1
00:00:00,080 --> 00:00:03,120
Speaker 1: I couldn't really go out because I got into accident.

2
00:00:03,279 --> 00:00:07,000
Speaker 1: When I was sixteen, I was grounded. So what you mean?

3
00:00:08,200 --> 00:00:09,160
Speaker 1: So when I was.

4
00:00:09,160 --> 00:00:10,760
Speaker 2: Six I was grounded, That's what I'm saying.

5
00:00:11,200 --> 00:00:17,639
Speaker 1: He took some took call my older brother's call, yeah,

6
00:00:17,720 --> 00:00:19,680
Speaker 1: and I went. I did some dumb stuff that I

7
00:00:20,320 --> 00:00:22,239
Speaker 1: regret to this day. But that's why you don't see me.

8
00:00:22,280 --> 00:00:25,840
Speaker 1: I don't drive. You see black outside, I don't. I don't.

9
00:00:25,880 --> 00:00:27,639
Speaker 1: I don't drink and drive. I'm with security and with

10
00:00:27,640 --> 00:00:29,840
Speaker 1: the team, and that's it. But I made a mistake

11
00:00:29,880 --> 00:00:32,080
Speaker 1: when I was young, and I feel like it blessed

12
00:00:32,080 --> 00:00:33,720
Speaker 1: me where I am today. You feel what I'm saying.

13
00:00:33,760 --> 00:00:37,480
Speaker 1: Like my parents, you know West Indian Guyanese. It said,

14
00:00:37,520 --> 00:00:41,120
Speaker 1: Patty done, You're not going. You're not going ground. So

15
00:00:41,159 --> 00:00:43,240
Speaker 1: I took the left car. I picked up some kids

16
00:00:43,360 --> 00:00:46,360
Speaker 1: that was my friends at the time. I flipped on

17
00:00:46,440 --> 00:00:47,080
Speaker 1: train tracks.

18
00:00:47,280 --> 00:01:00,640
Speaker 2: He didn't get stabbed. Shut prove it out.

19
00:01:07,200 --> 00:01:12,880
Speaker 3: That's my no spinkking the baby Betty Wow, yeah, baby.

20
00:01:13,560 --> 00:01:14,360
Speaker 1: I won the fierce.

21
00:01:14,560 --> 00:01:19,280
Speaker 4: Let's go when the begro be grow, Hey, that's when

22
00:01:19,280 --> 00:01:19,600
Speaker 4: the beat go.

23
00:01:19,800 --> 00:01:24,560
Speaker 3: Hey, bride and boys in the building, Hey beat beat.

24
00:01:25,000 --> 00:01:27,600
Speaker 1: Yeah, Hello, Shy spirits.

25
00:01:27,920 --> 00:01:29,760
Speaker 2: They call me baby. They say my music like crack

26
00:01:29,800 --> 00:01:31,440
Speaker 2: in the age. They say my music to bring pretty

27
00:01:31,440 --> 00:01:33,400
Speaker 2: back outside. You might from around. Have you a baby?

28
00:01:33,480 --> 00:01:35,720
Speaker 2: They said, excuse, let's just to say the financial stopping.

29
00:01:35,760 --> 00:01:37,320
Speaker 2: Not that I can say. The teacher say, keep your

30
00:01:37,319 --> 00:01:38,039
Speaker 2: eyes on your own.

31
00:01:37,880 --> 00:01:41,960
Speaker 1: Pain, no speak, no hate, spin king video on the way.

32
00:01:42,640 --> 00:01:46,880
Speaker 4: Okay, yeah you did.

33
00:01:47,680 --> 00:01:51,800
Speaker 5: I shout to the baby. I'm spinking Betty Jersey.

34
00:01:52,160 --> 00:01:55,320
Speaker 1: Baby, let's go when the boy won the shout the fish.

35
00:01:55,360 --> 00:01:57,560
Speaker 5: You know what it is, Yes, beat.

36
00:01:59,040 --> 00:01:59,840
Speaker 2: In the club right now.

37
00:02:01,120 --> 00:02:02,160
Speaker 5: We need some single seat.

38
00:02:03,160 --> 00:02:06,800
Speaker 2: Yeah girl, Hey, let me see.

39
00:02:08,680 --> 00:02:11,680
Speaker 6: Baby, let me report said.

40
00:02:11,560 --> 00:02:13,040
Speaker 3: Yeah, we don't get a stripple pol in the real

41
00:02:13,080 --> 00:02:14,560
Speaker 3: report man, if you too, let.

42
00:02:14,560 --> 00:02:14,920
Speaker 7: Us do it.

43
00:02:15,760 --> 00:02:19,200
Speaker 5: Butter from the better shouting this scouts on.

44
00:02:19,160 --> 00:02:22,000
Speaker 1: Your knees, wrup my hands, run your waves, suck it good,

45
00:02:22,080 --> 00:02:24,799
Speaker 1: bring your keys. If you don't, I'm gonna leave. Yeah,

46
00:02:24,840 --> 00:02:27,600
Speaker 1: she said, boy, we don't need no like some dominic's balls.

47
00:02:28,360 --> 00:02:31,960
Speaker 6: Since she shine, since she do not do this, you got.

48
00:02:31,760 --> 00:02:35,120
Speaker 1: Some damn boy taller call on Kelly just might be

49
00:02:35,160 --> 00:02:35,840
Speaker 1: the best verson.

50
00:02:35,919 --> 00:02:37,000
Speaker 5: Yeah.

51
00:02:37,760 --> 00:02:41,359
Speaker 4: That that's when to beat tho. Hey, that that's when

52
00:02:41,360 --> 00:02:44,960
Speaker 4: to beat. The video that ask when to beat them?

53
00:02:45,639 --> 00:02:47,720
Speaker 4: That ask when to beat though? That ask when to

54
00:02:47,760 --> 00:02:48,120
Speaker 4: beat though?

55
00:02:50,440 --> 00:02:55,560
Speaker 1: Djay, Yeah, ain't speak that baby the baby, Betty why

56
00:02:56,400 --> 00:03:03,120
Speaker 1: boy one day? Yeah?

57
00:03:03,480 --> 00:03:06,200
Speaker 3: Oh man, spin King is in the building. Boys, you

58
00:03:06,280 --> 00:03:07,079
Speaker 3: got another one?

59
00:03:10,320 --> 00:03:10,639
Speaker 1: Yeah?

60
00:03:10,800 --> 00:03:12,760
Speaker 5: Yo, man? So how did the single come about?

61
00:03:12,840 --> 00:03:13,000
Speaker 2: Man?

62
00:03:13,000 --> 00:03:15,000
Speaker 5: You got another one? Because you always come out with hits.

63
00:03:15,040 --> 00:03:16,760
Speaker 1: Bro, I appreciate that. I ain't gonna lie to you.

64
00:03:16,800 --> 00:03:20,200
Speaker 1: I haven't dropped in six years. Okay, the pandemic was

65
00:03:20,240 --> 00:03:22,520
Speaker 1: the last time. Yeah, I haven't dropped. You know, I

66
00:03:22,600 --> 00:03:25,959
Speaker 1: go one thing. One of my mentors, Big Up DJ

67
00:03:26,080 --> 00:03:28,160
Speaker 1: Enough told me I love the music industry. I love

68
00:03:28,160 --> 00:03:30,320
Speaker 1: the music. I hate the music industry. So that's why

69
00:03:30,360 --> 00:03:32,639
Speaker 1: I'm at with it, you know. But the space I'm

70
00:03:32,639 --> 00:03:34,560
Speaker 1: in right now, I just want to put on music,

71
00:03:34,639 --> 00:03:37,360
Speaker 1: every genre and everything. And I was in the studio

72
00:03:37,440 --> 00:03:38,800
Speaker 1: and then I was like, you know what hit up?

73
00:03:38,840 --> 00:03:41,800
Speaker 1: My man Vins hit up? Boy wonder he sent that,

74
00:03:42,400 --> 00:03:44,320
Speaker 1: And I ain't gonna lie. You could ask anybody I've

75
00:03:44,320 --> 00:03:48,280
Speaker 1: been in the studio with. I don't play packs. I

76
00:03:48,320 --> 00:03:52,640
Speaker 1: play one beat right, send it to baby, he said,

77
00:03:52,680 --> 00:03:55,120
Speaker 1: give me two days. He finished his verson in two days.

78
00:03:55,920 --> 00:03:58,480
Speaker 1: I went to the studio, watched in the studio. Wap

79
00:03:58,520 --> 00:04:01,800
Speaker 1: just came home, go in the studio, he said, loaded up.

80
00:04:01,800 --> 00:04:03,320
Speaker 1: In ten minutes, that verse was done.

81
00:04:03,440 --> 00:04:05,720
Speaker 3: Look at that shout the fetti, shout to the baby

82
00:04:05,720 --> 00:04:06,560
Speaker 3: baby first.

83
00:04:06,720 --> 00:04:08,880
Speaker 5: I think that was Yeah.

84
00:04:08,880 --> 00:04:11,040
Speaker 3: I think that was one of best verses of the

85
00:04:11,080 --> 00:04:11,680
Speaker 3: year right there.

86
00:04:11,840 --> 00:04:14,920
Speaker 1: Yeah, bro, ten minutes, ten minutes and knocked it out,

87
00:04:15,200 --> 00:04:17,440
Speaker 1: and everybody is still just when you hit that beat alone,

88
00:04:17,440 --> 00:04:20,080
Speaker 1: it's just like from is crazy.

89
00:04:20,160 --> 00:04:23,200
Speaker 5: Talk about that's a Young Bucks sample. Talk about that.

90
00:04:23,120 --> 00:04:24,640
Speaker 1: Man, that's the get Buck sample.

91
00:04:24,760 --> 00:04:25,760
Speaker 3: Yeah, it's crazy.

92
00:04:25,839 --> 00:04:28,120
Speaker 2: That beat is just I didn't even realize that was

93
00:04:28,120 --> 00:04:28,600
Speaker 2: a young Buck.

94
00:04:28,960 --> 00:04:35,800
Speaker 3: Yeah fifty cliar that yeah baby, yeah, oh yeah.

95
00:04:35,880 --> 00:04:38,800
Speaker 1: Well video were wrapping up next week and then we're

96
00:04:38,800 --> 00:04:41,479
Speaker 1: gonna drop that video dropping next week. Yeah, going crazy

97
00:04:41,520 --> 00:04:43,800
Speaker 1: right now on Tiktoko on the five point one, the

98
00:04:43,839 --> 00:04:46,480
Speaker 1: family just added it. We have two on the spends

99
00:04:46,560 --> 00:04:50,680
Speaker 1: last week and it's organic. It's it right now. So

100
00:04:50,760 --> 00:04:53,480
Speaker 1: once the video drops, what we're going full force on it. Man,

101
00:04:53,520 --> 00:04:55,760
Speaker 1: you stayed working, man, shout to your brother Star not

102
00:04:55,800 --> 00:04:56,040
Speaker 1: the Star.

103
00:04:56,680 --> 00:04:59,120
Speaker 3: And you know Star was taxing us right and he

104
00:04:59,200 --> 00:05:01,039
Speaker 3: was like, Yo, make sure all on time and ship

105
00:05:01,080 --> 00:05:02,400
Speaker 3: because this is my bro. Right here.

106
00:05:04,080 --> 00:05:05,800
Speaker 1: You know, you know he always you know how he

107
00:05:05,839 --> 00:05:07,600
Speaker 1: is with his time and everything out of the coordinate.

108
00:05:07,720 --> 00:05:10,159
Speaker 5: One thing about Stars, he loved his brothers. He loved

109
00:05:10,160 --> 00:05:10,559
Speaker 5: his family.

110
00:05:10,560 --> 00:05:13,720
Speaker 3: Shouts that my brother, Mom, pops, the kids, everything, everybody.

111
00:05:14,120 --> 00:05:16,880
Speaker 3: So it's about the beginning, man, Like, because you were

112
00:05:17,000 --> 00:05:19,840
Speaker 3: seventeen years old, you couldn't even really DJ in the clubs.

113
00:05:20,000 --> 00:05:22,240
Speaker 5: No, so how did you get known?

114
00:05:23,040 --> 00:05:25,960
Speaker 1: So I first started throwing my own parties in hotel

115
00:05:26,040 --> 00:05:29,120
Speaker 1: ballrooms in Jersey. But we were only there for one time.

116
00:05:29,600 --> 00:05:32,520
Speaker 1: That kicked out of everyone. Those videos on YouTube, all

117
00:05:32,520 --> 00:05:36,080
Speaker 1: the videos on YouTube because we ain't leave it the

118
00:05:36,080 --> 00:05:39,680
Speaker 1: way we went in copy so rental equipment, you know,

119
00:05:39,680 --> 00:05:42,680
Speaker 1: it wasn't allowed in clubs. And then I met the

120
00:05:43,000 --> 00:05:45,240
Speaker 1: Simmons family. Shot to Jojo shot the rap shot, the

121
00:05:45,240 --> 00:05:47,680
Speaker 1: Diggie shot, the whole family. And then I was blessed.

122
00:05:47,880 --> 00:05:49,920
Speaker 1: I was blessed to go on tour with them, with him,

123
00:05:49,960 --> 00:05:53,000
Speaker 1: with DIGGI. He started rapping on with DIGGI. Yeah, Scream Tour.

124
00:05:53,080 --> 00:05:54,640
Speaker 1: We did like four or five of them. We was

125
00:05:54,680 --> 00:05:57,160
Speaker 1: on the road, and what's the big record Diggie had.

126
00:05:57,240 --> 00:06:01,200
Speaker 1: I ain't come home for like two years. I remember

127
00:06:01,240 --> 00:06:03,240
Speaker 1: calls like I want to come home, and he was

128
00:06:03,279 --> 00:06:07,480
Speaker 1: seventeen seventeen. I was on I was once a University

129
00:06:07,480 --> 00:06:11,760
Speaker 1: of Phoenix online. I tried to meet and Greeds sound check.

130
00:06:11,920 --> 00:06:13,640
Speaker 1: You know how that go is? Just I tried. I

131
00:06:13,640 --> 00:06:15,920
Speaker 1: tried to school three times. I just couldn't get it.

132
00:06:16,080 --> 00:06:20,800
Speaker 1: I went to Institute Auto Research in New York. They'd

133
00:06:20,839 --> 00:06:22,480
Speaker 1: give me to work for the week. I finished it

134
00:06:22,480 --> 00:06:23,719
Speaker 1: in a day because I learned it just being in

135
00:06:23,760 --> 00:06:25,640
Speaker 1: the studio. Why am I paying for something I already know?

136
00:06:26,240 --> 00:06:29,000
Speaker 1: I was coming home with flight Club Bass. They had

137
00:06:29,040 --> 00:06:31,000
Speaker 1: just opened a flight club across the street. My mom

138
00:06:31,080 --> 00:06:33,160
Speaker 1: was like, where's your books? I'm coming home with sneakers. Said,

139
00:06:33,160 --> 00:06:35,039
Speaker 1: you don't want to do it. You gotta pay for it.

140
00:06:35,040 --> 00:06:37,120
Speaker 1: It's all my money. I saved. I paid it off,

141
00:06:37,160 --> 00:06:38,159
Speaker 1: and then I just.

142
00:06:38,760 --> 00:06:39,279
Speaker 5: How did you meet?

143
00:06:39,520 --> 00:06:39,920
Speaker 3: How'd you meet?

144
00:06:39,920 --> 00:06:42,400
Speaker 1: The Simmons family start with the promoter back in the

145
00:06:42,480 --> 00:06:44,560
Speaker 1: day and he was to throw parties. He had met

146
00:06:44,600 --> 00:06:47,120
Speaker 1: Jojo in the mall and he booked him for a

147
00:06:47,120 --> 00:06:48,880
Speaker 1: host and from Runs House. You know Runs House was

148
00:06:48,920 --> 00:06:52,240
Speaker 1: that show by that day? Yeah, and then Jojo and

149
00:06:52,320 --> 00:06:55,200
Speaker 1: him connected. He started being with him handling his stuff

150
00:06:55,240 --> 00:06:57,960
Speaker 1: and then that's how me. I couldn't really go out

151
00:06:58,200 --> 00:07:01,960
Speaker 1: because I got into accident sixteen. I was grounded. So

152
00:07:02,920 --> 00:07:05,680
Speaker 1: what you mean so when I was.

153
00:07:05,600 --> 00:07:07,240
Speaker 2: Sick, I was ground That's what I'm saying.

154
00:07:07,640 --> 00:07:08,320
Speaker 5: He took.

155
00:07:10,120 --> 00:07:14,680
Speaker 1: You, took my older brother's call, and yeah, and I went.

156
00:07:14,960 --> 00:07:17,600
Speaker 1: I did some dumb stuff that I regret to this day.

157
00:07:17,640 --> 00:07:19,280
Speaker 1: But that's why you don't see me. I don't drive.

158
00:07:19,360 --> 00:07:22,640
Speaker 1: You see black outside, I don't. I don't. I don't

159
00:07:22,680 --> 00:07:24,160
Speaker 1: drink and drive. I want the security on with the

160
00:07:24,200 --> 00:07:26,480
Speaker 1: team and that's it. But I made a mistake when

161
00:07:26,480 --> 00:07:28,640
Speaker 1: I was young, and I feel like it blessed me

162
00:07:28,640 --> 00:07:30,320
Speaker 1: where I am today. You feel what I'm saying, Like

163
00:07:31,120 --> 00:07:34,560
Speaker 1: my parents, you know West Indian Guyanese. It's potty done.

164
00:07:34,560 --> 00:07:38,120
Speaker 1: You're not going You're not going gun. So I took

165
00:07:38,200 --> 00:07:40,080
Speaker 1: some left car. I picked up some kids that was

166
00:07:40,160 --> 00:07:44,760
Speaker 1: my friends at the time. I flipped on train tracks training.

167
00:07:45,080 --> 00:07:46,240
Speaker 1: We have to get out the back of the car.

168
00:07:46,280 --> 00:07:47,080
Speaker 1: Train came and hit the cars.

169
00:07:47,120 --> 00:07:47,440
Speaker 2: Our kids.

170
00:07:47,480 --> 00:07:50,760
Speaker 1: Do not drink and drive. It's ubers, there's lifting. Your

171
00:07:50,800 --> 00:07:53,600
Speaker 1: life is not worth it. Trust me. I don't drink

172
00:07:53,600 --> 00:07:57,080
Speaker 1: and drive. I just drink and drink. My brains in

173
00:07:57,080 --> 00:07:59,520
Speaker 1: and they drove. But yeah, so it was a it

174
00:07:59,600 --> 00:08:01,800
Speaker 1: was a whole thing, and I couldn't go nowhere. And

175
00:08:01,840 --> 00:08:04,160
Speaker 1: my older brother, Celeb was a DJ at the time,

176
00:08:04,520 --> 00:08:06,880
Speaker 1: Star was a promoter. They had their own thing going on,

177
00:08:07,040 --> 00:08:09,880
Speaker 1: So the equipment was in the basement. So I used

178
00:08:09,880 --> 00:08:11,840
Speaker 1: to always watch BT and be in love with hip

179
00:08:11,840 --> 00:08:14,160
Speaker 1: hop music. So I started messing around with the equipment.

180
00:08:14,400 --> 00:08:16,680
Speaker 1: I started going live on u stream at the time,

181
00:08:16,720 --> 00:08:19,160
Speaker 1: back in the day, and then people from like my

182
00:08:19,200 --> 00:08:21,000
Speaker 1: local town will watch I'll be hyped. There was eight

183
00:08:21,000 --> 00:08:23,920
Speaker 1: people in there watching me. Yeah, and then I just

184
00:08:23,920 --> 00:08:27,440
Speaker 1: started doing YouTube videos and putting myself DJing like that,

185
00:08:27,520 --> 00:08:29,880
Speaker 1: and then that's how I got into it. I have

186
00:08:29,960 --> 00:08:32,440
Speaker 1: no choice. Music saved my life. If it's not being

187
00:08:32,440 --> 00:08:35,280
Speaker 1: cliche too long. He was on tour with DIGGI four

188
00:08:35,360 --> 00:08:38,280
Speaker 1: years three, four years bro. He was on the road

189
00:08:38,320 --> 00:08:40,199
Speaker 1: for a minute. Shout the diggy, shout the whole simms.

190
00:08:40,240 --> 00:08:47,079
Speaker 1: Flyn used to best man he had violated, Yeah words

191
00:08:48,679 --> 00:08:51,920
Speaker 1: shot the perry, Yeah to him to stay off the

192
00:08:51,920 --> 00:08:52,800
Speaker 1: wrapper held.

193
00:08:52,840 --> 00:08:53,320
Speaker 2: He loved it.

194
00:08:53,360 --> 00:08:56,920
Speaker 7: He always said that you didn't even know. Look he queens,

195
00:08:56,960 --> 00:08:59,560
Speaker 7: mister Queen's over here, right. He didn't even know Redru

196
00:09:00,080 --> 00:09:00,680
Speaker 7: had a spot.

197
00:09:00,760 --> 00:09:01,400
Speaker 2: You know what I'm saying.

198
00:09:01,440 --> 00:09:04,600
Speaker 8: Red Brother pulled up like, oh, ship murdered my guy.

199
00:09:04,679 --> 00:09:07,520
Speaker 8: You looking like, get the fuck out of murder me

200
00:09:07,600 --> 00:09:10,920
Speaker 8: knowing everybody Red Bro murdered.

201
00:09:10,920 --> 00:09:11,559
Speaker 2: What's up, nigga?

202
00:09:11,760 --> 00:09:15,600
Speaker 7: He's like, Yo, you're crazy for the wrapper. I just

203
00:09:15,600 --> 00:09:17,319
Speaker 7: try to make sure I always stay out.

204
00:09:20,840 --> 00:09:22,280
Speaker 1: One of my mentors, he helped me with a lot

205
00:09:22,280 --> 00:09:24,560
Speaker 1: of like he put me in a position with Diggy

206
00:09:24,600 --> 00:09:27,920
Speaker 1: even like on tour, like the DJ the Artist, like

207
00:09:28,000 --> 00:09:29,640
Speaker 1: he the jam Master Jay, like he even said the

208
00:09:29,720 --> 00:09:32,120
Speaker 1: interview shot the reverend man, that whole family. They definitely

209
00:09:32,120 --> 00:09:32,480
Speaker 1: took me.

210
00:09:32,440 --> 00:09:34,600
Speaker 2: Like one of my guy appreciated that to my guy, p.

211
00:09:34,679 --> 00:09:38,679
Speaker 1: O the too, definitely Yeah, Perry, Yeah, that's my Gudry

212
00:09:38,720 --> 00:09:39,760
Speaker 1: was what it was on the road the whole time

213
00:09:39,800 --> 00:09:40,440
Speaker 1: holding it down.

214
00:09:41,480 --> 00:09:45,200
Speaker 3: That's so, how do you meet all these people? Because

215
00:09:45,240 --> 00:09:47,760
Speaker 3: sometimes in the game, right in the business industry, people

216
00:09:47,760 --> 00:09:50,280
Speaker 3: say it's not what you know, it's who you know,

217
00:09:50,760 --> 00:09:53,200
Speaker 3: and then later on what you know is a work

218
00:09:53,280 --> 00:09:55,679
Speaker 3: for you if you handling business right, how do you

219
00:09:55,679 --> 00:09:57,400
Speaker 3: like because you got to hit record with a bogie,

220
00:09:57,600 --> 00:09:58,719
Speaker 3: talk about that like.

221
00:09:58,840 --> 00:10:00,679
Speaker 1: Well, a boogie is my brother? Like I remember when

222
00:10:00,720 --> 00:10:02,600
Speaker 1: they was coming to a club in Dykement called Playroom,

223
00:10:02,679 --> 00:10:04,480
Speaker 1: and I'm like, who is he? Dudes from the Bronx.

224
00:10:04,480 --> 00:10:06,720
Speaker 1: They're doing a hundred bottles, Like who are these guys?

225
00:10:07,240 --> 00:10:08,880
Speaker 1: And you know, like people come up now they're yo,

226
00:10:08,880 --> 00:10:11,440
Speaker 1: I'll give you money to play a record. Respectfully, I

227
00:10:11,480 --> 00:10:14,319
Speaker 1: don't take the money, but I'll listen to it and

228
00:10:14,320 --> 00:10:16,480
Speaker 1: I'll play it. And then somebody asked me why you

229
00:10:16,520 --> 00:10:18,600
Speaker 1: never take the money. I'm like, because now I feel

230
00:10:18,600 --> 00:10:20,240
Speaker 1: like I'm in a lifetime contract with this dude. That

231
00:10:20,320 --> 00:10:21,719
Speaker 1: time I see him, Like you remember that, tell me

232
00:10:21,800 --> 00:10:23,400
Speaker 1: I gave you up play it. You know I'm gonna

233
00:10:23,400 --> 00:10:25,199
Speaker 1: play out of love. I don't. Sometimes they get a

234
00:10:25,240 --> 00:10:26,800
Speaker 1: security I'm like, that's on, y'all. Now you gotta like

235
00:10:26,840 --> 00:10:28,839
Speaker 1: time contract with them. Niggas don't go not come with me.

236
00:10:29,240 --> 00:10:31,160
Speaker 1: I don't like taking money for records, but these guys,

237
00:10:31,520 --> 00:10:33,680
Speaker 1: I'm like, they're doing airy thing. Like he got a

238
00:10:33,679 --> 00:10:35,800
Speaker 1: buzz going on. I never forget. Boogie shot my ship

239
00:10:35,880 --> 00:10:39,120
Speaker 1: right there downstairs across from Cliff in the in the

240
00:10:39,320 --> 00:10:41,400
Speaker 1: and he's blowing up and it's like this kid is nice,

241
00:10:41,440 --> 00:10:43,600
Speaker 1: and I see, like it's not just you know, people

242
00:10:43,600 --> 00:10:45,360
Speaker 1: come out the hook. I'm like, these kids are going

243
00:10:45,440 --> 00:10:47,920
Speaker 1: crazy for him. Fast forward today. That's my brother was

244
00:10:47,920 --> 00:10:49,880
Speaker 1: on the farm. Earlier, I was at home depot talking

245
00:10:49,920 --> 00:10:52,760
Speaker 1: about powerwashers. And that's where we at now. We talk

246
00:10:52,800 --> 00:10:57,040
Speaker 1: about our crib all the time. They like Boogie blah blah.

247
00:10:57,240 --> 00:10:59,400
Speaker 1: You know what I'm saying, free double m like the

248
00:10:59,440 --> 00:11:03,240
Speaker 1: whole that's just a whole Hybridge Bro Noon New Ski, everybody,

249
00:11:03,240 --> 00:11:06,559
Speaker 1: bro QP and everybody. Like it's just it's a team,

250
00:11:06,880 --> 00:11:08,640
Speaker 1: you know what I'm saying, Like it's just everybody just

251
00:11:08,920 --> 00:11:10,959
Speaker 1: it's different when we together. It's like how you together.

252
00:11:10,960 --> 00:11:13,079
Speaker 1: They don't feel like work. We just hanging out. We

253
00:11:13,160 --> 00:11:15,319
Speaker 1: just we might come up with a record in twenty

254
00:11:15,360 --> 00:11:18,040
Speaker 1: minutes and then go back to what's doing the other day,

255
00:11:19,040 --> 00:11:22,480
Speaker 1: midnight till three in the morning, playing pickleball, right me,

256
00:11:22,559 --> 00:11:25,040
Speaker 1: Bubba pick You know what I'm saying. But it's like

257
00:11:25,080 --> 00:11:29,360
Speaker 1: your rich nigga shit basketball pickleball. My man Bubba runs

258
00:11:29,360 --> 00:11:30,760
Speaker 1: it out the gym. But I'm just saying, like it's

259
00:11:30,800 --> 00:11:33,960
Speaker 1: just cool shit, Like Nigga's his family. Bro. We get

260
00:11:34,000 --> 00:11:36,320
Speaker 1: money together along the way. So Boogie is my dog.

261
00:11:36,360 --> 00:11:38,760
Speaker 1: That whole team like just been like that, and we're

262
00:11:38,840 --> 00:11:40,680
Speaker 1: working on another one right now. So we got something

263
00:11:40,720 --> 00:11:41,920
Speaker 1: soon coming for you because you.

264
00:11:41,880 --> 00:11:44,800
Speaker 5: And Boogie working on another un talk about your new

265
00:11:44,840 --> 00:11:45,240
Speaker 5: deal man.

266
00:11:45,280 --> 00:11:49,679
Speaker 3: Congratulations for my man.

267
00:11:51,040 --> 00:11:53,120
Speaker 1: Shout my man, Nick, Shout everybody over that ten K.

268
00:11:53,160 --> 00:11:54,600
Speaker 1: It feels like home. You know what I'm saying. They're

269
00:11:54,600 --> 00:11:55,160
Speaker 1: doing the right thing.

270
00:11:55,240 --> 00:11:57,040
Speaker 3: We after six years, Like what made you want to

271
00:11:57,240 --> 00:11:58,760
Speaker 3: You know what.

272
00:11:58,840 --> 00:12:00,600
Speaker 1: Made me want to get back in the mus industry

273
00:12:00,760 --> 00:12:02,800
Speaker 1: is because I'm playing the same records in the club

274
00:12:02,800 --> 00:12:08,640
Speaker 1: from six years ago. Chief Keith Feranitho, Bobby Schmurder, Rowdy Computers,

275
00:12:09,120 --> 00:12:10,680
Speaker 1: Rest in peace, my dog, if he would say he

276
00:12:10,679 --> 00:12:13,640
Speaker 1: would have been a megastar pop smoke, that's my dog

277
00:12:13,760 --> 00:12:18,200
Speaker 1: like we was every day smokes my dog playing back

278
00:12:18,360 --> 00:12:20,000
Speaker 1: while the wou throw the bag, all of that. You

279
00:12:20,000 --> 00:12:22,360
Speaker 1: know what I'm saying. But I want to make something new.

280
00:12:22,400 --> 00:12:23,719
Speaker 1: I want to give a different vibe. I want to

281
00:12:23,720 --> 00:12:26,319
Speaker 1: make the clubs dance again. When that song come on,

282
00:12:26,440 --> 00:12:28,560
Speaker 1: Shout the Jersey because that Jersey bounce has been it

283
00:12:28,720 --> 00:12:30,720
Speaker 1: for the past years, and shout to all the Jersey

284
00:12:30,800 --> 00:12:34,079
Speaker 1: DJ's DJ TODJ. That's my boy slink a jay Hood.

285
00:12:34,280 --> 00:12:37,400
Speaker 1: Everybody in Jersey WHI la. It's just that sound has

286
00:12:37,440 --> 00:12:40,320
Speaker 1: been going for so long. Even Philly be more united

287
00:12:40,360 --> 00:12:43,640
Speaker 1: that sound. But I'm telling you something right now, When

288
00:12:43,679 --> 00:12:45,600
Speaker 1: that Bea coomes on the club, it's just a different

289
00:12:45,640 --> 00:12:47,240
Speaker 1: animal right now. You know how I knew it was

290
00:12:47,280 --> 00:12:50,000
Speaker 1: gonna be something, something special. I was premiering it and

291
00:12:50,000 --> 00:12:53,040
Speaker 1: shout to Chaotic because Kaoto be going crazy on that record.

292
00:12:53,200 --> 00:12:56,600
Speaker 1: Every day everywhere you go shouting chaotic. Branson was kaotic

293
00:12:56,880 --> 00:13:00,280
Speaker 1: crazy on that record. For me. People don't know it,

294
00:13:00,320 --> 00:13:01,880
Speaker 1: but it comes on, they dance into it. What does

295
00:13:01,920 --> 00:13:05,480
Speaker 1: that mean? It means something. It means something, And I'm

296
00:13:05,520 --> 00:13:08,080
Speaker 1: coming with every type. I'm gonna make a them Bolt

297
00:13:08,080 --> 00:13:11,200
Speaker 1: record for the Dominicans, the Latinos, a reggae record house record.

298
00:13:11,840 --> 00:13:12,559
Speaker 1: What else were gonna do?

299
00:13:12,640 --> 00:13:12,880
Speaker 2: Murder?

300
00:13:12,880 --> 00:13:13,400
Speaker 1: What else we gonna do?

301
00:13:13,480 --> 00:13:13,560
Speaker 2: Ye?

302
00:13:14,000 --> 00:13:16,959
Speaker 1: We ain't got nothing else to do with all the relationships. Now.

303
00:13:17,000 --> 00:13:19,320
Speaker 1: Whenever we just came back, who was at We was

304
00:13:19,320 --> 00:13:24,480
Speaker 1: in Italy, Visa. He smoked duck. You heard smoked in

305
00:13:24,600 --> 00:13:28,719
Speaker 1: that rushing in Persian Cavion, and you know Bubba was

306
00:13:28,760 --> 00:13:30,920
Speaker 1: out there shout the Bubba how Bridge was in the building.

307
00:13:31,320 --> 00:13:33,680
Speaker 3: The jet was nothing but jokes and fun man, that's

308
00:13:33,679 --> 00:13:34,240
Speaker 3: what we do.

309
00:13:34,520 --> 00:13:37,960
Speaker 7: How did it feel making the transition from being popping

310
00:13:38,040 --> 00:13:40,320
Speaker 7: in the clubs and actually getting the shot to be

311
00:13:40,360 --> 00:13:43,600
Speaker 7: a DJ on the radio five after that?

312
00:13:43,640 --> 00:13:43,960
Speaker 2: Feels?

313
00:13:44,000 --> 00:13:44,200
Speaker 3: Well?

314
00:13:45,040 --> 00:13:47,440
Speaker 1: That was differently because coming up I always wanted to

315
00:13:47,440 --> 00:13:49,719
Speaker 1: be on radio. Radio is everything, like you guys know that,

316
00:13:49,800 --> 00:13:52,160
Speaker 1: Like even my first time I heard my song on

317
00:13:52,160 --> 00:13:53,920
Speaker 1: the radio, shot the Red Cafe and shot the Chris

318
00:13:53,960 --> 00:13:55,240
Speaker 1: Green because that was the first one I had on

319
00:13:55,360 --> 00:13:59,240
Speaker 1: radio Chris. It was tapping be the drill it and

320
00:13:59,280 --> 00:14:00,920
Speaker 1: the first I remember, I was on the school bus.

321
00:14:00,960 --> 00:14:02,680
Speaker 1: I was on the varsity team in Bergenfield. We was

322
00:14:02,720 --> 00:14:06,480
Speaker 1: going to to our game and I hear it on

323
00:14:06,520 --> 00:14:08,080
Speaker 1: the radio and shot the pro Style because it's pro

324
00:14:08,120 --> 00:14:11,480
Speaker 1: style only you see my man got that billboard and

325
00:14:11,520 --> 00:14:15,720
Speaker 1: all that in the city Toms Square. But like getting

326
00:14:15,720 --> 00:14:18,120
Speaker 1: that call because I used to be up at hot

327
00:14:18,200 --> 00:14:21,200
Speaker 1: for a minute like rest of the peaces, so mist

328
00:14:21,240 --> 00:14:24,440
Speaker 1: to see DJ enough like Camillo cast one being up

329
00:14:24,440 --> 00:14:29,080
Speaker 1: there watching them. And then I got the call and

330
00:14:29,120 --> 00:14:31,000
Speaker 1: he was like it was pros, like, yo, we want

331
00:14:31,000 --> 00:14:33,040
Speaker 1: to bring up I'm like what, Like I ain't really

332
00:14:33,080 --> 00:14:34,800
Speaker 1: believe because here and there I would do Angie Show.

333
00:14:35,240 --> 00:14:36,800
Speaker 1: But hearing it like a pop did one time with

334
00:14:36,840 --> 00:14:39,000
Speaker 1: Tory Free my man, Tory shout to Angie. She on

335
00:14:39,000 --> 00:14:45,880
Speaker 1: the volume to Angie Martinez watch her barbecue this Sunday

336
00:14:45,880 --> 00:14:48,120
Speaker 1: were in the building Power Family, but I would do that.

337
00:14:48,160 --> 00:14:50,120
Speaker 1: I would do that here and there. And then I

338
00:14:50,120 --> 00:14:51,240
Speaker 1: got the call that you're gonna give you on the

339
00:14:51,280 --> 00:14:55,360
Speaker 1: show Friday Nights twelve to two. I'm like word. But

340
00:14:56,760 --> 00:15:01,160
Speaker 1: then we came about the the Sunday show, me and

341
00:15:01,240 --> 00:15:04,840
Speaker 1: Nyla playing all the new music. And then THEO called

342
00:15:04,840 --> 00:15:07,520
Speaker 1: shout the THEA because holds me down a lot. Love

343
00:15:08,320 --> 00:15:12,960
Speaker 1: Thea's coach. You know what I'm saying. Yeah, she's She's

344
00:15:13,200 --> 00:15:14,320
Speaker 1: She's the coldst.

345
00:15:14,840 --> 00:15:16,880
Speaker 2: Never gave no problems on my record, get played I

346
00:15:16,920 --> 00:15:17,200
Speaker 2: Love You.

347
00:15:18,440 --> 00:15:19,720
Speaker 5: And we Love You.

348
00:15:20,640 --> 00:15:23,360
Speaker 1: And then Saturday they gave me two am to four,

349
00:15:23,440 --> 00:15:25,960
Speaker 1: and then twice three times a month, I do an

350
00:15:25,960 --> 00:15:28,040
Speaker 1: Angie show to shout the l Bugs, Ivy, the whole

351
00:15:28,080 --> 00:15:30,960
Speaker 1: Power family. But it's a blessing being up there, bro

352
00:15:31,040 --> 00:15:34,440
Speaker 1: like and the opportunity that they gave me. I don't

353
00:15:34,440 --> 00:15:36,480
Speaker 1: even know I got ever paid him. But that Powerhouse set,

354
00:15:36,760 --> 00:15:39,040
Speaker 1: that Spinking and Friends is just something different every year

355
00:15:39,120 --> 00:15:42,560
Speaker 1: like that was just that right there, Like it just

356
00:15:42,600 --> 00:15:43,640
Speaker 1: gives me chills every time.

357
00:15:43,560 --> 00:15:45,040
Speaker 5: You bring you brung up some of the biggest heart.

358
00:15:45,160 --> 00:15:46,680
Speaker 5: You ain't bring up pop smoke one year.

359
00:15:46,600 --> 00:15:48,400
Speaker 1: Right, No, I never got to. I brought up pop

360
00:15:48,440 --> 00:15:51,640
Speaker 1: smoke at iHeart his first time me in fifth because

361
00:15:51,640 --> 00:15:53,200
Speaker 1: that was his idol and that was the last time

362
00:15:53,360 --> 00:15:55,760
Speaker 1: to be smoke. That was in Miami and he was

363
00:15:55,800 --> 00:15:57,880
Speaker 1: doing we were doing the iHeart fifth. He wanted me

364
00:15:57,920 --> 00:16:00,840
Speaker 1: to shout the B boy and he was like, he said,

365
00:16:00,840 --> 00:16:02,640
Speaker 1: bring him his last name Jackson.

366
00:16:02,680 --> 00:16:04,560
Speaker 3: I'm like, yeah, the last name Jackson.

367
00:16:04,600 --> 00:16:06,960
Speaker 1: And we brought him and it was just dope. And

368
00:16:06,960 --> 00:16:08,480
Speaker 1: there's a video on my page. Like even when I

369
00:16:08,480 --> 00:16:10,480
Speaker 1: watch sometimes I get emotional watching it because it's me

370
00:16:10,520 --> 00:16:11,960
Speaker 1: telling him, like you're going to be a star, like

371
00:16:12,000 --> 00:16:14,840
Speaker 1: you got it. Pop was mad young man and oh

372
00:16:15,000 --> 00:16:17,040
Speaker 1: yeah man. And then the Powerhouse. You know, I brought

373
00:16:17,080 --> 00:16:23,600
Speaker 1: a baby for one boogie Fetti Powerhouses every year is

374
00:16:23,640 --> 00:16:27,400
Speaker 1: always a movie. Man. So thankful for the opportunity with

375
00:16:27,440 --> 00:16:29,960
Speaker 1: power like people. I don't care what people say. People say,

376
00:16:30,040 --> 00:16:33,360
Speaker 1: radio matter, It matters no matter where you go, because

377
00:16:33,360 --> 00:16:36,600
Speaker 1: you got a person, you got you got gentlemen, real

378
00:16:36,640 --> 00:16:38,800
Speaker 1: men like Envy and pro Style, They played record once,

379
00:16:39,080 --> 00:16:40,840
Speaker 1: how Many's.

380
00:16:40,080 --> 00:16:44,720
Speaker 2: About forty fifty Spians.

381
00:16:43,040 --> 00:16:50,760
Speaker 1: Radio Matters, after the Breakfast Club, after Everybody Man syndicated shows.

382
00:16:51,200 --> 00:16:52,640
Speaker 3: You know what I wanted to ask you, And this

383
00:16:52,720 --> 00:16:55,800
Speaker 3: is a big question, right, do you feel like social

384
00:16:55,920 --> 00:17:03,200
Speaker 3: media presence and popular already also counts as much as

385
00:17:03,280 --> 00:17:05,800
Speaker 3: like more as much as talent because like a lot

386
00:17:05,840 --> 00:17:08,119
Speaker 3: of people, like a lot of DJs can be talented,

387
00:17:08,480 --> 00:17:10,600
Speaker 3: but their name will never really get out there like

388
00:17:10,680 --> 00:17:11,560
Speaker 3: other guy's names.

389
00:17:11,560 --> 00:17:13,159
Speaker 1: Are you talking about the TikTok DJs?

390
00:17:13,720 --> 00:17:15,719
Speaker 3: I mean, I mean, will we say that?

391
00:17:15,960 --> 00:17:19,760
Speaker 1: Yes, No, it's because it's there's people that that you

392
00:17:19,800 --> 00:17:21,560
Speaker 1: would say is push button DJs. They don't know what

393
00:17:21,560 --> 00:17:23,920
Speaker 1: they're doing. They just present doing for content and everybody

394
00:17:23,920 --> 00:17:25,359
Speaker 1: get their money how you feed your family, how you

395
00:17:25,400 --> 00:17:27,520
Speaker 1: feed your family. But then you got people that are

396
00:17:28,160 --> 00:17:30,280
Speaker 1: the go to this, that set the tone, like Kick Capri,

397
00:17:30,720 --> 00:17:32,719
Speaker 1: and you got people like I still to this day

398
00:17:32,760 --> 00:17:35,920
Speaker 1: see them getting bit fat fingers like they mean hand

399
00:17:36,000 --> 00:17:38,680
Speaker 1: going crazy like it's people I respect. I watched cast

400
00:17:38,680 --> 00:17:41,239
Speaker 1: one Big Ben like it's just the art, right, And

401
00:17:41,280 --> 00:17:43,040
Speaker 1: obviously it changes because I came up in the time

402
00:17:43,640 --> 00:17:46,359
Speaker 1: I wasn't carrying crates. It was turntables, but the vinyl

403
00:17:46,400 --> 00:17:49,280
Speaker 1: was one vinyl, but then it became cdj's, so I

404
00:17:49,320 --> 00:17:51,679
Speaker 1: came up like in between both Eras you know, I

405
00:17:51,680 --> 00:17:55,040
Speaker 1: was born in the nineties, raised two thousands. But social media,

406
00:17:55,040 --> 00:17:58,160
Speaker 1: Mattacas is it matters on how you look, how you dress,

407
00:17:58,200 --> 00:18:01,280
Speaker 1: what you wear, how you talk, the cars, all that stuff,

408
00:18:01,280 --> 00:18:03,360
Speaker 1: it doesn't matter. And I learned that from like Envy

409
00:18:03,400 --> 00:18:06,159
Speaker 1: and program it's that cars for days, jewely for days.

410
00:18:06,640 --> 00:18:09,280
Speaker 1: Growing up, DJ's no respect, but DJs was big. They

411
00:18:09,440 --> 00:18:11,879
Speaker 1: really wasn't like on flash Ship. So I wanted to

412
00:18:11,880 --> 00:18:13,800
Speaker 1: like bridge the culture with the music and that and

413
00:18:13,840 --> 00:18:16,119
Speaker 1: put it all together. But it depends now because you

414
00:18:16,119 --> 00:18:17,800
Speaker 1: got a lot of girl dads. There's some girls leaders

415
00:18:17,840 --> 00:18:19,959
Speaker 1: that are dope as hell and then they going overseas

416
00:18:20,000 --> 00:18:22,159
Speaker 1: and they getting their money not even getting it here, right,

417
00:18:22,359 --> 00:18:25,400
Speaker 1: So it depends on like what market you're looking at.

418
00:18:25,800 --> 00:18:28,280
Speaker 1: But that house market, y'all see when was impostas as

419
00:18:28,760 --> 00:18:29,080
Speaker 1: that shit?

420
00:18:29,440 --> 00:18:32,040
Speaker 3: Talk about that Partia Cardi B, Man, how do you

421
00:18:32,160 --> 00:18:33,600
Speaker 3: how do you do it? Shout out to Cardi B.

422
00:18:34,200 --> 00:18:35,120
Speaker 3: How do you get on stage?

423
00:18:35,160 --> 00:18:39,280
Speaker 2: And Cardi B was on tour with Cardi bur.

424
00:18:38,200 --> 00:18:40,680
Speaker 3: What man, Yeah, talk about how do you get them calls?

425
00:18:40,720 --> 00:18:41,720
Speaker 3: You know, I need spink.

426
00:18:41,800 --> 00:18:43,760
Speaker 1: You want to know when Cardi called me, we was

427
00:18:43,800 --> 00:18:46,639
Speaker 1: in my crib and were watching Super Bowl and the

428
00:18:46,800 --> 00:18:49,240
Speaker 1: boy was there, Star I was there. It was there,

429
00:18:49,880 --> 00:18:53,320
Speaker 1: and she had just came on stage with Bad Money, right,

430
00:18:53,920 --> 00:18:55,960
Speaker 1: and she on the phone, so your spind I'm like,

431
00:18:56,000 --> 00:18:58,440
Speaker 1: what's up, Sis. She's like, y'all need you on this tour?

432
00:18:58,480 --> 00:19:02,080
Speaker 1: Bro I'm like, all right, bet, and she's.

433
00:19:02,280 --> 00:19:03,600
Speaker 2: That was industry talk at the time.

434
00:19:03,760 --> 00:19:07,280
Speaker 1: Carty's there's there's two people that were never four people

435
00:19:07,320 --> 00:19:11,600
Speaker 1: that will never be industry talk. Carti fifth, Florada and

436
00:19:11,720 --> 00:19:13,320
Speaker 1: Rocky and Bookie five and.

437
00:19:13,280 --> 00:19:15,240
Speaker 3: Shout to all of y'all no industry too.

438
00:19:15,400 --> 00:19:18,440
Speaker 1: No industry that's straight like. So the next day Start

439
00:19:18,480 --> 00:19:23,040
Speaker 1: calls me to yo, Boston, Connecticut, Miami, Philly, n PA.

440
00:19:23,960 --> 00:19:27,720
Speaker 1: You want that? So whatever, Yeah, we're in there. You know,

441
00:19:27,800 --> 00:19:32,400
Speaker 1: I respect Carti from other artists with DJ Carty big

442
00:19:33,200 --> 00:19:35,880
Speaker 1: shout to Lust. You heard listen, shout to Lust, good

443
00:19:35,880 --> 00:19:39,000
Speaker 1: old days in Brooklyn. Man, is that she's real genuine

444
00:19:39,040 --> 00:19:41,200
Speaker 1: in the sense of like she means it from her heart.

445
00:19:41,280 --> 00:19:45,080
Speaker 1: She don't got to like she changed my life same way,

446
00:19:45,119 --> 00:19:46,760
Speaker 1: fifth in it so many ways of like things like

447
00:19:47,720 --> 00:19:50,680
Speaker 1: I would never think I'm DJing the met Gala after party.

448
00:19:51,480 --> 00:19:53,240
Speaker 1: I'm in the booth and Billie OLiS is the chilling

449
00:19:53,320 --> 00:19:56,800
Speaker 1: me drinking, telling Joe wow, Like she makes that happen.

450
00:19:56,800 --> 00:19:58,399
Speaker 1: You know what I'm saying. She don't forget where she

451
00:19:58,520 --> 00:20:00,320
Speaker 1: came from. That makes sense, and how much she does

452
00:20:00,320 --> 00:20:01,719
Speaker 1: behind the dough she puts off of her people. Her

453
00:20:01,720 --> 00:20:03,560
Speaker 1: team is still wear her from I remember back in

454
00:20:03,600 --> 00:20:05,000
Speaker 1: the day. It's a blessing to see that, you know,

455
00:20:05,000 --> 00:20:06,720
Speaker 1: shot to her whole team.

456
00:20:07,320 --> 00:20:09,760
Speaker 7: And I'm glad he put on for me a couple

457
00:20:09,800 --> 00:20:13,760
Speaker 7: of times me on Instagram sho she's a real one.

458
00:20:15,119 --> 00:20:18,160
Speaker 2: Out to his sister, to Hennison's.

459
00:20:17,400 --> 00:20:19,600
Speaker 5: Family, and this is what I talk about.

460
00:20:19,640 --> 00:20:21,600
Speaker 3: And I'm glad you brought up fifty because it's like

461
00:20:22,280 --> 00:20:25,800
Speaker 3: niggas get at us for like give it showing people

462
00:20:25,880 --> 00:20:28,600
Speaker 3: love that show you love. Like when I say fifty

463
00:20:28,640 --> 00:20:30,280
Speaker 3: did a lot for me, he not only did a

464
00:20:30,320 --> 00:20:32,800
Speaker 3: lot for me and murder, but we could name up

465
00:20:32,800 --> 00:20:34,719
Speaker 3: a ship. Like I thought of so much shit because

466
00:20:35,160 --> 00:20:37,800
Speaker 3: Menth Bleek was talking like right now I'm trying to

467
00:20:37,840 --> 00:20:40,240
Speaker 3: still figure out who's more relevant Rick Ross with his

468
00:20:40,280 --> 00:20:42,879
Speaker 3: record sales or Memphis Bleak on his rants.

469
00:20:42,960 --> 00:20:43,520
Speaker 2: I'm trying to.

470
00:20:43,520 --> 00:20:47,679
Speaker 3: Still figure out who's more relevant, right, But when you

471
00:20:47,720 --> 00:20:50,200
Speaker 3: look at Fifth, right, I thought about that Ship made

472
00:20:50,240 --> 00:20:52,920
Speaker 3: me beefing with these niggas, made me think about shit

473
00:20:52,960 --> 00:20:56,640
Speaker 3: he did for other people. K Slay Straight Snunt magazine,

474
00:20:56,680 --> 00:20:59,679
Speaker 3: Rest in Peace was about to be finished. Fifty came

475
00:20:59,720 --> 00:21:02,560
Speaker 3: out of pocket like twenty grand to help Kate Slay

476
00:21:02,640 --> 00:21:05,440
Speaker 3: keep going, to keep going with that shit. If Favera

477
00:21:05,560 --> 00:21:07,840
Speaker 3: a nigga that was shooting videos, Fifty call them yo,

478
00:21:08,359 --> 00:21:12,280
Speaker 3: shoot twelve videos. And then from there everybody in industry

479
00:21:12,320 --> 00:21:14,879
Speaker 3: wanted to fuck with Eve. The list goes on and

480
00:21:14,920 --> 00:21:18,480
Speaker 3: on that all the ants. Now he's doing movie Kid

481
00:21:18,600 --> 00:21:20,360
Speaker 3: Kid Banks, al Pacino.

482
00:21:21,000 --> 00:21:21,720
Speaker 5: You know what I'm saying.

483
00:21:21,920 --> 00:21:23,000
Speaker 1: Iithan is doing Appucino.

484
00:21:24,200 --> 00:21:26,359
Speaker 5: This is what I'm saying. So I just think about

485
00:21:26,400 --> 00:21:26,800
Speaker 5: all the people.

486
00:21:26,800 --> 00:21:29,520
Speaker 3: When you say Fifth also helped you and CARDI helped you,

487
00:21:29,640 --> 00:21:32,000
Speaker 3: that shit count like that's like mean a lot, But we.

488
00:21:31,960 --> 00:21:34,560
Speaker 1: Don't even know even with the record. I will never

489
00:21:34,560 --> 00:21:36,840
Speaker 1: forget I finished your y'll go to him ask for advice.

490
00:21:36,840 --> 00:21:38,800
Speaker 1: I'll ask y'all fa advice everybody that's around, the people

491
00:21:38,840 --> 00:21:41,160
Speaker 1: I generally fuck with and care about their opinion before

492
00:21:41,200 --> 00:21:43,520
Speaker 1: it comes out. I'll never forget. We was chilling at

493
00:21:43,560 --> 00:21:46,800
Speaker 1: the headquarters, right and I played it for him. He said,

494
00:21:46,800 --> 00:21:48,679
Speaker 1: all right, give me a second fifth A and are

495
00:21:48,760 --> 00:21:52,640
Speaker 1: that record. When you hear the girl saying you can't

496
00:21:52,640 --> 00:21:53,280
Speaker 1: handle all.

497
00:21:53,119 --> 00:21:55,240
Speaker 5: That, that's fue He ain't and all the new record.

498
00:21:55,320 --> 00:21:57,600
Speaker 1: Did a new record with the baby and fetti. She said, it's.

499
00:21:57,520 --> 00:21:59,280
Speaker 2: Mitchellor something fifth on there. Look at that.

500
00:21:59,600 --> 00:22:01,200
Speaker 1: Yeah, that's what I'm saying. When he do behind seeing

501
00:22:01,240 --> 00:22:04,120
Speaker 1: people don't really be like knowing it. But it comes

502
00:22:04,119 --> 00:22:05,520
Speaker 1: from a good heart and a good person. You know

503
00:22:05,520 --> 00:22:07,480
Speaker 1: what I'm saying. And I didn't think about it. And

504
00:22:07,520 --> 00:22:09,520
Speaker 1: when I went and added that part, it made the

505
00:22:09,600 --> 00:22:11,359
Speaker 1: record completely. Now when you listen to Beako and you

506
00:22:11,400 --> 00:22:14,000
Speaker 1: hear that girl saying you can't handle all that, it's

507
00:22:14,080 --> 00:22:15,679
Speaker 1: her answering the baby. He said, you want to have

508
00:22:15,720 --> 00:22:17,760
Speaker 1: something for the girls. He ain't on the record.

509
00:22:17,840 --> 00:22:18,919
Speaker 2: Damn man, look at that.

510
00:22:19,240 --> 00:22:21,159
Speaker 1: Yeah, fifty doing money for.

511
00:22:21,280 --> 00:22:22,160
Speaker 5: Me for starting.

512
00:22:22,640 --> 00:22:24,560
Speaker 3: We know you're gonna sell more than Rick Ross. Let's

513
00:22:24,600 --> 00:22:28,359
Speaker 3: get to Tory Lanez. Made you think I was going

514
00:22:28,640 --> 00:22:32,720
Speaker 3: earned nineteen thousand, seven hundred units. The first week out

515
00:22:32,840 --> 00:22:38,439
Speaker 3: selling Rick Ross that did seventeen thousand, two hundred units. Russ,

516
00:22:38,560 --> 00:22:42,680
Speaker 3: you need some help. You need the Drake stimulus package.

517
00:22:43,119 --> 00:22:46,360
Speaker 3: That wasn't there for you. Beefing with fifty, that wasn't

518
00:22:46,440 --> 00:22:49,280
Speaker 3: good for you. It's just nothing been good for you, man.

519
00:22:49,760 --> 00:22:53,119
Speaker 3: You know, just find a new career, man, do something

520
00:22:53,440 --> 00:22:56,120
Speaker 3: like fifth said the bump juice and the record sales

521
00:22:56,119 --> 00:22:58,800
Speaker 3: ain't working for you, new wings man. And I like

522
00:22:58,840 --> 00:23:04,040
Speaker 3: American deli wings away, motherfuckers. Yeah, I like American debt.

523
00:23:04,640 --> 00:23:07,359
Speaker 3: I don't do wings stop. And as for Memphis Bleak,

524
00:23:07,440 --> 00:23:10,160
Speaker 3: that come back on Twitter, that ship was wha murder

525
00:23:10,200 --> 00:23:14,040
Speaker 3: went fucking ultimate. Worry on you, whole Coogan on you.

526
00:23:14,040 --> 00:23:15,159
Speaker 3: You know what I'm saying, Like.

527
00:23:15,040 --> 00:23:16,960
Speaker 7: For the myth bleak too, man, because you know, I

528
00:23:16,960 --> 00:23:20,280
Speaker 7: see a lot of comments and cool right about about

529
00:23:20,320 --> 00:23:23,119
Speaker 7: the whole Memphis Bleak thing. Man, It's like people feel like,

530
00:23:24,400 --> 00:23:27,600
Speaker 7: first of all, I'm not taking up for yo yos,

531
00:23:27,680 --> 00:23:28,920
Speaker 7: y'all ya ya.

532
00:23:28,880 --> 00:23:32,640
Speaker 2: Can talk, you know, Yeah, y'all know Brooklyn Queen.

533
00:23:34,480 --> 00:23:36,640
Speaker 5: Brooklyn niggas like ya yo.

534
00:23:37,040 --> 00:23:39,160
Speaker 7: If y'all know one thing about my brother, ya yo,

535
00:23:39,840 --> 00:23:44,439
Speaker 7: He don't need nobody to talk for him right at all? Ya, Yo,

536
00:23:44,560 --> 00:23:47,320
Speaker 7: love to talk and he talking ship whenever he wants

537
00:23:47,359 --> 00:23:52,240
Speaker 7: to write. So people like yo, that's people. I think

538
00:23:52,240 --> 00:23:54,520
Speaker 7: those in the comments like, Yo, you're taking up this

539
00:23:54,600 --> 00:23:55,120
Speaker 7: no no, no no.

540
00:23:55,720 --> 00:23:57,280
Speaker 2: When you say things.

541
00:23:56,960 --> 00:24:00,440
Speaker 7: In these interviews, like when Bleek was on the Breakfast

542
00:24:00,480 --> 00:24:05,440
Speaker 7: Club and he's saying things like if fifty stopped rocking

543
00:24:05,520 --> 00:24:08,880
Speaker 7: with these dudes for a year, they be in the shelter.

544
00:24:09,640 --> 00:24:14,119
Speaker 7: When you're saying niggas niggas, If fifty stop fucking with

545
00:24:14,160 --> 00:24:16,560
Speaker 7: these niggas, they're being a shelter.

546
00:24:16,840 --> 00:24:17,800
Speaker 3: Who's niggas?

547
00:24:18,359 --> 00:24:19,320
Speaker 2: Niggas? Is ya yo?

548
00:24:19,840 --> 00:24:23,240
Speaker 7: And murder in twenty twenty six right now? So when

549
00:24:23,240 --> 00:24:25,600
Speaker 7: you're saying shit like that, niggas, you're taking a shot

550
00:24:25,640 --> 00:24:27,680
Speaker 7: at me. And I'm definitely gonna shoot back if the

551
00:24:27,720 --> 00:24:28,679
Speaker 7: nigga take a shot at me.

552
00:24:28,800 --> 00:24:30,399
Speaker 3: Hold on, if he just was talking about me, you

553
00:24:30,440 --> 00:24:34,600
Speaker 3: wasn't gonna you my brother. Niggas fuck Rock Brooklyn.

554
00:24:35,080 --> 00:24:37,439
Speaker 2: You know how to fuck Rock nigga. But you know

555
00:24:37,680 --> 00:24:39,680
Speaker 2: that's you know the brill shit though. Yeah, you see

556
00:24:39,720 --> 00:24:41,560
Speaker 2: people talk and said me and you know what, and

557
00:24:41,600 --> 00:24:42,880
Speaker 2: I'm in the car with you and you here.

558
00:24:42,800 --> 00:24:45,280
Speaker 8: The corner the murder murder, you know what it was.

559
00:24:45,320 --> 00:24:47,600
Speaker 8: I've been with the unit for ten years now, Like,

560
00:24:47,600 --> 00:24:48,320
Speaker 8: what the fuck.

561
00:24:48,200 --> 00:24:48,720
Speaker 5: Is I murdered?

562
00:24:49,080 --> 00:24:49,159
Speaker 7: Now?

563
00:24:49,160 --> 00:24:49,520
Speaker 5: I murdered?

564
00:24:49,560 --> 00:24:53,080
Speaker 3: Think about this right when you look at everybody Fifth Health,

565
00:24:53,160 --> 00:24:55,720
Speaker 3: Like I just named Caseley and just named Ethan Vera.

566
00:24:56,160 --> 00:24:58,680
Speaker 5: We could name casting Over that was signed to him.

567
00:24:58,720 --> 00:25:02,600
Speaker 2: Shout out to my brother King snover Man used.

568
00:25:02,480 --> 00:25:04,600
Speaker 5: To tell us your niggas treat be good over here.

569
00:25:05,200 --> 00:25:07,240
Speaker 2: Definitely, he was getting in clubs.

570
00:25:07,240 --> 00:25:07,800
Speaker 5: He didn't have to.

571
00:25:08,240 --> 00:25:10,800
Speaker 3: You had to sneak in a jay Z brunch, come on,

572
00:25:11,160 --> 00:25:13,480
Speaker 3: you know, free casting Over. But it's the truth. That

573
00:25:13,640 --> 00:25:16,320
Speaker 3: was your artist, and fifty was looking out for him

574
00:25:16,480 --> 00:25:18,639
Speaker 3: and it ain't glazing. It's just the truth of the truth,

575
00:25:18,960 --> 00:25:21,320
Speaker 3: just like how you said Cardy B was looking out

576
00:25:21,359 --> 00:25:21,600
Speaker 3: for you.

577
00:25:21,640 --> 00:25:23,040
Speaker 5: But fuck these fuck niggas.

578
00:25:24,080 --> 00:25:25,080
Speaker 1: What's always looking out?

579
00:25:25,119 --> 00:25:28,240
Speaker 5: What's your niggas think about Lebron James going to Philly.

580
00:25:27,960 --> 00:25:29,920
Speaker 2: Man James, that's gonna be.

581
00:25:30,640 --> 00:25:33,400
Speaker 5: Five Fuck Gillian Wallo on that one man.

582
00:25:34,000 --> 00:25:37,440
Speaker 7: I'm boy, I'm a Lebron fan man, so I'm rocking

583
00:25:37,480 --> 00:25:40,120
Speaker 7: with Gillian Wallow in that one man. You know it's

584
00:25:40,160 --> 00:25:42,240
Speaker 7: New York it's the Knicks first. But I'm not what

585
00:25:43,000 --> 00:25:44,280
Speaker 7: I'm not mad at Lebron going on.

586
00:25:44,320 --> 00:25:47,880
Speaker 1: I'm still trying to process murders rocking with Philly on

587
00:25:47,920 --> 00:25:48,880
Speaker 1: this Lebron thing.

588
00:25:48,960 --> 00:25:50,719
Speaker 2: That's not mad because I rock with Lebron.

589
00:25:50,760 --> 00:25:54,480
Speaker 1: So so it's the Knicks first, you're saying, always going

590
00:25:54,560 --> 00:25:56,399
Speaker 1: and then and then Philly is your second time.

591
00:25:56,280 --> 00:25:57,000
Speaker 2: A Lebron fan?

592
00:25:57,040 --> 00:26:00,879
Speaker 1: Man, However, Lebron New York fan Instagram. You've seen that

593
00:26:00,920 --> 00:26:02,359
Speaker 1: picture when I was a kid, and outside of my

594
00:26:02,400 --> 00:26:05,000
Speaker 1: passport picture, I've been a Knick fan my whole life.

595
00:26:05,119 --> 00:26:06,879
Speaker 1: Shot to my pops, shot to my mom. They do

596
00:26:07,080 --> 00:26:09,840
Speaker 1: not play about your dad is a Dowd Knicks and

597
00:26:09,840 --> 00:26:16,160
Speaker 1: so my mom every playoff game this year, Nixon five.

598
00:26:16,200 --> 00:26:18,200
Speaker 1: I don't care what nobody talking about. You know what's

599
00:26:18,200 --> 00:26:20,879
Speaker 1: another thing I did a full circle on for my

600
00:26:20,920 --> 00:26:23,720
Speaker 1: pops and my mom being a Knick fan. I DJ

601
00:26:23,880 --> 00:26:27,040
Speaker 1: the Knicks Championship private party with the Knicks players. It

602
00:26:27,160 --> 00:26:30,280
Speaker 1: was just me and forty people in there. It was me, Brunson,

603
00:26:30,440 --> 00:26:34,560
Speaker 1: Cat Clarkson, Deuce shot to my man, Marquise. You know that,

604
00:26:35,080 --> 00:26:37,360
Speaker 1: my boy Marquise. Yeah, that was a full circle moment.

605
00:26:38,119 --> 00:26:39,480
Speaker 1: I'm not gonna lie. I haven't been home since the

606
00:26:39,480 --> 00:26:44,000
Speaker 1: next one shot to the Knicks. They got the city

607
00:26:44,040 --> 00:26:44,800
Speaker 1: on fire.

608
00:26:44,880 --> 00:26:47,000
Speaker 2: Bron up in New York.

609
00:26:47,080 --> 00:26:48,520
Speaker 3: Let me ask you a question. When you're in the

610
00:26:48,560 --> 00:26:50,720
Speaker 3: studio and you did a record like timeless with a boogie,

611
00:26:50,800 --> 00:26:52,920
Speaker 3: are you in the studio with him? He just sends

612
00:26:52,960 --> 00:26:54,280
Speaker 3: you the record you prefer to be.

613
00:26:55,040 --> 00:26:56,400
Speaker 1: I want to be in the studio because, like I said,

614
00:26:56,400 --> 00:26:58,520
Speaker 1: I like to play one beat. Right. So we were

615
00:26:58,520 --> 00:27:01,320
Speaker 1: in the crib and it was me and him starring Bubba,

616
00:27:01,560 --> 00:27:03,800
Speaker 1: and we were playing. We were playing two k I'm like,

617
00:27:03,920 --> 00:27:05,960
Speaker 1: I got this beat. I played it. We want to

618
00:27:05,960 --> 00:27:07,840
Speaker 1: sit at the night he recorded, like that done deal.

619
00:27:08,320 --> 00:27:10,040
Speaker 1: We didn't. We put out a snippet of it on

620
00:27:11,040 --> 00:27:14,280
Speaker 1: SoundCloud and it just went and like, oh, this is

621
00:27:14,320 --> 00:27:16,280
Speaker 1: gonna be it and then it is what it is today.

622
00:27:16,280 --> 00:27:18,760
Speaker 1: Thank God. That's a blessed. That record is literally timeless.

623
00:27:18,760 --> 00:27:23,080
Speaker 1: Bro shot the cph out to Jagan. Yeah that record, Yeah,

624
00:27:23,320 --> 00:27:26,560
Speaker 1: definitely one of the ones. But that that Cardi Boogie,

625
00:27:26,640 --> 00:27:29,040
Speaker 1: fifth that Cardi Pasha. But we was in a visa.

626
00:27:29,600 --> 00:27:33,000
Speaker 1: I've seen how that is full circle moment. A month later,

627
00:27:33,080 --> 00:27:34,120
Speaker 1: I did Pasha in New York.

628
00:27:34,200 --> 00:27:36,439
Speaker 3: That was how do you how do you know what

629
00:27:36,520 --> 00:27:39,400
Speaker 3: to play? Because Pasha is not playing hipp This.

630
00:27:39,320 --> 00:27:42,000
Speaker 1: Is the first Oh yes, this is the first set

631
00:27:42,040 --> 00:27:46,359
Speaker 1: I've ever done. An hour and a half, no microphone, straight, No,

632
00:27:46,600 --> 00:27:50,399
Speaker 1: it's straight house afro beats that I had no microphone.

633
00:27:50,840 --> 00:27:52,879
Speaker 1: It's just my laptop and I ain't gonna lie to you.

634
00:27:52,920 --> 00:27:55,440
Speaker 1: The equipment wasn't working. Oh so if you were DJ

635
00:27:55,520 --> 00:27:58,840
Speaker 1: and you're watching this, I did my whole Pasha set internal,

636
00:27:59,200 --> 00:28:00,000
Speaker 1: no CDJs.

637
00:28:00,200 --> 00:28:00,919
Speaker 3: What do you what do you mean?

638
00:28:01,880 --> 00:28:05,120
Speaker 1: I'm DJing on my laptop. The CDJs didn't have the CDs,

639
00:28:05,160 --> 00:28:07,080
Speaker 1: and the time and the music was all for like

640
00:28:07,119 --> 00:28:09,560
Speaker 1: three minutes, and I didn't want nothing to come back

641
00:28:09,600 --> 00:28:11,520
Speaker 1: to CARDI like, I'm not ready, I'm not prepared. When

642
00:28:11,520 --> 00:28:14,280
Speaker 1: the music wasn't wasn't my funck. It happens. But being

643
00:28:14,320 --> 00:28:16,439
Speaker 1: in the situations I've been in, I was able to.

644
00:28:16,840 --> 00:28:20,240
Speaker 1: But the hardest thing to DJ internal is house music,

645
00:28:20,400 --> 00:28:22,320
Speaker 1: and that was my first time doing. That's the hardest

646
00:28:22,320 --> 00:28:25,520
Speaker 1: thing because that music you have to blend. Like hip hop,

647
00:28:25,560 --> 00:28:27,760
Speaker 1: I could talk drop out going, you can't do that

648
00:28:27,800 --> 00:28:28,440
Speaker 1: with house music.

649
00:28:28,600 --> 00:28:30,200
Speaker 2: Especially. I had no mic, right Yeah.

650
00:28:30,119 --> 00:28:32,320
Speaker 6: I mean yeah, absolutely, I mean that's just his ears.

651
00:28:32,400 --> 00:28:34,520
Speaker 1: And oh and I had no headphones.

652
00:28:34,640 --> 00:28:35,840
Speaker 6: Oh you had no headphones?

653
00:28:36,080 --> 00:28:37,560
Speaker 1: Or watch your videos? I just sent you.

654
00:28:37,720 --> 00:28:38,280
Speaker 6: That's crazy.

655
00:28:38,280 --> 00:28:39,120
Speaker 1: I had no headphones.

656
00:28:39,160 --> 00:28:40,520
Speaker 6: And the video is gonna be up there too.

657
00:28:40,800 --> 00:28:42,200
Speaker 1: I ain't gonna lie, bro, when you go to you

658
00:28:42,240 --> 00:28:44,320
Speaker 1: go to, Yeah, I'm gonna be honest, like I love

659
00:28:44,360 --> 00:28:46,360
Speaker 1: what I do. I love music. I'm not not cocky shit,

660
00:28:46,440 --> 00:28:48,720
Speaker 1: But I've never used headphones. I don't own a pair

661
00:28:48,720 --> 00:28:50,720
Speaker 1: of headphones. You know, it's the latest thing I bought.

662
00:28:50,720 --> 00:28:53,000
Speaker 1: Because the Cardia tour was inner ears. That's the only

663
00:28:53,000 --> 00:28:53,680
Speaker 1: headphones I got.

664
00:28:53,680 --> 00:28:57,600
Speaker 2: I don't have headphones in the club phone.

665
00:28:59,320 --> 00:29:04,000
Speaker 3: Punishment, you know, punishment crashing its bro Celebt call career

666
00:29:04,200 --> 00:29:06,920
Speaker 3: into a brand and a million dollar brand at that Man.

667
00:29:06,880 --> 00:29:09,040
Speaker 1: And Cardi had me front stage Madson Square Guard and

668
00:29:09,200 --> 00:29:11,600
Speaker 1: both nights sold out like that was And that's why

669
00:29:11,640 --> 00:29:13,800
Speaker 1: I said that felt man, because she didn't have to.

670
00:29:14,080 --> 00:29:16,880
Speaker 1: When you when you see people concerts like not what

671
00:29:16,960 --> 00:29:19,400
Speaker 1: we do with the art and like other artists, where's

672
00:29:19,400 --> 00:29:22,240
Speaker 1: the DJ booth on stage of contest?

673
00:29:22,360 --> 00:29:22,840
Speaker 2: Yeah?

674
00:29:22,880 --> 00:29:25,760
Speaker 1: But she had me front center stage and I did

675
00:29:25,760 --> 00:29:27,800
Speaker 1: the whole Possmoke tribute. When you see it, go around.

676
00:29:27,840 --> 00:29:30,320
Speaker 1: I premiered the record there, Yeah, bro shot the Cardi

677
00:29:30,400 --> 00:29:32,840
Speaker 1: shot to her whole team. It's a beautiful blessing.

678
00:29:32,880 --> 00:29:33,160
Speaker 2: Man, it was.

679
00:29:33,280 --> 00:29:34,720
Speaker 1: It's been a hell of a year. I ain't gonna lie.

680
00:29:34,800 --> 00:29:36,680
Speaker 1: That's why we wanna get back in music. I'm doing

681
00:29:36,680 --> 00:29:40,360
Speaker 1: all this with Fifth Cardi, Boogie Skiller, Rocky. I'm like, yeah,

682
00:29:40,400 --> 00:29:41,400
Speaker 1: i gotta get back in music.

683
00:29:42,040 --> 00:29:44,320
Speaker 2: Definitely around being a brandson boy and all that.

684
00:29:44,520 --> 00:29:47,440
Speaker 1: Yeah, of course, shout the whole brands and DJs, the

685
00:29:47,480 --> 00:29:51,080
Speaker 1: brands and crew, shout the star shot the Steve Yeah.

686
00:29:52,560 --> 00:29:54,080
Speaker 5: On the album because I know y'all like famis.

687
00:29:53,840 --> 00:29:55,520
Speaker 1: I ain't gonna lie. I'm not doing an album. I'm

688
00:29:55,560 --> 00:29:58,160
Speaker 1: just hitting in the head pauled straight direct shots to

689
00:29:58,240 --> 00:30:01,240
Speaker 1: single single, single singles. I'm not talking about nobody. But

690
00:30:01,280 --> 00:30:03,520
Speaker 1: as you see, album sales ain't really selling right now.

691
00:30:03,560 --> 00:30:05,400
Speaker 2: You can talk about it, it's not I'm not talking.

692
00:30:06,400 --> 00:30:08,720
Speaker 1: I'm not talking about that. I'm talking about album sales

693
00:30:09,080 --> 00:30:10,560
Speaker 1: right now isn't what they used to be. So I

694
00:30:10,600 --> 00:30:12,080
Speaker 1: just want to put our singles. That's where I'm at.

695
00:30:12,160 --> 00:30:16,920
Speaker 2: All I hating on Drake and his shit fly Yeah crazy.

696
00:30:16,600 --> 00:30:18,320
Speaker 1: Shot the boy won that shot the vinyl shot at

697
00:30:18,320 --> 00:30:22,080
Speaker 1: the whole Oval team. Oh yo, yeah, like we back

698
00:30:22,120 --> 00:30:22,840
Speaker 1: in the lab with it.

699
00:30:23,040 --> 00:30:25,120
Speaker 3: So how do you manage because every time I look

700
00:30:25,160 --> 00:30:27,800
Speaker 3: on your page, bro, it's like three parties at night.

701
00:30:27,840 --> 00:30:29,360
Speaker 3: How do you manage that? Like, how do you manage

702
00:30:29,400 --> 00:30:31,040
Speaker 3: the tom slots? They party?

703
00:30:31,320 --> 00:30:33,240
Speaker 1: So I'm not gonna lie, like when it was, like

704
00:30:34,400 --> 00:30:37,240
Speaker 1: you know, when it was heavy, heavy, right before pandemic.

705
00:30:37,320 --> 00:30:40,160
Speaker 1: I did seventy one parties in a month that that year,

706
00:30:40,800 --> 00:30:41,640
Speaker 1: seventy one.

707
00:30:41,760 --> 00:30:44,320
Speaker 2: Seventy one party seven crazy?

708
00:30:45,000 --> 00:30:47,600
Speaker 1: Who is the guy? The baseball player? Uh? I forgot

709
00:30:47,640 --> 00:30:51,640
Speaker 1: his name? His uh? Was it the La Dodgers? He

710
00:30:51,680 --> 00:30:53,600
Speaker 1: had like a high number. I remember. I put myself

711
00:30:53,600 --> 00:30:55,280
Speaker 1: in his jersey on the calendar, and that's how many

712
00:30:55,280 --> 00:30:58,120
Speaker 1: parties I had. Yeah, but you know the market and

713
00:30:58,160 --> 00:31:00,320
Speaker 1: the flyers all that stuff like that's that's me and

714
00:31:00,400 --> 00:31:03,960
Speaker 1: Star Like there's no pr team, Like there's my role manager,

715
00:31:04,280 --> 00:31:05,800
Speaker 1: but other than that, it's just stars.

716
00:31:05,880 --> 00:31:08,240
Speaker 5: His brother also family business. He loves his brother.

717
00:31:08,320 --> 00:31:11,840
Speaker 1: Yeah, that's my dog. Yeah, but how do you so

718
00:31:12,040 --> 00:31:15,040
Speaker 1: so give me give me okay, so average night like okay,

719
00:31:15,120 --> 00:31:18,200
Speaker 1: so see Saturday night, the Pasha night. Okay, Pasha was

720
00:31:18,240 --> 00:31:20,880
Speaker 1: twelve to one. I had to do Vibes and Queens

721
00:31:21,360 --> 00:31:23,960
Speaker 1: one thirty, two thirty, and had Icon Indictment three to

722
00:31:24,000 --> 00:31:26,360
Speaker 1: four and at while I'm out, I'm on the radio

723
00:31:26,360 --> 00:31:27,000
Speaker 1: at the same time.

724
00:31:28,040 --> 00:31:28,440
Speaker 3: Crazy.

725
00:31:28,920 --> 00:31:31,280
Speaker 1: That's why there's Young Graveyard, there's spin King, there's the Goat,

726
00:31:31,440 --> 00:31:33,200
Speaker 1: and it's As Spinking. We all got to be somewhere

727
00:31:33,200 --> 00:31:33,720
Speaker 1: at one point.

728
00:31:34,040 --> 00:31:37,680
Speaker 3: Oh, so you could pre recording radio and recording recorded.

729
00:31:37,760 --> 00:31:41,040
Speaker 1: That's that's that's DJ Spinking. I got to find a

730
00:31:41,080 --> 00:31:44,600
Speaker 1: house name for Pasha, but he was at Pasha and

731
00:31:44,640 --> 00:31:49,000
Speaker 1: then Young graveyards at Vibes, and then As Spinking was Indictment.

732
00:31:49,360 --> 00:31:49,920
Speaker 1: It's for me.

733
00:31:50,680 --> 00:31:51,160
Speaker 6: M hmmm.

734
00:31:51,600 --> 00:31:54,280
Speaker 1: We all spread out. That's how I do it every.

735
00:31:54,160 --> 00:31:56,280
Speaker 3: Night, Yeah, because you gotta know what to play. Like,

736
00:31:56,320 --> 00:31:58,200
Speaker 3: say you in front of an old Spanish crowd, I

737
00:31:58,200 --> 00:31:58,800
Speaker 3: wouldn't know.

738
00:31:58,920 --> 00:32:01,440
Speaker 1: But that night was that I wish I like stream

739
00:32:01,560 --> 00:32:04,040
Speaker 1: that night because it was an hour straight house I

740
00:32:04,120 --> 00:32:05,920
Speaker 1: want to have. It was a hour straight hip hop

741
00:32:05,920 --> 00:32:07,920
Speaker 1: and vibes, and then uptown was an hour straight Spanish.

742
00:32:08,360 --> 00:32:10,600
Speaker 1: That's three different cultures, three different crowds, and I'm blessed

743
00:32:10,600 --> 00:32:12,080
Speaker 1: to say I could do that and I got the

744
00:32:12,120 --> 00:32:13,080
Speaker 1: West Indian community too.

745
00:32:13,080 --> 00:32:14,760
Speaker 3: Shout to my western But how do you know? I

746
00:32:14,800 --> 00:32:16,200
Speaker 3: know when you and that, but how do you know

747
00:32:16,480 --> 00:32:19,120
Speaker 3: how do you find the best Spanish record or the

748
00:32:19,160 --> 00:32:22,080
Speaker 3: best you know, house record, how do you find it? Like, well,

749
00:32:22,120 --> 00:32:22,640
Speaker 3: how do you know?

750
00:32:22,800 --> 00:32:26,000
Speaker 1: My son is Dominican half Dominican, and then all my

751
00:32:26,160 --> 00:32:29,400
Speaker 1: best friends are all Spanish domn there. So I just

752
00:32:29,480 --> 00:32:31,040
Speaker 1: I've been in the culture like that Dykman. They took

753
00:32:31,040 --> 00:32:32,280
Speaker 1: me in as like one of their own. Like people

754
00:32:32,320 --> 00:32:35,120
Speaker 1: think I'm Spanish, so it's cool with the artists, some

755
00:32:35,200 --> 00:32:36,040
Speaker 1: of the Spanish artists.

756
00:32:36,120 --> 00:32:37,880
Speaker 3: Yeah, you be on Dykman so much. I thought you

757
00:32:37,920 --> 00:32:38,240
Speaker 3: was doing.

758
00:32:38,840 --> 00:32:42,040
Speaker 1: I just it's the culture, bro, Like, it's just they

759
00:32:42,120 --> 00:32:45,000
Speaker 1: really got it. Like that culture that them bow right

760
00:32:45,040 --> 00:32:47,479
Speaker 1: now is just in pocket, even the afrobeats. That's why

761
00:32:47,480 --> 00:32:49,080
Speaker 1: I want to tap into everything. I want to put

762
00:32:49,680 --> 00:32:51,720
Speaker 1: stuff together, you know what I'm saying, Like put a

763
00:32:51,720 --> 00:32:54,040
Speaker 1: regular artist with a Spanish artist and mix the cultures.

764
00:32:54,040 --> 00:32:56,000
Speaker 1: Like when I first started, I started up with hip house.

765
00:32:56,520 --> 00:32:58,480
Speaker 1: I'm trying to put hip hop niggas on house music

766
00:32:58,600 --> 00:33:01,200
Speaker 1: and what do you here today? And that was thirteen

767
00:33:01,240 --> 00:33:02,480
Speaker 1: years to go, fourteen years ago.

768
00:33:02,400 --> 00:33:03,960
Speaker 6: Doing that, Pacha says, does that make you want to

769
00:33:04,000 --> 00:33:04,840
Speaker 6: do more house sets.

770
00:33:05,120 --> 00:33:07,240
Speaker 1: I've been wanting to do that, like me and me

771
00:33:07,320 --> 00:33:09,840
Speaker 1: and my man. That's what me violent starting mune listening

772
00:33:09,840 --> 00:33:11,600
Speaker 1: to it's all house music. I'm in the crib playing

773
00:33:11,840 --> 00:33:15,360
Speaker 1: house music, like you know what it is. There's no

774
00:33:15,520 --> 00:33:19,720
Speaker 1: beef in that world. There's no competition. Look at Dipplo,

775
00:33:19,800 --> 00:33:22,240
Speaker 1: look at dead Mouse, look at my man. A track,

776
00:33:23,240 --> 00:33:23,760
Speaker 1: all of them.

777
00:33:23,680 --> 00:33:26,160
Speaker 3: They shout to a track was on the show. They

778
00:33:26,200 --> 00:33:28,280
Speaker 3: don't even just now, but the biggest DJ is on

779
00:33:28,360 --> 00:33:28,640
Speaker 3: this show.

780
00:33:28,680 --> 00:33:31,000
Speaker 1: And my boy a track, he said, he a track,

781
00:33:31,040 --> 00:33:34,320
Speaker 1: said he doing a remix to beagop a house remix.

782
00:33:34,360 --> 00:33:37,000
Speaker 5: That's what's up, man, shout shout. We need to kid

783
00:33:37,040 --> 00:33:37,760
Speaker 5: cutting on the show.

784
00:33:37,840 --> 00:33:38,000
Speaker 3: Man.

785
00:33:38,440 --> 00:33:42,160
Speaker 1: So like overseas, they all it's enough for everybody to

786
00:33:42,200 --> 00:33:46,040
Speaker 1: eat and they dance, they party. That's why me enjoyed Pasha.

787
00:33:46,080 --> 00:33:49,640
Speaker 1: They bro there's no VIPs besides behind, but the whole

788
00:33:49,680 --> 00:33:52,239
Speaker 1: floor you see of all the people, they just did

789
00:33:52,320 --> 00:33:54,480
Speaker 1: a party and dance. They had the ball. They having

790
00:33:54,480 --> 00:33:56,920
Speaker 1: a good time. Way we did Paul shover was that

791
00:33:57,040 --> 00:33:59,400
Speaker 1: it was it was a visa a za shout yeah,

792
00:33:59,480 --> 00:34:02,600
Speaker 1: Visa was vibe. I know, I kept thinking it was Italy,

793
00:34:02,800 --> 00:34:07,720
Speaker 1: Italy was when Michael Jackson the airport. I never seen

794
00:34:07,800 --> 00:34:10,320
Speaker 1: murder push on any people on the airport in my life.

795
00:34:10,360 --> 00:34:10,960
Speaker 2: Crazy man.

796
00:34:11,200 --> 00:34:14,319
Speaker 1: Yeah, that was pandemonium. That was a good time though.

797
00:34:14,400 --> 00:34:16,600
Speaker 5: It was So when is this video dropping with you?

798
00:34:16,719 --> 00:34:18,279
Speaker 5: And the baby? Is the baby directing this one?

799
00:34:18,520 --> 00:34:18,839
Speaker 2: The baby?

800
00:34:18,880 --> 00:34:22,760
Speaker 1: The baby directing the vide? Oh man, a baby definitely

801
00:34:22,800 --> 00:34:25,160
Speaker 1: directing the video. You gonna have baby elephants in there,

802
00:34:25,280 --> 00:34:29,680
Speaker 1: girls with fatties all my boy tie. Yeah. Baby definitely

803
00:34:29,680 --> 00:34:31,880
Speaker 1: directed the video. It's seventy percent done. We got to

804
00:34:31,920 --> 00:34:34,719
Speaker 1: shoot two more scenes and then we're gonna drop that

805
00:34:34,800 --> 00:34:37,359
Speaker 1: and go crazy, okay, and then we don't keep dropping

806
00:34:37,400 --> 00:34:40,480
Speaker 1: all music. I got studio tonight, Skiller Baby. Me and

807
00:34:40,560 --> 00:34:43,279
Speaker 1: Rocky got studio this week. Me and Floriad are working

808
00:34:43,320 --> 00:34:43,760
Speaker 1: on something.

809
00:34:44,040 --> 00:34:46,800
Speaker 3: You stay consistent. What would you tell the young DJ's

810
00:34:46,840 --> 00:34:48,399
Speaker 3: out there that's trying to get on Cause I see

811
00:34:48,680 --> 00:34:51,640
Speaker 3: you know you're doing radio and you three clubs at night,

812
00:34:51,760 --> 00:34:54,359
Speaker 3: then you go home to the family and you got

813
00:34:54,440 --> 00:34:57,000
Speaker 3: your kids, and you know, then you wake up and

814
00:34:57,080 --> 00:34:59,279
Speaker 3: then you do it again and you might do a

815
00:34:59,400 --> 00:35:01,360
Speaker 3: brunch then you on radio.

816
00:35:01,640 --> 00:35:03,160
Speaker 5: It's like, it's like, what would you tell.

817
00:35:03,080 --> 00:35:05,080
Speaker 1: At you gotta want it, you gotta be consistent. If

818
00:35:05,080 --> 00:35:06,799
Speaker 1: you don't want it, don't come involved in this because

819
00:35:06,840 --> 00:35:08,759
Speaker 1: this right now and you can tell me y'all, craft

820
00:35:08,840 --> 00:35:11,480
Speaker 1: is similar to my craft. It takes way more work

821
00:35:11,520 --> 00:35:14,640
Speaker 1: now than back then to stay consistent. There's not so

822
00:35:14,719 --> 00:35:16,600
Speaker 1: many outlets, there's so many ways to do. But if

823
00:35:16,640 --> 00:35:19,640
Speaker 1: everybody's doing it, you gotta do something different to stand

824
00:35:19,719 --> 00:35:22,320
Speaker 1: out from what everybody else is doing. Like when you

825
00:35:22,400 --> 00:35:24,680
Speaker 1: walk in the club and innotiate to know DJs and

826
00:35:24,760 --> 00:35:26,319
Speaker 1: you see them and you see me, you know who

827
00:35:26,320 --> 00:35:27,799
Speaker 1: you're looking at. You know who you're not looking at,

828
00:35:28,120 --> 00:35:29,520
Speaker 1: and that's the honor true because I put a lot

829
00:35:29,560 --> 00:35:32,680
Speaker 1: of money into this. Outfits and jewelry.

830
00:35:33,120 --> 00:35:35,960
Speaker 2: Definitely, man, that's why I let them know the truth.

831
00:35:36,040 --> 00:35:38,040
Speaker 5: Playing a big part for the DJ, he said MV.

832
00:35:38,200 --> 00:35:39,200
Speaker 2: And you know not envy.

833
00:35:39,640 --> 00:35:41,480
Speaker 1: You got to promote yourself. You gotta invest in yourself.

834
00:35:41,680 --> 00:35:44,239
Speaker 1: I told y'all before the show started. Half of what

835
00:35:44,320 --> 00:35:46,720
Speaker 1: I got paid for that event went to my production

836
00:35:46,960 --> 00:35:49,840
Speaker 1: for my video and my intro. I invested in myself.

837
00:35:49,840 --> 00:35:51,440
Speaker 1: I don't look at the money then, look at the

838
00:35:51,440 --> 00:35:53,480
Speaker 1: money's gonna bring me by. Everybody's seeing what they saw

839
00:35:53,560 --> 00:35:55,560
Speaker 1: then because That was the moment. That was the look.

840
00:35:55,800 --> 00:35:57,560
Speaker 1: You got to invest in yourself. I'll tell you one thing.

841
00:35:57,920 --> 00:36:00,720
Speaker 1: When I shot Adult Swim with Tiger Asat first in Jeremiah,

842
00:36:00,880 --> 00:36:02,960
Speaker 1: the label said they got five thousand dollars for me.

843
00:36:04,480 --> 00:36:08,520
Speaker 1: I cleared Asat for Jeremiah and Tiger for free, thousand

844
00:36:08,560 --> 00:36:12,399
Speaker 1: dollars for you. Video director Tiger can confirm he said,

845
00:36:12,440 --> 00:36:13,880
Speaker 1: yall want my man to shoot? He said, we do

846
00:36:13,960 --> 00:36:16,600
Speaker 1: it without permits. It's fifteen. We do it with permits

847
00:36:16,680 --> 00:36:18,719
Speaker 1: is thirty. I said, we're gonna do this right, We're

848
00:36:18,719 --> 00:36:21,720
Speaker 1: gonna do thirty. I told Star. Star had an envelope

849
00:36:21,719 --> 00:36:23,160
Speaker 1: when I was younger. He used to write every week

850
00:36:23,200 --> 00:36:25,120
Speaker 1: what I would put it in. I save. All I

851
00:36:25,160 --> 00:36:27,120
Speaker 1: had was thirty. I went to LA with that thirty.

852
00:36:27,120 --> 00:36:28,480
Speaker 1: I came back with one hundred dollars in my pocket.

853
00:36:28,960 --> 00:36:31,959
Speaker 1: That's all I had. Thirty kids, all I had saved.

854
00:36:32,200 --> 00:36:35,440
Speaker 1: I put it all towards the video. Dang, and that

855
00:36:35,600 --> 00:36:38,040
Speaker 1: video got one hundred and fifty million views. I reckon

856
00:36:38,120 --> 00:36:39,040
Speaker 1: went crazy overseas.

857
00:36:39,239 --> 00:36:39,279
Speaker 2: Me.

858
00:36:39,600 --> 00:36:41,200
Speaker 1: Look, shot the vella, shot the vinyls.

859
00:36:41,280 --> 00:36:43,160
Speaker 2: Yeah, of course it paid off. That was good.

860
00:36:43,200 --> 00:36:45,200
Speaker 1: You know what I'm saying. What I could tell anybody

861
00:36:45,280 --> 00:36:48,640
Speaker 1: coming up you still go investing yourself. You got to

862
00:36:49,120 --> 00:36:50,920
Speaker 1: and that's the only you gotta keep look at everybody.

863
00:36:50,960 --> 00:36:53,359
Speaker 1: You got to be consistent. These kids are streaming twenty

864
00:36:53,400 --> 00:36:56,120
Speaker 1: four seven. Definitely, Man, I ain't gonna lie. I can't

865
00:36:56,200 --> 00:36:59,200
Speaker 1: do that right now. Yeah, but that's how you have

866
00:36:59,239 --> 00:37:01,520
Speaker 1: stay consistent and standing out for everybody else only be

867
00:37:01,560 --> 00:37:02,120
Speaker 1: doing the same thing.

868
00:37:03,360 --> 00:37:04,720
Speaker 3: That's definitely.

869
00:37:04,800 --> 00:37:06,759
Speaker 5: I mean, what do you feel about New York night life?

870
00:37:06,920 --> 00:37:06,960
Speaker 1: Like?

871
00:37:07,040 --> 00:37:10,520
Speaker 3: Because I know you're DJ and Queens, you DJ and Dykman,

872
00:37:11,120 --> 00:37:14,920
Speaker 3: what's the difference like in the crowds besides just you know, nationalities,

873
00:37:15,080 --> 00:37:15,440
Speaker 3: you know what I mean?

874
00:37:15,520 --> 00:37:17,440
Speaker 1: I mean it depends like it's like there's a party

875
00:37:17,560 --> 00:37:20,600
Speaker 1: right now. Shut the GQ. It's in Queens. It's called

876
00:37:20,680 --> 00:37:23,040
Speaker 1: Kiss So if my guys they own it. But that

877
00:37:23,239 --> 00:37:26,920
Speaker 1: is two thousand West Indians there every Saturday and they partying.

878
00:37:27,560 --> 00:37:30,680
Speaker 1: But then like yesterday it was a Dominican Day. Sunday

879
00:37:30,760 --> 00:37:34,000
Speaker 1: was the Dominican Day parade. Bro them. You couldn't drive

880
00:37:34,080 --> 00:37:37,239
Speaker 1: on the block like they they had the flags out.

881
00:37:37,239 --> 00:37:37,600
Speaker 2: They had to.

882
00:37:37,719 --> 00:37:39,919
Speaker 1: They was wild, big as speakers you're seeing in DRD

883
00:37:40,000 --> 00:37:42,359
Speaker 1: at all them shit. But that's What I love about

884
00:37:42,360 --> 00:37:44,440
Speaker 1: my job is I never get tired because I'm involved

885
00:37:44,480 --> 00:37:46,120
Speaker 1: in so many genres. I feel like if I was

886
00:37:46,160 --> 00:37:48,480
Speaker 1: stuck to one place, I would get tired. Because I'm

887
00:37:48,520 --> 00:37:50,520
Speaker 1: tired in and blessed to be where I'm at, I

888
00:37:50,600 --> 00:37:54,520
Speaker 1: don't get tired. It keeps like I'm more motivated now

889
00:37:54,600 --> 00:37:56,880
Speaker 1: than ever. That's why I'm back to making music. Like

890
00:37:57,360 --> 00:38:00,440
Speaker 1: Fifth having me allow me to come over. He's being

891
00:38:00,480 --> 00:38:02,840
Speaker 1: on the jet, being with y'all, seeing these people like

892
00:38:03,400 --> 00:38:05,919
Speaker 1: they don't know English, but they know every single word.

893
00:38:06,040 --> 00:38:10,239
Speaker 1: So many men. It's insane to me. So it's like,

894
00:38:10,280 --> 00:38:12,080
Speaker 1: your bro, music could really change your life, and it

895
00:38:12,120 --> 00:38:13,879
Speaker 1: did for me, save my life. I didn't have a choice.

896
00:38:13,920 --> 00:38:16,880
Speaker 1: But to anybody watching this that wants to get involved

897
00:38:16,920 --> 00:38:19,520
Speaker 1: in music, DJ producing, even if you don't like the camera,

898
00:38:20,560 --> 00:38:22,879
Speaker 1: pen game produce, be out there.

899
00:38:24,320 --> 00:38:26,120
Speaker 3: Yeah, because you got into an accident where you could

900
00:38:26,120 --> 00:38:27,600
Speaker 3: have died, and that she changed your life.

901
00:38:27,640 --> 00:38:30,920
Speaker 1: You change my life. Why I'm today, Yeah, I'm turn

902
00:38:31,000 --> 00:38:32,920
Speaker 1: to music. I had no choice. I ain't know it's

903
00:38:32,920 --> 00:38:36,160
Speaker 1: gonna be this, but hey, we're blessed to be here.

904
00:38:37,160 --> 00:38:39,359
Speaker 3: You know, you know I always murder say I asked

905
00:38:39,400 --> 00:38:40,239
Speaker 3: this all the time.

906
00:38:41,200 --> 00:38:43,320
Speaker 7: He's gonna try to say this one, and I know

907
00:38:43,480 --> 00:38:46,600
Speaker 7: that try to say this. I think we should stop

908
00:38:46,719 --> 00:38:48,320
Speaker 7: doing it like he don't always do it.

909
00:38:48,520 --> 00:38:49,000
Speaker 2: But go ahead.

910
00:38:49,000 --> 00:38:50,640
Speaker 1: I know what you're about to do. I'm gonna do

911
00:38:51,680 --> 00:38:57,360
Speaker 1: yelling at me like God, gotta chill out, God go

912
00:38:57,920 --> 00:38:58,840
Speaker 1: you better chill out with.

913
00:38:58,920 --> 00:39:01,200
Speaker 2: You about to ask the exactly what you're about to ask?

914
00:39:01,280 --> 00:39:01,680
Speaker 1: Christ Murder.

915
00:39:01,719 --> 00:39:03,600
Speaker 5: I do my homework. I don't want to talk about

916
00:39:03,920 --> 00:39:09,319
Speaker 5: we saved that for another. You better chill. She's better

917
00:39:09,520 --> 00:39:12,440
Speaker 5: chill telling you. So, I'm gonna ask.

918
00:39:12,360 --> 00:39:15,440
Speaker 2: You, man, who is your top five DJ?

919
00:39:15,680 --> 00:39:16,480
Speaker 5: I gotta ask him.

920
00:39:16,480 --> 00:39:19,239
Speaker 3: It's DJ speinking. I know he's gonna say, Camelo. I

921
00:39:19,320 --> 00:39:20,440
Speaker 3: always throw somebody out there.

922
00:39:21,480 --> 00:39:23,320
Speaker 2: He always got his. So he wanted to throw a

923
00:39:23,400 --> 00:39:26,480
Speaker 2: dead like that. Gotta be in it.

924
00:39:26,840 --> 00:39:28,239
Speaker 6: Which one do you want to do? Do you want

925
00:39:28,280 --> 00:39:29,919
Speaker 6: to do DJs now or all time?

926
00:39:30,960 --> 00:39:32,440
Speaker 1: I mean, I'm not doing DJ now.

927
00:39:33,400 --> 00:39:35,360
Speaker 2: He gotta be all time. He definitely doing that. Just

928
00:39:35,480 --> 00:39:39,480
Speaker 2: all time. He might might be beefing with a niggame.

929
00:39:39,640 --> 00:39:42,760
Speaker 1: Not even now. I'm myself like spin King spin King spinking,

930
00:39:42,840 --> 00:39:46,480
Speaker 1: I'm not doing that. Listen, it's not no order. Got

931
00:39:46,560 --> 00:39:50,439
Speaker 1: you before you'll flip this and yeah, all that order

932
00:39:51,000 --> 00:39:52,000
Speaker 1: just Camelo.

933
00:39:53,239 --> 00:39:55,160
Speaker 2: Came Camelo, Camello Envy.

934
00:39:55,760 --> 00:39:58,759
Speaker 1: This is tall tough, so.

935
00:39:58,840 --> 00:40:01,680
Speaker 3: Give me ten, Give me ten.

936
00:40:02,440 --> 00:40:02,960
Speaker 5: You're gonna start.

937
00:40:03,000 --> 00:40:06,000
Speaker 3: You know, we're doing some new ship top ten on

938
00:40:06,200 --> 00:40:08,839
Speaker 3: to ten because if I top ten, there's so many

939
00:40:08,880 --> 00:40:10,840
Speaker 3: great j That's what I'm saying.

940
00:40:10,680 --> 00:40:13,640
Speaker 1: That if I put five, it's not enough. I gotta

941
00:40:13,640 --> 00:40:16,080
Speaker 1: go see somebody else after them, like I ain't mean

942
00:40:16,160 --> 00:40:20,200
Speaker 1: to do you like it's five, So no order. Camelo,

943
00:40:22,000 --> 00:40:29,360
Speaker 1: Envy self pro style, cast one.

944
00:40:30,400 --> 00:40:34,320
Speaker 7: Mister c mister c rest in Peace, Brooklyn, Kick Capri,

945
00:40:35,040 --> 00:40:36,520
Speaker 7: Kick Capri, legend.

946
00:40:37,000 --> 00:40:40,880
Speaker 1: Oh Man. A little tricky now because so many DJs.

947
00:40:41,640 --> 00:40:45,759
Speaker 1: It could be any genre. Yeah, Diplop gotta go up there.

948
00:40:45,800 --> 00:40:48,160
Speaker 1: It has to, just because he's one of the reasons

949
00:40:48,160 --> 00:40:50,040
Speaker 1: that I want to bridge, like go into that world.

950
00:40:52,280 --> 00:40:55,719
Speaker 2: Damn oh enough DJ enough heavy headed?

951
00:40:55,800 --> 00:40:58,560
Speaker 5: How many that that's not I'm gonna give you my murder.

952
00:40:58,560 --> 00:41:02,520
Speaker 1: You better have your all, right, jam master.

953
00:41:02,640 --> 00:41:05,480
Speaker 2: J mm hmmm, I like that.

954
00:41:06,360 --> 00:41:08,480
Speaker 1: Mm hmm you like that you like that part that

955
00:41:11,840 --> 00:41:12,560
Speaker 1: I won't heard it? Ago?

956
00:41:12,960 --> 00:41:17,919
Speaker 3: No he DJ, I got, look I got I'm gonna

957
00:41:17,960 --> 00:41:21,360
Speaker 3: put flex on there. I'm gonna put d j k

958
00:41:21,520 --> 00:41:26,000
Speaker 3: Slay on there. I'm gonna put mister c red Alert,

959
00:41:28,200 --> 00:41:33,960
Speaker 3: Jim Master, j Terminator X. I don't care what nobody said.

960
00:41:35,880 --> 00:41:37,600
Speaker 5: You have to say that now.

961
00:41:37,520 --> 00:41:40,239
Speaker 3: Because some people might not know Public Enemy tournament. I'm

962
00:41:40,239 --> 00:41:42,640
Speaker 3: talking about the DJs that you know. He's a little

963
00:41:42,680 --> 00:41:46,440
Speaker 3: younger than that, so you know, I'm like, yo, not

964
00:41:46,560 --> 00:41:48,600
Speaker 3: from Public Enemy. What is that six?

965
00:41:48,719 --> 00:41:48,839
Speaker 2: Right?

966
00:41:49,239 --> 00:41:58,160
Speaker 5: Yeah, I gotta put Caamelo on there. I mean, DJ Roughhands.

967
00:41:58,320 --> 00:42:00,239
Speaker 1: We're not getting no more Rugords players.

968
00:42:00,960 --> 00:42:05,279
Speaker 5: D Master vict Red Master Vict and I ain't gonna lie.

969
00:42:05,320 --> 00:42:07,239
Speaker 5: He changed the game. I gotta put DJ Clue on there.

970
00:42:07,719 --> 00:42:08,799
Speaker 1: Oh damn.

971
00:42:10,400 --> 00:42:12,920
Speaker 5: Changing from blending to tape. So I gotta put DJ

972
00:42:13,080 --> 00:42:13,480
Speaker 5: Coo on there.

973
00:42:13,719 --> 00:42:16,120
Speaker 1: Three I forgot and then my guys bro fucking master

974
00:42:16,239 --> 00:42:18,759
Speaker 1: flax type of sounds and DJ Clue I forgot clue.

975
00:42:18,760 --> 00:42:20,160
Speaker 1: You see, That's why I don't like this tenn ship.

976
00:42:20,320 --> 00:42:22,759
Speaker 1: But yeah, shout to those three. Those are goats right there.

977
00:42:23,760 --> 00:42:25,719
Speaker 2: DJ, there's too many d out there. I love all

978
00:42:25,760 --> 00:42:26,320
Speaker 2: the DJs.

979
00:42:26,560 --> 00:42:29,560
Speaker 3: Oh he's political now the wrap up. He just was going,

980
00:42:30,040 --> 00:42:32,279
Speaker 3: he just was going crazy. Big cooin for big coin,

981
00:42:33,200 --> 00:42:36,360
Speaker 3: Big coin Money's gonna tell you and now you're political.

982
00:42:36,480 --> 00:42:39,399
Speaker 2: Correct. Ain't nothing to man, ain't nothing to say?

983
00:42:39,480 --> 00:42:40,080
Speaker 5: The wrap up?

984
00:42:40,640 --> 00:42:42,200
Speaker 2: Whoa ain't nothing in the safe?

985
00:42:42,960 --> 00:42:45,480
Speaker 3: What else going on in news? Had to fight Anthony Joshua.

986
00:42:45,600 --> 00:42:47,560
Speaker 3: Did you see that fight? Come on, bro, who's the

987
00:42:47,600 --> 00:42:48,520
Speaker 3: guy who's fighting looking up?

988
00:42:48,960 --> 00:42:49,080
Speaker 2: Man?

989
00:42:49,440 --> 00:42:51,480
Speaker 5: No, he won, but he came you know, he came back.

990
00:42:52,400 --> 00:42:54,000
Speaker 5: It was like a fucking Rocky fight.

991
00:42:54,160 --> 00:42:54,319
Speaker 1: Man.

992
00:42:55,400 --> 00:42:57,239
Speaker 5: He got knocked out. And what the second round?

993
00:42:57,320 --> 00:42:57,799
Speaker 1: Third round?

994
00:42:57,960 --> 00:43:02,000
Speaker 6: Yeah, Christian Pringer, that was a gentleman. It was a

995
00:43:02,040 --> 00:43:02,680
Speaker 6: second round.

996
00:43:02,560 --> 00:43:04,280
Speaker 5: Knockout, second round knockout.

997
00:43:04,600 --> 00:43:07,160
Speaker 7: Joshua, Kno, josh Man used to be working out to

998
00:43:07,200 --> 00:43:11,839
Speaker 7: my music and all that. Earl Spence had a fight too,

999
00:43:11,920 --> 00:43:13,719
Speaker 7: He lost, man, shut out? There no, man, I think

1000
00:43:13,760 --> 00:43:15,440
Speaker 7: he said he ain't fighting no more correct.

1001
00:43:15,520 --> 00:43:16,839
Speaker 5: He definitely ain't tired.

1002
00:43:17,480 --> 00:43:18,000
Speaker 2: Tired, man.

1003
00:43:18,040 --> 00:43:19,160
Speaker 5: I mean he made enough money.

1004
00:43:19,239 --> 00:43:19,359
Speaker 3: Man.

1005
00:43:19,600 --> 00:43:22,080
Speaker 6: Yeah, you know, did we really get it into? Uh

1006
00:43:22,400 --> 00:43:23,560
Speaker 6: lbj going to Philly?

1007
00:43:24,320 --> 00:43:27,560
Speaker 5: Oh Lebron James going to Philly. I'm listening about that, man. Listen.

1008
00:43:27,680 --> 00:43:29,320
Speaker 3: This is the way I look at it, right, I

1009
00:43:29,440 --> 00:43:32,120
Speaker 3: look at it like if they don't make it to

1010
00:43:32,200 --> 00:43:34,759
Speaker 3: the finals and they stacked up like that, like you

1011
00:43:34,840 --> 00:43:37,640
Speaker 3: got Jayleen Bron, Jaylen Brown, right, and you got Lebron

1012
00:43:38,080 --> 00:43:43,080
Speaker 3: this stack, you got Max, you gotta.

1013
00:43:42,880 --> 00:43:43,600
Speaker 2: Be and be like.

1014
00:43:43,680 --> 00:43:45,759
Speaker 1: I'm gonna be honest though with Knickson five, I don't.

1015
00:43:45,840 --> 00:43:46,120
Speaker 1: I don't.

1016
00:43:47,440 --> 00:43:49,719
Speaker 3: I look the Knicks too, But what I'm saying is

1017
00:43:49,800 --> 00:43:52,200
Speaker 3: the way they're stacked up, if they don't make it

1018
00:43:52,280 --> 00:43:55,440
Speaker 3: to the finals, it's gonna look crazy wow for Philly Man.

1019
00:43:56,880 --> 00:43:58,200
Speaker 6: In New York, because I don't.

1020
00:43:58,040 --> 00:43:59,919
Speaker 2: See y'all heard that he staying in New York.

1021
00:44:00,480 --> 00:44:04,000
Speaker 3: Taking helicopter because my because my whole thing is, of

1022
00:44:04,080 --> 00:44:06,200
Speaker 3: course he wanted Lebron want to stay in New York.

1023
00:44:06,239 --> 00:44:08,600
Speaker 3: He want to stay in the Hamptons and chill out there.

1024
00:44:08,680 --> 00:44:09,959
Speaker 2: Of course we know that in the city.

1025
00:44:10,440 --> 00:44:11,520
Speaker 5: I'm probably in the city too.

1026
00:44:12,080 --> 00:44:15,880
Speaker 3: But what I'm saying is Jayalen Brown and him, I

1027
00:44:15,920 --> 00:44:17,680
Speaker 3: don't know if they're gonna mess together and not saying

1028
00:44:17,719 --> 00:44:18,440
Speaker 3: they can't do it.

1029
00:44:18,760 --> 00:44:21,280
Speaker 5: It's Lebron James, but are they going to get.

1030
00:44:21,120 --> 00:44:24,960
Speaker 2: Along Lebron power forward, Jalen Brown small forward? They good,

1031
00:44:25,920 --> 00:44:27,000
Speaker 2: they're gonna get along.

1032
00:44:27,760 --> 00:44:28,920
Speaker 1: The drummers on the Knicks.

1033
00:44:28,920 --> 00:44:30,880
Speaker 3: I like that drumming on the next we got we

1034
00:44:30,960 --> 00:44:33,880
Speaker 3: definitely got we got somebody that can shoot at the

1035
00:44:33,960 --> 00:44:36,960
Speaker 3: foul line. Now you know what I'm saying, Nick, that's

1036
00:44:37,000 --> 00:44:39,239
Speaker 3: the whole thing, murder. What I'm saying to you is,

1037
00:44:39,280 --> 00:44:41,040
Speaker 3: now you're seeing a lot of teams in the NBA,

1038
00:44:41,640 --> 00:44:45,360
Speaker 3: like I think Dallas just did it. Now edit Dallas.

1039
00:44:45,680 --> 00:44:49,360
Speaker 3: But they got college players that played together. I forgot

1040
00:44:49,400 --> 00:44:52,640
Speaker 3: what what's what's my man? The new kid on Dallas.

1041
00:44:53,960 --> 00:44:54,680
Speaker 2: Cup cool Cup?

1042
00:44:55,600 --> 00:44:58,680
Speaker 3: Yeah, they got they got two of his players because

1043
00:44:58,680 --> 00:45:01,080
Speaker 3: he played for Duke, right right, they got two which

1044
00:45:01,120 --> 00:45:02,879
Speaker 3: places from Duke you can look it up. And because

1045
00:45:02,880 --> 00:45:04,719
Speaker 3: you know, I'm trying to remember everything, they got two

1046
00:45:04,719 --> 00:45:06,920
Speaker 3: Wars plays for Duke to play with him. It's like

1047
00:45:07,360 --> 00:45:12,160
Speaker 3: everybody's stealing that exactly about Flag and Lively, right yeah,

1048
00:45:12,160 --> 00:45:16,919
Speaker 3: Cooper yeah, flag yeah, Cooper flag, Cooper flag Yeah, Cooper Cup.

1049
00:45:17,160 --> 00:45:18,240
Speaker 5: We had too much branch.

1050
00:45:20,840 --> 00:45:21,120
Speaker 2: Cooper.

1051
00:45:22,120 --> 00:45:22,680
Speaker 1: The next.

1052
00:45:24,080 --> 00:45:25,160
Speaker 5: Shout the Cooper flag.

1053
00:45:25,719 --> 00:45:28,600
Speaker 1: It's my fault. Now, look now he has worried about

1054
00:45:28,600 --> 00:45:29,399
Speaker 1: the next he has.

1055
00:45:29,520 --> 00:45:31,960
Speaker 3: He has two players that came from to play with, right, yeah,

1056
00:45:32,000 --> 00:45:34,040
Speaker 3: those are so it seems like that's the format.

1057
00:45:34,160 --> 00:45:37,440
Speaker 1: Now we got copy villain over right, Brunton hard And

1058
00:45:38,440 --> 00:45:39,520
Speaker 1: and Cole Bridges.

1059
00:45:39,680 --> 00:45:41,680
Speaker 3: They all played in college together and won the chip, right,

1060
00:45:42,000 --> 00:45:44,120
Speaker 3: it seems like that's what a lot of teams are doing,

1061
00:45:44,280 --> 00:45:45,880
Speaker 3: even when you've seen the draft. There's a lot of

1062
00:45:45,920 --> 00:45:48,319
Speaker 3: guys that played in college together that's going to the SAM.

1063
00:45:48,400 --> 00:45:49,560
Speaker 1: But it's like what he said, I'm not even being

1064
00:45:49,600 --> 00:45:51,600
Speaker 1: are because a lot of people, especially New York, think

1065
00:45:51,600 --> 00:45:53,080
Speaker 1: I'm buyas because I'm a Knicks fan, But that's not

1066
00:45:53,160 --> 00:45:55,680
Speaker 1: the case. It depends on if you Gael together, if

1067
00:45:55,920 --> 00:45:57,719
Speaker 1: they're gonna pass the ball to each other, you see

1068
00:45:57,719 --> 00:46:00,759
Speaker 1: the next they're not selfish. Oh, Gill get thirty one night,

1069
00:46:00,800 --> 00:46:03,960
Speaker 1: but then he'll rebound and pass the ball. Yeah. There

1070
00:46:04,000 --> 00:46:06,239
Speaker 1: was some games where Brunson only had fifteen, but he

1071
00:46:06,320 --> 00:46:09,480
Speaker 1: had twelve assists. So it's like everybody can say what

1072
00:46:09,560 --> 00:46:10,880
Speaker 1: they want. They said the nixt ain't gonna do it.

1073
00:46:11,000 --> 00:46:11,320
Speaker 2: We did it.

1074
00:46:12,000 --> 00:46:14,239
Speaker 3: I'm just saying, Look, I know hate Chwice, Philly, I

1075
00:46:14,320 --> 00:46:17,000
Speaker 3: love Philly. I love Philly. You know what I'm saying.

1076
00:46:17,320 --> 00:46:19,520
Speaker 1: But if he couldn't do it with Luca, what makes

1077
00:46:19,560 --> 00:46:21,839
Speaker 1: you think he could do it with I don't know why,

1078
00:46:21,880 --> 00:46:23,880
Speaker 1: because Philly chick is not a Philly cheese. Seager is

1079
00:46:23,920 --> 00:46:26,759
Speaker 1: not better than chop cheese. Say that again. A Philly cheese.

1080
00:46:26,800 --> 00:46:27,960
Speaker 1: Tagger is not better than chop cheese.

1081
00:46:29,160 --> 00:46:30,960
Speaker 3: I put a chopped cheese first and then the Philly

1082
00:46:31,040 --> 00:46:31,600
Speaker 3: cheese second.

1083
00:46:32,160 --> 00:46:34,600
Speaker 1: So that's why it's next over sixes, Knicks and five baby.

1084
00:46:34,800 --> 00:46:37,440
Speaker 3: Yeah, definitely he's a Lebron fan, yo, don't go to

1085
00:46:37,520 --> 00:46:39,280
Speaker 3: don't wear jersey in this in the garden.

1086
00:46:39,840 --> 00:46:42,479
Speaker 1: Lebron m gonna have the half and half.

1087
00:46:42,960 --> 00:46:46,759
Speaker 5: He might not make it out. You might, you might

1088
00:46:46,840 --> 00:46:47,520
Speaker 5: not make it out.

1089
00:46:47,840 --> 00:46:49,960
Speaker 7: It's the Knicks all day, man. But what I'm saying,

1090
00:46:50,000 --> 00:46:52,120
Speaker 7: if the Knicks happened to slip up and don't make it,

1091
00:46:52,719 --> 00:46:53,600
Speaker 7: let's go Lebron.

1092
00:46:54,320 --> 00:46:56,720
Speaker 1: That's respect the ball, you know, Lebron fan, Let's go Lebron.

1093
00:46:56,840 --> 00:46:58,800
Speaker 1: Just don't play two K with the sixeres.

1094
00:46:58,840 --> 00:46:59,800
Speaker 2: I'm definitely playing two K.

1095
00:47:00,200 --> 00:47:00,840
Speaker 3: Yeah, don't do that.

1096
00:47:00,920 --> 00:47:01,719
Speaker 2: Don't have the kids.

1097
00:47:02,120 --> 00:47:03,880
Speaker 5: You're gonna have the kids six it out man.

1098
00:47:04,040 --> 00:47:05,759
Speaker 2: At the kids six Day, they're gonna play the sink.

1099
00:47:05,840 --> 00:47:08,399
Speaker 2: They love brusting. My kids love brusting right there.

1100
00:47:08,640 --> 00:47:11,000
Speaker 3: Yeah, definitely, everybody loves the Knicks. So spinking what you

1101
00:47:11,080 --> 00:47:12,480
Speaker 3: got going on before we get out of here, and

1102
00:47:12,520 --> 00:47:13,279
Speaker 3: tell me to follow you.

1103
00:47:13,360 --> 00:47:17,120
Speaker 1: At follow me at DJ Spinking Twist Snapchat Instagram, all

1104
00:47:17,200 --> 00:47:19,440
Speaker 1: that flashit, all that hot shit, catch me in your

1105
00:47:19,440 --> 00:47:21,520
Speaker 1: favorite clubs. We're going overseas and we're going back on

1106
00:47:21,600 --> 00:47:23,080
Speaker 1: tour September October, talking.

1107
00:47:22,880 --> 00:47:24,279
Speaker 5: About one oh five. What's your slot time?

1108
00:47:24,320 --> 00:47:24,440
Speaker 7: Day?

1109
00:47:24,480 --> 00:47:26,799
Speaker 1: On five point one Each and every Friday, five Baby

1110
00:47:26,960 --> 00:47:29,960
Speaker 1: shot the pro style midnight to two am, Saturday two

1111
00:47:30,000 --> 00:47:32,160
Speaker 1: am to four am, and Sunday night ten pm to

1112
00:47:32,200 --> 00:47:34,640
Speaker 1: twelve am, and we outside each and every day and

1113
00:47:34,719 --> 00:47:36,800
Speaker 1: when the video dropped them it was coming within the

1114
00:47:36,920 --> 00:47:40,880
Speaker 1: next two weeks. Max DJ Spinking featuring a baby fetti

1115
00:47:40,960 --> 00:47:44,120
Speaker 1: wop called Beatgo, produced by Boy One and Fierce and

1116
00:47:44,280 --> 00:47:47,320
Speaker 1: directed by the Baby. Yeah Yeah, Yeah, the real Report,

1117
00:47:47,440 --> 00:47:48,080
Speaker 1: not the fake one.

1118
00:47:48,160 --> 00:47:49,880
Speaker 5: Yeaho ys, the real Report.

1119
00:47:50,000 --> 00:47:54,600
Speaker 3: Make sure y'all like Shire and subscribe into the other podcasts.

1120
00:47:54,640 --> 00:47:56,920
Speaker 3: Y'all watch if you knew Better, you do Better, and

1121
00:47:57,000 --> 00:48:00,080
Speaker 3: watch us. Let's go Spinking in the building thirty e