1 00:00:00,200 --> 00:00:04,240 Speaker 1: Hey there, friends, Hey, everybody y'all doing today? Welcome back 2 00:00:04,240 --> 00:00:07,280 Speaker 1: to the show. I am Eli, I'm Diana, y'all. We 3 00:00:07,480 --> 00:00:09,680 Speaker 1: got to spend a little bit of time this week 4 00:00:09,720 --> 00:00:11,719 Speaker 1: with a dear friend of ours named Julian who was 5 00:00:11,760 --> 00:00:14,960 Speaker 1: in town from the Best. He got us to play 6 00:00:15,040 --> 00:00:17,040 Speaker 1: a game which I think was going around the internet 7 00:00:17,040 --> 00:00:18,680 Speaker 1: a while ago, and I loved it. I thought it 8 00:00:18,680 --> 00:00:20,640 Speaker 1: was so funny, but then I kind of completely forgot 9 00:00:20,640 --> 00:00:22,360 Speaker 1: about So now we're gonna make y' all care about it. 10 00:00:22,360 --> 00:00:25,200 Speaker 1: It's called Trombone Champ. If you've never played it, listen 11 00:00:25,280 --> 00:00:27,320 Speaker 1: to me when I say to you that, you will 12 00:00:27,400 --> 00:00:31,120 Speaker 1: laugh NonStop for at least twenty five minutes. That's how 13 00:00:31,200 --> 00:00:35,199 Speaker 1: we Seriously, it's amazing. It's just you just downloaded. It's 14 00:00:35,200 --> 00:00:38,280 Speaker 1: a it's a computer game. Yeah, and it's like it's 15 00:00:38,320 --> 00:00:41,800 Speaker 1: like rock Band or Beat Saber, one of those music games, um, 16 00:00:41,880 --> 00:00:44,680 Speaker 1: except you're playing a trombone and it's really hard to 17 00:00:44,720 --> 00:00:50,960 Speaker 1: control and it sounds insane, so funny because trombones sound ridiculous. Yeah, 18 00:00:51,040 --> 00:00:55,120 Speaker 1: it's exactly. It's because trombone is objectively the funniest instrument. 19 00:00:55,680 --> 00:00:57,880 Speaker 1: It is a lot funnier when you're bad at it. 20 00:00:57,960 --> 00:01:01,400 Speaker 1: I did pretty well and everybody was having a bad time. 21 00:01:01,600 --> 00:01:03,680 Speaker 1: I know. We were like, okay, like I don't care. 22 00:01:03,840 --> 00:01:05,480 Speaker 1: I've been saying for a long time, we need a 23 00:01:05,480 --> 00:01:10,319 Speaker 1: Twitch channel for Diana to play video games because she's 24 00:01:10,600 --> 00:01:13,160 Speaker 1: at some games shockingly good. She will beat you at 25 00:01:13,160 --> 00:01:14,960 Speaker 1: Mortal Kombat. She'll say all day long, I don't want 26 00:01:15,000 --> 00:01:16,200 Speaker 1: to play, I don't want to play. I don't like it, 27 00:01:16,200 --> 00:01:18,720 Speaker 1: and then she'll kick your ass. Um. But you put 28 00:01:18,720 --> 00:01:22,360 Speaker 1: her in front of Trombone Champ or Grand Theft Auto 29 00:01:24,720 --> 00:01:27,600 Speaker 1: Chaotic in the best way. I love it. I was 30 00:01:27,640 --> 00:01:29,840 Speaker 1: the worst at Trombone Champ, which meant I was the 31 00:01:29,880 --> 00:01:33,240 Speaker 1: best because we could not stop giggling. So let us 32 00:01:33,240 --> 00:01:36,200 Speaker 1: know if you want us to quit doing ridiculous romance 33 00:01:36,360 --> 00:01:40,960 Speaker 1: and devote ourselves to a full time Uh. Patreon it 34 00:01:41,120 --> 00:01:46,080 Speaker 1: funded twitch stream. Well, y'all. Uh, we're very excited because 35 00:01:46,120 --> 00:01:50,040 Speaker 1: we're back here on our our video stream of the podcast, 36 00:01:50,280 --> 00:01:54,200 Speaker 1: our first TikTok video total hit. 're glad y'all were 37 00:01:54,200 --> 00:01:56,440 Speaker 1: able to check that out and uh and responded well 38 00:01:56,440 --> 00:02:00,000 Speaker 1: to it. We didn't get anyone commenting who were these 39 00:02:00,120 --> 00:02:06,559 Speaker 1: ugly idiots we were for TikTok so watch out, all 40 00:02:06,560 --> 00:02:09,400 Speaker 1: of your everything you ever thought about yourself is going 41 00:02:09,440 --> 00:02:12,919 Speaker 1: to be thrown a disharp relief exactly, but not too bad. 42 00:02:13,000 --> 00:02:15,960 Speaker 1: And so we did that episode first, but you know, 43 00:02:16,520 --> 00:02:18,720 Speaker 1: today we had to change things up because I think 44 00:02:18,720 --> 00:02:24,760 Speaker 1: we started with one of the most upsetting, bizarre stories 45 00:02:24,800 --> 00:02:27,800 Speaker 1: we could think of. I think everybody was left clutching 46 00:02:27,840 --> 00:02:31,120 Speaker 1: their groins feeling a little weirder after that episode ended. 47 00:02:31,240 --> 00:02:34,520 Speaker 1: I kind of hope you were. Yeah, yeah, that one 48 00:02:34,639 --> 00:02:37,720 Speaker 1: was a freaky one. But so we decided we kind 49 00:02:37,720 --> 00:02:41,200 Speaker 1: of go the other direction. After sitting with that all weekend, 50 00:02:41,760 --> 00:02:45,320 Speaker 1: it's time to do something maybe a little sweeter, Yes, totally. 51 00:02:46,080 --> 00:02:48,520 Speaker 1: And y'all know when it comes to romance, you know, 52 00:02:48,720 --> 00:02:52,040 Speaker 1: sometimes years go by before you realize you're the right 53 00:02:52,120 --> 00:02:53,920 Speaker 1: you know you're with the right person. It's like your 54 00:02:53,960 --> 00:02:56,200 Speaker 1: best friend or like you hated a guy, and then 55 00:02:56,240 --> 00:02:58,680 Speaker 1: like over time, it's enemies to lover's kind of thing. 56 00:02:58,760 --> 00:03:01,400 Speaker 1: We're still getting there, are out, we're you know, one day, 57 00:03:01,520 --> 00:03:03,880 Speaker 1: we've been married a few years. I'm starting to think 58 00:03:03,919 --> 00:03:09,560 Speaker 1: this might turn into something. But sometimes you meet someone, 59 00:03:10,000 --> 00:03:13,240 Speaker 1: you catch their eye across the room, you touch hands 60 00:03:13,280 --> 00:03:15,960 Speaker 1: over a salad bar, you nearly run them over with 61 00:03:16,000 --> 00:03:19,679 Speaker 1: your car. Whatever the story is, but just in an instant, 62 00:03:19,960 --> 00:03:23,160 Speaker 1: you know, you know what I mean. And we've had 63 00:03:23,200 --> 00:03:25,280 Speaker 1: like a few stories come our way over the past 64 00:03:25,280 --> 00:03:28,040 Speaker 1: couple of years about couples who were just clearly meant 65 00:03:28,080 --> 00:03:32,520 Speaker 1: to be. Either they overcame years of strife, or they 66 00:03:32,639 --> 00:03:35,840 Speaker 1: met randomly and they took a chance, or it seems 67 00:03:36,040 --> 00:03:40,000 Speaker 1: that they dreamed their loved one into existence. So we 68 00:03:40,080 --> 00:03:42,000 Speaker 1: thought we would just collect them all into a little 69 00:03:42,000 --> 00:03:45,400 Speaker 1: goodie bag for y'all today. Um so go brush your 70 00:03:45,400 --> 00:03:48,000 Speaker 1: teeth or check that insulin monitor. Is this about to 71 00:03:48,040 --> 00:03:53,320 Speaker 1: get real sweet in here? Hey? Their French come listen well, 72 00:03:53,600 --> 00:03:57,279 Speaker 1: Elia and Diana got some stories to tell. There's no matchmaking, 73 00:03:57,280 --> 00:04:01,840 Speaker 1: no romantic tips. It's just about particulars. This relationship a love. 74 00:04:01,880 --> 00:04:04,200 Speaker 1: It might be any type of version at all, and 75 00:04:04,320 --> 00:04:07,360 Speaker 1: abstract cons and draw a concrete wall. But if there's 76 00:04:07,400 --> 00:04:12,160 Speaker 1: a story, were a second glance, ridiculous role vance the 77 00:04:12,240 --> 00:04:16,359 Speaker 1: production of I Heart Radio. Our first story is a 78 00:04:16,400 --> 00:04:22,000 Speaker 1: strong argument for public transit. It begins on Christmas Day 79 00:04:22,720 --> 00:04:26,320 Speaker 1: and Linda Wegner is riding the train. I would love 80 00:04:26,600 --> 00:04:30,039 Speaker 1: to fall in love with public transit, and I here 81 00:04:30,040 --> 00:04:32,880 Speaker 1: in Atlanta. I'm just not given the chance, I know, right, 82 00:04:32,880 --> 00:04:35,240 Speaker 1: although we have been too many places where I fell 83 00:04:35,279 --> 00:04:38,720 Speaker 1: in love deeply with the public transmitting. It's like an 84 00:04:38,760 --> 00:04:40,960 Speaker 1: out of town fling. It's like going to a conference 85 00:04:41,000 --> 00:04:44,400 Speaker 1: and the train system. I know, I want to meet 86 00:04:44,440 --> 00:04:48,919 Speaker 1: my soul train right here at home. Well, anyway, Linda 87 00:04:49,000 --> 00:04:51,600 Speaker 1: Wegner was riding the train on Christmas Day. Now, Linda 88 00:04:51,680 --> 00:04:54,720 Speaker 1: had a couple of daughters, but they usually spent Christmas 89 00:04:54,760 --> 00:04:58,120 Speaker 1: with her ex husband, so she was alone on Christmas. 90 00:04:58,120 --> 00:05:00,440 Speaker 1: And Linda doesn't really mind this because she's Jewish, so 91 00:05:00,520 --> 00:05:03,320 Speaker 1: she's like whatever, Christmas Day, moving on. But she did 92 00:05:03,360 --> 00:05:05,839 Speaker 1: feel kind of lonely, so she decided to take the 93 00:05:05,880 --> 00:05:09,520 Speaker 1: train from New York's Grand Central station upstate to Katona 94 00:05:09,920 --> 00:05:12,320 Speaker 1: to spend the day with her sister's family. Probably a 95 00:05:12,640 --> 00:05:14,840 Speaker 1: beautiful part of the country, I mean upstate New York. 96 00:05:15,040 --> 00:05:17,120 Speaker 1: It's gorgeous. I know, this might actually be a nice 97 00:05:17,160 --> 00:05:20,080 Speaker 1: train ride. Yeah, I'm sure it would. Now, Linda had 98 00:05:20,080 --> 00:05:22,640 Speaker 1: a really great job working in marketing for a nonprofit, 99 00:05:23,240 --> 00:05:26,159 Speaker 1: so she had a great career, was a purposeful career. 100 00:05:26,240 --> 00:05:29,279 Speaker 1: She felt pretty satisfied with her life, but she told 101 00:05:29,360 --> 00:05:32,840 Speaker 1: CNN that on that day. Quote, I might have been 102 00:05:32,880 --> 00:05:35,799 Speaker 1: a little wistful. She might have been a little open 103 00:05:35,920 --> 00:05:38,599 Speaker 1: to some magic on that day. You know, whist can 104 00:05:38,680 --> 00:05:42,120 Speaker 1: take your magical places. I can also get you in trouble. 105 00:05:42,200 --> 00:05:46,720 Speaker 1: Can you be whistless? I have been wistless. If I've 106 00:05:46,760 --> 00:05:50,080 Speaker 1: been wistful, I know that I've been whistless as well. 107 00:05:50,160 --> 00:05:51,719 Speaker 1: I had just the right amount of whiskey. Yeah. I 108 00:05:51,720 --> 00:05:54,720 Speaker 1: like to hover in like a whist, mid kind of range, 109 00:05:54,839 --> 00:05:58,280 Speaker 1: mid whist. I feel midwist today. I'm a midwistern kind 110 00:05:58,279 --> 00:06:02,799 Speaker 1: of girl. Open all right. So she's on this train 111 00:06:02,880 --> 00:06:05,840 Speaker 1: and a man who's about her age sat opposite her, 112 00:06:05,880 --> 00:06:09,440 Speaker 1: and he started spreading out wallpaper samples. See another great 113 00:06:09,480 --> 00:06:11,440 Speaker 1: project you can do on the train that you cannot 114 00:06:11,440 --> 00:06:14,560 Speaker 1: do when you're driving. That's true. That's true. Although if 115 00:06:14,560 --> 00:06:16,359 Speaker 1: I'm sitting in a little booth on the train and 116 00:06:16,360 --> 00:06:18,960 Speaker 1: somebody comes in and bust out their whole portfolio of 117 00:06:19,360 --> 00:06:24,000 Speaker 1: textile swatches, can I get a little space? Anyway? She 118 00:06:24,120 --> 00:06:26,600 Speaker 1: thought that this guy might strike up a friendly conversation, 119 00:06:26,640 --> 00:06:30,480 Speaker 1: but he was just totally absorbed in his wallpaper samples. 120 00:06:30,520 --> 00:06:34,240 Speaker 1: And then he pulled out this very intricate print, and 121 00:06:34,320 --> 00:06:38,200 Speaker 1: Linda recognized the pattern. So she's like, Okay, well maybe 122 00:06:38,200 --> 00:06:40,520 Speaker 1: i'll break the ice here with this stranger who seems 123 00:06:40,560 --> 00:06:42,479 Speaker 1: to be ignoring me. She says, hey, is that a 124 00:06:42,680 --> 00:06:48,200 Speaker 1: William Morris print? Because now Linda she knows her wallpaper right. Well, 125 00:06:48,440 --> 00:06:52,120 Speaker 1: this guy looks up and he smiled. He's like, uh, yeah, 126 00:06:52,160 --> 00:06:54,960 Speaker 1: it is a William Morris print. You really know your stuff. 127 00:06:55,560 --> 00:06:58,480 Speaker 1: His name was Michael mctwiggen, and he was a former 128 00:06:58,720 --> 00:07:01,279 Speaker 1: art critic and his friend had asked him to choose 129 00:07:01,279 --> 00:07:04,279 Speaker 1: a wallpaper print that matched the paint color in her apartment. 130 00:07:04,920 --> 00:07:06,719 Speaker 1: And he's like, no problem. I'm about to be on 131 00:07:06,720 --> 00:07:09,640 Speaker 1: a long train ride. I can go through every wallpaper sample. 132 00:07:09,680 --> 00:07:13,160 Speaker 1: There is something perfect. This guy had been separated from 133 00:07:13,200 --> 00:07:15,400 Speaker 1: his wife for about a year or so. He was 134 00:07:15,520 --> 00:07:17,640 Speaker 1: in his sixties, and he was on his way to 135 00:07:17,720 --> 00:07:22,760 Speaker 1: Katona to feed the homeless for Christmas. Oh my god, 136 00:07:23,360 --> 00:07:26,160 Speaker 1: it's beautiful. Yeah, beautiful. I hope he wasn't feeding a 137 00:07:26,240 --> 00:07:28,720 Speaker 1: wallpaper sample. And he's like, this is what I brought you, 138 00:07:28,800 --> 00:07:30,480 Speaker 1: some paste. No, I think he was just going to 139 00:07:30,560 --> 00:07:34,240 Speaker 1: feed him the food whatever, whatever the shelter probably had 140 00:07:34,840 --> 00:07:38,360 Speaker 1: for him to spoon out. Now, Michael was surprised that 141 00:07:38,440 --> 00:07:41,680 Speaker 1: Linda recognized this print until she explained that she had 142 00:07:41,680 --> 00:07:44,400 Speaker 1: been an art history major in college. Oh my god, 143 00:07:45,360 --> 00:07:48,000 Speaker 1: I was an art history miner in the college. I 144 00:07:48,040 --> 00:07:52,720 Speaker 1: may one day finish um degree. I almost got. It's 145 00:07:52,760 --> 00:07:55,840 Speaker 1: really nice to know that someone, at some point, for 146 00:07:55,920 --> 00:07:58,640 Speaker 1: some reason, was able to use their art history major 147 00:07:58,800 --> 00:08:03,440 Speaker 1: for something, right, even if just four years of college. 148 00:08:03,480 --> 00:08:05,840 Speaker 1: And I was finally able to strike up one conversation 149 00:08:05,960 --> 00:08:09,560 Speaker 1: that led to a beautiful love story. Yes, stay in 150 00:08:09,640 --> 00:08:12,080 Speaker 1: school kids. So yeah, he's like, oh, that's cool. I 151 00:08:12,160 --> 00:08:14,040 Speaker 1: used to be an art critic, but now you know, 152 00:08:14,120 --> 00:08:16,480 Speaker 1: I work in marketing. And she's like, that's funny. I 153 00:08:16,520 --> 00:08:19,080 Speaker 1: work in marketing. Um, and she worked for a large 154 00:08:19,200 --> 00:08:22,440 Speaker 1: lung cancer research charity. Because she was talking about like 155 00:08:22,480 --> 00:08:25,760 Speaker 1: her kind of selfless work in a nonprofit. In this 156 00:08:25,800 --> 00:08:28,760 Speaker 1: hour long trip, they just chatted away. They completely clicked. 157 00:08:28,800 --> 00:08:31,200 Speaker 1: They discovered they had a lot in common. They both 158 00:08:31,240 --> 00:08:33,880 Speaker 1: loved art. You know, they had similar careers in marketing. 159 00:08:34,080 --> 00:08:36,520 Speaker 1: They had an interest in helping others, like the drive 160 00:08:36,640 --> 00:08:39,280 Speaker 1: to serve the world. I mean, it almost sounds like 161 00:08:39,320 --> 00:08:42,400 Speaker 1: they're like trying to one up each other. Conversation. Oh 162 00:08:42,760 --> 00:08:45,080 Speaker 1: I'm just going north to feed the homeless for Christmas. 163 00:08:45,200 --> 00:08:48,680 Speaker 1: Oh yeah, well, I work in lung cancer research charity. 164 00:08:48,760 --> 00:08:53,240 Speaker 1: I helped raise millions of dollars last year for lung cancers. Yeah, 165 00:08:53,360 --> 00:08:56,040 Speaker 1: Linda told CNN. Quote when he told me what he 166 00:08:56,120 --> 00:08:59,080 Speaker 1: was doing feeding the homeless, I said, Oh my god, 167 00:08:59,160 --> 00:09:01,440 Speaker 1: that's got to be the best character reference I have 168 00:09:01,559 --> 00:09:04,640 Speaker 1: ever had, right, I mean, somebody going to do something 169 00:09:04,720 --> 00:09:08,920 Speaker 1: so unselfish on Christmas Day. Michael was also very taken 170 00:09:08,960 --> 00:09:11,800 Speaker 1: with Linda. He said that, you know, she didn't downplay 171 00:09:11,840 --> 00:09:13,920 Speaker 1: her career, but she did focus more on her connections 172 00:09:13,920 --> 00:09:17,880 Speaker 1: with other people rather than her own achievements. He told 173 00:09:17,920 --> 00:09:22,000 Speaker 1: CNN that she was quote sensitive and intuitive in the 174 00:09:22,080 --> 00:09:24,960 Speaker 1: sense of being aware of other people's feelings or moods 175 00:09:25,080 --> 00:09:29,200 Speaker 1: or whatever, and open to understanding what other people are feeling. 176 00:09:29,600 --> 00:09:33,920 Speaker 1: She put people first somehow that was more important than 177 00:09:33,960 --> 00:09:39,360 Speaker 1: anything else. I could see that. Yeah, But I mean, like, 178 00:09:39,400 --> 00:09:42,520 Speaker 1: they're both people who want to serve other people. And 179 00:09:42,559 --> 00:09:44,360 Speaker 1: if you meet someone who's like, I'm here to serve 180 00:09:44,400 --> 00:09:46,040 Speaker 1: other people, but all they do is talk about how 181 00:09:46,080 --> 00:09:48,240 Speaker 1: great they are, it's kind of like, are you how 182 00:09:48,280 --> 00:09:50,040 Speaker 1: are you just trying to feel like a good person 183 00:09:50,080 --> 00:09:52,680 Speaker 1: in the world, right, I mean, if if it means 184 00:09:52,679 --> 00:09:54,840 Speaker 1: you do good stuff, I'm not sure I really care. 185 00:09:54,880 --> 00:09:57,000 Speaker 1: But you can see where it comes from a really 186 00:09:57,000 --> 00:09:59,640 Speaker 1: sincere place. It's true. I have long said that I 187 00:09:59,720 --> 00:10:05,760 Speaker 1: don't mind people talking about their charitable contributions or things 188 00:10:05,800 --> 00:10:09,440 Speaker 1: they're doing. Like I know, it feels a little braggadocious, 189 00:10:09,480 --> 00:10:13,240 Speaker 1: but I also think that it perpetuates the behavior, Like 190 00:10:13,320 --> 00:10:15,040 Speaker 1: if some celebrity comes out it's like, I gave a 191 00:10:15,040 --> 00:10:18,680 Speaker 1: bunch of money into this charity. You know, cool? Are 192 00:10:18,720 --> 00:10:21,079 Speaker 1: you not sort of showing people that that's something they 193 00:10:21,080 --> 00:10:23,440 Speaker 1: should be doing, or setting an example or being a 194 00:10:23,520 --> 00:10:26,160 Speaker 1: role model in some way. I mean, there's definitely a 195 00:10:26,160 --> 00:10:28,959 Speaker 1: way you can do it, but I don't I wouldn't 196 00:10:29,000 --> 00:10:30,560 Speaker 1: mind if a friend came up to me and was 197 00:10:30,600 --> 00:10:32,520 Speaker 1: just like, you know what I did today, I gave 198 00:10:32,559 --> 00:10:34,520 Speaker 1: a bunch of money to a charity. I'd be like, man, 199 00:10:34,600 --> 00:10:38,160 Speaker 1: that's awesome. Good for you. I feel like, yeah, you're 200 00:10:38,200 --> 00:10:40,520 Speaker 1: making yourself look better. But why is that a bad thing? 201 00:10:40,760 --> 00:10:43,520 Speaker 1: I know, Well, it's sort of like people like positive reinforcement. 202 00:10:43,640 --> 00:10:47,040 Speaker 1: It's just something ingrained in us. It's not necessarily bad 203 00:10:47,160 --> 00:10:49,920 Speaker 1: or good. It can be either, but why not use it? 204 00:10:50,000 --> 00:10:52,200 Speaker 1: You know, speaking as a nonprofit person, I'm happy to 205 00:10:52,240 --> 00:10:55,480 Speaker 1: be like, this person is amazing. They gave me fifty bucks, like, 206 00:10:55,520 --> 00:10:58,480 Speaker 1: you know, because it is amazing. Fifty bucks can go 207 00:10:58,480 --> 00:11:00,679 Speaker 1: a long way. So and wouldn't you want that person 208 00:11:00,760 --> 00:11:04,040 Speaker 1: walking around town telling everyone I gave the Fringe Festival 209 00:11:04,080 --> 00:11:06,679 Speaker 1: fifty bucks. Right. I feel good about myself today. That's 210 00:11:06,720 --> 00:11:09,040 Speaker 1: a good thing. People who feel good do good. I 211 00:11:09,040 --> 00:11:11,520 Speaker 1: mean in terms of just being a you know, not 212 00:11:11,640 --> 00:11:16,200 Speaker 1: a misery people. People don't hesitate to tell me something 213 00:11:16,280 --> 00:11:18,880 Speaker 1: they did that has no bearing on the world whatsoever 214 00:11:18,920 --> 00:11:22,640 Speaker 1: at all. But everyone's like real yeah, like Trombone Champ, 215 00:11:24,120 --> 00:11:29,680 Speaker 1: but everyone's real hesitant to talk about their contributions because 216 00:11:29,679 --> 00:11:32,080 Speaker 1: it's like taboo to say you gave money. Doesn't like, 217 00:11:32,520 --> 00:11:36,800 Speaker 1: get over it, just say it, own it. Own it. Well, 218 00:11:36,880 --> 00:11:39,680 Speaker 1: Linda and Michael said it, and they talked NonStop the 219 00:11:39,800 --> 00:11:41,920 Speaker 1: entire way to Katona, and they realized that they actually 220 00:11:41,960 --> 00:11:45,560 Speaker 1: really enjoyed each other's company. Linda said that she could 221 00:11:45,559 --> 00:11:47,920 Speaker 1: feel like there was something between them that was worth exploring, 222 00:11:48,440 --> 00:11:51,040 Speaker 1: so as they walked out of the train station, she 223 00:11:51,200 --> 00:11:54,840 Speaker 1: slipped him her her business card. Yes girl, and then 224 00:11:55,200 --> 00:11:58,520 Speaker 1: as they went to shake hands, Michael reached a little 225 00:11:58,600 --> 00:12:02,240 Speaker 1: further up Linda's arm and held it for a lingering moment. 226 00:12:02,760 --> 00:12:07,160 Speaker 1: Well he looked in her eyes, smiled and said, good 227 00:12:07,200 --> 00:12:12,520 Speaker 1: to meet you, and Linda said, quote I definitely got 228 00:12:12,640 --> 00:12:17,559 Speaker 1: flutters from that. I mean, listen, Michael is in his sixties. Yeah, 229 00:12:17,640 --> 00:12:22,559 Speaker 1: he knows what to do. That's nice to hear. Though 230 00:12:22,559 --> 00:12:24,959 Speaker 1: it's just such a It's not a sexual touch at all, 231 00:12:25,400 --> 00:12:27,440 Speaker 1: but it was enough that she was like, Oh, he's 232 00:12:27,480 --> 00:12:30,600 Speaker 1: into me, like he's interested. You know, sometimes that makes 233 00:12:30,640 --> 00:12:34,880 Speaker 1: you It's funny because my first thought when he reached 234 00:12:34,960 --> 00:12:37,800 Speaker 1: further up her arm was that it was like the 235 00:12:37,800 --> 00:12:40,440 Speaker 1: the old Viking handshake, or you grabbed their foe arms. 236 00:12:40,720 --> 00:12:42,960 Speaker 1: Do you have any daggers up here? Which I think 237 00:12:43,000 --> 00:12:46,200 Speaker 1: we should bring back? First of all, it's a great handshake. 238 00:12:46,320 --> 00:12:47,559 Speaker 1: Second of all, yeah, I want to check if you 239 00:12:47,559 --> 00:12:52,280 Speaker 1: have any daggers up there. I don't know you might 240 00:12:52,320 --> 00:12:56,240 Speaker 1: have daggers. Linda didn't have any daggers. Michael was like, 241 00:12:56,320 --> 00:13:00,560 Speaker 1: all right, this could be the one that said She 242 00:13:00,640 --> 00:13:05,920 Speaker 1: was quote buzzing with excitement over meeting him, and Michael says, quote, 243 00:13:05,960 --> 00:13:08,320 Speaker 1: I definitely wanted to see Linda again. There was not 244 00:13:08,440 --> 00:13:12,000 Speaker 1: a doubt in my mind. So over the holidays they 245 00:13:12,040 --> 00:13:14,640 Speaker 1: exchanged a few emails and Michael suggested that they get 246 00:13:14,720 --> 00:13:16,400 Speaker 1: together in New York. The next time they were both 247 00:13:16,400 --> 00:13:19,000 Speaker 1: in the city, and he was like, Hey, why don't 248 00:13:19,000 --> 00:13:22,839 Speaker 1: we go see this storytelling show, The moth Um. That's 249 00:13:22,840 --> 00:13:26,720 Speaker 1: a very popular storytelling show, and that's such a great 250 00:13:26,760 --> 00:13:29,160 Speaker 1: idea for a unique first state. I'm biased because I 251 00:13:29,200 --> 00:13:32,079 Speaker 1: like art events, but I think that's such a great idea. Um. 252 00:13:32,120 --> 00:13:34,040 Speaker 1: After that they went on a few other dates. They 253 00:13:34,080 --> 00:13:37,600 Speaker 1: went to one where it was like an experimental music 254 00:13:37,640 --> 00:13:41,040 Speaker 1: show that Linda jokes was very awkward because quote, we 255 00:13:41,080 --> 00:13:43,960 Speaker 1: didn't know each other well enough to say this is 256 00:13:44,000 --> 00:13:49,040 Speaker 1: really horrible right away, which I love because stuff They're 257 00:13:49,040 --> 00:13:50,800 Speaker 1: both standing there trying to look like you're having a 258 00:13:50,880 --> 00:13:54,800 Speaker 1: good time. Love it. And then finally one of them 259 00:13:54,840 --> 00:13:56,520 Speaker 1: had to be like, do you want to get down 260 00:13:56,520 --> 00:14:00,160 Speaker 1: of your missiles at my speed? You know? But then 261 00:14:00,200 --> 00:14:03,160 Speaker 1: they went dancing at a jazz club and that completely 262 00:14:03,200 --> 00:14:06,360 Speaker 1: broke the ice. Both of them had been married before, 263 00:14:06,440 --> 00:14:08,280 Speaker 1: so they didn't really want to have a whole lot 264 00:14:08,280 --> 00:14:11,600 Speaker 1: of expectations, right They've seen what can happen and if 265 00:14:11,600 --> 00:14:14,880 Speaker 1: you get into the wrong relationship. They told CNN that 266 00:14:14,880 --> 00:14:17,480 Speaker 1: they just took it day by day. Michael says that 267 00:14:17,520 --> 00:14:21,400 Speaker 1: they both quote knew the perils of choosing wrong, don't. 268 00:14:21,440 --> 00:14:30,280 Speaker 1: We all haven't Vietnam flashbacks dating Vietnam. I don't. But 269 00:14:30,600 --> 00:14:33,360 Speaker 1: Linda says, quote, we were both happy together a lot, 270 00:14:33,400 --> 00:14:35,600 Speaker 1: which is something we hadn't had in a long time, 271 00:14:35,680 --> 00:14:39,480 Speaker 1: both of us. A lot of happiness that gets very addictive. 272 00:14:40,000 --> 00:14:42,680 Speaker 1: She said, it just felt easy too. They even liked 273 00:14:42,680 --> 00:14:47,000 Speaker 1: each other's friends and families, which is that's hard to find. 274 00:14:47,120 --> 00:14:48,800 Speaker 1: That is a good thing. I'm very That's something I 275 00:14:48,840 --> 00:14:50,480 Speaker 1: really like about us is we already had all the 276 00:14:50,560 --> 00:14:54,160 Speaker 1: same friends and uh and we we both really liked 277 00:14:54,200 --> 00:14:56,680 Speaker 1: each other's families. And I have to say so because 278 00:14:56,680 --> 00:14:59,240 Speaker 1: some of them listening to the show, right, don't let 279 00:14:59,280 --> 00:15:03,000 Speaker 1: them know, no, But that is I mean, I some 280 00:15:03,040 --> 00:15:05,960 Speaker 1: people have mother in law stories that I'm like, and 281 00:15:06,280 --> 00:15:08,360 Speaker 1: I'm so glad we don't. Either of us have a 282 00:15:08,400 --> 00:15:11,400 Speaker 1: mother in law. We're very lucky with our in laws. 283 00:15:11,440 --> 00:15:13,960 Speaker 1: I really my heart hurts for people who can't get 284 00:15:13,960 --> 00:15:15,760 Speaker 1: along with their in laws, because this is the person 285 00:15:15,800 --> 00:15:19,320 Speaker 1: you love and that's their family. You want to obviously 286 00:15:19,320 --> 00:15:22,120 Speaker 1: have a connection there, but sometimes it ain't easy and 287 00:15:22,160 --> 00:15:24,480 Speaker 1: it's hard to because sometimes people are like, well, you 288 00:15:24,560 --> 00:15:28,440 Speaker 1: got to choose me over your mom or whatever, and 289 00:15:28,480 --> 00:15:30,640 Speaker 1: I think that's really hard to ask someone to do. 290 00:15:30,920 --> 00:15:33,040 Speaker 1: I mean, I understand it if if the mom is 291 00:15:33,080 --> 00:15:36,000 Speaker 1: being crazy or like unreasonable, and there's plenty of stories 292 00:15:36,000 --> 00:15:39,840 Speaker 1: where they definitely a stepping but you're like, that's their mom. 293 00:15:40,960 --> 00:15:44,320 Speaker 1: I mean, sometimes your mom knows best and she like 294 00:15:44,400 --> 00:15:47,600 Speaker 1: that person for a reason, right, and maybe maybe you're 295 00:15:47,640 --> 00:15:51,640 Speaker 1: a little blinded anyway, anyway, not for us to say 296 00:15:51,680 --> 00:15:56,640 Speaker 1: no relate, no matchmaking or romantic tips. So that's right 297 00:15:57,600 --> 00:16:02,920 Speaker 1: to take it to Reddit. So that very year, they 298 00:16:02,960 --> 00:16:05,480 Speaker 1: boarded the train to Katona together for Christmas to visit 299 00:16:05,520 --> 00:16:08,320 Speaker 1: Linda's family, and they had someone take a photo of them, 300 00:16:08,360 --> 00:16:10,440 Speaker 1: and that became a tradition for a few years. They 301 00:16:10,480 --> 00:16:13,400 Speaker 1: would just take this train to Katona, somebody take a picture. 302 00:16:14,080 --> 00:16:16,880 Speaker 1: And then they moved to Connecticut and they totally loved 303 00:16:16,920 --> 00:16:20,800 Speaker 1: it there. Connecticut gorgeous. I love driving through Connecticut. But 304 00:16:20,840 --> 00:16:22,600 Speaker 1: the only drawback is they don't need to take the 305 00:16:22,600 --> 00:16:25,000 Speaker 1: train anymore on Christmas. They're close enough to Katona that 306 00:16:25,080 --> 00:16:29,040 Speaker 1: they can just drive now. Linda and Michael got married 307 00:16:29,200 --> 00:16:31,600 Speaker 1: at their home with tons of friends and family around, 308 00:16:31,920 --> 00:16:35,520 Speaker 1: and in her vows, Linda celebrated, quote the Christmas miracle 309 00:16:35,680 --> 00:16:38,840 Speaker 1: for a Jewish girl that had brought him to her. Uh, 310 00:16:38,960 --> 00:16:41,360 Speaker 1: they say, everyone they know just loves the story about 311 00:16:41,360 --> 00:16:44,840 Speaker 1: how they got together because magical coincidences, can you know, 312 00:16:44,960 --> 00:16:48,359 Speaker 1: connections and stuff like that always make for a great story. 313 00:16:48,640 --> 00:16:51,400 Speaker 1: Um though, Linda laughs a little about it. She says, quote, 314 00:16:51,480 --> 00:16:53,520 Speaker 1: I mean we didn't meet in Paris. We met on 315 00:16:53,640 --> 00:16:58,600 Speaker 1: Metro North, a commuter train, but it did the tricks 316 00:16:58,720 --> 00:17:03,240 Speaker 1: Like It's not a Netflix like storybook romance or whatever. Look, 317 00:17:03,600 --> 00:17:05,800 Speaker 1: love comes in strange places. It can look like all 318 00:17:05,840 --> 00:17:09,280 Speaker 1: sorts of things exactly. Now they've been together for ten years, 319 00:17:09,320 --> 00:17:11,960 Speaker 1: they're going strong. So next time you're on the train, 320 00:17:12,080 --> 00:17:14,520 Speaker 1: keep your eyes peeled because your soul mate could be 321 00:17:14,600 --> 00:17:19,280 Speaker 1: right across the way looking through some wallpaper samples waiting 322 00:17:19,320 --> 00:17:23,360 Speaker 1: for you. I should be less judgmental samples. Well, yeah, 323 00:17:23,359 --> 00:17:25,480 Speaker 1: if I saw someone across me looking at wallpaper samples, 324 00:17:25,480 --> 00:17:29,359 Speaker 1: I'd be like, whoa, this is a boring Oh my god, 325 00:17:29,680 --> 00:17:33,240 Speaker 1: and you want have missed out on cool Michael hard stuff. 326 00:17:34,440 --> 00:17:36,000 Speaker 1: I guess it would depend on the samples. If they 327 00:17:36,000 --> 00:17:38,159 Speaker 1: were looking at some like really crazy funky patterns and 328 00:17:38,200 --> 00:17:45,440 Speaker 1: maybe like, yes, let's talk is. But if it's like right, beige, tope, Khaki, 329 00:17:45,640 --> 00:17:50,080 Speaker 1: I'm like, oh my god, well that is a beautiful story. Though, yes, 330 00:17:50,160 --> 00:17:53,440 Speaker 1: that's a cute one. I love that love people just 331 00:17:54,160 --> 00:17:56,159 Speaker 1: taking a chance. I mean again, she was just like, 332 00:17:56,240 --> 00:17:58,600 Speaker 1: let me talk to this stranger and probably didn't expect 333 00:17:58,640 --> 00:18:01,159 Speaker 1: anything more than a couple of minutes conversation, maybe a 334 00:18:01,240 --> 00:18:03,840 Speaker 1: nice passing of the time they got off the train. 335 00:18:04,280 --> 00:18:06,680 Speaker 1: She ends up with the soul mate. Absolutely nothing wrong 336 00:18:06,720 --> 00:18:09,320 Speaker 1: with it. They could make a movie about or or 337 00:18:09,359 --> 00:18:12,560 Speaker 1: a book about her about their story, and it could 338 00:18:12,600 --> 00:18:16,879 Speaker 1: be called The Girl on the Train. They could just 339 00:18:16,920 --> 00:18:23,760 Speaker 1: immediately give people sweet, loving, heavy feelings, right I think, alright, 340 00:18:24,080 --> 00:18:28,239 Speaker 1: uh yeah, I think it's not sweet, but I'm not 341 00:18:28,280 --> 00:18:31,520 Speaker 1: seen it myself, so maybe this Uh, let us take 342 00:18:31,560 --> 00:18:33,520 Speaker 1: a quick break when we come back. We're going to 343 00:18:33,600 --> 00:18:36,960 Speaker 1: talk about an artist who seemed to know who the 344 00:18:37,000 --> 00:18:39,680 Speaker 1: love of his life was long before he ever even 345 00:18:39,760 --> 00:18:42,639 Speaker 1: laid eyes on her. And we'll be right back right 346 00:18:42,680 --> 00:18:53,680 Speaker 1: after this. Welcome back everyone, Okay, So Next up, we've 347 00:18:53,680 --> 00:18:57,640 Speaker 1: got the story of an Iranian artist named Ahad Sadi. 348 00:18:58,119 --> 00:19:01,000 Speaker 1: The Anna loud Old Gallery has a little bio about 349 00:19:01,080 --> 00:19:03,800 Speaker 1: him on their website. He was born in night in 350 00:19:03,800 --> 00:19:08,320 Speaker 1: Tehran and his dad was an important textile and carpet merchants. 351 00:19:08,359 --> 00:19:11,159 Speaker 1: Were back to the textiles again, I guess that's the 352 00:19:11,200 --> 00:19:18,640 Speaker 1: through line of this story, wallpapers carpets. Well, Ahad apparently 353 00:19:18,680 --> 00:19:21,600 Speaker 1: liked playing with fire when he was a kid, quite literally, 354 00:19:22,040 --> 00:19:24,119 Speaker 1: so his parents tried to keep him away from it, 355 00:19:24,160 --> 00:19:28,880 Speaker 1: little little baby pyromaniac. But this ended up being the 356 00:19:29,000 --> 00:19:32,239 Speaker 1: key to his own unique style of artwork because one 357 00:19:32,320 --> 00:19:35,159 Speaker 1: day he was messing around with fire like you do, 358 00:19:35,760 --> 00:19:38,840 Speaker 1: and he sort of accidentally burned some pieces of cloth 359 00:19:38,960 --> 00:19:42,040 Speaker 1: belonging to his mother together and he noticed that once 360 00:19:42,080 --> 00:19:44,960 Speaker 1: they were burnt, these textiles would stick to each other. 361 00:19:45,560 --> 00:19:48,400 Speaker 1: And in the years since then, he has developed this 362 00:19:48,680 --> 00:19:53,560 Speaker 1: into a technique that he perfected called Azarnagari, which basically 363 00:19:53,560 --> 00:19:56,119 Speaker 1: means painting with fire. So what it is is like, 364 00:19:56,160 --> 00:19:59,320 Speaker 1: instead of painting with glue, he sticks small pieces of 365 00:19:59,359 --> 00:20:03,119 Speaker 1: fabric to each they're using fire basically melting them together 366 00:20:03,160 --> 00:20:06,960 Speaker 1: and creating these beautiful motifs. It's really intricate patterns. He 367 00:20:07,080 --> 00:20:12,440 Speaker 1: calls it a modernization of classic Persian illuminations. It's very beautiful. 368 00:20:13,000 --> 00:20:15,959 Speaker 1: Will Will link to his instagram. Uh, there's a lot 369 00:20:16,000 --> 00:20:20,800 Speaker 1: of really very delicate, colorful patterns going on. I imagine 370 00:20:20,840 --> 00:20:23,880 Speaker 1: it was going to be you know, scorched, but it's not. 371 00:20:24,000 --> 00:20:26,879 Speaker 1: It's really just the fire just sort of bonds these 372 00:20:27,119 --> 00:20:29,680 Speaker 1: fabrics together to create these really cool patterns. Yeah, it's 373 00:20:29,760 --> 00:20:33,440 Speaker 1: very colorful and very beautiful. I love it. I definitely 374 00:20:33,520 --> 00:20:36,040 Speaker 1: was like scrolling his instagram, like, okay, I would buy 375 00:20:36,040 --> 00:20:38,159 Speaker 1: this and kind of three D because it's you know, 376 00:20:38,800 --> 00:20:40,840 Speaker 1: out of paint, so it just pops off the page 377 00:20:40,920 --> 00:20:44,879 Speaker 1: and just a different way. It's really cool. Sod's art 378 00:20:44,960 --> 00:20:47,560 Speaker 1: career is going great, right. He came up with a 379 00:20:47,560 --> 00:20:50,480 Speaker 1: totally new thing. It marries all his interest fire art, 380 00:20:51,200 --> 00:20:56,120 Speaker 1: textile sees into it. But he is still single and 381 00:20:56,280 --> 00:20:58,640 Speaker 1: his mother was kind of from the pressure on him 382 00:20:58,680 --> 00:21:01,960 Speaker 1: to get married. She's like, she kept being like, hard, 383 00:21:02,480 --> 00:21:05,800 Speaker 1: do you have a lover yet? Dinner time alone again, 384 00:21:07,000 --> 00:21:11,200 Speaker 1: it's Friday night, you got no date? My son has 385 00:21:11,320 --> 00:21:17,520 Speaker 1: no game. She just keeps talking about him not having 386 00:21:17,520 --> 00:21:20,320 Speaker 1: nobody special in his life. But he said in an 387 00:21:20,320 --> 00:21:24,160 Speaker 1: interview quote, I believed a lot in love, true love. 388 00:21:24,880 --> 00:21:26,800 Speaker 1: So he wasn't just going to get with like just 389 00:21:26,880 --> 00:21:28,960 Speaker 1: anyone to get his mom's back. You know. He's like, 390 00:21:29,040 --> 00:21:31,600 Speaker 1: I only want to spend my time make an art 391 00:21:31,720 --> 00:21:35,320 Speaker 1: or with the person of my dreams. So in Tune 392 00:21:35,320 --> 00:21:39,320 Speaker 1: thousand eight, he decided to do art about this problem. 393 00:21:39,359 --> 00:21:42,199 Speaker 1: He used his fabric technique to create a portrait of 394 00:21:42,320 --> 00:21:47,000 Speaker 1: his dream girl. And she's very beautiful. She's dark, striking 395 00:21:47,080 --> 00:21:51,760 Speaker 1: eyes and long, dark curly hair and very strong features. 396 00:21:51,800 --> 00:21:54,040 Speaker 1: She looks like she's kind of looking out of the 397 00:21:54,080 --> 00:21:57,400 Speaker 1: portrait like come say something to me. And she's got 398 00:21:57,440 --> 00:22:00,920 Speaker 1: a real personality. He didn't. He didn't painted die away 399 00:22:01,040 --> 00:22:03,720 Speaker 1: kind of female at all. Um and his mom came 400 00:22:03,760 --> 00:22:05,639 Speaker 1: up to him while he's working on it, and he 401 00:22:05,760 --> 00:22:07,600 Speaker 1: told her, you know, mom, this is the woman that 402 00:22:07,720 --> 00:22:10,720 Speaker 1: I want. This is who I'm waiting for. And his 403 00:22:10,840 --> 00:22:14,520 Speaker 1: mother responded, quote, may God give life to her, may 404 00:22:14,640 --> 00:22:17,760 Speaker 1: she be yours, Like whatever it takes get me a granddad, 405 00:22:18,280 --> 00:22:20,480 Speaker 1: I hope she just steps out of the painting right 406 00:22:20,480 --> 00:22:26,639 Speaker 1: now and immediately becomes so. A year later, Ahad was 407 00:22:26,680 --> 00:22:29,200 Speaker 1: preparing to exhibit several pieces of his art at a 408 00:22:29,240 --> 00:22:32,320 Speaker 1: gallery into Breeze Iran, just his last show before he 409 00:22:32,359 --> 00:22:36,600 Speaker 1: moved to Istanbul, and he included this dream girl portrait 410 00:22:36,720 --> 00:22:41,639 Speaker 1: in the selection. So Parissa Karazad is also an artist. 411 00:22:41,680 --> 00:22:44,600 Speaker 1: She's a painter and a photographer as well. And in 412 00:22:44,640 --> 00:22:47,560 Speaker 1: two thousand nine, she was dating this guy who wanted 413 00:22:47,600 --> 00:22:49,720 Speaker 1: to go to this art exhibit and she wasn't really 414 00:22:49,800 --> 00:22:52,159 Speaker 1: that interested in this exhibit, but she's like, all right, fine, 415 00:22:52,760 --> 00:22:56,240 Speaker 1: whatever you want to do, we'll go. So she walks 416 00:22:56,280 --> 00:22:59,240 Speaker 1: into this gallery and there's a lot of people crowded 417 00:22:59,280 --> 00:23:03,439 Speaker 1: around had since he was the artist, including a Hadds sister. 418 00:23:04,160 --> 00:23:08,080 Speaker 1: The moment Parissa entered the room, had sister poked him 419 00:23:08,080 --> 00:23:11,760 Speaker 1: in the arm and said, quote, had that girl walking 420 00:23:11,800 --> 00:23:15,560 Speaker 1: through the door looks like the painting you did? And 421 00:23:15,960 --> 00:23:18,200 Speaker 1: she was not the only one to say so. Parissa 422 00:23:18,280 --> 00:23:21,439 Speaker 1: and her boyfriend got the portrait and she said, quote, 423 00:23:21,800 --> 00:23:26,000 Speaker 1: we froze. I felt a strange closeness. I turned to 424 00:23:26,040 --> 00:23:29,480 Speaker 1: my boyfriend and asked, does this portrait look like me? 425 00:23:29,920 --> 00:23:32,680 Speaker 1: And the boyfriend was like kind of, and he walked 426 00:23:32,720 --> 00:23:34,800 Speaker 1: off to look at something else. Damn, this guy sucks. 427 00:23:34,880 --> 00:23:38,400 Speaker 1: He's like whatever, he's gotta be the like bad boyfriend 428 00:23:38,400 --> 00:23:40,919 Speaker 1: in the rom com. You know, everything he does is 429 00:23:40,960 --> 00:23:44,399 Speaker 1: like obviously the worst option, right, He's like, yeah, I 430 00:23:44,440 --> 00:23:50,000 Speaker 1: guess anyway, I gotta take this call. But Parissa was 431 00:23:50,040 --> 00:23:52,440 Speaker 1: stuck by this portrait and it does look a lot 432 00:23:52,480 --> 00:23:55,120 Speaker 1: like her. We will definitely put on our Instagram. Yes, 433 00:23:55,440 --> 00:23:58,040 Speaker 1: this side by side, because it's pretty striking. It's crazy. 434 00:23:58,560 --> 00:24:00,880 Speaker 1: She said. She felt like the portrait was quote a 435 00:24:00,920 --> 00:24:05,000 Speaker 1: near perfect reflection of her own dark eyes, her long, 436 00:24:05,080 --> 00:24:08,320 Speaker 1: curly hair, and her strong features. So the very next 437 00:24:08,400 --> 00:24:10,159 Speaker 1: day she's telling a friend about this. She's like, I 438 00:24:10,200 --> 00:24:12,439 Speaker 1: went to this gallery and this guy's got a portrait 439 00:24:12,560 --> 00:24:15,359 Speaker 1: of me, but we've never met. And the friend was 440 00:24:15,520 --> 00:24:17,919 Speaker 1: quote more excited than I was. So she's like, we 441 00:24:17,960 --> 00:24:19,840 Speaker 1: gotta go to this EXHIBI have to show me this thing. 442 00:24:20,080 --> 00:24:22,280 Speaker 1: And so they went and her friend took one look 443 00:24:22,280 --> 00:24:24,800 Speaker 1: at the portrait and said, quote, I don't know what 444 00:24:24,880 --> 00:24:27,439 Speaker 1: the story of this painting is, but this man is 445 00:24:27,640 --> 00:24:31,240 Speaker 1: madly in love with you. And she was not wrong, 446 00:24:31,560 --> 00:24:33,800 Speaker 1: because as soon as he saw her for the first time, 447 00:24:33,920 --> 00:24:37,679 Speaker 1: Ahd was a gonner. He like handed his heart over 448 00:24:37,720 --> 00:24:40,399 Speaker 1: to her on a platter. He even invited Parissa to 449 00:24:40,640 --> 00:24:43,080 Speaker 1: his workshop to take pictures of his artwork because I 450 00:24:43,160 --> 00:24:46,440 Speaker 1: guess he found out she was a photographer. But police, 451 00:24:46,520 --> 00:24:48,040 Speaker 1: I know, he's like, oh, this is a good way 452 00:24:48,040 --> 00:24:50,640 Speaker 1: to get in with you. But Parissa came with her mother, 453 00:24:50,720 --> 00:24:53,639 Speaker 1: so he's like, well, I guess I won't try to 454 00:24:53,680 --> 00:24:58,480 Speaker 1: mac on you right now. You're standing right here, right, 455 00:25:00,160 --> 00:25:03,920 Speaker 1: so nice to meet you. Well, at least had had 456 00:25:03,960 --> 00:25:08,200 Speaker 1: her Facebook information, but theressa like me these days, it 457 00:25:08,280 --> 00:25:11,879 Speaker 1: was just never on Facebook for her. Every time I 458 00:25:11,920 --> 00:25:14,840 Speaker 1: open it, I just get depressed. What is the point, Like, 459 00:25:14,960 --> 00:25:21,080 Speaker 1: screw this social media game? Piously anyway. For eighteen months, 460 00:25:21,440 --> 00:25:25,080 Speaker 1: had said that he checked social media every night, hoping 461 00:25:25,080 --> 00:25:27,679 Speaker 1: that she would be on so he could start a conversation, 462 00:25:28,080 --> 00:25:30,440 Speaker 1: which I mean to me, I'm like, you can send 463 00:25:30,440 --> 00:25:32,879 Speaker 1: a message when she's not there, then she'll see it 464 00:25:32,920 --> 00:25:34,920 Speaker 1: when she does log on and message you back. That's 465 00:25:34,920 --> 00:25:38,920 Speaker 1: how she might get a notification and they choose to open. 466 00:25:39,680 --> 00:25:42,120 Speaker 1: It's possible, but he was just like, no, I want 467 00:25:42,119 --> 00:25:43,800 Speaker 1: to live chat or nothing. It's yeah, I mean an 468 00:25:43,800 --> 00:25:46,760 Speaker 1: immediate response. Maybe he was like, if if I send 469 00:25:46,800 --> 00:25:49,199 Speaker 1: it and I don't know if she's going to see it, 470 00:25:49,280 --> 00:25:52,520 Speaker 1: then I'll get real, you know what? I mean discourage 471 00:25:52,640 --> 00:25:55,840 Speaker 1: before I know for sure nobody wants to be left 472 00:25:55,840 --> 00:25:58,960 Speaker 1: on red. God, that's so true. You're just going to 473 00:25:59,040 --> 00:26:01,600 Speaker 1: see those dots pop up for a few seconds and 474 00:26:01,640 --> 00:26:04,800 Speaker 1: then go away for six months. Cuts deep. It kept 475 00:26:04,800 --> 00:26:07,520 Speaker 1: me deep, all right, I get it. I get it well. 476 00:26:07,800 --> 00:26:12,240 Speaker 1: Then one magical night he checked on Facebook. He did 477 00:26:12,280 --> 00:26:14,640 Speaker 1: not see that she was active, so he went to bed. 478 00:26:15,040 --> 00:26:19,080 Speaker 1: But he just had this feeling something eaten in him, 479 00:26:19,160 --> 00:26:21,960 Speaker 1: that that Facebook addiction that gets into your brain was 480 00:26:22,000 --> 00:26:25,800 Speaker 1: telling him, Now, get that gun. You gotta go check God. 481 00:26:26,000 --> 00:26:28,960 Speaker 1: So he did. He opens up the app again and boom, 482 00:26:29,080 --> 00:26:34,160 Speaker 1: Parissa was online. She says it was Valentine's Day, which 483 00:26:34,200 --> 00:26:38,600 Speaker 1: is also her birthday. Crazy enough, and so she had 484 00:26:38,640 --> 00:26:41,359 Speaker 1: jumped on to Facebook to thank everyone for their birthday wishes. 485 00:26:41,800 --> 00:26:45,120 Speaker 1: A had immediately reached out with one of the great 486 00:26:45,160 --> 00:26:53,639 Speaker 1: pickup lines, Hello just you know, sometimes it's all hello, 487 00:26:54,119 --> 00:26:57,639 Speaker 1: hello you, She responds, and he asked her where she was. 488 00:26:57,960 --> 00:27:01,240 Speaker 1: He was in a standball holding an art shibition. Well, 489 00:27:01,240 --> 00:27:04,320 Speaker 1: it turns out Barissa was also an is stand ball, 490 00:27:04,880 --> 00:27:06,919 Speaker 1: and she agreed to meet him at his exhibit and 491 00:27:06,960 --> 00:27:11,200 Speaker 1: have some dinner. The coincidences in this story azing not 492 00:27:11,320 --> 00:27:15,399 Speaker 1: to mention, I'm sorry if you paint a girl and 493 00:27:15,440 --> 00:27:18,359 Speaker 1: then she walks into your gallery and her birthday is 494 00:27:18,520 --> 00:27:22,280 Speaker 1: Valentine's Day, Like, I'm sorry, this is you. You magically 495 00:27:22,359 --> 00:27:26,040 Speaker 1: did create this woman into existence. I'm sorry, Parissa. I'm 496 00:27:26,080 --> 00:27:28,000 Speaker 1: sure you had a very full life before all this, 497 00:27:28,280 --> 00:27:30,720 Speaker 1: but I also kind of think you just appeared out 498 00:27:30,720 --> 00:27:36,119 Speaker 1: of a pink cloud of glitter. All your memories were implanted, Like, yeah, 499 00:27:36,160 --> 00:27:38,720 Speaker 1: you didn't exist before this painting. I'm sorry, You're You're 500 00:27:38,760 --> 00:27:43,520 Speaker 1: a magical creation, the mystical manifestation of true love. That's 501 00:27:43,560 --> 00:27:46,720 Speaker 1: all I can figure here. Well, no wonder she's a 502 00:27:46,720 --> 00:27:51,760 Speaker 1: good artist, yew, Parista says. When she arrived to this date, 503 00:27:52,000 --> 00:27:54,280 Speaker 1: she knows she stretches out her hand to shake because 504 00:27:54,600 --> 00:27:57,359 Speaker 1: they don't know each other yet, but a had took 505 00:27:57,359 --> 00:28:00,159 Speaker 1: her into his arms and hugged her really tight lee 506 00:28:00,480 --> 00:28:03,480 Speaker 1: and whispered, quote, you don't know how much I love you. 507 00:28:03,760 --> 00:28:07,800 Speaker 1: Oh wow, he really one upped. Michael's great to meet you. 508 00:28:09,040 --> 00:28:10,800 Speaker 1: I know, maybe he should learn a little risk trick, 509 00:28:10,840 --> 00:28:12,760 Speaker 1: because I feel like that might be a little like 510 00:28:14,000 --> 00:28:17,239 Speaker 1: a coming on strong. Speaking of even though they've only 511 00:28:17,280 --> 00:28:20,119 Speaker 1: seen each other twice, he proposed to her over dinner, 512 00:28:20,720 --> 00:28:22,919 Speaker 1: like right there on their first day. He's like, okay, 513 00:28:22,960 --> 00:28:26,680 Speaker 1: I'm in I see that because he's been in love 514 00:28:26,720 --> 00:28:29,879 Speaker 1: with her, I mean sort of when he painted her, 515 00:28:29,920 --> 00:28:31,879 Speaker 1: but at least for eighteen months, he's been trying real 516 00:28:31,920 --> 00:28:33,600 Speaker 1: hard to get her. So he's just like, whatever, I 517 00:28:33,640 --> 00:28:36,200 Speaker 1: just want you around all the time. And again the signs, 518 00:28:36,400 --> 00:28:39,840 Speaker 1: I mean a woman, she appears in your gallery when 519 00:28:39,840 --> 00:28:43,640 Speaker 1: you're showing off this painting. Her birthday is Valentine's Day. 520 00:28:43,800 --> 00:28:47,720 Speaker 1: She's got the cartoon birds floating around her, singing kiss 521 00:28:47,760 --> 00:28:50,720 Speaker 1: the girl like it's come on. He's like one or 522 00:28:50,800 --> 00:28:55,360 Speaker 1: all of the gods one this. So, of course Paris 523 00:28:55,440 --> 00:28:58,240 Speaker 1: is like, yeah, oh okay, um, that's sort of a 524 00:28:58,240 --> 00:29:01,160 Speaker 1: big question. Can I have a month to think about it? 525 00:29:01,880 --> 00:29:03,920 Speaker 1: And he said, quote, Parissa, you can only give me 526 00:29:03,960 --> 00:29:08,320 Speaker 1: one answer, and that is yes. Okay. Now my Western 527 00:29:08,360 --> 00:29:10,680 Speaker 1: ears kind of read that, and I was like, I 528 00:29:10,720 --> 00:29:14,800 Speaker 1: can give you whatever answer I want. I got a 529 00:29:14,800 --> 00:29:17,560 Speaker 1: little contrary, but I don't think that's what he meant 530 00:29:18,120 --> 00:29:19,920 Speaker 1: by that. I don't think he was trying to be like, 531 00:29:20,000 --> 00:29:22,760 Speaker 1: you can only give me one answer. I think he 532 00:29:22,840 --> 00:29:26,120 Speaker 1: was trying to say, like, there's only one answer. That's 533 00:29:26,160 --> 00:29:28,640 Speaker 1: this is real and true, and there's really only one answer, 534 00:29:28,680 --> 00:29:30,000 Speaker 1: and I don't care how long I have to wait 535 00:29:30,000 --> 00:29:32,560 Speaker 1: for it. It's yes, but I will wait as long 536 00:29:32,600 --> 00:29:35,040 Speaker 1: as I have to wait. And Parissa, I think, agrees 537 00:29:35,080 --> 00:29:37,400 Speaker 1: with me, because she says she only ever quote felt 538 00:29:37,440 --> 00:29:40,520 Speaker 1: a deeply beautiful feeling from a hod so not like 539 00:29:40,560 --> 00:29:45,280 Speaker 1: a coercive, you know, overpowering kind of energy. So she 540 00:29:45,520 --> 00:29:48,320 Speaker 1: went home from this date, and she's thinking about this proposal. 541 00:29:48,720 --> 00:29:51,360 Speaker 1: She's thinking about this painting that looks eerily like her. 542 00:29:51,800 --> 00:29:53,440 Speaker 1: She's probably think about all the things they have in 543 00:29:53,480 --> 00:29:56,080 Speaker 1: common because they're both artists, you know, they're both from Iran. 544 00:29:56,080 --> 00:29:58,080 Speaker 1: They're both living in a a stanbowl now, and it's just 545 00:29:58,120 --> 00:30:01,520 Speaker 1: again a lot of coincidences, a lot of commonalities. And 546 00:30:01,560 --> 00:30:04,880 Speaker 1: the very next morning she called him up and accepted 547 00:30:04,960 --> 00:30:09,480 Speaker 1: his proposal. She said yes, quote, thus began my beautiful 548 00:30:09,560 --> 00:30:12,560 Speaker 1: life with a hod I am so happy. A Hodd 549 00:30:12,720 --> 00:30:16,640 Speaker 1: is the greatest gift given to me by God. Now 550 00:30:17,120 --> 00:30:21,920 Speaker 1: Parissa's mother was understandably, you know, kind of like, excuse me, 551 00:30:22,360 --> 00:30:24,920 Speaker 1: excuse me. You're marrying a man you met twice in 552 00:30:24,920 --> 00:30:27,080 Speaker 1: your life. He proposed you at the first dinner come 553 00:30:27,160 --> 00:30:31,440 Speaker 1: up very very frozen vibes. Right, else is like, anna, 554 00:30:31,600 --> 00:30:36,240 Speaker 1: excuse me. Right. But when Parissa explained how they met 555 00:30:36,400 --> 00:30:38,360 Speaker 1: and how long a had had been trying to get 556 00:30:38,360 --> 00:30:40,400 Speaker 1: in touch with her, plus the fact that you know 557 00:30:40,640 --> 00:30:44,160 Speaker 1: she very recently manifested into the world because of this painting, 558 00:30:44,480 --> 00:30:48,600 Speaker 1: her mother quote side in relief and was deeply touched 559 00:30:48,680 --> 00:30:52,520 Speaker 1: by the story. And of course a Hodd's mother was thrilled. 560 00:30:52,520 --> 00:30:54,400 Speaker 1: She's like, oh my god, it came true. The woman 561 00:30:54,440 --> 00:30:56,600 Speaker 1: stepped out of your painting, and now I'm getting a 562 00:30:56,680 --> 00:30:59,080 Speaker 1: daughter in law. She's like, whoever it is, I don't care. 563 00:31:01,200 --> 00:31:04,120 Speaker 1: So Ahad and Parissa both say that meeting each other 564 00:31:04,160 --> 00:31:06,280 Speaker 1: was one of the greatest moments of their lives and 565 00:31:06,360 --> 00:31:09,280 Speaker 1: they have never been happier. That's right. And if you 566 00:31:09,320 --> 00:31:11,840 Speaker 1: go on their instagrams you can see all of her art. 567 00:31:11,960 --> 00:31:15,520 Speaker 1: She does really cool like multimedia paintings and then she'll 568 00:31:15,520 --> 00:31:17,720 Speaker 1: take a big picture, like a cool picture in front 569 00:31:17,720 --> 00:31:20,680 Speaker 1: of it. Anyway, just really cool stuff. So check them out. 570 00:31:20,800 --> 00:31:24,120 Speaker 1: It's really cool stuff. I once um made a collage 571 00:31:25,040 --> 00:31:27,400 Speaker 1: of the woman I thought I was going to marry, 572 00:31:27,760 --> 00:31:29,680 Speaker 1: because you know, it was there was a good art 573 00:31:29,680 --> 00:31:31,360 Speaker 1: form for me as a teenager, I couldn't draw, so 574 00:31:31,400 --> 00:31:33,920 Speaker 1: I would do collages and stuff. So I got into 575 00:31:34,480 --> 00:31:38,240 Speaker 1: a Vogue magazine and I decided to build the Perfect Woman, 576 00:31:38,520 --> 00:31:41,680 Speaker 1: which was just cutting out one picture of Angelina Jolie 577 00:31:42,440 --> 00:31:46,160 Speaker 1: and gluing it to my wall. I don't think I 578 00:31:46,280 --> 00:31:50,000 Speaker 1: manifested her into existence. But she hasn't showed up at 579 00:31:50,000 --> 00:31:53,760 Speaker 1: my art gallery yet. Wow. Yet, hold onto hoping. I'm 580 00:31:53,760 --> 00:31:57,760 Speaker 1: always holding on the hope Angelina. She's not a brad anymore, 581 00:31:57,880 --> 00:32:01,800 Speaker 1: she's not her daughter us to Spellman. So sometimes she's 582 00:32:02,360 --> 00:32:06,360 Speaker 1: in town. So this is your coincidence that sometimes she's 583 00:32:06,400 --> 00:32:10,400 Speaker 1: in Atlanta. It's only a matter of time. Well, I 584 00:32:10,440 --> 00:32:12,840 Speaker 1: guess I can't wait to be divorced. I don't know. 585 00:32:14,080 --> 00:32:16,640 Speaker 1: Come on, we've done this show long enough to know 586 00:32:16,720 --> 00:32:19,560 Speaker 1: that there are many solutions here. That's true. We can 587 00:32:19,640 --> 00:32:22,840 Speaker 1: have a harem situation. I bet you and Angelina would 588 00:32:22,880 --> 00:32:25,000 Speaker 1: spend time just together without me, even to have a 589 00:32:25,000 --> 00:32:27,520 Speaker 1: great time. I'm sure we would. Yeah, we could. We 590 00:32:27,560 --> 00:32:31,680 Speaker 1: could get along, go to the gym together. I don't 591 00:32:31,680 --> 00:32:34,400 Speaker 1: think of something else. I don't think it's something else 592 00:32:34,440 --> 00:32:36,520 Speaker 1: to do with Angelina. So yeah, I mean, I just 593 00:32:36,560 --> 00:32:39,640 Speaker 1: love that story. I think that's so cool. How weird 594 00:32:39,680 --> 00:32:42,200 Speaker 1: too to be a hod like oh yeah, glad handing 595 00:32:42,280 --> 00:32:44,160 Speaker 1: some like art dealers. And then he looks up and 596 00:32:44,200 --> 00:32:47,400 Speaker 1: he's like the woman I painted is here, and then 597 00:32:47,400 --> 00:32:49,440 Speaker 1: you like go check your portrait, like thinking there's no 598 00:32:49,440 --> 00:32:54,000 Speaker 1: one in there, and you are like frame, it's like 599 00:32:54,040 --> 00:32:57,000 Speaker 1: an eighties movie. Yeah, it's a weird science like she 600 00:32:57,160 --> 00:33:03,960 Speaker 1: literally yeahd in or something. Um, can I get cynical 601 00:33:04,720 --> 00:33:09,520 Speaker 1: sure speculation station? I mean, is there a way that 602 00:33:09,600 --> 00:33:13,040 Speaker 1: a hot had ever seen her before? And like try 603 00:33:13,120 --> 00:33:15,000 Speaker 1: to set this whole thing up like, oh, I'd never 604 00:33:16,520 --> 00:33:20,000 Speaker 1: I just imagined you whoa we must be meant to 605 00:33:20,040 --> 00:33:25,480 Speaker 1: be together under proposed immediately. I mean, I guess it's 606 00:33:25,520 --> 00:33:30,920 Speaker 1: not impossible because they were both artists in Iran, so 607 00:33:31,040 --> 00:33:33,480 Speaker 1: maybe there was some kind of like art show where 608 00:33:33,480 --> 00:33:36,160 Speaker 1: they crossed paths and he's like, that lady is super hot. 609 00:33:36,720 --> 00:33:38,400 Speaker 1: I'm gonna paint her. I'm going to set up a 610 00:33:38,440 --> 00:33:41,400 Speaker 1: scheme wherein I paint her and then convince her that 611 00:33:42,520 --> 00:33:45,560 Speaker 1: I magically created her, well or less cynically. He did 612 00:33:45,600 --> 00:33:48,280 Speaker 1: see her, and he's like, now that's the kind of girls. 613 00:33:49,000 --> 00:33:51,280 Speaker 1: So then he painted her and then she showed up 614 00:33:51,280 --> 00:33:53,200 Speaker 1: and he's like, oh my gosh, it's that girl. More 615 00:33:53,560 --> 00:33:57,560 Speaker 1: likely and sweet for sure, sweeter than yours, not as 616 00:33:57,560 --> 00:34:01,400 Speaker 1: sweet as this one, like mid sweet, there go again, Midwstern. 617 00:34:01,760 --> 00:34:04,560 Speaker 1: It reminds me of the end of fifty First Dates. 618 00:34:05,480 --> 00:34:08,200 Speaker 1: Alexander shows up and she of course has been painting 619 00:34:08,280 --> 00:34:11,960 Speaker 1: him all this time because she doesn't remember having met him. Um, 620 00:34:12,000 --> 00:34:15,600 Speaker 1: so maybe just forgot that he ever saw her. I 621 00:34:15,600 --> 00:34:18,560 Speaker 1: guess that's possible. I kind of like the magical nous 622 00:34:18,600 --> 00:34:21,200 Speaker 1: of this story. Yes, that he just had a woman 623 00:34:21,239 --> 00:34:23,480 Speaker 1: in mind, and there happened. She happened to be out 624 00:34:23,520 --> 00:34:27,279 Speaker 1: there waiting for him, rode in on a unicorn. It's incredible. 625 00:34:27,320 --> 00:34:30,000 Speaker 1: It's really an amazing story. Artists getting together can be 626 00:34:30,040 --> 00:34:33,600 Speaker 1: disastrous or it can be, you know, really beneficial. Yeah, 627 00:34:33,640 --> 00:34:36,160 Speaker 1: and I don't know everything. I don't know them, but 628 00:34:36,280 --> 00:34:38,719 Speaker 1: it does seem that they both really appreciate each other's art, 629 00:34:38,840 --> 00:34:40,719 Speaker 1: and they try to encourage each other's art work, and 630 00:34:40,760 --> 00:34:43,520 Speaker 1: they're always like exhibiting and then like on her Instagram, 631 00:34:43,600 --> 00:34:45,880 Speaker 1: she's like, look at my sexy husband and his cool art, 632 00:34:45,920 --> 00:34:47,799 Speaker 1: and he's like, look at my wife and her awesome art. 633 00:34:47,840 --> 00:34:51,560 Speaker 1: You know, like seem really supportive instead of like, as 634 00:34:51,600 --> 00:34:53,560 Speaker 1: you say, sometimes it can be disastrous where you have 635 00:34:53,600 --> 00:34:56,160 Speaker 1: a lot of ego at play and one or the 636 00:34:56,200 --> 00:34:59,400 Speaker 1: others like you need to be smaller so that I 637 00:34:59,440 --> 00:35:02,479 Speaker 1: can be the big one. That happens, for sure. Other 638 00:35:02,520 --> 00:35:05,480 Speaker 1: times people just thrive better with more of an opposite person, 639 00:35:05,560 --> 00:35:07,400 Speaker 1: you know. I mean, I know how many artists do 640 00:35:07,440 --> 00:35:12,040 Speaker 1: we know? Actors, painters, whatever, dancers who marry an accountant 641 00:35:12,360 --> 00:35:16,839 Speaker 1: or you know, a restaurateur or something, and and and 642 00:35:16,920 --> 00:35:19,839 Speaker 1: that's better for them than being full time with someone 643 00:35:19,880 --> 00:35:23,399 Speaker 1: else who you know that you want that contrast more 644 00:35:23,480 --> 00:35:25,440 Speaker 1: than just constantly the two of you speak in the 645 00:35:25,440 --> 00:35:28,960 Speaker 1: same language all the time. For some people, that's you know, intolerable, 646 00:35:29,680 --> 00:35:32,640 Speaker 1: which I can understand too, but not for us, fortunately, No, 647 00:35:33,960 --> 00:35:39,040 Speaker 1: you need to understand. Yeah, exactly, how need you to 648 00:35:39,120 --> 00:35:41,759 Speaker 1: get this? Because both of us were like, let's try 649 00:35:41,760 --> 00:35:45,279 Speaker 1: and marry ourselves. Let's try and marry I want I 650 00:35:45,320 --> 00:35:47,839 Speaker 1: don't want to marry someone who's basically exactly like me, 651 00:35:47,960 --> 00:35:52,200 Speaker 1: but a pretty lady. Yeah. Well, anyway, that was a 652 00:35:52,200 --> 00:35:55,719 Speaker 1: beautiful story. It was. So maybe your collage, your next 653 00:35:55,760 --> 00:36:01,719 Speaker 1: collage or project could manifest perfect partner for you. Or 654 00:36:01,760 --> 00:36:04,279 Speaker 1: at least so get it out of your system one 655 00:36:04,280 --> 00:36:06,319 Speaker 1: way or the other. Art is good. Pop on a 656 00:36:06,360 --> 00:36:09,600 Speaker 1: train and hate yourself, or make a collage out of 657 00:36:09,600 --> 00:36:13,720 Speaker 1: wallpaper samples of your perfect partner and maybe they'll just appear. 658 00:36:13,880 --> 00:36:16,200 Speaker 1: But we have one more story for you, and this 659 00:36:16,239 --> 00:36:18,960 Speaker 1: one is really cute because it's about some people who 660 00:36:19,120 --> 00:36:23,200 Speaker 1: found each other after sixty years apart. And we will 661 00:36:23,200 --> 00:36:34,000 Speaker 1: get right to that right after this. Welcome back, lovers, 662 00:36:35,200 --> 00:36:37,680 Speaker 1: and here come the water works, because we are about 663 00:36:37,719 --> 00:36:43,879 Speaker 1: to tell you about Boris and Anna Koslov. That's right now. 664 00:36:43,920 --> 00:36:47,080 Speaker 1: Back during World War two, to cast your mind on 665 00:36:47,200 --> 00:36:50,640 Speaker 1: back to the forties, Boris was the secretary of the 666 00:36:50,760 --> 00:36:54,040 Speaker 1: Young Communists Party in Russia and he had to give 667 00:36:54,080 --> 00:36:57,480 Speaker 1: a speech in the town square and Borov Leonka, which 668 00:36:57,600 --> 00:36:59,959 Speaker 1: was a village in Siberia. And I'm probably saying that wrong. 669 00:37:00,239 --> 00:37:03,360 Speaker 1: Could very cold. I know, if people live in Siberia, 670 00:37:03,600 --> 00:37:06,320 Speaker 1: they just lived there, which I mean sounds like a 671 00:37:06,400 --> 00:37:09,160 Speaker 1: dumb thing to say, because Siberia is really really big, 672 00:37:09,280 --> 00:37:11,759 Speaker 1: But in my mind, it's just a tundra, like a 673 00:37:11,760 --> 00:37:14,200 Speaker 1: frozen tundra that no one can live in. It's very 674 00:37:14,239 --> 00:37:18,400 Speaker 1: sparsely populated. It's it's like that, and like Northern Australia, 675 00:37:18,560 --> 00:37:22,839 Speaker 1: Like don't you don't live in most of those places, right, 676 00:37:22,920 --> 00:37:25,600 Speaker 1: But there are people who lived there, and these were 677 00:37:25,640 --> 00:37:29,040 Speaker 1: two of them. And Anna attended this speech along with 678 00:37:29,040 --> 00:37:32,280 Speaker 1: a group of her friends. But Boris only had eyes 679 00:37:32,400 --> 00:37:35,040 Speaker 1: for Anna as if she was standing in a spotlight. 680 00:37:35,320 --> 00:37:39,759 Speaker 1: He says, quote, she was too beautiful for words amazing. 681 00:37:40,520 --> 00:37:42,400 Speaker 1: So after his speech, you know, of course he had 682 00:37:42,400 --> 00:37:44,399 Speaker 1: to go find her, talk to her, try to try 683 00:37:44,400 --> 00:37:47,879 Speaker 1: to lock this down. But Anna wasn't really the best 684 00:37:47,960 --> 00:37:51,480 Speaker 1: choice of bride for a young Communist because her father 685 00:37:51,560 --> 00:37:55,040 Speaker 1: had been purged by Stalin before the war for refusing 686 00:37:55,080 --> 00:37:58,719 Speaker 1: to work on a collective farm, so her family just 687 00:37:58,760 --> 00:38:02,040 Speaker 1: didn't have a great reputation with the Communist Party. I 688 00:38:02,120 --> 00:38:05,719 Speaker 1: can't promise that I would not refuse to work on 689 00:38:05,760 --> 00:38:08,880 Speaker 1: a collective farm. I'm pretty sure I would refuse to 690 00:38:08,960 --> 00:38:12,360 Speaker 1: recoa a farmer. That's I don't know if he was 691 00:38:12,400 --> 00:38:15,160 Speaker 1: a farmer already, but I'm not a farmer. Like, no, 692 00:38:15,280 --> 00:38:17,239 Speaker 1: thank you. Let me just say that I'm grateful to 693 00:38:17,320 --> 00:38:20,759 Speaker 1: not have to refuse to work on a collective farm. Now, 694 00:38:20,840 --> 00:38:23,319 Speaker 1: Boris did not care about any of this stuff. He 695 00:38:23,360 --> 00:38:26,200 Speaker 1: says quote, I loved her and would always defend her. 696 00:38:26,360 --> 00:38:28,560 Speaker 1: So when I guess when other young communists were like, 697 00:38:28,719 --> 00:38:31,839 Speaker 1: we look at these traders, he'd be like, shut up now. 698 00:38:31,880 --> 00:38:34,960 Speaker 1: Happy news dot Com says that the romance blossomed through 699 00:38:35,000 --> 00:38:37,800 Speaker 1: the war. Every time Boris came home from the front, 700 00:38:38,000 --> 00:38:40,800 Speaker 1: Anna was waiting for him with a smile and a kiss. 701 00:38:41,440 --> 00:38:44,040 Speaker 1: And finally, in ninety six, they were married in a 702 00:38:44,120 --> 00:38:49,960 Speaker 1: small ceremony. For only three days they lived in this 703 00:38:50,040 --> 00:38:52,880 Speaker 1: newly wed bliss, and then Boris had to return to 704 00:38:53,000 --> 00:38:57,279 Speaker 1: his army unit. After the atomic bombs exploded in Hiroshima 705 00:38:57,320 --> 00:39:01,160 Speaker 1: and Nagasaki. Russia was extra on their guard about America 706 00:39:01,280 --> 00:39:03,760 Speaker 1: and they were still fighting to keep control of Germany 707 00:39:03,840 --> 00:39:07,399 Speaker 1: and the Soviet block. So off Boris went to do 708 00:39:07,719 --> 00:39:11,399 Speaker 1: his you know, national duty, be a duty, while Anna 709 00:39:11,480 --> 00:39:13,319 Speaker 1: stay at home to hold down the hearth, just like 710 00:39:13,400 --> 00:39:18,120 Speaker 1: any good army wife, you know. But instead, honest family 711 00:39:18,600 --> 00:39:22,640 Speaker 1: was classed as enemies of the state. This isn't detailed 712 00:39:22,640 --> 00:39:24,879 Speaker 1: in any of the articles that we found, but we're 713 00:39:24,880 --> 00:39:27,399 Speaker 1: sort of assuming that this is probably since her dad 714 00:39:27,440 --> 00:39:30,319 Speaker 1: had already been purged, they just decided, you know, his 715 00:39:30,360 --> 00:39:33,759 Speaker 1: whole family was guilty. By association. So it could be that, 716 00:39:33,920 --> 00:39:36,439 Speaker 1: or maybe Anna or someone in her family had been 717 00:39:36,440 --> 00:39:39,280 Speaker 1: found with just you know, the wrong books in their bag, 718 00:39:39,680 --> 00:39:42,320 Speaker 1: or maybe they were discovered to have attended a Menshevik 719 00:39:42,400 --> 00:39:45,680 Speaker 1: meeting before the Bolsheviks took over. Any number of things 720 00:39:45,680 --> 00:39:47,880 Speaker 1: could have gotten them in big trouble. I know there 721 00:39:47,960 --> 00:39:50,040 Speaker 1: was kind of a time when it was very hard 722 00:39:50,080 --> 00:39:53,040 Speaker 1: to do the right thing ye teams, at least from 723 00:39:53,120 --> 00:39:56,759 Speaker 1: my my perspective. Right. So, whatever the reason, Anna and 724 00:39:56,840 --> 00:40:01,640 Speaker 1: her family were forced into internal exile, just somewhere else 725 00:40:01,760 --> 00:40:05,839 Speaker 1: in Siberia, which of course is very big. To find 726 00:40:05,840 --> 00:40:10,000 Speaker 1: someone there not easy to find someone. So when Boris 727 00:40:10,040 --> 00:40:12,600 Speaker 1: came home from the front this time, he discovered an 728 00:40:12,640 --> 00:40:17,080 Speaker 1: empty house, no beautiful wife waiting his safe return. Nothing, 729 00:40:17,560 --> 00:40:20,080 Speaker 1: And he said in an interview quote, she was always 730 00:40:20,160 --> 00:40:22,479 Speaker 1: smiling for me when I came home, but this time 731 00:40:22,520 --> 00:40:25,319 Speaker 1: there was no sign of her. Nobody knew where they 732 00:40:25,320 --> 00:40:28,160 Speaker 1: were or what happened to Anna. That's how we lost 733 00:40:28,160 --> 00:40:31,040 Speaker 1: track of each other. And Boris was frantic. He was 734 00:40:31,080 --> 00:40:34,080 Speaker 1: doing everything he could to track her down but had 735 00:40:34,120 --> 00:40:38,000 Speaker 1: no success. And Anna was heartbroken too. She says, quote, 736 00:40:38,400 --> 00:40:41,520 Speaker 1: I threatened to commit suicide rather than go because I 737 00:40:41,600 --> 00:40:44,120 Speaker 1: couldn't live without him. But in the end I was 738 00:40:44,160 --> 00:40:47,440 Speaker 1: forced to go. It was the most miserable time of 739 00:40:47,480 --> 00:40:50,879 Speaker 1: my life. Man. This was made even worse by both 740 00:40:50,880 --> 00:40:54,840 Speaker 1: their families insisting that they needed to remarry, especially Anna. 741 00:40:55,160 --> 00:40:57,799 Speaker 1: Her mother insisted that Boris had forgotten all about her 742 00:40:58,120 --> 00:41:00,279 Speaker 1: and probably married someone else already and that why he 743 00:41:00,320 --> 00:41:04,000 Speaker 1: never wrote. But Anna Ana was like, hell, no, not 744 00:41:04,160 --> 00:41:07,400 Speaker 1: my Boris. He's out there waiting for me. She refused 745 00:41:07,400 --> 00:41:10,640 Speaker 1: to believe that he remarried, but she said, quote, one 746 00:41:10,719 --> 00:41:13,000 Speaker 1: day I got back home from work at a timber 747 00:41:13,000 --> 00:41:17,480 Speaker 1: plant and my mother had burned all boris Is early letters, 748 00:41:17,880 --> 00:41:23,840 Speaker 1: his poems, pictures, including our wedding pictures. That's not a 749 00:41:23,920 --> 00:41:27,680 Speaker 1: mother in law that I want. This seems cold, Not 750 00:41:27,760 --> 00:41:30,920 Speaker 1: to make a Siberia joke, but like, that's so upsetting. 751 00:41:31,600 --> 00:41:33,440 Speaker 1: I can see why the mom might feel like it 752 00:41:33,520 --> 00:41:35,960 Speaker 1: was the right move to get her daughter to like 753 00:41:36,680 --> 00:41:41,040 Speaker 1: let go of this past man or whatever. But ouch, 754 00:41:41,520 --> 00:41:44,239 Speaker 1: I'm like, that's my wedding photo, and especially back in 755 00:41:44,239 --> 00:41:45,920 Speaker 1: the day, it's not like you had a billion waiting 756 00:41:45,960 --> 00:41:48,960 Speaker 1: on the cloud or something. No, I mean I get 757 00:41:49,000 --> 00:41:54,920 Speaker 1: you know again, an older mother in Siberia post World 758 00:41:54,920 --> 00:41:58,520 Speaker 1: War two, she's seen some ship, and she probably does 759 00:41:58,640 --> 00:42:01,920 Speaker 1: firmly believe like, look, I've seen this before. You are 760 00:42:02,000 --> 00:42:04,359 Speaker 1: never going to see this man again, right, you know, 761 00:42:04,520 --> 00:42:07,279 Speaker 1: so I can see. Yeah, she's really just trying to 762 00:42:07,320 --> 00:42:09,799 Speaker 1: detach her from these memories so that she can still 763 00:42:09,840 --> 00:42:12,440 Speaker 1: live a full and happy life. And she's also like, 764 00:42:12,520 --> 00:42:15,360 Speaker 1: I know the way of the world, you need a man, sad, 765 00:42:15,400 --> 00:42:17,759 Speaker 1: but true, you need to be married or else you're 766 00:42:17,760 --> 00:42:19,960 Speaker 1: not going to be taken care of. But it feels 767 00:42:20,000 --> 00:42:23,040 Speaker 1: so cruel and unsentimental, you know. But but I'm sure 768 00:42:23,080 --> 00:42:25,160 Speaker 1: that's you know, that the mentality she had to keep 769 00:42:25,160 --> 00:42:28,600 Speaker 1: the survived too, so it's tough. Anna also said that 770 00:42:28,640 --> 00:42:31,279 Speaker 1: it was her mother who refused to let her leave 771 00:42:31,440 --> 00:42:34,840 Speaker 1: a forwarding address for Boris, So I don't know, like 772 00:42:34,920 --> 00:42:38,080 Speaker 1: maybe her family were just like liberal democrat types they 773 00:42:38,080 --> 00:42:40,680 Speaker 1: didn't want a young Communist in the family, or maybe 774 00:42:40,680 --> 00:42:44,560 Speaker 1: her mom just hated army guys. You know. She's like, oh, 775 00:42:45,320 --> 00:42:47,800 Speaker 1: so sick of stalling and all is damn military. I 776 00:42:47,840 --> 00:42:49,839 Speaker 1: don't want to single one of them around, right, I'm 777 00:42:49,840 --> 00:42:53,120 Speaker 1: sick of this ship. I see another uniform. Just get 778 00:42:53,200 --> 00:42:58,120 Speaker 1: Boris out of my house. If I see Boris, I 779 00:42:58,239 --> 00:43:02,839 Speaker 1: turned him to burst. Anna told Happy News that her 780 00:43:02,840 --> 00:43:06,000 Speaker 1: mother quote told me this other man was coming to 781 00:43:06,040 --> 00:43:08,080 Speaker 1: meet me and that I should go out with him, 782 00:43:08,160 --> 00:43:11,759 Speaker 1: and if I was lucky, he'd marry me. I burst 783 00:43:11,800 --> 00:43:15,280 Speaker 1: into tears and rushed into the yard. The world turned 784 00:43:15,280 --> 00:43:18,799 Speaker 1: black for me. She said that she even took a 785 00:43:18,800 --> 00:43:22,640 Speaker 1: clothes line out to the hayloft, intending to hang herself, 786 00:43:23,200 --> 00:43:25,600 Speaker 1: but her mother quote came in and slapped me in 787 00:43:25,640 --> 00:43:27,880 Speaker 1: the face and told me not to be so stupid. 788 00:43:29,280 --> 00:43:31,359 Speaker 1: And she was persuaded into going out with this man 789 00:43:31,480 --> 00:43:34,880 Speaker 1: and the fed and eventually he and her mother convinced 790 00:43:34,880 --> 00:43:40,919 Speaker 1: her to marry him. Man, this mom is tough. Yeah, yeah, 791 00:43:41,040 --> 00:43:43,160 Speaker 1: she's doing that tough love thing, Like she's really trying 792 00:43:43,560 --> 00:43:46,120 Speaker 1: trying to save you. Like, you don't have to kill yourself. 793 00:43:46,160 --> 00:43:49,920 Speaker 1: I know that you're sad about this guy, but you 794 00:43:50,000 --> 00:43:51,800 Speaker 1: gotta do something else. You got one life, and the 795 00:43:51,920 --> 00:43:56,960 Speaker 1: years are taken own by now. Boris also eventually got remarried. 796 00:43:57,440 --> 00:44:00,759 Speaker 1: Um doesn't say whether he needed his mom to have 797 00:44:00,800 --> 00:44:05,359 Speaker 1: a mana um, but even so Boris and Anna never 798 00:44:05,400 --> 00:44:08,680 Speaker 1: forgot each other. Anna had a son with Nafed, her 799 00:44:08,680 --> 00:44:12,959 Speaker 1: new husband. Um Boris actually wrote a book dedicated to 800 00:44:13,040 --> 00:44:15,960 Speaker 1: his young wife Anna. But this is kind of where 801 00:44:16,000 --> 00:44:18,840 Speaker 1: the articles I'll skip over some really interesting details, and 802 00:44:18,880 --> 00:44:21,000 Speaker 1: I wish I was there to ask them some damn questions, 803 00:44:21,400 --> 00:44:24,520 Speaker 1: because according to one article, Boris quote even spent time 804 00:44:24,520 --> 00:44:30,000 Speaker 1: in prison at some points. But why where what this 805 00:44:30,040 --> 00:44:32,880 Speaker 1: book is called? Whether it was ever published or if 806 00:44:32,920 --> 00:44:34,520 Speaker 1: he just wrote it and had it like hanging out 807 00:44:34,520 --> 00:44:39,839 Speaker 1: in a drawer somewhere. Nothing, no info the best part 808 00:44:39,960 --> 00:44:42,120 Speaker 1: exactly Come on, now, why did you put the prison? 809 00:44:42,560 --> 00:44:45,520 Speaker 1: But anyway, oh well, I guess the main takeaway of 810 00:44:45,560 --> 00:44:48,879 Speaker 1: the story is that Boris and Anna tried to move on. 811 00:44:49,000 --> 00:44:53,239 Speaker 1: They really did, but they really couldn't. Their hearts still 812 00:44:53,320 --> 00:44:57,359 Speaker 1: belonged to each other even though they couldn't be together now. Eventually, 813 00:44:57,400 --> 00:45:00,879 Speaker 1: over the years, both of their spouses passed away, and 814 00:45:01,000 --> 00:45:05,040 Speaker 1: Anna tragically lost her son as well, very sadly. So 815 00:45:05,080 --> 00:45:08,880 Speaker 1: she's lost so many people. She's a really hard life. 816 00:45:09,000 --> 00:45:11,440 Speaker 1: And maybe she would find some happiness when the fed 817 00:45:11,680 --> 00:45:16,000 Speaker 1: is possible, you know, even if she did a great start. Yeah. Well, 818 00:45:16,000 --> 00:45:18,680 Speaker 1: and even if she did, he died too, leaving her 819 00:45:18,719 --> 00:45:21,239 Speaker 1: alone and then her child dies like that. You know, 820 00:45:21,320 --> 00:45:25,239 Speaker 1: she's really just lost so much. And that's I was 821 00:45:25,280 --> 00:45:29,080 Speaker 1: gonna say, that's on top of just living in Siberia, 822 00:45:29,120 --> 00:45:34,239 Speaker 1: which I feel like our perfect because she lives transplanted 823 00:45:34,280 --> 00:45:38,320 Speaker 1: into Siberia would be hard enough. And then to also 824 00:45:38,400 --> 00:45:42,680 Speaker 1: be like just hit with tragedy constantly, so brutal. But 825 00:45:42,800 --> 00:45:49,040 Speaker 1: then in two thousand seven, after more than sixty years apart, 826 00:45:50,080 --> 00:45:53,560 Speaker 1: Anna and Boris both decided to revisit some old memories. 827 00:45:54,239 --> 00:45:56,600 Speaker 1: Anna was able to go home now that the Soviet 828 00:45:56,680 --> 00:45:59,160 Speaker 1: Union had been toppled, and Boris wanted to go back 829 00:45:59,160 --> 00:46:03,000 Speaker 1: to his hometown to visit his parents graves. When he 830 00:46:03,000 --> 00:46:06,680 Speaker 1: stepped out of the car, he saw a woman standing 831 00:46:06,680 --> 00:46:09,239 Speaker 1: outside of the house where they had lived for three 832 00:46:09,320 --> 00:46:14,040 Speaker 1: days as a married couple. It was Anna. Anna looked 833 00:46:14,080 --> 00:46:17,480 Speaker 1: up and saw him too, and she said, quote, I 834 00:46:17,560 --> 00:46:20,480 Speaker 1: thought my eyes were playing games with me. I saw 835 00:46:20,520 --> 00:46:24,120 Speaker 1: this familiar looking man approaching me, his eyes gazing at me. 836 00:46:24,800 --> 00:46:28,640 Speaker 1: My heart jumped. I knew it was him. I was 837 00:46:28,760 --> 00:46:32,640 Speaker 1: crying with joy. Oh my god. Boris ran up to 838 00:46:32,680 --> 00:46:36,040 Speaker 1: her and said, quote, my darling, I've been waiting for 839 00:46:36,080 --> 00:46:41,319 Speaker 1: you for so long, my wife, my life. He said 840 00:46:41,800 --> 00:46:45,160 Speaker 1: that despite the decades, quote, I felt the same I 841 00:46:45,200 --> 00:46:48,239 Speaker 1: couldn't take my eyes off her. Yes, I had loved 842 00:46:48,239 --> 00:46:51,239 Speaker 1: other women when we were separated, but she was the 843 00:46:51,280 --> 00:46:55,560 Speaker 1: true love of my life. God, this scene in the movie, 844 00:46:55,600 --> 00:47:00,800 Speaker 1: I'd be like, she's standing there and they're really old. 845 00:47:00,880 --> 00:47:02,719 Speaker 1: But when you know, like I think they were like 846 00:47:02,800 --> 00:47:05,440 Speaker 1: a D two when you shoot it in the movie, 847 00:47:05,480 --> 00:47:08,719 Speaker 1: when they see each other, they look the same age 848 00:47:08,719 --> 00:47:11,560 Speaker 1: as they have to. Yeah, you'd have to like flash back. 849 00:47:11,760 --> 00:47:13,880 Speaker 1: I don't see you any differently young. It's like no 850 00:47:14,000 --> 00:47:16,600 Speaker 1: time has passed. But it is amazing to see just 851 00:47:16,640 --> 00:47:19,800 Speaker 1: how different they do look and they still recognize like 852 00:47:19,800 --> 00:47:23,440 Speaker 1: like that, it's like heart recognizes another reference to fifty 853 00:47:23,480 --> 00:47:28,279 Speaker 1: first dates. I guess now Boris immediately a little hot 854 00:47:28,400 --> 00:47:30,640 Speaker 1: in him because he immediately suggested they get married again. 855 00:47:30,680 --> 00:47:33,760 Speaker 1: He's like, let's do this. But Anna was more hesitant. 856 00:47:33,840 --> 00:47:36,080 Speaker 1: She suggested that they just lived together for the rest 857 00:47:36,080 --> 00:47:39,200 Speaker 1: of their lives because, according to her quote, what's the point. 858 00:47:41,080 --> 00:47:43,239 Speaker 1: I mean, maybe her two weddings just like stressed her 859 00:47:43,239 --> 00:47:45,480 Speaker 1: out so much that she had lost faith in the 860 00:47:45,600 --> 00:47:50,040 Speaker 1: entire institution. But Boris talked her around and they got 861 00:47:50,080 --> 00:47:53,080 Speaker 1: married again. And Anna says, quote, I never thought I'd 862 00:47:53,080 --> 00:47:55,160 Speaker 1: be a bride at my age, but it was my 863 00:47:55,280 --> 00:47:59,920 Speaker 1: happiest wedding. Yeah, eighty two years old. And they claim 864 00:48:00,040 --> 00:48:02,959 Speaker 1: him that they had not had a single argument since 865 00:48:03,000 --> 00:48:06,200 Speaker 1: they found one another. Again, Boris says, quote, we've just 866 00:48:06,280 --> 00:48:08,759 Speaker 1: been parted for so long, and who knows how much 867 00:48:08,800 --> 00:48:11,160 Speaker 1: time is left for us, So we don't want to 868 00:48:11,200 --> 00:48:15,400 Speaker 1: lose time on arguing, absolutely, which is a beautiful sentiment. 869 00:48:15,680 --> 00:48:18,480 Speaker 1: I love that. I mean, I God, some people love fighting, 870 00:48:18,480 --> 00:48:21,319 Speaker 1: and I eight it. It's such a waste of time. 871 00:48:21,400 --> 00:48:24,920 Speaker 1: I'm always just like fast forward to when this is done. 872 00:48:25,040 --> 00:48:27,280 Speaker 1: I know that at a certain point this won't matter anymore. 873 00:48:27,320 --> 00:48:29,400 Speaker 1: It's like, can we just skip to that, because like 874 00:48:29,840 --> 00:48:32,839 Speaker 1: it sucks. I mean, sometimes you have to, but it's 875 00:48:33,040 --> 00:48:36,680 Speaker 1: very frustrating, and I love this idea, just like we 876 00:48:36,800 --> 00:48:38,879 Speaker 1: know that, like we know what it's like to only 877 00:48:38,920 --> 00:48:42,239 Speaker 1: have someone for three days. What if one of those 878 00:48:42,239 --> 00:48:45,480 Speaker 1: whole days had been us fighting? And maybe it was 879 00:48:45,719 --> 00:48:48,160 Speaker 1: and they don't say, but you know, maybe even the 880 00:48:48,200 --> 00:48:51,919 Speaker 1: morning he left that last day, she was like, I'm 881 00:48:52,000 --> 00:48:53,719 Speaker 1: sick of how late you are coming in. He's like, 882 00:48:53,880 --> 00:48:56,200 Speaker 1: shut up. And then they were like they had sixty 883 00:48:56,239 --> 00:48:59,160 Speaker 1: years to regret, but probably not. It sounded like they 884 00:48:59,160 --> 00:49:02,359 Speaker 1: were very much in their newly wed bliss period and 885 00:49:02,520 --> 00:49:05,719 Speaker 1: we could not find anything wrong with the other. Um. 886 00:49:05,760 --> 00:49:08,799 Speaker 1: So it's kind of beautiful in a way that they 887 00:49:08,880 --> 00:49:13,759 Speaker 1: had to newly weds periods in a way. And I 888 00:49:13,800 --> 00:49:17,080 Speaker 1: also going back to her very very tough mom, very 889 00:49:17,120 --> 00:49:18,879 Speaker 1: glad she came out and slapped her face and said, 890 00:49:18,880 --> 00:49:22,160 Speaker 1: don't kill yourself because look at this. She's she hung 891 00:49:22,160 --> 00:49:25,560 Speaker 1: on tight and she got her happy ending in the end. 892 00:49:25,680 --> 00:49:29,640 Speaker 1: So sometimes you just gotta it's so hard, but sometimes 893 00:49:29,680 --> 00:49:32,759 Speaker 1: just gotta hang on through those really dark times and 894 00:49:32,880 --> 00:49:38,000 Speaker 1: there's something so beautiful on the other end. Just crazy 895 00:49:38,040 --> 00:49:41,360 Speaker 1: story sixty years apart and it was like not a 896 00:49:41,480 --> 00:49:44,440 Speaker 1: day had gone by. I think that is so beautiful. 897 00:49:45,960 --> 00:49:49,120 Speaker 1: And it's just like your heart connecting over the years 898 00:49:49,239 --> 00:49:52,839 Speaker 1: and over like just not mattering, you know. I just 899 00:49:52,880 --> 00:49:56,120 Speaker 1: and I can't relate to that kind of memory. I mean, 900 00:49:56,160 --> 00:49:58,400 Speaker 1: sometimes you're in the bathroom for five minutes, We'll come 901 00:49:58,440 --> 00:50:02,640 Speaker 1: back out and I'm like, I know your face is 902 00:50:02,680 --> 00:50:07,399 Speaker 1: that you do we've met, right, we have that you're 903 00:50:07,560 --> 00:50:10,520 Speaker 1: something to me. I feel like, are you trying to 904 00:50:10,560 --> 00:50:13,160 Speaker 1: say it's been too long in the bathroom, because I 905 00:50:13,200 --> 00:50:18,040 Speaker 1: feel like there's a hidden message messages. My memory is 906 00:50:18,120 --> 00:50:22,160 Speaker 1: like I can't even remember. There's an animal. I think 907 00:50:22,160 --> 00:50:23,920 Speaker 1: people say has a bad memory, but I forgot what 908 00:50:23,920 --> 00:50:27,320 Speaker 1: it was. Well, there you go. We get a newlywed 909 00:50:27,920 --> 00:50:31,279 Speaker 1: every day, every day, get you a man with a 910 00:50:31,320 --> 00:50:33,960 Speaker 1: memory like a goldfish, and it'll be like the first day, 911 00:50:34,000 --> 00:50:39,320 Speaker 1: every day, I'm Drew Barrymore first day. It's basically, Oh, 912 00:50:39,480 --> 00:50:42,400 Speaker 1: shout out to Toss Popcorn for doing that episode was 913 00:50:42,480 --> 00:50:44,359 Speaker 1: so funny. They had a great one this week on 914 00:50:45,000 --> 00:50:50,560 Speaker 1: Clockwork Orange. If you yes, they're so funny. Well, hopefully 915 00:50:50,680 --> 00:50:54,279 Speaker 1: these three stories restored your faith in true love and 916 00:50:54,440 --> 00:50:59,040 Speaker 1: romance and humanity and chance encounters. Yeah, and wallpaper and 917 00:50:59,160 --> 00:51:03,160 Speaker 1: wall paper and textiles, because surely whatever we do next, 918 00:51:03,239 --> 00:51:06,480 Speaker 1: we'll ruin it for you again. You would like to 919 00:51:06,480 --> 00:51:09,719 Speaker 1: build you up and then tear your back down. That's 920 00:51:09,760 --> 00:51:12,480 Speaker 1: the ridiculous romance promise. Yeah. I like to think we 921 00:51:12,600 --> 00:51:17,240 Speaker 1: keep a decent balance of you know, horrific relationships and 922 00:51:17,400 --> 00:51:20,319 Speaker 1: sweet ones. You know, I think we do mostly for 923 00:51:20,360 --> 00:51:22,919 Speaker 1: our own mental health. It could be hard to live 924 00:51:22,960 --> 00:51:25,800 Speaker 1: with some of these people during the research period. Definitely, 925 00:51:26,040 --> 00:51:28,919 Speaker 1: this one's nice. You're just like, oh, sometimes things work 926 00:51:28,920 --> 00:51:31,000 Speaker 1: out right, And if this is too sweet for you 927 00:51:31,040 --> 00:51:33,160 Speaker 1: and you want to go check out an older episode 928 00:51:33,239 --> 00:51:36,040 Speaker 1: that's kind of in the opposite direction. Find like Linda 929 00:51:36,080 --> 00:51:41,160 Speaker 1: and Bert Poogashuh, We're Simon Parks and the Alien Cat, 930 00:51:41,239 --> 00:51:45,480 Speaker 1: Queen Friend and Dolly Oster Reek. Goodness, those are some 931 00:51:45,560 --> 00:51:48,799 Speaker 1: good episodes about some folks. You know you don't want 932 00:51:48,840 --> 00:51:50,400 Speaker 1: to spend time. I don't know, maybe don't know the 933 00:51:50,440 --> 00:51:56,200 Speaker 1: meaning of love, certainly on a different idea than the 934 00:51:56,200 --> 00:51:58,759 Speaker 1: rest of us love and romance. Yeah, but if you 935 00:51:58,800 --> 00:52:01,480 Speaker 1: did enjoy this story, please reach out to us and 936 00:52:01,520 --> 00:52:03,719 Speaker 1: tell us what you thought. Maybe if you had a 937 00:52:03,800 --> 00:52:06,720 Speaker 1: chance encounter in your life, you met someone on the train, 938 00:52:06,920 --> 00:52:10,600 Speaker 1: if you painted a girl into existence, especially seriously, I 939 00:52:10,600 --> 00:52:12,960 Speaker 1: would commission you to do some work for us. Yeah, 940 00:52:13,040 --> 00:52:15,600 Speaker 1: we got some dreams we'd like to seek. Yeah, could 941 00:52:15,600 --> 00:52:19,120 Speaker 1: you paint me a big pilot cash, here's my dream house. 942 00:52:20,520 --> 00:52:23,120 Speaker 1: I wanted you to paint all the inside and outside. No, 943 00:52:23,239 --> 00:52:25,800 Speaker 1: but reach out to us through email. It's predict Romance 944 00:52:25,840 --> 00:52:28,080 Speaker 1: at gmail dot com. That's right. You can find us 945 00:52:28,120 --> 00:52:31,080 Speaker 1: on social media. I'm at O Great It's Eli on 946 00:52:31,120 --> 00:52:34,520 Speaker 1: Twitter and Instagram, and I'm Dianamite boom. The show is 947 00:52:34,600 --> 00:52:37,600 Speaker 1: at pridict Romance on both those platforms, and find us 948 00:52:37,680 --> 00:52:43,000 Speaker 1: at Ridiculous Romance on TikTok as well. And you are awesome. 949 00:52:43,040 --> 00:52:44,919 Speaker 1: Thank you so much for spending time with us today. 950 00:52:45,000 --> 00:52:47,080 Speaker 1: We hope you enjoyed the stories and we'll see you 951 00:52:47,080 --> 00:52:50,040 Speaker 1: next time. All right, bye bye, so long friends, it's 952 00:52:50,120 --> 00:52:54,239 Speaker 1: time to go. Thanks so listening to our show. Tell 953 00:52:54,320 --> 00:52:57,279 Speaker 1: your friends name's uncles in this to listen to a 954 00:52:57,360 --> 00:52:58,920 Speaker 1: show Ridiculous Rollmance