WEBVTT - Thou Shalt Embrace The Stillness

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<v Speaker 1>Hi, I'm Daniel Schaeffler. This is everywhere today's travel commandment,

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<v Speaker 1>thou shalt embrace the stillness. There are very few instances

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<v Speaker 1>during travels where I am fully immersed in silence, where

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<v Speaker 1>the stillness is louder than the noise. One of these

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<v Speaker 1>times is when I stupidly decided I was ready for

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<v Speaker 1>helly snowboarding in Canada, right up in more northern part

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<v Speaker 1>of Alberta, close to Revelstoke in Banff. After some very

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<v Speaker 1>serious safety training which included a bubble boy demonstration, I

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<v Speaker 1>was getting onto a helicopter taking off for the highest peaks.

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<v Speaker 1>This is the moment that my fellow snowboarders revealed that

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<v Speaker 1>they had competed in the Winter Olympics. Excuse me, your

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<v Speaker 1>professional snowboarders. The woman next to me then decided that

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<v Speaker 1>this was also the perfect time to tell me that

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<v Speaker 1>she's been training for this specific excursion for I don't

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<v Speaker 1>know three years. So I had to at this point say, well,

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<v Speaker 1>I snowboard once or twice a year. I also have

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<v Speaker 1>a broken knee. And then there was silence, a deep

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<v Speaker 1>silence where only the blades of the helicopter distracted us

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<v Speaker 1>from the upcoming feet. We touched down on this glacier

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<v Speaker 1>and we huddled together as a group and what seemed

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<v Speaker 1>to me the only way to get down. The helicopter

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<v Speaker 1>then left and boom, a group took off, everyone into

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<v Speaker 1>the zone, into their single minded focus. Okay, so picture this.

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<v Speaker 1>Now I'm standing with my snowboard thousands of feet up

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<v Speaker 1>on a mountain's edge, and my entire group has headed

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<v Speaker 1>down this insane hill. Silence, the loudest silence of my

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<v Speaker 1>entire life. I could only hear my own breathing, which

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<v Speaker 1>at this point had become a little louder as you

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<v Speaker 1>can imagine. Well, how was I supposed to do this? While?

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<v Speaker 1>I decided that I was going to try and remember

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<v Speaker 1>every childhood ski lesson, combine it with my sincere love

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<v Speaker 1>for snowboarding, and an absolute meditative concentration, and that's how

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<v Speaker 1>it's going to get back down to earth. Luckily, I

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<v Speaker 1>noticed that our trainer guide person was waiting just a

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<v Speaker 1>little way ahead of me. He seemed to trust that

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<v Speaker 1>I knew what I was doing more than me, And

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<v Speaker 1>trust me, if you've been in Canadian snow, it's mostly powder.

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<v Speaker 1>Once you're moving, you have to stay in motion. Or

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<v Speaker 1>the object in motion will sink into a tree well

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<v Speaker 1>or worse. So yes, it was me and the silence,

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<v Speaker 1>and I think a little bit of luck that brought

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<v Speaker 1>me down to the launch. Of course, there also times

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<v Speaker 1>where you can actively choose the silence, like the ten

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<v Speaker 1>days Silent retreat in the winelands of South Africa I

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<v Speaker 1>studiously attended. I drove a few hours from Cape Town

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<v Speaker 1>and pulled up at this farm with merely a few

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<v Speaker 1>structures assumed one I'd be sleeping in. They had massive

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<v Speaker 1>gardens where vegetables and herbs were being grown, and a

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<v Speaker 1>whole section of farm animals. I checked in and handed

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<v Speaker 1>over my phone and my kindle and an emergency contact

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<v Speaker 1>and every other piece of memorabilia from my life. They

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<v Speaker 1>suggest that you don't bring any distractions, no books, games,

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<v Speaker 1>not even a photo from home. Well I was all

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<v Speaker 1>in actually, Day one, like most new adventures, feels fresh

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<v Speaker 1>and exciting. Anyway, Oh, before I forget to tell you this,

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<v Speaker 1>As you check in, you also take a small vow

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<v Speaker 1>of absolute silence. For the next ten days, you will

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<v Speaker 1>not speak one word to anyone. Day one was aunt.

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<v Speaker 1>I smiled when someone handed me a plate of food.

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<v Speaker 1>I smiled when I watched everyone sit down for a

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<v Speaker 1>four hour meditation. I smiled when I watched everyone take

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<v Speaker 1>towels and go shower. I mean I was even smiling

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<v Speaker 1>when someone showed me a tiny single bed with a

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<v Speaker 1>small pillow where I was meant to sleep. When I

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<v Speaker 1>realized that there was only one meal a day, plus

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<v Speaker 1>a silly tea break, and the rest was for I

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<v Speaker 1>don't know, fourteen hours of meditation, I stopped smiling. But

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<v Speaker 1>onwards I marched they two. I was starving. Since you

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<v Speaker 1>don't dish your own food, I couldn't dish extra food

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<v Speaker 1>for myself or go back for my usual plate of seconds.

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<v Speaker 1>Lucky me, water was free and I could have as

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<v Speaker 1>much as I wanted. A kind act of benevolence suddenly

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<v Speaker 1>won't became my elexir. By day five, I was ready

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<v Speaker 1>to leave. And a lot of people give in at

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<v Speaker 1>this point. So you'd think it's the silence that disturbs

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<v Speaker 1>you and sends you off the edge, But no, After

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<v Speaker 1>a few days, you kind of forget to speak and

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<v Speaker 1>the silence becomes this beautiful, soothing bomb. By day six

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<v Speaker 1>and seven, my mind was playing tricks on me. Was

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<v Speaker 1>I in the matrix. Was I captured and voodoo mine

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<v Speaker 1>trick to be here? Have I joined a cult? Then

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<v Speaker 1>you get to the amazing thing. On day eight, full zen,

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<v Speaker 1>the silence becomes you. Sleep was never the steep food,

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<v Speaker 1>even one meal, never tasted this good. Even that water

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<v Speaker 1>started to taste like the finest first quench of my

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<v Speaker 1>whole life. Meditating for four hours straight no problem. My

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<v Speaker 1>knees and back were fully on board with my new

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<v Speaker 1>life and not giving me any pain. And I was

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<v Speaker 1>no longer fighting this silence. I was the silence. Of course,

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<v Speaker 1>I stupidly decided to have lunch with my parents on

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<v Speaker 1>the last day as I left the retreat, and after

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<v Speaker 1>ten days of silence, the world seemed so silly, so petty.

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<v Speaker 1>My parents were not amused and thought that I was

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<v Speaker 1>being far too banastic for their liking. And then there

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<v Speaker 1>are times where the silence just chooses you. Namibia with

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<v Speaker 1>its forever and ever silent dunes, and that's the exact appeal.

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<v Speaker 1>It's that extraordinary, ordinary thing. There's something primal and truly

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<v Speaker 1>unearthed about Namibia. Away from a usual glut of tourism,

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<v Speaker 1>the country holds the steep connection to the beginning of time.

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<v Speaker 1>Although now only a small percentage of the local tribes

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<v Speaker 1>still exists, Namibia is home to some of the original

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<v Speaker 1>hunter gather people. My and your first ancestors think about

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<v Speaker 1>that their presence and their untouched virtue somewhere propagate the

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<v Speaker 1>remote parts of the land right here. Even their fertile

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<v Speaker 1>lessons and simple life philosophy opposed to a constant drone

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<v Speaker 1>of bigger, better more, are kind of written in the

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<v Speaker 1>sand before you arrive of one of the many African tribes.

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<v Speaker 1>The sand had inhabited Southern Africa for at least thirty

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<v Speaker 1>thousand years and are one of the fourteen known surviving

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<v Speaker 1>ancestral population clusters from which modern humans descend. My knowledge

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<v Speaker 1>of these sand people and their unique click sound vernacular

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<v Speaker 1>actually comes from seeing this old BBC production from the

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<v Speaker 1>nineteen fifties by a South African author, Lawrence ban de Post,

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<v Speaker 1>who called these people the lost soul of all mankind.

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<v Speaker 1>To ponder what that looks like, it helps with some perspective.

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<v Speaker 1>So I hopped onto this tiny bush plane with a

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<v Speaker 1>female pilot and ticked off into the big African skies

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<v Speaker 1>with the wind creeping around us, looking down at a

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<v Speaker 1>wad of nothingness framed by cyan and dust. The understanding

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<v Speaker 1>of real luxury whispered to me space and time and freedom.

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<v Speaker 1>It's here in this pristine wilderness and eternal views and

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<v Speaker 1>the desert's magical cape enveloped me. The city dweller heading

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<v Speaker 1>out to northern territories of Namibia, where all you get

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<v Speaker 1>is just endless space. Tomorrowland, which is the inland area

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<v Speaker 1>close to the famed Skeleton Coast, romances with these early

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<v Speaker 1>morning mists coming off the numbing cold Atlantic Ocean and

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<v Speaker 1>then a hot desert air kisses all the way from

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<v Speaker 1>the canyons, creating this almost Mars like place. The area

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<v Speaker 1>is where I find my next moment of meditative calm.

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<v Speaker 1>The isolation in the world I know is at Bay.

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<v Speaker 1>Although not thick with wildlife, this tract is a perfect

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<v Speaker 1>example of how na each is laws of sustenance, ordained

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<v Speaker 1>tracks for the animals and humans are just visiting. Days

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<v Speaker 1>here feel like weeks, and you spend them tracking this

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<v Speaker 1>shy desert adapted elephant, or a magnificent aurex, or this

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<v Speaker 1>pointy lipped black rhino. Fast paced life is something I

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<v Speaker 1>now can look at from the outside inn the window

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<v Speaker 1>of its slightly smudged, and the jerk of quiet desert

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<v Speaker 1>life prevails. Even my attire changes t shirts become more slumped,

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<v Speaker 1>and the need for shoes simply dismantles. My longing for

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<v Speaker 1>anything digital is replaced by simple moments of observing an

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<v Speaker 1>ant or stretching out at a sunset. As you move

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<v Speaker 1>by a charter to the Hoa Nib Skeleton Coast Camp,

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<v Speaker 1>the privilege of access to the wilderness becomes so apparent.

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<v Speaker 1>It's located in this private concession between the Palm March

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<v Speaker 1>Area and the Skeleton National Park. This areas as remote

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<v Speaker 1>as you can possibly find. You fly over shipwrecks and

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<v Speaker 1>these stark coasts, and you think about the ancient navigators

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<v Speaker 1>and conquerors that wanted to grasp their sort of idea

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<v Speaker 1>of Africa, and that soulfulness is likened to my own.

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<v Speaker 1>How can this continent, with all its toils, hold such

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<v Speaker 1>a grasp and such a love on me and so

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<v Speaker 1>many of its swains? The great beauty and then this

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<v Speaker 1>great silence. The coastal camp is accessible only by our

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<v Speaker 1>light aircraft and located in this wide basin at the

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<v Speaker 1>confluence of two tributaries with hills smiling from east to west.

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<v Speaker 1>The lunar like landscape is what over as the gravel

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<v Speaker 1>plains are covered with some low lying plants, rock formations,

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<v Speaker 1>flood plains and dry river beds, and that quiets any

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<v Speaker 1>monkey mind and brings this retreat state to Namibia. Nights

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<v Speaker 1>are long in the desert and they allow for proper

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<v Speaker 1>rest away from modern day side tracks and those bright lights.

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<v Speaker 1>Here it's just stars rocking me to sleep, and the

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<v Speaker 1>silence is what wakes you. The next stop on my

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<v Speaker 1>journey was on Gava, just a small flutter inland where

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<v Speaker 1>Namibia meets Angola. The famed Eatasha National Park encloses a

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<v Speaker 1>giant pan with silvery mirages toying with the savannah, grassland

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<v Speaker 1>and thorny shrubbery. The park, proclaimed game reserve in seven,

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<v Speaker 1>is known for its abundance of game, and it's even

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<v Speaker 1>visible from space. In the rainy season. Flamingos congregate in

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<v Speaker 1>the salt pan, and the park proudly counts three hundred

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<v Speaker 1>and forty bird species. I hang up the binoculars to

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<v Speaker 1>rather picnic on the grass to contemplate wildlife, sanctuaries and

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<v Speaker 1>the need for conservation in the world. Of course, This

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<v Speaker 1>is where my feet sink deep into the sand and

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<v Speaker 1>a scorpion decides to bite me. The strangest thing happens

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<v Speaker 1>in these life or death situations. The whole world goes silent,

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<v Speaker 1>time stands still. My whole body gave into this crazy,

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<v Speaker 1>excruciating pain. A local tribal guide came to speak to me,

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<v Speaker 1>as he probably saw me jumping up and down like

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<v Speaker 1>a full yelping in agony. He looked at my leg,

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<v Speaker 1>and he looked at me and he said, we have

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<v Speaker 1>about twenty minutes. Oh, twenty minutes before the pain stops. Right, No, No,

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<v Speaker 1>twenty minute before the poison kills you. Unfortunately, airlifting to

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<v Speaker 1>a hospital will take thirty minutes. I was trying to

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<v Speaker 1>just understanders to embrace the stillness, but it was becoming harder.

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<v Speaker 1>This man took my leg, sucked on it, plucked on it,

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<v Speaker 1>and did some kind of magic and somehow managed to

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<v Speaker 1>get the poison out. The pain not so much. He

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<v Speaker 1>had saved my life now that I didn't die from

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<v Speaker 1>a scorpion bite, which sounds rather bad. As I took

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<v Speaker 1>deeper breaths and went into a more contemplative headspace, I

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<v Speaker 1>think that's what happens when you are near death. Life

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<v Speaker 1>goes on as it always has, but Namibia's fingerprints are

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<v Speaker 1>all over me, reminding me of this existence. Of course,

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<v Speaker 1>there are also times where silence is so deafening and

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<v Speaker 1>so undeniable that it's some play consumes you, like the

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<v Speaker 1>Bolivian salt flats, where you can actually see that the

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<v Speaker 1>Earth is round. It is so flat the horizon actually curves.

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<v Speaker 1>I have this idea that we should suggest that the

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<v Speaker 1>Flat Earth Society hold their next conference there. I know

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<v Speaker 1>this year they are on a cruise ship of the Irony,

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<v Speaker 1>and then they're hot air balloons with their moments to

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<v Speaker 1>go into silence. I've been on a few of those,

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<v Speaker 1>but Kappadocia in the center of Turkey and the Serengetti

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<v Speaker 1>in Tanzania stand out. Hot air balloon ing f y

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<v Speaker 1>I is an early morning activity if the wind isn't

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<v Speaker 1>right or you're staying on land. In Cappadocia, wake up

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<v Speaker 1>time is four am. As you approach the field where

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<v Speaker 1>you'll be taking off, from your eyes seem to deceive you.

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<v Speaker 1>Hundreds of colorful balloons all waiting on the ground with

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<v Speaker 1>their little baskets filling up with people, and as the

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<v Speaker 1>sun comes up, the fire in the balloon gets all

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<v Speaker 1>jazzed up just enough that it gaintly lifts the basket

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<v Speaker 1>up into the sky. For the next two hours, the

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<v Speaker 1>only sound is the sound of the occasional fire spurting

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<v Speaker 1>upwards into the balloon to keep it in the air.

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<v Speaker 1>And you have this burn's eye view of cone shaped

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<v Speaker 1>rock foundations. You can also see Bronze Age homes carved

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<v Speaker 1>into valleys by cave dwellers, just a little dip into

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<v Speaker 1>the past. It's all kinds of magical peacefulness. Nobody speaks

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<v Speaker 1>because the silence feels so valuable you don't want to

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<v Speaker 1>waste it. In the Serengetti, you have this burn's eye

0:16:51.280 --> 0:16:54.880
<v Speaker 1>view of the animals, herds and herds of every animal

0:16:54.920 --> 0:16:58.520
<v Speaker 1>you can possibly imagine. What's so different about Safari in

0:16:58.560 --> 0:17:02.000
<v Speaker 1>the Serengetti versus Safari in the Kruger in South Africa

0:17:02.480 --> 0:17:06.960
<v Speaker 1>is that here you have these giant open spaces, planes

0:17:07.040 --> 0:17:11.320
<v Speaker 1>that are endless, so you can see animals in mass quantity.

0:17:11.960 --> 0:17:14.520
<v Speaker 1>You see them as they move from one area to

0:17:14.600 --> 0:17:18.200
<v Speaker 1>another to feast or to find water, whereas in South

0:17:18.240 --> 0:17:21.440
<v Speaker 1>Africa it's all bush and shrubbery, so you can get

0:17:21.520 --> 0:17:24.760
<v Speaker 1>much closer to them from a game vehicle, but you

0:17:24.840 --> 0:17:28.840
<v Speaker 1>never see them in quantity, or from the balloon a

0:17:28.880 --> 0:17:32.160
<v Speaker 1>few hundred feet up in the sky. You quietly watch

0:17:32.240 --> 0:17:36.480
<v Speaker 1>as these herds go about their business, young elephants playing,

0:17:36.960 --> 0:17:40.399
<v Speaker 1>the elder giraffes eating baby giraffes how to lean down

0:17:40.480 --> 0:17:44.840
<v Speaker 1>to drink water. Zembra is floating with each other. This

0:17:44.920 --> 0:17:48.160
<v Speaker 1>is one of my favorite silent moments of my life,

0:17:49.040 --> 0:17:54.359
<v Speaker 1>animals in perfect nature harmony. The other was in Cambodia,

0:17:54.480 --> 0:17:58.159
<v Speaker 1>close to sim Reap, where there's this huge lake and

0:17:58.240 --> 0:18:01.080
<v Speaker 1>on the water are p people who actually live on

0:18:01.119 --> 0:18:04.000
<v Speaker 1>little boats, in fact, people who have never been on

0:18:04.119 --> 0:18:07.800
<v Speaker 1>land before. They're borne on the water and they die

0:18:07.840 --> 0:18:11.720
<v Speaker 1>on the water. So this is where I spent an afternoon,

0:18:12.320 --> 0:18:16.480
<v Speaker 1>just floating on this Buddhist prayer boat. I sat cross

0:18:16.600 --> 0:18:20.640
<v Speaker 1>legged on this floating temple and meditated as the sun

0:18:20.720 --> 0:18:24.919
<v Speaker 1>came down, with incense burning and flowers being offered up

0:18:24.960 --> 0:18:28.840
<v Speaker 1>to a statue of Buddha, surrounded by hundreds of little boats,

0:18:28.880 --> 0:18:34.199
<v Speaker 1>all floating happily along, and the silence gave me this

0:18:34.320 --> 0:18:38.600
<v Speaker 1>brief moment, this tiny opening in my life to think

0:18:38.640 --> 0:18:43.880
<v Speaker 1>about how fortunate I am. Is this luck I don't

0:18:43.920 --> 0:18:49.159
<v Speaker 1>think so. Is it fate? Probably not. It just is

0:18:49.200 --> 0:18:52.520
<v Speaker 1>what it is. And what a perfect reminder that the

0:18:52.600 --> 0:19:09.960
<v Speaker 1>silence gave me. Let's take a breather and we'll be

0:19:10.080 --> 0:19:17.040
<v Speaker 1>right back with Everywhere afterward. From our sponsors trade tables up.

0:19:17.840 --> 0:19:26.480
<v Speaker 1>You're returning to Everywhere Land, Welcome back today. I'm with

0:19:26.520 --> 0:19:31.399
<v Speaker 1>my friend and tour guide, Unca Bentley, an Istanbul native.

0:19:32.840 --> 0:19:37.119
<v Speaker 1>I've never met anyone who knows more about all things Turkey.

0:19:38.480 --> 0:19:42.760
<v Speaker 1>Hello Anca, Hello Daniel. How are you fine? How are you?

0:19:43.160 --> 0:19:46.560
<v Speaker 1>I'm very good. I you know how much I travel.

0:19:47.240 --> 0:19:50.280
<v Speaker 1>And one of the best experiences of my entire life

0:19:50.400 --> 0:19:53.639
<v Speaker 1>is spending a day with you walking the streets of Istanbul.

0:19:54.040 --> 0:19:57.120
<v Speaker 1>And that experience I had with you at Haggis Sofia

0:19:57.920 --> 0:20:01.840
<v Speaker 1>is something that I think about and reference all the time.

0:20:02.600 --> 0:20:06.239
<v Speaker 1>It really was about thinking about embracing the stillness and

0:20:06.640 --> 0:20:09.320
<v Speaker 1>walking into the space and I want you to kind

0:20:09.320 --> 0:20:11.760
<v Speaker 1>of tell me exactly what it is and sort of

0:20:11.800 --> 0:20:15.159
<v Speaker 1>filming in on its history, but walking into that space

0:20:15.200 --> 0:20:18.000
<v Speaker 1>and just walking and being in the silence in this

0:20:18.119 --> 0:20:22.320
<v Speaker 1>beautiful place with so much history. And it's funny because

0:20:22.359 --> 0:20:27.359
<v Speaker 1>in that silence and just observing. I learned so much.

0:20:28.480 --> 0:20:31.600
<v Speaker 1>That is so beautiful. You put it so beautifully. It's

0:20:31.640 --> 0:20:35.439
<v Speaker 1>my favorite building. First of all, I think it's a

0:20:35.520 --> 0:20:39.240
<v Speaker 1>building with so many things combined in one. It is

0:20:39.280 --> 0:20:43.119
<v Speaker 1>actually one of the first churches, and it was built

0:20:43.119 --> 0:20:45.480
<v Speaker 1>three times on the same location with the same name.

0:20:45.880 --> 0:20:50.120
<v Speaker 1>And I really liked the name Sophia or Holy Wisdom

0:20:50.160 --> 0:20:53.760
<v Speaker 1>as beautiful. Sophia is the root for you know, we

0:20:53.800 --> 0:20:58.000
<v Speaker 1>know those words sophisticated philosophy. It's wisdom, and I really

0:20:58.359 --> 0:21:02.000
<v Speaker 1>do like that they appreciate that wisdom so much. It

0:21:02.160 --> 0:21:04.600
<v Speaker 1>was one of the biggest churches of its time, and

0:21:04.640 --> 0:21:07.040
<v Speaker 1>I even today, you know, you put the in the

0:21:07.080 --> 0:21:11.359
<v Speaker 1>same category with Saint Peter's Saint Paul Cadiral Milan. But

0:21:11.480 --> 0:21:14.560
<v Speaker 1>that was built in five thirty seven and five years.

0:21:15.320 --> 0:21:18.840
<v Speaker 1>Thousands of slaves have worked on it. It has a

0:21:18.920 --> 0:21:22.760
<v Speaker 1>huge dome's it's still the highest dom in Istanbul. It

0:21:22.840 --> 0:21:26.800
<v Speaker 1>inspired so many architects. Everybody tried to go higher than

0:21:26.840 --> 0:21:30.120
<v Speaker 1>the Dome of Haiger Sophia. I think it's so beautiful

0:21:30.200 --> 0:21:33.320
<v Speaker 1>with all of a different sides. So because it became

0:21:33.359 --> 0:21:38.400
<v Speaker 1>a Catholic church during the Latin invasion and fourteen hundreds

0:21:38.560 --> 0:21:41.439
<v Speaker 1>it became a Catholic church for sixty eight years and

0:21:41.480 --> 0:21:45.840
<v Speaker 1>then you have those crosses made in that period whole

0:21:45.840 --> 0:21:48.720
<v Speaker 1>different than the Greek Orthodox Church it was, and then

0:21:48.760 --> 0:21:51.680
<v Speaker 1>it became a mosque. In four three it was converted

0:21:51.680 --> 0:21:56.360
<v Speaker 1>into a mosque. And since it's a museum, but when

0:21:56.359 --> 0:21:58.719
<v Speaker 1>you go into that building, you you're going to witness

0:21:58.760 --> 0:22:00.840
<v Speaker 1>all of these different periods. So if it's time and

0:22:00.880 --> 0:22:04.800
<v Speaker 1>it's it's beautiful, it's really an incredible experience to working there.

0:22:04.880 --> 0:22:07.600
<v Speaker 1>In fact, I was yesterday there. It always makes me

0:22:07.600 --> 0:22:11.159
<v Speaker 1>happy getting in there. Well, the thing that stuck with

0:22:11.200 --> 0:22:15.040
<v Speaker 1>me so much was that everyone's been there, the idea

0:22:15.160 --> 0:22:18.760
<v Speaker 1>that all these religions and all these different cultures have

0:22:18.840 --> 0:22:22.520
<v Speaker 1>been in this one place, and that really the lesson

0:22:22.600 --> 0:22:25.400
<v Speaker 1>of that is that we're all the same, that there

0:22:25.520 --> 0:22:30.800
<v Speaker 1>is actually more similarity than difference. That is true. What

0:22:30.920 --> 0:22:34.159
<v Speaker 1>really is interesting about that is that it was probably

0:22:34.160 --> 0:22:37.439
<v Speaker 1>built on top of a previous temple, a pagan temple,

0:22:38.080 --> 0:22:41.040
<v Speaker 1>and that tells a very big thing about people. You know,

0:22:41.119 --> 0:22:43.679
<v Speaker 1>they have to build their temple that they're going to

0:22:43.720 --> 0:22:46.920
<v Speaker 1>worship on top of a previous temple, like in many

0:22:46.920 --> 0:22:50.639
<v Speaker 1>other places and people like sacrid locations. And that's what

0:22:50.720 --> 0:22:52.960
<v Speaker 1>really strikes me the most about Hiker Sophia. Has to

0:22:53.000 --> 0:22:55.479
<v Speaker 1>be the same location, has to be the same building.

0:22:55.600 --> 0:22:57.879
<v Speaker 1>When you look about it, I think it has an energy,

0:22:58.640 --> 0:23:01.080
<v Speaker 1>there's something special to it. When you walk in it,

0:23:01.680 --> 0:23:04.080
<v Speaker 1>it's so beautiful. You have all these different periods you

0:23:04.080 --> 0:23:08.520
<v Speaker 1>could witness, you know, mosaics from ninth century, ten century,

0:23:08.520 --> 0:23:11.440
<v Speaker 1>twelfth century. And at the same time you have big

0:23:11.480 --> 0:23:15.800
<v Speaker 1>calligraphies circles, the biggest caligraphic circles in the Islamic world

0:23:16.480 --> 0:23:20.119
<v Speaker 1>with the names of God, Mohammed and the Caliphs. On

0:23:20.160 --> 0:23:22.040
<v Speaker 1>the other side, you will see the mosaic of Virgin

0:23:22.080 --> 0:23:25.840
<v Speaker 1>Mary holding up Baby Christ Jesus and they're just next

0:23:25.840 --> 0:23:27.720
<v Speaker 1>to each other. And I really, I think I love

0:23:27.760 --> 0:23:29.800
<v Speaker 1>the combination of all of that together in a building.

0:23:30.560 --> 0:23:34.240
<v Speaker 1>That is the beauty. Also the decoration of the building.

0:23:34.280 --> 0:23:37.560
<v Speaker 1>You have all the different materials from many different sides.

0:23:38.400 --> 0:23:41.480
<v Speaker 1>But I really but really impresses me are those thin

0:23:41.520 --> 0:23:45.359
<v Speaker 1>slices on the walls, the marble slices that they put

0:23:45.359 --> 0:23:48.880
<v Speaker 1>together like a matchbook design. And you have devil faces

0:23:48.960 --> 0:23:51.800
<v Speaker 1>and you have different stories being created. You have angel

0:23:51.880 --> 0:23:55.520
<v Speaker 1>wings being created out of the marble veins because you

0:23:55.560 --> 0:23:58.760
<v Speaker 1>put them like veneering, you know, you just cut them

0:23:58.760 --> 0:24:01.280
<v Speaker 1>in sin slice us and put them next to each other.

0:24:01.960 --> 0:24:05.080
<v Speaker 1>I always like to think about the time when people

0:24:05.119 --> 0:24:10.480
<v Speaker 1>had no media, no TV, nothing, But then you could

0:24:10.520 --> 0:24:13.720
<v Speaker 1>look at this marble slop which really looks like a

0:24:13.760 --> 0:24:16.280
<v Speaker 1>devil face, and the more you look at it, the

0:24:16.359 --> 0:24:20.479
<v Speaker 1>more scary it gets. Those images, they're so so alive

0:24:20.600 --> 0:24:25.439
<v Speaker 1>when you keep looking at them, right, uncle, Like, I

0:24:25.480 --> 0:24:28.720
<v Speaker 1>grew up in Europe, and to me, Turkey is Europe,

0:24:29.359 --> 0:24:33.760
<v Speaker 1>whereas Americans often see Turkey as the Middle East, this fictional.

0:24:34.560 --> 0:24:36.840
<v Speaker 1>Like when I was going to Turkey, remember I said

0:24:36.840 --> 0:24:40.280
<v Speaker 1>to you, My friend said, are you seeing any camels? Like?

0:24:40.359 --> 0:24:42.160
<v Speaker 1>And I was thinking, well, no, actually, like I'm at

0:24:42.359 --> 0:24:45.520
<v Speaker 1>the Soho house, I don't know about the camels. But

0:24:45.640 --> 0:24:48.959
<v Speaker 1>maybe talk a little bit about that misunderstanding of Turkey

0:24:49.080 --> 0:24:53.800
<v Speaker 1>and how travelers if they could just come into Turkey

0:24:53.880 --> 0:25:00.200
<v Speaker 1>without this preconceived notion of what it is. First of all,

0:25:00.800 --> 0:25:04.320
<v Speaker 1>I would say, Turks or Turkey isn't doing a very

0:25:04.320 --> 0:25:07.640
<v Speaker 1>good job at promoting itself. I always told you that

0:25:07.680 --> 0:25:11.240
<v Speaker 1>they're really like like today, I was at the spice

0:25:11.280 --> 0:25:14.280
<v Speaker 1>market and there is this candy store and it's there

0:25:14.320 --> 0:25:17.720
<v Speaker 1>on the same location until seventeen seventy seven. It is

0:25:17.760 --> 0:25:22.400
<v Speaker 1>actually one of the oldest candy stores and it's very modest.

0:25:22.400 --> 0:25:24.520
<v Speaker 1>They never even let you know about it. There's a

0:25:24.600 --> 0:25:26.800
<v Speaker 1>very tiny sign on the corner which says, you know,

0:25:26.880 --> 0:25:29.640
<v Speaker 1>we are with you since five dred something years and

0:25:29.640 --> 0:25:32.480
<v Speaker 1>and that would be really in a big city in Europe,

0:25:32.560 --> 0:25:35.080
<v Speaker 1>it would be in the books, it will be promoted properly.

0:25:35.280 --> 0:25:39.080
<v Speaker 1>Here they're really not good at explaining themselves in many ways,

0:25:39.280 --> 0:25:42.520
<v Speaker 1>or maybe they don't never learned how to. But this

0:25:42.640 --> 0:25:45.359
<v Speaker 1>is a crossroads of many things, like in Is tanbul

0:25:45.359 --> 0:25:47.800
<v Speaker 1>Is Tumbul is a city divided by the boss first

0:25:47.840 --> 0:25:51.240
<v Speaker 1>and two parts Europe and Asia. And people always say

0:25:51.320 --> 0:25:55.600
<v Speaker 1>that east east west, but it is actually not beating

0:25:55.680 --> 0:25:58.400
<v Speaker 1>south at the same time. It's it's such a crossroads.

0:25:59.119 --> 0:26:01.800
<v Speaker 1>It's been always a big part of the Silk Road,

0:26:01.800 --> 0:26:05.960
<v Speaker 1>of the trade routes. I always like to say Turkish Turks,

0:26:06.000 --> 0:26:09.520
<v Speaker 1>like the Turks living in Turkey are the most mixed nation.

0:26:09.680 --> 0:26:13.000
<v Speaker 1>We do have genes of all different kinds of nations.

0:26:13.040 --> 0:26:16.960
<v Speaker 1>Because this has been always um crossroads for many nations.

0:26:17.200 --> 0:26:20.399
<v Speaker 1>It's very diverse and many things, like even with the

0:26:20.400 --> 0:26:23.919
<v Speaker 1>city parts, every section makes you feel like in a

0:26:23.960 --> 0:26:27.719
<v Speaker 1>different city. Sometimes it's very diverse within the city. But

0:26:28.240 --> 0:26:31.160
<v Speaker 1>I would say in general Turkish people are very hospitable,

0:26:31.520 --> 0:26:37.280
<v Speaker 1>they're friendly and well. People have this idea of Turkey

0:26:37.359 --> 0:26:40.040
<v Speaker 1>and it's it's always seems too many people who haven't

0:26:40.040 --> 0:26:43.080
<v Speaker 1>been here, like a dangerous place. They have to come

0:26:43.080 --> 0:26:46.119
<v Speaker 1>and see more theirselves. It's really not like it's nothing

0:26:46.160 --> 0:26:48.159
<v Speaker 1>like what they imagined. This is the first thing that

0:26:48.200 --> 0:26:50.960
<v Speaker 1>people tell me because they have really a notion in

0:26:51.000 --> 0:26:54.320
<v Speaker 1>their head and it's really only changing once they're here.

0:26:55.320 --> 0:26:58.919
<v Speaker 1>So maybe it's my responsibility to to talk about it.

0:26:58.960 --> 0:27:03.000
<v Speaker 1>Maybe it's my responsible ability to tell people Istanbul is

0:27:03.200 --> 0:27:07.960
<v Speaker 1>part of Europe and the concept of the Middle East

0:27:08.280 --> 0:27:13.119
<v Speaker 1>does not exist. It was created by military ideals of

0:27:13.160 --> 0:27:17.160
<v Speaker 1>America to control an area. But there is no such

0:27:17.200 --> 0:27:20.760
<v Speaker 1>thing as the Middle East. There is Europe and there's Asia,

0:27:20.960 --> 0:27:23.959
<v Speaker 1>there's Asia. Turkey is Asia minor. We are not the

0:27:24.000 --> 0:27:26.679
<v Speaker 1>Middle East, that is for sure. Turkey doesn't belong in

0:27:26.760 --> 0:27:30.159
<v Speaker 1>the Middle East. I would say we are located on

0:27:30.240 --> 0:27:34.919
<v Speaker 1>Asia minor and on Europe, very tiny, tinsy part of

0:27:34.960 --> 0:27:37.639
<v Speaker 1>the country in Europe. But still though the West coast

0:27:37.840 --> 0:27:42.679
<v Speaker 1>in general is very European because when we consider Greece

0:27:42.880 --> 0:27:46.640
<v Speaker 1>as Europe, you could swim from many of the beaches

0:27:46.680 --> 0:27:50.480
<v Speaker 1>to the Greek islands. Literally you can swim, so it's

0:27:50.560 --> 0:27:53.800
<v Speaker 1>really quite west and located. It's really very difficult to

0:27:53.920 --> 0:27:58.439
<v Speaker 1>just cut these lines with a knife. One of the

0:27:58.480 --> 0:28:01.720
<v Speaker 1>most amazing experiences of life is hot air ba learning

0:28:01.720 --> 0:28:05.720
<v Speaker 1>and Cappadocia, and I loved so much being in the

0:28:05.840 --> 0:28:11.160
<v Speaker 1>silence and hearing just the slight fire pushing up into

0:28:11.200 --> 0:28:16.239
<v Speaker 1>this balloon. It really was part of my whole Turkey experiences.

0:28:16.280 --> 0:28:21.240
<v Speaker 1>I felt again and again, We've all been here, every religion,

0:28:21.359 --> 0:28:24.280
<v Speaker 1>every culture. I looked down at this land and I

0:28:24.359 --> 0:28:29.760
<v Speaker 1>was like, wow, so much of travel is noise and chaos,

0:28:29.800 --> 0:28:32.960
<v Speaker 1>but here I have this moment of looking at this

0:28:33.080 --> 0:28:40.160
<v Speaker 1>ancient landscape without sound. No, you just put it so beautifully.

0:28:40.680 --> 0:28:44.280
<v Speaker 1>You're right. We are told to travel in a certain

0:28:44.320 --> 0:28:46.920
<v Speaker 1>way and do things in a certain way, and it's

0:28:46.920 --> 0:28:49.840
<v Speaker 1>always kind of given to us. We don't look for

0:28:49.880 --> 0:28:52.080
<v Speaker 1>anything else. And what you just say is so beautiful

0:28:52.520 --> 0:28:56.280
<v Speaker 1>to just you know, take it in. It's a very

0:28:56.320 --> 0:28:59.800
<v Speaker 1>big I would say, ability, and not too many people

0:29:00.240 --> 0:29:02.840
<v Speaker 1>no of it. It's beautiful if you could do that.

0:29:03.920 --> 0:29:07.840
<v Speaker 1>And while we're at the hot air balloon subject in Cappadocia.

0:29:08.280 --> 0:29:13.000
<v Speaker 1>Cappadocia is a wine country. Turkey has been some of

0:29:13.040 --> 0:29:16.320
<v Speaker 1>the few countries who started to make their wine. It

0:29:16.360 --> 0:29:20.640
<v Speaker 1>goes really quite back. We've been producing wine I think

0:29:20.640 --> 0:29:23.520
<v Speaker 1>forever in this part of the world, and we are

0:29:23.640 --> 0:29:26.280
<v Speaker 1>just not good at promoting stuff, as I told you,

0:29:26.320 --> 0:29:29.640
<v Speaker 1>And we are selling lots of our ready made wine

0:29:29.680 --> 0:29:33.360
<v Speaker 1>to certain European countries. We have seven different regions and

0:29:33.440 --> 0:29:36.000
<v Speaker 1>all these regions have their own kind of wine. Who've

0:29:36.000 --> 0:29:38.120
<v Speaker 1>been produced in this part of the world for for

0:29:38.120 --> 0:29:42.360
<v Speaker 1>a really long time. How long, oh, as long as

0:29:42.400 --> 0:29:46.400
<v Speaker 1>it goes. Wine in in Turkey goes back to before

0:29:46.520 --> 0:29:49.760
<v Speaker 1>biblical time exactly. It's it's been around and it's been

0:29:49.960 --> 0:29:53.360
<v Speaker 1>been produced, you know. So how are we going to

0:29:53.440 --> 0:29:56.280
<v Speaker 1>get people to come to Turkey? Like that's my mission?

0:29:56.320 --> 0:29:58.680
<v Speaker 1>Can you hear Anka, I'm just like ready to bring

0:29:58.720 --> 0:30:01.400
<v Speaker 1>people to Turkey. That is so kind of you, Daniel.

0:30:01.440 --> 0:30:03.280
<v Speaker 1>This it's so nice of you. It's one of my

0:30:03.320 --> 0:30:07.680
<v Speaker 1>favorite places in the planet and you're loved here. You

0:30:07.680 --> 0:30:12.520
<v Speaker 1>should know that. I would say Turkey is so diverse,

0:30:13.200 --> 0:30:17.520
<v Speaker 1>and it offers really beautiful beaches and all of that.

0:30:17.520 --> 0:30:21.800
<v Speaker 1>That's true, we have really surrounded by beautiful beaches. But basically,

0:30:21.840 --> 0:30:25.400
<v Speaker 1>I think the cultural diversity is really very impressive. You

0:30:25.480 --> 0:30:29.000
<v Speaker 1>have very different regions from another. You have this very

0:30:29.080 --> 0:30:33.160
<v Speaker 1>green Black Sea coast, you have the Aegean coast, you

0:30:33.200 --> 0:30:36.920
<v Speaker 1>have the Mediterranean, the central part Cappadocia, and there is

0:30:37.000 --> 0:30:40.360
<v Speaker 1>so much natural beauty as well. We have so many

0:30:40.440 --> 0:30:44.840
<v Speaker 1>former volcanoes and they create many natural springs, and we

0:30:44.920 --> 0:30:49.800
<v Speaker 1>have those beautiful spring waters in many different regions, beautiful waterfalls.

0:30:50.040 --> 0:30:53.640
<v Speaker 1>You know, it's not only the historical sites, which there

0:30:53.680 --> 0:30:57.960
<v Speaker 1>is an abundance of. You have so many ancient Greek, Roman,

0:30:58.600 --> 0:31:02.680
<v Speaker 1>Hittite sites, But it's not only about that. You also

0:31:02.960 --> 0:31:06.000
<v Speaker 1>do have all the natural beauty. And it's really not

0:31:06.120 --> 0:31:09.400
<v Speaker 1>that far and he wants you think about it. Turkish

0:31:09.400 --> 0:31:12.280
<v Speaker 1>Arelines is doing great job flying from here to every verse,

0:31:12.280 --> 0:31:15.040
<v Speaker 1>so you could just you know, always make it a

0:31:15.240 --> 0:31:19.120
<v Speaker 1>stop location. Meanwhile, going somewhere, it's always useful to spend

0:31:19.120 --> 0:31:22.560
<v Speaker 1>a few days in Istanbul as well. The one last

0:31:22.600 --> 0:31:25.000
<v Speaker 1>thing I just remembered, which I can't believe I forgot

0:31:25.040 --> 0:31:28.920
<v Speaker 1>nearly forgot this. I was on a boat on the

0:31:28.920 --> 0:31:32.680
<v Speaker 1>Bosphorus with Anka and she said this beautiful thing to

0:31:32.760 --> 0:31:36.800
<v Speaker 1>me where she used this word hitch. And she said,

0:31:37.920 --> 0:31:41.800
<v Speaker 1>we is timber lights and we Turkish say, oh, that's hitch.

0:31:42.360 --> 0:31:47.360
<v Speaker 1>It means everything is nothing and nothing is everything. And

0:31:47.720 --> 0:31:50.920
<v Speaker 1>my husband and I looked at each other and we

0:31:51.200 --> 0:31:55.560
<v Speaker 1>had this moment where we felt, this was the essence

0:31:55.840 --> 0:31:59.000
<v Speaker 1>of what we've learned in Turkey. We have to get

0:31:59.000 --> 0:32:03.600
<v Speaker 1>this tattooed on our um. And so later that day,

0:32:03.640 --> 0:32:06.880
<v Speaker 1>somehow we had met some guy at the Soho House

0:32:07.080 --> 0:32:10.040
<v Speaker 1>who owned a jewelry store who we were visiting, and

0:32:10.200 --> 0:32:13.680
<v Speaker 1>his very good friend was a tattoo artist, and he

0:32:13.880 --> 0:32:17.640
<v Speaker 1>called the tattoo artist to come to his store and

0:32:17.760 --> 0:32:21.120
<v Speaker 1>he tattooed us in the back of his jewelry store,

0:32:21.760 --> 0:32:26.600
<v Speaker 1>whilst Unca was putting on million dollar diamonds on Earth

0:32:27.800 --> 0:32:31.800
<v Speaker 1>and Michael and I were getting getting inked. I couldn't

0:32:31.800 --> 0:32:37.280
<v Speaker 1>believe that moment. Your tattoo is called hitch. It's mostly

0:32:37.280 --> 0:32:40.320
<v Speaker 1>written in Arabic, but I really liked that you did

0:32:40.480 --> 0:32:43.760
<v Speaker 1>use the Turkish version, which is the Latin alphabet a

0:32:43.800 --> 0:32:49.600
<v Speaker 1>little altered, and you have hitch written h I received that,

0:32:49.840 --> 0:32:54.400
<v Speaker 1>which is the sound. It means nothing, and it's a

0:32:54.520 --> 0:32:58.520
<v Speaker 1>very deep meaning. It has to do with the whirling dervishes.

0:32:58.640 --> 0:33:01.640
<v Speaker 1>It's it's very difficult to plain, like in inn in

0:33:01.680 --> 0:33:05.760
<v Speaker 1>a sentence or so what it means. Eventually you end

0:33:05.800 --> 0:33:11.960
<v Speaker 1>up with nothing or deeper than that. Everything you belong to, everything,

0:33:12.440 --> 0:33:18.280
<v Speaker 1>you're part of, this whole part of the universe. It's amazing. Well,

0:33:18.320 --> 0:33:21.680
<v Speaker 1>I can thank you for your time. I miss you

0:33:21.880 --> 0:33:23.920
<v Speaker 1>at Land. I'll have a beautiful day and I send

0:33:23.960 --> 0:33:29.000
<v Speaker 1>your kisses me too. Bye, Darling. This is a great

0:33:29.040 --> 0:33:32.640
<v Speaker 1>moment for us to travel to Advertising Land and we'll

0:33:32.680 --> 0:33:37.320
<v Speaker 1>be right back with Everywhere. The time has come for

0:33:37.440 --> 0:33:43.400
<v Speaker 1>more of Everywhere. Now where were we? My next interview

0:33:43.520 --> 0:33:48.800
<v Speaker 1>is with Genevieve Morton six Times Sports Illustrated swimsuit model

0:33:49.280 --> 0:33:53.160
<v Speaker 1>or as I would say, costume model who's done multiple

0:33:53.240 --> 0:33:57.000
<v Speaker 1>magazine covers and traveled all over the globe and always

0:33:57.080 --> 0:34:00.160
<v Speaker 1>with a pair of heels and that signature cat all

0:34:00.160 --> 0:34:02.960
<v Speaker 1>of a laugh. Genevieve and I've been friends for many

0:34:03.040 --> 0:34:08.320
<v Speaker 1>years and we've recently reconnected in Los Angeles. Hi Genevieve,

0:34:08.840 --> 0:34:11.440
<v Speaker 1>Hi Daniel, it's amazing to see you. Haven't aged a

0:34:11.560 --> 0:34:14.200
<v Speaker 1>day in a decade. Well, it's because I'm on the

0:34:14.200 --> 0:34:16.800
<v Speaker 1>plane all the time, and I think the compression of

0:34:17.000 --> 0:34:20.239
<v Speaker 1>somehow being in the skies doesn't age you. So I'm

0:34:20.280 --> 0:34:24.280
<v Speaker 1>basically preventing myself from it. Was the signature face masks

0:34:24.440 --> 0:34:29.960
<v Speaker 1>used to do. Remember the signature forget. I could never forget. Wow,

0:34:30.080 --> 0:34:32.040
<v Speaker 1>you need to take me down a trip of memory

0:34:32.120 --> 0:34:33.920
<v Speaker 1>lane of all the things we used to do. We

0:34:34.040 --> 0:34:36.360
<v Speaker 1>used to have a lot of fun. That is true.

0:34:36.800 --> 0:34:39.719
<v Speaker 1>I recently was on the phone with Genevieve and we

0:34:39.760 --> 0:34:43.560
<v Speaker 1>had this amazing discussion abound the things that we used

0:34:43.600 --> 0:34:46.440
<v Speaker 1>to love about each other and why we are still friends.

0:34:46.800 --> 0:34:49.520
<v Speaker 1>And the thing that I adore about you is that

0:34:50.040 --> 0:34:55.320
<v Speaker 1>you were always willing to evolve and grow and challenge yourself.

0:34:56.000 --> 0:34:59.920
<v Speaker 1>And you did this thing where you would just become still.

0:35:00.960 --> 0:35:03.879
<v Speaker 1>You would allow yourself to be still, and then you'd

0:35:03.880 --> 0:35:07.279
<v Speaker 1>go from that place. When I met you, your mother

0:35:07.320 --> 0:35:11.799
<v Speaker 1>had passed away and it was a difficult moment for you,

0:35:12.040 --> 0:35:15.320
<v Speaker 1>and you were just so ready to learn and feel

0:35:15.480 --> 0:35:19.040
<v Speaker 1>and evolve from that. And look at you now. Well

0:35:19.080 --> 0:35:21.560
<v Speaker 1>it's been a long time, and I'll tell you what

0:35:21.600 --> 0:35:23.640
<v Speaker 1>I learned from you. There's a couple of things. First

0:35:23.640 --> 0:35:25.759
<v Speaker 1>of all, I learned to read magazines that are more

0:35:25.800 --> 0:35:29.080
<v Speaker 1>interesting than just glassy fashion magazines, which is a big thing.

0:35:29.120 --> 0:35:32.080
<v Speaker 1>I have subscriptions to like legit magazines that you turned

0:35:32.080 --> 0:35:34.799
<v Speaker 1>me onto, which is great. Second, I learned how to

0:35:34.920 --> 0:35:38.160
<v Speaker 1>rest from you, which it may seem like a silly thing,

0:35:38.160 --> 0:35:40.000
<v Speaker 1>but you know, when you're someone who wanted to go,

0:35:40.000 --> 0:35:43.640
<v Speaker 1>go go, and you just keep going, you symptoms can

0:35:43.680 --> 0:35:45.920
<v Speaker 1>just forget to take a time out. And I remember

0:35:46.360 --> 0:35:48.000
<v Speaker 1>at the time when we were are hanging out some

0:35:48.080 --> 0:35:49.680
<v Speaker 1>days at call and I say, what are you doing?

0:35:49.719 --> 0:35:52.400
<v Speaker 1>And you're like, I'm taking a mental health day, and

0:35:52.520 --> 0:35:54.719
<v Speaker 1>like a what day? And you'd be like, I'm just

0:35:54.760 --> 0:35:57.320
<v Speaker 1>watching the show and I'm just relaxing and be like

0:35:57.360 --> 0:36:00.200
<v Speaker 1>I couldn't believe that this was a thing that people

0:36:00.239 --> 0:36:02.360
<v Speaker 1>were doing, and it was just so inspiring to me.

0:36:02.760 --> 0:36:05.000
<v Speaker 1>Of many things, but that's the thing that comes to

0:36:05.000 --> 0:36:09.080
<v Speaker 1>mind today. But ten of Vive, it's about embracing the stillness.

0:36:09.120 --> 0:36:12.480
<v Speaker 1>It was about those small moments where you just have

0:36:12.600 --> 0:36:15.399
<v Speaker 1>to be still. Travel taught me to do that. Like

0:36:15.440 --> 0:36:18.360
<v Speaker 1>you're on the road and you're experiencing all these beautiful things,

0:36:18.920 --> 0:36:22.240
<v Speaker 1>and the only way that you're able to assimilate this knowledge,

0:36:22.280 --> 0:36:24.479
<v Speaker 1>to take it from head knowledge and turn it into

0:36:24.520 --> 0:36:29.000
<v Speaker 1>heart knowledge is if you become still. The reason I

0:36:29.040 --> 0:36:30.840
<v Speaker 1>said that to you at the time, and I probably

0:36:30.880 --> 0:36:32.440
<v Speaker 1>say it to you again now. I don't know if

0:36:32.440 --> 0:36:34.640
<v Speaker 1>i'd call it a mental health day now I call

0:36:34.719 --> 0:36:38.560
<v Speaker 1>it a respite now or something a respite as Americans say,

0:36:39.040 --> 0:36:42.239
<v Speaker 1>But it's something to do with In that stillness, the

0:36:42.280 --> 0:36:46.040
<v Speaker 1>wisdom comes, and in that stillness you're able to process

0:36:46.160 --> 0:36:49.400
<v Speaker 1>things which you just can't do if you're letting the

0:36:49.440 --> 0:36:54.160
<v Speaker 1>monkey mind run wild. And travel is so stimulating, it's

0:36:54.200 --> 0:36:57.879
<v Speaker 1>so um there's so much happening, and there's so much

0:36:57.920 --> 0:37:00.319
<v Speaker 1>that you want to see and do. It put you

0:37:00.360 --> 0:37:04.839
<v Speaker 1>on this path of inquiry and curiosity. So it's hard

0:37:04.880 --> 0:37:08.560
<v Speaker 1>to find stillness. But in that stillness, I think there's

0:37:08.640 --> 0:37:12.200
<v Speaker 1>so much wisdom that's offered to you. So one of

0:37:12.200 --> 0:37:14.600
<v Speaker 1>the things with traveling for me is because I'm also

0:37:14.719 --> 0:37:17.759
<v Speaker 1>generally traveling for work, what I found that I've used

0:37:17.800 --> 0:37:19.880
<v Speaker 1>as a great technique and i'm traveling is once I

0:37:19.960 --> 0:37:23.880
<v Speaker 1>crossed the security line at the airport, I draw a

0:37:23.920 --> 0:37:26.040
<v Speaker 1>line in the sand and it becomes me time because

0:37:26.040 --> 0:37:29.239
<v Speaker 1>although these people around me. I'm generally traveling alone, and

0:37:29.280 --> 0:37:32.319
<v Speaker 1>I can be around humans but be completely alone. I

0:37:32.320 --> 0:37:35.120
<v Speaker 1>don't have to engage with people, and that's just time

0:37:35.160 --> 0:37:37.319
<v Speaker 1>where I can write, I can read, I can just

0:37:37.400 --> 0:37:40.160
<v Speaker 1>be by myself and I don't owe anyone anything. And

0:37:40.200 --> 0:37:42.760
<v Speaker 1>then the best of all getting on the plane, of course,

0:37:42.800 --> 0:37:45.440
<v Speaker 1>I wear the big headphones, the international signal for do

0:37:45.480 --> 0:37:47.399
<v Speaker 1>not talk to me, I'm not available for you right now,

0:37:47.880 --> 0:37:51.160
<v Speaker 1>and just knowing that I have like eight hours for me.

0:37:51.719 --> 0:37:54.719
<v Speaker 1>That's the most incredible part about traveling, I think. And

0:37:54.760 --> 0:37:56.920
<v Speaker 1>you're forced to be with yourself. You're not numbing out

0:37:56.920 --> 0:37:59.000
<v Speaker 1>on your phone or whatever else is available to you.

0:37:59.280 --> 0:38:02.520
<v Speaker 1>I think that's really important. So this leads me into

0:38:02.600 --> 0:38:05.360
<v Speaker 1>wanting to talk about you were a model when I

0:38:05.400 --> 0:38:08.160
<v Speaker 1>met you, and you've had this incredible career and you've

0:38:08.200 --> 0:38:12.800
<v Speaker 1>had so much fun, but you've evolved that into something

0:38:12.840 --> 0:38:15.880
<v Speaker 1>else now and you're helping people in a way. Then

0:38:16.280 --> 0:38:18.319
<v Speaker 1>maybe you didn't think you would be able to do

0:38:18.440 --> 0:38:22.520
<v Speaker 1>Ten years ago. When I met you, I was trying

0:38:22.560 --> 0:38:24.680
<v Speaker 1>to be a model. Let me rephrase. I was doing

0:38:24.719 --> 0:38:27.000
<v Speaker 1>some stuff and then I got a big break right

0:38:27.040 --> 0:38:28.640
<v Speaker 1>about the time that I met you, and I was

0:38:28.719 --> 0:38:32.560
<v Speaker 1>lucky enough to book Sports Illustrated America, which catapulted my

0:38:32.640 --> 0:38:34.719
<v Speaker 1>career into being in the top in my industry. And

0:38:34.760 --> 0:38:37.400
<v Speaker 1>of course I've done other magazines before and other jobs

0:38:37.400 --> 0:38:39.919
<v Speaker 1>and catalogs and things, but there's a big difference from being,

0:38:40.320 --> 0:38:44.480
<v Speaker 1>you know, just a regular catalog model, wearing clothes, taking pictures, whatever.

0:38:44.480 --> 0:38:46.360
<v Speaker 1>It's a whole other thing when you start building a

0:38:46.400 --> 0:38:49.600
<v Speaker 1>brand for yourself. I'm obviously older now, I'm thirty three,

0:38:50.000 --> 0:38:51.680
<v Speaker 1>and I know that there are a lot of models

0:38:51.680 --> 0:38:55.280
<v Speaker 1>that still model well into into their forties, fifties, sixties,

0:38:55.320 --> 0:38:59.840
<v Speaker 1>even may masks in the seventies. Amazing. But what happens

0:39:00.000 --> 0:39:03.440
<v Speaker 1>and we achieve our dreams and then what you have

0:39:03.520 --> 0:39:05.480
<v Speaker 1>to dream up a new dream and that's a really

0:39:05.520 --> 0:39:08.560
<v Speaker 1>hard thing to do. I mean, I can shoot, I

0:39:08.600 --> 0:39:10.919
<v Speaker 1>can take photos, and sure it's fun, but I don't

0:39:10.960 --> 0:39:13.440
<v Speaker 1>walk onto set and feel excited the way I used to.

0:39:14.000 --> 0:39:16.000
<v Speaker 1>And that set me on a journey of going war.

0:39:16.480 --> 0:39:19.120
<v Speaker 1>Who am I beyond just the two D image that

0:39:19.160 --> 0:39:22.560
<v Speaker 1>people have of me? So I had to ask myself

0:39:22.560 --> 0:39:25.160
<v Speaker 1>what do I have that other models don't have? And

0:39:25.200 --> 0:39:28.040
<v Speaker 1>for me, that was my voice. And what I love

0:39:28.040 --> 0:39:31.160
<v Speaker 1>about social media is that it's social and the point

0:39:31.239 --> 0:39:33.440
<v Speaker 1>is connection and if you use it for that purpose,

0:39:33.520 --> 0:39:36.799
<v Speaker 1>it can really bring a lot of people together. So

0:39:36.880 --> 0:39:40.880
<v Speaker 1>you've started helping people with grief. Yeah, Well, as you know,

0:39:41.000 --> 0:39:42.600
<v Speaker 1>I lost my mom when I was very young, and

0:39:42.600 --> 0:39:44.719
<v Speaker 1>I had to try and find some meaning around that,

0:39:44.880 --> 0:39:47.839
<v Speaker 1>and it's a really hard thing to do, especially you

0:39:47.840 --> 0:39:50.719
<v Speaker 1>know when you ask the universe like why why did

0:39:50.719 --> 0:39:52.760
<v Speaker 1>this happen to me? And maybe there isn't a reason,

0:39:52.840 --> 0:39:55.160
<v Speaker 1>maybe things just happened. But for me, over the years,

0:39:55.239 --> 0:39:57.319
<v Speaker 1>I found that had a lot of people with a

0:39:57.320 --> 0:39:59.719
<v Speaker 1>lot of pain and trauma come into my life and

0:40:00.160 --> 0:40:02.840
<v Speaker 1>was not afraid of those negative feelings. So people often

0:40:02.880 --> 0:40:04.880
<v Speaker 1>open up to me. And I thought to myself, what

0:40:05.000 --> 0:40:09.120
<v Speaker 1>an opportunity to do a course and a qualification where

0:40:09.120 --> 0:40:12.440
<v Speaker 1>I can actually help people through a set out program.

0:40:12.480 --> 0:40:15.160
<v Speaker 1>It's just very rewarding, it's amazing. It's not the only

0:40:15.200 --> 0:40:17.840
<v Speaker 1>thing I'm doing, of course, there's many things. So there's that,

0:40:17.960 --> 0:40:20.759
<v Speaker 1>and then I also talk vocally about being sober. That's

0:40:20.800 --> 0:40:22.920
<v Speaker 1>a really big thing for me. I think it's changed

0:40:22.960 --> 0:40:25.479
<v Speaker 1>my life and I'm very vocal about joining twelve step

0:40:25.480 --> 0:40:29.480
<v Speaker 1>programs and doing the work surrounding that because Oftentimes people

0:40:29.480 --> 0:40:32.200
<v Speaker 1>are saying they're diagnosed with this or that or the

0:40:32.239 --> 0:40:34.719
<v Speaker 1>next thing, but it's it's like, no, you you're just

0:40:34.760 --> 0:40:38.000
<v Speaker 1>an alcoholic. Maybe if you just pause with the numbing

0:40:38.160 --> 0:40:40.960
<v Speaker 1>and addictive behavior, do the work surrounding that and see

0:40:41.000 --> 0:40:44.279
<v Speaker 1>what's left, maybe you wouldn't have to be diagnosed with

0:40:44.320 --> 0:40:48.880
<v Speaker 1>all these things. You know, tell me um some stories

0:40:49.400 --> 0:40:53.399
<v Speaker 1>about modeling on the road. I remember when you did

0:40:53.440 --> 0:40:56.960
<v Speaker 1>Sponsor Illustrated. You told me the story about how the

0:40:57.000 --> 0:40:59.920
<v Speaker 1>water was so fucking cold and you had to like

0:41:00.080 --> 0:41:03.319
<v Speaker 1>pretend like it was warm and wonderful and you still

0:41:03.360 --> 0:41:07.120
<v Speaker 1>had to keep going right. So when you're shooting modeling,

0:41:07.160 --> 0:41:10.120
<v Speaker 1>you're shooting opposite seasons, so you for for summer clothes

0:41:10.120 --> 0:41:12.440
<v Speaker 1>you shoot in winter, and winter clothes you shoot in summer.

0:41:12.560 --> 0:41:16.800
<v Speaker 1>So in winter you're shooting summer things or bikinis, for example,

0:41:16.880 --> 0:41:20.320
<v Speaker 1>and the water is freezing, everything's freezing, the wind is blowing.

0:41:20.320 --> 0:41:22.719
<v Speaker 1>I mean, I've been on set where I'm wearing like

0:41:22.760 --> 0:41:24.840
<v Speaker 1>a bikini and they have to have heaters blowing on

0:41:24.920 --> 0:41:26.960
<v Speaker 1>us because we've turned blue and we have to try

0:41:27.000 --> 0:41:30.759
<v Speaker 1>and look warm. But just in terms of traveling, I mean,

0:41:30.760 --> 0:41:33.279
<v Speaker 1>the funniest story I had I think was when we

0:41:33.320 --> 0:41:36.680
<v Speaker 1>went to shoot in Fiji with Sports Illustrated and the

0:41:36.760 --> 0:41:39.000
<v Speaker 1>guy who owned the kind of island we were on

0:41:39.080 --> 0:41:42.920
<v Speaker 1>the island resort kept like evicting people out of their jobs,

0:41:43.040 --> 0:41:45.759
<v Speaker 1>I guess, and the chef got fired while we were there,

0:41:45.760 --> 0:41:47.800
<v Speaker 1>and they wouldn't give him a ride back to the mainland,

0:41:47.840 --> 0:41:49.920
<v Speaker 1>and he was sleeping in the hammocks on the beach

0:41:50.440 --> 0:41:53.600
<v Speaker 1>trying to like solicit a ride from this island to

0:41:53.640 --> 0:41:55.840
<v Speaker 1>the main and just like crazy things like that happening

0:41:55.840 --> 0:41:57.759
<v Speaker 1>all the time, just weird stuff, And I think that's

0:41:57.800 --> 0:42:00.319
<v Speaker 1>the beauty of traveling. Those you just see, like you

0:42:00.360 --> 0:42:03.160
<v Speaker 1>get a glimpse into all these stranger's lives and then

0:42:03.200 --> 0:42:05.640
<v Speaker 1>you carry on your merry way and keep living your life.

0:42:05.640 --> 0:42:09.920
<v Speaker 1>It's great. I like the idea of you sitting on

0:42:09.960 --> 0:42:14.080
<v Speaker 1>this flight for eight hours and just embracing the stillness

0:42:14.200 --> 0:42:16.759
<v Speaker 1>that comes to you like that, to me is really beautiful,

0:42:17.320 --> 0:42:20.080
<v Speaker 1>this idea of just being in that silence. I mean,

0:42:20.080 --> 0:42:22.480
<v Speaker 1>of course I'd like people to listen to my podcast

0:42:22.560 --> 0:42:26.319
<v Speaker 1>when they're traveling, but sometimes there's this an amazing thing

0:42:26.320 --> 0:42:28.880
<v Speaker 1>where I'd be on a flight and I would watch

0:42:29.239 --> 0:42:32.680
<v Speaker 1>no movie, I would read no book, I wouldn't speak

0:42:32.719 --> 0:42:35.719
<v Speaker 1>to anyone, and I would have headphones on as if

0:42:35.760 --> 0:42:38.719
<v Speaker 1>I'm listening to music, but they would just be noise canceling.

0:42:39.719 --> 0:42:43.360
<v Speaker 1>And that's when I'm processing. And then at some point

0:42:43.440 --> 0:42:47.160
<v Speaker 1>during the time, you're watching your mind go and it

0:42:47.280 --> 0:42:51.600
<v Speaker 1>stops and you just get this like moment of silence,

0:42:51.800 --> 0:42:56.520
<v Speaker 1>and that's where I think the work starts. Well, I

0:42:56.520 --> 0:42:58.600
<v Speaker 1>think you have a kind of relief because there's no

0:42:58.719 --> 0:43:02.839
<v Speaker 1>expectation on you. No one can like somehow reach out

0:43:02.880 --> 0:43:05.760
<v Speaker 1>to you via your phone. I mean, we don't take

0:43:05.840 --> 0:43:09.120
<v Speaker 1>downtime in our lives right now, like you're we're available,

0:43:10.200 --> 0:43:14.560
<v Speaker 1>and people don't have the boundary like and that time

0:43:14.719 --> 0:43:18.359
<v Speaker 1>on a plane, it's like an extended meditation. And if

0:43:18.360 --> 0:43:20.319
<v Speaker 1>you know, if you're meditated, you're not really trying to

0:43:20.360 --> 0:43:23.200
<v Speaker 1>get something first, you're just observing the crazy thoughts bouncing

0:43:23.239 --> 0:43:24.799
<v Speaker 1>back and forth in your mind, and like you said,

0:43:24.800 --> 0:43:28.239
<v Speaker 1>you get to that place of silence. I think what

0:43:28.280 --> 0:43:31.920
<v Speaker 1>I've found on planes is that I'm able to connect

0:43:31.960 --> 0:43:35.919
<v Speaker 1>with myself. See see what I'm saying, Someone's just trying

0:43:35.920 --> 0:43:40.200
<v Speaker 1>to get you. Ye can't you can't get a break?

0:43:41.640 --> 0:43:47.040
<v Speaker 1>Give me some lesson that travel gave you. But when

0:43:47.080 --> 0:43:48.600
<v Speaker 1>we were chatting the other day on the phone, we

0:43:48.600 --> 0:43:50.400
<v Speaker 1>were going over a couple of things because obviously we

0:43:50.400 --> 0:43:52.479
<v Speaker 1>haven't spoken in a really long time. And I think

0:43:52.800 --> 0:43:56.479
<v Speaker 1>the sentiment that we reached together ultimately was no matter

0:43:56.520 --> 0:44:00.440
<v Speaker 1>where you go, there you are. And I know for me,

0:44:00.680 --> 0:44:03.440
<v Speaker 1>I was running away from myself. I want I left

0:44:04.040 --> 0:44:07.040
<v Speaker 1>the little tiny town of Scottborough to get away and

0:44:07.120 --> 0:44:10.279
<v Speaker 1>show them that they shouldn't have bullied me, because if

0:44:10.320 --> 0:44:12.839
<v Speaker 1>they hadn't bullied me, they're going to regret it now

0:44:12.920 --> 0:44:15.600
<v Speaker 1>because I am all that and a bag of chips.

0:44:15.600 --> 0:44:17.680
<v Speaker 1>And let me tell you, when I went back to Scotborough,

0:44:18.000 --> 0:44:22.400
<v Speaker 1>nobody cares. Okay, no one cares about there's infants you

0:44:22.440 --> 0:44:24.600
<v Speaker 1>hold from high school and how you're spending your whole

0:44:24.600 --> 0:44:27.560
<v Speaker 1>life running away trying to like show them. And it

0:44:27.600 --> 0:44:30.200
<v Speaker 1>took me a full decade to get to that experience,

0:44:30.239 --> 0:44:33.000
<v Speaker 1>and just how many lives I feel like I tried

0:44:33.040 --> 0:44:34.879
<v Speaker 1>to live to get away and get to the point

0:44:34.920 --> 0:44:37.560
<v Speaker 1>where it's like you have to be okay with yourself.

0:44:38.480 --> 0:44:41.920
<v Speaker 1>And that's what I've learned to travel. What I didn't

0:44:41.960 --> 0:44:44.800
<v Speaker 1>say is how we met. We met in Cape Town

0:44:45.040 --> 0:44:48.759
<v Speaker 1>at Origin Coffee where I've met so many of my

0:44:48.920 --> 0:44:52.840
<v Speaker 1>closest friends. And it's funny that this coffee shop, this

0:44:53.040 --> 0:44:57.480
<v Speaker 1>little coffee shops serving incredible coffee in the tip of Africa,

0:44:57.560 --> 0:45:01.200
<v Speaker 1>in Cape Town, brought so many people together for me.

0:45:02.239 --> 0:45:04.640
<v Speaker 1>And I remember when we met and you were like

0:45:04.760 --> 0:45:08.279
<v Speaker 1>the girl about town and was I didn't feel like

0:45:08.320 --> 0:45:10.680
<v Speaker 1>the girl about town. I felt the loser about town.

0:45:10.880 --> 0:45:13.600
<v Speaker 1>You would never the loser about town. And I remember

0:45:13.719 --> 0:45:17.719
<v Speaker 1>us being like, we were this gaggle of friends, and

0:45:17.800 --> 0:45:21.359
<v Speaker 1>you were always so bubbly and ridiculous, and you used

0:45:21.360 --> 0:45:24.400
<v Speaker 1>to do like this funny impression like pinky in the brain.

0:45:24.480 --> 0:45:26.440
<v Speaker 1>I can't remember what it was used to do stuff.

0:45:26.480 --> 0:45:28.440
<v Speaker 1>I mean, I guess I do to my dream to

0:45:28.520 --> 0:45:31.080
<v Speaker 1>voice a cartoon or animation. But you know what I'm

0:45:31.080 --> 0:45:33.080
<v Speaker 1>thinking of doing. I'm thinking of making a little mini

0:45:33.120 --> 0:45:35.720
<v Speaker 1>Catrie already show and voicing the two cats in my apartment.

0:45:35.760 --> 0:45:37.719
<v Speaker 1>But maybe that's a little bit over the top. No,

0:45:37.880 --> 0:45:40.680
<v Speaker 1>I think that's great. It'd be hilarious. I can come

0:45:40.680 --> 0:45:46.680
<v Speaker 1>on and be like the tramveling cat returning home, the

0:45:47.040 --> 0:45:50.879
<v Speaker 1>baritone voiced lady cat. We're going to figure this one out.

0:45:51.480 --> 0:45:53.200
<v Speaker 1>I used to say, my name so funny to be

0:45:53.239 --> 0:45:58.040
<v Speaker 1>like Genevieve, you'd be like and then you hold your

0:45:58.040 --> 0:46:04.160
<v Speaker 1>hands up like, well, Genevieve. It is such a pleasure

0:46:04.239 --> 0:46:06.960
<v Speaker 1>to have you, and I'm so glad that I can

0:46:07.000 --> 0:46:11.680
<v Speaker 1>reconnect and we can do something meaningful together. Yeah, thank

0:46:11.719 --> 0:46:13.799
<v Speaker 1>you so much for having me on your show and

0:46:13.840 --> 0:46:16.360
<v Speaker 1>also reconnecting with me. It's a pleasure to reconnect with

0:46:16.400 --> 0:46:18.480
<v Speaker 1>you in l A. And I'm looking forward to listening

0:46:18.480 --> 0:46:20.600
<v Speaker 1>to your podcast and hearing more about all of your

0:46:20.680 --> 0:46:23.719
<v Speaker 1>journeys because I've really missed out. O good, we'll do

0:46:23.800 --> 0:46:30.080
<v Speaker 1>some journeys together. Okay, so I have a plan to

0:46:30.160 --> 0:46:32.920
<v Speaker 1>catch but if you'd still like to reach us, go

0:46:33.080 --> 0:46:37.799
<v Speaker 1>to Everywhere Podcast on Instagram, Everywhere part on Twitter, or

0:46:37.800 --> 0:46:42.319
<v Speaker 1>the website at everywhere podcast dot com. Thanks for hanging out.

0:46:43.239 --> 0:46:46.240
<v Speaker 1>I'm Daniel Scheffler and I'll see you everywhere