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Speaker 1: Dear listeners of Hollywood Land, does it feel like you're

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Speaker 1: stuck in limbo? Standing under a flickering street light at

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Speaker 1: the corner of Hollywood and True Crime, waiting for the

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Speaker 1: next episode of hollywood Land to drop. I got you.

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Speaker 1: Welcome to hollywood Land, the Rap Party. Welcome to the

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Speaker 1: hollywood Land bonus episode. That's right, it's the Rap Party.

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Speaker 1: This is where you come to hang out. After that

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Speaker 1: last camera rolls, after the gate is checked, the director

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Speaker 1: calls cut, and the studio a lot empties out. On

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Speaker 1: this bonus episode, we are talking about this week's full

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Speaker 1: episode subject of hollywood Land, Roscoe Fatty Arbuckle. We are

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Speaker 1: previewing next week's episode on John Belushi. We're talking movie

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Speaker 1: and music recommendations, and we're going to check out your voicemails, texts, dms,

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Speaker 1: and emails. So come on, everybody, that's party, Okay? So,

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Speaker 1: who the hell is this guy? And why is he

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Speaker 1: yapping in my feed? And where is the guy that's

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Speaker 1: usually here? And why do things have to change? Was

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Speaker 1: it Winston Churchill who said to improve is to change,

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Speaker 1: To be perfect is to change often? Or does the

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Speaker 1: Internet just want me to believe that he said that

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Speaker 1: either way. I am not Winston Churchill, nor am I

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Speaker 1: the Internet. My name is Zeth Lundy. I'm a longtime writer,

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Speaker 1: editor and showrunner for Double Elvis, author of many of

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Speaker 1: these Hollywood Land episodes you've been listening to, and as

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Speaker 1: of today, I am now also your most humble host

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Speaker 1: of this here show, The Rap Party, a weekly bonus

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Speaker 1: episode of the Hollywood Lab podcast. Now that doesn't mean

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Speaker 1: that there's been some hostile takeover and Jake is out.

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Speaker 1: That's Jake Brennan I'm talking about, obviously, creator and host

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Speaker 1: of not only Hollywood Land, but also the discreta podcast.

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Speaker 1: Quite the contrary. Actually, Jake will be here with me

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Speaker 1: as my co host, at least for the foreseeable future,

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Speaker 1: and he'll join me here in just a minute. But

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Speaker 1: first I wanted to take a moment just so you

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Speaker 1: could all get to know me a little bit better

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Speaker 1: and also give you a sense of what we have

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Speaker 1: planned for you all, not only here in The Rap Party,

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Speaker 1: but in hollywood Land at large. Like all of you,

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Speaker 1: I've been obsessed with movies my whole life. I think

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Speaker 1: Et was the first movie I ever saw in a theater,

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Speaker 1: and I still remember the experience of sitting in that

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Speaker 1: dark room, surrounded by strangers and watching this story unfold

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Speaker 1: that was equal parts thrilling, terrifying and emotional and just thinking,

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Speaker 1: this is the greatest feeling. I wanted to live in

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Speaker 1: that feeling as much as possible, and I think that now,

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Speaker 1: years later, doing what I do, I'm trying to deliver

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Speaker 1: that same feeling to all of you. Each week, I'm

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Speaker 1: writing a story that's equal parts thrilling, terrifying and deeply

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Speaker 1: emotional if it's being done right, and after the team

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Speaker 1: here at Double Elvis puts it all together and creates

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Speaker 1: an audio movie. For lack of a better term, my

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Speaker 1: hope is that you get that feeling that I first

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Speaker 1: got in a movie theater back in nineteen eighty whatever.

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Speaker 1: But as I'm sure you can all relate, my obsession

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Speaker 1: with movies when I was younger quickly became about more

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Speaker 1: than just the movies themselves. I had to know how

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Speaker 1: they were made and who made them. In junior high

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Speaker 1: I wrote a long form essay on the life and

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Speaker 1: work of Alfred Hitchcock, which looking back now, is basically

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Speaker 1: a practice run for what I do here in Hollywood Land.

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Speaker 1: And I was lucky to have been a teenager in

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Speaker 1: the nineteen nineties when American independent cinema blew up, so

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Speaker 1: I binged films by Tarantino, Soderberg, the Coen Brothers, Paul

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Speaker 1: Thomas Anderson. Then I was radicalized at film school, where

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Speaker 1: the first thing I was taught was to reject et

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Speaker 1: to reject the Steven Spielberg's of the world, and instead

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Speaker 1: worship at the altar of directors like John Cassavetti's. And

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Speaker 1: like all coming of age stories, mine was both expected

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Speaker 1: and unexpected, and I came out of it with the

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Speaker 1: wisdom that it's not one or the other, that just

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Speaker 1: like punk and disco, you could be indurators of the

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Speaker 1: lost arc and a woman under the influence. I even

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Speaker 1: worked in Hollywood for a little while on film sets

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Speaker 1: and for production companies, and my ill fated career and

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Speaker 1: the biz ended quite dramatically. I shit you not went

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Speaker 1: on that big movie I was working on. I was

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Speaker 1: crushing these ice cubes for an A list actor who

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Speaker 1: will remain nameless. But I was then tasked with taking

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Speaker 1: the assistant director's car out for an oil change and

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Speaker 1: promptly put the clutch through the floor of the car

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Speaker 1: in the middle of Koreatown. I knew that before that

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Speaker 1: even happened, that a life onset was not for me.

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Speaker 1: I belonged on the outside looking in, which is what

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Speaker 1: hollywood Land is all about. It's Hollywood history delivered through

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Speaker 1: the lens of true crime. Crimes committed by actors, actresses

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Speaker 1: and directors, or crimes that were perpetrated against them, or

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Speaker 1: crimes that happened to overlap with another story that we

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Speaker 1: want to tell. But these aren't the stories you've been

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Speaker 1: told before, of course, And if you're a longtime listener

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Speaker 1: of the show, you know that these stories are full

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Speaker 1: of grit and grime. They're messy, they're uncompromising. They revealed

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Speaker 1: both real evil and true humanity, and they are the

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Speaker 1: product of this intense obsession that's had a hold on

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Speaker 1: me and on all of you since the very first

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Speaker 1: time we sat in a movie theater and were transported.

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Speaker 1: I mean, where else you're going to hear the story

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Speaker 1: about how Bruce Lee was considered a prime suspect in

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Speaker 1: the murders of Sharon Tate and her friends up on

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Speaker 1: Siella Drive Bruce Lee, or about Joan Crawford's unlikely connection

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Speaker 1: to the jfk Assassination Or how a real gangster Alex Rocko,

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Speaker 1: a tough guy from Boston who some say was the

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Speaker 1: guy who set off a bloody gang war. How he

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Speaker 1: went from a bookie and a getaway driver to one

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Speaker 1: of the stars and one of the biggest movies of

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Speaker 1: all time, The Godfather. Speaking of The Godfather, We've got

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Speaker 1: an episode in Marlon Brando coming your way soon, as

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Speaker 1: well as episodes on Sharon Stone, Robert Downey Junior, Harrison Ford,

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Speaker 1: Lindsay Lohan, Jane Mansfield and the Church of Satan, What

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Speaker 1: and porn star John Holmes and the brutal Wonderland Murders.

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Speaker 1: In this week's episode, we go all the way back

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Speaker 1: over one hundred years in the past, nineteen twenty one

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Speaker 1: and what was then deemed the crime of the century,

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Speaker 1: the story of the downfall the highest paid actor in

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Speaker 1: Hollywood at the time, Roscoe Fatty Arbuckle and his murder

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Speaker 1: trial that rocked the town and put in motion major

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Speaker 1: ripper cushions that change the entire industry for decades. And

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Speaker 1: then next week on Monday, you'll get our episode in

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Speaker 1: John Belushi, which involves street fights, a speedball overdose, and

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Speaker 1: a punk rock riot, though not necessarily in that order.

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Speaker 1: And how does the rap party factor in all of this? Well,

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Speaker 1: every Wednesday, we'll be here talking about this week's subject

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Speaker 1: of Hollywood Land, previewing next week's subject and the thing

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Speaker 1: I'm most excited about. I'll be having this ongoing conversation

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Speaker 1: with all of you via your emails, texts, voicemails, dms.

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Speaker 1: So do you want in on this? Well, welcome to

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Speaker 1: the party, pal. Here's what you got to do, all right,

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Speaker 1: text or call me or Jake at six one seven

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Speaker 1: nine oh six six six three eight, send us an

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Speaker 1: email at Disgracelampod at gmail dot com. Hit us up

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Speaker 1: on the socials for now, that's at disgrace Lampod on Instagram,

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Speaker 1: Facebook or x. At some point we'll probably create our

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Speaker 1: own social channels and email address and phone number for

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Speaker 1: Hollywood Land. I don't know, but for right now, Jake

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Speaker 1: and I are going to share, just like we're going

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Speaker 1: to share the microphone right after the short break, So

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Speaker 1: hang Height and Jake and Alaby right back with answers

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Speaker 1: to your dms, your emails and your texts. Welcome back

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Speaker 1: to the rat party. And before I get Jake out here.

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Speaker 1: Just a quick reminder to make sure you have auto

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Speaker 1: downloads turned on wherever you're listening to Hollywood Land, and

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Speaker 1: that way you will not miss anything, because trust me,

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Speaker 1: you don't want to miss this. Okay, all right, now

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Speaker 1: joining me now finally brother from another mother, Jake Brennan,

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Speaker 1: what's up, dude?

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Speaker 2: Hey man? How are you? Quick? Question? Which A List

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Speaker 2: Celebrities clutch did you destroy in Koreatown?

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Speaker 1: So the A List celebrity that was not that. I

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Speaker 1: wasn't driving the celebrities car. It was like the assistant

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Speaker 1: director or some I forget who it was.

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Speaker 2: The point is you fucked up, that's the main.

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Speaker 1: Oh yeah, no, well I mean the car was the

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Speaker 1: I think the clutch. Something was wrong with the car.

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Speaker 1: It wasn't my fault.

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Speaker 2: It was it a nice car.

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Speaker 1: Dude. I don't even remember. This was like two thousand

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Speaker 1: and one, two thousand and two. All I remember is

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Speaker 1: the humbling experience of thinking that you were going to

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Speaker 1: actually work on a movie and having someone say to you, hey,

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Speaker 1: here's the keys in my car, go get in the oil.

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Speaker 2: Brutal. Damn man. Well I'm doing much better than you

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Speaker 2: were doing on that day. I'm happy to be here, Dude.

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Speaker 2: I learned so much about you in that B block

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Speaker 2: and I know you better than most people, and I

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Speaker 2: feel like it just goes to show what a cool

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Speaker 2: character you are. You just don't reveal a lot of

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Speaker 2: yourself and your past, and it kept me really excited

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Speaker 2: to have this conversation. So I'm pumped to be here.

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Speaker 1: That's great, man, I it's you know, I keep a

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Speaker 1: lot of things close to the vest, so sometimes I

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Speaker 1: open up and you learn something, you know, maybe just

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Speaker 1: like we learned things about Fatty Arbuckle this week, our

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Speaker 1: main subject in hollywood Land, and I wanted to just

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Speaker 1: go back to him for a minute and talk about

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Speaker 1: this weird connection or this is just this funny connection

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Speaker 1: that you and I have to this story or at

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Speaker 1: least to an infamous location that shows up in the episode.

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Speaker 1: You want to tell everybody about this.

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Speaker 2: Yeah, I do. Actually, this is the beauty of doing

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Speaker 2: these types of bonus episodes because it really kind of

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Speaker 2: you know, people don't hear this, Like we're we're putting

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Speaker 2: these episodes together hollywood Land and Disgraceland, and we're always

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Speaker 2: having these sort of like low key secondary conversations that

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Speaker 2: are going on about things that happen or don't happen,

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Speaker 2: or things that happened in the production, things that happened

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Speaker 2: in the story questions. We have a bunch of stuff

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Speaker 2: doesn't make it in, is the point. And we've had

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Speaker 2: for the listeners out there, we've had this long running

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Speaker 2: debate here between Zeth and I and a couple other

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Speaker 2: folks back in the day at Double Elvis about one

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Speaker 2: of the locations in the Fatty Airbuckle episode. Because the

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Speaker 2: Fatty part of the Fatty Airbuckle episode, I'm not going

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Speaker 2: to go through the whole thing here. If you haven't

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Speaker 2: heard it, go back and listen. Part of it takes

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Speaker 2: place in Boston in the twenties at the Copee Square Hotel,

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Speaker 2: and just to set the scene real quick, there's this

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Speaker 2: massive dinner hosted by a movie studio and that's like

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Speaker 2: that's the party, but then there's an there's an after party,

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Speaker 2: and the after party is where all the debauchery takes place,

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Speaker 2: and they go outside the city a little bit out

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Speaker 2: to Woobert, Massachusetts, and it's at this place called michewam Manors.

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Speaker 2: How it's identified in the episode, and when we were

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Speaker 2: putting the episode together, Originally we were like, holy fuck,

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Speaker 2: like we've been in this actual place. It's a Chinese restaurant.

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Speaker 2: Now it's like at the time it was my favorite

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Speaker 2: Chinese restaurant. Now I have a new favorite Chinese restaurant.

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Speaker 2: But that's another story. And anyhow, we were I was

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Speaker 2: convinced that it was that building that we actually had

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Speaker 2: a double Levis Christmas party in a couple of years ago.

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Speaker 2: And the guys in listeners, all the shit that happens

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Speaker 2: in this in this party at this place is nuts.

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Speaker 2: It's like women bring it, being naked, women being brought

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Speaker 2: out on trays and all all kinds of.

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Speaker 1: Crazy shitnineteen seventeen version of a freak.

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Speaker 2: Off exactly exactly, which is why we're here. But anyhow, Zas,

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Speaker 2: I mean, let's let's come with the truth. We learned

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Speaker 2: a little thing here in preparation of this rap party

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Speaker 2: actually about that location, right.

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Speaker 1: Yeah, I'm pretty sure based on my Internet research here

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Speaker 1: that I don't think the Michewan Manor is at the

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Speaker 1: Baldwin House is not the former Michewan Manor. I think

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Speaker 1: it was around the corner. And now I've deleted this note.

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Speaker 1: I forget what kind of a hotel it is. It's

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Speaker 1: sort of like a you know, Sinesta.

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Speaker 2: Is that A yeah, a Royal Sinesta.

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Speaker 1: Royal SINESSA yeah, So it's a hotel. I believe. That sucks.

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Speaker 2: That sucks for the story. Man, that's maybe there's.

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Speaker 1: Still chicken and champagne parties that happened at this hotel.

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Speaker 1: I wouldn't be surprised, but that's the hotel I stayed

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Speaker 1: at when I came down for that Christmas party. You know,

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Speaker 1: I remember walking through to so.

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Speaker 2: You did you did stay there? You did stay there,

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Speaker 2: so that you do have some connection to Yeah, Baldwin House,

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Speaker 2: for those who don't know, is the Chinese restaurant that

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Speaker 2: I was referring to. That's what sas talking about. Man,

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Speaker 2: that sucks for the story that it was the Royal Semester.

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Speaker 1: But anyhow, I like our story better. You know, we

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Speaker 1: just we'll run with that. You know, no one's going

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Speaker 1: to know, right.

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Speaker 2: Yes, exactly except everyone listening.

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Speaker 1: Well, listeners are very astute, of course, and of course

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Speaker 1: they would know. And speaking of listeners, I wanted to

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Speaker 1: get into some of the messages we've received from listeners

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Speaker 1: about Hollywood Land just sort of reply to some stuff

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Speaker 1: here for instance, over on Instagram at Tough Sun Tough Underscore,

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Speaker 1: Son wrote about our post on Jack Nicholson episode, and specifically,

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Speaker 1: the post was about this crime that took place at

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Speaker 1: Jack's house in LA when he was an aspen. We'll

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Speaker 1: let you listen to the episode for that story. But

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Speaker 1: at Tough Sun, rights is this when Jack was an

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Speaker 1: aspen and Hunter s put an Elkhart on his front

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Speaker 1: porch and started playing a tape of pigs getting slaughtered

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Speaker 1: at top volume. Wow. First of all, no, Tough Sun,

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Speaker 1: we are not referring to that insane story that you

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Speaker 1: mentioned in. Second of all, here's the thing. The lives

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Speaker 1: and times of Jack Nicholson and Hunter S. Thompson are

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Speaker 1: so wild and so packed with insanity that we have

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Speaker 1: an episode dedicated to each of them, and this story

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Speaker 1: of yours didn't show up in either episode.

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Speaker 2: This is saying something about Hunter Thompson and Jack Nicholson obviously,

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Speaker 2: but also what we do here. And that's why I'm

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Speaker 2: pumped on the wrap party. I'm pumped on the after party.

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Speaker 2: I don't do this enough an after party. Actually I should.

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Speaker 2: We should get into these conversations. And it's great when

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Speaker 2: listeners like this prompt us about ancillary storytelling from these

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Speaker 2: subjects that we just can't get to. You know, we

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Speaker 2: box ourselves into this thirty minute structure, this thirty minute limit,

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Speaker 2: unknowing in the beginning that we could have every episode

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Speaker 2: could be sixty minutes, no problem. But we're finding now

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Speaker 2: in Disgraceland and you'll will probably end up at this

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Speaker 2: point in Hollywood Land at some point. But we're going

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Speaker 2: back now in Disgraceland to subjects that we covered previously,

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Speaker 2: their whole stories, and we're going, Okay, we're gonna cherry

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Speaker 2: pick this insane piece of this story and just spend

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Speaker 2: thirty minutes telling this part of it because it's that nuts.

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Speaker 2: We did that with Scorsese, which will be in the

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Speaker 2: Hollywoodland feet eventually. We did it with Prince, we did

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Speaker 2: it with Van Halen, We're doing it with who and

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Speaker 2: But that's just goes to show how hard it is

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Speaker 2: to adapt the medium to these subjects because they're just

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Speaker 2: so sprawling with craziness and insanity. So I didn't even

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Speaker 2: know this story that the listeners referring to, and I

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Speaker 2: love that the listener knew it, fantastic.

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Speaker 1: I didn't either. I actually looked it up, and I

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Speaker 1: think it was from not too long ago. It wasn't

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Speaker 1: from back in the seventies or whatever. The story we

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Speaker 1: were referring to, by the way, in that that Jack

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Speaker 1: Nicholson thing was about when he was out of town

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Speaker 1: and his buddy Rumin Polanski set up shop in his

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Speaker 1: house the photoshoot with an underage girl that turned into

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Speaker 1: more than a photoshoot. Again, check out the episode for

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Speaker 1: that crazy story. What else do we have here? Okay,

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Speaker 1: here's one Over on Facebook, Celeste writes, Hey, Thomas Negucci

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Speaker 1: might make a great topic for Hollywood Land. Celeste, I

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Speaker 1: love this idea. For those of you who don't know.

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Speaker 1: Thomas Negucci, the Gooch, of course, was the longtime chief

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Speaker 1: medical examiner for La County. He oversaw autopsies on Marilyn Monroe,

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Speaker 1: Janis Joplin, Bobby Kennedy, Natalie Woods, Sharon Tate, and on

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Speaker 1: next week's episode subject as well, John Belushi. I don't

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Speaker 1: know if anyone actually called him the Gooch, by the way,

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Speaker 1: but I just had this great idea for his TV show.

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Speaker 1: All right, hang with me here. It's Thomas Negucci and

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Speaker 1: Stanley Tucci and they are traveling around Italy, kind of

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Speaker 1: like that show that Stanley Tucci has on right now.

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Speaker 1: But as they travel around and eat great Italian food

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Speaker 1: every week, there's a murder that Thomas Gucci has to solve.

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Speaker 1: It's called the Gucci and the tuc Jake. How in

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Speaker 1: are you on this?

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Speaker 2: I'm so, I'm out, I'm fucking out. You're giving up

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Speaker 2: some some some incredible storytelling terrain here. Now, the comic

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Speaker 2: relief would be incredible, this Thomas Nogucci thing. In all seriousness,

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Speaker 2: I've We've come across his name so many times, and

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Speaker 2: I think there's there's a bigger story here. I often wonder,

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Speaker 2: especially with Hollywood subjects, when I encounter somebody like Negucci,

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Speaker 2: who's who's just his name shows up constantly in so

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Speaker 2: many stories, why is there not a story about this guy?

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Speaker 2: And it just makes my brain go to, well, somebody

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Speaker 2: doesn't want the story to be told, so they're preventing

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Speaker 2: it from happening. I mean, we've run into that in

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Speaker 2: the past, you and I have with subjects. But if not,

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Speaker 2: I think there's something real here, like something really rich,

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Speaker 2: that some really rich storytelling, like a biography on this guy.

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Speaker 2: Because didn't he Is this the same guy who was

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Speaker 2: alive when Michael Jackson and Whitty Houston died? Isn't this

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Speaker 2: the same dude?

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Speaker 1: It might be the guy was around for a very

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Speaker 1: long time.

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Speaker 2: Crazy, yeah, because back then you started, you started your

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Speaker 2: career when you were twenty two years old, and you

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Speaker 2: just had the same job for four decades.

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Speaker 1: Totally. I could even see this being like a blood

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Speaker 1: in the track Style show as well, you know where

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Speaker 1: You've got a full season of the Gooch doing his work.

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Speaker 1: You know, Sorry, I'm gonna keep calling him the goouch.

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Speaker 1: I know.

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Speaker 2: I love crazy. I love it. That's the name of

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Speaker 2: the book, The Gooch, the Goose.

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Speaker 1: I'm in.

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Speaker 2: I'm in on the book. I'm not in on the gouch.

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Speaker 2: In the two, Stanley Tucci wears me out. I love him,

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Speaker 2: but he wears me out. He's too.

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Speaker 1: I don't know is that we're referred to on every

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Speaker 1: Instagram post? How He asks at the beginning the video

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Speaker 1: are we rolling?

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Speaker 2: Is that a saying? You know? You know what it is?

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Speaker 2: You know what it is? He reminds me there's a

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Speaker 2: guy TikTok, an Italian chef that reminds me of Stanley Tucci,

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Speaker 2: and I think he's influencing my opinion of Stanley Tucci.

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Speaker 1: So okay, all right, moving on, Let's go over to

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Speaker 1: the telephone over here, waiting on your call like TASHIRAMFUNI

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Speaker 1: was waiting by the telephone in the nineteen sixty three

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Speaker 1: thriller High and Low and listen sidebar. If you haven't

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Speaker 1: seen Akira Kurrasaw's masterpiece High and Low, make sure you

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Speaker 1: do it before Spike Lee's latest film, Highest to Lowest,

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Speaker 1: which is a reinterpretation of that film, comes out in August.

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Speaker 1: But I really really yeah heard about this.

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Speaker 2: I've heard about the Spike Lee movie, but I didn't

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Speaker 2: know it was a reinterpretation. It's like old boy right,

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Speaker 2: like he did that.

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Speaker 1: Yeah, old boy right. I was gonna say. The original

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Speaker 1: movie is about an executive in Japan whose son is kidnapped,

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Speaker 1: and I think the Spike Lee movie is set in

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Speaker 1: the modern music industry world. I think Denzel is a

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Speaker 1: music executive.

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Speaker 2: I bet, oh, yeah it is. I've seen the trailer.

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Speaker 2: Did you see denzil there on the red carpet and

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Speaker 2: you're a couple days ago? You see Denzel go at

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Speaker 2: that paparazzi member.

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Speaker 1: Yeah, man, and he doesn't take any shit.

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Speaker 2: Man.

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Speaker 1: Denzel does not play.

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Speaker 2: It's interesting. I just got into this in the b

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Speaker 2: York episode for Disgrace Land because I'm writing about paparazzi

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Speaker 2: in the nineties and I just stayed at the Hollywood

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Speaker 2: was about hotel a couple of weeks ago, and that

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Speaker 2: that's like, have you stayed there?

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Speaker 1: I have not.

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Speaker 2: No the artwork there. The walls are covered with photographs

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Speaker 2: of the paparazzi photographs I can't remember the paparazzi photographer's name.

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Speaker 2: So many of them, though, are like, you know, Sean

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Speaker 2: Penn taking a swing at the paparazzi. One of them

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Speaker 2: is that guy. There's a guy, the paparazzi guy with

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Speaker 2: the helmet on, following Marlin and Brando around it. Brando

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Speaker 2: already slugged him and okay, so the Denzel thing, what

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Speaker 2: was interesting to me is he goes at the paparazzi

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Speaker 2: guy more than once in the crowd and they don't

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Speaker 2: fucking care. The guy's like the camera guy, the power

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Speaker 2: he's like laughing, He's like it's almost like I think

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Speaker 2: I couldn't really tell. And the newscaster who was showing.

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Speaker 2: It didn't really get into it, but it looks like

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Speaker 2: the it looks like the camera guy, the paparazzi guy,

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Speaker 2: is goading him, like he's actually grabbing him, and I

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Speaker 2: think that's what set Denzel off. And then I think

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Speaker 2: he grabs him again, and I'm just thinking to myself,

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Speaker 2: is this a modern paparazzi thing where they're just this

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Speaker 2: fucking aggressive and they don't care anymore? Or it must be,

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Speaker 2: isn't it? Is it a European thing? I think they

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Speaker 2: might have been in Italy or something, maybe there. Maybe

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Speaker 2: it was, No, I think it was.

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Speaker 1: It was. It was a con so I think it

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Speaker 1: was at the festival, so it was in France, but.

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Speaker 2: It was in France. Yeah.

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Speaker 1: I wonder too if it's just that market is so

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Speaker 1: saturated now, this whole paparazzi, Like everyone's clamoring for a

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Speaker 1: shot for this website or that publication or whatever, so

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Speaker 1: you sort of have to be built differently to be

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Speaker 1: one of those dudes, and you have to be super

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Speaker 1: aggressive and cross the line to get the shot or whatever.

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Speaker 2: Right right, right, right, all right. I wonder how the

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Speaker 2: Guch and the Tuts would do with the paparazzi probably

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Speaker 2: probably fair better than Denzel.

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Speaker 1: I'm guessing yeah, yeah, I can see them both being

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Speaker 1: a little uh more even tempered, you know. Uh Okay,

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Speaker 1: back to the telephone here where Sue from the two

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Speaker 1: oh seven Sue represent two seven Love It texted just

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Speaker 1: curious are there any new Hollywood Land episodes? All the

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Speaker 1: ones I see were previously released, Jake, I'll let you

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Speaker 1: talk to this.

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Speaker 2: You know, before I answer this, you just reminded me

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Speaker 2: because you're saying telephone, and nobody says telephone anymore. They

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Speaker 2: say phone, and I love it. And I think what

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Speaker 2: I'm gonna do in true Hollywood Land fashion, is I

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Speaker 2: think I'm gonna get because I'm trying. I'm constantly throughout

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Speaker 2: the day trying to trying to find ways to avoid

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Speaker 2: my phone because it just pulls me out. Even with

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Speaker 2: notifications off, it still has a way of pulling me

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Speaker 2: out of whatever headspace I'm trying to stay in to

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Speaker 2: get stuff done and working around the house. Even though

428
00:21:48,240 --> 00:21:50,440
Speaker 2: there this little studio here and all that, it's still

429
00:21:50,440 --> 00:21:52,439
Speaker 2: it's distracting as hell. So I think what I'm going

430
00:21:52,520 --> 00:21:55,320
Speaker 2: to do, I'm going to get a telephone installed like

431
00:21:55,359 --> 00:21:57,720
Speaker 2: an old school rotary telephone, like the hand the ones

432
00:21:57,720 --> 00:22:01,520
Speaker 2: you carry around, or the cradle sits on the on

433
00:22:01,600 --> 00:22:04,440
Speaker 2: the receiver. And I'm gonna get a long, long, long,

434
00:22:04,640 --> 00:22:07,159
Speaker 2: long line, and I'm gonna have it outside in my

435
00:22:07,200 --> 00:22:10,040
Speaker 2: backyard near my pool, and I'm gonna just take calls

436
00:22:10,040 --> 00:22:12,600
Speaker 2: out there, like Bob Evans and my robe.

437
00:22:12,760 --> 00:22:14,200
Speaker 1: I was gonna say, make sure you're wearing one of

438
00:22:14,320 --> 00:22:15,719
Speaker 1: your three robes while you do that.

439
00:22:16,040 --> 00:22:17,919
Speaker 2: One of my three robes. One of the one of

440
00:22:17,920 --> 00:22:22,320
Speaker 2: the disgracend listeners on Patreon called it a writing robe,

441
00:22:22,600 --> 00:22:24,440
Speaker 2: and I was like, damn, that's good.

442
00:22:24,840 --> 00:22:27,800
Speaker 1: That's like, do you write in a robe? I wear?

443
00:22:28,240 --> 00:22:32,119
Speaker 2: Living in the heat, I wear robes. Fifty percent of

444
00:22:32,119 --> 00:22:33,160
Speaker 2: my day is spent in a robe.

445
00:22:33,200 --> 00:22:35,240
Speaker 1: Now I can't. I can't do a robe. I can't.

446
00:22:35,240 --> 00:22:36,560
Speaker 2: Well, you live in the Arctic.

447
00:22:36,760 --> 00:22:39,679
Speaker 1: It's it's well, okay, be that as it may. I

448
00:22:39,720 --> 00:22:42,080
Speaker 1: still I don't think I could work. And I have

449
00:22:42,119 --> 00:22:45,080
Speaker 1: to get dressed to work, Yeah I can that jamas.

450
00:22:45,119 --> 00:22:47,080
Speaker 1: I have to get I have to shower and get

451
00:22:47,160 --> 00:22:48,760
Speaker 1: dressed through the day to work.

452
00:22:49,040 --> 00:22:51,440
Speaker 2: On the opposite, and you know, I've actually read that

453
00:22:51,480 --> 00:22:54,959
Speaker 2: there's there's people who have studied this and yeah, like

454
00:22:55,000 --> 00:22:58,439
Speaker 2: for creativity, right, some people do this thing like my eight,

455
00:22:58,560 --> 00:23:01,600
Speaker 2: like orin Will he literally as soon as he opens

456
00:23:01,640 --> 00:23:04,800
Speaker 2: his eyes, he has this light that he stares at

457
00:23:05,359 --> 00:23:08,400
Speaker 2: and it shocks. It's supposed to shock your brain into

458
00:23:08,480 --> 00:23:11,040
Speaker 2: like you're just wide awake, you know what I mean.

459
00:23:12,000 --> 00:23:15,399
Speaker 2: But I've also heard for being creative, you want to

460
00:23:15,480 --> 00:23:18,960
Speaker 2: keep as low light as possible. And so I just

461
00:23:19,040 --> 00:23:22,280
Speaker 2: kind of like get up and I shuffle into into

462
00:23:22,320 --> 00:23:24,360
Speaker 2: this room here, and I sit in my comfy chair

463
00:23:24,400 --> 00:23:26,920
Speaker 2: and I'm fully robed, and I just like I start

464
00:23:26,920 --> 00:23:30,080
Speaker 2: writing like that's it. That's robe number one, and then

465
00:23:30,119 --> 00:23:31,920
Speaker 2: I have a post workout robe. Let's keep going. No

466
00:23:31,920 --> 00:23:32,760
Speaker 2: one wants to hear this crap.

467
00:23:33,400 --> 00:23:35,840
Speaker 1: Let keep going. This is super robe core here, okay,

468
00:23:36,240 --> 00:23:38,480
Speaker 1: robe core? All right, So listen, you're supposed to be

469
00:23:38,520 --> 00:23:41,440
Speaker 1: explaining what the fuck's going on with Hollywood Land and

470
00:23:41,520 --> 00:23:43,080
Speaker 1: new episodes. I am.

471
00:23:43,280 --> 00:23:46,920
Speaker 2: Yeah, for Sue, that's right. To answer Sue's question, we

472
00:23:47,480 --> 00:23:49,320
Speaker 2: got into you, I'm gonna I'm gonna go to thirty

473
00:23:49,320 --> 00:23:50,719
Speaker 2: second clock here? Is that what we're doing? I can

474
00:23:50,720 --> 00:23:51,720
Speaker 2: explained this in thirty seconds?

475
00:23:51,720 --> 00:23:53,399
Speaker 1: Oh yeah, yeah, Map, put the clock on.

476
00:23:53,680 --> 00:23:56,760
Speaker 2: Okay, thirty second clock. So once upon a time we

477
00:23:56,800 --> 00:23:59,440
Speaker 2: had a show called bad Lands. Bad Lands was supposed

478
00:23:59,440 --> 00:24:02,680
Speaker 2: to be stories about true crime and all different types

479
00:24:02,720 --> 00:24:06,000
Speaker 2: of subjects, Hollywood sports and we're going to move into

480
00:24:06,040 --> 00:24:08,600
Speaker 2: history and all kinds of things. We basically just did

481
00:24:08,640 --> 00:24:11,240
Speaker 2: Hollywood in sports and it ran in the same feed

482
00:24:11,400 --> 00:24:14,040
Speaker 2: for a long, long, long long time. Got to the

483
00:24:14,040 --> 00:24:16,880
Speaker 2: point where we were unable to keep up with our production.

484
00:24:17,320 --> 00:24:19,840
Speaker 2: We were doing an episode of bad Lands a week

485
00:24:19,920 --> 00:24:23,359
Speaker 2: and an episode of Disgraceland a week, and that wasn't

486
00:24:23,359 --> 00:24:26,040
Speaker 2: always the plan. It was these things used to be seasonal.

487
00:24:26,080 --> 00:24:29,119
Speaker 2: You used to release an episode every other week. Then

488
00:24:29,160 --> 00:24:31,320
Speaker 2: you get to release one every week. It's just insane.

489
00:24:31,720 --> 00:24:35,360
Speaker 2: So we had to pull back on production of bad Lands.

490
00:24:35,440 --> 00:24:38,480
Speaker 2: And now we're in a position where we are going

491
00:24:38,520 --> 00:24:42,119
Speaker 2: to be able to ramp up production once again, and

492
00:24:42,400 --> 00:24:44,680
Speaker 2: we have to get the bad Lands episodes back out

493
00:24:44,720 --> 00:24:47,000
Speaker 2: into the world, the Hollywood Land episodes, so they are

494
00:24:47,000 --> 00:24:51,280
Speaker 2: in their own feed. Now. Half of our archive was released,

495
00:24:52,080 --> 00:24:58,000
Speaker 2: as you know, dropping not new. We're dropping additional archive

496
00:24:58,119 --> 00:25:01,680
Speaker 2: episodes once a week in the Hollywood Land feed. Now

497
00:25:01,680 --> 00:25:03,960
Speaker 2: we're adding these rap parties that are going to be

498
00:25:03,960 --> 00:25:07,359
Speaker 2: happening once a week as well, with Zeth and I

499
00:25:07,560 --> 00:25:12,440
Speaker 2: behind the mic me for the foreseeable future, and eventually,

500
00:25:13,160 --> 00:25:18,880
Speaker 2: I should say shortly, we'll be producing new hollywood Land episodes.

501
00:25:19,200 --> 00:25:21,520
Speaker 2: Once we get the entire archive out, we will have

502
00:25:21,600 --> 00:25:24,280
Speaker 2: new hollywood Land episodes that will be released once a

503
00:25:24,320 --> 00:25:27,200
Speaker 2: week along with the bonus wrap party once a week,

504
00:25:27,359 --> 00:25:30,439
Speaker 2: and it'll essentially function in its own feed, just like

505
00:25:30,680 --> 00:25:34,040
Speaker 2: Disgraceland does. And the plan is to at some point

506
00:25:34,119 --> 00:25:36,840
Speaker 2: soon after that do the same thing with Sportsland. I

507
00:25:36,880 --> 00:25:38,639
Speaker 2: know that was over thirty seconds, but I think I

508
00:25:38,880 --> 00:25:39,639
Speaker 2: answered the question.

509
00:25:40,520 --> 00:25:43,280
Speaker 1: Yes you did. Thank you so much, and Sue, thanks

510
00:25:43,320 --> 00:25:46,119
Speaker 1: for allowing us to explain just what the hell is

511
00:25:46,160 --> 00:25:48,359
Speaker 1: going on over here, because sometimes we need to clear

512
00:25:48,400 --> 00:25:48,840
Speaker 1: things up.

513
00:25:49,080 --> 00:25:51,520
Speaker 2: Yeah, sometimes you need to explain things ten times because

514
00:25:51,520 --> 00:25:54,280
Speaker 2: people get their information in different spaces and they don't

515
00:25:54,320 --> 00:25:56,760
Speaker 2: necessarily get the first message you put out, et cetera.

516
00:25:56,880 --> 00:25:59,600
Speaker 1: So very true, very true. All right for everybody else

517
00:25:59,640 --> 00:26:03,439
Speaker 1: out there, BLX, SU text us call us six one

518
00:26:03,560 --> 00:26:06,119
Speaker 1: seven nine oh six sixty six three eight, hit us

519
00:26:06,160 --> 00:26:09,840
Speaker 1: up on Instagram, Facebook X, send an email to Disgrace

520
00:26:09,960 --> 00:26:13,000
Speaker 1: Lampod at gmail dot com and we'll get back to

521
00:26:13,000 --> 00:26:14,760
Speaker 1: you maybe we'll even read it here in an episode

522
00:26:14,800 --> 00:26:17,320
Speaker 1: of The Rap Party, and this episode of The Rap

523
00:26:17,359 --> 00:26:20,080
Speaker 1: Party will continue in just uno momento, So don't touch

524
00:26:20,119 --> 00:26:22,399
Speaker 1: that dial. We'll be right back with some music and

525
00:26:22,480 --> 00:26:42,040
Speaker 1: movie recommendations. Once again, we are back and it's time

526
00:26:42,280 --> 00:26:44,960
Speaker 1: for a little segment of the show that we're calling

527
00:26:45,119 --> 00:26:48,359
Speaker 1: for your consideration. This part of the Rap Party is

528
00:26:48,359 --> 00:26:52,680
Speaker 1: all about recommendations, music and movie recommendations, but they are

529
00:26:52,720 --> 00:26:57,600
Speaker 1: recommendations inspired by the actor, actress, or director whoever we're

530
00:26:57,640 --> 00:27:00,439
Speaker 1: covering this week in our full episode of Hollywood. So

531
00:27:01,160 --> 00:27:03,879
Speaker 1: Fatty Arbuckle being this week's subject and looking ahead to

532
00:27:03,960 --> 00:27:06,920
Speaker 1: next week's subject, John Belushi, we've got big dudes on

533
00:27:06,960 --> 00:27:09,479
Speaker 1: the brain. So to that end, Jake, I need some

534
00:27:09,520 --> 00:27:11,560
Speaker 1: big dude music, Rex, what do you.

535
00:27:11,520 --> 00:27:15,679
Speaker 2: Got big dude music? Rex? I thought about this. I

536
00:27:15,680 --> 00:27:19,160
Speaker 2: thought about John Belushi. John Belushi made me think about

537
00:27:19,200 --> 00:27:22,040
Speaker 2: Blues Brothers, made me think about John Lee Hooker, made

538
00:27:22,080 --> 00:27:24,800
Speaker 2: me think about this song I'm obsessed with by John

539
00:27:24,880 --> 00:27:29,399
Speaker 2: Lee Hooker called grinder Man, which yes, which to me,

540
00:27:29,720 --> 00:27:34,040
Speaker 2: it's the sound of violence, and you wouldn't know so

541
00:27:34,200 --> 00:27:37,080
Speaker 2: from the lyrics. The lyrics are about a baseball player,

542
00:27:37,080 --> 00:27:39,119
Speaker 2: but it's a double entendre for sex and it just

543
00:27:39,200 --> 00:27:42,679
Speaker 2: sounds so fucking mean. It was recorded for the Stax label,

544
00:27:43,000 --> 00:27:45,200
Speaker 2: which doesn't make a lot of sense for John Lee Hooker,

545
00:27:45,200 --> 00:27:48,080
Speaker 2: but somehow it all works. I was also, you know,

546
00:27:48,160 --> 00:27:51,480
Speaker 2: Fatty Arbuckle got me to Fats Domino, and I thought

547
00:27:51,480 --> 00:27:54,359
Speaker 2: it just the great Fats Domino song Blue Monday, which

548
00:27:54,440 --> 00:27:58,280
Speaker 2: most of you have probably heard before, but it's just

549
00:27:58,320 --> 00:28:00,399
Speaker 2: worth going back to. It just makes you feel good,

550
00:28:00,480 --> 00:28:03,400
Speaker 2: damn it. It's a fantastic song. And then I just went.

551
00:28:03,560 --> 00:28:06,320
Speaker 2: I took a flyer on the third recommendation here because

552
00:28:06,320 --> 00:28:10,080
Speaker 2: I've been obsessed disgrace hand listeners after party listeners know this.

553
00:28:10,119 --> 00:28:13,359
Speaker 2: I've talked about it. I've been obsessed with the HBO

554
00:28:13,720 --> 00:28:18,000
Speaker 2: series The New Pope, also The Young Pope, which came before.

555
00:28:19,119 --> 00:28:24,919
Speaker 2: But the music in both seasons, Young and New specific particularly,

556
00:28:24,960 --> 00:28:28,400
Speaker 2: I should say in The New Pope is fantastic. It's

557
00:28:28,480 --> 00:28:33,000
Speaker 2: all dance music, largely I think European dance music, and

558
00:28:33,640 --> 00:28:36,119
Speaker 2: it's music that I'm not familiar with. It's music that

559
00:28:36,160 --> 00:28:38,320
Speaker 2: I don't have a lot of contact with besides this

560
00:28:38,400 --> 00:28:43,080
Speaker 2: television show, and I come to it completely new and

561
00:28:43,280 --> 00:28:45,800
Speaker 2: it's exciting and it makes me Also, it makes me

562
00:28:45,840 --> 00:28:48,120
Speaker 2: feel great, and it makes me feel good. It makes

563
00:28:48,120 --> 00:28:51,360
Speaker 2: me want to get dressed up, go out party. So

564
00:28:51,520 --> 00:28:53,840
Speaker 2: check out the New Pope soundtrack. Just search New Pope

565
00:28:53,920 --> 00:28:57,840
Speaker 2: Soundtrack on Spotify and you will not be disappointed.

566
00:28:58,080 --> 00:28:59,880
Speaker 1: Not a big guy.

567
00:29:00,120 --> 00:29:03,360
Speaker 2: The brain reference there is Zeth, but one that I'm into.

568
00:29:03,720 --> 00:29:05,360
Speaker 1: Well, that's where your brain went, and I love that

569
00:29:05,400 --> 00:29:08,560
Speaker 1: it went from John Lee Hooker all the way to

570
00:29:09,200 --> 00:29:14,760
Speaker 1: dance music. That's I love the eclectic recommendation list. When

571
00:29:14,800 --> 00:29:17,920
Speaker 1: it comes to movies, I was thinking about big dudes

572
00:29:17,960 --> 00:29:21,160
Speaker 1: and movies, big funny dudes in movies, which is obviously

573
00:29:21,160 --> 00:29:24,400
Speaker 1: a long list, but I think my all time favorite

574
00:29:24,520 --> 00:29:26,840
Speaker 1: is going to be John Candy, who incidentally was in

575
00:29:26,840 --> 00:29:30,160
Speaker 1: The Blues Brothers with John Belushy Orange Whip, Orange Wi

576
00:29:30,560 --> 00:29:34,040
Speaker 1: three Orange Whips. And I can recommend a lot of

577
00:29:34,040 --> 00:29:36,560
Speaker 1: great John Candy movies like Stripes or Uncle Buck. But

578
00:29:36,640 --> 00:29:38,480
Speaker 1: what I really want to recommend and talk about is

579
00:29:38,520 --> 00:29:40,560
Speaker 1: this certain kind of comedian who I feel is kind

580
00:29:40,560 --> 00:29:42,680
Speaker 1: of gone by the wayside over the years. You know,

581
00:29:42,760 --> 00:29:46,320
Speaker 1: John Candy, John Belushi, Bill Murray, Dan Aykroyd. These guys

582
00:29:46,320 --> 00:29:49,000
Speaker 1: and gals who came out of Second City in Chicago,

583
00:29:49,720 --> 00:29:52,360
Speaker 1: SETV up in Canada back in the seventies, before they

584
00:29:52,360 --> 00:29:55,360
Speaker 1: blew up culturally in the eighties. They all had this

585
00:29:55,480 --> 00:29:58,560
Speaker 1: really intense connection to music, you know, rock and roll, blues,

586
00:29:58,720 --> 00:30:00,920
Speaker 1: R and B. It was such an entire part of

587
00:30:00,960 --> 00:30:03,920
Speaker 1: their identity as comedians. And I feels like it happened

588
00:30:03,920 --> 00:30:06,600
Speaker 1: in this very succinct period of time. You know, I

589
00:30:06,600 --> 00:30:09,000
Speaker 1: think of John Candy singing Ray Charles in the Car

590
00:30:09,040 --> 00:30:12,120
Speaker 1: and Plains, Trains and Automobiles, or he's singing that tweet

591
00:30:12,160 --> 00:30:15,800
Speaker 1: Lyde song and Uncle Buck when he's making breakfast, and

592
00:30:16,080 --> 00:30:19,440
Speaker 1: you know, he leads the Polka band and home alone.

593
00:30:19,480 --> 00:30:21,280
Speaker 1: And now that I'm thinking about it, maybe it's a

594
00:30:21,360 --> 00:30:24,040
Speaker 1: Chicago thing. But I'm just saying that when you watch

595
00:30:24,120 --> 00:30:26,959
Speaker 1: these movies from the eighties, these comedies with these legends,

596
00:30:27,200 --> 00:30:29,800
Speaker 1: it's obvious that they were rock stars, rock stars in

597
00:30:29,840 --> 00:30:32,440
Speaker 1: their minds, you know. But look at Belushi. He turned

598
00:30:32,480 --> 00:30:35,400
Speaker 1: himself into a rock star, you know, with dan Aykroyd

599
00:30:35,400 --> 00:30:37,840
Speaker 1: and the Blues Brothers had a number one record on

600
00:30:37,840 --> 00:30:40,920
Speaker 1: the Billboard Album chart. It's just a really interesting thing.

601
00:30:40,960 --> 00:30:43,520
Speaker 1: You know. I just don't see that sort of that

602
00:30:43,680 --> 00:30:46,320
Speaker 1: music and comedies crossover anymore. Do you know what I'm

603
00:30:46,320 --> 00:30:46,800
Speaker 1: talking about?

604
00:30:47,120 --> 00:30:49,400
Speaker 2: I do, I do. Yeah. I'm trying to think of

605
00:30:49,440 --> 00:30:52,479
Speaker 2: a modern day camp and I can't. And it is

606
00:30:52,560 --> 00:30:55,200
Speaker 2: striking how much of those dudes were into R and

607
00:30:55,240 --> 00:30:59,560
Speaker 2: B and blues and just kind of feel good party music, you.

608
00:30:59,480 --> 00:31:02,160
Speaker 1: Know, totally parting music for sure, like that Nuggets era

609
00:31:02,280 --> 00:31:05,680
Speaker 1: kind of stuff like frat rock. You know, love that,

610
00:31:05,960 --> 00:31:08,520
Speaker 1: love that stuff. All right. My second big dude is

611
00:31:08,760 --> 00:31:11,560
Speaker 1: John Goodman, who has been in a billion movies I know,

612
00:31:11,680 --> 00:31:14,920
Speaker 1: But my John Goodman recommendation is this movie called Barton

613
00:31:14,960 --> 00:31:18,040
Speaker 1: Fink from nineteen ninety one, directed by Joel and Ethan Cohen,

614
00:31:18,120 --> 00:31:20,640
Speaker 1: two of the greatest to ever do it. I first

615
00:31:20,680 --> 00:31:22,720
Speaker 1: saw this movie in high school. I don't remember how

616
00:31:22,840 --> 00:31:25,520
Speaker 1: I was subscribed to Premiere magazine and probably write about

617
00:31:25,520 --> 00:31:27,360
Speaker 1: it through there. And I know that it won the

618
00:31:27,400 --> 00:31:30,400
Speaker 1: Palm Door at the Coln Film Festival when it came out.

619
00:31:31,000 --> 00:31:33,520
Speaker 1: Barton Fink is really it's unlike any other movie. It's strange,

620
00:31:33,520 --> 00:31:35,840
Speaker 1: it's horrifying, it's funny, and if you're a creative person,

621
00:31:35,840 --> 00:31:37,520
Speaker 1: if you write, or you paint, or you make music

622
00:31:37,600 --> 00:31:40,200
Speaker 1: or whatever, it will hit you hard because it's about

623
00:31:40,200 --> 00:31:42,920
Speaker 1: this playwright named Barton Fink played by John Cicero, who

624
00:31:43,000 --> 00:31:45,400
Speaker 1: moves from New York to Los Angeles in nineteen forty

625
00:31:45,440 --> 00:31:48,160
Speaker 1: one in order to write scripts for Hollywood. So he's

626
00:31:48,160 --> 00:31:53,640
Speaker 1: basically taking He's going from this brainy, already playwright to

627
00:31:54,280 --> 00:31:57,680
Speaker 1: being a paid screenwriter in Hollywood to write schlock. Right,

628
00:31:59,000 --> 00:32:02,760
Speaker 1: And then there's this sweaty, intense as fuck performance by

629
00:32:02,840 --> 00:32:06,400
Speaker 1: John Goodman, a guy who isn't what he says he is.

630
00:32:06,520 --> 00:32:08,360
Speaker 1: And all I gotta say is that once you see this,

631
00:32:08,720 --> 00:32:11,920
Speaker 1: there's this one scene with him running down this hallway

632
00:32:11,920 --> 00:32:14,080
Speaker 1: of a hotel and it's the whole thing is on

633
00:32:14,160 --> 00:32:16,520
Speaker 1: fire and he's screaming, you will never be able to

634
00:32:16,560 --> 00:32:18,920
Speaker 1: look at John Goodman the same way twice.

635
00:32:18,920 --> 00:32:20,520
Speaker 2: All Right, I've never seen that. I've never seen Barton

636
00:32:20,520 --> 00:32:23,040
Speaker 2: Fink anything. It's gonna take your recommendation.

637
00:32:23,240 --> 00:32:27,800
Speaker 1: It's a great meditation on creativity and you know, high

638
00:32:27,840 --> 00:32:30,640
Speaker 1: brow versus lowbrow and writer's block and all that stuff.

639
00:32:30,640 --> 00:32:33,160
Speaker 1: It's great. And then finally, just like you, Jake, I'm

640
00:32:33,200 --> 00:32:35,360
Speaker 1: gonna veer from the subject to hand here, I just

641
00:32:35,440 --> 00:32:38,200
Speaker 1: because I just watched for the very first time unbelievably.

642
00:32:38,240 --> 00:32:42,280
Speaker 1: Perhaps King of New York, the nineteen ninety Abo Ferrara

643
00:32:42,440 --> 00:32:44,880
Speaker 1: crime film Where You Been, Dude, I don't know. This

644
00:32:44,960 --> 00:32:46,800
Speaker 1: is one of those ones that slipped off my radar

645
00:32:46,880 --> 00:32:48,320
Speaker 1: for a long ast time.

646
00:32:48,520 --> 00:32:50,600
Speaker 2: Yeah, no me, I'm I'm I don't want to play

647
00:32:50,640 --> 00:32:53,840
Speaker 2: cool guy here the same like I saw it back

648
00:32:53,880 --> 00:32:55,720
Speaker 2: in the nineties, right. I don't know if it was

649
00:32:55,720 --> 00:32:57,600
Speaker 2: when it came out or I didn't see it in

650
00:32:57,640 --> 00:33:00,200
Speaker 2: the theater. It was one of those movies that my

651
00:33:00,240 --> 00:33:03,240
Speaker 2: friends and I knew about and referenced, and but it

652
00:33:03,280 --> 00:33:05,680
Speaker 2: was one of those movies I never watched again ever

653
00:33:05,880 --> 00:33:08,760
Speaker 2: until about five years ago, and I was just like, Oh,

654
00:33:08,840 --> 00:33:13,120
Speaker 2: my god, is so Jarring? Is so good?

655
00:33:13,360 --> 00:33:14,120
Speaker 1: It is Jarring.

656
00:33:14,920 --> 00:33:20,400
Speaker 2: Who's the guy who plays the bartender in pulp Fiction?

657
00:33:20,880 --> 00:33:23,320
Speaker 2: Who gives Bruce Willis the red apples?

658
00:33:24,120 --> 00:33:26,560
Speaker 1: Paul, Yeah, I know what you're talking about. He was

659
00:33:26,640 --> 00:33:28,200
Speaker 1: he auditioned for.

660
00:33:28,400 --> 00:33:31,640
Speaker 2: Yeah, Sam Jackson, Well yeah, yeah, but but on the

661
00:33:31,680 --> 00:33:35,480
Speaker 2: heels of King of New York, that's who Tarantino wanted.

662
00:33:35,520 --> 00:33:37,960
Speaker 2: I believe that guy's great. Whatever that guy's name is.

663
00:33:38,720 --> 00:33:40,760
Speaker 1: His name is Paul something I can I can go

664
00:33:40,800 --> 00:33:41,120
Speaker 1: that far.

665
00:33:41,480 --> 00:33:43,320
Speaker 2: His name is Paul and this ship is between Yell.

666
00:33:44,960 --> 00:33:46,640
Speaker 1: All right, cool, I'm glad you see that movie. If

667
00:33:46,640 --> 00:33:48,280
Speaker 1: you guys, if you haven't seen King of New York,

668
00:33:48,360 --> 00:33:52,120
Speaker 1: it's it's wild, It's it's sort of like this weird

669
00:33:52,200 --> 00:33:55,240
Speaker 1: mishmash of again talking about high art and low art.

670
00:33:55,400 --> 00:33:58,600
Speaker 1: It feels like a B movie with a with a

671
00:33:58,600 --> 00:34:02,080
Speaker 1: a movie's brain, if that makes it sense. But great stuff.

672
00:34:02,440 --> 00:34:05,080
Speaker 2: Just go see all the able for our movies from

673
00:34:05,080 --> 00:34:07,600
Speaker 2: the nineties. I mean, have you seen the vampire one?

674
00:34:08,200 --> 00:34:08,520
Speaker 1: I have not?

675
00:34:08,760 --> 00:34:12,960
Speaker 2: Christopher Walking, produced by former Secretary of State Tony Blincoln

676
00:34:12,960 --> 00:34:14,560
Speaker 2: back when he was kicking around the village in the

677
00:34:14,640 --> 00:34:18,520
Speaker 2: nineties spending his family's money. Yeah, awesome, really awesome movie.

678
00:34:18,600 --> 00:34:22,480
Speaker 2: Christopher Walking is oh good. Yeah, Yeah, that's fucking incredible.

679
00:34:22,560 --> 00:34:22,880
Speaker 1: Wow.

680
00:34:23,080 --> 00:34:24,959
Speaker 2: Might be the best vampire movie I've ever seen.

681
00:34:25,320 --> 00:34:28,560
Speaker 1: I want do sup your blood?

682
00:34:28,560 --> 00:34:28,880
Speaker 2: Blood?

683
00:34:31,400 --> 00:34:33,720
Speaker 1: That was a horrible Christopher Walking. I'm sorry. I'm sorry,

684
00:34:33,840 --> 00:34:37,160
Speaker 1: Christopher Walking. If you're listening, I know he's not.

685
00:34:37,360 --> 00:34:40,200
Speaker 2: He's not listening. He doesn't know what the Internet is.

686
00:34:40,840 --> 00:34:43,319
Speaker 1: It's true, that's true. He gets his he gets his

687
00:34:43,360 --> 00:34:45,840
Speaker 1: movies on VHS. All right, we gotta get ready to

688
00:34:45,840 --> 00:34:48,319
Speaker 1: cut out of here. Go into the next block, take

689
00:34:48,320 --> 00:34:50,400
Speaker 1: a quick break before we do that. Just a reminder,

690
00:34:50,719 --> 00:34:52,640
Speaker 1: Give us a call, Give me a call, Give Jacob

691
00:34:52,680 --> 00:34:56,160
Speaker 1: call sixty one seven nine oh six sixty six three eight,

692
00:34:56,520 --> 00:34:58,920
Speaker 1: Send us a text message. Let us know. What do

693
00:34:58,960 --> 00:35:01,120
Speaker 1: you think about our recommendation? Have you heard him? Have

694
00:35:01,200 --> 00:35:04,080
Speaker 1: you seen him? What are your recommendations? Yes, I want

695
00:35:04,080 --> 00:35:07,279
Speaker 1: to know what you are watching, what you're listening to,

696
00:35:07,600 --> 00:35:10,279
Speaker 1: what you think will turn us on? Let us let

697
00:35:10,320 --> 00:35:11,880
Speaker 1: me know. I don't know why it is turned into

698
00:35:12,400 --> 00:35:16,560
Speaker 1: John Lennon circa nineteen sixty nine, but anyway.

699
00:35:16,360 --> 00:35:18,719
Speaker 2: Turn me on weird man, turn me on dead man.

700
00:35:19,960 --> 00:35:22,520
Speaker 1: All right, and we're gonna say goodbye to Jake too. Jake, listen,

701
00:35:22,600 --> 00:35:24,560
Speaker 1: bye bye, thanks for being here, and I will see

702
00:35:24,560 --> 00:35:26,400
Speaker 1: you next week in the wrap party, okay, brother.

703
00:35:26,280 --> 00:35:28,920
Speaker 2: All right, all right, Hey, I'm gonna go eat and

704
00:35:28,960 --> 00:35:29,560
Speaker 2: meet ball sub.

705
00:35:30,200 --> 00:35:31,640
Speaker 1: I'll see that's two this week.

706
00:35:31,840 --> 00:35:34,600
Speaker 2: I now, all right later later.

707
00:35:55,520 --> 00:35:57,960
Speaker 1: All right. Well, we did it, gang, We made it

708
00:35:58,000 --> 00:36:00,520
Speaker 1: to the end of this inaugural relaunch of the Rap

709
00:36:00,560 --> 00:36:03,600
Speaker 1: Party with yours truly leading the way. And hey, that

710
00:36:03,719 --> 00:36:06,480
Speaker 1: wasn't too shabby, you know, But even rap parties have

711
00:36:06,520 --> 00:36:09,160
Speaker 1: to wrap up. So until we meet again. A few

712
00:36:09,160 --> 00:36:12,120
Speaker 1: things I want you to remember. Number one, available right

713
00:36:12,120 --> 00:36:15,440
Speaker 1: now in your Hollywoodland feed, our episode on Roscoe Fatty

714
00:36:15,560 --> 00:36:19,480
Speaker 1: Arbuckle coming next week on Monday, our episode on Juliet,

715
00:36:19,560 --> 00:36:23,720
Speaker 1: Jake himself, John Belushi. And Number three, lest you forget

716
00:36:23,800 --> 00:36:27,520
Speaker 1: our other show, also hosted by my guy, Jake Brennan, Disgraceland,

717
00:36:27,680 --> 00:36:30,120
Speaker 1: a show made four and about rock and roll animals,

718
00:36:30,320 --> 00:36:33,880
Speaker 1: the og Music and True crime pod with episodes on Prince,

719
00:36:34,040 --> 00:36:37,560
Speaker 1: The Grateful Dead, Jay Z, Chris Cornell, Amy Winehouse, The

720
00:36:37,640 --> 00:36:40,920
Speaker 1: Rolling Stones, The Beatles, Willie Nelson, Cardi B. Diddy, so

721
00:36:41,080 --> 00:36:43,400
Speaker 1: many more. That show is available for you in its

722
00:36:43,480 --> 00:36:46,120
Speaker 1: own feed, So if you're not following and listening to it,

723
00:36:46,800 --> 00:36:49,440
Speaker 1: just go search up Disgraceland wherever you get your podcasts

724
00:36:49,520 --> 00:36:52,960
Speaker 1: and get listening. There are what over two hundred episodes

725
00:36:52,960 --> 00:36:55,839
Speaker 1: over there, full episodes. You're gonna love it all right.

726
00:36:55,960 --> 00:37:00,200
Speaker 1: Number four now, in honor of this week's episode, me

727
00:37:00,239 --> 00:37:02,839
Speaker 1: reading you the list of the highest grossing films from

728
00:37:02,880 --> 00:37:06,080
Speaker 1: the year nineteen twenty one, the year the Fatty Arbuckle

729
00:37:06,360 --> 00:37:11,200
Speaker 1: was arrested for murder. Number one, The Four Horsemen of

730
00:37:11,239 --> 00:37:17,239
Speaker 1: the Apocalypse, directed by Rex Ingram number two, The Kid

731
00:37:17,719 --> 00:37:23,840
Speaker 1: directed by Charles Chaplin. Number three, The Three Musketeers directed

732
00:37:23,840 --> 00:37:28,759
Speaker 1: by Fred Niblo, Number six, number four, The Sheikh for

733
00:37:28,920 --> 00:37:34,400
Speaker 1: direct directed by George Milford. Cecil number five, The Affairs

734
00:37:34,520 --> 00:37:37,560
Speaker 1: of anatoleated by directed by Cecil, William B. De Mill

735
00:37:38,040 --> 00:37:41,359
Speaker 1: number eight, number six, School Days Folds Paradise directed by

736
00:37:41,360 --> 00:37:45,040
Speaker 1: William directed by cecilt b Jamail, Number nine, number seven,

737
00:37:45,120 --> 00:37:49,400
Speaker 1: The number three Forbidden Fruit directed by cecilt.

738
00:37:49,000 --> 00:37:49,440
Speaker 2: B de Mill.

739
00:37:49,960 --> 00:37:53,880
Speaker 1: Number four, number eight number school Days direct directed by

740
00:37:53,920 --> 00:38:02,040
Speaker 1: William nine number nine Talking and Start Mixing