1 00:00:17,320 --> 00:00:20,200 Speaker 1: Welcome to a bite sized episode of x ray Vision 2 00:00:20,200 --> 00:00:23,959 Speaker 1: of the podcast, where we dive deep into your favorite shows, movies, comics, 3 00:00:24,000 --> 00:00:27,639 Speaker 1: and pop culture. Today, we're hopping into the time capsule 4 00:00:27,720 --> 00:00:30,280 Speaker 1: to revisit one of the biggest hits of twenty twenty four, 5 00:00:30,560 --> 00:00:38,960 Speaker 1: June Part two. Here's a quick recap of Dune Part two, 6 00:00:39,800 --> 00:00:44,520 Speaker 1: which blew me back in my seat when I watched 7 00:00:44,520 --> 00:00:46,720 Speaker 1: it in the theater, not even the Imax version. This 8 00:00:46,880 --> 00:00:51,720 Speaker 1: picks up on the events of Dune Part one pretty 9 00:00:51,760 --> 00:00:55,880 Speaker 1: much right minutes after the end of Dune Part one, 10 00:00:56,800 --> 00:01:00,680 Speaker 1: Paul and his mother, the Lady Jessica, traveled to switch 11 00:01:00,800 --> 00:01:05,520 Speaker 1: Tabor with Stilgar. The Fremen slowly grow to accept Paul. 12 00:01:06,080 --> 00:01:09,600 Speaker 1: His relationship with Channi is deepening, as are the rumors 13 00:01:09,640 --> 00:01:12,000 Speaker 1: that he is the Lisa al Gabe, the Fremen Messiah 14 00:01:12,000 --> 00:01:14,959 Speaker 1: come from the outer world. Paul proves himself as an 15 00:01:14,959 --> 00:01:17,360 Speaker 1: able warrior. He takes part in frem And raids, bringing 16 00:01:17,360 --> 00:01:20,440 Speaker 1: Harcne and Spice operations to a standstill. And guess what 17 00:01:21,600 --> 00:01:24,880 Speaker 1: that makes the Baron mad. He didn't like that because 18 00:01:25,280 --> 00:01:29,480 Speaker 1: the whole reason that he connived with the Emperor to 19 00:01:29,640 --> 00:01:33,240 Speaker 1: kill off the a Tredees and get Dune back. Is 20 00:01:33,240 --> 00:01:35,560 Speaker 1: because he wants that. He wants that spice money. 21 00:01:35,600 --> 00:01:37,840 Speaker 2: He needs that spice baby. He wants to be in 22 00:01:37,880 --> 00:01:38,800 Speaker 2: charge of needs that. 23 00:01:39,720 --> 00:01:43,640 Speaker 1: It's got a flow. So he fires his nephew, the 24 00:01:43,680 --> 00:01:48,520 Speaker 1: beast Rebond, who had been managing spice productions. Nephew, he 25 00:01:49,200 --> 00:01:54,680 Speaker 1: was incompetent. Okay, he installs his absolutely terrifying but very 26 00:01:54,720 --> 00:01:59,560 Speaker 1: competent nephew, the I mean the serial killer Fade. Ralpha 27 00:02:00,120 --> 00:02:03,040 Speaker 1: and the Benajeseritz. They love this because fate is kind 28 00:02:03,040 --> 00:02:06,960 Speaker 1: of like their genetic backup plan to Paula trades back 29 00:02:07,000 --> 00:02:10,639 Speaker 1: on Dune. Jessica drinks the water of life aka worm piss, 30 00:02:10,680 --> 00:02:14,120 Speaker 1: and she survives her unborn child that Leah becomes a 31 00:02:14,120 --> 00:02:18,919 Speaker 1: fully sentient human being inside of her womb. Jessica then 32 00:02:19,480 --> 00:02:23,200 Speaker 1: replaces one of the Fremens dying reverend mother becomes their 33 00:02:23,240 --> 00:02:26,360 Speaker 1: reverend mother. Now paul is now a full fledged Fremen. 34 00:02:26,639 --> 00:02:29,440 Speaker 1: He also drinks worm piss, becoming the only man in 35 00:02:29,560 --> 00:02:33,560 Speaker 1: history to survive this ordeal. And after that, the Fremen 36 00:02:33,600 --> 00:02:35,840 Speaker 1: are like, yeah, one hundred percent, you are the Lisa 37 00:02:35,840 --> 00:02:38,000 Speaker 1: and I'll give you you are him. That's the guy. 38 00:02:38,200 --> 00:02:42,120 Speaker 2: Yes it's you, no question ten out of ten no questions. 39 00:02:43,120 --> 00:02:46,280 Speaker 1: Paul is reunited with his old friend Gurney Halleck, who 40 00:02:46,360 --> 00:02:48,440 Speaker 1: survived the Hardcone and Mascre and has been working as 41 00:02:48,480 --> 00:02:54,320 Speaker 1: a smuggler and also busking on the side. Paul gets 42 00:02:54,360 --> 00:02:59,320 Speaker 1: his family atomic bombs back now and then with the 43 00:02:59,400 --> 00:03:04,760 Speaker 1: Fremen lure the Emperor to Aracus. It's a trap. The 44 00:03:04,840 --> 00:03:08,200 Speaker 1: Fremn wipe out the Sartokar. They take the Emperor hostage, 45 00:03:08,320 --> 00:03:13,160 Speaker 1: also Princess Irlam Baron Fade, other notables taken hostage, and 46 00:03:13,200 --> 00:03:17,960 Speaker 1: Paul makes his big offer. Hey, resign as emperor. I 47 00:03:18,040 --> 00:03:23,320 Speaker 1: will marry your daughter and then I will rule the galaxy. 48 00:03:23,960 --> 00:03:27,040 Speaker 1: And if you say no, I destroy all spice production 49 00:03:27,120 --> 00:03:30,080 Speaker 1: on Aracus, which would cause, you know, the mother of 50 00:03:30,120 --> 00:03:33,800 Speaker 1: all supply chain problems and bring the galactic economy to 51 00:03:33,840 --> 00:03:37,680 Speaker 1: its knees, not to mention all the millions, if not billions, 52 00:03:37,680 --> 00:03:40,440 Speaker 1: of spice addicts across the galaxy who would just like 53 00:03:40,520 --> 00:03:44,200 Speaker 1: drop dead painfully at times withdrawal. It would be bad. 54 00:03:44,720 --> 00:03:46,440 Speaker 1: The Emperor is like, I'll think about it, but you 55 00:03:46,480 --> 00:03:48,920 Speaker 1: got to fight my guy Fade, and Paul is like, fine, 56 00:03:49,520 --> 00:03:52,280 Speaker 1: lots of trash talking, but Paul of course wins, and 57 00:03:52,320 --> 00:03:54,920 Speaker 1: it's a wonderful like mirror image of his duel with 58 00:03:55,360 --> 00:03:59,840 Speaker 1: Gurney from June one. Deal is on. Unfortunately the houses 59 00:03:59,880 --> 00:04:02,040 Speaker 1: of the lands Rad, who have just arrived in orbit 60 00:04:02,120 --> 00:04:05,000 Speaker 1: above Dune or like, we don't agree, and so Paul 61 00:04:05,120 --> 00:04:08,360 Speaker 1: is like, guess what. I didn't want to do the jihad, 62 00:04:08,440 --> 00:04:10,880 Speaker 1: but now we're doing it. Let's ride, Let's go up 63 00:04:10,920 --> 00:04:14,320 Speaker 1: there and let's kill everybody. And and they go up 64 00:04:14,800 --> 00:04:18,719 Speaker 1: to take out the forces of the lands Rad. Meanwhile 65 00:04:18,920 --> 00:04:24,360 Speaker 1: Channie goes off into the desert to think about everything 66 00:04:24,440 --> 00:04:28,920 Speaker 1: that's just happened. Your reactions, Yeah, so I mean too. 67 00:04:29,600 --> 00:04:31,880 Speaker 2: I watched You in two in the front of the 68 00:04:31,920 --> 00:04:35,720 Speaker 2: IMAX because I got to the screening too late, and. 69 00:04:35,680 --> 00:04:36,760 Speaker 1: I was that was your neck? 70 00:04:36,960 --> 00:04:38,960 Speaker 2: It was well, you know what it was. It was 71 00:04:39,160 --> 00:04:40,920 Speaker 2: I I kind of tried to lay back as much 72 00:04:40,960 --> 00:04:43,320 Speaker 2: as I could on the recliner and then I just 73 00:04:43,320 --> 00:04:46,240 Speaker 2: felt like I was in the movie. Like I wrote 74 00:04:46,240 --> 00:04:48,640 Speaker 2: an article for Igan about it because it was just 75 00:04:48,720 --> 00:04:51,159 Speaker 2: so outrageous, Like when the sand whims, it was like 76 00:04:51,320 --> 00:04:53,720 Speaker 2: Shihalud was coming to eat me, and I was like, ah, 77 00:04:53,839 --> 00:04:58,040 Speaker 2: the Grandfather wha like. It was extremely viby, the sound 78 00:04:58,160 --> 00:05:00,880 Speaker 2: was great. I was a huge fan of the first 79 00:05:00,960 --> 00:05:03,240 Speaker 2: Dune movie. I was lucky enough to see it at 80 00:05:03,279 --> 00:05:05,920 Speaker 2: the Imax headquarters where they edit all the Imax movies 81 00:05:05,960 --> 00:05:08,480 Speaker 2: and stuff, and I just thought it was so good. 82 00:05:08,560 --> 00:05:13,200 Speaker 2: It had this kind of slowburn British four part miniseries 83 00:05:13,320 --> 00:05:15,919 Speaker 2: like on a Sunday afternoon drama vibe, so I wasn't 84 00:05:15,960 --> 00:05:18,240 Speaker 2: fully surprised when most people I told to watch it 85 00:05:18,240 --> 00:05:21,800 Speaker 2: were like, this is boring. So I've been incredibly happy 86 00:05:22,279 --> 00:05:26,080 Speaker 2: to see how much people love this movie, because it 87 00:05:26,160 --> 00:05:29,279 Speaker 2: is like a wild feat of filmmaking and it is 88 00:05:29,400 --> 00:05:33,719 Speaker 2: very beautiful. And I love Charnie and I love the 89 00:05:33,720 --> 00:05:36,119 Speaker 2: way that they changed her character in this. She gets 90 00:05:36,160 --> 00:05:40,240 Speaker 2: to have way more agency in the book. She in 91 00:05:40,279 --> 00:05:43,279 Speaker 2: the book, she's more of just like his supplicant lover, like, 92 00:05:43,320 --> 00:05:46,560 Speaker 2: no matter what happens, she stands by him, and yeah, 93 00:05:46,560 --> 00:05:49,520 Speaker 2: and the prince, you know, and obviously and he's and 94 00:05:49,560 --> 00:05:51,479 Speaker 2: she's like, oh, you got to marry this woman for 95 00:05:51,520 --> 00:05:54,599 Speaker 2: some other reason. Cool, Like, I don't mind whatever. So 96 00:05:54,640 --> 00:05:58,599 Speaker 2: I've seen some really interesting kind of theories in the 97 00:05:58,680 --> 00:06:02,360 Speaker 2: Dune Pod discord and online about the idea that Channie 98 00:06:02,400 --> 00:06:06,159 Speaker 2: maybe is gonna become like a resistance leader against Paul 99 00:06:06,560 --> 00:06:09,360 Speaker 2: and the war, which I think would be so interesting. 100 00:06:09,640 --> 00:06:12,480 Speaker 2: And there are a lot of changes actually from the book. 101 00:06:12,520 --> 00:06:15,359 Speaker 2: I mean even the Alia stuff in the book. You know, 102 00:06:16,000 --> 00:06:18,599 Speaker 2: she's already born at this point. And but I think 103 00:06:18,600 --> 00:06:21,600 Speaker 2: the way they did it was really interesting and works 104 00:06:21,640 --> 00:06:23,680 Speaker 2: for the movie. And there's only so much suspension of 105 00:06:23,720 --> 00:06:27,160 Speaker 2: this belief you can do, and the Aalia character from 106 00:06:27,200 --> 00:06:29,599 Speaker 2: the book would have really pushed that for people. I think. 107 00:06:29,640 --> 00:06:30,960 Speaker 2: So I thought, yeah, I thought it was great. 108 00:06:31,120 --> 00:06:33,040 Speaker 1: I think that would be Yeah. I loved it. I 109 00:06:33,080 --> 00:06:37,360 Speaker 1: was blown away. I felt we're going to talk about 110 00:06:37,480 --> 00:06:39,760 Speaker 1: is Paul the bad guy in a second. But you 111 00:06:39,880 --> 00:06:42,200 Speaker 1: mentioned that the theory that Channie is going to be 112 00:06:42,240 --> 00:06:46,960 Speaker 1: a resistance leader potentially against Paul. I think the conversation 113 00:06:47,000 --> 00:06:49,320 Speaker 1: around Paul being the bad guy is fascinating because I 114 00:06:49,360 --> 00:06:53,640 Speaker 1: think what very clearly the Dune books want to do 115 00:06:54,200 --> 00:06:58,360 Speaker 1: is show how a charismatic leader can rise to power 116 00:06:58,520 --> 00:07:02,600 Speaker 1: and how it's not good m h. Because what happens 117 00:07:02,640 --> 00:07:06,840 Speaker 1: after the first Dune book into Dune Messiah and elsewhere 118 00:07:07,040 --> 00:07:11,120 Speaker 1: is basically Paul just falls on his face again and 119 00:07:11,200 --> 00:07:18,080 Speaker 1: again and again, and a kind of splinter frem and 120 00:07:18,240 --> 00:07:23,360 Speaker 1: cell of fighters who are like, God, is is this right? 121 00:07:23,520 --> 00:07:26,640 Speaker 1: Like is Paul the best thing for the galaxy and 122 00:07:26,680 --> 00:07:29,720 Speaker 1: for us? Like that happens, and it would be very 123 00:07:29,760 --> 00:07:32,520 Speaker 1: fascinating if Chohanny was the spearhead of that. I will 124 00:07:32,520 --> 00:07:36,280 Speaker 1: say that. Listen, when I first read the Dune, the 125 00:07:36,360 --> 00:07:39,320 Speaker 1: first Dune book, as a kid, I was like, holy cow, 126 00:07:39,520 --> 00:07:42,640 Speaker 1: Paul is amazing, like a classic hero in the in 127 00:07:42,680 --> 00:07:48,520 Speaker 1: the classic kind of fantasy, Like yeah, and it's only 128 00:07:49,040 --> 00:07:51,720 Speaker 1: you know, as you get older it but surely you realize, Oh, 129 00:07:51,760 --> 00:07:54,360 Speaker 1: there's actually like quite a lot of sign posting that 130 00:07:54,400 --> 00:07:58,520 Speaker 1: what Paul is doing is not right. And I think 131 00:07:58,560 --> 00:08:01,200 Speaker 1: they even make it more explicit in the movie with 132 00:08:01,320 --> 00:08:04,480 Speaker 1: the mentions of the billions of dead and how he 133 00:08:04,560 --> 00:08:06,840 Speaker 1: himself is like I don't if I go out there, 134 00:08:06,920 --> 00:08:08,920 Speaker 1: it's going to start a war and it's gonna be 135 00:08:09,080 --> 00:08:11,120 Speaker 1: very very bad. But he's swept along. 136 00:08:11,600 --> 00:08:15,920 Speaker 2: Yeah, well I think that. Yeah. Frank Herber actually said, 137 00:08:16,000 --> 00:08:18,920 Speaker 2: like in Dune Messiah, he tried to make it like 138 00:08:19,000 --> 00:08:21,760 Speaker 2: really obvious because he was like upset that people didn't 139 00:08:21,800 --> 00:08:24,080 Speaker 2: realize Paul was a bad guy and kind of this 140 00:08:24,200 --> 00:08:27,360 Speaker 2: false prophet. So DENI was like, I'm gonna make it 141 00:08:27,400 --> 00:08:31,040 Speaker 2: really obvious, Like, if you don't know that Paul is 142 00:08:31,080 --> 00:08:34,160 Speaker 2: a bad guy by the end of this movie, you're 143 00:08:34,200 --> 00:08:34,720 Speaker 2: in trouble. 144 00:08:34,920 --> 00:08:38,040 Speaker 1: I'm glad you mentioned that. So you know, there's a 145 00:08:38,120 --> 00:08:40,720 Speaker 1: Frank Kerber quote that gets thrown around around a lot 146 00:08:40,760 --> 00:08:43,360 Speaker 1: from my interview in sixty nine, which I think is 147 00:08:43,440 --> 00:08:45,680 Speaker 1: the year that Dune Messiah the second book came out, 148 00:08:45,920 --> 00:08:47,960 Speaker 1: and he basically says, the difference between a hero and 149 00:08:48,000 --> 00:08:51,160 Speaker 1: an anti hero is where you stop the story, you know, 150 00:08:51,240 --> 00:08:54,200 Speaker 1: the first version of live long enough to see yourself 151 00:08:54,240 --> 00:08:59,000 Speaker 1: become the villain exactly. I think that while I understand 152 00:08:59,600 --> 00:09:04,079 Speaker 1: Frank's annoyance and confusion that people were like, oh, yeah, 153 00:09:04,120 --> 00:09:07,400 Speaker 1: he's the hero, at the same time, I also kind 154 00:09:07,440 --> 00:09:09,880 Speaker 1: of feel like, well, of course they were confused, because, 155 00:09:10,000 --> 00:09:17,040 Speaker 1: like Frank very intentionally imbued Paul with all of the 156 00:09:17,120 --> 00:09:22,880 Speaker 1: things that we associate with a classic, iconic, you know, 157 00:09:23,480 --> 00:09:28,960 Speaker 1: grand adventure style hero. His father is killed by evil forces. 158 00:09:29,400 --> 00:09:33,960 Speaker 1: The forces arrayed against him are unquestionably immoral and darkly, 159 00:09:34,160 --> 00:09:39,920 Speaker 1: darkly darkly evil. He survives death and comes back to life, 160 00:09:40,200 --> 00:09:42,360 Speaker 1: you know, which is a thing that we associate with 161 00:09:42,800 --> 00:09:46,800 Speaker 1: these kind of like grand messianic heroes. There is a 162 00:09:47,960 --> 00:09:54,280 Speaker 1: prophecy about him and all that stuff. But wonderfully and again, 163 00:09:54,400 --> 00:09:56,160 Speaker 1: as you mentioned, and as we've been talking about, like 164 00:09:56,200 --> 00:09:59,560 Speaker 1: the thing that is like so overt in the movie is, yeah, 165 00:09:59,600 --> 00:10:05,600 Speaker 1: there's a it's essentially like Bena Jeserit propaganda and planting 166 00:10:05,600 --> 00:10:09,800 Speaker 1: in this society to keep power, to make these people 167 00:10:09,840 --> 00:10:10,760 Speaker 1: more controllable. 168 00:10:11,440 --> 00:10:14,120 Speaker 2: Okay, Jason, let's take a quick break, but don't go 169 00:10:14,120 --> 00:10:17,199 Speaker 2: anywhere day, Let's not more. Right after this, your boss 170 00:10:17,200 --> 00:10:17,600 Speaker 2: come back. 171 00:10:32,880 --> 00:10:36,280 Speaker 1: And that leads us to a new segment, which is 172 00:10:36,280 --> 00:10:38,880 Speaker 1: loop We're calling Loop me in, which is basically like 173 00:10:38,920 --> 00:10:43,400 Speaker 1: there's a there's always these kind of like isolated, siloed 174 00:10:44,120 --> 00:10:47,440 Speaker 1: conversations going around at different different corners of the Internet. 175 00:10:47,480 --> 00:10:50,200 Speaker 1: Sometimes they bubble into the mainstream and it can be 176 00:10:50,280 --> 00:10:52,520 Speaker 1: trying sometimes to try and figure out like what is 177 00:10:52,559 --> 00:10:54,920 Speaker 1: this about? Okay, So there was a conversation that bubbled 178 00:10:55,000 --> 00:10:58,839 Speaker 1: up and that has been a boiling for as long 179 00:10:58,880 --> 00:11:01,520 Speaker 1: as Dune has been out there, and consciousness, which is, yeah, 180 00:11:02,280 --> 00:11:06,680 Speaker 1: is Dune a white savior story? Let's dive into that. 181 00:11:06,960 --> 00:11:09,480 Speaker 1: The conversation around whether Dune is a white savior story. 182 00:11:09,600 --> 00:11:11,719 Speaker 2: Look, the truth is yeah, And this kind of goes 183 00:11:11,760 --> 00:11:13,480 Speaker 2: back to kind of what you were saying that there 184 00:11:13,520 --> 00:11:17,160 Speaker 2: can be as much well intentioned like slow Burn political 185 00:11:17,280 --> 00:11:20,000 Speaker 2: meaning as Frank Herbert wants there to be. But once 186 00:11:20,000 --> 00:11:21,719 Speaker 2: you write a book or you put a film out 187 00:11:21,720 --> 00:11:24,960 Speaker 2: into the world, it is for the people to read 188 00:11:25,040 --> 00:11:29,120 Speaker 2: into it, right, And I don't I do not misunderstand 189 00:11:29,280 --> 00:11:32,080 Speaker 2: or think that there's anything wrong with people who have 190 00:11:32,160 --> 00:11:34,320 Speaker 2: read this and think, oh, it's a white savior story, 191 00:11:34,400 --> 00:11:36,960 Speaker 2: or oh, they've watched the movie, because as you said, 192 00:11:36,960 --> 00:11:39,120 Speaker 2: it follows the hero's journey. It does a lot of 193 00:11:39,120 --> 00:11:43,200 Speaker 2: white savior stuff. He's a white guys, it's dancing with wolves. 194 00:11:43,200 --> 00:11:46,520 Speaker 2: Here's the best version. He's the lassan al Gayebe. He's 195 00:11:46,600 --> 00:11:48,520 Speaker 2: the one who can do it better than all the fremen. 196 00:11:48,760 --> 00:11:52,240 Speaker 2: Which is the setup for a white savior story. But 197 00:11:53,320 --> 00:11:56,800 Speaker 2: in the case of June, it is actually more complex 198 00:11:56,960 --> 00:12:00,720 Speaker 2: because all of that is to actually critique that trope, 199 00:12:01,120 --> 00:12:04,560 Speaker 2: because it then becomes about what would actually really happen 200 00:12:05,120 --> 00:12:10,760 Speaker 2: if a white person went into this space and got 201 00:12:10,760 --> 00:12:13,640 Speaker 2: this power as a kind of false idol and then 202 00:12:13,720 --> 00:12:15,920 Speaker 2: took it across the world, and what would happen. They 203 00:12:15,920 --> 00:12:18,320 Speaker 2: would cause like a you know, a g had where 204 00:12:18,320 --> 00:12:22,480 Speaker 2: eighty six million people died. And I think that the 205 00:12:22,520 --> 00:12:25,320 Speaker 2: problem here is less about like a literacy around the 206 00:12:25,360 --> 00:12:28,640 Speaker 2: book or the film, and more about do people want 207 00:12:28,640 --> 00:12:31,720 Speaker 2: to wait three movies to get to the point of 208 00:12:31,800 --> 00:12:32,479 Speaker 2: the twist. 209 00:12:32,520 --> 00:12:35,079 Speaker 1: Or do they want to become fift thousand. 210 00:12:34,679 --> 00:12:36,960 Speaker 2: Word books to get to the point of the trist. 211 00:12:37,080 --> 00:12:38,880 Speaker 2: I will say the one critique that I think is 212 00:12:38,960 --> 00:12:41,520 Speaker 2: very fair of the movies, and obviously the books have 213 00:12:41,559 --> 00:12:44,280 Speaker 2: always been critiqued but also celebrated. There's like it's a 214 00:12:44,400 --> 00:12:47,760 Speaker 2: very divided conversation about the Orientalism and the books and 215 00:12:47,800 --> 00:12:50,640 Speaker 2: stuff like that. But I will say the films didn't 216 00:12:50,679 --> 00:12:53,240 Speaker 2: do a great job of casting like Middle Eastern people 217 00:12:54,160 --> 00:12:56,640 Speaker 2: at in the Fremen culture, which is obviously what it 218 00:12:56,720 --> 00:12:59,600 Speaker 2: is inspired by. So I do think that that adds 219 00:12:59,640 --> 00:13:03,080 Speaker 2: to that conversation. But generally, Paul is not a white savior, 220 00:13:03,080 --> 00:13:05,520 Speaker 2: and that's like that if you're really putting like it's 221 00:13:05,800 --> 00:13:08,200 Speaker 2: a pin on it, he isn't, because the whole point 222 00:13:08,240 --> 00:13:10,720 Speaker 2: is he's actually the villain. Spoilery la. If you didn't 223 00:13:10,720 --> 00:13:12,520 Speaker 2: get it, he's already's. 224 00:13:12,480 --> 00:13:15,400 Speaker 1: That's right, it's not a white savior story, but I 225 00:13:15,440 --> 00:13:19,719 Speaker 1: think to your point, it's complex. Here's here's Herbert on 226 00:13:19,760 --> 00:13:23,200 Speaker 1: something of his intent behind writing the story from that 227 00:13:23,240 --> 00:13:27,720 Speaker 1: same nineteen sixty nine interview, and he's basically talking about 228 00:13:28,559 --> 00:13:33,200 Speaker 1: envisioning Doune as a critique of Lawrence of Arabia of 229 00:13:33,280 --> 00:13:39,120 Speaker 1: ten Lawrence. He says, quote, weave western man, set out 230 00:13:39,160 --> 00:13:41,480 Speaker 1: our missionaries to do our dirty work for us, and 231 00:13:41,520 --> 00:13:43,880 Speaker 1: then come along behind them with a certain belief that 232 00:13:43,920 --> 00:13:46,319 Speaker 1: we're right in anything that we do because God has 233 00:13:46,360 --> 00:13:50,080 Speaker 1: told us so, God and the person of the Avatar. Basically, 234 00:13:50,120 --> 00:13:54,560 Speaker 1: what he's saying is, yes, Paul is a quote unquote 235 00:13:54,559 --> 00:13:58,520 Speaker 1: white savior, but he's there because of this long running 236 00:13:59,440 --> 00:14:04,000 Speaker 1: plot to place him in that position and manipulate the 237 00:14:04,280 --> 00:14:07,320 Speaker 1: indigenous people of this world. So it is, to your point, 238 00:14:07,679 --> 00:14:13,160 Speaker 1: a critique of the entire dynamic, and unsurprisingly it's one 239 00:14:13,200 --> 00:14:15,880 Speaker 1: that that eludes people because it is quite subtle, although 240 00:14:15,960 --> 00:14:18,600 Speaker 1: less less subtle in June too. I hope they make 241 00:14:19,120 --> 00:14:24,320 Speaker 1: a third movie and show and show Paul just tripping 242 00:14:24,320 --> 00:14:25,000 Speaker 1: over Rakes. 243 00:14:25,400 --> 00:14:25,640 Speaker 2: Yeah. 244 00:14:25,760 --> 00:14:27,920 Speaker 1: Well, you know, in two hours. 245 00:14:27,720 --> 00:14:30,720 Speaker 2: The book the movie has Dune two has made almost 246 00:14:30,800 --> 00:14:34,880 Speaker 2: six hundred million dollars, So I think Dune Messiah is coming. Uh. 247 00:14:34,920 --> 00:14:37,760 Speaker 1: Okay, every episode we're gonna close the show with a 248 00:14:37,840 --> 00:14:41,520 Speaker 1: variety of fast moving segments. Today it's Who's Who, in 249 00:14:41,520 --> 00:14:44,120 Speaker 1: which we talk about some of our favorite weird characters 250 00:14:44,160 --> 00:14:46,520 Speaker 1: from a given universe. In this episode, we're doing our 251 00:14:46,560 --> 00:14:51,160 Speaker 1: favorite weirdo from Dune, Rosie. Who is your favorite Dune weirdo? 252 00:14:51,760 --> 00:14:54,920 Speaker 2: This is very hard because Dune has so many good widows, 253 00:14:54,960 --> 00:14:58,240 Speaker 2: but I am going there's so many you couldn't even 254 00:14:58,280 --> 00:15:00,600 Speaker 2: believe it. Like when you were just doing the recap 255 00:15:00,720 --> 00:15:02,200 Speaker 2: of the movie, I was like, we need to do 256 00:15:02,240 --> 00:15:04,600 Speaker 2: recaps of the books because it's so funny when you 257 00:15:04,680 --> 00:15:07,240 Speaker 2: just try and list out everything that happens. Okay, I'm 258 00:15:07,280 --> 00:15:10,360 Speaker 2: going for Alia book version and this is no shade 259 00:15:10,400 --> 00:15:12,720 Speaker 2: on two. I understand why they needed to do this, 260 00:15:13,000 --> 00:15:16,200 Speaker 2: but literally, she is a baby who is born with 261 00:15:16,320 --> 00:15:19,560 Speaker 2: the full consciousness of like a thousand generations of Bena 262 00:15:19,640 --> 00:15:22,520 Speaker 2: Jesuit who are witches. And when she's four years old, 263 00:15:22,520 --> 00:15:25,000 Speaker 2: she's like running around with the knife. She's the one 264 00:15:25,000 --> 00:15:27,520 Speaker 2: who kills the baron with the gomjabar. I mean, that's 265 00:15:27,520 --> 00:15:29,560 Speaker 2: one of the most bonkers characters of all time, and 266 00:15:29,640 --> 00:15:31,720 Speaker 2: I love the four year old murder baby. 267 00:15:32,400 --> 00:15:36,640 Speaker 1: She then has a romance with a clone of Dunkan Idaho. 268 00:15:36,760 --> 00:15:44,720 Speaker 1: It gets crazy, folks. My favorite Dune weirdo is Edrick 269 00:15:45,640 --> 00:15:51,040 Speaker 1: oh Spacing Guild, a navigator who is part of the 270 00:15:51,080 --> 00:15:55,640 Speaker 1: plot against Paul and listen, Dune is not a story 271 00:15:55,680 --> 00:15:58,680 Speaker 1: that has a lot of humor, but I find Edric, 272 00:15:58,880 --> 00:16:02,560 Speaker 1: who is getting dunked on mercilessly when you first meet 273 00:16:02,640 --> 00:16:08,360 Speaker 1: him in the book, is just getting absolutely pantsed as 274 00:16:08,400 --> 00:16:13,240 Speaker 1: he's trying to like lay out this plot against Paul. 275 00:16:13,760 --> 00:16:16,080 Speaker 1: I find it really funny. I find it hilarious. So 276 00:16:16,120 --> 00:16:18,360 Speaker 1: that's that's my favorite Edward. We didn't see a lot 277 00:16:18,400 --> 00:16:22,560 Speaker 1: of like the classic book style Spacing Guild navigators, but 278 00:16:22,640 --> 00:16:24,160 Speaker 1: maybe we will if we get a third book. 279 00:16:25,200 --> 00:16:26,880 Speaker 2: And I just need to say we picked those in 280 00:16:26,920 --> 00:16:29,680 Speaker 2: a world where they are There's a character who's literally 281 00:16:29,720 --> 00:16:33,960 Speaker 2: a giant human sand and there are witches with magical vaginas, 282 00:16:34,000 --> 00:16:37,560 Speaker 2: so we were really like, we really it's from the widows, 283 00:16:37,640 --> 00:16:39,680 Speaker 2: but Dune has a lot of widows. 284 00:16:40,200 --> 00:16:48,200 Speaker 1: Thanks to you. Next Show by x ray Vision is 285 00:16:48,240 --> 00:16:52,080 Speaker 1: hosted by Jason Ncepcion and Rosie Knight and is a 286 00:16:52,120 --> 00:16:56,440 Speaker 1: production of iHeart Podcasts. Our executive producers are Joelle Smith 287 00:16:56,640 --> 00:17:00,960 Speaker 1: and Aaron Kaufman. Our supervising producer is a booz Afar. 288 00:17:01,920 --> 00:17:06,320 Speaker 1: Our producers are Carmen Laurent and Mia Taylor. Our theme 289 00:17:06,400 --> 00:17:08,000 Speaker 1: song is by Brian Basquez. 290 00:17:08,480 --> 00:17:12,800 Speaker 2: Special thanks to Soul Rubin and Chris Laude, Kenny Goodman 291 00:17:13,119 --> 00:17:15,200 Speaker 2: and Heidi our discord moderator.