WEBVTT - Always Be My Maybe with Keah Brown

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<v Speaker 1>On the Bechdelcast.

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<v Speaker 2>The questions asked if movies have women and them, are

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<v Speaker 2>all their discussions just boyfriends and husbands or do they

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<v Speaker 2>have individualism? It's the patriarchy, zeph and best start changing

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<v Speaker 2>with the Bechdel Cast.

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<v Speaker 3>Hello Bechdel Cast listeners, Hello Jamie and Caitlin.

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<v Speaker 4>Here a little plug at the top.

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<v Speaker 3>It's all coming together, it's all happening. I am going

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<v Speaker 3>to be going on a book tour for the paperback

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<v Speaker 3>release of my book Raw Dog, The Naked Truth about

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<v Speaker 3>hot Dogs. Ever heard of it? It is coming out

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<v Speaker 3>in soft cover. If you are the kind of person

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<v Speaker 3>that doesn't want to spend twenty eight dollars out of book,

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<v Speaker 3>fair enough, we have a more affordable option. And if

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<v Speaker 3>you haven't purchased the book and you know, maybe you're

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<v Speaker 3>able to now you know, it's also a great gift.

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<v Speaker 3>I sound so desperate. The thing is, it's a soft

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<v Speaker 3>cover book and people love us.

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<v Speaker 4>And I love a flaccid book.

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<v Speaker 3>Yeah, it's a little book. And if you do have

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<v Speaker 3>the hardcover and you're a completionist, there is also a

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<v Speaker 3>brand new ForWord that I wrote, and also the acknowledgments

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<v Speaker 3>have been adjusted to acknowledge that my agents were resionists,

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<v Speaker 3>so I don't really thank them anymore. So there's a

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<v Speaker 3>thrilling edition there as well. But there is new stuff

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<v Speaker 3>in the book and it costs less and we love that.

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<v Speaker 3>I will be going on tour throughout the country to

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<v Speaker 3>promote the new book, and if you're a Bechdel head

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<v Speaker 3>and you're in the area, this is a really great

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<v Speaker 3>chance to come and hang out. It's all I'm at bookstores.

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<v Speaker 3>I did kind of bigger shows the first time around,

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<v Speaker 3>but this time we're just chilling. So for you kitling

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<v Speaker 3>with your permission, I'm just going to rattle off some dates.

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<v Speaker 3>What if I was like, no, no, click z, I'm

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<v Speaker 3>going to go pee.

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<v Speaker 4>No please, by all means tell us Okay.

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<v Speaker 3>May thirteenth, twenty twenty five, almost my birthday, So I

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<v Speaker 3>know I'm missing your birthday. It's an act of violence.

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<v Speaker 3>I will be at North Fig Bookshop in Los Angeles,

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<v Speaker 3>hosted by friend of the cast Julia Clair. May fourteenth.

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<v Speaker 3>I will be at Carmichael's Bookstore in Louisville, Kentucky. On

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<v Speaker 3>May fifteenth, I will be at the Cambridge Public Library

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<v Speaker 3>in Massachusetts with the Harvard Bookstore and I will be

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<v Speaker 3>in conversation with one of my dear friends, PBS's own

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<v Speaker 3>Tory Bedford. On the nineteenth of May, I will be

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<v Speaker 3>in Portland, Maine at Longfellow Books, hosted by friend of

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<v Speaker 3>the cast, Mayo Williams.

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<v Speaker 5>I am very, very excited.

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<v Speaker 3>On the twentieth, I will be going down to Harrisburg, Pennsylvania,

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<v Speaker 3>my home state. I know they're going to be begging,

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<v Speaker 3>They're like, where are they? I will be at the

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<v Speaker 3>Midtown Scholar Bookstore and Cafe in conversation with Joe Piazza.

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<v Speaker 3>Then on May twenty first, I will be at the

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<v Speaker 3>Fountain Bookstore in Richmond, Virginia. And on May twenty second,

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<v Speaker 3>I will be at Coppersfield Books in Pedaluma, California. And finally,

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<v Speaker 3>on May thirty first, I will be at Marin Country Mart,

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<v Speaker 3>which is also with Coppersfield's book in Larkspur, California. So

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<v Speaker 3>if you live in those areas, please come out. I

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<v Speaker 3>would love to see you. I'd love to chat. Please

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<v Speaker 3>recommend your favorite hot dog, Let's talk, beck tol Cast,

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<v Speaker 3>let's do whatever. And there will be dates announced later

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<v Speaker 3>in the summer. So if you would like a show

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<v Speaker 3>or a signing to happen in your town. Please reach

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<v Speaker 3>out and I will send it to my publisher and

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<v Speaker 3>be like, see, I should go there. Anyways, that's a great.

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<v Speaker 3>It's begging works sometimes, and we'll link this full thing

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<v Speaker 3>in the description. But see you soon. I'm making a

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<v Speaker 3>little outfit and that's the Jamie Loftus promise.

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<v Speaker 4>I can't wait to see.

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<v Speaker 3>So if you click the link in the description, it

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<v Speaker 3>will take you to the full page where you can

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<v Speaker 3>register to go to these events. They are all free events,

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<v Speaker 3>so come and hang out and provided that I get

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<v Speaker 3>my shit together in time, there will also be speakers

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<v Speaker 3>from local unions at all of these signings, So come out,

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<v Speaker 3>make some friends, come hang out and h let's eat

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<v Speaker 3>some hot dogs.

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<v Speaker 4>Beautiful. We'll throw the link to be able to access

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<v Speaker 4>registration for the events on our link tree as well

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<v Speaker 4>link tree slash Bechtel Cast, so there's no excuse not

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<v Speaker 4>to come.

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<v Speaker 3>It's free, it's fun. I'll be wearing a little outfit.

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<v Speaker 3>Come buy the book.

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<v Speaker 1>Woo.

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<v Speaker 4>One last quick note about this episode. We were kind

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<v Speaker 4>of strapped for time during this recording and we ended

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<v Speaker 4>up having to record some pickups a few days later

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<v Speaker 4>with just Jamie and myself. So there's a chunk toward

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<v Speaker 4>the end of the episode where you might know notice

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<v Speaker 4>that our guest is not saying anything because she is

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<v Speaker 4>not there. So just giving everyone a quick heads up

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<v Speaker 4>about that. Enjoy the episode the cast.

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<v Speaker 1>Do Do Do Do Wow?

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<v Speaker 4>Jamie, will you always be my Maybe?

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<v Speaker 3>No, I'll always be your baby. I'll be your baby girl,

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<v Speaker 3>Always be your baby, Always be my baby girl, Nicole

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<v Speaker 3>Kipman twenty four.

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<v Speaker 4>So true.

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<v Speaker 3>I you know, it is funny thinking about after now

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<v Speaker 3>having seen the movie there that even the title is

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<v Speaker 3>indicating are these two right for each other? Welcome to

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<v Speaker 3>the Bechel Cast. My name is Jamie Loftus.

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<v Speaker 4>My name is Caitlin Deonte. This is our show where

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<v Speaker 4>we examine movies through an intersectional feminist lens, using the

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<v Speaker 4>Bechdel Test as a jumping off point, and that, of course,

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<v Speaker 4>is a medium created by Alison Bechtel. There are many

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<v Speaker 4>versions of the test, and the one that we use

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<v Speaker 4>is this, do two characters of a marginalized gender have names?

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<v Speaker 4>Do they speak to each other? And is there conversation

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<v Speaker 4>about something other than a man?

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<v Speaker 3>And in this economy is it too much to ask?

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<v Speaker 4>Yes?

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<v Speaker 3>Today? We'll find out. Yeah, we're really excited to We're

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<v Speaker 3>just gonna jump in this week. This is a long

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<v Speaker 3>time request. I think we have been getting consistent requests

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<v Speaker 3>for this movie since it came out almost six years ago. So,

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<v Speaker 3>you know, thank you for your patience. The time is now,

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<v Speaker 3>the guest is perfect. We are covering Always Be My Maybe,

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<v Speaker 3>twenty nineteen, directed by Nanachica, con starring and written by

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<v Speaker 3>Ali Wong and Randall Park.

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<v Speaker 4>Ever heard of them?

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<v Speaker 5>Hopefully they're right.

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<v Speaker 4>They're so funny. And speaking of so funny, our guest

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<v Speaker 4>today is an author, screenwriter, journalist, actress, also best friend

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<v Speaker 4>to the Pod period and you know her from past

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<v Speaker 4>episodes such as Ever After, Hairspray, Cadet Kelly nineteen ninety seven, Cinderella,

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<v Speaker 4>It's Kia Brown, Yay, I'm I'm.

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<v Speaker 1>So happy to be here, and they totally organically came

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<v Speaker 1>up with calling me bestie of the Pod. Yeah, it

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<v Speaker 1>was totally organic. I didn't treasure them at all.

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<v Speaker 5>It just felt right. It felt right, it did.

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<v Speaker 1>I just love them, and I was like, I need

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<v Speaker 1>to be here. I miss you, we miss you.

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<v Speaker 4>Thanks for coming back, come back always always always, So,

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<v Speaker 4>what is your history your relationship with always be my maybe.

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<v Speaker 1>Okay, So here's the thing. I love Ali Wong, and

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<v Speaker 1>when it first premiered, I was like, Okay, I'm gonna

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<v Speaker 1>watch it play like period. And then I watched it,

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<v Speaker 1>I fell in love with Randall Park, and I've been,

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<v Speaker 1>you know, rewatching it kind of regularly since because I

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<v Speaker 1>mean I knew who Randall Park was because he was

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<v Speaker 1>on Fresh off the Boat. But really my relationship is

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<v Speaker 1>just like, Wow, a man who I like.

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<v Speaker 4>Wild They really make it hard to like them, Yeah,

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<v Speaker 4>they do.

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<v Speaker 3>But Randall Park is I think, like s Tier, just

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<v Speaker 3>naturally charming, very much like it, just irresistible, very likable.

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<v Speaker 4>So yeah, you watch it when it first came out,

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<v Speaker 4>and then have just been watching it steadily since.

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<v Speaker 1>Yes, pretty much. It had been a while since I

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<v Speaker 1>did rewatch before the pod, but I rewatched it this

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<v Speaker 1>morning just to you know, refresh myself. But I tend

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<v Speaker 1>to watch it a lot when I'm like I need

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<v Speaker 1>a rom com day. I need something that feels like,

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<v Speaker 1>you know, life is good.

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<v Speaker 4>Nice. I'm not a big rom com person, never have been,

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<v Speaker 4>but this is one that I like a lot more

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<v Speaker 4>than a lot of other rom cos I saw that

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<v Speaker 4>when it I think right when it first came out.

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<v Speaker 4>Also my concept of time. I mean, I'm not saying

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<v Speaker 4>anything new here, but the pandemic really warped all of

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<v Speaker 4>our understanding.

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<v Speaker 3>This movie came out like yet the year before. I

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<v Speaker 3>feel like I have a real hard time with movies

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<v Speaker 3>from twenty nineteen now where you're like, you have no idea,

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<v Speaker 3>you don't know what it's like here. Well, I was like, yeah,

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<v Speaker 3>not the movie's fault, but I'm just like buckle in assholes.

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<v Speaker 4>Well, I was like, yeah, this movie probably came out

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<v Speaker 4>in like twenty twenty three. No, it came out so

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<v Speaker 4>many years before that, but.

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<v Speaker 1>Which felt like the weirdest time capsule. Watching it back,

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<v Speaker 1>You're like, yeah, why does this feel like an old

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<v Speaker 1>time film?

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<v Speaker 5>It is?

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<v Speaker 3>That was another thing I had in my notes where

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<v Speaker 3>I feel like this movie for me right now exists

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<v Speaker 3>in this kind of like Uncanny Valley where it feels

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<v Speaker 3>kind of dated because it was six years ago and

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<v Speaker 3>it's very like of the moment it came out, but

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<v Speaker 3>it's not old enough to feel nostalgic for it. And

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<v Speaker 3>so I feel like comedy movies that are like between

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<v Speaker 3>like six and you know, ten ish years old. You're like,

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<v Speaker 3>it's just it's I don't know, it's it's it doesn't

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<v Speaker 3>feel like, oh yeah, I miss this time. I'm like,

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<v Speaker 3>I don't miss twenty ninety. I guess in some ways

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<v Speaker 3>I do. But it was already pretty bad.

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<v Speaker 5>It was.

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<v Speaker 4>Yeah, but yeah, I mean I saw it pretty early

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<v Speaker 4>on into it being released on Netflix. I think I

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<v Speaker 4>got like a tiny theatrical release, but it was like

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<v Speaker 4>mostly a Netflix movie. Yeah.

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<v Speaker 3>And you can tell because they mentioned Fix broadly mentioned Netflix.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah.

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<v Speaker 1>But the thing is, you know, it's the grossest part.

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<v Speaker 1>I find that so charming.

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<v Speaker 3>I mean, it's like the Christmas Expanded. Yeah, when Lindsay

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<v Speaker 3>Lohan is watching the Christmas Prints, I'm like, yeah, yeah,

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<v Speaker 3>I like that. But is there anything more twenty nineteen

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<v Speaker 3>than Ali Wong being like, is it the Crown? I'm like,

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<v Speaker 3>oh my god, it was a moment. It was a moment.

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<v Speaker 6>Yeah.

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<v Speaker 4>Anyway, So I generally like this movie. I have some thoughts,

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<v Speaker 4>I have some notes, but this is more my speed

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<v Speaker 4>when it comes to rom coms, and I'd seen it

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<v Speaker 4>I think twice before prepping for this episode. But yeah,

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<v Speaker 4>I'm excited to talk about it. Jamie what about You.

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<v Speaker 3>Okay, I this is my first time seeing this movie.

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<v Speaker 3>I was going in like kind of not even thinking

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<v Speaker 3>that I would not enjoy it because I love Ali

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<v Speaker 3>Wong Randall Park, one of the most charismatic comic actors

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<v Speaker 3>that exists. I read a little bit about the movie before.

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<v Speaker 3>I love that they co wrote it together. I love

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<v Speaker 3>that there was so much energy, like their fans to

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<v Speaker 3>get this movie made. I love that they have like

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<v Speaker 3>randomly known each other for a long time and wanted

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<v Speaker 3>to do this for I found the background story so charming.

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<v Speaker 3>I'm like, let's go. I can't wait. And I did

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<v Speaker 3>not like the movie.

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<v Speaker 5>I didn't like it.

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<v Speaker 3>I found it and part of this is like me

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<v Speaker 3>projecting a little bit. But but but hear me out.

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<v Speaker 3>I think this couple is not gonna make it.

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<v Speaker 5>I think this.

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<v Speaker 3>I found it very stressful. I found this couple to

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<v Speaker 3>be very, very, very stressful. I think she should not

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<v Speaker 3>have this man's child. He learned how to do laundry

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<v Speaker 3>three days ago. And she's like, I think I'm gonna

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<v Speaker 3>I want to be with you for the rest of

0:12:42.280 --> 0:12:45.320
<v Speaker 3>my life. I like, I don't know, I don't And

0:12:45.360 --> 0:12:47.520
<v Speaker 3>I also find it like this is very rom comy,

0:12:47.600 --> 0:12:49.920
<v Speaker 3>but I feel like a lot of rom coms, the

0:12:50.000 --> 0:12:52.720
<v Speaker 3>reason that they don't quite click is because they don't

0:12:52.760 --> 0:12:56.360
<v Speaker 3>bother to write one of the characters. But both of

0:12:56.400 --> 0:12:58.880
<v Speaker 3>these characters are We know a lot about them. They're

0:12:58.920 --> 0:13:01.320
<v Speaker 3>fully realized. We know about their backgrounds, and that is

0:13:01.320 --> 0:13:04.160
<v Speaker 3>why I feel confident when I say these people are

0:13:04.280 --> 0:13:08.520
<v Speaker 3>fundamentally incompatible for each other. They're not going to make it.

0:13:08.600 --> 0:13:11.480
<v Speaker 3>I think they should marry other people and then like

0:13:11.600 --> 0:13:14.319
<v Speaker 3>hook up over the holidays like grown ups. To you,

0:13:15.200 --> 0:13:18.959
<v Speaker 3>they should not get married. I think truly. Like I

0:13:19.000 --> 0:13:22.240
<v Speaker 3>the the watching the last fifteen minutes, I was like,

0:13:22.559 --> 0:13:25.880
<v Speaker 3>I'm so worried for her because this guy and I

0:13:25.920 --> 0:13:29.240
<v Speaker 3>am projecting here, but like these things happen. A guy

0:13:29.320 --> 0:13:30.640
<v Speaker 3>comes up, you know, he's like.

0:13:30.600 --> 0:13:31.600
<v Speaker 5>Guess what, guess what.

0:13:31.760 --> 0:13:34.440
<v Speaker 3>Two weeks ago, everything about me changed. I am a

0:13:34.480 --> 0:13:38.160
<v Speaker 3>fundamentally new person, and it's for you. I no longer

0:13:38.200 --> 0:13:41.679
<v Speaker 3>resent your success. I am willing to uproot my entire

0:13:41.800 --> 0:13:44.520
<v Speaker 3>life to be with you. I've fully processed the death

0:13:44.559 --> 0:13:46.719
<v Speaker 3>of my mother, and actually I think it would be

0:13:46.760 --> 0:13:49.920
<v Speaker 3>amazing if you made a ton of money making her recipes.

0:13:49.960 --> 0:13:51.079
<v Speaker 3>I also think that's creepy.

0:13:51.600 --> 0:13:55.840
<v Speaker 4>But anyways, his mom like plagiarizing his mom's recipes.

0:13:55.920 --> 0:13:56.840
<v Speaker 5>I think she should.

0:13:57.000 --> 0:13:58.760
<v Speaker 3>I mean, I feel like she should have like checked

0:13:58.800 --> 0:14:00.520
<v Speaker 3>in with him more before being like, just's what my

0:14:00.600 --> 0:14:02.480
<v Speaker 3>business is your dead mom's recipes?

0:14:02.760 --> 0:14:04.440
<v Speaker 5>What? I like?

0:14:04.760 --> 0:14:07.520
<v Speaker 3>I am not rooting for them. I think that ten

0:14:07.600 --> 0:14:10.480
<v Speaker 3>days after the events of the last scene in this movie,

0:14:10.520 --> 0:14:13.040
<v Speaker 3>he wakes up and is like, oh my god, I

0:14:13.080 --> 0:14:16.600
<v Speaker 3>have left everything I ever know. I don't have a job.

0:14:16.760 --> 0:14:19.960
<v Speaker 3>I have stated in public that it is my dream

0:14:20.040 --> 0:14:23.240
<v Speaker 3>to like, I feel like the feminism of this movie

0:14:23.320 --> 0:14:27.280
<v Speaker 3>is very weird, where it's like feminism is a man

0:14:27.720 --> 0:14:31.400
<v Speaker 3>definitely changing and giving up on any of his ambition.

0:14:31.640 --> 0:14:33.880
<v Speaker 3>You're like, no, it's not, but his band isn't gonna

0:14:33.880 --> 0:14:36.160
<v Speaker 3>be successful, like we all saw it that.

0:14:36.760 --> 0:14:38.800
<v Speaker 5>It's just I found.

0:14:38.600 --> 0:14:42.400
<v Speaker 3>It so stressful, like she has taken on and I

0:14:42.400 --> 0:14:45.640
<v Speaker 3>think she's asking too much of him by having him

0:14:45.760 --> 0:14:48.320
<v Speaker 3>move across the country, like she is not compromised with

0:14:48.440 --> 0:14:51.120
<v Speaker 3>him at all. I just am like, I don't know.

0:14:51.160 --> 0:14:53.880
<v Speaker 3>I've been in couples counseling before, and these two are

0:14:54.120 --> 0:14:57.760
<v Speaker 3>they are not gonna go the distance I feel I

0:14:57.800 --> 0:15:00.760
<v Speaker 3>feel for them. They deserve happiness, but not with each other.

0:15:01.640 --> 0:15:06.320
<v Speaker 4>I don't disagree. I also don't think they're compatible nor

0:15:06.360 --> 0:15:09.080
<v Speaker 4>will they make it. But I've never seen a rom call.

0:15:09.200 --> 0:15:13.000
<v Speaker 3>Blood pressure was off the charts. I was so scared

0:15:13.040 --> 0:15:13.440
<v Speaker 3>for them.

0:15:13.640 --> 0:15:15.720
<v Speaker 4>For me, I'm just like, I watch any rom com

0:15:15.720 --> 0:15:18.280
<v Speaker 4>and I'm like, yeah, none of these people are gonna

0:15:18.280 --> 0:15:20.760
<v Speaker 4>make it. I don't even like consider that.

0:15:21.640 --> 0:15:26.120
<v Speaker 3>See I get I think, I mean, I see what

0:15:26.160 --> 0:15:29.640
<v Speaker 3>you're saying, but I think that I just found it busy.

0:15:29.720 --> 0:15:31.680
<v Speaker 3>I mean, and there's we'll talk about. There's so much

0:15:31.720 --> 0:15:33.800
<v Speaker 3>to love about this movie. There's a lot to love

0:15:33.840 --> 0:15:36.720
<v Speaker 3>about this movie, but I just was so I found

0:15:36.840 --> 0:15:40.160
<v Speaker 3>the central relationship to be so distracting, where every beat

0:15:40.240 --> 0:15:43.400
<v Speaker 3>of the movie of them growing closer, I'm like, this

0:15:43.480 --> 0:15:44.120
<v Speaker 3>is toxic.

0:15:44.280 --> 0:15:45.080
<v Speaker 5>This is toxic.

0:15:45.720 --> 0:15:48.400
<v Speaker 3>And you don't need to marry the person you lost

0:15:48.400 --> 0:15:52.040
<v Speaker 3>your virginity too, Like you can just be close with

0:15:52.080 --> 0:15:53.520
<v Speaker 3>them and be like I always find that to be

0:15:53.520 --> 0:15:56.880
<v Speaker 3>like a weirdly conservative thing to be like, oh, you know,

0:15:56.960 --> 0:16:00.640
<v Speaker 3>it's your first love. Also this, oh my god, sorry,

0:16:00.800 --> 0:16:03.560
<v Speaker 3>I was like, my face is hot the scene where

0:16:05.560 --> 0:16:08.600
<v Speaker 3>and this is definitely be projecting because I recently lost

0:16:08.600 --> 0:16:11.440
<v Speaker 3>a parent. But like the way that that is the

0:16:11.520 --> 0:16:15.520
<v Speaker 3>dead mom trope I thought was so cheap and like

0:16:16.200 --> 0:16:18.720
<v Speaker 3>he also, I mean, it is funny that Randall Park

0:16:18.800 --> 0:16:22.400
<v Speaker 3>is visibly like forty five and he's like, I'm just

0:16:22.440 --> 0:16:24.320
<v Speaker 3>a seventeen year I'm just a little guy.

0:16:25.160 --> 0:16:25.640
<v Speaker 5>I loved that.

0:16:26.440 --> 0:16:28.480
<v Speaker 1>I loved it because I felt the same way about

0:16:28.480 --> 0:16:32.000
<v Speaker 1>Elie Wong. I was like, yeah, they try it.

0:16:33.080 --> 0:16:35.800
<v Speaker 3>It was literally watching Penn fifteen for ten minutes of

0:16:35.840 --> 0:16:36.240
<v Speaker 3>the movie.

0:16:36.520 --> 0:16:41.320
<v Speaker 1>Literally, you're like, I loved them fifteen, So yeah, celebratory.

0:16:41.560 --> 0:16:44.440
<v Speaker 3>I wish I almost wish they'd played into that a

0:16:44.480 --> 0:16:46.640
<v Speaker 3>little more. But I mean I didn't have an issue

0:16:46.640 --> 0:16:49.320
<v Speaker 3>with that, but just that that, like the way that

0:16:49.320 --> 0:16:51.960
<v Speaker 3>that played out where his mom had just died. Ali

0:16:52.040 --> 0:16:54.560
<v Speaker 3>Wong is like, well, she's my mom too, and and

0:16:54.800 --> 0:16:58.360
<v Speaker 3>Randall Park correctly is like, well, no she's not. And

0:16:58.400 --> 0:17:00.400
<v Speaker 3>then she's like, I'm never gonna speak to you again.

0:17:00.440 --> 0:17:03.680
<v Speaker 3>I was like, that's awful. You're being a bad friend.

0:17:04.080 --> 0:17:07.880
<v Speaker 3>And she never apologizes, She never apologizes for doing that.

0:17:08.160 --> 0:17:13.720
<v Speaker 3>I oh, ooh, these characters. I just think they need

0:17:13.720 --> 0:17:18.680
<v Speaker 3>to go to therapy and don't move in together, don't

0:17:18.680 --> 0:17:21.800
<v Speaker 3>have a kid, focus on yourselves.

0:17:22.200 --> 0:17:25.840
<v Speaker 1>What I'm about to say it's so controversial, I can't wait.

0:17:26.760 --> 0:17:29.960
<v Speaker 1>First of all, I disagree entirely. Okay, So here's the thing. Okay,

0:17:30.760 --> 0:17:34.720
<v Speaker 1>I think it wasn't that he I'm speaking solely of

0:17:34.800 --> 0:17:36.879
<v Speaker 1>the end of the movie. I don't think he flew

0:17:36.920 --> 0:17:39.720
<v Speaker 1>there and was like I changed all of these things

0:17:39.720 --> 0:17:42.760
<v Speaker 1>about myself just for you. I think it was just like,

0:17:43.680 --> 0:17:47.960
<v Speaker 1>I would rather fuck up on all lives things win

0:17:48.040 --> 0:17:52.520
<v Speaker 1>you than I would without you. And so for me.

0:17:52.880 --> 0:17:56.520
<v Speaker 1>And here's the kicker. We deeply agree that she never apologized,

0:17:56.760 --> 0:17:58.640
<v Speaker 1>and I hate it. That's so weird. I don't understand

0:17:58.720 --> 0:18:03.119
<v Speaker 1>why movie he's well meaning or not cut out necessary

0:18:03.160 --> 0:18:07.040
<v Speaker 1>apologies because I think that she desperately needed to give

0:18:07.080 --> 0:18:09.280
<v Speaker 1>him one when she's like, you're an asshole and didn't

0:18:09.320 --> 0:18:12.520
<v Speaker 1>talk to him for like fifteen years because she said, hey,

0:18:12.600 --> 0:18:15.520
<v Speaker 1>my mom just died. Like my mom just died, and

0:18:15.560 --> 0:18:18.399
<v Speaker 1>I know you loved her. Cool, we love that, but

0:18:19.240 --> 0:18:23.399
<v Speaker 1>she was my mom, Like he's grieving hello, But I

0:18:23.440 --> 0:18:26.159
<v Speaker 1>don't know. There was just something about it that I

0:18:26.280 --> 0:18:29.000
<v Speaker 1>was just like, And this is really in part because

0:18:29.000 --> 0:18:32.760
<v Speaker 1>I'm so used to couples not having chemistry anymore.

0:18:33.280 --> 0:18:35.840
<v Speaker 3>Yeah, Like that's a very their chemistry is amazing.

0:18:35.920 --> 0:18:37.800
<v Speaker 1>Their chemistry is amazing, So I think that that's what's

0:18:37.840 --> 0:18:40.879
<v Speaker 1>doing the heavy lifting for me. But I literally was like, oh,

0:18:40.920 --> 0:18:41.880
<v Speaker 1>I hope they make it.

0:18:43.680 --> 0:18:45.280
<v Speaker 3>I hope they're make it, even though.

0:18:45.200 --> 0:18:47.280
<v Speaker 1>They've got a ton of stuff to work through. Like,

0:18:47.280 --> 0:18:50.560
<v Speaker 1>like you said, she doesn't really compromise at all throughout

0:18:50.600 --> 0:18:53.800
<v Speaker 1>the movie, Like I forgot until you said it that

0:18:53.920 --> 0:18:58.000
<v Speaker 1>they literally flew across the world and the dad it's like,

0:18:58.040 --> 0:19:00.000
<v Speaker 1>thanks for letting us visit to see the new rest

0:19:00.200 --> 0:19:01.040
<v Speaker 1>And then I was like, oh.

0:19:01.000 --> 0:19:04.040
<v Speaker 3>Right, yeah, she's like I made this right. She doesn't

0:19:04.080 --> 0:19:07.320
<v Speaker 3>mean even though she has a restaurant in San Francisco.

0:19:07.240 --> 0:19:09.359
<v Speaker 1>That she can easily run, she could have changed the

0:19:09.400 --> 0:19:12.879
<v Speaker 1>restaurant in San Francisco to be closer to what she

0:19:12.960 --> 0:19:15.359
<v Speaker 1>always wanted it to be, not open a new one.

0:19:15.720 --> 0:19:19.240
<v Speaker 3>And the end of the plot moved so quickly that

0:19:19.359 --> 0:19:23.840
<v Speaker 3>it was very whiplashy, where yeah, no, she doesn't compromise

0:19:23.920 --> 0:19:27.159
<v Speaker 3>at all, which is I guess, okay to the extent

0:19:27.200 --> 0:19:29.960
<v Speaker 3>that they broke up, Like she didn't, she didn't owe

0:19:30.040 --> 0:19:33.439
<v Speaker 3>him anything. But like there is this montage of like

0:19:34.000 --> 0:19:37.320
<v Speaker 3>Randall Park randomly gets his shit together and he's like,

0:19:37.400 --> 0:19:40.239
<v Speaker 3>I'm just he just moved into his own apartment and

0:19:40.280 --> 0:19:42.880
<v Speaker 3>now he's leaving, Like what do you mean?

0:19:43.040 --> 0:19:45.120
<v Speaker 1>And you know how expensive it is to break a lease.

0:19:45.720 --> 0:19:49.320
<v Speaker 3>He's like, San Francisco, I'll like get real. He's like,

0:19:49.359 --> 0:19:53.159
<v Speaker 3>I'm out of here all right before we sorry, sorry,

0:19:53.320 --> 0:19:55.000
<v Speaker 3>Let's take a quick break and then we'll come back

0:19:55.000 --> 0:19:57.560
<v Speaker 3>to the recap and then we will dive back in.

0:20:08.720 --> 0:20:09.920
<v Speaker 4>And we're bad.

0:20:10.640 --> 0:20:14.399
<v Speaker 3>This is thrilling, this, this is hot.

0:20:14.480 --> 0:20:17.720
<v Speaker 4>This is this is heat from a stove that.

0:20:18.119 --> 0:20:21.440
<v Speaker 3>Sasha Randall Park's dead Mom's recipe.

0:20:21.720 --> 0:20:24.840
<v Speaker 1>Like also, like, no, it got to be rude, but like,

0:20:24.960 --> 0:20:27.600
<v Speaker 1>why couldn't they kill off the dam Like.

0:20:28.480 --> 0:20:30.840
<v Speaker 3>I like, I thought his I thought the dad character

0:20:31.040 --> 0:20:32.040
<v Speaker 3>was so charming.

0:20:32.400 --> 0:20:35.000
<v Speaker 1>I love the dad. But if you're gonna kill off

0:20:35.000 --> 0:20:37.520
<v Speaker 1>a character, why is it always the mom?

0:20:37.960 --> 0:20:42.760
<v Speaker 6>It's always so often always And I was literally, okay again,

0:20:42.800 --> 0:20:44.760
<v Speaker 6>I just like, don't think this movie is very well written,

0:20:44.840 --> 0:20:47.480
<v Speaker 6>because I was literally in the middle of writing down

0:20:47.840 --> 0:20:50.399
<v Speaker 6>I love the mom character, and then it cut to

0:20:51.000 --> 0:20:53.280
<v Speaker 6>they're just chilling on a bridge and the dad walks.

0:20:53.320 --> 0:20:55.080
<v Speaker 3>It reminded me of the first scene in a series

0:20:55.119 --> 0:20:58.119
<v Speaker 3>of unfortunate events, just like he comes out of the

0:20:58.160 --> 0:21:01.320
<v Speaker 3>shadows and he's like, bad news, your mom's dead, and

0:21:01.400 --> 0:21:06.280
<v Speaker 3>then cut to their fucking You're like, what the pasic.

0:21:05.960 --> 0:21:07.119
<v Speaker 5>Is so bizarre?

0:21:07.640 --> 0:21:08.080
<v Speaker 2>You know what?

0:21:08.160 --> 0:21:12.600
<v Speaker 1>I hated. I hated her parents because I hate when

0:21:12.640 --> 0:21:16.960
<v Speaker 1>it's like parents are absentee and then they're like, well

0:21:17.600 --> 0:21:20.880
<v Speaker 1>I showed up now, and like again this has been projecting,

0:21:21.280 --> 0:21:24.800
<v Speaker 1>But I hate an absentee parent that's like, oh, well,

0:21:24.880 --> 0:21:26.840
<v Speaker 1>you know, I went in and bought the food at

0:21:26.920 --> 0:21:29.440
<v Speaker 1>the restaurant, and I didn't tell them that we were related,

0:21:29.520 --> 0:21:32.280
<v Speaker 1>so like I paid full price, but that's gonna be

0:21:32.280 --> 0:21:35.760
<v Speaker 1>the fix to our relationship. It's like either way, yeah,

0:21:35.840 --> 0:21:40.160
<v Speaker 1>I know that Randall's mom wasn't her mom, but her

0:21:40.200 --> 0:21:43.480
<v Speaker 1>parents still like she didn't have anybody else. When she

0:21:43.560 --> 0:21:46.399
<v Speaker 1>said I had me, she's like you had parents, and

0:21:46.400 --> 0:21:48.919
<v Speaker 1>she's like, yeah, they were alive, but they weren't.

0:21:50.320 --> 0:21:52.320
<v Speaker 3>I wish that they had like gotten into that a

0:21:52.440 --> 0:21:56.000
<v Speaker 3>little bit more, because too, we didn't. We weren't really

0:21:56.040 --> 0:21:58.440
<v Speaker 3>told unless I missed it and it was said in passing.

0:21:58.720 --> 0:22:02.000
<v Speaker 3>We weren't really told why they weren't around. There wasn't

0:22:02.000 --> 0:22:04.639
<v Speaker 3>really which I mean, I just would have appreciated I

0:22:04.640 --> 0:22:08.600
<v Speaker 3>guess more context there. And then on Randall Park's side,

0:22:08.760 --> 0:22:11.040
<v Speaker 3>I feel like you could get I mean, it's still

0:22:11.080 --> 0:22:13.639
<v Speaker 3>I agree the dead mom troupe is such a trope,

0:22:13.680 --> 0:22:16.439
<v Speaker 3>but like if more reference was made to her throughout

0:22:16.440 --> 0:22:20.119
<v Speaker 3>the movie, it would feel less tropy. But she really

0:22:20.160 --> 0:22:23.480
<v Speaker 3>only comes up at very plot convenient moments.

0:22:24.160 --> 0:22:24.360
<v Speaker 5>Yeah.

0:22:24.400 --> 0:22:27.600
<v Speaker 3>I was curious about her parents too, because you're totally right.

0:22:27.680 --> 0:22:30.760
<v Speaker 3>He like, I think like the bond that she has

0:22:30.840 --> 0:22:36.240
<v Speaker 3>with Randall Park's mom Marcus, sorry, Marcus's mom. I believe

0:22:36.240 --> 0:22:39.359
<v Speaker 3>her name is Judy, but I thought that was like

0:22:39.440 --> 0:22:42.520
<v Speaker 3>really cool and like a surrogate parent and like someone

0:22:42.520 --> 0:22:44.960
<v Speaker 3>who can give you emotional support but they just don't

0:22:45.000 --> 0:22:49.840
<v Speaker 3>really get into it ever. And I don't know, Yeah,

0:22:49.880 --> 0:22:54.080
<v Speaker 3>I just it' And then the way that, yeah, she

0:22:54.240 --> 0:22:56.960
<v Speaker 3>the way she forgives her parents at the end, it

0:22:57.000 --> 0:23:00.640
<v Speaker 3>feels like she just does that because the movie needs her. Yes,

0:23:01.119 --> 0:23:03.720
<v Speaker 3>And like you're saying, like, oh, how convenient that now

0:23:03.720 --> 0:23:06.879
<v Speaker 3>that I am wildly successful, You're like, I don't know,

0:23:06.960 --> 0:23:08.920
<v Speaker 3>I guess I'll show up and like get a bunch

0:23:09.000 --> 0:23:11.160
<v Speaker 3>of fancy food and like you're even.

0:23:10.960 --> 0:23:13.159
<v Speaker 1>The little birthday party they had where she was they

0:23:13.160 --> 0:23:17.480
<v Speaker 1>were like oh, they go all out for the sun

0:23:17.680 --> 0:23:20.720
<v Speaker 1>god son whatever he is. And she's like, oh, when

0:23:20.760 --> 0:23:23.040
<v Speaker 1>I was eight, they gave me like a I don't know.

0:23:23.080 --> 0:23:23.880
<v Speaker 4>A pair of foot flop.

0:23:24.560 --> 0:23:28.320
<v Speaker 1>Thank you, I said, a trapper Jesus, I'm aging myself

0:23:28.840 --> 0:23:29.840
<v Speaker 1>a pair of foot flaps.

0:23:29.840 --> 0:23:31.680
<v Speaker 5>And I'm just like and like, what changed?

0:23:31.960 --> 0:23:35.280
<v Speaker 1>Yeah, like explore that. Why are they not saying, like,

0:23:35.600 --> 0:23:40.479
<v Speaker 1>I just think not enough round coms show apologies in

0:23:40.520 --> 0:23:41.639
<v Speaker 1>the way that I need them to.

0:23:42.200 --> 0:23:44.480
<v Speaker 4>For sure. Yeah, we've talked about that quite a bit

0:23:44.600 --> 0:23:45.679
<v Speaker 4>on many but.

0:23:46.400 --> 0:23:48.919
<v Speaker 3>On a few levels here like yeah, like we we

0:23:49.040 --> 0:23:52.320
<v Speaker 3>needed a better I mean, there was technically an apology

0:23:52.320 --> 0:23:55.399
<v Speaker 3>from the parents, but it was like half asked.

0:23:55.480 --> 0:23:58.240
<v Speaker 1>Yeah. I was like, hey, we're here now, Yeah, we

0:23:58.320 --> 0:24:02.280
<v Speaker 1>flew to you, so like lead on a plane, let's let's.

0:24:02.040 --> 0:24:06.760
<v Speaker 3>Just let everything else go like step one. Because also

0:24:06.880 --> 0:24:09.960
<v Speaker 3>like some bouscemis hast stuff in here. That Again, towards

0:24:10.040 --> 0:24:14.800
<v Speaker 3>the end, it's so rushed where they break up. It

0:24:14.880 --> 0:24:17.440
<v Speaker 3>seems like the understanding is they're not going to speak anymore.

0:24:17.680 --> 0:24:21.040
<v Speaker 3>But then he starts calling her I do her every

0:24:21.280 --> 0:24:23.520
<v Speaker 3>single day, being like, hey, I don't know if you

0:24:23.560 --> 0:24:25.520
<v Speaker 3>want to hear from me, and you aren't replying, but

0:24:25.960 --> 0:24:28.280
<v Speaker 3>guess what, I learned how to do laundry on this

0:24:28.400 --> 0:24:31.120
<v Speaker 3>my forty fifth birthday, or like whatever the fuck he's doing,

0:24:31.560 --> 0:24:34.879
<v Speaker 3>and he keeps contacting her, and the plot validates that

0:24:34.920 --> 0:24:39.080
<v Speaker 3>he was right to do that because she was buying

0:24:39.119 --> 0:24:42.720
<v Speaker 3>all of his merch or something and she wasn't upset,

0:24:42.880 --> 0:24:43.400
<v Speaker 3>And you're like.

0:24:43.960 --> 0:24:46.960
<v Speaker 1>It's like, if that's the case, the merch buying was

0:24:47.000 --> 0:24:49.720
<v Speaker 1>what both because I was like, if you're buying his

0:24:49.840 --> 0:24:52.600
<v Speaker 1>merch and you're not upset anymore, then reach out and

0:24:52.640 --> 0:24:55.600
<v Speaker 1>say something. Especially because they had the earlier scene where

0:24:55.640 --> 0:24:58.240
<v Speaker 1>they both wanted to text each other and neither of

0:24:58.280 --> 0:25:01.200
<v Speaker 1>them did. It would have been a real nice callback

0:25:01.280 --> 0:25:03.520
<v Speaker 1>for her to be like, even if she wasn't like

0:25:03.560 --> 0:25:06.159
<v Speaker 1>everything's good, just like you know, good luck or whatever

0:25:06.200 --> 0:25:09.480
<v Speaker 1>some sort of like dramatic ass sign off, but you

0:25:09.520 --> 0:25:12.840
<v Speaker 1>know that even when they get back to being in touch,

0:25:13.160 --> 0:25:15.640
<v Speaker 1>that would have made it even sweeter. But I will

0:25:15.640 --> 0:25:20.639
<v Speaker 1>say my favorite part of the entire movie, surprisingly is

0:25:21.480 --> 0:25:23.520
<v Speaker 1>when they like hook up for the first time after

0:25:23.560 --> 0:25:27.280
<v Speaker 1>he punches Keanu Reeves, because I remember watching it for

0:25:27.320 --> 0:25:30.000
<v Speaker 1>the first time and being like, oh, so, like Randall

0:25:30.040 --> 0:25:33.400
<v Speaker 1>Park is hot, you know, like I was just like,

0:25:33.680 --> 0:25:37.400
<v Speaker 1>oh yeah, plot aside, I was like, oh okay, because

0:25:37.400 --> 0:25:39.639
<v Speaker 1>I forget that men can be hot. I forget that

0:25:39.640 --> 0:25:43.880
<v Speaker 1>they can be so often, so often. And then I'm

0:25:43.960 --> 0:25:46.800
<v Speaker 1>just like, oh wow, okay, I see what she was

0:25:46.840 --> 0:25:50.240
<v Speaker 1>doing all right, Like everybody she kisses in the movie

0:25:50.400 --> 0:25:53.200
<v Speaker 1>is attractive. She's so right, she's so real for that.

0:25:56.280 --> 0:25:59.359
<v Speaker 1>But then it's just like, yeah, I think about certain

0:25:59.400 --> 0:26:01.400
<v Speaker 1>things of like I love the movie. I love their chemistry.

0:26:01.480 --> 0:26:04.000
<v Speaker 1>Chemistry is so rare from movies these days. I think

0:26:04.040 --> 0:26:07.080
<v Speaker 1>that they can just put hot people together and it's

0:26:07.119 --> 0:26:08.920
<v Speaker 1>gonna be great, like any anyone.

0:26:09.000 --> 0:26:11.600
<v Speaker 4>But you you know, oh, is that the Glenn Powell?

0:26:12.240 --> 0:26:12.879
<v Speaker 4>What's her face?

0:26:13.880 --> 0:26:14.400
<v Speaker 3>Seeing it?

0:26:14.560 --> 0:26:15.520
<v Speaker 1>I hate it?

0:26:15.680 --> 0:26:19.119
<v Speaker 4>Not a shred of chemistry so badly written of a

0:26:19.119 --> 0:26:19.720
<v Speaker 4>movie as well.

0:26:19.920 --> 0:26:23.240
<v Speaker 1>She literally acts like she just took a Bena drill

0:26:23.520 --> 0:26:27.200
<v Speaker 1>before each of her lines, like she took a benadrill.

0:26:27.640 --> 0:26:32.040
<v Speaker 1>They said action and she did a line. I can't

0:26:32.040 --> 0:26:35.280
<v Speaker 1>no chemistry. It was like watching paint dry, but worse,

0:26:37.520 --> 0:26:38.080
<v Speaker 1>so bad.

0:26:38.480 --> 0:26:41.840
<v Speaker 3>That was a movie that I was like, I've watched

0:26:41.880 --> 0:26:43.680
<v Speaker 3>it on a plane in five years.

0:26:44.040 --> 0:26:46.359
<v Speaker 4>You know, don't skip it, don't even bother.

0:26:46.680 --> 0:26:49.200
<v Speaker 3>Yeah, there's better playing movies to watch.

0:26:49.440 --> 0:26:51.720
<v Speaker 4>Yes, anyway, So the recap of.

0:26:53.359 --> 0:26:55.200
<v Speaker 5>We've told you a lot of what happens.

0:26:55.400 --> 0:26:57.040
<v Speaker 4>Yeah, so I'm gonna speak for this.

0:26:57.760 --> 0:26:58.359
<v Speaker 5>Okay, here we go.

0:26:58.480 --> 0:27:01.399
<v Speaker 4>We meet two best friends kids in San Francisco in

0:27:01.480 --> 0:27:02.399
<v Speaker 4>nineteen ninety six.

0:27:02.520 --> 0:27:07.280
<v Speaker 3>They mysteriously sound like an Ali Sorry I'm complaining again.

0:27:07.520 --> 0:27:10.280
<v Speaker 3>Every character in this movie mysteriously sounds like they're reading

0:27:10.359 --> 0:27:14.159
<v Speaker 3>Ali Wong's stand up. It doesn't matter. These children speak

0:27:14.359 --> 0:27:16.560
<v Speaker 3>in lines from Baby Cobras.

0:27:17.920 --> 0:27:22.280
<v Speaker 4>So this is Sasha Tran and Marcus Kim. They're best friends.

0:27:22.480 --> 0:27:25.719
<v Speaker 4>Sasha is a latch key kid. Her parents are often

0:27:25.840 --> 0:27:29.480
<v Speaker 4>out running their store, so she goes over to Marcus's

0:27:29.520 --> 0:27:31.600
<v Speaker 4>house quite a bit and hangs out with him and

0:27:31.640 --> 0:27:34.879
<v Speaker 4>his mom and his dad. His mom teaches Sasha a

0:27:34.920 --> 0:27:38.480
<v Speaker 4>few things about cooking. She also already has kind of

0:27:38.520 --> 0:27:40.480
<v Speaker 4>like a proclivity for it, and she has to like

0:27:40.560 --> 0:27:43.240
<v Speaker 4>prepare her own meals quite a bit. This will obviously

0:27:43.320 --> 0:27:46.440
<v Speaker 4>pay off later because she becomes a chef. Anyway, they

0:27:46.480 --> 0:27:50.240
<v Speaker 4>hang out. There's a quick montage of them growing up together.

0:27:50.480 --> 0:27:54.480
<v Speaker 4>They're goofing, they're hanging. Marcus is in a band as

0:27:54.520 --> 0:27:58.400
<v Speaker 4>a teenager that'll also be a thing. Later in the movie,

0:27:58.800 --> 0:28:01.280
<v Speaker 4>we cut to two thousand and three. They are now

0:28:01.440 --> 0:28:05.359
<v Speaker 4>seniors in high school. Sasha is played by Ali Wong,

0:28:05.560 --> 0:28:09.440
<v Speaker 4>Marcus is played by Randall Park. Now they're still best friends,

0:28:09.920 --> 0:28:13.119
<v Speaker 4>and then Marcus gets word that his mom has died

0:28:13.240 --> 0:28:18.280
<v Speaker 4>in an accident, and after the funeral, Sasha gets Marcus

0:28:18.359 --> 0:28:21.040
<v Speaker 4>out of the house to try to get his mind

0:28:21.080 --> 0:28:25.720
<v Speaker 4>off of it. They start kissing via her surprise, kissing

0:28:25.800 --> 0:28:26.960
<v Speaker 4>him initially.

0:28:27.119 --> 0:28:30.520
<v Speaker 3>But again, I'm just like her bedside manner with his

0:28:31.200 --> 0:28:36.800
<v Speaker 3>mother's tragic passing is so unbelievably bad, which she's like,

0:28:36.960 --> 0:28:37.720
<v Speaker 3>will this help?

0:28:38.080 --> 0:28:42.840
<v Speaker 4>Like no, But they start making out and they have

0:28:42.920 --> 0:28:46.400
<v Speaker 4>sex in the back of his Toyota Corolla, but it's

0:28:46.520 --> 0:28:51.400
<v Speaker 4>very awkward afterward and they get into an argument and

0:28:51.640 --> 0:28:57.200
<v Speaker 4>Sasha storms off. Cut to twenty nineteen in Los Angeles.

0:28:57.240 --> 0:29:01.160
<v Speaker 4>Ever heard of it? Sasha and Marcus haven't for many years.

0:29:01.320 --> 0:29:03.520
<v Speaker 3>They were at Stories. Did you notice when they were

0:29:03.520 --> 0:29:04.240
<v Speaker 3>at Stories?

0:29:04.920 --> 0:29:05.120
<v Speaker 1>Oh?

0:29:05.200 --> 0:29:05.880
<v Speaker 5>No, I didn't.

0:29:06.240 --> 0:29:08.200
<v Speaker 3>There was definitely one scene. It was supposed to be

0:29:08.240 --> 0:29:12.400
<v Speaker 3>San Francisco, but La heads well, no, the bookstore Stories

0:29:12.600 --> 0:29:15.280
<v Speaker 3>is uh one of the greatest places in the city,

0:29:15.360 --> 0:29:20.360
<v Speaker 3>and there's definitely they definitely shot teenage Randall Park being

0:29:20.360 --> 0:29:23.800
<v Speaker 3>in his band was like at one of our bookstores

0:29:23.840 --> 0:29:24.560
<v Speaker 3>down the street.

0:29:24.360 --> 0:29:26.320
<v Speaker 4>Over, I did not realize that.

0:29:26.400 --> 0:29:31.360
<v Speaker 3>Wow, I would recognized that weird mural. It's just like

0:29:31.400 --> 0:29:33.120
<v Speaker 3>when Lady Gaga was at the Verge.

0:29:34.640 --> 0:29:34.920
<v Speaker 5>Wow.

0:29:35.240 --> 0:29:37.560
<v Speaker 4>Yeah, Wow, a star is born.

0:29:37.400 --> 0:29:41.800
<v Speaker 3>Hollywood, Hollywood. I was like, wow, I've bombed on both

0:29:41.800 --> 0:29:42.560
<v Speaker 3>of those stages.

0:29:42.680 --> 0:29:43.440
<v Speaker 5>That's so cool.

0:29:43.720 --> 0:29:48.480
<v Speaker 4>Same yeah, okay. Anyway, So it's twenty nineteen. Now, Sasha

0:29:48.560 --> 0:29:52.680
<v Speaker 4>is now a successful celebrity chef. She's about to open

0:29:52.720 --> 0:29:55.040
<v Speaker 4>a restaurant in San Francisco in a couple of weeks.

0:29:55.360 --> 0:30:00.200
<v Speaker 4>She's got a hot fiance, a fiance Brandon, played by

0:30:00.280 --> 0:30:01.120
<v Speaker 4>Daniel day Kim.

0:30:02.040 --> 0:30:06.040
<v Speaker 3>I'm for cheering Daniel day Kim in a beige track suit.

0:30:06.080 --> 0:30:09.840
<v Speaker 3>I was like a bu, like a b really horny

0:30:09.960 --> 0:30:12.320
<v Speaker 3>for the beige tracksuit for some reason, and I was

0:30:12.360 --> 0:30:12.720
<v Speaker 3>like wow.

0:30:12.760 --> 0:30:16.600
<v Speaker 1>I was like, yes, Diva, I didn't I didn't know

0:30:16.680 --> 0:30:17.880
<v Speaker 1>your game, but I know it now.

0:30:18.160 --> 0:30:21.800
<v Speaker 3>You know when someone can look hot in a tracksuit,

0:30:21.920 --> 0:30:24.440
<v Speaker 3>it's like, okay, this is a this is another level.

0:30:24.600 --> 0:30:28.120
<v Speaker 4>Yeah, good for you, good for you. Truly. Anyway, So

0:30:28.160 --> 0:30:30.040
<v Speaker 4>they're engaged, but it doesn't seem like they have a

0:30:30.120 --> 0:30:35.800
<v Speaker 4>very warm or loving relationship. Meanwhile, Marcus lives in San Francisco.

0:30:36.320 --> 0:30:41.200
<v Speaker 4>He's still in his band called Hello Peril. They play,

0:30:41.560 --> 0:30:44.280
<v Speaker 4>you know, like crummy gigs or what we're supposed to

0:30:44.320 --> 0:30:46.760
<v Speaker 4>think or crummy gigs. He smokes a lot of weed.

0:30:47.000 --> 0:30:50.440
<v Speaker 4>He still lives with his dad, who's played by James Sato,

0:30:51.040 --> 0:30:54.800
<v Speaker 4>and Marcus is not motivated by capitalism, so we are

0:30:54.840 --> 0:30:57.480
<v Speaker 4>supposed to think that he's kind of a loser. And

0:30:57.520 --> 0:31:01.280
<v Speaker 4>I have a lot of stuff to talk about regarding class.

0:31:01.320 --> 0:31:05.320
<v Speaker 3>Okay, that's another big thing about, Like, yeah, I don't

0:31:06.040 --> 0:31:10.360
<v Speaker 3>I do like that their business, which again they're like,

0:31:10.440 --> 0:31:13.960
<v Speaker 3>oh you're not. I'm like, these are really good union jobs,

0:31:14.200 --> 0:31:15.720
<v Speaker 3>like right, like shut up.

0:31:16.640 --> 0:31:19.160
<v Speaker 1>Let's call a spaderes bad do. I think that the

0:31:19.280 --> 0:31:23.200
<v Speaker 1>band is trash absolutely, But his day dadad, his day

0:31:23.280 --> 0:31:26.240
<v Speaker 1>job is kind of like a big one, Like that's

0:31:26.280 --> 0:31:29.640
<v Speaker 1>a good job. That's a good man, Savannah, and it

0:31:29.720 --> 0:31:30.320
<v Speaker 1>is wild.

0:31:32.720 --> 0:31:36.600
<v Speaker 3>I truly, I was like, I cannot like especially because

0:31:36.640 --> 0:31:40.120
<v Speaker 3>these characters are in their thirties, Like I would not

0:31:40.360 --> 0:31:44.440
<v Speaker 3>be like, oh, you know this man that I'm in

0:31:44.480 --> 0:31:48.360
<v Speaker 3>love with who has a like great union job, I'm

0:31:48.360 --> 0:31:51.080
<v Speaker 3>not going to be like quit, leave everything you know

0:31:51.760 --> 0:31:52.640
<v Speaker 3>and be in.

0:31:52.560 --> 0:31:56.200
<v Speaker 5>Your horrible band, Like I don't.

0:31:56.040 --> 0:31:57.400
<v Speaker 3>Support men's dreams like that.

0:31:57.640 --> 0:32:01.120
<v Speaker 4>Like, well, I think it's because he works a blue

0:32:01.120 --> 0:32:03.840
<v Speaker 4>collar job that we're supposed to be, Like he needs

0:32:04.320 --> 0:32:05.600
<v Speaker 4>to get out of that.

0:32:05.760 --> 0:32:06.800
<v Speaker 5>He needs to do more.

0:32:07.080 --> 0:32:10.480
<v Speaker 3>Yeah, that's sort of part of the girl bossiness of

0:32:10.520 --> 0:32:13.520
<v Speaker 3>this of like it is coded that someone could not

0:32:13.960 --> 0:32:18.640
<v Speaker 3>possibly be satisfied or content working at blue collar job,

0:32:19.040 --> 0:32:22.200
<v Speaker 3>or that they couldn't be content living where they grew

0:32:22.320 --> 0:32:24.800
<v Speaker 3>up either, like you have to move to New York

0:32:24.840 --> 0:32:26.680
<v Speaker 3>City and be an artist or you're a failure.

0:32:26.800 --> 0:32:33.600
<v Speaker 4>Totally okay. So back in La Sasha's fiance Brandon says

0:32:33.600 --> 0:32:36.920
<v Speaker 4>that he wants to postpone their wedding and see other

0:32:36.960 --> 0:32:41.880
<v Speaker 4>people for a while, and Sasha's friend and colleague, Veronica

0:32:41.960 --> 0:32:45.440
<v Speaker 4>played by Michelle Buteau, is like what the fuck, like

0:32:45.640 --> 0:32:50.960
<v Speaker 4>fuck that guy, and Sasha's like, yeah, probably. Then she

0:32:51.160 --> 0:32:54.440
<v Speaker 4>and Veronica head to San Francisco together to open the

0:32:54.480 --> 0:32:58.640
<v Speaker 4>new restaurant. They rent a house there and Veronica hires

0:32:58.680 --> 0:33:04.120
<v Speaker 4>Marcus and his dad to install or repair an air

0:33:04.160 --> 0:33:07.120
<v Speaker 4>conditioning unit. And Veronica did this to try to get

0:33:07.160 --> 0:33:11.840
<v Speaker 4>Sasha and Marcus to reconnect, but things are still awkward

0:33:11.920 --> 0:33:13.760
<v Speaker 4>between them. This is the first time they're seeing each

0:33:13.760 --> 0:33:18.400
<v Speaker 4>other in like sixteen years or something. Mister Kim suggests

0:33:18.560 --> 0:33:23.640
<v Speaker 4>that Sasha goes to Marcus's gig the following night, and

0:33:23.720 --> 0:33:26.920
<v Speaker 4>he also says like, hmm, I'm surprised you lost touch.

0:33:27.000 --> 0:33:30.720
<v Speaker 4>I always thought you'd maybe get together, and they're.

0:33:30.560 --> 0:33:36.800
<v Speaker 3>Like, he's really plot vibes at different moments. Yeah, he

0:33:36.880 --> 0:33:38.800
<v Speaker 3>walks into the city. He's like, your mother is dead.

0:33:39.160 --> 0:33:41.560
<v Speaker 3>He walks into the cities, like you two should be

0:33:41.600 --> 0:33:43.040
<v Speaker 3>to get together. At the end of the.

0:33:42.960 --> 0:33:47.320
<v Speaker 1>Movie, I acause, first of all, I love the actor

0:33:47.360 --> 0:33:50.320
<v Speaker 1>who plays his dad, but I also laughed at the

0:33:50.360 --> 0:33:53.200
<v Speaker 1>point in the film when he was like, I can

0:33:53.280 --> 0:33:56.000
<v Speaker 1>do my shot in the ass by myself, and it's

0:33:56.080 --> 0:33:57.920
<v Speaker 1>like we saw him to give you a shot on

0:33:57.960 --> 0:34:04.800
<v Speaker 1>the shoulder, so I was right when did it twitch right? There?

0:34:04.840 --> 0:34:10.120
<v Speaker 3>Again, it's just like the lack of detail that appears

0:34:10.120 --> 0:34:12.600
<v Speaker 3>a different because it's like they're like, I'm his caretaker,

0:34:12.640 --> 0:34:15.720
<v Speaker 3>but we don't know, we don't know have any context

0:34:15.840 --> 0:34:19.640
<v Speaker 3>for what that means. He implies that he doesn't need

0:34:19.680 --> 0:34:22.640
<v Speaker 3>a caretaker, but then it kind of comes back later

0:34:22.719 --> 0:34:25.960
<v Speaker 3>as if he does like it was just really confused

0:34:26.000 --> 0:34:28.640
<v Speaker 3>and and and then again, I think Ali Wank's character

0:34:28.760 --> 0:34:30.839
<v Speaker 3>was super insensitive by being like, what.

0:34:30.800 --> 0:34:32.560
<v Speaker 5>Do you mean you're just saying you need to be.

0:34:32.520 --> 0:34:35.520
<v Speaker 3>Your dad's caretaker because you won't follow your dream or

0:34:35.560 --> 0:34:38.840
<v Speaker 3>such like how projecting you're projecting?

0:34:39.080 --> 0:34:43.480
<v Speaker 1>And then the thing with him getting with the Diana

0:34:43.560 --> 0:34:52.319
<v Speaker 1>Ross impersonator. I was like, Okay, I guess, like I

0:34:52.360 --> 0:34:54.600
<v Speaker 1>get it. Yeah, like I'm happy for you, you know,

0:34:57.120 --> 0:35:00.319
<v Speaker 1>but it just it just seems so rare and don

0:35:00.920 --> 0:35:05.720
<v Speaker 1>and and also too, I did not like the character

0:35:05.840 --> 0:35:08.279
<v Speaker 1>of his girlfriend. I know you're not supposed to like

0:35:09.120 --> 0:35:13.800
<v Speaker 1>the girlfriend Jenny, but I particularly found the like Keanu

0:35:13.920 --> 0:35:18.480
<v Speaker 1>Reeves bit with her annoying, like not him, we love Keanu,

0:35:18.560 --> 0:35:20.960
<v Speaker 1>and like she's a great actress, but it was also

0:35:21.080 --> 0:35:24.840
<v Speaker 1>just like flat wise, she's like I'm just gonna stay

0:35:25.680 --> 0:35:30.680
<v Speaker 1>and like, you know, talk to him about saving yet sorry.

0:35:31.080 --> 0:35:33.879
<v Speaker 4>Oh we're about to be We're getting close.

0:35:33.960 --> 0:35:36.440
<v Speaker 3>Yeah, this is this is a chaos episode. I love you.

0:35:38.239 --> 0:35:42.440
<v Speaker 4>Oh Okay. So Sasha decides to go to Marcus's band's

0:35:42.480 --> 0:35:45.680
<v Speaker 4>gig that night or the next night or whatever, and

0:35:46.200 --> 0:35:48.919
<v Speaker 4>it's a nice time and it seems like maybe things

0:35:49.000 --> 0:35:53.160
<v Speaker 4>are starting to be less awkward between Marcus and Sasha.

0:35:53.520 --> 0:35:57.520
<v Speaker 4>But then Marcus's girlfriend, Jenny played by Vivian Bang shows up.

0:35:58.000 --> 0:36:00.799
<v Speaker 4>She's a big fan of Sasha's and wants to cook

0:36:00.840 --> 0:36:03.399
<v Speaker 4>for her, So Jenny invites her back to like her

0:36:03.440 --> 0:36:07.320
<v Speaker 4>and Marcus's place and basically makes a hot dog based

0:36:07.520 --> 0:36:08.600
<v Speaker 4>dish for Sasha.

0:36:08.840 --> 0:36:12.160
<v Speaker 3>Yeah, and uh, Sasha has a real snob about it.

0:36:12.200 --> 0:36:14.520
<v Speaker 3>I'm like, listen, there's a b I have a book

0:36:14.560 --> 0:36:14.879
<v Speaker 3>for you.

0:36:15.080 --> 0:36:18.880
<v Speaker 1>I got to be fair. Who likes who likes? Though, and.

0:36:20.400 --> 0:36:26.000
<v Speaker 3>I think, well, okay, I'm uniquely going to defend them.

0:36:26.200 --> 0:36:28.839
<v Speaker 3>But when properly cooked, it didn't seem like she cooked

0:36:28.880 --> 0:36:29.560
<v Speaker 3>it very well though.

0:36:29.800 --> 0:36:33.279
<v Speaker 4>Yeah, it seemed like a pretty gross dish. Yeah, But

0:36:33.600 --> 0:36:37.160
<v Speaker 4>the whole idea here is that Jenny is very cooky

0:36:37.360 --> 0:36:41.640
<v Speaker 4>and clearly not the right match for Marcus.

0:36:41.719 --> 0:36:44.160
<v Speaker 3>Even though it's like they're making it out like and

0:36:44.160 --> 0:36:46.040
<v Speaker 3>and there, I thought we were a couple of cheap

0:36:46.160 --> 0:36:48.799
<v Speaker 3>jokes that they have this character say where it's like

0:36:49.880 --> 0:36:52.399
<v Speaker 3>the idea again where it's just like, this movie has

0:36:52.480 --> 0:36:58.040
<v Speaker 3>moments that feel bizarrely conservative, like Jenny's character brings up

0:36:58.200 --> 0:37:01.600
<v Speaker 3>that she was she used to be poly amorous, and

0:37:01.640 --> 0:37:02.879
<v Speaker 3>that's very much like.

0:37:04.400 --> 0:37:06.319
<v Speaker 5>She's weird.

0:37:05.360 --> 0:37:10.040
<v Speaker 1>Weird. Yeah, I didn't have the spiritually married thing right.

0:37:10.320 --> 0:37:12.200
<v Speaker 1>That was also played for laughs.

0:37:12.400 --> 0:37:14.560
<v Speaker 3>Yeah, it was just yeah, it was just kind of

0:37:14.640 --> 0:37:18.319
<v Speaker 3>cheap because it's like, Okay, if polyamory is not your thing,

0:37:18.400 --> 0:37:21.839
<v Speaker 3>that's fine, But we're looking at two characters who lost

0:37:21.880 --> 0:37:24.600
<v Speaker 3>their virginity to each other and barely get along. Like

0:37:24.760 --> 0:37:29.279
<v Speaker 3>I'm supposed to take your feelings on polyamory seriously, get

0:37:29.280 --> 0:37:29.840
<v Speaker 3>a grip.

0:37:31.160 --> 0:37:31.440
<v Speaker 1>Yes.

0:37:32.680 --> 0:37:36.520
<v Speaker 4>Anyway, So they're all hanging out and then Marcus gives

0:37:36.520 --> 0:37:39.279
<v Speaker 4>Sasha a ride home in the car that they had

0:37:39.280 --> 0:37:40.840
<v Speaker 4>sex in all those years ago.

0:37:40.800 --> 0:37:44.160
<v Speaker 1>Which I like, sorry, but I just hate to eat

0:37:44.200 --> 0:37:47.480
<v Speaker 1>get that car like it took me off. I don't

0:37:47.520 --> 0:37:49.680
<v Speaker 1>know why I had such a visible reaction, and I

0:37:49.719 --> 0:37:50.920
<v Speaker 1>was like, get a new.

0:37:52.160 --> 0:37:54.239
<v Speaker 3>You've got a good job, Like, I don't know that

0:37:54.480 --> 0:37:57.239
<v Speaker 3>it's not a it's not a money Why he's still

0:37:57.280 --> 0:37:58.120
<v Speaker 3>driving the carl.

0:37:59.719 --> 0:38:01.160
<v Speaker 4>Get a vehicle shrug.

0:38:01.640 --> 0:38:02.720
<v Speaker 3>They're both such anyway.

0:38:02.920 --> 0:38:09.320
<v Speaker 4>They they're reminiscing about the past, and then she invites

0:38:09.400 --> 0:38:12.840
<v Speaker 4>him to a birthday party the following day at her parents' house.

0:38:12.880 --> 0:38:17.040
<v Speaker 4>They're celebrating a little cousin or something. During the party,

0:38:17.080 --> 0:38:21.440
<v Speaker 4>Sasha gets a call from her fiance Brandon, who she

0:38:21.560 --> 0:38:26.000
<v Speaker 4>had seen on social media canoodling with pad Malakshmi, and

0:38:26.080 --> 0:38:28.360
<v Speaker 4>so Sasha yells.

0:38:28.120 --> 0:38:32.719
<v Speaker 3>At him, Daniel Da Kevin pad Mlakhvi, like, honestly make

0:38:32.800 --> 0:38:38.040
<v Speaker 3>it happen, watch someone arrange that day.

0:38:38.520 --> 0:38:44.400
<v Speaker 4>Anyway, they break up is basically what happens. Meanwhile, Sasha

0:38:44.800 --> 0:38:47.760
<v Speaker 4>and Marcus seem to be connecting more and more, although

0:38:47.840 --> 0:38:51.279
<v Speaker 4>it's still a little awkward between them, but they go

0:38:51.360 --> 0:38:55.560
<v Speaker 4>out for some food and they talk about Marcus's band.

0:38:55.760 --> 0:38:58.680
<v Speaker 4>Sasha thinks that they're good and they can be really big,

0:38:59.320 --> 0:39:04.800
<v Speaker 4>but Mark doesn't have huge aspirations, and she keeps judging him.

0:39:04.600 --> 0:39:08.240
<v Speaker 3>For that, which again is like this is where it starts.

0:39:08.760 --> 0:39:10.880
<v Speaker 3>It really started to kick in for me of like,

0:39:11.480 --> 0:39:15.120
<v Speaker 3>then you guys just aren't compatible. It's okay, Like it's

0:39:15.280 --> 0:39:17.600
<v Speaker 3>it's not a character I mean, I think the way

0:39:17.600 --> 0:39:20.520
<v Speaker 3>that she's judgmental of him is a character flaw and

0:39:20.680 --> 0:39:23.560
<v Speaker 3>is a dark quality. But it's like, if she wants

0:39:23.680 --> 0:39:27.920
<v Speaker 3>someone who is really ambitious and working in a creative field,

0:39:28.560 --> 0:39:32.120
<v Speaker 3>this is not the person for you. Accept it.

0:39:32.360 --> 0:39:35.399
<v Speaker 1>Also, I think the bigger thing is and again as

0:39:35.800 --> 0:39:40.880
<v Speaker 1>the defender of this relationship aside.

0:39:40.360 --> 0:39:45.000
<v Speaker 4>I'm neutral, is like, the band's not good, Like I look.

0:39:44.920 --> 0:39:47.600
<v Speaker 3>That because Randall Park, I guess was He's like, it's

0:39:47.600 --> 0:39:50.399
<v Speaker 3>based on my band from the nineties. I was like, well, yeah,

0:39:50.400 --> 0:39:52.040
<v Speaker 3>claud you're an act right.

0:39:52.160 --> 0:39:53.920
<v Speaker 1>The thing is is like I know he likes to

0:39:54.000 --> 0:39:56.680
<v Speaker 1>wrap and do that stuff. Like I'm like talk shows

0:39:56.680 --> 0:39:59.040
<v Speaker 1>and stuff, and that's great. We love a hobby, but

0:39:59.719 --> 0:40:02.919
<v Speaker 1>the the band is so that sounded Sony Randall Park,

0:40:03.000 --> 0:40:06.400
<v Speaker 1>I love you, You're perfect, but it's just like, I

0:40:06.480 --> 0:40:09.840
<v Speaker 1>just don't feel like the band itself was as good

0:40:10.640 --> 0:40:14.280
<v Speaker 1>as she was trying to make us believe it was. Therefore,

0:40:14.360 --> 0:40:16.920
<v Speaker 1>I was like, oh, she wants to really like him

0:40:17.160 --> 0:40:19.399
<v Speaker 1>because she just keeps telling people, Oh my god, they're

0:40:19.400 --> 0:40:21.520
<v Speaker 1>good and they could be big. No, they won't be.

0:40:22.600 --> 0:40:23.279
<v Speaker 1>They can't be.

0:40:23.520 --> 0:40:24.680
<v Speaker 5>When she's like, why don't you.

0:40:24.640 --> 0:40:26.799
<v Speaker 3>Go on a world tour, I'm like, what do you talk?

0:40:26.920 --> 0:40:27.480
<v Speaker 5>Did you hear?

0:40:27.760 --> 0:40:32.960
<v Speaker 1>What? Talent and money and time? What do you guys

0:40:33.040 --> 0:40:36.000
<v Speaker 1>do it? And I think maybe that's very AI wound

0:40:36.040 --> 0:40:38.280
<v Speaker 1>with me. I'm an earth sign, but I just feel

0:40:38.320 --> 0:40:42.359
<v Speaker 1>like I'm a virgirl, so like we love a plan

0:40:42.880 --> 0:40:45.799
<v Speaker 1>I just feel like your job with your daughter is

0:40:45.800 --> 0:40:47.440
<v Speaker 1>great if you want to just take over that. Butiness

0:40:47.520 --> 0:40:50.680
<v Speaker 1>that made more sense to me than like holding on

0:40:50.760 --> 0:40:54.080
<v Speaker 1>to I'm gonna be in this bak like do it

0:40:54.120 --> 0:40:57.880
<v Speaker 1>for fun. But I just felt like plot wise, it

0:40:57.880 --> 0:41:01.600
<v Speaker 1>didn't work to me, Like her opening the restaurant after

0:41:01.640 --> 0:41:04.000
<v Speaker 1>his mom worked for her character.

0:41:05.080 --> 0:41:06.560
<v Speaker 3>Yeah, I agree.

0:41:06.880 --> 0:41:10.319
<v Speaker 4>I didn't mind some of the band's lyrics. I'll say that.

0:41:10.440 --> 0:41:12.000
<v Speaker 4>Oh I thought they were kind of funny.

0:41:12.239 --> 0:41:15.480
<v Speaker 1>Yes, absolutely, Like I punched on I've seen that all

0:41:15.520 --> 0:41:18.520
<v Speaker 1>the time, Like I was, I was singing it, I

0:41:18.560 --> 0:41:20.040
<v Speaker 1>was the credits, and I'm like, why don't I remember

0:41:20.080 --> 0:41:22.240
<v Speaker 1>all these words?

0:41:22.760 --> 0:41:26.760
<v Speaker 3>I thought the tennis ball song was cute, but they're

0:41:26.800 --> 0:41:29.920
<v Speaker 3>they're like forty. I was like, I can't be just

0:41:30.000 --> 0:41:34.040
<v Speaker 3>like saying songs about tennis ball different and be like

0:41:34.120 --> 0:41:37.440
<v Speaker 3>and I'm a viable partner. That's again.

0:41:37.560 --> 0:41:40.000
<v Speaker 5>But like, yeah, I agree that they were.

0:41:40.239 --> 0:41:42.440
<v Speaker 3>They were really pushing the band is like, but and

0:41:42.440 --> 0:41:45.680
<v Speaker 3>and like you're saying, Kia that his character. It didn't

0:41:45.719 --> 0:41:49.120
<v Speaker 3>seem like that was his Like I want to be

0:41:49.160 --> 0:41:53.560
<v Speaker 3>a famous musician like that, right, I don't know. Yeah,

0:41:53.600 --> 0:41:57.880
<v Speaker 3>it's like it's if he is content and I don't know.

0:41:57.920 --> 0:42:00.480
<v Speaker 3>It just felt like so like, uh, black and white

0:42:00.680 --> 0:42:02.400
<v Speaker 3>in terms of what needed to happen with his character,

0:42:02.440 --> 0:42:06.680
<v Speaker 3>because it does seem like, yes, it would probably make

0:42:06.800 --> 0:42:09.400
<v Speaker 3>sense for him to like have his own place if

0:42:09.400 --> 0:42:12.600
<v Speaker 3>he's able to and like mature a little bit and it,

0:42:13.000 --> 0:42:17.400
<v Speaker 3>but because the movie doesn't seem interested in like examining

0:42:17.560 --> 0:42:21.840
<v Speaker 3>his grief for like why he's making those choices and

0:42:22.080 --> 0:42:25.239
<v Speaker 3>doesn't want to leave the home or whatever, it is,

0:42:25.280 --> 0:42:26.600
<v Speaker 3>like I just wish that there was some sort of

0:42:26.680 --> 0:42:29.640
<v Speaker 3>gray area to explore of like, yes, he has a

0:42:29.719 --> 0:42:32.680
<v Speaker 3>ways to go and like he's still growing as a person,

0:42:33.040 --> 0:42:35.640
<v Speaker 3>but that doesn't mean like I don't know, yeah, just

0:42:35.840 --> 0:42:38.520
<v Speaker 3>that the only version of success is being a famous

0:42:38.560 --> 0:42:42.600
<v Speaker 3>musician in New York City is like wild kind.

0:42:42.800 --> 0:42:48.000
<v Speaker 1>It's it's also just I think really weird that, like

0:42:48.320 --> 0:42:51.160
<v Speaker 1>I think you can absolutely be career focused, like Eli

0:42:51.280 --> 0:42:54.000
<v Speaker 1>Lung's character. Why do I not know their names? What

0:42:54.120 --> 0:42:54.880
<v Speaker 1>is going on with me?

0:42:55.560 --> 0:42:57.520
<v Speaker 4>Sasha and Marcus Sasha?

0:42:57.600 --> 0:43:04.240
<v Speaker 1>Okay, the thing with like Alis, the thing with Sasha, Like, Okay,

0:43:04.280 --> 0:43:05.960
<v Speaker 1>I know I want to do I want to I

0:43:06.000 --> 0:43:08.920
<v Speaker 1>want to have restaurants. I want to do like like

0:43:09.000 --> 0:43:11.440
<v Speaker 1>this is important to me and his sort of thing

0:43:11.520 --> 0:43:15.360
<v Speaker 1>is like I'm grieving and that's important to me. But

0:43:16.040 --> 0:43:17.480
<v Speaker 1>I don't know. I just felt like it would have

0:43:17.480 --> 0:43:19.719
<v Speaker 1>been so much richer if he had a thing that

0:43:19.840 --> 0:43:24.279
<v Speaker 1>he was like good at, you know, right again that's

0:43:24.320 --> 0:43:26.840
<v Speaker 1>that's me speaking from a capitalistic society. But like what

0:43:26.920 --> 0:43:30.320
<v Speaker 1>if he could draw girl folded like a launcher.

0:43:30.400 --> 0:43:33.560
<v Speaker 3>I would have felt like like one of his French girls.

0:43:33.760 --> 0:43:36.359
<v Speaker 1>Yeah, Like, I don't know.

0:43:36.520 --> 0:43:40.280
<v Speaker 4>I just felt like I maybe I'm just a defender

0:43:40.320 --> 0:43:42.880
<v Speaker 4>of the band Hello Peril, But I was like that

0:43:43.040 --> 0:43:44.840
<v Speaker 4>was his thing, that that is what he's doing.

0:43:45.200 --> 0:43:46.120
<v Speaker 5>It needs your support.

0:43:46.200 --> 0:43:47.120
<v Speaker 4>Is it amazing?

0:43:47.719 --> 0:43:48.000
<v Speaker 2>No?

0:43:48.360 --> 0:43:50.879
<v Speaker 4>But I would have gone to see them for fun

0:43:51.000 --> 0:43:51.480
<v Speaker 4>one night.

0:43:51.640 --> 0:43:53.239
<v Speaker 1>I don't know, for fun for sure.

0:43:53.600 --> 0:43:56.239
<v Speaker 3>Yeah for fun, Yeah, for fun one night.

0:43:57.000 --> 0:43:59.680
<v Speaker 1>Imagine her trying to follow him around in a world tour.

0:44:00.239 --> 0:44:02.640
<v Speaker 1>I mean it's just the songs.

0:44:03.760 --> 0:44:06.160
<v Speaker 3>I was like, this band has been together for twenty

0:44:06.239 --> 0:44:10.440
<v Speaker 3>years or something and they I only have three songs.

0:44:10.280 --> 0:44:15.239
<v Speaker 1>Which is why it because everybody looks younger than I.

0:44:15.200 --> 0:44:17.960
<v Speaker 3>Mean they are, because I did it, Charlie ye Is

0:44:19.200 --> 0:44:21.760
<v Speaker 3>they were born. I mean they're like fifteen years younger

0:44:21.800 --> 0:44:22.400
<v Speaker 3>than well.

0:44:22.440 --> 0:44:25.319
<v Speaker 4>They addressed that in the movie, they're like, oh, it's

0:44:25.360 --> 0:44:27.520
<v Speaker 4>just me and I forget the other guy's name, but

0:44:27.520 --> 0:44:29.719
<v Speaker 4>it's like those were the original members and then they're

0:44:29.760 --> 0:44:31.440
<v Speaker 4>like and then we added new people later.

0:44:31.640 --> 0:44:34.760
<v Speaker 1>So also, like, again, I've seen this movie a handful

0:44:34.800 --> 0:44:37.240
<v Speaker 1>of times at this point, never knew that the parents

0:44:37.280 --> 0:44:37.840
<v Speaker 1>had a store.

0:44:38.200 --> 0:44:43.040
<v Speaker 4>Never only because it's in one quick, almost throwaway line

0:44:43.040 --> 0:44:45.400
<v Speaker 4>where they leave a message on the answering machine for

0:44:45.520 --> 0:44:47.719
<v Speaker 4>young Sasha and they're like, sorry, we won't be home.

0:44:48.120 --> 0:44:50.640
<v Speaker 4>We're stuck at the store. Make yourself dinner. So like

0:44:50.719 --> 0:44:53.239
<v Speaker 4>that's the only time we have any indication of what

0:44:53.280 --> 0:44:55.680
<v Speaker 4>they do, right, But yeah, that also could have been

0:44:55.719 --> 0:44:57.920
<v Speaker 4>like why don't we see them at the store or

0:44:57.960 --> 0:45:05.200
<v Speaker 4>something something? Anyway, so where were we? This is shortly

0:45:05.719 --> 0:45:13.520
<v Speaker 4>after Sasha and Brandon have broken off their engagement and

0:45:13.600 --> 0:45:16.200
<v Speaker 4>oh yeah, and then like Sasha is like, Marcus, you

0:45:16.200 --> 0:45:20.000
<v Speaker 4>should try to be a famous new musician and he's like, no,

0:45:20.000 --> 0:45:23.239
<v Speaker 4>no thanks, that's not really why I'm doing this. And

0:45:23.280 --> 0:45:27.680
<v Speaker 4>then that night, while Sasha is catering a wrap party

0:45:27.880 --> 0:45:32.479
<v Speaker 4>for a Netflix show, she meets someone and we don't

0:45:32.520 --> 0:45:34.279
<v Speaker 4>know who it is at first, and we're like, oh,

0:45:34.320 --> 0:45:37.440
<v Speaker 4>who could it be? And we'll find out soon that

0:45:37.520 --> 0:45:38.640
<v Speaker 4>it's Keanu Reeves.

0:45:38.680 --> 0:45:41.640
<v Speaker 3>I remember this was like, this was like a very

0:45:41.960 --> 0:45:45.400
<v Speaker 3>like break the Internet kind of moment when it happened.

0:45:45.800 --> 0:45:48.160
<v Speaker 3>That's the only thing I knew about this movie was

0:45:48.200 --> 0:45:51.480
<v Speaker 3>that there is an extended Keanu Reeves cameo and it.

0:45:52.120 --> 0:45:55.600
<v Speaker 4>Yes where he plays himself, which I don't mind. I

0:45:55.640 --> 0:45:56.239
<v Speaker 4>had a good time.

0:45:56.400 --> 0:45:58.000
<v Speaker 1>I enjoyed it. I enjoyed it.

0:45:58.080 --> 0:45:58.520
<v Speaker 5>I'm a hater.

0:45:58.800 --> 0:46:01.160
<v Speaker 3>I mean, I love Kia know, I just I'm burned

0:46:01.200 --> 0:46:05.920
<v Speaker 3>out on like a celebrity being like celebrities are weird.

0:46:06.360 --> 0:46:09.360
<v Speaker 1>It's like, well, I think I liked it because he

0:46:09.520 --> 0:46:12.680
<v Speaker 1>just seems so excited because he was like and I

0:46:12.719 --> 0:46:15.600
<v Speaker 1>never get to play, you know, and I'm like half

0:46:15.640 --> 0:46:18.000
<v Speaker 1>agent or something. There was like some interview you did

0:46:18.040 --> 0:46:21.600
<v Speaker 1>where he like made it deeply philosophia, when I was like,

0:46:22.120 --> 0:46:25.040
<v Speaker 1>I love that for you can like if you're happy,

0:46:25.080 --> 0:46:27.040
<v Speaker 1>I'm happy and I'm the only thing that I really

0:46:27.120 --> 0:46:29.560
<v Speaker 1>like about it is the extended bit when he like

0:46:29.680 --> 0:46:32.600
<v Speaker 1>goes to visit Ellie Wong and like a stand up

0:46:32.640 --> 0:46:35.120
<v Speaker 1>show or whatever. She'll be like, oh, my ex husband

0:46:35.200 --> 0:46:37.960
<v Speaker 1>or my my ex boyfriend came to see me and

0:46:38.120 --> 0:46:41.279
<v Speaker 1>like that's the bit that I like. It's like this extended,

0:46:41.560 --> 0:46:44.400
<v Speaker 1>years long thing that they're like, Oh, it's beautiful we

0:46:44.560 --> 0:46:44.880
<v Speaker 1>used to do.

0:46:45.560 --> 0:46:47.719
<v Speaker 3>I mean, Ali Wong is the close I also love.

0:46:47.840 --> 0:46:51.960
<v Speaker 3>I feel like she and Bill Hayter what a powerful couple.

0:46:52.239 --> 0:46:53.560
<v Speaker 5>I know too.

0:46:54.080 --> 0:46:56.879
<v Speaker 3>I was like that, it just makes sense. I love

0:46:56.920 --> 0:46:57.800
<v Speaker 3>it. It does.

0:46:58.040 --> 0:47:00.839
<v Speaker 4>They seem so happy they do had no idea they

0:47:00.840 --> 0:47:01.320
<v Speaker 4>were together.

0:47:01.960 --> 0:47:02.520
<v Speaker 5>Isn't that a.

0:47:02.480 --> 0:47:03.200
<v Speaker 3>Good match though?

0:47:03.200 --> 0:47:04.720
<v Speaker 1>You're just like such a good match.

0:47:05.840 --> 0:47:14.040
<v Speaker 4>Oh okay. So then Sasha has just met some mystery guy. Meanwhile,

0:47:14.239 --> 0:47:17.920
<v Speaker 4>Marcus's dad is like, I don't know about your girlfriend, Jenny.

0:47:18.080 --> 0:47:21.760
<v Speaker 4>You should be with Sasha and tell her how you feel.

0:47:22.080 --> 0:47:26.240
<v Speaker 4>And Marcus is like, hmm, sounds like a good idea.

0:47:26.480 --> 0:47:29.000
<v Speaker 4>So he goes to her and he's about to tell her,

0:47:29.120 --> 0:47:32.560
<v Speaker 4>but before he can, Sasha is like, I met someone.

0:47:33.040 --> 0:47:35.360
<v Speaker 4>Let's all go on a double date. And then it

0:47:35.400 --> 0:47:38.840
<v Speaker 4>turns out to be Keanu Reeves is her new lover,

0:47:39.160 --> 0:47:44.760
<v Speaker 4>playing himself, and Jenny is starstruck. Marcus is like, oh

0:47:44.760 --> 0:47:47.840
<v Speaker 4>my fucking god, Like, how am I supposed to compete

0:47:47.920 --> 0:47:51.080
<v Speaker 4>with Keanu Reeves. Marcus also thinks that he's like a

0:47:51.120 --> 0:47:56.600
<v Speaker 4>pretentious douchebag because he's playing a very goofy version of himself.

0:47:57.000 --> 0:48:00.840
<v Speaker 4>And then everyone goes to Keanu's hotel for a nightcap

0:48:00.920 --> 0:48:03.200
<v Speaker 4>and they play a game where they ask each other

0:48:03.320 --> 0:48:06.319
<v Speaker 4>questions and Sasha reveals that she has always had a

0:48:06.360 --> 0:48:10.040
<v Speaker 4>crush on Marcus, or at least like during their childhood,

0:48:10.800 --> 0:48:13.359
<v Speaker 4>and he's like, what really, I had no idea, and.

0:48:13.280 --> 0:48:15.920
<v Speaker 3>Then she's like, but not anymore, not for nothing. I

0:48:15.920 --> 0:48:18.400
<v Speaker 3>found that line confusing that he was like, you liked me.

0:48:18.480 --> 0:48:23.439
<v Speaker 3>I was like, you guys did have sex likes. It's

0:48:23.480 --> 0:48:26.719
<v Speaker 3>not that, I mean, I guess, the whole life thing,

0:48:26.800 --> 0:48:29.560
<v Speaker 3>but I was like, you fucked. You can't be completely

0:48:29.560 --> 0:48:31.279
<v Speaker 3>shocked that she was attracted to you.

0:48:31.719 --> 0:48:36.799
<v Speaker 4>Right, Yeah? And then things escalate from there, and this

0:48:36.920 --> 0:48:40.480
<v Speaker 4>game culminates in Marcus and Keanu getting into a fistfight,

0:48:41.400 --> 0:48:44.880
<v Speaker 4>and so Marcus and Sasha leave together. Jenny stays with

0:48:45.120 --> 0:48:48.080
<v Speaker 4>Keanu because they're like kind of vibing, I guess, and

0:48:48.120 --> 0:48:52.120
<v Speaker 4>then in the car ride home, Sasha and Marcus get

0:48:52.160 --> 0:48:57.120
<v Speaker 4>into another fight where Marcus accuses Sasha of, you know,

0:48:57.160 --> 0:49:00.600
<v Speaker 4>like filling her life with meaningless awards and related ships,

0:49:01.000 --> 0:49:04.640
<v Speaker 4>and Sasha accuses him of wasting his talent and potential,

0:49:05.360 --> 0:49:11.160
<v Speaker 4>and then he, surprised kisses her this time, but she's like, oh,

0:49:11.280 --> 0:49:15.960
<v Speaker 4>let's keep smooching, and then they go to her place

0:49:16.040 --> 0:49:16.760
<v Speaker 4>and have sex.

0:49:16.960 --> 0:49:19.040
<v Speaker 5>The sex scene is great.

0:49:19.280 --> 0:49:22.360
<v Speaker 3>Yeah, no, no, no complaints, no complaints.

0:49:22.000 --> 0:49:22.920
<v Speaker 1>No good scene.

0:49:23.520 --> 0:49:25.319
<v Speaker 3>Let's keep it. Let's keep that scene in.

0:49:25.280 --> 0:49:26.600
<v Speaker 1>There, keep that scene in there.

0:49:27.760 --> 0:49:31.640
<v Speaker 4>And then after this, Sasha and Marcus start dating and

0:49:31.680 --> 0:49:34.799
<v Speaker 4>it's nice for a little while, but then Sasha has

0:49:34.880 --> 0:49:38.200
<v Speaker 4>to go to New York to open her restaurant there.

0:49:38.880 --> 0:49:42.680
<v Speaker 4>Marcus is apprehensive about going with her, and then after

0:49:42.840 --> 0:49:46.120
<v Speaker 4>this like red carpet event, they get in another fight

0:49:46.840 --> 0:49:49.279
<v Speaker 4>where he's like, I think the food you make is

0:49:49.400 --> 0:49:53.560
<v Speaker 4>pretentious and it caters to rich white people, and she's like, oh, yeah,

0:49:53.600 --> 0:49:56.200
<v Speaker 4>well I need you to be more supportive of my

0:49:56.360 --> 0:49:58.480
<v Speaker 4>capitalistic ambitions.

0:49:59.040 --> 0:50:02.360
<v Speaker 3>Well, I mean it's it's fair to ask for support

0:50:02.440 --> 0:50:05.759
<v Speaker 3>of her ambition. I would think that that is unreasonable.

0:50:05.920 --> 0:50:08.040
<v Speaker 3>I think what is unreasonable is at the end of

0:50:08.040 --> 0:50:12.120
<v Speaker 3>the movie, she is still making food basically for rich

0:50:12.160 --> 0:50:15.160
<v Speaker 3>white people, but now she's making his dead mom's recipes

0:50:15.200 --> 0:50:18.600
<v Speaker 3>for rich white people, and I'm like, it's it's worst

0:50:18.719 --> 0:50:19.399
<v Speaker 3>question mark.

0:50:19.640 --> 0:50:21.719
<v Speaker 1>Like, meanwhile, I'm like, girl, get your bill.

0:50:22.560 --> 0:50:26.480
<v Speaker 3>I'm not upset that she's like successful, I don't know.

0:50:26.560 --> 0:50:27.200
<v Speaker 3>That's fine.

0:50:27.400 --> 0:50:29.320
<v Speaker 4>I have a whole piece that I'll be quoting from

0:50:29.600 --> 0:50:34.120
<v Speaker 4>later that's all about how Sasha's character is complicit in

0:50:34.239 --> 0:50:37.960
<v Speaker 4>gentrification and all this stuff. All yeah, we'll get to that.

0:50:38.080 --> 0:50:43.600
<v Speaker 4>But anyway, So now it's the night of the opening

0:50:43.719 --> 0:50:47.839
<v Speaker 4>of Sasha's San Francisco restaurant. Marcus doesn't go with her,

0:50:48.200 --> 0:50:49.719
<v Speaker 4>and he says he doesn't want to go to New

0:50:49.800 --> 0:50:52.960
<v Speaker 4>York with her either, So they basically break up and

0:50:53.000 --> 0:50:56.200
<v Speaker 4>they're both very sad, and Sasha goes to New York

0:50:56.360 --> 0:51:01.560
<v Speaker 4>alone and he starts to harass her. Yeah, but he

0:51:01.640 --> 0:51:04.600
<v Speaker 4>then he tries to start to get his life together. First,

0:51:04.640 --> 0:51:07.960
<v Speaker 4>there's like an audition with his band that he absolutely

0:51:08.000 --> 0:51:11.080
<v Speaker 4>blows because he gets drunk and like pisses on the stage.

0:51:11.160 --> 0:51:14.319
<v Speaker 4>But then they redo the audition and this time they

0:51:14.400 --> 0:51:17.680
<v Speaker 4>nail it. And then he moves into his own apartment

0:51:18.000 --> 0:51:21.480
<v Speaker 4>and he takes over the merch sales for his band

0:51:21.560 --> 0:51:23.279
<v Speaker 4>and they start selling a bunch of.

0:51:23.400 --> 0:51:27.560
<v Speaker 3>Merch except no, they don't. And this is never like again,

0:51:27.600 --> 0:51:30.120
<v Speaker 3>I'm like that never to me should be a source

0:51:30.120 --> 0:51:33.719
<v Speaker 3>of conflict of like, oh, you think so little of

0:51:34.200 --> 0:51:36.960
<v Speaker 3>my potential as an artist that you were buying all

0:51:37.000 --> 0:51:38.840
<v Speaker 3>of the merch, Like, how would that not be a

0:51:38.920 --> 0:51:39.880
<v Speaker 3>hit to his confidence?

0:51:39.960 --> 0:51:42.759
<v Speaker 7>See that's not even see yeah, I would be like,

0:51:42.800 --> 0:51:46.400
<v Speaker 7>oh you bought all my thank you, I love you

0:51:46.480 --> 0:51:49.520
<v Speaker 7>bad because if somebody was like, oh I want to

0:51:49.560 --> 0:51:51.319
<v Speaker 7>see if he succeed.

0:51:51.040 --> 0:51:53.520
<v Speaker 1>And they bought all my books. Baby, I'm not gonna

0:51:53.520 --> 0:51:56.600
<v Speaker 1>be upset. I'm gonna be like, thank you, I love you.

0:51:56.719 --> 0:51:59.279
<v Speaker 1>Let's like you know, fair enough, Yeah, you know, go

0:51:59.480 --> 0:52:00.640
<v Speaker 1>do it, or like.

0:52:01.480 --> 0:52:07.280
<v Speaker 4>Yeah, anyway, the movie's almost over. So now he goes

0:52:07.480 --> 0:52:11.959
<v Speaker 4>to Sasha's San Francisco restaurant because he's like, maybe she's

0:52:12.000 --> 0:52:14.960
<v Speaker 4>there and maybe I can talk to her. But she's

0:52:15.000 --> 0:52:18.920
<v Speaker 4>not in New York famously like she said, right. But

0:52:18.960 --> 0:52:20.920
<v Speaker 4>he goes into her office and this is when he

0:52:21.000 --> 0:52:24.000
<v Speaker 4>sees that she had bought all of his merch and

0:52:24.080 --> 0:52:26.520
<v Speaker 4>so he's like, wait a minute, does she love me?

0:52:27.239 --> 0:52:29.360
<v Speaker 4>So then he buys a suit and he goes to

0:52:29.480 --> 0:52:34.360
<v Speaker 4>New York to surprise Sasha at an awards ceremony, and

0:52:34.400 --> 0:52:37.640
<v Speaker 4>he makes a big speech about how he wants to

0:52:37.680 --> 0:52:40.600
<v Speaker 4>be with her no matter what, and they kiss and

0:52:40.640 --> 0:52:43.680
<v Speaker 4>make up, and then she takes him to her New

0:52:43.760 --> 0:52:48.280
<v Speaker 4>York City restaurant and then twist, it's the restaurant where

0:52:48.280 --> 0:52:53.399
<v Speaker 4>she has plagiarized his mom's recipes and you guys, she.

0:52:53.400 --> 0:52:56.839
<v Speaker 1>Got her blessing from beyond. I don't know how this.

0:52:57.280 --> 0:52:59.799
<v Speaker 3>At this point, I'm like, if I'm Randall Park, I'm

0:53:00.080 --> 0:53:02.879
<v Speaker 3>ever speaking to this woman again, and I'm suing her.

0:53:03.560 --> 0:53:05.920
<v Speaker 4>And he said, he's like, wow, that's awesome.

0:53:05.960 --> 0:53:09.359
<v Speaker 8>She's like, I stole your mom's recipes and I'm going

0:53:09.400 --> 0:53:13.680
<v Speaker 8>to do it in my little gentrification pistro and then

0:53:13.840 --> 0:53:16.759
<v Speaker 8>goes to her like the widower.

0:53:16.719 --> 0:53:20.560
<v Speaker 3>And is like, she'd love this right after the business

0:53:20.600 --> 0:53:22.040
<v Speaker 3>is open, Like, yeah, that.

0:53:22.040 --> 0:53:24.560
<v Speaker 1>Would be nice. If it was just like not open

0:53:24.719 --> 0:53:27.239
<v Speaker 1>and that's what she was planning to do, right, that

0:53:27.280 --> 0:53:29.240
<v Speaker 1>would have that would have worked a little bit better,

0:53:29.600 --> 0:53:33.440
<v Speaker 1>I think. But I also saw in the beginning how

0:53:33.480 --> 0:53:36.560
<v Speaker 1>her mom was like very supportive of her cooking and

0:53:36.640 --> 0:53:38.319
<v Speaker 1>she's like, oh, here's how you do it. So in

0:53:38.320 --> 0:53:40.960
<v Speaker 1>a way, it felt like she was sharing in this

0:53:41.080 --> 0:53:45.560
<v Speaker 1>moment with I'm just excuse, but she was sharing this

0:53:45.719 --> 0:53:48.399
<v Speaker 1>moment with his mom, and it was like.

0:53:48.840 --> 0:53:51.040
<v Speaker 3>You know, I mean, I knew what they were going for.

0:53:51.400 --> 0:53:53.239
<v Speaker 3>I just like it just felt so I mean, I

0:53:53.239 --> 0:53:55.560
<v Speaker 3>think that this was one of the many elements of

0:53:55.600 --> 0:53:57.959
<v Speaker 3>like the last fifteen to twenty minutes of the movie.

0:53:57.960 --> 0:54:00.560
<v Speaker 3>They just felt really really really rush.

0:54:01.080 --> 0:54:02.040
<v Speaker 1>Yeah.

0:54:02.120 --> 0:54:05.719
<v Speaker 4>Well, anyways, that's the end of the movie. Basically, like

0:54:05.800 --> 0:54:09.080
<v Speaker 4>Marcus Loves the Restaurant, the opening goes, well, everyone has

0:54:09.120 --> 0:54:13.760
<v Speaker 4>a nice time the end. So let's take another quick

0:54:13.800 --> 0:54:17.720
<v Speaker 4>break and we'll come back to discuss further.

0:54:27.920 --> 0:54:32.680
<v Speaker 3>And we're back. I know that we have a lot

0:54:32.800 --> 0:54:35.480
<v Speaker 3>to get to. One of the things I just wanted

0:54:35.520 --> 0:54:37.480
<v Speaker 3>to sort of go back to the original round of

0:54:37.480 --> 0:54:40.560
<v Speaker 3>press around this movie when it came out, because something

0:54:40.600 --> 0:54:43.279
<v Speaker 3>that I also, you know, knew about this movie that

0:54:43.480 --> 0:54:47.600
<v Speaker 3>is absolutely worth talking about is that it is one

0:54:47.640 --> 0:54:51.880
<v Speaker 3>of the few, like mainstream rom coms that has Asian

0:54:51.920 --> 0:54:57.120
<v Speaker 3>American characters at its center and is also written by

0:54:57.480 --> 0:54:59.960
<v Speaker 3>literally the stars of the movie but Asian American, right.

0:55:00.760 --> 0:55:04.359
<v Speaker 3>I believe the director in Nanachaka Khan, who also has

0:55:04.560 --> 0:55:08.640
<v Speaker 3>is like a PROLIFICXIT comm director, is Iranian American, and

0:55:09.040 --> 0:55:13.080
<v Speaker 3>there is a lot of diversity in front of and

0:55:13.320 --> 0:55:18.239
<v Speaker 3>behind the camera, which in rom comms is still extremely

0:55:18.360 --> 0:55:21.680
<v Speaker 3>extremely rare. I mean, we were just talking about anyone

0:55:21.719 --> 0:55:27.840
<v Speaker 3>but you, which is my understanding. Is a blindingly white movie,

0:55:28.360 --> 0:55:31.200
<v Speaker 3>and there was a lot written at the time this

0:55:31.280 --> 0:55:36.440
<v Speaker 3>movie came out celebrating that, I think gratefully so there

0:55:36.520 --> 0:55:42.720
<v Speaker 3>was a vox essay that I bravely read by writer

0:55:42.880 --> 0:55:45.920
<v Speaker 3>Jason Sheen that sort of breaks down a lot of

0:55:46.440 --> 0:55:50.879
<v Speaker 3>what he felt the Asian American stereotypes being challenged very

0:55:50.880 --> 0:55:55.200
<v Speaker 3>subtly in this movie. The piece is called why Always

0:55:55.239 --> 0:55:59.879
<v Speaker 3>Be My Maybe's Asian American Underachiever is groundbreaking and specifically

0:56:00.320 --> 0:56:04.600
<v Speaker 3>into Randall Park's character and talking about how, you know,

0:56:04.680 --> 0:56:09.359
<v Speaker 3>the representation of an Asian American character who is not

0:56:09.520 --> 0:56:13.560
<v Speaker 3>fighting against but not meeting the like very model minority

0:56:14.040 --> 0:56:19.400
<v Speaker 3>stereotypes that we often see Asian American characters written into.

0:56:20.480 --> 0:56:22.239
<v Speaker 3>We can link it in the description, but I just

0:56:22.320 --> 0:56:26.880
<v Speaker 3>wanted to share sort of hys thesis here. He writes.

0:56:27.320 --> 0:56:29.960
<v Speaker 3>It might sound strange, but an Asian American lead character

0:56:30.120 --> 0:56:33.160
<v Speaker 3>playing a low achiever might be just what our community

0:56:33.200 --> 0:56:35.719
<v Speaker 3>needs right now. The story of Asians in America is

0:56:35.719 --> 0:56:38.360
<v Speaker 3>a happy one at first glance. As the nation's fastest

0:56:38.400 --> 0:56:41.440
<v Speaker 3>growing racial group, we're seen as an educated quote unquote

0:56:41.480 --> 0:56:45.600
<v Speaker 3>model minority citizens who have earned society's respect, but Asian

0:56:45.640 --> 0:56:51.320
<v Speaker 3>American achievement often faces backlash. And we've discussed these trips

0:56:51.360 --> 0:56:54.520
<v Speaker 3>on the show before. But I think that it definitely

0:56:54.640 --> 0:56:59.279
<v Speaker 3>is a positive thing to just have again simple thing

0:56:59.280 --> 0:57:02.680
<v Speaker 3>that we never see, these characters that exist that we

0:57:02.800 --> 0:57:06.120
<v Speaker 3>never see. So I think that that is great. I

0:57:06.239 --> 0:57:10.839
<v Speaker 3>don't totally agree that Randall Park's character having a blue

0:57:10.840 --> 0:57:13.560
<v Speaker 3>collar job is passively accepted by the movie. I think

0:57:13.560 --> 0:57:16.840
<v Speaker 3>that's sort of where I chafe it that a little bit.

0:57:16.920 --> 0:57:20.200
<v Speaker 3>But I do think, you know, from a representation standpoint,

0:57:20.440 --> 0:57:21.880
<v Speaker 3>it's wonderful.

0:57:22.160 --> 0:57:26.200
<v Speaker 4>Yeah, for sure. A lot of movies treat Asian characters

0:57:26.240 --> 0:57:29.840
<v Speaker 4>and Asian American characters as a monolith and adhere to

0:57:29.880 --> 0:57:33.200
<v Speaker 4>so many reductive tropes, and I agree that this movie

0:57:33.880 --> 0:57:37.520
<v Speaker 4>subverts a lot of them. I wanted to share a

0:57:37.640 --> 0:57:41.000
<v Speaker 4>quote from Ali Wong from an interview that she and

0:57:41.080 --> 0:57:46.040
<v Speaker 4>Randall Park did in Glamour, where she says, quote to me,

0:57:46.200 --> 0:57:49.080
<v Speaker 4>Marcus's character is very much a type of guy that

0:57:49.200 --> 0:57:51.680
<v Speaker 4>I grew up with, a very Asian American dude who

0:57:51.720 --> 0:57:54.160
<v Speaker 4>grew up in the Bay and lives at home well

0:57:54.200 --> 0:57:57.080
<v Speaker 4>into his thirties. Because of gentrification and rent is so

0:57:57.160 --> 0:58:00.880
<v Speaker 4>expensive in San Francisco. They have this artistic passion and

0:58:00.920 --> 0:58:04.920
<v Speaker 4>they're not that ambitious because they're third generation. Their parents

0:58:05.000 --> 0:58:09.040
<v Speaker 4>don't have that crazy immigrant mentality. That's something I have

0:58:09.120 --> 0:58:12.440
<v Speaker 4>never seen on camera before. But that's something I very

0:58:12.520 --> 0:58:16.160
<v Speaker 4>much grew up with. These guys were so sexy and confident,

0:58:16.280 --> 0:58:19.960
<v Speaker 4>but they're good, you know, and his dad is his friend,

0:58:20.560 --> 0:58:23.760
<v Speaker 4>and you haven't seen that kind of Asian dad before.

0:58:24.120 --> 0:58:26.840
<v Speaker 4>My dad was born in the United States. He didn't

0:58:26.880 --> 0:58:31.200
<v Speaker 4>have any accent. He was very progressive and he journaled.

0:58:31.480 --> 0:58:34.240
<v Speaker 4>He's really into self reflection. I know a lot of

0:58:34.320 --> 0:58:37.120
<v Speaker 4>dads like that, and I have always felt like it's

0:58:37.200 --> 0:58:40.400
<v Speaker 4>a shame that they weren't on camera. This is not

0:58:40.880 --> 0:58:45.520
<v Speaker 4>the Asian American rom com. This is an Asian American

0:58:45.560 --> 0:58:49.800
<v Speaker 4>rom com. That's an Asian American dad. That's an Asian

0:58:49.840 --> 0:58:54.120
<v Speaker 4>American guy I haven't seen before parentheses on screen, and

0:58:54.160 --> 0:58:58.959
<v Speaker 4>that's very exciting to me. Unquote. So that's from Ali Wong.

0:58:59.520 --> 0:59:02.600
<v Speaker 4>Randall Ark had similar comments about seeing a lack of

0:59:02.720 --> 0:59:06.560
<v Speaker 4>Asian American characters in certain roles in media. I'm going

0:59:06.600 --> 0:59:11.000
<v Speaker 4>to paraphrase from an interview with him in Associated press,

0:59:11.560 --> 0:59:14.680
<v Speaker 4>where he says that he always wanted to play the

0:59:14.800 --> 0:59:18.400
<v Speaker 4>romantic lead in a movie, but those parts weren't available

0:59:18.520 --> 0:59:22.360
<v Speaker 4>to him in Hollywood, so he was like, well, in

0:59:22.400 --> 0:59:25.280
<v Speaker 4>that case, I have to write my own story where

0:59:25.360 --> 0:59:29.640
<v Speaker 4>I can be the romantic lead since the industry isn't

0:59:29.640 --> 0:59:34.360
<v Speaker 4>affording me those opportunities. And then Ali Wong also says

0:59:34.360 --> 0:59:36.800
<v Speaker 4>that it was very important to her that all of

0:59:36.800 --> 0:59:41.800
<v Speaker 4>her characters love interests be Asian American and that in

0:59:41.840 --> 0:59:44.720
<v Speaker 4>all of her work, it's important that she shows her

0:59:44.840 --> 0:59:49.760
<v Speaker 4>attraction and desire toward Asian American men, which all of

0:59:49.760 --> 0:59:54.600
<v Speaker 4>that speaks to Hollywood's tendency to desexualize Asian men and

0:59:55.080 --> 0:59:59.760
<v Speaker 4>the refusal to present Asian men as romantically viable p

1:00:00.920 --> 1:00:04.520
<v Speaker 4>and so all of this to say, obviously, Ali Wang

1:00:04.720 --> 1:00:09.240
<v Speaker 4>and Randall Park were very mindful of the stereotypical representation

1:00:09.400 --> 1:00:14.080
<v Speaker 4>of Asian American characters that existed on screen previously, and

1:00:14.240 --> 1:00:16.960
<v Speaker 4>with this movie, they wanted to show more nuance and

1:00:17.080 --> 1:00:21.440
<v Speaker 4>diversity in the type of Asian American characters who appear

1:00:21.600 --> 1:00:22.200
<v Speaker 4>on screen.

1:00:22.640 --> 1:00:26.040
<v Speaker 1>Yeah, I think what's really nice as like the person

1:00:26.080 --> 1:00:28.040
<v Speaker 1>of color, like the black person right now on the

1:00:28.080 --> 1:00:31.040
<v Speaker 1>pot is like I went into it being like I

1:00:31.120 --> 1:00:34.560
<v Speaker 1>forgot how nice it was not to have something centered

1:00:34.600 --> 1:00:38.200
<v Speaker 1>around whiteness, Like, yeah, there was a conversation around like,

1:00:38.240 --> 1:00:41.280
<v Speaker 1>you know, you're catering your restaurant to like rich white people,

1:00:41.760 --> 1:00:46.680
<v Speaker 1>but it was like not to be inundated with whiteness

1:00:46.720 --> 1:00:50.080
<v Speaker 1>as a default was really really nice because it's been

1:00:50.600 --> 1:00:54.040
<v Speaker 1>such a long time, which again, what is time with

1:00:54.080 --> 1:00:56.880
<v Speaker 1>the pandemic, but it's been such a long time since

1:00:56.920 --> 1:00:59.240
<v Speaker 1>I've seen that happen.

1:01:01.200 --> 1:01:05.800
<v Speaker 3>Since, right, for sure. That's why I feel we've I

1:01:05.800 --> 1:01:08.880
<v Speaker 3>feel like we will probably unfortunately keep talking about this

1:01:08.960 --> 1:01:11.880
<v Speaker 3>on the show of like feeling like around this time

1:01:11.920 --> 1:01:16.240
<v Speaker 3>in the late twenty tens, where there was starting to

1:01:16.280 --> 1:01:20.960
<v Speaker 3>be more representation in genres where we didn't normally see it,

1:01:21.360 --> 1:01:25.360
<v Speaker 3>we were getting better written characters who weren't meant like

1:01:25.560 --> 1:01:29.080
<v Speaker 3>sis men weren't the default. And then in the last

1:01:29.160 --> 1:01:32.080
<v Speaker 3>couple of years, it feels like, I mean, amongst many

1:01:32.160 --> 1:01:36.880
<v Speaker 3>other things, that that progress is sliding backwards and experiencing

1:01:36.920 --> 1:01:39.840
<v Speaker 3>significant backlash. And yeah, I mean, for all the gripes

1:01:39.880 --> 1:01:45.000
<v Speaker 3>I have about this movie, it's I can't think of many,

1:01:45.520 --> 1:01:49.400
<v Speaker 3>you know, movies that have made at this budget with

1:01:49.480 --> 1:01:53.640
<v Speaker 3>this amount of marketing as well that center Asian American characters.

1:01:53.720 --> 1:01:57.040
<v Speaker 4>Well that's the thing, because I just saw two movies

1:01:57.560 --> 1:01:59.680
<v Speaker 4>that are at the time of this recording, I think,

1:01:59.760 --> 1:02:03.280
<v Speaker 4>still in theaters but hard to find because they don't

1:02:03.320 --> 1:02:08.120
<v Speaker 4>have huge releases. But I saw The Wedding Banquet.

1:02:07.920 --> 1:02:10.040
<v Speaker 3>And Oh Yes, It's a Nice.

1:02:09.800 --> 1:02:15.439
<v Speaker 4>Indian Boy, which are two queer romantic comedies slash dramaedis

1:02:15.600 --> 1:02:21.200
<v Speaker 4>that feature predominantly Asian American characters, and but they're not

1:02:21.400 --> 1:02:24.200
<v Speaker 4>They don't have the same marketing around them, so I

1:02:24.200 --> 1:02:26.640
<v Speaker 4>feel like a lot of people don't know about them

1:02:26.720 --> 1:02:27.520
<v Speaker 4>or as much about them.

1:02:27.600 --> 1:02:29.760
<v Speaker 1>Yeah, they're on my list. I'm trying to figure out

1:02:30.280 --> 1:02:32.760
<v Speaker 1>how I can see them both because I've heard good thing.

1:02:33.120 --> 1:02:35.760
<v Speaker 3>They're both really good right there, but they're hard to like.

1:02:35.840 --> 1:02:39.280
<v Speaker 3>I I also saw The Wedding Banquet and it's already

1:02:39.360 --> 1:02:42.360
<v Speaker 3>like halved in terms of the numbers of screenings that

1:02:42.480 --> 1:02:45.080
<v Speaker 3>it's getting, and I haven't seen any marketing for it.

1:02:45.120 --> 1:02:49.120
<v Speaker 3>Like I just knew I'll see anything Bowen yangs in,

1:02:49.240 --> 1:02:51.680
<v Speaker 3>so the ads found me.

1:02:53.640 --> 1:02:55.960
<v Speaker 4>But yeah, I mean overall, like I saw a lot

1:02:55.960 --> 1:02:59.440
<v Speaker 4>of writing about this movie to the effect of how

1:02:59.480 --> 1:03:04.760
<v Speaker 4>refreshing it was for so many viewers, particularly Asian American audiences,

1:03:05.120 --> 1:03:09.320
<v Speaker 4>where they were able to see a pretty standard rom

1:03:09.360 --> 1:03:13.920
<v Speaker 4>com story because the idea for this movie was Ali

1:03:13.920 --> 1:03:16.720
<v Speaker 4>Wang and Rendall Park being like, hey, we should make

1:03:16.760 --> 1:03:19.880
<v Speaker 4>our own version of When Harry Met Sally, right, And

1:03:19.920 --> 1:03:22.439
<v Speaker 4>the movie follows a lot of the same beats as

1:03:23.360 --> 1:03:26.400
<v Speaker 4>that movie, So it's a pretty you know, standard rom

1:03:26.440 --> 1:03:30.280
<v Speaker 4>com narrative, but it features characters who look like them

1:03:30.680 --> 1:03:34.760
<v Speaker 4>and who had similar upbringings and who had similar cultural experiences,

1:03:35.000 --> 1:03:40.720
<v Speaker 4>and who were also living regular lives. Because this movie,

1:03:41.080 --> 1:03:43.600
<v Speaker 4>because it came out a year after Crazy Rich Asians,

1:03:44.240 --> 1:03:46.760
<v Speaker 4>a lot of people who wrote about this movie were like,

1:03:47.600 --> 1:03:50.320
<v Speaker 4>Crazy Rich Asians was fun and everything, but I couldn't

1:03:50.320 --> 1:03:54.720
<v Speaker 4>really relate to those characters because they're literal billionaires. But

1:03:55.080 --> 1:03:58.760
<v Speaker 4>Always be My Maybe had like familiar people in it.

1:03:59.200 --> 1:04:02.720
<v Speaker 4>And also a lot of people had written about how

1:04:02.800 --> 1:04:06.560
<v Speaker 4>there was in Always Be My Maybe no real focus

1:04:06.600 --> 1:04:10.480
<v Speaker 4>on their like quote unquote otherness, and that there was

1:04:10.520 --> 1:04:15.440
<v Speaker 4>like no real clash of Eastern versus Western values. Not

1:04:15.520 --> 1:04:19.280
<v Speaker 4>that those things aren't worth exploring in media, but this

1:04:19.360 --> 1:04:23.720
<v Speaker 4>movie is more like, hey, look at these regular American

1:04:23.840 --> 1:04:27.840
<v Speaker 4>people who are living laughing, loving, and they just happen

1:04:27.920 --> 1:04:32.240
<v Speaker 4>to be Asian. So that was like very refreshing for

1:04:32.800 --> 1:04:37.160
<v Speaker 4>a lot of people. I'll share a quote from a

1:04:37.440 --> 1:04:43.040
<v Speaker 4>New Yorker piece written by Jiayang Fan entitled what Always

1:04:43.120 --> 1:04:46.200
<v Speaker 4>Be My Maybe understands about making an Asian American rom

1:04:46.240 --> 1:04:50.320
<v Speaker 4>com quote. I watched Always Be My Maybe alone in

1:04:50.360 --> 1:04:53.440
<v Speaker 4>a theater in Manhattan, acutely aware that this was a

1:04:53.440 --> 1:04:58.320
<v Speaker 4>mainstream movie of America's favorite variety, the rom com, and

1:04:58.520 --> 1:05:02.160
<v Speaker 4>of the fact that a multi ethnic audience had sat

1:05:02.200 --> 1:05:05.200
<v Speaker 4>down to watch two Asian leads fall in love. More

1:05:05.240 --> 1:05:08.160
<v Speaker 4>than anything else, it was the film's depiction of growing

1:05:08.240 --> 1:05:10.880
<v Speaker 4>up in the US in an Asian home that made

1:05:10.880 --> 1:05:15.040
<v Speaker 4>my heart yelp. The and oh oh no, a word

1:05:15.080 --> 1:05:19.919
<v Speaker 4>that I don't know how to say, involuble yeah now that, oh,

1:05:19.960 --> 1:05:24.600
<v Speaker 4>thank you so much, ritual of removing shoes before entering

1:05:24.680 --> 1:05:27.880
<v Speaker 4>a house, the plastic covered furniture in Sasha's parents' home,

1:05:28.440 --> 1:05:31.800
<v Speaker 4>which so resembled my own childhood living room. To watch

1:05:31.800 --> 1:05:35.440
<v Speaker 4>these mundane, culturally specific details exposed on the big screen,

1:05:35.880 --> 1:05:39.000
<v Speaker 4>the very things that I and many Asian American kids

1:05:39.400 --> 1:05:44.040
<v Speaker 4>once wanted to hide, felt quietly radical. And then the

1:05:44.040 --> 1:05:47.560
<v Speaker 4>piece goes on to talk about various other culturally specific

1:05:47.600 --> 1:05:51.920
<v Speaker 4>things that the movie includes that felt very familiar and

1:05:51.960 --> 1:05:55.520
<v Speaker 4>authentic to the writer, such as like having to consume

1:05:56.120 --> 1:06:00.800
<v Speaker 4>media about white people like Clarissa's plans at all and

1:06:00.840 --> 1:06:03.680
<v Speaker 4>Wayne's world because that's all there was when they were

1:06:03.680 --> 1:06:07.760
<v Speaker 4>growing up, or parents trying to avoid any service that

1:06:07.840 --> 1:06:12.280
<v Speaker 4>requires tipping because they were poor and had to be

1:06:12.400 --> 1:06:14.680
<v Speaker 4>very careful with their money.

1:06:14.880 --> 1:06:17.920
<v Speaker 1>So I also think it's funny too, like as the

1:06:17.960 --> 1:06:21.480
<v Speaker 1>disabled person, the joke. I remember when I first watched

1:06:21.520 --> 1:06:24.240
<v Speaker 1>the movie, the joke about the parking placards really pissed

1:06:24.240 --> 1:06:27.320
<v Speaker 1>me off. But then I watched it today and I

1:06:27.400 --> 1:06:30.439
<v Speaker 1>was like, oh, that's really funny. Like I think part

1:06:30.440 --> 1:06:32.560
<v Speaker 1>of it is just like one I chilled out because

1:06:32.600 --> 1:06:36.160
<v Speaker 1>like for a while there, I was just like yeah,

1:06:36.200 --> 1:06:38.840
<v Speaker 1>and then you know, I like relaxed a little bit.

1:06:38.840 --> 1:06:40.760
<v Speaker 1>But it was actually funny this go around.

1:06:41.400 --> 1:06:43.680
<v Speaker 4>You mean the scene where they noticed how when they're

1:06:43.720 --> 1:06:45.040
<v Speaker 4>in Chinatown and.

1:06:45.160 --> 1:06:49.480
<v Speaker 1>Yeah, how every every part has the parking platters. Yeah,

1:06:49.560 --> 1:06:51.960
<v Speaker 1>that scene, I was like, Oh, this is actually funny.

1:06:52.000 --> 1:06:54.600
<v Speaker 1>And I don't know, I think I think two, it

1:06:54.680 --> 1:06:58.800
<v Speaker 1>really shows the passing of time for me. I mean

1:06:58.800 --> 1:07:01.520
<v Speaker 1>this said nothing to do technically with a movie. But

1:07:01.840 --> 1:07:04.040
<v Speaker 1>when I first sat like, I think I wrote an

1:07:04.120 --> 1:07:07.120
<v Speaker 1>article about it about how like or a tweet or

1:07:07.160 --> 1:07:10.560
<v Speaker 1>something when Twitter was good about how that singular section

1:07:10.760 --> 1:07:12.680
<v Speaker 1>upset me. And then I noticed today that I was

1:07:12.720 --> 1:07:15.520
<v Speaker 1>like fully laughing at it, and I said, oh, what

1:07:15.760 --> 1:07:17.920
<v Speaker 1>was you look at that? Just so sometimes it just

1:07:17.960 --> 1:07:21.640
<v Speaker 1>takes a second, but I think that there's something. I

1:07:21.680 --> 1:07:25.120
<v Speaker 1>think jokes like that are a good way of punching up,

1:07:25.600 --> 1:07:28.720
<v Speaker 1>and not enough people do it. And I'm just saying

1:07:28.760 --> 1:07:31.479
<v Speaker 1>that it's like a person who has never fully seen

1:07:31.520 --> 1:07:35.760
<v Speaker 1>herself represented in rob concert otherwise, and like jokes like

1:07:35.840 --> 1:07:38.840
<v Speaker 1>that that's a good one because it's not like cracking

1:07:38.920 --> 1:07:41.040
<v Speaker 1>on disabled people to do what it's just like with

1:07:41.160 --> 1:07:42.720
<v Speaker 1>all these placards.

1:07:42.120 --> 1:07:46.240
<v Speaker 4>Like yeah, and then and then Sasha is like, yeah,

1:07:46.240 --> 1:07:48.680
<v Speaker 4>they have these placards, but look at him getting out

1:07:48.680 --> 1:07:52.400
<v Speaker 4>of his truck all able bodied, which could mean that

1:07:52.440 --> 1:07:54.760
<v Speaker 4>he just has an invisible disability, right you know.

1:07:55.160 --> 1:07:56.680
<v Speaker 3>Yeah, So I think it.

1:07:56.640 --> 1:07:59.920
<v Speaker 1>Does a good job and either both like poking at

1:08:00.080 --> 1:08:01.920
<v Speaker 1>her and the idea that she has no idea how

1:08:02.000 --> 1:08:06.000
<v Speaker 1>like disability actually works, and also the idea that like

1:08:06.360 --> 1:08:09.760
<v Speaker 1>people are just so convinced that disable people have all

1:08:09.840 --> 1:08:13.440
<v Speaker 1>kinds are gaming the system. I remember once this lady

1:08:13.520 --> 1:08:15.800
<v Speaker 1>like knocked on the car door and I put my

1:08:15.840 --> 1:08:18.479
<v Speaker 1>hand out, like my right hand out so she could see.

1:08:18.520 --> 1:08:21.640
<v Speaker 1>I'm like, hello, what what are you gonna do? Like

1:08:22.240 --> 1:08:25.559
<v Speaker 1>I'm supposed to have this? Why are you tryed? God,

1:08:25.840 --> 1:08:27.200
<v Speaker 1>I just wanted to let you know that the police

1:08:27.200 --> 1:08:30.840
<v Speaker 1>are out here. Okay, thanks? Cool fun.

1:08:32.920 --> 1:08:35.800
<v Speaker 4>I mean, for me, my big criticism around this movie,

1:08:35.800 --> 1:08:39.920
<v Speaker 4>and I've already alluded to this is the way that

1:08:39.960 --> 1:08:44.000
<v Speaker 4>the movie handles class and.

1:08:44.560 --> 1:08:47.880
<v Speaker 3>Which in some ways I've also noticed that, And I

1:08:47.920 --> 1:08:50.000
<v Speaker 3>was like, in some ways, I feel like that is

1:08:50.080 --> 1:08:54.000
<v Speaker 3>it is truly just like they made a rom com

1:08:54.040 --> 1:08:57.760
<v Speaker 3>that centers Asian American characters in a way that I

1:08:57.800 --> 1:09:00.599
<v Speaker 3>think was very impactful, but they still made an American

1:09:00.680 --> 1:09:04.200
<v Speaker 3>rom com where it is like insensitive to class and

1:09:04.360 --> 1:09:08.360
<v Speaker 3>like very bootstrap aspirational in all the ways that American

1:09:08.439 --> 1:09:09.559
<v Speaker 3>rom coms tend to be.

1:09:10.360 --> 1:09:10.639
<v Speaker 4>Right.

1:09:10.840 --> 1:09:13.559
<v Speaker 1>Yeah, Like I almost I mean not to invalidate what

1:09:13.640 --> 1:09:16.920
<v Speaker 1>you're saying, obviously, Caitlin, but I almost feel like that's

1:09:17.640 --> 1:09:22.360
<v Speaker 1>the beauty in it, because when you approach any genre

1:09:22.520 --> 1:09:25.320
<v Speaker 1>as a person of color, people do expect you to have,

1:09:25.479 --> 1:09:30.240
<v Speaker 1>like the set decisions and set thoughts on all of

1:09:30.240 --> 1:09:33.160
<v Speaker 1>the things that other rom coms tend to ignore.

1:09:33.360 --> 1:09:37.000
<v Speaker 9>So there's some power in the fact that they didn't

1:09:37.000 --> 1:09:39.439
<v Speaker 9>address it in that way, because it was like, Okay,

1:09:39.479 --> 1:09:41.719
<v Speaker 9>we don't have to in the same way that they don't,

1:09:42.479 --> 1:09:43.639
<v Speaker 9>you know, when Harry met.

1:09:43.520 --> 1:09:47.400
<v Speaker 3>Staley totally right, like setting the bar high, like higher

1:09:47.520 --> 1:09:51.360
<v Speaker 3>for marginalized creators kind of thing.

1:09:52.280 --> 1:09:55.280
<v Speaker 4>Yeah, I mean, I see what you're saying, because I mean,

1:09:55.800 --> 1:10:01.559
<v Speaker 4>so much of art, the creators of color make is

1:10:02.120 --> 1:10:07.000
<v Speaker 4>held to a very rigid standard, and if there's too

1:10:07.080 --> 1:10:10.759
<v Speaker 4>much subversion then people will be all up in arms

1:10:10.800 --> 1:10:13.840
<v Speaker 4>and oh, this isn't a rom com because X y

1:10:14.000 --> 1:10:17.000
<v Speaker 4>Z I just I mean. And also this came out

1:10:17.040 --> 1:10:23.120
<v Speaker 4>in twenty nineteen, when culturally we were less critical of capitalism.

1:10:23.520 --> 1:10:26.640
<v Speaker 4>I think in the past five years there's been a

1:10:26.680 --> 1:10:28.160
<v Speaker 4>pretty significant shift.

1:10:28.280 --> 1:10:33.160
<v Speaker 3>I mean, yeah, the pandemic got a lot of people radicalized.

1:10:32.800 --> 1:10:37.120
<v Speaker 4>For sure, So I'm not surprised that this movie isn't

1:10:37.680 --> 1:10:41.479
<v Speaker 4>very critical of capitalism, but I still think it's worth

1:10:41.520 --> 1:10:45.040
<v Speaker 4>pointing out where it manifests in a couple different ways.

1:10:45.080 --> 1:10:47.840
<v Speaker 4>One of them is part of the dynamic of their

1:10:48.000 --> 1:10:55.160
<v Speaker 4>relationship is that by capitalists society's standards, Sasha is more

1:10:55.240 --> 1:10:58.240
<v Speaker 4>quote unquote successful because she's a business owner and she

1:10:58.360 --> 1:11:02.439
<v Speaker 4>has more money and more ambition. And then by those

1:11:02.600 --> 1:11:07.160
<v Speaker 4>same standards, Marcus is quote unquote not successful because he

1:11:07.240 --> 1:11:09.400
<v Speaker 4>lives with his dad and he has a blue collar

1:11:09.520 --> 1:11:14.840
<v Speaker 4>job and he doesn't have these huge career ambitions, and

1:11:14.880 --> 1:11:16.960
<v Speaker 4>he still drives the same car from when he was

1:11:17.000 --> 1:11:20.760
<v Speaker 4>a teenager, and he's you know, content to play in

1:11:20.800 --> 1:11:23.479
<v Speaker 4>this band at this small club and never make any

1:11:23.520 --> 1:11:25.040
<v Speaker 4>money from the band and all this kind of stuff,

1:11:25.439 --> 1:11:31.839
<v Speaker 4>and they constantly argue about these differences, which to your point, Jamie,

1:11:32.160 --> 1:11:36.160
<v Speaker 4>is that they are, like they're not catal. But the

1:11:36.360 --> 1:11:42.479
<v Speaker 4>movie it frames Marcus's situation as something that needs to

1:11:42.520 --> 1:11:45.519
<v Speaker 4>be fixed more or less, where he has the arc

1:11:45.640 --> 1:11:48.240
<v Speaker 4>where he you know, he moves out of the dad's

1:11:48.240 --> 1:11:51.400
<v Speaker 4>place and he you know, gets the audition at the

1:11:51.400 --> 1:11:56.280
<v Speaker 4>bigger club and he starts making money, which is actually

1:11:56.320 --> 1:11:59.759
<v Speaker 4>just Sasha buying his march. But like it's not until

1:11:59.800 --> 1:12:04.599
<v Speaker 4>then that they end up together and happy.

1:12:04.720 --> 1:12:08.800
<v Speaker 3>But he's like quote unquote viable. Yeah, which again I

1:12:09.160 --> 1:12:12.360
<v Speaker 3>feel like for me the fix here because I hear

1:12:12.400 --> 1:12:15.000
<v Speaker 3>what you're both saying, and I feel like the fix

1:12:15.080 --> 1:12:18.680
<v Speaker 3>here is the writing gets caught up in this like

1:12:18.840 --> 1:12:23.080
<v Speaker 3>capitalistic idea of what happiness looks like when this conversation

1:12:23.160 --> 1:12:26.599
<v Speaker 3>I feel like would be more effective and would make

1:12:26.640 --> 1:12:29.360
<v Speaker 3>me feel less kind of icky about the relationship if

1:12:29.400 --> 1:12:34.439
<v Speaker 3>it was about passion versus success. And I think Kia

1:12:34.520 --> 1:12:38.200
<v Speaker 3>you mentioned earlier, like if we saw that Randall Park

1:12:38.640 --> 1:12:41.479
<v Speaker 3>loves being in this band, it is his passion. It

1:12:41.560 --> 1:12:45.200
<v Speaker 3>is like his source of joy. And Ali Wong's character

1:12:45.479 --> 1:12:50.080
<v Speaker 3>loves being a chef and like building these restaurants. But

1:12:50.560 --> 1:12:53.240
<v Speaker 3>the conflict is she is making a lot of money

1:12:53.240 --> 1:12:57.559
<v Speaker 3>doing it. He isn't. But they have passion, but it

1:12:57.600 --> 1:13:01.400
<v Speaker 3>feels like it gets instead sort of involved like a

1:13:01.520 --> 1:13:04.640
<v Speaker 3>very capitalistic, rigid definition of success.

1:13:04.840 --> 1:13:07.960
<v Speaker 1>And also too, it just seems like the thing with

1:13:08.479 --> 1:13:11.080
<v Speaker 1>Sastress like does she love it or is it just

1:13:11.120 --> 1:13:13.000
<v Speaker 1>the career she's good at? Right?

1:13:13.640 --> 1:13:14.320
<v Speaker 5>Not clear?

1:13:14.760 --> 1:13:16.880
<v Speaker 1>That's the question that I have too, because I was

1:13:16.920 --> 1:13:19.799
<v Speaker 1>just like, do you love your job because you don't

1:13:19.840 --> 1:13:22.040
<v Speaker 1>seem that happy doing right.

1:13:22.120 --> 1:13:24.680
<v Speaker 3>She's like, I'm doing it because I have to. And

1:13:25.240 --> 1:13:28.880
<v Speaker 3>it's also but it's like why do you have to

1:13:29.280 --> 1:13:31.720
<v Speaker 3>let's keep Yeah, you just want to like push the

1:13:31.760 --> 1:13:35.559
<v Speaker 3>script a little further. And I mean, and Kaitlyn, you're

1:13:35.600 --> 1:13:41.439
<v Speaker 3>totally right the gentrification aspect, Like in some ways it's like, yeah,

1:13:41.479 --> 1:13:43.720
<v Speaker 3>this is what Meg Ryan would do it in a

1:13:44.439 --> 1:13:47.160
<v Speaker 3>I mean, at least, at very least, this is not

1:13:47.200 --> 1:13:51.240
<v Speaker 3>the most egregious gentrification realm complot point that will always

1:13:51.320 --> 1:13:52.280
<v Speaker 3>go to you've got mail.

1:13:54.160 --> 1:13:58.200
<v Speaker 10>But but but yeah, it just especially if a movie

1:13:58.240 --> 1:14:03.519
<v Speaker 10>made in twenty nineteen, it felt again, I'm wondering if

1:14:03.560 --> 1:14:05.840
<v Speaker 10>there were drafts of the script that dealt with this

1:14:05.880 --> 1:14:07.960
<v Speaker 10>a little or that developed this.

1:14:07.960 --> 1:14:11.559
<v Speaker 3>Or a little more thoughtfully, because it just felt so

1:14:11.880 --> 1:14:13.160
<v Speaker 3>fast at the end.

1:14:13.200 --> 1:14:15.760
<v Speaker 1>Even I think too then it's is gonna be I

1:14:15.800 --> 1:14:18.439
<v Speaker 1>don't know, but like remember the white girl that she

1:14:18.640 --> 1:14:22.479
<v Speaker 1>was like the assistant of and she she was gonna

1:14:22.520 --> 1:14:24.559
<v Speaker 1>get Yes, she was scared, she was gonna get fired

1:14:24.600 --> 1:14:27.040
<v Speaker 1>the whole time, even if she was like, you know what,

1:14:27.320 --> 1:14:31.720
<v Speaker 1>I'm gonna relinquish dealing with this one here. I'll give

1:14:31.840 --> 1:14:35.640
<v Speaker 1>Michelle Puto's other one and I'm gonna put my focus

1:14:36.320 --> 1:14:40.439
<v Speaker 1>on this one restaurant. Even that I feel like would

1:14:40.439 --> 1:14:45.400
<v Speaker 1>have helped with the like less feeling work monopoly pieces,

1:14:45.520 --> 1:14:47.439
<v Speaker 1>you know, because after a while it was like, oh, yeah,

1:14:47.439 --> 1:14:48.080
<v Speaker 1>I got one.

1:14:47.960 --> 1:14:51.200
<v Speaker 3>In New York, I got a she's franchising, Like, yeah,

1:14:51.400 --> 1:14:52.240
<v Speaker 3>she's franchising.

1:14:52.280 --> 1:14:54.640
<v Speaker 1>It was like, girl, I get it. But at the

1:14:54.680 --> 1:14:59.960
<v Speaker 1>same time, you can't the mean Marcus for not having

1:15:00.200 --> 1:15:04.240
<v Speaker 1>direction when your direction is just you and constant movement

1:15:04.280 --> 1:15:07.040
<v Speaker 1>without being able to rest. There's something to have to

1:15:07.080 --> 1:15:09.880
<v Speaker 1>your therapist, a bounty, but like, why do you need

1:15:09.960 --> 1:15:15.240
<v Speaker 1>to be in constant movement? Sit down somewhere, take on that, take.

1:15:15.120 --> 1:15:20.479
<v Speaker 3>Us correct, as the kids said, touch some grass, Ali Wong. Yeah,

1:15:20.520 --> 1:15:25.479
<v Speaker 3>And I mean it's the criticism of the gentrification aspects

1:15:25.560 --> 1:15:29.000
<v Speaker 3>of the restaurant come up really fast and only at

1:15:29.040 --> 1:15:32.960
<v Speaker 3>the end, and the only resolution given for it is, oh,

1:15:33.040 --> 1:15:36.559
<v Speaker 3>I'll just steal your dead mom's recipe. Does that work?

1:15:37.000 --> 1:15:40.519
<v Speaker 3>And it weirdly and he's like, oh, yeah, that solves

1:15:40.560 --> 1:15:42.240
<v Speaker 3>gentrification as long as you.

1:15:42.360 --> 1:15:44.320
<v Speaker 1>Like, as long as we can stop the whole fusion,

1:15:44.520 --> 1:15:47.160
<v Speaker 1>just make them as they are, and that's that. And

1:15:47.200 --> 1:15:49.200
<v Speaker 1>it's just like, I don't I don't think we knew

1:15:49.320 --> 1:15:53.000
<v Speaker 1>enough of their material thoughts in a lot of places

1:15:53.040 --> 1:15:54.040
<v Speaker 1>that we needed them.

1:15:54.040 --> 1:15:55.680
<v Speaker 3>For sure, sure, because we don't know I mean like

1:15:56.000 --> 1:15:58.600
<v Speaker 3>is again, yeah, where it's just like it seems like

1:15:58.680 --> 1:16:02.720
<v Speaker 3>there's a sort of void of passion between these two

1:16:02.840 --> 1:16:07.639
<v Speaker 3>characters in their pursuits, where I'm like, is Ali Wong

1:16:07.800 --> 1:16:12.559
<v Speaker 3>really passionate about the food her restaurants serve? We don't

1:16:12.640 --> 1:16:18.520
<v Speaker 3>really know, we don't really ever see her cooking. Yeah, yeah, yeah.

1:16:18.640 --> 1:16:22.240
<v Speaker 4>I have alluded to this piece a couple times already,

1:16:22.280 --> 1:16:25.640
<v Speaker 4>but I just want to share a few quotes from

1:16:26.200 --> 1:16:31.840
<v Speaker 4>a piece in plan A magazine by writer Promise Lee

1:16:32.640 --> 1:16:36.879
<v Speaker 4>entitled Always Be My Maybe Gentrification and the Asian American

1:16:36.960 --> 1:16:41.760
<v Speaker 4>rom com. The piece starts by commenting on the criticisms

1:16:41.880 --> 1:16:45.800
<v Speaker 4>of crazy rich Asians when that movie came out, how

1:16:45.880 --> 1:16:50.439
<v Speaker 4>it only portrayed very affluent Asian characters really just.

1:16:50.400 --> 1:16:53.840
<v Speaker 3>The richest people humanly possible. Yeah, reruly.

1:16:54.880 --> 1:16:58.120
<v Speaker 4>It goes on to make a similar point that we

1:16:58.120 --> 1:17:02.519
<v Speaker 4>were making earlier regarding the Sasha characters, kind of like

1:17:02.760 --> 1:17:07.200
<v Speaker 4>constantly berating Marcus for his lifestyle.

1:17:07.000 --> 1:17:10.280
<v Speaker 3>And the movie, like the events and logic of the movie.

1:17:10.479 --> 1:17:12.800
<v Speaker 3>Siding with her on that is, I feel like it's

1:17:12.800 --> 1:17:14.760
<v Speaker 3>never like she has a because it's one thing if

1:17:14.800 --> 1:17:18.360
<v Speaker 3>she has a realization of like I've been so judgmental

1:17:18.479 --> 1:17:20.960
<v Speaker 3>based on class, or like, I think there's such a

1:17:21.000 --> 1:17:23.720
<v Speaker 3>thing as like projecting at the class you grew up in,

1:17:23.920 --> 1:17:26.960
<v Speaker 3>or whatever it may be, But there is no such realization.

1:17:27.160 --> 1:17:29.160
<v Speaker 3>It's just like it seems like those are the values

1:17:29.200 --> 1:17:31.120
<v Speaker 3>of the movie, right, Yeah.

1:17:31.160 --> 1:17:34.920
<v Speaker 4>And then the piece goes on to examine her work

1:17:35.800 --> 1:17:40.040
<v Speaker 4>as a like restauranteur and the types of restaurants that

1:17:40.080 --> 1:17:44.280
<v Speaker 4>she's opening, and so the piece says, quote of course,

1:17:44.400 --> 1:17:48.360
<v Speaker 4>the film's concluding scene demonstrates that its ideal of innovation

1:17:48.520 --> 1:17:51.960
<v Speaker 4>does not equate to a rejection of all tradition. Tradition

1:17:52.080 --> 1:17:54.679
<v Speaker 4>for Sasha must be done well. It needs to sell.

1:17:55.400 --> 1:17:58.800
<v Speaker 4>Sasha's final invention in the film is a Korean restaurant,

1:17:58.960 --> 1:18:03.680
<v Speaker 4>more quote unquote authentic then her previous eateries, as it

1:18:03.840 --> 1:18:08.160
<v Speaker 4>is based on Marcus's late mother, Judy's old recipes. But

1:18:08.240 --> 1:18:12.400
<v Speaker 4>despite the film's occasionally positive portrayal of local, authentic restaurants,

1:18:12.800 --> 1:18:16.160
<v Speaker 4>its end goal is clear. The ideal isn't the local

1:18:16.160 --> 1:18:19.920
<v Speaker 4>Cantonese dim sum joint with rude service that Marcus and

1:18:19.960 --> 1:18:24.240
<v Speaker 4>Sasha grew up frequenting. It is Judy's way, the gentrifying

1:18:24.360 --> 1:18:27.920
<v Speaker 4>hip Korean eatery that reworks old family recipes for a

1:18:27.960 --> 1:18:32.200
<v Speaker 4>different demographic. For all the talk of Sashu's turned to authenticity,

1:18:32.479 --> 1:18:35.719
<v Speaker 4>the film shows no ambiguity as to who the target

1:18:35.760 --> 1:18:39.120
<v Speaker 4>audience is for Judy's Way. In its final shot of

1:18:39.160 --> 1:18:42.719
<v Speaker 4>the restaurant's long line of white professionals and high heels

1:18:42.720 --> 1:18:47.000
<v Speaker 4>in pinstriped blazers, the piece goes on to say gentrification

1:18:47.200 --> 1:18:51.559
<v Speaker 4>has been widely portrayed in rigidly racialized terms, with working

1:18:51.560 --> 1:18:54.600
<v Speaker 4>class residents of color being forced out of their neighborhoods

1:18:54.640 --> 1:18:58.519
<v Speaker 4>by affluent or middle class white developers and residents. But

1:18:58.640 --> 1:19:02.040
<v Speaker 4>always be my maybe show as a crucial element frequently

1:19:02.160 --> 1:19:07.599
<v Speaker 4>understated or overlooked in the relentless calculus of gentrification, the

1:19:07.640 --> 1:19:11.320
<v Speaker 4>act of complicity of more affluent people of color in

1:19:11.439 --> 1:19:16.519
<v Speaker 4>displacing their less privileged counterparts. Entrepreneurs like Sashia churn out

1:19:16.560 --> 1:19:19.760
<v Speaker 4>restaurant after restaurant that no one needs in the community,

1:19:20.040 --> 1:19:22.920
<v Speaker 4>but that threatens the livelihood of workers of color that

1:19:23.000 --> 1:19:27.519
<v Speaker 4>depend on the sustenance of local businesses unquote. So yeah,

1:19:27.560 --> 1:19:29.120
<v Speaker 4>I just wanted to share that. I thought that was

1:19:29.880 --> 1:19:31.880
<v Speaker 4>a really great piece.

1:19:32.160 --> 1:19:34.800
<v Speaker 3>And the thing that is frustrating about this is I

1:19:34.840 --> 1:19:38.120
<v Speaker 3>think that you can maintain the tone of this movie

1:19:38.920 --> 1:19:43.240
<v Speaker 3>and still address it. And it's sort of hint because

1:19:43.600 --> 1:19:47.839
<v Speaker 3>the elements of gentrification are hinted at in passing with jokes.

1:19:47.960 --> 1:19:52.040
<v Speaker 3>You can tackle a topic as serious and insidious as

1:19:52.080 --> 1:19:55.760
<v Speaker 3>gentrification in a rom com, and I think that these

1:19:55.800 --> 1:19:58.160
<v Speaker 3>writers are well qualified to do it, which kind of

1:19:58.200 --> 1:20:01.680
<v Speaker 3>makes it a little more bizarre that it goes in

1:20:02.040 --> 1:20:04.240
<v Speaker 3>so hard on the capitalism.

1:20:03.720 --> 1:20:08.240
<v Speaker 4>Angle, right, so disappointing.

1:20:08.479 --> 1:20:12.200
<v Speaker 3>But again, I mean, as as Kio is saying too,

1:20:12.280 --> 1:20:16.800
<v Speaker 3>it's you know, it is one of the ways in

1:20:16.880 --> 1:20:20.800
<v Speaker 3>which this movie kind of for worse adheres to the

1:20:20.880 --> 1:20:23.960
<v Speaker 3>values of the American rom com because American rom coms

1:20:23.960 --> 1:20:27.000
<v Speaker 3>are nothing if very pro capitalist.

1:20:27.960 --> 1:20:34.880
<v Speaker 4>Absolutely. One of the things that is subverted switching gears here.

1:20:35.200 --> 1:20:39.960
<v Speaker 4>But that I wanted to comment on is glasses representation.

1:20:40.800 --> 1:20:41.920
<v Speaker 5>Oh, I thought that too.

1:20:42.200 --> 1:20:45.080
<v Speaker 3>I mean, that's Ali Wong in general. She's been on

1:20:45.160 --> 1:20:48.559
<v Speaker 3>that beat for for many years. And some of the

1:20:48.600 --> 1:20:49.959
<v Speaker 3>best glasses in the game.

1:20:50.120 --> 1:20:53.759
<v Speaker 4>Such good glasses. Yeah. Friend of the Show Canise Mobley

1:20:54.400 --> 1:20:58.519
<v Speaker 4>often cites this movie when talking about representation of characters

1:20:58.520 --> 1:21:01.120
<v Speaker 4>wearing glasses. And then I would go on to realize

1:21:01.120 --> 1:21:05.000
<v Speaker 4>that there's like, there are whole Reddit threads about her

1:21:05.080 --> 1:21:09.800
<v Speaker 4>glasses in this movie. But basically the idea is, this

1:21:09.880 --> 1:21:14.680
<v Speaker 4>is one of the only movies where a woman or

1:21:14.840 --> 1:21:18.000
<v Speaker 4>I guess, person of any gender, but specifically a woman

1:21:18.360 --> 1:21:23.720
<v Speaker 4>in this case in a romantic lead who wears glasses

1:21:23.880 --> 1:21:26.920
<v Speaker 4>in general and keeps them on the whole movie and

1:21:27.000 --> 1:21:29.640
<v Speaker 4>like doesn't take them off as some like she's all

1:21:29.720 --> 1:21:31.639
<v Speaker 4>that style makeover.

1:21:32.120 --> 1:21:32.320
<v Speaker 1>Yeah.

1:21:32.439 --> 1:21:36.000
<v Speaker 3>No, I I appreciate that. I think about that a

1:21:36.040 --> 1:21:38.960
<v Speaker 3>lot because I I guess it is like sort of

1:21:39.120 --> 1:21:42.160
<v Speaker 3>drilled into you culturally because I wear glass. My vision's horrible.

1:21:42.200 --> 1:21:47.000
<v Speaker 3>I wear glasses, but usually not two occasions, and that

1:21:47.360 --> 1:21:50.839
<v Speaker 3>is a very culturally bashed in thing. I do wonder

1:21:50.880 --> 1:21:54.760
<v Speaker 3>to some extent if that movie because there is the

1:21:55.479 --> 1:21:59.280
<v Speaker 3>she's all that element of I feel like just the lazy,

1:22:00.200 --> 1:22:05.920
<v Speaker 3>you know, twentieth century person wearing glasses, dork thing.

1:22:05.920 --> 1:22:06.719
<v Speaker 5>Nerd alert.

1:22:07.000 --> 1:22:09.639
<v Speaker 3>Yeah, but also having worked in production, I do sort

1:22:09.640 --> 1:22:13.320
<v Speaker 3>of wonder if it's just a glare issue sometimes, like

1:22:13.360 --> 1:22:17.240
<v Speaker 3>it is hard to film people in glasses, but the

1:22:17.280 --> 1:22:20.400
<v Speaker 3>glasses are such a huge part of who Ali Wong is,

1:22:21.200 --> 1:22:25.719
<v Speaker 3>and you know, certainly no one could accuse Ali Wang

1:22:25.720 --> 1:22:31.120
<v Speaker 3>of being anything but very hot and like treated as such. Yeah,

1:22:31.160 --> 1:22:33.360
<v Speaker 3>that is a good I hadn't even thought of that.

1:22:33.439 --> 1:22:36.719
<v Speaker 3>I just was admiring her frames. She has great taste

1:22:36.720 --> 1:22:38.360
<v Speaker 3>in frames, she really does.

1:22:38.479 --> 1:22:44.360
<v Speaker 4>Yeah, the movie does pass the Bechdel test. Yeah, but

1:22:44.439 --> 1:22:52.400
<v Speaker 4>between Sasha and Veronica and her mom and Marcus's mom,

1:22:52.560 --> 1:22:55.160
<v Speaker 4>so yeah, there's many interactions.

1:22:55.160 --> 1:22:57.120
<v Speaker 3>I will say, we didn't have a lot of time

1:22:57.160 --> 1:22:59.439
<v Speaker 3>to talk about Michelle Buttoe's character, not that there's a

1:22:59.479 --> 1:23:02.840
<v Speaker 3>ton to talk but I did think again where this

1:23:02.920 --> 1:23:05.559
<v Speaker 3>is like, this is firmly an American rom com where

1:23:05.880 --> 1:23:11.240
<v Speaker 3>Michelle Buteau is best friending the hell out of this role.

1:23:11.280 --> 1:23:14.400
<v Speaker 3>Like we don't know anything. We do find out that

1:23:14.479 --> 1:23:17.800
<v Speaker 3>she has a partner, but her whole thing is she's

1:23:17.840 --> 1:23:22.560
<v Speaker 3>pregnant and she really cares about Ali Wong's character's interior life.

1:23:22.640 --> 1:23:24.480
<v Speaker 3>It's very rom com.

1:23:24.600 --> 1:23:28.320
<v Speaker 1>Also, I noticed this time for the first time that

1:23:28.400 --> 1:23:31.320
<v Speaker 1>she knew them when they were kids. Yes, I never

1:23:31.560 --> 1:23:33.840
<v Speaker 1>noticed that she was supposed to be the other little

1:23:33.840 --> 1:23:34.719
<v Speaker 1>girl at the table.

1:23:35.040 --> 1:23:35.280
<v Speaker 9>Yeah.

1:23:35.320 --> 1:23:38.479
<v Speaker 4>I also noticed that on my most recent watch.

1:23:38.680 --> 1:23:40.360
<v Speaker 1>Yeah, I was like, oh, I never popped them.

1:23:40.240 --> 1:23:42.040
<v Speaker 4>Because they don't talk to her or address her by

1:23:42.080 --> 1:23:43.120
<v Speaker 4>name or anything like that.

1:23:43.320 --> 1:23:47.280
<v Speaker 1>So yeah, and I was just like, it really reiterated

1:23:47.280 --> 1:23:50.320
<v Speaker 1>my desire. I know that she has survival as the thickest,

1:23:50.800 --> 1:23:53.720
<v Speaker 1>but it really reiterated my desire to see her in

1:23:53.800 --> 1:23:57.920
<v Speaker 1>like a firmly rom com movie that's full of all

1:23:58.000 --> 1:23:59.120
<v Speaker 1>of the tropes.

1:23:59.400 --> 1:24:03.799
<v Speaker 3>I haven't seen it, but she was in Babes last year, right, Yeah, Babes.

1:24:04.240 --> 1:24:04.720
<v Speaker 5>Was it bad?

1:24:04.760 --> 1:24:05.519
<v Speaker 3>I haven't seen it.

1:24:05.640 --> 1:24:08.360
<v Speaker 4>Oh no, I didn't love it, and she plays the

1:24:08.360 --> 1:24:10.960
<v Speaker 4>same best friend character. It's not it doesn't center her

1:24:12.040 --> 1:24:13.120
<v Speaker 4>quite as much, and.

1:24:13.080 --> 1:24:16.160
<v Speaker 1>So like, I just want to see her like in

1:24:16.200 --> 1:24:18.680
<v Speaker 1>that way, even though I know she has figures. I'm like,

1:24:19.000 --> 1:24:22.759
<v Speaker 1>give give the girl, and I rang it on Netflix movie.

1:24:23.240 --> 1:24:26.559
<v Speaker 1>She's so funny. She carries a lot of these as

1:24:26.600 --> 1:24:28.880
<v Speaker 1>the best friend, a lot of these roles.

1:24:29.560 --> 1:24:32.519
<v Speaker 4>Yeah, I feel like she has replaced like the Judy

1:24:32.640 --> 1:24:34.920
<v Speaker 4>Greer best friend rom cos she has.

1:24:34.880 --> 1:24:38.000
<v Speaker 3>Kind of millennial Judy Greer, and much like Judy Greer,

1:24:38.080 --> 1:24:40.759
<v Speaker 3>we must free her. She has so much talent.

1:24:41.240 --> 1:24:41.760
<v Speaker 1>She does.

1:24:43.040 --> 1:24:45.719
<v Speaker 4>As far as our nipple scale goes, where we raped

1:24:45.760 --> 1:24:49.960
<v Speaker 4>the movie zero to five nipples based on examining it

1:24:50.000 --> 1:24:54.320
<v Speaker 4>through an intersectional feminist lens, there's a lot to love

1:24:54.320 --> 1:25:00.920
<v Speaker 4>and appreciate about this movie as far as represent goes

1:25:01.479 --> 1:25:06.320
<v Speaker 4>of centering Asian American characters written by Asian American writers

1:25:06.479 --> 1:25:10.280
<v Speaker 4>who are pulling from their own experiences, pulling from people

1:25:10.280 --> 1:25:13.880
<v Speaker 4>they know, broadening the scope of the type of Asian

1:25:13.920 --> 1:25:17.880
<v Speaker 4>American person you tend to see represented on screen. Letting

1:25:17.960 --> 1:25:22.519
<v Speaker 4>these characters be the romantic leads in a rom com

1:25:23.360 --> 1:25:27.960
<v Speaker 4>who are falling in love and arguing all the time.

1:25:28.520 --> 1:25:31.760
<v Speaker 3>But you still get like all the rom com you know,

1:25:31.840 --> 1:25:37.520
<v Speaker 3>itches scratched, where there's I thought that Ali Wong's wardrobe

1:25:37.600 --> 1:25:42.120
<v Speaker 3>in this movie is fucking spectacular. Yeah, it has the

1:25:42.240 --> 1:25:44.680
<v Speaker 3>visuals of a rom com. It has the fashion, it

1:25:44.720 --> 1:25:47.440
<v Speaker 3>has the random big parties, it has.

1:25:47.560 --> 1:25:49.040
<v Speaker 5>You know, it is like.

1:25:49.040 --> 1:25:53.200
<v Speaker 3>An actual, real, real representation in a needed way, and

1:25:53.320 --> 1:25:57.120
<v Speaker 3>also has a very familiar rom coom plot.

1:25:56.800 --> 1:25:58.679
<v Speaker 4>For sure, And it's one of the few rom coms

1:25:58.680 --> 1:26:01.960
<v Speaker 4>it actually attempts jokes. I don't necessarily think all of

1:26:02.000 --> 1:26:06.000
<v Speaker 4>them land that well, but like I was laughing many times,

1:26:06.000 --> 1:26:06.759
<v Speaker 4>there's calm.

1:26:06.800 --> 1:26:07.320
<v Speaker 5>There's calm.

1:26:07.360 --> 1:26:09.439
<v Speaker 4>There's calm in the rom com and so many wrong

1:26:09.520 --> 1:26:12.600
<v Speaker 4>coms don't actually have calm, which has always bugged me.

1:26:12.720 --> 1:26:16.120
<v Speaker 4>But yeah, there's there's jokes in this and I appreciate that.

1:26:16.240 --> 1:26:18.200
<v Speaker 1>And also it has the thing that I love the

1:26:18.240 --> 1:26:21.840
<v Speaker 1>most in all calms of the wrong is the big

1:26:21.920 --> 1:26:25.680
<v Speaker 1>embarrassing moment. So like when she gets caught letting do

1:26:25.760 --> 1:26:27.919
<v Speaker 1>in Your Day, Cam's character have it in the windows

1:26:27.920 --> 1:26:30.720
<v Speaker 1>open and they can all hear. That's one of the

1:26:30.800 --> 1:26:32.719
<v Speaker 1>cornerstones of all good rom comes.

1:26:32.880 --> 1:26:35.680
<v Speaker 3>You do, yes, you do need, uh that moment where

1:26:35.680 --> 1:26:40.600
<v Speaker 3>everyone's like, pretty lady doing what scaring.

1:26:40.240 --> 1:26:45.759
<v Speaker 4>In front of children and you're scaring the goats.

1:26:46.040 --> 1:26:46.639
<v Speaker 1>I did laugh.

1:26:47.360 --> 1:26:48.000
<v Speaker 3>That was great.

1:26:48.040 --> 1:26:49.120
<v Speaker 1>That was funny.

1:26:49.160 --> 1:26:52.880
<v Speaker 4>But yeah, and again the thing about it not interrogating

1:26:54.200 --> 1:26:57.280
<v Speaker 4>capitalism at all and kind of just being like, yeah,

1:26:57.320 --> 1:27:00.040
<v Speaker 4>the only way that they that it makes sense for

1:27:00.080 --> 1:27:03.599
<v Speaker 4>them to end up together is if the Marcus character

1:27:04.080 --> 1:27:06.280
<v Speaker 4>sort of embraces capitalism.

1:27:06.680 --> 1:27:06.880
<v Speaker 1>Yeah.

1:27:06.960 --> 1:27:11.200
<v Speaker 3>So, I mean, yeah, when you put it that way.

1:27:10.320 --> 1:27:13.320
<v Speaker 4>I think I'll give the movie like three point seventy

1:27:13.439 --> 1:27:20.360
<v Speaker 4>five for somewhere around their nipples, and I will give

1:27:20.400 --> 1:27:23.200
<v Speaker 4>them to the goats at the party.

1:27:23.720 --> 1:27:29.200
<v Speaker 3>I'm gonna go I guess I'm gonna go thre I

1:27:29.200 --> 1:27:33.360
<v Speaker 3>think I'm gonna go three. I mean, for all the

1:27:33.400 --> 1:27:36.680
<v Speaker 3>reasons you just described, Caitlin, I was so nervous to

1:27:36.680 --> 1:27:38.760
<v Speaker 3>come into that. Thank you for being perceptive to be

1:27:39.360 --> 1:27:42.920
<v Speaker 3>really not rooting for this couple. But I do, I

1:27:42.960 --> 1:27:45.559
<v Speaker 3>do agree. I mean, I obviously, I mean I'm I'm

1:27:45.600 --> 1:27:49.240
<v Speaker 3>not Asian American. I have I see myself in rom

1:27:49.280 --> 1:27:53.160
<v Speaker 3>comms all the time. There's nothing, if not many white

1:27:53.200 --> 1:27:56.840
<v Speaker 3>women with brown hair and rom coms, and so I

1:27:56.840 --> 1:28:00.599
<v Speaker 3>can't speak to the experience of feeling represented in this genre.

1:28:00.880 --> 1:28:04.120
<v Speaker 3>And it was really cool reading through a lot of

1:28:04.160 --> 1:28:08.760
<v Speaker 3>the specifics of and also just how Ali Wong and

1:28:08.840 --> 1:28:12.080
<v Speaker 3>Randall Park really intentionally collaborated on that. I don't think

1:28:12.120 --> 1:28:15.439
<v Speaker 3>it's a coincidence that Nanatchka Khan had worked extensively with

1:28:15.520 --> 1:28:17.280
<v Speaker 3>both of them on Fresh Off the Boat, which is

1:28:17.280 --> 1:28:19.479
<v Speaker 3>a show that has a very similar goal. And so

1:28:20.240 --> 1:28:23.880
<v Speaker 3>I think, like representationally, this movie is wonderful and takes

1:28:23.880 --> 1:28:26.880
<v Speaker 3>a lot of great steps forward. I do feel like

1:28:26.880 --> 1:28:30.160
<v Speaker 3>it's guilty of girl Boss feminism, which was so many

1:28:30.200 --> 1:28:34.680
<v Speaker 3>things in twenty nineteen. So it's not a like this

1:28:34.800 --> 1:28:37.799
<v Speaker 3>movie is I think every so many attempts at feminism

1:28:37.800 --> 1:28:41.519
<v Speaker 3>in twenty nineteen had this Sheryl Sandbergie vibe to it.

1:28:42.280 --> 1:28:46.760
<v Speaker 3>But ultimately I'm dogging it for this couple does not

1:28:46.920 --> 1:28:51.680
<v Speaker 3>belong together. I found the relationship very stressful, which is

1:28:51.760 --> 1:28:54.479
<v Speaker 3>me fully projecting as a woman that once moved to

1:28:54.640 --> 1:28:58.880
<v Speaker 3>Maine to try to make it work. So yeah, these

1:28:58.920 --> 1:29:01.639
<v Speaker 3>fictional people should learn form my mistakes and break up.

1:29:02.840 --> 1:29:05.760
<v Speaker 4>I think more people should break up. I love breaking up,

1:29:06.400 --> 1:29:12.720
<v Speaker 4>normalize breaking up. People break up, please, Kia, how about you?

1:29:13.240 --> 1:29:18.360
<v Speaker 1>I'm going to also go three points eight five?

1:29:18.960 --> 1:29:24.520
<v Speaker 4>Oh, I know, groundbreaking, groundbreaking, Kia, Yes.

1:29:24.360 --> 1:29:27.680
<v Speaker 1>I think so because I just like it and I

1:29:27.840 --> 1:29:30.759
<v Speaker 1>know that they have all their issues, but I really

1:29:30.760 --> 1:29:33.960
<v Speaker 1>hope they make it. And also one of the nipples

1:29:34.000 --> 1:29:37.240
<v Speaker 1>I'm gonna give to the dad because I just think

1:29:38.280 --> 1:29:40.880
<v Speaker 1>I did appreciate that little friendship that they were like

1:29:41.520 --> 1:29:43.280
<v Speaker 1>genuinely close, and he didn't do the thing where he

1:29:43.320 --> 1:29:45.800
<v Speaker 1>pulled away after the mom died, because I hate that

1:29:45.960 --> 1:29:47.960
<v Speaker 1>trop even more than I hate the dead mom Troke.

1:29:48.080 --> 1:29:50.680
<v Speaker 5>I love his dance too, right, And so.

1:29:50.640 --> 1:29:54.760
<v Speaker 1>I'm going to give another nipple to Michelle Bhutto because duh.

1:29:54.800 --> 1:29:57.200
<v Speaker 1>And then my last nipple is going to be to

1:29:57.320 --> 1:30:02.640
<v Speaker 1>the very quick scene where Ali Wong Sasha flashes herself.

1:30:02.760 --> 1:30:06.920
<v Speaker 1>So then so then so that you can see her

1:30:06.960 --> 1:30:09.559
<v Speaker 1>bro I just think it's so funny and I like

1:30:09.720 --> 1:30:12.639
<v Speaker 1>cackled out loud. I just love it and I would

1:30:12.640 --> 1:30:15.519
<v Speaker 1>love for them to work together again. And like again

1:30:15.680 --> 1:30:18.600
<v Speaker 1>Randall Park, it just like that's sexy. Just shifted so

1:30:18.720 --> 1:30:21.000
<v Speaker 1>much for me in terms of how I view him,

1:30:21.000 --> 1:30:24.360
<v Speaker 1>and so I see him now, I'm like, heyvid hair O, well.

1:30:27.439 --> 1:30:29.400
<v Speaker 4>Nice, well, Kia, thank you so much for joining us

1:30:29.439 --> 1:30:33.080
<v Speaker 4>once again. Come back anytime. You're always welcome back.

1:30:33.120 --> 1:30:34.599
<v Speaker 1>Please. I love it here.

1:30:34.840 --> 1:30:37.240
<v Speaker 4>What would you like to plug? Tell us where people

1:30:37.280 --> 1:30:38.760
<v Speaker 4>can follow you and find your work?

1:30:39.040 --> 1:30:42.800
<v Speaker 1>Okay, you can follow me on Instagram at Kia k

1:30:42.920 --> 1:30:46.720
<v Speaker 1>E A H Underscore, Maria m A R I A.

1:30:47.520 --> 1:30:51.360
<v Speaker 1>I'm also on Blue Sky at Kia Brown at Blue

1:30:51.360 --> 1:30:55.200
<v Speaker 1>Skot I don't shit. And if you're like on Facebook,

1:30:55.240 --> 1:30:57.639
<v Speaker 1>I don't know who is anymore, but I do still

1:30:57.640 --> 1:31:01.760
<v Speaker 1>have a Facebook page and it's the Kia Brown. I'm

1:31:01.800 --> 1:31:05.759
<v Speaker 1>currently writing what I hope will read, my fourth book,

1:31:06.200 --> 1:31:10.960
<v Speaker 1>Another Esthet. But you can always and please do purchase

1:31:11.479 --> 1:31:13.840
<v Speaker 1>any of the three books that I have out right now.

1:31:14.320 --> 1:31:16.640
<v Speaker 1>And if you want to be the al woe to

1:31:17.360 --> 1:31:22.599
<v Speaker 1>my to my Marcus, please buy all of the books

1:31:22.680 --> 1:31:23.840
<v Speaker 1>and just keep buying them.

1:31:24.600 --> 1:31:27.760
<v Speaker 4>Buy so many copies of Kiya's books to show her

1:31:27.880 --> 1:31:30.280
<v Speaker 4>that you love her exactly.

1:31:30.560 --> 1:31:34.240
<v Speaker 3>My mom has a copy of Sam's Super Seeds in

1:31:34.280 --> 1:31:35.120
<v Speaker 3>her classrooms.

1:31:35.120 --> 1:31:37.840
<v Speaker 1>Oh my gosh, that makes me so happy.

1:31:37.880 --> 1:31:40.040
<v Speaker 3>Yes, so also, I mean it's predicalar I'm a fan

1:31:40.120 --> 1:31:41.439
<v Speaker 3>of all of your work, But if you have a

1:31:41.479 --> 1:31:44.120
<v Speaker 3>teacher in your life, get a copy of sam Super

1:31:44.160 --> 1:31:45.040
<v Speaker 3>Seeds for their classroom.

1:31:45.240 --> 1:31:47.680
<v Speaker 1>Yes, it's a great book. I'm biased, but it's right.

1:31:48.400 --> 1:31:49.920
<v Speaker 5>It's true, it's true, you're not wrong.

1:31:51.120 --> 1:31:55.960
<v Speaker 4>You can follow us at the place called Instagram if

1:31:55.960 --> 1:31:57.160
<v Speaker 4>you must, please do.

1:31:57.360 --> 1:32:00.920
<v Speaker 3>It's the only place we are so if not there,

1:32:00.920 --> 1:32:02.960
<v Speaker 3>you're gonna have a hard time keep it up, so

1:32:03.560 --> 1:32:06.400
<v Speaker 3>head over there. You can also join us on our

1:32:06.439 --> 1:32:10.240
<v Speaker 3>Patreon aka Matreon, and please do that too, where for

1:32:10.400 --> 1:32:13.880
<v Speaker 3>five dollars a month, you can get access to two

1:32:14.200 --> 1:32:19.479
<v Speaker 3>new episodes with Caitlin and myself doing a theam of

1:32:19.760 --> 1:32:23.720
<v Speaker 3>sometimes You're Choosing Sometimes ours. It's a very sort of

1:32:23.760 --> 1:32:27.559
<v Speaker 3>like goofy looser version of our format. And you don't

1:32:27.600 --> 1:32:30.240
<v Speaker 3>only get access to those two new episodes a month,

1:32:30.439 --> 1:32:33.960
<v Speaker 3>you can access to a back catalog of nearly two

1:32:34.200 --> 1:32:37.200
<v Speaker 3>hundred episodes. So if you're running out of episodes on

1:32:37.240 --> 1:32:39.800
<v Speaker 3>the main feed. Guess what, there is an affordable way

1:32:40.439 --> 1:32:42.800
<v Speaker 3>to have that not be true anymore. And there's a

1:32:42.840 --> 1:32:46.320
<v Speaker 3>really fun community over there, and.

1:32:45.840 --> 1:32:50.880
<v Speaker 4>We love you. Yes, so thanks for listening, and you

1:32:51.080 --> 1:32:56.160
<v Speaker 4>listeners will always be our maybe babies.

1:32:55.560 --> 1:33:04.839
<v Speaker 3>Babies, I love you, babies, Bye bye bye.

1:33:04.920 --> 1:33:08.200
<v Speaker 4>The Bechdel Cast is a production of iHeartMedia, hosted by

1:33:08.240 --> 1:33:12.160
<v Speaker 4>Caitlin Drante and Jamie Loftis, produced by Sophie Lichterman, edited

1:33:12.240 --> 1:33:15.200
<v Speaker 4>by mo La Boord. Our theme song was composed by

1:33:15.200 --> 1:33:19.479
<v Speaker 4>Mike Kaplan with vocals by Katherine Voskressensky. Our logo and

1:33:19.600 --> 1:33:22.920
<v Speaker 4>merch is designed by Jamie Loftis and a special thanks

1:33:22.960 --> 1:33:27.120
<v Speaker 4>to Aristotle Assevedo. For more information about the podcast, please

1:33:27.200 --> 1:33:29.080
<v Speaker 4>visit linktree slash Bechdel Cast