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Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I

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Speaker 1: am your host Movie Mike. Today it is movies of

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Speaker 1: the month of September. I know it's a little bit late,

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Speaker 1: but Kelsey is here. How are you.

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Speaker 2: I'm good. I have to know what happened right before

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Speaker 2: we started?

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Speaker 1: What happened? Okay? Okay?

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Speaker 3: I asked you you were getting a coffee out of

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Speaker 3: the fridge, because we always have a coffee while recording this.

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Speaker 2: Yeah, or sometimes I have wined peningilmon.

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Speaker 1: Time we record the bit, always a beverage.

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Speaker 3: But this is the afternoon, so it is coffee at

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Speaker 3: the moment. So I asked you to grab me a

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Speaker 3: coffee out of the fridge. You grab this coffee, and

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Speaker 3: then I am in the bathroom sitting down to pee,

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Speaker 3: and you walk into the bathroom with my coffee as

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Speaker 3: if you were fully expecting me to take it on

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Speaker 3: the toilet. And I looked at you, like, what why

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Speaker 3: are you bringing this to me? I you're gonna say that,

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Speaker 3: I said, bring me a coffee. I said, grab me

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Speaker 3: a coffee, as then get it out of the fridge

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Speaker 3: for me, because you were already getting one for yourself.

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Speaker 1: To me, that implies I would like for you to

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Speaker 1: bring me a coffee, and I took the coffee.

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Speaker 3: To you, but we were also about to record. Why

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Speaker 3: didn't you just bring it into the office. Why bring

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Speaker 3: it to me while I moment.

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Speaker 1: Because the way we are with caffeine, we need it.

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Speaker 1: Now you want a coffee, I'm bringing you right to

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Speaker 1: you wherever you are, whether you're on the can, whether

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Speaker 1: you're outside, no matter where you are, I am bringing

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Speaker 1: you that coffee.

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Speaker 2: I did not need it on the toilet, but thank

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Speaker 2: you for that express delivery.

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Speaker 1: That's how I work. Anyway, we're going to get into

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Speaker 1: a movie review. I actually recorded a while ago for

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Speaker 1: The Wild Robot, just because I wanted my raw emotions

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Speaker 1: after watching that movie. We'll get into the trailer park,

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Speaker 1: so a lot to talk about.

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Speaker 3: We also just both said that we felled off the rails,

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Speaker 3: so this is gonna be one of those episodes if.

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Speaker 1: You can't tell by now. Thank you for being here,

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Speaker 1: thank you for being subscribed, Shout out to the Monday

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Speaker 1: Morning Movie crew, and now let's talk movies.

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Speaker 4: In a world where everyone and their mother has a podcast,

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Speaker 4: one man stands to infiltrate the ears of listeners like

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Speaker 4: never before in a movie podcast a man with so

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Speaker 4: much movie knowledge he's basically like a walking IMTV with glasses.

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Speaker 4: From the Nashville Podcast Network. This is Movie Mike's movie Podcast.

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Speaker 1: I watched more movies in September out of any month

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Speaker 1: this year.

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Speaker 3: Watched a lot of movies.

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Speaker 1: I went you were away for I feel like a week,

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Speaker 1: and I went to the movies like two times during that.

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Speaker 2: I went to New York. It was great.

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Speaker 1: September is also where horror movies start. So I went

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Speaker 1: to the movies a lot without you because you're like, nah,

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Speaker 1: ain't doing that?

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Speaker 2: Yeah I was. I was like, I'm going to Broadway.

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Speaker 3: You can go see a horror movie tonight, which if

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Speaker 3: you get the chance to see The Outsiders on Broadway,

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Speaker 3: so freaking good.

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Speaker 1: How close is it to the movie or how close

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Speaker 1: to the book?

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Speaker 3: About the same from what I remember. I bought a

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Speaker 3: copy of the book to reread it. Yeah, pretty similar.

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Speaker 2: It was great.

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Speaker 3: The cast was really cool. The special effects for the

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Speaker 3: show were really neat. There's like some like fighting scenes

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Speaker 3: like in Rain, but it was like real rain on

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Speaker 3: the stage, but like didn't get like the audience wet.

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Speaker 3: It's really cool.

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Speaker 2: So I love Broadway shows.

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Speaker 1: You're going to reread the book, rewatch the movie.

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Speaker 2: I'll rewatched the movie. I loved the movie.

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Speaker 1: I haven't seen it since like in school we all

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Speaker 1: read that book and watched the movie. Yeah, probably since then.

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Speaker 2: Rob low is in it.

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Speaker 1: Yeah, Tom Cruise, Patrick.

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Speaker 2: Swayze, Amelio.

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Speaker 1: Yeah, it's a great cast.

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Speaker 2: Great film.

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Speaker 1: But anyway, and we're here to talk about best and

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Speaker 1: worst of September. I know we're a little late, but

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Speaker 1: we had some interviews to get to in last week's episode.

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Speaker 1: If you missed that, go check that out. If you're

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Speaker 1: a big Nightmare on Elm Street fan, go check out

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Speaker 1: that episode. But what was the best movie in your

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Speaker 1: opinion for September.

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Speaker 2: I'm curious to see Easy My Old Ass with Aubrey

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Speaker 2: Plaza so good and.

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Speaker 3: Mazie Stella directed by Megan Park who a lot of

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Speaker 3: people know where she was on the Secret Life for

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Speaker 3: the American Teenager, which was now the campiest shows of

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Speaker 3: all time. But yeah, she's written and directed two really

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Speaker 3: great films now on The Fallout, which was on HBO

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Speaker 3: Max which inna Worteka, right yep, great film, and then

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Speaker 3: this one, which was a completely different direction A lot

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Speaker 3: more lighthearted.

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Speaker 2: She's really good. Like I didn't really know what to expect.

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Speaker 3: I was worried that it was gonna be one of

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Speaker 3: those where you see all the funny parts in the trailer,

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Speaker 3: but it was so heartwarming and heartfelt, and the people

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Speaker 3: behind us after the movie was overclapped to cover the

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Speaker 3: sound of them crying.

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Speaker 1: We rarely hear that clapping in movies right.

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Speaker 3: Now, Yeah, I can't think of the last one.

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Speaker 1: Even in the last superhero movies that we've gone to,

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Speaker 1: there hasn't been clapping like Wolverine Deadpool.

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Speaker 2: Personally, I clapped at the end of Twister, but.

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Speaker 1: I feel like that whole clapping has kind of gone away.

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Speaker 1: I was kind of surprised to hear that, but that

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Speaker 1: movie is emotional. It's a really good coming of age

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Speaker 1: story done in a different way. What happens is main

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Speaker 1: character takes some mushrooms, causing her to hallucinate, has a

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Speaker 1: really bad trip, and Aubrey Plaza comes in as the

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Speaker 1: older version of herself, the forty year old version of herself,

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Speaker 1: to tell her teenage self some advice, and she's able

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Speaker 1: to communicate with her from the future. I love that

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Speaker 1: the movie existed in reality, but also nobody questioned what

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Speaker 1: was happening yeah, and never.

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Speaker 3: Were like, how are you calling yourself in the future.

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Speaker 3: It just was like it wasn't a plot line. It

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Speaker 3: just was the plot.

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Speaker 1: And I like movies that do that. It's like, hey,

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Speaker 1: this is the facts. Don't think too much into it,

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Speaker 1: suspend belief and allow yourself to enjoy it. And that

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Speaker 1: movie was a lot more emotional than I was expecting.

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Speaker 1: I feel in the last couple of movies we saw

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Speaker 1: in theaters, aside from Joker, I had oddly emotional experiences

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Speaker 1: of almost crying, like getting really emotional. There's one specific

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Speaker 1: moment in this movie that will just hit you like

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Speaker 1: a ton of bricks. The only thing I wish it

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Speaker 1: had more was Abrey Plaza.

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Speaker 2: I just wish it was longer. Yeah, I wanted more

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Speaker 2: of the movie in general.

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Speaker 1: And I think it's because Plaza is such a big star.

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Speaker 1: I feel like she was probably there for maybe a week.

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Speaker 3: Well, she's also in like Everything Under the Center. Now

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Speaker 3: she's an Agatha along Megalopolis. It's not how he's saying.

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Speaker 2: Yeah, it's a lot of words in one.

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Speaker 3: I feel like her filming schedule was pretty tight, but

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Speaker 3: this was filmed like years ago.

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Speaker 1: Yeah, I just feel like I wanted more of her

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Speaker 1: whole plot line in that movie, and I feel like

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Speaker 1: that's kind of how they sold it. Even if you

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Speaker 1: watched the trailer, you think it's gonna be a lot

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Speaker 1: more of their interactions, but I think they use her

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Speaker 1: name to get people into it. But once you're there,

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Speaker 1: it's a really good story that you probably couldn't sell

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Speaker 1: without her attached to it. Yeah, it was great, And

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Speaker 1: I also love movies that take place over the summer, like.

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Speaker 2: At Summer Camp movie, and it's.

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Speaker 1: Odd time for it to come out in September at

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Speaker 1: the end of summer, but it kind of gives you

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Speaker 1: that warm feeling. I feel like she was.

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Speaker 3: Preparing to go off to school, so I feel like

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Speaker 3: the movie was probably kind of set like mid August,

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Speaker 3: so to come out into September it is not that off.

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Speaker 1: It did remind me of that period in life right

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Speaker 1: before college, of me being really excited to leave. And

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Speaker 1: at the time I was leaving, my older brother was

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Speaker 1: also going to move from waksay Atchie to Austin with me,

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Speaker 1: so it was my parents about to be empty nesters

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Speaker 1: and while I was excited. My brother was excited to leave.

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Speaker 1: I didn't realize the strain and the sadness that my

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Speaker 1: mom was experiencing, because I remember like telling her, Hey,

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Speaker 1: we're we're leaving soon. We had to do something fun

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Speaker 1: before we leave, And I remember her telling me like,

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Speaker 1: I don't want to think about that right now, Like

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Speaker 1: you keep bringing this up of like you leaving, Like

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Speaker 1: I don't. This is not fun for me.

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Speaker 3: So sad thinking of your mom. My experience was a

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Speaker 3: complete opposite. My parents had a two year old and

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Speaker 3: a six year old, and they were My mom and

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Speaker 3: I were at that age real like an eighteen year

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Speaker 3: old girl, you just like get along better with your

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Speaker 3: mom when you.

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Speaker 1: Move out too much in the equation right now.

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Speaker 3: Yeah, we were just like butting heads too much, and

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Speaker 3: so we got along much better after I moved out.

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Speaker 1: It's like bye, So it wasn't as emotional for you

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Speaker 1: to leave, Like, no, not at all. She had a

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Speaker 1: kindergartener and a toddler where they're tears shit still, I mean,

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Speaker 1: she'll going off to college.

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Speaker 3: I also only went thirty minutes from home, and my

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Speaker 3: dad worked in Austin and would pick me up when

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Speaker 3: I wanted to come out for the weekend.

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Speaker 1: I guess that's a little different. We moved two and

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Speaker 1: a half almost three hours away.

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Speaker 2: I think there were tears of joy.

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Speaker 3: I really think my mom now when I moved to Nashville,

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Speaker 3: there were tears like when I moved out of state.

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Speaker 3: But when I went through college, I think my mom

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Speaker 3: was just kind of like.

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Speaker 1: Yeah, I guess with you not being that far away,

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Speaker 1: it doesn't feel like like thirty minutes they could drive

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Speaker 1: to see you. They did often, my parents couldn't drive

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Speaker 1: the two and a half hours on a weekend.

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Speaker 2: Like my dad worked in Austin, like ten minutes from campus.

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Speaker 1: Ye like easy driving my ag. But I remember whenever

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Speaker 1: my oldest sister they're left for college, my dad was

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Speaker 1: a wreck. Like my dad is an oddly emotional person

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Speaker 1: and it takes a lot to kind of make him well.

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Speaker 1: Maybe in his later years he's a little more like

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Speaker 1: he lets it flow. But the first time I ever

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Speaker 1: saw my dad cry was whenever my sister went to college.

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Speaker 1: He was the first one to go, and I just

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Speaker 1: remember him like sitting on the couch just crying. It

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Speaker 1: was so sad, and I don't think he felt that

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Speaker 1: exact same way once we left, just because he was

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Speaker 1: a little bit more prepared for it. Also, we were

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Speaker 1: his boys, so I think he.

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Speaker 2: Was in his grocery bill got cheaper.

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Speaker 1: Yeah, oh yeah, that too, So I think it was

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Speaker 1: a little bit more prepared for us to leave. I

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Speaker 1: think there's probably just something about your first leaving. First. Wait,

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Speaker 1: you were the first, and you were the first daughter.

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Speaker 2: Again, you were the baby.

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Speaker 3: Yeah, I was the oldest, and the age Japs were huge,

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Speaker 3: like they literally my youngest brother was two when I

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Speaker 3: went to college. I don't think they had the capacity.

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Speaker 3: And he was also an evil child, so they were

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Speaker 3: on their hands full with that one.

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Speaker 2: Okay, now when he leaves you, my mom is a, yeah, so.

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Speaker 1: Hard that's gonna be. That's gonna be the one.

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Speaker 3: Yeah, if he does leave, he might just live in

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Speaker 3: the basement, become the next Michael Dell Bill Gates.

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Speaker 1: But yeah, that was our experience leaving home. For my

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Speaker 1: best of September, I'm between two movies. I am between

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Speaker 1: the Wild Robot and I Am between the Substance.

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Speaker 3: If you don't go Wild Robot, I'm shocked you felt

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Speaker 3: things in that movie I did.

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Speaker 1: And I'm gonna get into my full review here in

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Speaker 1: a minute. But I think I'm gonna go with The

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Speaker 1: Substance just because I went into that movie not knowing

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Speaker 1: anything about it. If you didn't listen to that review,

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Speaker 1: it's essentially about Debbie Moore's character. She turns fifty years old.

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Speaker 1: She has like this morning fitness workout show, and Dennis

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Speaker 1: Quait is her boss, and on her fiftieth birthday he

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Speaker 1: fires her because thinks her star is passed. They need

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Speaker 1: to move on to something new and fresh. And then

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Speaker 1: Demi Moore's character gets into a car accident. While she's

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Speaker 1: at the doctor, there's this weird medical dude who works

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Speaker 1: as an assistant and tells her about this black market

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Speaker 1: drug called the Substance that you take it and it

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Speaker 1: creates a better version of yourself. It essentially goes into

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Speaker 1: your DNA and spawns out another human, and that other

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Speaker 1: human in the movie happens to be Margaret Quayley. And

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Speaker 1: then the catch is that every seven days they have

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Speaker 1: to switch back, So for a week she's living as

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Speaker 1: Demi Moore, and then for the next week she's living

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Speaker 1: as Margaret Quayley. And then you find that all about

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Speaker 1: the struggle of going back and forth, big feminism movie.

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Speaker 1: It's a big commentary on how Hollywood treats women who

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Speaker 1: age in the industry.

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Speaker 2: Which like Demi Moore has aged so beautifully.

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Speaker 1: She has she this is her best role, and I

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Speaker 1: feel like she took it for a very specific reason,

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Speaker 1: maybe because she's felt some of these things in her

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Speaker 1: career and I can only imagine how awful people in

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Speaker 1: power in Hollywood are towards women casting women that I

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Speaker 1: feel like roles for women at her point in her

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Speaker 1: career are probably harder to come by than roles for men.

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Speaker 1: I mean, even look at this movie. Dennis quated like

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Speaker 1: seventy something, yeah, and he's still getting a lot of work.

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Speaker 1: And I feel like she probably took this to have

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Speaker 1: that commentary of like, this is something that's actually happening,

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Speaker 1: and yes, this is a really bizarre way to make

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Speaker 1: this point, but it's a point we want to make.

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Speaker 1: And it was a movie that I felt, for the

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Speaker 1: first time in a while, had like a lot to

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Speaker 1: say and did it in a really unique way, and

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Speaker 1: it really committed to its craziness. Because it's not for everybody.

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Speaker 1: I think you would go watch it and think the

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Speaker 1: heck is going on? Here, you have people turning into

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Speaker 1: weird monsters, you have all these supernatural events. The end

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Speaker 1: of the movie is like completely throwing everything against the wall.

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Speaker 1: So it does all those things to kind of appease

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Speaker 1: to like the horror fan. But I felt like the

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Speaker 1: message of it was something that I walked away with thinking, oh,

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Speaker 1: that's actually a really cool and interesting way to say that.

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Speaker 1: And I had no idea the movie is gonna affect

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Speaker 1: me as much as it did.

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Speaker 3: Two quick notes that don't necessarily up to the movie,

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Speaker 3: but it's cast. I watched a clip on tech Talk

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Speaker 3: of Demi Moore's interview with I Think It's like CBS

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Speaker 3: Sunday Mornings talking about life with like Bruce Willis now,

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Speaker 3: and it just was so beautiful of like where they're

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Speaker 3: meeting him, where he's at and like with his journey

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Speaker 3: with dementia, and she talked about she was like, I'm

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Speaker 3: trying not to dwell on like the Bruce I used

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Speaker 3: to know, and like finding the joy of where he

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Speaker 3: is and it was so sweet. And then there's a

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Speaker 3: really funny clip of Margaret Queley on Fallon talking about

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Speaker 3: how like all of her movies this year, Driveway Dolls

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Speaker 3: kinds of kindness and the substance. And she's like, none

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Speaker 3: of my family can see any of these. She's like,

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Speaker 3: I'm probably naked in most of them. She's like, can't

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Speaker 3: take anyone to see them.

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Speaker 1: Yeah, her whole introduction in this movie, her first scene,

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Speaker 1: she's almost naked for Oh, it's say a good four

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Speaker 1: or five minutes.

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Speaker 2: So it was just that's a funny clip. Yeah.

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Speaker 3: I don't think I have any interest in seeing the movie. Love.

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Speaker 3: Both of them don't want to see it.

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Speaker 1: Yeah. I think that's another reason, is like some people

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Speaker 1: have a feeling about nudity in movies. I feel like

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Speaker 1: in this movie.

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Speaker 2: Well, that's not why I don't see it.

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Speaker 1: No, But I'm just saying first clarifying, I'm just adding

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Speaker 1: all the reasons, is that all the strikes that this

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Speaker 1: movie has against itself. Yeah, there's the horror element, which

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Speaker 1: there's some things in this movie that were a little

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Speaker 1: unsettling to me, but I like the fact that they

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Speaker 1: made me feel certain ways. You know, I have a

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Speaker 1: weird thing about bones breaking. Anytime there's any kind of

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Speaker 1: video where I know somebody's bones gonna break, I won't

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Speaker 1: watch it. Is there just something about that feeling and

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Speaker 1: about that anticipation.

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Speaker 3: Is that why you wouldn't look at my foot last

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Speaker 3: year when I broke broke it.

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Speaker 1: That's different because that's not it snapping, but like something

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Speaker 1: like somebody's skateboarding. I don't want to see that. I

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Speaker 1: don't want to hear it. That just strikes a nerve

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Speaker 1: with me. And there's some of that in this movie.

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Speaker 1: So there's those horror elements, but also the nudity, which

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Speaker 1: would keep some people away from watching it. But I

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Speaker 1: think it's used in a way to show vulnerability in

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Speaker 1: this movie, like the fact. I think they used prosthetics too,

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Speaker 1: so I don't know if that was actually king.

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Speaker 3: Margaret Quaily said that her chest was enhanced.

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Speaker 1: But it seems like it's just them putting themselves out there.

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Speaker 1: Even though if you don't know going into it that

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Speaker 1: it's probably all prosthetics, you think, man, really, that's a lot.

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Speaker 1: That's a big commitment. I just imagine, like as an

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Speaker 1: actor being in those situations. You think you're just watching

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Speaker 1: it as the viewer, there's nobody there, but if you

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Speaker 1: look behind the camera, there's all these.

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Speaker 2: Seven thousand people there.

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Speaker 3: It's like when people have to film like intimate scenes

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Speaker 3: and I'm just like that that sounds awful.

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Speaker 1: Everybody seeing your kibbles and bits is like, like, what

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Speaker 1: is like, how do you even call it?

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Speaker 3: Ever?

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Speaker 2: Again?

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Speaker 1: Kibbles and bits?

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Speaker 2: I stop.

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Speaker 1: I don't think you realize how hard it is to

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Speaker 1: have chemistry come across on screen. Oh yeah, because you're

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Speaker 1: interacting with this person across from you, trying to have

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Speaker 1: this connection and have that come across on screen. Meanwhile,

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Speaker 1: there are lights on you, there are people running around, and.

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Speaker 3: You're also faking a connection. Yes, that's the thing too,

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Speaker 3: is it's like you're That's where people say acting is

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Speaker 3: so weird because you like have to emotionally get into

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Speaker 3: the part, but you're like not trying to fall in

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Speaker 3: love with this person, but you have to portray that

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Speaker 3: you are in love.

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Speaker 1: I think, yeah, I think that's the hardest thing to do.

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Speaker 1: That's why a lot of romcoms fail is because people

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Speaker 1: are unable to have that chemistry, which it's so reliant on.

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Speaker 3: I'll talk more about that too when I talk about

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Speaker 3: my favorite TV show for the month, because that comes

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Speaker 3: back into play.

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Speaker 1: All right, well we'll get into our worst now, what

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Speaker 1: was your worst for September?

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Speaker 2: It's got to be the Uglies. The Uglies. Listen, think

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Speaker 2: it is the Uglies.

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Speaker 3: Chase Stokes is great, Naderbanks, I'm a big fan of

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Speaker 3: him and Kelsey Ballerini. Love them big Stan, love Joey

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Speaker 3: King and everything she does. It wasn't them, it was

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Speaker 3: just the movie. And also the fact that they cast

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Speaker 3: a brief from selling Sunset and Apart really took it

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Speaker 3: down a notch incredibility.

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Speaker 1: I forgot about that. Yeah, the cast in this movie

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Speaker 1: was all over the place. It felt like Netflix just

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Speaker 1: taking from their own personal pool and putting everybody in

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Speaker 1: a project. And I felt like the casting just wasn't it.

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Speaker 3: And the sets weren't it horrible either.

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Speaker 1: This movie has been in production hell since like the

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Speaker 1: early two thousand.

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Speaker 3: Yeah, because I Boo came out in like two thousand

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Speaker 3: and six.

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Speaker 1: It felt like a movie that should have come out

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Speaker 1: in and the teen dystopian era, like the twenty tens

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Speaker 1: with The Hunger Game Divergent.

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Speaker 2: Yeah, it was very in that camp.

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Speaker 1: It was in that era, But to come out now

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Speaker 1: and look as awful as it did is so just like,

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Speaker 1: why was this even made? The CGI and special effects

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Speaker 1: looked like a bunch of green screen. They filmed this

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Speaker 1: whole thing in Georgia pretty much, so it felt just

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Speaker 1: like very cold, and just the level of the quality

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Speaker 1: of all the action was just so poor and it

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Speaker 1: felt like something that was made for like a two

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Speaker 1: thousand's music video because it was so bad, and that

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Speaker 1: just kept me completely out of enjoying any aspect of it.

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Speaker 1: And I'm sure the plot makes more sense in the

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Speaker 1: book and has some kind of connection with the reader

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Speaker 1: that it warranted a movie to be made, but on screen,

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Speaker 1: the plot just kind of made no sense.

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Speaker 3: Yeah, I remember enjoying the book, but I did not

404
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Speaker 3: enjoy the movie.

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Speaker 1: The makeup that they used to make them pretty was weird, frightening, frightening.

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Speaker 3: It was like the old like YouTube makeup influencer era

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Speaker 3: before everyone like kind of settled on a more natural look.

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Speaker 1: And there is a sequel book, right, Pretties. I don't

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Speaker 1: see that being made.

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Speaker 2: I think we gotta just put the pen in that,

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Speaker 2: which is.

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Speaker 1: Sad because I think Joey King has wanted to be

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Speaker 1: in this movie for a long time. It was one

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Speaker 1: that was probably important to her to like, this is

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Speaker 1: one of my favorite books. I wanted to be the

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Speaker 1: star of this movie and just the product, which is

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Speaker 1: not where it's at. For my worst of the month,

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Speaker 1: I'm going to go to a theater experience. And for

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Speaker 1: the most part, I enjoyed every single movie in theaters.

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Speaker 1: There were some that stood out to me more so. Really,

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Speaker 1: my worst is just my least favorite, and it would

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Speaker 1: have to be Speak No Evil with James McAvoy.

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Speaker 2: Which you also saw while I was going.

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Speaker 1: I did, and it's not that it was a bad movie.

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Speaker 1: I would still even recommend this movie. It was just

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Speaker 1: one I feel I didn't need to see in theaters

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Speaker 1: to enjoy it. I could have watched this movie at

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Speaker 1: home and had probably the same experience, maybe even a

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Speaker 1: scarier experience, because I would be in a more vulnerable state.

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Speaker 1: Sometimes when you watch movies about things that could actually

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Speaker 1: happen in real life, it's just scarier at home, thinking

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Speaker 1: there'd be somebody out the window right now, like trying

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Speaker 1: to do this to me.

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Speaker 2: That's why I don't watch them.

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Speaker 1: Yeah, I guess that's I guess what freaks you out

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Speaker 1: more is things that could happen in real life. Yeah,

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Speaker 1: which like this. The villain in the movie is really

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Speaker 1: just a psychotic person. It's nothing supernatural.

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Speaker 2: Yeah, and that could happen.

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Speaker 1: Yeah, that freaks me out sometimes. I just think about

441
00:18:33,520 --> 00:18:36,520
Speaker 1: how big the world is and the fact that you've

442
00:18:36,520 --> 00:18:40,080
Speaker 1: probably gone through the grocery store and run into somebody

443
00:18:40,119 --> 00:18:42,080
Speaker 1: that's just like, what do they do when they get home?

444
00:18:42,880 --> 00:18:45,120
Speaker 3: I don't like this discussion, okay, but.

445
00:18:45,119 --> 00:18:48,200
Speaker 1: That is my least favorite of the month, just because

446
00:18:48,440 --> 00:18:50,680
Speaker 1: I feel like, if you didn't see it in theaters,

447
00:18:50,800 --> 00:18:53,800
Speaker 1: you didn't really miss anything. Comes onto some streaming service,

448
00:18:53,880 --> 00:18:57,040
Speaker 1: you can watch it and enjoy it. But at this point,

449
00:18:57,080 --> 00:18:59,600
Speaker 1: now being a few weeks out from watching it, it's

450
00:18:59,680 --> 00:19:01,680
Speaker 1: kind of forgettable. But it was kind of like a

451
00:19:01,760 --> 00:19:03,479
Speaker 1: roller coaster. I enjoyed it in the moment, got off

452
00:19:03,520 --> 00:19:05,320
Speaker 1: the ride. That was fun, ready to move on.

453
00:19:05,800 --> 00:19:07,439
Speaker 3: Never once if I thought that I'm getting off her

454
00:19:07,480 --> 00:19:08,000
Speaker 3: roller coaster.

455
00:19:08,160 --> 00:19:09,720
Speaker 1: Oh you also hate roller coasters?

456
00:19:09,960 --> 00:19:10,480
Speaker 3: Yeah?

457
00:19:10,520 --> 00:19:12,760
Speaker 1: For your TV show, it was your favorite of the month.

458
00:19:13,080 --> 00:19:16,000
Speaker 3: I go Nobody Wants This with Adam Brody and Kristen

459
00:19:16,040 --> 00:19:21,200
Speaker 3: Bell on Netflix ten out of ten. Binged it so funny,

460
00:19:21,600 --> 00:19:25,040
Speaker 3: so cute. I loved and I've seen a lot of

461
00:19:25,240 --> 00:19:27,760
Speaker 3: discourse about this online that people liked that it was

462
00:19:27,800 --> 00:19:31,280
Speaker 3: a healthy example of a relationship. Like, it wasn't like

463
00:19:31,320 --> 00:19:34,440
Speaker 3: a toxic guy gas lighting. It was a woman who's

464
00:19:34,480 --> 00:19:37,639
Speaker 3: probably been told she's too much and like one of

465
00:19:37,640 --> 00:19:39,720
Speaker 3: the things he says, and this isn't a spoiler, but

466
00:19:39,760 --> 00:19:41,639
Speaker 3: he literally tells her like I can handle you. And

467
00:19:41,640 --> 00:19:44,800
Speaker 3: it's like, that's what every girl, including myself, has always

468
00:19:44,800 --> 00:19:47,280
Speaker 3: been told, that she talks too much, blah blah blah

469
00:19:47,280 --> 00:19:49,800
Speaker 3: blah blah. Like I I think that's what every girl

470
00:19:49,800 --> 00:19:51,480
Speaker 3: wants to hear, is that someone can handle you.

471
00:19:51,840 --> 00:19:54,440
Speaker 1: I didn't watch the show with you, maybe caught glimpses

472
00:19:54,480 --> 00:19:56,320
Speaker 1: of it here and there, but I have seen that meme.

473
00:19:56,280 --> 00:19:59,240
Speaker 2: And the soundtrack is great. Yeah, opens with the him song.

474
00:19:59,480 --> 00:20:01,920
Speaker 1: Francis the Lights is the closing song, which I read

475
00:20:02,040 --> 00:20:02,960
Speaker 1: on a couple episodes.

476
00:20:03,000 --> 00:20:04,320
Speaker 2: Actually, I think that's on several.

477
00:20:04,520 --> 00:20:06,640
Speaker 1: I recognized his voice just because he did a song

478
00:20:06,640 --> 00:20:08,520
Speaker 1: with Chance the Rapper back when Chance.

479
00:20:08,359 --> 00:20:10,160
Speaker 2: The Rapper Blowing up.

480
00:20:10,200 --> 00:20:11,760
Speaker 1: Now, I mean I went back and listen to it.

481
00:20:11,760 --> 00:20:12,280
Speaker 2: It's so good.

482
00:20:12,680 --> 00:20:15,200
Speaker 3: But yeah, that and that's the what I was talking

483
00:20:15,240 --> 00:20:18,879
Speaker 3: about earlier about chemistry. Adam Brody and Kristen Bell have

484
00:20:19,359 --> 00:20:22,400
Speaker 3: been friends forever. They did a movie a while back.

485
00:20:23,720 --> 00:20:27,280
Speaker 3: Aaron Foster, who created the show, knew she wanted Kristen Bell,

486
00:20:27,400 --> 00:20:29,280
Speaker 3: and Kristen was like, I knew that the male lead

487
00:20:29,359 --> 00:20:31,639
Speaker 3: had to be Adam, Like we have a friendship, we

488
00:20:31,680 --> 00:20:33,560
Speaker 3: have a rapport, we have a connection. And I think

489
00:20:33,560 --> 00:20:36,520
Speaker 3: that's why it came across so well, is because they

490
00:20:36,600 --> 00:20:40,680
Speaker 3: like had existing like friendship chemistry and also like Adam

491
00:20:40,720 --> 00:20:44,040
Speaker 3: Brody is just like if anything ever came out about him,

492
00:20:44,080 --> 00:20:48,119
Speaker 3: like being terrible, I would be heartbroken because Adam Brody

493
00:20:48,160 --> 00:20:51,080
Speaker 3: has played like the sweetest, kindest character on every TV show.

494
00:20:51,080 --> 00:20:53,320
Speaker 3: He was Dave for gil'sk Young Gilmore Girls, who was

495
00:20:53,400 --> 00:20:56,680
Speaker 3: Lane's best boyfriend. He was Seth Cohen on the OC

496
00:20:56,880 --> 00:20:58,080
Speaker 3: and now he's the hot rabbi.

497
00:20:59,119 --> 00:21:01,159
Speaker 1: He's kind of having a bit of a resurgence. Or

498
00:21:01,200 --> 00:21:02,920
Speaker 1: did he ever really go to me? I guess he

499
00:21:03,000 --> 00:21:04,840
Speaker 1: kind of did, but yeah, he kind of went away

500
00:21:04,840 --> 00:21:05,280
Speaker 1: for a little bit.

501
00:21:05,280 --> 00:21:06,840
Speaker 3: But yeah, I see, and Layton Measter like kind of

502
00:21:06,880 --> 00:21:09,520
Speaker 3: stepped away and had kids and we're doing their own thing. Also,

503
00:21:09,680 --> 00:21:12,919
Speaker 3: like for every millennial girl, the fact that Seth Cohen

504
00:21:13,760 --> 00:21:16,280
Speaker 3: married Blair Waldorf from Gossip Girl just still.

505
00:21:16,080 --> 00:21:16,760
Speaker 2: Blows my mind.

506
00:21:17,440 --> 00:21:19,439
Speaker 3: And I know that some of you listening will be

507
00:21:19,480 --> 00:21:21,560
Speaker 3: like yeah, and then others will be.

508
00:21:21,480 --> 00:21:22,440
Speaker 2: Like, what are you talking about?

509
00:21:22,560 --> 00:21:24,320
Speaker 1: Yeah? I don't fully get that reference, but I get

510
00:21:24,320 --> 00:21:25,720
Speaker 1: it now. They're characters from.

511
00:21:25,720 --> 00:21:27,800
Speaker 3: He was on The OC, which was huge, like two

512
00:21:27,840 --> 00:21:29,439
Speaker 3: thousand and three to two thousand and six. She was

513
00:21:29,440 --> 00:21:32,800
Speaker 3: on Gossip Girl, which was like two thousand and seven

514
00:21:33,600 --> 00:21:37,240
Speaker 3: ish whatever era. Yeah, and they were like one of

515
00:21:37,280 --> 00:21:40,119
Speaker 3: the big characters. And like, so to have two of

516
00:21:40,119 --> 00:21:42,520
Speaker 3: your favorite like teen drama, I mean that was the

517
00:21:42,560 --> 00:21:45,560
Speaker 3: era of great team dramas. You had the OC, Wintrey Hill,

518
00:21:45,680 --> 00:21:48,760
Speaker 3: Gossip Girl, Veronica Mars, Kristen Bell, like and the fact

519
00:21:48,800 --> 00:21:51,280
Speaker 3: you have two people from different shows that married each other.

520
00:21:51,320 --> 00:21:54,840
Speaker 1: It's just chef'skiss and Kristen Bell has just been famous forever.

521
00:21:55,160 --> 00:21:56,359
Speaker 2: Yeah, yeah, she was.

522
00:21:57,240 --> 00:22:01,200
Speaker 3: Her wardrobe was fantastic. That's probably because she wore a

523
00:22:01,240 --> 00:22:04,639
Speaker 3: lot of stuff from Aaron Foster's brand. God bless the

524
00:22:04,640 --> 00:22:06,680
Speaker 3: people on TikTok who were doing the Lord's work and

525
00:22:06,680 --> 00:22:08,680
Speaker 3: are like here so you can buy everything that Kristen

526
00:22:08,720 --> 00:22:10,840
Speaker 3: Belt wore in the show. Because I am saving links

527
00:22:10,880 --> 00:22:11,440
Speaker 3: left and right.

528
00:22:11,440 --> 00:22:13,480
Speaker 1: It reminded me of our other show, The Good Place

529
00:22:13,560 --> 00:22:16,119
Speaker 1: that I really loved, and I feel like that show

530
00:22:16,480 --> 00:22:19,120
Speaker 1: dominated for a while, but now I don't hear anybody

531
00:22:19,119 --> 00:22:20,359
Speaker 1: talk about how good that show was.

532
00:22:20,400 --> 00:22:22,800
Speaker 3: Apparently one of the co stars in that mide a

533
00:22:22,840 --> 00:22:25,600
Speaker 3: guest appearance on this show. She played Janet on The

534
00:22:25,600 --> 00:22:26,040
Speaker 3: Good Place.

535
00:22:26,119 --> 00:22:29,960
Speaker 1: Okay, yeah, I remember, yeah, And that show had one

536
00:22:30,000 --> 00:22:33,480
Speaker 1: of my favorite finales of the last ten years in television.

537
00:22:33,880 --> 00:22:35,840
Speaker 1: Oh you know, I love a good series finale, but

538
00:22:35,880 --> 00:22:37,680
Speaker 1: that was one that I actually invested in because I'd

539
00:22:37,680 --> 00:22:40,600
Speaker 1: seen every season and that was a show that, like,

540
00:22:40,640 --> 00:22:43,440
Speaker 1: I don't watch broadcast, we don't really watch broadcast TV anymore,

541
00:22:43,480 --> 00:22:46,760
Speaker 1: any major networks, but I would watch every single episode

542
00:22:46,760 --> 00:22:49,240
Speaker 1: of that show because I was just had to know

543
00:22:49,240 --> 00:22:49,840
Speaker 1: how it ended.

544
00:22:50,440 --> 00:22:55,680
Speaker 3: Nobody wants this. Highly recommend I want a second season immediately. Also,

545
00:22:55,720 --> 00:22:59,720
Speaker 3: the supporting characters were so funny, the ones playing their siblings.

546
00:22:59,760 --> 00:23:00,919
Speaker 2: It had everything.

547
00:23:00,920 --> 00:23:05,080
Speaker 3: It was lighthearted, great writing, was funny, made me lol,

548
00:23:06,080 --> 00:23:06,879
Speaker 3: great soundtrack.

549
00:23:07,119 --> 00:23:08,800
Speaker 2: It couldn't get enough for me.

550
00:23:09,080 --> 00:23:11,639
Speaker 1: That same weekend you finished that entire show, I finished

551
00:23:11,680 --> 00:23:14,800
Speaker 1: the entire Vince McMahon show, Mister McMahon on Netflix. I

552
00:23:14,880 --> 00:23:17,480
Speaker 1: randomly turned it on. We're about to leave, like on

553
00:23:17,520 --> 00:23:20,080
Speaker 1: a Friday to go out, and I was like, I

554
00:23:20,080 --> 00:23:22,120
Speaker 1: don't really care to watch this. But before that, Vince

555
00:23:22,200 --> 00:23:24,359
Speaker 1: McMahon had put out a statement about saying he didn't

556
00:23:24,359 --> 00:23:26,760
Speaker 1: agree with everything in the show, and that was really

557
00:23:26,800 --> 00:23:28,239
Speaker 1: the only thing that enticed me. I was like, well,

558
00:23:28,280 --> 00:23:29,760
Speaker 1: he just kind of has a problem with this. Maybe

559
00:23:29,760 --> 00:23:32,600
Speaker 1: there's something in there now, the fact that he was nuts. Yeah,

560
00:23:32,920 --> 00:23:34,560
Speaker 1: And within the first twenty minutes, I was like, Oh,

561
00:23:34,600 --> 00:23:36,680
Speaker 1: this is good. But I also grew up on wrestling,

562
00:23:36,760 --> 00:23:39,840
Speaker 1: like in the late nineties, that's all I watched. That

563
00:23:39,960 --> 00:23:42,240
Speaker 1: was like my identity for a while. I loved it.

564
00:23:43,040 --> 00:23:46,760
Speaker 1: And the thing about the documentary, it doesn't pain him

565
00:23:46,760 --> 00:23:48,840
Speaker 1: out to be a good guy whatsoever. He did some

566
00:23:48,840 --> 00:23:51,720
Speaker 1: pretty awful things. But I felt a really weird way

567
00:23:51,840 --> 00:23:55,720
Speaker 1: knowing that wrestling was targeted towards kids at that time,

568
00:23:55,840 --> 00:23:58,440
Speaker 1: which was me and some of the really awful things

569
00:23:58,480 --> 00:24:01,119
Speaker 1: I was exposed to, and I just like, and it

570
00:24:01,200 --> 00:24:03,439
Speaker 1: kind of made me feel weird, thinking like something that

571
00:24:03,480 --> 00:24:06,240
Speaker 1: I watch actually had an effect on my mental state

572
00:24:06,320 --> 00:24:08,399
Speaker 1: and like the way I think about things. And I

573
00:24:08,400 --> 00:24:11,560
Speaker 1: felt a little bit violated just because it wasn't the

574
00:24:11,640 --> 00:24:13,320
Speaker 1: violence or anything, but it was like some of the

575
00:24:13,400 --> 00:24:17,080
Speaker 1: like depictions of how they treated women, and some of

576
00:24:17,119 --> 00:24:20,840
Speaker 1: the awful storylines that were really insensitive that I feel

577
00:24:20,880 --> 00:24:22,960
Speaker 1: that I'm glad that I don't think like that anymore,

578
00:24:23,000 --> 00:24:25,040
Speaker 1: But I could see somebody who was younger and more

579
00:24:25,040 --> 00:24:29,520
Speaker 1: impressionable and saw those things and never really grew from that,

580
00:24:29,560 --> 00:24:32,919
Speaker 1: would continue to think those things. So I felt in

581
00:24:32,960 --> 00:24:35,280
Speaker 1: that moment, like it's it is important what kids are

582
00:24:35,280 --> 00:24:38,159
Speaker 1: exposed to, especially with something like that that they're like, no,

583
00:24:38,240 --> 00:24:41,840
Speaker 1: it's for adults, but they're clearly marketing towards kids because

584
00:24:41,840 --> 00:24:46,159
Speaker 1: there's action figures, there's all this merchandise clearly geared towards kids,

585
00:24:46,480 --> 00:24:49,720
Speaker 1: but they're putting really adult themes in there that It

586
00:24:49,800 --> 00:24:52,399
Speaker 1: just made me question in second guests things when we

587
00:24:52,520 --> 00:24:55,439
Speaker 1: eventually have kids, of the things that we expose them to.

588
00:24:55,480 --> 00:24:58,159
Speaker 1: But now wrestling is different, it's a lot more family friendly.

589
00:24:58,800 --> 00:25:01,080
Speaker 1: They don't have any of that there anymore. They've really

590
00:25:01,160 --> 00:25:03,159
Speaker 1: changed the brand of bit just because can't really do

591
00:25:03,240 --> 00:25:05,560
Speaker 1: stuff like that anymore. Some of the storylines were wild,

592
00:25:05,720 --> 00:25:07,440
Speaker 1: and as a kid, I was just like, oh, yeah.

593
00:25:07,400 --> 00:25:09,720
Speaker 3: Yeah, I mean it's crazy how what you watch like

594
00:25:09,800 --> 00:25:11,840
Speaker 3: does change your brain chemistry. I've told the story in

595
00:25:11,880 --> 00:25:14,399
Speaker 3: here before how I was banned from watching Rugrats for

596
00:25:14,400 --> 00:25:16,520
Speaker 3: a hot minute because I acted like Angelica.

597
00:25:16,600 --> 00:25:18,639
Speaker 1: Even when I was a kid before wrestling, it was

598
00:25:18,680 --> 00:25:21,600
Speaker 1: the Simpsons. My mom was like, you guys, can't watch that,

599
00:25:21,920 --> 00:25:24,680
Speaker 1: and that was eat my shorts, you know, and bart

600
00:25:24,720 --> 00:25:26,080
Speaker 1: pulling his pants down shows.

601
00:25:26,119 --> 00:25:29,200
Speaker 2: But little does she know that the Simpsons in this room.

602
00:25:29,240 --> 00:25:31,400
Speaker 1: And that was the worst thing to parents in the nineties,

603
00:25:31,440 --> 00:25:33,600
Speaker 1: and they got a lot worse in the late nineties

604
00:25:33,600 --> 00:25:36,119
Speaker 1: and early two thousands, which was when wrestling was in

605
00:25:36,119 --> 00:25:37,000
Speaker 1: his heyday.

606
00:25:36,680 --> 00:25:41,000
Speaker 3: Which the rise of like MTV shows, yeah, TV reality shows.

607
00:25:41,480 --> 00:25:44,760
Speaker 1: Yeah, But that was the first time that I thought, dang,

608
00:25:44,960 --> 00:25:47,320
Speaker 1: they actually got me a little bit. But glad I

609
00:25:47,359 --> 00:25:49,840
Speaker 1: don't think that anymore. It did affect me too much.

610
00:25:49,880 --> 00:25:51,560
Speaker 1: But just to know that my little brain was taking

611
00:25:51,560 --> 00:25:53,480
Speaker 1: in these things and like, oh this is fun, push

612
00:25:53,520 --> 00:25:57,280
Speaker 1: her down. Oh my gosh. But what was your book

613
00:25:57,480 --> 00:25:58,560
Speaker 1: for the month of September.

614
00:25:58,920 --> 00:26:02,280
Speaker 3: It is going to be Blue Sisters by Coco Mellers.

615
00:26:02,480 --> 00:26:05,000
Speaker 1: It's a story, I say, Coco Mellon, I know it does.

616
00:26:04,920 --> 00:26:06,160
Speaker 2: Something that Coco Mellers.

617
00:26:06,920 --> 00:26:09,000
Speaker 3: It's a story of four sisters, one of whom has

618
00:26:09,040 --> 00:26:11,320
Speaker 3: recently passed away, and it's just a story about how

619
00:26:11,359 --> 00:26:14,359
Speaker 3: they all deal differently with their grief and it is

620
00:26:15,359 --> 00:26:17,360
Speaker 3: like not wrapped up with pretty bow at the end.

621
00:26:18,119 --> 00:26:19,840
Speaker 2: I really loved her writing.

622
00:26:19,880 --> 00:26:22,439
Speaker 3: I read a really interesting piece I think it was

623
00:26:22,560 --> 00:26:28,119
Speaker 3: in Cosmopolitan magazine that the author did and about how

624
00:26:28,600 --> 00:26:31,920
Speaker 3: getting sober like really improved her writing because she was

625
00:26:31,960 --> 00:26:34,280
Speaker 3: actually able to connect with her feelings more instead of

626
00:26:34,320 --> 00:26:36,639
Speaker 3: like hiding them with alcohol.

627
00:26:36,680 --> 00:26:38,240
Speaker 2: And so it was a really really good book. I

628
00:26:38,280 --> 00:26:38,560
Speaker 2: loved it.

629
00:26:38,600 --> 00:26:39,640
Speaker 1: And what was your job news?

630
00:26:39,920 --> 00:26:40,120
Speaker 2: Oh?

631
00:26:40,119 --> 00:26:45,080
Speaker 3: I got a new job, very exciting, same company, just

632
00:26:45,240 --> 00:26:48,159
Speaker 3: a different role, like a new team. Very excited. I

633
00:26:48,160 --> 00:26:50,520
Speaker 3: don't really want to talk too much about it because

634
00:26:50,520 --> 00:26:52,920
Speaker 3: no one's really going to care because I do nerdy things.

635
00:26:52,960 --> 00:26:55,159
Speaker 3: But I did get a new job after job hunting

636
00:26:55,200 --> 00:26:56,760
Speaker 3: for quite some time, and I'm very proud of you.

637
00:26:56,880 --> 00:26:57,239
Speaker 3: Thank you.

638
00:26:57,600 --> 00:26:59,000
Speaker 2: It's not like I'm hiding my job.

639
00:26:59,040 --> 00:27:01,360
Speaker 1: I just like, yeah, we're not say like she works here,

640
00:27:01,440 --> 00:27:03,480
Speaker 1: here are work hours, this is when she has lunch.

641
00:27:04,400 --> 00:27:05,679
Speaker 3: But I do get to go into the office one

642
00:27:05,720 --> 00:27:07,120
Speaker 3: day a week, which is gonna be so nice because

643
00:27:07,119 --> 00:27:08,760
Speaker 3: I can finally wear all those clothes I've been buying

644
00:27:08,840 --> 00:27:12,000
Speaker 3: for four years and have human interaction and stop speaking

645
00:27:12,000 --> 00:27:14,280
Speaker 3: to the Stray Cats, because I was losing my mind

646
00:27:14,320 --> 00:27:14,760
Speaker 3: a little bit.

647
00:27:14,960 --> 00:27:16,400
Speaker 1: We love our straight cats around here.

648
00:27:16,440 --> 00:27:17,480
Speaker 2: We do love our street cuts.

649
00:27:17,880 --> 00:27:19,879
Speaker 1: Speaking to stray Cats. Gotta come back and give my

650
00:27:20,000 --> 00:27:23,040
Speaker 1: raw and spoiler free review of the Wild Robot because

651
00:27:23,040 --> 00:27:25,680
Speaker 1: there's animals in it. Not cats, but there's animals in it.

652
00:27:25,680 --> 00:27:28,000
Speaker 3: It's an interesting tie in. But all right, it's a

653
00:27:28,280 --> 00:27:31,640
Speaker 3: segue around here, effort. I can't speak. Also, I would

654
00:27:31,680 --> 00:27:33,280
Speaker 3: like to say that you were like I started the

655
00:27:33,320 --> 00:27:35,200
Speaker 3: wrestling documentary before we were going to go out on

656
00:27:35,240 --> 00:27:35,679
Speaker 3: a Friday.

657
00:27:35,880 --> 00:27:37,840
Speaker 2: We went to True Food at six pm.

658
00:27:38,280 --> 00:27:40,760
Speaker 1: Hey, that's going out and you're thirty.

659
00:27:40,920 --> 00:27:43,159
Speaker 2: But you were like, before we went out on a Friday,

660
00:27:43,200 --> 00:27:44,439
Speaker 2: and I was like, what did we do that? I

661
00:27:44,480 --> 00:27:46,760
Speaker 2: was like, we went to True Food at six pm.

662
00:27:47,000 --> 00:27:49,080
Speaker 1: We're about to hit the bars downtown and get in

663
00:27:49,119 --> 00:27:49,960
Speaker 1: some little wrestling.

664
00:27:50,280 --> 00:27:51,760
Speaker 2: We are about to go to dinner at four forty

665
00:27:51,760 --> 00:27:52,240
Speaker 2: five pm.

666
00:27:52,320 --> 00:27:54,480
Speaker 3: Oh. I love a happy hour because it's happy hour,

667
00:27:54,520 --> 00:27:56,719
Speaker 3: and we love to save money because then we can

668
00:27:56,800 --> 00:27:57,880
Speaker 3: eat more for the same.

669
00:27:57,680 --> 00:28:00,919
Speaker 1: Price counted food. The one problem I have going out

670
00:28:00,960 --> 00:28:03,320
Speaker 1: to eat a restaurants that we experience is they're always

671
00:28:03,320 --> 00:28:05,480
Speaker 1: surprised when we eat all our food, Like, oh, you

672
00:28:05,520 --> 00:28:07,480
Speaker 1: really crushed that. Why do I go out to eat?

673
00:28:07,600 --> 00:28:09,240
Speaker 3: We have gotten a lot of comments and I'm like,

674
00:28:09,280 --> 00:28:11,040
Speaker 3: I specifically gom hungry, Like.

675
00:28:11,520 --> 00:28:13,560
Speaker 1: Do you not want to sell food and have people

676
00:28:13,600 --> 00:28:14,960
Speaker 1: eat all of it? That means it's good.

677
00:28:15,080 --> 00:28:17,280
Speaker 3: Also, it's usually at like vegan places, and I'm like, yeah,

678
00:28:17,280 --> 00:28:19,440
Speaker 3: have made a plans. It takes seventeen dishes to fill

679
00:28:19,480 --> 00:28:22,760
Speaker 3: me up. I'm sorry that I needed twelve cauliflower wings.

680
00:28:22,800 --> 00:28:24,959
Speaker 1: Well, someone was hungry, really enjoyed that.

681
00:28:25,440 --> 00:28:26,439
Speaker 2: I do hate that comment.

682
00:28:26,520 --> 00:28:28,159
Speaker 1: Yeah, I'm like, don't judge me.

683
00:28:28,200 --> 00:28:31,720
Speaker 3: That's why my generation had eating disorders because everyone was like, wow,

684
00:28:32,520 --> 00:28:37,160
Speaker 3: fourteen mini cookies, not speaking from experience, and I'm like, yes,

685
00:28:37,400 --> 00:28:38,120
Speaker 3: bring me more.

686
00:28:38,360 --> 00:28:41,000
Speaker 2: Yeah, I'm like mm, I'm like that was half price.

687
00:28:41,080 --> 00:28:41,840
Speaker 2: I'll take another one.

688
00:28:41,960 --> 00:28:42,479
Speaker 1: Hook it up.

689
00:28:42,520 --> 00:28:43,960
Speaker 2: All right, I gotta go get ready for dinner.

690
00:28:44,000 --> 00:28:49,480
Speaker 1: All right, we'll be back. Let's get into it now.

691
00:28:49,560 --> 00:28:53,160
Speaker 1: A spoiler free movie review of The Wild Robot. I've

692
00:28:53,160 --> 00:28:54,960
Speaker 1: been waiting to talk about this movie for a while.

693
00:28:55,040 --> 00:28:55,240
Speaker 3: Now.

694
00:28:55,280 --> 00:28:58,360
Speaker 1: I'm recording this just a couple of days removed from

695
00:28:58,400 --> 00:29:01,960
Speaker 1: watching the movie. It's already at the box office. It

696
00:29:02,040 --> 00:29:05,200
Speaker 1: is from one of my favorite writer directors in animation.

697
00:29:05,360 --> 00:29:08,320
Speaker 1: Chris Sanders a friend of the podcast. If you're not

698
00:29:08,360 --> 00:29:10,800
Speaker 1: familiar with the work of Chris Sanders, all I need

699
00:29:10,840 --> 00:29:13,520
Speaker 1: to say is he is the creator and voice of

700
00:29:13,640 --> 00:29:17,200
Speaker 1: Stitch and Lee Loo and Stitch. That entire story came

701
00:29:17,280 --> 00:29:20,160
Speaker 1: from his mind. So with just that movie alone, he

702
00:29:20,240 --> 00:29:23,680
Speaker 1: has cemented himself in the world of animation as being

703
00:29:23,800 --> 00:29:26,400
Speaker 1: one of the best to do it. Chris Sanders knows

704
00:29:26,680 --> 00:29:30,240
Speaker 1: how to evoke emotion and The Wild Robot is based

705
00:29:30,240 --> 00:29:33,440
Speaker 1: on a book series which is a trilogy. In this movie,

706
00:29:33,560 --> 00:29:36,280
Speaker 1: you have a character named Roz who is a robot

707
00:29:36,440 --> 00:29:40,000
Speaker 1: who gets shipwrecked on this island. You have these otters

708
00:29:40,040 --> 00:29:44,040
Speaker 1: who discover this huge, big parcel that this robot was in.

709
00:29:44,480 --> 00:29:48,200
Speaker 1: They start messing with it and activate this robot. Roz

710
00:29:48,360 --> 00:29:51,120
Speaker 1: is programmed to finish and complete its task. It is

711
00:29:51,160 --> 00:29:54,200
Speaker 1: a helper robot, so anybody who needs help, they are

712
00:29:54,240 --> 00:29:57,000
Speaker 1: there to help and they're not gonna leave until you

713
00:29:57,080 --> 00:30:00,120
Speaker 1: are satisfied with your performance of your ro's robot. But

714
00:30:00,920 --> 00:30:03,840
Speaker 1: crash lands on this planet and there's all these different

715
00:30:03,880 --> 00:30:06,640
Speaker 1: animals there, and Roz is just trying to find her purpose,

716
00:30:06,720 --> 00:30:09,680
Speaker 1: going up to different animals seeing who needs help, but

717
00:30:09,800 --> 00:30:12,600
Speaker 1: everybody rejects her because they think she is a monster.

718
00:30:13,040 --> 00:30:16,520
Speaker 1: They think she is there to kill them. Then she

719
00:30:16,640 --> 00:30:20,960
Speaker 1: stumbles upon this orphan baby gostling and suddenly this baby

720
00:30:21,000 --> 00:30:24,120
Speaker 1: gosling becomes her new task. And what does she have

721
00:30:24,240 --> 00:30:26,240
Speaker 1: to do. She has to make sure that the gostling

722
00:30:26,320 --> 00:30:28,920
Speaker 1: is able to swim, is able to find food, and

723
00:30:29,040 --> 00:30:31,480
Speaker 1: is able to fly by the fall, so in turn

724
00:30:31,560 --> 00:30:34,160
Speaker 1: becoming the gosling's mother. And before I get into the

725
00:30:34,200 --> 00:30:37,760
Speaker 1: amazing voice acting all the emotion I felt in this movie,

726
00:30:38,040 --> 00:30:40,240
Speaker 1: let's start with the visual aspect. One of the most

727
00:30:40,320 --> 00:30:44,240
Speaker 1: visually stunning animated movies in the last five years. It

728
00:30:44,320 --> 00:30:46,200
Speaker 1: is up there with the end of the Spider Verse

729
00:30:46,280 --> 00:30:49,800
Speaker 1: movies as far as making you feel like you were

730
00:30:49,960 --> 00:30:52,440
Speaker 1: watching a story book come to life. And I think

731
00:30:52,480 --> 00:30:55,920
Speaker 1: that's the animation I'm drawn to right now. It is

732
00:30:56,520 --> 00:31:01,520
Speaker 1: combining different animation styles to make something very bright and vibrant,

733
00:31:01,560 --> 00:31:05,080
Speaker 1: and much like the Spider Verse movies where they essentially

734
00:31:05,120 --> 00:31:07,920
Speaker 1: made a comic book come to life, those first two

735
00:31:07,960 --> 00:31:10,680
Speaker 1: movies essentially look like you took the pages of a

736
00:31:10,720 --> 00:31:13,760
Speaker 1: comic book and pulled them right out and animated them.

737
00:31:14,240 --> 00:31:17,320
Speaker 1: Combined a lot of different animation styles to do that

738
00:31:17,320 --> 00:31:21,000
Speaker 1: that movie is on an entirely different level, on an

739
00:31:21,240 --> 00:31:25,160
Speaker 1: entirely different budget. Along those same lines, that's what The

740
00:31:25,160 --> 00:31:29,720
Speaker 1: Wild Robot did. Took these almost watercolor illustrations from the

741
00:31:29,800 --> 00:31:33,120
Speaker 1: book and brought it to life in a breath taking way.

742
00:31:33,400 --> 00:31:38,520
Speaker 1: It's amazing lighting, amazing character design, and every single frame

743
00:31:38,640 --> 00:31:41,480
Speaker 1: in The Wild Robot. I could take a still from

744
00:31:41,480 --> 00:31:43,440
Speaker 1: and put it up on this wall because it looks

745
00:31:43,480 --> 00:31:47,720
Speaker 1: so beautiful. And I often think that the actual animation

746
00:31:47,920 --> 00:31:52,000
Speaker 1: style in a kid's movie often gets like way down

747
00:31:52,120 --> 00:31:54,920
Speaker 1: on the equation. You think, let's just slap a bunch

748
00:31:54,920 --> 00:31:58,000
Speaker 1: of things together, the kids won't notice. This movie proves

749
00:31:58,080 --> 00:32:01,360
Speaker 1: to me that you can make a better animated movie

750
00:32:01,400 --> 00:32:04,080
Speaker 1: that kids are going to enjoy and they are going

751
00:32:04,120 --> 00:32:08,120
Speaker 1: to pay attention to. This movie looks absolutely stunning from

752
00:32:08,240 --> 00:32:11,880
Speaker 1: beginning to end, and it's almost a little bit like

753
00:32:11,920 --> 00:32:15,040
Speaker 1: you have to wrap your head around the animation style

754
00:32:15,120 --> 00:32:18,480
Speaker 1: because it looks so unique. The movie feels so different,

755
00:32:19,040 --> 00:32:21,480
Speaker 1: but by the very end of it, you are completely

756
00:32:21,560 --> 00:32:26,200
Speaker 1: in that world, completely submersed, and very rarely in animated

757
00:32:26,240 --> 00:32:28,120
Speaker 1: movies do I not want them to end. And that

758
00:32:28,240 --> 00:32:30,280
Speaker 1: is really one of the only negative things I can

759
00:32:30,360 --> 00:32:32,760
Speaker 1: say about this movie is I wish it would have

760
00:32:32,840 --> 00:32:36,080
Speaker 1: been longer, and I also loved how Raw's weathered as

761
00:32:36,120 --> 00:32:39,520
Speaker 1: the movie went along. Started out fresh out the box,

762
00:32:39,640 --> 00:32:42,840
Speaker 1: and throughout the movie gets a little bit more worn down.

763
00:32:42,960 --> 00:32:45,680
Speaker 1: You get all of the dirt on her, the moss

764
00:32:45,680 --> 00:32:48,640
Speaker 1: start to grow around her, and that really shows the

765
00:32:48,680 --> 00:32:51,520
Speaker 1: evolution of her character and all that she goes through

766
00:32:51,560 --> 00:32:54,560
Speaker 1: and what the message of this movie is of how

767
00:32:54,600 --> 00:32:58,560
Speaker 1: an adopted parent, or even a single parent goes through

768
00:32:58,720 --> 00:33:03,400
Speaker 1: so much for their kids to succeed, in Roz's case,

769
00:33:03,760 --> 00:33:07,600
Speaker 1: literally putting herself on the brink of death in order

770
00:33:07,680 --> 00:33:11,280
Speaker 1: to have this baby Gossling live a better life. And

771
00:33:11,320 --> 00:33:14,520
Speaker 1: that brings me to my next and probably most important

772
00:33:14,560 --> 00:33:18,520
Speaker 1: part of this movie is the emotional punch that this

773
00:33:18,720 --> 00:33:21,840
Speaker 1: movie packs. And from the very beginning of the movie,

774
00:33:22,960 --> 00:33:26,920
Speaker 1: I loved how it committed to teaching kids about death

775
00:33:27,200 --> 00:33:31,480
Speaker 1: and embracing what actually happens in nature, what actually happens

776
00:33:31,520 --> 00:33:34,440
Speaker 1: in the real world, because at the root of the story,

777
00:33:34,440 --> 00:33:38,440
Speaker 1: it's all about survival, sadness, and hope. There's some joy

778
00:33:38,480 --> 00:33:41,600
Speaker 1: in there too, But it felt almost like, oh, they're

779
00:33:41,600 --> 00:33:44,120
Speaker 1: really going here, They're going to talk about how you

780
00:33:44,200 --> 00:33:47,080
Speaker 1: can die in the wild, how all these animals are

781
00:33:47,080 --> 00:33:50,680
Speaker 1: trying not to be eaten, and how the food chain works.

782
00:33:50,840 --> 00:33:54,080
Speaker 1: And that felt really refreshing to me in a kid's movie,

783
00:33:54,440 --> 00:33:57,480
Speaker 1: because I would say in the last five to six

784
00:33:57,560 --> 00:34:01,520
Speaker 1: animated movies that I've seen in theaters geared towards everything

785
00:34:01,640 --> 00:34:05,000
Speaker 1: is always rooted in happiness. There is a little bit

786
00:34:05,240 --> 00:34:10,120
Speaker 1: of conflict and turmoil, but it's like you shave down

787
00:34:10,320 --> 00:34:13,319
Speaker 1: all of the edges so that nobody gets hurt. And

788
00:34:13,360 --> 00:34:16,560
Speaker 1: I can understand that, especially for younger kids, which there

789
00:34:16,600 --> 00:34:19,000
Speaker 1: were some younger kids in this audience, that maybe the

790
00:34:19,040 --> 00:34:22,160
Speaker 1: overall emotional level was maybe a little bit too advanced

791
00:34:22,160 --> 00:34:24,880
Speaker 1: for them, because I think some kids go into an

792
00:34:24,920 --> 00:34:28,959
Speaker 1: animated movie probably three or four years old, maybe five

793
00:34:29,040 --> 00:34:31,480
Speaker 1: years old, and they just want to see colorful characters

794
00:34:31,520 --> 00:34:34,200
Speaker 1: doing fun things that they can laugh at and want

795
00:34:34,239 --> 00:34:36,719
Speaker 1: to watch over and over again. But then you have

796
00:34:36,800 --> 00:34:39,439
Speaker 1: kids who are a little bit older. I go back

797
00:34:39,440 --> 00:34:41,400
Speaker 1: to a time where I was taking in movies like

798
00:34:41,480 --> 00:34:44,600
Speaker 1: Toy Story The Lion King in the late nineties, where

799
00:34:45,480 --> 00:34:48,759
Speaker 1: I was becoming more in tune with my emotions, and

800
00:34:48,880 --> 00:34:52,719
Speaker 1: movies for me were a source of information and a

801
00:34:52,840 --> 00:34:55,400
Speaker 1: source of me being able to learn lessons that my

802
00:34:55,520 --> 00:34:58,840
Speaker 1: parents could not teach me. Whenever it came to learning

803
00:34:58,840 --> 00:35:03,000
Speaker 1: about the more emotional things like death, love, things you

804
00:35:03,000 --> 00:35:06,600
Speaker 1: should probably be taught to by your parents, mine struggled

805
00:35:06,640 --> 00:35:08,640
Speaker 1: a little bit sitting me down and talking about some

806
00:35:08,719 --> 00:35:11,640
Speaker 1: of those things. So I would go to movies to

807
00:35:11,719 --> 00:35:14,799
Speaker 1: be able to learn about these emotions and how to

808
00:35:14,880 --> 00:35:17,839
Speaker 1: process them. I go back to watching The Lion King

809
00:35:18,000 --> 00:35:22,400
Speaker 1: at four five six years old and learning about death.

810
00:35:22,600 --> 00:35:25,200
Speaker 1: I watch Toy Story, and I learned about the feeling

811
00:35:25,280 --> 00:35:28,759
Speaker 1: of being abandoned. And it's the power of filmmaking to

812
00:35:28,920 --> 00:35:32,440
Speaker 1: make stories that are going to resonate with kids. Talking

813
00:35:32,560 --> 00:35:35,760
Speaker 1: twenty five years later, I'm sitting here still talking about

814
00:35:36,000 --> 00:35:38,799
Speaker 1: how those movies change my life. And I think that

815
00:35:38,920 --> 00:35:41,640
Speaker 1: is what The Wild Robot is going to be for kids.

816
00:35:42,000 --> 00:35:44,840
Speaker 1: You're going to remember this movie after seeing it in

817
00:35:44,920 --> 00:35:48,720
Speaker 1: theaters with your parents, and that is so important because

818
00:35:48,920 --> 00:35:53,239
Speaker 1: I often feel that an animation, especially right now. There

819
00:35:53,280 --> 00:35:55,680
Speaker 1: was a trailer that played before The Wild Robot. I

820
00:35:55,719 --> 00:35:57,839
Speaker 1: won't say the name of the movie, I won't even

821
00:35:57,880 --> 00:36:01,200
Speaker 1: say the studio, but I will say it had a

822
00:36:01,360 --> 00:36:05,200
Speaker 1: voice cast with just a bunch of random celebrities. The

823
00:36:05,480 --> 00:36:09,000
Speaker 1: animation itself looked lifeless, and it looked like they just

824
00:36:09,080 --> 00:36:13,000
Speaker 1: dumped some money onto this movie without any real intention

825
00:36:13,520 --> 00:36:16,080
Speaker 1: of making something that was going to resonate with kids.

826
00:36:16,360 --> 00:36:19,560
Speaker 1: They just want to cash in little cash grab. You

827
00:36:19,640 --> 00:36:23,279
Speaker 1: throw out this random animated movie, throw some celebrities in there,

828
00:36:23,400 --> 00:36:25,400
Speaker 1: have them do a couple of interviews about it, and

829
00:36:25,440 --> 00:36:28,080
Speaker 1: you maybe make a quick book. But a kid is

830
00:36:28,120 --> 00:36:30,880
Speaker 1: going to forget about that movie as soon as they

831
00:36:30,960 --> 00:36:33,520
Speaker 1: leave the theater. They're not gonna want to rewatch that movie.

832
00:36:34,040 --> 00:36:36,640
Speaker 1: The Wild Robot is not that it is going to

833
00:36:36,840 --> 00:36:39,239
Speaker 1: stay in the minds of kids. They're gonna want to

834
00:36:39,239 --> 00:36:42,280
Speaker 1: watch this movie again. They're gonna want to see a sequel,

835
00:36:42,320 --> 00:36:45,400
Speaker 1: and hopefully, being that it is a trilogy, you have

836
00:36:45,520 --> 00:36:47,920
Speaker 1: the books to base it off of that it gets

837
00:36:47,920 --> 00:36:51,719
Speaker 1: an entire series of movies. The other thing I loved

838
00:36:51,719 --> 00:36:55,480
Speaker 1: about it is it had this very childlike sense of

839
00:36:55,680 --> 00:36:59,319
Speaker 1: mystery that even me as an adult, was very enticed by.

840
00:37:00,120 --> 00:37:01,759
Speaker 1: Read the book going into this, so I didn't know

841
00:37:01,800 --> 00:37:04,360
Speaker 1: what was going to happen, but it was putting together

842
00:37:04,440 --> 00:37:07,520
Speaker 1: the pieces and for a movie geared towards kids, I

843
00:37:07,600 --> 00:37:11,279
Speaker 1: didn't find it to be that predictable, especially since it

844
00:37:11,440 --> 00:37:15,160
Speaker 1: was dealing with things like death and despair, that I

845
00:37:15,200 --> 00:37:17,680
Speaker 1: didn't know how everything was going to turn out because

846
00:37:18,239 --> 00:37:20,560
Speaker 1: they don't really paint it in a certain way that

847
00:37:20,719 --> 00:37:24,439
Speaker 1: everything is going to play off nicely for every single character. Again,

848
00:37:24,520 --> 00:37:27,120
Speaker 1: won't spoil the end for you, but you find out

849
00:37:27,160 --> 00:37:31,240
Speaker 1: from the very beginning on how Ras even discovers bright

850
00:37:31,360 --> 00:37:35,040
Speaker 1: Bill knowing that probably anything can happen, and as soon

851
00:37:35,040 --> 00:37:37,359
Speaker 1: as she discovers the other fox of knowing like, hey,

852
00:37:37,680 --> 00:37:40,879
Speaker 1: death is right around the corner, you know that they're

853
00:37:40,920 --> 00:37:43,959
Speaker 1: in the wild and all these elements are not being

854
00:37:44,000 --> 00:37:48,200
Speaker 1: straight away from Death is always just right there hanging

855
00:37:48,239 --> 00:37:51,080
Speaker 1: over your head, much like it is an adult life,

856
00:37:51,160 --> 00:37:53,000
Speaker 1: and that what we all worry about. But it's the

857
00:37:53,120 --> 00:37:56,720
Speaker 1: sense of mystery that for me, I put myself more

858
00:37:56,760 --> 00:38:00,759
Speaker 1: in the position of Ras of now, they have this

859
00:38:00,920 --> 00:38:03,879
Speaker 1: kid who is their responsibility, and they want to see

860
00:38:03,880 --> 00:38:08,720
Speaker 1: them succeed. They are an adopted single parent just trying

861
00:38:08,719 --> 00:38:12,880
Speaker 1: to do the best for their kid and not really

862
00:38:12,960 --> 00:38:15,800
Speaker 1: having all the tools and not knowing how to process

863
00:38:15,840 --> 00:38:20,120
Speaker 1: emotions because they are a robot, but trying to dig

864
00:38:20,200 --> 00:38:23,799
Speaker 1: deep and feel something and It really made me think

865
00:38:23,840 --> 00:38:26,359
Speaker 1: about my mom and all the struggles she had to

866
00:38:26,400 --> 00:38:29,080
Speaker 1: go through to make sure that me and my brother

867
00:38:29,160 --> 00:38:33,960
Speaker 1: and sister had what we needed. And this movie really

868
00:38:34,000 --> 00:38:39,239
Speaker 1: shines a light on the toll that raising kids has

869
00:38:39,320 --> 00:38:42,520
Speaker 1: on parents, how much it wears you down physically, how

870
00:38:42,600 --> 00:38:45,319
Speaker 1: much it wears you down mentally, and how it can

871
00:38:45,440 --> 00:38:51,000
Speaker 1: just drain you of everything. But just knowing that your

872
00:38:51,120 --> 00:38:55,480
Speaker 1: kid can just have a maybe one percent chance at

873
00:38:55,480 --> 00:38:57,799
Speaker 1: making it a life makes it all worth it. So

874
00:38:57,880 --> 00:39:02,480
Speaker 1: it is a big commentary on motherhood and me not

875
00:39:02,640 --> 00:39:06,680
Speaker 1: being female. I totally grasp onto that and made me

876
00:39:06,680 --> 00:39:10,320
Speaker 1: want to call my mom immediately after leaving the theater

877
00:39:10,400 --> 00:39:12,600
Speaker 1: and thanking her for every single thing she had ever

878
00:39:12,640 --> 00:39:15,960
Speaker 1: done for me. I think for a younger audience, they're

879
00:39:15,960 --> 00:39:17,960
Speaker 1: probably going to see themselves a little bit more as

880
00:39:18,040 --> 00:39:21,040
Speaker 1: bright Bill, because bright Bill is trying to navigate this

881
00:39:21,120 --> 00:39:24,000
Speaker 1: world that they don't fit in with because they have

882
00:39:24,040 --> 00:39:27,040
Speaker 1: a parent who is being described by the other people

883
00:39:27,160 --> 00:39:31,439
Speaker 1: on this desert island as a monster, and bright Bill

884
00:39:31,600 --> 00:39:34,560
Speaker 1: is raised in a way that's not very traditional. All

885
00:39:34,600 --> 00:39:38,200
Speaker 1: the other geese find bright Bill to be an outcast,

886
00:39:38,360 --> 00:39:40,759
Speaker 1: a weirdo, and they beat them up for that. So

887
00:39:40,840 --> 00:39:43,799
Speaker 1: I think the younger audience is going to grasp onto that,

888
00:39:43,920 --> 00:39:46,800
Speaker 1: whether they feel like that or maybe they've been treating

889
00:39:46,800 --> 00:39:50,759
Speaker 1: a kid unfairly just for being different, which I hope

890
00:39:50,800 --> 00:39:53,719
Speaker 1: the movie benefits both sides. For those who are more

891
00:39:53,800 --> 00:39:56,840
Speaker 1: like bright Bill feel like, oh, that's somebody like me.

892
00:39:57,000 --> 00:39:59,960
Speaker 1: I can identify with that, and somebody who identifies as

893
00:40:00,080 --> 00:40:02,799
Speaker 1: maybe one of the bullies, think maybe I should do that.

894
00:40:03,120 --> 00:40:05,560
Speaker 1: Maybe I don't know the entire story here and don't

895
00:40:05,640 --> 00:40:08,240
Speaker 1: know what they are going through, and maybe I should

896
00:40:08,239 --> 00:40:11,600
Speaker 1: be a little bit more conscious of learning about somebody

897
00:40:11,640 --> 00:40:14,120
Speaker 1: who doesn't look like me. And again, I don't want

898
00:40:14,160 --> 00:40:17,080
Speaker 1: to make it sound like this movie is completely depressing

899
00:40:17,480 --> 00:40:20,520
Speaker 1: and you're gonna be crying the whole time. I just

900
00:40:20,560 --> 00:40:24,040
Speaker 1: want to put an emphasis on we shouldn't stray away

901
00:40:24,160 --> 00:40:28,080
Speaker 1: from exposing kids to sadness. It is a very real emotion,

902
00:40:28,280 --> 00:40:32,080
Speaker 1: and sadness isn't a bad thing to feel. You're supposed

903
00:40:32,160 --> 00:40:35,320
Speaker 1: to feel those emotions and learn how to process those emotions.

904
00:40:35,560 --> 00:40:37,920
Speaker 1: And I think if I learned that at a younger age,

905
00:40:37,960 --> 00:40:41,000
Speaker 1: I probably wouldn't be in some of the positions I

906
00:40:41,040 --> 00:40:43,160
Speaker 1: am now where it is hard for me to speak

907
00:40:43,200 --> 00:40:47,280
Speaker 1: about the things going on inside here unless I'm talking

908
00:40:47,320 --> 00:40:50,319
Speaker 1: about it in a movie review. So I think that

909
00:40:50,400 --> 00:40:52,920
Speaker 1: is just the most polarizing feeling from the movie. But

910
00:40:53,000 --> 00:40:55,480
Speaker 1: there are a lot of fun moments and a lot

911
00:40:55,480 --> 00:40:57,719
Speaker 1: of sci fi as well. And I've said all these

912
00:40:57,760 --> 00:41:00,600
Speaker 1: great things about this movie without even talking talking about

913
00:41:00,640 --> 00:41:05,680
Speaker 1: the amazing voice acting. Lupita Niago plays Roz, who does

914
00:41:05,719 --> 00:41:09,720
Speaker 1: a fantastic job of showing the evolution of the character,

915
00:41:10,440 --> 00:41:14,280
Speaker 1: going from being a factory set robot to a fully

916
00:41:14,320 --> 00:41:17,840
Speaker 1: fleshed out mom By the end of this movie. You

917
00:41:18,040 --> 00:41:21,160
Speaker 1: hear it in her voice that is top tier voice acting,

918
00:41:21,239 --> 00:41:23,160
Speaker 1: much like you would if you were on screen the

919
00:41:23,320 --> 00:41:27,360
Speaker 1: entire time. Lupita Niago does that with her voice across

920
00:41:27,400 --> 00:41:30,880
Speaker 1: the board. To me, it felt like everybody really understood

921
00:41:30,920 --> 00:41:34,480
Speaker 1: the assignment, got into that vocal booth, really packed in

922
00:41:34,520 --> 00:41:38,000
Speaker 1: the emotion, and really had fun with the characters, whether

923
00:41:38,040 --> 00:41:41,319
Speaker 1: it was Pedro Pascal as Fink, Catherine O'Hara as the

924
00:41:41,360 --> 00:41:44,560
Speaker 1: mom Possum, Mark Hamill as the Big Brown Bear, or

925
00:41:44,640 --> 00:41:48,120
Speaker 1: Ving Raims as Thunderbolt. What I really look for in

926
00:41:48,160 --> 00:41:51,759
Speaker 1: any movie, especially one with a lot of action and adventure,

927
00:41:51,920 --> 00:41:55,160
Speaker 1: even in animation. I always want to find that real

928
00:41:55,320 --> 00:41:58,600
Speaker 1: triumphant moment, that moment in a movie where I want

929
00:41:58,600 --> 00:42:01,200
Speaker 1: to stand up in my seat cheer and applaud, even

930
00:42:01,239 --> 00:42:03,960
Speaker 1: though that's not really me in a movie. I find

931
00:42:04,200 --> 00:42:06,479
Speaker 1: clapping to be a little bit cheesy and a little

932
00:42:06,520 --> 00:42:09,279
Speaker 1: bit forced at times, But I want that feeling that

933
00:42:09,360 --> 00:42:13,040
Speaker 1: makes me feel excited that if I was a clapper

934
00:42:13,160 --> 00:42:15,160
Speaker 1: or a cheerer, that I would want to get up

935
00:42:15,239 --> 00:42:18,799
Speaker 1: out of my seat, that big excitement moment that makes

936
00:42:18,800 --> 00:42:22,520
Speaker 1: you think, yes, finally. I always look for that in movies.

937
00:42:22,800 --> 00:42:25,719
Speaker 1: Often find that a lot in superhero movies, not as

938
00:42:25,840 --> 00:42:28,959
Speaker 1: much as of late, but this movie had that. There's

939
00:42:28,960 --> 00:42:32,520
Speaker 1: one moment in particular where Maren Morris wrote a song

940
00:42:32,560 --> 00:42:36,240
Speaker 1: specifically for this movie. When that song hits, I felt

941
00:42:36,280 --> 00:42:40,440
Speaker 1: something so warm take over my body and it felt

942
00:42:40,440 --> 00:42:43,960
Speaker 1: like in that moment, I was watching something truly special.

943
00:42:44,200 --> 00:42:46,200
Speaker 1: I got emotional, not in a way that I was

944
00:42:46,239 --> 00:42:48,480
Speaker 1: going to cry because it was sad, but just because

945
00:42:48,520 --> 00:42:52,439
Speaker 1: I was overwhelmed with this happiness and feeling like, oh,

946
00:42:53,040 --> 00:42:55,960
Speaker 1: how could something that's just a bunch of frames and

947
00:42:56,080 --> 00:43:01,719
Speaker 1: moving pictures and actors voicing make me feel like this?

948
00:43:01,880 --> 00:43:04,600
Speaker 1: And that felt really special, and that is the power

949
00:43:04,680 --> 00:43:07,960
Speaker 1: of filmmaking, the power of animation, because if this was

950
00:43:08,000 --> 00:43:10,759
Speaker 1: a live action movie, by no means would it have

951
00:43:11,000 --> 00:43:13,120
Speaker 1: the same effect. And that is why I'm such a

952
00:43:13,200 --> 00:43:16,439
Speaker 1: huge proponent of animation, because it could take your mind

953
00:43:16,480 --> 00:43:19,960
Speaker 1: to places that you never knew that were possible. And

954
00:43:20,239 --> 00:43:23,200
Speaker 1: the wild Robot, even though it's based on a book,

955
00:43:23,280 --> 00:43:25,879
Speaker 1: it isn't a huge ip. It's not like it's Willy

956
00:43:25,960 --> 00:43:28,920
Speaker 1: Wonka and the Chocolate Factory or Cat in the Hat.

957
00:43:29,320 --> 00:43:32,200
Speaker 1: So it's also inspiring to me that a movie like

958
00:43:32,280 --> 00:43:35,520
Speaker 1: this that's not based on a toy or based on

959
00:43:35,600 --> 00:43:38,400
Speaker 1: something that everybody knows, that feels like a remake or

960
00:43:38,440 --> 00:43:42,200
Speaker 1: part of a franchise that's already established, can still exist,

961
00:43:42,360 --> 00:43:45,400
Speaker 1: come out be number one at the box office opening weekend,

962
00:43:45,640 --> 00:43:48,719
Speaker 1: and have not only people like me ranting and raving

963
00:43:48,800 --> 00:43:51,239
Speaker 1: about it, but it also connecting with the audience that

964
00:43:51,320 --> 00:43:54,080
Speaker 1: it was intended for. When it comes to the score,

965
00:43:54,280 --> 00:43:59,120
Speaker 1: it is almost so close to being perfect. I've never

966
00:43:59,280 --> 00:44:02,080
Speaker 1: rated an animated movie a five out of five. I

967
00:44:02,160 --> 00:44:05,600
Speaker 1: take my ratings very very seriously, and even though I

968
00:44:05,680 --> 00:44:08,719
Speaker 1: love this movie with so much of my heart, I

969
00:44:08,800 --> 00:44:11,959
Speaker 1: still couldn't give it that perfect score. It is almost there,

970
00:44:12,400 --> 00:44:15,440
Speaker 1: but it is a strong four point five out of

971
00:44:15,520 --> 00:44:18,480
Speaker 1: five goslings almost there at the five out of five,

972
00:44:19,120 --> 00:44:22,239
Speaker 1: and maybe upon that second or third rewatch for me,

973
00:44:22,800 --> 00:44:24,759
Speaker 1: or maybe if they do make that sequel, they do

974
00:44:24,840 --> 00:44:28,400
Speaker 1: make that part three, Part two, or maybe part three

975
00:44:28,520 --> 00:44:30,360
Speaker 1: could hit there at that five out of five for me.

976
00:44:30,960 --> 00:44:33,719
Speaker 1: So maybe I'm saying this in hopes that they do

977
00:44:33,800 --> 00:44:36,759
Speaker 1: make more movies, build a nice little franchise before the

978
00:44:36,800 --> 00:44:39,759
Speaker 1: Wild Robot. I give it four point five out of five.

979
00:44:43,280 --> 00:44:46,919
Speaker 4: It's time to head down to movie Mike Trey, Lark Paul.

980
00:44:47,719 --> 00:44:51,200
Speaker 1: The best movies to me are ones that feel like

981
00:44:51,360 --> 00:44:55,560
Speaker 1: dreams come to life. I have some wild, reoccurring dreams

982
00:44:56,480 --> 00:44:59,840
Speaker 1: that I would love to see somebody take my ideas

983
00:45:00,080 --> 00:45:01,719
Speaker 1: from these dreams to turn him into a movie. And

984
00:45:01,760 --> 00:45:03,919
Speaker 1: I feel like if there was one director that could

985
00:45:03,960 --> 00:45:08,319
Speaker 1: do that, it would be Bong June Hoe, who is

986
00:45:08,360 --> 00:45:13,920
Speaker 1: an incredibly creative and gifted director. And I feel like

987
00:45:14,040 --> 00:45:19,000
Speaker 1: he really got the appreciation for his work, obviously after

988
00:45:19,040 --> 00:45:21,799
Speaker 1: winning Best Director for Parasite. I think after he won

989
00:45:21,840 --> 00:45:24,759
Speaker 1: that dropped an amazing speech telling everybody not to be

990
00:45:24,800 --> 00:45:28,840
Speaker 1: afraid of subtitles. More people went back and started discovering

991
00:45:28,880 --> 00:45:31,080
Speaker 1: his films and now he is ready to do it

992
00:45:31,120 --> 00:45:34,000
Speaker 1: again with a new movie called Mickey seventeen coming out

993
00:45:34,040 --> 00:45:37,280
Speaker 1: on January thirty first, twenty twenty five. It stars Robert

994
00:45:37,320 --> 00:45:40,239
Speaker 1: Pattinson who plays a character named Mickey Barnes. It is

995
00:45:40,280 --> 00:45:43,040
Speaker 1: a sci fi thriller with a little bit of comedy.

996
00:45:43,080 --> 00:45:46,880
Speaker 1: This trailer is very lighthearted, but Robert Pattinson plays Mickey.

997
00:45:47,160 --> 00:45:50,399
Speaker 1: His character signs up to be inexpendable and gets sent

998
00:45:50,440 --> 00:45:53,840
Speaker 1: out on these dangerous missions on this ice planet where

999
00:45:54,000 --> 00:45:57,399
Speaker 1: the result of all these missions is him dying, and

1000
00:45:57,440 --> 00:45:59,759
Speaker 1: through him dying, these scientists are able to learn a

1001
00:45:59,760 --> 00:46:03,360
Speaker 1: lot about how to advance humans, and once one version

1002
00:46:03,400 --> 00:46:06,160
Speaker 1: of them dies, they replace some Here attains a lot

1003
00:46:06,160 --> 00:46:09,200
Speaker 1: of his memories and then things get crazy whenever it

1004
00:46:09,239 --> 00:46:12,319
Speaker 1: looks like they throw him into a hole that incinerates him.

1005
00:46:12,520 --> 00:46:14,719
Speaker 1: But then he wakes up one day and realizes they

1006
00:46:14,760 --> 00:46:17,480
Speaker 1: are now duplicates. He wakes up next to himself and

1007
00:46:17,520 --> 00:46:20,640
Speaker 1: they have to decide what do they do with the duplicates.

1008
00:46:20,640 --> 00:46:23,360
Speaker 1: So the reason it's called Mickey seventeen, it happens to

1009
00:46:23,400 --> 00:46:26,319
Speaker 1: be the seventh time he is replicated. That's when things

1010
00:46:26,400 --> 00:46:29,560
Speaker 1: go wrong. Joining Robert Pattinson in this cast is Stephen Yune,

1011
00:46:29,840 --> 00:46:33,040
Speaker 1: Mark Ruffalo, Tony Collette. The movie sets out to answer

1012
00:46:33,040 --> 00:46:35,440
Speaker 1: the question what does it feel like to die? Before

1013
00:46:35,440 --> 00:46:38,080
Speaker 1: I get into more about Mickey seventeen, here is a

1014
00:46:38,120 --> 00:46:41,120
Speaker 1: little bit of the trailer. Nothing was working out and

1015
00:46:41,360 --> 00:46:42,799
Speaker 1: I wanted to get off of Earth.

1016
00:46:42,960 --> 00:46:44,359
Speaker 2: You're planning to be inexpendable.

1017
00:46:44,520 --> 00:46:47,360
Speaker 1: Yeah, once you die, would print a new version of

1018
00:46:47,400 --> 00:46:47,840
Speaker 1: your body.

1019
00:46:47,920 --> 00:46:50,880
Speaker 3: Every time you die, we learned something new, and humanity

1020
00:46:50,960 --> 00:46:51,720
Speaker 3: moves forward.

1021
00:46:52,360 --> 00:46:57,160
Speaker 1: Oh he's lying, fine, biggie, it's not looking very good

1022
00:46:57,160 --> 00:47:01,520
Speaker 1: for you. Yeah, I'm sure you're used to it by now,

1023
00:47:01,560 --> 00:47:05,360
Speaker 1: But what's it feel like to die? Even on my

1024
00:47:05,520 --> 00:47:06,680
Speaker 1: seventeenth go round?

1025
00:47:06,840 --> 00:47:08,120
Speaker 4: I hate dying.

1026
00:47:09,040 --> 00:47:11,359
Speaker 1: I first talked about this movie back when I did

1027
00:47:11,400 --> 00:47:13,480
Speaker 1: my episode at the start of the year of my

1028
00:47:13,560 --> 00:47:16,440
Speaker 1: most anticipated movies of the year, back when it was

1029
00:47:16,480 --> 00:47:18,160
Speaker 1: set to come out this year and now has been

1030
00:47:18,200 --> 00:47:20,919
Speaker 1: pushed to the beginning of next year, which I'm okay with.

1031
00:47:21,160 --> 00:47:23,080
Speaker 1: I thought it was going to have a more dramatic

1032
00:47:23,160 --> 00:47:25,440
Speaker 1: sci fi feel, but instead it looks like we're getting

1033
00:47:25,440 --> 00:47:28,640
Speaker 1: a sci fi comedy, which is unique, which is fresh,

1034
00:47:28,760 --> 00:47:31,200
Speaker 1: and I definitely think the song by Dean Martin. Ain't

1035
00:47:31,200 --> 00:47:33,400
Speaker 1: that a kick in the head used in this trailer

1036
00:47:33,719 --> 00:47:36,200
Speaker 1: really gives you a much different feeling, but not only

1037
00:47:36,239 --> 00:47:38,879
Speaker 1: shows you the importance of music in movies but also

1038
00:47:38,920 --> 00:47:41,520
Speaker 1: in trailers, because that sets the tone for me of

1039
00:47:41,560 --> 00:47:44,040
Speaker 1: what to expect going into this film. And I have

1040
00:47:44,120 --> 00:47:48,279
Speaker 1: to say, Robert Pattinson is not only the king of genres,

1041
00:47:48,280 --> 00:47:51,680
Speaker 1: he is also the king of accents, because if you

1042
00:47:51,800 --> 00:47:54,279
Speaker 1: just played that audio, you have no idea that is

1043
00:47:54,360 --> 00:47:56,520
Speaker 1: Robert Pattinson. You coulda pick him out of a lineup

1044
00:47:56,560 --> 00:47:58,799
Speaker 1: if I told you just by playing that audio. There's

1045
00:47:58,840 --> 00:48:01,600
Speaker 1: an a list actor in this role. You can never

1046
00:48:01,680 --> 00:48:03,600
Speaker 1: guess it. And he's been doing this now for a

1047
00:48:03,680 --> 00:48:07,160
Speaker 1: long time, not only altering the way that he looks

1048
00:48:07,160 --> 00:48:10,759
Speaker 1: in different costumes and taking on these entirely different personalities,

1049
00:48:10,800 --> 00:48:13,680
Speaker 1: which is what acting is. But sometimes I feel actors

1050
00:48:13,680 --> 00:48:17,200
Speaker 1: get comfortable in doing what they do best and continuing

1051
00:48:17,239 --> 00:48:20,160
Speaker 1: to give audiences more of that, and sometimes they dip

1052
00:48:20,200 --> 00:48:22,919
Speaker 1: into a little bit more dramatic things, but rarely show

1053
00:48:22,960 --> 00:48:26,960
Speaker 1: you so many different looks, so many different accents, like

1054
00:48:27,080 --> 00:48:29,799
Speaker 1: Robert Pattinson has done in his career. And it's still

1055
00:48:29,800 --> 00:48:33,960
Speaker 1: wild to me that people still associate him with Edward

1056
00:48:34,000 --> 00:48:37,319
Speaker 1: from Twilight because he's come so far since then. I

1057
00:48:37,360 --> 00:48:40,880
Speaker 1: think it's because how massive that movie was. It was huge,

1058
00:48:40,920 --> 00:48:44,479
Speaker 1: it was everywhere, it was worldwide. It is very rare

1059
00:48:44,560 --> 00:48:48,000
Speaker 1: for an actor to get a legacy film like that,

1060
00:48:48,280 --> 00:48:50,399
Speaker 1: to the point that if he didn't do any other

1061
00:48:50,520 --> 00:48:54,080
Speaker 1: movie beyond Twilight, he could still be in the minds

1062
00:48:54,080 --> 00:48:56,560
Speaker 1: of people for years to come because of how important

1063
00:48:56,640 --> 00:48:59,719
Speaker 1: that movie was to pop culture. But since then, I

1064
00:48:59,719 --> 00:49:02,279
Speaker 1: feel he has stepped a little bit away from being

1065
00:49:02,320 --> 00:49:05,520
Speaker 1: in those big blockbuster movies. He still does them, but

1066
00:49:05,600 --> 00:49:08,120
Speaker 1: I feel like he has become very passionate about doing

1067
00:49:08,239 --> 00:49:11,480
Speaker 1: unique movies like this that really challenge him as an actor.

1068
00:49:11,840 --> 00:49:14,520
Speaker 1: In just the last five years, he has done everything

1069
00:49:14,520 --> 00:49:16,920
Speaker 1: from movies like Devil All the Time to The Batman

1070
00:49:17,080 --> 00:49:19,640
Speaker 1: and now a sci fi comedy like this. He's even

1071
00:49:19,640 --> 00:49:22,160
Speaker 1: done animated movies. So here's a little clip of all

1072
00:49:22,239 --> 00:49:24,480
Speaker 1: the different accents that he has done over the years.

1073
00:49:24,640 --> 00:49:28,280
Speaker 1: What's you sure have absolutely no function whatsoever. It's pathetic

1074
00:49:28,320 --> 00:49:34,799
Speaker 1: and I see plenty of meat, red meat laid out

1075
00:49:34,840 --> 00:49:38,839
Speaker 1: on this tape. What's happened has happened, which is an

1076
00:49:38,840 --> 00:49:40,760
Speaker 1: expression of faith in the mechanics of the world.

1077
00:49:41,040 --> 00:49:43,239
Speaker 3: I want to know she is, what she has to

1078
00:49:43,239 --> 00:49:43,920
Speaker 3: do with this murder.

1079
00:49:43,960 --> 00:49:46,360
Speaker 1: Don't let me hurt you, of course I can't. But

1080
00:49:47,640 --> 00:49:53,440
Speaker 1: your mother is not dead. Stop flopping, be old. So

1081
00:49:53,520 --> 00:49:56,319
Speaker 1: with Robert Pattinson alone in the cast, this was going

1082
00:49:56,400 --> 00:49:59,000
Speaker 1: to be a go to movie for me. But then

1083
00:49:59,040 --> 00:50:03,080
Speaker 1: you have director Bom Juho, who creates these cinematic experiences

1084
00:50:03,080 --> 00:50:05,880
Speaker 1: that you have to go experience in theaters. And that

1085
00:50:06,040 --> 00:50:09,000
Speaker 1: is how I feel after watching this trailer. It is

1086
00:50:09,080 --> 00:50:11,440
Speaker 1: meant to be seen on the big screen. There is

1087
00:50:11,520 --> 00:50:14,040
Speaker 1: spectacle here, and this is the fun I like. And

1088
00:50:14,320 --> 00:50:16,520
Speaker 1: I got a little bit of heat last week talking

1089
00:50:16,520 --> 00:50:19,719
Speaker 1: about Red One and how much I hated that trailer

1090
00:50:20,280 --> 00:50:22,040
Speaker 1: and how I was kind of being a hater all

1091
00:50:22,080 --> 00:50:25,120
Speaker 1: over that episode last week. And I'm always open to criticism.

1092
00:50:25,480 --> 00:50:27,040
Speaker 1: People felt that I was a little bit too hard

1093
00:50:27,040 --> 00:50:29,000
Speaker 1: of that trailer and missed out that it's just supposed

1094
00:50:29,040 --> 00:50:31,640
Speaker 1: to be holiday fun. And I'm not blind to the

1095
00:50:31,760 --> 00:50:34,880
Speaker 1: idea that some movies are just supposed to be fun

1096
00:50:34,960 --> 00:50:38,520
Speaker 1: movies for the sake of enjoyment, popcorn movies. I'm all

1097
00:50:38,560 --> 00:50:42,480
Speaker 1: for those movies, but sometimes I feel that fun is

1098
00:50:42,640 --> 00:50:46,279
Speaker 1: passed off on the filmmakers being lazy. How can we

1099
00:50:46,360 --> 00:50:49,000
Speaker 1: make this movie just be like, oh, it's just supposed

1100
00:50:49,080 --> 00:50:51,640
Speaker 1: to be fun as a way to say, ah, we

1101
00:50:51,800 --> 00:50:54,000
Speaker 1: just didn't really care too much about the process of

1102
00:50:54,040 --> 00:50:57,120
Speaker 1: this movie, the actual filmmaking. Let's just say it's a

1103
00:50:57,160 --> 00:50:59,840
Speaker 1: movie where you're supposed to have fun. You're supposed to

1104
00:50:59,840 --> 00:51:02,440
Speaker 1: be ignore the bad cgi, you're supposed to ignore the

1105
00:51:02,480 --> 00:51:06,160
Speaker 1: bad acting because it is fun. And this is coming

1106
00:51:06,200 --> 00:51:08,640
Speaker 1: from somebody who loves the Fast and the Furious movies

1107
00:51:08,640 --> 00:51:11,839
Speaker 1: because those are big, dumb fun, but they lean into it.

1108
00:51:12,239 --> 00:51:14,920
Speaker 1: So there are some exceptions to the rule. But there

1109
00:51:14,920 --> 00:51:18,880
Speaker 1: are also movies now like this Mickey seventeen, which it

1110
00:51:19,120 --> 00:51:22,040
Speaker 1: is that same kind of fun. It's Robert Pattinson, how

1111
00:51:22,120 --> 00:51:25,400
Speaker 1: you maybe really haven't seen them in a very lighthearted way,

1112
00:51:25,560 --> 00:51:27,680
Speaker 1: playing kind of a kooky character. You could hear it

1113
00:51:27,680 --> 00:51:29,200
Speaker 1: in his voice there. You can see it in his

1114
00:51:29,280 --> 00:51:31,759
Speaker 1: performance if you go watch the trailer. So this movie

1115
00:51:31,800 --> 00:51:34,160
Speaker 1: shows you you can still have fun but also make

1116
00:51:34,239 --> 00:51:38,000
Speaker 1: something fun and unique and original. So fun doesn't always

1117
00:51:38,040 --> 00:51:39,879
Speaker 1: have to be this is the best we can do.

1118
00:51:40,600 --> 00:51:42,759
Speaker 1: Don't think too much about it. Well, I wouldn't think

1119
00:51:42,800 --> 00:51:44,800
Speaker 1: too much about it if I'm not spending my time

1120
00:51:44,880 --> 00:51:46,960
Speaker 1: and my money on this. So I think when you

1121
00:51:47,000 --> 00:51:50,640
Speaker 1: are providing audiences with quote unquote fun, you have to

1122
00:51:50,680 --> 00:51:53,400
Speaker 1: be sure that you are also providing them with fun

1123
00:51:53,600 --> 00:51:55,920
Speaker 1: that is worth paying for. And I think that's what

1124
00:51:55,960 --> 00:51:58,360
Speaker 1: Mickey seventeen is going to be. And this trailer just

1125
00:51:58,440 --> 00:52:01,440
Speaker 1: really sets you up to go on that him discovering

1126
00:52:01,440 --> 00:52:04,520
Speaker 1: the duplicate, the fallout that comes with that. It looks

1127
00:52:04,560 --> 00:52:08,120
Speaker 1: like some people are upset. You see other duplicate, sometimes

1128
00:52:08,160 --> 00:52:10,560
Speaker 1: triplets and beyond. So I think there's gonna be a

1129
00:52:10,600 --> 00:52:12,880
Speaker 1: moral dilemma on how to get rid of these people.

1130
00:52:13,080 --> 00:52:14,880
Speaker 1: But it looks great to me so far. I wonder

1131
00:52:14,880 --> 00:52:17,280
Speaker 1: where it's going to rank on my favorite Bangju home films.

1132
00:52:17,440 --> 00:52:20,560
Speaker 1: I would say number one easily has to be Parasite.

1133
00:52:20,680 --> 00:52:24,920
Speaker 1: That movie has great rewatchability, was a really impactful movie

1134
00:52:24,960 --> 00:52:28,719
Speaker 1: going experience for me. Was also one that completely shattered

1135
00:52:28,719 --> 00:52:31,080
Speaker 1: the way I feel about foreign films and having to

1136
00:52:31,120 --> 00:52:33,719
Speaker 1: read subtitles. I would say number two has to be

1137
00:52:33,760 --> 00:52:36,920
Speaker 1: snow Piercer with Chris Evans. The entire world that is

1138
00:52:36,960 --> 00:52:40,239
Speaker 1: created in that movie is fantastic, A great mix of

1139
00:52:40,320 --> 00:52:42,920
Speaker 1: awesome performances. From actors, but also a lot of really

1140
00:52:42,920 --> 00:52:45,560
Speaker 1: good intense action. And number three would have to be

1141
00:52:45,640 --> 00:52:49,200
Speaker 1: Oak Joke, which has a lot more fantasy, unique animals,

1142
00:52:49,400 --> 00:52:52,480
Speaker 1: unique premise. You see little glimpses of that movie. I

1143
00:52:52,520 --> 00:52:55,320
Speaker 1: feel in the trailer for Mickey seventeen, So I feel

1144
00:52:55,320 --> 00:52:57,319
Speaker 1: like this movie is going to be kind of a

1145
00:52:57,360 --> 00:53:01,720
Speaker 1: culmination and picking all of bangju homes signature movie making

1146
00:53:01,800 --> 00:53:05,800
Speaker 1: aspects from all of his films horror, sci fi, comedy, drama.

1147
00:53:05,880 --> 00:53:07,600
Speaker 1: I think this one will have it all again. It

1148
00:53:07,640 --> 00:53:11,400
Speaker 1: is coming out next year in theaters on January thirty first,

1149
00:53:11,840 --> 00:53:14,400
Speaker 1: And for those who still haven't given Robert Pattinson a

1150
00:53:14,480 --> 00:53:18,439
Speaker 1: chance since Twilight, maybe this is your next opportunity. At

1151
00:53:18,440 --> 00:53:21,880
Speaker 1: that p was this week's edition of Movie by Frame

1152
00:53:22,000 --> 00:53:24,720
Speaker 1: or Park and that is gonna do it for another

1153
00:53:24,800 --> 00:53:28,040
Speaker 1: episode here of the podcast. And like I was saying before,

1154
00:53:28,480 --> 00:53:32,720
Speaker 1: I always get pretty passionate. Either way, I'm either all

1155
00:53:32,719 --> 00:53:35,240
Speaker 1: about a movie or I'm all about hating a movie.

1156
00:53:35,480 --> 00:53:38,000
Speaker 1: And that is the pleasure I find in watching movies.

1157
00:53:38,120 --> 00:53:41,399
Speaker 1: I want movies to evoke a reaction in me. Either way.

1158
00:53:41,440 --> 00:53:43,800
Speaker 1: When a movie is just mid I think what to

1159
00:53:43,840 --> 00:53:47,160
Speaker 1: waste the time? Because you gave me something that isn't

1160
00:53:47,160 --> 00:53:50,399
Speaker 1: even worth talking about. I would rather you put out

1161
00:53:50,440 --> 00:53:52,840
Speaker 1: a terrible movie that I want to rip to shreds

1162
00:53:53,080 --> 00:53:54,680
Speaker 1: than a movie that I just watch and think, eh,

1163
00:53:54,880 --> 00:53:57,680
Speaker 1: that was all right. No real standouts, and I know

1164
00:53:57,920 --> 00:54:00,560
Speaker 1: I could probably be annoying. You're not supposed to agree

1165
00:54:00,600 --> 00:54:03,040
Speaker 1: with everything I say in this podcast, but just know

1166
00:54:03,200 --> 00:54:07,120
Speaker 1: it is my true emotion, my true feelings, without any influence,

1167
00:54:07,440 --> 00:54:09,600
Speaker 1: so you're always getting the real deal here. If you

1168
00:54:09,640 --> 00:54:12,040
Speaker 1: don't agree with me, I welcome you to share your

1169
00:54:12,080 --> 00:54:14,799
Speaker 1: opinion hit me up on any platform because that is

1170
00:54:14,840 --> 00:54:17,480
Speaker 1: what makes doing this podcast fun. But before I go,

1171
00:54:17,560 --> 00:54:19,800
Speaker 1: I got to give my listeners shout out of the week.

1172
00:54:19,960 --> 00:54:22,440
Speaker 1: We had a secret emoji last week with the Nightmare

1173
00:54:22,480 --> 00:54:25,279
Speaker 1: on Elm Street interview. So much great response from that.

1174
00:54:25,400 --> 00:54:28,719
Speaker 1: Appreciate everybody for checking out that episode. Went through all

1175
00:54:28,719 --> 00:54:33,319
Speaker 1: the Facebook and YouTube and Twitter and TikTok comments to

1176
00:54:33,320 --> 00:54:35,360
Speaker 1: find this week's listener shout out of the week that

1177
00:54:35,520 --> 00:54:37,920
Speaker 1: use that emoji, and it is going to Lori Weber,

1178
00:54:37,960 --> 00:54:40,800
Speaker 1: who commented with the skull emoji and said, awesome interview.

1179
00:54:40,840 --> 00:54:43,640
Speaker 1: I loved how you use numbers to facilitate the questions.

1180
00:54:44,000 --> 00:54:47,120
Speaker 1: Great job. Thank you, Lori. I had to really think

1181
00:54:47,160 --> 00:54:50,920
Speaker 1: about how to approach that interview because I imagine after

1182
00:54:51,040 --> 00:54:54,200
Speaker 1: forty years of talking about a nightmare on Elm Street,

1183
00:54:54,480 --> 00:54:57,719
Speaker 1: they have probably heard every single question and probably at

1184
00:54:57,719 --> 00:55:00,279
Speaker 1: that point where they are sick of talking of the

1185
00:55:00,320 --> 00:55:02,360
Speaker 1: same story again and again. So I thought if I

1186
00:55:02,400 --> 00:55:04,799
Speaker 1: could just approach it with a different angle, it would

1187
00:55:04,800 --> 00:55:07,040
Speaker 1: make it more enjoyable for them. But they were great together.

1188
00:55:07,120 --> 00:55:08,960
Speaker 1: If you missed that interview, just go back one in

1189
00:55:09,000 --> 00:55:10,719
Speaker 1: the feed and check that out. And if you still

1190
00:55:10,719 --> 00:55:12,719
Speaker 1: want to comment on those clips on social media, maybe

1191
00:55:12,760 --> 00:55:14,759
Speaker 1: I'll still pull a listener shout out of the Week

1192
00:55:14,960 --> 00:55:17,719
Speaker 1: from a comment over there. But until next time, go

1193
00:55:17,800 --> 00:55:20,040
Speaker 1: out and watch good movies and I will talk to

1194
00:55:20,080 --> 00:55:21,040
Speaker 1: you later.