1 00:00:01,440 --> 00:00:07,800 Speaker 1: The volume. The NBA Finals are almost here and every 2 00:00:07,880 --> 00:00:10,479 Speaker 1: play could be the one that changes everything. This is 3 00:00:10,520 --> 00:00:14,160 Speaker 1: the NBA Playoffs where heroes rise, legacies are built, and 4 00:00:14,200 --> 00:00:16,759 Speaker 1: the action never lets up. And with DraftKings Sports Book 5 00:00:16,760 --> 00:00:19,320 Speaker 1: and official sports betting partner of the NBA, you don't 6 00:00:19,400 --> 00:00:23,000 Speaker 1: just watch the madness, you live it. Back your favorite team, 7 00:00:23,239 --> 00:00:26,239 Speaker 1: ride with your clutch, time killer, bet on the buzzer beaters, 8 00:00:26,320 --> 00:00:29,960 Speaker 1: the breakout performances, the game winning threes, from player props 9 00:00:30,000 --> 00:00:32,559 Speaker 1: to same game parlays. This is how you take your 10 00:00:32,600 --> 00:00:35,320 Speaker 1: fandom to the next level. The New York Knicks, after 11 00:00:35,360 --> 00:00:38,839 Speaker 1: beating the Celtics are up to plus three sixty, is 12 00:00:38,920 --> 00:00:42,720 Speaker 1: the second best odds to win the title. Surprisingly, the 13 00:00:42,760 --> 00:00:46,360 Speaker 1: Pacers back at plus six hundred because my initial thought 14 00:00:46,400 --> 00:00:48,479 Speaker 1: on that series is I want to pick the Pacers. 15 00:00:48,520 --> 00:00:51,000 Speaker 1: But some interesting championship oods right now. New to the game, 16 00:00:51,440 --> 00:00:54,920 Speaker 1: no sweat, Download the DraftKings Sportsbook, gap bet just five 17 00:00:54,960 --> 00:00:57,720 Speaker 1: dollars and if your bet wins, you'll score three hundred 18 00:00:57,800 --> 00:01:00,240 Speaker 1: dollars in bonus bets. It's that easy. I don't know 19 00:01:00,240 --> 00:01:03,400 Speaker 1: the DraftKings Sportsbook app and use code hoops. That's code 20 00:01:03,400 --> 00:01:07,000 Speaker 1: hoops hoops for new customers to get three hundred dollars 21 00:01:07,000 --> 00:01:09,200 Speaker 1: in bonus bets if your bet wins. When you bet 22 00:01:09,240 --> 00:01:12,679 Speaker 1: just five bucks only on DraftKings, the crown is yours. 23 00:01:12,880 --> 00:01:15,840 Speaker 1: Gambling problem called one hundred gambler. In New York call 24 00:01:15,920 --> 00:01:19,240 Speaker 1: eight seven seven eight hope and why, or text hope 25 00:01:19,240 --> 00:01:21,720 Speaker 1: and why to four six seven three six y nine. 26 00:01:21,760 --> 00:01:24,520 Speaker 1: In Connecticut, help is available for problem gambling. Call eight 27 00:01:24,560 --> 00:01:27,960 Speaker 1: eight eight seven eight nine seven seven seven seven or 28 00:01:28,040 --> 00:01:31,920 Speaker 1: visit CCPG dot org. Please play responsibly on behalf of 29 00:01:31,959 --> 00:01:35,000 Speaker 1: Boothill Casino and Resort. In Kansas twenty one plus age 30 00:01:35,000 --> 00:01:38,880 Speaker 1: in eligibility varies by jurisdiction void in Ontario. Bet must 31 00:01:38,920 --> 00:01:42,000 Speaker 1: win to receive reward. Bonus bets expire one hundred and 32 00:01:42,040 --> 00:01:45,640 Speaker 1: sixty eight hours after issuance. For additional terms and responsible 33 00:01:45,640 --> 00:01:50,560 Speaker 1: gaming resources, see dkang dot co. Slash audio. 34 00:02:01,560 --> 00:02:03,440 Speaker 2: All right, welcome to hoops tonight. You're at the volume 35 00:02:03,440 --> 00:02:03,960 Speaker 2: heavy Friday. 36 00:02:04,000 --> 00:02:05,840 Speaker 1: Everybody, hope all of you guys are having a great 37 00:02:05,960 --> 00:02:08,840 Speaker 1: end here week. We are diving into the film from 38 00:02:08,919 --> 00:02:10,600 Speaker 1: Game two of the Western Conference Finals. 39 00:02:10,639 --> 00:02:10,839 Speaker 2: Today. 40 00:02:10,840 --> 00:02:14,600 Speaker 1: We're gonna specifically be focusing on the success that Shay 41 00:02:14,680 --> 00:02:18,400 Speaker 1: Gilders Alexander was having against Minnesota's defense last night. The 42 00:02:18,440 --> 00:02:20,600 Speaker 1: specific things I want to be calling out are the 43 00:02:20,639 --> 00:02:24,000 Speaker 1: way that he consistently beat ball pressure, the way that 44 00:02:24,160 --> 00:02:27,040 Speaker 1: he used that ball pressure to get defenders into the 45 00:02:27,080 --> 00:02:29,800 Speaker 1: sidecar where he was able to use his physicality to 46 00:02:29,840 --> 00:02:34,000 Speaker 1: get separation, the repeated use of snaking ball screens and 47 00:02:34,040 --> 00:02:37,880 Speaker 1: snaking help defenders against the zone basically just meaning reversing 48 00:02:37,919 --> 00:02:41,840 Speaker 1: angle immediately immediately after he comes off of the screen. 49 00:02:42,320 --> 00:02:44,800 Speaker 1: And then a couple of examples from late in the game, 50 00:02:45,240 --> 00:02:49,080 Speaker 1: or Shay actually beat a loaded up Minnesota defense. But 51 00:02:49,200 --> 00:02:52,680 Speaker 1: what I think is the example of what Minnesota should 52 00:02:52,760 --> 00:02:55,359 Speaker 1: try to do as they head on the road into 53 00:02:55,480 --> 00:02:58,280 Speaker 1: Game three. You guys are the Joe before we get started. 54 00:02:58,280 --> 00:03:00,359 Speaker 1: Subscribe to the hoops and YouTube channel any more of 55 00:03:00,400 --> 00:03:02,880 Speaker 1: our videos. Follow me on Twitter at underscore Jason LTC. 56 00:03:02,880 --> 00:03:04,959 Speaker 1: You guys don't miss announcements. Don't forget about a podcast 57 00:03:04,960 --> 00:03:06,680 Speaker 1: feed where we get your podcast on our hoops tonight. 58 00:03:06,800 --> 00:03:08,600 Speaker 1: It's also super helpful we leave your rating and a 59 00:03:08,639 --> 00:03:10,840 Speaker 1: review on that front. Jackson's doing great work on our 60 00:03:10,840 --> 00:03:12,760 Speaker 1: social media feeds on Twitter, Instagram. 61 00:03:12,360 --> 00:03:14,560 Speaker 2: And Facebook. Make sure you guys follow us there. 62 00:03:14,600 --> 00:03:16,320 Speaker 1: TikTok as well, and then the last but not least, 63 00:03:16,360 --> 00:03:19,200 Speaker 1: keep dropping mailback questions in our chats in our YouTube 64 00:03:19,240 --> 00:03:20,720 Speaker 1: lives at night so that we can keep hitting our 65 00:03:20,760 --> 00:03:22,799 Speaker 1: mail bags at the tail end. 66 00:03:23,160 --> 00:03:25,720 Speaker 2: Of those shows. All right, let's talk some basketball. 67 00:03:25,800 --> 00:03:28,280 Speaker 1: So all we're gonna do here in terms of clips 68 00:03:28,320 --> 00:03:30,359 Speaker 1: is go through every single made basket that Chae Gills 69 00:03:30,360 --> 00:03:32,560 Speaker 1: as Alexander had tonight, and every single assist. I want 70 00:03:32,600 --> 00:03:34,800 Speaker 1: to dive into the specific ways that he was having 71 00:03:34,840 --> 00:03:37,160 Speaker 1: some success. And again we'll dig into some of the 72 00:03:37,560 --> 00:03:40,640 Speaker 1: details on both ends of this coverage. So starting out, 73 00:03:41,600 --> 00:03:44,240 Speaker 1: just a simple step back jump shot over over Jada 74 00:03:44,320 --> 00:03:48,080 Speaker 1: McDaniels here in the left corner. There's because of Hartenstein. 75 00:03:48,160 --> 00:03:50,320 Speaker 1: Obviously you have Gobert. This is like kind of a 76 00:03:50,400 --> 00:03:54,720 Speaker 1: traditional ice coverage in the sense that as Hartenstein's going 77 00:03:54,760 --> 00:03:58,120 Speaker 1: to throw the DHL, watch how Jaden overplays the high side. 78 00:03:58,680 --> 00:04:03,240 Speaker 1: That's textbook coverage. You're trying to force the ball handler, 79 00:04:03,320 --> 00:04:06,680 Speaker 1: in this case, the DHO guy to go against the 80 00:04:06,760 --> 00:04:10,360 Speaker 1: screen towards the baseline. In that coverage, you're always going 81 00:04:10,400 --> 00:04:12,960 Speaker 1: to see the big man drop down into the short 82 00:04:12,960 --> 00:04:15,440 Speaker 1: corner and essentially they're going to try to force you 83 00:04:15,480 --> 00:04:18,200 Speaker 1: to hit the roll man around this elbow or to 84 00:04:18,279 --> 00:04:20,719 Speaker 1: take some sort of contested mid range jump shot. That's 85 00:04:20,839 --> 00:04:24,520 Speaker 1: literally what the coverage is designed to concede. This is fine, 86 00:04:24,800 --> 00:04:28,360 Speaker 1: that's not the kind of thing that like, Shay's made 87 00:04:28,400 --> 00:04:30,920 Speaker 1: some really tough jump shots, but that's not the kind 88 00:04:30,960 --> 00:04:33,720 Speaker 1: of thing that's like actually really really hurting you in 89 00:04:33,760 --> 00:04:36,720 Speaker 1: the big picture. It's the incessant stuff right at the rim, 90 00:04:36,839 --> 00:04:40,120 Speaker 1: the fouls, that kind of thing where they're getting burned. 91 00:04:40,200 --> 00:04:42,960 Speaker 1: This is a perfectly fine coverage that I think you 92 00:04:43,000 --> 00:04:49,040 Speaker 1: can live with over the course of the series. Here 93 00:04:49,200 --> 00:04:52,440 Speaker 1: this is an example of something that I don't think works, 94 00:04:52,520 --> 00:04:55,679 Speaker 1: just a simple first step move driving to the left 95 00:04:55,720 --> 00:04:56,720 Speaker 1: from Shae against Ant. 96 00:04:56,760 --> 00:04:57,080 Speaker 2: Okay. 97 00:04:57,680 --> 00:05:01,080 Speaker 1: So the big difference here is, as you can see, 98 00:05:01,120 --> 00:05:04,360 Speaker 1: there's no none of that loaded up feel that you're 99 00:05:04,400 --> 00:05:07,960 Speaker 1: getting from Oklahoma City. When you're getting these ISOs, these 100 00:05:08,000 --> 00:05:12,159 Speaker 1: straight ISOs between Ant and you know, case On Wallace, 101 00:05:12,279 --> 00:05:14,360 Speaker 1: or Aunt and Alex Crusoe or Aunt and lou Dort, 102 00:05:14,680 --> 00:05:17,760 Speaker 1: you're not seeing okay, see, you leave this much space 103 00:05:18,560 --> 00:05:22,800 Speaker 1: for Aunt or Julius to operate. That's the main difference 104 00:05:22,839 --> 00:05:25,120 Speaker 1: in the defensive scheme that I've been noticing over and 105 00:05:25,160 --> 00:05:27,120 Speaker 1: over again, even that last video. 106 00:05:27,279 --> 00:05:30,320 Speaker 2: We just watched that last clip that Ice coverage. It 107 00:05:30,520 --> 00:05:31,120 Speaker 2: two on two. 108 00:05:31,279 --> 00:05:33,960 Speaker 1: They're guarding ball screens two on two, they're guarding one 109 00:05:34,000 --> 00:05:36,600 Speaker 1: on one. You're gonna see a little dig from Gobert. 110 00:05:36,680 --> 00:05:38,960 Speaker 1: First of all, highlight the quickness of the first step. 111 00:05:39,040 --> 00:05:41,520 Speaker 1: This is one of the elite lateral quickness athletes in 112 00:05:41,560 --> 00:05:44,240 Speaker 1: the league. And Shae just toasts him a little bit 113 00:05:44,279 --> 00:05:46,240 Speaker 1: of like a jab step fake that you can see 114 00:05:46,279 --> 00:05:51,280 Speaker 1: here right. Hobby just jabs to the right and then 115 00:05:51,400 --> 00:05:56,040 Speaker 1: go gets downhill. Rudy's gonna throw like kind of a 116 00:05:56,040 --> 00:06:01,599 Speaker 1: fake dig, but that's useless. Jaden McDaniels because he gets compromised, 117 00:06:01,680 --> 00:06:04,880 Speaker 1: offers a late contest. But as you can see, they're 118 00:06:04,920 --> 00:06:09,200 Speaker 1: not meeting Shaye with any sort of help defender until 119 00:06:09,200 --> 00:06:12,520 Speaker 1: he's already at the rim. Very different than what we're 120 00:06:12,520 --> 00:06:14,560 Speaker 1: seeing on the other end of the floor. We did 121 00:06:14,600 --> 00:06:18,800 Speaker 1: see Minnesota throw more, you know, kind of congestion and 122 00:06:18,800 --> 00:06:20,440 Speaker 1: help at Shaye late in the game. We'll talk about 123 00:06:20,480 --> 00:06:23,480 Speaker 1: that in a minute. Nothing too crazy here, just a 124 00:06:23,520 --> 00:06:27,240 Speaker 1: left shoulder fade. Let's fast forward transition push ends up 125 00:06:27,279 --> 00:06:30,159 Speaker 1: on Dante DiVincenzo he's got size on him. Really cook 126 00:06:30,240 --> 00:06:32,400 Speaker 1: Dante in the first two games, he was just hopeless 127 00:06:32,400 --> 00:06:35,960 Speaker 1: on an island. Just bumps him, spins off, fades over 128 00:06:36,000 --> 00:06:37,520 Speaker 1: that left shoulder, knocks it down. 129 00:06:37,600 --> 00:06:42,200 Speaker 2: Beautiful war Here. 130 00:06:42,240 --> 00:06:45,160 Speaker 1: This is the I talked about how last night in 131 00:06:45,200 --> 00:06:47,280 Speaker 1: the live show there are like seven or eight shots 132 00:06:47,279 --> 00:06:49,400 Speaker 1: that Ant took that I just hated. Here's one of them. 133 00:06:49,520 --> 00:06:52,320 Speaker 1: Twenty one to fifteen seventeen seconds on the shot clock. 134 00:06:52,400 --> 00:06:55,280 Speaker 1: Let's just walk into a contested twenty eight footer like that. 135 00:06:55,920 --> 00:06:58,600 Speaker 1: That's not good basketball. We go down to the other 136 00:06:58,680 --> 00:07:03,479 Speaker 1: end of the floor ball screen. On the ball screen, 137 00:07:03,560 --> 00:07:06,960 Speaker 1: Jaden chases over the top. Shae snakes it, meaning like 138 00:07:07,000 --> 00:07:10,560 Speaker 1: he works it back across the angle, freezes go Beart 139 00:07:10,600 --> 00:07:12,840 Speaker 1: with just a little high hesitation like right there, just 140 00:07:12,880 --> 00:07:13,960 Speaker 1: freezes go Beart. 141 00:07:13,760 --> 00:07:14,920 Speaker 2: Go bear lunges out. 142 00:07:15,440 --> 00:07:18,080 Speaker 1: See that right foot, that little shift from Rudy as 143 00:07:18,120 --> 00:07:21,240 Speaker 1: he goes from squared up on Shae to opened up 144 00:07:21,280 --> 00:07:25,520 Speaker 1: the other direction on Shae. Shae then crosses over again 145 00:07:26,640 --> 00:07:30,120 Speaker 1: and elevates and draws the fount And this is this 146 00:07:30,240 --> 00:07:32,480 Speaker 1: is example of what I've been talking about in terms 147 00:07:32,520 --> 00:07:35,960 Speaker 1: of like non basketball plays, and there's gonna be a 148 00:07:35,960 --> 00:07:38,200 Speaker 1: few examples of this today, and again, I know there 149 00:07:38,200 --> 00:07:40,640 Speaker 1: are gonna be a certain segment of Shae Gilvis, Oxander 150 00:07:40,680 --> 00:07:42,880 Speaker 1: or Oklahoma City thunder fans who are gonna get sensitive 151 00:07:42,920 --> 00:07:44,760 Speaker 1: about this. But like, I think we can have a 152 00:07:44,800 --> 00:07:49,080 Speaker 1: nuanced discussion about Shae, which is like, he's incredible, but 153 00:07:49,200 --> 00:07:51,720 Speaker 1: he relies on a lot of non basketball plays. It's 154 00:07:51,760 --> 00:07:54,880 Speaker 1: not just Shae. So does Brunson, So does Austin Reeves 155 00:07:54,880 --> 00:07:56,640 Speaker 1: on the team that I root for. So does Luka 156 00:07:56,720 --> 00:07:59,240 Speaker 1: Doncic on the team that I root for. I am 157 00:07:59,280 --> 00:08:01,840 Speaker 1: of the opinion Luka Doncic make this exact same move 158 00:08:01,880 --> 00:08:02,720 Speaker 1: a million times. 159 00:08:03,120 --> 00:08:04,800 Speaker 2: I don't want Luca to be doing this either. 160 00:08:05,120 --> 00:08:09,240 Speaker 1: I think the NBA would be better if if everything 161 00:08:09,360 --> 00:08:11,480 Speaker 1: was done within the spirit of the game of basketball. 162 00:08:11,520 --> 00:08:13,640 Speaker 1: A simple way to think about it is nice move 163 00:08:13,680 --> 00:08:18,280 Speaker 1: from Shay he breaks Rudy off. But in theory, if 164 00:08:18,360 --> 00:08:21,280 Speaker 1: you're playing basketball, you're trying to get away from the 165 00:08:21,320 --> 00:08:24,600 Speaker 1: defender or power through the defender to go all the 166 00:08:24,600 --> 00:08:26,280 Speaker 1: way to the rim. The only time you would ever 167 00:08:26,800 --> 00:08:29,760 Speaker 1: power into a defender is if you were trying to 168 00:08:29,800 --> 00:08:31,280 Speaker 1: get all the way to the rim because you had 169 00:08:31,280 --> 00:08:35,000 Speaker 1: a size and strength advantage. Any basketball player in this 170 00:08:35,040 --> 00:08:38,560 Speaker 1: situation would try to get separation from Rudy Gobert to 171 00:08:38,640 --> 00:08:42,400 Speaker 1: try to make a shot, and instead, watch how Shade 172 00:08:42,480 --> 00:08:47,280 Speaker 1: jumps into him, extending his arms out, trying to get 173 00:08:47,320 --> 00:08:51,080 Speaker 1: the foul. The entire purpose he knows Rudy's right there. 174 00:08:51,640 --> 00:08:54,920 Speaker 1: He's not shooting that shot to try to get a 175 00:08:54,960 --> 00:08:57,839 Speaker 1: shot off. He's shooting that shot to try to commit 176 00:08:57,880 --> 00:08:59,640 Speaker 1: a faul, to try to draw a foul. And like 177 00:08:59,720 --> 00:09:02,679 Speaker 1: so I'm of the opinion that in general, league wide, 178 00:09:02,760 --> 00:09:05,880 Speaker 1: we need to legislate out non basketball plays. It's not 179 00:09:05,960 --> 00:09:09,600 Speaker 1: a good television product to watch Shaye drive into Rudy 180 00:09:09,640 --> 00:09:14,080 Speaker 1: Gobert and take a jump shot. That's that's not fun 181 00:09:14,120 --> 00:09:17,440 Speaker 1: basketball to watch. And again I'll put there's like three 182 00:09:17,559 --> 00:09:19,720 Speaker 1: or four examples from the film today of calls like 183 00:09:19,760 --> 00:09:22,320 Speaker 1: that that I think need to be removed from the game. 184 00:09:22,400 --> 00:09:24,679 Speaker 1: But that is a separate discussion from the fact that 185 00:09:24,679 --> 00:09:26,520 Speaker 1: Shae is an incredible basketball player. 186 00:09:27,400 --> 00:09:28,679 Speaker 2: Ball gets worked back around to Shay. 187 00:09:28,679 --> 00:09:30,760 Speaker 1: Here, you're gonna see a perfect example of a dislodge 188 00:09:30,800 --> 00:09:33,000 Speaker 1: in the post. This is this is what's so important 189 00:09:33,040 --> 00:09:36,320 Speaker 1: about post play. So, like, Shay does not have a 190 00:09:36,360 --> 00:09:40,360 Speaker 1: size advantage here, he is smaller and thinner and shorter 191 00:09:40,520 --> 00:09:44,079 Speaker 1: armed than Jaden McDaniels. Right, But if you watch as 192 00:09:44,080 --> 00:09:47,160 Speaker 1: he works into the lane, he's going to bump him 193 00:09:47,240 --> 00:09:48,880 Speaker 1: off with a hard dribble right here. 194 00:09:48,960 --> 00:09:51,640 Speaker 2: Boom bump. That little bump. 195 00:09:51,400 --> 00:09:55,720 Speaker 1: Right there, you can literally see it dislodge Jaden, cave 196 00:09:55,760 --> 00:09:57,920 Speaker 1: in his chest and send him back. Look at where 197 00:09:57,960 --> 00:10:00,400 Speaker 1: his right foot ended up almost right underneath the basket. 198 00:10:00,880 --> 00:10:03,720 Speaker 1: That's what gives Shay that space to then lean into 199 00:10:03,720 --> 00:10:05,880 Speaker 1: the one like fade away and get plenty of separation. 200 00:10:06,000 --> 00:10:08,040 Speaker 1: And he's just such a deadly shot maker that close 201 00:10:08,080 --> 00:10:16,120 Speaker 1: to the basket. Another snake move here, good clean look 202 00:10:16,120 --> 00:10:17,599 Speaker 1: for ant off the catch. One of the shots in 203 00:10:17,640 --> 00:10:18,319 Speaker 1: the first half. 204 00:10:18,120 --> 00:10:20,320 Speaker 2: That I liked. He just wasn't making them go down 205 00:10:20,360 --> 00:10:21,040 Speaker 2: to the other end. 206 00:10:22,120 --> 00:10:31,199 Speaker 1: Ball screen reject rescreen. Here's the snake right boom crossover. 207 00:10:32,120 --> 00:10:35,120 Speaker 1: You can see the freeze with the headfake right the 208 00:10:35,240 --> 00:10:38,160 Speaker 1: high hesitation he's selling the pull up jump shot which 209 00:10:38,200 --> 00:10:40,840 Speaker 1: gets Rudy to hop up. Same exact kind of sequence. 210 00:10:41,160 --> 00:10:43,920 Speaker 1: But here's another grift, a non basketball play like no 211 00:10:43,960 --> 00:10:47,200 Speaker 1: one would take this shot. No one would ever take 212 00:10:47,240 --> 00:10:49,360 Speaker 1: this shot, Like, oh, let me go into the rim. 213 00:10:49,400 --> 00:10:52,959 Speaker 1: Protector's chest, even though I'm giving up six or seven 214 00:10:53,000 --> 00:10:55,800 Speaker 1: inches of height and just try to shoot over the 215 00:10:55,800 --> 00:10:59,240 Speaker 1: top of him like that. That's not a real basketball shot. 216 00:11:06,920 --> 00:11:10,000 Speaker 1: U Shay's gonna beat Dante off the dribble. Here again, 217 00:11:10,080 --> 00:11:13,080 Speaker 1: Dante got cooked the entire series to this point. But 218 00:11:13,200 --> 00:11:16,200 Speaker 1: like once again, this is one of the big talking 219 00:11:16,200 --> 00:11:18,040 Speaker 1: points that I want to hit in terms of Minnesota's 220 00:11:18,040 --> 00:11:21,839 Speaker 1: defensive scheme. Look at how far out Dante's meeting Shay. 221 00:11:24,120 --> 00:11:27,400 Speaker 1: That's twenty six feet from the basket. You're giving one 222 00:11:27,440 --> 00:11:29,679 Speaker 1: of the best drivers in the history the game a 223 00:11:29,760 --> 00:11:30,960 Speaker 1: long runway. 224 00:11:30,520 --> 00:11:33,480 Speaker 2: To beat you off the dribble. He's able to turn. 225 00:11:33,320 --> 00:11:37,600 Speaker 1: The corner, bump Dante off, knock down a little mid 226 00:11:37,720 --> 00:11:46,439 Speaker 1: range pull up. Just individual greatness from shake ye Oldes Alexander. 227 00:11:46,480 --> 00:11:49,720 Speaker 1: Here again with the side step three over Jaden McDaniels. 228 00:11:49,720 --> 00:11:53,760 Speaker 1: Nothing too crazy about this. He slows down, just kind 229 00:11:53,800 --> 00:11:57,360 Speaker 1: of methodically dribbles down and then goes into high speed 230 00:11:57,840 --> 00:12:00,800 Speaker 1: off of that step back, gets just enough separation to 231 00:12:00,880 --> 00:12:01,360 Speaker 1: rise up and. 232 00:12:01,360 --> 00:12:01,920 Speaker 2: Knock it down. 233 00:12:06,280 --> 00:12:09,360 Speaker 1: Here's another example of Jaden just applying too much ball 234 00:12:09,360 --> 00:12:11,880 Speaker 1: pressure on Shae Like this is you can't keep him 235 00:12:11,880 --> 00:12:14,480 Speaker 1: in front I don't understand this. You're picking him up 236 00:12:14,520 --> 00:12:16,400 Speaker 1: full court and he's able to just get you out 237 00:12:16,440 --> 00:12:19,680 Speaker 1: of position and draw foul. And again like non basketball play, 238 00:12:19,760 --> 00:12:22,959 Speaker 1: like Shae's once again taking acting like he's going to 239 00:12:23,000 --> 00:12:25,680 Speaker 1: shoot a jump shot, Like no one would ever shoot 240 00:12:25,679 --> 00:12:30,640 Speaker 1: a shot here ever in a real basketball game, unless 241 00:12:30,679 --> 00:12:32,880 Speaker 1: they were simply trying to get to the foul to 242 00:12:32,920 --> 00:12:36,560 Speaker 1: the foul line. Like it's another non basketball play. But 243 00:12:37,040 --> 00:12:40,840 Speaker 1: from the standpoint of the technique from Jaden here, I 244 00:12:40,920 --> 00:12:43,080 Speaker 1: just don't understand picking him up this far away from 245 00:12:43,120 --> 00:12:45,720 Speaker 1: the basket when you just can't keep him in front 246 00:12:45,760 --> 00:12:48,959 Speaker 1: off the dribble. Little drop coverage work here from Shae 247 00:12:49,040 --> 00:12:51,800 Speaker 1: a classic example of just putting the defender in the sidecar. 248 00:12:52,280 --> 00:12:56,480 Speaker 1: So watch how we get lots of ball pressure against 249 00:12:56,520 --> 00:12:59,520 Speaker 1: Shae in the form of Jaden once again picking him 250 00:12:59,600 --> 00:13:02,680 Speaker 1: up really our away from the basket. Shay's easily able 251 00:13:02,720 --> 00:13:07,000 Speaker 1: to get downhill. Now he can control the physical dynamic 252 00:13:07,040 --> 00:13:09,800 Speaker 1: of the drive. He's going to work back into Jaden 253 00:13:10,880 --> 00:13:13,560 Speaker 1: with physicality, see that right there, Like he could have 254 00:13:13,600 --> 00:13:15,640 Speaker 1: just gone downhill, but he's gonna work back into Jaden 255 00:13:15,679 --> 00:13:19,600 Speaker 1: with physicality, keep him trapped on his side. Then push 256 00:13:19,679 --> 00:13:21,520 Speaker 1: off a little bit. You can see the off arm 257 00:13:22,040 --> 00:13:24,679 Speaker 1: into Jaden mcdaniels's chest. And by the way, this is 258 00:13:24,720 --> 00:13:27,840 Speaker 1: the kind of thing that people are complaining about. Is like, 259 00:13:28,480 --> 00:13:31,400 Speaker 1: Shaye plays with physicality, which is great. I have no 260 00:13:31,559 --> 00:13:34,439 Speaker 1: problem with this being a non call. I want Shay 261 00:13:34,520 --> 00:13:37,480 Speaker 1: to be able to do this. Basketball is a contact sport. 262 00:13:37,760 --> 00:13:40,160 Speaker 1: But for all the people out there that are like, oh, 263 00:13:40,280 --> 00:13:42,400 Speaker 1: he had his head and shoulders ahead of the defender 264 00:13:42,440 --> 00:13:45,199 Speaker 1: and he got bumped on his drive. Per the rule book, 265 00:13:45,240 --> 00:13:47,280 Speaker 1: that's a foul. Per the rule book, this is an 266 00:13:47,320 --> 00:13:49,520 Speaker 1: offensive foul. If you guys want to get into the 267 00:13:49,559 --> 00:13:51,920 Speaker 1: rule book, we can have a whistle every five seconds. 268 00:13:52,280 --> 00:13:54,840 Speaker 1: These games could take four hours and we could have 269 00:13:54,960 --> 00:13:58,680 Speaker 1: all the eleventh, twelve, thirteenth, fourteenth, and fifteenth man on 270 00:13:58,720 --> 00:14:01,880 Speaker 1: the bench playing it closing time because everyone's fouled out. 271 00:14:02,360 --> 00:14:04,920 Speaker 2: This is the thing like, let Shae do this. I'm 272 00:14:04,960 --> 00:14:05,480 Speaker 2: cool with this. 273 00:14:05,480 --> 00:14:08,040 Speaker 1: This is physicality, But just stop rewarding him for non 274 00:14:08,080 --> 00:14:13,360 Speaker 1: basketball plays. But gives him in that little shove side step. 275 00:14:14,880 --> 00:14:17,280 Speaker 1: That's what creates the separation for him to get into 276 00:14:17,320 --> 00:14:18,720 Speaker 1: that little mid range pull up. 277 00:14:19,240 --> 00:14:20,520 Speaker 2: Again, nothing wrong with it. 278 00:14:20,560 --> 00:14:23,840 Speaker 1: I to me, basketball is of contact sport and the 279 00:14:23,920 --> 00:14:28,040 Speaker 1: discretion of officials generally in NBA history, has allowed physicality. 280 00:14:28,080 --> 00:14:30,240 Speaker 1: I want Shae to be able to play with physicality too, 281 00:14:32,480 --> 00:14:34,240 Speaker 1: all right, more snaking the health defender. 282 00:14:34,280 --> 00:14:36,680 Speaker 2: As you can see as Julius. 283 00:14:36,280 --> 00:14:41,120 Speaker 1: Steps up, watch the crossover move from Shay. Here Boom 284 00:14:41,200 --> 00:14:44,760 Speaker 1: snakes him and easily gets into the lane. Just just 285 00:14:44,840 --> 00:14:46,320 Speaker 1: toasting these dudes off the dribble. 286 00:14:52,640 --> 00:14:52,760 Speaker 2: Uh. 287 00:14:52,800 --> 00:14:54,960 Speaker 1: Here's one of those post up front brackets that I 288 00:14:55,000 --> 00:14:56,760 Speaker 1: was talking about, so as you can see, watch lou 289 00:14:56,840 --> 00:15:00,680 Speaker 1: Dort post up front against Julius over the top pass. 290 00:15:01,240 --> 00:15:03,880 Speaker 1: Dort comes flying in and knocks the ball away. That's 291 00:15:03,880 --> 00:15:07,720 Speaker 1: the bracket the backside of the post front. Thundergo out 292 00:15:07,720 --> 00:15:11,120 Speaker 1: the other way and we get another non basketball play 293 00:15:11,120 --> 00:15:13,320 Speaker 1: from Shay as he goes to the low gatherer against 294 00:15:13,480 --> 00:15:16,000 Speaker 1: Nikhil Alexander Walker, like no one would ever take the shot. 295 00:15:16,040 --> 00:15:19,240 Speaker 1: Like if you were if you were playing basketball anywhere 296 00:15:19,280 --> 00:15:21,040 Speaker 1: and someone took the shot, you'd be like, what the 297 00:15:21,040 --> 00:15:21,760 Speaker 1: fuck are you doing? 298 00:15:21,840 --> 00:15:23,040 Speaker 2: Like that's not basketball. 299 00:15:23,080 --> 00:15:25,840 Speaker 1: You're You're gonna just run into the defender and take 300 00:15:25,840 --> 00:15:27,840 Speaker 1: a left handed floater at the foul line. Like that 301 00:15:27,960 --> 00:15:31,560 Speaker 1: is a non basketball play that serves the purpose only 302 00:15:31,640 --> 00:15:33,360 Speaker 1: to try to draw a foul. It just so happened 303 00:15:33,360 --> 00:15:40,400 Speaker 1: to go in that time. Uh, this is another bucket 304 00:15:40,440 --> 00:15:43,400 Speaker 1: I believe against Dante. Let's see in a switch. Yeah, 305 00:15:43,600 --> 00:15:47,520 Speaker 1: so just drives against Dante along the baseline out of 306 00:15:47,560 --> 00:15:52,080 Speaker 1: the zone. Here, so screen now he's got Dante on 307 00:15:52,120 --> 00:15:54,760 Speaker 1: the zone. Just hard dribble drive to that left hand, 308 00:15:54,840 --> 00:15:57,000 Speaker 1: dribble pull up. Like again, this is what I'm talking about, 309 00:15:57,080 --> 00:15:59,880 Speaker 1: Like mixed in with all the non basketball plays and 310 00:16:00,080 --> 00:16:04,640 Speaker 1: ref bullshit, there's like beautiful shot making and beautiful basketball here, 311 00:16:04,640 --> 00:16:08,520 Speaker 1: Like we can have a nuanced discussion, like Shay's a 312 00:16:08,600 --> 00:16:12,160 Speaker 1: remarkable basketball player irrespective of the vowl drifting stuff. But 313 00:16:12,200 --> 00:16:17,040 Speaker 1: I think there's a conversation if you had there snaking 314 00:16:17,040 --> 00:16:17,720 Speaker 1: the help defender. 315 00:16:17,760 --> 00:16:21,120 Speaker 2: Again. Here, let's get down into a ball screen. Here 316 00:16:21,160 --> 00:16:25,360 Speaker 2: we go with Nas ball screen dribble to the right. 317 00:16:26,200 --> 00:16:29,560 Speaker 1: See how he crosses over right there, immediately crosses back 318 00:16:29,600 --> 00:16:33,360 Speaker 1: over and shifts NAS's weight out of position, bumps him off. 319 00:16:33,520 --> 00:16:35,600 Speaker 1: This is fine. I have no problem with this bump off. 320 00:16:36,960 --> 00:16:39,360 Speaker 1: Look at the off arm again, Like buy the book. 321 00:16:39,520 --> 00:16:42,480 Speaker 1: That's technically an offensive foul. But I have no problem 322 00:16:42,520 --> 00:16:44,280 Speaker 1: with this at all whatsoever. This to me is just 323 00:16:44,320 --> 00:16:48,600 Speaker 1: playoff physicality. You to to the point about the head 324 00:16:48,600 --> 00:16:52,840 Speaker 1: and shoulders thing, the I have my head and shoulders 325 00:16:52,880 --> 00:16:55,000 Speaker 1: past the defender. Okay, yeah, you're right. He does like 326 00:16:55,080 --> 00:16:59,640 Speaker 1: he has beat Nas. Read here, Therefore I am okay 327 00:16:59,680 --> 00:17:03,240 Speaker 1: with him him because he's beat nas Reed given him 328 00:17:03,240 --> 00:17:05,200 Speaker 1: that off arm and giving him that shoulder to get 329 00:17:05,240 --> 00:17:05,840 Speaker 1: him out of the way. 330 00:17:05,920 --> 00:17:06,800 Speaker 2: That's the whole point. 331 00:17:06,840 --> 00:17:10,000 Speaker 1: You've won the angle. You're now entitled to the space. 332 00:17:10,520 --> 00:17:13,600 Speaker 1: Attack it with physicality, with the intent to go through 333 00:17:13,720 --> 00:17:16,280 Speaker 1: and to get to a layup, not to take some 334 00:17:16,320 --> 00:17:18,640 Speaker 1: shot you would never take under those circumstances. 335 00:17:19,000 --> 00:17:21,520 Speaker 2: Dislodge is NOAs Now. 336 00:17:21,400 --> 00:17:23,879 Speaker 1: He's got Nas out of position and he's going for 337 00:17:23,920 --> 00:17:27,639 Speaker 1: a layup, and Nas has to come forward. This is 338 00:17:27,800 --> 00:17:32,280 Speaker 1: not a grift. This is a legitimate, hard basketball foul. 339 00:17:32,720 --> 00:17:35,920 Speaker 1: I snaked nas Reed, got him out of position, dislodged him. 340 00:17:36,240 --> 00:17:39,680 Speaker 1: Because I dislodged him, he's got to recover. The only 341 00:17:39,720 --> 00:17:42,159 Speaker 1: way he can recover is by not going vertical. If 342 00:17:42,160 --> 00:17:44,040 Speaker 1: he goes straight up and down, I'm just gonna score. 343 00:17:44,320 --> 00:17:46,080 Speaker 1: So he has to come back to me to try 344 00:17:46,080 --> 00:17:48,480 Speaker 1: to make up the ground. So I'm gonna go to 345 00:17:48,520 --> 00:17:51,040 Speaker 1: the rim and draw the foul. That to me is 346 00:17:51,080 --> 00:17:58,080 Speaker 1: like a good honest basketball foul. Same sort of thing here, 347 00:17:58,119 --> 00:18:05,080 Speaker 1: another snake of the ball screen, same sort of thing 348 00:18:05,119 --> 00:18:09,840 Speaker 1: as you can see here as he beats Jaden, immediate crossover, 349 00:18:13,720 --> 00:18:15,960 Speaker 1: finds the soft spot in the drop coverage. 350 00:18:18,640 --> 00:18:21,160 Speaker 2: Nice contest for Rudy. Really nice shot there from Shae. 351 00:18:24,160 --> 00:18:27,560 Speaker 1: More ball pressure here, Like look at just literally picking 352 00:18:27,640 --> 00:18:29,320 Speaker 1: him up forty five feet from the back. Look at 353 00:18:29,320 --> 00:18:31,440 Speaker 1: how easy it is for Shaye just to go right 354 00:18:31,480 --> 00:18:35,280 Speaker 1: around him, Like, it's just it's it was infuriating to 355 00:18:35,280 --> 00:18:37,160 Speaker 1: watch that. This mort it's just a stupid game plan. 356 00:18:37,680 --> 00:18:40,159 Speaker 1: But as he gets into the lane, here's another Like, 357 00:18:40,359 --> 00:18:42,960 Speaker 1: I just don't understand how this is being rewarded with 358 00:18:43,000 --> 00:18:52,800 Speaker 1: free throws. Look at this, Shae got two free throws 359 00:18:52,800 --> 00:18:57,920 Speaker 1: for that. Watch it again. I'm gonna play it him 360 00:18:57,920 --> 00:19:03,919 Speaker 1: fast speed. Shay got two free throws for this. You 361 00:19:03,960 --> 00:19:06,960 Speaker 1: can see how annoyed everyone is. And by the way, 362 00:19:07,080 --> 00:19:10,200 Speaker 1: this is the very next possession. You can probably guess 363 00:19:10,240 --> 00:19:23,840 Speaker 1: now why Jada McDaniels did what he did. And again, 364 00:19:23,960 --> 00:19:28,360 Speaker 1: like there's no defense for that behavior. That's just childish 365 00:19:28,440 --> 00:19:32,000 Speaker 1: behavior from Jada McDaniels, Like you're not accomplishing anything by 366 00:19:32,240 --> 00:19:35,679 Speaker 1: shoving Shay. You're just proving to him that you're pissed 367 00:19:35,720 --> 00:19:39,000 Speaker 1: off and showing him that you're in that he's in 368 00:19:39,080 --> 00:19:42,280 Speaker 1: your head. But at the same time, I understand the frustration. 369 00:19:42,440 --> 00:19:45,120 Speaker 1: I understand the frustration that Minnesota's guys are dealing with 370 00:19:48,359 --> 00:19:51,240 Speaker 1: more ball pressure getting beat here, like again, picking up 371 00:19:51,240 --> 00:19:53,560 Speaker 1: Shae full court when you can't keep him in front, 372 00:19:54,240 --> 00:19:57,760 Speaker 1: picking him up full court. Oh he dribbled out, Let's 373 00:19:57,760 --> 00:19:59,359 Speaker 1: go pick him up full court again. Oh wait, now 374 00:19:59,359 --> 00:20:02,320 Speaker 1: I'm right around him again, like like it just it, 375 00:20:02,400 --> 00:20:05,040 Speaker 1: like legitimately makes no sense. I don't understand why they're 376 00:20:05,080 --> 00:20:09,120 Speaker 1: picking him up this far away from the basket. Great 377 00:20:09,119 --> 00:20:15,080 Speaker 1: finish through traffic. There another non basketball move from Shay here, 378 00:20:24,800 --> 00:20:27,880 Speaker 1: Like what is this? That's not a basketball move? You're 379 00:20:27,880 --> 00:20:31,399 Speaker 1: just going to dribble into the defender and shoot a 380 00:20:31,440 --> 00:20:37,800 Speaker 1: pull up without any separation? Like yeah, like, I just 381 00:20:37,960 --> 00:20:44,399 Speaker 1: I don't understand rewarding that with free throws. All right, now, 382 00:20:44,400 --> 00:20:47,200 Speaker 1: we're gonna look at Shay's assists from last night's game. 383 00:20:48,200 --> 00:20:50,320 Speaker 1: A couple of feeds to Hartenstein that were really nice, 384 00:20:50,359 --> 00:20:53,760 Speaker 1: pretty basic ball screen feed here, as he's got a 385 00:20:53,800 --> 00:20:57,200 Speaker 1: downhill against Jaden. He sees a nice runway for Hartenstein, 386 00:20:57,280 --> 00:21:00,600 Speaker 1: pitches it back to Hartenstein. Rudy again trying to disrupt 387 00:21:00,600 --> 00:21:03,240 Speaker 1: the floater up top instead of down low, and Hartenstein 388 00:21:03,320 --> 00:21:06,639 Speaker 1: just doesn't have any problems with that. Yo Get showed 389 00:21:06,640 --> 00:21:08,520 Speaker 1: in the last round that you can bother him down low. 390 00:21:19,800 --> 00:21:23,240 Speaker 1: Shae backcuts Jane McDaniel's here once again. More pressure, unnecessary 391 00:21:23,280 --> 00:21:25,560 Speaker 1: pressure that leads to rim pressure in the form of 392 00:21:25,560 --> 00:21:28,040 Speaker 1: a back cut. On the back cut, Julius has no 393 00:21:28,119 --> 00:21:30,800 Speaker 1: choice but to step over. Shaye makes the nice little 394 00:21:30,800 --> 00:21:33,840 Speaker 1: pass to beat the nail held bucket from lou Dort. 395 00:21:36,920 --> 00:21:39,280 Speaker 1: The middle feed against the zone. Cruso did a great 396 00:21:39,359 --> 00:21:41,240 Speaker 1: job here, scoring in the middle of the zone again 397 00:21:41,320 --> 00:21:44,080 Speaker 1: like the zone is designed to concede catches here in 398 00:21:44,160 --> 00:21:47,080 Speaker 1: the zone, Hartenstein on the baseline forces Gobert to be 399 00:21:47,119 --> 00:21:50,119 Speaker 1: accounting for him. You can like literally see Gobert on 400 00:21:50,119 --> 00:21:53,359 Speaker 1: that Hartenstein backcut. You can see him back up. There's 401 00:21:53,400 --> 00:21:55,480 Speaker 1: that little shot for Alex and he knocks it down. 402 00:21:59,080 --> 00:22:05,280 Speaker 1: Another really nice pace baseline feed to Isaai Hartenstein ball 403 00:22:05,280 --> 00:22:14,320 Speaker 1: screen drives baseline. Rudy's there once again instead of crowding 404 00:22:14,359 --> 00:22:17,639 Speaker 1: the paint everyone's staying attached to their shooters off ball. 405 00:22:17,840 --> 00:22:20,560 Speaker 1: That leaves Hartenstein wide open. They're just defending these ball 406 00:22:20,600 --> 00:22:32,000 Speaker 1: screens two on two, great feed, simple zone defense. Look, 407 00:22:32,800 --> 00:22:43,680 Speaker 1: swing pass to Jadubb knocks it down. Now there's two 408 00:22:43,800 --> 00:22:47,000 Speaker 1: examples right here of what I think is the defensive 409 00:22:47,000 --> 00:22:50,760 Speaker 1: scheme that Minnesota should use on Oklahoma City in game 410 00:22:51,200 --> 00:22:58,840 Speaker 1: in game three, so first of all, I would still 411 00:22:58,840 --> 00:23:00,919 Speaker 1: be playing a little bit further off of Shae. But 412 00:23:01,080 --> 00:23:02,680 Speaker 1: of the main thing is I just want you guys 413 00:23:02,720 --> 00:23:05,480 Speaker 1: to see the switching of the ball screens. So switching 414 00:23:05,520 --> 00:23:08,520 Speaker 1: ball screens so that Shae can't get automatic baked in 415 00:23:09,000 --> 00:23:12,520 Speaker 1: dribble penetration as he comes off of a screen. Then 416 00:23:12,600 --> 00:23:16,199 Speaker 1: look at how Julius is sagging off of Shae and 417 00:23:16,320 --> 00:23:18,680 Speaker 1: forcing him to drive intohim. See how he's sagging off 418 00:23:18,720 --> 00:23:21,320 Speaker 1: instead of pressuring. Then look at all the defenders. 419 00:23:21,960 --> 00:23:23,120 Speaker 2: See this. 420 00:23:23,119 --> 00:23:27,320 Speaker 1: This is what I want Minnesota to do in game three. Now, 421 00:23:27,359 --> 00:23:29,639 Speaker 1: Shaye makes the kickout past to case On Wallace. In 422 00:23:29,680 --> 00:23:32,040 Speaker 1: case On Wallace knocks it down. But this is a 423 00:23:32,119 --> 00:23:36,840 Speaker 1: contested three that he knocks down in a low pressure situation. 424 00:23:36,920 --> 00:23:39,639 Speaker 1: They're up twenty one. This game is over right, Like 425 00:23:39,680 --> 00:23:41,480 Speaker 1: This is an example of a shot where I want 426 00:23:41,480 --> 00:23:44,200 Speaker 1: to see case On Wallace have to knock that down 427 00:23:44,280 --> 00:23:48,399 Speaker 1: in Minnesota in a close game. Totally different defensive scheme. 428 00:23:48,520 --> 00:23:51,680 Speaker 1: Another example here, same sort of thing. Shay's gonna drive, 429 00:23:51,840 --> 00:23:54,760 Speaker 1: He's gonna get swarmed, So let's get to the switch. 430 00:23:57,280 --> 00:24:00,520 Speaker 1: Shae drives, gets swarmed. Look at this, he's getting sworn now. 431 00:24:02,000 --> 00:24:05,480 Speaker 1: Jalen Williams rotate from nas. He beats the close out, 432 00:24:05,520 --> 00:24:07,520 Speaker 1: gets into the lane and makes the layup again. They 433 00:24:07,560 --> 00:24:09,520 Speaker 1: beat this coverage a couple of times, but this is 434 00:24:09,560 --> 00:24:12,040 Speaker 1: the kind of coverage I want to see Minnesota deploy 435 00:24:12,840 --> 00:24:15,720 Speaker 1: as we get into Game three. And then nothing too 436 00:24:15,720 --> 00:24:17,840 Speaker 1: crazy here. Just this is one of those hard double 437 00:24:17,880 --> 00:24:20,800 Speaker 1: teams that Shay face down in the fourth quarter. I 438 00:24:20,840 --> 00:24:23,040 Speaker 1: really don't like double teaming Shade this far away from 439 00:24:23,080 --> 00:24:25,200 Speaker 1: the basket. But like now, like this is just such 440 00:24:25,200 --> 00:24:27,080 Speaker 1: an easy read, Like, Okay, you're gonna double me when 441 00:24:27,119 --> 00:24:29,040 Speaker 1: a swing pass gets a wide open three, Like they're 442 00:24:29,040 --> 00:24:32,439 Speaker 1: gonna beat that every single time. All right, that's it 443 00:24:32,480 --> 00:24:35,560 Speaker 1: for today again, as you guys can see, like just 444 00:24:35,560 --> 00:24:37,720 Speaker 1: just some realities to the way that ball pressure is 445 00:24:37,760 --> 00:24:40,480 Speaker 1: causing problems. And then ball screens with Shay's ability to 446 00:24:40,520 --> 00:24:44,200 Speaker 1: stake to help defender, so I'd switch drop back, less pressure, 447 00:24:44,240 --> 00:24:47,040 Speaker 1: contain pack the paint, force these guys to make the 448 00:24:47,119 --> 00:24:50,080 Speaker 1: kickout reads and to knock down the threes that they 449 00:24:50,080 --> 00:24:52,359 Speaker 1: get out of those situations. All right, guys, it's all 450 00:24:52,400 --> 00:24:54,400 Speaker 1: have for today is always a sincerely appreciate you guys 451 00:24:54,400 --> 00:24:56,720 Speaker 1: for supporting me and supporting the show. I will see 452 00:24:56,720 --> 00:24:59,359 Speaker 1: you guys tonight after Eastern Conference Finals Game two. But 453 00:24:59,480 --> 00:25:01,840 Speaker 1: some guys, As always, I appreciate you for listening to 454 00:25:01,960 --> 00:25:05,040 Speaker 1: and supporting OOPS tonight. It would actually be really helpful 455 00:25:05,080 --> 00:25:06,679 Speaker 1: for us if you guys would take a second and 456 00:25:06,800 --> 00:25:09,639 Speaker 1: leave a rating and a review. As always, I appreciate 457 00:25:09,680 --> 00:25:11,080 Speaker 1: you guys supporting us, but if you could take a 458 00:25:11,160 --> 00:25:16,120 Speaker 1: minute to do that, I'd really appreciate it. The volume