WEBVTT - Big Mike on Death Row, Rap-A-Lot & Being A Geto Boy

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<v Speaker 1>Against the Chronic goals. This is not your average shows.

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<v Speaker 1>You're now tuned into the rail.

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<v Speaker 2>The Streets. Welcome to the gainst the Chronicles podcast, the

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<v Speaker 2>your front screen subscribed Against the Chronicles, leave a five

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<v Speaker 2>start rating and comment what.

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<v Speaker 3>Your father did or you know, I know my father

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<v Speaker 3>was in the Navy and whatever whatever. Uh, But by

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<v Speaker 3>the time you know, my generation rolled around, I guess

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<v Speaker 3>you could say those choices that they presented to your

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<v Speaker 3>dad's and your grandfathers were looked at in different lights

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<v Speaker 3>coming from when I first stepped off the porch, You

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<v Speaker 3>get me right, You know, of course, you know, of

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<v Speaker 3>course it was sports. You know, our niggas could play

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<v Speaker 3>sports type of ship. And then you know, I guess

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<v Speaker 3>in our father's days it was like nigga go to

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<v Speaker 3>the military.

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<v Speaker 2>You found me.

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<v Speaker 1>That was frowned upon when we was coming up as kids.

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<v Speaker 3>You get uh, right, And and I don't know, you know,

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<v Speaker 3>some of us probably tried to make those choices. Who knows,

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<v Speaker 3>Before you know, you got introduced to what we talking

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<v Speaker 3>about right now, the street life. Once you got introduced

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<v Speaker 3>as far as our generation is concerned, once the street

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<v Speaker 3>life was sent it to me, I thought that was

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<v Speaker 3>the life choice, get me going to the military or

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<v Speaker 3>trying to play sports. You know, after high school it

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<v Speaker 3>was like man ship like like like did niggas feel

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<v Speaker 3>educated enough to try something else? Or was it the

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<v Speaker 3>was it was it that that life style out back

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<v Speaker 3>the end of introduction in the eighties and the seventies

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<v Speaker 3>of the drugs and the life and the money and all.

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<v Speaker 3>Did that sway of nigga's options. You feel me because

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<v Speaker 3>I think, you know, I'm a product of that.

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<v Speaker 4>You know, at the high school played sports, but but.

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<v Speaker 1>Then the streets too, you feel me.

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<v Speaker 4>And no, maybe just kind of lean towards the streets

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<v Speaker 4>too much and couldn't make up that lost time, you

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<v Speaker 4>know what I'm saying. But yeah, definitely coming out of

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<v Speaker 4>coming out of out of the low income situations and

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<v Speaker 4>things like that. You know, we was out there taking chances,

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<v Speaker 4>and we was trying to get us some money, some

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<v Speaker 4>immediate money. So a lot of cats went to the

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<v Speaker 4>streets to get that immediate money.

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<v Speaker 1>Some cats was patient.

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<v Speaker 2>You feel me.

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<v Speaker 4>They saw the school thing through, you know what I mean,

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<v Speaker 4>stuff whatever recreational situation they was in, whether football, basketball,

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<v Speaker 4>whatever the arts.

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<v Speaker 1>But I think it's just a situation.

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<v Speaker 4>I just think it's about, you know, if your draw

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<v Speaker 4>to the streets, you feel me, and then just.

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<v Speaker 1>Being young and making them decisions.

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<v Speaker 4>On your own like that, were not realizing how young

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<v Speaker 4>we is in our own head. We think we're grown.

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<v Speaker 4>You feel me, and it's not making the right choice.

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<v Speaker 4>And we see that now. But back then, you know,

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<v Speaker 4>nigga was bro good luck fam.

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<v Speaker 2>Yeah, you know what you talk about. One time, Me

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<v Speaker 2>and you was rapping the other day, man, and uh,

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<v Speaker 2>I think people have this idea that when you were

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<v Speaker 2>a rapper, when you signed a contract, you riched off

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<v Speaker 2>the bat and you was telling me a story about

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<v Speaker 2>how your moms had called you. You was out here

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<v Speaker 2>in California messing with death Row, and your moms had

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<v Speaker 2>called you because they was about to kick her off

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<v Speaker 2>the call the projects and she needed some money.

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<v Speaker 1>Oh yeah, yeah, definitely.

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<v Speaker 4>This was on around the time when Men with Me

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<v Speaker 4>and three two we was we had came out there,

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<v Speaker 4>We're about to do the thing with death Row. But

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<v Speaker 4>we had just got there, so business wasn't handled, but

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<v Speaker 4>nothing like that. We we had probably just arrived, man,

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<v Speaker 4>I don't know. I think we was there probably about

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<v Speaker 4>a week or so. And I went to Sugar's office

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<v Speaker 4>to call my mom. Actually, can I use the phone?

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<v Speaker 4>He was like, yeah, you know, make the long distance call.

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<v Speaker 4>So I called my mama and shit, and she.

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<v Speaker 2>Was on the phone.

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<v Speaker 1>She was telling me she was she was in distress,

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<v Speaker 1>and she was like.

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<v Speaker 4>Man, I need some money right And I'm like, damn,

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<v Speaker 4>I ain't got no money right now. I just got

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<v Speaker 4>out here with these folks. We ain't handle no business yet,

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<v Speaker 4>you feel me. I'm like, what's going on?

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<v Speaker 2>Yeah?

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<v Speaker 4>Man, they about the victims out the project. We're standing

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<v Speaker 4>in the project at the time. I'm the oldest side

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<v Speaker 4>of nine kids, so the rest of the kids was

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<v Speaker 4>in the house.

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<v Speaker 1>I think one of my sisters.

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<v Speaker 4>My sister was probably in Houston at the time, but

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<v Speaker 4>this was day my mom was in New Orleans and

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<v Speaker 4>mal Man, I'm hurt. I can't help my mom, you

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<v Speaker 4>know what I mean. I'm sharing a few tears. She'll

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<v Speaker 4>walk back in the office. He seen me on the

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<v Speaker 4>phone shearing tears.

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<v Speaker 2>He was like, who that is?

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<v Speaker 4>I say, man, it's my mama. And he was like

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<v Speaker 4>he got just got the phone for me, told me

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<v Speaker 4>to wait outside. Came back outside. He was like, man,

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<v Speaker 4>we finna get ready to go out. And I was like, well,

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<v Speaker 4>my mama had. He was like, she's gonna call you tomorrow.

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<v Speaker 4>Come back up here. She's gonna call you up here tomorrow.

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<v Speaker 4>So the next day I had came up there, my

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<v Speaker 4>mom called up there and she was.

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<v Speaker 1>Like, Hey, tell your friend. I say thank you, I

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<v Speaker 1>say what happened? She was like, yeah, send me five

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<v Speaker 1>thousand dollars. We about to move.

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<v Speaker 2>You feel me?

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<v Speaker 4>And like, I say, five thousand dollars at that time,

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<v Speaker 4>that was probably the most money my mamad held in

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<v Speaker 4>her hand at one time.

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<v Speaker 1>You feel me right now.

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<v Speaker 4>It wasn't enough to go buy no house, right but

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<v Speaker 4>went from the projects to a nice rent house. You

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<v Speaker 4>did what I'm saying, So I'll never forget that gesture

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<v Speaker 4>right there.

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<v Speaker 2>I never get that, you know what. I'm glad you

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<v Speaker 2>said that, man, because that's one thing I want to say.

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<v Speaker 2>Everybody always talk about the bad stuff that should did it.

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<v Speaker 2>Should did a game of that shit too.

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<v Speaker 4>I can't, at least my testimony, you feel me about

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<v Speaker 4>that incident. Yeah, that was real right there. That was

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<v Speaker 4>real right there. You know what I mean. I didn't

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<v Speaker 4>been in situations you know what I'm saying, Well, a

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<v Speaker 4>motherfucker would probably try to take advantage of me in

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<v Speaker 4>that situation. You feel me, right, Let you write a

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<v Speaker 4>couple of songs, man, and you know what I mean?

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<v Speaker 4>This and that, this and that you feel me? The

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<v Speaker 4>man did it. He ain't even asked for it back.

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<v Speaker 4>I had just got there, So I thought that was real.

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<v Speaker 4>I thought that was real. That was one of the

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<v Speaker 4>one of the realist gestures that that that that I

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<v Speaker 4>was able to have the benefit you know what I mean.

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<v Speaker 2>The scene, Yeah, that was a crucial period. Man, yo

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<v Speaker 2>shoot yo was coming up. That was just like the

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<v Speaker 2>dawn against the rep.

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<v Speaker 4>The light had already started shining, but it was still

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<v Speaker 4>kind of early.

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<v Speaker 2>What year was that? What year was that?

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<v Speaker 1>I think this was probably like this had to be

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<v Speaker 1>like ninety one and ninety two, ninety one, Yeah.

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<v Speaker 3>Yeah, yeah, I remember when y'all first came out this way. Yeah,

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<v Speaker 3>they was, and she was around all that then. Yeah,

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<v Speaker 3>I was around then. It was around I had an

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<v Speaker 3>association and with you know, with through one of the

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<v Speaker 3>producers unknown Yeah, used to work on our music. He

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<v Speaker 3>was also in Incahoops with trying to I guess get

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<v Speaker 3>some work for him and slip over at death Ro,

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<v Speaker 3>you know, with knowing Dre and the history of Prey

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<v Speaker 3>and the record crew. A non came from that era,

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<v Speaker 3>you know know heja techno hop. You know, it's where

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<v Speaker 3>I got my start. Dudes like King T and so forth.

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<v Speaker 3>I tea so a known was around me and and

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<v Speaker 3>uh that's how I sort of like the death Ro

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<v Speaker 3>name came about, because you know, a known I think

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<v Speaker 3>should with the name. Whatever the history is about that.

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<v Speaker 3>We all sat down and thought of the name and

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<v Speaker 3>it was felt differently and whatever. Anyway, Uh, yeah, he

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<v Speaker 3>was over there as a producer, and that's how we

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<v Speaker 3>got to know that big mic and three two came

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<v Speaker 3>out Texas and Louisiana, uh, and was on Uh it

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<v Speaker 3>was supposed to be the Fluge project on Death Row

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<v Speaker 3>if if I'm not mistaken.

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<v Speaker 1>Right, Yeah, we knew about you, about.

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<v Speaker 3>The apartment and everything. I knew about all that ship man. Yeah,

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<v Speaker 3>because like I said, no one used to go up

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<v Speaker 3>there and uh, you know he's he was supposedly be

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<v Speaker 3>doing work in music for Sugar and them.

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<v Speaker 4>So just because he was working on the convicts app

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<v Speaker 4>him and Big Slip mm hmm, there was. We was

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<v Speaker 4>we started off grinding with them. Yeah, we had did

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<v Speaker 4>and we did a handful of songs. I remember Slip

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<v Speaker 4>had then the first version to own Straight Gangsterism M

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<v Speaker 4>that wegains I got man. I wish I had a

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<v Speaker 4>copy of that, but he did. Yeah, and Unknown he

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<v Speaker 4>was putting it down too.

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<v Speaker 2>Yeah, it was a record winding records.

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<v Speaker 1>No, man, we would have to get that Slip for

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<v Speaker 1>that record right there. Yeah, Slip had that ship man

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<v Speaker 1>Slip did.

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<v Speaker 2>Man got out. That's crazy. So you was out here,

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<v Speaker 2>so that means you was working with Snoop and all them,

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<v Speaker 2>d o C and all the other cats.

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<v Speaker 4>Yep, yep, d C was there, Rage who most of

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<v Speaker 4>the you know, the useful suspects.

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<v Speaker 2>Uh, it was. It was.

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<v Speaker 1>It was a heck of experience bro.

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<v Speaker 4>Us coming out there, being out in California like that

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<v Speaker 4>for the first time in the presence of people that

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<v Speaker 4>we was listening to, you know what I mean, Doctor

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<v Speaker 4>dray d o Ce, you feel me. We wanted we

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<v Speaker 4>got eight up here We're seeing. It was just like

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<v Speaker 4>you know, the Texas we fucked with the West Coast

0:11:03.040 --> 0:11:03.920
<v Speaker 4>heavy back then.

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<v Speaker 2>You feel me.

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<v Speaker 4>They go ask youngsters right now, you know they it's

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<v Speaker 4>really about your location now, you feel me, Jack, Yeah,

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<v Speaker 4>we've rolled with the West Coast heavy back then. So

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<v Speaker 4>to be able to come meet these guys, man, it

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<v Speaker 4>was just like a dream come true. It was it was,

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<v Speaker 4>it was, it was, it was. It was a hell

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<v Speaker 4>of a high. I ain't gonna lie it was. It

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<v Speaker 4>was a time for me in three two.

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<v Speaker 2>That's crazy, man. So nineteen ninety one, shoot, I don't

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<v Speaker 2>even know. I'm trying to think who was out she

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<v Speaker 2>would have drop the record, but then huh by that point,

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<v Speaker 2>h yeah, yeah, check yeah.

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<v Speaker 3>I was on my second album around ninety one. Ninety two.

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<v Speaker 2>Yeah, that's crazy.

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<v Speaker 1>We'll drop We'll dropped the accomptant thing. And then I just.

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<v Speaker 3>Dropped ninety two ropped, uh straight checking them with growing up.

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<v Speaker 1>In the thing in the apartment, man, man, bang it

0:12:09.840 --> 0:12:15.880
<v Speaker 1>on them trainks smoking that cat, We banging it. But yeah,

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<v Speaker 1>it was. It was a cool time, man.

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<v Speaker 4>I wish we would have had the opportunity to see

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<v Speaker 4>the project all the way through, you feel me. But

0:12:23.760 --> 0:12:27.319
<v Speaker 4>things happened. I got presented with an opportunity, you know

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<v Speaker 4>what I mean. And it happened around the time when

0:12:30.960 --> 0:12:34.000
<v Speaker 4>like production kind of slowed down on the Convicts thing,

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<v Speaker 4>right because it was other things going on at the label.

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<v Speaker 4>You feel me, and I had already had responsibilities by then,

0:12:40.280 --> 0:12:43.760
<v Speaker 4>you feel me. So I was I was like, I

0:12:43.800 --> 0:12:46.360
<v Speaker 4>was kind of like on the clock. I needed to

0:12:46.400 --> 0:12:49.120
<v Speaker 4>get get in the situation. I need to release some music,

0:12:49.200 --> 0:12:52.040
<v Speaker 4>you know what I mean. So another situation, the Ghetto

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<v Speaker 4>Boys situation had came. It took me a second. I

0:12:54.480 --> 0:12:56.960
<v Speaker 4>didn't jump on it right away. I pondered it for

0:12:57.000 --> 0:13:01.640
<v Speaker 4>a while, and you know, decided to go that route

0:13:02.240 --> 0:13:04.320
<v Speaker 4>kind of worked out from a little bit though I

0:13:04.320 --> 0:13:07.800
<v Speaker 4>would have thought about it more in hindsight, you did

0:13:07.840 --> 0:13:11.679
<v Speaker 4>what I'm saying, But yeah, that's what.

0:13:11.360 --> 0:13:14.960
<v Speaker 2>We were doing.

0:13:15.840 --> 0:13:20.079
<v Speaker 1>I'm sorry, ahead, Yeah, I'm sorry. Had you and three two?

0:13:20.440 --> 0:13:21.080
<v Speaker 2>Uh?

0:13:21.320 --> 0:13:23.840
<v Speaker 1>Had you and three two had done music together?

0:13:24.400 --> 0:13:29.600
<v Speaker 3>And and how were y'all presented the death row situation?

0:13:30.280 --> 0:13:34.880
<v Speaker 3>Basically being from being from where y'all were, who convinced

0:13:34.920 --> 0:13:37.360
<v Speaker 3>y'all to come to Cali and try out the death

0:13:37.440 --> 0:13:38.199
<v Speaker 3>row situation?

0:13:39.240 --> 0:13:44.600
<v Speaker 1>Ah Man, So me and three two we had.

0:13:45.320 --> 0:13:48.600
<v Speaker 4>We was introduced to each other by the label right.

0:13:49.360 --> 0:13:51.800
<v Speaker 2>Well, yeah, I rapped a lot, right.

0:13:51.960 --> 0:13:56.520
<v Speaker 4>They had this the the convicts concept right that they

0:13:56.640 --> 0:14:00.760
<v Speaker 4>was they was putting together. So I was a solo

0:14:00.920 --> 0:14:05.680
<v Speaker 4>artist and me and Tony Draper, Me and Toni Draper,

0:14:06.040 --> 0:14:10.280
<v Speaker 4>we had worked at restaurant together, right.

0:14:10.760 --> 0:14:10.920
<v Speaker 2>So.

0:14:13.360 --> 0:14:15.439
<v Speaker 1>We would go we would go to the studio.

0:14:15.640 --> 0:14:17.760
<v Speaker 4>Bro he would put he would take money out of

0:14:17.800 --> 0:14:19.640
<v Speaker 4>his check put getting the studio.

0:14:20.600 --> 0:14:21.280
<v Speaker 2>I'll do the.

0:14:21.200 --> 0:14:27.320
<v Speaker 4>Same, and it was gonna be me and him and

0:14:27.840 --> 0:14:29.800
<v Speaker 4>the demos that we was making.

0:14:31.560 --> 0:14:34.320
<v Speaker 1>Through Tony. They got over there to rap a lot, right.

0:14:34.520 --> 0:14:35.280
<v Speaker 2>So once.

0:14:36.600 --> 0:14:39.840
<v Speaker 4>Once Jay had heard it, he probably wanted to have

0:14:39.920 --> 0:14:42.920
<v Speaker 4>a meeting and he was like, look, I see what

0:14:43.000 --> 0:14:46.040
<v Speaker 4>y'all doing. Right, We got this situation over here with

0:14:46.080 --> 0:14:48.560
<v Speaker 4>the convicts. If you help me with this, then I'm

0:14:48.560 --> 0:14:52.280
<v Speaker 4>gonna help y'all. You feel me, right, what you're doing,

0:14:52.360 --> 0:14:54.960
<v Speaker 4>you feel me? So I looked at it, you know,

0:14:55.120 --> 0:14:57.600
<v Speaker 4>tall about any things, and it led up to us

0:14:57.600 --> 0:14:59.440
<v Speaker 4>doing that. So that's how me and three two had

0:14:59.440 --> 0:15:02.440
<v Speaker 4>got into to each other, right, But it was automatic

0:15:02.520 --> 0:15:05.040
<v Speaker 4>once we had met each other, it was automatic. We

0:15:05.200 --> 0:15:08.640
<v Speaker 4>just clicked and so we have recorded the convicts album

0:15:08.680 --> 0:15:11.200
<v Speaker 4>before right before we had came out there, the Convicts

0:15:11.200 --> 0:15:14.360
<v Speaker 4>album was released. I think it was out. I don't

0:15:14.360 --> 0:15:18.480
<v Speaker 4>even think it was out a whole year whatnot. But depending,

0:15:18.520 --> 0:15:20.720
<v Speaker 4>it's all about who you ask. I know, people got

0:15:20.800 --> 0:15:26.480
<v Speaker 4>different stories. But I one day I know how. I

0:15:27.560 --> 0:15:30.240
<v Speaker 4>later found out the end the workings of the whole

0:15:30.320 --> 0:15:35.840
<v Speaker 4>move once I got to California, right, But really it

0:15:35.960 --> 0:15:37.800
<v Speaker 4>was like one day, man, they just hit us and

0:15:38.000 --> 0:15:39.640
<v Speaker 4>was like, y'all going to California?

0:15:40.120 --> 0:15:41.440
<v Speaker 2>Were young? You feel me?

0:15:42.960 --> 0:15:47.120
<v Speaker 4>Why what I'm saying, let's go? Yeah, I was, man,

0:15:47.160 --> 0:15:50.160
<v Speaker 4>And it was like the next day we had flew out. Nigga,

0:15:50.160 --> 0:15:52.280
<v Speaker 4>ain't even have no clothes and ship you feel me?

0:15:53.280 --> 0:15:57.120
<v Speaker 4>Motherfucker just caught out. But yeah, it was, it was,

0:15:57.160 --> 0:15:57.920
<v Speaker 4>it was, it was.

0:15:58.000 --> 0:16:02.440
<v Speaker 1>It was a few people in off in that in

0:16:02.520 --> 0:16:05.800
<v Speaker 1>that whole move, but I just can't.

0:16:05.800 --> 0:16:07.120
<v Speaker 2>Here around at that time.

0:16:07.800 --> 0:16:10.800
<v Speaker 4>Tom was here, you are round at the time, but

0:16:10.920 --> 0:16:13.960
<v Speaker 4>we would talk to him on the phone. Why you

0:16:14.160 --> 0:16:16.120
<v Speaker 4>have yo, We would talk to him on the phone.

0:16:18.680 --> 0:16:25.560
<v Speaker 1>I don't know. I know we was requested. So I'm trying.

0:16:25.600 --> 0:16:28.240
<v Speaker 1>I'm trying to go back, man and run it all down, right.

0:16:28.960 --> 0:16:30.000
<v Speaker 2>I know what you're doing.

0:16:31.360 --> 0:16:34.720
<v Speaker 1>It's a lot to it. Yeah, but it's a lot

0:16:34.760 --> 0:16:36.080
<v Speaker 1>to it. It was a lot to it.

0:16:36.160 --> 0:16:40.320
<v Speaker 4>But it was a situation with Harry Yo and and

0:16:40.440 --> 0:16:46.840
<v Speaker 4>Jay m hm. It was a situation with them and

0:16:46.840 --> 0:16:49.840
<v Speaker 4>and that's in in in from my understanding.

0:16:50.120 --> 0:16:54.520
<v Speaker 1>At first, that's what led to us going down there.

0:16:55.080 --> 0:16:59.600
<v Speaker 4>You know, they was doing the death rope thing, and

0:16:59.640 --> 0:17:01.960
<v Speaker 4>they was like the convicts on death Row, they thought

0:17:01.960 --> 0:17:04.680
<v Speaker 4>it'd be a good move, and that's how we had

0:17:04.680 --> 0:17:07.120
<v Speaker 4>wound up going down there. But like I say, it's

0:17:07.160 --> 0:17:09.159
<v Speaker 4>a whole lot of other things that had came to

0:17:09.320 --> 0:17:13.440
<v Speaker 4>light later on, right, and I was able to put

0:17:13.480 --> 0:17:15.920
<v Speaker 4>the pieces together and see the whole in the workers

0:17:15.920 --> 0:17:16.159
<v Speaker 4>of it.

0:17:16.680 --> 0:17:18.600
<v Speaker 1>But it'll take a long ass time.

0:17:18.720 --> 0:17:22.119
<v Speaker 4>But in short, right, it was it was talks between

0:17:22.160 --> 0:17:26.959
<v Speaker 4>Harry Yo and Jay that that led to it. But

0:17:27.040 --> 0:17:29.879
<v Speaker 4>I think it was a collective you know, with with

0:17:29.880 --> 0:17:33.520
<v Speaker 4>with with with with the heads over there at death

0:17:33.640 --> 0:17:37.440
<v Speaker 4>Row about making a move and and climbering about us, right.

0:17:37.760 --> 0:17:41.000
<v Speaker 4>But I think because Harry Yo and Jay probably had

0:17:41.000 --> 0:17:45.400
<v Speaker 4>a relationship, right, he was the one that instigated it,

0:17:46.400 --> 0:17:46.720
<v Speaker 4>you did.

0:17:47.480 --> 0:17:50.919
<v Speaker 2>So yeah, yeah, that's crazy, man, That's kind of like

0:17:51.000 --> 0:17:53.920
<v Speaker 2>and that's history. People don't never talk about because you

0:17:53.960 --> 0:17:56.160
<v Speaker 2>would have never thought of you know, Big Michael Lord

0:17:56.200 --> 0:17:57.280
<v Speaker 2>three two was at Death Row.

0:17:57.760 --> 0:18:00.159
<v Speaker 4>Oh yeah, yeah, yeah, we was. We was there. We

0:18:00.200 --> 0:18:02.159
<v Speaker 4>had man, we was having fun. Man, We was turning

0:18:02.200 --> 0:18:03.040
<v Speaker 4>on me new people.

0:18:03.080 --> 0:18:03.320
<v Speaker 2>Man.

0:18:03.640 --> 0:18:04.960
<v Speaker 1>We learned a lot down there.

0:18:05.080 --> 0:18:07.920
<v Speaker 4>You know, we left, We left our mark down there, right,

0:18:08.359 --> 0:18:11.400
<v Speaker 4>And I just wish that we was able to see

0:18:11.440 --> 0:18:14.960
<v Speaker 4>it through right and finish the whole thing up. But

0:18:15.280 --> 0:18:17.399
<v Speaker 4>you know, things happened like they happened. You can't you

0:18:17.440 --> 0:18:20.080
<v Speaker 4>can't live with regrets, right. We was able to go

0:18:20.160 --> 0:18:22.280
<v Speaker 4>back home and still put the match down.

0:18:22.680 --> 0:18:22.919
<v Speaker 2>You know.

0:18:23.080 --> 0:18:25.879
<v Speaker 4>But yeah, man, it would have been lovely. We was

0:18:25.920 --> 0:18:28.280
<v Speaker 4>able to release that Convicts record on death Bro. It

0:18:28.320 --> 0:18:29.640
<v Speaker 4>would have been super dope.

0:18:30.480 --> 0:18:31.080
<v Speaker 2>Yeah.

0:18:31.320 --> 0:18:34.840
<v Speaker 1>Yeah, we had with Warren g one G.

0:18:35.600 --> 0:18:36.000
<v Speaker 2>We had.

0:18:36.119 --> 0:18:38.080
<v Speaker 1>We had the song on that motherful with Snoop.

0:18:38.160 --> 0:18:38.320
<v Speaker 2>Man.

0:18:38.359 --> 0:18:39.480
<v Speaker 1>It was early in the game.

0:18:39.560 --> 0:18:42.640
<v Speaker 4>But I know that that one is released on It's

0:18:42.720 --> 0:18:47.760
<v Speaker 4>it's floating around there on line. It's called playing for Keeps. Yeah,

0:18:47.960 --> 0:18:51.760
<v Speaker 4>we Snooped three two one G on the track. Yeah,

0:18:51.880 --> 0:18:54.520
<v Speaker 4>but it was it was early production though, but that

0:18:54.600 --> 0:18:57.720
<v Speaker 4>one is out came from good to hear it after

0:18:57.760 --> 0:18:58.960
<v Speaker 4>so many years.

0:18:59.359 --> 0:19:06.040
<v Speaker 2>Man. Warren used to do a lot of sampling back then.

0:19:06.400 --> 0:19:10.840
<v Speaker 4>Everybody was sampling back then. Oh yeah, definitely, the just

0:19:11.119 --> 0:19:14.840
<v Speaker 4>sampling back then. It wasn't just samplings. Niggas was able

0:19:14.840 --> 0:19:17.119
<v Speaker 4>to chop them up, you feel me, But niggas was

0:19:17.640 --> 0:19:19.360
<v Speaker 4>sampling was still keen back then.

0:19:21.920 --> 0:19:24.480
<v Speaker 2>Well yeah, like a mother. It seemed like that sh

0:19:24.560 --> 0:19:27.480
<v Speaker 2>it is a lost or. But you know what when

0:19:27.520 --> 0:19:31.640
<v Speaker 2>you went back down there to to wrap a up,

0:19:32.400 --> 0:19:35.720
<v Speaker 2>was the Ghetto Boys offer a life changeing situation.

0:19:40.560 --> 0:19:44.480
<v Speaker 4>In a sense, right, I mean to the point like, Okay,

0:19:44.520 --> 0:19:47.960
<v Speaker 4>the Ghetto Boys had already was making strides, right, they

0:19:48.000 --> 0:19:52.520
<v Speaker 4>had already you know, especially down in age time, right,

0:19:53.400 --> 0:19:58.160
<v Speaker 4>and to come back and pay for the hometown team,

0:19:58.200 --> 0:20:01.359
<v Speaker 4>I guess it would become like the equipment of a

0:20:01.440 --> 0:20:04.840
<v Speaker 4>homegrown product getting drafted and playing for the Texans up

0:20:04.840 --> 0:20:06.120
<v Speaker 4>playing for the Rockets.

0:20:06.440 --> 0:20:06.640
<v Speaker 2>Right.

0:20:07.760 --> 0:20:08.880
<v Speaker 1>That's how That's how I.

0:20:08.800 --> 0:20:10.359
<v Speaker 2>Have felt about it, you know.

0:20:11.160 --> 0:20:14.879
<v Speaker 4>But yeah, it was it was an exciting time, you know,

0:20:15.119 --> 0:20:17.160
<v Speaker 4>the anticipation about it and everything.

0:20:18.200 --> 0:20:21.600
<v Speaker 1>But yeah, that's how that's how I felt about it.

0:20:21.960 --> 0:20:24.400
<v Speaker 4>You know, I try to look at it like that,

0:20:24.520 --> 0:20:27.199
<v Speaker 4>and and you know, I know at home it was

0:20:27.200 --> 0:20:30.240
<v Speaker 4>well received. I don't know, some people say you know,

0:20:32.520 --> 0:20:34.639
<v Speaker 4>you know they like the inner ration that Ghetto Boys

0:20:34.680 --> 0:20:37.199
<v Speaker 4>were just really deep. Wish we can scar face. I

0:20:37.240 --> 0:20:41.240
<v Speaker 4>could dig that too, But the Ghetto Boys was always

0:20:40.960 --> 0:20:45.920
<v Speaker 4>like like like a franchise, right players, players leave you

0:20:46.000 --> 0:20:49.120
<v Speaker 4>bringing more players, you feel me, And it was always

0:20:49.280 --> 0:20:52.960
<v Speaker 4>like that. But for me, I was able to get

0:20:53.000 --> 0:20:55.480
<v Speaker 4>my name out there. It led to me being in

0:20:55.520 --> 0:20:58.159
<v Speaker 4>a position to drop my solo records. You feel me,

0:20:58.560 --> 0:21:01.480
<v Speaker 4>to embark upon my solo career. So I used the

0:21:01.520 --> 0:21:03.439
<v Speaker 4>opportunity to the best.

0:21:05.560 --> 0:21:08.760
<v Speaker 2>So yeah, So at the completion of the Ghetto Boys album,

0:21:09.480 --> 0:21:11.040
<v Speaker 2>you're like, hey, man, I want to offer you a

0:21:11.040 --> 0:21:16.920
<v Speaker 2>solo deal for your services or yeah alreadyod or he came,

0:21:17.200 --> 0:21:18.640
<v Speaker 2>he came, you have to get a boys out.

0:21:19.240 --> 0:21:24.119
<v Speaker 3>And before you answer that question, Jay was behind the

0:21:25.400 --> 0:21:29.159
<v Speaker 3>Death Row record. So what made him go, no, fuck that,

0:21:29.359 --> 0:21:31.560
<v Speaker 3>come over here and do this Ghetto Boys record?

0:21:33.040 --> 0:21:33.680
<v Speaker 1>Say that again.

0:21:34.720 --> 0:21:39.159
<v Speaker 3>So Jay was in support of y'all as the convicts,

0:21:39.240 --> 0:21:42.480
<v Speaker 3>going to get on the row and do a project

0:21:42.520 --> 0:21:47.360
<v Speaker 3>over there. Yeah, why did he turn around and go

0:21:47.440 --> 0:21:51.720
<v Speaker 3>fuck that, come back home and do this Ghetto Boys project?

0:21:51.960 --> 0:21:54.919
<v Speaker 4>He didn't, he is he didn't say, he wasn't like

0:21:55.040 --> 0:21:59.000
<v Speaker 4>fuck that, right, not in that sense, But it was

0:21:59.080 --> 0:22:04.720
<v Speaker 4>separate fe okay, getting it wasn't yeah, continuing on me

0:22:05.040 --> 0:22:08.679
<v Speaker 4>still performing or releasing the project with the convicts?

0:22:08.760 --> 0:22:12.359
<v Speaker 2>Right? But was it was? It?

0:22:12.520 --> 0:22:17.160
<v Speaker 3>Was it the fact that the Convicts project on death

0:22:17.280 --> 0:22:23.399
<v Speaker 3>Row wasn't taken off fast enough? No? No, Is that

0:22:23.440 --> 0:22:25.520
<v Speaker 3>what made you go back home and say fuck that?

0:22:25.840 --> 0:22:28.520
<v Speaker 3>Or was it just I didn't really say for but

0:22:28.560 --> 0:22:30.280
<v Speaker 3>that's what made me go back home? Like I said,

0:22:30.280 --> 0:22:32.520
<v Speaker 3>I had already had had a couple.

0:22:32.320 --> 0:22:35.720
<v Speaker 4>Of children, right, so I had I had responsibilities.

0:22:35.760 --> 0:22:36.800
<v Speaker 1>I didn't, you know, I wasn't.

0:22:36.880 --> 0:22:37.480
<v Speaker 2>I didn't.

0:22:37.680 --> 0:22:41.080
<v Speaker 4>I didn't have the luxury of just hanging around and

0:22:41.119 --> 0:22:44.359
<v Speaker 4>not being productive, you feel me? For a year, a

0:22:44.600 --> 0:22:47.040
<v Speaker 4>year or two or whatnot. You know, I was trying

0:22:47.040 --> 0:22:50.159
<v Speaker 4>to get in motion. So when the opportunity came, I

0:22:50.200 --> 0:22:55.919
<v Speaker 4>guess when Willie D had left the group, and you

0:22:55.960 --> 0:23:00.399
<v Speaker 4>know they probably took self inventory, right honestly, Right, if

0:23:00.440 --> 0:23:02.639
<v Speaker 4>you're a CEO, you're gonna look round the label and

0:23:02.720 --> 0:23:05.080
<v Speaker 4>be like, you know, who else can I get to

0:23:05.280 --> 0:23:06.000
<v Speaker 4>fit the trio?

0:23:06.200 --> 0:23:06.400
<v Speaker 2>Right?

0:23:06.680 --> 0:23:11.040
<v Speaker 4>Because that's how the Ghetto Boys were operated, right? So

0:23:13.800 --> 0:23:18.000
<v Speaker 4>my name, you know, it came to me, you feel me,

0:23:18.480 --> 0:23:21.200
<v Speaker 4>it came to me. They hit me up when we

0:23:21.200 --> 0:23:23.520
<v Speaker 4>was in La. Like I said, I didn't jump on

0:23:23.560 --> 0:23:25.439
<v Speaker 4>it right away. I had thought about it. But then

0:23:25.480 --> 0:23:28.840
<v Speaker 4>when things exactly like you said, when things had to

0:23:28.920 --> 0:23:32.480
<v Speaker 4>when the production slowed down on the basically came to

0:23:32.560 --> 0:23:37.239
<v Speaker 4>a hope on the Convicts project, right, I was like,

0:23:37.280 --> 0:23:39.160
<v Speaker 4>I had to do what I had to do. If

0:23:39.200 --> 0:23:43.560
<v Speaker 4>the Crime Convicts Project was still moving, who knows, who

0:23:43.600 --> 0:23:46.399
<v Speaker 4>knows what I would have done, right, But it wasn't.

0:23:46.800 --> 0:23:49.440
<v Speaker 4>So then I get the opportunity to go back home

0:23:49.480 --> 0:23:51.520
<v Speaker 4>and play with the home team.

0:23:51.920 --> 0:23:54.840
<v Speaker 1>It was, it was, it was, it was, It seemed

0:23:54.960 --> 0:23:56.359
<v Speaker 1>it was the right move at the time.

0:23:56.680 --> 0:23:59.480
<v Speaker 2>You feel me, it was lower three two salty.

0:24:02.400 --> 0:24:04.520
<v Speaker 1>I don't. I don't. I don't. I wouldn't say he

0:24:04.640 --> 0:24:06.400
<v Speaker 1>was Sautsi. He wasn't saut Sea.

0:24:08.320 --> 0:24:11.159
<v Speaker 2>Yeah, think about it like this. He had you know,

0:24:11.240 --> 0:24:13.920
<v Speaker 2>he over a death row and got a situation. Ain't

0:24:13.920 --> 0:24:16.120
<v Speaker 2>nobody called him to come join the group. You feel

0:24:16.119 --> 0:24:18.919
<v Speaker 2>what I'm saying? So you leave that kind of shorten

0:24:18.960 --> 0:24:20.280
<v Speaker 2>his situation out, didn't it.

0:24:21.040 --> 0:24:24.399
<v Speaker 4>Free Too was already gone before I had left some

0:24:24.520 --> 0:24:27.639
<v Speaker 4>three twos. He had already went back went back to

0:24:27.720 --> 0:24:29.720
<v Speaker 4>Houston before I had that.

0:24:31.960 --> 0:24:34.040
<v Speaker 2>Wasn't the same thing. The records was taking too long.

0:24:34.560 --> 0:24:37.520
<v Speaker 4>So it was on that Ghetto Boys album He's on

0:24:37.640 --> 0:24:41.040
<v Speaker 4>straight Gangsterism Altham. He he wasn't South and he was family.

0:24:41.680 --> 0:24:43.400
<v Speaker 4>It was it was it wasn't like that.

0:24:43.600 --> 0:24:46.520
<v Speaker 1>We knew if if one of us get there, then

0:24:46.560 --> 0:24:48.760
<v Speaker 1>all of us get there. He did what I'm saying,

0:24:48.840 --> 0:24:51.919
<v Speaker 1>So it was it wasn't like that whatsoever.

0:24:52.840 --> 0:24:54.560
<v Speaker 2>Yeah, that makes sense. If he was, especially if he

0:24:54.640 --> 0:24:56.360
<v Speaker 2>was gone already, he probably wouldn't.

0:24:56.040 --> 0:25:00.239
<v Speaker 3>Trust there was It was their other work going on

0:25:00.400 --> 0:25:04.200
<v Speaker 3>a death row that was taking precedent over the convicts

0:25:04.240 --> 0:25:06.040
<v Speaker 3>record is why it slowed down.

0:25:07.600 --> 0:25:11.280
<v Speaker 4>So when we got there, of course dra was already

0:25:11.320 --> 0:25:15.800
<v Speaker 4>They was already formulated the chronate, right, So I think

0:25:15.960 --> 0:25:20.560
<v Speaker 4>they had justin did the deep cover soundtrack right, putting

0:25:20.560 --> 0:25:21.800
<v Speaker 4>together the chronic.

0:25:24.560 --> 0:25:28.760
<v Speaker 1>When Slope was able to be on deck right once.

0:25:28.600 --> 0:25:33.160
<v Speaker 4>He was on deck, then I think they just went

0:25:33.240 --> 0:25:36.160
<v Speaker 4>full ahead with that, you know what I mean.

0:25:36.240 --> 0:25:40.080
<v Speaker 1>And that's understandable, right, So I was gonna have a.

0:25:40.000 --> 0:25:42.840
<v Speaker 4>Song of mine gonna be on there anyway, mister Officer

0:25:42.960 --> 0:25:46.760
<v Speaker 4>was gonna be on there. Later I found out Drake

0:25:46.880 --> 0:25:50.359
<v Speaker 4>had wanted to record that straight gangster rhythm, right, But

0:25:50.640 --> 0:25:52.960
<v Speaker 4>I was always I was already in the process of

0:25:54.200 --> 0:25:57.000
<v Speaker 4>recording with the Ghetto Boys, so I had bought those

0:25:57.040 --> 0:26:02.800
<v Speaker 4>songs over there, and but let me see, not to

0:26:02.840 --> 0:26:09.680
<v Speaker 4>get off track, but hit me with that that last

0:26:09.680 --> 0:26:13.879
<v Speaker 4>part of that question again, like like, like I said,

0:26:15.000 --> 0:26:19.640
<v Speaker 4>was there other records that were taking more precedent.

0:26:19.240 --> 0:26:24.040
<v Speaker 3>Over I was, Yeah. How many songs would you say?

0:26:24.119 --> 0:26:31.000
<v Speaker 3>Y'all was deep into the Convicts record? Man, we probably like, like, well, damn,

0:26:31.200 --> 0:26:33.800
<v Speaker 3>like when you start noticing shit was slowing down?

0:26:34.760 --> 0:26:40.080
<v Speaker 1>Mm hmm. Man, we probably had to record it like.

0:26:41.800 --> 0:26:45.199
<v Speaker 4>Maybe like four or five, like five songs between Slip

0:26:45.480 --> 0:26:48.560
<v Speaker 4>and Unknown, right, and then we had the one from

0:26:48.600 --> 0:26:51.800
<v Speaker 4>Warrant g So that's probably like six songs right there, right.

0:26:53.680 --> 0:26:56.080
<v Speaker 4>How many songs was we putting on the album back then,

0:26:56.240 --> 0:27:00.399
<v Speaker 4>ten or twelve? About ten about ten, Yeah, so I

0:27:00.400 --> 0:27:02.840
<v Speaker 4>would say we was half played, right, but it was

0:27:02.880 --> 0:27:07.479
<v Speaker 4>our pre production, right, it was reproduction, and then things

0:27:07.520 --> 0:27:10.480
<v Speaker 4>had kind of slowed down. It was the incident that

0:27:10.680 --> 0:27:15.800
<v Speaker 4>happened after things had slowed down that that Unknown was

0:27:15.840 --> 0:27:19.639
<v Speaker 4>involved in. Yeah, we tried to We went back to

0:27:19.640 --> 0:27:21.600
<v Speaker 4>work with her normal a little bit after that, but

0:27:22.000 --> 0:27:24.360
<v Speaker 4>things had kind of slowed down because.

0:27:25.800 --> 0:27:29.200
<v Speaker 2>What was the incident? Huh, who was the incident?

0:27:29.640 --> 0:27:31.040
<v Speaker 1>He got, he.

0:27:31.040 --> 0:27:36.120
<v Speaker 4>Got touched up, he got he got to Yeah, he

0:27:36.200 --> 0:27:39.920
<v Speaker 4>came to the studio with us one night and it's

0:27:40.119 --> 0:27:43.399
<v Speaker 4>darkest fucking the studio where you know, back then this.

0:27:43.720 --> 0:27:48.080
<v Speaker 1>Bitch black and this like, Nigga, why you got some

0:27:48.320 --> 0:27:49.040
<v Speaker 1>goodnesses on?

0:27:49.240 --> 0:27:52.399
<v Speaker 3>Because we just kept we like, just why is this

0:27:52.480 --> 0:27:55.800
<v Speaker 3>nigga win something like Okay, maybe he like you standing

0:27:55.800 --> 0:27:58.160
<v Speaker 3>there for five minutes or so and you ain't trip,

0:27:58.320 --> 0:28:00.760
<v Speaker 3>but we've been in here for about thirty minutes.

0:28:00.840 --> 0:28:03.240
<v Speaker 1>Nigga, This nigga still got his sunglasses.

0:28:03.760 --> 0:28:05.080
<v Speaker 2>Yeah, nigga, what the.

0:28:05.040 --> 0:28:07.960
<v Speaker 3>Fuck is going on? And Nigga pulled them glasses off.

0:28:08.080 --> 0:28:11.200
<v Speaker 3>Nigga boom.

0:28:11.320 --> 0:28:16.400
<v Speaker 4>Yeah, man, I think it was behind, like the production

0:28:16.600 --> 0:28:21.040
<v Speaker 4>had slowed down. I was, and we were like, hey,

0:28:21.080 --> 0:28:22.240
<v Speaker 4>we ain't been to the studio.

0:28:23.560 --> 0:28:29.520
<v Speaker 3>This is exactly what was was told because Slip was

0:28:29.560 --> 0:28:31.160
<v Speaker 3>a part of that, right.

0:28:31.720 --> 0:28:32.280
<v Speaker 2>Yeah.

0:28:32.720 --> 0:28:36.360
<v Speaker 3>From what I heard was he went and got some

0:28:36.480 --> 0:28:41.360
<v Speaker 3>money from sug to start production on the Compix project.

0:28:42.480 --> 0:28:45.800
<v Speaker 3>But in the midst of that, Slip was working on

0:28:46.000 --> 0:28:54.120
<v Speaker 3>music to drive by with me. So Sugar is requesting

0:28:54.200 --> 0:28:59.640
<v Speaker 3>these beats Nigga even took my money, so where's the beats?

0:29:00.440 --> 0:29:04.280
<v Speaker 3>Anne kept putting it off, like, well, you know, I'm

0:29:04.320 --> 0:29:06.480
<v Speaker 3>busy working on h record.

0:29:06.800 --> 0:29:14.959
<v Speaker 4>And once he heard that, Nigga okay, see I heard yeah,

0:29:15.080 --> 0:29:18.480
<v Speaker 4>you're probably right right because I thought it was because

0:29:18.520 --> 0:29:22.280
<v Speaker 4>the production had slowed down. Because it probably because when

0:29:22.320 --> 0:29:24.040
<v Speaker 4>sug had asked me, I was like, should we ain't

0:29:24.080 --> 0:29:25.920
<v Speaker 4>been to the studio? You know, and he was like,

0:29:26.400 --> 0:29:28.080
<v Speaker 4>on who y'all been working with? I was like, man,

0:29:28.120 --> 0:29:30.360
<v Speaker 4>we was working with Unknown with with slip and he

0:29:30.520 --> 0:29:32.560
<v Speaker 4>was like, don't worry about it. I take care of it.

0:29:33.680 --> 0:29:35.120
<v Speaker 4>Oh yeah, he took care of it.

0:29:35.480 --> 0:29:35.880
<v Speaker 2>Yeah.

0:29:35.960 --> 0:29:39.400
<v Speaker 4>And then one day when Unknown popped up we was

0:29:39.440 --> 0:29:43.080
<v Speaker 4>going to the studio, he had them sunglasses on. Yes, yeah,

0:29:43.360 --> 0:29:46.560
<v Speaker 4>he wearing them sunglasses for a minute, and when he

0:29:46.640 --> 0:29:49.360
<v Speaker 4>got to his house, got to his studio, Bo took

0:29:49.360 --> 0:29:53.360
<v Speaker 4>the sunglasses off. And that's when we found out what

0:29:53.480 --> 0:29:55.840
<v Speaker 4>had happened. I kind of I was like, damn. I

0:29:55.880 --> 0:29:58.000
<v Speaker 4>kind of felt bad because I thought it was because

0:29:58.040 --> 0:30:00.920
<v Speaker 4>I had told him we ain't been to the studio, right, Yeah,

0:30:00.960 --> 0:30:10.560
<v Speaker 4>But Mike, basically because it's one of those things when

0:30:11.120 --> 0:30:15.160
<v Speaker 4>you ride and high, right, you know, we was having

0:30:15.160 --> 0:30:19.560
<v Speaker 4>a little success, and when they was working on that album,

0:30:19.720 --> 0:30:23.840
<v Speaker 4>because it was three two, we would be privy to

0:30:23.960 --> 0:30:27.080
<v Speaker 4>some of the songs I was working on. Remember that intro,

0:30:27.240 --> 0:30:30.080
<v Speaker 4>that figure a intro I came up with that.

0:30:30.600 --> 0:30:32.640
<v Speaker 2>Yeah, yeah, Hey.

0:30:32.800 --> 0:30:36.680
<v Speaker 4>We was like, oh, we couldn't believe we was here

0:30:36.760 --> 0:30:37.280
<v Speaker 4>and this ship.

0:30:37.400 --> 0:30:39.840
<v Speaker 1>You feel me? But shout out the slipped and shot

0:30:39.840 --> 0:30:40.560
<v Speaker 1>out the unknown.

0:30:40.560 --> 0:30:43.360
<v Speaker 4>I wasn't laughing at his situation, right, I was just

0:30:43.440 --> 0:30:47.640
<v Speaker 4>recalling everything. But the brothers were still good brothers, you

0:30:47.680 --> 0:30:51.160
<v Speaker 4>know what I mean. I enjoyed working with them cats.

0:30:51.560 --> 0:30:53.880
<v Speaker 4>You know, I learned from everybody that be around, so

0:30:54.320 --> 0:30:56.120
<v Speaker 4>I was definitely I definitely.

0:30:55.800 --> 0:30:58.000
<v Speaker 1>Picked up on some things and learned some things.

0:30:58.040 --> 0:31:01.880
<v Speaker 4>Man, and getting down over at West Coast Production, that

0:31:02.080 --> 0:31:05.240
<v Speaker 4>really helped my float, You feel me? My float was

0:31:05.320 --> 0:31:08.920
<v Speaker 4>already ready in the right direction, but that really helped

0:31:08.960 --> 0:31:10.680
<v Speaker 4>refine it. You did, know what I'm saying?

0:31:10.680 --> 0:31:12.720
<v Speaker 2>Like you a good nigga dog.

0:31:13.680 --> 0:31:16.000
<v Speaker 4>Even though we didn't get to finish the project and

0:31:16.040 --> 0:31:21.440
<v Speaker 4>stuff out there, I still learned some things right and

0:31:22.200 --> 0:31:26.040
<v Speaker 4>was able to, you know, you know, upgrade my game

0:31:26.080 --> 0:31:28.840
<v Speaker 4>a little bit from being just from being down there.

0:31:29.240 --> 0:31:30.240
<v Speaker 1>You know what I'm saying so.

0:31:31.000 --> 0:31:35.880
<v Speaker 3>But yeah, and sometimes when you're around other you know,

0:31:36.200 --> 0:31:39.320
<v Speaker 3>when you're around other greatness in the make and you know,

0:31:39.400 --> 0:31:42.480
<v Speaker 3>it just makes you refined and polished. Not that shit

0:31:42.560 --> 0:31:46.480
<v Speaker 3>as a competition, but you know, being around motherfuckers who

0:31:46.520 --> 0:31:51.200
<v Speaker 3>you feel have already set the tone for being you

0:31:51.240 --> 0:31:55.400
<v Speaker 3>know great. You know, like, yeah, Dre was one of

0:31:55.440 --> 0:31:58.680
<v Speaker 3>the motherfuckers. You know, Slip was one of the motherfuckers.

0:31:58.960 --> 0:32:03.280
<v Speaker 3>Then being able to able to hang around you know,

0:32:03.600 --> 0:32:08.480
<v Speaker 3>the Snoops in the in the Warren Gee's too, you know.

0:32:08.440 --> 0:32:09.480
<v Speaker 1>You know at the apartment.

0:32:10.280 --> 0:32:11.880
<v Speaker 2>Yeah, over there, you.

0:32:11.880 --> 0:32:15.840
<v Speaker 3>Feel me because y'all already, like I said, y'all were

0:32:16.320 --> 0:32:19.960
<v Speaker 3>y'all were looked upon as some great niggas already so

0:32:20.520 --> 0:32:24.240
<v Speaker 3>being because y'all were the first ones to represent a

0:32:24.400 --> 0:32:28.920
<v Speaker 3>California West Coast label coming from Texas. You know how

0:32:29.040 --> 0:32:32.920
<v Speaker 3>niggas felt about the Convicts early projects. You feel ready

0:32:34.200 --> 0:32:39.160
<v Speaker 3>rest in peace my nigga three too. Funny, motherfucker.

0:32:41.800 --> 0:32:44.680
<v Speaker 2>Mike when they did put when they did put the

0:32:44.720 --> 0:32:49.040
<v Speaker 2>three to the Convicts album out right, did they put

0:32:49.040 --> 0:32:50.920
<v Speaker 2>a lot of promotion on that or was it just

0:32:50.960 --> 0:32:52.280
<v Speaker 2>something that just kind of popped up?

0:32:52.920 --> 0:32:56.440
<v Speaker 4>No? No, no, they just they put it out there.

0:32:56.520 --> 0:32:59.960
<v Speaker 4>We had we had little promotion, you know what I mean,

0:33:00.200 --> 0:33:02.440
<v Speaker 4>But it wasn't like no major roll out or nothing

0:33:02.520 --> 0:33:07.360
<v Speaker 4>like that. You had to be a deep uh rap,

0:33:07.400 --> 0:33:11.480
<v Speaker 4>a lot records connoisseur, you know, as far as the

0:33:11.680 --> 0:33:15.960
<v Speaker 4>convicts is concerned. You have to be a real nigga

0:33:16.000 --> 0:33:20.800
<v Speaker 4>who appreciated underground hip hop. You know what I'm saying, Because,

0:33:20.840 --> 0:33:23.400
<v Speaker 4>like you said, y'all didn't get there, and I felt

0:33:23.440 --> 0:33:25.120
<v Speaker 4>like I was in that same boat.

0:33:25.240 --> 0:33:31.240
<v Speaker 3>A lot of us got mediocre motion because niggas really

0:33:31.240 --> 0:33:33.560
<v Speaker 3>didn't know what to do with us. You feel me,

0:33:34.080 --> 0:33:41.600
<v Speaker 3>you know, you have attention, You feel me. It that's valuable, right,

0:33:42.160 --> 0:33:42.800
<v Speaker 3>motherfucker said.

0:33:42.880 --> 0:33:44.720
<v Speaker 4>Damn, I ain't even putting no money behind this ship,

0:33:44.800 --> 0:33:50.880
<v Speaker 4>but they making noise. Yeah, it's you know, some people

0:33:50.920 --> 0:33:53.200
<v Speaker 4>get it up front. Some people got to grind a

0:33:53.200 --> 0:33:54.160
<v Speaker 4>little bit more.

0:33:54.040 --> 0:33:58.200
<v Speaker 3>Right, But you know, yeah, that's the That's the motto

0:33:58.280 --> 0:33:59.800
<v Speaker 3>I tell my son today.

0:34:00.200 --> 0:34:02.440
<v Speaker 1>Like some some niggas get it like you'd be.

0:34:02.440 --> 0:34:05.920
<v Speaker 3>Like god, damn, like damn, that was fast, and then

0:34:06.000 --> 0:34:08.640
<v Speaker 3>you look at itself and be like, Nigga, I've been

0:34:08.680 --> 0:34:12.160
<v Speaker 3>grinding for a long time, But hey, fuck it. Sometimes

0:34:12.160 --> 0:34:14.080
<v Speaker 3>it's just the way the route you have to go.

0:34:14.320 --> 0:34:17.279
<v Speaker 3>Fuck it sometimes it's just like that, you know.

0:34:18.760 --> 0:34:21.120
<v Speaker 2>Y'all wound up doing a couple hundred thousand copies of

0:34:21.160 --> 0:34:22.120
<v Speaker 2>the album nont you know.

0:34:24.320 --> 0:34:30.160
<v Speaker 1>On the Convicts album. Yeah, yeah, yeah, yeah, the Convince

0:34:30.880 --> 0:34:32.000
<v Speaker 1>getting around.

0:34:32.239 --> 0:34:33.120
<v Speaker 2>Back in the days.

0:34:33.160 --> 0:34:37.480
<v Speaker 3>So that was a pre that was that was appreciated

0:34:37.560 --> 0:34:38.680
<v Speaker 3>back in those days.

0:34:38.719 --> 0:34:38.919
<v Speaker 2>Though.

0:34:38.960 --> 0:34:41.480
<v Speaker 3>In those early hip hop days, you could sell two

0:34:41.560 --> 0:34:45.400
<v Speaker 3>hundred three hundred thousand. Yeah, motherfucker, look at you like

0:34:45.560 --> 0:34:49.840
<v Speaker 3>you know, okay, you know that was that was. You know,

0:34:50.040 --> 0:34:56.000
<v Speaker 3>ship nowadays? Ship you you can't. You ain't pushing triple billion, nigga,

0:34:56.040 --> 0:34:56.760
<v Speaker 3>you ain't ship?

0:34:58.400 --> 0:35:01.760
<v Speaker 1>Yeah, wea nowadays?

0:35:02.760 --> 0:35:08.000
<v Speaker 2>You know, then it's two hundred thousand. And that was

0:35:08.040 --> 0:35:10.239
<v Speaker 2>a lot of money back then, because you gotta remember, man,

0:35:10.440 --> 0:35:13.840
<v Speaker 2>I had a record store. Labels was getting anywhere between

0:35:13.880 --> 0:35:17.000
<v Speaker 2>sixty seven dollars back then. Man, you know, put that

0:35:17.120 --> 0:35:19.920
<v Speaker 2>up man it you know it made about one point

0:35:19.960 --> 0:35:23.120
<v Speaker 2>five two million, yeah off that album, you know what

0:35:23.120 --> 0:35:23.560
<v Speaker 2>I'm saying.

0:35:24.000 --> 0:35:27.920
<v Speaker 3>Yeah, that's been changed now when you're collecting about what

0:35:28.160 --> 0:35:32.200
<v Speaker 3>sixty seventy cents? You know the point then point nigga,

0:35:32.239 --> 0:35:35.720
<v Speaker 3>don't know a point of seven cents and ship. So nigga,

0:35:35.880 --> 0:35:39.400
<v Speaker 3>you getting motherfucking you're getting. You're getting what eighty nine

0:35:39.480 --> 0:35:41.960
<v Speaker 3>points in the album? Nigga, you look up there, that

0:35:42.040 --> 0:35:44.640
<v Speaker 3>ship add up to about a couple of cents. Then

0:35:44.640 --> 0:35:48.320
<v Speaker 3>you're turning around and they charging you for every stamp,

0:35:48.560 --> 0:35:54.920
<v Speaker 3>every phone call, every fucking promo tour. You think like, oh, goddamn,

0:35:55.040 --> 0:35:57.920
<v Speaker 3>I just sold half a million records. Niggat fit to be.

0:35:58.400 --> 0:36:01.840
<v Speaker 3>They like, no, no, no, now they made money. But

0:36:01.960 --> 0:36:04.720
<v Speaker 3>them motherfuckers turn around and go, nigga, oh, your budget

0:36:04.920 --> 0:36:08.200
<v Speaker 3>was what two point fifty? Your videos added up to

0:36:08.280 --> 0:36:13.440
<v Speaker 3>about another two seventy five, your pro one hundred.

0:36:13.920 --> 0:36:15.920
<v Speaker 1>Really you owe us out of that?

0:36:16.040 --> 0:36:19.000
<v Speaker 3>What out of that eighty six cents you getting, you

0:36:19.000 --> 0:36:23.239
<v Speaker 3>owe us about motherfucking eight hundred and something thousands and shit.

0:36:23.680 --> 0:36:28.880
<v Speaker 3>So you like, huh, but it just made thirty million dollars, Nigga,

0:36:28.920 --> 0:36:32.200
<v Speaker 3>you owe us eight hundred and ninety thousand and some

0:36:32.440 --> 0:36:39.279
<v Speaker 3>change out of that seventy two getting clazy nigga never recouping,

0:36:40.040 --> 0:36:42.440
<v Speaker 3>and then the motherfucker turned around next year, go here,

0:36:42.480 --> 0:36:46.360
<v Speaker 3>go another twoft give us another record you got with

0:36:46.520 --> 0:36:52.000
<v Speaker 3>you nicking up advances in that show Gotta eat off that.

0:36:52.000 --> 0:36:53.080
<v Speaker 1>That's how you gotta live.

0:36:53.560 --> 0:36:56.799
<v Speaker 3>You gotta figure right away, like Homa, get my shit recorded,

0:36:57.040 --> 0:37:01.400
<v Speaker 3>beat all that shit with this budget, and put some

0:37:01.480 --> 0:37:04.080
<v Speaker 3>of this money in my pocket because I'm never gonna

0:37:04.080 --> 0:37:06.240
<v Speaker 3>see a royalty check off of this project.

0:37:06.440 --> 0:37:06.720
<v Speaker 1>Never.

0:37:07.680 --> 0:37:07.960
<v Speaker 2>Never.

0:37:08.280 --> 0:37:10.760
<v Speaker 3>I don't give a fuck. I gonna sell two million

0:37:10.880 --> 0:37:15.560
<v Speaker 3>copies and motherfucking make them about forty fifty million. I

0:37:15.600 --> 0:37:19.239
<v Speaker 3>still owe these niggas three millions. I have provided you

0:37:19.360 --> 0:37:23.520
<v Speaker 3>with a real budget. Yeah, I don't put out two records,

0:37:23.600 --> 0:37:26.839
<v Speaker 3>and I'm still in the red three million, and that's

0:37:26.880 --> 0:37:29.560
<v Speaker 3>got to come out of seventy two cents.

0:37:29.880 --> 0:37:33.399
<v Speaker 4>Like like to learn, but you learn not to ask

0:37:33.480 --> 0:37:35.120
<v Speaker 4>for so much shit next time.

0:37:35.040 --> 0:37:36.080
<v Speaker 1>Right, I don't.

0:37:37.160 --> 0:37:41.000
<v Speaker 4>I don't need this this city, going to work with

0:37:41.440 --> 0:37:45.960
<v Speaker 4>producer this and that. Yeah, fucking ads and the magazines,

0:37:46.160 --> 0:37:49.440
<v Speaker 4>fuck all that shit, man. Right about now, I just

0:37:49.480 --> 0:37:51.800
<v Speaker 4>want to go off a world of mouth for the streets,

0:37:51.840 --> 0:37:54.560
<v Speaker 4>fucking because y'all charging a nigga for.

0:37:54.880 --> 0:37:59.800
<v Speaker 1>Every game everything heighty they feel like they got to

0:37:59.840 --> 0:38:00.439
<v Speaker 1>get get back.

0:38:01.719 --> 0:38:05.280
<v Speaker 2>Keep in mind, not only are they connected collecting everything

0:38:05.320 --> 0:38:08.040
<v Speaker 2>back out your seventy two cents, but they probably an't

0:38:08.080 --> 0:38:11.000
<v Speaker 2>already made anywhere for one and a half to seven

0:38:11.040 --> 0:38:13.880
<v Speaker 2>eight million dollars already, just just already, and they still

0:38:14.000 --> 0:38:16.120
<v Speaker 2>charge your game.

0:38:16.920 --> 0:38:22.040
<v Speaker 3>You sell them, You sell the motherfucking million copies for them.

0:38:22.440 --> 0:38:25.080
<v Speaker 3>They they've done made some money because.

0:38:24.840 --> 0:38:31.040
<v Speaker 4>What some of them how many seven dollars album?

0:38:31.719 --> 0:38:34.120
<v Speaker 2>Yeah, that's thirty five million dollars album?

0:38:34.480 --> 0:38:36.680
<v Speaker 1>What some of them flipping? What nine ninety nine?

0:38:36.719 --> 0:38:41.520
<v Speaker 3>At the motherfucking one stops, they sending them up fourteen

0:38:41.640 --> 0:38:43.240
<v Speaker 3>dollars thirteen.

0:38:45.920 --> 0:38:46.080
<v Speaker 2>Up?

0:38:46.920 --> 0:38:52.279
<v Speaker 1>They steal some of that, gangster Yeah, that's straight right there.

0:38:53.560 --> 0:38:56.080
<v Speaker 1>I just do. Going into One Stops, nigga, I'm like,

0:38:56.120 --> 0:38:57.400
<v Speaker 1>who album is out? Oh?

0:38:57.440 --> 0:38:59.720
<v Speaker 3>Yeah, let me get that, Let me get that one,

0:39:00.040 --> 0:39:03.720
<v Speaker 3>Let me get that one, Let me get that one. Yeah,

0:39:03.920 --> 0:39:07.439
<v Speaker 3>go to the label, fucking anybody who was on the label, nigga.

0:39:07.440 --> 0:39:10.080
<v Speaker 3>I'm going shopping, nigga. That's how I get all my music.

0:39:10.200 --> 0:39:12.560
<v Speaker 3>Fuck ghet up the label, going there?

0:39:12.560 --> 0:39:13.439
<v Speaker 1>Whose record out?

0:39:13.440 --> 0:39:13.600
<v Speaker 2>Oh?

0:39:13.680 --> 0:39:16.000
<v Speaker 3>Michael Jackson's record out? Yeah, let me get one of

0:39:16.040 --> 0:39:19.399
<v Speaker 3>them for days? Who else is out?

0:39:19.560 --> 0:39:19.640
<v Speaker 2>So?

0:39:20.480 --> 0:39:23.080
<v Speaker 3>Yeah, because you ain't fing to see nothing, you better

0:39:23.120 --> 0:39:27.160
<v Speaker 3>be smart and be able to budget that motherfucking advance

0:39:27.280 --> 0:39:27.960
<v Speaker 3>they give you.

0:39:28.560 --> 0:39:31.239
<v Speaker 1>Stick some of that, stretch it out.

0:39:31.280 --> 0:39:33.200
<v Speaker 4>But then you know, you was able to get some

0:39:33.239 --> 0:39:35.960
<v Speaker 4>money to get your published in right, and then after

0:39:36.000 --> 0:39:38.480
<v Speaker 4>a while, you know them raw teas to catch up

0:39:38.480 --> 0:39:39.240
<v Speaker 4>a little bit.

0:39:39.480 --> 0:39:43.280
<v Speaker 3>Right, but when you start figuring out the game, because

0:39:44.840 --> 0:39:47.720
<v Speaker 3>just say, yeah, at least some of us as artists

0:39:47.760 --> 0:39:53.160
<v Speaker 3>came in this game young and uh, it's it's fortunate

0:39:53.320 --> 0:39:57.279
<v Speaker 3>now that a lot of artists are able to to

0:39:57.480 --> 0:40:00.879
<v Speaker 3>gain from that having the knowledge of of what we

0:40:00.960 --> 0:40:02.960
<v Speaker 3>had to go through because we was getting.

0:40:03.280 --> 0:40:05.799
<v Speaker 1>The game young, you was gonna get skinned.

0:40:05.560 --> 0:40:12.640
<v Speaker 3>Up published, Nigga, that Nigga published, Nigga, I thought you

0:40:12.840 --> 0:40:15.399
<v Speaker 3>just get a check for I thoughn't you just get

0:40:15.440 --> 0:40:16.200
<v Speaker 3>a check.

0:40:18.160 --> 0:40:20.480
<v Speaker 1>On the album covers?

0:40:20.520 --> 0:40:21.000
<v Speaker 2>And ship?

0:40:21.280 --> 0:40:23.959
<v Speaker 1>I'm like, what about being on the album covered? Check?

0:40:24.040 --> 0:40:27.200
<v Speaker 3>At you know what I'm saying that it's publishing and

0:40:27.239 --> 0:40:28.640
<v Speaker 3>did you get your mechanicals?

0:40:28.680 --> 0:40:31.640
<v Speaker 1>And you're like, what the fuck is that you?

0:40:31.680 --> 0:40:33.960
<v Speaker 3>We didn't. We didn't know that. We weren't able to

0:40:33.960 --> 0:40:37.440
<v Speaker 3>figure that ship out until later on down our lives

0:40:37.480 --> 0:40:40.600
<v Speaker 3>and our careers and shipping. Unfortunately, you know, there's some

0:40:40.640 --> 0:40:44.680
<v Speaker 3>motherfuckers out there still eating off your work because you know,

0:40:44.920 --> 0:40:48.600
<v Speaker 3>you write, you you wrote the songs, you did the music.

0:40:48.960 --> 0:40:49.319
<v Speaker 1>You know.

0:40:51.120 --> 0:40:54.880
<v Speaker 3>It's just that we came from that era that certain

0:40:54.960 --> 0:40:58.920
<v Speaker 3>niggas felt like they deserved that more than you, and

0:40:58.960 --> 0:41:02.960
<v Speaker 3>you the motherfucker who produced that situation. You know, a

0:41:03.040 --> 0:41:06.200
<v Speaker 3>beat you might have undead, or a verse you might

0:41:06.239 --> 0:41:08.759
<v Speaker 3>have wrote. Now youvene wrote every fucking verse on your

0:41:08.800 --> 0:41:11.799
<v Speaker 3>album and you look up in somebody else's claiming the

0:41:11.840 --> 0:41:12.719
<v Speaker 3>publishing on it.

0:41:12.880 --> 0:41:16.800
<v Speaker 1>You know, I should even hit you to the game.

0:41:16.920 --> 0:41:20.000
<v Speaker 2>You feel me I'm a hit you know, But.

0:41:21.480 --> 0:41:23.680
<v Speaker 1>I don't know. Let me ask you this eight.

0:41:25.120 --> 0:41:28.400
<v Speaker 4>If you was in a position back in the days

0:41:28.440 --> 0:41:32.239
<v Speaker 4>to be a CEO, right, you win the head, You

0:41:32.360 --> 0:41:34.359
<v Speaker 4>wasn't behind the mic, right right?

0:41:35.640 --> 0:41:35.799
<v Speaker 2>Right?

0:41:36.800 --> 0:41:39.560
<v Speaker 1>You got young, it's got some talent, you sign them

0:41:39.560 --> 0:41:43.080
<v Speaker 1>on up. You gonna hit him to the game, or

0:41:43.120 --> 0:41:47.000
<v Speaker 1>you're gonna let him learn through trial and error.

0:41:47.080 --> 0:41:49.399
<v Speaker 3>Coming from the era that we came in, I'm gonna

0:41:49.440 --> 0:41:54.080
<v Speaker 3>beat uh the CEO because, like I always tell the motherfucker,

0:41:54.200 --> 0:41:57.200
<v Speaker 3>the object of that situation, as me as a CEO

0:41:57.480 --> 0:42:02.680
<v Speaker 3>is to retain uh most of what we need as

0:42:02.680 --> 0:42:05.600
<v Speaker 3>a company. And I'm gonna feel like in certain some

0:42:05.880 --> 0:42:11.319
<v Speaker 3>situations now it all depends on how knowledgeable the artist is.

0:42:11.480 --> 0:42:14.560
<v Speaker 3>I'm dealing with you get me. If I'm dealing with

0:42:14.640 --> 0:42:17.520
<v Speaker 3>another young nigga and he coming in and we getting

0:42:17.560 --> 0:42:20.000
<v Speaker 3>ready to do a deal, and I want to sign him,

0:42:20.320 --> 0:42:24.320
<v Speaker 3>and he's knowledgeable about the situation and knowing like, Okay,

0:42:25.200 --> 0:42:28.920
<v Speaker 3>my publishing is separate and WOOTI womp and blah blah blah,

0:42:29.120 --> 0:42:31.040
<v Speaker 3>then I'm gonna have to give a young nigga credit

0:42:31.200 --> 0:42:32.959
<v Speaker 3>and we're gonna have to come up with a deal.

0:42:33.480 --> 0:42:36.960
<v Speaker 3>Like I said, the first situations, niggas are just not knowledgeable.

0:42:37.200 --> 0:42:41.200
<v Speaker 3>So those are the situations where we got fucked. Because

0:42:41.280 --> 0:42:45.000
<v Speaker 3>I'm one of those niggas. I wasn't knowledgeable about a

0:42:45.040 --> 0:42:48.439
<v Speaker 3>lot of shit as a young seventeen year old kid

0:42:49.040 --> 0:42:50.720
<v Speaker 3>coming up the neighborhood.

0:42:53.200 --> 0:42:54.120
<v Speaker 1>I didn't have the guy.

0:42:54.400 --> 0:42:58.479
<v Speaker 3>You know, my mom frowned upon that type the shit

0:42:58.560 --> 0:42:59.480
<v Speaker 3>I was trying to do.

0:43:00.760 --> 0:43:03.080
<v Speaker 2>At least you was on a major label, Mike, I

0:43:03.440 --> 0:43:06.160
<v Speaker 2>give you. You didn't get no advance for that Convice album?

0:43:06.200 --> 0:43:08.279
<v Speaker 2>Did you not?

0:43:08.400 --> 0:43:09.480
<v Speaker 1>For that Convicts?

0:43:10.760 --> 0:43:12.680
<v Speaker 4>We was you know, we was able to go in

0:43:12.840 --> 0:43:15.560
<v Speaker 4>there and get fifteen hundred here, you know what I mean.

0:43:16.800 --> 0:43:24.480
<v Speaker 4>One of those situations. Listen, to stay off this corner. Main,

0:43:24.800 --> 0:43:27.239
<v Speaker 4>I need to have some money right, I ain't going

0:43:27.320 --> 0:43:27.920
<v Speaker 4>to finish this.

0:43:27.880 --> 0:43:29.680
<v Speaker 1>Record if I get caught up there on the block

0:43:29.800 --> 0:43:32.600
<v Speaker 1>right now, you know you got to go make that

0:43:32.680 --> 0:43:36.080
<v Speaker 1>kind of stance, right, But yeah, no, it wasn't.

0:43:36.160 --> 0:43:36.920
<v Speaker 2>We didn't. We didn't.

0:43:37.040 --> 0:43:37.440
<v Speaker 1>We didn't.

0:43:37.480 --> 0:43:40.680
<v Speaker 4>We didn't get no no quote unquote advanced for the

0:43:40.760 --> 0:43:44.240
<v Speaker 4>convicts record. But you know, we're hungry, be we was hungry,

0:43:44.760 --> 0:43:46.439
<v Speaker 4>and we were just trying to put in some work

0:43:46.520 --> 0:43:48.120
<v Speaker 4>so that we can get out there.

0:43:48.520 --> 0:43:50.560
<v Speaker 1>Naturally, we don't, we are we are. We come in

0:43:50.560 --> 0:43:50.879
<v Speaker 1>the game.

0:43:51.000 --> 0:43:53.399
<v Speaker 4>Ninety percent of us that come in the game, we're

0:43:53.440 --> 0:43:57.520
<v Speaker 4>not adept to you know, the business side of it, right.

0:43:57.920 --> 0:44:03.160
<v Speaker 4>We just were really being trusted, right, going off, going

0:44:03.239 --> 0:44:06.560
<v Speaker 4>off off. The people that we ride with decided to

0:44:06.600 --> 0:44:09.839
<v Speaker 4>sign with their reputation right in the game, right, were

0:44:09.840 --> 0:44:12.520
<v Speaker 4>looking at their success and were looking at it like, naturally,

0:44:12.560 --> 0:44:15.359
<v Speaker 4>they want the artists to have success, right, they want

0:44:15.400 --> 0:44:18.840
<v Speaker 4>the artists you feel me to to, you know, to

0:44:18.920 --> 0:44:19.560
<v Speaker 4>come up right.

0:44:19.640 --> 0:44:22.239
<v Speaker 1>It's a good look. But you know.

0:44:23.760 --> 0:44:26.360
<v Speaker 4>When it comes to that pin game, man, they whipped

0:44:26.360 --> 0:44:28.920
<v Speaker 4>you with that pen and they make you learn on

0:44:29.040 --> 0:44:30.200
<v Speaker 4>your own right.

0:44:32.120 --> 0:44:35.600
<v Speaker 3>To be just to be uh, not to be biased

0:44:35.600 --> 0:44:40.200
<v Speaker 3>about the situation, but it was no difference between RAPP

0:44:40.360 --> 0:44:44.320
<v Speaker 3>and being on Sony or Big beat Up under Epic

0:44:44.560 --> 0:44:45.400
<v Speaker 3>or whatever.

0:44:46.040 --> 0:44:47.359
<v Speaker 2>Yeah, it wasn't.

0:44:47.480 --> 0:44:48.920
<v Speaker 1>It wasn't even.

0:44:48.760 --> 0:44:55.279
<v Speaker 3>Like like like once I became knowledgeable about situations, but

0:44:55.880 --> 0:44:58.880
<v Speaker 3>now I was on Sony in Capitol and got fucked

0:44:58.920 --> 0:45:04.399
<v Speaker 3>for my first three hour. Nobody felt justifirebowing going this

0:45:04.480 --> 0:45:07.840
<v Speaker 3>dude's writing all this music or whatever nigga I was

0:45:07.920 --> 0:45:11.479
<v Speaker 3>getting somebody is somebody is getting picking up a check

0:45:11.560 --> 0:45:15.000
<v Speaker 3>for two hundred and fifty thousand, and I'm going home

0:45:15.400 --> 0:45:17.040
<v Speaker 3>with five grand in my pocket.

0:45:18.200 --> 0:45:18.759
<v Speaker 1>You get me.

0:45:19.040 --> 0:45:22.640
<v Speaker 3>There was no difference because it was an independent and

0:45:22.719 --> 0:45:25.799
<v Speaker 3>a major. If a nigga could fuck you, they were

0:45:25.920 --> 0:45:30.799
<v Speaker 3>gonna fuck you just period until you took a stand.

0:45:31.000 --> 0:45:34.880
<v Speaker 1>I would say they would definitely take advantage rules. But

0:45:35.000 --> 0:45:36.920
<v Speaker 1>I tell you that all the day.

0:45:37.200 --> 0:45:37.719
<v Speaker 4>You feel me.

0:45:38.440 --> 0:45:38.720
<v Speaker 2>Still.

0:45:38.800 --> 0:45:44.000
<v Speaker 3>We have discussions about nigga's character today and how a

0:45:44.120 --> 0:45:48.360
<v Speaker 3>nigga should be more you know, And I tell you shit,

0:45:49.040 --> 0:45:51.880
<v Speaker 3>in this day and age, if a nigga can fuck you,

0:45:51.960 --> 0:45:55.360
<v Speaker 3>he's gonna fuck you unless you know your business and

0:45:55.520 --> 0:45:59.600
<v Speaker 3>know where you're coming from. If a nigga go, yeah,

0:45:59.760 --> 0:46:03.560
<v Speaker 3>we got five, I should give him two fifty and

0:46:03.640 --> 0:46:04.800
<v Speaker 3>take my two fifty.

0:46:05.120 --> 0:46:09.239
<v Speaker 4>But you a way to give him seventy five and

0:46:11.920 --> 0:46:13.760
<v Speaker 4>that just you know what, man, I'm.

0:46:15.120 --> 0:46:19.080
<v Speaker 1>You get me unless you know I got.

0:46:18.880 --> 0:46:20.279
<v Speaker 2>That this one.

0:46:20.400 --> 0:46:25.000
<v Speaker 4>You don't know that that five I'm gonna figure out

0:46:25.080 --> 0:46:29.080
<v Speaker 4>away now you saying that a nigga should just be

0:46:29.239 --> 0:46:30.600
<v Speaker 4>credible and go, I got.

0:46:30.440 --> 0:46:34.880
<v Speaker 1>This five for us to fifty you to you, but go,

0:46:36.040 --> 0:46:37.000
<v Speaker 1>yeah I said.

0:46:36.840 --> 0:46:39.760
<v Speaker 3>That, But now five is in my hand and it's

0:46:39.840 --> 0:46:43.520
<v Speaker 3>like he don't even know that it's the file, right,

0:46:44.360 --> 0:46:44.879
<v Speaker 3>this all.

0:46:44.880 --> 0:46:46.719
<v Speaker 2>Look at it, this all, look at it. I look

0:46:46.719 --> 0:46:49.600
<v Speaker 2>at it like this. All right, we got that five?

0:46:49.960 --> 0:46:53.399
<v Speaker 2>Unless say I'm the label, right, Okay, I gotta pay

0:46:53.440 --> 0:46:55.720
<v Speaker 2>for his studio time. Let's say, okay, I don't spend

0:46:55.840 --> 0:46:58.480
<v Speaker 2>ten on the studio, right, I don't spend this that

0:46:58.560 --> 0:47:00.200
<v Speaker 2>I don't been giving them money, but.

0:47:02.239 --> 0:47:06.319
<v Speaker 1>Fifty let's say I don't. Let's I don't spend fifty thousand, right.

0:47:06.800 --> 0:47:10.600
<v Speaker 2>Yeah, I'm gonna say, okay, you know what, I'm going

0:47:10.680 --> 0:47:12.439
<v Speaker 2>to take three hundred this because you know, I gotta

0:47:12.440 --> 0:47:14.080
<v Speaker 2>get my little bit of money back and I gotta

0:47:14.080 --> 0:47:16.040
<v Speaker 2>make some money, and I'm gonna give you the other

0:47:16.080 --> 0:47:18.440
<v Speaker 2>two hundred. You know the rest of it, right, you

0:47:18.480 --> 0:47:24.000
<v Speaker 2>know what I'm saying.

0:47:21.640 --> 0:47:24.759
<v Speaker 1>How they gonna give you that seventy five good?

0:47:24.920 --> 0:47:25.799
<v Speaker 2>Not just give a nigga.

0:47:28.440 --> 0:47:33.319
<v Speaker 1>That's kind of like right there, that's just a nigga's mentality.

0:47:33.640 --> 0:47:38.040
<v Speaker 3>That's just it's it's like the bigger, the bigger the prize,

0:47:38.600 --> 0:47:42.000
<v Speaker 3>the lesser nigga want to pay you for your contribution.

0:47:42.520 --> 0:47:44.960
<v Speaker 3>And you could have you done done just as much,

0:47:45.320 --> 0:47:49.640
<v Speaker 3>and and and I don't know why their mentality was

0:47:49.719 --> 0:47:50.440
<v Speaker 3>this way.

0:47:50.680 --> 0:47:51.279
<v Speaker 1>You get me.

0:47:51.680 --> 0:47:54.239
<v Speaker 3>I have no idea when I first came in the

0:47:54.400 --> 0:47:57.800
<v Speaker 3>game and I'm sitting up in the studio late nights

0:47:57.840 --> 0:48:01.279
<v Speaker 3>and not seeing my kid, and not going to the

0:48:01.280 --> 0:48:06.200
<v Speaker 3>hoods and participating in my activities with my my neighborhood,

0:48:06.600 --> 0:48:11.200
<v Speaker 3>and you know, moms is tripping, I'm missing school. I

0:48:11.200 --> 0:48:13.759
<v Speaker 3>didn't do all of that. So a nigga could go,

0:48:14.120 --> 0:48:16.360
<v Speaker 3>he should get this, but I'm.

0:48:19.640 --> 0:48:19.719
<v Speaker 1>Not.

0:48:20.040 --> 0:48:23.879
<v Speaker 3>Just what because you the you, You the nigga who

0:48:24.640 --> 0:48:26.880
<v Speaker 3>found me and walk me through the door.

0:48:27.320 --> 0:48:28.840
<v Speaker 1>I'm still putting in the work.

0:48:28.640 --> 0:48:31.920
<v Speaker 3>Though, it ain't like I'm just sitting here and in

0:48:32.160 --> 0:48:36.239
<v Speaker 3>like like like a put together superstar. Right, were gonna

0:48:36.239 --> 0:48:39.799
<v Speaker 3>get your wardrobe, We're gonna get your songs written. We're

0:48:39.800 --> 0:48:43.240
<v Speaker 3>gonna get your music done, we gonna get your hair done.

0:48:43.520 --> 0:48:45.640
<v Speaker 3>All you gotta do is sit there and when we

0:48:45.760 --> 0:48:51.080
<v Speaker 3>go action, you do no nigga like create. I'm in

0:48:51.120 --> 0:48:54.120
<v Speaker 3>there trying to figure out, Okay, what is gonna what

0:48:54.239 --> 0:48:55.200
<v Speaker 3>is gonna make me?

0:48:55.360 --> 0:48:56.200
<v Speaker 1>Oh you know?

0:48:56.520 --> 0:48:57.080
<v Speaker 2>Oh Damn.

0:48:57.080 --> 0:48:59.360
<v Speaker 1>I listen to this nigga song and his ship is

0:48:59.600 --> 0:49:00.960
<v Speaker 1>all on that. I gotta come up.

0:49:01.000 --> 0:49:03.400
<v Speaker 3>And Nigga's sitting in there at at three o'clock in

0:49:03.440 --> 0:49:06.480
<v Speaker 3>the morning, and I'm missing my kids functions and I

0:49:06.520 --> 0:49:08.920
<v Speaker 3>don't do this and do that all because I'm trying

0:49:08.960 --> 0:49:11.680
<v Speaker 3>to create and be this artist. And when the money

0:49:11.760 --> 0:49:16.279
<v Speaker 3>hit the table, you think you should take eighty five percent.

0:49:15.960 --> 0:49:19.719
<v Speaker 4>Of it, Like God, damn dude, Like I don't like.

0:49:20.160 --> 0:49:24.680
<v Speaker 3>But some niggas mentalities idiots like that. Some niggas is like, Nigga,

0:49:24.719 --> 0:49:27.279
<v Speaker 3>we and this together. We started this shit.

0:49:27.440 --> 0:49:31.359
<v Speaker 1>Nigga sua like that, right, half Familion hits.

0:49:31.600 --> 0:49:36.839
<v Speaker 4>It's like, damn, I got this, just brought in five right,

0:49:37.120 --> 0:49:39.440
<v Speaker 4>But he wasn't even brought in this five if it

0:49:39.520 --> 0:49:43.839
<v Speaker 4>wasn't for me, not like it's a partnership, right. Some

0:49:43.920 --> 0:49:46.560
<v Speaker 4>niggas had that mentality if it wasn't for me, and

0:49:46.600 --> 0:49:49.839
<v Speaker 4>that's how that's how I felt like. Remember that night

0:49:49.880 --> 0:49:52.600
<v Speaker 4>we had the homie on there and he was like figuring,

0:49:52.840 --> 0:49:55.880
<v Speaker 4>he figuring, like, Oh, I'm the label, so without me, nigga,

0:49:55.920 --> 0:49:57.200
<v Speaker 4>you can't get shit done.

0:49:57.520 --> 0:50:01.760
<v Speaker 3>Nigga's gonna write some songs. Yeah, we're gonna getting studio

0:50:01.840 --> 0:50:04.800
<v Speaker 3>and creation. So artist, if I wouldn't a dope, artist

0:50:04.840 --> 0:50:08.560
<v Speaker 3>should not put it out, but guarantee you somebody gonna

0:50:08.600 --> 0:50:11.720
<v Speaker 3>hear this shit and go we gotta do. Don't feel

0:50:11.760 --> 0:50:15.279
<v Speaker 3>like if I didn't have this label, you would never

0:50:15.440 --> 0:50:17.200
<v Speaker 3>be who you are as an artist?

0:50:17.280 --> 0:50:17.959
<v Speaker 1>What do you mean?

0:50:18.640 --> 0:50:22.680
<v Speaker 4>You can't do shit? You can't create a song, you

0:50:22.760 --> 0:50:23.960
<v Speaker 4>can't make a beat.

0:50:24.320 --> 0:50:27.239
<v Speaker 3>All you got is is a motherfucking mouthpiece and a

0:50:27.280 --> 0:50:29.759
<v Speaker 3>little more dollars than I have. And if I was

0:50:29.800 --> 0:50:33.920
<v Speaker 3>smart enough and was knowledgeable, I'd be independent, like you

0:50:33.960 --> 0:50:35.320
<v Speaker 3>would start my own.

0:50:35.120 --> 0:50:39.120
<v Speaker 1>Shit that you got money and you got a mouthpiece.

0:50:39.280 --> 0:50:40.640
<v Speaker 2>Right, but this.

0:50:42.920 --> 0:50:47.160
<v Speaker 3>Right, if you don't like your status as the label

0:50:47.680 --> 0:50:51.440
<v Speaker 3>and as the whatever is where, well I should collect

0:50:51.560 --> 0:50:54.640
<v Speaker 3>ninety percent. What do you mean if you didn't have

0:50:54.719 --> 0:50:58.080
<v Speaker 3>this song, in this beat, in this artist, what would

0:50:58.120 --> 0:50:59.000
<v Speaker 3>you promote?

0:50:59.440 --> 0:51:00.919
<v Speaker 1>What would you mouthpiece.

0:51:01.560 --> 0:51:04.160
<v Speaker 2>Well, you know what the crazy not not to cut

0:51:04.160 --> 0:51:06.000
<v Speaker 2>you off a but you know what the crazy part

0:51:06.200 --> 0:51:12.000
<v Speaker 2>is they almost just they justify all of that, the

0:51:12.040 --> 0:51:14.600
<v Speaker 2>economics and how they do stuff and the structure of

0:51:14.640 --> 0:51:18.759
<v Speaker 2>the deals because probably only one in five artists gonna

0:51:18.760 --> 0:51:21.400
<v Speaker 2>be successful at the label. Think about all them records

0:51:21.400 --> 0:51:24.040
<v Speaker 2>that Wrap a Lot put out? How many of them records? Actually? So, Mike,

0:51:24.080 --> 0:51:25.879
<v Speaker 2>you think a lot of that ship was selling like that?

0:51:26.600 --> 0:51:28.960
<v Speaker 1>Do you? But do you? But do you qualify?

0:51:32.560 --> 0:51:32.840
<v Speaker 2>Huh?

0:51:33.600 --> 0:51:34.920
<v Speaker 1>Rap a Lot had a following?

0:51:35.200 --> 0:51:35.399
<v Speaker 2>Right?

0:51:35.880 --> 0:51:40.320
<v Speaker 1>So the label itself, you know, the labor itself was

0:51:40.360 --> 0:51:44.600
<v Speaker 1>seeing some was seeing some income because we had they

0:51:44.600 --> 0:51:47.000
<v Speaker 1>had a lot. They had It was quite a few

0:51:47.120 --> 0:51:49.200
<v Speaker 1>art this song Rap a Lot, right, and Rap a

0:51:49.239 --> 0:51:52.600
<v Speaker 1>Lot had a following, you feel what I'm saying? So

0:51:52.640 --> 0:51:54.719
<v Speaker 1>they they Rap a Lot ship.

0:51:58.920 --> 0:52:01.400
<v Speaker 2>But like I saw some crazy CDs from him, Like

0:52:01.440 --> 0:52:04.080
<v Speaker 2>I saw a white midget with a snake around his neck.

0:52:04.840 --> 0:52:06.760
<v Speaker 2>Like it was supposed to be like an off brand

0:52:06.840 --> 0:52:08.319
<v Speaker 2>version of the Ghetto Boys or whatever.

0:52:11.360 --> 0:52:15.799
<v Speaker 1>That's why did you try master Pie? Did you try

0:52:16.160 --> 0:52:19.359
<v Speaker 1>the master Piece? It beyond the Ghetto Man?

0:52:20.040 --> 0:52:24.640
<v Speaker 4>And but yeah, yeah there was my homies though, but

0:52:24.640 --> 0:52:29.439
<v Speaker 4>but yeah, yeah, yeah, it was like a spin off

0:52:30.360 --> 0:52:32.680
<v Speaker 4>from the Ghetto Boy exactly.

0:52:33.600 --> 0:52:35.920
<v Speaker 1>But and everybody was.

0:52:35.960 --> 0:52:38.160
<v Speaker 4>But when you meet those guys, they was, they was

0:52:38.200 --> 0:52:39.759
<v Speaker 4>their own original.

0:52:40.040 --> 0:52:41.480
<v Speaker 1>You feel me right.

0:52:42.040 --> 0:52:46.600
<v Speaker 4>That's where the comparisons stopped, just at the the optics

0:52:46.640 --> 0:52:50.879
<v Speaker 4>of it, you feel me, But everybody had. Everybody had

0:52:50.960 --> 0:52:54.759
<v Speaker 4>aspirations and hopes and dreams man as an individual and

0:52:54.840 --> 0:52:58.879
<v Speaker 4>things like that, you know. But unfortunately, just like other

0:52:59.000 --> 0:53:01.759
<v Speaker 4>artists that came be for the hip hop era, right,

0:53:02.280 --> 0:53:07.040
<v Speaker 4>we talk about blues, R and B jazz artists that

0:53:07.040 --> 0:53:09.680
<v Speaker 4>that was dealing with the music industry, you know what

0:53:09.719 --> 0:53:17.160
<v Speaker 4>I mean, getting taken advantage stuff. You know, the white

0:53:17.239 --> 0:53:21.319
<v Speaker 4>white artists just just covering black songs and putting them

0:53:21.360 --> 0:53:25.279
<v Speaker 4>out like it's they songs. You feel me right, You

0:53:25.280 --> 0:53:30.399
<v Speaker 4>would think that blacks in the business, after seeing and

0:53:30.440 --> 0:53:33.880
<v Speaker 4>knowing that this kind of stuff and being a victim

0:53:33.920 --> 0:53:36.160
<v Speaker 4>of this kind of stuff, that we would treat each

0:53:36.160 --> 0:53:39.879
<v Speaker 4>other differently, you feel me right, and treat each other

0:53:39.920 --> 0:53:42.080
<v Speaker 4>a little bit better, with a little bit more respect.

0:53:42.239 --> 0:53:42.439
<v Speaker 2>Right.

0:53:42.920 --> 0:53:48.440
<v Speaker 1>But it's not always like that because that money. You

0:53:48.480 --> 0:53:49.920
<v Speaker 1>feel me when.

0:53:49.719 --> 0:53:53.319
<v Speaker 4>They when a person is on got their own aspirations, right,

0:53:53.880 --> 0:53:56.759
<v Speaker 4>and you're just a byproduct of that, you're just a

0:53:56.840 --> 0:54:00.279
<v Speaker 4>means of you know what I'm saying, to help them

0:54:00.320 --> 0:54:03.320
<v Speaker 4>get to where they want to be. Right. But you're like, okay,

0:54:03.360 --> 0:54:05.560
<v Speaker 4>that's cool, right, because sometimes you got to get with

0:54:05.640 --> 0:54:07.160
<v Speaker 4>somebody to get somewhere.

0:54:07.480 --> 0:54:07.680
<v Speaker 1>Right.

0:54:08.120 --> 0:54:10.120
<v Speaker 4>But at the same time, at the end of the day,

0:54:10.520 --> 0:54:12.640
<v Speaker 4>you want to walk away with something as well.

0:54:13.239 --> 0:54:14.680
<v Speaker 1>You feel me like you say.

0:54:14.560 --> 0:54:16.920
<v Speaker 4>Hey, you don't want to be dedicating all of this time,

0:54:17.400 --> 0:54:21.239
<v Speaker 4>all of this effort, right, all all it because it

0:54:21.280 --> 0:54:23.520
<v Speaker 4>takes a lot of emotions to put them songs down,

0:54:23.640 --> 0:54:26.200
<v Speaker 4>be in the studio, you know what I mean, all

0:54:26.239 --> 0:54:29.319
<v Speaker 4>them hours and and and they do me we do

0:54:29.440 --> 0:54:32.799
<v Speaker 4>music quick these days. And then it wasn't so quick

0:54:32.800 --> 0:54:33.640
<v Speaker 4>to be put together.

0:54:33.800 --> 0:54:37.120
<v Speaker 1>The song you feel Me Niggas is recording on reels

0:54:37.160 --> 0:54:40.640
<v Speaker 1>and everything. But it's it's a learning experience, bro.

0:54:41.400 --> 0:54:45.600
<v Speaker 4>And look we got more knowledge about it now, right.

0:54:46.480 --> 0:54:50.239
<v Speaker 4>Some people came out less gay than others, right, But

0:54:51.400 --> 0:54:54.200
<v Speaker 4>you know, it's just it's just one of them things, man.

0:54:54.440 --> 0:54:57.480
<v Speaker 4>And but look look at them now. You know they

0:54:57.520 --> 0:54:59.080
<v Speaker 4>able to go at least they able to go get

0:54:59.080 --> 0:54:59.840
<v Speaker 4>a larger bag.

0:55:00.480 --> 0:55:00.680
<v Speaker 2>Right.

0:55:01.080 --> 0:55:03.799
<v Speaker 4>I wouldn't say workers of the business didn't change it's

0:55:03.920 --> 0:55:06.520
<v Speaker 4>just enough month, it's just enough money to put bigger

0:55:06.520 --> 0:55:07.279
<v Speaker 4>bait on the hook.

0:55:07.360 --> 0:55:10.759
<v Speaker 1>I guess you feel me right real, Mike, let me

0:55:10.800 --> 0:55:15.359
<v Speaker 1>ask you this, man, So you went on the run.

0:55:15.440 --> 0:55:17.120
<v Speaker 2>I think a lot of people forget you put all

0:55:17.160 --> 0:55:19.680
<v Speaker 2>three more records on rap a Up. You put off

0:55:19.760 --> 0:55:23.120
<v Speaker 2>some serious and on that some serious album. You was

0:55:23.160 --> 0:55:25.640
<v Speaker 2>the first one to really start fucking with PIMPC.

0:55:27.640 --> 0:55:35.680
<v Speaker 4>That So I had met pimping them before we had

0:55:35.800 --> 0:55:38.960
<v Speaker 4>came out to Los Angeles, so we had already knew

0:55:39.000 --> 0:55:40.719
<v Speaker 4>the matter of fact, I was the one me and

0:55:40.760 --> 0:55:45.120
<v Speaker 4>three two. We brought their music out there right and

0:55:45.200 --> 0:55:45.799
<v Speaker 4>stooping them.

0:55:45.840 --> 0:55:46.680
<v Speaker 1>But I own that ship.

0:55:46.760 --> 0:55:49.520
<v Speaker 4>You feel me because let me get this tape. You

0:55:49.560 --> 0:55:52.360
<v Speaker 4>feel me like man gone the niggas and the niggas U

0:55:52.400 --> 0:55:55.759
<v Speaker 4>gally K. But they was already our homies before we

0:55:55.840 --> 0:56:03.959
<v Speaker 4>had came out there. But I'm thinking because I had

0:56:04.120 --> 0:56:08.080
<v Speaker 4>PIMC on the album. He did the hook on Halving Things,

0:56:08.120 --> 0:56:10.919
<v Speaker 4>and he produced it. He produced the track. I had

0:56:10.920 --> 0:56:16.040
<v Speaker 4>initially sung the hook, but after we finished the after

0:56:16.080 --> 0:56:19.440
<v Speaker 4>we finished the song, him talking to me and talking

0:56:19.480 --> 0:56:22.160
<v Speaker 4>and I'm hearing his voice, and I was like, man,

0:56:22.280 --> 0:56:23.920
<v Speaker 4>to give the song more texture.

0:56:24.000 --> 0:56:25.960
<v Speaker 1>You should go off in there and sing that hook.

0:56:26.680 --> 0:56:27.239
<v Speaker 2>You feel me?

0:56:29.840 --> 0:56:31.279
<v Speaker 4>Yeah, I said you should go off in there and

0:56:31.360 --> 0:56:34.120
<v Speaker 4>sing that hook. And then Bun he was on the

0:56:34.160 --> 0:56:39.120
<v Speaker 4>song car on the one. I should have both of

0:56:39.160 --> 0:56:41.000
<v Speaker 4>them on the same song. I don't know why I

0:56:41.040 --> 0:56:42.600
<v Speaker 4>broke it up like that, but it's the way that

0:56:42.640 --> 0:56:45.520
<v Speaker 4>it had happened. Him had produced to having things we

0:56:45.560 --> 0:56:47.560
<v Speaker 4>was working on there, and I just got him to

0:56:47.600 --> 0:56:51.839
<v Speaker 4>do the to do the hook. But I'm just trying

0:56:51.880 --> 0:56:54.200
<v Speaker 4>to think and make sure. But maybe I'm thinking like

0:56:54.600 --> 0:57:01.200
<v Speaker 4>I'm probably like the first right Jack other than their

0:57:01.239 --> 0:57:04.480
<v Speaker 4>own project that they had performed on, probably that they

0:57:04.520 --> 0:57:12.760
<v Speaker 4>had featured on. Yeah, was out to Bun b Ip PIMC,

0:57:13.880 --> 0:57:19.480
<v Speaker 4>you feel me? But yeah, man, I think that was

0:57:20.720 --> 0:57:25.800
<v Speaker 4>I think man, matter of fact, Yeah, yeah, yeah, And

0:57:27.240 --> 0:57:29.400
<v Speaker 4>we were just I was just looking out because I

0:57:29.440 --> 0:57:31.160
<v Speaker 4>was I was there was my partners, and I was

0:57:31.200 --> 0:57:33.640
<v Speaker 4>fans of them. You feel me, I had to have

0:57:33.800 --> 0:57:35.320
<v Speaker 4>them only I should have had them both on the

0:57:35.360 --> 0:57:39.040
<v Speaker 4>same song, right, But you know that just looking back

0:57:39.080 --> 0:57:42.640
<v Speaker 4>in hindsight, but still with a strong showing on both songs.

0:57:42.720 --> 0:57:46.240
<v Speaker 2>So yeah, well I'll tell you what I think you

0:57:46.360 --> 0:57:49.040
<v Speaker 2>broke PIMC as a producer with that because I was

0:57:49.120 --> 0:57:51.320
<v Speaker 2>hit the ug K. And that's how the rap a

0:57:51.400 --> 0:57:53.640
<v Speaker 2>lot of music. That's how a lot of music got around.

0:57:54.000 --> 0:57:56.480
<v Speaker 2>You hear one of your homies playing it, especially if

0:57:56.480 --> 0:57:59.760
<v Speaker 2>they're from somewhere else. My homie Quentinsino, he was from Texas.

0:58:00.120 --> 0:58:04.280
<v Speaker 2>He's Orange Texas and he was playing a short Texas record.

0:58:04.320 --> 0:58:08.080
<v Speaker 2>But you GK yeah, back back back, I said, who

0:58:08.200 --> 0:58:11.600
<v Speaker 2>was that? Man? Who was that? He dubbed me a

0:58:11.640 --> 0:58:14.680
<v Speaker 2>copy of it. I went. I came back to California.

0:58:15.000 --> 0:58:17.200
<v Speaker 2>They dubbed the copy for me. That's our music kind

0:58:17.200 --> 0:58:17.840
<v Speaker 2>of got around.

0:58:18.000 --> 0:58:22.240
<v Speaker 3>Oh yeah, definitely, some music got it down at a

0:58:22.280 --> 0:58:26.600
<v Speaker 3>lot of UH, A lot of unknown ship and a

0:58:26.600 --> 0:58:31.720
<v Speaker 3>lot of what we consider underground UH got promoted just

0:58:31.760 --> 0:58:33.880
<v Speaker 3>by having word of mouth. And I would go to

0:58:33.920 --> 0:58:38.080
<v Speaker 3>Mississippi and my cousin would have shipped from the East Coast.

0:58:38.160 --> 0:58:41.360
<v Speaker 3>I never heard, and so I would dub that ship.

0:58:41.920 --> 0:58:44.680
<v Speaker 3>Or I would come back to La hit up the

0:58:44.720 --> 0:58:49.400
<v Speaker 3>Paramount Swap Meet and go digging through their twelve ventures

0:58:49.440 --> 0:58:52.120
<v Speaker 3>and be like, oh, here this ship is. But you

0:58:52.160 --> 0:58:54.800
<v Speaker 3>would never know because I didn't know who the fuck

0:58:54.840 --> 0:58:55.680
<v Speaker 3>the niggas was.

0:58:55.760 --> 0:58:57.280
<v Speaker 1>You get all the.

0:58:57.240 --> 0:59:02.080
<v Speaker 3>Good doing them doing their mother fucking family reunion trips

0:59:02.160 --> 0:59:05.520
<v Speaker 3>back to Mississippi. That's how I was connected because my

0:59:05.680 --> 0:59:09.240
<v Speaker 3>older cousin he listened to a lot of East Coast music,

0:59:09.360 --> 0:59:11.919
<v Speaker 3>so I didn't know about it, none of that ship.

0:59:12.240 --> 0:59:15.000
<v Speaker 3>But I would listen to Ship in his car and

0:59:15.040 --> 0:59:17.960
<v Speaker 3>then at the house on his record player, and then

0:59:18.000 --> 0:59:20.440
<v Speaker 3>I would be like, oh, I'm by that ship. When

0:59:20.480 --> 0:59:23.320
<v Speaker 3>I get home, rush straight to the paramount, schwap me

0:59:24.240 --> 0:59:27.720
<v Speaker 3>and and and one didn't ask Ship for moms stereo

0:59:27.880 --> 0:59:30.480
<v Speaker 3>in the living room, but fuck it, I'm finna go

0:59:30.520 --> 0:59:33.560
<v Speaker 3>to swap me by this record and throw this motherfucking

0:59:34.040 --> 0:59:39.600
<v Speaker 3>radio active on or that motherfucking the roof is on

0:59:39.760 --> 0:59:43.240
<v Speaker 3>fire or some shit like that, and be like, Mars,

0:59:43.320 --> 0:59:45.240
<v Speaker 3>be like, what the fuck is that ship?

0:59:45.280 --> 0:59:49.600
<v Speaker 1>But that's how I got store. You ain't got to

0:59:49.640 --> 0:59:51.840
<v Speaker 1>get the record, but you're going to see if it's

0:59:51.840 --> 0:59:59.320
<v Speaker 1>there country music section, and come back and get my ship,

0:59:59.360 --> 1:00:01.920
<v Speaker 1>because I know fucker they go taking the country music

1:00:04.400 --> 1:00:07.760
<v Speaker 1>this motherfucker this record, come back.

1:00:07.600 --> 1:00:09.480
<v Speaker 2>And get my and all.

1:00:09.760 --> 1:00:11.840
<v Speaker 1>But yeah, man, that tape game was serious.

1:00:11.840 --> 1:00:14.160
<v Speaker 4>Back then, boys used to have trash bags for the

1:00:14.200 --> 1:00:18.200
<v Speaker 4>motherfucker cossets. You hear me, mother didn't, but you knew

1:00:18.200 --> 1:00:21.040
<v Speaker 4>which was on each one of them motherfuckers, you know.

1:00:21.280 --> 1:00:25.280
<v Speaker 4>But yeah, those those those those were simpler times back then.

1:00:25.360 --> 1:00:30.600
<v Speaker 2>But you know, for a minute though, Mike, you was

1:00:30.600 --> 1:00:34.040
<v Speaker 2>probably rapized big as artist for a minute for for

1:00:34.040 --> 1:00:37.760
<v Speaker 2>for a second there, because some Serious went platinum, didn't it.

1:00:39.000 --> 1:00:40.560
<v Speaker 1>Some Serious did some numbers.

1:00:40.640 --> 1:00:46.840
<v Speaker 2>Yeah, some Serious went big because because Scarface hadn't dropped

1:00:46.840 --> 1:00:49.640
<v Speaker 2>no ships yet, and you was like they maind for

1:00:49.680 --> 1:00:51.320
<v Speaker 2>a moment, I bet they was treating you different as

1:00:51.360 --> 1:00:52.400
<v Speaker 2>a motherfucker.

1:00:51.920 --> 1:00:57.040
<v Speaker 4>With scar Face was already established. Yeah, Face was already

1:00:57.160 --> 1:01:01.720
<v Speaker 4>established face Face Face was he was the flagship artist there,

1:01:02.480 --> 1:01:03.760
<v Speaker 4>he was, sure.

1:01:04.360 --> 1:01:06.800
<v Speaker 2>But you know what I'm saying, when you dropped some Serious,

1:01:07.040 --> 1:01:10.120
<v Speaker 2>he hadn't dropped nothing. You were kind of dropped both.

1:01:12.200 --> 1:01:15.240
<v Speaker 1>What you mean he had he had, he had solo

1:01:15.360 --> 1:01:16.280
<v Speaker 1>albums already.

1:01:16.840 --> 1:01:20.200
<v Speaker 2>Yeah. But when some Serious dropped Scarface and ever album

1:01:20.200 --> 1:01:22.960
<v Speaker 2>all at that time, I don't think not a new one.

1:01:24.280 --> 1:01:25.560
<v Speaker 1>He probably was working on it.

1:01:26.200 --> 1:01:28.040
<v Speaker 2>Yeah, That's what I'm saying.

1:01:28.240 --> 1:01:31.440
<v Speaker 3>Well, you as a you, as a label at in

1:01:31.480 --> 1:01:36.680
<v Speaker 3>that position, you probably wouldn't want to have uh two

1:01:36.800 --> 1:01:40.880
<v Speaker 3>of your big artists uh out at the same time,

1:01:41.480 --> 1:01:46.600
<v Speaker 3>because it's really gonna contradict sales because for those for

1:01:46.720 --> 1:01:51.360
<v Speaker 3>those niggas who you know are unable to uh have

1:01:51.480 --> 1:01:55.560
<v Speaker 3>the benefit of purchasing both rock chatter time. Now I

1:01:55.600 --> 1:01:58.040
<v Speaker 3>have to make a decision of what I want to

1:01:58.160 --> 1:02:03.760
<v Speaker 3>saying until my next check you get being out at

1:02:03.800 --> 1:02:08.320
<v Speaker 3>the same time, is gonna really contradict the label and sale.

1:02:08.520 --> 1:02:11.720
<v Speaker 3>So if I drop a big Mic record, I'm knowing

1:02:11.800 --> 1:02:14.320
<v Speaker 3>I'm not gonna put out the Scarface record for at

1:02:14.400 --> 1:02:18.280
<v Speaker 3>least six months to the next year, and vice versa,

1:02:18.800 --> 1:02:23.000
<v Speaker 3>because especially when I got two prominent projects coming out,

1:02:23.240 --> 1:02:26.840
<v Speaker 3>you know, like even though I was signing to Sony,

1:02:27.320 --> 1:02:30.640
<v Speaker 3>Sony would never put out my record, you know, in

1:02:30.720 --> 1:02:34.760
<v Speaker 3>the vicinity of another Sony hip hop artist, like you

1:02:34.840 --> 1:02:38.480
<v Speaker 3>don't want team with each exactly like we want all

1:02:38.520 --> 1:02:41.080
<v Speaker 3>the sales. We don't want the fuckers to have to

1:02:41.120 --> 1:02:44.640
<v Speaker 3>have a decision. Now, you couldn't do that for other

1:02:44.760 --> 1:02:48.959
<v Speaker 3>labels who were figuring out were fuck it, if Big

1:02:49.040 --> 1:02:51.920
<v Speaker 3>Mic gonna come out on the twelfth, We're gonna drop

1:02:52.000 --> 1:02:55.480
<v Speaker 3>motherfucking so and so on the thirteenth. You know, that's

1:02:55.520 --> 1:02:58.440
<v Speaker 3>how other labels with they artists would do. The Piggy

1:02:58.520 --> 1:03:01.080
<v Speaker 3>back off or whatever was I'm in it at the time.

1:03:01.240 --> 1:03:01.680
<v Speaker 2>You get me.

1:03:02.880 --> 1:03:06.760
<v Speaker 3>You couldn't stop that competition. You just hope that fans

1:03:06.760 --> 1:03:09.840
<v Speaker 3>would gravitate to your ship more than the next party.

1:03:10.360 --> 1:03:13.640
<v Speaker 3>But if y'all both on my label, hell no, I'm

1:03:13.640 --> 1:03:17.280
<v Speaker 3>gonna keep y'all releases at least six months apart.

1:03:21.240 --> 1:03:24.200
<v Speaker 2>Yeah, Mike, I got one more question for you, man.

1:03:25.120 --> 1:03:29.280
<v Speaker 2>So hard to hit? Was your last album on rap

1:03:29.280 --> 1:03:34.640
<v Speaker 2>A Up, wasn't it? Yeah? Hard to hit? After that?

1:03:34.680 --> 1:03:36.640
<v Speaker 2>You didn't have a lot of other ladys trying to

1:03:36.720 --> 1:03:39.640
<v Speaker 2>come and get your procure your services.

1:03:40.640 --> 1:03:44.280
<v Speaker 1>Well, I got hard to hit. That's when I got locked.

1:03:47.000 --> 1:03:50.919
<v Speaker 1>I got locked around that time. But it was interest right,

1:03:51.560 --> 1:03:55.360
<v Speaker 1>some other labels right looking to pick me up, you

1:03:55.360 --> 1:03:58.840
<v Speaker 1>feel me? But after right after I lived with that,

1:03:58.960 --> 1:04:03.560
<v Speaker 1>I got when I got my rap a Lot, that's

1:04:03.680 --> 1:04:12.439
<v Speaker 1>my locks. I was on the run. But why they're

1:04:12.480 --> 1:04:13.160
<v Speaker 1>catching up with me?

1:04:13.200 --> 1:04:15.680
<v Speaker 4>But but yeah, I had got locked around that time,

1:04:15.800 --> 1:04:20.400
<v Speaker 4>so it couldn't make no deals happened feeling from behind

1:04:20.400 --> 1:04:21.280
<v Speaker 4>the balls.

1:04:21.960 --> 1:04:24.840
<v Speaker 2>How many years did you do? I did? I did?

1:04:25.040 --> 1:04:25.760
<v Speaker 2>I did? Folk?

1:04:27.320 --> 1:04:33.720
<v Speaker 3>Yeah, was your situation? Was your situation of getting locked up?

1:04:33.960 --> 1:04:38.840
<v Speaker 3>Was a result of the decline in music, or was

1:04:38.880 --> 1:04:41.400
<v Speaker 3>it just some other ship that you had already had

1:04:41.520 --> 1:04:46.440
<v Speaker 3>done and it finally called up to you? The reason

1:04:46.480 --> 1:04:51.400
<v Speaker 3>why I got locked right, was it something that was

1:04:51.520 --> 1:04:55.760
<v Speaker 3>already you know, something that was already present that you

1:04:55.800 --> 1:04:58.600
<v Speaker 3>had already did, or you had to go back to

1:04:58.720 --> 1:05:02.480
<v Speaker 3>doing a situation because of the decline and hip hop

1:05:02.960 --> 1:05:06.680
<v Speaker 3>of your situation of not being able to you know,

1:05:07.240 --> 1:05:09.360
<v Speaker 3>after you put our records would rap a lot and

1:05:09.400 --> 1:05:12.960
<v Speaker 3>they started declining and then whatever whatever, you know what

1:05:13.000 --> 1:05:15.480
<v Speaker 3>I'm saying. Was it something that you already had hanging

1:05:15.560 --> 1:05:18.000
<v Speaker 3>over your head, or it was something that you had

1:05:18.040 --> 1:05:23.240
<v Speaker 3>decided to do. It's what got you locked up. It

1:05:23.280 --> 1:05:25.320
<v Speaker 3>was a situation, right.

1:05:25.960 --> 1:05:29.320
<v Speaker 4>It was a situation that kind of like a rose right,

1:05:30.600 --> 1:05:35.240
<v Speaker 4>just some typical shit contractual talks, you feel me, right?

1:05:36.040 --> 1:05:39.080
<v Speaker 4>And it was a situation that it caught me by surprise.

1:05:40.080 --> 1:05:43.520
<v Speaker 1>Do you feel me? The situation caught me by surprise,

1:05:44.200 --> 1:05:48.720
<v Speaker 1>and and I had to react.

1:05:50.040 --> 1:05:50.240
<v Speaker 2>Right.

1:05:50.680 --> 1:05:52.640
<v Speaker 4>When I come sit down with y'all, then we can

1:05:52.680 --> 1:05:54.960
<v Speaker 4>go more in depth. But if I was putting a

1:05:55.000 --> 1:05:58.720
<v Speaker 4>situation where I had to react, right, you feel me?

1:05:59.360 --> 1:06:02.360
<v Speaker 4>I was dealing with a grizzly bell, grizzly bear, attacked

1:06:02.440 --> 1:06:05.840
<v Speaker 4>me right right, there's the bell gonna come back.

1:06:06.480 --> 1:06:08.000
<v Speaker 1>You feel me if I.

1:06:07.880 --> 1:06:12.720
<v Speaker 3>Don't, don't make against the grizzly bear.

1:06:13.920 --> 1:06:16.400
<v Speaker 4>And you did, right, But like I said, we'll go

1:06:16.440 --> 1:06:19.000
<v Speaker 4>in to detail about it. But yeah, it was a

1:06:19.040 --> 1:06:22.880
<v Speaker 4>situation me and the label it had got ugly. You

1:06:22.920 --> 1:06:26.960
<v Speaker 4>feel me slid into some gangster ship and you know

1:06:29.000 --> 1:06:34.480
<v Speaker 4>that's what that's what eventually led to my my incarceration. Yeah,

1:06:35.360 --> 1:06:38.640
<v Speaker 4>my part in it, you feel me.

1:06:39.240 --> 1:06:41.840
<v Speaker 2>Yeah, you got up for retel you know, some ship.

1:06:43.240 --> 1:06:48.800
<v Speaker 1>Basically, Yeah, but it's all good. I took my leak. Yeah,

1:06:49.160 --> 1:06:50.040
<v Speaker 1>especially when.

1:06:51.680 --> 1:06:54.040
<v Speaker 3>When you're put in a situation to where it's either

1:06:54.080 --> 1:07:00.640
<v Speaker 3>put up or shut up, and you're feeling like, you know, hey,

1:07:00.800 --> 1:07:03.520
<v Speaker 3>this is what has to happen. Ship, you give me like,

1:07:03.840 --> 1:07:05.840
<v Speaker 3>ain't no if if it ain't no infens or but

1:07:06.080 --> 1:07:08.080
<v Speaker 3>about it, I'm just this is just the way it

1:07:08.200 --> 1:07:10.680
<v Speaker 3>go down, fucking and I might have to take my

1:07:10.760 --> 1:07:13.080
<v Speaker 3>liquor whenever it comes to it, you have to take

1:07:13.160 --> 1:07:16.200
<v Speaker 3>especially in the case like that, right, And I'm just

1:07:16.200 --> 1:07:19.600
<v Speaker 3>gonna have to deal with it. But you know, you know,

1:07:19.840 --> 1:07:22.480
<v Speaker 3>sometimes you put put in a situation where you feel

1:07:22.520 --> 1:07:24.080
<v Speaker 3>like you have to do what you have to do.

1:07:24.000 --> 1:07:30.040
<v Speaker 4>Now me thinking about it now, right, maybe I could

1:07:30.080 --> 1:07:35.760
<v Speaker 4>have finessed the situation, right, but I'm a young man, right,

1:07:35.840 --> 1:07:39.840
<v Speaker 4>stay different. Yeah, my mind stayed different. I'm a young man.

1:07:40.120 --> 1:07:45.680
<v Speaker 4>I'm hurt, I'm in baddis right, I'm looking at I survive,

1:07:46.160 --> 1:07:47.000
<v Speaker 4>thank God.

1:07:47.400 --> 1:07:49.120
<v Speaker 2>Right, But.

1:07:51.280 --> 1:07:54.520
<v Speaker 1>It was the chance that I might not have survived.

1:07:56.360 --> 1:07:56.520
<v Speaker 2>Right.

1:07:58.600 --> 1:08:02.160
<v Speaker 4>But but the Lord Jesus Christ, he had something else

1:08:02.200 --> 1:08:02.920
<v Speaker 4>in store for me.

1:08:03.400 --> 1:08:04.280
<v Speaker 2>Right, So.

1:08:06.640 --> 1:08:10.560
<v Speaker 4>But still I even with that, I didn't realize that

1:08:10.840 --> 1:08:15.120
<v Speaker 4>till later. I didn't realize God's hand in it till later. Right,

1:08:15.520 --> 1:08:18.400
<v Speaker 4>I was going to strictly off the emotion. You feel me,

1:08:19.040 --> 1:08:24.480
<v Speaker 4>and I'm retaligating it on the streets. My move is justified.

1:08:25.040 --> 1:08:30.479
<v Speaker 4>Exactly on the streets, my move is justified. You did

1:08:30.560 --> 1:08:32.880
<v Speaker 4>what I'm saying. You gonna tell any other care you

1:08:32.880 --> 1:08:34.760
<v Speaker 4>put it that, nigga, be like man, I would have

1:08:34.760 --> 1:08:35.960
<v Speaker 4>had to do what I had to do.

1:08:36.080 --> 1:08:36.600
<v Speaker 2>You feel me?

1:08:37.120 --> 1:08:39.200
<v Speaker 1>So on the street, move was justified.

1:08:39.280 --> 1:08:43.160
<v Speaker 4>And that's that's the rules I was playing by coming

1:08:43.200 --> 1:08:44.240
<v Speaker 4>from the streets.

1:08:44.520 --> 1:08:47.800
<v Speaker 1>You feel me, People think about your career. You an'y

1:08:47.800 --> 1:08:48.439
<v Speaker 1>think bro?

1:08:50.240 --> 1:08:53.720
<v Speaker 4>Hell now yeah, like you feel me? You understand I

1:08:53.720 --> 1:08:55.360
<v Speaker 4>ain't thinking about none of that. I got to get

1:08:55.360 --> 1:08:56.680
<v Speaker 4>these motherfuckers off of me.

1:08:57.040 --> 1:09:00.640
<v Speaker 2>I think people get a man before you anything else.

1:09:00.840 --> 1:09:04.880
<v Speaker 1>Exactly, you know. But like I say, you know, I

1:09:04.920 --> 1:09:06.920
<v Speaker 1>took my knee here.

1:09:07.520 --> 1:09:11.240
<v Speaker 4>You feel me still living my life getting older, and

1:09:11.680 --> 1:09:14.280
<v Speaker 4>that itself, that too was the experience as well.

1:09:14.479 --> 1:09:14.639
<v Speaker 2>Right.

1:09:14.960 --> 1:09:17.040
<v Speaker 4>So I got I got, I got, I got, I

1:09:17.080 --> 1:09:23.240
<v Speaker 4>got real time testimony, right, And I'm just being short

1:09:23.320 --> 1:09:26.360
<v Speaker 4>with everything because I am working on I'm working on

1:09:26.400 --> 1:09:29.640
<v Speaker 4>a memoir. You feel me, and I want to just

1:09:29.800 --> 1:09:32.519
<v Speaker 4>sitting there, so I do want to leave some things,

1:09:32.640 --> 1:09:32.880
<v Speaker 4>you know.

1:09:33.880 --> 1:09:35.880
<v Speaker 1>That's why I'm being shot like that. I know y'all

1:09:36.000 --> 1:09:37.240
<v Speaker 1>kind of tell I'm being short.

1:09:37.720 --> 1:09:40.400
<v Speaker 4>Still still be trying to hit you with questions to

1:09:40.520 --> 1:09:42.720
<v Speaker 4>kind of like, but I got to be short with

1:09:42.840 --> 1:09:43.360
<v Speaker 4>you right now.

1:09:43.479 --> 1:09:48.360
<v Speaker 1>Still we'll talk. I gotta be something for the literature.

1:09:50.960 --> 1:09:53.720
<v Speaker 4>But yeah, man, people you know, people basically got an

1:09:53.760 --> 1:09:54.679
<v Speaker 4>idea of.

1:09:54.600 --> 1:09:56.080
<v Speaker 1>What happened and things like that.

1:09:56.640 --> 1:09:56.880
<v Speaker 2>You know.

1:09:58.800 --> 1:10:00.799
<v Speaker 1>Yeah, man, end up going.

1:10:00.640 --> 1:10:04.559
<v Speaker 4>To the penitential, getting back out, having go through the

1:10:04.560 --> 1:10:09.360
<v Speaker 4>whole struggle of reiterating myself back in society, getting back

1:10:09.400 --> 1:10:10.120
<v Speaker 4>on my feet.

1:10:10.200 --> 1:10:14.120
<v Speaker 1>You feel me, I won't even say unfortunately, but for.

1:10:14.080 --> 1:10:18.880
<v Speaker 4>Me, I didn't have that fan fare waiting for me

1:10:19.040 --> 1:10:21.920
<v Speaker 4>like that, Like some rappers go to jail and then

1:10:22.040 --> 1:10:23.599
<v Speaker 4>niggas get out hey waiting for them.

1:10:24.439 --> 1:10:25.400
<v Speaker 2>It wasn't like that.

1:10:25.680 --> 1:10:28.200
<v Speaker 4>It wasn't like that for me, right, I think because

1:10:28.320 --> 1:10:31.559
<v Speaker 4>why I was locked up, and this was pre social media, right,

1:10:31.960 --> 1:10:36.559
<v Speaker 4>So motherfucker locked up, and you don't have homeboys that

1:10:36.720 --> 1:10:40.400
<v Speaker 4>have access to the media, right, You had to have

1:10:40.479 --> 1:10:44.200
<v Speaker 4>somebody that had access to the media to keep your

1:10:44.720 --> 1:10:47.160
<v Speaker 4>TV shouting you out, you feel me, to even be

1:10:47.200 --> 1:10:49.759
<v Speaker 4>able to go to the radio station, have a reason

1:10:49.760 --> 1:10:51.840
<v Speaker 4>to be at the radio station where they can shout

1:10:51.880 --> 1:10:53.360
<v Speaker 4>you out and things like that.

1:10:53.640 --> 1:10:56.200
<v Speaker 1>You did what I'm saying. So my niggas was in

1:10:56.240 --> 1:10:57.200
<v Speaker 1>the streets.

1:10:58.160 --> 1:11:01.439
<v Speaker 4>They wasn't rappers and things like that, so they didn't

1:11:01.479 --> 1:11:04.519
<v Speaker 4>have access to the media. You did what I'm saying, Right,

1:11:04.760 --> 1:11:07.240
<v Speaker 4>I'm getting all of this through letters and pictures. That's

1:11:07.240 --> 1:11:09.240
<v Speaker 4>how I'm getting my support, you feel me.

1:11:09.560 --> 1:11:09.760
<v Speaker 2>Right.

1:11:12.400 --> 1:11:16.120
<v Speaker 4>At the time, the source had reached out to me, right,

1:11:17.080 --> 1:11:19.040
<v Speaker 4>and I was locked up in their paths, so and

1:11:19.080 --> 1:11:22.040
<v Speaker 4>they wanted to they wanted to come interview me, but

1:11:23.320 --> 1:11:26.120
<v Speaker 4>I didn't see how it would help my situation because

1:11:26.160 --> 1:11:29.479
<v Speaker 4>I was going through a real situation at the time, right,

1:11:29.680 --> 1:11:30.600
<v Speaker 4>and it was it was.

1:11:30.640 --> 1:11:33.639
<v Speaker 1>It was a real trial for myself and for my family.

1:11:34.160 --> 1:11:35.640
<v Speaker 4>You did what I'm saying, and I just wanted to

1:11:35.680 --> 1:11:38.640
<v Speaker 4>go through it and get it done right, So I

1:11:38.680 --> 1:11:41.719
<v Speaker 4>didn't see the benefit of sitting there being interviewed from behind.

1:11:41.760 --> 1:11:45.880
<v Speaker 4>Boy and listen, I'm a studio head. I love to

1:11:45.920 --> 1:11:49.759
<v Speaker 4>be in the studio creating recording. You did what I'm saying,

1:11:50.200 --> 1:11:52.440
<v Speaker 4>even though I was in the I'm in the business

1:11:52.520 --> 1:11:55.000
<v Speaker 4>to where we have to be in front of the camera,

1:11:55.120 --> 1:11:58.679
<v Speaker 4>right and make ourselves accessible to the media and things

1:11:58.760 --> 1:12:02.040
<v Speaker 4>like that. I was never Listen, I'll be shooting videos.

1:12:02.040 --> 1:12:05.559
<v Speaker 4>I'll be sweating profusely at my own video shoot. It

1:12:05.640 --> 1:12:08.519
<v Speaker 4>could be cold outside because I just was never like

1:12:08.640 --> 1:12:11.120
<v Speaker 4>comfortable in front the camera.

1:12:10.800 --> 1:12:12.160
<v Speaker 2>And things like that. Right.

1:12:12.560 --> 1:12:14.800
<v Speaker 4>I can get on staging through my thing, but all

1:12:14.800 --> 1:12:16.439
<v Speaker 4>of that revolved around the music.

1:12:16.600 --> 1:12:18.080
<v Speaker 1>You feel what I'm saying, Right.

1:12:18.200 --> 1:12:20.679
<v Speaker 4>I could eventually get in there and get my mind

1:12:20.760 --> 1:12:22.879
<v Speaker 4>right to do the videos, and I had got.

1:12:22.720 --> 1:12:25.080
<v Speaker 1>Better with it, but I was never that kind of cat.

1:12:25.400 --> 1:12:25.559
<v Speaker 2>Right.

1:12:25.680 --> 1:12:28.000
<v Speaker 4>That's why I'm a little bit behind with the social media,

1:12:28.160 --> 1:12:31.400
<v Speaker 4>not because when it was happening, I wasn't. I didn't

1:12:31.400 --> 1:12:33.439
<v Speaker 4>gravitate towards it like that, you did, you know what

1:12:33.479 --> 1:12:39.080
<v Speaker 4>I'm saying. So geez, So we got to ease into it, right,

1:12:39.400 --> 1:12:42.599
<v Speaker 4>and then we were gonna we're gonna perfect where we're

1:12:42.600 --> 1:12:43.840
<v Speaker 4>getting our bread at.

1:12:44.120 --> 1:12:45.400
<v Speaker 1>Oh, this is what we gotta do.

1:12:45.960 --> 1:12:46.280
<v Speaker 2>Damn.

1:12:46.400 --> 1:12:47.040
<v Speaker 1>You know what I'm saying.

1:12:47.040 --> 1:12:50.679
<v Speaker 4>The motherfucker go from there. But yeah, so I didn't.

1:12:50.760 --> 1:12:53.960
<v Speaker 4>I didn't seek out the media or nothing like that. Right,

1:12:54.120 --> 1:12:56.479
<v Speaker 4>people be like, you know, man, come down here and

1:12:56.560 --> 1:12:59.600
<v Speaker 4>interview me. I just wanted to get through that. We

1:12:59.760 --> 1:13:03.080
<v Speaker 4>got with my family, you know what I mean? And

1:13:03.080 --> 1:13:06.000
<v Speaker 4>and I did. I wanted seven year sentence and I

1:13:06.000 --> 1:13:08.280
<v Speaker 4>didn't have to stay the whole seven, right, I did

1:13:08.280 --> 1:13:09.280
<v Speaker 4>the rest in the streets.

1:13:09.360 --> 1:13:11.800
<v Speaker 1>So that was a blessing. And I learned a lot

1:13:11.880 --> 1:13:12.240
<v Speaker 1>down there.

1:13:12.360 --> 1:13:15.479
<v Speaker 4>My relationship with the Lord crew, right, I'm sure that

1:13:15.560 --> 1:13:18.640
<v Speaker 4>he didn't want me behind bars, right, but it was

1:13:18.720 --> 1:13:22.840
<v Speaker 4>other things in my life, right. I was undisciplined, right,

1:13:22.960 --> 1:13:25.719
<v Speaker 4>and he was giving me time on my own to

1:13:25.720 --> 1:13:29.200
<v Speaker 4>to to correct that, right. And then sometimes you got

1:13:29.200 --> 1:13:31.479
<v Speaker 4>to sit down, right, you got to suit you down

1:13:31.520 --> 1:13:33.960
<v Speaker 4>so he can isolate you. You didn't know what I'm saying,

1:13:34.000 --> 1:13:37.240
<v Speaker 4>but the you know, like I said, that's what I

1:13:37.400 --> 1:13:41.280
<v Speaker 4>gained from from the whole situation, right, I gained a

1:13:41.760 --> 1:13:43.559
<v Speaker 4>situation from my relationship with God.

1:13:43.600 --> 1:13:45.000
<v Speaker 1>I saw him moving my life in.

1:13:44.920 --> 1:13:47.720
<v Speaker 4>A real way, and and and and that's part of

1:13:47.760 --> 1:13:51.000
<v Speaker 4>my testimony. And maybe that's why I was placed in

1:13:51.000 --> 1:13:53.719
<v Speaker 4>the line of fire like that. Right, Maybe it's bigger

1:13:53.760 --> 1:13:57.400
<v Speaker 4>than all the pieces on the board, right, all the

1:13:57.439 --> 1:13:58.320
<v Speaker 4>people involved.

1:13:58.320 --> 1:13:59.720
<v Speaker 1>Maybe it's bigger than all of that.

1:13:59.880 --> 1:14:00.200
<v Speaker 2>Right.

1:14:00.400 --> 1:14:02.679
<v Speaker 4>So I'm able to do that now now that I'm

1:14:02.760 --> 1:14:08.360
<v Speaker 4>past the the letdown of it, the anger of it all. Right,

1:14:08.800 --> 1:14:10.720
<v Speaker 4>now I'm able to you know what I mean, to

1:14:10.840 --> 1:14:15.800
<v Speaker 4>really see the workings of it and pull the positive

1:14:15.960 --> 1:14:16.719
<v Speaker 4>up out of it.

1:14:17.200 --> 1:14:19.879
<v Speaker 2>You know. But yeah, it had gotten.

1:14:19.640 --> 1:14:25.320
<v Speaker 4>Into some gangster ship. It was real, dope, it was real,

1:14:25.400 --> 1:14:26.639
<v Speaker 4>do you know what I mean?

1:14:27.439 --> 1:14:31.519
<v Speaker 2>So you know, yeah, Man, we go ahead, this sit

1:14:31.640 --> 1:14:35.400
<v Speaker 2>down in person, man, like we talked about this. This

1:14:35.439 --> 1:14:36.599
<v Speaker 2>is a precursor of that.

1:14:36.680 --> 1:14:43.120
<v Speaker 1>Man, it's crazy, right, I'm gonna get out there.

1:14:43.479 --> 1:14:46.040
<v Speaker 4>I'm gonna get out there and fuck with y'all. Man, Definitely,

1:14:46.080 --> 1:14:48.920
<v Speaker 4>we're gonna sit down. And by then, man, I've been

1:14:49.120 --> 1:14:51.599
<v Speaker 4>had had this music that I've been working on, so

1:14:51.960 --> 1:14:54.400
<v Speaker 4>I could lay on y'all and we could talk about

1:14:54.479 --> 1:14:55.080
<v Speaker 4>that as well.

1:14:56.000 --> 1:15:00.799
<v Speaker 2>Yeah, Mike, you gotta get Mike on a new album though, Yo, you.

1:15:00.680 --> 1:15:02.800
<v Speaker 1>Already know, you know, I ain't.

1:15:03.439 --> 1:15:05.840
<v Speaker 4>I know when the time is right, it's gonna happen.

1:15:06.320 --> 1:15:08.800
<v Speaker 4>You feel I know when the time is right, it's

1:15:08.800 --> 1:15:12.519
<v Speaker 4>gonna happen. But maybe the time is coming. Though it's coming.

1:15:15.680 --> 1:15:20.679
<v Speaker 2>That's easy right there, for sure, Mike, Man, he said, Man,

1:15:20.800 --> 1:15:23.120
<v Speaker 2>we gonna get back together and do this. Person. Man,

1:15:23.680 --> 1:15:26.240
<v Speaker 2>we don't have you in here for hours some change, y'all.

1:15:26.240 --> 1:15:27.920
<v Speaker 2>I only asked you to give me our You gave

1:15:27.960 --> 1:15:30.120
<v Speaker 2>me so much more. I feel like if we don't stop,

1:15:30.120 --> 1:15:31.160
<v Speaker 2>we're gonna keep on going.

1:15:31.400 --> 1:15:33.960
<v Speaker 1>And I got to get back to these playoffs lame.

1:15:38.200 --> 1:15:38.679
<v Speaker 2>Right quick.

1:15:39.960 --> 1:15:42.960
<v Speaker 4>This salute man, Love y'all brothers, man, and I see

1:15:43.000 --> 1:15:46.719
<v Speaker 4>y'all on the other side all ready.

1:15:47.360 --> 1:15:51.679
<v Speaker 2>You know we got here all reck