:34:07,880
Speaker 1: you know, three years?

724
00:34:08,320 --> 00:34:10,399
Speaker 3: Did they even family need? It's three years? They can

725
00:34:10,400 --> 00:34:11,680
Speaker 3: make a mountain of money.

726
00:34:12,239 --> 00:34:14,560
Speaker 2: Yeah, did they even do an ad campaign after those

727
00:34:14,560 --> 00:34:17,120
Speaker 2: singing kittens like? I don't like the pump was.

728
00:34:17,120 --> 00:34:18,640
Speaker 3: The biggest ad campaign of the late eadies.

729
00:34:18,640 --> 00:34:22,760
Speaker 1: I don't know if you remember it won awards's huge.

730
00:34:22,920 --> 00:34:26,799
Speaker 2: There were no storylines really after that, maybe one two. Like,

731
00:34:26,960 --> 00:34:28,920
Speaker 2: I was just like, what happened to this? I thought,

732
00:34:29,200 --> 00:34:31,160
Speaker 2: you're right. They did the ad. They did the ads

733
00:34:31,160 --> 00:34:34,040
Speaker 2: because the music in the comedy wasn't we didn't.

734
00:34:34,120 --> 00:34:37,480
Speaker 3: Jesse also just lose his recording thing. He was like

735
00:34:37,560 --> 00:34:39,600
Speaker 3: on tour and then they were like yeah, no he yeah.

736
00:34:39,640 --> 00:34:42,320
Speaker 2: He went on tour, was very successful, and then Megan

737
00:34:42,320 --> 00:34:43,120
Speaker 2: couldn't land.

738
00:34:42,920 --> 00:34:44,839
Speaker 3: It, couldn't land a music job.

739
00:34:44,960 --> 00:34:46,880
Speaker 2: So now he's got it now he built a studio.

740
00:34:46,880 --> 00:34:50,520
Speaker 2: I was like, I'll show you right, it's really all

741
00:34:50,560 --> 00:34:51,520
Speaker 2: about Jesse's ego.

742
00:34:51,600 --> 00:34:54,040
Speaker 1: Fascinating all it's about.

743
00:34:54,760 --> 00:34:58,279
Speaker 2: So then Joey dramatically grabs Jesse's face and shouts, oh

744
00:34:58,440 --> 00:35:02,800
Speaker 2: miss you man. He tells him to step out of it. Joey, please, Joseph,

745
00:35:02,840 --> 00:35:05,160
Speaker 2: get a grip. We live in the same house. We'll

746
00:35:05,160 --> 00:35:08,760
Speaker 2: see each other now, run along upstairs. He gestures towards

747
00:35:08,800 --> 00:35:11,520
Speaker 2: the stairs and reminds Joey of his rule. The red

748
00:35:11,600 --> 00:35:13,880
Speaker 2: light is on, which means I am not to be disturbed.

749
00:35:13,960 --> 00:35:16,319
Speaker 2: Go go go go, I love you, I miss you.

750
00:35:16,360 --> 00:35:19,399
Speaker 2: Go ahead, go okay, fine, I can take a hint.

751
00:35:19,520 --> 00:35:22,600
Speaker 2: Joey sighs. I have a very full and busy life

752
00:35:22,640 --> 00:35:25,520
Speaker 2: of my own. I'll just go upstairs, make some nachos

753
00:35:25,640 --> 00:35:28,960
Speaker 2: and get ready for a little Yogi Bear because he

754
00:35:29,040 --> 00:35:32,000
Speaker 2: needs a job. Right, No, he's working on his comedy.

755
00:35:32,000 --> 00:35:34,080
Speaker 2: This is how he does it. Nachos and Yogi Bear.

756
00:35:35,280 --> 00:35:37,680
Speaker 2: Then Joey grabs the doorknob and he yanks it off

757
00:35:37,719 --> 00:35:38,879
Speaker 2: the door completely.

758
00:35:39,600 --> 00:35:40,279
Speaker 3: Have you ever done that?

759
00:35:41,440 --> 00:35:44,160
Speaker 2: Yeah, you did it at nineties, Gone with the bathroom

760
00:35:44,280 --> 00:35:48,120
Speaker 2: you I did the thing right off. We couldn't get

761
00:35:48,120 --> 00:35:50,279
Speaker 2: out of the bathroom.

762
00:35:51,080 --> 00:35:51,480
Speaker 3: That's right.

763
00:35:51,560 --> 00:35:53,560
Speaker 1: We were in there together, weren't well, yes, and you

764
00:35:53,640 --> 00:35:54,680
Speaker 1: pulled the door thick.

765
00:35:54,760 --> 00:35:55,839
Speaker 3: The door handled right off.

766
00:35:55,840 --> 00:35:58,520
Speaker 2: We had to wait for someone to come in so.

767
00:35:58,480 --> 00:36:00,080
Speaker 3: We could get out, right We.

768
00:36:00,080 --> 00:36:01,960
Speaker 1: Were banging on the door from the inside.

769
00:36:02,600 --> 00:36:06,200
Speaker 2: This was a fulast episode. We recreated it without even.

770
00:36:06,080 --> 00:36:08,440
Speaker 3: I remembered being in there, but I forgot you were

771
00:36:08,480 --> 00:36:10,080
Speaker 3: in there. We like went to the bathroom.

772
00:36:10,080 --> 00:36:12,400
Speaker 1: It was like one of those big, like handicapped single stalls,

773
00:36:12,400 --> 00:36:13,719
Speaker 1: and I was like touching up, mego whatever.

774
00:36:13,719 --> 00:36:15,080
Speaker 3: We're like, okay, we go and.

775
00:36:15,040 --> 00:36:16,240
Speaker 1: We went out and was like chunk.

776
00:36:16,440 --> 00:36:18,480
Speaker 2: It was like oh no, yeah, We're like crap, you're

777
00:36:18,480 --> 00:36:20,400
Speaker 2: living here now, frest Line, right now.

778
00:36:20,239 --> 00:36:25,239
Speaker 1: We're missing things. Yeah, well luckily we weren't in an

779
00:36:25,239 --> 00:36:27,000
Speaker 1: incredibly sound proof studio.

780
00:36:27,239 --> 00:36:29,520
Speaker 2: Oh so yeah, and it was there were lots of people,

781
00:36:29,600 --> 00:36:32,680
Speaker 2: Like someone came around, I mean and they were like,

782
00:36:32,719 --> 00:36:33,239
Speaker 2: what did you do?

783
00:36:33,480 --> 00:36:35,480
Speaker 3: And I just handed them the door handle. Like I

784
00:36:35,520 --> 00:36:36,040
Speaker 3: walked up.

785
00:36:36,000 --> 00:36:36,920
Speaker 2: To one of the people.

786
00:36:36,680 --> 00:36:39,600
Speaker 3: Working there and I was like, Hi, I don't know

787
00:36:39,640 --> 00:36:40,320
Speaker 3: where you want.

788
00:36:40,200 --> 00:36:42,920
Speaker 1: Me to put this, but we like go to that

789
00:36:43,000 --> 00:36:45,560
Speaker 1: bathroom or something, right, so we like we have to go.

790
00:36:45,640 --> 00:36:46,680
Speaker 2: We're late for the panel.

791
00:36:46,840 --> 00:36:47,279
Speaker 3: We have to go.

792
00:36:47,360 --> 00:36:48,360
Speaker 1: But here's a door handle.

793
00:36:49,880 --> 00:36:53,440
Speaker 2: So awkward, so awkward, and that's so on brand for

794
00:36:53,480 --> 00:36:53,879
Speaker 2: you joke.

795
00:36:56,239 --> 00:36:58,000
Speaker 1: Yeah, it was like the time I got myself stuck

796
00:36:58,000 --> 00:36:59,839
Speaker 1: in a bathroom on set and they had to come

797
00:36:59,840 --> 00:37:00,719
Speaker 1: and break the door down.

798
00:37:00,960 --> 00:37:03,000
Speaker 3: It's happened on the last the Lifetime movie I was on.

799
00:37:03,120 --> 00:37:07,360
Speaker 1: Oh really yeah, yeah, Jody got stuck in the bathroom

800
00:37:07,440 --> 00:37:10,280
Speaker 1: in the house that we're shooting in in this like upstairs,

801
00:37:10,280 --> 00:37:12,880
Speaker 1: oh dear. And I shut the door and it was

802
00:37:12,920 --> 00:37:15,279
Speaker 1: an old house, so like the doorframe kind of it

803
00:37:15,360 --> 00:37:17,040
Speaker 1: like wouldn't quite shut. And I was like I can

804
00:37:17,120 --> 00:37:21,360
Speaker 1: do it, and I wedged it shut and then that

805
00:37:21,520 --> 00:37:23,759
Speaker 1: was it and I and then the door handles spin

806
00:37:23,840 --> 00:37:26,520
Speaker 1: it and I'm like, oh no, and they're shooting so

807
00:37:26,600 --> 00:37:27,520
Speaker 1: and so I'm like, I don't I.

808
00:37:27,480 --> 00:37:29,600
Speaker 3: Can't hear when appropriate time.

809
00:37:29,680 --> 00:37:30,960
Speaker 2: There's no red light in that bathroom.

810
00:37:31,000 --> 00:37:32,520
Speaker 1: There's a red light in the bathroom, and I can't.

811
00:37:32,520 --> 00:37:34,480
Speaker 1: So I'm like I wait for everyone to like hear everybody,

812
00:37:34,480 --> 00:37:39,120
Speaker 1: and then I'm like hello, when becomes the door like hello,

813
00:37:39,440 --> 00:37:43,040
Speaker 1: I was like, I'm stuck. It's Jody. And they were like,

814
00:37:43,080 --> 00:37:45,840
Speaker 1: oh good god, Jody's stuck in the bathroom.

815
00:37:46,239 --> 00:37:48,200
Speaker 2: The talent is stuck in the bathroom. We need to

816
00:37:48,200 --> 00:37:54,560
Speaker 2: get her out. Yeah, oh Jody, this is becoming a trend.

817
00:37:54,560 --> 00:37:56,640
Speaker 2: Never go to the bathroom alone. That's is This is

818
00:37:56,640 --> 00:37:57,239
Speaker 2: the lesson for you.

819
00:37:57,360 --> 00:37:58,480
Speaker 3: This is why we're go in groups.

820
00:37:58,520 --> 00:38:02,120
Speaker 1: That's my girl's going groups. You're going to do so.

821
00:38:02,239 --> 00:38:06,400
Speaker 2: Joey nervously shows Jesse their little problem, but Jesse frowns,

822
00:38:06,600 --> 00:38:10,360
Speaker 2: that's impossible. I installed it myself, and Joey has the

823
00:38:10,360 --> 00:38:14,520
Speaker 2: opposite reaction, saying, oh, well, that explains it. Jesse swipes

824
00:38:14,520 --> 00:38:16,279
Speaker 2: the knob from him and he tries to wedge it

825
00:38:16,360 --> 00:38:19,759
Speaker 2: back into the door. To no avail. Joey suggests they

826
00:38:19,800 --> 00:38:22,279
Speaker 2: yell for help, and he asks did you sound proof

827
00:38:22,320 --> 00:38:26,480
Speaker 2: this room yourself? And Jesse nods yes, so Joey responds, Oh, great,

828
00:38:26,480 --> 00:38:30,439
Speaker 2: then they'll hear us burn but not. You know, he's

829
00:38:30,440 --> 00:38:31,920
Speaker 2: not wrong, he's not wrong.

830
00:38:32,920 --> 00:38:36,080
Speaker 1: Can you imagine if you had a basement studio in

831
00:38:36,120 --> 00:38:37,120
Speaker 1: that house.

832
00:38:37,719 --> 00:38:41,359
Speaker 3: You'd hear it. You'd hear it all the way through

833
00:38:41,400 --> 00:38:42,600
Speaker 3: the gigantic backyard.

834
00:38:42,719 --> 00:38:43,799
Speaker 1: Yeah, you'd hear Kimmy.

835
00:38:43,840 --> 00:38:45,960
Speaker 2: The Gibblers can hear it from you from their house

836
00:38:46,000 --> 00:38:49,319
Speaker 2: from two miles away. In the kitchen, Danny walks in

837
00:38:49,840 --> 00:38:53,040
Speaker 2: and asks Becky if the guys are downstairs. She says yes,

838
00:38:53,080 --> 00:38:55,400
Speaker 2: but stops him before he can go down, explaining that

839
00:38:55,440 --> 00:38:58,719
Speaker 2: the red light's on and that means they're recording. Sure enough,

840
00:38:58,760 --> 00:39:02,320
Speaker 2: Danny can hear them through the soundproof walls shouting help.

841
00:39:02,640 --> 00:39:03,040
Speaker 3: Help.

842
00:39:03,680 --> 00:39:06,600
Speaker 2: He tells Becky, Oh, they're doing the Beatles song Help

843
00:39:08,080 --> 00:39:08,839
Speaker 2: I left out loud.

844
00:39:08,840 --> 00:39:10,200
Speaker 1: That was a good one.

845
00:39:09,520 --> 00:39:13,600
Speaker 2: That was a really good one. And then Danny asks

846
00:39:13,640 --> 00:39:17,360
Speaker 2: Becky for some advice. He explains DJ's having a mega

847
00:39:17,400 --> 00:39:20,600
Speaker 2: crisis and she won't talk to me about it. Becky

848
00:39:20,680 --> 00:39:23,560
Speaker 2: raises an eyebrow if DJ won't talk about it, how

849
00:39:23,560 --> 00:39:27,160
Speaker 2: do you know she's having a mega crisis. Danny admits, well,

850
00:39:27,200 --> 00:39:29,120
Speaker 2: I saw the card in her sock drawer while I

851
00:39:29,200 --> 00:39:32,080
Speaker 2: was putting away the laundry, and Becky shoots him a

852
00:39:32,080 --> 00:39:36,880
Speaker 2: puzzled look. It's not Monday. Danny admits, okay, I was snooping,

853
00:39:37,239 --> 00:39:39,400
Speaker 2: but it's driving me nuts that she won't talk to me.

854
00:39:40,360 --> 00:39:43,280
Speaker 2: On cue, DJ and Kimmy walk in, and DJ quickly says,

855
00:39:43,440 --> 00:39:45,960
Speaker 2: see you later, dad. I'm going over to Kimmy's, but

856
00:39:46,080 --> 00:39:49,200
Speaker 2: Danny tries to stop her. Wait before you go. I

857
00:39:49,239 --> 00:39:51,600
Speaker 2: have this feeling you've got a problem and you're not

858
00:39:51,719 --> 00:39:55,720
Speaker 2: sharing it with me. DJ fakes a smile. There's no problem, Kimmy.

859
00:39:55,760 --> 00:39:59,480
Speaker 2: Do I have a problem. Kimmy hesitates, well, your dad

860
00:39:59,520 --> 00:40:01,399
Speaker 2: is kind of non I.

861
00:40:01,360 --> 00:40:04,759
Speaker 1: Mean, yeah, yeah, kind of give me.

862
00:40:04,760 --> 00:40:12,040
Speaker 2: It's full of these singers unrelenting this episode. DJ just

863
00:40:12,160 --> 00:40:15,560
Speaker 2: gives them a wave and assures I'm fine, gotta run bye.

864
00:40:16,200 --> 00:40:18,799
Speaker 2: As the girls run out, Danny turns to Becky. Did

865
00:40:18,800 --> 00:40:21,040
Speaker 2: you see that she lied right to my face?

866
00:40:21,840 --> 00:40:22,600
Speaker 1: She's a teenager.

867
00:40:22,920 --> 00:40:29,120
Speaker 2: Yeah, that's what they do. They're professional liars. Becky responds, well,

868
00:40:29,160 --> 00:40:32,239
Speaker 2: I hate to get technical, but you lied to you

869
00:40:32,320 --> 00:40:36,480
Speaker 2: never mentioned your little raid on her sock drawer. Danny size,

870
00:40:36,520 --> 00:40:39,000
Speaker 2: what's happening to me and DJ? We used to be

871
00:40:39,080 --> 00:40:42,000
Speaker 2: so close. I feel like I'm losing my little girl.

872
00:40:44,080 --> 00:40:46,560
Speaker 1: I will say this is definitely something that dads go through.

873
00:40:47,200 --> 00:40:50,280
Speaker 1: I know both my girls. Yeah, the dads have struggled

874
00:40:50,280 --> 00:40:50,520
Speaker 1: with it.

875
00:40:51,320 --> 00:40:52,920
Speaker 2: They're not They're not struggling.

876
00:40:53,280 --> 00:40:55,280
Speaker 1: Come on the hangout and I'm like, they don't want.

877
00:40:55,120 --> 00:40:57,320
Speaker 2: To haut, they just want.

878
00:40:58,920 --> 00:40:59,560
Speaker 3: You're lame.

879
00:40:59,760 --> 00:41:02,680
Speaker 1: I like they're all late over like twenty five is

880
00:41:02,719 --> 00:41:03,200
Speaker 1: super late.

881
00:41:03,320 --> 00:41:05,719
Speaker 2: Yes, super lame. They come back around. I hear they'll

882
00:41:05,719 --> 00:41:06,560
Speaker 2: come back around.

883
00:41:06,320 --> 00:41:09,640
Speaker 3: With I said, just letter, just let her be, you know.

884
00:41:09,840 --> 00:41:10,240
Speaker 1: Yeah.

885
00:41:10,320 --> 00:41:11,719
Speaker 2: Yeah, well, I think, but it is hard.

886
00:41:11,920 --> 00:41:12,440
Speaker 3: It is hard.

887
00:41:12,600 --> 00:41:15,360
Speaker 2: They're kind of like you don't adore me, you know,

888
00:41:15,640 --> 00:41:18,279
Speaker 2: like you well, I think that you know what I think.

889
00:41:18,320 --> 00:41:19,759
Speaker 3: And I went through this to do with my dad.

890
00:41:19,840 --> 00:41:23,839
Speaker 1: I think like Dad's kind of they struggle once their

891
00:41:24,080 --> 00:41:27,319
Speaker 1: daughters are like teenagers and becoming more like people and

892
00:41:27,400 --> 00:41:30,120
Speaker 1: not daddy's little girl or little pal or little you

893
00:41:30,120 --> 00:41:30,560
Speaker 1: know what I mean.

894
00:41:30,560 --> 00:41:32,759
Speaker 2: They're not like little Yeah.

895
00:41:32,840 --> 00:41:36,279
Speaker 1: I think a lot of dads, you know, to be fair,

896
00:41:36,360 --> 00:41:40,680
Speaker 1: aren't really taught or raised how to like talk to

897
00:41:41,160 --> 00:41:43,319
Speaker 1: teenage girls and young women and what you know, and

898
00:41:43,360 --> 00:41:46,719
Speaker 1: be emotional or be you know whatever. And yeah, I

899
00:41:46,760 --> 00:41:49,759
Speaker 1: definitely it's like Dad's kind of go, oh, you're not

900
00:41:50,640 --> 00:41:52,239
Speaker 1: little anymore. I don't. I don't.

901
00:41:52,440 --> 00:41:53,920
Speaker 3: We were pals, we were buddies.

902
00:41:54,080 --> 00:41:57,160
Speaker 2: Yeah. Yeah. Well, and just also that age they're starting

903
00:41:57,160 --> 00:41:59,399
Speaker 2: to go through changes that oh my god, guys aren't

904
00:41:59,400 --> 00:42:02,920
Speaker 2: comfortable with the girls aren't talking about it. They yeah, so,

905
00:42:03,080 --> 00:42:05,040
Speaker 2: oh yeah, there's a lot. There's a lot working against

906
00:42:05,080 --> 00:42:09,279
Speaker 2: the dads here, sure, for sure. So in the living room,

907
00:42:09,520 --> 00:42:12,440
Speaker 2: DJ throws on her jacket and tells Kimmy, we need

908
00:42:12,480 --> 00:42:14,799
Speaker 2: a plan to get people to stop saying I'm a

909
00:42:14,800 --> 00:42:18,440
Speaker 2: bad kisser. Kimmy suggests just make out with every guy

910
00:42:18,480 --> 00:42:22,399
Speaker 2: at school until they change their minds. I mean, that's

911
00:42:22,480 --> 00:42:23,000
Speaker 2: one method.

912
00:42:23,080 --> 00:42:23,920
Speaker 1: That's one method.

913
00:42:25,640 --> 00:42:28,760
Speaker 2: Then Danny jogs indech Wait a second, I was just thinking,

914
00:42:29,360 --> 00:42:32,080
Speaker 2: you and I hardly have any time to hang out anymore.

915
00:42:32,320 --> 00:42:33,600
Speaker 2: What do you say we hang out tonight?

916
00:42:34,320 --> 00:42:35,000
Speaker 1: Not gonna happen.

917
00:42:35,600 --> 00:42:39,000
Speaker 2: DJ protests, Dad, I can't just hang out with you.

918
00:42:39,200 --> 00:42:42,480
Speaker 2: Kimmy and I have plans to do what Danny asks,

919
00:42:42,719 --> 00:42:47,160
Speaker 2: and she shrugs to hang out. Yeah, duh. Danny tries

920
00:42:47,200 --> 00:42:49,760
Speaker 2: to persuade her by telling her they can go bowling.

921
00:42:50,800 --> 00:42:54,200
Speaker 2: Oh boy, and Kimmy pipes up. G mister t that

922
00:42:54,360 --> 00:42:59,520
Speaker 2: sounds nifty. Are Wally and the beef coming too? This

923
00:42:59,560 --> 00:43:02,800
Speaker 2: is a good one I committed, you know, Yeah it

924
00:43:02,960 --> 00:43:06,120
Speaker 2: was great. Danny shoots another glare in her direction and

925
00:43:06,200 --> 00:43:10,319
Speaker 2: she quickly backtracks. Oh, one step too hard, too far later,

926
00:43:10,960 --> 00:43:15,920
Speaker 2: and Kimmy makes her exit. DJ size dad, I haven't

927
00:43:15,960 --> 00:43:19,400
Speaker 2: been bowling since my seventh birthday. But Danny reminds her

928
00:43:19,520 --> 00:43:23,560
Speaker 2: she loved it. DJ finally caves, Okay, if it means

929
00:43:23,600 --> 00:43:27,200
Speaker 2: that much to you, let's go bowling. Danny gives her

930
00:43:27,239 --> 00:43:29,480
Speaker 2: a big hug. That's my girl. Just let me get

931
00:43:29,520 --> 00:43:32,480
Speaker 2: my ball, my shoes, my corn protectors, and we're out

932
00:43:32,480 --> 00:43:34,120
Speaker 2: of here. Oh.

933
00:43:34,480 --> 00:43:35,520
Speaker 1: I didn't realize Danny was.

934
00:43:35,480 --> 00:43:38,960
Speaker 2: Such a bowler, but corn protectors. Wow, he really is

935
00:43:39,000 --> 00:43:44,319
Speaker 2: prepared for all scenarios. Yeah, I'm surprised DJ gave in

936
00:43:44,360 --> 00:43:45,680
Speaker 2: so quickly. Like normally my.

937
00:43:45,680 --> 00:43:48,279
Speaker 1: Kids, my kids would have been like out the door

938
00:43:48,360 --> 00:43:51,400
Speaker 1: and like you're so bame you never understand and then

939
00:43:51,600 --> 00:43:52,000
Speaker 1: get it.

940
00:43:52,080 --> 00:43:56,879
Speaker 2: Yeah, yeah, but you know the storyline has to work

941
00:43:56,920 --> 00:43:57,759
Speaker 2: so exactly.

942
00:43:57,840 --> 00:44:00,320
Speaker 1: Although now I do want to go bowling. Actually a

943
00:44:00,320 --> 00:44:02,400
Speaker 1: fun bowling spot by me, like one of those pins

944
00:44:02,600 --> 00:44:03,520
Speaker 1: places that does.

945
00:44:03,600 --> 00:44:04,719
Speaker 3: Yeah, yeah, I like.

946
00:44:04,840 --> 00:44:07,040
Speaker 2: I've always liked bowling. Bullyings always be cool. You know.

947
00:44:07,560 --> 00:44:11,000
Speaker 1: Well, I think it in like the like later nineties

948
00:44:11,040 --> 00:44:13,880
Speaker 1: once they made like cool bowling alleys like hands like

949
00:44:14,560 --> 00:44:14,920
Speaker 1: all the.

950
00:44:15,160 --> 00:44:18,040
Speaker 2: Yeah, nighttime bowling. Yeah, I think it's come back around.

951
00:44:18,040 --> 00:44:21,160
Speaker 2: So now the kids like going bowling these days. It's

952
00:44:21,320 --> 00:44:22,400
Speaker 2: the kids like going bowling.

953
00:44:22,520 --> 00:44:26,880
Speaker 1: The days have girl, you're wearing slip on shoes and birdwatching. Okay,

954
00:44:26,320 --> 00:44:29,800
Speaker 1: this is already leaned in do the old people's stuff,

955
00:44:29,920 --> 00:44:31,319
Speaker 1: so it's not the bowling shoes.

956
00:44:31,440 --> 00:44:33,080
Speaker 3: Remember bowling shoes were popular though.

957
00:44:33,360 --> 00:44:35,719
Speaker 1: Yeah, remember in nineties where everyone was like, you know what,

958
00:44:35,760 --> 00:44:38,120
Speaker 1: we should wear lounge shoes.

959
00:44:39,040 --> 00:44:41,880
Speaker 2: They were cute. It was just yeah, like those cute

960
00:44:41,920 --> 00:44:44,440
Speaker 2: little it was fashion back then. Now it was it was.

961
00:44:44,440 --> 00:44:47,359
Speaker 1: But they don't do anything for your feet. They don't

962
00:44:47,440 --> 00:44:48,640
Speaker 1: exactly support.

963
00:44:49,320 --> 00:44:51,560
Speaker 3: No, they make your feet look gigantic.

964
00:44:51,680 --> 00:44:53,160
Speaker 2: Yeah oh yeah, I.

965
00:44:53,080 --> 00:44:55,839
Speaker 3: Mean probably not yours because you have the tinese.

966
00:44:55,480 --> 00:44:58,120
Speaker 2: Feet in the world. But feet, but no, yeah, it's

967
00:44:58,200 --> 00:44:58,640
Speaker 2: it's hard.

968
00:44:58,719 --> 00:44:59,080
Speaker 3: It's hard.

969
00:44:59,120 --> 00:44:59,279
Speaker 1: For me.

970
00:44:59,320 --> 00:45:00,920
Speaker 2: I actually ended up. I ain't a pair of bowling

971
00:45:00,960 --> 00:45:07,160
Speaker 2: shoes right because they start I can't kids shoes started

972
00:45:07,200 --> 00:45:09,440
Speaker 2: a six. I'm a five, so I have to wear

973
00:45:09,520 --> 00:45:14,240
Speaker 2: kids shoes. So I finally, because sounds like this is oh,

974
00:45:14,280 --> 00:45:17,000
Speaker 2: so you also have your I haven't, I haven't.

975
00:45:17,040 --> 00:45:18,319
Speaker 3: This is all tracking.

976
00:45:22,040 --> 00:45:23,000
Speaker 1: I do.

977
00:45:23,000 --> 00:45:24,120
Speaker 3: Do you have corn protectors?

978
00:45:24,120 --> 00:45:25,759
Speaker 2: No, I've stopped short of the corn. But you know

979
00:45:25,920 --> 00:45:28,239
Speaker 2: it's not a bad idea. It's better than dealing with

980
00:45:28,280 --> 00:45:30,480
Speaker 2: the blisters and the corn later on. I might just

981
00:45:31,080 --> 00:45:33,360
Speaker 2: get some corn protectors. But no, no, no, I stopped.

982
00:45:33,360 --> 00:45:35,960
Speaker 1: You knock yourself out, do whatever you want. Can you

983
00:45:36,040 --> 00:45:37,680
Speaker 1: keep the corn protectors on when you're sliding your foot

984
00:45:37,680 --> 00:45:38,000
Speaker 1: in your shoe?

985
00:45:38,000 --> 00:45:38,120
Speaker 2: Though?

986
00:45:38,120 --> 00:45:38,440
Speaker 1: You know what I mean?

987
00:45:38,480 --> 00:45:39,919
Speaker 3: Is I gonna knock it out of place? Oh yeah,

988
00:45:40,000 --> 00:45:41,560
Speaker 3: I didn't think of slide on bowling shoes.

989
00:45:41,800 --> 00:45:43,000
Speaker 1: Yeah, that's your next step.

990
00:45:43,080 --> 00:45:45,080
Speaker 2: Okay, So I've got issues like next.

991
00:45:44,960 --> 00:45:47,200
Speaker 1: Birthday, your fiftieth birthday, I'm getting you slide on bowling

992
00:45:47,200 --> 00:45:50,400
Speaker 1: shoes that have tiny binoculars attached to the feet with

993
00:45:50,440 --> 00:45:55,160
Speaker 1: corn protectors. Yeah, yeah, with corn protectors built in. Happy birthday.

994
00:45:55,239 --> 00:46:05,560
Speaker 2: I can't wait. So in the girl's room, Steph is

995
00:46:05,640 --> 00:46:08,879
Speaker 2: eyeing Barney the Bear while organizing her room, and after

996
00:46:08,920 --> 00:46:10,920
Speaker 2: looking at the bear one too many times, she breaks,

997
00:46:11,080 --> 00:46:13,480
Speaker 2: I can't take it. That thing keeps looking at me.

998
00:46:14,040 --> 00:46:15,240
Speaker 1: Truly best.

999
00:46:15,680 --> 00:46:19,080
Speaker 2: Michelle smiles, that's because he likes you. Steph comes up

1000
00:46:19,080 --> 00:46:21,799
Speaker 2: with a plan, Michelle, here's a fun idea. How would

1001
00:46:21,840 --> 00:46:24,279
Speaker 2: you like to be in the Big Girls Club? And

1002
00:46:24,280 --> 00:46:26,960
Speaker 2: Michelle confidently states, I'm a big girl. I should be

1003
00:46:27,040 --> 00:46:30,719
Speaker 2: in that club. Steph responds, you'll love it. It even

1004
00:46:30,760 --> 00:46:34,000
Speaker 2: has a secret song. Michelle asks how does the song go?

1005
00:46:34,760 --> 00:46:37,400
Speaker 2: And Stephanie thinks on her toes and sings, I'm a

1006
00:46:37,400 --> 00:46:37,919
Speaker 2: big girl.

1007
00:46:37,960 --> 00:46:40,239
Speaker 1: You're yady.

1008
00:46:41,800 --> 00:46:47,560
Speaker 2: Yeah, it's it's not It's not quite as great as Dad, Dad, Dad.

1009
00:46:47,680 --> 00:46:51,640
Speaker 1: Dad's at the beginning of Steph's songwriting career.

1010
00:46:51,960 --> 00:46:54,360
Speaker 2: So yeah, yeah, this is where.

1011
00:46:54,360 --> 00:46:56,960
Speaker 3: Yeah, dad dad, and I'm a big girl and.

1012
00:46:56,920 --> 00:46:59,279
Speaker 2: I'm a big girl. This is where it all started. Yes,

1013
00:46:59,320 --> 00:47:03,160
Speaker 2: Stephanie's me is it career? So she points her fingers,

1014
00:47:03,239 --> 00:47:06,040
Speaker 2: wiggles her hips, and Michelle is thrilled. I like the

1015
00:47:06,040 --> 00:47:10,160
Speaker 2: little dance. Steph explains. To join the Big Girls Club,

1016
00:47:10,280 --> 00:47:12,520
Speaker 2: you need to get rid of all your baby stuff.

1017
00:47:13,040 --> 00:47:17,000
Speaker 2: Michelle asks, you mean, Barney, don't you, and Steph nods

1018
00:47:17,280 --> 00:47:21,439
Speaker 2: there's nothing more baby ish than a toy bear. Uh. Oh,

1019
00:47:21,800 --> 00:47:25,000
Speaker 2: you set yourself up for this. Oh girl, you don't

1020
00:47:25,040 --> 00:47:28,160
Speaker 2: know what you just said. Michelle gives a sad shrug

1021
00:47:28,640 --> 00:47:32,719
Speaker 2: and says, well, okay, nice knowing you Barney. Stephanie tries

1022
00:47:32,760 --> 00:47:35,560
Speaker 2: to be empathetic. I know this is painful, so I'll

1023
00:47:35,600 --> 00:47:39,000
Speaker 2: get rid of Barney for you. Michelle mirrors the empathy,

1024
00:47:39,360 --> 00:47:41,319
Speaker 2: and I'll get rid of mister Bear for you.

1025
00:47:42,800 --> 00:47:46,520
Speaker 3: To schee, yeah Tooche, makes sense. That's what you said.

1026
00:47:46,600 --> 00:47:49,560
Speaker 2: That's what you said. Toy bears are babyish. So she

1027
00:47:49,600 --> 00:47:52,000
Speaker 2: walks over to her older sister's bed and picks up

1028
00:47:52,000 --> 00:47:56,000
Speaker 2: mister Bear, but Steph immediately shouts freeze, drop the bear.

1029
00:47:57,200 --> 00:48:00,920
Speaker 2: Michelle does this, she's told, and Stephanie instructs now step

1030
00:48:00,960 --> 00:48:05,080
Speaker 2: away slowly. Michelle puts her hands up in surrender, reminding

1031
00:48:05,120 --> 00:48:08,200
Speaker 2: her sister of her previous words. You said, no toy

1032
00:48:08,239 --> 00:48:11,839
Speaker 2: bears in the Big Girls Club, but Stephanie argues, but

1033
00:48:11,840 --> 00:48:14,560
Speaker 2: mister Bear isn't a toy. He's a member of the family,

1034
00:48:15,360 --> 00:48:18,760
Speaker 2: so is Barney. Michelle insists he keeps the monsters away.

1035
00:48:19,480 --> 00:48:22,000
Speaker 2: Stuff looks around the room. There are no monsters in here,

1036
00:48:22,840 --> 00:48:25,880
Speaker 2: and Michelle responds, see, he's doing a good job.

1037
00:48:26,680 --> 00:48:29,040
Speaker 1: It's true. You can't prove that he's not right.

1038
00:48:29,400 --> 00:48:32,720
Speaker 2: Like she has a point, like Michelle really has thought

1039
00:48:32,719 --> 00:48:37,800
Speaker 2: this out logically. Steph lets out a sigh of defeat. Okay,

1040
00:48:38,000 --> 00:48:41,239
Speaker 2: the bear stays, are we still in the Big Girls Club?

1041
00:48:41,280 --> 00:48:46,160
Speaker 2: Michelle asks, yeah, yeah, whatever. Steph responds, and Michelle bounces

1042
00:48:46,239 --> 00:48:49,279
Speaker 2: up and down, singing the Big Girls song and tells Stephanie,

1043
00:48:49,600 --> 00:48:55,240
Speaker 2: I can't hear you. So Stephanie dejectedly joins in knowing

1044
00:48:55,280 --> 00:49:03,360
Speaker 2: her Oh darn it, your plot against Barney has failed,

1045
00:49:04,680 --> 00:49:09,280
Speaker 2: foiled by a five year old. Right down in the basement,

1046
00:49:09,840 --> 00:49:13,680
Speaker 2: Jesse and Joey are still stuck. Joey suggests let's get

1047
00:49:13,680 --> 00:49:17,400
Speaker 2: a running start and break the door down. Jesse insists

1048
00:49:17,440 --> 00:49:19,799
Speaker 2: that will never work. If we hit it at the

1049
00:49:19,840 --> 00:49:22,840
Speaker 2: exact same time, Joey says that door will pop right open,

1050
00:49:23,440 --> 00:49:26,200
Speaker 2: so Jesse caves, we both have to do it together,

1051
00:49:26,320 --> 00:49:29,000
Speaker 2: and it's got to be precise, all right. So I'll

1052
00:49:29,000 --> 00:49:35,000
Speaker 2: count the guys line up, and Jesse counts them down one, two, three, go,

1053
00:49:35,600 --> 00:49:38,080
Speaker 2: and they take off toward the door, but Joey stops

1054
00:49:38,080 --> 00:49:41,239
Speaker 2: to point out, Hey the light. This causes Jesse to

1055
00:49:41,320 --> 00:49:45,520
Speaker 2: slam his shoulder into the door all by himself. Joey explains,

1056
00:49:45,680 --> 00:49:48,560
Speaker 2: you left the light on, no wonder, nobody's come downstairs

1057
00:49:48,640 --> 00:49:50,520
Speaker 2: to get us. It's a good thing I caught that.

1058
00:49:51,360 --> 00:49:54,160
Speaker 2: And as soon as Joey turns the light off, Becky

1059
00:49:54,200 --> 00:49:57,520
Speaker 2: opens the door to tell them that lunch is ready.

1060
00:49:57,760 --> 00:50:00,359
Speaker 2: She admits, boy, I thought that red light would never

1061
00:50:00,440 --> 00:50:03,239
Speaker 2: go off. You guys are really working hard, Jess. I

1062
00:50:03,239 --> 00:50:06,279
Speaker 2: am very, very proud of you. She gives him a

1063
00:50:06,320 --> 00:50:10,759
Speaker 2: loving pat on his injured arm and leaves. Jesse gives

1064
00:50:10,800 --> 00:50:12,560
Speaker 2: her a pain smile and waits for her to leave

1065
00:50:12,600 --> 00:50:18,960
Speaker 2: before shouting out, oh Jesse, poor Jesse. Oh boy. This

1066
00:50:19,080 --> 00:50:21,040
Speaker 2: was a cute little BT storyline. Though I was cute,

1067
00:50:21,320 --> 00:50:23,960
Speaker 2: it was funny then getting John and Dave were great together.

1068
00:50:24,239 --> 00:50:25,760
Speaker 2: This is just a simple story.

1069
00:50:26,000 --> 00:50:29,280
Speaker 1: Yeah, it was a funny little yeah that actually happens

1070
00:50:29,360 --> 00:50:30,000
Speaker 1: sometimes it does.

1071
00:50:30,239 --> 00:50:34,279
Speaker 2: Yes, you've lived it many times. So next we are

1072
00:50:34,280 --> 00:50:38,200
Speaker 2: in the Palace Bowling Alley. What a set like this is?

1073
00:50:38,880 --> 00:50:41,319
Speaker 3: It was so mid century modern. I loved it.

1074
00:50:41,480 --> 00:50:46,640
Speaker 2: Yes, like the vending machine, a little spiky chandeliers.

1075
00:50:46,960 --> 00:50:49,920
Speaker 1: Yeah, oh very Yeah, that mid century modern, sort of

1076
00:50:50,120 --> 00:50:53,840
Speaker 1: ultra futuristic rounded like bowling.

1077
00:50:53,600 --> 00:50:55,480
Speaker 2: Alleys used to be right, Yes, it's a little bit

1078
00:50:55,520 --> 00:50:56,320
Speaker 2: like the Jetsons.

1079
00:50:56,440 --> 00:50:58,879
Speaker 1: It's like in the future, but it's I think there's

1080
00:50:58,960 --> 00:51:02,520
Speaker 1: like only one like kind of in La on the

1081
00:51:02,520 --> 00:51:04,560
Speaker 1: East Side at least that I can think of, like

1082
00:51:04,640 --> 00:51:08,560
Speaker 1: Silver lakeish that's still like an old school like bowling

1083
00:51:08,600 --> 00:51:09,200
Speaker 1: alley like that.

1084
00:51:09,239 --> 00:51:09,920
Speaker 2: Oh, I loved her.

1085
00:51:10,120 --> 00:51:10,719
Speaker 3: It was set.

1086
00:51:10,760 --> 00:51:11,839
Speaker 2: Dick did a great job.

1087
00:51:11,880 --> 00:51:12,520
Speaker 1: Dah, it was great.

1088
00:51:13,080 --> 00:51:14,799
Speaker 2: And this is just quite a big set for It's

1089
00:51:14,840 --> 00:51:16,960
Speaker 2: only this is the only scene that the set is in,

1090
00:51:17,040 --> 00:51:19,840
Speaker 2: so I'm like, wow, right, season five, big budget, they

1091
00:51:19,920 --> 00:51:21,440
Speaker 2: built this whole thing for one scene.

1092
00:51:21,760 --> 00:51:22,720
Speaker 1: Yeah.

1093
00:51:22,960 --> 00:51:25,560
Speaker 2: So Danny is suited up in his bowling gear and

1094
00:51:25,640 --> 00:51:30,360
Speaker 2: excitedly nudges DJ, isn't this fantastic? You're doing great? And

1095
00:51:30,440 --> 00:51:32,719
Speaker 2: DJ gives him a puzzled look. All I did was

1096
00:51:32,719 --> 00:51:35,960
Speaker 2: write our names on the score sheet. Back when you

1097
00:51:36,040 --> 00:51:36,759
Speaker 2: wrote your name.

1098
00:51:36,880 --> 00:51:39,880
Speaker 1: Dan even wrote a pencil and it wasn't like a

1099
00:51:39,880 --> 00:51:43,920
Speaker 1: little computer thing. Yeah. Oh man, back in the days,

1100
00:51:44,080 --> 00:51:45,840
Speaker 1: back in the pencils and paper.

1101
00:51:46,600 --> 00:51:51,840
Speaker 2: Man. I miss those days. So, uh, Danny clarifies, well,

1102
00:51:52,080 --> 00:51:55,440
Speaker 2: since the last time you bowled, your handwriting has really improved.

1103
00:51:56,239 --> 00:51:58,799
Speaker 2: She gives him a small smile and tells Danny he's up.

1104
00:51:59,320 --> 00:52:02,320
Speaker 2: He begins to teach DJ the art of bowling, telling

1105
00:52:02,320 --> 00:52:04,879
Speaker 2: her the most important part is getting a good rhythm going.

1106
00:52:05,400 --> 00:52:08,239
Speaker 2: He gives her a little demonstration, first bouncing up and

1107
00:52:08,280 --> 00:52:11,880
Speaker 2: down and then adding a hop and swoop. As the

1108
00:52:11,920 --> 00:52:14,600
Speaker 2: ball rolls toward the pins, he shouts, go baby, go baby,

1109
00:52:14,600 --> 00:52:18,239
Speaker 2: go baby. He gets a strike and boasts the dan

1110
00:52:18,360 --> 00:52:23,040
Speaker 2: Man's still has the touch. DJ cringes, reminding her dad

1111
00:52:23,080 --> 00:52:24,240
Speaker 2: that they are in public.

1112
00:52:24,880 --> 00:52:27,839
Speaker 1: Oh, such a moment I have with my kid. Yes,

1113
00:52:28,000 --> 00:52:30,040
Speaker 1: I say that, like when we're in the car.

1114
00:52:30,360 --> 00:52:36,439
Speaker 2: Yeah, Like, are we embarrassing right right? By this time? Yeah,

1115
00:52:36,440 --> 00:52:38,080
Speaker 2: this time they're actually in public. So I did feel

1116
00:52:38,120 --> 00:52:41,760
Speaker 2: bad for a couple next to them were kept looking

1117
00:52:41,760 --> 00:52:43,360
Speaker 2: over and I'm like, I've.

1118
00:52:43,360 --> 00:52:45,800
Speaker 3: I've seen this happen this ye with dads and kids.

1119
00:52:46,040 --> 00:52:50,120
Speaker 2: Oh yeah, Danny, although he couldn't care less, he declares,

1120
00:52:50,200 --> 00:52:54,040
Speaker 2: this is great. Why don't we join a father daughter league? Huh,

1121
00:52:54,120 --> 00:52:59,200
Speaker 2: and she mutters, oh, something to think about very carefully. Next,

1122
00:52:59,400 --> 00:53:02,000
Speaker 2: DJ stepped up to the line. She tries to emulate

1123
00:53:02,080 --> 00:53:05,520
Speaker 2: Danny's previous round, but the ball quickly rolls toward the gutter.

1124
00:53:06,239 --> 00:53:09,719
Speaker 2: Danny's initial chance of go, baby go become no, baby no,

1125
00:53:10,719 --> 00:53:12,960
Speaker 2: But Danny tries to stay positive. We'll get him on

1126
00:53:12,960 --> 00:53:15,200
Speaker 2: the next ball. Honey, don't worry about it. That's what

1127
00:53:15,200 --> 00:53:18,040
Speaker 2: I'm here for, to help you with your problems, whether

1128
00:53:18,080 --> 00:53:21,400
Speaker 2: they be in bowling, at home or at school. Do

1129
00:53:21,520 --> 00:53:24,600
Speaker 2: any of those pertain to you? Good God?

1130
00:53:25,560 --> 00:53:28,399
Speaker 3: Uh, just trying bowling ball.

1131
00:53:28,640 --> 00:53:32,040
Speaker 2: He's trying to just shoehorn this topic in any way possible.

1132
00:53:32,920 --> 00:53:36,600
Speaker 2: D Jay insists Dad for the millionth time, I'm fine.

1133
00:53:37,360 --> 00:53:40,120
Speaker 2: She takes her second shot and the ball veers toward

1134
00:53:40,160 --> 00:53:42,960
Speaker 2: the gutter again, but this time she manages to knock

1135
00:53:43,160 --> 00:53:47,480
Speaker 2: down one pin. Danny shouts with triumph, all right, one

1136
00:53:47,560 --> 00:53:50,839
Speaker 2: big one. He tries to give dj a high low

1137
00:53:51,040 --> 00:53:53,680
Speaker 2: and side high five, but she tells him no one

1138
00:53:53,800 --> 00:53:57,680
Speaker 2: does that anymore. Danny admits he just got carried away

1139
00:53:57,760 --> 00:54:01,560
Speaker 2: with all this father daughter fun. Just then Kimmy walks

1140
00:54:01,600 --> 00:54:05,479
Speaker 2: in out of nowhere. She calls out hey deej which

1141
00:54:05,520 --> 00:54:08,320
Speaker 2: causes Danny to mess up and send the ball rolling

1142
00:54:08,400 --> 00:54:12,520
Speaker 2: behind him. This is before cell phones.

1143
00:54:12,560 --> 00:54:14,080
Speaker 3: Kimmy had to show up in person.

1144
00:54:14,360 --> 00:54:16,240
Speaker 2: She had no other way of contacting DJs.

1145
00:54:16,840 --> 00:54:18,280
Speaker 3: I know she had a open person.

1146
00:54:18,400 --> 00:54:21,640
Speaker 1: Yes, she probably wants six Bowling Alleys, but other bowling

1147
00:54:21,640 --> 00:54:23,360
Speaker 1: Alleys and San Francisco before this, Yeah.

1148
00:54:23,440 --> 00:54:24,880
Speaker 2: She just had the local one.

1149
00:54:24,920 --> 00:54:25,760
Speaker 1: This is the one that's closest.

1150
00:54:25,760 --> 00:54:28,880
Speaker 2: They's probably bowled there before, so yeah, she knows. But yeah, no,

1151
00:54:29,080 --> 00:54:32,480
Speaker 2: this is the storylines that wouldn't have worked unless you know, right,

1152
00:54:32,719 --> 00:54:35,239
Speaker 2: it's just not exciting with the cell phone no, then

1153
00:54:35,280 --> 00:54:37,480
Speaker 2: it's just an insert shot of a text message. But

1154
00:54:37,640 --> 00:54:42,000
Speaker 2: this is way more exciting. So Kimmy calls out, hey,

1155
00:54:42,080 --> 00:54:44,520
Speaker 2: deeje oh, no, I read that Danny messes up his

1156
00:54:45,040 --> 00:54:49,000
Speaker 2: his ball rolling and Kimmy snarkily responds, the pins are

1157
00:54:49,080 --> 00:54:51,560
Speaker 2: that way, mister t and points toward the lanes.

1158
00:54:52,360 --> 00:54:53,759
Speaker 3: I kind of see why they start to get a

1159
00:54:53,800 --> 00:54:54,600
Speaker 3: little marder to Kimmy.

1160
00:54:54,719 --> 00:54:58,680
Speaker 1: She's brutal to episode.

1161
00:54:58,800 --> 00:55:02,560
Speaker 2: She's so obnoxious. Yes, Dan, she deserved some sort of

1162
00:55:02,600 --> 00:55:05,040
Speaker 2: comeback from Danny, and he was just silent through this

1163
00:55:05,360 --> 00:55:08,440
Speaker 2: whole episode, so yeah, it was well, it was deserved

1164
00:55:08,520 --> 00:55:10,080
Speaker 2: this episode. She deserves some feedback.

1165
00:55:11,480 --> 00:55:11,560
Speaker 1: Uh.

1166
00:55:11,920 --> 00:55:14,320
Speaker 2: So Kimmy talks to DJ. We have to get to

1167
00:55:14,360 --> 00:55:16,839
Speaker 2: the mall right away. Guess who's at the food court

1168
00:55:17,000 --> 00:55:21,360
Speaker 2: spreading more rumors about you, Todd Mitchell, and DJ responds,

1169
00:55:21,440 --> 00:55:24,240
Speaker 2: we have to put a stop to this. She immediately

1170
00:55:24,320 --> 00:55:26,360
Speaker 2: asks Danny if she can go to the mall, and

1171
00:55:26,480 --> 00:55:29,480
Speaker 2: Danny questions, right now, we're only in the second frame,

1172
00:55:29,719 --> 00:55:32,880
Speaker 2: I paid for ten But DJ isn't taking no for

1173
00:55:32,920 --> 00:55:36,320
Speaker 2: an answer. She insists one of my friends really needs me.

1174
00:55:36,520 --> 00:55:38,839
Speaker 2: I won't be out late, and she and Kimmy rush

1175
00:55:38,920 --> 00:55:42,880
Speaker 2: out before he can protest. Just then Danny notices and the.

1176
00:55:44,360 --> 00:55:44,520
Speaker 1: Yeah.

1177
00:55:44,800 --> 00:55:47,480
Speaker 2: Danny notices father daughters in the next lane. There we go.

1178
00:55:47,640 --> 00:55:50,560
Speaker 2: He tells he hears the daughter tell her dad, let's

1179
00:55:50,680 --> 00:55:56,600
Speaker 2: join that father daughter Lee just rubbing on cue. DJ

1180
00:55:56,880 --> 00:56:00,400
Speaker 2: runs back over. Danny is ecstatic to see her, thinking

1181
00:56:00,480 --> 00:56:03,680
Speaker 2: she's back for good, but she just asks him can

1182
00:56:03,760 --> 00:56:07,160
Speaker 2: I borrow ten bucks? Danny hands over the money, a

1183
00:56:07,239 --> 00:56:10,360
Speaker 2: little bit defeated, DJ gives him a high five in return.

1184
00:56:11,480 --> 00:56:13,880
Speaker 2: In that neighboring lane, the little girl gets a strike

1185
00:56:13,920 --> 00:56:17,440
Speaker 2: and gives her dad a big hug, saying I love you, daddy.

1186
00:56:18,560 --> 00:56:21,440
Speaker 2: And Brian Cale. Brian Cale is such a doting father.

1187
00:56:21,400 --> 00:56:24,919
Speaker 1: And it's both of them were just so obnoxiously over

1188
00:56:25,000 --> 00:56:27,600
Speaker 1: the top. You're like, oh god, yeah, that really would sting.

1189
00:56:28,400 --> 00:56:31,120
Speaker 2: Yes, It's just it's so over the top, and I

1190
00:56:31,360 --> 00:56:34,560
Speaker 2: loved it. And I relate to this, like I see

1191
00:56:34,719 --> 00:56:39,080
Speaker 2: like little toddlers with their moms wanting to I miss

1192
00:56:39,239 --> 00:56:43,040
Speaker 2: that so much. My teenagers don't talk to me anymore, right,

1193
00:56:43,640 --> 00:56:49,400
Speaker 2: so relatable. In the living room, Danny is sadly staring

1194
00:56:49,480 --> 00:56:53,040
Speaker 2: at a photo of little DJ, and then DJ walks

1195
00:56:53,080 --> 00:56:55,760
Speaker 2: in through the front door. He asks her was everything

1196
00:56:55,800 --> 00:56:59,200
Speaker 2: all right at the mall? And she nods. Danny suggests,

1197
00:56:59,360 --> 00:57:03,040
Speaker 2: don't you think we should talk? She shrugs, okay, So

1198
00:57:03,160 --> 00:57:05,880
Speaker 2: how'd you bowl? And he responds, no, not about that.

1199
00:57:06,320 --> 00:57:08,640
Speaker 2: I mean, what's going on with you? I know you're

1200
00:57:08,680 --> 00:57:12,040
Speaker 2: having some kind of problem. DJ brushes him off, Dad,

1201
00:57:12,200 --> 00:57:15,520
Speaker 2: give me a break, it's no big deal, and Danny counters,

1202
00:57:15,920 --> 00:57:19,880
Speaker 2: since when is a mega crisis? Nothing? M DJ looks

1203
00:57:19,880 --> 00:57:23,040
Speaker 2: at him wide eyed. Where did you get mega crisis from?

1204
00:57:23,840 --> 00:57:26,680
Speaker 2: And he nervously responds, oh, I don't know. It just

1205
00:57:26,760 --> 00:57:29,760
Speaker 2: kind of popped into my head. But DJ sees right

1206
00:57:29,840 --> 00:57:32,479
Speaker 2: through this. You mean you just popped into my sock

1207
00:57:32,600 --> 00:57:34,480
Speaker 2: drawer and went through my personal property?

1208
00:57:34,880 --> 00:57:35,720
Speaker 3: How could you do that.

1209
00:57:37,000 --> 00:57:39,520
Speaker 2: Danny insists it was an accident. I was putting away

1210
00:57:39,560 --> 00:57:42,960
Speaker 2: your laundry. She rolls her eyes. It's not Monday. You

1211
00:57:43,080 --> 00:57:46,440
Speaker 2: are spying on me, and you know it. Look at

1212
00:57:46,480 --> 00:57:48,400
Speaker 2: every every family member just calling him out.

1213
00:57:48,440 --> 00:57:51,640
Speaker 1: It's not Monday, dude, this is we know you.

1214
00:57:51,880 --> 00:57:53,320
Speaker 3: You don't stray from schedule.

1215
00:57:54,080 --> 00:57:55,560
Speaker 1: It's obvious you're lying.

1216
00:57:56,080 --> 00:58:00,320
Speaker 2: So obvious, Danny. Come on, so Danny says back, what

1217
00:58:00,520 --> 00:58:02,840
Speaker 2: was I supposed to do? You wouldn't even talk to me.

1218
00:58:03,680 --> 00:58:05,600
Speaker 2: DJ says, well, maybe it was none of your business.

1219
00:58:05,920 --> 00:58:09,080
Speaker 2: What's next? Are you gonna bug my phone? She storms away,

1220
00:58:09,200 --> 00:58:12,120
Speaker 2: but Danny follows, yelling after her. I don't like that tone,

1221
00:58:12,160 --> 00:58:14,840
Speaker 2: young lady. She shouts back. Well, I don't like you

1222
00:58:15,000 --> 00:58:18,920
Speaker 2: invading my privacy. He argues, I'm your father. All invade

1223
00:58:18,960 --> 00:58:20,000
Speaker 2: Normandy if I want to.

1224
00:58:21,120 --> 00:58:24,800
Speaker 1: I've literally heard this argument between like my kids and

1225
00:58:24,840 --> 00:58:27,800
Speaker 1: their dad, and I just like over text message and

1226
00:58:27,800 --> 00:58:29,560
Speaker 1: I'll just text on it. I'm like, just stop, just

1227
00:58:29,760 --> 00:58:35,080
Speaker 1: don't let it go, let it go right, invade whatever.

1228
00:58:35,160 --> 00:58:38,000
Speaker 1: I'm like, no, you just lost it. Yes, yeah, I know.

1229
00:58:39,120 --> 00:58:42,000
Speaker 3: This was such a great moment though, because it was

1230
00:58:42,240 --> 00:58:46,200
Speaker 3: so so real, so real, you know, your kids just

1231
00:58:46,280 --> 00:58:47,880
Speaker 3: like hate you. What do you mean?

1232
00:58:48,640 --> 00:58:48,880
Speaker 1: Yeah?

1233
00:58:49,040 --> 00:58:51,800
Speaker 2: And and Candice and Bob and DJ and Danny. They're

1234
00:58:51,800 --> 00:58:54,440
Speaker 2: so good at these fight scenes, these arguing scenes. You know,

1235
00:58:54,480 --> 00:58:56,080
Speaker 2: you don't see that so much with Steph yet, and

1236
00:58:56,440 --> 00:58:58,800
Speaker 2: Michelle certainly know. So yeah, I'm just like, I'd love

1237
00:58:58,880 --> 00:59:00,280
Speaker 2: these scenes because it's just true.

1238
00:59:00,600 --> 00:59:01,760
Speaker 1: Stuff wasn't really an arguer.

1239
00:59:02,120 --> 00:59:05,000
Speaker 2: She was more of people pleaser. Yeah, yeah, you were

1240
00:59:05,080 --> 00:59:06,880
Speaker 2: kind of a people You were confident, you know, you

1241
00:59:06,960 --> 00:59:07,520
Speaker 2: knew yourself.

1242
00:59:07,960 --> 00:59:09,000
Speaker 1: You just want to make everyone happy.

1243
00:59:09,080 --> 00:59:10,680
Speaker 2: Yeah, your middle child you're trying to like.

1244
00:59:10,680 --> 00:59:12,480
Speaker 1: Don't want to live in the bathroom? Peace right, That's

1245
00:59:12,560 --> 00:59:14,360
Speaker 1: all very independent.

1246
00:59:16,480 --> 00:59:19,560
Speaker 2: So DJ continues up the stairs and says, I can't

1247
00:59:19,560 --> 00:59:22,640
Speaker 2: wait to get out of this house. DJ catches her

1248
00:59:22,680 --> 00:59:23,520
Speaker 2: at the door to her room.

1249
00:59:23,920 --> 00:59:27,200
Speaker 1: Uh, this flash, You'll never leave this house. J. You're

1250
00:59:27,280 --> 00:59:29,000
Speaker 1: never going to leave this house. You're gonna die in

1251
00:59:29,080 --> 00:59:29,440
Speaker 1: this house.

1252
00:59:29,480 --> 00:59:32,200
Speaker 2: Forty years you will still be in this house, still

1253
00:59:32,280 --> 00:59:35,160
Speaker 2: be in this house. That is That is a funny moment.

1254
00:59:35,160 --> 00:59:36,600
Speaker 2: I didn't think of a wait to get out.

1255
00:59:36,480 --> 00:59:37,640
Speaker 1: Of this house. You never will?

1256
00:59:38,240 --> 00:59:42,520
Speaker 2: What never? Danny says, hold it right there, I'm not

1257
00:59:42,720 --> 00:59:45,960
Speaker 2: through talking to you yet. But DJ slams the door

1258
00:59:46,000 --> 00:59:50,880
Speaker 2: in his face and declares, well, I'm through listening. That's

1259
00:59:50,880 --> 00:59:56,000
Speaker 2: getting nasty. Yep. Danny barges into DJ's room and DJ scoffs. See,

1260
00:59:56,440 --> 00:59:58,720
Speaker 2: you don't even knock. You have no respect for my

1261
00:59:58,840 --> 01:00:03,560
Speaker 2: personal space. This is kind of true, though, Like, you

1262
01:00:03,640 --> 01:00:05,560
Speaker 2: don't go through their stuff unless they're a danger to.

1263
01:00:05,560 --> 01:00:10,680
Speaker 1: Themselves, unless they're through. Yeah, only if there's someone is

1264
01:00:10,760 --> 01:00:12,600
Speaker 1: in danger or they're you know what I mean that

1265
01:00:12,640 --> 01:00:15,200
Speaker 1: you're like, I am worried for your safety or you're

1266
01:00:15,240 --> 01:00:16,720
Speaker 1: making some really poor choices.

1267
01:00:17,200 --> 01:00:17,400
Speaker 2: Right.

1268
01:00:17,840 --> 01:00:19,360
Speaker 1: Other than that, I will not.

1269
01:00:19,560 --> 01:00:21,760
Speaker 2: Don't go through their stuff. Yeah, no, that they feel

1270
01:00:22,080 --> 01:00:25,360
Speaker 2: violated like that is I get the proce is sacred

1271
01:00:25,400 --> 01:00:27,360
Speaker 2: to a teenager, so I get it. Yeah.

1272
01:00:27,440 --> 01:00:31,880
Speaker 1: Yeah. You know what I will say too, is uh, well,

1273
01:00:31,960 --> 01:00:33,919
Speaker 1: nobody does this anymore. I was gonna say. Also, don't

1274
01:00:34,000 --> 01:00:38,960
Speaker 1: leave notes that your friends wrote you on kitchen tables.

1275
01:00:39,160 --> 01:00:40,800
Speaker 1: I learned that lesson in high school.

1276
01:00:40,880 --> 01:00:43,520
Speaker 2: Really, you left a note on your kitchen that I

1277
01:00:43,600 --> 01:00:46,360
Speaker 2: haven't finished reading yet. Oh no, what did it say?

1278
01:00:47,600 --> 01:00:50,040
Speaker 3: All kinds of stuff about what I had pulled the

1279
01:00:50,080 --> 01:00:50,840
Speaker 3: weekend before.

1280
01:00:54,120 --> 01:00:55,200
Speaker 2: Dude, I can't believe you did.

1281
01:00:55,160 --> 01:00:56,360
Speaker 3: Blah blah, blah blahlah blah blah.

1282
01:00:56,400 --> 01:00:56,520
Speaker 1: Oh.

1283
01:00:56,600 --> 01:00:57,840
Speaker 3: And then of course I went back to my friend.

1284
01:00:57,840 --> 01:00:58,640
Speaker 2: I was like, you're an idiot.

1285
01:00:58,640 --> 01:00:59,560
Speaker 3: Why don't you write that down?

1286
01:00:59,720 --> 01:01:00,760
Speaker 2: Yeah, like that's evidence.

1287
01:01:00,840 --> 01:01:02,640
Speaker 1: Now. She was like, you're an idiot because you left

1288
01:01:02,680 --> 01:01:04,400
Speaker 1: it sitting on your kitchen table. I was like, okay,

1289
01:01:04,440 --> 01:01:06,160
Speaker 1: we're both at fault in this, but yeah, my mom

1290
01:01:06,200 --> 01:01:07,479
Speaker 1: picked that one up real quick.

1291
01:01:07,640 --> 01:01:08,360
Speaker 3: I was like, what's the.

1292
01:01:09,120 --> 01:01:13,080
Speaker 2: Yeah, poor Janice. Yeah, you know, don't leave written evidence.

1293
01:01:14,160 --> 01:01:17,520
Speaker 1: And now everything's written evidence. Yeah, sure, there's no everything

1294
01:01:17,680 --> 01:01:20,760
Speaker 1: lives forever after you read it. You can't burn your

1295
01:01:20,760 --> 01:01:21,200
Speaker 1: cell phone.

1296
01:01:21,360 --> 01:01:28,000
Speaker 2: Yep. Oh boy. So Danny argues back, don't you dare

1297
01:01:28,080 --> 01:01:31,040
Speaker 2: tell me about respect. You're yelling at me and slamming doors.

1298
01:01:31,360 --> 01:01:34,600
Speaker 2: What happened to my sweet little girl? She questions, don't

1299
01:01:34,640 --> 01:01:38,160
Speaker 2: you get it? I'm not your little girl anymore? And

1300
01:01:38,280 --> 01:01:42,400
Speaker 2: Danny's sighs. Oh okay, oh that was such a heartbreaking.

1301
01:01:42,440 --> 01:01:45,160
Speaker 2: You can just see it on Danny's face. He is

1302
01:01:45,360 --> 01:01:50,560
Speaker 2: just so yeah, yeah, I mean, oh, he's just all

1303
01:01:50,760 --> 01:01:52,520
Speaker 2: you just see the emotion on his face. He doesn't

1304
01:01:53,000 --> 01:01:55,440
Speaker 2: a line, doesn't even know he just okay. It's that

1305
01:01:55,560 --> 01:01:59,000
Speaker 2: thing that every parent feels when you're like right, punch yeah.

1306
01:02:00,560 --> 01:02:03,280
Speaker 2: So there is an awkward moment of silence before they

1307
01:02:03,400 --> 01:02:07,480
Speaker 2: both apologize to each other. DJ explains, I don't mean

1308
01:02:07,560 --> 01:02:10,000
Speaker 2: to hurt your feelings. I just mean that I'm growing

1309
01:02:10,080 --> 01:02:12,360
Speaker 2: up and I don't need you. I don't need to

1310
01:02:12,400 --> 01:02:15,520
Speaker 2: come to you with every little problem, and he asks

1311
01:02:15,560 --> 01:02:18,560
Speaker 2: why not You used to tell me everything, and she

1312
01:02:18,680 --> 01:02:20,520
Speaker 2: reminds him, well, that's when I was a little kid.

1313
01:02:21,040 --> 01:02:22,960
Speaker 2: When you were my age, did you go tell your

1314
01:02:23,080 --> 01:02:26,560
Speaker 2: parents everything? And Danny admits, well, no, but they were old.

1315
01:02:27,520 --> 01:02:31,480
Speaker 2: After a moment of reflection, he says, oh they were

1316
01:02:31,560 --> 01:02:37,520
Speaker 2: my age. Yeah. Oh, Danny's going through it. DJ promises,

1317
01:02:38,040 --> 01:02:41,040
Speaker 2: if there's some serious problem that I can't handle, I'm

1318
01:02:41,080 --> 01:02:43,040
Speaker 2: going to come to you just like I always did.

1319
01:02:43,920 --> 01:02:46,840
Speaker 2: Danny smiles, and I'll be here for you, dij She

1320
01:02:46,960 --> 01:02:49,960
Speaker 2: smiles right back. I know you will, Dad, I love you,

1321
01:02:50,800 --> 01:02:54,360
Speaker 2: Thank you. This is just I mean, yeah, we're approaching

1322
01:02:54,400 --> 01:02:56,320
Speaker 2: twenty two minutes, so they had to wrap it up right, right, right,

1323
01:02:56,400 --> 01:02:56,760
Speaker 2: right right?

1324
01:02:56,880 --> 01:03:01,040
Speaker 1: We got it's great, right, but this is wish two

1325
01:03:01,080 --> 01:03:03,280
Speaker 1: minute arguments were like that was it? Wouldn't it be

1326
01:03:03,320 --> 01:03:05,440
Speaker 1: great if your teenagers went I'm sorry?

1327
01:03:06,000 --> 01:03:06,640
Speaker 3: Yeah, that's great.

1328
01:03:07,000 --> 01:03:08,680
Speaker 2: I want to sit them down and make them watch

1329
01:03:08,720 --> 01:03:10,360
Speaker 2: this and say two days later.

1330
01:03:10,720 --> 01:03:10,840
Speaker 4: Right.

1331
01:03:11,160 --> 01:03:14,040
Speaker 2: They're like, but you can resolve things, but it requires

1332
01:03:14,120 --> 01:03:17,240
Speaker 2: the teenager to do some self reflecting and to say.

1333
01:03:18,280 --> 01:03:20,280
Speaker 1: You know, that's part of being a teenager. They're not

1334
01:03:20,440 --> 01:03:23,439
Speaker 1: capable of that yet. They will not in a meaningful way.

1335
01:03:23,640 --> 01:03:26,720
Speaker 2: No, they're just expert grudge holders. They will be mad

1336
01:03:26,760 --> 01:03:28,880
Speaker 2: at you, like I said, Oh, for sure, City still

1337
01:03:28,960 --> 01:03:32,080
Speaker 2: is mad at me for missing her kindergarten circus play.

1338
01:03:32,200 --> 01:03:35,960
Speaker 1: So yeah, it's like they just yeah, And I'm like,

1339
01:03:36,760 --> 01:03:39,600
Speaker 1: yepwait till you have kids and you disappoint them.

1340
01:03:39,680 --> 01:03:40,800
Speaker 3: I hope they bring it up forever.

1341
01:03:41,040 --> 01:03:44,880
Speaker 2: I cannot wait. I can't wait. So they each give

1342
01:03:44,880 --> 01:03:48,080
Speaker 2: each other a big hug, and then Danny apologizes, I'm

1343
01:03:48,120 --> 01:03:51,360
Speaker 2: sorry for reading the card. Switching laundry day threw off

1344
01:03:51,400 --> 01:03:55,160
Speaker 2: my whole cleaning schedule. She laughs, Do you really want

1345
01:03:55,200 --> 01:03:58,320
Speaker 2: to know about my mega crisis? And Danny admits, oh,

1346
01:03:58,440 --> 01:04:00,760
Speaker 2: I don't want to pry, but I'm dying to know.

1347
01:04:01,720 --> 01:04:04,240
Speaker 2: DJ spills the beans about her being the worst kisser

1348
01:04:04,360 --> 01:04:07,640
Speaker 2: in school, and Danny lets out a huge sigh of relief.

1349
01:04:07,720 --> 01:04:11,640
Speaker 2: Oh thank god, DJ, reminds him this isn't a good thing.

1350
01:04:12,480 --> 01:04:14,240
Speaker 2: Then she goes on to tell Danny about the guy

1351
01:04:14,320 --> 01:04:16,919
Speaker 2: who started the rumor and how she and Kimmy tracked

1352
01:04:16,960 --> 01:04:19,560
Speaker 2: him down at the mall. Apparently Kimmy got him in

1353
01:04:19,600 --> 01:04:22,320
Speaker 2: a headlock and DJ threatened him with a squirt bottle

1354
01:04:22,360 --> 01:04:25,120
Speaker 2: of mustard until he told everyone the truth.

1355
01:04:25,920 --> 01:04:26,960
Speaker 3: I applaud that.

1356
01:04:27,200 --> 01:04:32,080
Speaker 2: Yeah, that's probably evolving. You know, yeah, I know. Danny laughs, Well,

1357
01:04:32,280 --> 01:04:34,880
Speaker 2: you know, those stubborn mustard stains are a murder to

1358
01:04:34,960 --> 01:04:38,680
Speaker 2: get out. Then he tells her on a more serious note,

1359
01:04:39,360 --> 01:04:41,640
Speaker 2: I know you're kind of busy right now, but wouldn't

1360
01:04:41,640 --> 01:04:43,600
Speaker 2: it be nice to set aside some time to hang

1361
01:04:43,640 --> 01:04:47,400
Speaker 2: out with each other once in a while. DJ nods, sure, Dad,

1362
01:04:47,800 --> 01:04:51,240
Speaker 2: let's go get some frozen yogurt my treat. They stand

1363
01:04:51,280 --> 01:04:53,480
Speaker 2: to leave, and she ponders, do you mind if I drive?

1364
01:04:53,680 --> 01:04:55,479
Speaker 2: I'm going to get my learners permit in a couple

1365
01:04:55,560 --> 01:04:59,480
Speaker 2: of months. Danny slaps his knees. Oh man, it never ends.

1366
01:05:00,000 --> 01:05:02,680
Speaker 2: Tell you what I'll drive and you can work the radio,

1367
01:05:03,480 --> 01:05:09,400
Speaker 2: and that's our show. I like this episode. I really did.

1368
01:05:09,520 --> 01:05:15,840
Speaker 1: Episode was It's a It's a good episode for like teens,

1369
01:05:16,040 --> 01:05:19,800
Speaker 1: and parents, parents, everybody can relate to it. Yeah, it's

1370
01:05:20,240 --> 01:05:22,640
Speaker 1: nice to see Steph and Michelle kind of stuff's kind

1371
01:05:22,680 --> 01:05:23,560
Speaker 1: of realizing.

1372
01:05:23,240 --> 01:05:25,880
Speaker 2: Like, oh wait, this was me and DJ, like you know,

1373
01:05:26,080 --> 01:05:29,000
Speaker 2: like goal reversal. You are the DJ now the older sister.

1374
01:05:29,520 --> 01:05:32,400
Speaker 1: Yeah. Yeah, everyone in this episode's kind of like adjusting

1375
01:05:32,480 --> 01:05:35,840
Speaker 1: to some new yeah, phases in their life.

1376
01:05:35,920 --> 01:05:38,320
Speaker 2: This is until we're at the start of season five

1377
01:05:38,440 --> 01:05:41,280
Speaker 2: and everyone's adjusting to their new roles, their new ages,

1378
01:05:41,400 --> 01:05:44,960
Speaker 2: their new rooms, their new everything. And yeah. This yeah,

1379
01:05:45,120 --> 01:05:48,120
Speaker 2: this episode really, uh, it really stood the test of time,

1380
01:05:48,240 --> 01:05:49,160
Speaker 2: Like this is still related.

1381
01:05:49,600 --> 01:05:53,880
Speaker 1: This absolutely you will never uh, there will never be

1382
01:05:54,520 --> 01:05:58,320
Speaker 1: a time when conflict between teens and parents and having

1383
01:05:58,360 --> 01:06:01,320
Speaker 1: the argument of like you're lame and you don't understand

1384
01:06:01,360 --> 01:06:02,520
Speaker 1: me and why are you so terrible?

1385
01:06:02,680 --> 01:06:06,240
Speaker 3: Like that that will forever happen forever.

1386
01:06:06,520 --> 01:06:07,920
Speaker 2: Yes, yeah, this is timeless.

1387
01:06:07,920 --> 01:06:10,360
Speaker 1: It's part it's literally part of the whole point.

1388
01:06:10,600 --> 01:06:10,760
Speaker 2: Yeah.

1389
01:06:10,840 --> 01:06:14,680
Speaker 1: Yeah, it's part of development of tea development, right, You're like, yeah,

1390
01:06:14,720 --> 01:06:18,640
Speaker 1: you actually have to be awful in order to like individuate.

1391
01:06:19,040 --> 01:06:21,800
Speaker 2: Yeah, they're they're trying to break away from the family,

1392
01:06:21,840 --> 01:06:23,120
Speaker 2: you know, trying to pledge.

1393
01:06:23,320 --> 01:06:26,240
Speaker 3: They want to fledge, so they have to be jerks

1394
01:06:26,440 --> 01:06:28,600
Speaker 3: in order to they have to fall out of the ledge.

1395
01:06:28,760 --> 01:06:31,680
Speaker 2: Yeah. Yeah, And it's just this was so well done

1396
01:06:31,720 --> 01:06:35,640
Speaker 2: between Candace and Bob, like they do ye argue. Seeing

1397
01:06:35,760 --> 01:06:38,880
Speaker 2: they do these so well, it really hit home and

1398
01:06:39,000 --> 01:06:39,760
Speaker 2: had a big impact.

1399
01:06:39,920 --> 01:06:42,680
Speaker 1: So yeah, for sure, No, I loved this episode. Uh

1400
01:06:42,920 --> 01:06:43,920
Speaker 1: did you have any everywhere?

1401
01:06:43,920 --> 01:06:47,320
Speaker 2: He looks, Oh, okay, yes I do. I well, I

1402
01:06:47,440 --> 01:06:50,000
Speaker 2: noticed that Candace sounded sick, and so I did write

1403
01:06:50,040 --> 01:06:52,840
Speaker 2: that down. Also, this is a dumb one, but when

1404
01:06:52,880 --> 01:06:56,040
Speaker 2: I'm lying on DJ's bed looking at Patrick Swayze the

1405
01:06:56,120 --> 01:06:58,520
Speaker 2: poster above me, you can see the bottom of my

1406
01:06:58,600 --> 01:07:01,760
Speaker 2: shoes which are totally clean. Like that's the thing about

1407
01:07:01,840 --> 01:07:05,080
Speaker 2: right right, because you've never worn them, never worn them before.

1408
01:07:05,160 --> 01:07:07,200
Speaker 2: So this is a thing anytime you see an actress

1409
01:07:07,200 --> 01:07:07,959
Speaker 2: at the bottom of their.

1410
01:07:07,880 --> 01:07:11,160
Speaker 3: Shoes they never walked anywhere.

1411
01:07:11,320 --> 01:07:13,560
Speaker 2: Yeah, they have to like rip off the tag.

1412
01:07:13,760 --> 01:07:15,720
Speaker 1: That's the only reason why they wear them inside is

1413
01:07:15,720 --> 01:07:16,959
Speaker 1: because they're absolutely cleaned.

1414
01:07:17,120 --> 01:07:20,920
Speaker 2: Yes, they've never seen the outdoors never. It's sever I

1415
01:07:21,080 --> 01:07:22,680
Speaker 2: just thought that was just funny. That was my only

1416
01:07:22,760 --> 01:07:24,760
Speaker 2: ever speaking of seeing the outdoors.

1417
01:07:25,640 --> 01:07:28,840
Speaker 1: Did you notice my everywhere you look in the scene

1418
01:07:29,120 --> 01:07:32,680
Speaker 1: where uh, Dj and Kimmy are like leaving the house

1419
01:07:32,720 --> 01:07:34,160
Speaker 1: and Danny's like, hey, you never hang out with me

1420
01:07:34,240 --> 01:07:36,120
Speaker 1: or whatever, and then Kimmy says the things. She's like, oh,

1421
01:07:36,160 --> 01:07:39,720
Speaker 1: I'm gonna go. When you open the door, if you

1422
01:07:39,920 --> 01:07:44,120
Speaker 1: look in the background, it's the wall of Steph and

1423
01:07:44,800 --> 01:07:49,120
Speaker 1: Michelle's room. It's it's it's the wallpaper, the red, the

1424
01:07:49,360 --> 01:07:59,680
Speaker 1: geometric print. No what get it? There was I'm like yeah,

1425
01:08:00,160 --> 01:08:02,840
Speaker 1: because that was where like you walked out the door

1426
01:08:02,920 --> 01:08:04,560
Speaker 1: and it kind of that was like the curve of

1427
01:08:04,640 --> 01:08:07,680
Speaker 1: the It was like, that's for something, that's the corner

1428
01:08:07,800 --> 01:08:11,200
Speaker 1: there was where the living room set and Stephan Michelle's

1429
01:08:11,520 --> 01:08:12,200
Speaker 1: set kind of met.

1430
01:08:12,240 --> 01:08:15,160
Speaker 3: But they had that flyaway wall like back they had

1431
01:08:15,400 --> 01:08:16,559
Speaker 3: and that's what you see. Yeah.

1432
01:08:16,760 --> 01:08:19,160
Speaker 2: They so yeah, Grace, so they put in no greenery,

1433
01:08:19,400 --> 01:08:20,720
Speaker 2: no no back.

1434
01:08:21,040 --> 01:08:22,160
Speaker 1: They were like, that's fine.

1435
01:08:22,160 --> 01:08:22,639
Speaker 3: Who cares?

1436
01:08:25,320 --> 01:08:26,120
Speaker 1: Sineteen ninety one.

1437
01:08:26,600 --> 01:08:27,919
Speaker 3: Yeah, this is amazing.

1438
01:08:28,000 --> 01:08:29,439
Speaker 2: I'm going to go back and watch that's.

1439
01:08:30,000 --> 01:08:30,160
Speaker 4: Yeah.

1440
01:08:30,240 --> 01:08:33,519
Speaker 3: That scene you literally was like I went back. I

1441
01:08:33,960 --> 01:08:38,000
Speaker 3: did it twice because I was like nobody noticed that,

1442
01:08:38,840 --> 01:08:41,519
Speaker 3: how did how did we ever line up this shot?

1443
01:08:41,720 --> 01:08:45,479
Speaker 2: And someone went, yep, that's great. Joe Joel's wick was

1444
01:08:45,520 --> 01:08:47,960
Speaker 2: focused on other things that episode, like no.

1445
01:08:48,320 --> 01:08:49,720
Speaker 3: Nobody in post.

1446
01:08:51,000 --> 01:08:57,160
Speaker 1: And nobody saw on the monitors patty red and black

1447
01:08:57,520 --> 01:08:59,880
Speaker 1: geometric wallpaper in the background.

1448
01:09:00,080 --> 01:09:03,160
Speaker 2: Yeah, I was, I was shocked. That's really funny. That's

1449
01:09:03,280 --> 01:09:05,880
Speaker 2: really funny. That's a good one. But jud it's a

1450
01:09:05,920 --> 01:09:07,320
Speaker 2: good one. There was that.

1451
01:09:07,520 --> 01:09:11,880
Speaker 1: And I also noticed a Nelson poster in uh in

1452
01:09:12,040 --> 01:09:13,480
Speaker 1: Steph and Michelle's.

1453
01:09:13,080 --> 01:09:14,120
Speaker 2: Room, you have a Nelson.

1454
01:09:14,240 --> 01:09:17,960
Speaker 1: I have a Nelson poster because Nelson. First of all,

1455
01:09:18,040 --> 01:09:20,640
Speaker 1: Nelson was big. Jeff I believe was friends with them

1456
01:09:20,680 --> 01:09:22,280
Speaker 1: because I know Terry was friends with them.

1457
01:09:22,640 --> 01:09:23,320
Speaker 3: Make up artist.

1458
01:09:23,560 --> 01:09:28,439
Speaker 1: Yeah, yeah, no, look they were they before they really

1459
01:09:29,120 --> 01:09:34,639
Speaker 1: made uh, the legalists from Lord of the Rings look popular.

1460
01:09:35,640 --> 01:09:38,719
Speaker 1: That was you know. It was a style, white flowing hair.

1461
01:09:39,000 --> 01:09:42,400
Speaker 1: The elves they were and they and they were twin

1462
01:09:42,520 --> 01:09:45,840
Speaker 1: elves and they played guitar and who didn't like that?

1463
01:09:46,000 --> 01:09:47,640
Speaker 2: You know? Yeah, I know that was hot back in

1464
01:09:47,680 --> 01:09:49,400
Speaker 2: the day. That was great.

1465
01:09:49,520 --> 01:09:51,600
Speaker 1: I love the they were like they were like the

1466
01:09:52,080 --> 01:09:57,280
Speaker 1: the the the more Vanilli version of Millie Vanilly.

1467
01:09:57,800 --> 01:10:01,880
Speaker 2: That's a great comparison, Yes, the more More. But they're

1468
01:10:01,880 --> 01:10:04,920
Speaker 2: saying their own stuff like they were legit recording.

1469
01:10:04,680 --> 01:10:09,719
Speaker 1: Artists, right, look to be fair, Milly and Vanilli, rob

1470
01:10:09,800 --> 01:10:11,599
Speaker 1: and fab I believe what their names.

1471
01:10:11,720 --> 01:10:14,320
Speaker 3: Yeah, they actually were really good singers. They were great,

1472
01:10:14,800 --> 01:10:17,519
Speaker 3: just them, nothing against them.

1473
01:10:17,520 --> 01:10:19,160
Speaker 1: I was just saying it was like that. I guess

1474
01:10:19,240 --> 01:10:23,240
Speaker 1: the it's like the twin sort of. They weren't twins,

1475
01:10:23,320 --> 01:10:24,160
Speaker 1: Robina were twins.

1476
01:10:24,280 --> 01:10:27,120
Speaker 2: No, but they no, but they were they lean into

1477
01:10:27,160 --> 01:10:31,000
Speaker 2: the same yeah type of things. So I'm team Millie Vanilli.

1478
01:10:31,160 --> 01:10:32,760
Speaker 2: Sorry just am but yeah.

1479
01:10:33,640 --> 01:10:35,320
Speaker 3: Anyway, So yeah, that was a Nelson poster.

1480
01:10:35,680 --> 01:10:35,800
Speaker 4: Uh.

1481
01:10:36,600 --> 01:10:39,360
Speaker 2: Yeah, I missed DJ's posters, so I'm glad that there's

1482
01:10:39,400 --> 01:10:41,599
Speaker 2: at least one poster represent at least.

1483
01:10:41,439 --> 01:10:43,320
Speaker 1: As one, so I'm sure then.

1484
01:10:43,760 --> 01:10:48,160
Speaker 2: Yeah, so great, loved it. What a great episode that was. Yeah,

1485
01:10:48,200 --> 01:10:48,439
Speaker 2: this was.

1486
01:10:48,680 --> 01:10:51,200
Speaker 3: This was one of those episodes like you said, stood

1487
01:10:51,200 --> 01:10:55,360
Speaker 3: the Tan, stood the Tan, and the stood the Tan

1488
01:10:55,479 --> 01:10:57,920
Speaker 3: and the two and stood the test of time.

1489
01:10:58,240 --> 01:10:59,200
Speaker 1: Yes with the Tanners.

1490
01:10:59,280 --> 01:11:02,479
Speaker 3: There we go, twister, but yeah, really it did.

1491
01:11:03,360 --> 01:11:05,400
Speaker 1: This is a just sort of an evergreen episode that

1492
01:11:05,439 --> 01:11:07,880
Speaker 1: will always be appropriate. Yeah.

1493
01:11:07,960 --> 01:11:11,280
Speaker 2: I didn't remember. It's not one that I remembered really well,

1494
01:11:11,360 --> 01:11:12,639
Speaker 2: like like, oh it's that up rate.

1495
01:11:12,720 --> 01:11:13,640
Speaker 3: No, I don't remember it.

1496
01:11:13,760 --> 01:11:15,479
Speaker 2: It didn't stand out to me, but I watched it.

1497
01:11:15,560 --> 01:11:17,320
Speaker 2: I was like, this was really good. It didn't get

1498
01:11:17,400 --> 01:11:17,880
Speaker 2: enough attention.

1499
01:11:18,360 --> 01:11:19,040
Speaker 1: Yeah for sure.

1500
01:11:19,200 --> 01:11:21,000
Speaker 3: I mean I didn't remember it because I wasn't in that.

1501
01:11:21,400 --> 01:11:23,120
Speaker 1: You know, again, when you're not in those parts of

1502
01:11:23,160 --> 01:11:25,280
Speaker 1: the scenes, especially as a kid, you're like, what happened?

1503
01:11:25,560 --> 01:11:27,640
Speaker 2: You know, you have no clue, no clue. May have

1504
01:11:27,680 --> 01:11:29,760
Speaker 2: been paying attention during the table read, but after that,

1505
01:11:29,840 --> 01:11:32,439
Speaker 2: you heard that, after that was done, after that? Yeah.

1506
01:11:32,960 --> 01:11:33,160
Speaker 1: Yeah.

1507
01:11:33,720 --> 01:11:37,599
Speaker 2: Oh man, well, good stuff, man, good stuff, good stuff.

1508
01:11:39,479 --> 01:11:39,960
Speaker 2: Season five.

1509
01:11:40,080 --> 01:11:41,880
Speaker 1: So far this has been I am to it and

1510
01:11:42,040 --> 01:11:44,120
Speaker 1: I can't wait for next week when we get to

1511
01:11:44,200 --> 01:11:46,599
Speaker 1: see the new titles.

1512
01:11:47,080 --> 01:11:50,800
Speaker 2: Oh yes, and oh just just you have to watch

1513
01:11:50,840 --> 01:11:53,360
Speaker 2: them too. You have to sit down. I know's that skip, but.

1514
01:11:53,479 --> 01:11:54,240
Speaker 3: Never watch them.

1515
01:11:55,000 --> 01:11:58,400
Speaker 1: And but this season I've been fast forwarding through that

1516
01:11:58,600 --> 01:11:59,880
Speaker 1: like waiting, just waiting.

1517
01:12:01,320 --> 01:12:04,160
Speaker 2: I think it's the next episode. Yeah, so I'm very excited. Everybody,

1518
01:12:04,360 --> 01:12:08,720
Speaker 2: everybody fan Ritos, you must watch this episode. Yeah yeah,

1519
01:12:08,720 --> 01:12:10,960
Speaker 2: you got to watch the title flast forward through the

1520
01:12:11,439 --> 01:12:13,360
Speaker 2: credits because I think we all get new credits. We

1521
01:12:13,400 --> 01:12:14,160
Speaker 2: all get new credits.

1522
01:12:14,320 --> 01:12:17,519
Speaker 1: Yeah yeah, everybody, the next episode, Season five, episode five,

1523
01:12:17,680 --> 01:12:19,640
Speaker 1: everyone's getting new credits. Make sure and check it out.

1524
01:12:20,040 --> 01:12:20,200
Speaker 2: Wait.

1525
01:12:20,520 --> 01:12:23,919
Speaker 1: Yeah, the King and I is next is our next episode,

1526
01:12:24,280 --> 01:12:27,200
Speaker 1: which I imagine is probably going to have something to

1527
01:12:27,280 --> 01:12:27,880
Speaker 1: do with Elvis.

1528
01:12:28,640 --> 01:12:31,519
Speaker 2: Oh okay, I was thinking of the play that was

1529
01:12:31,560 --> 01:12:34,439
Speaker 2: the very first When I was four, I played the

1530
01:12:34,520 --> 01:12:37,439
Speaker 2: Littlest Princess in the King and I so I was like, oh,

1531
01:12:37,479 --> 01:12:38,120
Speaker 2: what's this about?

1532
01:12:38,240 --> 01:12:40,000
Speaker 1: You know, it's a play on that, but it's definitely

1533
01:12:40,120 --> 01:12:43,439
Speaker 1: not it's the other key, not that the king, the

1534
01:12:43,520 --> 01:12:46,960
Speaker 1: other King. Yes, but yeah, we're gonna review that one

1535
01:12:47,000 --> 01:12:49,519
Speaker 1: next time. We're going to see all the new title

1536
01:12:49,600 --> 01:12:52,880
Speaker 1: cards and we will see you guys fan ritos next time.

1537
01:12:53,560 --> 01:12:55,599
Speaker 1: Thank you again so much for listening. We love our

1538
01:12:55,640 --> 01:12:58,200
Speaker 1: fana Ritos out there. Make sure you're following us on

1539
01:12:58,320 --> 01:13:01,800
Speaker 1: Instagram at how Rude podcast at Howard Oh my god,

1540
01:13:01,880 --> 01:13:02,759
Speaker 1: I've forgotten everything.

1541
01:13:02,840 --> 01:13:07,000
Speaker 2: No, in a week off Howard podcast. I think it's

1542
01:13:07,040 --> 01:13:09,439
Speaker 2: Harvard podcast, right.

1543
01:13:11,080 --> 01:13:13,600
Speaker 1: Yeah, sorry, literally a week and I'm like, who am I?

1544
01:13:14,960 --> 01:13:18,639
Speaker 1: Uh Manny just said blame it on the rain. Amazing,

1545
01:13:18,960 --> 01:13:24,720
Speaker 1: just tie it yeah, rim shot, Yeah, that's what I'm

1546
01:13:24,720 --> 01:13:25,120
Speaker 1: blaming it on.

1547
01:13:25,200 --> 01:13:26,519
Speaker 2: Nanny anyway.

1548
01:13:26,640 --> 01:13:30,800
Speaker 1: Yes, follow us on Instagram at how Rude podcast, which

1549
01:13:30,800 --> 01:13:33,160
Speaker 1: I am very certain of. Also, you can email us

1550
01:13:33,200 --> 01:13:37,000
Speaker 1: at Howard Tantorto's at gmail dot com. Make sure you're

1551
01:13:37,000 --> 01:13:39,120
Speaker 1: liking and subscribing to the podcast wherever you're listening.

1552
01:13:39,200 --> 01:13:43,599
Speaker 3: I'm also choking. It's really going well.

1553
01:13:43,640 --> 01:13:45,599
Speaker 2: At the end of this is just smoothly flying.

1554
01:13:45,880 --> 01:13:49,040
Speaker 1: It's been a great warm up. Right by next week,

1555
01:13:49,120 --> 01:13:52,680
Speaker 1: I'm gonna know what I'm doing. Just kidding anyway, Thank

1556
01:13:52,720 --> 01:13:54,080
Speaker 1: you guys so much for listening.

1557
01:13:54,240 --> 01:13:58,760
Speaker 3: We love you, and remember the world is small. But

1558
01:13:58,880 --> 01:14:00,080
Speaker 3: the house is full.

1559
01:14:02,160 --> 01:14:04,799
Speaker 1: Of Barney the Bear. Full of Barney the Bear everywhere,

1560
01:14:05,000 --> 01:14:07,439
Speaker 1: creepily staring at from every corner.

1561
01:14:07,680 --> 01:14:10,360
Speaker 2: Yeah, it's really it's like the busts in the Haunted

1562
01:14:10,400 --> 01:14:11,280
Speaker 2: Mansion were anywhere.

1563
01:14:12,000 --> 01:14:15,599
Speaker 3: It actually calmed inward, and so it just sits the yeah.

1564
01:14:15,479 --> 01:14:18,880
Speaker 2: Perspective, that's what the bear. Yeah, he's always watching. It's

1565
01:14:18,920 --> 01:14:22,360
Speaker 2: like Santa. It's true terrifying. Yeah, it's really scary.

1566
01:14:22,800 --> 01:14:25,280
Speaker 1: Suddenly, like the next episode, his eyes just move like

1567
01:14:25,400 --> 01:14:27,639
Speaker 1: a like a Scooby Doo episode.

1568
01:14:27,920 --> 01:14:30,519
Speaker 2: Yeah, Oh, Barney the Bear it.

1569
01:14:30,920 --> 01:14:32,400
Speaker 1: Oh boy, all right, we'll see you next time.

1570
01:14:32,560 --> 01:14:32,720
Speaker 2: Next