WEBVTT - Black Music Month QLS Classic: Lady B

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<v Speaker 1>Questlove Supreme is a production of iHeartRadio.

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<v Speaker 2>What's Up Everybody, It's Sugar Steve from Team Supreme. June

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<v Speaker 2>marks Black Music Month. We often speak about it on

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<v Speaker 2>Questlove Supreme and we've had some of the legends responsible

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<v Speaker 2>for the recognition on the show. Every day this June,

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<v Speaker 2>we are running a different episode from the QLs archives

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<v Speaker 2>to honor the tradition and a tent of Black Music Month.

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<v Speaker 2>This week we are focusing on some of the great

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<v Speaker 2>hip hop conversations in the QLs catalog. Our leader Questlove

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<v Speaker 2>has a new book out.

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<v Speaker 3>Called hip Hop Is History.

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<v Speaker 2>Check it out at questlove dot com. Today we are

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<v Speaker 2>airing an interview with Philadelphia's own Lady B, who is

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<v Speaker 2>not only a pioneering force at radio, but is also

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<v Speaker 2>one of the first hip hop artists.

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<v Speaker 3>To release a record.

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<v Speaker 4>Ladies and gentlemen, welcome to another episode of quest Love Supreme.

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<v Speaker 4>I will say that this is a highly personal episode

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<v Speaker 4>for myself in my professional.

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<v Speaker 5>Eddie in our SiO territory right here.

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<v Speaker 6>Yes, no, no, it's not gonna be Edie.

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<v Speaker 4>I will say that in my my thirty plus years

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<v Speaker 4>of being in this business, I never thought the day

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<v Speaker 4>would occur that my first interview with the person who

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<v Speaker 4>literally introduced me to hip hop. Whatever happened on my platform.

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<v Speaker 4>I mean, that's that's that's how often I dreamed of

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<v Speaker 4>like being on her show. I mean even when I

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<v Speaker 4>was listening to her, I didn't have dreams of being

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<v Speaker 4>in hip hop. But literally, what what you know, what

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<v Speaker 4>Greg Mac means to kd A y in La, what

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<v Speaker 4>mister Magic means for New York City.

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<v Speaker 6>I will say that this, this young lady.

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<v Speaker 4>Was not only crucial for the Tri State area, but

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<v Speaker 4>in hip hop in general, because I mean, at one point,

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<v Speaker 4>Philly was the second largest hip hop market in the

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<v Speaker 4>in the first formative years of hip hop being on

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<v Speaker 4>Wax between like seventy nine and eighty nine. Yeah, just

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<v Speaker 4>any major first, you know, the first time I heard

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<v Speaker 4>cutting scratching on Grand Master Flash on the Wheels is Steel,

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<v Speaker 4>The first time I heard Pumpkin play a breakbeat on

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<v Speaker 4>on Spoony G's Love Rap, the first time I heard

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<v Speaker 4>Sucker C's, the first time I heard anything by the

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<v Speaker 4>Juice Crew, the first time got the moment I first

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<v Speaker 4>heard Rebel without a pause, It's it's this young lady

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<v Speaker 4>on our show for are you Roots? Officionados. Of course,

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<v Speaker 4>her voice might be familiar to you if if you

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<v Speaker 4>hold Our Things Fall apart album Hear and Deers. She's

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<v Speaker 4>on the without a doubt.

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<v Speaker 7>That was the best session ever.

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<v Speaker 4>She is the first female to be on WAX as

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<v Speaker 4>an MC, A pioneering DJ.

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<v Speaker 6>Ladies and gentlemen, welcome to the person who introduced me

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<v Speaker 6>to hip hop, Lady B.

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<v Speaker 7>But oh, I feel so touched by that.

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<v Speaker 8>But you know what, as I approach, you know, because

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<v Speaker 8>as I approached his fortieth anniversity, I've been doing a

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<v Speaker 8>lot of reflecting and just getting in my spirit with

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<v Speaker 8>God and just thanking him for being the person who

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<v Speaker 8>did what you just said that I did to introduce

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<v Speaker 8>a genre of music that little had faith in, a

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<v Speaker 8>political crap connected to that to get it on the radio.

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<v Speaker 7>And you're right, I know you say that is the

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<v Speaker 7>second no I want. I want. I want to tell

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<v Speaker 7>the facts.

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<v Speaker 8>And here's another thing I decide to do for my

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<v Speaker 8>fortieth I'm usually very humble.

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<v Speaker 7>No moment, come on, bring it out.

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<v Speaker 8>When people say you're a pioneer, you're an icon, you're this,

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<v Speaker 8>you're that, And then I start thinking, just the other day, well,

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<v Speaker 8>all here, I swear to God, I was like, you

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<v Speaker 8>know what, onw this is the onus because you did it.

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<v Speaker 8>And too many times the brothers get all the accolades

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<v Speaker 8>and we, as sisters, we don't. So yeah, I'm gonna

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<v Speaker 8>putting my fists in the air and I'm gonna say

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<v Speaker 8>it with my chest out that it wasn't just as

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<v Speaker 8>far as you know, people always say New York was

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<v Speaker 8>first and then Philly was the second biggest market. First

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<v Speaker 8>of all, all due respect to the only man who

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<v Speaker 8>shared my same story, and that is mister Magic in

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<v Speaker 8>New York. I missed his brother so much, but he's

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<v Speaker 8>the only one that is parallel with my life and

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<v Speaker 8>what we did and to fight to get it on

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<v Speaker 8>FM radio, And so you have to understand that I

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<v Speaker 8>was the first one to play it on FM radio.

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<v Speaker 8>But Magic and what we're doing was a college thing.

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<v Speaker 8>I kick y'all off on AM and then in Power

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<v Speaker 8>ninety nine put us on FM that that made stations

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<v Speaker 8>across the country follow suit. Yes, you understand what I'm saying,

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<v Speaker 8>Like I started this avalanche of a culture, and I'm

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<v Speaker 8>so proud to say that I did that. And when

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<v Speaker 8>I think back on just how much freaking fun I

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<v Speaker 8>had doing that. I am so full of joy right

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<v Speaker 8>about now, like I'm doing a lot of reflecting and

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<v Speaker 8>I'm like, wow, I did that. I knew these millionaires

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<v Speaker 8>when they were broken, had roaches in their apartment, and

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<v Speaker 8>I'm so glad to have helped them follow their dreams

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<v Speaker 8>and do what they do.

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<v Speaker 7>It's it's amazing.

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<v Speaker 8>It's it's you have no you have no idea how

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<v Speaker 8>many brick walls I came across people.

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<v Speaker 7>Oh my, don't.

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<v Speaker 6>Give it away.

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<v Speaker 9>I'm I got time this Look, this ain't a radio show.

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<v Speaker 7>Let me fall back and calm down. I'm sorry.

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<v Speaker 6>Let me just say.

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<v Speaker 4>Let me just say that, you know you you revealed

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<v Speaker 4>how many decades around the sun that you were before

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<v Speaker 4>we went on air, and I have to say that

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<v Speaker 4>you were still a timeless teenager to me. You you

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<v Speaker 4>literally have not like this is when she was nineteen.

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<v Speaker 4>As as on air personality, this is the same one,

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<v Speaker 4>Like nothing has changed, nothing has changed at all, you know,

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<v Speaker 4>this is I feel like this is my first real

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<v Speaker 4>conversation with you, like we've seen each other in passing.

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<v Speaker 6>And whatnot we do.

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<v Speaker 7>It is, I think it is.

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<v Speaker 4>But I'm glad to finally get a moment to rapt

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<v Speaker 4>you because I have so many questions about my hometown

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<v Speaker 4>and what. You know what, I didn't get the experience

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<v Speaker 4>that you know, you also helped pave the way.

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<v Speaker 6>Well. First of all, are you from Philadelphia.

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<v Speaker 8>Born and raised Philadelphia or were you born in saying? Well,

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<v Speaker 8>I was born my family. My mother owned a bar

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<v Speaker 8>on Woodland Avenue in Southwest Your mom owned the alley

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<v Speaker 8>Alley's Alley.

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<v Speaker 6>Yes, that's your mom's jorn.

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<v Speaker 7>That was my I grew up in that avenue. That

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<v Speaker 7>is correct.

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<v Speaker 8>Alley's Alley is my grandmother's name Ali? Yes, yes, yoh?

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<v Speaker 6>Because I used to catch the thirty six trolleys.

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<v Speaker 8>That's exactly where he wasn't the trolley barnh Yeah?

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<v Speaker 6>Wow?

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<v Speaker 7>It was my mom's bar.

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<v Speaker 8>And then she raised us in Windfield, so I was

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<v Speaker 8>literally I literally grew up from kindergarten right two blocks

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<v Speaker 8>and where Will and his mom lived.

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<v Speaker 9>And talk about your your people real quick, because you

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<v Speaker 9>have an interesting background like ethnically.

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<v Speaker 8>My Malaysian African American connection, yes, we like to call it.

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<v Speaker 8>My grandfather is from Malaysia. He's Malaysian born in Singapore.

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<v Speaker 5>Wow.

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<v Speaker 8>And my grandmother was a prevate thing to little mixed

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<v Speaker 8>up everything. And they married and had ten children and

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<v Speaker 8>they raised them right there on Willing Avenue.

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<v Speaker 7>Because so, yeah, I had yeah my mother.

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<v Speaker 8>My mother had ten siblings, five with Arabic names, five

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<v Speaker 8>with Christian names.

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<v Speaker 7>Is very blended, very interesting family.

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<v Speaker 6>So you were always like around forty ninth with Woodland.

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<v Speaker 8>I yeah, I did my homework at that bar because

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<v Speaker 8>I watched the glasses.

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<v Speaker 4>Yeah alright, yo, because literally that that little grocery store

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<v Speaker 4>next door to Alley's Alley.

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<v Speaker 7>It's the reason I don't have any teeth now. All

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<v Speaker 7>that candy.

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<v Speaker 8>Remember that damn candy to mister Luther. I used to

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<v Speaker 8>tell them, you want to play my dnnis Bill. I

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<v Speaker 8>go in there, I go in my mom's bar. I

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<v Speaker 8>get like three dollars and that's penny candy. That's three hundred.

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<v Speaker 7>That's a candy, right, and I would buy.

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<v Speaker 6>It in that store next door.

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<v Speaker 4>Not to mention Jack Myers across the street, this might

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<v Speaker 4>turn into our city on Eddie.

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<v Speaker 6>I'm sorry, sorry, y'all.

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<v Speaker 8>Talk y'all shit, man, but rat but yeah, so yeah,

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<v Speaker 8>that's that's where I Wentfield West, Philadelphia.

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<v Speaker 4>Girl, my grandmother used to live on forty ninth and

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<v Speaker 4>King Sessing.

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<v Speaker 8>So okay, my grandmom lived one block over, so it

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<v Speaker 8>was that forty nine forty eighth street. Move probably her

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<v Speaker 8>house Yep, right behind right off the Paschal.

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<v Speaker 4>Oh wow, because I know that sister Sledge and their

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<v Speaker 4>grandmam lived on.

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<v Speaker 7>Did they can't they? Yeah? Kathy's grandmom and them came

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<v Speaker 7>from around the area too.

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<v Speaker 4>Yeah, they were like in the backyard of where my

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<v Speaker 4>grandmam lived.

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<v Speaker 6>That's where their grandmam lived.

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<v Speaker 7>My brother took all of them on the Prime.

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<v Speaker 8>Their mom wouldn't allow them to have prime dates, like

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<v Speaker 8>he took at least three sister Sledges on their proms.

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<v Speaker 7>Every three year altogether. Ms Blow wouldn't let them go

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<v Speaker 7>out on dates.

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<v Speaker 6>You're right now.

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<v Speaker 7>It was like the stand in prime. Dude.

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<v Speaker 4>Dude, everyone has a misflowed story about how strict she

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<v Speaker 4>was with their daughters.

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<v Speaker 6>What you had to I guess you had to do

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<v Speaker 6>that that back then? You know, of.

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<v Speaker 7>Course she did.

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<v Speaker 8>They were beautiful, talented and if she hadn't there would

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<v Speaker 8>they would not be where they are today.

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<v Speaker 4>Okay, So, because your your story is so loaded, I

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<v Speaker 4>want to I kind of want to start with the session.

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<v Speaker 4>That will start with to the beach. Y'all your twelve

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<v Speaker 4>inch single? Okay, So how how did that come to be?

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<v Speaker 8>So I'm the youngest of four, my oldest sister I

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<v Speaker 8>learned and did way too much before my time, but

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<v Speaker 8>I followed behind her like a little puppy dog, which

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<v Speaker 8>landed me in the club scene. Kim Gray's Whispers serendipity.

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<v Speaker 8>It was that back then Philly had a club night

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<v Speaker 8>every night, like at Tuesdays you went here, Wednesdays, you

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<v Speaker 8>went there Friday.

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<v Speaker 7>That was popping. That was kind of.

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<v Speaker 6>The neighborhood clubs or No, these.

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<v Speaker 8>Were all like downtown like Kim Grays was twenty, Nathan Samson,

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<v Speaker 8>Sarah Jipas was down there. Club Whispers is like off

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<v Speaker 8>a thirteenth and Walnut. So it's kind of like a

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<v Speaker 8>simmer City, okay, a downtown type thing. And I befriended

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<v Speaker 8>World be Free, the basketball player and Darryl Dawkins, and.

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<v Speaker 7>They hung out with my sisters. They were older than me.

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<v Speaker 8>I was kind of like the little yeah, the little

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<v Speaker 8>one that followed behind, just trying to hang out with

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<v Speaker 8>the older kids.

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<v Speaker 7>Exactly.

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<v Speaker 6>You said, there's ten of you. You said, there's ten

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<v Speaker 6>of you. What's the girl boy ratio of your siblings?

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<v Speaker 8>Two and two and it's just me and my brother.

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<v Speaker 8>Now I am the youngest, and there are all.

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<v Speaker 7>Three years aparts and eight years later.

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<v Speaker 8>Yeah, my mother went to get her appendix taken out

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<v Speaker 8>and they found an embryo here.

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<v Speaker 6>I am wow, oh.

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<v Speaker 7>Definitely definitely not planned. Yeah.

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<v Speaker 8>So anyway, I started hanging out in the club scene,

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<v Speaker 8>hanging out with World and them and going up to

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<v Speaker 8>New York, you know, and I start here.

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<v Speaker 7>In hip hop. I'm like, this is dope, you know.

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<v Speaker 8>And I was on the courtyards and the jacks, walking

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<v Speaker 8>up to pissy elevators and shit like, listening.

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<v Speaker 7>To hip like in the hip hop like. I went

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<v Speaker 7>to see what their culture was about.

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<v Speaker 8>And then I was working call myself, getting a little

0:12:11.240 --> 0:12:14.320
<v Speaker 8>part time job before I went back to college, before

0:12:14.320 --> 0:12:16.679
<v Speaker 8>I went to college in the first place, and did

0:12:16.760 --> 0:12:19.679
<v Speaker 8>you go I wanted to go Listen, My plans were

0:12:19.720 --> 0:12:20.360
<v Speaker 8>to go to Howard.

0:12:20.440 --> 0:12:23.080
<v Speaker 7>All this got kicked to the curb. Me tell you

0:12:23.080 --> 0:12:24.600
<v Speaker 7>the story. That was my plan.

0:12:25.000 --> 0:12:28.560
<v Speaker 8>I wanted to be a lawyer, a corporate lawyer, is

0:12:28.640 --> 0:12:31.280
<v Speaker 8>what I wanted to do with my life. This is

0:12:31.320 --> 0:12:34.800
<v Speaker 8>before this happened. And being in the club there was

0:12:34.800 --> 0:12:39.440
<v Speaker 8>a DJ, Lawrence Levon, and he would break down these

0:12:39.440 --> 0:12:41.360
<v Speaker 8>break beats and I would put my trade down.

0:12:41.400 --> 0:12:43.280
<v Speaker 7>I was a cocktail waitress. I put my trade down.

0:12:43.320 --> 0:12:44.960
<v Speaker 8>Had no business being in there. Mind you, I'm not

0:12:45.000 --> 0:12:48.920
<v Speaker 8>twenty one yet. Put my put my trade down and go.

0:12:49.200 --> 0:12:51.520
<v Speaker 8>You know, do what I heard, world, and I'm doing

0:12:51.559 --> 0:12:52.400
<v Speaker 8>busting rods.

0:12:54.040 --> 0:12:56.719
<v Speaker 7>I want a breakway. I was about to say, yeah,

0:12:56.720 --> 0:13:00.640
<v Speaker 7>he was a world. No, he took me around people

0:13:00.920 --> 0:13:02.400
<v Speaker 7>that did it. You don't see what I'm saying.

0:13:03.040 --> 0:13:05.439
<v Speaker 8>And then I no, seriously, like we I went shopping

0:13:05.440 --> 0:13:07.200
<v Speaker 8>for him for his first twelve hundreds and we set

0:13:07.240 --> 0:13:08.599
<v Speaker 8>up the tables in the living room like it was

0:13:08.640 --> 0:13:10.520
<v Speaker 8>a whole thing with us, like his crew.

0:13:10.679 --> 0:13:13.480
<v Speaker 7>Daryl. You couldn't tell Daryl Dawkins he wasn't a rapper.

0:13:13.520 --> 0:13:15.320
<v Speaker 8>He had the whole, remember Quass, I don't know, Oh,

0:13:15.360 --> 0:13:17.280
<v Speaker 8>you might be too young, but he had this whole

0:13:17.360 --> 0:13:19.440
<v Speaker 8>I don't He had this whole setup in his crib.

0:13:19.520 --> 0:13:22.640
<v Speaker 7>He was chocolate, thunder W d U n K. Like

0:13:22.679 --> 0:13:26.920
<v Speaker 7>they were. If that's how I.

0:13:26.880 --> 0:13:30.840
<v Speaker 8>Got introduced to hip hop. These old these older basketball players,

0:13:30.840 --> 0:13:33.120
<v Speaker 8>they were and young at that time to me, they

0:13:33.160 --> 0:13:36.719
<v Speaker 8>were eight years my older. And and then so I'm

0:13:36.760 --> 0:13:39.360
<v Speaker 8>doing this and this becomes popular and Kim Grays now

0:13:39.400 --> 0:13:40.960
<v Speaker 8>they're telling me put the trade down, going in and

0:13:40.960 --> 0:13:41.400
<v Speaker 8>do your thing.

0:13:41.440 --> 0:13:43.600
<v Speaker 7>Go go do one of them rhunds.

0:13:43.960 --> 0:13:48.120
<v Speaker 8>So that Perry Johnson, that was the da of doctor

0:13:48.160 --> 0:13:50.280
<v Speaker 8>Perry Johnson from w D A S.

0:13:51.400 --> 0:13:53.480
<v Speaker 7>Yes, he's a real doctor now. Actually went and got

0:13:53.520 --> 0:13:55.240
<v Speaker 7>a doctor. He's in LA.

0:13:55.440 --> 0:13:58.400
<v Speaker 4>Who hang on a second, you got to slow down.

0:13:58.440 --> 0:14:01.760
<v Speaker 4>Second second, we'll get up for our listeners. So doctor

0:14:01.760 --> 0:14:04.520
<v Speaker 4>Perry Johnson was probably.

0:14:04.240 --> 0:14:05.480
<v Speaker 7>One of our franky crocker.

0:14:06.320 --> 0:14:09.439
<v Speaker 4>Yes, he was one of the most crucial DJs of Philadelphia.

0:14:09.960 --> 0:14:14.560
<v Speaker 4>If you're a fan of Bohannon's Let's start the dance.

0:14:15.440 --> 0:14:16.959
<v Speaker 6>Come on and do it, Come on and do it.

0:14:17.080 --> 0:14:20.920
<v Speaker 4>He's boom, there's there's a special remix with a guy

0:14:21.040 --> 0:14:24.360
<v Speaker 4>doing like DJ rapping like shake a boom, boom, shake

0:14:24.400 --> 0:14:27.120
<v Speaker 4>a like if you just look up Bohn and let's

0:14:27.160 --> 0:14:27.920
<v Speaker 4>start the dance.

0:14:28.080 --> 0:14:29.680
<v Speaker 6>Doctor Perry Johnson.

0:14:29.360 --> 0:14:33.640
<v Speaker 4>Like his his rapping over that song was just as

0:14:33.680 --> 0:14:35.560
<v Speaker 4>famous as the original song itself.

0:14:35.600 --> 0:14:37.760
<v Speaker 6>But it's such a he's a real doctor now.

0:14:38.240 --> 0:14:40.080
<v Speaker 7>He's a real doctor now And an author.

0:14:40.320 --> 0:14:43.960
<v Speaker 8>He had a book signing here, maybe not that long

0:14:44.000 --> 0:14:44.720
<v Speaker 8>before COVID.

0:14:44.960 --> 0:14:46.680
<v Speaker 6>I got to meet that brother man. I got to

0:14:47.040 --> 0:14:47.840
<v Speaker 6>we can make that happen.

0:14:47.880 --> 0:14:50.840
<v Speaker 7>I have his number in my He would be so

0:14:51.000 --> 0:14:54.840
<v Speaker 7>to wow. Sh he would be so touched.

0:14:54.880 --> 0:14:59.240
<v Speaker 8>But anyway, he approaches me to do this hip hop

0:14:59.320 --> 0:15:01.600
<v Speaker 8>song and I'm remember calling world, like, yo, they want

0:15:01.640 --> 0:15:03.840
<v Speaker 8>me to do a record doing what you do, like

0:15:03.880 --> 0:15:06.360
<v Speaker 8>what the sugar Hill guys did, and blah blah blah.

0:15:06.360 --> 0:15:07.520
<v Speaker 7>He's like, you're going to do it. I'm like, I

0:15:07.560 --> 0:15:08.120
<v Speaker 7>don't want.

0:15:07.920 --> 0:15:11.840
<v Speaker 8>To do that. And long story short, me me brown

0:15:12.560 --> 0:15:16.280
<v Speaker 8>another well on DJ and my sister sat up drinking

0:15:16.360 --> 0:15:19.040
<v Speaker 8>or doing whatever they were doing, and took these three

0:15:19.080 --> 0:15:21.680
<v Speaker 8>by five cards and kept telling me to tell them

0:15:21.720 --> 0:15:23.440
<v Speaker 8>all my rhymes, and they put them on cards and

0:15:23.440 --> 0:15:25.000
<v Speaker 8>they stuck them on the board. And every next day

0:15:25.000 --> 0:15:26.840
<v Speaker 8>I was in the studio and I cut to the beach.

0:15:26.920 --> 0:15:30.920
<v Speaker 8>All when people wonder why I hate the song so much,

0:15:30.960 --> 0:15:33.200
<v Speaker 8>even though it will go down in history as the

0:15:33.280 --> 0:15:37.120
<v Speaker 8>first female on WAX, it was to a direct current

0:15:37.960 --> 0:15:40.040
<v Speaker 8>song that they really didn't make any money off of,

0:15:40.240 --> 0:15:42.480
<v Speaker 8>so they rather than do a new track, they made

0:15:42.480 --> 0:15:47.040
<v Speaker 8>me rap over this black so mad about that. And secondly,

0:15:47.840 --> 0:15:49.400
<v Speaker 8>come to find out that the guy who owned the

0:15:49.480 --> 0:15:52.800
<v Speaker 8>label didn't even really wanted to really hit. It was

0:15:53.080 --> 0:15:55.800
<v Speaker 8>more of a tax write off thing to him. He

0:15:55.880 --> 0:15:57.840
<v Speaker 8>was kind of a crook. He didn't pay Frankie Smith

0:15:57.880 --> 0:16:02.240
<v Speaker 8>for double Dutch bucks either. Yeah, he was a real

0:16:02.400 --> 0:16:05.240
<v Speaker 8>he was a real shyster. And it was a one

0:16:05.280 --> 0:16:06.800
<v Speaker 8>take song. Like I was like, but I can do

0:16:06.840 --> 0:16:09.560
<v Speaker 8>that part. They were like, no, it's fine print, right.

0:16:09.640 --> 0:16:13.080
<v Speaker 6>But was this on WM O T Records?

0:16:13.240 --> 0:16:16.160
<v Speaker 8>It was before yet mot was Tec Records. It's a

0:16:16.240 --> 0:16:23.200
<v Speaker 8>yellow label with black writing. Wowaving yeah, so anyway, but

0:16:23.200 --> 0:16:25.320
<v Speaker 8>but here's the bright side of my to the Beach

0:16:25.400 --> 0:16:27.520
<v Speaker 8>all Lady B experience. To give you a little hip

0:16:27.520 --> 0:16:29.480
<v Speaker 8>hop history. I feel like I'm writing a book and

0:16:29.480 --> 0:16:34.280
<v Speaker 8>telling my truth. No, honestly, this is the I've never

0:16:34.320 --> 0:16:38.000
<v Speaker 8>told these stories before, but I will say this. I

0:16:38.000 --> 0:16:41.480
<v Speaker 8>didn't I got financially taken advantage of with this gentleman,

0:16:41.520 --> 0:16:43.680
<v Speaker 8>and I didn't get the money. Would turned around to

0:16:43.760 --> 0:16:46.040
<v Speaker 8>the song being the first female and no one knew

0:16:46.040 --> 0:16:48.000
<v Speaker 8>that hip hop was gonna be that popular and messed

0:16:48.040 --> 0:16:51.080
<v Speaker 8>around to win gold so and Doude wasn't paying me.

0:16:51.560 --> 0:16:55.120
<v Speaker 7>But then mister gangster himself, mister Joe Robinson, owner of

0:16:55.160 --> 0:16:59.600
<v Speaker 7>Sugar Hill Records. Step the dude got my master, pressed

0:16:59.600 --> 0:17:01.440
<v Speaker 7>it up and paid me for my son.

0:17:02.640 --> 0:17:06.840
<v Speaker 5>Wow O. Stories about Joe.

0:17:06.720 --> 0:17:08.480
<v Speaker 7>Like that, right, they laugh.

0:17:08.560 --> 0:17:09.360
<v Speaker 6>It's a big joke.

0:17:09.440 --> 0:17:12.880
<v Speaker 7>It's a big joke amongst me and God, everybody else

0:17:12.960 --> 0:17:14.320
<v Speaker 7>on the label. They was like, Lady B was only

0:17:14.400 --> 0:17:19.919
<v Speaker 7>want to get paid. Joe was like a dad to

0:17:19.960 --> 0:17:20.199
<v Speaker 7>be not.

0:17:20.600 --> 0:17:22.760
<v Speaker 8>To forget that I'm the one playing all of these

0:17:22.760 --> 0:17:24.439
<v Speaker 8>records coming out of his campus.

0:17:26.440 --> 0:17:29.760
<v Speaker 7>I don't think he was pretty stupid. He's very smart

0:17:30.000 --> 0:17:31.640
<v Speaker 7>to be friend of me at that time.

0:17:36.520 --> 0:17:40.000
<v Speaker 6>Were you a communications major in college? Like, did you have?

0:17:40.080 --> 0:17:41.840
<v Speaker 7>I was not? So here we go. So I remember

0:17:41.880 --> 0:17:43.760
<v Speaker 7>I was going to go to college or whatever.

0:17:44.400 --> 0:17:49.719
<v Speaker 8>And my mother, my my paternal father passed when I

0:17:49.760 --> 0:17:51.560
<v Speaker 8>was three years old from a heart attack. My mother

0:17:51.640 --> 0:17:56.120
<v Speaker 8>remarried and my stepfather passed when I was about twelve

0:17:56.200 --> 0:17:59.440
<v Speaker 8>eleven twelve, So I had you know, when when you're

0:17:59.440 --> 0:18:01.159
<v Speaker 8>in the service, both of them were in the Service,

0:18:01.600 --> 0:18:03.879
<v Speaker 8>you can go to college for free. It's paid for

0:18:03.920 --> 0:18:06.720
<v Speaker 8>it because your dad was in the Service. So now

0:18:06.760 --> 0:18:10.239
<v Speaker 8>I'm stuck because I got this record out and I'm

0:18:10.240 --> 0:18:12.040
<v Speaker 8>getting shows and I'm going up to Harlem and I'm

0:18:12.080 --> 0:18:14.439
<v Speaker 8>staying on stage with a micro. But it's crazy, But

0:18:14.520 --> 0:18:16.960
<v Speaker 8>I want to go back to school because I got

0:18:17.000 --> 0:18:19.720
<v Speaker 8>free school just sitting there. So I came up with

0:18:19.760 --> 0:18:22.439
<v Speaker 8>the great idea. Once I got you know, the record

0:18:22.480 --> 0:18:24.119
<v Speaker 8>came out and I go to hat and I get

0:18:24.160 --> 0:18:27.080
<v Speaker 8>this job and an office job, and I'm start begging

0:18:27.119 --> 0:18:29.280
<v Speaker 8>them to let me play hip hop. I said, well,

0:18:29.400 --> 0:18:31.800
<v Speaker 8>you had to have a license to be on the air.

0:18:31.840 --> 0:18:34.800
<v Speaker 8>You don't have to anymore, but back then, the FCC

0:18:34.920 --> 0:18:38.520
<v Speaker 8>required a license. So I went to broadcasting school while

0:18:38.560 --> 0:18:41.120
<v Speaker 8>I was at the station and got it for three years,

0:18:41.160 --> 0:18:42.480
<v Speaker 8>and got my license.

0:18:42.480 --> 0:18:45.639
<v Speaker 7>For three years. Damn it a long time broadcast. I

0:18:45.680 --> 0:18:46.520
<v Speaker 7>wanted it extra.

0:18:46.640 --> 0:18:49.480
<v Speaker 8>There was different levels of it, and I wanted Yeah,

0:18:49.480 --> 0:18:51.760
<v Speaker 8>I wanted to do more than radio. Got a license,

0:18:51.760 --> 0:18:55.800
<v Speaker 8>like to do TV here, whatever you do. It's not

0:18:55.880 --> 0:18:57.680
<v Speaker 8>like that anymore. The FCC done changed on. They you

0:18:57.720 --> 0:18:59.040
<v Speaker 8>could just walk up the street and get a damn

0:18:59.119 --> 0:18:59.600
<v Speaker 8>radio show.

0:18:59.640 --> 0:18:59.760
<v Speaker 9>Now.

0:18:59.800 --> 0:19:01.359
<v Speaker 6>Look, yeah I got my radio, Jose.

0:19:05.200 --> 0:19:08.240
<v Speaker 4>Yeah, so for for our listeners, uh listening, She mentioned

0:19:08.480 --> 0:19:11.359
<v Speaker 4>h h A T w h A T was an.

0:19:11.240 --> 0:19:14.080
<v Speaker 6>AM radio station. I knew as a kid.

0:19:14.119 --> 0:19:16.320
<v Speaker 4>I knew it because, like my I mean the way

0:19:16.359 --> 0:19:20.359
<v Speaker 4>that people always listening to talk radio. Now, we had

0:19:20.560 --> 0:19:24.320
<v Speaker 4>a woman by the name of Mary Mason in Philadelphia,

0:19:24.760 --> 0:19:28.360
<v Speaker 4>who I owe grand mom, And I mean, I don't

0:19:28.359 --> 0:19:30.840
<v Speaker 4>know how typical it was for a black woman to

0:19:30.920 --> 0:19:36.159
<v Speaker 4>have her own platform to that of like, uh, I mean,

0:19:36.200 --> 0:19:37.240
<v Speaker 4>who's pop.

0:19:41.400 --> 0:19:43.520
<v Speaker 6>In terms of like Alex what's his name?

0:19:43.680 --> 0:19:46.840
<v Speaker 7>Like, let me let me just share one Mary Mason stories.

0:19:47.160 --> 0:19:47.440
<v Speaker 6>Please.

0:19:47.520 --> 0:19:53.200
<v Speaker 8>Yeah, I'm eighteen years old and Nancy Reagan walks into

0:19:53.280 --> 0:19:56.639
<v Speaker 8>the lobby the Secret Service with her blah blah blah.

0:19:56.640 --> 0:20:00.280
<v Speaker 7>She just doesn't pop up right stop by to say

0:20:00.320 --> 0:20:04.240
<v Speaker 7>how to marry? This is how politically strong she was.

0:20:04.440 --> 0:20:08.639
<v Speaker 7>And she told me, and I quote, tell that bitch.

0:20:08.640 --> 0:20:12.840
<v Speaker 7>I don't want to tell what I'm trying to get

0:20:12.840 --> 0:20:13.600
<v Speaker 7>carter and off.

0:20:17.680 --> 0:20:20.960
<v Speaker 8>Oh here I am, so here, I am, y'all eighteen

0:20:21.119 --> 0:20:22.720
<v Speaker 8>Like how do I.

0:20:23.080 --> 0:20:24.520
<v Speaker 7>Oh, she told you to tell that bitch.

0:20:24.680 --> 0:20:28.080
<v Speaker 8>Yes, so I gotta go out here and look this

0:20:28.160 --> 0:20:30.880
<v Speaker 8>lady in her face and like, ma'am, I'm so sorry,

0:20:30.920 --> 0:20:34.960
<v Speaker 8>but miss Mason, it's a flattered that you stopped by. However,

0:20:35.080 --> 0:20:36.600
<v Speaker 8>her schedule, you know, I had to go through the

0:20:36.640 --> 0:20:38.120
<v Speaker 8>whole shebang.

0:20:38.200 --> 0:20:39.000
<v Speaker 7>But that's what she told me.

0:20:39.040 --> 0:20:41.359
<v Speaker 8>I've heard her hurst at the mayor and hang up

0:20:41.400 --> 0:20:43.280
<v Speaker 8>on them about her Philly's tickets, like she.

0:20:44.000 --> 0:20:46.199
<v Speaker 7>Miss Mason was a be. She is the reason I

0:20:46.200 --> 0:20:48.960
<v Speaker 7>have the backbone and that my shoulders are back.

0:20:49.000 --> 0:20:53.359
<v Speaker 8>And I've never let anyone talk to me or or

0:20:53.600 --> 0:20:55.760
<v Speaker 8>or try to get over at least not knowing me.

0:20:55.760 --> 0:20:57.719
<v Speaker 8>I mean they ended up a couple of times anyway,

0:20:57.760 --> 0:21:00.760
<v Speaker 8>but they had to sneak and do it. I've never

0:21:01.240 --> 0:21:06.120
<v Speaker 8>allowed anyone to be blatantly disrespectful in my face, if you.

0:21:06.080 --> 0:21:12.480
<v Speaker 4>Will that to mean she was like the original Russe Limbaugh.

0:21:13.600 --> 0:21:17.480
<v Speaker 4>Like she's very controversial also like I know she supported

0:21:17.480 --> 0:21:19.400
<v Speaker 4>like Frank Brazil or.

0:21:20.119 --> 0:21:23.239
<v Speaker 7>He was a politician on the radio. Is what Mary was.

0:21:23.400 --> 0:21:27.760
<v Speaker 8>And I will have to say that she walked her walk.

0:21:27.880 --> 0:21:33.119
<v Speaker 8>She was dedicated to this community of people. She got

0:21:33.160 --> 0:21:36.560
<v Speaker 8>on the air and talked about things that other people

0:21:36.640 --> 0:21:40.960
<v Speaker 8>wouldn't even touch and called people on it like she

0:21:40.960 --> 0:21:47.240
<v Speaker 8>she she may she I witnessed this woman changed lives.

0:21:47.680 --> 0:21:50.320
<v Speaker 6>Yeah, and she was something.

0:21:50.040 --> 0:21:51.919
<v Speaker 9>And then you took some baton and now you do

0:21:52.000 --> 0:21:53.560
<v Speaker 9>the same thing well.

0:21:54.080 --> 0:21:56.040
<v Speaker 8>Later, because I mean I didn't take the time from

0:21:56.080 --> 0:21:57.280
<v Speaker 8>her then because we take it.

0:21:57.320 --> 0:21:59.520
<v Speaker 7>I mean she when she passed that the time. To me,

0:21:59.560 --> 0:22:01.159
<v Speaker 7>I was doing hip hoop. I was crazy. We was

0:22:01.200 --> 0:22:03.200
<v Speaker 7>having fun. Y'all was having fun. You just said it.

0:22:03.400 --> 0:22:05.639
<v Speaker 7>I was playing all that good stuff with y'all. I

0:22:05.760 --> 0:22:08.920
<v Speaker 7>just came. I just came into my Mary Mason vibe.

0:22:08.960 --> 0:22:10.080
<v Speaker 7>Right now, That's what it is.

0:22:10.160 --> 0:22:13.000
<v Speaker 6>Yeah, okay.

0:22:13.160 --> 0:22:19.960
<v Speaker 4>So I remember like discovering your show around like late

0:22:20.200 --> 0:22:25.359
<v Speaker 4>nineteen eighty early eighty one. You know, every Saturday afternoon whatever,

0:22:25.480 --> 0:22:27.400
<v Speaker 4>we my brother and I would just record.

0:22:27.600 --> 0:22:31.120
<v Speaker 8>Like everybody says, I remind them of Paul's record.

0:22:31.240 --> 0:22:34.160
<v Speaker 7>Paul's record. Whenever I see Banie Segull, he goes, Paul's record.

0:22:34.320 --> 0:22:37.320
<v Speaker 4>All right, no oh, you're world famous, fat get your part,

0:22:37.520 --> 0:22:41.359
<v Speaker 4>press your pause, press your pause button. But to have

0:22:41.520 --> 0:22:44.120
<v Speaker 4>a radio show, and you were on for like two

0:22:44.160 --> 0:22:47.520
<v Speaker 4>to three hours, but I'm thinking, like back in eighty one,

0:22:48.920 --> 0:22:51.880
<v Speaker 4>was there even two to three hours worth of quality

0:22:52.000 --> 0:22:53.280
<v Speaker 4>hip hop to play?

0:22:53.320 --> 0:22:55.480
<v Speaker 7>I like to explain it like this.

0:22:55.600 --> 0:22:58.800
<v Speaker 8>I laugh every time I hear the term digging into crates,

0:22:59.240 --> 0:23:02.520
<v Speaker 8>and that's crazy with an nets because when I started

0:23:02.640 --> 0:23:03.879
<v Speaker 8>playing hip hop.

0:23:03.800 --> 0:23:07.679
<v Speaker 7>On the radio, there was a crate. One crate was

0:23:07.720 --> 0:23:10.760
<v Speaker 7>it full. It was full to the max. I mean

0:23:10.960 --> 0:23:14.320
<v Speaker 7>not everything was. I was picky. It was was good

0:23:14.440 --> 0:23:16.000
<v Speaker 7>enough to play right.

0:23:17.000 --> 0:23:20.280
<v Speaker 8>You know when when we first started, when we realized

0:23:20.280 --> 0:23:22.200
<v Speaker 8>we could take what we were doing in our backyards,

0:23:22.200 --> 0:23:25.159
<v Speaker 8>in our neighborhoods and our courtyards and put it on

0:23:25.240 --> 0:23:30.080
<v Speaker 8>wax and that you know, this was possible. Everybody tried

0:23:30.119 --> 0:23:33.359
<v Speaker 8>to do it, whether they could rap or not, but

0:23:33.440 --> 0:23:37.840
<v Speaker 8>I was very I think the thing that Number one,

0:23:37.840 --> 0:23:40.240
<v Speaker 8>you have to understand when hip hop started, it was

0:23:40.440 --> 0:23:44.520
<v Speaker 8>its purpose was to stop a terrible disease in the

0:23:44.560 --> 0:23:47.400
<v Speaker 8>black community that was full of violence and gang war,

0:23:47.480 --> 0:23:50.760
<v Speaker 8>and it was it was crazy. It was getting a

0:23:50.760 --> 0:23:53.280
<v Speaker 8>little out of hand with it. So hip hop gave

0:23:54.080 --> 0:23:55.639
<v Speaker 8>I mean, I'm sure if you spoke to an Africa

0:23:55.640 --> 0:23:57.680
<v Speaker 8>band body he would co sign this. But hip hop

0:23:57.720 --> 0:24:02.119
<v Speaker 8>gave us away to battle each other and represent our neighborhoods,

0:24:02.160 --> 0:24:04.840
<v Speaker 8>not with knives and guns, but with turntables and microphones.

0:24:04.920 --> 0:24:07.520
<v Speaker 8>And it became this thing like you had to rep

0:24:07.600 --> 0:24:11.159
<v Speaker 8>your neighborhood with your rhymes, and God forbid, if you've

0:24:11.200 --> 0:24:13.440
<v Speaker 8>biden anybody else's rhyme, you had to come with your

0:24:13.480 --> 0:24:14.760
<v Speaker 8>shit and it had to be real, and it had

0:24:14.800 --> 0:24:17.560
<v Speaker 8>to be raw and it had to be authentic, and

0:24:17.640 --> 0:24:19.720
<v Speaker 8>everybody couldn't do that. Some people just thought they could

0:24:19.800 --> 0:24:23.040
<v Speaker 8>just get out a book of words that rhyme and

0:24:23.200 --> 0:24:24.879
<v Speaker 8>put some shit together and hand it to me to

0:24:24.880 --> 0:24:25.400
<v Speaker 8>get on the air.

0:24:25.480 --> 0:24:26.720
<v Speaker 7>That happened a lot.

0:24:27.720 --> 0:24:32.719
<v Speaker 8>But if I couldn't understand number one, what you were saying,

0:24:32.840 --> 0:24:36.639
<v Speaker 8>like I no disrespect to what people like these kids

0:24:36.680 --> 0:24:40.440
<v Speaker 8>like today or whatever, but mumble rat, it just makes

0:24:40.480 --> 0:24:43.280
<v Speaker 8>my skin call because for me, a good MC is

0:24:43.359 --> 0:24:44.080
<v Speaker 8>very articulate.

0:24:44.119 --> 0:24:46.800
<v Speaker 7>You can hear everywhere. I don't care what if he's

0:24:46.800 --> 0:24:48.320
<v Speaker 7>saying something wrong, disrespectful.

0:24:48.359 --> 0:24:51.080
<v Speaker 8>I have to hear what you're saying or why did

0:24:51.119 --> 0:24:52.720
<v Speaker 8>you waste that banging ass beat?

0:24:52.840 --> 0:24:54.560
<v Speaker 7>Like why are you here?

0:24:54.960 --> 0:24:57.520
<v Speaker 9>B do you remember like your first show and the

0:24:57.560 --> 0:24:59.520
<v Speaker 9>records that you had to play out of the crate,

0:24:59.600 --> 0:25:00.880
<v Speaker 9>like all right, it's my first show.

0:25:01.000 --> 0:25:03.159
<v Speaker 7>I gotta get so so well, you have to understand

0:25:03.359 --> 0:25:06.639
<v Speaker 7>then we kind of got you know, we did? You know?

0:25:06.720 --> 0:25:08.760
<v Speaker 8>I laugh when I see Jeff and Cash and and

0:25:08.840 --> 0:25:11.520
<v Speaker 8>Richard Dean and them casts and U quest and and Biz.

0:25:11.560 --> 0:25:14.560
<v Speaker 8>May he rest in peace go deep into this this

0:25:14.680 --> 0:25:16.560
<v Speaker 8>DJ thing. But you have to understand when hip hop

0:25:16.560 --> 0:25:19.359
<v Speaker 8>start is when we first learned how to cut and

0:25:19.440 --> 0:25:22.480
<v Speaker 8>scratch a brake beat. So that took up so much time.

0:25:23.040 --> 0:25:24.639
<v Speaker 8>Not only am I gonna just take the train, but

0:25:24.640 --> 0:25:27.080
<v Speaker 8>I'm gonna take the train for about good twelve fourteen

0:25:27.200 --> 0:25:29.600
<v Speaker 8>damn minutes with a lot of time.

0:25:29.440 --> 0:25:29.840
<v Speaker 6>On the riad.

0:25:31.200 --> 0:25:31.920
<v Speaker 7>You know what I mean.

0:25:32.359 --> 0:25:34.520
<v Speaker 6>Yeah, you're going You're gonna.

0:25:34.320 --> 0:25:37.119
<v Speaker 7>Cut that joint what suck mcs And then you got

0:25:37.160 --> 0:25:37.879
<v Speaker 7>the flip side.

0:25:37.880 --> 0:25:39.679
<v Speaker 8>Then you got the instrumental that you could cut in

0:25:39.760 --> 0:25:42.360
<v Speaker 8>with that joint, then you got another DJ. At one

0:25:42.400 --> 0:25:45.520
<v Speaker 8>time on Power ninety nine, it was so dope, me

0:25:45.600 --> 0:25:46.399
<v Speaker 8>and Jeff Mills.

0:25:46.400 --> 0:25:47.399
<v Speaker 7>May he rest in peace.

0:25:47.760 --> 0:25:51.600
<v Speaker 8>Had he got two turns, Yes, he had two turntables

0:25:51.600 --> 0:25:54.480
<v Speaker 8>on his side. I had two turning turnative tables, and

0:25:54.480 --> 0:25:56.680
<v Speaker 8>we had a reel to reel, so.

0:25:56.640 --> 0:25:59.800
<v Speaker 7>We have six elements coing in. I'm cutting it up

0:26:00.119 --> 0:26:01.959
<v Speaker 7>the songs in the minute. People it was blowing people's

0:26:01.960 --> 0:26:03.640
<v Speaker 7>my cross my mind.

0:26:03.680 --> 0:26:05.320
<v Speaker 9>I'm gonna just have a real dumb moment because I

0:26:05.359 --> 0:26:07.119
<v Speaker 9>know I'm not alone in this. I don't think it

0:26:07.200 --> 0:26:09.280
<v Speaker 9>ever crossed my mind as you were literally mixing records

0:26:09.320 --> 0:26:09.640
<v Speaker 9>like that.

0:26:10.080 --> 0:26:12.639
<v Speaker 8>I remember run and and Dale coming to my studio

0:26:12.720 --> 0:26:14.680
<v Speaker 8>for the first time. They're like, so you're gonna mix

0:26:14.720 --> 0:26:15.959
<v Speaker 8>the record and interview us.

0:26:16.000 --> 0:26:21.080
<v Speaker 5>I was like, yeah, right, you were more than just

0:26:21.119 --> 0:26:23.200
<v Speaker 5>a personality. It's like I was.

0:26:23.160 --> 0:26:26.560
<v Speaker 8>A big girl on a radio and I still am.

0:26:26.680 --> 0:26:27.880
<v Speaker 6>Yeah, I was gonna say that.

0:26:28.080 --> 0:26:32.920
<v Speaker 4>You also, you guys would at least on like the

0:26:33.119 --> 0:26:36.320
<v Speaker 4>like the midpoint or at least the last hour of

0:26:36.720 --> 0:26:39.439
<v Speaker 4>the w h A T portion of your show, like

0:26:39.520 --> 0:26:45.040
<v Speaker 4>you were also playing like craft work, like what would

0:26:45.080 --> 0:26:47.520
<v Speaker 4>become like b boy, you know, like it's time.

0:26:47.560 --> 0:26:50.320
<v Speaker 8>Well, you have to understand, break dancing was a major

0:26:50.359 --> 0:26:53.080
<v Speaker 8>element for us in the beginning of this thing, So

0:26:53.160 --> 0:26:55.760
<v Speaker 8>if you couldn't break to it, it definitely didn't get played.

0:26:55.760 --> 0:26:59.280
<v Speaker 8>And they demanded it because you have to understand, I

0:26:59.320 --> 0:27:01.919
<v Speaker 8>am taping the only hip hop y'all gonna have for

0:27:01.960 --> 0:27:03.840
<v Speaker 8>the week, and then y'all with Jones until the next week.

0:27:03.880 --> 0:27:07.480
<v Speaker 8>Like I was the only one with PEPSI understand, I'm

0:27:07.520 --> 0:27:10.240
<v Speaker 8>the only place you can get it. People were driving

0:27:10.600 --> 0:27:12.600
<v Speaker 8>you canna ask Chuck d They would drive down to

0:27:12.640 --> 0:27:17.000
<v Speaker 8>Philly to take my show. Yes, So it was like that.

0:27:17.119 --> 0:27:19.120
<v Speaker 8>It was it was like this thing and everybody had

0:27:19.160 --> 0:27:21.919
<v Speaker 8>to have it, and it was just so much freaking

0:27:22.040 --> 0:27:23.000
<v Speaker 8>fun doing and it.

0:27:23.000 --> 0:27:26.720
<v Speaker 9>Was so and Mary Mason never said she never pulled

0:27:26.760 --> 0:27:28.320
<v Speaker 9>your coat on anything, not a record.

0:27:28.320 --> 0:27:31.440
<v Speaker 7>Nobody ever said listen, I can't be playing that no more.

0:27:31.440 --> 0:27:31.880
<v Speaker 7>It was never.

0:27:32.160 --> 0:27:34.520
<v Speaker 6>We won't even mention the discomboblated booblator.

0:27:34.720 --> 0:27:38.800
<v Speaker 7>No, I'd love this combined.

0:27:40.720 --> 0:27:41.480
<v Speaker 6>That anymore.

0:27:46.400 --> 0:27:49.680
<v Speaker 4>That all right, I'll get the nineteen eighty six in

0:27:49.720 --> 0:27:53.119
<v Speaker 4>a second. Hang on, we had a small controversy with

0:27:53.359 --> 0:27:57.600
<v Speaker 4>mc breeze discoboblated boobulator. But wait before before I go on,

0:27:57.640 --> 0:28:01.480
<v Speaker 4>there's two things I gotta ask you. One, how often

0:28:01.480 --> 0:28:04.240
<v Speaker 4>did you record your own shows on w h.

0:28:04.240 --> 0:28:06.080
<v Speaker 7>A t he wants them?

0:28:06.520 --> 0:28:10.600
<v Speaker 8>I know so everybody tap Money, every DJ has asked

0:28:10.640 --> 0:28:12.919
<v Speaker 8>me this question. So in my possession, I have not

0:28:13.000 --> 0:28:16.119
<v Speaker 8>gone through them. I do have some real deriels, but

0:28:16.240 --> 0:28:19.320
<v Speaker 8>as far as cassettes, people have been given them to

0:28:19.359 --> 0:28:21.080
<v Speaker 8>me over the years, I meet a listener on the

0:28:21.119 --> 0:28:23.160
<v Speaker 8>air and sendate they used to take me, and they

0:28:23.200 --> 0:28:25.240
<v Speaker 8>still have them. As a matter of fact, I've been

0:28:25.280 --> 0:28:27.760
<v Speaker 8>asking people to give them back or I can make

0:28:27.760 --> 0:28:29.800
<v Speaker 8>a copy off them of them and give them back

0:28:29.800 --> 0:28:32.320
<v Speaker 8>to them. Because I and I didn't even have a

0:28:32.320 --> 0:28:34.760
<v Speaker 8>cassette player in the house, but my niece and nephews

0:28:34.760 --> 0:28:38.640
<v Speaker 8>brought me one last year, so it's fly little joint.

0:28:38.680 --> 0:28:41.160
<v Speaker 8>It looks like a boombox, but his Bluetooth compatible is

0:28:41.200 --> 0:28:42.959
<v Speaker 8>so cute. But I have was sitting there here on

0:28:42.960 --> 0:28:44.960
<v Speaker 8>my desk. But I now want to get the cassettes

0:28:44.960 --> 0:28:46.840
<v Speaker 8>so I can hear them. But I do have, like

0:28:46.920 --> 0:28:48.640
<v Speaker 8>I do have some of those real to reels.

0:28:48.880 --> 0:28:51.200
<v Speaker 6>You got to convert those in like I have to.

0:28:51.520 --> 0:28:53.480
<v Speaker 7>I know I'm getting to the point.

0:28:53.800 --> 0:28:56.120
<v Speaker 8>COVID did allow me to do a lot of purging,

0:28:56.480 --> 0:28:59.479
<v Speaker 8>so there is a little order to my madness. So

0:28:59.560 --> 0:29:02.320
<v Speaker 8>I'm getting it all together. At least I know tapes

0:29:02.360 --> 0:29:04.959
<v Speaker 8>are here, rial the reels are here, and now I

0:29:05.000 --> 0:29:06.280
<v Speaker 8>just got to dive into them.

0:29:06.480 --> 0:29:09.200
<v Speaker 4>Okay, I gotta ask a question. There's a record you

0:29:09.280 --> 0:29:11.000
<v Speaker 4>used to always play, and I thought it was a

0:29:11.000 --> 0:29:14.680
<v Speaker 4>Philly record, and I'm just finding out that this guy

0:29:15.000 --> 0:29:20.120
<v Speaker 4>is from New York. But do you know the whereabouts

0:29:20.320 --> 0:29:23.080
<v Speaker 4>of r c loa Rock aka the mic stro.

0:29:23.480 --> 0:29:26.080
<v Speaker 8>Are you ready hold your hat, hold your hand, because

0:29:26.080 --> 0:29:28.680
<v Speaker 8>you're not gonna believe it is right here? Hit me

0:29:29.440 --> 0:29:32.280
<v Speaker 8>Sunday night. My show is sold out, by the way,

0:29:32.280 --> 0:29:33.240
<v Speaker 8>at the Dell Music Center.

0:29:33.240 --> 0:29:33.760
<v Speaker 7>It's been sold.

0:29:36.760 --> 0:29:36.960
<v Speaker 3>It is.

0:29:38.720 --> 0:29:45.480
<v Speaker 8>It's my fortieth anniversary in radio and hitting the stage

0:29:45.520 --> 0:29:49.160
<v Speaker 8>for the very first time at the Dell. We'll see

0:29:49.720 --> 0:29:56.160
<v Speaker 8>everybody around the nation because I have to fulfill my

0:29:56.360 --> 0:29:59.280
<v Speaker 8>obligation and set you on a gutification.

0:29:59.480 --> 0:30:06.000
<v Speaker 4>But you don't no, no, you found our sealer rock

0:30:06.080 --> 0:30:07.560
<v Speaker 4>the mic stroke. Yo.

0:30:07.880 --> 0:30:10.120
<v Speaker 8>He's so hyped about doing this show that me and

0:30:10.200 --> 0:30:13.000
<v Speaker 8>Charlie Mack are like, I don't know how old is now?

0:30:13.000 --> 0:30:15.520
<v Speaker 8>And I'm like, does anybody told me he's gonna have

0:30:15.560 --> 0:30:17.120
<v Speaker 8>to put a track behind him because he's not going

0:30:17.200 --> 0:30:18.280
<v Speaker 8>to make her do all the lyrics.

0:30:19.560 --> 0:30:20.720
<v Speaker 7>Like, there's no way.

0:30:20.560 --> 0:30:22.840
<v Speaker 6>Me and Turk will drive down and do the lyrics

0:30:22.880 --> 0:30:23.280
<v Speaker 6>for him.

0:30:26.120 --> 0:30:26.280
<v Speaker 3>Yo.

0:30:26.680 --> 0:30:28.040
<v Speaker 7>I was this is nine day.

0:30:28.640 --> 0:30:32.440
<v Speaker 8>I expecting Sunday night at the Dell. B there or

0:30:32.520 --> 0:30:33.320
<v Speaker 8>B Square?

0:30:33.880 --> 0:30:35.200
<v Speaker 6>Who else?

0:30:36.040 --> 0:30:39.760
<v Speaker 7>Oh, you don't want to know. You ain't ready. I've

0:30:39.800 --> 0:30:41.080
<v Speaker 7>never had EPMD.

0:30:41.360 --> 0:30:43.800
<v Speaker 8>They will be in the building because I've been doing

0:30:43.880 --> 0:30:46.040
<v Speaker 8>this for ten years now. I've never had nice and smooth.

0:30:46.080 --> 0:30:48.560
<v Speaker 7>They will be in the building. I have my iconic

0:30:48.600 --> 0:30:50.960
<v Speaker 7>Sugarhill game Melo Email and his crew.

0:30:52.000 --> 0:30:54.040
<v Speaker 8>I have I've said shantee, I always try to have

0:30:54.080 --> 0:30:57.440
<v Speaker 8>a female every year she's my female. This year EPMD

0:30:57.680 --> 0:31:01.360
<v Speaker 8>nice and well CuMo d will be in the and

0:31:01.880 --> 0:31:03.280
<v Speaker 8>my headliner is Big Daddy came.

0:31:04.000 --> 0:31:09.280
<v Speaker 4>Oh man, Yo, you know where the mixtro is.

0:31:09.320 --> 0:31:11.960
<v Speaker 7>He's gonna be on my state. You gotta see this video.

0:31:12.120 --> 0:31:14.440
<v Speaker 7>I gotta. I'm gonna say, send me your number. I'm

0:31:14.440 --> 0:31:17.760
<v Speaker 7>gonna send you this video that he did. He is,

0:31:18.120 --> 0:31:20.640
<v Speaker 7>He's He's the mice Trup. That's all I can say.

0:31:20.720 --> 0:31:21.000
<v Speaker 9>Wow.

0:31:21.320 --> 0:31:24.440
<v Speaker 8>You want somebody old lady beatings your bull? Or see

0:31:24.480 --> 0:31:26.920
<v Speaker 8>the rock I'm coming down here to rock the joint

0:31:27.280 --> 0:31:31.040
<v Speaker 8>or it's like a b The promo videos for everybody

0:31:32.320 --> 0:31:34.680
<v Speaker 8>people were doing Oh when you have to do one too.

0:31:35.640 --> 0:31:38.440
<v Speaker 8>People are doing happy fortieth anniversary videos. We're trying to

0:31:38.440 --> 0:31:42.000
<v Speaker 8>make a last table. Happy fortieth lady be spread the word,

0:31:42.000 --> 0:31:42.880
<v Speaker 8>get everybody to do it.

0:31:42.960 --> 0:31:43.959
<v Speaker 7>Let's blow the spot up.

0:31:44.320 --> 0:31:47.320
<v Speaker 8>I will hashtag happy fortieth lady beat Let's go woo

0:31:47.400 --> 0:31:48.000
<v Speaker 8>woo wow.

0:31:54.240 --> 0:31:57.800
<v Speaker 4>So I remember when you you came to Power ninety nine.

0:31:57.880 --> 0:32:01.560
<v Speaker 4>I believe in eighty four, around fall of eighty four.

0:32:03.880 --> 0:32:05.920
<v Speaker 7>I'm not even around that time.

0:32:05.960 --> 0:32:10.120
<v Speaker 4>I mean I religiously remember this, but there was a

0:32:10.160 --> 0:32:15.400
<v Speaker 4>period in which you were off of what between. I

0:32:15.480 --> 0:32:17.920
<v Speaker 4>guess like around eighty three or whatever. What happened in

0:32:17.960 --> 0:32:19.320
<v Speaker 4>that gap year? Like I didn't hear.

0:32:19.880 --> 0:32:20.920
<v Speaker 6>Like I went from no.

0:32:21.080 --> 0:32:24.400
<v Speaker 8>I went from Hat to Power ninety nine. Then Power

0:32:24.480 --> 0:32:26.960
<v Speaker 8>ninety nine fired me and I went up to New York.

0:32:27.320 --> 0:32:29.640
<v Speaker 7>I was on BLS.

0:32:30.160 --> 0:32:34.720
<v Speaker 4>Okay, so your original Sunday afternoon show on Power ninety nine.

0:32:35.280 --> 0:32:39.640
<v Speaker 8>My original radio gig was thirteen forty am. First time

0:32:39.760 --> 0:32:42.360
<v Speaker 8>hip hop was ever played on X. Then I was

0:32:42.400 --> 0:32:46.440
<v Speaker 8>approached by Das And this is when Power was just born,

0:32:46.440 --> 0:32:48.640
<v Speaker 8>and you know it used to be a country station, right,

0:32:48.960 --> 0:32:50.840
<v Speaker 8>this is when they decided to make it, you know,

0:32:51.200 --> 0:32:56.200
<v Speaker 8>an urban station. They both made an offer, and honestly,

0:32:56.240 --> 0:32:59.320
<v Speaker 8>being a Das child and raised by Butter doubably one

0:32:59.360 --> 0:33:01.920
<v Speaker 8>of his bonus chill ldren, it was Butter who gave

0:33:01.920 --> 0:33:02.800
<v Speaker 8>me the name Lady B.

0:33:02.800 --> 0:33:05.680
<v Speaker 7>By the way, wait, I don't know.

0:33:05.680 --> 0:33:07.400
<v Speaker 6>What your real name is. Do we know what your

0:33:07.400 --> 0:33:07.920
<v Speaker 6>real name is?

0:33:09.360 --> 0:33:12.600
<v Speaker 7>I have a government name, my family. Bye. Everybody calls

0:33:12.600 --> 0:33:14.120
<v Speaker 7>me bahya. That's what the bee stands for.

0:33:14.160 --> 0:33:15.160
<v Speaker 6>By wow.

0:33:15.520 --> 0:33:18.640
<v Speaker 8>Okay, Yeah, So anyway, they both made an offer, but

0:33:18.760 --> 0:33:20.960
<v Speaker 8>ninety nine's offer was more, and I went to Butter

0:33:21.400 --> 0:33:23.120
<v Speaker 8>kind of teary because I'm a kid and I really

0:33:23.160 --> 0:33:26.160
<v Speaker 8>wanted my dream is to work for Das And he

0:33:26.280 --> 0:33:29.120
<v Speaker 8>told me, and I quote and I love him forty

0:33:29.200 --> 0:33:31.480
<v Speaker 8>cent Baby, I'm gonna need you to go get that money.

0:33:33.040 --> 0:33:35.680
<v Speaker 7>Oh, good for you. And I was like, but brother,

0:33:35.760 --> 0:33:36.160
<v Speaker 7>he was.

0:33:36.160 --> 0:33:41.160
<v Speaker 8>Like, listen here you will shine. Fly fly my child, fly,

0:33:41.360 --> 0:33:42.240
<v Speaker 8>go get that money.

0:33:43.000 --> 0:33:47.200
<v Speaker 4>By this point in eighty four eighty five, when we're

0:33:47.200 --> 0:33:49.479
<v Speaker 4>going into the second phase of what hip hop is

0:33:49.520 --> 0:33:53.520
<v Speaker 4>with the deaf jam era, with the rush era, who

0:33:53.520 --> 0:33:54.240
<v Speaker 4>did you mean.

0:33:54.120 --> 0:33:56.400
<v Speaker 7>When Russell finally got the deal with CBS.

0:33:56.520 --> 0:33:59.440
<v Speaker 4>Yes, that the whole what I call the Fresh Best era,

0:33:59.520 --> 0:34:02.240
<v Speaker 4>where you're introducing us to the Fat Boys, where you're

0:34:02.240 --> 0:34:04.959
<v Speaker 4>introducing us to the Beastie Boys and run DMC and whatnot.

0:34:05.800 --> 0:34:07.240
<v Speaker 6>I do know that New.

0:34:07.200 --> 0:34:12.000
<v Speaker 4>York's resistance to hip hop UH being performed at least

0:34:12.000 --> 0:34:16.720
<v Speaker 4>in Manhattan opens the door for Philadelphia UH to become

0:34:16.760 --> 0:34:19.480
<v Speaker 4>the second biggest market, because you know, Chuck East always

0:34:19.520 --> 0:34:22.400
<v Speaker 4>tell me that the most you know they could they

0:34:22.440 --> 0:34:25.239
<v Speaker 4>could play in Long Island at that stadium, but they

0:34:25.280 --> 0:34:27.080
<v Speaker 4>could never play Madison Square Gardens.

0:34:27.160 --> 0:34:32.880
<v Speaker 6>So to them, playing the spectrum was just as important.

0:34:35.000 --> 0:34:37.160
<v Speaker 7>Those are the brick walls.

0:34:37.160 --> 0:34:40.839
<v Speaker 8>I was telling you about quest like people think that, oh, yeah,

0:34:41.080 --> 0:34:43.719
<v Speaker 8>you know, we start doing this and everybody, you know,

0:34:43.800 --> 0:34:46.080
<v Speaker 8>open their arms and and and and loved on it.

0:34:46.239 --> 0:34:48.399
<v Speaker 7>No, we had to fight for a lot of.

0:34:48.360 --> 0:34:52.080
<v Speaker 8>Stuff that people take for granted. Now, in my opinion,

0:34:52.280 --> 0:34:56.279
<v Speaker 8>you have no idea we had politicians. I don't I

0:34:56.320 --> 0:35:00.919
<v Speaker 8>remember picketing at radio stations, no more rat advisory. Yeah,

0:35:00.960 --> 0:35:05.800
<v Speaker 8>we went through so much. We went through so much.

0:35:05.840 --> 0:35:09.840
<v Speaker 8>But you know, God bless Russell forgetting that deal with CBS,

0:35:09.880 --> 0:35:15.040
<v Speaker 8>because that's when you know, now we see the monetary

0:35:15.160 --> 0:35:18.320
<v Speaker 8>value of it, and we see that. You know, you

0:35:18.400 --> 0:35:22.239
<v Speaker 8>got executives at CBS who were saying, damn public enemy,

0:35:22.320 --> 0:35:24.040
<v Speaker 8>and the BC boards are selling just as much as

0:35:24.080 --> 0:35:24.800
<v Speaker 8>Luther and Michael.

0:35:24.880 --> 0:35:27.839
<v Speaker 7>Wait, wait a minute, let's take a look at this, right,

0:35:28.280 --> 0:35:34.759
<v Speaker 7>and those kind of numbers and the masses that a

0:35:34.880 --> 0:35:41.080
<v Speaker 7>national distribution deal brought to hip hop made it. It

0:35:41.160 --> 0:35:46.760
<v Speaker 7>was combustible. It exploded, if you will. It touched a globe,

0:35:46.920 --> 0:35:51.200
<v Speaker 7>something that was created in the burroughs of New York

0:35:52.239 --> 0:35:56.560
<v Speaker 7>and by me hanging out with those crazy older people

0:35:56.600 --> 0:35:59.960
<v Speaker 7>hadn't been this hanging out with bringing it to phildelp

0:36:00.800 --> 0:36:05.640
<v Speaker 7>and and all of us collectively fighting for the time

0:36:05.680 --> 0:36:07.279
<v Speaker 7>on the radio. Here's the thing.

0:36:07.280 --> 0:36:09.879
<v Speaker 8>When I was on AM, the woman who owned the

0:36:09.920 --> 0:36:12.520
<v Speaker 8>station even know my name. This woman walked by me

0:36:12.640 --> 0:36:16.600
<v Speaker 8>every day, never spoke to me, never said anything. I

0:36:16.640 --> 0:36:18.600
<v Speaker 8>had these little show for a couple of hours on

0:36:18.640 --> 0:36:21.920
<v Speaker 8>a Saturday. It grew to a Sunday. They saw the

0:36:22.000 --> 0:36:24.880
<v Speaker 8>numbers started to grow. It grew to a weekly show,

0:36:25.560 --> 0:36:29.000
<v Speaker 8>and she started speaking to me more of the story. Hi,

0:36:29.080 --> 0:36:31.560
<v Speaker 8>miss Clark, how are you, Miss die How are you?

0:36:32.120 --> 0:36:34.200
<v Speaker 8>She didn't care nothing about me, but I started making

0:36:34.239 --> 0:36:37.360
<v Speaker 8>her so much money. Like Billboard did this big article.

0:36:37.560 --> 0:36:41.040
<v Speaker 8>I broke records on AM ratings. AM had never gotten

0:36:41.120 --> 0:36:45.000
<v Speaker 8>ratings like that. So that's what happened to fast forward

0:36:45.040 --> 0:36:48.040
<v Speaker 8>to where you're talking about. When you know it's not

0:36:48.120 --> 0:36:51.160
<v Speaker 8>an out your trunk, you go to the press and

0:36:51.200 --> 0:36:52.800
<v Speaker 8>plan and press up your own type.

0:36:52.560 --> 0:36:55.720
<v Speaker 7>Situation, which is what it was. It was like drugs.

0:36:55.760 --> 0:36:58.960
<v Speaker 8>You know, you didn't bag it up, you pressed it up,

0:36:59.000 --> 0:37:01.160
<v Speaker 8>and then you said up to the community.

0:37:01.520 --> 0:37:03.759
<v Speaker 9>So by the time they got to Power ninety nine, though,

0:37:03.840 --> 0:37:06.160
<v Speaker 9>where was where was hip hop in this relationship with radio?

0:37:06.200 --> 0:37:08.520
<v Speaker 9>Because like, by this time, where there are other cities.

0:37:08.800 --> 0:37:10.800
<v Speaker 8>By the time, you have to understand that power is

0:37:10.840 --> 0:37:13.080
<v Speaker 8>where I played Girls of the World.

0:37:13.200 --> 0:37:18.040
<v Speaker 7>Ain't nothing but trouble first, Okay, well, yeah, this is

0:37:18.040 --> 0:37:21.160
<v Speaker 7>when Jeff and and and this is when Steady Be

0:37:21.280 --> 0:37:24.399
<v Speaker 7>and Will were battling on the radio. I remember that

0:37:24.840 --> 0:37:28.920
<v Speaker 7>he had Naked Break. So there's West Coast hip hop

0:37:28.960 --> 0:37:29.560
<v Speaker 7>rat some.

0:37:29.520 --> 0:37:33.799
<v Speaker 8>Of the some of the songs, they couldn't even wait

0:37:33.880 --> 0:37:34.839
<v Speaker 8>to get it to the press.

0:37:34.880 --> 0:37:36.719
<v Speaker 7>I played a lot of assetates. You know what that is?

0:37:37.080 --> 0:37:39.520
<v Speaker 7>Plus you know, right, so I played a lot of those.

0:37:40.000 --> 0:37:43.320
<v Speaker 4>I don't believe the acetates that I still can't find.

0:37:43.560 --> 0:37:44.640
<v Speaker 4>It's a whole different mix.

0:37:44.840 --> 0:37:47.600
<v Speaker 8>I have assetates here in my storage that I will

0:37:47.600 --> 0:37:51.440
<v Speaker 8>not part with a sentimental value. But I played it

0:37:51.480 --> 0:37:53.719
<v Speaker 8>off cassette, you know what I mean. Before they even

0:37:53.719 --> 0:37:55.399
<v Speaker 8>got they wanted to heavy up and get it out.

0:37:56.360 --> 0:37:59.719
<v Speaker 4>What what should also be noted is that, I mean

0:38:00.160 --> 0:38:01.880
<v Speaker 4>ninety nine wasn't your only platform.

0:38:02.520 --> 0:38:03.879
<v Speaker 6>And what I want to know is.

0:38:05.440 --> 0:38:07.600
<v Speaker 7>Ustlers. I was a little promoted. I did all the

0:38:07.640 --> 0:38:09.280
<v Speaker 7>hip hop parties we did after midnight.

0:38:09.360 --> 0:38:14.880
<v Speaker 4>Yeah, I was gonna say after midnight the.

0:38:13.480 --> 0:38:16.480
<v Speaker 8>Mecca, the mecca of that.

0:38:16.480 --> 0:38:20.640
<v Speaker 4>That's Philadelphia's rich. That's Philadelphia's you know, I don't know

0:38:20.640 --> 0:38:22.600
<v Speaker 4>what's New York venue. I could compare it to.

0:38:22.880 --> 0:38:26.200
<v Speaker 7>But second Latin Quarter, right Latin Quarter.

0:38:26.760 --> 0:38:29.879
<v Speaker 4>That was quarter that it went down.

0:38:30.400 --> 0:38:31.520
<v Speaker 6>This is what I want to know though.

0:38:32.239 --> 0:38:36.120
<v Speaker 4>Now I was for I was forbidden to go to

0:38:37.239 --> 0:38:41.800
<v Speaker 4>after midnight because of course, you know, parents were like too.

0:38:41.680 --> 0:38:45.040
<v Speaker 6>Violent was after night.

0:38:45.440 --> 0:38:48.719
<v Speaker 4>It was after midnight as bad as all the authority

0:38:48.719 --> 0:38:50.799
<v Speaker 4>figures in my life told me that it was.

0:38:52.239 --> 0:38:55.800
<v Speaker 7>First of all, God bless the authority figures in your life.

0:38:56.400 --> 0:38:57.880
<v Speaker 7>Really not everyone.

0:38:57.520 --> 0:39:03.480
<v Speaker 8>Survived the era after midnight. I will say that it was.

0:39:04.120 --> 0:39:07.480
<v Speaker 8>I wish I knew their history. The owner passed away

0:39:07.560 --> 0:39:10.399
<v Speaker 8>not too long ago too. But I want to say,

0:39:10.440 --> 0:39:12.719
<v Speaker 8>before it was a hip hop club, it was some

0:39:13.000 --> 0:39:17.240
<v Speaker 8>kind of seedy underground because it had like a movie

0:39:17.320 --> 0:39:23.279
<v Speaker 8>theater in it. I had these obscure to the side. Well, no,

0:39:23.400 --> 0:39:25.480
<v Speaker 8>he took and brought the spaghetti warehouse and tried to

0:39:25.480 --> 0:39:27.279
<v Speaker 8>make it. But that would it would nothing would ever

0:39:27.320 --> 0:39:29.919
<v Speaker 8>be as the undergrounds roll down was. You're going down

0:39:29.920 --> 0:39:32.799
<v Speaker 8>these steps into this basement, and once you enter, you're

0:39:32.840 --> 0:39:34.120
<v Speaker 8>in a whole different world.

0:39:34.880 --> 0:39:35.120
<v Speaker 6>You know.

0:39:35.280 --> 0:39:38.360
<v Speaker 8>Me and Shante, she brought me to tears where we

0:39:38.360 --> 0:39:42.360
<v Speaker 8>were talking about the first time she and Bizz.

0:39:43.160 --> 0:39:47.560
<v Speaker 7>Had performed there, and picture this. This is one of

0:39:47.600 --> 0:39:49.920
<v Speaker 7>my favorite nights with business Shante.

0:39:50.120 --> 0:39:53.200
<v Speaker 8>So you know how Philly is with our fans are ignorant.

0:39:53.840 --> 0:39:55.719
<v Speaker 8>So Shante's up there with her little squaky voice.

0:39:55.800 --> 0:39:58.239
<v Speaker 7>I'm Shante.

0:39:58.520 --> 0:40:02.120
<v Speaker 8>So this so this is her beatbox. He's beatboxing. There's

0:40:02.120 --> 0:40:05.720
<v Speaker 8>no record playing, he's beatboxing for it. And this nigga

0:40:05.719 --> 0:40:10.080
<v Speaker 8>and Philly yells out, yo, fucking you suck you at

0:40:10.120 --> 0:40:14.400
<v Speaker 8>some something something disrespectful, and she she turned around, she

0:40:14.440 --> 0:40:17.440
<v Speaker 8>looked at Bis. She said, give me a good beat, Biz,

0:40:17.440 --> 0:40:19.399
<v Speaker 8>and she came off the stage and off the top

0:40:19.480 --> 0:40:22.560
<v Speaker 8>of her head tore this boy down. You're a bum

0:40:23.160 --> 0:40:26.720
<v Speaker 8>yuro bum yuro bum youurro bum like she just everything

0:40:26.800 --> 0:40:29.680
<v Speaker 8>that he was wearing. She talked about. She tore him

0:40:29.760 --> 0:40:32.960
<v Speaker 8>up down to his sneakers, how his hair was messed up,

0:40:33.000 --> 0:40:36.040
<v Speaker 8>his breathstank. It was And all you see is people

0:40:36.040 --> 0:40:39.600
<v Speaker 8>are standing there like, oh snap, like that up and

0:40:39.760 --> 0:40:45.960
<v Speaker 8>like no, I will never forget that night, like not ever.

0:40:46.640 --> 0:40:47.839
<v Speaker 7>It was the best.

0:40:48.080 --> 0:40:52.200
<v Speaker 4>It was for the infamous jazz Fresh Big Day came Battle.

0:40:52.600 --> 0:40:54.880
<v Speaker 4>I've heard about this but did.

0:40:54.680 --> 0:40:57.279
<v Speaker 7>It listen, you don't even know. I don't know if

0:40:57.520 --> 0:41:00.560
<v Speaker 7>do you remember when? What was it called?

0:41:00.640 --> 0:41:04.799
<v Speaker 8>Like, yea, the World Supremacy Contest that Philadelphia DJs kept

0:41:04.800 --> 0:41:09.040
<v Speaker 8>winning the DM they had had the Marriott then you

0:41:09.080 --> 0:41:13.319
<v Speaker 8>know before that this was a convention. It was the

0:41:13.360 --> 0:41:15.920
<v Speaker 8>World Supremacy Contest for the best DJ and.

0:41:17.400 --> 0:41:18.479
<v Speaker 7>Yeah, before your.

0:41:18.400 --> 0:41:22.400
<v Speaker 8>Time, Jeff One missed one and Cash Money one. So

0:41:22.520 --> 0:41:29.040
<v Speaker 8>one year I'm I'm judging and Jeff One, I'll never

0:41:29.080 --> 0:41:31.719
<v Speaker 8>forget that. That's the year he took the basketball out

0:41:32.239 --> 0:41:35.160
<v Speaker 8>and put on the turntable and Will was jumping over

0:41:35.239 --> 0:41:37.120
<v Speaker 8>the table and we're freaking out because he won because

0:41:37.160 --> 0:41:38.520
<v Speaker 8>this is for all the DJs.

0:41:38.200 --> 0:41:38.840
<v Speaker 7>Around the world.

0:41:39.480 --> 0:41:42.000
<v Speaker 8>And then the next year I'm on the judging panel

0:41:42.000 --> 0:41:46.719
<v Speaker 8>again in Cash Money one, and they were like, I

0:41:46.760 --> 0:41:49.000
<v Speaker 8>was influencing the judges.

0:41:49.640 --> 0:41:50.680
<v Speaker 7>It's not fair.

0:41:51.040 --> 0:41:56.759
<v Speaker 8>Then he keeps winning because Lady b is you know. No,

0:41:56.800 --> 0:41:58.560
<v Speaker 8>they were just saying, like I was yelling at the other,

0:41:58.840 --> 0:42:00.800
<v Speaker 8>at the other d the other the judges, like you

0:42:00.840 --> 0:42:02.920
<v Speaker 8>can clearly see it's not because I'm from Philly, Like

0:42:02.960 --> 0:42:05.560
<v Speaker 8>that was dope, Like they had a little tricks. Yeah,

0:42:05.600 --> 0:42:08.920
<v Speaker 8>it was a DJ contest. So the following year, they

0:42:08.960 --> 0:42:11.719
<v Speaker 8>said I had to MC the contest. I couldn't be

0:42:11.760 --> 0:42:15.520
<v Speaker 8>a judge, so we want to dispel you know that rumor,

0:42:15.600 --> 0:42:17.520
<v Speaker 8>and then this one, and then there's one.

0:42:17.640 --> 0:42:21.400
<v Speaker 7>I wasn't even a judge that year. So right, Philly, Philly,

0:42:22.120 --> 0:42:24.080
<v Speaker 7>they got the best DJ. That's will.

0:42:24.120 --> 0:42:26.440
<v Speaker 8>We did something and we still we still are the

0:42:26.480 --> 0:42:28.680
<v Speaker 8>best when it comes to the cutting and the scratching

0:42:29.280 --> 0:42:32.680
<v Speaker 8>and the transforming. I lived and worked up New York

0:42:32.719 --> 0:42:34.840
<v Speaker 8>for five years on the radio, and I always whipped

0:42:34.880 --> 0:42:35.399
<v Speaker 8>my chest out.

0:42:35.440 --> 0:42:37.480
<v Speaker 7>I'm not scared of you. I'm like, okay, hip hop

0:42:37.560 --> 0:42:39.920
<v Speaker 7>was born here. Y'all got some dope mcs. When it

0:42:39.960 --> 0:42:43.560
<v Speaker 7>comes to the tables, Philly wins hands down that.

0:42:44.080 --> 0:42:46.000
<v Speaker 8>Train record of a mix that y'all do up there,

0:42:46.040 --> 0:42:49.960
<v Speaker 8>and records are not playing them long enough.

0:42:50.280 --> 0:42:53.800
<v Speaker 7>Yes, oh my god.

0:42:57.600 --> 0:43:01.719
<v Speaker 4>Are there any other legendary after midnight stories?

0:43:01.880 --> 0:43:05.479
<v Speaker 6>Like? Is there artists? Who is an icon?

0:43:05.600 --> 0:43:09.360
<v Speaker 7>Now, I'm gonna tell you this is where, this is where.

0:43:09.600 --> 0:43:13.080
<v Speaker 8>This is why your parents didn't want you to come

0:43:13.120 --> 0:43:16.160
<v Speaker 8>to after midnight. So we literally checked at the door.

0:43:16.239 --> 0:43:19.799
<v Speaker 8>We had the whole the wines with the metal projectors

0:43:19.840 --> 0:43:22.359
<v Speaker 8>and whatnot. And I guess this guy got a little

0:43:22.360 --> 0:43:26.960
<v Speaker 8>twenty five in in his Timberlain and Chuck b in

0:43:27.040 --> 0:43:29.759
<v Speaker 8>flavor on stage is public enemies on stage and we

0:43:29.840 --> 0:43:34.040
<v Speaker 8>hear pop, pa pop, and everybody starts to scramble and run.

0:43:34.920 --> 0:43:37.120
<v Speaker 8>And that's the day I found out that the s

0:43:37.200 --> 0:43:40.759
<v Speaker 8>one w's were really really security. That wasn't a prop.

0:43:41.480 --> 0:43:45.680
<v Speaker 8>All I remember is being folded in half. And next

0:43:45.680 --> 0:43:47.000
<v Speaker 8>thing I know, I was down the steps in the

0:43:47.040 --> 0:43:48.759
<v Speaker 8>dressing room. I don't even know how it got there.

0:43:48.880 --> 0:43:55.240
<v Speaker 8>That's how fast they moved me. How often they gently

0:43:55.280 --> 0:43:57.600
<v Speaker 8>took my stomach and that didn't happen. That was the

0:43:57.680 --> 0:44:00.839
<v Speaker 8>only gun incident, but it was one that I will

0:44:00.840 --> 0:44:03.200
<v Speaker 8>always remember because they literally took my stomach and with

0:44:03.280 --> 0:44:05.480
<v Speaker 8>their hand, and they put my head down, and then

0:44:05.480 --> 0:44:08.319
<v Speaker 8>two brothers had my elbows and the next thing I know,

0:44:08.400 --> 0:44:10.880
<v Speaker 8>I was downstairs Jesus proud.

0:44:11.719 --> 0:44:16.640
<v Speaker 4>Yeah, I'll never forget the night that you premier Rebel

0:44:16.719 --> 0:44:17.600
<v Speaker 4>without a pause.

0:44:17.920 --> 0:44:21.520
<v Speaker 6>I talk about this in my book Like You and Snow.

0:44:21.920 --> 0:44:23.720
<v Speaker 6>First of all, where is Snow?

0:44:24.200 --> 0:44:27.160
<v Speaker 8>I just saw him at a balloon release. And memory

0:44:27.239 --> 0:44:28.919
<v Speaker 8>of a friend that we lost, Big Bob.

0:44:28.960 --> 0:44:31.719
<v Speaker 7>Do you remember Big Bob? Yes, that passed away?

0:44:31.800 --> 0:44:34.239
<v Speaker 8>Well, his mom he died during COVID and we really

0:44:34.239 --> 0:44:37.920
<v Speaker 8>couldn't do anything special. And the only year anniversary not

0:44:37.960 --> 0:44:39.200
<v Speaker 8>too long ago, his mom asked that we.

0:44:39.160 --> 0:44:41.319
<v Speaker 7>All come to the house and release some balloons in

0:44:41.360 --> 0:44:44.200
<v Speaker 7>his name, and we did. We all showed up. That

0:44:44.239 --> 0:44:45.239
<v Speaker 7>was cool, Big Bob.

0:44:45.560 --> 0:44:48.880
<v Speaker 9>I'm guessing God not talking about the informer. Okay, no,

0:44:48.960 --> 0:44:49.439
<v Speaker 9>but you're talking.

0:44:49.840 --> 0:44:51.560
<v Speaker 7>So I wanted to get snow.

0:44:51.719 --> 0:44:54.239
<v Speaker 4>Was this dope ass white boy? He came up with

0:44:54.280 --> 0:44:56.319
<v Speaker 4>the term. He used to say dope backwards, So.

0:44:57.000 --> 0:44:58.799
<v Speaker 8>I'm glad to say the word dope on the air.

0:44:58.840 --> 0:45:00.800
<v Speaker 8>We couldn't say that was dope. So he made the epod.

0:45:00.920 --> 0:45:03.040
<v Speaker 6>Oh wait, you weren't allowed to say dope.

0:45:03.480 --> 0:45:07.279
<v Speaker 8>Yeah, we got in trouble for saying dope apod, so

0:45:07.400 --> 0:45:09.920
<v Speaker 8>hefted and said it was.

0:45:10.760 --> 0:45:11.080
<v Speaker 7>No.

0:45:11.120 --> 0:45:13.439
<v Speaker 8>That was our way of saying it without saying it.

0:45:15.200 --> 0:45:19.120
<v Speaker 8>But anyway, let me tell you about public Enemy. I

0:45:19.160 --> 0:45:21.880
<v Speaker 8>had a boss who said that I couldn't play public Enemy.

0:45:21.960 --> 0:45:25.200
<v Speaker 7>That's what I wanted to know. Okay, forbid me to

0:45:25.280 --> 0:45:28.640
<v Speaker 7>play public Enemy and I quit my job.

0:45:30.360 --> 0:45:31.920
<v Speaker 6>Is this not Harry?

0:45:33.760 --> 0:45:37.600
<v Speaker 7>No, this is before Dave dropped no names. It was

0:45:37.640 --> 0:45:43.080
<v Speaker 7>actually the guy before d doesn't even matter he didn't

0:45:43.120 --> 0:45:45.680
<v Speaker 7>want me to play public enemy. Oh the black guy.

0:45:46.320 --> 0:45:52.200
<v Speaker 7>M okay, okay, okay, No he wasn't the black guy.

0:45:52.480 --> 0:45:56.040
<v Speaker 7>But anyway, I quit my job.

0:45:56.120 --> 0:45:57.759
<v Speaker 8>I said, if I can't play them, then I quit,

0:45:57.880 --> 0:46:01.120
<v Speaker 8>and uh forced their hand in there. I went back

0:46:01.120 --> 0:46:04.080
<v Speaker 8>in the studio when I played him really and I

0:46:04.080 --> 0:46:05.000
<v Speaker 8>had to put my foot down.

0:46:05.160 --> 0:46:06.040
<v Speaker 6>Yeah, I was gonna say.

0:46:06.080 --> 0:46:09.600
<v Speaker 4>The night you premiered Rebel without a Plause was like

0:46:10.920 --> 0:46:14.560
<v Speaker 4>if you guys are familiar with Orson Wells and the

0:46:14.600 --> 0:46:16.120
<v Speaker 4>original War.

0:46:16.000 --> 0:46:18.920
<v Speaker 6>Of the World Original.

0:46:20.320 --> 0:46:23.640
<v Speaker 4>The World's when in nineteen thirty people thought aliens were

0:46:23.640 --> 0:46:27.200
<v Speaker 4>invading the United States. I thought they thought it was

0:46:27.239 --> 0:46:29.480
<v Speaker 4>a real like news report, and when it was just

0:46:29.560 --> 0:46:31.880
<v Speaker 4>like back when they used to listen to radios, you

0:46:31.880 --> 0:46:36.279
<v Speaker 4>know that sort of thing. And all I remember was

0:46:37.400 --> 0:46:41.279
<v Speaker 4>Chuck d got to Power ninety nine around one in

0:46:41.320 --> 0:46:46.880
<v Speaker 4>the morning, and the city I've never heard like it

0:46:46.920 --> 0:46:49.040
<v Speaker 4>was the It was the kind of silence like when

0:46:49.080 --> 0:46:52.920
<v Speaker 4>someone dies on a sitcom, like all laughing.

0:46:53.840 --> 0:46:58.279
<v Speaker 6>It was like you snow, you know I used to

0:46:58.280 --> 0:46:59.640
<v Speaker 6>go to school with Monanka.

0:47:00.080 --> 0:47:02.120
<v Speaker 7>Oh yes, she worked for me.

0:47:02.640 --> 0:47:05.279
<v Speaker 4>I know. So all of y'all were quiet in the

0:47:05.320 --> 0:47:08.080
<v Speaker 4>studio and you was like, look, I'm gonna go to

0:47:08.120 --> 0:47:10.600
<v Speaker 4>commercial right now, but I need y'all to get your tapes.

0:47:10.640 --> 0:47:15.239
<v Speaker 4>I'm gonna play something for you, bet you just I

0:47:15.320 --> 0:47:17.600
<v Speaker 4>can't describe what I'm about to play for you.

0:47:17.880 --> 0:47:20.480
<v Speaker 7>I they're my favorites to today.

0:47:20.520 --> 0:47:23.439
<v Speaker 8>But I'll never forget the day being up in death

0:47:23.560 --> 0:47:28.120
<v Speaker 8>Jam and New York and Russell saying You're not gonna believe.

0:47:27.880 --> 0:47:31.960
<v Speaker 7>This, this this thing, hank it Hanka Chuck, and I'm like,

0:47:32.680 --> 0:47:37.480
<v Speaker 7>let me hear it. I fell in love. I felt

0:47:37.800 --> 0:47:39.799
<v Speaker 7>I rapped that. I said all the way back down

0:47:39.800 --> 0:47:40.600
<v Speaker 7>and turn bright.

0:47:41.920 --> 0:47:42.520
<v Speaker 6>I feel you.

0:47:43.160 --> 0:47:51.480
<v Speaker 7>It was sope.

0:47:50.719 --> 0:47:56.000
<v Speaker 6>In general. What was the protocol for like hip hop

0:47:56.000 --> 0:47:56.839
<v Speaker 6>promotion back then?

0:47:56.880 --> 0:48:00.680
<v Speaker 4>Because I'm besides mister magic, I mean again, like you

0:48:00.920 --> 0:48:05.480
<v Speaker 4>are a major portal, so like is it relationships with

0:48:06.360 --> 0:48:08.880
<v Speaker 4>Like when someone wants to break a new act open, Like,

0:48:08.880 --> 0:48:11.160
<v Speaker 4>how does someone approach about the Fat Boys?

0:48:11.719 --> 0:48:14.000
<v Speaker 8>They had to bring it to me, you know, everybody

0:48:14.040 --> 0:48:16.520
<v Speaker 8>had to come to everybody had a record rep that

0:48:16.719 --> 0:48:18.120
<v Speaker 8>came and it.

0:48:18.239 --> 0:48:21.240
<v Speaker 7>Was the only gig in town, right b Like literally.

0:48:22.120 --> 0:48:25.200
<v Speaker 8>Club, I'm gonna tell you, I lived in this duplex

0:48:25.239 --> 0:48:30.360
<v Speaker 8>apartment and you're right, I was so broke. Wow, it

0:48:30.440 --> 0:48:34.320
<v Speaker 8>was my very first apartment, and I remember the lady downstairs.

0:48:34.320 --> 0:48:35.080
<v Speaker 7>She was cool with me.

0:48:35.160 --> 0:48:38.279
<v Speaker 8>She would let me leave the the door that we

0:48:38.320 --> 0:48:40.640
<v Speaker 8>shared open because they would just come and stick the

0:48:40.680 --> 0:48:45.920
<v Speaker 8>records and leave them in my hallway, right yeah, and

0:48:45.960 --> 0:48:47.600
<v Speaker 8>they just leave them there for me. They've got to

0:48:47.600 --> 0:48:50.359
<v Speaker 8>know where I live. Like all the promotion men hung

0:48:50.360 --> 0:48:53.880
<v Speaker 8>out at my crib. It was like a damn yeah.

0:48:53.480 --> 0:48:56.560
<v Speaker 7>And that was never a problem. Damn Come. When I

0:48:56.600 --> 0:49:00.239
<v Speaker 7>was young, it was like no ever, you never felt

0:49:00.239 --> 0:49:02.160
<v Speaker 7>in no harm's weight. That's like, that's a beautiful thing.

0:49:02.280 --> 0:49:03.840
<v Speaker 7>Is another time. I gotta understand.

0:49:03.880 --> 0:49:05.879
<v Speaker 8>I still got my crazy older sister around me too,

0:49:05.880 --> 0:49:08.359
<v Speaker 8>and then there's that I mean, you know, and may

0:49:08.440 --> 0:49:10.760
<v Speaker 8>she rest in peace. My sister was a straight gangster,

0:49:10.880 --> 0:49:12.040
<v Speaker 8>so I didn't fear too much.

0:49:13.000 --> 0:49:15.759
<v Speaker 4>So what I want to know is, was there an

0:49:15.840 --> 0:49:20.560
<v Speaker 4>act that a label or manager tried to push off

0:49:20.600 --> 0:49:24.800
<v Speaker 4>on you that you weren't feeling at the time or whatever,

0:49:24.920 --> 0:49:29.719
<v Speaker 4>and you were like, all right, boll oh, are you

0:49:29.840 --> 0:49:32.439
<v Speaker 4>How honest are you allowed to be when it comes

0:49:32.480 --> 0:49:35.439
<v Speaker 4>to like I like that, I don't like this?

0:49:35.760 --> 0:49:40.160
<v Speaker 8>I no, I definitely that was one thing I played

0:49:40.160 --> 0:49:41.280
<v Speaker 8>when I wanted to play.

0:49:42.040 --> 0:49:45.920
<v Speaker 7>And when have you been wrong? I was wrong a

0:49:45.920 --> 0:49:47.480
<v Speaker 7>couple of times. I was wrong about Hammer.

0:49:48.320 --> 0:49:52.040
<v Speaker 6>Well you never know I played you never played like

0:49:53.200 --> 0:49:53.640
<v Speaker 6>I did.

0:49:53.680 --> 0:49:56.560
<v Speaker 8>An honest maker to break it. I've let the listeners vote.

0:49:56.560 --> 0:49:58.719
<v Speaker 8>They didn't vote. I broke the damn records. Not my

0:49:58.760 --> 0:50:00.319
<v Speaker 8>fault to feel you in like it.

0:50:00.640 --> 0:50:02.200
<v Speaker 6>I forgot about making it or break it.

0:50:02.360 --> 0:50:03.239
<v Speaker 5>And I remember I.

0:50:03.239 --> 0:50:05.080
<v Speaker 8>Would literally crack the record. You could hear all the

0:50:05.920 --> 0:50:07.120
<v Speaker 8>vinyl fall on the ground.

0:50:08.000 --> 0:50:09.120
<v Speaker 7>That was a real thing.

0:50:09.400 --> 0:50:11.759
<v Speaker 5>What was the record? What was the Hammer record that.

0:50:12.440 --> 0:50:15.000
<v Speaker 8>Everyone he ever gave us like? And then it went

0:50:15.080 --> 0:50:19.000
<v Speaker 8>pop and then it came back around. I remember the

0:50:19.040 --> 0:50:21.920
<v Speaker 8>spectrum of Hammer senting security people to come get me,

0:50:22.160 --> 0:50:22.799
<v Speaker 8>and he was mad.

0:50:22.880 --> 0:50:23.640
<v Speaker 7>I went and dressing.

0:50:23.640 --> 0:50:25.480
<v Speaker 8>When he's like, while you break my record, I'm like,

0:50:25.520 --> 0:50:26.879
<v Speaker 8>it's a contest, dude, I.

0:50:26.800 --> 0:50:29.080
<v Speaker 7>Didn't do it. Philly broke your record. I didn't break it.

0:50:29.120 --> 0:50:31.680
<v Speaker 7>I mean, I'm just a messenger.

0:50:32.560 --> 0:50:36.720
<v Speaker 4>In on something. Hammer's biggest fan. In nineteen eighty seven,

0:50:38.719 --> 0:50:40.080
<v Speaker 4>Black thoughts Trotter.

0:50:40.000 --> 0:50:47.480
<v Speaker 8>The close cloth he depends, No, it was the way

0:50:47.480 --> 0:50:48.480
<v Speaker 8>he went side to side.

0:50:48.520 --> 0:50:49.760
<v Speaker 7>What would explain?

0:50:50.120 --> 0:50:52.719
<v Speaker 8>Because I just just lost so many points with me

0:50:52.840 --> 0:50:53.799
<v Speaker 8>just now and I love.

0:50:54.360 --> 0:50:58.240
<v Speaker 6>I'm gonna tell you why don't make me throw it at.

0:50:58.120 --> 0:51:02.759
<v Speaker 8>The wait let me that was I'm gonna say. I

0:51:02.760 --> 0:51:04.439
<v Speaker 8>didn't say I didn't like and I'm just it wasn't

0:51:04.520 --> 0:51:04.960
<v Speaker 8>very popular.

0:51:06.160 --> 0:51:10.560
<v Speaker 4>No, no, no, I'm gonna tell you loves the Apache break

0:51:10.600 --> 0:51:11.719
<v Speaker 4>beat so much that.

0:51:13.200 --> 0:51:15.120
<v Speaker 6>Nobody, nobody's doing any wrong on it.

0:51:15.320 --> 0:51:17.120
<v Speaker 8>Oh so it was the beat that got you because

0:51:17.120 --> 0:51:20.560
<v Speaker 8>I'm not.

0:51:20.760 --> 0:51:27.120
<v Speaker 4>Just loved turn his mother out and I think it was.

0:51:27.320 --> 0:51:31.200
<v Speaker 4>But literally, like the two acts that Tik forced me

0:51:31.360 --> 0:51:35.400
<v Speaker 4>to get onto that I wasn't feeling initially was hammer

0:51:36.160 --> 0:51:39.600
<v Speaker 4>and believe it or not in w A because really

0:51:40.080 --> 0:51:42.200
<v Speaker 4>I just looked at n w A and just said, oh,

0:51:42.239 --> 0:51:43.680
<v Speaker 4>they're gonna be whack, you know.

0:51:45.000 --> 0:51:47.480
<v Speaker 8>Okay, but here's here wait wait, wait, wait, because now

0:51:47.480 --> 0:51:51.840
<v Speaker 8>you're blow in my mind because you are my drummer

0:51:51.920 --> 0:51:55.840
<v Speaker 8>forever in my head, like I put you synonymous with

0:51:55.920 --> 0:51:56.560
<v Speaker 8>the beat.

0:51:56.680 --> 0:52:00.799
<v Speaker 7>So now you're scaring me, so you don't understand way

0:52:00.800 --> 0:52:01.359
<v Speaker 7>wait wait wait.

0:52:01.480 --> 0:52:05.080
<v Speaker 8>So there's there's Hank Shakley and Public Enemy, and there's

0:52:05.160 --> 0:52:07.640
<v Speaker 8>Rebel and his fight the Power. It's all of that.

0:52:07.719 --> 0:52:12.800
<v Speaker 8>It's all that that drummage, all that fly ass beats

0:52:13.080 --> 0:52:17.879
<v Speaker 8>which n w A emulated, So how in the hell

0:52:18.000 --> 0:52:23.120
<v Speaker 8>with all those banging beats, doesn't questlove not like n

0:52:23.320 --> 0:52:26.239
<v Speaker 8>w A. You're gonna explain that ship the me.

0:52:27.120 --> 0:52:28.920
<v Speaker 6>I'm gonna, I'm gonna, I'm gonna bring it back to

0:52:28.960 --> 0:52:29.440
<v Speaker 6>the roots.

0:52:29.600 --> 0:52:35.960
<v Speaker 4>That's simply because I looked at n w A without.

0:52:36.800 --> 0:52:40.319
<v Speaker 6>It was the look I saw, I was all right.

0:52:40.360 --> 0:52:43.200
<v Speaker 7>So without saying I get that part, I get that part.

0:52:45.600 --> 0:52:46.560
<v Speaker 6>This happens to us.

0:52:49.719 --> 0:52:50.879
<v Speaker 7>Conceded, I get that part.

0:52:51.200 --> 0:52:53.200
<v Speaker 6>To this day, NAS will deny it.

0:52:53.719 --> 0:52:57.720
<v Speaker 4>But I realized, Okay, we did a show at Radio

0:52:57.719 --> 0:53:00.360
<v Speaker 4>City Music Hall once and NAS was like to do

0:53:00.440 --> 0:53:04.520
<v Speaker 4>a walk on with us, and we're sound checking, and

0:53:04.640 --> 0:53:08.400
<v Speaker 4>like Nas was losing his mind at soundcheck. Now mind you,

0:53:08.520 --> 0:53:13.000
<v Speaker 4>this is like two thousand and eight, okay, and you

0:53:13.040 --> 0:53:15.680
<v Speaker 4>know I'm I'm in the aire, like I have a

0:53:15.680 --> 0:53:18.400
<v Speaker 4>special microphone that all only Roots and Roots staff can

0:53:18.440 --> 0:53:20.560
<v Speaker 4>hear me. And I was like, yo, man, that is

0:53:20.719 --> 0:53:23.719
<v Speaker 4>really giddy about us, like in a way that I

0:53:24.000 --> 0:53:28.760
<v Speaker 4>never expected. And then ten minutes later it just hit me, oh,

0:53:29.560 --> 0:53:35.319
<v Speaker 4>this is the very first time that Nas in two

0:53:35.360 --> 0:53:40.600
<v Speaker 4>thousand and eight is listening to the Roots because he

0:53:40.680 --> 0:53:42.279
<v Speaker 4>was on the phone like with this boy, like, Yo,

0:53:42.840 --> 0:53:44.160
<v Speaker 4>they sound just like the record.

0:53:44.160 --> 0:53:45.440
<v Speaker 6>They he could play.

0:53:45.239 --> 0:53:46.560
<v Speaker 4>Break beats and da da da da Da Da da

0:53:46.640 --> 0:53:49.839
<v Speaker 4>da and so in my mind, I was like, oh, yeah,

0:53:49.880 --> 0:53:50.680
<v Speaker 4>so you were one of them.

0:53:50.560 --> 0:53:53.440
<v Speaker 6>People that looked at us in ninety four ninety.

0:53:53.160 --> 0:53:56.800
<v Speaker 7>Five like that was his very first time seeing you guys.

0:53:57.760 --> 0:54:01.040
<v Speaker 6>It's look, I'm just telling you that.

0:54:02.200 --> 0:54:04.839
<v Speaker 4>In case in point is that freestyle that he did

0:54:04.880 --> 0:54:07.600
<v Speaker 4>on fund Master Flex. A lot of it, A lot

0:54:07.640 --> 0:54:11.400
<v Speaker 4>of the elation of people looking at Tarik doing that

0:54:11.520 --> 0:54:15.720
<v Speaker 4>freestyle was the fact that they just never sat.

0:54:15.400 --> 0:54:19.400
<v Speaker 7>For the point. Now, I got it, I get it,

0:54:19.440 --> 0:54:20.640
<v Speaker 7>I get it all right, okay.

0:54:21.239 --> 0:54:23.480
<v Speaker 4>I mean it's like it's like it's like Dame Dash

0:54:23.520 --> 0:54:25.680
<v Speaker 4>from the Kanye record, Like, oh ship, it's not whack

0:54:25.920 --> 0:54:32.640
<v Speaker 4>like that? What was getting okay on that? So like

0:54:32.680 --> 0:54:34.239
<v Speaker 4>I looked at n w A and it was just

0:54:34.280 --> 0:54:35.200
<v Speaker 4>like they whack.

0:54:35.680 --> 0:54:35.919
<v Speaker 6>Yeah.

0:54:36.960 --> 0:54:39.480
<v Speaker 4>Then Tarik played me side one and straight out Compton.

0:54:39.560 --> 0:54:44.000
<v Speaker 4>I was like, wait, they sound like East Coast Like

0:54:44.160 --> 0:54:46.200
<v Speaker 4>I didn't know they were real.

0:54:46.320 --> 0:54:48.640
<v Speaker 6>So it's just got to it.

0:54:48.760 --> 0:54:50.680
<v Speaker 8>And I'm going to be honest, I not only did

0:54:50.680 --> 0:54:53.759
<v Speaker 8>I think that they were corny and not. I don't know,

0:54:54.000 --> 0:54:56.600
<v Speaker 8>I just didn't believe it. I had never been to Compton.

0:54:57.560 --> 0:55:00.319
<v Speaker 8>And like I said, I love to beat my sister.

0:55:00.360 --> 0:55:01.880
<v Speaker 8>Like I said, she was crazy. She was a gangster.

0:55:01.920 --> 0:55:03.839
<v Speaker 8>She I called her Dre until the day she died.

0:55:03.880 --> 0:55:05.920
<v Speaker 8>That was her nickname. And she loved n w A

0:55:06.120 --> 0:55:11.000
<v Speaker 8>so much. But she blasted and and But then you know,

0:55:11.400 --> 0:55:14.960
<v Speaker 8>I went to Compton, I went out west and I

0:55:15.000 --> 0:55:17.719
<v Speaker 8>saw it, and then I had a new respect for

0:55:17.840 --> 0:55:20.719
<v Speaker 8>n w A after seeing that. Back then, it was

0:55:20.760 --> 0:55:22.920
<v Speaker 8>another thing you couldn't do. You couldn't rap about something

0:55:22.920 --> 0:55:26.560
<v Speaker 8>that you weren't like. You can't you couldn't front like

0:55:26.600 --> 0:55:28.520
<v Speaker 8>you talk and knewing you was a little punk like.

0:55:28.560 --> 0:55:30.440
<v Speaker 8>You couldn't do that. That was forbidden for me. You

0:55:30.520 --> 0:55:33.359
<v Speaker 8>had to be what you were talking about. And when

0:55:33.400 --> 0:55:37.239
<v Speaker 8>I went out there, remember was ice tea?

0:55:37.560 --> 0:55:37.880
<v Speaker 5>Uh.

0:55:37.960 --> 0:55:40.719
<v Speaker 8>I had an artist ice cream tea and it was

0:55:40.760 --> 0:55:43.799
<v Speaker 8>her first it was her first trip out west. She

0:55:43.800 --> 0:55:45.640
<v Speaker 8>had a couple of gigs lined up and I had

0:55:45.680 --> 0:55:47.520
<v Speaker 8>these kids. I had to get their parents to sign

0:55:47.640 --> 0:55:49.960
<v Speaker 8>waivers and all this stuff. And I turned around and

0:55:49.960 --> 0:55:51.640
<v Speaker 8>he had taken all my kids to Compton.

0:55:52.200 --> 0:55:52.720
<v Speaker 5>Like what.

0:55:54.120 --> 0:55:55.879
<v Speaker 6>I mean, ice cream tea?

0:55:56.640 --> 0:56:00.600
<v Speaker 7>Yeah, that was my artist anything.

0:56:00.760 --> 0:56:01.640
<v Speaker 6>Oh, by the way.

0:56:02.680 --> 0:56:08.000
<v Speaker 4>Yeah, we just did an episode with uh Tracy Ellis

0:56:08.160 --> 0:56:11.560
<v Speaker 4>Ross's dad, Bob Ellis, and I know that ice Cream

0:56:11.600 --> 0:56:14.799
<v Speaker 4>Tea was also signed on that same level on.

0:56:16.040 --> 0:56:20.759
<v Speaker 6>Mc A City Record with Busy be and whatnot. Yeah.

0:56:20.960 --> 0:56:26.200
<v Speaker 8>Yeah, Bob was a big family Bob Bob Ellis was

0:56:26.200 --> 0:56:28.600
<v Speaker 8>one of the nicest men I ever met in my life.

0:56:28.640 --> 0:56:32.640
<v Speaker 8>But I had I entered into a business venture. I

0:56:32.640 --> 0:56:35.080
<v Speaker 8>made a bad deal with a brother. I won't say

0:56:35.080 --> 0:56:37.000
<v Speaker 8>his name, but I started the first hip hop magazine.

0:56:37.040 --> 0:56:38.279
<v Speaker 8>It was called Strictly hip Hop.

0:56:39.080 --> 0:56:40.600
<v Speaker 6>I've read Strictly hip Hop.

0:56:40.719 --> 0:56:42.320
<v Speaker 7>Yes, that was my magazine.

0:56:42.680 --> 0:56:43.879
<v Speaker 6>I know that.

0:56:44.640 --> 0:56:46.479
<v Speaker 7>Yeah, that's my name in the back of it.

0:56:47.560 --> 0:56:48.040
<v Speaker 3>Wow.

0:56:48.320 --> 0:56:52.480
<v Speaker 8>But anyway, Bob Ellis, I went to court with my partner.

0:56:52.560 --> 0:56:54.800
<v Speaker 8>It turned out to be a disaster, but Bob Ellis

0:56:54.880 --> 0:56:58.560
<v Speaker 8>was very helpful and helping me come and come up

0:56:58.560 --> 0:57:00.160
<v Speaker 8>with cash for litigators and up.

0:57:00.360 --> 0:57:03.719
<v Speaker 7>I did fight a good fight end up. But yeah,

0:57:03.719 --> 0:57:06.359
<v Speaker 7>he was very He was very helpful to me, really

0:57:06.440 --> 0:57:06.879
<v Speaker 7>nice guy.

0:57:06.920 --> 0:57:09.240
<v Speaker 9>Bob was like our fifth guest that had a lady

0:57:09.239 --> 0:57:11.480
<v Speaker 9>b story. I'm trying to remember some of the other folks,

0:57:11.480 --> 0:57:11.959
<v Speaker 9>but he.

0:57:12.000 --> 0:57:15.520
<v Speaker 7>Was cool people. He was he was real cool. I

0:57:15.560 --> 0:57:17.080
<v Speaker 7>think it was premiere on some other people.

0:57:17.080 --> 0:57:21.800
<v Speaker 4>But wait, okay, I got to ask though, like I

0:57:21.880 --> 0:57:24.400
<v Speaker 4>do know that when we were younger, like you were

0:57:24.480 --> 0:57:33.400
<v Speaker 4>like everybody's crush, you literally everyone's crush. How did you

0:57:34.720 --> 0:57:37.480
<v Speaker 4>I could only imagine. I mean, if we're now just

0:57:37.520 --> 0:57:44.040
<v Speaker 4>dealing with the politically correct correctness, a very toxic male atmosphere,

0:57:44.200 --> 0:57:47.640
<v Speaker 4>and you know, especially in the music business, how did

0:57:47.680 --> 0:57:49.000
<v Speaker 4>you handle that back then?

0:57:49.360 --> 0:57:52.280
<v Speaker 8>Again, I was just as funny that you asked that,

0:57:52.320 --> 0:57:54.360
<v Speaker 8>because I was just we were just having a conversation,

0:57:54.480 --> 0:57:57.240
<v Speaker 8>me and Lee Daniels. I grew up across the street

0:57:57.240 --> 0:58:01.040
<v Speaker 8>from me, and really, yeah, he's like my brother.

0:58:02.400 --> 0:58:02.600
<v Speaker 6>Yeah.

0:58:04.560 --> 0:58:11.760
<v Speaker 7>Yes, everything about Philly, all of the Damns.

0:58:10.960 --> 0:58:14.919
<v Speaker 8>Are named after us. All the characters are named after

0:58:15.200 --> 0:58:17.680
<v Speaker 8>like Cookie. I want to say that Cookie, the character

0:58:17.680 --> 0:58:20.080
<v Speaker 8>of Cookie and Expire, Empire, was my sister.

0:58:20.760 --> 0:58:24.960
<v Speaker 7>Oh, sister, you was my sister.

0:58:25.000 --> 0:58:26.520
<v Speaker 8>I mean, I think that he got a lot of

0:58:26.560 --> 0:58:30.280
<v Speaker 8>what my sister was and our upbringing out created that character.

0:58:31.720 --> 0:58:35.760
<v Speaker 8>Now I don't know, because left, what happened, you know,

0:58:35.800 --> 0:58:38.000
<v Speaker 8>what happened to be Emir left and kind of got

0:58:38.000 --> 0:58:40.800
<v Speaker 8>a little famous, and so his trips to Philly were like,

0:58:40.960 --> 0:58:46.400
<v Speaker 8>so doing that part, you was really superd You was

0:58:46.400 --> 0:58:49.320
<v Speaker 8>really getting the dup me.

0:58:49.320 --> 0:58:51.680
<v Speaker 4>Me and Lee been talking on the phone for like

0:58:51.920 --> 0:58:54.280
<v Speaker 4>almost a year and a half because I was supposed

0:58:54.280 --> 0:58:58.800
<v Speaker 4>to score Billy Holliday. Not once did he ever tell

0:58:58.840 --> 0:59:00.560
<v Speaker 4>me he was from philadelph because.

0:59:02.280 --> 0:59:03.560
<v Speaker 7>Hero that you knew.

0:59:03.560 --> 0:59:07.360
<v Speaker 8>But Annie who asked me about what was the question

0:59:07.520 --> 0:59:13.760
<v Speaker 8>of me to me too things? So yeah, and explaining

0:59:13.800 --> 0:59:15.360
<v Speaker 8>who my sister was again. So me and Lee were

0:59:15.360 --> 0:59:19.000
<v Speaker 8>having this conversation and we were just talking about, you know,

0:59:19.080 --> 0:59:22.640
<v Speaker 8>some of our friends who had had some difficult times

0:59:22.720 --> 0:59:27.080
<v Speaker 8>and and things happened to them or whatever. And I

0:59:27.120 --> 0:59:29.880
<v Speaker 8>have to honestly say I didn't have too many meat

0:59:31.400 --> 0:59:33.800
<v Speaker 8>definitely no bad ones, but not too many even small

0:59:33.960 --> 0:59:37.600
<v Speaker 8>me too stories because people were scared of my.

0:59:37.600 --> 0:59:40.240
<v Speaker 7>Sister that I got more than you, and you came

0:59:40.400 --> 0:59:43.920
<v Speaker 7>like I remember, I remember a guy. I thought he

0:59:44.080 --> 0:59:44.680
<v Speaker 7>was fine.

0:59:44.720 --> 0:59:46.200
<v Speaker 8>I wanted to go out with this guy so bad

0:59:46.240 --> 0:59:49.800
<v Speaker 8>at the biggest question is drug dealer D I hopped

0:59:49.800 --> 0:59:52.000
<v Speaker 8>my ask in his car and we went for this

0:59:52.120 --> 0:59:55.640
<v Speaker 8>ride and We're pulling up to this CD hotel in

0:59:55.920 --> 0:59:57.480
<v Speaker 8>Jersey and I'm like, what are we doing? Why are

0:59:57.520 --> 1:00:00.439
<v Speaker 8>we here? You know, just got no bit is being

1:00:00.480 --> 1:00:03.680
<v Speaker 8>out or in this man's card, and he said, and

1:00:03.720 --> 1:00:05.280
<v Speaker 8>he was like, oh, we're just going to chill here

1:00:05.320 --> 1:00:06.800
<v Speaker 8>for a minute to go to the movies. I was like, well,

1:00:06.800 --> 1:00:08.760
<v Speaker 8>I got to call my sister and tell her.

1:00:10.240 --> 1:00:12.200
<v Speaker 7>And said it was your sister. And I told him,

1:00:12.240 --> 1:00:15.080
<v Speaker 7>and he put me in the card ross the bridge

1:00:15.240 --> 1:00:16.760
<v Speaker 7>and he let me out in front of my house.

1:00:16.800 --> 1:00:22.680
<v Speaker 7>I never heard from him. But wait, d everybody, ain't everybody?

1:00:23.320 --> 1:00:28.400
<v Speaker 9>Everybody tell me in your career, nobody has trying to

1:00:28.480 --> 1:00:28.960
<v Speaker 9>test you.

1:00:29.120 --> 1:00:30.760
<v Speaker 7>Oh well, I'm sure they have.

1:00:30.920 --> 1:00:32.760
<v Speaker 8>I'm just saying I don't have any moments where I

1:00:32.760 --> 1:00:37.120
<v Speaker 8>would have to, uh, you know, take anybody to court

1:00:37.120 --> 1:00:37.800
<v Speaker 8>and all this drama.

1:00:37.880 --> 1:00:38.200
<v Speaker 6>I said.

1:00:38.200 --> 1:00:42.040
<v Speaker 7>And it's funny because we were saying, somebody something to me.

1:00:42.240 --> 1:00:43.600
<v Speaker 7>I would if you this.

1:00:43.720 --> 1:00:45.240
<v Speaker 8>I laughed the other day and I said this, and

1:00:45.320 --> 1:00:48.040
<v Speaker 8>this is a quote. If you bothered, touch me wrong,

1:00:48.160 --> 1:00:50.360
<v Speaker 8>or disrespected me. On Tuesday at two o'clock.

1:00:50.600 --> 1:00:53.320
<v Speaker 9>By two o five, I was telling like, we not

1:00:53.720 --> 1:00:56.720
<v Speaker 9>what that's beautiful if you have somebody to tell because

1:00:56.720 --> 1:00:57.760
<v Speaker 9>you was at home what.

1:01:00.040 --> 1:01:02.160
<v Speaker 7>Oh yeah, people approached me.

1:01:02.680 --> 1:01:04.320
<v Speaker 8>Yeah. I was back into a corner like, oh, I'm

1:01:04.440 --> 1:01:06.720
<v Speaker 8>telling my sister better move that's beautiful.

1:01:07.160 --> 1:01:09.600
<v Speaker 9>Just you know, it's also rare that radio people never

1:01:09.680 --> 1:01:11.360
<v Speaker 9>have to move away from home. So the fact that

1:01:11.440 --> 1:01:13.760
<v Speaker 9>you got to stay at home and that you did

1:01:13.880 --> 1:01:16.680
<v Speaker 9>nothing but community, that's such a blessing.

1:01:16.960 --> 1:01:17.320
<v Speaker 7>Blessing.

1:01:17.320 --> 1:01:21.120
<v Speaker 8>And my sister traveled with me. But that was just

1:01:21.160 --> 1:01:23.880
<v Speaker 8>the way I was raising then. My brother, you know,

1:01:24.080 --> 1:01:28.160
<v Speaker 8>the nerd, the Harvard grad he you know, just by

1:01:28.240 --> 1:01:30.760
<v Speaker 8>bullying me all my life and tickling me and wouldn't

1:01:30.760 --> 1:01:32.400
<v Speaker 8>you know, sitting on me, wouldn't let me up.

1:01:32.480 --> 1:01:35.040
<v Speaker 7>I learned how to fight pretty well, just getting out

1:01:35.040 --> 1:01:36.480
<v Speaker 7>of those headlocks and stuff with it.

1:01:38.000 --> 1:01:40.120
<v Speaker 9>How do you feel now fast forward that a lot

1:01:40.120 --> 1:01:42.280
<v Speaker 9>of like, you know, not for nothing. Some of your

1:01:42.280 --> 1:01:44.320
<v Speaker 9>brothers that you came up with and made famous are

1:01:44.320 --> 1:01:47.600
<v Speaker 9>now kind of in the spotlight in that way, and

1:01:47.640 --> 1:01:50.000
<v Speaker 9>the times are changing the things that weren't acceptable, you know,

1:01:50.120 --> 1:01:50.440
<v Speaker 9>kind of.

1:01:50.440 --> 1:01:54.960
<v Speaker 8>Like said, but I will say that they say success

1:01:55.000 --> 1:01:58.040
<v Speaker 8>can make or break you. I mean, I've seen some

1:01:58.200 --> 1:02:03.600
<v Speaker 8>brothers people that I know that little very disappointing and

1:02:03.680 --> 1:02:07.640
<v Speaker 8>heart wrenching to see where they ended up, to see

1:02:07.680 --> 1:02:09.080
<v Speaker 8>that money and fame.

1:02:09.240 --> 1:02:10.600
<v Speaker 7>Maybe I don't know what to blame it on.

1:02:10.720 --> 1:02:23.640
<v Speaker 8>I can't tell their story changes for I'm very, I'm very.

1:02:20.360 --> 1:02:21.720
<v Speaker 7>I'm proud to be.

1:02:23.400 --> 1:02:26.240
<v Speaker 8>Where I'm where I am now and stand in these shoes,

1:02:26.360 --> 1:02:31.160
<v Speaker 8>and I like to raise every my nieces and and

1:02:31.320 --> 1:02:35.400
<v Speaker 8>all the young women that I can teach to put

1:02:35.400 --> 1:02:38.560
<v Speaker 8>those shoulders back and don't let you men treat you.

1:02:38.880 --> 1:02:41.480
<v Speaker 7>I remember when the R. Kelly tape came out and.

1:02:41.760 --> 1:02:43.640
<v Speaker 8>I walked into the radio station and the guys were

1:02:43.640 --> 1:02:45.880
<v Speaker 8>in the conference room looking at it. Yes, and they

1:02:45.920 --> 1:02:48.800
<v Speaker 8>were really scrambling looking for the remote to have it

1:02:48.880 --> 1:02:51.320
<v Speaker 8>off by the time I hit the door. Oh, and

1:02:51.360 --> 1:02:53.760
<v Speaker 8>that said a lot because they were not going to

1:02:54.040 --> 1:02:55.840
<v Speaker 8>be watched that in front of me.

1:02:56.200 --> 1:02:57.920
<v Speaker 7>That's the respect that I demanded, you.

1:02:57.920 --> 1:03:00.800
<v Speaker 8>Know what I'm saying. And I remember, you know, like

1:03:00.880 --> 1:03:03.840
<v Speaker 8>Shamar were coming to me. Why don't they talk to

1:03:03.880 --> 1:03:05.280
<v Speaker 8>you the way they talked to me? And I was like,

1:03:05.320 --> 1:03:08.680
<v Speaker 8>because you allow them. See when you stop somebody in

1:03:08.720 --> 1:03:10.840
<v Speaker 8>their tracks and go I have to say it. You know,

1:03:10.960 --> 1:03:13.480
<v Speaker 8>I'm a sports girl and I hang out with the guys,

1:03:13.680 --> 1:03:15.640
<v Speaker 8>but the conversation a little left.

1:03:16.000 --> 1:03:17.960
<v Speaker 7>Excuse me, lady in the room. I see it all

1:03:18.000 --> 1:03:20.960
<v Speaker 7>the time. Wait wait, I went too far and I

1:03:21.040 --> 1:03:24.800
<v Speaker 7>went too far. Bring it back. You have to demand

1:03:24.880 --> 1:03:26.080
<v Speaker 7>that kind of respect.

1:03:26.440 --> 1:03:27.400
<v Speaker 6>Was there ever.

1:03:28.800 --> 1:03:32.520
<v Speaker 4>A time where you just felt like, okay, this this

1:03:32.600 --> 1:03:35.480
<v Speaker 4>might be above my not above my pay perraade, but

1:03:35.640 --> 1:03:39.160
<v Speaker 4>just sort of like where you might have gotten exhausted

1:03:39.320 --> 1:03:41.400
<v Speaker 4>and not really know like.

1:03:42.880 --> 1:03:45.439
<v Speaker 6>Where you were where you stood with hip hop.

1:03:46.120 --> 1:03:48.360
<v Speaker 4>I know, I know that people often get to that

1:03:48.400 --> 1:03:50.640
<v Speaker 4>place where it's sort of like, okay, what is this?

1:03:50.800 --> 1:03:55.720
<v Speaker 8>I remember getting burnt out. I remember being angry that

1:03:55.760 --> 1:03:56.520
<v Speaker 8>it got so.

1:03:58.200 --> 1:03:59.600
<v Speaker 6>Diluted water?

1:04:01.440 --> 1:04:02.400
<v Speaker 3>Which hero was that?

1:04:03.640 --> 1:04:06.560
<v Speaker 8>I want to say, most of the time when I

1:04:06.560 --> 1:04:09.720
<v Speaker 8>was up there in New York, like nineteen ninety two

1:04:09.880 --> 1:04:11.600
<v Speaker 8>three up in that area.

1:04:12.880 --> 1:04:14.880
<v Speaker 6>What station in New York were you one?

1:04:14.960 --> 1:04:15.720
<v Speaker 7>WBLS?

1:04:16.600 --> 1:04:21.160
<v Speaker 6>Wow? Okay, you know I didn't even realize I.

1:04:21.160 --> 1:04:24.920
<v Speaker 8>Was there when Frankie Crocker was the program director and yeah.

1:04:24.880 --> 1:04:25.640
<v Speaker 6>What was he like?

1:04:26.480 --> 1:04:30.000
<v Speaker 8>He was a I'm not not a not a nice guy,

1:04:30.280 --> 1:04:32.080
<v Speaker 8>that's a dependent on You're.

1:04:31.960 --> 1:04:34.800
<v Speaker 6>The only person I know that actually worked in proximity

1:04:34.800 --> 1:04:35.240
<v Speaker 6>of him.

1:04:35.160 --> 1:04:40.480
<v Speaker 7>Like there's a story, there's a story. He would call

1:04:40.520 --> 1:04:44.680
<v Speaker 7>these staff meetings crazy early in the morning and basically

1:04:44.680 --> 1:04:48.160
<v Speaker 7>talk about itself for like the first forty five minutes.

1:04:48.840 --> 1:04:50.400
<v Speaker 5>The first five minutes.

1:04:50.360 --> 1:04:53.160
<v Speaker 8>The first forty five minutes, na el Roy, I know

1:04:53.480 --> 1:04:59.560
<v Speaker 8>so U yeah yeah. And then I remember I'm just

1:04:59.640 --> 1:05:01.880
<v Speaker 8>being so or casting and I was just like, you know,

1:05:02.000 --> 1:05:03.800
<v Speaker 8>Red Alert has all these contests.

1:05:03.400 --> 1:05:05.240
<v Speaker 7>Because I was going up against Red Alert over at

1:05:05.640 --> 1:05:08.000
<v Speaker 7>Kiss at the time, and I'm like, y'all don't have

1:05:08.040 --> 1:05:10.200
<v Speaker 7>any contests or anything for me to give away. How

1:05:10.200 --> 1:05:11.040
<v Speaker 7>am I going to compete?

1:05:11.040 --> 1:05:14.240
<v Speaker 8>I'm not from New York, you know, I gotta come here,

1:05:14.640 --> 1:05:15.640
<v Speaker 8>and you know, I'm getting my.

1:05:15.560 --> 1:05:17.520
<v Speaker 7>Feet wet, but y'all I need some help.

1:05:18.280 --> 1:05:20.320
<v Speaker 8>And he said, well, what do you want, Lady B

1:05:20.440 --> 1:05:22.360
<v Speaker 8>And I said, well, can you I don't know, can

1:05:22.400 --> 1:05:24.280
<v Speaker 8>they win a date with Big Daddy Kane or something?

1:05:25.200 --> 1:05:27.000
<v Speaker 7>And he, you know, just showing off.

1:05:27.000 --> 1:05:28.560
<v Speaker 8>He picked up the phone. He gets Warner Brothers on

1:05:28.600 --> 1:05:30.840
<v Speaker 8>the phone. Of course, he said, that's done deal.

1:05:30.920 --> 1:05:33.240
<v Speaker 7>You want anything else? And I'm like, no, that'll be enough.

1:05:35.320 --> 1:05:40.480
<v Speaker 7>And it happened. So it happens so Bugsy. So we

1:05:40.560 --> 1:05:41.360
<v Speaker 7>do the whole promotion.

1:05:41.440 --> 1:05:43.040
<v Speaker 8>Cane goes on a date with the girl, you know,

1:05:43.080 --> 1:05:45.440
<v Speaker 8>he do the pictures, blah blah blah, and we come

1:05:45.480 --> 1:05:49.160
<v Speaker 8>back and Bugsy is on the air signing on.

1:05:53.000 --> 1:05:55.240
<v Speaker 7>He's on He's on serious now and he's still on

1:05:55.320 --> 1:05:59.880
<v Speaker 7>kiss I think so. He He'school's crossover with Frankie Clocker,

1:06:00.160 --> 1:06:02.560
<v Speaker 7>and Frankie Crocker says.

1:06:03.000 --> 1:06:05.960
<v Speaker 8>Yeah, lady Be's jeans are fitting a little too tight today.

1:06:06.400 --> 1:06:08.480
<v Speaker 8>I might have to fire her because you can't mess

1:06:08.520 --> 1:06:13.200
<v Speaker 8>with company personnel. Wow, And I was so, I was

1:06:13.360 --> 1:06:18.000
<v Speaker 8>so insulted. So I immediately started the west the Woolland

1:06:18.000 --> 1:06:19.680
<v Speaker 8>Avenue and he came out quass and I'm.

1:06:19.520 --> 1:06:20.160
<v Speaker 6>Like, who the.

1:06:22.840 --> 1:06:25.840
<v Speaker 7>Kane, Big Daddy Kane saved my job and he put

1:06:25.880 --> 1:06:26.760
<v Speaker 7>his hand over my mouth.

1:06:28.480 --> 1:06:34.600
<v Speaker 6>Wow, was like, it.

1:06:34.640 --> 1:06:35.840
<v Speaker 7>Was that happened?

1:06:35.960 --> 1:06:38.400
<v Speaker 5>God, that happened.

1:06:39.120 --> 1:06:42.520
<v Speaker 7>She's that happened. So those are some of my stories.

1:06:42.520 --> 1:06:44.400
<v Speaker 7>I don't believe I'm sharing these stories in public. It's

1:06:44.480 --> 1:06:46.880
<v Speaker 7>mary y'all not gonna tell us how the song came together.

1:06:48.040 --> 1:06:49.240
<v Speaker 5>Boop scoop or whatever.

1:06:49.560 --> 1:06:54.840
<v Speaker 7>No, but that too, well, I was talking about the

1:06:54.880 --> 1:06:56.200
<v Speaker 7>roots Jawn. But yes, that too.

1:06:56.680 --> 1:06:58.880
<v Speaker 8>They said, they said that I said it on the

1:06:58.920 --> 1:07:02.640
<v Speaker 8>air all the time. They said, I said, I didn't

1:07:02.640 --> 1:07:06.840
<v Speaker 8>remember this, but Tyreek and Meir said that I said

1:07:06.840 --> 1:07:09.640
<v Speaker 8>something on the air without a doubt all the time.

1:07:09.680 --> 1:07:12.720
<v Speaker 7>And then they took school school. He's beat right, Yeah,

1:07:12.960 --> 1:07:13.400
<v Speaker 7>And they.

1:07:13.240 --> 1:07:14.960
<v Speaker 8>Asked me to come in the studio and I'm like,

1:07:15.000 --> 1:07:16.240
<v Speaker 8>come in the studio and do what they said. We

1:07:16.320 --> 1:07:18.480
<v Speaker 8>just want you to say what you say on the

1:07:18.600 --> 1:07:20.160
<v Speaker 8>radio without a doubt.

1:07:20.160 --> 1:07:22.120
<v Speaker 7>I'm like, that's all I gotta say. They were like yeah,

1:07:22.120 --> 1:07:23.600
<v Speaker 7>I'm like, all right, what.

1:07:24.040 --> 1:07:26.600
<v Speaker 6>Yeah, we had a tape of an old of an

1:07:26.640 --> 1:07:27.520
<v Speaker 6>old show of hers.

1:07:27.560 --> 1:07:29.920
<v Speaker 4>But you know, back then it was EFN radio and

1:07:29.960 --> 1:07:33.840
<v Speaker 4>sometimes static would be I mean, now you know, I

1:07:34.240 --> 1:07:37.320
<v Speaker 4>embraced in perfection and mistakes and all those things, so

1:07:37.360 --> 1:07:40.680
<v Speaker 4>I would gladly sample someone with e FIN radio static

1:07:41.880 --> 1:07:42.400
<v Speaker 4>back then.

1:07:42.800 --> 1:07:44.280
<v Speaker 7>I love it. It's coming back to people.

1:07:45.640 --> 1:07:47.520
<v Speaker 6>This sounds like a cheap radio. Let's get in to

1:07:47.560 --> 1:07:48.240
<v Speaker 6>do it for real.

1:07:48.360 --> 1:07:51.760
<v Speaker 8>So and it was the best session. They were blazing.

1:07:51.840 --> 1:07:53.720
<v Speaker 8>I was like, we're allowed to do this in here.

1:07:53.840 --> 1:07:54.919
<v Speaker 7>This is amazing.

1:07:56.160 --> 1:07:59.120
<v Speaker 6>Yeah, I will say that.

1:08:00.520 --> 1:08:05.640
<v Speaker 4>Fun fact, the Without a Doubt is the one song

1:08:05.720 --> 1:08:09.760
<v Speaker 4>that we made that wasn't recorded directly.

1:08:11.840 --> 1:08:14.840
<v Speaker 6>We didn't do a lot of the tracking. We didn't

1:08:14.840 --> 1:08:15.680
<v Speaker 6>do that at Sigma.

1:08:15.920 --> 1:08:19.880
<v Speaker 4>Initially we had to use the studio on consha Hocken

1:08:20.280 --> 1:08:23.920
<v Speaker 4>and when we got to the studio.

1:08:23.640 --> 1:08:25.240
<v Speaker 7>But I was in Sigma, but that's where I came

1:08:25.280 --> 1:08:25.840
<v Speaker 7>to you.

1:08:25.880 --> 1:08:26.599
<v Speaker 6>Did you did?

1:08:27.360 --> 1:08:27.920
<v Speaker 7>I did my part.

1:08:29.880 --> 1:08:30.240
<v Speaker 6>We did.

1:08:30.400 --> 1:08:33.840
<v Speaker 4>We did the tracking in consha Hocken and we did

1:08:33.840 --> 1:08:38.880
<v Speaker 4>it on Rick James's knave board that he did for

1:08:38.920 --> 1:08:43.920
<v Speaker 4>street songs. And the engineer and the owner of the

1:08:43.960 --> 1:08:50.240
<v Speaker 4>studio that purchased James h collected all the cocaine residue

1:08:51.920 --> 1:08:56.200
<v Speaker 4>that that board had for at least seven years.

1:08:56.360 --> 1:09:00.120
<v Speaker 6>And I swear to god it can fit like a garbage.

1:09:00.280 --> 1:09:02.640
<v Speaker 8>So let me tell you my Rick James story that

1:09:02.720 --> 1:09:05.280
<v Speaker 8>scared me. And I know you're not lying. So when

1:09:05.280 --> 1:09:07.439
<v Speaker 8>I was a young girl, another one of my jobs

1:09:07.439 --> 1:09:09.240
<v Speaker 8>at the radio station was to get the artists to

1:09:09.280 --> 1:09:11.439
<v Speaker 8>do drops. You know, we need to do drug This

1:09:11.479 --> 1:09:14.120
<v Speaker 8>is j When I'm in town, I listened to whatever whatever,

1:09:14.840 --> 1:09:18.360
<v Speaker 8>so I never forget it. Crazy little rock and roll

1:09:18.400 --> 1:09:19.840
<v Speaker 8>white guy was our engineers.

1:09:19.960 --> 1:09:21.479
<v Speaker 7>I loved him. Name was Alan. He was like all

1:09:21.520 --> 1:09:24.439
<v Speaker 7>over the place. And Rick James walks into the studio

1:09:24.479 --> 1:09:26.320
<v Speaker 7>and he just does He just lays.

1:09:26.080 --> 1:09:30.200
<v Speaker 8>Down his long line on the console in the radio

1:09:30.280 --> 1:09:35.120
<v Speaker 8>stage the radio station, and I'm standing like, oh crap.

1:09:35.920 --> 1:09:37.280
<v Speaker 7>I ran back and told my boss.

1:09:37.280 --> 1:09:39.200
<v Speaker 8>I was like, y'all do this off the ja like

1:09:39.640 --> 1:09:43.160
<v Speaker 8>he's just doing lines right there and then Alan, He's crazy.

1:09:43.200 --> 1:09:44.760
<v Speaker 7>He was like, dude, I want some and it was

1:09:44.800 --> 1:09:45.559
<v Speaker 7>just a whole thing.

1:09:45.560 --> 1:09:51.800
<v Speaker 8>And it was a girl, girl, It was a whole

1:09:51.920 --> 1:09:52.280
<v Speaker 8>I was.

1:09:52.240 --> 1:09:53.920
<v Speaker 7>Like this like the book.

1:09:54.240 --> 1:09:58.439
<v Speaker 4>Sorry, I was going to say, outside of hip hop,

1:09:58.840 --> 1:10:03.840
<v Speaker 4>like you also had interactions with, you know, non hip

1:10:03.840 --> 1:10:08.360
<v Speaker 4>hop artists as well, and like, at any point during

1:10:08.400 --> 1:10:12.240
<v Speaker 4>your first five to ten years of being a radio personality,

1:10:12.400 --> 1:10:16.599
<v Speaker 4>did you also do non hip hop radio as well?

1:10:16.680 --> 1:10:19.360
<v Speaker 6>Like this is Luther bandrooms.

1:10:19.000 --> 1:10:22.519
<v Speaker 7>No no, No, three.

1:10:22.360 --> 1:10:24.080
<v Speaker 6>Tour tickets for the Jackson's Like.

1:10:24.240 --> 1:10:25.920
<v Speaker 7>I mean, yeah, I had to. We did, We did

1:10:25.960 --> 1:10:28.040
<v Speaker 7>that other stuff on the station. Yeah sure, I mean

1:10:28.080 --> 1:10:30.840
<v Speaker 7>you know who didn't.

1:10:31.600 --> 1:10:35.400
<v Speaker 8>No, I didn't go into regular format for like you,

1:10:35.560 --> 1:10:38.880
<v Speaker 8>Like you said at the beginning of this conversation from

1:10:39.040 --> 1:10:40.840
<v Speaker 8>you know, seventy nine eighty nine, it was just all

1:10:40.920 --> 1:10:41.200
<v Speaker 8>I was.

1:10:41.720 --> 1:10:45.280
<v Speaker 9>I understand listening audience, the privilege that you are listening

1:10:45.320 --> 1:10:48.160
<v Speaker 9>to not only does she DJ, not only does she speak,

1:10:48.240 --> 1:10:50.360
<v Speaker 9>she picked her own records. For ten years as a

1:10:50.439 --> 1:10:52.040
<v Speaker 9>radio person it just don't happen.

1:10:52.320 --> 1:10:54.760
<v Speaker 7>It just it don't does that doesn't happen anymore. I'm

1:10:54.760 --> 1:10:55.479
<v Speaker 7>gonna tell you enough.

1:10:55.479 --> 1:10:58.479
<v Speaker 8>Well, sometimes I guess I could tell this because he's

1:10:58.479 --> 1:11:00.400
<v Speaker 8>no longer with us, But Mary Mason Son.

1:11:00.360 --> 1:11:01.639
<v Speaker 7>Was my job, was my boss.

1:11:01.760 --> 1:11:07.640
<v Speaker 8>And I remember he got into an argument with the

1:11:07.760 --> 1:11:10.640
<v Speaker 8>guy at uh what was running.

1:11:10.400 --> 1:11:12.559
<v Speaker 7>Profile and.

1:11:14.400 --> 1:11:16.479
<v Speaker 5>Many many Okay.

1:11:18.040 --> 1:11:19.760
<v Speaker 7>I want to say his name is Manny. Anyway, they

1:11:19.800 --> 1:11:21.879
<v Speaker 7>got in this big fight and I wasn't allowed to play.

1:11:24.880 --> 1:11:28.880
<v Speaker 8>D And I remember taking a marker because he didn't

1:11:28.920 --> 1:11:31.000
<v Speaker 8>know one rapper from the other, Like he wasn't into

1:11:31.080 --> 1:11:34.760
<v Speaker 8>hip hop, so I blacked out the labels so when

1:11:34.760 --> 1:11:36.280
<v Speaker 8>he came in the studio wouldn't get caught.

1:11:37.200 --> 1:11:41.800
<v Speaker 4>What I know, you have a billion of these stories, man,

1:11:41.920 --> 1:11:43.840
<v Speaker 4>like you know the things that you got that about.

1:11:43.920 --> 1:11:44.840
<v Speaker 7>Yeah, I had to do that.

1:11:45.080 --> 1:11:46.439
<v Speaker 8>He would kill He would come back to life and

1:11:46.520 --> 1:11:48.200
<v Speaker 8>kill me if you knew that, But yeah, I would

1:11:48.200 --> 1:11:49.519
<v Speaker 8>black it.

1:11:49.600 --> 1:11:51.600
<v Speaker 7>Was I just love sucker m see so much like

1:11:51.600 --> 1:11:52.760
<v Speaker 7>it's no way I'm not playing this.

1:11:53.120 --> 1:11:55.200
<v Speaker 9>Be you the reason I rebelled. And then you want

1:11:55.240 --> 1:12:01.439
<v Speaker 9>to say.

1:11:55.960 --> 1:11:56.040
<v Speaker 7>A.

1:11:58.720 --> 1:12:03.160
<v Speaker 4>Lady, b can you can you settle this this this

1:12:03.280 --> 1:12:04.320
<v Speaker 4>Philadelphia rumor?

1:12:05.000 --> 1:12:08.080
<v Speaker 8>Okay, I'll try. I mean I smoke just as much

1:12:08.080 --> 1:12:09.840
<v Speaker 8>as the rest of you. My memory could be going,

1:12:09.920 --> 1:12:11.080
<v Speaker 8>but go ahead, no.

1:12:10.920 --> 1:12:13.240
<v Speaker 4>No, no, I mean this is This is thirteen year

1:12:13.280 --> 1:12:15.839
<v Speaker 4>old ninth grade a mirror asking this question.

1:12:16.160 --> 1:12:18.479
<v Speaker 7>Oh god, yes, I'm here. What can I do for you?

1:12:18.600 --> 1:12:18.800
<v Speaker 8>Dear?

1:12:23.800 --> 1:12:27.839
<v Speaker 4>Were you at all engaged to BJ in the morning

1:12:27.880 --> 1:12:30.479
<v Speaker 4>from Power ninety nine or was that a rumor?

1:12:31.120 --> 1:12:33.879
<v Speaker 8>Okay, so let me tell you how that story started

1:12:34.040 --> 1:12:40.320
<v Speaker 8>you what? So, first of all, we had a promotions director,

1:12:40.880 --> 1:12:43.280
<v Speaker 8>so listen, we had a promotions director at the radio station,

1:12:43.600 --> 1:12:48.599
<v Speaker 8>and I want to say it was the Inquirer. Anyway,

1:12:48.680 --> 1:12:52.760
<v Speaker 8>there was an article written and about all the radio

1:12:52.760 --> 1:12:54.840
<v Speaker 8>stations in Philadelphia and they left us out.

1:12:55.400 --> 1:12:57.719
<v Speaker 7>They left out Power ninety nine. We got no mention.

1:12:58.520 --> 1:13:01.920
<v Speaker 8>And this promotions director, she's pissed. She's like, how the

1:13:01.960 --> 1:13:03.680
<v Speaker 8>hell can they leave us out? Were the number one

1:13:03.800 --> 1:13:06.519
<v Speaker 8>urban station? Blah blah blah blah blah. She goes, we

1:13:06.600 --> 1:13:08.599
<v Speaker 8>have to come up with a real great gimmick.

1:13:09.240 --> 1:13:12.080
<v Speaker 6>Oh no, I felt no.

1:13:12.200 --> 1:13:15.280
<v Speaker 7>Listen, listen, patients, my brother patients.

1:13:15.360 --> 1:13:19.559
<v Speaker 8>So she says, uh, Felicia Astride was just proposed to

1:13:19.640 --> 1:13:20.920
<v Speaker 8>by her husband.

1:13:20.720 --> 1:13:23.920
<v Speaker 6>What was his name?

1:13:24.439 --> 1:13:30.519
<v Speaker 8>He proposed on the sports show remember right whatever on TV?

1:13:30.600 --> 1:13:35.439
<v Speaker 8>Everybody knew I saw, so, uh, she says, you guys

1:13:35.479 --> 1:13:39.040
<v Speaker 8>should do some kind of you know, like, gag like

1:13:39.080 --> 1:13:42.320
<v Speaker 8>that and act like Bjay's proposing to you.

1:13:42.640 --> 1:13:46.519
<v Speaker 7>So he we set it up.

1:13:46.720 --> 1:13:50.639
<v Speaker 8>It happens post game of a Sixers game. It goes

1:13:50.720 --> 1:13:54.200
<v Speaker 8>up on the screen, the whole nine. We couldn't tell

1:13:54.200 --> 1:13:58.320
<v Speaker 8>our co workers. Only the program director knew, and it's

1:13:58.400 --> 1:14:01.000
<v Speaker 8>in his and this lady. We had to act like

1:14:01.400 --> 1:14:03.519
<v Speaker 8>to really sell it. We had to act like with

1:14:03.600 --> 1:14:07.440
<v Speaker 8>our co workers that we were, you know, dating, and

1:14:07.479 --> 1:14:08.880
<v Speaker 8>they're like, oh, let me see you kids, and not

1:14:09.000 --> 1:14:13.000
<v Speaker 8>fake kissm and uh they he proposed to me at

1:14:13.000 --> 1:14:13.400
<v Speaker 8>the game.

1:14:13.479 --> 1:14:14.599
<v Speaker 7>It goes up on the screen.

1:14:15.320 --> 1:14:20.240
<v Speaker 8>The crowd is yelling, say yes, hey, no, the crowd's

1:14:20.280 --> 1:14:25.000
<v Speaker 8>going crazy, and I'm laughing so hard, so I grabbed

1:14:25.000 --> 1:14:27.120
<v Speaker 8>my girlfriend. I put my head down on her shoulder

1:14:27.360 --> 1:14:29.479
<v Speaker 8>as if I'm crying, but I'm really laughing. But I

1:14:29.479 --> 1:14:32.519
<v Speaker 8>got to try to play this off so everybody thinks

1:14:32.560 --> 1:14:34.680
<v Speaker 8>I was crying and I you know, and I've just

1:14:34.760 --> 1:14:37.120
<v Speaker 8>ran off, like you know, I can't give an answer now,

1:14:37.200 --> 1:14:39.960
<v Speaker 8>blah blah blah. Then we milked it on the air.

1:14:40.520 --> 1:14:43.640
<v Speaker 8>BJ proposed to me, Well, she say yes, blah blah blah.

1:14:43.800 --> 1:14:46.760
<v Speaker 8>The whole it just got out of it just got

1:14:46.800 --> 1:14:48.920
<v Speaker 8>out of hand. So then we're hosting the new Edition

1:14:49.000 --> 1:14:52.240
<v Speaker 8>show at the Spectrum and we come out and we

1:14:52.320 --> 1:14:54.840
<v Speaker 8>make the announcement. He goes, I want to introduce you

1:14:54.880 --> 1:14:56.880
<v Speaker 8>to my new edition. The lady B said yes, we

1:14:56.880 --> 1:14:57.759
<v Speaker 8>came out the stage.

1:14:58.760 --> 1:14:59.719
<v Speaker 7>He say yes.

1:15:00.720 --> 1:15:04.880
<v Speaker 8>But in all of this hanging out and pretending, he

1:15:05.160 --> 1:15:09.000
<v Speaker 8>ended up really cracking on me. Oh, and he ended

1:15:09.040 --> 1:15:14.559
<v Speaker 8>up really proposing to me what and yeah, he proposed

1:15:14.760 --> 1:15:18.280
<v Speaker 8>by putting the diamond ring in an ice tray and

1:15:18.400 --> 1:15:20.200
<v Speaker 8>told me to go get him some ice or something.

1:15:20.280 --> 1:15:22.040
<v Speaker 8>And we got.

1:15:21.880 --> 1:15:23.160
<v Speaker 7>Some ice and he was like, look at the ice,

1:15:23.200 --> 1:15:24.280
<v Speaker 7>and he was like, look at that. I was like,

1:15:24.439 --> 1:15:27.000
<v Speaker 7>what is this? It was the whole thing. Anyway, it

1:15:27.080 --> 1:15:27.760
<v Speaker 7>turned out to be.

1:15:27.720 --> 1:15:30.600
<v Speaker 8>A very horrible relationship that I might say, may he

1:15:30.720 --> 1:15:33.719
<v Speaker 8>rest in peace too. It turned out to be horrible,

1:15:33.760 --> 1:15:36.599
<v Speaker 8>one of the worst relationships in my life. But at

1:15:36.600 --> 1:15:39.040
<v Speaker 8>first it was a gag and then it really happened,

1:15:39.120 --> 1:15:40.800
<v Speaker 8>and then I really ran away from it.

1:15:40.880 --> 1:15:47.400
<v Speaker 4>I just remember the day after I guess the Sixers

1:15:47.400 --> 1:15:52.120
<v Speaker 4>thing happened. Just every that's all you know. And this

1:15:52.200 --> 1:15:53.800
<v Speaker 4>is before social media.

1:15:53.960 --> 1:15:56.160
<v Speaker 7>So right, we were our home solid.

1:15:56.640 --> 1:15:59.920
<v Speaker 4>This was a very viral thing that it was the

1:16:00.120 --> 1:16:01.200
<v Speaker 4>talking to barbershop.

1:16:02.000 --> 1:16:05.840
<v Speaker 6>Yes, exactly, and I always wanted to do that.

1:16:05.880 --> 1:16:08.880
<v Speaker 4>Wait, Fante, I gotta explain to you, because I know

1:16:08.960 --> 1:16:10.639
<v Speaker 4>we'll skip thiscombobulated boob belated.

1:16:12.240 --> 1:16:13.400
<v Speaker 7>He really wants to know that.

1:16:14.040 --> 1:16:15.920
<v Speaker 5>I really want what about to talk about?

1:16:15.960 --> 1:16:16.080
<v Speaker 6>Yea?

1:16:16.160 --> 1:16:16.760
<v Speaker 5>What is that?

1:16:16.880 --> 1:16:16.960
<v Speaker 9>You?

1:16:17.160 --> 1:16:20.400
<v Speaker 6>You would know him as Joey b Ellis.

1:16:19.960 --> 1:16:24.160
<v Speaker 5>All right, the Rocky five Digga, right, But.

1:16:24.160 --> 1:16:28.479
<v Speaker 4>Before he was Joey b Ellis, the singing, the original Drake,

1:16:28.560 --> 1:16:31.000
<v Speaker 4>the singing rapping.

1:16:30.200 --> 1:16:32.559
<v Speaker 6>No, No, that was a big deal.

1:16:32.640 --> 1:16:35.920
<v Speaker 4>Like his thing was like I sing and I'm rap,

1:16:36.040 --> 1:16:39.200
<v Speaker 4>you know, and you know, people like what about TJ.

1:16:39.280 --> 1:16:40.679
<v Speaker 6>Swan He's like, well he can't rap.

1:16:40.800 --> 1:16:44.160
<v Speaker 4>Like so that was his little niche right, So in

1:16:44.200 --> 1:16:48.720
<v Speaker 4>about like eighty five eighty six, he comes out, you know,

1:16:48.800 --> 1:16:52.000
<v Speaker 4>after school, he came out to do PSK and totally

1:16:52.080 --> 1:16:56.040
<v Speaker 4>just revolutionized, yeah, fully hip hop.

1:16:56.160 --> 1:16:56.320
<v Speaker 6>Right.

1:16:57.000 --> 1:17:01.160
<v Speaker 4>Then there came a whole slew of other Philly acts

1:17:01.200 --> 1:17:04.240
<v Speaker 4>with their little yellow labels with hand drawn cartoons and

1:17:04.280 --> 1:17:05.320
<v Speaker 4>all that stuff.

1:17:05.479 --> 1:17:08.360
<v Speaker 7>Design their own labels, made their own clothes.

1:17:08.200 --> 1:17:11.439
<v Speaker 6>Right, and that person was he was. He was called

1:17:11.439 --> 1:17:15.200
<v Speaker 6>the singing the mc breeze before he was Joey b Ellis, Wow,

1:17:15.280 --> 1:17:16.560
<v Speaker 6>and he did.

1:17:17.400 --> 1:17:20.200
<v Speaker 4>He did a song that was so popular, but unfortunately,

1:17:20.320 --> 1:17:24.960
<v Speaker 4>like the last verse was about a melee that happened

1:17:25.040 --> 1:17:29.120
<v Speaker 4>in a Chinese restaurant, and of course you know he's

1:17:29.120 --> 1:17:32.760
<v Speaker 4>playing all the stereotypes of Chinese people about that.

1:17:33.600 --> 1:17:38.920
<v Speaker 7>He was like, yeah, that was the song was.

1:17:38.840 --> 1:17:42.799
<v Speaker 4>Like number instantly, number one, and I remember that Lorraine

1:17:42.840 --> 1:17:44.200
<v Speaker 4>Bauer morol.

1:17:44.120 --> 1:17:46.639
<v Speaker 7>Oh no with Asian.

1:17:47.400 --> 1:17:50.400
<v Speaker 4>Yeah, like Lorraine ba Moore was very offended of the

1:17:50.439 --> 1:17:53.080
<v Speaker 4>song and like gave a special news like that's the

1:17:53.120 --> 1:17:56.960
<v Speaker 4>first time we heard about like you can't perpetuate stereotypes

1:17:56.960 --> 1:17:57.240
<v Speaker 4>and this.

1:17:57.240 --> 1:18:02.960
<v Speaker 7>Is very exactly. So he was just like that's hip hop.

1:18:04.040 --> 1:18:06.479
<v Speaker 8>School Indeed, why didn't you haven't you asked me about

1:18:06.720 --> 1:18:09.200
<v Speaker 8>how much problem I had with Schoolie.

1:18:09.840 --> 1:18:11.560
<v Speaker 4>I didn't even get. I didn't even know it was.

1:18:11.680 --> 1:18:14.200
<v Speaker 4>You played BSk and all his records so much.

1:18:14.360 --> 1:18:18.479
<v Speaker 8>So Schoolly came to me right on, I just got

1:18:18.479 --> 1:18:20.599
<v Speaker 8>my job on FM. You can't tell me nothing.

1:18:20.840 --> 1:18:23.880
<v Speaker 7>I'm on the radio radio, like this is this is real.

1:18:24.520 --> 1:18:26.400
<v Speaker 7>It was just a joke before this is real real.

1:18:26.439 --> 1:18:29.040
<v Speaker 8>I got a whole job, right and here comes School

1:18:29.200 --> 1:18:32.360
<v Speaker 8>with his record with I don't know at least twenty

1:18:32.360 --> 1:18:35.720
<v Speaker 8>five thirty curse words. I'm like, school, what am I

1:18:35.760 --> 1:18:40.880
<v Speaker 8>supposed to do with right? And he started crying, you

1:18:40.920 --> 1:18:42.799
<v Speaker 8>won't play my record. He's sitting on the curve.

1:18:43.080 --> 1:18:46.840
<v Speaker 7>He's so dramatic. I can't ask school. He School. He

1:18:46.880 --> 1:18:47.759
<v Speaker 7>will tell you the story.

1:18:48.120 --> 1:18:50.320
<v Speaker 8>I believe that I made his ass cry that he

1:18:50.400 --> 1:18:53.040
<v Speaker 8>was sitting on the curve and I wouldn't play a song.

1:18:53.760 --> 1:18:57.679
<v Speaker 8>So he would bring me like a six minute song

1:18:58.400 --> 1:19:01.640
<v Speaker 8>that had about, like I said, a skillion fuck's in it.

1:19:02.520 --> 1:19:05.760
<v Speaker 8>And I remember me and Jeff Mills taking it, putting

1:19:05.800 --> 1:19:09.200
<v Speaker 8>it on real to reel and doing our own cut

1:19:09.760 --> 1:19:12.800
<v Speaker 8>tape edit on a real to reel like yep, take

1:19:12.800 --> 1:19:15.320
<v Speaker 8>out his curse word tape back up, put the tapes

1:19:15.360 --> 1:19:19.960
<v Speaker 8>a lot back on the real and after I took

1:19:20.000 --> 1:19:21.840
<v Speaker 8>out the cousin words, school, he song went from like

1:19:21.880 --> 1:19:24.880
<v Speaker 8>six minutes to about two point fifty.

1:19:25.840 --> 1:19:27.280
<v Speaker 7>And that's the and that's the.

1:19:27.320 --> 1:19:31.640
<v Speaker 8>Part I played until the company had to do me

1:19:31.680 --> 1:19:32.439
<v Speaker 8>at radio edit.

1:19:32.479 --> 1:19:34.639
<v Speaker 7>But at the beginning I had to do my own

1:19:34.720 --> 1:19:36.400
<v Speaker 7>radio edit, and thats the way. We didn't have the

1:19:36.400 --> 1:19:38.960
<v Speaker 7>equipment and stuff, you know, the technology we have now.

1:19:39.400 --> 1:19:42.280
<v Speaker 4>One of my one of my favorite nights of yours

1:19:42.760 --> 1:19:48.479
<v Speaker 4>was the the aforementioned uh Steady be versus Will Smith battle.

1:19:49.040 --> 1:19:51.520
<v Speaker 7>Yeah, now that's the tape I can't find.

1:19:51.680 --> 1:19:55.559
<v Speaker 4>Dude, Okay, So Will Smith will forever, He'll forever have

1:19:55.680 --> 1:20:01.480
<v Speaker 4>my respect because he somehow got the call. He freestyled

1:20:01.520 --> 1:20:05.320
<v Speaker 4>that Steady Bee was a munchie chi and I just

1:20:05.439 --> 1:20:10.439
<v Speaker 4>remember at that point Steady Bee actually wanting to fight

1:20:11.000 --> 1:20:12.120
<v Speaker 4>Will and then like.

1:20:12.920 --> 1:20:15.360
<v Speaker 8>And I did not help matters any because I thought

1:20:15.400 --> 1:20:18.800
<v Speaker 8>it was the funniest is I had ever heard. And

1:20:18.840 --> 1:20:21.880
<v Speaker 8>I think the fact that we all laughed made him

1:20:22.000 --> 1:20:23.400
<v Speaker 8>really angry.

1:20:23.479 --> 1:20:25.000
<v Speaker 6>Yo, we were all laughing.

1:20:25.040 --> 1:20:28.160
<v Speaker 8>But that was the era when Shante stepped off that stage.

1:20:28.200 --> 1:20:29.840
<v Speaker 8>That was the era when you had to come off

1:20:30.080 --> 1:20:31.200
<v Speaker 8>off the top of your head.

1:20:31.040 --> 1:20:34.000
<v Speaker 7>And just you just had that. That was actually what

1:20:34.040 --> 1:20:38.879
<v Speaker 7>you call free styling. That was freestyling people that environment.

1:20:39.200 --> 1:20:42.519
<v Speaker 4>They underestimated Will because they were like, well, you're not

1:20:42.560 --> 1:20:45.080
<v Speaker 4>real hip hop, you're suburban, you talk all proper.

1:20:45.520 --> 1:20:47.240
<v Speaker 7>First of all, he was a suburban. He lived in

1:20:47.240 --> 1:20:50.080
<v Speaker 7>my neighborhood. Exact that he wasn't out there.

1:20:50.160 --> 1:20:53.280
<v Speaker 8>Gang banging and talk about it, be grabbing his jawn

1:20:53.640 --> 1:20:54.120
<v Speaker 8>and acting.

1:20:54.240 --> 1:20:55.599
<v Speaker 7>And you know, we didn't come up in a one

1:20:55.720 --> 1:20:56.479
<v Speaker 7>parent household.

1:20:56.520 --> 1:20:58.600
<v Speaker 8>We didn't learn how to respect women and stuff just

1:20:58.680 --> 1:21:02.000
<v Speaker 8>because he wasn't raised like that. Wow, not mean he

1:21:02.200 --> 1:21:04.240
<v Speaker 8>wasn't a part and just as authentic and true to

1:21:04.320 --> 1:21:07.200
<v Speaker 8>hip hop as everybody else. That is what I love

1:21:07.280 --> 1:21:10.639
<v Speaker 8>the most about him. That's when Will was the first one,

1:21:11.600 --> 1:21:16.120
<v Speaker 8>you know who made me. His lyrics made me smile.

1:21:16.439 --> 1:21:19.040
<v Speaker 8>I'm card happy hip hop and.

1:21:19.080 --> 1:21:20.439
<v Speaker 7>Everybody else was all bravado.

1:21:20.840 --> 1:21:23.080
<v Speaker 8>I got a big back Cadillac, I got just no,

1:21:23.240 --> 1:21:24.759
<v Speaker 8>you don't you live in your mama house?

1:21:24.760 --> 1:21:25.479
<v Speaker 6>I stopping right?

1:21:25.920 --> 1:21:26.479
<v Speaker 7>You know what I mean?

1:21:26.760 --> 1:21:27.040
<v Speaker 6>Fact?

1:21:27.040 --> 1:21:29.280
<v Speaker 8>But Will was like the first one. I mean, you

1:21:29.280 --> 1:21:33.479
<v Speaker 8>know it was. It was It was funny, it was fun,

1:21:34.120 --> 1:21:36.599
<v Speaker 8>it made you smile, and then you put a dope

1:21:36.680 --> 1:21:38.479
<v Speaker 8>DJ like Jeff with him and it was just the

1:21:38.520 --> 1:21:40.000
<v Speaker 8>greatest combination ever.

1:21:40.800 --> 1:21:42.120
<v Speaker 6>Wow.

1:21:43.120 --> 1:21:46.240
<v Speaker 4>I can I can go on and on nerding out forever.

1:21:47.240 --> 1:21:49.559
<v Speaker 9>It's been beautiful seeing your friendship too, and how it's

1:21:49.600 --> 1:21:52.040
<v Speaker 9>evolved and stuff you Jeff and Will, and how they

1:21:52.040 --> 1:21:53.200
<v Speaker 9>still come out and support you.

1:21:53.280 --> 1:21:54.040
<v Speaker 7>That shit is dope.

1:21:54.160 --> 1:21:56.080
<v Speaker 8>I just texted the guy that saw the movie set

1:21:56.120 --> 1:21:57.360
<v Speaker 8>with him. I'm like, tell well, I need a one

1:21:57.360 --> 1:21:59.599
<v Speaker 8>minute video of him congratulate me for my fortieth.

1:22:00.479 --> 1:22:02.280
<v Speaker 7>They got text back. He's doing it as soon as

1:22:02.280 --> 1:22:04.160
<v Speaker 7>he gets out of such and such and like thank you.

1:22:04.680 --> 1:22:07.920
<v Speaker 6>He lives for Instagram posts.

1:22:07.960 --> 1:22:11.280
<v Speaker 8>So you know, Jay you missed was my thirties and

1:22:11.360 --> 1:22:13.519
<v Speaker 8>he came home to surprise me, Like I didn't even

1:22:13.520 --> 1:22:14.400
<v Speaker 8>know he was coming to the show.

1:22:14.479 --> 1:22:17.200
<v Speaker 7>Really, he performed with Salt and Pepper. He did what

1:22:17.280 --> 1:22:17.639
<v Speaker 7>a man.

1:22:18.160 --> 1:22:20.680
<v Speaker 8>He performed with Chuck and flave. He got out there.

1:22:20.720 --> 1:22:23.200
<v Speaker 8>He was a whole s one w he did lot

1:22:23.240 --> 1:22:28.439
<v Speaker 8>of He stayed on stage all night and wait and

1:22:28.479 --> 1:22:31.599
<v Speaker 8>there's more. It rained torrn your rain. It was like

1:22:31.640 --> 1:22:35.559
<v Speaker 8>the hip hop woods Stock people did not leave. They

1:22:35.600 --> 1:22:38.160
<v Speaker 8>stayed in the rain. Will was shaking me. Are you

1:22:38.320 --> 1:22:39.400
<v Speaker 8>having as much fun as me?

1:22:39.520 --> 1:22:44.240
<v Speaker 7>I'm like, I don't think. Wow, he stayed on stage

1:22:44.240 --> 1:22:46.559
<v Speaker 7>all night and surprised me. It was the dopest thing ever.

1:22:47.400 --> 1:22:51.479
<v Speaker 6>Well, you deserve all your flowers, you know, eighty one.

1:22:51.880 --> 1:22:56.960
<v Speaker 4>You just you literally introduced me to the world that

1:22:57.120 --> 1:22:59.720
<v Speaker 4>I get to that I built it in an empire.

1:23:00.360 --> 1:23:04.560
<v Speaker 6>Wow, that says a lot. You know.

1:23:04.640 --> 1:23:07.160
<v Speaker 9>Forget about your radio mentees around here, because she got

1:23:07.160 --> 1:23:08.360
<v Speaker 9>a lot of those in the world too.

1:23:09.479 --> 1:23:11.479
<v Speaker 7>Oh yes, I love that one.

1:23:11.560 --> 1:23:14.360
<v Speaker 8>That's that's my little mini lady because she only and

1:23:14.439 --> 1:23:17.200
<v Speaker 8>does she sit up here and and act like she asked.

1:23:17.200 --> 1:23:19.240
<v Speaker 8>But he ain't let nobody say nothing to her either.

1:23:19.720 --> 1:23:21.120
<v Speaker 7>She was the only one who was stabbed and he

1:23:21.240 --> 1:23:23.599
<v Speaker 7>was to speak up. Yeah, that's right. He watched me.

1:23:23.880 --> 1:23:26.360
<v Speaker 8>He watched me one right there, proud of that one

1:23:26.400 --> 1:23:28.160
<v Speaker 8>right there, and you watched me get fired to girl.

1:23:28.200 --> 1:23:29.000
<v Speaker 7>So it's all good.

1:23:32.400 --> 1:23:33.960
<v Speaker 5>You have any you got any children?

1:23:34.120 --> 1:23:34.280
<v Speaker 6>Like?

1:23:35.240 --> 1:23:35.479
<v Speaker 7>No?

1:23:35.680 --> 1:23:39.320
<v Speaker 8>I I tried, but my sister again, I talk about

1:23:39.320 --> 1:23:39.920
<v Speaker 8>her so much.

1:23:40.200 --> 1:23:41.840
<v Speaker 7>She's been going for two years now.

1:23:42.600 --> 1:23:45.880
<v Speaker 8>No, my sister uh gave me kids and then my

1:23:45.960 --> 1:23:48.439
<v Speaker 8>old man passed away on me and he left me kids.

1:23:48.479 --> 1:23:51.920
<v Speaker 8>So am I a mother and a grandmother? Yes, to

1:23:52.000 --> 1:23:56.000
<v Speaker 8>every extent of the word. I have taught him to walk, talk.

1:23:55.880 --> 1:23:57.919
<v Speaker 7>Potty trained, school meetings.

1:23:58.040 --> 1:24:01.400
<v Speaker 8>I am a mother and a birth and I am

1:24:01.439 --> 1:24:04.840
<v Speaker 8>a grandmother and I know I literally you know. I

1:24:04.880 --> 1:24:07.000
<v Speaker 8>remember when my sister took ill, she had a stroke,

1:24:07.040 --> 1:24:08.800
<v Speaker 8>and I was taking care of her in her latter years,

1:24:08.840 --> 1:24:11.040
<v Speaker 8>and the doctor asked her, you know, you don't have

1:24:11.040 --> 1:24:13.400
<v Speaker 8>a high blood pressure or anything. You don't do you

1:24:13.439 --> 1:24:16.400
<v Speaker 8>worry about anything? It says you have three children and

1:24:16.800 --> 1:24:20.439
<v Speaker 8>seven grandchildren. She says, no, I don't do that my sister, and.

1:24:20.360 --> 1:24:20.920
<v Speaker 6>She meant it.

1:24:22.840 --> 1:24:25.000
<v Speaker 7>I raised her kids. She was She called me her

1:24:25.000 --> 1:24:25.639
<v Speaker 7>baby daddy.

1:24:25.680 --> 1:24:32.080
<v Speaker 8>She sent me cards on Father's Day. You the dopest

1:24:32.120 --> 1:24:35.280
<v Speaker 8>dadd Yeah, but that's dope. Yes, they walked right past

1:24:35.360 --> 1:24:36.280
<v Speaker 8>their mother come to me.

1:24:36.760 --> 1:24:40.679
<v Speaker 10>Crazy, discombobulated. But I'm not what is this that that title?

1:24:40.760 --> 1:24:41.840
<v Speaker 10>What is what was that song?

1:24:42.160 --> 1:24:46.920
<v Speaker 4>I don't know, but if you you that was the

1:24:47.160 --> 1:24:48.960
<v Speaker 4>that was the I didn't know that was that was

1:24:49.000 --> 1:24:50.160
<v Speaker 4>the offensive.

1:24:51.479 --> 1:24:55.240
<v Speaker 5>That I didn't know that was the Georgie got it yea,

1:24:55.479 --> 1:24:56.120
<v Speaker 5>got it Google.

1:24:58.000 --> 1:25:02.160
<v Speaker 4>If you remember the follow up the girls in None

1:25:02.200 --> 1:25:04.719
<v Speaker 4>but Trouble, a song called just one of those days,

1:25:04.920 --> 1:25:06.439
<v Speaker 4>just right?

1:25:06.520 --> 1:25:09.560
<v Speaker 6>When when when answer.

1:25:09.200 --> 1:25:11.160
<v Speaker 7>To that too, we did Boys of the World ain't nothing.

1:25:11.200 --> 1:25:14.599
<v Speaker 8>Guys of the World ain't the answer.

1:25:15.360 --> 1:25:16.880
<v Speaker 7>But that was my song.

1:25:17.000 --> 1:25:20.880
<v Speaker 4>Like him, I'm just saying, when Will talks about kicking

1:25:20.920 --> 1:25:25.360
<v Speaker 4>the Felix cat, he's giving a reference to yeah brisk Bobla,

1:25:26.120 --> 1:25:29.240
<v Speaker 4>where yeah, yeah, verse one, he kills the cat, he

1:25:29.280 --> 1:25:29.720
<v Speaker 4>throws it.

1:25:29.680 --> 1:25:32.439
<v Speaker 6>On the roof and the.

1:25:32.520 --> 1:25:34.960
<v Speaker 7>Roof in the year Yeah, it's it's very.

1:25:37.560 --> 1:25:39.599
<v Speaker 6>Nothing exactly exactly.

1:25:40.479 --> 1:25:44.040
<v Speaker 8>Charlie Mack asked Breeze opened up my show Sunday, and

1:25:44.040 --> 1:25:47.599
<v Speaker 8>I'm like, I don't they don't think we have enough time.

1:25:50.320 --> 1:25:52.720
<v Speaker 7>No, I don't mean that disrespectfully. I don't matter. It

1:25:52.840 --> 1:25:56.360
<v Speaker 7>sounded like, yeah, no, it's just that we have so

1:25:56.479 --> 1:25:59.040
<v Speaker 7>many artists on. I wouldn't mind. He opened up for

1:25:59.080 --> 1:25:59.880
<v Speaker 7>the Juice.

1:25:59.600 --> 1:26:02.280
<v Speaker 8>Crew bat he still and he did every word of

1:26:02.320 --> 1:26:04.160
<v Speaker 8>this Combobie Beauty Don't get It Twisted?

1:26:04.479 --> 1:26:06.200
<v Speaker 6>Wow, Yeah I.

1:26:06.160 --> 1:26:08.599
<v Speaker 8>Would if I had the time. I literally have seven acts,

1:26:08.600 --> 1:26:09.639
<v Speaker 8>and you know they put us out.

1:26:09.520 --> 1:26:11.800
<v Speaker 6>Of the Dell. Yeah.

1:26:11.800 --> 1:26:13.720
<v Speaker 8>I probably won't even I probably won't even get the MC.

1:26:13.800 --> 1:26:14.839
<v Speaker 8>I'll probably be like I'm.

1:26:14.680 --> 1:26:21.840
<v Speaker 4>Next, Well, I won I really hope that you seriously

1:26:23.000 --> 1:26:26.880
<v Speaker 4>start preserving your archives because you are the history of

1:26:26.920 --> 1:26:27.320
<v Speaker 4>hip hop.

1:26:27.439 --> 1:26:29.040
<v Speaker 5>So that's why I am man.

1:26:29.080 --> 1:26:30.920
<v Speaker 7>I'm going to donate some of them.

1:26:30.920 --> 1:26:34.160
<v Speaker 8>I wish you could see my, my, my, she came

1:26:34.280 --> 1:26:35.320
<v Speaker 8>down here because.

1:26:35.200 --> 1:26:38.040
<v Speaker 6>I have your house in two seconds, I.

1:26:37.960 --> 1:26:39.479
<v Speaker 7>Have every gold album.

1:26:39.520 --> 1:26:43.479
<v Speaker 8>I'm looking at run DMC, I'm looking at L Jeff

1:26:43.560 --> 1:26:46.599
<v Speaker 8>and Will. I'm looking at this is hip hop history

1:26:46.640 --> 1:26:47.519
<v Speaker 8>down here on the world.

1:26:47.920 --> 1:26:48.679
<v Speaker 5>The ass you beat.

1:26:48.760 --> 1:26:51.919
<v Speaker 10>So I'm just thinking, now, what was your relationship with

1:26:51.920 --> 1:26:54.439
<v Speaker 10>with the pop art guys like Lawrence Goodman, Like what

1:26:54.520 --> 1:26:55.160
<v Speaker 10>was what was that?

1:26:55.240 --> 1:26:55.280
<v Speaker 9>Like?

1:26:55.600 --> 1:26:58.000
<v Speaker 6>Yeah, can you tell us what Laurence? No one wants

1:26:58.040 --> 1:26:59.280
<v Speaker 6>to talk about Lawrence Goodman?

1:26:59.680 --> 1:27:00.720
<v Speaker 7>Put the He'll sue you.

1:27:00.800 --> 1:27:02.720
<v Speaker 8>I was just gonna saying either, do I because Bill

1:27:02.760 --> 1:27:04.360
<v Speaker 8>talked about him and he freaking sued him.

1:27:04.560 --> 1:27:06.760
<v Speaker 7>Because I can tell you some ish.

1:27:07.560 --> 1:27:10.439
<v Speaker 8>I can tell you, Yeah, coming in my house threatening

1:27:10.479 --> 1:27:11.200
<v Speaker 8>me and stuff.

1:27:11.400 --> 1:27:17.320
<v Speaker 7>Ye yeah, see these days, is he.

1:27:17.360 --> 1:27:21.040
<v Speaker 8>Still I did see him not too long ago.

1:27:21.160 --> 1:27:24.080
<v Speaker 7>He's got all this great hair, is really long beard.

1:27:25.160 --> 1:27:25.639
<v Speaker 7>I did.

1:27:26.160 --> 1:27:28.080
<v Speaker 8>But it's a shame that you can't say things because

1:27:28.120 --> 1:27:30.040
<v Speaker 8>people might sue you.

1:27:30.120 --> 1:27:33.439
<v Speaker 6>Yeah, man, you never know, people might get super ltis.

1:27:33.680 --> 1:27:38.040
<v Speaker 4>So yeah, I've heard many a story about uh the

1:27:38.120 --> 1:27:39.280
<v Speaker 4>pop art these but.

1:27:40.640 --> 1:27:42.400
<v Speaker 8>Well, just to let you know, like I said, prefra

1:27:42.520 --> 1:27:46.479
<v Speaker 8>to my sister again, my sister shafted them and thought

1:27:46.640 --> 1:27:48.280
<v Speaker 8>of them as some kind of jokes.

1:27:48.280 --> 1:27:50.759
<v Speaker 7>She wasn't scared, So I truly wasn't gonna be scared.

1:27:50.840 --> 1:27:52.519
<v Speaker 9>Well, can you just tell Lee Daniels that, yes, we

1:27:52.560 --> 1:27:55.280
<v Speaker 9>would watch the movie because I know he's thinking.

1:27:57.200 --> 1:27:58.040
<v Speaker 6>He needs to do that.

1:27:58.120 --> 1:28:04.080
<v Speaker 8>Yes, yes, funny, yes, who only man keeps asking him

1:28:04.120 --> 1:28:04.760
<v Speaker 8>you should.

1:28:04.560 --> 1:28:06.800
<v Speaker 7>Do a movie lady b blah blah blah blah blah.

1:28:06.800 --> 1:28:09.240
<v Speaker 7>He gonna listen, he gonna listen. You know who's gonna play?

1:28:09.240 --> 1:28:09.400
<v Speaker 6>You be?

1:28:09.479 --> 1:28:09.800
<v Speaker 7>Who is it?

1:28:09.840 --> 1:28:10.000
<v Speaker 9>Who?

1:28:10.000 --> 1:28:10.439
<v Speaker 7>What's her name?

1:28:10.439 --> 1:28:11.000
<v Speaker 6>Who's gonna be?

1:28:11.840 --> 1:28:16.400
<v Speaker 7>We're not We're not, No, We're not.

1:28:17.000 --> 1:28:17.960
<v Speaker 6>Okay, that's a good one.

1:28:18.240 --> 1:28:20.400
<v Speaker 7>I'm taking it. I'm taking I've told you all enough.

1:28:20.439 --> 1:28:22.320
<v Speaker 7>I'm taking the rest of my grave. Oh okay, so

1:28:22.360 --> 1:28:23.760
<v Speaker 7>you got it in your mind? You just want to

1:28:23.760 --> 1:28:28.120
<v Speaker 7>share it? Ye, okay, Okay, y'are a stupid This is

1:28:28.880 --> 1:28:31.880
<v Speaker 7>cool the first time somebody's hanging up with us.

1:28:31.880 --> 1:28:32.200
<v Speaker 3>I love it.

1:28:32.840 --> 1:28:35.360
<v Speaker 7>A drum lesson. You can try to deny me all

1:28:35.360 --> 1:28:36.360
<v Speaker 7>you want, but I want.

1:28:38.240 --> 1:28:38.439
<v Speaker 6>Time.

1:28:38.479 --> 1:28:39.559
<v Speaker 7>I see you. Don't even say hello.

1:28:39.880 --> 1:28:43.519
<v Speaker 6>I see him like drum lessons. Yes, I don't even

1:28:43.560 --> 1:28:43.880
<v Speaker 6>say hell.

1:28:44.120 --> 1:28:50.479
<v Speaker 8>First, No, I'm grown and what and what? I don't

1:28:50.520 --> 1:28:53.040
<v Speaker 8>have any more patience in the house to take care

1:28:53.080 --> 1:28:55.160
<v Speaker 8>of the kids are going. I can actually get me

1:28:55.200 --> 1:28:58.400
<v Speaker 8>a set and bang out, I say.

1:28:58.240 --> 1:28:59.000
<v Speaker 7>This, wake up the name.

1:28:59.280 --> 1:29:02.160
<v Speaker 6>I'm gonna have to send a drum set now, Okay, should.

1:29:02.880 --> 1:29:04.720
<v Speaker 7>My God, I would die. I would die.

1:29:04.840 --> 1:29:06.760
<v Speaker 4>That's that's that's the least I could do for you

1:29:06.800 --> 1:29:11.240
<v Speaker 4>for changing my life again. Congratulations on your forty years

1:29:11.360 --> 1:29:13.679
<v Speaker 4>as as a pioneer for changing all our lives.

1:29:13.960 --> 1:29:16.200
<v Speaker 6>We're all the better for it.

1:29:15.760 --> 1:29:19.120
<v Speaker 4>And another forty another four hundred years of your legacy,

1:29:19.200 --> 1:29:19.800
<v Speaker 4>may it last.

1:29:20.320 --> 1:29:21.320
<v Speaker 6>Thank you for doing our show.

1:29:22.000 --> 1:29:22.680
<v Speaker 7>Thank you so much.

1:29:22.720 --> 1:29:24.519
<v Speaker 8>This has been so much fun. I felt like I

1:29:24.600 --> 1:29:26.680
<v Speaker 8>just had a whole conversation with my homies.

1:29:26.840 --> 1:29:28.280
<v Speaker 6>You did, you did?

1:29:28.160 --> 1:29:29.200
<v Speaker 5>Did feel like word?

1:29:29.479 --> 1:29:34.840
<v Speaker 6>Absolutely well. I'll see you all the next round, y'all.

1:29:34.880 --> 1:29:38.000
<v Speaker 4>This is Quest Love on behalf of Lady b fon Sigolot,

1:29:38.080 --> 1:29:42.280
<v Speaker 4>Sugar Steve, Today, Bill and Lying.

1:29:42.439 --> 1:29:49.679
<v Speaker 6>Yeah, all right next time. Hey, this is Sugar Steve.

1:29:50.120 --> 1:29:52.280
<v Speaker 11>Make sure you keep up with us on Instagram at

1:29:52.360 --> 1:29:56.000
<v Speaker 11>q LS and let us know what you think you

1:29:56.040 --> 1:29:59.080
<v Speaker 11>should be next to sit down with us. Don't forget

1:29:59.120 --> 1:30:02.160
<v Speaker 11>to subscribe to our podcast.

1:30:07.920 --> 1:30:14.360
<v Speaker 1>What's Love Supreme is a production of iHeartRadio. For more

1:30:14.439 --> 1:30:18.960
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:30:18.960 --> 1:30:20.599
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