1
00:00:00,680 --> 00:00:03,520
Speaker 1: You are listening to the Dan Patrick Show on Fox

2
00:00:03,560 --> 00:00:06,800
Speaker 1: Sports Radio Final Hour on this Friday and meet Friday.

3
00:00:06,800 --> 00:00:09,680
Speaker 1: At that case, you're wondering what's on the trigger grills,

4
00:00:09,680 --> 00:00:14,000
Speaker 1: the chimmy churis, smoked ribis and grilled Mexican streetcorn, and

5
00:00:14,120 --> 00:00:18,040
Speaker 1: once again, who has it better than us? No, no money,

6
00:00:18,320 --> 00:00:20,919
Speaker 1: thank you. That's the correct response. We'll hear from the

7
00:00:20,920 --> 00:00:24,320
Speaker 1: great legendary skate mortar Tony Hawk, who will join us.

8
00:00:24,320 --> 00:00:27,040
Speaker 1: Coming up, we'll check in with the Field of Dreams

9
00:00:27,120 --> 00:00:29,440
Speaker 1: with what happened last night the Yankees in the White Sox.

10
00:00:29,640 --> 00:00:33,320
Speaker 1: That was a wonderful atmosphere and a Hollywood type ending

11
00:00:33,560 --> 00:00:36,519
Speaker 1: with Tim Anderson to walk off home run. Weekend of

12
00:00:36,680 --> 00:00:40,000
Speaker 1: NFL preseason. We got to see some football last night

13
00:00:40,040 --> 00:00:43,160
Speaker 1: with the Patriots in Washington, And of course it's time

14
00:00:43,200 --> 00:00:46,360
Speaker 1: to overreact on Mac Jones. Can he win this starting

15
00:00:46,479 --> 00:00:50,080
Speaker 1: job from Cam Newton? I'd say yes because if you

16
00:00:50,159 --> 00:00:54,080
Speaker 1: want an more who's the more accurate passer? Mac Jones

17
00:00:54,240 --> 00:00:58,280
Speaker 1: is now Cam Newton great athlete. But do you want

18
00:00:58,320 --> 00:01:01,200
Speaker 1: a great athlete who can sometimes beat you with his

19
00:01:01,360 --> 00:01:03,360
Speaker 1: arm and legs, or you want somebody who's going to

20
00:01:03,400 --> 00:01:05,720
Speaker 1: be in the pocket and you have. You went out

21
00:01:05,760 --> 00:01:09,000
Speaker 1: and spent money, and you got some skill position players.

22
00:01:09,520 --> 00:01:11,720
Speaker 1: I would think mac Jones would give you a better

23
00:01:11,800 --> 00:01:14,600
Speaker 1: chance to win right now eight seven seven three d

24
00:01:14,680 --> 00:01:17,040
Speaker 1: P show email address DP at dan Patrick dot com,

25
00:01:17,040 --> 00:01:20,160
Speaker 1: Twitter handle a DPS show. Tony Hawk is putting on

26
00:01:20,200 --> 00:01:23,520
Speaker 1: a vert contest at the Utah State Fairgrounds on August

27
00:01:23,560 --> 00:01:26,319
Speaker 1: twenty seventh and twenty eight You can go to the

28
00:01:26,520 --> 00:01:31,240
Speaker 1: vert alert dot com for more information and Tony joins

29
00:01:31,319 --> 00:01:34,199
Speaker 1: us Now, Tony, good to see you again. You should

30
00:01:34,200 --> 00:01:37,679
Speaker 1: know that we get a Christmas card from you every

31
00:01:37,760 --> 00:01:40,840
Speaker 1: year on the show, so I don't know if you

32
00:01:40,959 --> 00:01:44,160
Speaker 1: know that, but the Foundation sends us a Christmas card

33
00:01:44,480 --> 00:01:46,600
Speaker 1: and we got one of your skateboards in here as

34
00:01:46,640 --> 00:01:48,880
Speaker 1: well in the man Cave, So thank you. Hey, it's

35
00:01:48,920 --> 00:01:50,840
Speaker 1: my pleasure. I want to be represented there, you know,

36
00:01:50,880 --> 00:01:53,080
Speaker 1: I'm just I just keep trying to into my way

37
00:01:53,080 --> 00:01:55,560
Speaker 1: back in. If I would have told you thirty years

38
00:01:55,600 --> 00:01:58,120
Speaker 1: ago skateboarding is going to be in the Olympics, you

39
00:01:58,160 --> 00:02:04,200
Speaker 1: would have said, what, um, yeah, right, sure, okay. Would

40
00:02:04,200 --> 00:02:07,760
Speaker 1: you have wanted an example of something not to do that?

41
00:02:07,880 --> 00:02:13,679
Speaker 1: Would you have wanted skateboarding in the Olympics Back then, um, sure, yeah,

42
00:02:13,680 --> 00:02:17,440
Speaker 1: I was never against it. I obviously skateboarding gave me

43
00:02:17,480 --> 00:02:20,959
Speaker 1: so much as a youth and and shaped my identity

44
00:02:21,000 --> 00:02:22,919
Speaker 1: in my way of looking at things. But at the

45
00:02:22,960 --> 00:02:25,040
Speaker 1: same time, I wasn't coveting it. I wasn't like it.

46
00:02:25,160 --> 00:02:27,000
Speaker 1: This is our thing and no one else can see it.

47
00:02:27,040 --> 00:02:29,320
Speaker 1: I was always wondering why it wasn't more popular, and

48
00:02:29,360 --> 00:02:31,720
Speaker 1: so to have had it in the Olympics back then

49
00:02:32,120 --> 00:02:34,720
Speaker 1: would have been a great boost, I think, and um hey,

50
00:02:34,760 --> 00:02:37,200
Speaker 1: I would have loved to join the fun too, because

51
00:02:37,200 --> 00:02:39,600
Speaker 1: I didn't know how it felt like the X Games

52
00:02:39,600 --> 00:02:42,520
Speaker 1: when they came along. It felt like that was the

53
00:02:42,600 --> 00:02:46,800
Speaker 1: anti Olympics. But did you know there were certain sports

54
00:02:46,800 --> 00:02:50,400
Speaker 1: that maybe didn't want to be in mainstream? Did you did?

55
00:02:50,480 --> 00:02:52,920
Speaker 1: Sure you understand that. But I think that there's a

56
00:02:52,919 --> 00:02:56,040
Speaker 1: population scatter as a field the way absolutely um and

57
00:02:56,200 --> 00:02:58,400
Speaker 1: ones that do coveted and don't and don't want that

58
00:02:58,480 --> 00:03:00,720
Speaker 1: and and did start skating bec because it was their

59
00:03:01,200 --> 00:03:05,600
Speaker 1: antithesis to team sports. I just never felt that way,

60
00:03:06,280 --> 00:03:08,919
Speaker 1: But I do think the X Games. What I loved

61
00:03:08,919 --> 00:03:12,400
Speaker 1: about X Games is they let us be our sort

62
00:03:12,440 --> 00:03:17,880
Speaker 1: of irreverent selves, and so sometimes the rules were pushed

63
00:03:17,960 --> 00:03:21,560
Speaker 1: in terms of letting someone go best time, or letting

64
00:03:21,560 --> 00:03:24,200
Speaker 1: someone go way off script and jump off the course,

65
00:03:24,280 --> 00:03:27,040
Speaker 1: or do something that wasn't in the confines of the

66
00:03:27,760 --> 00:03:32,400
Speaker 1: competitive rule book, and we knew going to the Olympics

67
00:03:32,480 --> 00:03:37,760
Speaker 1: that wouldn't fly. What did you see in Tokyo? I

68
00:03:37,840 --> 00:03:41,800
Speaker 1: saw some of the best skating. I saw a whole

69
00:03:41,840 --> 00:03:44,880
Speaker 1: new generation of skaters that are at the top of

70
00:03:44,880 --> 00:03:49,800
Speaker 1: the game. And I saw after the fact a lot

71
00:03:49,840 --> 00:03:54,200
Speaker 1: more interest in skateboarding in terms of international embracing of it.

72
00:03:55,520 --> 00:04:01,120
Speaker 1: How would you have done at fifteen? I think I

73
00:04:01,120 --> 00:04:03,800
Speaker 1: would have done pretty well. I think I turned prom

74
00:04:03,840 --> 00:04:05,600
Speaker 1: and I was fourteen. That's the thing that there's a

75
00:04:05,640 --> 00:04:09,280
Speaker 1: whole there's a whole sort of misperception that all these

76
00:04:09,800 --> 00:04:12,000
Speaker 1: like what happened all these kids are young, that that's

77
00:04:12,000 --> 00:04:13,800
Speaker 1: been happening forever. I mean, I turned pro when I

78
00:04:13,840 --> 00:04:15,840
Speaker 1: was fourteen. I won my first World championship when I

79
00:04:15,920 --> 00:04:19,200
Speaker 1: was fifteen. Nigel Houston was considered the best reet skater

80
00:04:19,279 --> 00:04:22,360
Speaker 1: when he was thirteen, So it's not a great surprise.

81
00:04:22,600 --> 00:04:25,200
Speaker 1: I didn't think it would be across the entire podium,

82
00:04:25,760 --> 00:04:28,520
Speaker 1: but it just shows that they not only had the

83
00:04:28,560 --> 00:04:31,839
Speaker 1: skills they had a strategy. What did you do? Like,

84
00:04:32,279 --> 00:04:36,560
Speaker 1: is there something about being young that makes you even better?

85
00:04:36,560 --> 00:04:38,480
Speaker 1: I don't know if it's being fearless, but what is

86
00:04:38,520 --> 00:04:41,320
Speaker 1: it about being fourteen or fifteen years of age and

87
00:04:41,400 --> 00:04:44,440
Speaker 1: being great at skateboarding as opposed to if you were

88
00:04:44,720 --> 00:04:49,159
Speaker 1: twenty five? I think the resilience that you can bounce

89
00:04:49,240 --> 00:04:53,080
Speaker 1: back from from big falls maybe a little easier. And

90
00:04:53,640 --> 00:04:56,000
Speaker 1: in terms of the park event, which is more of

91
00:04:56,040 --> 00:05:02,720
Speaker 1: the ball transition skating that it's it's the size of

92
00:05:02,760 --> 00:05:05,640
Speaker 1: that is not the usual size, like what I skate

93
00:05:05,680 --> 00:05:08,200
Speaker 1: a vert ramp. Vert ramp is about thirteen to fourteen

94
00:05:08,200 --> 00:05:11,840
Speaker 1: feet tall. Those ramps are closer to ten and if

95
00:05:11,920 --> 00:05:15,200
Speaker 1: your size is suitable for that, you can actually utilize

96
00:05:15,200 --> 00:05:18,520
Speaker 1: it better. And so the younger kids have a slight

97
00:05:18,640 --> 00:05:21,760
Speaker 1: advantage in terms of how they can go much higher

98
00:05:21,800 --> 00:05:25,120
Speaker 1: because they can ball up and get up there. If

99
00:05:25,279 --> 00:05:27,400
Speaker 1: this was a game of operation where we got to

100
00:05:27,440 --> 00:05:30,480
Speaker 1: see your body, how many broken bones would we we have?

101
00:05:30,560 --> 00:05:32,600
Speaker 1: And that that game of operate? Do we have a

102
00:05:32,680 --> 00:05:35,640
Speaker 1: hot spot on your body that uh a little bit

103
00:05:35,640 --> 00:05:41,800
Speaker 1: more surgery? Um, well, knees with surgeries, but not nothing

104
00:05:41,839 --> 00:05:44,800
Speaker 1: broken on my knees Luckily, I broke my elbow. I

105
00:05:44,800 --> 00:05:51,160
Speaker 1: broke my pelvis um and dislocated my fingers um last year.

106
00:05:51,200 --> 00:05:55,200
Speaker 1: That's why these are so fat. Okay, but at what

107
00:05:55,360 --> 00:05:57,600
Speaker 1: point do you not get on that skate You're you're

108
00:05:57,600 --> 00:06:02,080
Speaker 1: gonna be fifty three or you turn fifty three. I so,

109
00:06:02,480 --> 00:06:05,360
Speaker 1: at what point do you go? I don't know if

110
00:06:05,360 --> 00:06:10,040
Speaker 1: I can get on the skateboard here. I think I

111
00:06:10,080 --> 00:06:11,840
Speaker 1: don't know if I'll ever reached that point. I may

112
00:06:11,880 --> 00:06:13,480
Speaker 1: reach a point where I don't want to do it

113
00:06:13,520 --> 00:06:16,920
Speaker 1: in public. So there's probably a moment where I think,

114
00:06:16,960 --> 00:06:19,880
Speaker 1: you know what, maybe today's not the day to go

115
00:06:20,000 --> 00:06:22,760
Speaker 1: show off. Well, I was wondering how old is too

116
00:06:22,760 --> 00:06:25,120
Speaker 1: old to get on a skateboard? But you're saying, as

117
00:06:25,160 --> 00:06:27,760
Speaker 1: long as nobody sees it, then I can get on

118
00:06:27,800 --> 00:06:32,120
Speaker 1: at the rest of my life. If an elderly man

119
00:06:32,120 --> 00:06:33,960
Speaker 1: steps on a skateboard there's no one around to see,

120
00:06:33,960 --> 00:06:39,560
Speaker 1: it doesn't actually happen. Did you attend high school? Yes? Yeah,

121
00:06:40,279 --> 00:06:46,279
Speaker 1: like no way through you. Yeah, but you're normal public school. Yeah,

122
00:06:46,320 --> 00:06:48,920
Speaker 1: but here in San Diego. It was a little tricky

123
00:06:48,960 --> 00:06:52,279
Speaker 1: in my junior senior year because I was requested or

124
00:06:52,320 --> 00:06:58,000
Speaker 1: required to travel for my job as a skater, and um,

125
00:06:58,520 --> 00:07:00,920
Speaker 1: I try to make up my work. My grades definitely

126
00:07:00,920 --> 00:07:03,520
Speaker 1: suffered in my senior year. What do you make in

127
00:07:03,600 --> 00:07:09,200
Speaker 1: at age fourteen? When you turn pro? You're gunning for

128
00:07:09,360 --> 00:07:12,760
Speaker 1: one hundred dollars first place prize money in the professional competition.

129
00:07:13,080 --> 00:07:16,640
Speaker 1: That was it? That was it? Okay? But how who

130
00:07:16,680 --> 00:07:19,400
Speaker 1: decides or how do you declare I'm going pro? Do

131
00:07:19,400 --> 00:07:23,680
Speaker 1: you just that means you can qualify for the prize money? Yes? Well,

132
00:07:23,720 --> 00:07:27,480
Speaker 1: I had reached the top of the amateur rankings and

133
00:07:27,600 --> 00:07:31,200
Speaker 1: so at the next event, I was filling out the

134
00:07:31,280 --> 00:07:33,679
Speaker 1: entry form for the event, and there was one box

135
00:07:33,720 --> 00:07:35,680
Speaker 1: that said amateur, and there was one box that said pro,

136
00:07:35,880 --> 00:07:39,200
Speaker 1: and so I took the pro box and that was it.

137
00:07:39,200 --> 00:07:42,040
Speaker 1: There were there were no you know, birds were not singing.

138
00:07:42,080 --> 00:07:45,600
Speaker 1: There was not a big celebration. It was more like, well,

139
00:07:45,720 --> 00:07:47,280
Speaker 1: now you're in the big leagues and you're gonna be

140
00:07:47,400 --> 00:07:49,560
Speaker 1: skating aginst guys that are four to five years older

141
00:07:49,600 --> 00:07:55,080
Speaker 1: than you. Who gave you the nickname birdman? Um someone

142
00:07:55,120 --> 00:07:57,880
Speaker 1: on ESPN, I'm gonna I'm gonna probably guess it was

143
00:07:57,960 --> 00:08:03,200
Speaker 1: Slemma Masekela. Okay, and you're okay with Birdman. I mean,

144
00:08:03,240 --> 00:08:06,000
Speaker 1: I've just come to embrace it. It's okay. I mean

145
00:08:06,040 --> 00:08:08,160
Speaker 1: there could be much worse. Hey, when I was a kid,

146
00:08:08,960 --> 00:08:12,120
Speaker 1: Tony Hawk Ryan with Bony Cox, So um, bird Man

147
00:08:12,320 --> 00:08:20,400
Speaker 1: is much more flattering. That's a tough childhood tone. Was

148
00:08:20,440 --> 00:08:24,480
Speaker 1: that bullying? I guess they just called it being picked on? Yeah,

149
00:08:24,480 --> 00:08:26,600
Speaker 1: but you people, I love that they go up to

150
00:08:26,600 --> 00:08:28,360
Speaker 1: you and they go you do look like Tony Hawk

151
00:08:28,720 --> 00:08:34,040
Speaker 1: And every day your response is, um, I've heard that.

152
00:08:35,320 --> 00:08:38,440
Speaker 1: My last response is I've heard that quite a bit,

153
00:08:38,520 --> 00:08:41,880
Speaker 1: but you're the first today. And also, who else are

154
00:08:41,920 --> 00:08:47,760
Speaker 1: you're mistaken for? Um? As of lately, I got I

155
00:08:47,760 --> 00:08:51,640
Speaker 1: got Lance Armstrong and then I got Tom Brady. Believe

156
00:08:51,640 --> 00:08:54,120
Speaker 1: it or not, I mean, hey, whoa ever? It takes

157
00:08:54,280 --> 00:08:56,840
Speaker 1: whoa Um. But I think it's just more that it

158
00:08:56,920 --> 00:08:58,640
Speaker 1: was it was in their mind. It was like, oh,

159
00:08:58,679 --> 00:09:02,160
Speaker 1: that's an athlete t T Tony Tom tom Brady, that's it,

160
00:09:02,240 --> 00:09:04,880
Speaker 1: Tom Brady. I don't think it was about the looks.

161
00:09:05,600 --> 00:09:07,440
Speaker 1: If you had to get out of the house with

162
00:09:07,520 --> 00:09:14,880
Speaker 1: one piece of memorabilia, what would you take? Oh? Wow, Um,

163
00:09:14,960 --> 00:09:19,800
Speaker 1: that is that? That is a difficult question. Um. I

164
00:09:19,920 --> 00:09:22,920
Speaker 1: do have the skateboard that I did the first nine

165
00:09:23,000 --> 00:09:26,880
Speaker 1: hundred on from X Games nineteen ninety nine, and if

166
00:09:26,920 --> 00:09:29,360
Speaker 1: I'm going to go memorabilia, it's probably that one. Where

167
00:09:29,440 --> 00:09:32,959
Speaker 1: is that right now? Uh, it is actually at my

168
00:09:33,120 --> 00:09:36,880
Speaker 1: office where my ramp is. But um, let's just say

169
00:09:36,880 --> 00:09:38,959
Speaker 1: if there's a fire at the office, that's what I'm taking.

170
00:09:39,679 --> 00:09:42,320
Speaker 1: Tell me about what's going to go on in Utah,

171
00:09:42,400 --> 00:09:46,800
Speaker 1: the Utah State Fairgrounds there. Well, like I said, the

172
00:09:46,840 --> 00:09:49,800
Speaker 1: half pipe vert discipline is something that was not in

173
00:09:49,840 --> 00:09:52,840
Speaker 1: the Olympics, but I think it's something that still is thriving.

174
00:09:52,880 --> 00:09:55,200
Speaker 1: And it's a different style of skating because it's more

175
00:09:55,240 --> 00:09:57,800
Speaker 1: aerial base, so it's more of the of the big

176
00:09:57,880 --> 00:10:01,000
Speaker 1: jump stuff you solid the X Games. And so I'm,

177
00:10:01,080 --> 00:10:04,079
Speaker 1: you know, on the heels of the Olympic success, I'm

178
00:10:04,120 --> 00:10:07,040
Speaker 1: trying to bring back the whole vert discipline and we're

179
00:10:07,080 --> 00:10:10,199
Speaker 1: taking my ramp that you've probably see me skate indoors

180
00:10:10,520 --> 00:10:13,120
Speaker 1: um at my office. We're taking the whole thing to

181
00:10:13,200 --> 00:10:15,000
Speaker 1: Salt Lake City and putting it up and it's a

182
00:10:15,040 --> 00:10:17,640
Speaker 1: free public event. Some of the best vert riders. We've

183
00:10:17,640 --> 00:10:22,480
Speaker 1: got a Legends skate session on the twenty seventh with

184
00:10:22,720 --> 00:10:27,400
Speaker 1: people like Steve Caballero, Christianosy and myself, Mike Frazier and McDonald. Um.

185
00:10:27,559 --> 00:10:30,560
Speaker 1: So I'm excited. I feel like I've been trying to

186
00:10:30,600 --> 00:10:33,400
Speaker 1: push for something like this for the last few years.

187
00:10:33,559 --> 00:10:36,839
Speaker 1: Obviously it got shelved over the last year and a

188
00:10:36,920 --> 00:10:41,480
Speaker 1: half and now we're going for it. It's great to

189
00:10:41,520 --> 00:10:43,640
Speaker 1: talk to you again, Tony. We appreciate your time and

190
00:10:43,920 --> 00:10:48,240
Speaker 1: have fun in Utah. Thank you. Yeah. Thanks. That's Tony Hawk.

191
00:10:48,600 --> 00:10:53,640
Speaker 1: And Seaton's geeking out like he's a girl watching the

192
00:10:53,640 --> 00:10:56,400
Speaker 1: Beatles perform at Chase Stadium. There, that's the guy, man,

193
00:10:57,120 --> 00:11:00,600
Speaker 1: that's the guy. PAULI goes, can we ask questions? I go,

194
00:11:00,960 --> 00:11:03,040
Speaker 1: you can? You can tell me what questions that you

195
00:11:03,120 --> 00:11:06,120
Speaker 1: might want ask. When you were I was a terrible,

196
00:11:06,200 --> 00:11:08,160
Speaker 1: terrible skateboarder, and when you're a little kid and see

197
00:11:08,160 --> 00:11:11,200
Speaker 1: contest withst you know, you saw those magazines and you

198
00:11:11,200 --> 00:11:13,120
Speaker 1: saw what he was doing. Man, wouldn't it be great

199
00:11:13,120 --> 00:11:16,240
Speaker 1: to be living out in southern California at fourteen years

200
00:11:16,280 --> 00:11:18,120
Speaker 1: old being famous like him? I mean he was really

201
00:11:18,200 --> 00:11:21,199
Speaker 1: famous at fourteen fifteen? Well yeah, I mean I would

202
00:11:21,240 --> 00:11:23,920
Speaker 1: be famous at fourteen. That would be fun. But the

203
00:11:24,000 --> 00:11:26,800
Speaker 1: thing is is we weren't going to be famous at fourteen,

204
00:11:26,880 --> 00:11:28,880
Speaker 1: and then you're just riding a skateboard. I had a

205
00:11:28,960 --> 00:11:33,880
Speaker 1: longboard when I lived in Arizona, and you know, it

206
00:11:34,040 --> 00:11:37,080
Speaker 1: was just you could get around. And the longboards have

207
00:11:37,200 --> 00:11:39,559
Speaker 1: come back, but I just remember being on a longboard

208
00:11:39,720 --> 00:11:41,760
Speaker 1: and that was just a way of getting around. I

209
00:11:41,760 --> 00:11:43,640
Speaker 1: didn't have a bike, so I was like, all right,

210
00:11:43,760 --> 00:11:46,280
Speaker 1: I got a longboard here. Yeah, seed because of like

211
00:11:46,800 --> 00:11:49,599
Speaker 1: you know, it's say magazines like Thrasher, right, which is

212
00:11:49,600 --> 00:11:52,199
Speaker 1: a skateboarding magazine, of course, and you would be I

213
00:11:52,240 --> 00:11:55,080
Speaker 1: don't know, in sixth grade reading through that and thinking like,

214
00:11:55,080 --> 00:11:56,880
Speaker 1: oh man, someday I got to get out to Carl's

215
00:11:56,880 --> 00:11:58,960
Speaker 1: Bad High School because that's where these guys are skating.

216
00:11:59,000 --> 00:12:01,319
Speaker 1: Like there's no reason anybody on earth should be from

217
00:12:01,360 --> 00:12:03,040
Speaker 1: New Jersey. Would be like, I gotta get out to

218
00:12:03,040 --> 00:12:05,440
Speaker 1: California so I can go to Carlsbad High just to

219
00:12:05,440 --> 00:12:07,920
Speaker 1: see where these guys skated. But then even you know,

220
00:12:07,960 --> 00:12:11,199
Speaker 1: you fast forward all these years later when the Super

221
00:12:11,240 --> 00:12:14,320
Speaker 1: Bowl was in San Francisco and there was this movie

222
00:12:14,360 --> 00:12:16,200
Speaker 1: in the eighties called The Search for Animal Chin and

223
00:12:16,240 --> 00:12:18,840
Speaker 1: I was in my thirties, a late thirties at least.

224
00:12:18,840 --> 00:12:21,559
Speaker 1: And I took a whole day going around San Francisco

225
00:12:21,679 --> 00:12:24,439
Speaker 1: just to find the spots that they wrote in Search

226
00:12:24,480 --> 00:12:27,000
Speaker 1: for Animal Chin because it was just those more. And

227
00:12:27,040 --> 00:12:29,440
Speaker 1: Tony Hawk is a huge part of that era. You know.

228
00:12:30,160 --> 00:12:32,880
Speaker 1: You just see these thirteen year olds fourteen year olds,

229
00:12:32,880 --> 00:12:36,360
Speaker 1: and they're doing all these tricks. And there's something about

230
00:12:36,480 --> 00:12:39,600
Speaker 1: when you're young, like your kids, when they start to

231
00:12:39,640 --> 00:12:43,560
Speaker 1: ski low center of gravity, they have no fear. They

232
00:12:43,640 --> 00:12:47,320
Speaker 1: just go. And it feels like that's the way with skateboarders,

233
00:12:47,320 --> 00:12:49,400
Speaker 1: where they just go, hey, I don't have any fear,

234
00:12:49,520 --> 00:12:51,680
Speaker 1: like they don't know better, they don't think that way,

235
00:12:51,720 --> 00:12:55,760
Speaker 1: whereas hey, I'm twenty five, I gotta protect myself. These

236
00:12:55,800 --> 00:12:58,920
Speaker 1: guys are just like and girls. They're like, hey, let's

237
00:12:58,920 --> 00:13:02,040
Speaker 1: just go for all right, Uh, let's pull question for

238
00:13:02,080 --> 00:13:04,240
Speaker 1: the final. At the final, I switched it up. Whose

239
00:13:04,280 --> 00:13:07,800
Speaker 1: career would you want with our friend Tony Hawk, Kelly

240
00:13:07,920 --> 00:13:12,080
Speaker 1: Slater or Sean White the best snowboarder never, I believe,

241
00:13:12,200 --> 00:13:14,520
Speaker 1: or and also a skateboarder all right, and the early

242
00:13:14,600 --> 00:13:19,240
Speaker 1: leader is Tony Hawk. Actually, Kelly Slater is tough to

243
00:13:19,280 --> 00:13:24,360
Speaker 1: be yeah, yeah, but Tony Hawk is such a great

244
00:13:24,480 --> 00:13:27,400
Speaker 1: business man like you'd have to factor that in as well.

245
00:13:27,880 --> 00:13:32,160
Speaker 1: I don't know, you know, buying a skateboard or a surfboard,

246
00:13:32,520 --> 00:13:40,240
Speaker 1: big difference there. U. But Kelly Slater and still were

247
00:13:40,280 --> 00:13:44,080
Speaker 1: you just retired? I think from competition, didn't he retiring

248
00:13:44,120 --> 00:13:49,440
Speaker 1: from surfing to surf It's like retiring from golf to golf. Yeah.

249
00:13:51,800 --> 00:13:55,400
Speaker 1: By the way, pick up a bag of Penny's Bang Biscuits.

250
00:13:55,440 --> 00:13:57,840
Speaker 1: Penny is our healths dog here the big Germans Dog

251
00:13:58,120 --> 00:14:02,600
Speaker 1: gourmet biscuits made from scratches, healthy, all natural ingredients and

252
00:14:02,760 --> 00:14:05,559
Speaker 1: uh twenty percent of all Bang biscuit sales given back

253
00:14:05,559 --> 00:14:08,760
Speaker 1: to hand picked partners in the pet industry. Available on

254
00:14:08,840 --> 00:14:13,560
Speaker 1: Dan Patrick dot com. Uh Fritzie has a limerick. He

255
00:14:13,600 --> 00:14:15,840
Speaker 1: had one in the first hour based off of the

256
00:14:15,880 --> 00:14:18,880
Speaker 1: Field of Dreams game, and he has one more limerick

257
00:14:19,000 --> 00:14:22,280
Speaker 1: that I'm looking forward to and we'll have that later today, Todd.

258
00:14:22,480 --> 00:14:25,200
Speaker 1: That sounds great. Final hour, we'll have that. I'me is

259
00:14:25,240 --> 00:14:26,960
Speaker 1: ticking a show. We're gonna able to squeeze it in, Yes,

260
00:14:27,040 --> 00:14:29,640
Speaker 1: I will. I don't think it'll take you that long

261
00:14:29,720 --> 00:14:32,800
Speaker 1: to uh, pretty quick, it's like a twelve second thing. Yeah, No,

262
00:14:33,280 --> 00:14:36,920
Speaker 1: I look forward to your your other limericks. I appreciate

263
00:14:37,000 --> 00:14:39,360
Speaker 1: the positivity of the support you're bringing up. Yeah, it's

264
00:14:39,440 --> 00:14:41,880
Speaker 1: kind of like you same bolt trains for four years

265
00:14:41,880 --> 00:14:45,440
Speaker 1: to run ten seconds. Todd spends hours on twelve seconds

266
00:14:45,440 --> 00:14:48,680
Speaker 1: to content. It's a sad thing, but it's okay support.

267
00:14:48,760 --> 00:14:54,040
Speaker 1: But yeah, but bold twins gold medals, you know, really, Yeah,

268
00:14:54,120 --> 00:14:56,920
Speaker 1: that's what we're gonna do now. Todd's like that that

269
00:14:57,400 --> 00:15:01,280
Speaker 1: hurdler that we had from Haiti back twenty sixteen, where

270
00:15:01,920 --> 00:15:04,920
Speaker 1: you think I could even jump that high to get

271
00:15:05,280 --> 00:15:07,120
Speaker 1: I couldn't get even to the mid portion of that thing.

272
00:15:07,160 --> 00:15:11,560
Speaker 1: That's this video that Seaton brought out or mcloven brought

273
00:15:11,560 --> 00:15:14,960
Speaker 1: out it. Mcloven did the Olympics in Rio twenty sixteen

274
00:15:15,240 --> 00:15:18,360
Speaker 1: and they're doing the one hundred and ten meter high

275
00:15:18,400 --> 00:15:21,400
Speaker 1: hurdles or something, and there's this guy who's in the

276
00:15:21,520 --> 00:15:24,560
Speaker 1: ninth lane and he's out of Haiti and he's like

277
00:15:24,680 --> 00:15:27,000
Speaker 1: pointing to his wrist like it's my time, and he's

278
00:15:27,000 --> 00:15:31,480
Speaker 1: putting up number one and he looks like he walked

279
00:15:31,480 --> 00:15:35,280
Speaker 1: onto the track and he was in impostory and and

280
00:15:35,560 --> 00:15:38,560
Speaker 1: he didn't even make it over. He made it through

281
00:15:39,040 --> 00:15:42,000
Speaker 1: up to half of the first hurdle. He didn't make

282
00:15:42,000 --> 00:15:46,520
Speaker 1: it like he just clipped it. He he went right

283
00:15:46,560 --> 00:15:50,720
Speaker 1: into it. He flipped over for a second. I thought

284
00:15:50,720 --> 00:15:52,560
Speaker 1: he didn't see the hurdle, like for some reason he

285
00:15:52,640 --> 00:15:55,200
Speaker 1: had a vision issue, that he had lasic or something.

286
00:15:55,240 --> 00:15:57,440
Speaker 1: He couldn't see the hurtle. It's it's just where you're

287
00:15:57,440 --> 00:16:01,640
Speaker 1: going it it's it's it's awesome. It's so great. I mean,

288
00:16:01,680 --> 00:16:05,840
Speaker 1: thank god he wasn't hurt. But it just so much fun.

289
00:16:06,880 --> 00:16:10,440
Speaker 1: We laughed. I just go keep playing it, play it again,

290
00:16:11,000 --> 00:16:13,800
Speaker 1: play it again. Great stuff. All right, we'll take a

291
00:16:13,800 --> 00:16:17,000
Speaker 1: break when we come back, and we'll talk to an actor,

292
00:16:17,400 --> 00:16:21,280
Speaker 1: Frank Whaley, who was in Field of Dreams, also pulp fiction.

293
00:16:21,680 --> 00:16:25,120
Speaker 1: He's in the famous scene with Samuel L. Jackson. He's

294
00:16:25,600 --> 00:16:30,680
Speaker 1: Brad and Samuel L. Jackson is not happy with Brad

295
00:16:30,800 --> 00:16:33,720
Speaker 1: in some of his roommates in this apartment. And of

296
00:16:33,720 --> 00:16:37,320
Speaker 1: course he was in Field of Dreams. And we'll talk

297
00:16:37,360 --> 00:16:40,120
Speaker 1: to him about both of those roles when we returned,

298
00:16:40,280 --> 00:16:42,520
Speaker 1: coming up on eighteen after the hour. This is the

299
00:16:42,600 --> 00:16:47,840
Speaker 1: Dan Patrick Show. I'll discover the Discover card and you

300
00:16:47,880 --> 00:16:51,360
Speaker 1: will discover a lot of different things. How amazing is

301
00:16:51,400 --> 00:16:54,320
Speaker 1: this Discover We'll match all the cash back you were

302
00:16:54,440 --> 00:16:56,800
Speaker 1: on your credit card at the end of your first year, automatically,

303
00:16:56,840 --> 00:16:59,200
Speaker 1: no limit on how much you can earn. Amazing right

304
00:16:59,360 --> 00:17:03,160
Speaker 1: even more because of all the places where Discover is accepted,

305
00:17:03,520 --> 00:17:05,840
Speaker 1: ninety nine percent of the places in the United States

306
00:17:05,880 --> 00:17:08,919
Speaker 1: that take credit cards take Discover, which means when it

307
00:17:08,920 --> 00:17:11,400
Speaker 1: comes to Discover, get used to hearing the word yes

308
00:17:11,480 --> 00:17:15,760
Speaker 1: more often, learn more. Discover dot com slash Yes twenty

309
00:17:15,800 --> 00:17:19,359
Speaker 1: twenty one Nielsen Report. Limitations apply. Thanks for listening to

310
00:17:19,359 --> 00:17:21,880
Speaker 1: The Dan Patrick Show podcast. Be sure to catch us

311
00:17:21,960 --> 00:17:24,800
Speaker 1: live every weekday morning nine until noon eastern six to

312
00:17:24,880 --> 00:17:27,680
Speaker 1: nine Pacific on Fox Sports Radio, and you can find

313
00:17:27,760 --> 00:17:31,800
Speaker 1: us on the iHeartRadio app at FSR or stream us

314
00:17:31,840 --> 00:17:35,159
Speaker 1: live on the Peacock app. We are messed up on

315
00:17:35,160 --> 00:17:38,600
Speaker 1: this show. The NASCAR Cup Series heads to the Brickyard

316
00:17:38,640 --> 00:17:41,640
Speaker 1: to take on a road course for the very first time.

317
00:17:41,720 --> 00:17:44,760
Speaker 1: Witness the start of a new tradition. Sunday at one

318
00:17:44,800 --> 00:17:49,440
Speaker 1: eastern on NBC Field of Dreams. Last night in Iowa,

319
00:17:49,520 --> 00:17:52,800
Speaker 1: Kevin Costner was there coming out from the corn. You

320
00:17:52,840 --> 00:17:55,119
Speaker 1: had the Yankees, you had the White Sox. It was

321
00:17:55,200 --> 00:18:00,119
Speaker 1: great TV. And Paully goes we need to get we

322
00:18:00,119 --> 00:18:02,240
Speaker 1: need to get Frank Whaley on my body. I go,

323
00:18:03,080 --> 00:18:05,760
Speaker 1: all right. Well, he of course played the young archie

324
00:18:05,840 --> 00:18:08,960
Speaker 1: Moonlight Graham in Field of Dreams. Of course he was

325
00:18:09,400 --> 00:18:12,560
Speaker 1: in pulp fiction as well. They've been on the show

326
00:18:12,600 --> 00:18:15,000
Speaker 1: a couple of times. Good to have you back, Frank. Um.

327
00:18:15,320 --> 00:18:18,800
Speaker 1: When people bring up Field of Dreams, what did they ask?

328
00:18:21,880 --> 00:18:27,199
Speaker 1: Can I spare a few dollars? Oh my family? Yeah? Um?

329
00:18:27,680 --> 00:18:30,640
Speaker 1: How much should you get paid for that role? Um?

330
00:18:31,440 --> 00:18:34,239
Speaker 1: It was it was many many years ago. Probably, I

331
00:18:34,280 --> 00:18:36,879
Speaker 1: was probably and I was young. I was probably paid

332
00:18:37,520 --> 00:18:42,600
Speaker 1: the Screen Actors Guild minimum weekly, which in those days

333
00:18:42,680 --> 00:18:46,199
Speaker 1: was a few hundred dollars. But I was happy. I

334
00:18:46,240 --> 00:18:48,119
Speaker 1: was happy to have the gig. What were you told

335
00:18:48,160 --> 00:18:55,560
Speaker 1: in the audition? Ah, I remember not. They didn't give

336
00:18:55,600 --> 00:18:58,840
Speaker 1: me the script. They just had this some pages from

337
00:18:58,840 --> 00:19:00,760
Speaker 1: the scenes that I was in, so I had to

338
00:19:00,840 --> 00:19:06,520
Speaker 1: kind of deduce, you know, myself. But they just told

339
00:19:06,560 --> 00:19:08,600
Speaker 1: me to you know, to be to keep it natural

340
00:19:09,040 --> 00:19:13,320
Speaker 1: as I recall, and uh, you know, it's hard to remember.

341
00:19:13,320 --> 00:19:16,399
Speaker 1: That was many many years ago, but I was a

342
00:19:16,440 --> 00:19:20,400
Speaker 1: lot of actors in my age range at that time

343
00:19:20,480 --> 00:19:22,920
Speaker 1: wanted that role because it was you know it was

344
00:19:22,960 --> 00:19:25,680
Speaker 1: talked about. You know, what did you think though when

345
00:19:25,680 --> 00:19:28,920
Speaker 1: you read the script? I mean I mentioned it yesterday.

346
00:19:28,920 --> 00:19:31,880
Speaker 1: When you look at that and you go, okay, um, hey,

347
00:19:31,920 --> 00:19:33,840
Speaker 1: this is the premise for the script, and you're going

348
00:19:34,440 --> 00:19:37,080
Speaker 1: really like they're going to make a movie ont of that.

349
00:19:37,280 --> 00:19:39,480
Speaker 1: I mean, Costner said it's the most dangerous movie you

350
00:19:39,520 --> 00:19:42,359
Speaker 1: ever made, because he didn't know if people were going

351
00:19:42,400 --> 00:19:44,400
Speaker 1: to laugh at it and spit it back out at him.

352
00:19:44,440 --> 00:19:46,840
Speaker 1: What did you think when you you heard the premise

353
00:19:46,880 --> 00:19:49,840
Speaker 1: for it? I felt the same. It was it was

354
00:19:50,160 --> 00:19:54,199
Speaker 1: a different obviously a different kind of sports film that

355
00:19:54,560 --> 00:19:57,159
Speaker 1: than you know, we're used to, although I guess The

356
00:19:57,240 --> 00:20:01,480
Speaker 1: Natural had that sort of same same kind of feel

357
00:20:01,520 --> 00:20:04,520
Speaker 1: to it. But yeah, what I wasn't sure what to

358
00:20:04,560 --> 00:20:07,480
Speaker 1: make of it at all, um And and you know

359
00:20:07,520 --> 00:20:09,240
Speaker 1: I felt the same way. It was hard. It was

360
00:20:09,280 --> 00:20:11,800
Speaker 1: hard to really know how it was going to come out,

361
00:20:11,840 --> 00:20:14,840
Speaker 1: although it was a really good script and obviously had

362
00:20:14,840 --> 00:20:18,439
Speaker 1: a great cast, so there was it was there was

363
00:20:18,520 --> 00:20:21,639
Speaker 1: some high hopes for it from my perspective. When do

364
00:20:21,640 --> 00:20:26,399
Speaker 1: you meet const We all got together before we started

365
00:20:26,440 --> 00:20:30,399
Speaker 1: filming in California for for a read through, and it

366
00:20:30,480 --> 00:20:33,160
Speaker 1: was it was it was every everybody in this inn,

367
00:20:33,359 --> 00:20:37,920
Speaker 1: in this sort of loft on Hollywood Boulevard, assembled around

368
00:20:37,920 --> 00:20:40,360
Speaker 1: this table, and I was a nervous wreck. Burt Lancaster

369
00:20:40,440 --> 00:20:43,680
Speaker 1: was there, James Old Jones, and I couldn't believe what

370
00:20:43,720 --> 00:20:46,320
Speaker 1: I was. I mean, I not not long before I was.

371
00:20:46,400 --> 00:20:51,720
Speaker 1: I was selling like various bodily fluids and tubsocks on

372
00:20:51,760 --> 00:20:53,960
Speaker 1: the streets of Manhattan. And then I am in this

373
00:20:54,160 --> 00:20:58,119
Speaker 1: room and there's Burt Lancaster, and they put me across

374
00:20:58,119 --> 00:21:02,680
Speaker 1: from Burt Lancaster at the table, and and Cosner was there,

375
00:21:02,760 --> 00:21:06,200
Speaker 1: and and everybody's really nice, and Phil Robinson and and

376
00:21:06,760 --> 00:21:11,000
Speaker 1: the the part you know, leading up to my first line,

377
00:21:11,040 --> 00:21:13,720
Speaker 1: which is when I introduced myself to them, and when

378
00:21:13,720 --> 00:21:15,080
Speaker 1: they picked me up on the side of the road,

379
00:21:15,600 --> 00:21:17,679
Speaker 1: and I was really nervous because I knew my my

380
00:21:17,760 --> 00:21:22,040
Speaker 1: time to speak was coming up. And I said, I said,

381
00:21:22,040 --> 00:21:26,760
Speaker 1: the line is something like I'm Archie Graham and Blanca.

382
00:21:26,880 --> 00:21:29,320
Speaker 1: After I said the line, Burt Lancaster stopped the reading

383
00:21:29,680 --> 00:21:32,120
Speaker 1: said hold hold on, hold on, hold on, oh boy,

384
00:21:32,200 --> 00:21:36,879
Speaker 1: and he said that's the wrong that's the wrong pronunciation.

385
00:21:38,320 --> 00:21:43,280
Speaker 1: And I was mortified, um that, and he he explained

386
00:21:43,320 --> 00:21:47,000
Speaker 1: that it was Graham. It's just sort of three syllables

387
00:21:47,280 --> 00:21:49,680
Speaker 1: instead of Graham, which is one the way I was

388
00:21:49,680 --> 00:21:55,480
Speaker 1: saying my upstate New York swang. And uh, he corrected.

389
00:21:55,560 --> 00:21:58,600
Speaker 1: He worked with me like three times on saying the line.

390
00:21:58,600 --> 00:22:00,680
Speaker 1: I just could I wasn't getting it because I so nervous.

391
00:22:01,119 --> 00:22:02,840
Speaker 1: Up only said all right, all right, I'll just keep going.

392
00:22:03,640 --> 00:22:05,560
Speaker 1: And then I sat there the rest of the you know,

393
00:22:05,600 --> 00:22:08,600
Speaker 1: the reading, mortified, feeling like an idiot. You didn't think

394
00:22:08,600 --> 00:22:11,080
Speaker 1: you were going to lose the job, did you. Of course,

395
00:22:12,119 --> 00:22:14,080
Speaker 1: you always feel like you're gonna lose the job no

396
00:22:14,119 --> 00:22:18,879
Speaker 1: matter what. And and but you know, I I that whole.

397
00:22:19,440 --> 00:22:21,480
Speaker 1: I think that was the beginning of everybody sort of

398
00:22:21,480 --> 00:22:25,040
Speaker 1: being annoyed with me. Um. I still to this day,

399
00:22:25,040 --> 00:22:27,359
Speaker 1: I believe Kevin Costner just says it really annoyed. He

400
00:22:27,440 --> 00:22:31,720
Speaker 1: was annoyed with me from the very beginning. Why because

401
00:22:31,760 --> 00:22:34,679
Speaker 1: I was a wise ass and and uh, you know

402
00:22:36,160 --> 00:22:39,720
Speaker 1: not what not was you still are? Yes, yes, yes,

403
00:22:40,119 --> 00:22:44,200
Speaker 1: I began very early and uh, and I just think

404
00:22:45,600 --> 00:22:47,800
Speaker 1: there was a there was a couple of incidents on

405
00:22:47,840 --> 00:22:53,720
Speaker 1: the set where you know, I crashed a golf cart

406
00:22:53,800 --> 00:22:55,719
Speaker 1: into the side of a camera truck. There was all

407
00:22:55,720 --> 00:22:59,320
Speaker 1: these golf carts around, and you know, I had a

408
00:22:59,359 --> 00:23:02,119
Speaker 1: lot of time, and I was always speeding around into

409
00:23:02,160 --> 00:23:04,679
Speaker 1: GolfCross and I slammed into the side of this camera

410
00:23:04,720 --> 00:23:08,320
Speaker 1: truck and and I remember that was one of the

411
00:23:08,359 --> 00:23:11,600
Speaker 1: earliest moments where Costner was like, he like it was

412
00:23:11,600 --> 00:23:13,800
Speaker 1: this if it was his camera truck. He was so

413
00:23:14,040 --> 00:23:15,560
Speaker 1: he was really annoyed with me, And I was like,

414
00:23:15,560 --> 00:23:19,639
Speaker 1: what's your They don't they have insurance? Should they have insurance?

415
00:23:20,280 --> 00:23:24,359
Speaker 1: Which was the wrong approach, but um, I mean that

416
00:23:24,440 --> 00:23:26,040
Speaker 1: was sort of my you know, I was this kid

417
00:23:26,160 --> 00:23:30,840
Speaker 1: running around. Yeah, he's Frank Whaley, the actor, film director, screenwriter,

418
00:23:31,080 --> 00:23:34,440
Speaker 1: and uh he of course was in h Field of Dreams.

419
00:23:34,440 --> 00:23:37,879
Speaker 1: He was Archie Moonlight Graham, the younger version of Archie

420
00:23:37,880 --> 00:23:46,520
Speaker 1: Moonlight AM Graham am apparently uh pulp fiction The Doors JFK.

421
00:23:47,200 --> 00:23:53,240
Speaker 1: You've you worked with Brando Costner, Samuel Travolta, Val Kilmer,

422
00:23:53,400 --> 00:23:59,399
Speaker 1: Tom Cruise, who was the most intimidating actor out of

423
00:23:59,440 --> 00:24:04,439
Speaker 1: that group? Uh, probably Samuel just because of that the

424
00:24:04,520 --> 00:24:06,800
Speaker 1: context of that scene. It was pretty scary. He was

425
00:24:07,320 --> 00:24:11,920
Speaker 1: he was so good. I mean, he's a sweet, wonderful man,

426
00:24:12,040 --> 00:24:15,480
Speaker 1: but in that in that in that scene. Filming that scene,

427
00:24:15,520 --> 00:24:18,679
Speaker 1: he was pretty scary. So let me let me let

428
00:24:18,720 --> 00:24:20,679
Speaker 1: me play a portion of the of that scene to

429
00:24:20,760 --> 00:24:24,800
Speaker 1: let people revisit that that anger that was there. Check

430
00:24:24,840 --> 00:24:29,640
Speaker 1: out the big brain, Brad, you're a smart m that's right.

431
00:24:31,680 --> 00:24:35,520
Speaker 1: How many takes in that, uh that scene? Many many,

432
00:24:35,560 --> 00:24:38,919
Speaker 1: many many takes? Um Tarantino as a you know, as

433
00:24:38,920 --> 00:24:42,280
Speaker 1: a perfectionist, and there was, there was. It was a

434
00:24:42,320 --> 00:24:46,879
Speaker 1: long couple of days. And I remember the gun the

435
00:24:46,960 --> 00:24:50,760
Speaker 1: gun shots which are these like electrical the calm squibs,

436
00:24:50,840 --> 00:24:53,840
Speaker 1: these electrical charges they put all over you. We did

437
00:24:53,840 --> 00:24:55,320
Speaker 1: that a number of times. I ended up with all

438
00:24:55,359 --> 00:24:59,200
Speaker 1: these bruises on my on my chest, and um, there

439
00:24:59,280 --> 00:25:01,840
Speaker 1: was some question about how close they helped the gun

440
00:25:01,920 --> 00:25:04,600
Speaker 1: to my you know, the and to the guns to

441
00:25:04,680 --> 00:25:07,600
Speaker 1: my face. Samuel has gone to my face because there's

442
00:25:07,720 --> 00:25:12,320
Speaker 1: you know, there's a certain you know, uh standard to

443
00:25:12,440 --> 00:25:14,720
Speaker 1: which the stuntman will allow it. And Tarrton was like, no,

444
00:25:14,720 --> 00:25:17,240
Speaker 1: it's gonna be closer, It's gonna be closer. So it

445
00:25:17,280 --> 00:25:20,680
Speaker 1: was all pretty pretty wild and scary but fun. But

446
00:25:21,000 --> 00:25:23,679
Speaker 1: since the scene is basically you and Samuel do you

447
00:25:24,200 --> 00:25:28,800
Speaker 1: do you talk about the scene just you two. Oh yeah, yeah, No,

448
00:25:29,200 --> 00:25:32,880
Speaker 1: between takes it was fine. It was just you know, yeah,

449
00:25:33,400 --> 00:25:37,280
Speaker 1: it's when somebody's that good and that and that charged

450
00:25:37,359 --> 00:25:41,240
Speaker 1: and and and and impassioned in their and their work

451
00:25:41,280 --> 00:25:43,680
Speaker 1: and they're acting, it's it's like, you know, you kind

452
00:25:43,680 --> 00:25:46,919
Speaker 1: of you kind of really feel it, and so you know,

453
00:25:47,440 --> 00:25:50,359
Speaker 1: but but other than that, you know, he and Travolta

454
00:25:50,480 --> 00:25:52,440
Speaker 1: we you know, well, you know, we laughed and drank

455
00:25:52,520 --> 00:25:56,040
Speaker 1: coffee and talked. Did you understand how big that scene

456
00:25:56,080 --> 00:25:58,960
Speaker 1: was going to be in the moment now? And people

457
00:25:59,000 --> 00:26:02,200
Speaker 1: people ask, you know, to the same with Field of Dreams.

458
00:26:02,200 --> 00:26:04,480
Speaker 1: I mean, it's hard to know that. I mean, you

459
00:26:04,560 --> 00:26:07,959
Speaker 1: kind of feel the sense that there's something, you know,

460
00:26:08,359 --> 00:26:13,240
Speaker 1: kind of big going on, um and you know, there's

461
00:26:13,280 --> 00:26:16,240
Speaker 1: a there's a sense of that in the air, but

462
00:26:16,359 --> 00:26:19,800
Speaker 1: it's hard to predict, you know. I was. I was

463
00:26:19,840 --> 00:26:23,240
Speaker 1: away in both. In both instances, I was away working

464
00:26:23,240 --> 00:26:27,560
Speaker 1: on something else when those films were released, and and

465
00:26:27,640 --> 00:26:31,639
Speaker 1: I got kind of peripherally, you know, notified of you know, like,

466
00:26:31,760 --> 00:26:33,359
Speaker 1: this is great, this is great. Have you seen it?

467
00:26:33,600 --> 00:26:37,119
Speaker 1: You know? And I was I was when Pulp Fiction

468
00:26:37,200 --> 00:26:39,160
Speaker 1: was released. I was actually in Europe and I came back.

469
00:26:39,160 --> 00:26:40,920
Speaker 1: I was living in New York City at the time.

470
00:26:41,480 --> 00:26:45,359
Speaker 1: I suddenly was recognized on the subway. People were like,

471
00:26:45,480 --> 00:26:47,040
Speaker 1: you know, looking at me and talking about me, which

472
00:26:47,160 --> 00:26:50,679
Speaker 1: which was frightening for me. Did they call you a Brady?

473
00:26:50,840 --> 00:26:52,520
Speaker 1: They was, Yeah, they were, they were they were saying

474
00:26:52,560 --> 00:26:56,280
Speaker 1: they were quoting the film, and and just kind of

475
00:26:56,280 --> 00:26:57,679
Speaker 1: people in New York they kind of, you know, just

476
00:26:57,760 --> 00:27:00,000
Speaker 1: kind of look at you, and which is a little

477
00:27:00,080 --> 00:27:03,119
Speaker 1: but you know, for me at the time was was

478
00:27:03,280 --> 00:27:07,320
Speaker 1: frightening and and odd because it hadn't happened up to

479
00:27:07,359 --> 00:27:10,080
Speaker 1: that point. And so but there was quite a bit

480
00:27:10,119 --> 00:27:12,119
Speaker 1: of that after that film was released. I mean, it's

481
00:27:12,200 --> 00:27:14,560
Speaker 1: quite a resume that you have here with pulp fiction

482
00:27:14,680 --> 00:27:18,280
Speaker 1: Field of Dreams. Jfk Uh. You were in the Door,

483
00:27:18,359 --> 00:27:21,040
Speaker 1: you were Robbie Krieger in the in the Doors right,

484
00:27:21,480 --> 00:27:24,760
Speaker 1: the Freshman is uh, you know, with with Brando Born

485
00:27:24,760 --> 00:27:27,560
Speaker 1: in the fourth year July, with Tom Cruise, these are

486
00:27:27,680 --> 00:27:29,920
Speaker 1: these are these are all high end movies. There do

487
00:27:30,000 --> 00:27:34,120
Speaker 1: you still get you get residual checks from all of these, Yeah,

488
00:27:34,119 --> 00:27:37,440
Speaker 1: but they're only at this point they're like six cents, yeah,

489
00:27:37,480 --> 00:27:40,320
Speaker 1: you know, three three dollars and eighty four cents or

490
00:27:40,840 --> 00:27:44,000
Speaker 1: you know, like I I will often like you know,

491
00:27:44,119 --> 00:27:47,679
Speaker 1: get checks from like films like Little Monsters that I

492
00:27:47,720 --> 00:27:52,480
Speaker 1: did for like like minus three cents. I owe them.

493
00:27:52,760 --> 00:27:56,600
Speaker 1: It costs you. Yeah, you have to send you So

494
00:27:56,680 --> 00:27:58,760
Speaker 1: my wife was like, okay, we all we all seventeen

495
00:27:58,800 --> 00:28:03,120
Speaker 1: dollars or rock the end. Did you keep anything from

496
00:28:03,119 --> 00:28:07,080
Speaker 1: the set of any of these movies? Oh? Yeah, yeah,

497
00:28:07,440 --> 00:28:10,040
Speaker 1: Field of Dreams I have. I have a whole bunch

498
00:28:10,080 --> 00:28:12,480
Speaker 1: of cool stuff, like, um it was the film was

499
00:28:12,600 --> 00:28:16,680
Speaker 1: really called Shoeless Joe. Actually have a Shoeless Joe cast

500
00:28:16,760 --> 00:28:21,640
Speaker 1: and Crew t shirt. Um uh, like these old Field

501
00:28:21,680 --> 00:28:24,600
Speaker 1: of Dreams hats that I think they gave out, like stuff.

502
00:28:24,600 --> 00:28:26,400
Speaker 1: You know. I have a storage room that I didn't

503
00:28:26,480 --> 00:28:27,760
Speaker 1: visit for a long time, and I went over there

504
00:28:27,760 --> 00:28:30,719
Speaker 1: and open the box. I was all this really cool stuff.

505
00:28:31,440 --> 00:28:33,960
Speaker 1: Um do you think about jackets at the end of

506
00:28:34,000 --> 00:28:37,200
Speaker 1: these films like Cast and Crew Jackers. They stopped doing

507
00:28:37,200 --> 00:28:39,120
Speaker 1: that now. And I have like like a whole bunch

508
00:28:39,120 --> 00:28:42,200
Speaker 1: from that, um like a bunch of a lot of

509
00:28:42,240 --> 00:28:47,360
Speaker 1: doors stuff. And you know, I'm I always I tell

510
00:28:47,400 --> 00:28:50,600
Speaker 1: my kids that it's there when after I'm gone. You can,

511
00:28:50,680 --> 00:28:54,000
Speaker 1: you know, have a have a yard sale. That's what Yeah,

512
00:28:54,040 --> 00:28:56,160
Speaker 1: that's what it's for. I was wondering if Val Kilmer

513
00:28:56,240 --> 00:28:59,000
Speaker 1: stayed in character when he was Jim Morrison in The

514
00:28:59,040 --> 00:29:02,320
Speaker 1: Doors in between takes. Did he stay in He strikes

515
00:29:02,360 --> 00:29:05,840
Speaker 1: me as he was staying character. Yeah. He everybody, you know,

516
00:29:05,920 --> 00:29:10,000
Speaker 1: everybody was instructed to call him Jim. Um. I defied

517
00:29:10,040 --> 00:29:13,920
Speaker 1: that rule and um, and he wore the same leather

518
00:29:14,000 --> 00:29:18,200
Speaker 1: pants I think for the entire the entire production. And uh,

519
00:29:18,280 --> 00:29:21,440
Speaker 1: yeah he was. He was very much that you know,

520
00:29:21,480 --> 00:29:25,840
Speaker 1: he's very much cut from that mold of the method. Uh.

521
00:29:25,880 --> 00:29:30,120
Speaker 1: And you know he stays in character and uh, which

522
00:29:30,200 --> 00:29:31,720
Speaker 1: is you know what is what we love about him.

523
00:29:32,520 --> 00:29:35,160
Speaker 1: But also you know, you see that documentary that he

524
00:29:35,160 --> 00:29:38,040
Speaker 1: has out now, which is fascinating. And and you became

525
00:29:38,200 --> 00:29:41,360
Speaker 1: really good friends with Val. Yeah, we became really good friends.

526
00:29:41,400 --> 00:29:44,480
Speaker 1: We became really really tight on the set of The Doors. Um,

527
00:29:44,560 --> 00:29:46,800
Speaker 1: we're you know, it's it's it's it was kind of

528
00:29:46,800 --> 00:29:50,280
Speaker 1: a thing where we're sort of opposites, and but we were,

529
00:29:50,400 --> 00:29:54,320
Speaker 1: you know, very close. And I loved him. He he

530
00:29:54,440 --> 00:29:57,280
Speaker 1: played uh in the first film that I wrote and directed,

531
00:29:57,360 --> 00:30:00,960
Speaker 1: Joe the King. Um, he played character which is Lucy

532
00:30:01,000 --> 00:30:04,840
Speaker 1: based on my father and so we became even even

533
00:30:04,880 --> 00:30:09,600
Speaker 1: more close on that. And he uh in that film.

534
00:30:09,600 --> 00:30:11,480
Speaker 1: I think he gives one of his best performances in

535
00:30:11,600 --> 00:30:14,600
Speaker 1: Joe King And but he's great in the Doors and um,

536
00:30:14,600 --> 00:30:17,880
Speaker 1: I love val um and and you know he's he's

537
00:30:17,920 --> 00:30:22,120
Speaker 1: a he's an exceptional person and brilliant actor. And yeah,

538
00:30:22,160 --> 00:30:25,239
Speaker 1: that documentary is something else. Yeah, I was watching some

539
00:30:25,320 --> 00:30:27,560
Speaker 1: of it last night. Frank. It's great to catch up

540
00:30:27,640 --> 00:30:29,960
Speaker 1: with you again, hope the family as well, and thanks

541
00:30:30,000 --> 00:30:33,239
Speaker 1: for joining us sharing some memories. Thanks for having me.

542
00:30:33,640 --> 00:30:36,760
Speaker 1: That's Frank Whaley. He of course was in Field of Dreams.

543
00:30:37,520 --> 00:30:40,400
Speaker 1: That's that's quite a resume when you say, oh, who

544
00:30:40,400 --> 00:30:45,680
Speaker 1: have you acted with? Tom Cruise, Brando Constner, Samuel Elm, Turvolta,

545
00:30:45,880 --> 00:30:50,360
Speaker 1: Val Kilmer and uh he was Archie Moonlight, Graham grog

546
00:30:50,480 --> 00:30:54,520
Speaker 1: Ram in the Uh he was the younger version, Yes, Seton.

547
00:30:54,640 --> 00:30:57,600
Speaker 1: I love those kind of details. Um that Frank shared

548
00:30:57,640 --> 00:30:59,680
Speaker 1: where Bert Lancaster is like, no, no no, no, it's not Graham.

549
00:30:59,680 --> 00:31:03,440
Speaker 1: It's because where he's from. That's how they would pronounce it.

550
00:31:03,520 --> 00:31:06,200
Speaker 1: Like just getting that minute of a detail on how no, no, no,

551
00:31:06,200 --> 00:31:10,600
Speaker 1: no, no no, it's Graham m M yeah. Reminder, Jen Fritz,

552
00:31:10,680 --> 00:31:15,200
Speaker 1: Todd's wife, will be joining The twelve fifteen Club today

553
00:31:15,200 --> 00:31:18,600
Speaker 1: Boys in the Back. Their podcast, The twelve fifteen Club,

554
00:31:18,640 --> 00:31:22,160
Speaker 1: available this afternoon wherever you get your podcast and go

555
00:31:22,200 --> 00:31:25,719
Speaker 1: to Dan Patrick dot com for that. But Jen Fritz

556
00:31:25,760 --> 00:31:29,719
Speaker 1: will be the featured guest on the twelve fifteen podcast.

557
00:31:29,840 --> 00:31:33,480
Speaker 1: Yes you better booker today. Whoever got Jen Fritz or

558
00:31:33,600 --> 00:31:36,080
Speaker 1: Todd in his list? Well, I'm gonna give the nod

559
00:31:36,120 --> 00:31:39,240
Speaker 1: to Todd. You are when we come back. Todd has

560
00:31:39,280 --> 00:31:45,360
Speaker 1: another limerick and a challenger with a limerick of their own. Also,

561
00:31:45,400 --> 00:31:48,400
Speaker 1: if you're watching on Peacock, we open up the trigger grills,

562
00:31:48,440 --> 00:31:52,160
Speaker 1: you'll be able to see what we're having for lunch today.

563
00:31:52,400 --> 00:31:56,560
Speaker 1: It's the chimmy Churist, smoked rib eyes, grilled Mexican streetcorn.

564
00:31:57,000 --> 00:32:01,040
Speaker 1: Who has it better than us? No, we're back after this.

565
00:32:01,400 --> 00:32:03,960
Speaker 1: Thanks for listening to The Dan Patrick Show podcast. Be

566
00:32:04,000 --> 00:32:06,560
Speaker 1: sure to catch us live every weekday morning nine until

567
00:32:06,600 --> 00:32:09,600
Speaker 1: noon eastern six to nine Pacific on Fox Sports Radio,

568
00:32:09,880 --> 00:32:12,800
Speaker 1: and you can find us on the iHeartRadio app at

569
00:32:12,840 --> 00:32:16,720
Speaker 1: FSR or stream us live on the Peacock app. Hey,

570
00:32:16,720 --> 00:32:19,400
Speaker 1: it's Ben, host of the Fifth Hour with Ben Maller,

571
00:32:19,480 --> 00:32:22,320
Speaker 1: along with my trustee sidekick David Gascon, would meet a

572
00:32:22,360 --> 00:32:25,160
Speaker 1: lot to have you join us on our weekly auditory journey.

573
00:32:25,360 --> 00:32:27,680
Speaker 1: You're asking what in God's name is the Fifth Hour?

574
00:32:28,040 --> 00:32:30,040
Speaker 1: I'll tell you it's a spin off of that Ben

575
00:32:30,080 --> 00:32:34,360
Speaker 1: Maller show, cult hit overnights on FSR. Why should you listen?

576
00:32:34,440 --> 00:32:36,320
Speaker 1: Picture if you will? A world will? We chat with

577
00:32:36,440 --> 00:32:39,400
Speaker 1: captains of industry in media, sports and more every week

578
00:32:39,480 --> 00:32:42,920
Speaker 1: explorer some amazing facts about a human nature and more.

579
00:32:43,040 --> 00:32:44,880
Speaker 1: Let's sen to the Fifth Hour with Ben Maller on

580
00:32:44,920 --> 00:32:48,000
Speaker 1: the iHeartRadio app, Apple Podcast or wherever you get your podcast.

581
00:32:49,000 --> 00:32:52,320
Speaker 1: Another successful Meet Friday. Titler of the Moderator did a

582
00:32:52,360 --> 00:32:55,360
Speaker 1: wonderful job close up shop here as we always deal

583
00:32:55,360 --> 00:32:58,720
Speaker 1: on Friday, Here's Arcade Fire. I was thinking about this

584
00:32:58,840 --> 00:33:01,840
Speaker 1: last night, that there will be a time I don't

585
00:33:01,840 --> 00:33:03,760
Speaker 1: know when it's going to be, when we'll play that

586
00:33:03,840 --> 00:33:06,360
Speaker 1: song for the final time that we do this show.

587
00:33:07,000 --> 00:33:08,800
Speaker 1: I don't know why I thought that, but I thought

588
00:33:08,840 --> 00:33:11,440
Speaker 1: that last night. This isn't the time, this isn't the

589
00:33:11,520 --> 00:33:13,080
Speaker 1: last time that we'll play it. I'm just saying we

590
00:33:13,160 --> 00:33:17,760
Speaker 1: got a few years. No no, no, not retiring no. Yeah. See,

591
00:33:18,000 --> 00:33:20,160
Speaker 1: do you think when we play it for the final time,

592
00:33:20,160 --> 00:33:23,920
Speaker 1: we'll know it's the final time? Yes, yes, I will

593
00:33:24,000 --> 00:33:26,840
Speaker 1: let you know. I will let the audience know. I

594
00:33:26,880 --> 00:33:28,560
Speaker 1: don't know if I'll let them know right in the

595
00:33:28,640 --> 00:33:31,000
Speaker 1: moment where I'll go and we're going to close up

596
00:33:31,040 --> 00:33:33,480
Speaker 1: shop as we always do. This is the final time

597
00:33:33,520 --> 00:33:36,680
Speaker 1: you will hear arcade fire on this show as we

598
00:33:36,760 --> 00:33:40,320
Speaker 1: say good night, turn out the lights. But no, we

599
00:33:40,400 --> 00:33:42,920
Speaker 1: got it. We got a few more years at least time,

600
00:33:43,000 --> 00:33:45,360
Speaker 1: I hope, so a few more years. Yeah, I'm a club.

601
00:33:45,440 --> 00:33:48,040
Speaker 1: Remember we used to discuss who be the final guests? Yes,

602
00:33:48,720 --> 00:33:50,240
Speaker 1: I always thought it was one of my better jokes.

603
00:33:50,240 --> 00:33:52,240
Speaker 1: I said it should be Tim Kawakami because he covers

604
00:33:52,320 --> 00:33:57,120
Speaker 1: so many teams in the day area. Well, you still

605
00:33:57,160 --> 00:34:00,840
Speaker 1: have Rich eyes and a little frosty because we ad

606
00:34:01,280 --> 00:34:05,960
Speaker 1: Dan Bickley on one time. It was at the Super Bowl,

607
00:34:05,960 --> 00:34:09,720
Speaker 1: I think, and we bumped Rich Eisen because Dan Bickley

608
00:34:09,800 --> 00:34:13,640
Speaker 1: had some news and with the Arizona Cardinals or something there,

609
00:34:13,640 --> 00:34:15,880
Speaker 1: and I was like, day, you know, we got to

610
00:34:15,920 --> 00:34:18,759
Speaker 1: get to Bickley. Yes, seton, which is it's kind of

611
00:34:18,840 --> 00:34:21,000
Speaker 1: fair Rich's point. I see what he says He's like,

612
00:34:21,000 --> 00:34:22,919
Speaker 1: I came on all year, and now the day before

613
00:34:22,920 --> 00:34:25,160
Speaker 1: the Super Bowl, you guys bought me. I get it.

614
00:34:25,320 --> 00:34:28,359
Speaker 1: I'm a journalist, though I can't play favorites. Yeah, even

615
00:34:28,360 --> 00:34:31,960
Speaker 1: to my friends. Tregger Meat Friday, pick up one of

616
00:34:31,960 --> 00:34:35,000
Speaker 1: these grills. Go to Tregger Grills dot com slash dp show.

617
00:34:35,120 --> 00:34:37,600
Speaker 1: Tregger offers the perfect way to cook all summer long.

618
00:34:37,600 --> 00:34:41,720
Speaker 1: Grab one at your local dealer, real wood fired, flavor,

619
00:34:41,920 --> 00:34:46,399
Speaker 1: set it and forget it convenience. All right, Todd's got

620
00:34:46,400 --> 00:34:49,000
Speaker 1: a limerick here. The topic of your limerick is what

621
00:34:49,120 --> 00:34:52,399
Speaker 1: time it's about? The the Patriots game and the two

622
00:34:52,480 --> 00:34:55,840
Speaker 1: quarterbacks fighting for the starting job. Okay, so are you ready?

623
00:34:55,960 --> 00:34:59,200
Speaker 1: It's uh Cam and Mac Jones. Let's do it all right?

624
00:34:59,200 --> 00:35:03,520
Speaker 1: Here we go some Foxborough fun at Gillette QB battle

625
00:35:03,680 --> 00:35:07,280
Speaker 1: for Rookie and Vet both won a national title Beltic's

626
00:35:07,320 --> 00:35:10,600
Speaker 1: decision is vital. Will picking Cam be filled with regret?

627
00:35:10,760 --> 00:35:13,680
Speaker 1: All right? Thank you, Todd. I think I look forward

628
00:35:13,680 --> 00:35:16,360
Speaker 1: to that. Mitch and Wisconsin would like to answer with

629
00:35:16,400 --> 00:35:18,920
Speaker 1: the limerick of his own. Mitch, welcome, What do you

630
00:35:18,960 --> 00:35:24,600
Speaker 1: have for us? Five eleven one sixty? Okay, I've got

631
00:35:24,719 --> 00:35:31,200
Speaker 1: a limerick dedicated to Fritzie. Dedicated to Fritzie. Yes, oh boy, okay,

632
00:35:31,640 --> 00:35:35,279
Speaker 1: well go ahead, Mitch. You have the stage when it

633
00:35:35,360 --> 00:35:40,720
Speaker 1: comes to booking guests. He's tops newspaper headlines he mocks,

634
00:35:40,719 --> 00:35:44,240
Speaker 1: but when he starts limerick writing, he struggled with comedic timing.

635
00:35:44,600 --> 00:35:51,480
Speaker 1: Hall of Fame Marshall's last name rhymes very nice. Okay,

636
00:35:51,520 --> 00:35:59,560
Speaker 1: thank you, mitchee. Who were you created? You? You have

637
00:35:59,640 --> 00:36:02,799
Speaker 1: so many great memories moments on this show. But when

638
00:36:02,800 --> 00:36:07,879
Speaker 1: you couldn't understand what rhymed with pork and paw, it's

639
00:36:07,880 --> 00:36:10,200
Speaker 1: all overshadowed by that. The rhyme thing that'll be able

640
00:36:10,200 --> 00:36:12,880
Speaker 1: to cut the neck down is just I can't sweep.

641
00:36:13,200 --> 00:36:15,680
Speaker 1: I got a lot of problems, basic things that the

642
00:36:15,719 --> 00:36:18,399
Speaker 1: average kid can do. I find quite compliment. I thought

643
00:36:18,400 --> 00:36:20,680
Speaker 1: you were you were joking when I gave you a

644
00:36:20,680 --> 00:36:23,880
Speaker 1: broom to sweep up, because I was doing that the

645
00:36:23,960 --> 00:36:27,279
Speaker 1: right way too, that I started cracking happening. You had

646
00:36:27,320 --> 00:36:29,759
Speaker 1: a broom that you treated it like you were playing

647
00:36:29,760 --> 00:36:32,400
Speaker 1: shuffle board while I was pushing snow off the curb

648
00:36:32,520 --> 00:36:35,040
Speaker 1: into the street and you, I said, Todd, have you

649
00:36:35,120 --> 00:36:38,839
Speaker 1: ever used a broom? And I don't think you had

650
00:36:39,040 --> 00:36:41,279
Speaker 1: used like the little dustbuster thing, but you know with

651
00:36:41,320 --> 00:36:43,040
Speaker 1: the electric and that just kind of sucks up when

652
00:36:43,080 --> 00:36:44,920
Speaker 1: if I see a piece of linthor some piece of

653
00:36:44,960 --> 00:36:47,520
Speaker 1: you didn't know how to use a broom. I wasn't

654
00:36:47,560 --> 00:36:50,760
Speaker 1: exactly sure how that was going to work. And Paulie's

655
00:36:50,760 --> 00:36:54,200
Speaker 1: birthday cake, you you couldn't. You killed that birthday cake

656
00:36:54,680 --> 00:36:57,399
Speaker 1: like it was a crime scene. I turned it into

657
00:36:57,480 --> 00:37:00,160
Speaker 1: like a big snowball and I just like mushed it.

658
00:37:00,160 --> 00:37:02,879
Speaker 1: It was bad. And then when we were cutting down

659
00:37:02,920 --> 00:37:04,839
Speaker 1: the nets the final show that the Old Man came,

660
00:37:04,880 --> 00:37:06,719
Speaker 1: well that's because there's no lefty scissor. But there was

661
00:37:06,719 --> 00:37:08,880
Speaker 1: a good point by Seaton said, there's away if you

662
00:37:08,960 --> 00:37:10,440
Speaker 1: pull it down and make a nice and talk you

663
00:37:10,440 --> 00:37:12,160
Speaker 1: know what, You could cut it with the right he says,

664
00:37:12,160 --> 00:37:14,560
Speaker 1: And I didn't do that. I'm gonna get some lefty

665
00:37:14,600 --> 00:37:16,600
Speaker 1: scissors there for you. I had a little vertigo though,

666
00:37:16,680 --> 00:37:17,960
Speaker 1: that's when I got to put the ladder. I was

667
00:37:18,040 --> 00:37:19,520
Speaker 1: I was distract I was afraid I was gonna fall

668
00:37:19,520 --> 00:37:22,560
Speaker 1: off the ladder. Yeah, as long as you did it

669
00:37:22,600 --> 00:37:25,520
Speaker 1: on camera. You know what I say about content? Yea, yeah,

670
00:37:25,600 --> 00:37:28,239
Speaker 1: paul the more I hear about Fritzie's childhood and little

671
00:37:28,280 --> 00:37:30,719
Speaker 1: stories that drips and drabs that we hear about about,

672
00:37:30,760 --> 00:37:34,040
Speaker 1: like getting shots when he's perfectly healthy. It explains everything,

673
00:37:34,360 --> 00:37:36,800
Speaker 1: like we realize where this all came from. My mom

674
00:37:36,800 --> 00:37:38,759
Speaker 1: convinces their doctor to give him a shot. When the

675
00:37:38,760 --> 00:37:41,600
Speaker 1: doctor said, okay, he's fine. It's temperature went down, He's okay.

676
00:37:41,719 --> 00:37:43,840
Speaker 1: And then she's a secret conversation in his office. And

677
00:37:43,880 --> 00:37:45,759
Speaker 1: then we come out of the car so we could

678
00:37:45,760 --> 00:37:47,600
Speaker 1: pull our pass in and get a shot in the butt,

679
00:37:47,640 --> 00:37:50,279
Speaker 1: a big metal that we didn't need initially. I think

680
00:37:50,320 --> 00:37:54,399
Speaker 1: it's awesome, so disturbing, it's awesome. And then you call

681
00:37:54,520 --> 00:37:56,600
Speaker 1: You have to call your mom and at least once,

682
00:37:56,880 --> 00:37:58,600
Speaker 1: at least because if it more than twenty four hours

683
00:37:58,600 --> 00:38:01,359
Speaker 1: goes by, she sends the police Connecticut. Look, my son

684
00:38:01,440 --> 00:38:03,560
Speaker 1: must be dead. He didn't call me last night. I'm

685
00:38:03,560 --> 00:38:08,279
Speaker 1: on the back of milk Carton's my picture. But you

686
00:38:08,320 --> 00:38:12,799
Speaker 1: know what you turned out? Okay, rights juries are still

687
00:38:12,800 --> 00:38:16,720
Speaker 1: out of there. Yeah, yeah, yeah. McLevin found a results

688
00:38:16,719 --> 00:38:18,759
Speaker 1: of the poll question who would you rather be Tony Hawk,

689
00:38:18,840 --> 00:38:22,120
Speaker 1: Kelly Slater Sean White. Tony Hawk beats out Kelly Slater.

690
00:38:22,200 --> 00:38:25,360
Speaker 1: All right, this day in sports history. Pauli Wow. Nineteen

691
00:38:25,400 --> 00:38:30,080
Speaker 1: eighty six, the USFL signed herschel Walker. I'm sorry. Herschel

692
00:38:30,120 --> 00:38:33,719
Speaker 1: Walker of the USFL left USFL in nineteen six to

693
00:38:33,800 --> 00:38:36,120
Speaker 1: play with the Dallas Cowboys of the National Football League.

694
00:38:37,560 --> 00:38:41,440
Speaker 1: That's it. That's it. That's pretty dry day, okay. Um.

695
00:38:43,080 --> 00:38:47,439
Speaker 1: Michael Phelps ended his Olympic career part of the gold

696
00:38:47,480 --> 00:38:50,960
Speaker 1: medal winning four by one hundred meter relay team, and

697
00:38:51,000 --> 00:38:53,200
Speaker 1: that was the last of his twenty three gold medals.

698
00:38:53,680 --> 00:38:58,279
Speaker 1: We will get the Michael Phelps swimsuit on Monday. We

699
00:38:58,360 --> 00:39:02,120
Speaker 1: will be off, but when we come back, Pauli will

700
00:39:02,120 --> 00:39:04,600
Speaker 1: pay up his bet. He will get his chest waxed

701
00:39:04,640 --> 00:39:07,600
Speaker 1: and he will wear the Michael Phelps swimsuit for the

702
00:39:07,719 --> 00:39:12,760
Speaker 1: entire show. I have about a week to lose seventeen pounds, yeah,

703
00:39:12,800 --> 00:39:15,680
Speaker 1: and going on vacation's that's using when you start to

704
00:39:15,719 --> 00:39:20,160
Speaker 1: lose weight, right, that'll help. Yeah. Uh, I didn't even

705
00:39:20,200 --> 00:39:23,799
Speaker 1: look at the preseason schedule for this weekend. Mick Levin

706
00:39:24,080 --> 00:39:27,759
Speaker 1: some of the marquee games, well, green Bay plays the Texans.

707
00:39:27,920 --> 00:39:31,279
Speaker 1: That's one that is interesting. Yeah, Jordan Love at Green Bay. Yeah.

708
00:39:31,360 --> 00:39:33,080
Speaker 1: I actually I don't have to schedule in front of me.

709
00:39:33,120 --> 00:39:35,000
Speaker 1: But does it really matter who's playing or you're looking

710
00:39:35,040 --> 00:39:38,440
Speaker 1: for the second stringers? Right in the rookies Paulli. Tonight

711
00:39:38,440 --> 00:39:42,040
Speaker 1: you got Titans, Falcons, Bills, Lions, Mitch Durisky and a

712
00:39:42,080 --> 00:39:45,719
Speaker 1: lot of run tonight for the Bills, Cowboys, Cardinals. That'll

713
00:39:45,760 --> 00:39:48,799
Speaker 1: be all backup quarterbacks for the Cowboys. Right, who's microphones open?

714
00:39:48,920 --> 00:39:51,440
Speaker 1: I can hear? Uh, that's fine. Say what else do

715
00:39:51,440 --> 00:39:54,680
Speaker 1: you have? Saturday? Dolphins, Bears, a lot of justin Fields.

716
00:39:54,680 --> 00:39:57,880
Speaker 1: They said he's gonna get more than a half Broncos, Vikings.

717
00:39:57,960 --> 00:40:00,440
Speaker 1: Don't know who the quarterbacks are in the Vikings. Well,

718
00:40:00,719 --> 00:40:03,080
Speaker 1: they're all in COVID protocol, aren't they. Yeah, they're gonna

719
00:40:03,160 --> 00:40:05,759
Speaker 1: run the wing tea with Jerk m Joe kap is

720
00:40:05,800 --> 00:40:11,319
Speaker 1: going to come back. Brown's Jaguars, Saints, Ravens, Jets, Giants,

721
00:40:11,360 --> 00:40:18,240
Speaker 1: Tomorrow Night Bengals, Buccaneers, Chiefs, forty nine Ers, Seahawks, Raiders,

722
00:40:18,440 --> 00:40:20,440
Speaker 1: and Sunday you have a night game are actually afternoon

723
00:40:20,480 --> 00:40:25,560
Speaker 1: game on Sunday Panthers versus the Colts. M No, Yeah,

724
00:40:25,560 --> 00:40:29,080
Speaker 1: there's some interesting I don't know some of the other

725
00:40:29,239 --> 00:40:31,799
Speaker 1: players that I'm looking forward to seeing as much as

726
00:40:31,840 --> 00:40:37,760
Speaker 1: the quarterbacks. Quarterbacks that are rookies, certainly Trey Lance, Justin

727
00:40:37,840 --> 00:40:41,759
Speaker 1: Field's interested to see how they fare. Zach Wilson, how

728
00:40:41,880 --> 00:40:44,440
Speaker 1: much does he play if you're the Giants? Yeah, I

729
00:40:44,480 --> 00:40:47,319
Speaker 1: mean this is a big game. It doesn't seem like

730
00:40:47,320 --> 00:40:50,400
Speaker 1: that naturally, Jets Giants. You know, there was always a

731
00:40:50,400 --> 00:40:52,960
Speaker 1: little bit more of that. You know, the Giants look

732
00:40:52,960 --> 00:40:55,040
Speaker 1: at the Jets as their little brother, and you just

733
00:40:55,280 --> 00:40:58,640
Speaker 1: want to make sure you know they're not going to

734
00:40:58,719 --> 00:41:01,399
Speaker 1: get an edge on you here. Yes, mclov how about

735
00:41:01,440 --> 00:41:04,319
Speaker 1: the Drew Locke, Teddy Bridgework QB battle. They haven't talked

736
00:41:04,400 --> 00:41:10,479
Speaker 1: much about that. There's a reason you don't think either

737
00:41:10,560 --> 00:41:14,080
Speaker 1: quarterback is I don't Aaron Rodgers. I don't think so. Yeah,

738
00:41:14,120 --> 00:41:17,240
Speaker 1: I don't think whatever anybody does this year would still

739
00:41:17,239 --> 00:41:20,240
Speaker 1: prevent the Broncos from going out and get Aaron Rodgers

740
00:41:20,280 --> 00:41:22,680
Speaker 1: if they had that opportunity. All Right, we'll go around

741
00:41:22,680 --> 00:41:24,479
Speaker 1: the room. What we learned on the program once again.

742
00:41:24,520 --> 00:41:28,320
Speaker 1: Todd Fritz's wife will be on the twelve fifteen podcast

743
00:41:28,480 --> 00:41:32,760
Speaker 1: The twelve fifteen Club, and I guess everything's on the table.

744
00:41:32,760 --> 00:41:36,160
Speaker 1: You're allowed to ask your wife anything. The back room

745
00:41:36,160 --> 00:41:38,800
Speaker 1: guys would like to ask her a little scary. Yeah,

746
00:41:38,920 --> 00:41:41,840
Speaker 1: it'll be available this afternoon wherever you get your podcasts.

747
00:41:41,880 --> 00:41:44,600
Speaker 1: The twelve fifteen Club Todd what did you learn on

748
00:41:44,640 --> 00:41:47,439
Speaker 1: today's program? Frank Whaley, who act in a Field of Dreams,

749
00:41:47,480 --> 00:41:49,480
Speaker 1: believes Kevin Costner, Burt Lancaster and the rest of the

750
00:41:49,560 --> 00:41:53,040
Speaker 1: cast did not enjoy having him on set. Mclovin Tom

751
00:41:53,120 --> 00:41:55,800
Speaker 1: Curran says that mac Jones is catching up to Cam Newton. Yeah,

752
00:41:55,840 --> 00:41:59,560
Speaker 1: he sounded pretty confident about mac Jones's play and a

753
00:41:59,640 --> 00:42:02,680
Speaker 1: chance to maybe be their starter Week one. Seaton O'Connor.

754
00:42:03,520 --> 00:42:07,680
Speaker 1: Tony Hawk went to high school. Yeah, probably not in

755
00:42:07,719 --> 00:42:10,239
Speaker 1: a traditional way. I'm going to high school. I think

756
00:42:10,280 --> 00:42:13,040
Speaker 1: it's from Tory Pines, isn't he? Growing up? Paully? Would

757
00:42:13,080 --> 00:42:15,239
Speaker 1: you learn the other Dreams? Was almost called Shoeless Joe?

758
00:42:15,600 --> 00:42:17,360
Speaker 1: What we learned? Brought to you by the great folks

759
00:42:17,360 --> 00:42:20,960
Speaker 1: at Mercedes Benz. The Compact GLA proves it's not the

760
00:42:21,040 --> 00:42:23,120
Speaker 1: size of the SUV in the fight, it's the size

761
00:42:23,120 --> 00:42:25,880
Speaker 1: of the fight in the suv. Learn more about the

762
00:42:26,000 --> 00:42:29,160
Speaker 1: nimble and ready for anything Mercedes Benz vehicle at MBUSA

763
00:42:29,239 --> 00:42:32,400
Speaker 1: dot com. Mercedes Benz the best or nothing. Thank you.

764
00:42:33,320 --> 00:42:34,840
Speaker 1: I'm going to be off for a couple of days

765
00:42:34,920 --> 00:42:38,120
Speaker 1: or last vacation before we start the NFL season. Have

766
00:42:38,200 --> 00:42:41,880
Speaker 1: a great weekend, everybody one will write him as we

767
00:42:41,920 --> 00:42:44,000
Speaker 1: close out the show. If you were just watching on

768
00:42:44,120 --> 00:42:46,440
Speaker 1: Peacock and then you got to see the Tregger Grills

769
00:42:46,560 --> 00:42:50,520
Speaker 1: open for business, the Chimmy Tura, smoked rib eyes, grilled

770
00:42:50,560 --> 00:42:53,960
Speaker 1: Mexican streetcorn, you can do the same thing. It's easy

771
00:42:54,000 --> 00:42:57,320
Speaker 1: to do. Tregger does all the work. Tregger Grills enhance

772
00:42:57,480 --> 00:43:01,359
Speaker 1: everything that you cook. It's wood fired flavor. On top

773
00:43:01,400 --> 00:43:04,000
Speaker 1: of that, Trigger's going to be able to offer that versatility.

774
00:43:04,040 --> 00:43:06,400
Speaker 1: They call it six and one versatility, and that means

775
00:43:06,440 --> 00:43:10,840
Speaker 1: six things with one grill. You can grill, smoke, bake, roast, braise, barbecue,

776
00:43:10,880 --> 00:43:14,440
Speaker 1: all in one grill. The possibilities are endless. Pulled pork pizza,

777
00:43:14,600 --> 00:43:17,600
Speaker 1: you can have pie on there, you can have cocktails

778
00:43:17,719 --> 00:43:21,640
Speaker 1: on there. Tregger makes cooking delicious food incredibly simple. You

779
00:43:21,640 --> 00:43:24,680
Speaker 1: can control the grill's temperature. You can do it where

780
00:43:24,800 --> 00:43:27,120
Speaker 1: you're not even in the same room, same place as

781
00:43:27,160 --> 00:43:30,840
Speaker 1: you're grilled. They have Wi fire technology control the grill

782
00:43:30,960 --> 00:43:34,480
Speaker 1: right from your smartphone using the trigger app. Download all

783
00:43:34,480 --> 00:43:39,200
Speaker 1: the recipes, including today's recipe. Tregger Grills dot com, slash

784
00:43:39,360 --> 00:43:40,080
Speaker 1: dp show