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Speaker 1: It's another jewel the twenties. I'm this is Sarah. Hey, Sarah,

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Speaker 1: how are you? This is James. I'm one of the

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Speaker 1: directors here. Oh hi, boy, you good. I think we

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Speaker 1: met when they were introducing you to everybody last month.

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Speaker 1: I'm not sure if you remember. There are so many

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Speaker 1: people there. I recognize the name. I just I'm sorry

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Speaker 1: I can't put a face with you. I was talking

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Speaker 1: to your boss, Dave, and I told him about an

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Speaker 1: internal project that I'm working on, and he said you

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Speaker 1: would be perfect for it. So I wanted to give

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Speaker 1: you first crack if you're interested. Um, sure, what is it? Well,

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Speaker 1: it's kind of a fun project. You'd be the voice

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Speaker 1: of our company voicemail. Pretty cool? Oh okay, sure yeah.

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Speaker 1: The person they have now on the recording is kind

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Speaker 1: of lame, and we wanted to do something more fun

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Speaker 1: and loose since we're a younger company. Gotcha. Yeah, and

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Speaker 1: guess what the company will pay you with thousand dollars

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Speaker 1: for the gig? Oh wow, that's crazy. A little bit

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Speaker 1: of a bonus already, right exactly, So what do you

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Speaker 1: think you want to try it? Absolutely? Let's do this cool.

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Speaker 1: I can actually do it right over the phone right now,

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Speaker 1: if you're up for it. You got a few minutes, sure, Okay.

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Speaker 1: The first line that I want you to read is

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Speaker 1: like this, say, hey, thanks for calling, what's up? You

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Speaker 1: son of a Seriously, I know the language is a

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Speaker 1: little edgy, but you know we're a startup tech company.

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Speaker 1: We want to stand out and be kind of hip

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Speaker 1: and fun. Don't you think the language is a little offensive?

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Speaker 1: If you could just say the line for me, if

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Speaker 1: it doesn't fit, will work something else out. But that's

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Speaker 1: what I'm envisioning. Can you try it for me? Please? Okay, Hey,

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Speaker 1: thanks for calling, what's up? You son of a m

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Speaker 1: It's pretty good. Can you try it one more time?

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Speaker 1: But this time go real hard on the part, like

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Speaker 1: real in ten with it. Hey, thanks for calling? What's up? You? Sellut?

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Speaker 1: That is a lot better, a lot better. I like that.

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Speaker 1: I just I have never heard of a company leaving

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Speaker 1: this type of voice smail before, and that's what we're

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Speaker 1: going for. We want something to set us apart from

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Speaker 1: the rest. Do you think we shouldn't use and we

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Speaker 1: should like drop an F bomb or something? No, No,

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Speaker 1: I think you're not. I think you're going to be

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Speaker 1: turning away people with this. Why don't we go to

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Speaker 1: this next line and then just see how it sounds. Okay,

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Speaker 1: you have another line too, Yeah, I've got a bunch

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Speaker 1: of stuff for you to read here. It shouldn't take

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Speaker 1: too much longer, though, So for this one, if you

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Speaker 1: could just say for me for sales, press uno, for sales,

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Speaker 1: press uno, that's good, and then finish that with four accounts,

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Speaker 1: payable pressed dose, for accounts, payable pressed dose, and then

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Speaker 1: for anything else, don't worry about it because you're probably

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Speaker 1: fat and ugly. Seriously, do you not like that line?

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Speaker 1: You know what I got it? Thank you for pointing

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Speaker 1: that out. We don't have a number associated with it.

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Speaker 1: Can you say, for anything else, press three because you're

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Speaker 1: probably fat and ugly? My mistake? No, no, no, no,

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Speaker 1: it's it's not because there's not a number attached to it.

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Speaker 1: Because it's really offensive. You're insulting the clients. Oh, I

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Speaker 1: get it, because they might not speak Spanish. Right, No,

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Speaker 1: it's you're joking, right, I mean you know that calling

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Speaker 1: someone fat and ugly, that's just plain rude. Oh no,

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Speaker 1: it's funny. No, it's not even though that calling someone

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Speaker 1: fat and ugly, it's extremely routed and pectful. I must

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Speaker 1: have caught you on a fat day. Huh seriously, well,

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Speaker 1: I just I look. I have a wife and sometimes

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Speaker 1: she retains water when it's around that time of the month,

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Speaker 1: and I know how she can be. I can't do that.

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Speaker 1: I am not going to say that they're fat and

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Speaker 1: ugly and that they need a press three. I'm sorry,

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Speaker 1: but like, it's not worth it. You know what, you

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Speaker 1: made some good points. How about we scratch the fat

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Speaker 1: and ugly part. It might be too much, You're right,

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Speaker 1: thank you. Instead of fat and ugly, why don't we

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Speaker 1: go with dumb and poor? Oh my god, No, I

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Speaker 1: am not calling someone dumb and poor. I'm not doing

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Speaker 1: this anymore. I don't even care about a thousand dollars.

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Speaker 1: This whole thing has making me think twice about being

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Speaker 1: with this company. I quit. I'm not doing this project,

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Speaker 1: So you're quitting. Yes, I'm not gonna work for companies

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Speaker 1: to make me try and say these offensive things to people. Oh,

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Speaker 1: you can't don't quit. No, you don't quit. I'm so

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Speaker 1: open this. I don't even want to work with this tech. No,

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Speaker 1: you can't quit your job because this is a joke.

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Speaker 1: I don't even want to work with the company. Dot

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Speaker 1: jokes like that. No, it's not a joke from the company.

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Speaker 1: This is actually Jewel from Brook and Jewil in the

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Speaker 1: morning doing a phone tap on you. Oh my god, what, Yeah,

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Speaker 1: it's a joke. Your co worker Dave set you up.

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Speaker 1: Oh my god, Oh my god. I can't believe myself

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Speaker 1: or that he said he wanted to welcome you to

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Speaker 1: the company. So there you go. Oh my god, so

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Speaker 1: welcome your son of a. Oh well, thank you, you

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Speaker 1: son of a. Wake up every morning with Jewel Funk

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Speaker 1: taps weekday mornings on the twenties, Holy On Moving ninety

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Speaker 1: two point five