1 00:00:01,360 --> 00:00:03,680 Speaker 1: Heard around the world on the I Heart Radio app, 2 00:00:03,920 --> 00:00:07,760 Speaker 1: Apple Podcast or wherever you get your podcast. It's Cannabis 3 00:00:07,760 --> 00:00:11,760 Speaker 1: Talk one on one with Blue and Hello. Welcome to 4 00:00:11,760 --> 00:00:14,520 Speaker 1: Cannabis Talk one on one, the world's number one source 5 00:00:14,640 --> 00:00:17,720 Speaker 1: for everything cannabis. My name is Blue. Alongside of me 6 00:00:17,880 --> 00:00:21,040 Speaker 1: is Mr Joe grand Day. Thank you Christopher right, and 7 00:00:21,079 --> 00:00:23,439 Speaker 1: thank you guys all for listening to our podcast Cannabis 8 00:00:23,480 --> 00:00:25,320 Speaker 1: Talk one on one all around the world. Make sure 9 00:00:25,320 --> 00:00:27,440 Speaker 1: you check out the website Cannabis Talk one on one 10 00:00:27,480 --> 00:00:30,080 Speaker 1: dot com as we have so many great articles on 11 00:00:30,120 --> 00:00:31,960 Speaker 1: there and blogs free to check out. As like you 12 00:00:32,040 --> 00:00:34,080 Speaker 1: heard my brother from another mother, Blue said, we are 13 00:00:34,120 --> 00:00:37,479 Speaker 1: the world's number one source for every cannabis and you 14 00:00:37,520 --> 00:00:39,680 Speaker 1: can call us up anytime and leave us a voicemail. 15 00:00:39,720 --> 00:00:42,200 Speaker 1: I just got a great voicemail from Manny that I said, 16 00:00:42,240 --> 00:00:44,760 Speaker 1: I but we just got a great voicemail from a 17 00:00:44,800 --> 00:00:46,720 Speaker 1: guy by the name of Manny to the day Manny 18 00:00:46,800 --> 00:00:49,559 Speaker 1: that we've just seen at that event that we went 19 00:00:49,640 --> 00:00:54,240 Speaker 1: to um Manny from it used to be at Cookies. 20 00:00:54,280 --> 00:01:00,160 Speaker 1: I wasn't what was that set after Saturday. But Mexican Man, 21 00:01:01,120 --> 00:01:03,680 Speaker 1: I love you many, I like you always leaving us 22 00:01:03,680 --> 00:01:07,480 Speaker 1: great messages. Yes, yes, him right there, he's gonna be 23 00:01:07,520 --> 00:01:09,959 Speaker 1: at burning trees actually, so call us up and leave 24 00:01:10,000 --> 00:01:11,360 Speaker 1: us a message and I can say something like this 25 00:01:11,400 --> 00:01:15,880 Speaker 1: about you. Check out our I G pages at Cannabis 26 00:01:15,880 --> 00:01:17,880 Speaker 1: Talk one oh one. Blue is at that number one, 27 00:01:18,000 --> 00:01:21,240 Speaker 1: Christopher right, I am at Joe Grand fifty two, and 28 00:01:21,280 --> 00:01:24,200 Speaker 1: I gotta remind you about Advanced Nutrients. They got a 29 00:01:24,280 --> 00:01:27,399 Speaker 1: complete growing system for cannabis that optimizes all phases and 30 00:01:27,440 --> 00:01:30,280 Speaker 1: cycles to bring your crops to their true genetic potential. 31 00:01:30,560 --> 00:01:34,160 Speaker 1: Discover more at advanced nutrients dot com on the show today. 32 00:01:35,600 --> 00:01:40,000 Speaker 1: The cliche of saying oh no, oh no, it's not 33 00:01:40,040 --> 00:01:44,360 Speaker 1: a cliche because oh no, when you stub your toe 34 00:01:45,240 --> 00:01:49,720 Speaker 1: will now be referred to as that's oh no. You 35 00:01:49,800 --> 00:01:55,640 Speaker 1: know what I'm saying it oh no, oh no. And 36 00:01:55,680 --> 00:01:58,360 Speaker 1: when I say oh no, folks, I'm talking about this 37 00:01:58,440 --> 00:02:01,680 Speaker 1: hip hop recording artist now. Pete Game, born just around 38 00:02:01,680 --> 00:02:06,360 Speaker 1: the corner in Anaheim, California, oh No, had a life 39 00:02:06,400 --> 00:02:09,480 Speaker 1: that was far from easy. No no no. With an 40 00:02:09,520 --> 00:02:13,040 Speaker 1: adversarial upbringing, He turned to music at just the age 41 00:02:13,080 --> 00:02:16,640 Speaker 1: of fourteen years old, where he recorded his first song 42 00:02:16,720 --> 00:02:21,920 Speaker 1: with a one hundred dollar USB microphone what. His influences 43 00:02:21,960 --> 00:02:26,440 Speaker 1: include artists from Gang Start to Metallica, and after sparking 44 00:02:26,520 --> 00:02:30,280 Speaker 1: his music career with a boom back genre, he then 45 00:02:30,440 --> 00:02:35,640 Speaker 1: ventured off to his new creative vision as an independent artist. 46 00:02:36,080 --> 00:02:40,520 Speaker 1: Now after this run, he was signed with Deaf Jam 47 00:02:40,720 --> 00:02:46,560 Speaker 1: in One as their first Mexican artists, which you know 48 00:02:46,720 --> 00:02:57,000 Speaker 1: that just make His new EP, Sunshine in a Bag 49 00:02:57,600 --> 00:03:01,880 Speaker 1: is the latest project which draw back in June two, 50 00:03:02,400 --> 00:03:07,440 Speaker 1: which singles includes Madness and Drowsy. Oh Knows music is 51 00:03:07,480 --> 00:03:11,560 Speaker 1: available on all streaming platforms and he will be performing 52 00:03:11,680 --> 00:03:16,320 Speaker 1: live folks at the Burning Trees Festival Saturday seven in Atlanto, 53 00:03:16,400 --> 00:03:19,880 Speaker 1: California at the event Center. Please come say hello to 54 00:03:19,960 --> 00:03:22,480 Speaker 1: him as he'll be hanging out and kicking it at 55 00:03:22,480 --> 00:03:26,320 Speaker 1: the booth at the Juice Packs and the Cali Plug Team, 56 00:03:26,360 --> 00:03:28,640 Speaker 1: both camps that I love. I just seen the Cali 57 00:03:28,720 --> 00:03:31,320 Speaker 1: Plug thing and that's so dope that you're associated with 58 00:03:31,360 --> 00:03:34,720 Speaker 1: these guys, ladies and gentlemen. Please give it up for 59 00:03:35,200 --> 00:03:38,800 Speaker 1: my man, my brother, my son, my nephew, Oh Knows 60 00:03:38,840 --> 00:03:50,280 Speaker 1: in the let go. Thank you for coming on the show. 61 00:03:50,320 --> 00:03:52,000 Speaker 1: Oh No, as we hear this and you're from right 62 00:03:52,000 --> 00:03:54,240 Speaker 1: around the corner here in Orange County. Give us that 63 00:03:54,320 --> 00:03:56,680 Speaker 1: elaborate breakdown. Dude, who are you and where you come from? 64 00:03:56,680 --> 00:03:58,760 Speaker 1: Because you not only are you a good looking young 65 00:03:58,880 --> 00:04:01,600 Speaker 1: man with the blonde a lady kimy I had. I 66 00:04:01,680 --> 00:04:03,520 Speaker 1: used to bleach my hair blonde. I can go about me. 67 00:04:03,560 --> 00:04:07,000 Speaker 1: I just so there's too many like so every look 68 00:04:07,040 --> 00:04:11,360 Speaker 1: about you as a young me except at two, like three, 69 00:04:11,840 --> 00:04:13,839 Speaker 1: maybe three fifty to you. But yeah, but I mean 70 00:04:13,840 --> 00:04:15,480 Speaker 1: my point is, dude, I love you. You have no 71 00:04:15,560 --> 00:04:17,960 Speaker 1: idea how much I love you. With my point, you right, 72 00:04:18,040 --> 00:04:20,000 Speaker 1: So like I said, deep little like, oh, I'm not 73 00:04:20,000 --> 00:04:21,520 Speaker 1: even talking to you before the show because I would 74 00:04:21,600 --> 00:04:23,360 Speaker 1: want to say this before the show. I wanted to 75 00:04:23,440 --> 00:04:25,119 Speaker 1: keep it so I could be organic with you before 76 00:04:26,160 --> 00:04:28,120 Speaker 1: ignoring you before the show, so that I can say 77 00:04:28,120 --> 00:04:30,440 Speaker 1: this to you live. Yeah, you know, we try to 78 00:04:30,440 --> 00:04:32,159 Speaker 1: stay away. I try to do that. So it was 79 00:04:32,200 --> 00:04:35,360 Speaker 1: not by being disrespect our staff. Our staff was supposed 80 00:04:35,400 --> 00:04:37,280 Speaker 1: to tell you, but they never do exactly. They never 81 00:04:37,320 --> 00:04:38,960 Speaker 1: say Joe is not gonna talk to you because he's 82 00:04:38,960 --> 00:04:42,279 Speaker 1: gonna hold back. I'm holding back. You know. We try 83 00:04:42,360 --> 00:04:44,600 Speaker 1: not to talk to you guys, right because it ends 84 00:04:44,680 --> 00:04:46,919 Speaker 1: up we talked about the show. We start getting to 85 00:04:47,000 --> 00:04:49,480 Speaker 1: ask you questions and ask questions, and then all of 86 00:04:49,520 --> 00:04:51,120 Speaker 1: a sudden, next thing, you know, we might not talk 87 00:04:51,160 --> 00:04:53,320 Speaker 1: about those things on air. I agree. I think that's 88 00:04:53,320 --> 00:04:55,200 Speaker 1: a good idea. I think that's a very smart movie. 89 00:04:55,200 --> 00:04:57,480 Speaker 1: That's dope. That's so. That's why No. So that that's 90 00:04:57,480 --> 00:04:59,120 Speaker 1: why I'm saying it now to you, and I'm acknowledge 91 00:04:59,120 --> 00:05:00,880 Speaker 1: you why you. I was at around your tumor and 92 00:05:00,920 --> 00:05:02,760 Speaker 1: I didn't talk to you, and I felt like an asshole. 93 00:05:02,760 --> 00:05:05,480 Speaker 1: So I'm sorry. It was purposely done trying to get 94 00:05:05,480 --> 00:05:07,919 Speaker 1: the staff to remember that said though young man, oh No, 95 00:05:08,120 --> 00:05:10,320 Speaker 1: I love the name. First off, where does oh No 96 00:05:10,520 --> 00:05:14,560 Speaker 1: come from? Before? Where oh No comes from? So? Um? So, 97 00:05:14,640 --> 00:05:16,200 Speaker 1: back then I used to do boom bab. I was 98 00:05:16,320 --> 00:05:18,279 Speaker 1: like super hip hop artist. You know. I was doing 99 00:05:18,320 --> 00:05:20,760 Speaker 1: the background, I mean the backyard shows and all that 100 00:05:21,240 --> 00:05:23,480 Speaker 1: um and I was going by relevant, you know. I 101 00:05:23,520 --> 00:05:25,640 Speaker 1: was in a group called at Last and stuff, and 102 00:05:25,680 --> 00:05:28,159 Speaker 1: I had a pretty solid fan base. I was doing shows. 103 00:05:28,440 --> 00:05:30,880 Speaker 1: It was it was going good, you know, and one 104 00:05:30,920 --> 00:05:32,600 Speaker 1: day my boy I need to and I decided that 105 00:05:32,640 --> 00:05:35,800 Speaker 1: we're going to do more commercial pop. And we just 106 00:05:35,839 --> 00:05:39,400 Speaker 1: figured that the fan base already had I wouldn't like that. 107 00:05:39,520 --> 00:05:41,919 Speaker 1: You know, they're straight boom bad heads, so we already 108 00:05:42,000 --> 00:05:44,640 Speaker 1: knew they were gonna be like, oh nah, like nah no, 109 00:05:44,839 --> 00:05:47,320 Speaker 1: that's a whack. So it was like change action. Yeah yeah, 110 00:05:47,400 --> 00:05:49,440 Speaker 1: it was a reaction, you know. So I pretty much 111 00:05:49,480 --> 00:05:51,640 Speaker 1: just named myself after the reaction I felt that would 112 00:05:51,640 --> 00:05:55,599 Speaker 1: have and I lost my fan base at that time. Yeah. Yeah, 113 00:05:55,720 --> 00:05:59,279 Speaker 1: so I had to start, like, you know, it's crazy. 114 00:05:59,320 --> 00:06:02,320 Speaker 1: It's because look, I went from you know, doing gangster 115 00:06:02,400 --> 00:06:05,080 Speaker 1: hip hop in the nineties to going to pop you 116 00:06:05,120 --> 00:06:06,960 Speaker 1: know which I and then I started doing my pop 117 00:06:07,000 --> 00:06:09,640 Speaker 1: and I never really released it, probably because a lot 118 00:06:09,680 --> 00:06:12,200 Speaker 1: of the same thing that you're going through. But probably 119 00:06:12,240 --> 00:06:14,160 Speaker 1: the stupidest thing that I ever did, because I was 120 00:06:14,200 --> 00:06:17,000 Speaker 1: in studios with you know, people like Corrupt and I corrupt. 121 00:06:17,080 --> 00:06:19,680 Speaker 1: At first, he's like he's like, oh, you know, oh no, 122 00:06:19,960 --> 00:06:21,960 Speaker 1: you know, I mean, you're gonna You're gonna actually, um, 123 00:06:22,480 --> 00:06:24,360 Speaker 1: you know, go on. You're on tour with some of 124 00:06:24,360 --> 00:06:27,040 Speaker 1: the biggest artists in the world right now, and he's like, 125 00:06:27,320 --> 00:06:30,400 Speaker 1: you're gonna go pop. He's like, Bro, you're playing Russian 126 00:06:30,480 --> 00:06:33,599 Speaker 1: Roulette right now. You're gonna fucking shoot yourself and kill yourself, like, 127 00:06:34,000 --> 00:06:36,040 Speaker 1: and then I played on my records and he was 128 00:06:36,120 --> 00:06:37,440 Speaker 1: there and he was like, oh no, you need to 129 00:06:37,480 --> 00:06:39,920 Speaker 1: do this, like this is hot, you know. So it 130 00:06:40,000 --> 00:06:43,440 Speaker 1: started becoming like, you know, something that people really started enjoying, 131 00:06:43,480 --> 00:06:45,240 Speaker 1: the start pushing it. So is that how you feel 132 00:06:45,320 --> 00:06:47,240 Speaker 1: right now? Yeah? I mean at first, like I said, 133 00:06:47,240 --> 00:06:49,400 Speaker 1: nobody was really really rocking with it. It It took me 134 00:06:49,440 --> 00:06:51,200 Speaker 1: a while. I had to how to regain everything all 135 00:06:51,240 --> 00:06:54,160 Speaker 1: over again, all my followers, my my my core fan base, 136 00:06:54,200 --> 00:06:57,560 Speaker 1: you know. But I'm here, and honestly, it was one 137 00:06:57,600 --> 00:06:59,600 Speaker 1: of the best decisions I've ever made in my life, 138 00:06:59,680 --> 00:07:01,559 Speaker 1: you know, to me, although I got so much hate, 139 00:07:02,040 --> 00:07:04,400 Speaker 1: I lost friends from it because I'm telling you, my 140 00:07:04,440 --> 00:07:06,680 Speaker 1: friends were boom bat They're like, oh no, we're a 141 00:07:06,720 --> 00:07:08,480 Speaker 1: rap we're hip hop, you know what I mean. So 142 00:07:08,640 --> 00:07:11,040 Speaker 1: that was like a like a no, yeah, all of 143 00:07:11,080 --> 00:07:12,880 Speaker 1: a sudden, you're doing commercial ship and they're like, well, 144 00:07:13,040 --> 00:07:14,720 Speaker 1: you're like, no, I'm doing this because I'm trying to 145 00:07:14,760 --> 00:07:19,520 Speaker 1: help you guys. Yeah. A lot of my friends back, Yeah, 146 00:07:19,640 --> 00:07:21,560 Speaker 1: a lot of them are doing commercial now though, so 147 00:07:21,720 --> 00:07:24,320 Speaker 1: you know what I mean, you know, that's allowed up. 148 00:07:24,640 --> 00:07:27,160 Speaker 1: They came back. It's funny the cycle of hip hop 149 00:07:27,200 --> 00:07:29,440 Speaker 1: because it takes me back to the mc hammer days 150 00:07:29,640 --> 00:07:32,240 Speaker 1: of thinking when you're selling out a hip hop right, 151 00:07:32,320 --> 00:07:34,680 Speaker 1: and I think of the early days when Hammer did 152 00:07:34,720 --> 00:07:37,680 Speaker 1: the first Taco bell commercial and you think about doing 153 00:07:37,800 --> 00:07:40,200 Speaker 1: commercial and you growing up even when you were doing it, 154 00:07:40,240 --> 00:07:42,240 Speaker 1: thinking I don't want to go sell out and do 155 00:07:42,360 --> 00:07:46,480 Speaker 1: pop shit. It's forever been that cycle, right, And then 156 00:07:46,480 --> 00:07:48,600 Speaker 1: it's like, no, you guys, we needn't make money. This 157 00:07:48,720 --> 00:07:52,200 Speaker 1: is the business like you do. I when I talked 158 00:07:52,200 --> 00:07:54,000 Speaker 1: to cats and I was in the radio and that happened. 159 00:07:54,200 --> 00:07:55,920 Speaker 1: Are you in it to make people for? They go 160 00:07:55,960 --> 00:07:57,440 Speaker 1: do it? They don't talk to me because I mean 161 00:07:57,480 --> 00:07:59,640 Speaker 1: I played music for people that want to sell here 162 00:08:00,880 --> 00:08:04,520 Speaker 1: like you don't want to. On our previous show, too 163 00:08:04,520 --> 00:08:07,280 Speaker 1: Short said it. It's the music business, you know what 164 00:08:07,360 --> 00:08:09,400 Speaker 1: I mean? And some people think it's just music and 165 00:08:09,440 --> 00:08:11,600 Speaker 1: their business ain't right, or some people have really good 166 00:08:11,600 --> 00:08:13,880 Speaker 1: business in their music is not that high, and some 167 00:08:13,920 --> 00:08:16,600 Speaker 1: people find that lane and become the greatest. You know, 168 00:08:17,720 --> 00:08:19,560 Speaker 1: what's your plan? Man? You plan on? What? What? What 169 00:08:19,600 --> 00:08:21,840 Speaker 1: do you see yourself? You know in five years? You 170 00:08:21,840 --> 00:08:24,520 Speaker 1: know going with this? I mean so look, I mean 171 00:08:24,560 --> 00:08:26,480 Speaker 1: as of right now, you know I've I've been I'm 172 00:08:26,520 --> 00:08:29,040 Speaker 1: like about ten months into this deal. You know, I 173 00:08:29,080 --> 00:08:31,920 Speaker 1: haven't had me personally, I don't feel like I've had 174 00:08:31,960 --> 00:08:33,319 Speaker 1: my hit, you know what I mean. I've I've put 175 00:08:33,320 --> 00:08:36,400 Speaker 1: out some of my favorite songs, but I don't feel 176 00:08:36,400 --> 00:08:38,320 Speaker 1: like I have to hit, you know. Um, So right now, 177 00:08:38,320 --> 00:08:39,880 Speaker 1: I'm just working towards that, you know what I mean, 178 00:08:39,880 --> 00:08:43,000 Speaker 1: Because I know once once I get that, everything's changed, 179 00:08:43,040 --> 00:08:45,320 Speaker 1: you know everything's gonna change. So I'm just super excited 180 00:08:45,320 --> 00:08:48,560 Speaker 1: about about that. I'm staying focused. Um I'm about to 181 00:08:48,559 --> 00:08:51,560 Speaker 1: be very consistent again like how it was before, you know, 182 00:08:51,640 --> 00:08:54,480 Speaker 1: releasing weekly every two weeks or so. But I mean 183 00:08:54,520 --> 00:08:57,240 Speaker 1: five years from now, wherever I'm at now, a lot 184 00:08:57,280 --> 00:08:59,360 Speaker 1: of things been going great. I see it at times ten. 185 00:09:00,040 --> 00:09:02,079 Speaker 1: So you come from this band like that, you're signing 186 00:09:02,160 --> 00:09:04,880 Speaker 1: with Deaf Jam. Is Deaf Jam now trying to do 187 00:09:04,880 --> 00:09:08,080 Speaker 1: you know what with you because having a label like 188 00:09:08,160 --> 00:09:11,760 Speaker 1: def Jam, who's dominantly from the East Coast, being a 189 00:09:11,760 --> 00:09:14,520 Speaker 1: West Coast guy, being a Latin guy, being the first 190 00:09:14,600 --> 00:09:19,000 Speaker 1: Latin guy on def Jam, who's dominantly an East Coast thing, 191 00:09:19,120 --> 00:09:23,280 Speaker 1: You're not Puerto Rican. They're clearly calling you Mexican. It's 192 00:09:23,320 --> 00:09:26,480 Speaker 1: a lot of plays there. It's a lot of things 193 00:09:26,559 --> 00:09:28,040 Speaker 1: that we all know what I'm saying. If you hear 194 00:09:28,080 --> 00:09:29,760 Speaker 1: what I'm saying that I'm saying. If you don't know, 195 00:09:29,840 --> 00:09:31,800 Speaker 1: I'm sorry you don't know the game well enough. But 196 00:09:31,920 --> 00:09:34,200 Speaker 1: you guys know what I'm saying up here. Yeah, honestly, 197 00:09:34,280 --> 00:09:36,800 Speaker 1: like I'm still shocked at this sometimes because exactly what 198 00:09:36,840 --> 00:09:39,760 Speaker 1: you said. For one, I'm a West Coast artist on 199 00:09:39,760 --> 00:09:43,880 Speaker 1: the East Coast label. That's that already alone, is yeah, 200 00:09:43,960 --> 00:09:46,120 Speaker 1: you know. And then the fact that I'm Mexican, it's 201 00:09:46,160 --> 00:09:48,520 Speaker 1: just like Yo, and I believe I'm the first Mexican 202 00:09:48,600 --> 00:09:51,280 Speaker 1: ever signed the Deaf Jam. So like, congratulations, let's get 203 00:09:51,280 --> 00:09:57,880 Speaker 1: that and that that that makes the stand for all Mexicans, 204 00:09:57,920 --> 00:10:01,160 Speaker 1: you know, across the country. And and I think you know, 205 00:10:01,640 --> 00:10:04,680 Speaker 1: being with Deaf Jam, it's diverse for you, you know 206 00:10:04,679 --> 00:10:07,360 Speaker 1: what I mean, because you probably have access to some 207 00:10:07,440 --> 00:10:10,320 Speaker 1: of the greatest artists in music history. Was definitely, Yeah, 208 00:10:10,520 --> 00:10:12,120 Speaker 1: tell the people that I look up to, you know, 209 00:10:12,160 --> 00:10:14,480 Speaker 1: they're they're on the same roster as me. I went 210 00:10:14,480 --> 00:10:16,800 Speaker 1: through the website like a month ago, and I was tripping. 211 00:10:16,840 --> 00:10:19,000 Speaker 1: I was like, damn, Yo, like just seeing the artists 212 00:10:19,000 --> 00:10:21,400 Speaker 1: that I listened to, I was like, that's give me 213 00:10:21,480 --> 00:10:24,320 Speaker 1: sure with those names. Kanye, I've been listening a little 214 00:10:24,320 --> 00:10:26,640 Speaker 1: more to like I mean I wasn't ever, but recently 215 00:10:26,679 --> 00:10:30,600 Speaker 1: I have been Kanye Yeah he is yeah huge. Yeah. 216 00:10:30,760 --> 00:10:32,920 Speaker 1: I mean just the fact that you know, yeah, it's 217 00:10:32,920 --> 00:10:34,880 Speaker 1: it's it's a crazy thing. I've been listening a little 218 00:10:34,920 --> 00:10:37,400 Speaker 1: more to like, um, you know, like more pop stuff, 219 00:10:37,440 --> 00:10:41,160 Speaker 1: justin Beaver type stuff. You know. So just to know that, um, 220 00:10:41,200 --> 00:10:43,640 Speaker 1: eventually I can be in you know, the same room 221 00:10:43,640 --> 00:10:45,800 Speaker 1: and everything. To be that type of artists just makes 222 00:10:45,800 --> 00:10:47,840 Speaker 1: me feel good about you know the route on mon 223 00:10:47,960 --> 00:10:50,640 Speaker 1: right now? Oh no, have you watched the movie Crush Groove? 224 00:10:51,120 --> 00:10:53,920 Speaker 1: I have. My My mom's husband got it from me 225 00:10:53,960 --> 00:10:55,600 Speaker 1: because he told me when I first signed the Deaf 226 00:10:55,640 --> 00:11:01,120 Speaker 1: Jams not so to watch that movie and ow you're there. Yeah, 227 00:11:01,200 --> 00:11:03,000 Speaker 1: you know, like he got it from me. I kept 228 00:11:03,040 --> 00:11:05,400 Speaker 1: it in the It was a nicely like wrapping stuff. 229 00:11:05,440 --> 00:11:07,079 Speaker 1: I kept it. I framed it and I went and 230 00:11:07,120 --> 00:11:09,000 Speaker 1: I just rented it online so I could watch it 231 00:11:09,040 --> 00:11:12,600 Speaker 1: and I could just keep it as a And for 232 00:11:12,640 --> 00:11:15,199 Speaker 1: those who don't know what I'm talking about, do yourself 233 00:11:15,400 --> 00:11:18,720 Speaker 1: your due diligence because it's borderline of documentary now my book. 234 00:11:18,800 --> 00:11:20,880 Speaker 1: You know, I mean it was a fun movie because 235 00:11:20,920 --> 00:11:22,960 Speaker 1: it's a movie and it's acted out and it's fun, 236 00:11:23,640 --> 00:11:28,480 Speaker 1: but it's a documentary, folks, theatrically of how Jeff Jam 237 00:11:28,559 --> 00:11:31,400 Speaker 1: came about, you know what I'm saying, Like they have 238 00:11:31,640 --> 00:11:35,839 Speaker 1: fucking literally LLL cool J in the movie in ll 239 00:11:35,920 --> 00:11:38,640 Speaker 1: O cool J with run DMC who started Deaf Jam 240 00:11:38,679 --> 00:11:40,960 Speaker 1: and be like they're in this movie and kind of 241 00:11:41,000 --> 00:11:43,400 Speaker 1: showing you what they really did. That's you know, we're 242 00:11:43,440 --> 00:11:45,240 Speaker 1: one of those. There was two dudes. They were like 243 00:11:45,240 --> 00:11:48,440 Speaker 1: a little bigger dudes were one of them Mexican. They're 244 00:11:48,480 --> 00:11:50,840 Speaker 1: one of those fat boys. He was Puerto Rican. That's 245 00:11:50,840 --> 00:11:55,319 Speaker 1: why I say Puerto Rican do the mark, because actually 246 00:11:55,480 --> 00:11:57,240 Speaker 1: it was a three dudes. Yeah, he was Puerto Rican 247 00:11:57,280 --> 00:12:01,040 Speaker 1: do And how do I know that? Because I used 248 00:12:01,080 --> 00:12:04,319 Speaker 1: to beat box, so I was heavy back then. I 249 00:12:04,400 --> 00:12:06,240 Speaker 1: know exactly. I just can't pull his name on my 250 00:12:06,240 --> 00:12:08,240 Speaker 1: fucking hat right now. But of course I know exactly 251 00:12:08,280 --> 00:12:16,960 Speaker 1: all three names of the fat boys little back because 252 00:12:17,440 --> 00:12:24,720 Speaker 1: the fat boys, I mean that boys, and that's my 253 00:12:24,800 --> 00:12:27,400 Speaker 1: era of what I learned and drew on. So when 254 00:12:27,400 --> 00:12:29,480 Speaker 1: I see you signed a deaf Jam, I'm like, and 255 00:12:29,480 --> 00:12:32,439 Speaker 1: then you ready for this random random On Saturday, when 256 00:12:32,440 --> 00:12:34,200 Speaker 1: I found at the worst thing. I'm looking through pictures. 257 00:12:34,200 --> 00:12:36,440 Speaker 1: I found a picture of me and a guy named 258 00:12:36,480 --> 00:12:41,360 Speaker 1: Donny who from deaf Jam. I gotta show thee no no, 259 00:12:41,360 --> 00:12:47,640 Speaker 1: no here, I don't think, but this guy iron if 260 00:12:47,640 --> 00:12:50,719 Speaker 1: you right, Of all the pictures that I found recently, 261 00:12:51,120 --> 00:12:53,760 Speaker 1: and I only took pictures of a few, meaning that 262 00:12:53,880 --> 00:12:56,360 Speaker 1: different looks at me and this different looks And one 263 00:12:56,600 --> 00:12:58,800 Speaker 1: was this guy that I took a picture of. And 264 00:12:58,800 --> 00:13:00,840 Speaker 1: I don't know if you know, but too Short just 265 00:13:00,880 --> 00:13:05,200 Speaker 1: said he loves that guy and Clinton, Oh yeah, George 266 00:13:05,880 --> 00:13:07,360 Speaker 1: a picture of me and George Clinton. And I go, 267 00:13:07,400 --> 00:13:09,040 Speaker 1: oh my god. I found this picture that I don't 268 00:13:09,040 --> 00:13:11,280 Speaker 1: have anywhere, like, oh my god, nobody's ever seen this 269 00:13:11,280 --> 00:13:13,520 Speaker 1: picture of me and George Clinton. And I took a 270 00:13:13,559 --> 00:13:16,439 Speaker 1: picture of that as well. So it's so funny that 271 00:13:16,480 --> 00:13:20,120 Speaker 1: you say some random ship like that. You know, I'll 272 00:13:20,160 --> 00:13:22,400 Speaker 1: tell you what, man, I mean. Right now, you're in 273 00:13:22,400 --> 00:13:26,520 Speaker 1: a crucial position, right You've got a major label deaf Jam. 274 00:13:26,559 --> 00:13:29,079 Speaker 1: I mean, big shouts deaf Jam for taking a shot 275 00:13:29,080 --> 00:13:32,280 Speaker 1: on you. You know, are you guys recording, you know, 276 00:13:32,640 --> 00:13:35,360 Speaker 1: like at deaf Jam, are you just turning into your music? 277 00:13:35,679 --> 00:13:37,600 Speaker 1: And then you know, how's that working for you? Yeah? 278 00:13:37,640 --> 00:13:39,480 Speaker 1: I'm just turning in my music. You know. I'm the 279 00:13:39,520 --> 00:13:42,160 Speaker 1: type of artists that, like I'm I feel most comfortable 280 00:13:42,440 --> 00:13:44,960 Speaker 1: u Um. I have like my own little set up, 281 00:13:45,280 --> 00:13:46,480 Speaker 1: you know what I mean, even if like I read 282 00:13:46,520 --> 00:13:48,840 Speaker 1: my own studio, I just feel comfortable doing it that way. 283 00:13:49,800 --> 00:13:52,640 Speaker 1: So I definitely just turned in turning a lot of music. 284 00:13:52,679 --> 00:13:55,199 Speaker 1: But I'm always working. They are they giving you artists 285 00:13:55,240 --> 00:13:57,360 Speaker 1: like Kanye to work with? I mean not yet? Are 286 00:13:57,440 --> 00:14:01,240 Speaker 1: not yet? Has? It has to make sense and I understand, 287 00:14:01,280 --> 00:14:05,280 Speaker 1: you know. Uh so I'm just I'm push yet not yet. 288 00:14:05,400 --> 00:14:08,120 Speaker 1: You know one thing I did push though, well, I 289 00:14:08,120 --> 00:14:09,439 Speaker 1: I told my manager and I was like, Yo, you 290 00:14:09,480 --> 00:14:11,400 Speaker 1: gotta mention it. I just want to. I just want 291 00:14:11,440 --> 00:14:13,959 Speaker 1: them to know that everybody wants to dev Jam Fight 292 00:14:14,000 --> 00:14:16,400 Speaker 1: from New York game back. Yeah, I ever played that game, 293 00:14:16,720 --> 00:14:18,560 Speaker 1: but I heard I was just talking about it. Was 294 00:14:18,559 --> 00:14:20,000 Speaker 1: so I never played it, but I just talked to 295 00:14:20,040 --> 00:14:22,400 Speaker 1: somebody the other day about it. Some girl that was here. 296 00:14:22,440 --> 00:14:24,080 Speaker 1: She was like, I was part of that game, and yes, 297 00:14:24,960 --> 00:14:28,520 Speaker 1: it's literally it's just a fighting game. And what they 298 00:14:28,520 --> 00:14:30,320 Speaker 1: did is they put all the artists on the roster 299 00:14:30,400 --> 00:14:32,640 Speaker 1: at the time in the fighting game, so you just 300 00:14:32,680 --> 00:14:34,600 Speaker 1: it's like a whole storyline and you would just fight 301 00:14:34,680 --> 00:14:37,040 Speaker 1: artists to art. It was so dough, it was just crazy. 302 00:14:37,240 --> 00:14:39,520 Speaker 1: It's one of my favorite. It's absolutely my favorite game 303 00:14:40,160 --> 00:14:43,360 Speaker 1: to this day. Really, top three that Conquer is bad 304 00:14:43,400 --> 00:14:45,560 Speaker 1: for day and uh that's probably like the top two. 305 00:14:45,600 --> 00:14:49,600 Speaker 1: Are you a gamer? No, but but that's your game before. 306 00:14:49,680 --> 00:14:52,240 Speaker 1: It was your game before you started way before. Yeah, 307 00:14:52,280 --> 00:14:54,360 Speaker 1: this was when I was a kid. I I got 308 00:14:54,360 --> 00:14:57,880 Speaker 1: it on GameCube. My favorite game. You know what? Oh no, 309 00:14:58,640 --> 00:15:00,520 Speaker 1: they were to go to break real quick come back. 310 00:15:00,560 --> 00:15:04,040 Speaker 1: He's performing at the Burning Trees Festival in aut Lanto Saturday, August. 311 00:15:04,960 --> 00:15:06,640 Speaker 1: If you're not gonna be there, folks, I don't know 312 00:15:06,640 --> 00:15:09,360 Speaker 1: where you're gonna be hanging that day. Seriously, the hype 313 00:15:09,480 --> 00:15:12,600 Speaker 1: is just building so crazy. It's gonna sell out, So 314 00:15:12,680 --> 00:15:14,280 Speaker 1: make sure you come out there. It's Cannabis Talk one 315 00:15:14,280 --> 00:15:15,840 Speaker 1: on one. We'll be right back after this break. We'll 316 00:15:15,880 --> 00:15:29,720 Speaker 1: be right back with Cannabis Talk one oh one. Welcome 317 00:15:29,800 --> 00:15:33,200 Speaker 1: back to Cannabis Talk one oh one. Oh turn your 318 00:15:33,240 --> 00:15:36,920 Speaker 1: typical into some session when it comes to I huge products. 319 00:15:36,920 --> 00:15:39,320 Speaker 1: The flavors you say should be just as enjoyable as 320 00:15:39,320 --> 00:15:43,680 Speaker 1: the feeling your experience. Oh no, visit the website luran 321 00:15:43,800 --> 00:15:46,600 Speaker 1: oils dot com. Hello R A N N O I 322 00:15:46,920 --> 00:15:49,400 Speaker 1: l S dot com. Things we do on commercial break, folks, 323 00:15:49,440 --> 00:15:52,640 Speaker 1: are just as fun as we do on the ears. 324 00:15:52,880 --> 00:15:54,120 Speaker 1: And I was just gonna share it with you because 325 00:15:54,160 --> 00:15:55,480 Speaker 1: this is how fun it is. Oh no, just goes 326 00:15:55,480 --> 00:15:56,920 Speaker 1: where should I ask to show this session in the 327 00:15:56,960 --> 00:15:58,640 Speaker 1: ash tray? Right before we went on? I go, no, 328 00:15:58,760 --> 00:16:01,280 Speaker 1: just go ahead and nash you in your mouth and said, 329 00:16:02,520 --> 00:16:04,600 Speaker 1: we just have some fun to say. Oh no, you're 330 00:16:04,640 --> 00:16:07,920 Speaker 1: you're You're going on on this big event Saturday August, 331 00:16:09,480 --> 00:16:12,000 Speaker 1: big headliners who looked you over with that? How did 332 00:16:12,000 --> 00:16:14,360 Speaker 1: you get? So? Shout out to my boy Brandon and 333 00:16:14,440 --> 00:16:17,360 Speaker 1: Mike Kelly. They you know, their their mom their mom 334 00:16:17,400 --> 00:16:20,120 Speaker 1: boys and my people. You know they reached out. I 335 00:16:20,120 --> 00:16:26,480 Speaker 1: guess they you know, super connected. That happened after that, 336 00:16:26,520 --> 00:16:28,560 Speaker 1: you know what I mean? Thank you, bro, But yeah, 337 00:16:28,600 --> 00:16:31,400 Speaker 1: shout out to Brandon and Mike Kelly. You know what's 338 00:16:31,400 --> 00:16:33,720 Speaker 1: funny is is Mike Kelly and I go back. Really, 339 00:16:33,920 --> 00:16:36,720 Speaker 1: you know even before. So Mike used to be on 340 00:16:36,720 --> 00:16:38,360 Speaker 1: one of the owners of cannabis talking on with me 341 00:16:38,680 --> 00:16:41,720 Speaker 1: in the very beginning, and then um we but really 342 00:16:41,800 --> 00:16:45,240 Speaker 1: it was with another partner that his partner an attorney, 343 00:16:45,640 --> 00:16:47,640 Speaker 1: and then we ended up in business and then it 344 00:16:47,680 --> 00:16:49,880 Speaker 1: didn't go so well. We walked in separate ways with 345 00:16:50,000 --> 00:16:52,640 Speaker 1: me and Mike, you know, even got closer, you know, 346 00:16:52,680 --> 00:16:55,320 Speaker 1: and and still built a relationship and and and Mike's 347 00:16:55,360 --> 00:16:58,320 Speaker 1: a very solid dude. Don't know your boy Brian Brandon 348 00:16:58,400 --> 00:17:00,880 Speaker 1: Brandon or maybe I do, but don't you know, see 349 00:17:00,960 --> 00:17:03,000 Speaker 1: him right now? Super dope too. But I know he's 350 00:17:03,040 --> 00:17:06,359 Speaker 1: playing bass with you too, right yeah, yeah, actually yeah, 351 00:17:06,400 --> 00:17:08,840 Speaker 1: he did a show with me on a yacht and 352 00:17:08,880 --> 00:17:11,800 Speaker 1: then um, I think we did the l A County 353 00:17:11,840 --> 00:17:14,800 Speaker 1: Fair as well. I think he was with me. But yeah, bro, yo, 354 00:17:14,920 --> 00:17:18,560 Speaker 1: they kill it when like yeah, and it's weird because 355 00:17:18,600 --> 00:17:21,240 Speaker 1: like usually I don't really like bands, you know what 356 00:17:21,280 --> 00:17:24,000 Speaker 1: I'm saying, like playing with artists, but it just sounds 357 00:17:24,080 --> 00:17:27,879 Speaker 1: so good. Yeah, And I mean we choose specific songs 358 00:17:27,880 --> 00:17:30,000 Speaker 1: that we do and it's more of the alternative sound, 359 00:17:30,240 --> 00:17:32,840 Speaker 1: but it just sounds so great, you know, Like I'm 360 00:17:32,880 --> 00:17:34,680 Speaker 1: just like, yo, y'all killed it. What's your what's your? 361 00:17:34,680 --> 00:17:40,399 Speaker 1: What's your favorite song that you've ever recorded? Like for you? Um? Damn? 362 00:17:40,600 --> 00:17:44,960 Speaker 1: So I got I got one called It's a It's 363 00:17:44,960 --> 00:17:47,040 Speaker 1: an English track though, but I just named this Spanish 364 00:17:47,080 --> 00:17:48,800 Speaker 1: because I was gonna I was working on a project 365 00:17:48,840 --> 00:17:50,920 Speaker 1: where I was gonna do, like you ever played the 366 00:17:50,960 --> 00:17:55,800 Speaker 1: game what is it? It's like it's like the game. 367 00:18:01,600 --> 00:18:03,800 Speaker 1: It's like it's like a very Mexican game. You just 368 00:18:03,840 --> 00:18:05,679 Speaker 1: you know, it has like it says like, you know, 369 00:18:05,720 --> 00:18:13,919 Speaker 1: it's solid stuff like that. They so it's like a 370 00:18:14,000 --> 00:18:15,560 Speaker 1: very you know, Mexican game. But I was gonna do 371 00:18:15,680 --> 00:18:18,080 Speaker 1: like a project based off of that. So I called 372 00:18:18,119 --> 00:18:20,639 Speaker 1: the track for one of them. But that's definitely probably 373 00:18:20,640 --> 00:18:23,360 Speaker 1: one of one of my favorites, you know. Um Yeah. 374 00:18:23,400 --> 00:18:27,640 Speaker 1: And then I actually just recorded one recently. It's called um, 375 00:18:27,680 --> 00:18:29,760 Speaker 1: I Don't make the Rules, I Break them. It's that's 376 00:18:29,800 --> 00:18:33,359 Speaker 1: not the official title, you know, but it's fire. I 377 00:18:33,400 --> 00:18:36,600 Speaker 1: love it. It's definitely my next my next favorite song. Yeah, 378 00:18:36,640 --> 00:18:38,560 Speaker 1: any any any like, do you have a single coming 379 00:18:38,560 --> 00:18:40,240 Speaker 1: out right now or you what are you working on? 380 00:18:41,400 --> 00:18:44,000 Speaker 1: Not yet, I'm working on another project. I just dropped 381 00:18:44,040 --> 00:18:46,440 Speaker 1: one recently. Cast some shine the bag. I got Drowsy 382 00:18:46,640 --> 00:18:48,520 Speaker 1: that's like the main single. Then I got another one 383 00:18:48,520 --> 00:18:52,080 Speaker 1: called Madness on there um but it's it's a fire 384 00:18:52,119 --> 00:18:54,080 Speaker 1: track EP. But I'm already work on the next one. 385 00:18:54,080 --> 00:18:56,440 Speaker 1: I'm gonna do a seven track EP, and uh, it 386 00:18:56,480 --> 00:18:59,520 Speaker 1: should be out. I'm thinking like mid October. Hopefully you're 387 00:18:59,520 --> 00:19:02,320 Speaker 1: still living in Orange County. You moved out, well, I mean, 388 00:19:02,359 --> 00:19:04,040 Speaker 1: I got a spat on Orange County. But you know, 389 00:19:04,119 --> 00:19:05,800 Speaker 1: just because of how much stuff is in l A, 390 00:19:05,960 --> 00:19:07,960 Speaker 1: I constantly got to be going back, so i'd be 391 00:19:08,000 --> 00:19:10,680 Speaker 1: there most of the time in l A. Yeah. Most 392 00:19:10,680 --> 00:19:12,480 Speaker 1: of the works out there, yeah, all the time Yea. 393 00:19:13,200 --> 00:19:14,439 Speaker 1: So if I know I'm gonna have to be there 394 00:19:14,440 --> 00:19:15,880 Speaker 1: two days in a row, I just stay out there. 395 00:19:16,000 --> 00:19:18,360 Speaker 1: You know what I'm saying. I've got young artist's life 396 00:19:18,359 --> 00:19:20,600 Speaker 1: where you're just constantly in the studio every other night 397 00:19:20,640 --> 00:19:23,600 Speaker 1: now and just shows and just got the grind most definitely, 398 00:19:23,640 --> 00:19:26,119 Speaker 1: I'm locked in the studio all day. I'm literally in 399 00:19:26,200 --> 00:19:29,840 Speaker 1: my studio just like even if I'm just hearing beats, 400 00:19:30,119 --> 00:19:31,879 Speaker 1: you know what I'm saying, Like, I go through a 401 00:19:31,920 --> 00:19:34,520 Speaker 1: hundred beats before I find one, So I'm just constantly 402 00:19:34,560 --> 00:19:38,800 Speaker 1: just what producers you working with? Anybody we know? Um, well, 403 00:19:38,880 --> 00:19:40,359 Speaker 1: my boy I need to He's the one that I 404 00:19:40,359 --> 00:19:43,040 Speaker 1: started with. He's like the reason why my career even 405 00:19:43,080 --> 00:19:45,320 Speaker 1: really took off. So my boy, I need two out 406 00:19:45,320 --> 00:19:47,640 Speaker 1: in Canada. He got deported, so he's out there right now. 407 00:19:48,040 --> 00:19:51,119 Speaker 1: But we got a Canadian here, right, Yeah, he actually 408 00:19:51,160 --> 00:19:53,200 Speaker 1: got banned. You know, no ship, he's one of the 409 00:19:53,240 --> 00:20:01,480 Speaker 1: bad Canadians. K. He's a really good dude. You're family man. 410 00:20:01,600 --> 00:20:03,880 Speaker 1: But yeah, I work with him a lot. I work 411 00:20:03,960 --> 00:20:07,400 Speaker 1: with another producer named Arnold. I work with my manager's 412 00:20:07,400 --> 00:20:10,000 Speaker 1: brother Minority, and then I have a few other producers 413 00:20:10,040 --> 00:20:12,159 Speaker 1: just that. I'm really cool with some producers out in 414 00:20:12,200 --> 00:20:16,320 Speaker 1: Mexico City called Digital Cartel Fire you really, yeah there. 415 00:20:16,600 --> 00:20:19,080 Speaker 1: I want to bring them out soon. Um, working on 416 00:20:19,280 --> 00:20:22,240 Speaker 1: getting their visas soon so we can have them. Yeah. 417 00:20:22,280 --> 00:20:25,480 Speaker 1: Are you fluent? You know? Um, I'm all right, you know, 418 00:20:25,600 --> 00:20:27,760 Speaker 1: I'm working on it. I'm still learning, you know. So 419 00:20:28,320 --> 00:20:30,880 Speaker 1: my Spanish is pretty bad, you know, but you could 420 00:20:30,920 --> 00:20:33,040 Speaker 1: rock records in the most definitely, And I heard you 421 00:20:33,119 --> 00:20:34,720 Speaker 1: rock songs in them. I mean I've listened to a 422 00:20:34,800 --> 00:20:36,880 Speaker 1: couple of Yeah, I could have converense. I was talking 423 00:20:36,920 --> 00:20:38,879 Speaker 1: with George, like perfectly fine. You know that as the 424 00:20:38,960 --> 00:20:42,200 Speaker 1: name right George. Yeah, it was like an already perfectly fine. 425 00:20:42,240 --> 00:20:44,960 Speaker 1: You know what I'm saying, so like, yeah, I don't 426 00:20:45,000 --> 00:20:54,280 Speaker 1: speak Spanish either, you don't. I don't know what. Yeah, 427 00:20:54,359 --> 00:20:58,520 Speaker 1: I took a drinking vodka. He's been sober for twenty 428 00:20:58,560 --> 00:21:02,359 Speaker 1: four years. He has about vodka. What is your problem? No, 429 00:21:04,760 --> 00:21:06,880 Speaker 1: but I was like the first time I took a drink, 430 00:21:06,920 --> 00:21:11,000 Speaker 1: and that drink a bottle. Hey, oh no, I want 431 00:21:11,000 --> 00:21:12,480 Speaker 1: to go into one of your songs right now. Let's 432 00:21:12,480 --> 00:21:14,000 Speaker 1: go into which what song do you want to play 433 00:21:14,040 --> 00:21:16,000 Speaker 1: right now? Before we go to break? Um, let's play. 434 00:21:16,560 --> 00:21:18,879 Speaker 1: Let's play Go Moves. It's a little bit of English 435 00:21:18,880 --> 00:21:21,920 Speaker 1: and Spanish. It's off of my my latest project. Well 436 00:21:21,960 --> 00:21:25,359 Speaker 1: there it is. What is it called again? Oh No, 437 00:21:25,440 --> 00:21:28,520 Speaker 1: You're gonna catch him at the Burning Trees Festival in 438 00:21:28,600 --> 00:21:31,600 Speaker 1: out of Lanto Saturday, August twenty seven, see him live 439 00:21:31,640 --> 00:21:34,000 Speaker 1: on stage and hear the song right here, let's go, 440 00:21:34,119 --> 00:21:39,520 Speaker 1: let's go to one. We'll be right back. I don't 441 00:21:39,560 --> 00:21:51,040 Speaker 1: look at me. My blast said lord, meet out eat 442 00:21:51,240 --> 00:22:01,600 Speaker 1: and then don't come on now, you chick in London, Gosh, 443 00:22:02,440 --> 00:22:14,560 Speaker 1: that's the buddy Eliss sobrono elis business. But it's shot 444 00:22:14,680 --> 00:22:21,119 Speaker 1: on the chest blood check. I don't have the next 445 00:22:22,240 --> 00:22:26,040 Speaker 1: got it by myself, find at myself fresh everywhere I go, 446 00:22:26,240 --> 00:22:30,560 Speaker 1: Everybody I pressed. Anywhere I go, I ever get pressed, 447 00:22:30,840 --> 00:22:35,440 Speaker 1: He's gonna have my mind unless you already signed a check. 448 00:22:35,960 --> 00:22:38,679 Speaker 1: Always my time trying to trample with I net the 449 00:22:38,760 --> 00:22:41,200 Speaker 1: city on my back, try and put on for the set. 450 00:22:41,480 --> 00:22:48,600 Speaker 1: If I let you back out, you know, disrespect. That's 451 00:22:48,640 --> 00:23:14,520 Speaker 1: the buddy eliss sobrono elis business. Shout est blood Welcome 452 00:23:14,560 --> 00:23:18,359 Speaker 1: back to Cannabis talk one oh one. Together we can, folks, 453 00:23:18,359 --> 00:23:20,800 Speaker 1: and together we have a great time around here. But 454 00:23:21,119 --> 00:23:24,000 Speaker 1: use the hashtag together we can because they're doing it. 455 00:23:24,040 --> 00:23:27,520 Speaker 1: And that's at Canada Devices at c A N N 456 00:23:27,720 --> 00:23:30,160 Speaker 1: A D E V I C E S and I've 457 00:23:30,160 --> 00:23:33,240 Speaker 1: been talking about this Burning Trees festival that's going down. 458 00:23:33,280 --> 00:23:35,159 Speaker 1: It is really the biggest concert of the year in 459 00:23:35,160 --> 00:23:39,320 Speaker 1: aut Alanto and it's August. Performing live on stage the 460 00:23:39,359 --> 00:23:42,919 Speaker 1: boss Man himself, Rick Ross, Ludicrous Buster Rhymes, Big Draco, 461 00:23:43,040 --> 00:23:46,240 Speaker 1: a K Soldier Boy, Too Short, Havoc from Mob Deep, 462 00:23:46,359 --> 00:23:50,119 Speaker 1: the infamous Mob Deeps Extra the Z exhibit who happened 463 00:23:50,119 --> 00:23:53,399 Speaker 1: to face timeing to damn in the freaking closet and 464 00:23:53,880 --> 00:23:56,040 Speaker 1: make it. You know what's funnier though I really did. 465 00:23:56,080 --> 00:23:59,680 Speaker 1: I didn't pulled out the cowboy hat and the yeah 466 00:23:59,840 --> 00:24:03,720 Speaker 1: you back yeah cowboys. The reason why I did, like, 467 00:24:03,800 --> 00:24:05,639 Speaker 1: oh perfect, my cowboy had to right here in my 468 00:24:05,680 --> 00:24:07,600 Speaker 1: belt buckle right here, so I literally show real quick. Though. 469 00:24:07,600 --> 00:24:09,440 Speaker 1: I do want to give a shout out to Exhibit man, because, 470 00:24:09,960 --> 00:24:14,359 Speaker 1: like online, the exhibit has probably been the most influenciable 471 00:24:14,760 --> 00:24:17,520 Speaker 1: person for burning trees as far as just really pushing 472 00:24:17,520 --> 00:24:20,840 Speaker 1: it and supporting it. And I mean he is pushing 473 00:24:20,880 --> 00:24:23,399 Speaker 1: it every day, he's putting it on. The show in 474 00:24:23,440 --> 00:24:26,520 Speaker 1: the industry has to get gets it all. He gets 475 00:24:26,600 --> 00:24:28,600 Speaker 1: being an artist, he gets being a part of a brand, 476 00:24:28,640 --> 00:24:32,640 Speaker 1: he gets the industry. He gets cannabis. Yeah, extra shout 477 00:24:32,640 --> 00:24:34,640 Speaker 1: out to you speaking to cannabis though, you gotta you've 478 00:24:34,640 --> 00:24:36,880 Speaker 1: got a couple of brands you're working with. Yeah, yeah, yeah, 479 00:24:36,960 --> 00:24:39,280 Speaker 1: tell us about yeah juice pack. This is actually a 480 00:24:39,280 --> 00:24:43,680 Speaker 1: new flavor, butros my first time trying to it looks nice. Yeah, 481 00:24:43,760 --> 00:24:47,119 Speaker 1: it's good, like hell yeah, but um, yeah, juice packs. 482 00:24:47,440 --> 00:24:49,120 Speaker 1: It's gonna be we're gonna have a boot there too 483 00:24:49,200 --> 00:24:51,360 Speaker 1: that day after my after my set, I'm gonna pull 484 00:24:51,440 --> 00:24:53,399 Speaker 1: up there. We're gonna have some tree for anyone that 485 00:24:53,440 --> 00:24:55,560 Speaker 1: wants to try out. What check it out and check 486 00:24:55,560 --> 00:24:58,040 Speaker 1: it out. I appreciate you shouting, I mean shooting us 487 00:24:58,040 --> 00:25:00,520 Speaker 1: a little bit because it looked real nice. Mine got 488 00:25:00,520 --> 00:25:02,480 Speaker 1: spread across the table, so I gotta get them back. 489 00:25:02,520 --> 00:25:06,600 Speaker 1: But they look really fine. You know, they haven't got 490 00:25:06,680 --> 00:25:11,480 Speaker 1: hit yet, but you know, so, um, my manager of 491 00:25:11,520 --> 00:25:16,399 Speaker 1: Frisco reached out to Mojo Mojo super super in the 492 00:25:16,520 --> 00:25:19,760 Speaker 1: music industry, you know what I mean, And he one 493 00:25:19,800 --> 00:25:23,160 Speaker 1: day brought in Brandon, who I met. We went out 494 00:25:23,200 --> 00:25:25,639 Speaker 1: to eat and stuff like that, and then just we 495 00:25:25,760 --> 00:25:27,560 Speaker 1: just got like a really cool friendship, you know what 496 00:25:27,640 --> 00:25:29,640 Speaker 1: I mean. It wasn't even really planned like that, but 497 00:25:30,000 --> 00:25:33,760 Speaker 1: ended up being super cool. Um. I love smoking weed. 498 00:25:33,800 --> 00:25:36,040 Speaker 1: I smoke it all the time, so you know, we 499 00:25:36,040 --> 00:25:38,399 Speaker 1: were talking about it and this came about, you know, 500 00:25:39,040 --> 00:25:41,080 Speaker 1: first of friendship than a business. So it was it 501 00:25:41,160 --> 00:25:42,960 Speaker 1: was it was dope. I got some I got some 502 00:25:43,080 --> 00:25:46,280 Speaker 1: really dope, dope dope producers. Man. They have plaques and 503 00:25:46,320 --> 00:25:49,280 Speaker 1: ship that I've known for many years that I've worked 504 00:25:49,320 --> 00:25:52,520 Speaker 1: with and watched them work with many artists, Latin artists, 505 00:25:52,560 --> 00:25:56,080 Speaker 1: you know, um, not even just just global artists like 506 00:25:56,119 --> 00:25:57,840 Speaker 1: that are local you know what I mean that, Like 507 00:25:57,960 --> 00:26:04,040 Speaker 1: you know Darren Vegas, Darren Vegas, Darren Vegas was at 508 00:26:04,119 --> 00:26:06,320 Speaker 1: death Row for years. Man's got a bunch of plaques 509 00:26:06,359 --> 00:26:10,040 Speaker 1: and stuff with different people. Um uh Rudy Sallez, which 510 00:26:10,080 --> 00:26:13,600 Speaker 1: is uh the Tierra. Um well his dad, his dad 511 00:26:13,680 --> 00:26:19,000 Speaker 1: is uh, well that's Mikey Manez and and remember Tiera together, 512 00:26:19,040 --> 00:26:24,920 Speaker 1: Baby Together, Baby Together, the baby, the war and all 513 00:26:25,440 --> 00:26:28,320 Speaker 1: that big, big, big big But his son though is 514 00:26:28,560 --> 00:26:31,520 Speaker 1: uh is uh you know, producing you know, tracks and 515 00:26:31,520 --> 00:26:34,800 Speaker 1: stuff like that. And they're just really dope, dude. And 516 00:26:34,840 --> 00:26:36,600 Speaker 1: so they've worked with a lot of different artists. I 517 00:26:36,600 --> 00:26:40,000 Speaker 1: think that you know, they would help um and they're creative, 518 00:26:40,040 --> 00:26:42,160 Speaker 1: Like you get into a studio with them, they start 519 00:26:42,280 --> 00:26:45,120 Speaker 1: doing live instruments and then you know they're just creative. Cat. 520 00:26:45,200 --> 00:26:47,040 Speaker 1: There's a lot of producers that are not like that, 521 00:26:47,080 --> 00:26:48,320 Speaker 1: you know what I'm saying. They just puts them in 522 00:26:48,400 --> 00:26:50,720 Speaker 1: together quick, you know. But the ones who get into 523 00:26:50,760 --> 00:26:53,720 Speaker 1: it like that, that is fire. Yeah, so start vibing 524 00:26:53,760 --> 00:26:56,320 Speaker 1: with you. Yeah, then you guys are chapping back and forth. 525 00:26:56,400 --> 00:26:59,879 Speaker 1: It's only like in their heads going crazy, going too. 526 00:27:01,720 --> 00:27:06,680 Speaker 1: But when you just get into anything like yeah yeah knock, 527 00:27:07,600 --> 00:27:09,560 Speaker 1: its such a funny feeling. But that when you know 528 00:27:09,680 --> 00:27:12,720 Speaker 1: someone's really into where they're going with it because they're 529 00:27:12,720 --> 00:27:15,400 Speaker 1: already hearing so much more. But it's such a little 530 00:27:15,520 --> 00:27:18,680 Speaker 1: like whoas not eve a fool? Like that? Yeah? Oh no, 531 00:27:18,760 --> 00:27:20,879 Speaker 1: You're doing so many great things, dog. I mean you 532 00:27:21,000 --> 00:27:25,440 Speaker 1: got this look right, like get this good looking about you? 533 00:27:25,480 --> 00:27:27,360 Speaker 1: Where like I said, I want you to be my nephew, 534 00:27:27,440 --> 00:27:29,440 Speaker 1: my son, all these fun things. You're such a good 535 00:27:29,440 --> 00:27:35,320 Speaker 1: looking man. What else do you want to do? Because 536 00:27:35,320 --> 00:27:38,920 Speaker 1: I could see you like acting model, doing everything like that, 537 00:27:38,960 --> 00:27:40,760 Speaker 1: Like what else is cracking for you? And this most stuff? 538 00:27:40,800 --> 00:27:43,080 Speaker 1: I mean acting? I mean I don't know how I 539 00:27:43,119 --> 00:27:45,800 Speaker 1: am acting, but I would love to one day eventually 540 00:27:45,800 --> 00:27:47,120 Speaker 1: do it, you know, even if I got to take 541 00:27:47,160 --> 00:27:49,840 Speaker 1: classes for it. But I'm into anything creative. You know. 542 00:27:49,960 --> 00:27:52,360 Speaker 1: I have a clothing line. I do all my designs 543 00:27:52,359 --> 00:27:55,960 Speaker 1: I created on Photoshop. I um, let's see what else 544 00:27:56,000 --> 00:27:59,879 Speaker 1: do I do? I direct videos? Um, I shoot music videos. 545 00:28:00,119 --> 00:28:02,000 Speaker 1: I know to take photos, I how to edit photos 546 00:28:02,040 --> 00:28:03,560 Speaker 1: and stuff like that. So I kind of know the 547 00:28:03,560 --> 00:28:05,640 Speaker 1: whole like creative side of things, you know, branding mark, 548 00:28:05,720 --> 00:28:08,560 Speaker 1: So you know when it's not right like that, when 549 00:28:08,600 --> 00:28:10,640 Speaker 1: you're ready, I know it's gonna be hard to figure 550 00:28:10,640 --> 00:28:13,000 Speaker 1: it out for the exact best moment before you're ready 551 00:28:13,040 --> 00:28:14,960 Speaker 1: for your theos here to be in the next video 552 00:28:15,960 --> 00:28:18,200 Speaker 1: we're working out because you know, we always dressed player. 553 00:28:18,280 --> 00:28:20,320 Speaker 1: We we get pulled into videos all the time and 554 00:28:20,320 --> 00:28:22,119 Speaker 1: it's crazy. I mean we've been doing it since not 555 00:28:22,400 --> 00:28:27,760 Speaker 1: to say look at all, so you know, look at 556 00:28:27,760 --> 00:28:34,119 Speaker 1: the old home. I'm not quite as old as Joe 557 00:28:35,480 --> 00:28:38,160 Speaker 1: like eleven and Ship, so you know I was maybe rapping, 558 00:28:38,200 --> 00:28:40,120 Speaker 1: but I wasn't you know understand. You know it's really 559 00:28:40,120 --> 00:28:42,560 Speaker 1: impressive those on some senior ship to see what you're 560 00:28:42,560 --> 00:28:44,720 Speaker 1: doing as a young artist, but on that good Mexican 561 00:28:44,720 --> 00:28:46,880 Speaker 1: should it's see our own do it is? Is even 562 00:28:46,920 --> 00:28:49,280 Speaker 1: that told you I got a song for you Brodie? 563 00:28:49,320 --> 00:28:54,080 Speaker 1: Yeah you hear him? Right? I did? Yeah? We played 564 00:28:54,160 --> 00:28:56,160 Speaker 1: on the base. So this is what I've been saying 565 00:28:56,200 --> 00:28:57,840 Speaker 1: since I met him, A honesome. I don't need to 566 00:28:57,840 --> 00:28:59,720 Speaker 1: stroke of ship like I think that you can if 567 00:28:59,720 --> 00:29:01,520 Speaker 1: you want to, and I would if I wanted to. 568 00:29:01,880 --> 00:29:06,080 Speaker 1: That being said, I give him his praise and flowers. 569 00:29:06,080 --> 00:29:08,240 Speaker 1: That's him right here. Every time I speak on that song, 570 00:29:08,400 --> 00:29:11,120 Speaker 1: are in a few songs of it because I still 571 00:29:11,280 --> 00:29:13,160 Speaker 1: think they're that dope and I think it artists like 572 00:29:13,160 --> 00:29:14,760 Speaker 1: there's a several artists that I think but you could 573 00:29:14,800 --> 00:29:17,560 Speaker 1: do it. But I think, as you said, they're dope too. 574 00:29:17,840 --> 00:29:20,560 Speaker 1: He still has fucking prices, timeless pieces that I keep 575 00:29:20,600 --> 00:29:22,920 Speaker 1: joking around people, but I'm not joking going, oh he's 576 00:29:22,920 --> 00:29:28,520 Speaker 1: not done write like like I could get in studios 577 00:29:28,520 --> 00:29:30,000 Speaker 1: and write songs, you know what I mean? That was 578 00:29:30,040 --> 00:29:32,880 Speaker 1: like a completely different than to that. That whole sound 579 00:29:33,000 --> 00:29:36,719 Speaker 1: is like huge, Yeah, that's exactly that sounding that today 580 00:29:36,760 --> 00:29:40,480 Speaker 1: would work Yeah, especially with like with deaf jam, because 581 00:29:40,840 --> 00:29:43,560 Speaker 1: you got a big platform, right, so when they hear it, 582 00:29:43,760 --> 00:29:45,960 Speaker 1: when they hear that song and it's not a hard 583 00:29:46,080 --> 00:29:48,240 Speaker 1: it's not a hard song. They're not hard songs, but 584 00:29:48,240 --> 00:29:51,000 Speaker 1: they're easy to to to listen to. Not hard to write, 585 00:29:51,000 --> 00:29:53,280 Speaker 1: but easy to listen to. That's what people like. It's 586 00:29:53,360 --> 00:29:58,360 Speaker 1: keep yeah, yeah, fun, it should happen. Really, that was 587 00:29:58,360 --> 00:30:02,080 Speaker 1: a pleasant let some pup player night to talk to 588 00:30:02,120 --> 00:30:03,800 Speaker 1: this player right here and do the high five with 589 00:30:04,120 --> 00:30:08,440 Speaker 1: oh no, let's go. Look who came through the front 590 00:30:08,480 --> 00:30:10,480 Speaker 1: door as the fell I would like to say and 591 00:30:10,480 --> 00:30:12,360 Speaker 1: put in my head as I like to remember it 592 00:30:12,400 --> 00:30:14,120 Speaker 1: that way as well. So, oh no, how told you 593 00:30:14,160 --> 00:30:15,840 Speaker 1: the first time you spoke to cannabis? And where'd you 594 00:30:15,840 --> 00:30:19,600 Speaker 1: get it from? Oh? Damn, I was like I want 595 00:30:19,600 --> 00:30:21,480 Speaker 1: to I had a bad friends at that time. I 596 00:30:21,520 --> 00:30:24,280 Speaker 1: was like eleven or ten um and I got it 597 00:30:24,320 --> 00:30:26,600 Speaker 1: from some plug down the street. Just send a little 598 00:30:26,640 --> 00:30:29,560 Speaker 1: dime bags and nice the o G nickels and the dimes. 599 00:30:30,680 --> 00:30:32,600 Speaker 1: The little I called him the mighty pack. You know 600 00:30:32,720 --> 00:30:37,920 Speaker 1: you want a mighty pack or nickels. You go, there's 601 00:30:37,920 --> 00:30:41,680 Speaker 1: a fighty pack and the nickel sack that was at 602 00:30:41,720 --> 00:30:44,720 Speaker 1: the liquor store, Like you need a mighty pack? Like 603 00:30:44,760 --> 00:30:49,960 Speaker 1: what they're walking by pack? Like okay you got those? Yeah, 604 00:30:50,080 --> 00:30:52,160 Speaker 1: because I remember when you do that. That's like real 605 00:30:52,200 --> 00:30:55,520 Speaker 1: ship that really happened. Yeah, I was on when I 606 00:30:54,720 --> 00:30:58,120 Speaker 1: was I literally sit on the top walking by people 607 00:30:58,200 --> 00:31:00,480 Speaker 1: new stands. I'm on the top of the news sitting 608 00:31:00,520 --> 00:31:03,480 Speaker 1: there like you need a mighty pack? You want to sack? 609 00:31:03,600 --> 00:31:06,400 Speaker 1: What you want? Bro? Like I'm good, okay to get 610 00:31:06,400 --> 00:31:09,760 Speaker 1: out of here there ye Question number two of the 611 00:31:09,840 --> 00:31:11,720 Speaker 1: High five. Man, what is your favorite way to use 612 00:31:11,800 --> 00:31:15,160 Speaker 1: or smoke cannabis? Oh no, Um, I like just flower. 613 00:31:15,200 --> 00:31:17,480 Speaker 1: You know what I'm saying. I've tried. I've tried wags, 614 00:31:17,560 --> 00:31:21,160 Speaker 1: but that it gets me crazy. Yeah. I remember while back, 615 00:31:21,200 --> 00:31:22,920 Speaker 1: I did a show, asked him like it was like 616 00:31:22,960 --> 00:31:25,520 Speaker 1: at a cannabis event too, and uh, I went, I 617 00:31:25,600 --> 00:31:27,200 Speaker 1: just did a little dad real quick. I had to 618 00:31:27,280 --> 00:31:29,720 Speaker 1: run to the bathroom. Watch my face. I was stripping. Yeah, 619 00:31:31,480 --> 00:31:33,960 Speaker 1: I have had many, Like I'm not many. I've probably 620 00:31:34,000 --> 00:31:36,520 Speaker 1: done it three or four times and every time as 621 00:31:36,560 --> 00:31:40,360 Speaker 1: many times. Yeah, that's many. And I'm like the first 622 00:31:40,400 --> 00:31:41,800 Speaker 1: time I hit it and then they're like, yeah I 623 00:31:41,840 --> 00:31:44,120 Speaker 1: hit it again. Everybody else was hitting it like five times. 624 00:31:44,200 --> 00:31:45,800 Speaker 1: I'm like, yeah, no, whatever, you know, I hit it 625 00:31:45,840 --> 00:31:49,040 Speaker 1: once and I'm like it it felt like it felt 626 00:31:49,080 --> 00:31:52,240 Speaker 1: like it the second on the second hit. On the 627 00:31:52,240 --> 00:31:57,920 Speaker 1: the second hit, I was over there taking big steps 628 00:31:57,920 --> 00:31:59,560 Speaker 1: and I started sweating, and I was like, oh, I 629 00:31:59,600 --> 00:32:01,640 Speaker 1: gotta go. Yeah, I got a home with smokes. Ship 630 00:32:01,760 --> 00:32:03,920 Speaker 1: like nothing like that's all he smokes. I'm just like, 631 00:32:04,120 --> 00:32:09,400 Speaker 1: you're tripping like tolerant. Yeah, how number three of the 632 00:32:09,480 --> 00:32:11,840 Speaker 1: High five. But oh no, you'll be able to see 633 00:32:11,880 --> 00:32:14,640 Speaker 1: it performing at the Burning Trees Festival. Man, if you 634 00:32:14,640 --> 00:32:16,720 Speaker 1: win't camping with you and your buddy and you guys 635 00:32:16,760 --> 00:32:19,560 Speaker 1: get real high and you guys wake up the next 636 00:32:19,560 --> 00:32:22,160 Speaker 1: morning with vach lying on your lower back, would you 637 00:32:22,240 --> 00:32:32,960 Speaker 1: tell anyone? Hell yeah, just check the question three. He 638 00:32:33,040 --> 00:32:35,360 Speaker 1: said no, he was gonna say, can we go camping together? 639 00:32:35,480 --> 00:32:39,920 Speaker 1: That's why. What's the craziest place you ever used cannabis 640 00:32:40,000 --> 00:32:42,560 Speaker 1: or smoked? And don't say camping? Yeah, I don't take 641 00:32:42,640 --> 00:32:46,360 Speaker 1: care of craziest place you ever used or smoked cannabis? 642 00:32:46,400 --> 00:32:50,120 Speaker 1: Man um shout, I mean off top. So, like I 643 00:32:50,200 --> 00:32:51,840 Speaker 1: want to say, a few months ago, we got we 644 00:32:51,880 --> 00:32:54,560 Speaker 1: got a suite at the at a RAMS game. Was 645 00:32:54,600 --> 00:32:57,840 Speaker 1: it yeah, Rams game? And we went in the bathroom 646 00:32:57,960 --> 00:33:00,120 Speaker 1: and we just hot box that ship out that and 647 00:33:00,800 --> 00:33:04,000 Speaker 1: I think that was pretty crazy game. It wasn't even 648 00:33:04,000 --> 00:33:06,080 Speaker 1: the sweet It was like a bathroom that all the see, 649 00:33:06,960 --> 00:33:11,360 Speaker 1: you know, like you know, risking it, but it was 650 00:33:11,400 --> 00:33:14,080 Speaker 1: it was pretty crazy. They let it go last, let 651 00:33:14,080 --> 00:33:21,360 Speaker 1: it go out there, you know, you know, and you 652 00:33:21,400 --> 00:33:25,120 Speaker 1: could get kicked out in the round game potentially get 653 00:33:25,400 --> 00:33:29,240 Speaker 1: from the question number four, the high five, what is 654 00:33:29,280 --> 00:33:33,120 Speaker 1: your go to munchie after you get high. Oh ship 655 00:33:33,360 --> 00:33:37,040 Speaker 1: probably like um some turboat chips and like a song, 656 00:33:37,520 --> 00:33:42,880 Speaker 1: so nice like that very well said exactly those two 657 00:33:43,000 --> 00:33:45,280 Speaker 1: different things that I would never grab and go again. 658 00:33:45,400 --> 00:33:49,320 Speaker 1: Now you're gonna make me look at him and on it. 659 00:33:50,040 --> 00:33:52,880 Speaker 1: Put you ever throw them in the fridge after you 660 00:33:52,880 --> 00:33:56,480 Speaker 1: put the lemon on it. Man, try that. No, they 661 00:33:56,480 --> 00:33:58,440 Speaker 1: put him in the freezer. I'm sorry. Take them. You 662 00:33:58,480 --> 00:34:00,000 Speaker 1: take them, you put the lemon on them, throw them 663 00:34:00,040 --> 00:34:03,400 Speaker 1: the freezer for like fifteen minutes, and then come whack them. 664 00:34:03,760 --> 00:34:07,400 Speaker 1: Oh it's nice because it doesn't get it gets all crispy. 665 00:34:10,040 --> 00:34:11,879 Speaker 1: It's a real call right there. I'm gonna try those 666 00:34:11,880 --> 00:34:14,600 Speaker 1: you know, lemon throw him in the freezer, you know 667 00:34:14,600 --> 00:34:16,280 Speaker 1: what I mean. Let let him sit for like fifteen 668 00:34:16,320 --> 00:34:21,640 Speaker 1: minutes and yeah, man, leave that in. But I'll try 669 00:34:21,920 --> 00:34:24,239 Speaker 1: question number five of the high five. Oh no me, 670 00:34:24,440 --> 00:34:28,640 Speaker 1: hal I love you, brother, Fred. You got great. We're 671 00:34:28,680 --> 00:34:30,400 Speaker 1: gonna we're even have fun with you right now? Is 672 00:34:30,400 --> 00:34:32,640 Speaker 1: the way you handle that was the topic. I just 673 00:34:32,680 --> 00:34:35,040 Speaker 1: love you. Man, You're gonna I love You're gonna be 674 00:34:35,200 --> 00:34:36,719 Speaker 1: and you're gonna go and we're gonna support you all 675 00:34:36,719 --> 00:34:39,759 Speaker 1: the way. Oh you can smoke cannabis with anyone who 676 00:34:39,800 --> 00:34:44,560 Speaker 1: no dead or alive? Who would it be and why? Uh? 677 00:34:45,040 --> 00:34:48,680 Speaker 1: Right now, I want to say and Chong this Snoop 678 00:34:48,719 --> 00:34:51,719 Speaker 1: dog we can I'll make all those happens. Just we said, 679 00:34:51,760 --> 00:35:01,960 Speaker 1: I said one and you said three, SOUDI, so snows 680 00:35:01,960 --> 00:35:03,960 Speaker 1: are three? I mean I agree with those. I mean, 681 00:35:04,160 --> 00:35:08,640 Speaker 1: I mean they're iconics. Right. Yeah, I smoked with Chung. Yeah, 682 00:35:08,680 --> 00:35:10,800 Speaker 1: I've been smoked with cheats, so I would like to 683 00:35:10,800 --> 00:35:14,719 Speaker 1: smoke with cheats, im. But I smoked with a couple 684 00:35:14,760 --> 00:35:17,719 Speaker 1: of times. One of my boys. Does something work for Chong? 685 00:35:17,880 --> 00:35:19,959 Speaker 1: And uh, I've been trying to make it happen because 686 00:35:19,960 --> 00:35:21,759 Speaker 1: one day I message Sean trying to tell like, yo, 687 00:35:21,800 --> 00:35:23,319 Speaker 1: the smoke, and my boy messing me. He's like, yo, 688 00:35:23,360 --> 00:35:24,520 Speaker 1: it's a little bit to eat. And I was like, 689 00:35:24,560 --> 00:35:27,719 Speaker 1: oh she was. I was like, what are you doing 690 00:35:27,760 --> 00:35:33,040 Speaker 1: on this page? Bro? Was on the page? Bro, And 691 00:35:33,080 --> 00:35:35,640 Speaker 1: it's crazy because those are gonna be realistic once for you. Yeah, 692 00:35:35,680 --> 00:35:37,879 Speaker 1: so you're gonna be able to pull those ones. Yeah, 693 00:35:37,960 --> 00:35:40,160 Speaker 1: willing Snoop Dogg reached out to me. But this is 694 00:35:40,200 --> 00:35:42,080 Speaker 1: when he was on def Jam you know, so, but 695 00:35:42,440 --> 00:35:44,640 Speaker 1: I mean potentially it can happen, you know, is that 696 00:35:44,719 --> 00:35:46,880 Speaker 1: much closer. He was the president of Death Jam when 697 00:35:46,880 --> 00:35:50,000 Speaker 1: they were looking at your yeah project. Yeah, he was 698 00:35:50,040 --> 00:35:53,359 Speaker 1: literally the president. Probably made the decision, I mean, probably 699 00:35:53,360 --> 00:35:55,480 Speaker 1: got a comb on it, like yeah yeah. He sent 700 00:35:55,520 --> 00:35:57,080 Speaker 1: me a video playing one of my tracks and it 701 00:35:57,160 --> 00:35:58,480 Speaker 1: was like this is this is only want me to 702 00:35:58,480 --> 00:36:02,160 Speaker 1: get on? And I was like hell yeah, and anyway, 703 00:36:02,840 --> 00:36:04,919 Speaker 1: so did you sitting here's the key now, now here's 704 00:36:04,920 --> 00:36:06,960 Speaker 1: the thing. Now, now you got to send it to 705 00:36:07,040 --> 00:36:09,760 Speaker 1: him without the verse on it and just start sending 706 00:36:09,760 --> 00:36:15,720 Speaker 1: it to him until he gets it. You need his email. Yeah, 707 00:36:16,160 --> 00:36:19,560 Speaker 1: block that part. We can get that to him. Man, 708 00:36:19,640 --> 00:36:22,000 Speaker 1: make sure it like really like because if he says 709 00:36:22,120 --> 00:36:23,600 Speaker 1: just the one you want me to get on, then 710 00:36:23,640 --> 00:36:27,000 Speaker 1: the key is is to to really send him the 711 00:36:27,000 --> 00:36:29,280 Speaker 1: tracks so he could get on it. To be persistent 712 00:36:29,440 --> 00:36:34,120 Speaker 1: before this, you need to manage your bro because on 713 00:36:34,200 --> 00:36:36,960 Speaker 1: this ship, I'm good. Good. Before we do that, have 714 00:36:37,040 --> 00:36:43,399 Speaker 1: you handling guys just like you? Oh? No, So many 715 00:36:43,440 --> 00:36:45,399 Speaker 1: cool things that are going on. Man, it's so cool 716 00:36:45,440 --> 00:36:47,400 Speaker 1: to see you as a young artist at this inside 717 00:36:47,520 --> 00:36:55,360 Speaker 1: for you right now he just turns twenty. You're killing it. 718 00:36:56,320 --> 00:36:58,520 Speaker 1: Looks a good attitude a good vibe, good news, a 719 00:36:58,560 --> 00:37:01,239 Speaker 1: good presence on the street. You from it realistically, Like 720 00:37:01,239 --> 00:37:04,000 Speaker 1: you're saying, you're the first Mexican artist to sign the 721 00:37:04,040 --> 00:37:07,359 Speaker 1: Death Jam. That's huge, huge accomplishment. Man, it's not making 722 00:37:07,360 --> 00:37:12,200 Speaker 1: a little bullshit. Death Jam, in my opinion, is hip hop. Right, 723 00:37:12,360 --> 00:37:15,080 Speaker 1: So when you get signed to a label like that, 724 00:37:15,280 --> 00:37:19,920 Speaker 1: you are hip hop period. It's no, no, it's a 725 00:37:19,960 --> 00:37:22,200 Speaker 1: real thing. There's no who knows he's not a real thing? 726 00:37:22,520 --> 00:37:25,200 Speaker 1: Oh no, is why because he signed to Death Jam? Yeah? 727 00:37:25,280 --> 00:37:28,040 Speaker 1: And and and here's the thing, man, is that take 728 00:37:28,120 --> 00:37:30,520 Speaker 1: it serious? You know, because you're at that age where 729 00:37:31,000 --> 00:37:34,000 Speaker 1: you know you can you can easily fall into two 730 00:37:34,040 --> 00:37:36,959 Speaker 1: fun times and and and not forget where you came from. 731 00:37:37,200 --> 00:37:39,560 Speaker 1: So we always say here, don't forget who brought you 732 00:37:39,600 --> 00:37:41,880 Speaker 1: to the dance. You know what I'm saying, The fortunes 733 00:37:41,880 --> 00:37:44,719 Speaker 1: and the follow up. Okay, it's a race to be great, 734 00:37:44,760 --> 00:37:48,680 Speaker 1: don't be late. Right. Once your mind expands from its 735 00:37:48,719 --> 00:37:52,160 Speaker 1: original form, it will never come back. Okay. Then there's 736 00:37:52,200 --> 00:37:55,239 Speaker 1: the bear of life. Believe energy, action results. If you 737 00:37:55,280 --> 00:37:58,120 Speaker 1: believe in something, there's energy. With energy, there's action with action, 738 00:37:58,200 --> 00:38:02,279 Speaker 1: there's results. I'm saying, so you and we we have 739 00:38:02,320 --> 00:38:04,200 Speaker 1: two words that we all live by in this building 740 00:38:04,560 --> 00:38:07,239 Speaker 1: as we care and communicate, because if you can't care 741 00:38:07,280 --> 00:38:09,640 Speaker 1: and you don't communicate, get the funk out. And when 742 00:38:09,680 --> 00:38:13,880 Speaker 1: it all goes bad, remember this, there's two shell pass 743 00:38:14,160 --> 00:38:17,640 Speaker 1: Yeah yeah, man, So so be be strong man. You know, 744 00:38:17,680 --> 00:38:19,600 Speaker 1: there's a lot of pressures and they come in your direction, 745 00:38:19,640 --> 00:38:24,520 Speaker 1: you know, yeah, yeah, and it's good, it's bad, it's 746 00:38:24,600 --> 00:38:28,680 Speaker 1: it's it's girls, it's drugs, it's fucking fun, it's the music, 747 00:38:28,800 --> 00:38:30,600 Speaker 1: you know what I mean. And you're getting yourself into 748 00:38:30,640 --> 00:38:32,560 Speaker 1: it and getting out of it, and just remember that. 749 00:38:32,640 --> 00:38:35,720 Speaker 1: You know, you've got a lot, a lot to learn, 750 00:38:35,920 --> 00:38:37,600 Speaker 1: you know, but at the same time, you have a 751 00:38:37,640 --> 00:38:40,799 Speaker 1: lot to teach people. So so just be out there, 752 00:38:40,920 --> 00:38:43,400 Speaker 1: you know, be humble and keep working. You seem very humble, 753 00:38:43,480 --> 00:38:47,319 Speaker 1: you seem very fucking intelligent, and I sincerely mean that, dude. 754 00:38:47,360 --> 00:38:50,279 Speaker 1: I want to follow your career, you know what I mean, 755 00:38:50,440 --> 00:38:52,399 Speaker 1: And I want to I'm gonna, I'm gonna, I'm literally 756 00:38:52,440 --> 00:38:54,960 Speaker 1: gonna throw you some alleys with some real people that 757 00:38:55,040 --> 00:38:57,439 Speaker 1: get that know how to make some real songs. Dude. 758 00:38:57,480 --> 00:38:58,799 Speaker 1: You know what I'm saying, and I'm not saying that 759 00:38:58,840 --> 00:39:01,239 Speaker 1: you don't. I'm saying that they make real songs too, 760 00:39:02,120 --> 00:39:03,480 Speaker 1: you know, and I know you make real back for 761 00:39:03,520 --> 00:39:07,680 Speaker 1: the next level, just together, you guys. I'm just about 762 00:39:07,840 --> 00:39:09,200 Speaker 1: I just want to have good music, you know. I 763 00:39:09,200 --> 00:39:10,440 Speaker 1: mean I want to have good music. I want to 764 00:39:10,440 --> 00:39:12,319 Speaker 1: have a good content. So you know what I mean. 765 00:39:12,400 --> 00:39:15,000 Speaker 1: I don't I don't never mind involving writers and producers. 766 00:39:15,040 --> 00:39:18,319 Speaker 1: I just want good, good music. Yeah, it's important. I mean, 767 00:39:18,400 --> 00:39:21,000 Speaker 1: you know, timeless, how you were saying, tell you a 768 00:39:21,040 --> 00:39:22,920 Speaker 1: song that I've been wanting to do. You ready, and 769 00:39:22,960 --> 00:39:25,080 Speaker 1: there is nobody knows ready for this. You gotta look 770 00:39:25,080 --> 00:39:28,719 Speaker 1: it up because if somebody remakes this in today's era 771 00:39:28,920 --> 00:39:31,040 Speaker 1: and doing it with an old school don't blow it 772 00:39:31,080 --> 00:39:32,719 Speaker 1: on the air. Someone's that they hear it and they're 773 00:39:32,719 --> 00:39:34,400 Speaker 1: gonna try and crack it out, but they won't have 774 00:39:34,640 --> 00:39:36,719 Speaker 1: as much momentum. So you're right, go ahead, I'll do 775 00:39:36,760 --> 00:39:40,360 Speaker 1: it fast. You gotta look at because you may not 776 00:39:40,520 --> 00:39:47,680 Speaker 1: know the song. You may weeping older old school trollo 777 00:39:47,800 --> 00:39:56,560 Speaker 1: style song. It's saying bottle, file file, bottle. It's saying bottle, 778 00:39:56,760 --> 00:40:01,080 Speaker 1: which means I'm getting hard and then it close. I 779 00:40:01,200 --> 00:40:06,319 Speaker 1: met my Chorley back Donna, it's the way the song 780 00:40:06,360 --> 00:40:11,080 Speaker 1: in the push she had my chory so and we 781 00:40:11,160 --> 00:40:20,279 Speaker 1: started to fuck shit bottle anthem right, I never heard 782 00:40:20,320 --> 00:40:24,680 Speaker 1: you oh people that No. No, it was on the 783 00:40:24,719 --> 00:40:27,440 Speaker 1: old school, old classic you look it up on the 784 00:40:27,440 --> 00:40:29,399 Speaker 1: old school mixes. It's on there. Well the good News 785 00:40:29,440 --> 00:40:31,080 Speaker 1: just too. You can get all these things license. You 786 00:40:31,080 --> 00:40:32,839 Speaker 1: know what I'm saying. It's like, you know, you don't 787 00:40:32,840 --> 00:40:35,440 Speaker 1: have to get worried about getting you You'll get them 788 00:40:35,440 --> 00:40:37,319 Speaker 1: all cleared. You know what I'm saying, Can you clear 789 00:40:37,360 --> 00:40:40,160 Speaker 1: this for me? This is the record, this record, that record, 790 00:40:40,200 --> 00:40:43,320 Speaker 1: so yeah, and and and and one thing to remember 791 00:40:43,360 --> 00:40:44,879 Speaker 1: is what he's saying is is a lot of these 792 00:40:45,760 --> 00:40:47,880 Speaker 1: most of these big records that we've heard or we 793 00:40:47,920 --> 00:40:51,520 Speaker 1: grew up on, we're all remakes. Yeah, and a lot 794 00:40:51,560 --> 00:40:54,440 Speaker 1: of songs popping off to have been remade. Man. I recently, 795 00:40:54,480 --> 00:40:57,160 Speaker 1: just two weeks ago, I I remade a song and 796 00:40:57,280 --> 00:40:58,800 Speaker 1: it's one of my favorite songs. Is gonna be on 797 00:40:58,840 --> 00:41:02,160 Speaker 1: my next project. It's a it's a remake. It's yeah, yeah, 798 00:41:02,200 --> 00:41:04,920 Speaker 1: it's super fire. What is it like? It's Ava Levine. 799 00:41:05,239 --> 00:41:09,399 Speaker 1: It's a Levine song. Oh yeah, Adam Levine, Alvin yeah, 800 00:41:09,400 --> 00:41:12,959 Speaker 1: the girl I don't know, oh you do? You know? 801 00:41:14,280 --> 00:41:16,399 Speaker 1: She's like it's one of those names that you don't know, 802 00:41:16,480 --> 00:41:18,879 Speaker 1: but you've heard her songs on the radio so many. Yeah, 803 00:41:19,480 --> 00:41:22,480 Speaker 1: it was like it was like a doll. And was 804 00:41:22,560 --> 00:41:26,359 Speaker 1: like and I was like, or what's that kid's name 805 00:41:26,400 --> 00:41:29,560 Speaker 1: that writes all the songs? Uh? Ed Sharon And was 806 00:41:29,680 --> 00:41:31,719 Speaker 1: like writing so many songs where I don't know him? Like, no, 807 00:41:31,840 --> 00:41:34,239 Speaker 1: you do? You know? My boy was like, dude just 808 00:41:34,239 --> 00:41:38,319 Speaker 1: got like ten radio Yeah, he's done. Everybody's ship. I'm like, 809 00:41:38,360 --> 00:41:41,520 Speaker 1: oh ship, Yeah, get with good writers, man, Surround yourself 810 00:41:41,560 --> 00:41:43,040 Speaker 1: with good people, you know what I mean? They have 811 00:41:43,120 --> 00:41:45,879 Speaker 1: good energy, you know. And just stay on track. Bro, 812 00:41:45,920 --> 00:41:47,960 Speaker 1: is there anything that we you know, may left out 813 00:41:48,000 --> 00:41:49,560 Speaker 1: that you want to talk about before? Let you get 814 00:41:49,560 --> 00:41:52,600 Speaker 1: down out of here, man, um not. Just make sure 815 00:41:52,640 --> 00:41:54,840 Speaker 1: you're there from my set time. It's gonna be crazy. 816 00:41:54,840 --> 00:41:56,600 Speaker 1: I have something lined up, dope. I'm gonna be throwing 817 00:41:56,600 --> 00:41:59,160 Speaker 1: off some some good tree for them to smoke with me. 818 00:41:59,280 --> 00:42:02,160 Speaker 1: You know what I'm saying. It's definitely you don't want 819 00:42:02,160 --> 00:42:07,319 Speaker 1: to miss any of this sets. Definitely want to miss No. Well, 820 00:42:07,360 --> 00:42:09,400 Speaker 1: there it is, guys, it's cannabis. Talk one on one. 821 00:42:09,440 --> 00:42:11,439 Speaker 1: Thank you for being on the show. Thank you guys 822 00:42:11,440 --> 00:42:13,799 Speaker 1: for having me. Hell yeah, and remember this, if no 823 00:42:13,840 --> 00:42:16,920 Speaker 1: one else loves you, we do. Thank you for listening 824 00:42:16,920 --> 00:42:18,919 Speaker 1: to Cannabis Talk one oh one on the I Heart 825 00:42:19,000 --> 00:42:22,759 Speaker 1: Radio app, Apple podcast, or wherever you get your podcasts.