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Speaker 1: Money, ladies and gentlemen. My name is Tank Valentine. This

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Speaker 1: this the Army Money Podcast.

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Speaker 2: Yeah what it is the authority on all things, all

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Speaker 2: things R and B.

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Speaker 1: Yeah, it's it's it's about to get legendary. You know

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Speaker 1: when when when you have a thing that represents an

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Speaker 1: entire region.

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Speaker 3: Yeah, when you're born and raised.

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Speaker 1: You know what. Listen, I've been living on the West

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Speaker 1: for twenty four years. You are from the West, I'm

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Speaker 1: from here. Would you do the honors and introduce this

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Speaker 1: thing the right way?

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Speaker 3: You? Listen?

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Speaker 2: Listen, listen, this is this is legendary music. They try

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Speaker 2: to categorize a lot of things, especially when it comes

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Speaker 2: to the West Coast, try to do you know, they

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Speaker 2: try to put that region on us. But some of us,

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Speaker 2: we just we got it in us. Some of us is.

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Speaker 3: Born with it. Yeah, yeah, you know what I mean.

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Speaker 4: Yeah, some of us is way too funky.

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Speaker 1: Some of us. You know.

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Speaker 4: On tonight tonight we have the man himself who is it,

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Speaker 4: the super producer huh, the super Raffer, the gangster for real,

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Speaker 4: for real, for real.

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Speaker 3: And most importantly the DJ Quick is his name, bro,

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Speaker 3: That's how I get it. He can y'all come do that.

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Speaker 3: We will be there. Man. Thanks for this, bro, B

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Speaker 3: Thank you. Bro got me on Rich and Black Radio

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Speaker 3: rich or Rowdy and Black is RB stand for now?

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Speaker 5: Man?

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Speaker 1: You never know, you never know these days and barbecues.

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Speaker 3: We're still doing together now. So it's red and blue mixing, bro.

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Speaker 1: And and sometimes I think it's hard to maybe frame

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Speaker 1: it yourself in terms of understanding impact and your contribution

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Speaker 1: to music. But this is the R and B Money

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Speaker 1: Podcast and for us are our a k is is

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Speaker 1: popular ship time? Come on, man, like it's you know

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Speaker 1: there there are moments where you you're allowed to be humble, right.

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Speaker 1: This is not this is like that guy that guy

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Speaker 1: nice guys finished last. This is that moment where found

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Speaker 1: my ship.

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Speaker 3: I can.

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Speaker 6: Talk it, yeah, Bro, since I touched down on this

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Speaker 6: on this soil, that's all I've heard, and I heard

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Speaker 6: it before I got here, but to see it was

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Speaker 6: just different.

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Speaker 3: I make music for the atmosphere here. It's just it's

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Speaker 3: West Coast. It's an environment, so I make the music

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Speaker 3: that matches the environment.

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Speaker 1: But I'm a I'm a musician, right, and so that's

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Speaker 1: what for me, took your music outside of a region.

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Speaker 1: Thank you, Bro, because musically, I was like, what the

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Speaker 1: fuck is that?

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Speaker 3: Who's doing that?

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Speaker 1: It's universal, It's universal than you. So I'm starting off

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Speaker 1: with flowers, from the mix to the musician ship, to

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Speaker 1: the groove, to the samples he picked.

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Speaker 3: B Thank you, Bro tupac Win parade, Donald Bird on

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Speaker 3: the song it was called Let's Get Hired, but it

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Speaker 3: ended up being in the late night like by You know,

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Speaker 3: Don Bird wentn't clear for us, but his music was

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Speaker 3: in our neighborhood growing up. That ship was fly all

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Speaker 3: that blue note shit. Bro.

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Speaker 2: Yeah, so was that your intentions early? Was that everything

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Speaker 2: you grew up on.

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Speaker 3: I was gonna reuse it. You're fucking right them people

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Speaker 3: made me who I was, Like, I got swaggered from that.

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Speaker 3: You know, I was a virgin book. You swear I

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Speaker 3: had holes because I had the music. I was living

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Speaker 3: the music. Yeah, you know what I mean. I was

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Speaker 3: on that shit man fucking Curtis Mayfield and you know

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Speaker 3: Rick James. I had Rick James album when I busted

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Speaker 3: out L seven. I bought that myself, was six ninety

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Speaker 3: nine at the Sound Factory record shop on Rosecrans off

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Speaker 3: of Oleander by Matheson. I went bought that record and

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Speaker 3: played Jefferson ball and shit. I think it was that

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Speaker 3: ship as a kid, like in the room in my

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Speaker 3: badroom like this, like I want to go his concert,

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Speaker 3: and busted out L seven that said, well, I write

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Speaker 3: you tying to smoke. You know what I'm saying. That

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Speaker 3: we knew it was like can we smoke? No, you

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Speaker 3: can't smoke nine. But still it made he made you

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Speaker 3: want to light the joint. So that's your real introduction

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Speaker 3: into it. Yeah, ah, fucking Ohio players. Heaven must be

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Speaker 3: like this. I used to sing that to my crush

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Speaker 3: and ship when I was a kid. You know what

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Speaker 3: I think Heaven is. I think Heaven is you. You

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Speaker 3: know what I'm saying. She's like skinning, big old ass.

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Speaker 3: You know what I'm saying. But she's like sister in

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Speaker 3: lawn't gonna give me them. But she was a brick house.

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Speaker 3: You know what I'm saying. I used to sing them

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Speaker 3: kind of songs to.

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Speaker 1: What we sounds like this sounds like R and B mode.

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Speaker 1: I want to say this.

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Speaker 3: I about to say you was an R and B

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Speaker 3: singer early, believe it or not. I wanted to sing.

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Speaker 3: I wanted to come out singing because keep Sway killed

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Speaker 3: it with I wonder that was like. And we listened

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Speaker 3: to everything up into that roll running and see you

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Speaker 3: know everything that came on on dann y'all down with records,

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Speaker 3: you know sleep Rick, Dugy Fresh, the twelve inch, we

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Speaker 3: got all of that prison records, Biz, Marquis no white

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Speaker 3: beast of biz. Make the music with your mouth, biz.

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Speaker 3: But when I heard keep Sweat and Cheddy Rowley, I

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Speaker 3: was like, Okay, that's it, that's it. We do Jacks Way,

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Speaker 3: It's enough, That's what I want.

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Speaker 1: Was it a combination of the temple, the musicality and

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Speaker 1: the soul that kind of all?

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Speaker 3: Honestly, it was that pose you know whenever you cock

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Speaker 3: back and squat on the pose your record goal gang

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Speaker 3: like Michael did it, Lionel Richie did it. Anybody who

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Speaker 3: do that pose when you sit down and put your

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Speaker 3: leg up that record go and keep Swett did it?

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Speaker 3: That was it my body because of the post ship.

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Speaker 3: But the album was called hard Yeah.

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Speaker 1: It is hard yeah, super.

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Speaker 3: And I had it was another record that was on

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Speaker 3: Entertainment that was his label at the time. I think

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Speaker 3: he did. Did he do the pee wee dance? Joe

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Speaker 3: Skie Love I think that was on entertainment.

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Speaker 2: The fact that you're that you're dialing up the labels,

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Speaker 2: the like, that's amazing a DJ. You really are invested

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Speaker 2: into this music, then.

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Speaker 3: I love it too much to bullshit it.

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Speaker 1: So let's go back to the beginn because we're we're

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Speaker 1: touching on the beginning, like in terms of the nuances

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Speaker 1: that that that kind of weaved in the fabric of

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Speaker 1: who you are. Come on, when when do you start

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Speaker 1: taking all of these stems and start putting it into

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Speaker 1: this one machine or into this you know what I'm saying?

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Speaker 3: When does that begin? My brother in law recipe Bobby

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Speaker 3: Billy Coverson Bungo Bill, took me to a recording studio

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Speaker 3: when I was little and let me play around on

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Speaker 3: a landrum and big speakers like this and a console.

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Speaker 3: All you have to do is see it and you

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Speaker 3: can be it if you if you can if you

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Speaker 3: can perceive it, you can achieve it. Like I looked

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Speaker 3: at it, it was like, this is what I want

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Speaker 3: to do for the rest of my life. Turn these faders,

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Speaker 3: make these speakers, motherfucker, turn up and watch these people

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Speaker 3: over here do this. That's it. That's it. The music

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Speaker 3: make people dance. So he helped me get a four track,

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Speaker 3: a task Cam forty eight cassette, and I just started

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Speaker 3: overdubbing and learned how to overdub, you know what I mean.

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Speaker 3: I would hook two cassette decks up together and overdubb

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Speaker 3: like play a whole program on the cassette and then

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Speaker 3: put it in another cassette that can bring it back

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Speaker 3: through the mixer, and then go play another program with

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Speaker 3: the turntables with that cassette to another cassette. So I

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Speaker 3: was learning how to like multi track at a young age,

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Speaker 3: because you know, that's how I knew Marvin Gaye was

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Speaker 3: doing that shit on the fucking I Want you singing them?

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Speaker 3: How you seeing your backgrounds and your lead this nigga bad?

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Speaker 3: Then I found out he had tracks, so I started

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Speaker 3: using filling up them tracks with information. That was it.

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Speaker 3: I was doing that before I got to a recording studio.

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Speaker 3: That's why my album went so fast. It only took

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Speaker 3: three months to record quick as the Name, and that

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Speaker 3: shit went platinum when it came out. I was ready.

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Speaker 3: I'm that guy, I'm the shit I wanted the best

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Speaker 3: to ever do it. I agree, Prince loved me give

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Speaker 3: a fuck. Mike loved me, Janet loves me. You know

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Speaker 3: what I'm saying, Dre fuck with me. They know what

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Speaker 3: it is. I'm that guy. I'm tired of motherfucker's calling

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Speaker 3: me underrated. I'll fuck you up. You It's like this,

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Speaker 3: I did what I came here to do. What I've

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Speaker 3: did is been done, and what I haven't done is

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Speaker 3: gonna get did. Right now, it ain't the time to

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Speaker 3: be fucking with me early oh yeah yeah. And I'll

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Speaker 3: drink to that and fuck you. I wish I had

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Speaker 3: a drink. I could drink to that. Brother, quick as

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Speaker 3: you can remember, is the first beat you made in

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Speaker 3: the first song you wrote, what wasn't It was this

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Speaker 3: R and B song called make Your Move And I

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Speaker 3: played it for my boy player him at the time,

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Speaker 3: because I was trying to get on with his rap group,

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Speaker 3: the Pans Players Click, and I did the demo and

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Speaker 3: I was singing, I was singing a falsetto. I was embarrassed.

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Speaker 3: You know, you know you ain't sure, so you'd be

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Speaker 3: embarrassed as fuck you, Like if somebody told you that

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Speaker 3: shit was whack, you was just bust out crying. You

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Speaker 3: know what I'm saying, nigga just no faith, no confidence.

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Speaker 3: So I played that ship for that nigga. I was

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Speaker 3: shaking and ship, I'm like, man, you know, he's like player.

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Speaker 3: It's not bad, you know, but you should you know,

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Speaker 3: you should try rapping. You should try to rhyme it. Okay.

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Speaker 3: So I tried to rhyme it and I did. I

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Speaker 3: started rhyming shit. Uh passed me. They ball. It's one

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Speaker 3: of my first rhymes. You know what I'm saying. I

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Speaker 3: had these little mixtapes I used to make where I

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Speaker 3: was rapping with the homeboys. Well I thought they was homeboys,

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Speaker 3: but you know how that go. But it was all me.

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Speaker 3: It was always by me. And uh, I let niggas

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Speaker 3: come in every now and then and when it was over,

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Speaker 3: they leave. I'm still working, I'm still finishing my you know,

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Speaker 3: I'm still making my path, my path toward the future,

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Speaker 3: toward success. Yeah, you know what I mean. And Uh,

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Speaker 3: I figured it out. Stop singing the ship, just start

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Speaker 3: rapping it. He was right. Play Hamm is right. So

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Speaker 3: from the beginning you were, I wish I could. I

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Speaker 3: should it everything. Yeah, who else is gonna do it?

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Speaker 3: I learned how to do it at the young age.

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Speaker 3: That's what I do. I engineered. I hooked up the

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Speaker 3: wires to the instruments. I get this ship ready for

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Speaker 3: the band to come in and get down. Do some

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Speaker 3: get down. That's my whole gig. But you know, there

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Speaker 3: are times when I just produced my whole album all

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Speaker 3: by myself, like The Quickest the Names and Way Too

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Speaker 3: Funky's I helped. I had one of my homeboys help

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Speaker 3: with that, but like Safe and Sound couldn't tell me

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Speaker 3: shit Rhythmalism, I did that all by myself in the house.

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Speaker 3: We didn't even go to studios no more. It was

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Speaker 3: too to pop in La was too dangerous, it was

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Speaker 3: too lit. So the nigga start pulling shit in the

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Speaker 3: house and just start getting down in the motherfucking house.

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Speaker 2: What was the mindset behind Quick's Roof? Because it was

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Speaker 2: for me. It was the first time I had ever

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Speaker 2: heard a rap album with.

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Speaker 3: It was because I didn't The beat was so dope

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Speaker 3: to me that if I wanted somebody to rap on

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Speaker 3: it and they wasn't there, I didn't want to waste

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Speaker 3: it on me or anybody in my camp trying to

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Speaker 3: rhyme on that beat. It was just perfect as it

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Speaker 3: was so I called it quick scroove. Yeah, yeah, yeah.

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Speaker 3: Some some beats is too dope to wrap on. That

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Speaker 3: was one of them. Come on melody, It's like, what

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Speaker 3: you're gonna do with this shit? This is it's finished.

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Speaker 3: But because I had an s P twelve hundred on

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Speaker 3: the drums, it didn't sound like smooth jazz. I don't

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Speaker 3: play with that ship.

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Speaker 1: Who because this is who told you you were ready?

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Speaker 1: Because because there is a there is a moment where

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Speaker 1: as you're as you're building you you feel everything. You know.

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Speaker 1: What I'm saying you personally is like I'm feeling all

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Speaker 1: this shit. I'm hot. And then somebody says, like, my

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Speaker 1: guy told you to wrap But then somebody says, somebody

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Speaker 1: who's been doing it, who's got the pedigree in terms

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Speaker 1: of what the business requires, in terms of what the

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Speaker 1: radio requires, in terms of what the streets require.

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Speaker 3: Nigga, this is it. Who's the guy who said that?

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Speaker 3: Who's the guy? Uh? Courtney Branch Courtney was a Courtney

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Speaker 3: is the coolest motherfuckers in the world. Total Track Production

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Speaker 3: shout out him and Tracy Kendrick that was my first

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Speaker 3: production company, but also suged it and DLC because I

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Speaker 3: was signed with them in the eighties to their label,

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Speaker 3: Funky Enough Records, so they knew, you know, it just

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Speaker 3: wasn't my time, you know. But Courtney helped me get

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Speaker 3: a deal with Profile, helped me negotiating against you know, Profiles.

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Speaker 3: Let got in the ben war and I ended up

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Speaker 3: coming out with like a multi figure deal. Bro your

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Speaker 3: first deal, yeah, it was one hundred and twenty five

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Speaker 3: thousand dollars signing bonus for the first album. Every other

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Speaker 3: album the money goes up two hundred for this, you know,

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Speaker 3: third three hundred and fifty for the next one seven

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Speaker 3: album deal with two album options. And that was like

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Speaker 3: people was like, quit didn't get no million dollar deal.

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Speaker 3: That ain't no million dollar deal. You know, that's like

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Speaker 3: seven hundred thousand dollars or whatever he exaggerated. But what

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Speaker 3: these dumb fuckers don't know, bitch ass niggas, is that

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Speaker 3: I doubled the deal because I got second and none

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Speaker 3: a mirror deal and control the budget. Yeah, and when

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Speaker 3: a fuck your mama, respect me. So you tell us

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Speaker 3: what you bought. You bought dirt bikes, cars, I bought

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Speaker 3: houses for my sisters, cars for him. If I had

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Speaker 3: a Lexus I bought, helped my sister get she already

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Speaker 3: had the money, though, helped her get like Infinity Q

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Speaker 3: forty five and fast. Motherfucker bought the house in Cerritos

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Speaker 3: when niggas couldn't even live in Crito's doing it. Niggah

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Speaker 3: doing it. First hit record mind Born and Raising Compton,

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Speaker 3: and I knew that Tonight the record was the record

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Speaker 3: with Gold on the first single, Born and Raising Compton

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Speaker 3: just shut it all down. I sampled Hyperbolic syllabuc sess

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Speaker 3: with Daily Mystic by Isaac Kays off the Hot Butter

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Speaker 3: Soul album What's that seventy two Enterprise record stacks? Basically, man,

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Speaker 3: my mom used to bang that shit. I'm like, I'm

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Speaker 3: using that. I use that ship man and and and

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Speaker 3: sample some other shit off in Victor's record. She's not

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Speaker 3: just another woman by some ship Holland does your Howler

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Speaker 3: produce and just blend it all together, you know, put

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Speaker 3: that shit together real quick and put it out. And

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Speaker 3: the record when Gold on this first single Tonight was

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Speaker 3: just icing on the cake. That was the hit. You

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Speaker 3: know what I'm saying, I gotta tell your story. It's stupid.

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Speaker 2: I gotta tell your story. Quick my childhood. So at

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Speaker 2: the time, me and my brothers, we have a singing

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Speaker 2: group called the Neutrons.

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Speaker 3: Yeah, I know about y'all.

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Speaker 2: We living in We living in Diamond Bar, and Diamond

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Speaker 2: Bar is right next to Pomona. Absolutely obviously you know

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Speaker 2: that shout out to sugar Free, Come on Pomona.

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Speaker 3: It's all crips.

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Speaker 2: When DJ Quick came out, it was known because before

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Speaker 2: this and I from what I'll say, people may say different,

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Speaker 2: but from what I'll say, he was the first red

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Speaker 2: rag easily rapping. That was like everybody knew. It was

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Speaker 2: a known thing. And you know, we're from the Bay Area,

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Speaker 2: so we're not in none of it. We're just seeing

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Speaker 2: how it's going. My brothers got homeboys, my sisters got

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Speaker 2: her friends. Everybody from Pomona, they from around that way.

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Speaker 2: They all crips pretty much.

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Speaker 3: His music was so impactful that they had to like it.

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Speaker 3: They had lay just had to play it. Hey, and

303
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Speaker 3: I had crip niggas back at me. Sit. That was

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Speaker 3: the thing I wasn't. I wasn't just some separatistass nigga

305
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Speaker 3: that was out just trying to bang out for myself.

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Speaker 3: My thing was, I grew up in this neighborhood. My

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Speaker 3: mother was born. My mother was born in Louisiana, moved

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Speaker 3: to LA. I was born in Los Angeles and in

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Speaker 3: fucking Lynnwood, right. My mother lived in Los Angeles at

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Speaker 3: the time, like on the East Side, you know, eighty seventh,

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Speaker 3: then Hooper in Central So that's where we was growing up.

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Speaker 3: And it was all kitchens, so kitchen crips. So we

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Speaker 3: end up moving to Compton because for a better life,

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Speaker 3: and that shit was more ghetto and she was gang

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Speaker 3: banged the fuck out. We're better off from fucking La.

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Speaker 3: I can't really say that, but I'm gonna say the

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Speaker 3: fucking what the fuck I want to say. It's just

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Speaker 3: it was. She tried to move us to a better place, right,

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Speaker 3: and it ended up being cool. It was cool, company

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Speaker 3: was cool for a minute, and then it just turned

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Speaker 3: into Bay Route like in eighty two with fucking Noriega

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Speaker 3: and fucking you know, the Recognomis cocaine to the hood,

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Speaker 3: fucked everything up, you know, turn people we love into zombies,

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Speaker 3: had people doing weird shit. It's just strange. But I

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Speaker 3: navigated that by staying in the fucking garage buying records

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Speaker 3: are just disappearing into the music. I wanted to see

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Speaker 3: the skeleton zombie apocalypse shit going on outside Paru. I

328
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Speaker 3: hated that shit. Shit's up? So the music, is it? Safe?

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Speaker 3: Music got me out of there. I stayed in the house.

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Speaker 3: I DJ'ed a couple of parties, a couple of places

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Speaker 3: to make some money, you know what I'm saying, get

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Speaker 3: some clothes so I can look decent doing it. And

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Speaker 3: I ended up making it happen. It was a means

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Speaker 3: to an end. I got out that bitch. You know,

335
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Speaker 3: the hood. The best thing you could do is get

336
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Speaker 3: out of it, grow and then go back and help.

337
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Speaker 3: You know, if you really love it. You got people

338
00:17:56,920 --> 00:17:59,359
Speaker 3: there you love, you, go back and help them figure

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Speaker 3: out the way if you can hand because some people

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Speaker 3: don't really want to leave.

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Speaker 2: Yeah, but you're clear, you were clearly putting, putting up,

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Speaker 2: putting your your people's on from the beginning.

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Speaker 3: Like you said, your first deal, you did two more deals.

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Speaker 1: Yeah, exactly. And I'm just able to make sure I'm

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Speaker 1: articulating this right. You're you're a label owner, yeah, now

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Speaker 1: you're a you're a partner. Yeah, these acts are these

347
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Speaker 1: actually yours? Absolutely well?

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Speaker 3: They were signed to the label, but I had to,

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Speaker 3: you know, I had the production duties. So I was

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Speaker 3: like the Quincy Jones are that ship at twenty one

351
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Speaker 3: twenty two. But this is the thing, if we could

352
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Speaker 3: go back to who told me that I was ready?

353
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Speaker 3: Nobody told me because you know, just looking at it

354
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Speaker 3: as in terms of being a man, you know, it's

355
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Speaker 3: about how girls see you. When I was coming up,

356
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Speaker 3: it was nerdy ship. You know, I was nerd whatever

357
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Speaker 3: I was. You know, I was geek like like nerdy,

358
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Speaker 3: like putting bikes together and putting hooking up, you know,

359
00:19:01,280 --> 00:19:04,400
Speaker 3: fixing equipment and ship and playing music, playing records and

360
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Speaker 3: you know, and just chilling and bitches didn't fuck with me.

361
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Speaker 3: I was too square. My mixtaing came out, My mixtape

362
00:19:12,160 --> 00:19:14,480
Speaker 3: came out, and bitches heard my voice. They gotta start

363
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Speaker 3: getting pussy. That's what told me I was ready. Not

364
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Speaker 3: no record company, not even Courtney. It was because I

365
00:19:19,760 --> 00:19:27,960
Speaker 3: was fucking DJ, I fucking I was getting pussy, motherfucking right,

366
00:19:28,040 --> 00:19:35,119
Speaker 3: but pussy valid, they're getting holds. I was knocking bitches down.

367
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Speaker 3: You did, getting the holes, getting the whole movie. Unfortunately,

368
00:19:40,920 --> 00:19:43,760
Speaker 3: as soon as that shit happened in our era, as

369
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Speaker 3: luck would have it. HIV became a thing, ship hit

370
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Speaker 3: Playboy magazine. We all read Playboy magazine was scared. We

371
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Speaker 3: didn't look at the naggad, but it was like, this

372
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Speaker 3: is gonna. I'm non sexually active and this happens.

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Speaker 1: I just got some pussy's over. It's so.

374
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Speaker 3: But before that little eighty six to eighty nine motherfucker

375
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Speaker 3: Jack told you that.

376
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Speaker 1: Okay, so I was about to go there with it.

377
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Speaker 1: Here's another question I want to ask you about that.

378
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Speaker 1: I think is vital too to the production side and

379
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Speaker 1: the producers out there when you start talking samples, because

380
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Speaker 1: samples were managed one way when you first started and

381
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Speaker 1: then graduated to a whole different space. I managed now,

382
00:20:38,240 --> 00:20:41,879
Speaker 1: yeah right, yeah, yeah, so you were able to in

383
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Speaker 1: your early days grab them samples before.

384
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Speaker 3: Before they got the legislation right, and then all that

385
00:20:54,600 --> 00:20:58,439
Speaker 3: ship exactly. Yeah, but yeah, it was up until that

386
00:20:58,480 --> 00:21:00,520
Speaker 3: point there. It was a it was a it was

387
00:21:00,520 --> 00:21:03,640
Speaker 3: a great area, but samples was the biggest move. So

388
00:21:04,040 --> 00:21:05,480
Speaker 3: I had to sample. I was, you know, I was

389
00:21:05,520 --> 00:21:08,720
Speaker 3: finding like rare blowfly and you know, I was one

390
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Speaker 3: of the first people on Tonight's The Night God Rest

391
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Speaker 3: is Sold. Johnny J. Would you know knocking the boots,

392
00:21:13,359 --> 00:21:15,960
Speaker 3: but to put Betty right in your record like this was.

393
00:21:16,000 --> 00:21:18,600
Speaker 3: You know, these records that we heard in the people

394
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Speaker 3: dance to in our face. That's what we want to

395
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Speaker 3: put on our records because I want people to dance.

396
00:21:22,440 --> 00:21:24,400
Speaker 3: I want them to think about you know, the plight

397
00:21:24,560 --> 00:21:25,920
Speaker 3: and you know how hard it is to get a

398
00:21:26,000 --> 00:21:28,840
Speaker 3: job in Long Beach and competent no fuck that. Listen

399
00:21:28,880 --> 00:21:32,359
Speaker 3: to these records. You feel me like this record made

400
00:21:32,359 --> 00:21:33,760
Speaker 3: me feel good. I'm gonna put some shit on it,

401
00:21:33,800 --> 00:21:36,080
Speaker 3: wrap about you niggas because we all in the same

402
00:21:36,080 --> 00:21:39,120
Speaker 3: old fucking situation. I'm just gonna talk about what's going

403
00:21:39,160 --> 00:21:41,359
Speaker 3: on in my neighborhood, niggas. I know who am putting

404
00:21:41,359 --> 00:21:42,960
Speaker 3: it over beats that we all used to listen to,

405
00:21:43,160 --> 00:21:45,679
Speaker 3: Like I got that from Mixed Master Spade wrapping over

406
00:21:45,760 --> 00:21:48,360
Speaker 3: Genius A Love, You know what I mean? The Profile

407
00:21:48,400 --> 00:21:51,680
Speaker 3: Records version of Genius A Love with Doctor Jerko mister

408
00:21:51,760 --> 00:21:55,040
Speaker 3: Hodd who was Andre Herrel, who ended up being one

409
00:21:55,040 --> 00:21:56,760
Speaker 3: of my label mates. I ended up signing the Profile

410
00:21:56,920 --> 00:22:00,680
Speaker 3: Saw sixty grees separation. But fuck, it's money, we did that,

411
00:22:01,560 --> 00:22:04,440
Speaker 3: So how did did it come back around? Though?

412
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Speaker 2: As far as like where you had to redo the

413
00:22:08,320 --> 00:22:11,000
Speaker 2: split on the older songs. Yeah, how did that go?

414
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Speaker 3: The nigga? We was rich. Give them what they want,

415
00:22:13,720 --> 00:22:15,919
Speaker 3: give them what the fuck they want. I'm going to

416
00:22:15,960 --> 00:22:19,080
Speaker 3: go buy a Porsche, give them what they want. I'm

417
00:22:19,119 --> 00:22:22,160
Speaker 3: going to go buy a fucking Porsche or accurate intersex.

418
00:22:22,359 --> 00:22:24,840
Speaker 3: I don't give a fuck. I made it. I wasn't

419
00:22:24,880 --> 00:22:27,120
Speaker 3: even supposed to make it out of competent. I'm supposed

420
00:22:27,160 --> 00:22:31,560
Speaker 3: to be dead, and here I am buying Bentley's and ship,

421
00:22:31,560 --> 00:22:34,440
Speaker 3: and I'll give a fuck. I'm on my soapbox. Suck

422
00:22:34,560 --> 00:22:37,160
Speaker 3: my dick. I'm dope. And if y'all don't like it,

423
00:22:37,240 --> 00:22:39,280
Speaker 3: fuck you take my records back, bitch, see if you

424
00:22:39,320 --> 00:22:44,560
Speaker 3: get a refund. Fuck y'all. I make it just uncomfortable,

425
00:22:44,640 --> 00:22:48,280
Speaker 3: just make it really like comfortable. No words, no word.

426
00:22:48,320 --> 00:22:52,639
Speaker 3: Nobody nobody said ship the kid is rare for him tonight,

427
00:22:53,000 --> 00:22:56,200
Speaker 3: we're letting you get your ship. I'm just talking ship.

428
00:22:56,359 --> 00:22:59,960
Speaker 3: It's like, but think about it. You you the negga.

429
00:23:00,040 --> 00:23:01,640
Speaker 3: If Press used to kill me, like I look back

430
00:23:01,680 --> 00:23:04,360
Speaker 3: at the Source magazine. I'm the first nigga in LA

431
00:23:04,440 --> 00:23:06,560
Speaker 3: outside of n w A to go golden platinum, right,

432
00:23:06,600 --> 00:23:10,720
Speaker 3: outside of CEMW and and King T Right, we're all

433
00:23:11,160 --> 00:23:13,840
Speaker 3: factors at that point, Like you know, successful guys that

434
00:23:13,880 --> 00:23:18,160
Speaker 3: got labels, you know, they got major labels from right

435
00:23:18,200 --> 00:23:22,520
Speaker 3: off of Compton Fucking the Source magazine. Race is dirty ass,

436
00:23:22,680 --> 00:23:26,680
Speaker 3: low key, backhanded, backhanded compliment as interview like quick and

437
00:23:26,800 --> 00:23:29,040
Speaker 3: slick with his you know, saying talk about the Jerry

438
00:23:29,040 --> 00:23:30,359
Speaker 3: Curl and all this shit. So you see all the

439
00:23:30,400 --> 00:23:32,959
Speaker 3: endu Windo just clown to me, It's like, what the

440
00:23:33,000 --> 00:23:36,160
Speaker 3: fuck's so success? It's different if they like you then

441
00:23:36,200 --> 00:23:38,320
Speaker 3: if they don't, but they gotta you know, you know,

442
00:23:38,400 --> 00:23:40,879
Speaker 3: the media was playing a cold game, you know, they

443
00:23:40,960 --> 00:23:43,439
Speaker 3: was that shit was cold. So I stopped doing interviews

444
00:23:43,440 --> 00:23:44,840
Speaker 3: for a long time. I'm like, oh, I see y'all

445
00:23:44,880 --> 00:23:46,639
Speaker 3: do y'all twist up what we say, y'all take it

446
00:23:46,640 --> 00:23:48,720
Speaker 3: out of context. I had to learn that you gotta

447
00:23:49,000 --> 00:23:51,320
Speaker 3: control your own narrative, you know what I mean. So

448
00:23:51,400 --> 00:23:54,040
Speaker 3: I just stopped doing interviews, and I was imploring my

449
00:23:54,040 --> 00:23:55,800
Speaker 3: homeboys to stop doing them too, like, man, don't talk

450
00:23:55,800 --> 00:23:58,000
Speaker 3: to these people. They turn in what y'all say around.

451
00:23:58,040 --> 00:24:00,600
Speaker 3: They trying to lessen y'all sales on the next and

452
00:24:00,680 --> 00:24:02,600
Speaker 3: what makes you think this record is good? Did you

453
00:24:02,640 --> 00:24:03,040
Speaker 3: rush it?

454
00:24:03,160 --> 00:24:03,359
Speaker 1: You know?

455
00:24:03,920 --> 00:24:06,640
Speaker 3: What the fuck are you talking about? If I got

456
00:24:06,680 --> 00:24:09,520
Speaker 3: the Prince can put out five albums a year and

457
00:24:09,560 --> 00:24:12,560
Speaker 3: they're all great. This record company was like, no, we

458
00:24:12,560 --> 00:24:15,399
Speaker 3: can't market all of them, like slow down. Prince is like,

459
00:24:16,280 --> 00:24:19,000
Speaker 3: if I slow down, I'll die. My vault is for

460
00:24:19,720 --> 00:24:22,760
Speaker 3: what the fuck do you want from me? You know?

461
00:24:23,000 --> 00:24:26,159
Speaker 3: They wanted him in that deal longer exactly, and ended

462
00:24:26,240 --> 00:24:28,879
Speaker 3: up coming back to Warner Brothers too. It's another story.

463
00:24:28,880 --> 00:24:34,960
Speaker 3: But yeah, when you was an an r yeah, have

464
00:24:35,080 --> 00:24:35,880
Speaker 3: been Rginia's dog.

465
00:24:36,040 --> 00:24:39,840
Speaker 2: Because I forgot to mention that when when I was

466
00:24:40,400 --> 00:24:42,600
Speaker 2: of my biggest flat Yeah, yeah, I forgot. I forgot

467
00:24:42,640 --> 00:24:45,439
Speaker 2: to mention that when I was the Black Bugs introducing you.

468
00:24:45,440 --> 00:24:47,720
Speaker 3: You see you're black Bugs, but the black Bugs, Bunny,

469
00:24:48,760 --> 00:24:51,560
Speaker 3: you had a T and E up there, get it man? Yeah?

470
00:24:52,080 --> 00:24:54,600
Speaker 3: A lot of credit like it, let's go. I didn't

471
00:24:54,600 --> 00:24:56,520
Speaker 3: waste their money either, like we did. I did what

472
00:24:56,560 --> 00:24:58,040
Speaker 3: I was supposed to do. How long were how long

473
00:24:58,040 --> 00:25:00,000
Speaker 3: were you a year? Plus?

474
00:24:59,640 --> 00:24:59,720
Speaker 2: Ye?

475
00:25:00,040 --> 00:25:02,520
Speaker 3: Something like that? How'd you like being inside the building?

476
00:25:03,320 --> 00:25:05,320
Speaker 3: It was dope because I don't get to see that part,

477
00:25:05,760 --> 00:25:08,159
Speaker 3: you know, That's why it was dope. I'm always on

478
00:25:08,200 --> 00:25:10,960
Speaker 3: the outside. I'm always at the on the behind the

479
00:25:11,000 --> 00:25:14,880
Speaker 3: stage with the artists and you know, going up and performing,

480
00:25:14,960 --> 00:25:17,400
Speaker 3: be on the thing that was good, you know, next one,

481
00:25:17,840 --> 00:25:22,879
Speaker 3: But just sit back and see how people, how people

482
00:25:22,960 --> 00:25:25,280
Speaker 3: move outside of my circle of being an artist as

483
00:25:25,280 --> 00:25:28,320
Speaker 3: an executive. It was like, I like that made me

484
00:25:28,359 --> 00:25:32,040
Speaker 3: a little bit. It made me healthily lazy. H I

485
00:25:32,119 --> 00:25:34,320
Speaker 3: used to be a workaholic, but you got too many

486
00:25:34,359 --> 00:25:37,560
Speaker 3: fifty six year old guaranteed check care. Yeah, exactly.

487
00:25:37,640 --> 00:25:38,000
Speaker 1: It was cool.

488
00:25:38,000 --> 00:25:39,960
Speaker 3: It wasn't a big ass. She wasn't bigger than being

489
00:25:40,000 --> 00:25:41,959
Speaker 3: out on the road touring and making bees for niggas.

490
00:25:41,960 --> 00:25:45,560
Speaker 3: But it was cool. So let's take let's get into

491
00:25:45,640 --> 00:25:47,720
Speaker 3: the R and B. Yeah, let's get into this R

492
00:25:47,720 --> 00:25:48,240
Speaker 3: and B man.

493
00:25:48,760 --> 00:25:53,080
Speaker 2: You know Tony Tony, Tony Sure, truth hurts Janet Jackson

494
00:25:54,320 --> 00:25:56,280
Speaker 2: like obviously.

495
00:25:55,880 --> 00:25:58,879
Speaker 3: In Houston, co. Come on, come on, come on, come on,

496
00:25:59,119 --> 00:26:02,399
Speaker 3: you know, talk about it as we should, you know,

497
00:26:02,880 --> 00:26:08,400
Speaker 3: help the weller a little bit, D'Angelo. Uh who else

498
00:26:08,480 --> 00:26:12,879
Speaker 3: was in that? Uh? Joy Gilliam helped me on some records.

499
00:26:13,000 --> 00:26:20,360
Speaker 3: Danny boy Off Rip Juel Ye sure the fuck did?

500
00:26:21,400 --> 00:26:24,960
Speaker 3: I just did the things that motherfuckers wasn't doing or

501
00:26:25,080 --> 00:26:29,639
Speaker 3: was just missing. My thing was, if I'm being paid

502
00:26:29,680 --> 00:26:31,240
Speaker 3: to play a position on this I'm just gonna be

503
00:26:31,240 --> 00:26:33,960
Speaker 3: a halfback until I got to be like a corner

504
00:26:34,440 --> 00:26:35,840
Speaker 3: or you know, or I got to do a role

505
00:26:35,880 --> 00:26:37,639
Speaker 3: out pass and become like a receiver, you know what

506
00:26:37,640 --> 00:26:40,000
Speaker 3: I mean. I just want to play this position. When

507
00:26:40,040 --> 00:26:42,000
Speaker 3: I see there's a hole, I try to hit the hole.

508
00:26:42,359 --> 00:26:44,800
Speaker 3: So when there were projects that was missing a certain

509
00:26:44,800 --> 00:26:46,960
Speaker 3: particular record, I would just go try to produce that

510
00:26:47,040 --> 00:26:50,120
Speaker 3: record that made this thing make sense. And that's why

511
00:26:50,119 --> 00:26:52,760
Speaker 3: I was instrumental on a lot of soundtrack albums like

512
00:26:52,880 --> 00:26:55,560
Speaker 3: Life and Who Wants to Be a Player, and you know,

513
00:26:55,640 --> 00:26:58,280
Speaker 3: Minister Society and Above the Rim. I just gave them

514
00:26:58,320 --> 00:27:00,920
Speaker 3: records that just made it make sense. Murder was the case.

515
00:27:00,960 --> 00:27:04,359
Speaker 3: You know, who's your first R and B placement? Do

516
00:27:04,400 --> 00:27:08,320
Speaker 3: you remember first R and B placement? I think it

517
00:27:08,359 --> 00:27:12,000
Speaker 3: was it was Clasa just going in Closa, who used

518
00:27:12,040 --> 00:27:15,320
Speaker 3: to be a background dance for mc hammer. Okay, whatever,

519
00:27:15,359 --> 00:27:17,359
Speaker 3: but it was really Danny Boyd was like my first

520
00:27:17,480 --> 00:27:20,440
Speaker 3: fun R and B thing. But the real ship was

521
00:27:20,480 --> 00:27:22,080
Speaker 3: when I got with Clive. That's when I started getting

522
00:27:22,119 --> 00:27:26,320
Speaker 3: with the doing all the real ship, you know, but

523
00:27:26,680 --> 00:27:28,840
Speaker 3: also it was with No It was really with Tony,

524
00:27:29,520 --> 00:27:32,879
Speaker 3: who's doing fucking house of music mixing like Holy Smokes

525
00:27:32,920 --> 00:27:35,160
Speaker 3: and g Wiz and you know, I mean a couple

526
00:27:35,200 --> 00:27:38,359
Speaker 3: of the records on there till last summer and wrote

527
00:27:38,440 --> 00:27:40,399
Speaker 3: and produced you know, Let's get down. I was on

528
00:27:40,480 --> 00:27:42,800
Speaker 3: my ship to this day.

529
00:27:43,480 --> 00:27:45,520
Speaker 2: If you're going to have an R and B party,

530
00:27:46,200 --> 00:27:47,880
Speaker 2: you're going to play Let's get down.

531
00:27:48,480 --> 00:27:51,520
Speaker 3: That's the that's the most niggas ship I got. I

532
00:27:51,600 --> 00:27:57,120
Speaker 3: never wanted to lose my nigga the world. It's that's

533
00:27:57,160 --> 00:27:59,320
Speaker 3: because that's who I'm from. I mean, you know, if

534
00:27:59,359 --> 00:28:03,719
Speaker 3: you ever if you've ever seen a wig bag with

535
00:28:03,760 --> 00:28:06,040
Speaker 3: motherfucking powdered milk in it, you know you're a nigga.

536
00:28:06,280 --> 00:28:08,000
Speaker 3: You ever see motherfucker you know what I'm talking about

537
00:28:09,200 --> 00:28:12,399
Speaker 3: When the first fifteen has a distinct fucking meaning to you,

538
00:28:13,280 --> 00:28:16,720
Speaker 3: you're a nigga. So I never wanted to lose pace

539
00:28:17,280 --> 00:28:19,400
Speaker 3: with the niggas that made me who I am, who

540
00:28:19,440 --> 00:28:21,440
Speaker 3: gave me my motherfucker put the battery in my back.

541
00:28:24,240 --> 00:28:32,280
Speaker 1: You're I don't I don't think your intelligence is celebrated

542
00:28:32,720 --> 00:28:38,000
Speaker 1: enough because everything that you're talking about, and the way

543
00:28:38,040 --> 00:28:39,800
Speaker 1: that you went about doing.

544
00:28:39,520 --> 00:28:41,840
Speaker 3: It sacrificing was genius. I'm left handed, so I just

545
00:28:41,880 --> 00:28:43,760
Speaker 3: think I'm in my right mind. I think different than

546
00:28:43,760 --> 00:28:45,360
Speaker 3: other motherfuckers.

547
00:28:45,120 --> 00:28:48,920
Speaker 1: It's beyond that genius.

548
00:28:48,960 --> 00:28:52,480
Speaker 3: I need to be a vincer. I developed interior dynamics,

549
00:28:52,480 --> 00:28:54,239
Speaker 3: which was what it's called stems now, where you can

550
00:28:54,280 --> 00:28:56,280
Speaker 3: take vocals and ship out and drums. I was doing

551
00:28:56,280 --> 00:28:59,520
Speaker 3: that with doctor Dre in nineteen ninety nine and did

552
00:28:59,520 --> 00:29:01,880
Speaker 3: it myself. Dre was blown away, was like god damn,

553
00:29:01,920 --> 00:29:04,480
Speaker 3: was like you really did that. I was like, yeah,

554
00:29:04,520 --> 00:29:06,360
Speaker 3: what's what else? Woman to give me some records. I

555
00:29:06,440 --> 00:29:09,040
Speaker 3: take the vocals off where you He was like, I

556
00:29:09,120 --> 00:29:12,440
Speaker 3: like Drees real, buff and ship. She was gone, Mark,

557
00:29:18,360 --> 00:29:24,400
Speaker 3: you know, I like to take buff, buff and ship,

558
00:29:25,360 --> 00:29:26,160
Speaker 3: muscle and muscle.

559
00:29:32,480 --> 00:29:33,440
Speaker 1: Not too excited.

560
00:29:34,440 --> 00:29:36,800
Speaker 3: He's damn pam bro this nigga like Obama. He's just

561
00:29:36,800 --> 00:29:38,880
Speaker 3: one level. You don't seem mad, you don't seem happy,

562
00:29:39,240 --> 00:29:45,360
Speaker 3: you like it. Sh It is dope, that's it. But

563
00:29:45,400 --> 00:29:47,640
Speaker 3: I like people that he's that powerful. He can push

564
00:29:47,680 --> 00:29:50,480
Speaker 3: a button and just turn all the attention onto it.

565
00:29:50,680 --> 00:29:53,120
Speaker 3: Like that's power. You can do this and the lights

566
00:29:53,200 --> 00:29:56,440
Speaker 3: just come on a whole different region of the world.

567
00:29:56,720 --> 00:29:58,440
Speaker 3: It's gotta be fun to be able to do that.

568
00:29:58,640 --> 00:30:04,160
Speaker 1: Yeah, tell me about that relationship you and doctor Dre Dress.

569
00:30:04,200 --> 00:30:06,560
Speaker 3: The ship always wanted to be him, like he was

570
00:30:06,600 --> 00:30:09,040
Speaker 3: the reason that we ended up all getting deals because

571
00:30:09,040 --> 00:30:10,840
Speaker 3: he showed us a different way to make our music,

572
00:30:11,120 --> 00:30:13,840
Speaker 3: not buffoonery or not like you know, like you know,

573
00:30:13,920 --> 00:30:16,400
Speaker 3: jazz and shucking job. It was like when he you know,

574
00:30:16,480 --> 00:30:18,680
Speaker 3: cabbage Patch, he was doing these little twelve inches and

575
00:30:18,680 --> 00:30:21,360
Speaker 3: ship uh, you know, fucking uh when he was with

576
00:30:21,360 --> 00:30:24,840
Speaker 3: with Alonzo, when they was doing fucking world class record crew,

577
00:30:24,960 --> 00:30:26,560
Speaker 3: it was on some ship like it was it was

578
00:30:26,600 --> 00:30:29,040
Speaker 3: some undertones in them chips. Was that was gangster. They

579
00:30:29,040 --> 00:30:31,520
Speaker 3: wouldn't like soft records, you know what I mean. They

580
00:30:31,600 --> 00:30:35,920
Speaker 3: had a they had a girth, a bigness to him,

581
00:30:36,240 --> 00:30:37,600
Speaker 3: And uh, that's what I wanted to do. I wanted

582
00:30:37,640 --> 00:30:39,400
Speaker 3: to do that, and I wanted to produce a nigga

583
00:30:39,440 --> 00:30:43,000
Speaker 3: like easy because and he just made it to where

584
00:30:43,040 --> 00:30:46,400
Speaker 3: it was like a fucking bugle horn in the morning

585
00:30:46,440 --> 00:30:48,280
Speaker 3: you hear cruising down the street and you know in

586
00:30:48,280 --> 00:30:51,320
Speaker 3: the cars, just it just caught your attention, no matter

587
00:30:51,400 --> 00:30:55,960
Speaker 3: what race you was everybody was looking like, so I

588
00:30:56,080 --> 00:30:59,680
Speaker 3: just the way he did records, the way he even

589
00:30:59,720 --> 00:31:03,640
Speaker 3: to go in the studio in the nineties and see

590
00:31:03,800 --> 00:31:07,000
Speaker 3: him when he left, to go in the studio and

591
00:31:07,040 --> 00:31:09,880
Speaker 3: see how he set up his shit, How this dude

592
00:31:10,000 --> 00:31:13,520
Speaker 3: was cheating with a fucking midied out tr aight o

593
00:31:13,600 --> 00:31:16,440
Speaker 3: a the MCTR eight O eight drum machine hooked up

594
00:31:16,440 --> 00:31:19,520
Speaker 3: to a computer with MIDI. I'm like, oh, that's it,

595
00:31:19,520 --> 00:31:23,560
Speaker 3: it's over. Nobody's doing that. He was. Him and Donovan

596
00:31:23,840 --> 00:31:27,000
Speaker 3: Sound were doing something that nobody else ever did. So

597
00:31:27,880 --> 00:31:30,360
Speaker 3: it behooves you to think that you could play something

598
00:31:30,360 --> 00:31:32,240
Speaker 3: for him that he hasn't heard. That's the key to

599
00:31:32,640 --> 00:31:35,040
Speaker 3: Doctor Dre. He's like Quincy Jones. You got to give

600
00:31:35,080 --> 00:31:36,920
Speaker 3: them something they never heard, and they're like, they'll fuck

601
00:31:36,960 --> 00:31:39,520
Speaker 3: with you. Don't go do the same shit. They heard

602
00:31:39,520 --> 00:31:42,040
Speaker 3: every record. They know every note, they know every pocket,

603
00:31:42,080 --> 00:31:46,080
Speaker 3: they know every paradidal, every rhythm, every read them, every microtone,

604
00:31:46,120 --> 00:31:48,960
Speaker 3: they know all that shit. They know, you know, the

605
00:31:49,200 --> 00:31:52,040
Speaker 3: fucking even the shit in between when you mix Selodi

606
00:31:52,040 --> 00:31:54,000
Speaker 3: in the fucking rhythms what they call him polyrhythms. They

607
00:31:54,040 --> 00:31:56,760
Speaker 3: know all that shit. Just give them something that's cool,

608
00:31:56,760 --> 00:31:59,600
Speaker 3: that they haven't heard and they fuck with you me too,

609
00:32:00,120 --> 00:32:02,200
Speaker 3: becoming like them an elite, And.

610
00:32:02,200 --> 00:32:03,880
Speaker 1: That was gonna be my next question, but you killed

611
00:32:03,920 --> 00:32:08,120
Speaker 1: because I was gonna say what technically did you extrapulate from?

612
00:32:08,320 --> 00:32:11,520
Speaker 3: And you covered that. So I'm the guy, bro, I'm

613
00:32:11,280 --> 00:32:14,800
Speaker 3: I'm I made Apollo popular. U A D. Wasn't nobody

614
00:32:14,840 --> 00:32:16,920
Speaker 3: really fucking with them like that. Everybody was buying their

615
00:32:16,920 --> 00:32:20,200
Speaker 3: little ways plug ins. But UA D Bill Putnham Junior

616
00:32:20,280 --> 00:32:23,120
Speaker 3: got his dash motherfucking schematics and the blueprints and started

617
00:32:23,120 --> 00:32:25,360
Speaker 3: redoing all the old equipment that we all needed that

618
00:32:25,440 --> 00:32:28,520
Speaker 3: was burning out in the studio. So when he came

619
00:32:28,560 --> 00:32:30,880
Speaker 3: with them Apollos and shit and start getting them clocks right,

620
00:32:30,920 --> 00:32:33,560
Speaker 3: he put everybody back in. They we you know, pro

621
00:32:33,640 --> 00:32:36,320
Speaker 3: tools was cool to Apollo came out and made pro

622
00:32:36,360 --> 00:32:39,120
Speaker 3: Tools sound better, made it all sound analogue. So that's

623
00:32:39,160 --> 00:32:41,240
Speaker 3: my shit. I'm into the technology of this shit. Like

624
00:32:41,480 --> 00:32:43,280
Speaker 3: I like to see businesses boom. I like to see

625
00:32:43,320 --> 00:32:45,400
Speaker 3: him going from you know who am to being the

626
00:32:45,520 --> 00:32:48,640
Speaker 3: motherfucking sound don't sound like with the best motherfucking preamps

627
00:32:48,640 --> 00:32:50,760
Speaker 3: are the best interfaces or the best you know what

628
00:32:50,760 --> 00:32:53,720
Speaker 3: I mean, microphone emulators and all the shit. That shit

629
00:32:53,880 --> 00:32:58,160
Speaker 3: turns me on. I like technology, that's my shit. I

630
00:32:58,240 --> 00:33:00,640
Speaker 3: always got the new video games. I got the Penason

631
00:33:00,680 --> 00:33:02,600
Speaker 3: three d Oh. These dumb niggas didn't even know what

632
00:33:02,640 --> 00:33:08,400
Speaker 3: the fuck that was. Remember that ship Dreamcast pension when

633
00:33:08,440 --> 00:33:11,600
Speaker 3: Penasonic made they little the DVD game, we should this

634
00:33:11,680 --> 00:33:15,080
Speaker 3: game called road Rash long. The Dreamcast was not long.

635
00:33:15,520 --> 00:33:18,040
Speaker 3: We was working on that said some ship on on

636
00:33:18,120 --> 00:33:20,800
Speaker 3: drink Champs with my shot out Nori and e f N.

637
00:33:21,120 --> 00:33:22,640
Speaker 3: But I said some ship on dream Camps, and I

638
00:33:22,640 --> 00:33:25,120
Speaker 3: got the date mixed up and Tupac got out said

639
00:33:25,160 --> 00:33:28,040
Speaker 3: PS two, It really was the PS one. But I

640
00:33:28,080 --> 00:33:30,360
Speaker 3: had the Dreamcast at home, the three d O rather

641
00:33:30,760 --> 00:33:32,160
Speaker 3: the Penason three d oo, and I didn't want to

642
00:33:32,160 --> 00:33:33,600
Speaker 3: take it to the studio because I didn't want tobody

643
00:33:33,600 --> 00:33:36,680
Speaker 3: to break it because you know, they was rare anybody

644
00:33:36,720 --> 00:33:38,520
Speaker 3: shout it to anybody to know what the Penason three

645
00:33:38,600 --> 00:33:40,680
Speaker 3: d O is. And they had all the games. But

646
00:33:40,760 --> 00:33:42,760
Speaker 3: that's that's me. I was balling enough to buy any

647
00:33:42,760 --> 00:33:44,959
Speaker 3: fucking thing that I wanted, So I had all the technology,

648
00:33:46,280 --> 00:33:47,040
Speaker 3: that's all. It was.

649
00:33:48,800 --> 00:33:55,160
Speaker 7: What he gonna floss his video you better, You're better,

650
00:33:56,160 --> 00:33:59,280
Speaker 7: his cars and he got houses before the.

651
00:33:59,600 --> 00:34:03,400
Speaker 3: Crazy need everybody pool. I put a pool in thirty

652
00:34:03,400 --> 00:34:05,760
Speaker 3: eight grand back then in the nineties ninety one ninety two,

653
00:34:06,000 --> 00:34:08,000
Speaker 3: put a big ass kidney shaped pool in the back

654
00:34:08,040 --> 00:34:11,720
Speaker 3: of ship with a stone in. It's with a stone, yeah,

655
00:34:11,760 --> 00:34:16,600
Speaker 3: you know, kidney stone. That's how like a stone, you know,

656
00:34:16,640 --> 00:34:19,000
Speaker 3: it's safe, like a sap, like a kidney with a stone.

657
00:34:21,320 --> 00:34:26,160
Speaker 3: He's from East the niggas.

658
00:34:26,280 --> 00:34:27,600
Speaker 1: You tow him up with them up.

659
00:34:28,280 --> 00:34:31,480
Speaker 3: I was hanging out with Player Ham and Ship and Shaney.

660
00:34:31,719 --> 00:34:34,080
Speaker 3: You know what I'm saying, uh l A, Mike, all

661
00:34:34,120 --> 00:34:36,200
Speaker 3: my homeboys. But you know, niggas out there like you know,

662
00:34:36,640 --> 00:34:38,680
Speaker 3: living So I did all that ship Man. That ship

663
00:34:38,719 --> 00:34:41,319
Speaker 3: was fun. But back then it meant something because l

664
00:34:41,360 --> 00:34:44,560
Speaker 3: A was still uh La was still a factor that

665
00:34:44,680 --> 00:34:48,120
Speaker 3: was finding itself after the fucking Recognomics bro, after the

666
00:34:48,239 --> 00:34:52,160
Speaker 3: you know, after you know, the white the what you

667
00:34:52,280 --> 00:34:56,040
Speaker 3: call it, the snowfall, after that and when everybody started,

668
00:34:56,080 --> 00:34:58,400
Speaker 3: when it started coming back to normal, It's like l

669
00:34:58,480 --> 00:35:00,480
Speaker 3: A was, you know, right for niggas to get back

670
00:35:00,480 --> 00:35:03,640
Speaker 3: together again and do something big. Music. Music saved us all, basically,

671
00:35:04,640 --> 00:35:06,279
Speaker 3: you know, and you were a huge part of that.

672
00:35:07,040 --> 00:35:09,160
Speaker 3: I feel like I was. If you take me out

673
00:35:09,200 --> 00:35:11,839
Speaker 3: of the equation, what the fuck you get, it's gonna

674
00:35:11,840 --> 00:35:15,279
Speaker 3: be some ship. Avoid It's gonna be some ship. Even

675
00:35:15,280 --> 00:35:16,920
Speaker 3: when I was quiet, I was doing ship. When I

676
00:35:17,040 --> 00:35:20,320
Speaker 3: like when I left Arister Records, when I got unceremoniously

677
00:35:20,440 --> 00:35:23,520
Speaker 3: whatever fired quit, whatever you call the ship, I still

678
00:35:23,640 --> 00:35:26,600
Speaker 3: was like busting niggas ass on the fucking equipment bro

679
00:35:26,680 --> 00:35:29,440
Speaker 3: and sound designing. I was making the best sounds ever

680
00:35:29,480 --> 00:35:30,920
Speaker 3: and not just hear them on the radio and it's

681
00:35:30,960 --> 00:35:34,120
Speaker 3: like music can go on. So were you you were?

682
00:35:34,160 --> 00:35:34,560
Speaker 3: You were?

683
00:35:34,560 --> 00:35:37,839
Speaker 2: Were you like when you said that you were making sounds?

684
00:35:38,200 --> 00:35:41,960
Speaker 2: So you were just doing more drum production and different stuff.

685
00:35:41,680 --> 00:35:46,760
Speaker 3: With people drums. I'm saying I was doing rhythm section ship, Okay,

686
00:35:47,400 --> 00:35:53,360
Speaker 3: like the rhythm section, not just a nigga back snow.

687
00:35:53,719 --> 00:36:00,920
Speaker 3: I was making just these fucking slappy, he ass, funky

688
00:36:00,960 --> 00:36:03,080
Speaker 3: ass rhythms that people was like, hey, put this in

689
00:36:03,160 --> 00:36:06,960
Speaker 3: my ship. Were you're using your name on some of

690
00:36:06,960 --> 00:36:09,839
Speaker 3: the shit I was, you know, some of it was quick.

691
00:36:09,920 --> 00:36:11,840
Speaker 3: Some people was like, hey, don't give you no credit,

692
00:36:11,880 --> 00:36:13,640
Speaker 3: that's what he liked. Who the fuck tells you that

693
00:36:13,719 --> 00:36:16,200
Speaker 3: I didn't like credit? Give me my credit? So it

694
00:36:16,280 --> 00:36:17,680
Speaker 3: was like, that's why I stopped doing I don't produce

695
00:36:17,719 --> 00:36:20,200
Speaker 3: nobody now, like we just did a Trooper Copper, but

696
00:36:20,480 --> 00:36:21,960
Speaker 3: it'd be hard pressed to give me the studio. And

697
00:36:22,000 --> 00:36:23,279
Speaker 3: I don't give a fuck how rich they are or

698
00:36:23,320 --> 00:36:25,640
Speaker 3: who they are. You can't give me the studio with

699
00:36:25,680 --> 00:36:27,879
Speaker 3: nobody because people don't know how to put my name

700
00:36:27,920 --> 00:36:30,680
Speaker 3: on the final product. So if y'all can't do that,

701
00:36:30,800 --> 00:36:32,920
Speaker 3: then y'all don't get the y'all don't get my If

702
00:36:32,960 --> 00:36:34,920
Speaker 3: my name ain't on it, my hands ain't on it.

703
00:36:37,680 --> 00:36:43,279
Speaker 2: People were literally purposely saying, that's what he likes, So

704
00:36:43,320 --> 00:36:44,360
Speaker 2: that's what we're get.

705
00:36:44,200 --> 00:36:48,200
Speaker 3: It because niggas are stupid. Wow, that's what niggas do.

706
00:36:48,320 --> 00:36:51,960
Speaker 3: Niggas do nigga shit. But how can you so guess

707
00:36:51,960 --> 00:36:54,200
Speaker 3: what now? It ain't no question that I ain't on

708
00:36:54,239 --> 00:37:01,040
Speaker 3: your record because I ain't fucking right. It cost so

709
00:37:01,120 --> 00:37:03,440
Speaker 3: much money to get me in the studio. Now, motherfuckers

710
00:37:03,600 --> 00:37:05,719
Speaker 3: blow their whole budget. I don't even want it either.

711
00:37:06,000 --> 00:37:08,040
Speaker 3: I'll get that ship to donation. I get that ship

712
00:37:08,080 --> 00:37:12,239
Speaker 3: to charity. So what's your what's your main focus now?

713
00:37:12,480 --> 00:37:16,160
Speaker 3: My main focus is getting home and finishing learning my

714
00:37:16,239 --> 00:37:18,719
Speaker 3: new synthesizer that I just bought that was delivered to

715
00:37:18,760 --> 00:37:22,520
Speaker 3: me yesterday. What did you get? I can't tell you.

716
00:37:23,400 --> 00:37:25,640
Speaker 3: It's a secret. Come on, Tank, you know this game,

717
00:37:26,440 --> 00:37:29,640
Speaker 3: then he's gonna go out and run it and be like, right,

718
00:37:30,440 --> 00:37:32,880
Speaker 3: I can't tell you, bro, that ain't even nobody business.

719
00:37:32,880 --> 00:37:36,920
Speaker 3: Fuck these niggas. You got something to y'all. See I'm

720
00:37:36,960 --> 00:37:44,760
Speaker 3: drinking too, right, y'all. See I'm drinking. I ain't helping

721
00:37:44,840 --> 00:37:47,480
Speaker 3: none of y'all ever. I don't giving a funk who

722
00:37:47,560 --> 00:37:49,760
Speaker 3: you are the only person I'll go in the studio

723
00:37:49,840 --> 00:37:52,440
Speaker 3: right now with a Jimmy holl game. That's it. Maybe

724
00:37:52,560 --> 00:37:57,080
Speaker 3: maybe where I am. Everybody else, you had your chance.

725
00:37:57,120 --> 00:38:03,680
Speaker 3: You blew it. Goodbye. I feel like if you heard

726
00:38:03,680 --> 00:38:06,680
Speaker 3: it right here on R and B money Bitch.

727
00:38:06,520 --> 00:38:10,960
Speaker 1: I feel like if Tank needed a record, you know,

728
00:38:11,520 --> 00:38:13,000
Speaker 1: I feel like that would be a reason.

729
00:38:12,760 --> 00:38:17,320
Speaker 3: Then we put your name in all capitals. I was

730
00:38:17,400 --> 00:38:19,080
Speaker 3: just called your record.

731
00:38:19,440 --> 00:38:20,960
Speaker 1: I was just a feature in Tank.

732
00:38:22,680 --> 00:38:26,560
Speaker 3: In my credit your credit. No, but it's been it's

733
00:38:26,600 --> 00:38:29,880
Speaker 3: been a journey going back through some of these records

734
00:38:30,120 --> 00:38:33,920
Speaker 3: and getting my credits like like they're they're now starting

735
00:38:33,960 --> 00:38:36,799
Speaker 3: to well, you can only run for so long. You

736
00:38:36,840 --> 00:38:40,759
Speaker 3: can hide, you can avoid me, but you can't evade me.

737
00:38:40,840 --> 00:38:42,880
Speaker 3: I'm coming. So I've been, you know, righting up and

738
00:38:42,920 --> 00:38:46,520
Speaker 3: helping me, you know, find these you know these this

739
00:38:46,719 --> 00:38:48,879
Speaker 3: is yours. This is and they held it for you quick.

740
00:38:48,880 --> 00:38:50,640
Speaker 3: They didn't share it with nobody. This is your portion

741
00:38:50,719 --> 00:38:58,239
Speaker 3: of this song. Shout out to this moment to right now.

742
00:38:58,280 --> 00:39:00,480
Speaker 3: You got one of the newest cold blood of his

743
00:39:00,600 --> 00:39:02,920
Speaker 3: supercars outside. Bro. I don't even I don't even look

744
00:39:02,920 --> 00:39:05,520
Speaker 3: at him. Bro, I'm driving the fucking I'm driving the

745
00:39:05,680 --> 00:39:07,920
Speaker 3: uh what do you call it, the loaner I'm driving

746
00:39:07,920 --> 00:39:10,480
Speaker 3: the loaner car. But this nigga's riding around here, nigga

747
00:39:10,520 --> 00:39:13,680
Speaker 3: looking like the black motherfucking Michael Keaton. Everybody use that

748
00:39:13,760 --> 00:39:15,840
Speaker 3: nigga that. But that's he's the guy, bro, He's a

749
00:39:15,920 --> 00:39:18,440
Speaker 3: sound guy. Them niggas had the best sound in twelve

750
00:39:18,520 --> 00:39:20,840
Speaker 3: inches in the world. That's why I fuck with him,

751
00:39:21,200 --> 00:39:24,040
Speaker 3: not just that, because he's a good person and he

752
00:39:24,080 --> 00:39:26,680
Speaker 3: wants me to stop being around people. He's like, you're

753
00:39:26,719 --> 00:39:30,360
Speaker 3: a fucking unicorn. These people shouldn't even be in your presence.

754
00:39:30,400 --> 00:39:32,719
Speaker 3: They shouldn't even have no access to you at all.

755
00:39:33,120 --> 00:39:35,319
Speaker 3: Get away from him. I'm like, man, you're absolutely right.

756
00:39:36,040 --> 00:39:38,160
Speaker 3: So we just bought fast as cars so we don't

757
00:39:38,239 --> 00:39:41,680
Speaker 3: have to talk to more shit. But y'all pull it

758
00:39:41,760 --> 00:39:47,480
Speaker 3: up to the r V. Yeah, what you say?

759
00:39:47,600 --> 00:39:47,919
Speaker 1: He said.

760
00:39:47,920 --> 00:39:49,759
Speaker 3: The little work said, you're going to see the RVY.

761
00:39:49,840 --> 00:39:54,359
Speaker 3: Bundy was like, oh my god, you're gonna do RV money.

762
00:39:54,400 --> 00:40:01,399
Speaker 3: Oh my god, I suck your gig, right, Yockhams bet

763
00:40:01,480 --> 00:40:02,399
Speaker 3: she married.

764
00:40:05,800 --> 00:40:06,239
Speaker 1: R and B.

765
00:40:06,600 --> 00:40:10,480
Speaker 3: Rodney and Blake Radio is Rodney and Blake money, R

766
00:40:10,520 --> 00:40:18,600
Speaker 3: and Big really laughing, Nigga, I'm crazy, You're great, I said.

767
00:40:18,719 --> 00:40:20,719
Speaker 3: Crazy is a dismissive term. A lot of people just

768
00:40:20,760 --> 00:40:23,360
Speaker 3: use it freely, like you crazy, But you can't dismiss me.

769
00:40:23,920 --> 00:40:25,960
Speaker 3: Your mama crazy, your daddy crazy for leaving it in

770
00:40:26,440 --> 00:40:28,160
Speaker 3: having your dumb ass. That's how I get that, motherfucker.

771
00:40:28,200 --> 00:40:32,520
Speaker 3: I say, your mama niggas be shocked my mama. Yeah.

772
00:40:33,000 --> 00:40:35,400
Speaker 3: Question bag on people, Now, that's my new ship. Bag on.

773
00:40:35,440 --> 00:40:41,440
Speaker 3: Everybody give me a rarity.

774
00:40:42,280 --> 00:40:45,759
Speaker 1: Of course, you know, in our business a one stop shop, right,

775
00:40:46,600 --> 00:40:49,000
Speaker 1: but even with being a one stop shop, there's always

776
00:40:49,040 --> 00:40:51,919
Speaker 1: something that's outsourced. And most of the time, the one

777
00:40:51,960 --> 00:40:57,120
Speaker 1: thing that is outsourced for sure is the mix you

778
00:40:57,160 --> 00:41:00,920
Speaker 1: did not outsource. You're mixed you.

779
00:41:00,880 --> 00:41:06,279
Speaker 3: Folk with on mixes. Bro Yes, sir, I appreciate that. Tank.

780
00:41:06,680 --> 00:41:09,640
Speaker 3: You know what that it's all about. It's all about

781
00:41:10,120 --> 00:41:14,400
Speaker 3: being in the recording studio with the best mixed engineers

782
00:41:14,440 --> 00:41:17,200
Speaker 3: in the game at that time, the most competent people,

783
00:41:17,520 --> 00:41:20,280
Speaker 3: people that had references that they just mixed this record

784
00:41:20,280 --> 00:41:23,160
Speaker 3: of that record, and then going to find the technology

785
00:41:23,160 --> 00:41:24,800
Speaker 3: that they were going to use on the next record

786
00:41:24,840 --> 00:41:27,680
Speaker 3: and finding it before them, to be ahead of the curve,

787
00:41:27,760 --> 00:41:32,640
Speaker 3: because we all wanted to sound amazing on FM RADIOFM

788
00:41:32,680 --> 00:41:37,520
Speaker 3: stereo or our aftermarket car stereo systems. And that's what

789
00:41:37,560 --> 00:41:39,319
Speaker 3: I was doing. I was trying to compete with them.

790
00:41:39,640 --> 00:41:43,560
Speaker 3: Like when I heard the Chronic album, I listened to

791
00:41:43,560 --> 00:41:46,080
Speaker 3: it on cassette and I lost my mind. This was

792
00:41:46,120 --> 00:41:49,000
Speaker 3: before it came out. I was like doctor Dason, me

793
00:41:49,000 --> 00:41:50,719
Speaker 3: back to the drawing board. I had to get what

794
00:41:50,760 --> 00:41:52,279
Speaker 3: he was doing. Then he was on I realized he

795
00:41:52,320 --> 00:41:54,480
Speaker 3: was on SSLS and we were still on API and

796
00:41:54,800 --> 00:41:57,200
Speaker 3: need boards. You know the old you know the video,

797
00:41:57,280 --> 00:41:59,839
Speaker 3: the one Prince used at Oceanway. I got that one

798
00:41:59,840 --> 00:42:01,399
Speaker 3: in Get Quick as the name. That's why that went

799
00:42:01,400 --> 00:42:04,160
Speaker 3: platinum because that's the album. That's the console that nineteen

800
00:42:04,200 --> 00:42:13,440
Speaker 3: ninety nine and Erotic City was recorded on. Yeah, yeah, yes, yeah,

801
00:42:13,600 --> 00:42:17,320
Speaker 3: prince My, Prince Dre fell in love with Michael Jackson's

802
00:42:17,360 --> 00:42:19,520
Speaker 3: later music and wanted to know what console those was

803
00:42:19,560 --> 00:42:23,400
Speaker 3: because he had the API shit cracking with fucking Donovan.

804
00:42:23,520 --> 00:42:26,160
Speaker 3: These niggas was in there on a trident a range

805
00:42:26,680 --> 00:42:31,480
Speaker 3: making these big, loud records that just translated to the

806
00:42:31,760 --> 00:42:36,640
Speaker 3: It went through the console to the tape, to the

807
00:42:36,680 --> 00:42:40,200
Speaker 3: fucking albums to vinyl, the cassettes, to the radio to

808
00:42:40,239 --> 00:42:43,319
Speaker 3: the streets, like it was just this sound. Like even now,

809
00:42:43,360 --> 00:42:46,160
Speaker 3: when you listen to some of those records, they're brash,

810
00:42:46,320 --> 00:42:49,360
Speaker 3: they're like rock and roll. I mean, they're actually clearer

811
00:42:49,680 --> 00:42:51,720
Speaker 3: than some rock and roll records. But in most cases,

812
00:42:52,360 --> 00:42:55,440
Speaker 3: it was the Trident vibe that Dre was getting away

813
00:42:55,440 --> 00:42:58,000
Speaker 3: from and moving on to bigger and better things. You know,

814
00:42:58,040 --> 00:43:00,480
Speaker 3: he needed more room. He was he was already in

815
00:43:00,520 --> 00:43:04,520
Speaker 3: his theatrical phase where he was making film score music,

816
00:43:04,840 --> 00:43:06,959
Speaker 3: you know what I mean. So it was just good

817
00:43:06,960 --> 00:43:09,359
Speaker 3: to see him do that. And but he changed the game.

818
00:43:09,480 --> 00:43:11,560
Speaker 3: So when I heard that record, I was like, we

819
00:43:11,600 --> 00:43:14,160
Speaker 3: gotta go big too, So I switched over to SSL

820
00:43:14,520 --> 00:43:17,319
Speaker 3: and I started mixing, so I basically still followed him,

821
00:43:17,360 --> 00:43:19,680
Speaker 3: like there you can't. There's no meat without this nigga.

822
00:43:19,760 --> 00:43:21,759
Speaker 3: So they getting around it. People keep putting us up

823
00:43:21,760 --> 00:43:24,480
Speaker 3: against each other. I fuck with the nigga. I love you,

824
00:43:24,480 --> 00:43:25,640
Speaker 3: you know what I mean. If y'all want to make

825
00:43:25,640 --> 00:43:28,240
Speaker 3: me fight him, I'll fight you because people are just stupid.

826
00:43:28,280 --> 00:43:30,440
Speaker 3: But that's how it is. Competition. You know, we're the

827
00:43:30,480 --> 00:43:32,960
Speaker 3: only niggas that pit our own against each other. Like

828
00:43:32,960 --> 00:43:37,800
Speaker 3: there's no rock and roll versus only nigga versus Jordan.

829
00:43:38,160 --> 00:43:40,160
Speaker 3: And this is my most controversial shit. I don't give

830
00:43:40,160 --> 00:43:41,920
Speaker 3: a fuck who fuck with me when I leave here?

831
00:43:42,440 --> 00:43:44,920
Speaker 3: When we have you ever seen a black cop shoot

832
00:43:44,920 --> 00:43:51,000
Speaker 3: a white person? I'm tired of this shit. Look, niggas dumbfounded.

833
00:43:51,160 --> 00:43:53,040
Speaker 3: The man is a black cop gonna shoot a white person?

834
00:43:53,239 --> 00:43:55,560
Speaker 3: And we're like, oh man, you know you know you

835
00:43:55,600 --> 00:43:58,920
Speaker 3: know he was he was. No, it don't happen. We

836
00:43:58,960 --> 00:44:04,280
Speaker 3: live in America. Bro mm hm, fucked up. Bob Marley

837
00:44:04,320 --> 00:44:06,080
Speaker 3: did all that freedom fighting as soon as you came

838
00:44:06,120 --> 00:44:10,080
Speaker 3: to America. Yeah, a seizure called cancer and died. It's bullshit,

839
00:44:10,239 --> 00:44:15,080
Speaker 3: cho It's conspiracy. H it's all in all plain sight.

840
00:44:15,160 --> 00:44:17,160
Speaker 3: You hired a motherfucker. If you want to hide something

841
00:44:17,160 --> 00:44:20,439
Speaker 3: from a nigga, put it in the plane side. I'm

842
00:44:20,480 --> 00:44:23,719
Speaker 3: just tired of I'm tired of the Shenanigans. Unshananiganize me.

843
00:44:27,040 --> 00:44:30,600
Speaker 3: It ain't gonna happen, not here, not in America, Not

844
00:44:30,680 --> 00:44:32,759
Speaker 3: in America. Well, guess what I tell people all the time.

845
00:44:33,000 --> 00:44:36,160
Speaker 3: Guess what, it ain't ours? It ain't ours. How is

846
00:44:36,200 --> 00:44:41,520
Speaker 3: it not ours? We did all the work funk out

847
00:44:41,560 --> 00:44:44,320
Speaker 3: of here. We was the we was the indentured service.

848
00:44:44,360 --> 00:44:46,120
Speaker 1: We was the slave labor the fuck out of here.

849
00:44:46,160 --> 00:44:48,759
Speaker 1: But we didn't know paperwork. Guess what.

850
00:44:50,000 --> 00:44:53,440
Speaker 3: There's no more excuses. Motherfuckers is getting richest ship on

851
00:44:54,160 --> 00:44:56,680
Speaker 3: the internet and doing other ship outside. We gotta fun,

852
00:44:56,800 --> 00:44:58,800
Speaker 3: but we gotta fuck with each other. Yeah, that's the

853
00:44:58,920 --> 00:45:01,239
Speaker 3: only problem. We gotta do all the car.

854
00:45:01,280 --> 00:45:03,279
Speaker 1: But see here's that that part too, right. We can

855
00:45:03,440 --> 00:45:05,759
Speaker 1: fuck with each other, right, and and that can get

856
00:45:05,840 --> 00:45:08,880
Speaker 1: us up until a certain point. But when the things

857
00:45:09,440 --> 00:45:14,920
Speaker 1: that actually run everything we're giving, we're giving out, Like

858
00:45:15,040 --> 00:45:17,520
Speaker 1: when we start talking about you know, the Rockefellers and

859
00:45:18,200 --> 00:45:21,320
Speaker 1: all of these things. When when it was time to

860
00:45:21,400 --> 00:45:22,319
Speaker 1: divvy up the land.

861
00:45:24,000 --> 00:45:24,600
Speaker 3: They got it all.

862
00:45:26,080 --> 00:45:30,320
Speaker 1: The most important resource in America is the land.

863
00:45:30,760 --> 00:45:33,399
Speaker 3: Say that Ascdonald's we can.

864
00:45:34,280 --> 00:45:36,120
Speaker 1: We can grab as many pieces as we want. We're

865
00:45:36,160 --> 00:45:37,200
Speaker 1: never gonna be able to make a stake.

866
00:45:39,960 --> 00:45:40,879
Speaker 3: Man's talking that ship.

867
00:45:41,040 --> 00:45:45,800
Speaker 1: So as long as they got in early. Now we

868
00:45:45,880 --> 00:45:48,600
Speaker 1: want to go somewhere and grab up some land on

869
00:45:48,760 --> 00:45:51,000
Speaker 1: one of these you know continents, and it ain't got nothing.

870
00:45:51,160 --> 00:45:53,960
Speaker 1: Do some excavations and do some you know, and and

871
00:45:54,120 --> 00:45:56,840
Speaker 1: and and throw in some some piping and some irrigation

872
00:45:57,000 --> 00:45:57,600
Speaker 1: and all these things.

873
00:45:58,280 --> 00:46:02,560
Speaker 3: And the mule. We never get it. Yeah, reparations never

874
00:46:03,120 --> 00:46:06,479
Speaker 3: the native the Native Americans got theirs. The natives got theirs.

875
00:46:06,680 --> 00:46:09,640
Speaker 3: But here's his his his, here's the thing. So I'm

876
00:46:09,640 --> 00:46:11,759
Speaker 3: gonna be standing line a long ass time with great

877
00:46:11,760 --> 00:46:15,120
Speaker 3: hair about give us free, give us free.

878
00:46:16,120 --> 00:46:18,919
Speaker 1: But listen, let's let's let's let's say this though. Let's

879
00:46:18,960 --> 00:46:21,840
Speaker 1: let's let's let's get this on the table. When you

880
00:46:21,880 --> 00:46:24,040
Speaker 1: start talking about reparations, know how we got here. But

881
00:46:24,080 --> 00:46:28,239
Speaker 1: it's great. And you say, when you say Indians got there,

882
00:46:28,360 --> 00:46:32,000
Speaker 1: got got there just too age. I respect they should

883
00:46:34,400 --> 00:46:39,520
Speaker 1: they act different, you know, we do.

884
00:46:39,680 --> 00:46:43,680
Speaker 3: We get ours. We go by Lamborghinis. And Louis bags

885
00:46:43,719 --> 00:46:45,800
Speaker 3: that we can't afford in August repold, and then we

886
00:46:45,880 --> 00:46:47,360
Speaker 3: were more dead than if we were to just not

887
00:46:47,600 --> 00:46:51,200
Speaker 3: put that money, put that money into some motherfucking conglomerate niggas,

888
00:46:51,239 --> 00:46:53,960
Speaker 3: just build like a couple of apartment buildings. But we

889
00:46:54,040 --> 00:46:57,640
Speaker 3: don't think like that. Sorry, and it's it's not really that.

890
00:46:58,280 --> 00:47:01,960
Speaker 3: But when you've been subjectate and be it's held behind

891
00:47:02,040 --> 00:47:06,680
Speaker 3: for so long, Like I say, broke, broke, being broke

892
00:47:07,160 --> 00:47:11,719
Speaker 3: is temporary. Being poor is a condition. Mm hmmm, say

893
00:47:11,800 --> 00:47:15,440
Speaker 3: one more time. Oh well please, if you want, please,

894
00:47:16,239 --> 00:47:19,800
Speaker 3: Being broke is temporary, it's gonna happen. Being poor is

895
00:47:19,840 --> 00:47:25,080
Speaker 3: a condition. You're absolutely right, Please say that. I'm absolutely right.

896
00:47:26,160 --> 00:47:27,759
Speaker 3: Figure it out a long time ago. I'm glad I

897
00:47:27,800 --> 00:47:29,719
Speaker 3: didn't get to eighty. Like I tell you, I know

898
00:47:29,880 --> 00:47:34,160
Speaker 3: everything no right here, while I'm still willing and able

899
00:47:34,239 --> 00:47:37,600
Speaker 3: to share and get some young person to the promised land,

900
00:47:37,880 --> 00:47:39,680
Speaker 3: to be as free as I was, to be the

901
00:47:39,800 --> 00:47:42,879
Speaker 3: free thinker, to make the most creative left side music

902
00:47:42,960 --> 00:47:45,360
Speaker 3: off to the left and ball the fuck out to

903
00:47:45,600 --> 00:47:49,279
Speaker 3: that shit. But be smart and put your money up

904
00:47:49,440 --> 00:47:52,480
Speaker 3: so that you could buy land, because ain't nothing like

905
00:47:52,560 --> 00:47:54,600
Speaker 3: getting up in the morning and going back in your

906
00:47:54,640 --> 00:47:57,680
Speaker 3: backyard and you own it. It's nothing better than that,

907
00:47:58,280 --> 00:48:02,680
Speaker 3: No bitches, No watch all the Mars PJ. Fuck all that.

908
00:48:03,120 --> 00:48:06,000
Speaker 3: Buy a bunch of land, you know, and let you

909
00:48:06,280 --> 00:48:07,960
Speaker 3: let your family come kick. Get the ones that don't

910
00:48:08,000 --> 00:48:10,160
Speaker 3: tear up ship. But yeah, that's what it's about. It's

911
00:48:10,200 --> 00:48:13,320
Speaker 3: about owning things. It's about owning you know. The American

912
00:48:13,400 --> 00:48:15,920
Speaker 3: dream was just that, like work your ass off and

913
00:48:16,000 --> 00:48:19,240
Speaker 3: then buy a piece of land and raise a family.

914
00:48:20,560 --> 00:48:22,240
Speaker 3: You know what happened to the American dream?

915
00:48:22,440 --> 00:48:22,560
Speaker 7: Bro?

916
00:48:23,160 --> 00:48:26,680
Speaker 3: Are we still on that path? Do these kids know

917
00:48:26,800 --> 00:48:29,279
Speaker 3: that they didn't talk the little black kids to hate us, like, man,

918
00:48:29,360 --> 00:48:31,239
Speaker 3: we don't fuck with them old niggas. It's like we

919
00:48:31,480 --> 00:48:38,520
Speaker 3: fuck with old niggas. I love Kurtis Bayfield. I never

920
00:48:38,560 --> 00:48:40,960
Speaker 3: wanted nothing to happen to them. I fuck with George

921
00:48:41,040 --> 00:48:45,239
Speaker 3: Clinton now that nigga needed a kidney. I'll be right there.

922
00:48:45,320 --> 00:48:47,800
Speaker 3: It's gonna be a setting it. We just sat in

923
00:48:47,840 --> 00:48:51,680
Speaker 3: the dressing room and essence shout out your essence with

924
00:48:51,800 --> 00:48:55,279
Speaker 3: Charlie Wilson and got real game from him before you

925
00:48:55,400 --> 00:48:56,040
Speaker 3: hit that stage.

926
00:48:56,719 --> 00:48:59,320
Speaker 2: Because like you said, we fuck with each We and

927
00:48:59,400 --> 00:49:01,080
Speaker 2: that and that's the thing for us, Bro. And I

928
00:49:01,160 --> 00:49:02,800
Speaker 2: was telling you this even before the cameras came on.

929
00:49:03,360 --> 00:49:07,239
Speaker 2: The reason why we started this. We are really here

930
00:49:07,320 --> 00:49:10,080
Speaker 2: to appreciate each other. Come on, man, and and to

931
00:49:10,360 --> 00:49:13,160
Speaker 2: really and to really say, hey, man, what you've done

932
00:49:13,200 --> 00:49:17,600
Speaker 2: has been great man, and what you're doing, it's great.

933
00:49:17,800 --> 00:49:20,839
Speaker 2: This nigga's writing records hard. You can count on me shake, shake,

934
00:49:20,920 --> 00:49:23,520
Speaker 2: shape your booty at the disco. And I was listening

935
00:49:23,520 --> 00:49:25,640
Speaker 2: to the Gap Band when they had women with Gap

936
00:49:25,719 --> 00:49:26,760
Speaker 2: Chief on their album covers.

937
00:49:26,800 --> 00:49:29,800
Speaker 3: Bro, let's shout out to Uncle Charlie to serve and

938
00:49:30,040 --> 00:49:32,520
Speaker 3: for for for snoop for dog. I'm gonna call him

939
00:49:32,520 --> 00:49:36,600
Speaker 3: stupid word for dog to throw him a life vest

940
00:49:36,680 --> 00:49:39,600
Speaker 3: when he did yeah, and help shave him, you know

941
00:49:39,640 --> 00:49:43,200
Speaker 3: what I mean. Yeah, And that's what that's best voice

942
00:49:43,200 --> 00:49:46,399
Speaker 3: in the world. See the young boys see you can

943
00:49:46,440 --> 00:49:50,759
Speaker 3: blow beautiful that the young boys see this and they

944
00:49:50,800 --> 00:49:54,200
Speaker 3: start feeling the same way we felt about and feel.

945
00:49:54,280 --> 00:49:57,319
Speaker 3: Stop saying your old homies, because when you get old,

946
00:49:57,360 --> 00:50:00,279
Speaker 3: you're gonna need somebody to relate to. That's all you.

947
00:50:00,400 --> 00:50:02,160
Speaker 3: That's smarter than you, that's wiser than you, that got

948
00:50:02,239 --> 00:50:05,959
Speaker 3: more days on earth. Just start enjoying your older black people.

949
00:50:06,800 --> 00:50:09,520
Speaker 3: Stop calling them weird, Stop making them feel uncomfortable because

950
00:50:09,520 --> 00:50:11,440
Speaker 3: they're just laughing at you because they know you on

951
00:50:11,520 --> 00:50:13,120
Speaker 3: your way to go around the corner that they said.

952
00:50:13,160 --> 00:50:15,319
Speaker 3: Don't make that right. And then the ambulance is coming

953
00:50:15,480 --> 00:50:18,760
Speaker 3: because you young people don't listen. Just listen to old niggas.

954
00:50:18,920 --> 00:50:20,960
Speaker 3: They ain't all fools, like Richard Price said, because you

955
00:50:20,960 --> 00:50:23,239
Speaker 3: don't get to be old being a fool. M m.

956
00:50:23,880 --> 00:50:28,399
Speaker 3: That's it. And I'm drinking, and I think the add

957
00:50:28,440 --> 00:50:36,440
Speaker 3: to that tripping them alright, Shit, I ain't gonna lie

958
00:50:37,120 --> 00:50:39,239
Speaker 3: where I'm at. I just made that.

959
00:50:40,440 --> 00:50:43,560
Speaker 1: The add to it is just the other the the

960
00:50:43,640 --> 00:50:45,640
Speaker 1: other piece of the purpose is that people need to

961
00:50:45,760 --> 00:50:52,160
Speaker 1: understand that this is who I need to call when

962
00:50:52,200 --> 00:50:54,560
Speaker 1: I need to do X, Y and Z. This is

963
00:50:54,600 --> 00:50:57,759
Speaker 1: who I need to reference when I'm trying to do X,

964
00:50:57,920 --> 00:50:58,600
Speaker 1: Y and Z and.

965
00:50:58,840 --> 00:51:00,920
Speaker 3: Hearing people try to make records like me, and it's

966
00:51:01,000 --> 00:51:03,719
Speaker 3: cute because they don't understand game stag like I'm a

967
00:51:03,840 --> 00:51:11,640
Speaker 3: master of gain stage, like I learned underneath Bernie Grumman, mastering.

968
00:51:13,320 --> 00:51:16,000
Speaker 3: You know, I s've had a few albums mixed. Master

969
00:51:16,520 --> 00:51:19,560
Speaker 3: Bernie Grumman is a beast. He's just a he knows

970
00:51:20,520 --> 00:51:25,440
Speaker 3: he knows time, time offset, he knows amplitude, he knows clocks,

971
00:51:25,480 --> 00:51:28,640
Speaker 3: he knows you know, compression, you know A to D

972
00:51:28,920 --> 00:51:31,239
Speaker 3: D A. C's eighties. You know, I'm say eighties. He's

973
00:51:31,440 --> 00:51:33,600
Speaker 3: just he's the greatest guy, and he has some really

974
00:51:33,680 --> 00:51:37,600
Speaker 3: great people up underneath him. But those records like Steely

975
00:51:37,680 --> 00:51:39,880
Speaker 3: Dan Asia, when you hear these records, it's like they

976
00:51:40,040 --> 00:51:43,960
Speaker 3: just changed your life, you know. And of course thriller,

977
00:51:44,080 --> 00:51:47,280
Speaker 3: Thriller is what made me a DJ. But I scratched

978
00:51:47,280 --> 00:51:48,680
Speaker 3: the fuck out of Billy Jean. I ruined the record

979
00:51:48,800 --> 00:51:52,360
Speaker 3: to buy another one, But I learned. But it's something

980
00:51:52,400 --> 00:51:55,319
Speaker 3: about Big Base Brian Gardner Bro who made all these

981
00:51:55,400 --> 00:51:58,120
Speaker 3: records that were taught. They were like all the to

982
00:51:58,200 --> 00:52:00,399
Speaker 3: the East coast, like what Public Enemy was for them.

983
00:52:00,719 --> 00:52:03,040
Speaker 3: Everything that Big Base Brian did and hip hop was

984
00:52:03,120 --> 00:52:06,360
Speaker 3: for us. All that in wation, that ship was it

985
00:52:06,560 --> 00:52:11,600
Speaker 3: was right, you know what I mean, bad boy, bad motherfuckers.

986
00:52:11,640 --> 00:52:15,120
Speaker 3: So I mastered like that now because you know, after

987
00:52:15,160 --> 00:52:16,920
Speaker 3: a while, you know, the fruit don't fall far from

988
00:52:17,000 --> 00:52:18,920
Speaker 3: the tree. And if you you got a sense, ay,

989
00:52:19,840 --> 00:52:21,560
Speaker 3: you know, even if Bruce Lee didn't teach me how

990
00:52:21,600 --> 00:52:23,279
Speaker 3: to kick. I ain't gonna kick it. I ain't gonna

991
00:52:23,360 --> 00:52:24,759
Speaker 3: kick as hard as that nigga, but I will still

992
00:52:25,040 --> 00:52:27,080
Speaker 3: still kick a nigga through the glass play glass window.

993
00:52:27,719 --> 00:52:29,360
Speaker 3: If I've been practicing with Bruce Lee all day, you

994
00:52:29,440 --> 00:52:33,600
Speaker 3: under say what I'm saying, analogy. Is there anything in

995
00:52:33,719 --> 00:52:38,440
Speaker 3: this business that you haven't done? Uh? Sucker dick, well,

996
00:52:38,520 --> 00:52:43,920
Speaker 3: that ain't that ain't ship. Fuck these niggas. That's the

997
00:52:43,920 --> 00:52:48,880
Speaker 3: alcoholic the music ship like these you know. I just

998
00:52:48,920 --> 00:52:51,279
Speaker 3: want to make y'all laugh. Y'all can edit this ship

999
00:52:51,320 --> 00:52:55,640
Speaker 3: and all that ship. I ain't never did know, I

1000
00:52:55,680 --> 00:52:58,040
Speaker 3: ain't never I ain't never wore a skirt and lifted

1001
00:52:58,080 --> 00:53:01,160
Speaker 3: it up. I ain't never did nothing weird. The one

1002
00:53:01,200 --> 00:53:03,960
Speaker 3: thing that I wish I probably would have did more

1003
00:53:04,080 --> 00:53:07,759
Speaker 3: of was sit there and watch people cut records like

1004
00:53:08,360 --> 00:53:11,759
Speaker 3: work on a lathe. You know, to lay this, well,

1005
00:53:11,840 --> 00:53:13,680
Speaker 3: you'd have to be a lapidary to know. Like niggas

1006
00:53:13,719 --> 00:53:17,360
Speaker 3: that cut diamonds like lathing. A lathe is what cuts

1007
00:53:17,719 --> 00:53:20,440
Speaker 3: final records. Yeah, cuts lackers. So you can get a

1008
00:53:20,480 --> 00:53:22,359
Speaker 3: test pressing to be your record, because it's just something

1009
00:53:22,400 --> 00:53:24,920
Speaker 3: about recording. I only care about recordings. I don't care

1010
00:53:24,920 --> 00:53:27,560
Speaker 3: about these dumb ass politics. I don't care about nothing else.

1011
00:53:27,800 --> 00:53:29,959
Speaker 3: I care about the best sounded records in the world

1012
00:53:30,360 --> 00:53:39,160
Speaker 3: because music will stop a fight immediately, immediately. Yeah, that's

1013
00:53:39,200 --> 00:53:42,799
Speaker 3: to stop the riot. That's the most powerful instrument, that's

1014
00:53:42,800 --> 00:53:47,840
Speaker 3: the most powerful weapon in the world is music. And

1015
00:53:47,960 --> 00:53:49,200
Speaker 3: on that note, you.

1016
00:54:01,000 --> 00:54:05,400
Speaker 1: I was awaiting. We're gonna get to the party. We

1017
00:54:05,480 --> 00:54:08,239
Speaker 1: got to get to the party. I got to ask

1018
00:54:08,320 --> 00:54:10,399
Speaker 1: one more question, sir, if you don't if you don't mind,

1019
00:54:10,480 --> 00:54:17,040
Speaker 1: I don't, at what point, and maybe you already have,

1020
00:54:18,600 --> 00:54:26,880
Speaker 1: at what point does quick begin the educational process.

1021
00:54:27,040 --> 00:54:29,359
Speaker 3: The mis education and the DJ quick my nigga, I've

1022
00:54:29,400 --> 00:54:31,680
Speaker 3: been doing it, so, Lauren Hill dropped there. I've been

1023
00:54:31,760 --> 00:54:35,080
Speaker 3: on that ship, bro was. I was quietly working with

1024
00:54:35,239 --> 00:54:39,040
Speaker 3: the best man. I probably sold more than one hundred

1025
00:54:39,080 --> 00:54:42,440
Speaker 3: million records, like just being me fucking with Clive and

1026
00:54:42,800 --> 00:54:46,120
Speaker 3: some of his writers and Charlotte the Big John publisher

1027
00:54:46,160 --> 00:54:48,520
Speaker 3: at Sony like you know what I mean these I

1028
00:54:48,719 --> 00:54:52,360
Speaker 3: was just back there quietly. I put baby Warren on

1029
00:54:52,520 --> 00:54:53,560
Speaker 3: Warren Campbell.

1030
00:54:56,800 --> 00:54:57,279
Speaker 5: My thing.

1031
00:54:57,400 --> 00:54:58,640
Speaker 3: I did everything I was supposed to do.

1032
00:54:59,000 --> 00:55:01,839
Speaker 1: Okay, okay, now let's let's let's let's move a word

1033
00:55:01,880 --> 00:55:04,359
Speaker 1: out of the way. Let's move out quietly mm hm

1034
00:55:05,040 --> 00:55:10,000
Speaker 1: and loudly know where to go to get too diligit

1035
00:55:10,200 --> 00:55:11,919
Speaker 1: understanding from DJ Quick.

1036
00:55:12,719 --> 00:55:15,279
Speaker 3: I got to build a school, dre and and and

1037
00:55:15,600 --> 00:55:17,920
Speaker 3: fucking Jimmy Ivan building the schools. I just got to

1038
00:55:17,920 --> 00:55:21,279
Speaker 3: build a school to where people learn signal flow my way.

1039
00:55:21,480 --> 00:55:24,879
Speaker 3: There's there's a whole lot of paths to success. Mine

1040
00:55:25,000 --> 00:55:27,000
Speaker 3: is one of them, you know what I mean. I

1041
00:55:27,160 --> 00:55:29,759
Speaker 3: just got a unique path to success, and it's very

1042
00:55:29,880 --> 00:55:34,759
Speaker 3: it's it's very proprietary to me, but it could be

1043
00:55:34,880 --> 00:55:38,080
Speaker 3: learned by anybody that wants to. Like I've been in

1044
00:55:38,200 --> 00:55:41,120
Speaker 3: studios with my guy, Aaron Dahl, young engineer. He's with

1045
00:55:41,520 --> 00:55:44,040
Speaker 3: like if I if I don't have the energy to

1046
00:55:44,280 --> 00:55:48,040
Speaker 3: mix and master a whis Khalifa song, He'll just use

1047
00:55:48,560 --> 00:55:51,040
Speaker 3: my template, Like you could use this. You can turn

1048
00:55:51,080 --> 00:55:53,200
Speaker 3: this up this much? Who just gain stage it this way?

1049
00:55:53,360 --> 00:55:55,440
Speaker 3: And he'll be sitting up there using my game stages

1050
00:55:55,840 --> 00:55:58,520
Speaker 3: and using my equipment and just smoking weed, you know,

1051
00:55:58,640 --> 00:56:03,320
Speaker 3: smoking this Bapman just smile because he knows he's doing

1052
00:56:03,440 --> 00:56:09,360
Speaker 3: some monumental shit. Because my records are monumental. I was

1053
00:56:09,440 --> 00:56:12,680
Speaker 3: on our senior Hall I was nominated for an American

1054
00:56:12,760 --> 00:56:16,560
Speaker 3: Music Award on my first single. Born and raised in Compton.

1055
00:56:17,160 --> 00:56:20,520
Speaker 3: You really can't tell me shit, and I ain't jaded.

1056
00:56:22,000 --> 00:56:25,359
Speaker 3: I'm fly and it just take a lot to get

1057
00:56:25,400 --> 00:56:28,680
Speaker 3: to this motherfucker altitude. And I don't take kindly to

1058
00:56:28,719 --> 00:56:31,200
Speaker 3: people under me, underneath my wings, trying to take my lift.

1059
00:56:32,560 --> 00:56:34,440
Speaker 3: If you want it, you can have it, just get

1060
00:56:34,480 --> 00:56:36,720
Speaker 3: it the right way. I'm a teacher. I'm doing school

1061
00:56:36,800 --> 00:56:41,839
Speaker 3: or something. You have Touse's records that y'all don't even

1062
00:56:41,880 --> 00:56:43,600
Speaker 3: know that. Man, Come on, man, that's me on the

1063
00:56:43,680 --> 00:56:49,600
Speaker 3: collapse on fifty cent in the club. Hell yeah, it's

1064
00:56:49,680 --> 00:56:53,600
Speaker 3: because I just do shit different. I'm fly, bro, I'm

1065
00:56:53,640 --> 00:56:57,040
Speaker 3: a genius. I'm a fucking wizard. I'm a warlock. Now

1066
00:56:58,120 --> 00:57:01,680
Speaker 3: now I'm turning to mensa like I'm i bother myself

1067
00:57:01,760 --> 00:57:06,080
Speaker 3: because I'm so smart. I'll be like, nobody's even gonna

1068
00:57:06,120 --> 00:57:08,200
Speaker 3: get this ship, and I just don't even think about it.

1069
00:57:09,480 --> 00:57:11,839
Speaker 3: It's a wasted it's a it's a waste of I'm

1070
00:57:11,880 --> 00:57:14,640
Speaker 3: gonna be all passionate about it, Like, look at this equation.

1071
00:57:14,800 --> 00:57:19,960
Speaker 3: You guys like man wear the blunt. You understand what

1072
00:57:19,960 --> 00:57:26,200
Speaker 3: I'm saying, But as Tank was saying, though, I think

1073
00:57:26,240 --> 00:57:29,320
Speaker 3: the next phase is and just gotta come to the

1074
00:57:29,440 --> 00:57:31,560
Speaker 3: DJ Quick school, y'all come to the David Blake school.

1075
00:57:31,600 --> 00:57:33,400
Speaker 3: Oh there's a joke out there with these weird ass

1076
00:57:33,520 --> 00:57:37,200
Speaker 3: niggas that there's two DJ quicks. There's like a duality,

1077
00:57:37,360 --> 00:57:39,640
Speaker 3: like they'd be like, so I'm met Quick, So who

1078
00:57:39,720 --> 00:57:45,200
Speaker 3: did you get DJ Quicker David Blake? Motherfucker, it's just

1079
00:57:45,400 --> 00:57:48,959
Speaker 3: one person, the sober David Blake and the drunk David Blake.

1080
00:57:49,320 --> 00:57:52,280
Speaker 3: DJ Quick is motherfucking step and fetch it, the one

1081
00:57:52,320 --> 00:57:54,560
Speaker 3: that do the motherfucking dance and moonwalk in front of you,

1082
00:57:54,680 --> 00:57:59,120
Speaker 3: dumb ass niggas. David Blake is the business. This is

1083
00:57:59,240 --> 00:58:02,640
Speaker 3: David Blake. DJ quick is. I'm only DJ Quick when

1084
00:58:02,640 --> 00:58:05,280
Speaker 3: I'm on turntables. If you don't see me with no turntables, motherfucker,

1085
00:58:05,320 --> 00:58:08,560
Speaker 3: you're only dealing with David Blake. Say that the next time.

1086
00:58:08,920 --> 00:58:11,840
Speaker 3: Ain't no duality, and I ain't talking to none of

1087
00:58:11,920 --> 00:58:13,760
Speaker 3: y'all no more. Don't walk up to me and whole

1088
00:58:13,800 --> 00:58:16,000
Speaker 3: foods and none of that. Ship. It's over. I don't

1089
00:58:16,000 --> 00:58:19,200
Speaker 3: even want to be I'm too far above y'all. I

1090
00:58:19,360 --> 00:58:21,440
Speaker 3: just don't want to be in no atmosphere that motherfuckers

1091
00:58:21,480 --> 00:58:23,600
Speaker 3: don't really love me and expect me and and and

1092
00:58:23,760 --> 00:58:25,720
Speaker 3: let me be like a butterfly. Just because you see

1093
00:58:25,760 --> 00:58:30,640
Speaker 3: a butterfly, don't run and try to touch it, kill it.

1094
00:58:31,280 --> 00:58:42,680
Speaker 3: Tell me cheers. And you got a whole vitamin water

1095
00:58:42,760 --> 00:58:43,080
Speaker 3: over there.

1096
00:58:43,800 --> 00:58:47,000
Speaker 2: You don't you gotta do buff nigga, shit man, niggaga,

1097
00:58:47,040 --> 00:58:49,200
Speaker 2: shit manig got Alcali water over.

1098
00:58:49,120 --> 00:58:56,880
Speaker 3: You and your dumb buff like that some reps Trey.

1099
00:58:56,880 --> 00:58:58,760
Speaker 3: You're gonna finish that song man? No how that song

1100
00:58:58,840 --> 00:59:02,320
Speaker 3: you got with fifty m. Let's go to gym quick,

1101
00:59:02,320 --> 00:59:04,880
Speaker 3: coming to my gym. You ain't seen my jam. Let's

1102
00:59:04,880 --> 00:59:10,480
Speaker 3: go in too, Jim Dre, I'm in the dreamlin spot.

1103
00:59:13,560 --> 00:59:16,640
Speaker 3: You know what I'm saying, Doctor Dre, mean ass lifter.

1104
00:59:20,240 --> 00:59:20,640
Speaker 1: Spot.

1105
00:59:22,080 --> 00:59:26,040
Speaker 3: I'm so glad you can't on the podcast. I'm glad, man,

1106
00:59:26,160 --> 00:59:27,080
Speaker 3: this is amazing.

1107
00:59:27,320 --> 00:59:34,320
Speaker 1: Shout to my brother y'all.

1108
00:59:34,400 --> 00:59:36,520
Speaker 3: I'm you know, this is really me, like I don't

1109
00:59:36,520 --> 00:59:38,240
Speaker 3: really give a fuck. I tried to be in cloaked

1110
00:59:38,280 --> 00:59:42,720
Speaker 3: the whole time. I'm flying, y'all, like I'm flying. We

1111
00:59:42,880 --> 00:59:46,360
Speaker 3: need to school quick. Well, we just got to get investors.

1112
00:59:46,400 --> 00:59:48,040
Speaker 3: We are. We if we do it nonprofit, it's.

1113
00:59:47,960 --> 00:59:50,360
Speaker 1: A thing, even if it's because right now we're in

1114
00:59:50,400 --> 00:59:52,360
Speaker 1: a space where, you know, we don't need brick and mortar.

1115
00:59:53,520 --> 00:59:57,840
Speaker 1: That's just that's just your information online with people registering

1116
00:59:57,880 --> 01:00:02,640
Speaker 1: and paying them membership and going to that school.

1117
01:00:02,800 --> 01:00:02,920
Speaker 7: Bro.

1118
01:00:03,040 --> 01:00:04,120
Speaker 3: You know, I don't think you are.

1119
01:00:04,800 --> 01:00:07,200
Speaker 1: I think you understand, but I don't think you understand

1120
01:00:08,120 --> 01:00:13,320
Speaker 1: like how incredible and how valuable not just the information

1121
01:00:13,480 --> 01:00:16,200
Speaker 1: but the application of the information did.

1122
01:00:16,160 --> 01:00:19,120
Speaker 3: A billion I'm a ghetto nigga that dropped out of

1123
01:00:19,200 --> 01:00:22,800
Speaker 3: school because I needed a job, and I promised my

1124
01:00:22,960 --> 01:00:26,440
Speaker 3: teachers that I was going to be a millionaire before

1125
01:00:26,440 --> 01:00:31,000
Speaker 3: I turned twenty one. And they said you they said,

1126
01:00:31,080 --> 01:00:37,480
Speaker 3: they said good luck. Not only did it happen when

1127
01:00:37,520 --> 01:00:40,000
Speaker 3: I was nineteen or twenty, I went back to the

1128
01:00:40,040 --> 01:00:42,920
Speaker 3: school and did free challenge shows from because I came

1129
01:00:42,920 --> 01:00:44,720
Speaker 3: in second place at the challenge show at David Junior

1130
01:00:44,760 --> 01:00:46,760
Speaker 3: High School. Shout out to David Junior High. They just

1131
01:00:46,880 --> 01:00:51,880
Speaker 3: did it. They're the most academic, academically adept children in

1132
01:00:52,000 --> 01:00:54,320
Speaker 3: the fucking world right now. I don't know if y'all

1133
01:00:54,360 --> 01:00:56,240
Speaker 3: know that, but they just wanted like to, you know,

1134
01:00:56,360 --> 01:00:58,880
Speaker 3: they are the smartest kids ever. And that's the middle

1135
01:00:58,920 --> 01:01:01,480
Speaker 3: school you went to. Yeah, David Junior highchol. You want

1136
01:01:01,480 --> 01:01:04,560
Speaker 3: to take place one second place talent show. I was mad,

1137
01:01:04,680 --> 01:01:06,320
Speaker 3: so you had to come back. I had a drum machine, Bro,

1138
01:01:06,360 --> 01:01:08,760
Speaker 3: I had a two R six O six turntables, a

1139
01:01:08,840 --> 01:01:11,520
Speaker 3: fucking keyboard. Not hard that shit was to get in

1140
01:01:11,600 --> 01:01:12,479
Speaker 3: nineteen eighty five.

1141
01:01:13,960 --> 01:01:17,080
Speaker 1: Fuck it is the second place.

1142
01:01:17,280 --> 01:01:19,520
Speaker 3: And my Jerry craw was not wet. It was fly,

1143
01:01:20,440 --> 01:01:26,600
Speaker 3: no drip, shining shirt clean. God was fly, no drip on,

1144
01:01:26,680 --> 01:01:31,600
Speaker 3: no collar. Yeah, came in second place. Me in high

1145
01:01:31,640 --> 01:01:33,720
Speaker 3: See my homeboy I was, he was in the talent

1146
01:01:33,760 --> 01:01:36,760
Speaker 3: show together. Anyway, I went back, gave a niggas like

1147
01:01:36,840 --> 01:01:38,760
Speaker 3: as much money as I could. I was rich as shit.

1148
01:01:38,800 --> 01:01:40,960
Speaker 3: I was like here y'all. Yeah, it was like what

1149
01:01:41,240 --> 01:01:44,160
Speaker 3: I went to. Centennial High School, did contfree concerts, took

1150
01:01:44,240 --> 01:01:47,920
Speaker 3: DJ Rogers up there, Nigga doing it. Danny Boy were

1151
01:01:48,000 --> 01:01:50,320
Speaker 3: up at Centennial High. They just gave me the King.

1152
01:01:50,600 --> 01:01:54,320
Speaker 3: They gave me King Homecoming King Emeritis twenty twenty three

1153
01:01:54,880 --> 01:01:58,080
Speaker 3: last year. Bro. Because I go back and get money back,

1154
01:01:58,080 --> 01:02:00,920
Speaker 3: I want him to have a dope can playground like

1155
01:02:01,040 --> 01:02:03,520
Speaker 3: you know the you know let's break up this dumb

1156
01:02:03,600 --> 01:02:05,920
Speaker 3: ass asphalt and put a new blacktop out here. Slurry

1157
01:02:05,960 --> 01:02:08,600
Speaker 3: this shit basketball, you know what I mean. And the gym,

1158
01:02:08,720 --> 01:02:11,200
Speaker 3: what these outfits like, what do y'all need? Y'all need

1159
01:02:11,280 --> 01:02:14,280
Speaker 3: fucking lunch programs. Let's pay for some lunch. Like. These

1160
01:02:14,400 --> 01:02:16,560
Speaker 3: kids don't deserve to go through what we went through.

1161
01:02:16,640 --> 01:02:19,640
Speaker 3: We were in a fucking food desert. That's my thing.

1162
01:02:19,800 --> 01:02:24,760
Speaker 3: Feed the kids. If their stomach is full, their brains

1163
01:02:24,800 --> 01:02:27,840
Speaker 3: will just be emanating all the best ideas and creatively

1164
01:02:28,160 --> 01:02:31,280
Speaker 3: create it creatively that you could. But when you hunger,

1165
01:02:31,320 --> 01:02:35,240
Speaker 3: you got to think about. Man, I'm gonna rob somebody.

1166
01:02:35,280 --> 01:02:41,000
Speaker 3: You go to jail. It's just that stealing from motherfuckers,

1167
01:02:41,000 --> 01:02:44,600
Speaker 3: fighting a nigga for a bag. Feed the kids, man,

1168
01:02:44,680 --> 01:02:46,840
Speaker 3: feed them, Feed the students. We just don't need to

1169
01:02:46,880 --> 01:02:48,960
Speaker 3: be a desert. Like I go to other countries, bro,

1170
01:02:49,040 --> 01:02:51,080
Speaker 3: they don't. They don't worry about medicalitis. Pay for it.

1171
01:02:51,600 --> 01:02:54,160
Speaker 3: The country pays for it. You know. Canada, Canda is

1172
01:02:54,200 --> 01:02:57,919
Speaker 3: fucking beautiful, you know. And I say about Canada. People

1173
01:02:58,120 --> 01:03:00,680
Speaker 3: here ask me, so, what's Canada like? I'm like, Canada's

1174
01:03:00,720 --> 01:03:02,920
Speaker 3: like your rich bougie uncle, you know, the one that

1175
01:03:03,000 --> 01:03:05,080
Speaker 3: comes to your house at certain party functions, but you

1176
01:03:05,120 --> 01:03:12,640
Speaker 3: ain't never been his got he don't want you to

1177
01:03:12,680 --> 01:03:15,919
Speaker 3: come turn that up. It's nice, but he might show

1178
01:03:16,000 --> 01:03:21,080
Speaker 3: up to yours. He might. You gotta come flust though, Yeah,

1179
01:03:21,120 --> 01:03:27,040
Speaker 3: you got make it sense, makes perfect sense. My nigga

1180
01:03:27,040 --> 01:03:29,360
Speaker 3: grew up and he said, Pomona, y'all. I was over

1181
01:03:29,400 --> 01:03:32,120
Speaker 3: there with the tray. They you know what I'm saying, niggas.

1182
01:03:32,120 --> 01:03:34,360
Speaker 3: I was fucking with him like they liked me though,

1183
01:03:34,400 --> 01:03:37,840
Speaker 3: because I came to bring I ain't came to hurt nobody,

1184
01:03:38,400 --> 01:03:40,600
Speaker 3: buy no dope or be with I came to pick

1185
01:03:40,640 --> 01:03:42,320
Speaker 3: up sugar free to bring him to the studio. Cause

1186
01:03:42,320 --> 01:03:44,720
Speaker 3: it's like, bro, you gotta be the next too Short.

1187
01:03:46,240 --> 01:03:48,560
Speaker 3: That's that's why I see him. Ass be the next

1188
01:03:48,680 --> 01:03:52,360
Speaker 3: too short, your friendly player of pod. You know, I

1189
01:03:52,400 --> 01:03:54,360
Speaker 3: gotta ask a question though, real quick before we because

1190
01:03:54,360 --> 01:04:00,560
Speaker 3: we're on tonight. Well you talking about j Von she No,

1191
01:04:03,960 --> 01:04:07,400
Speaker 3: But that's what I'm saying. Well, player Ham used to

1192
01:04:07,440 --> 01:04:11,160
Speaker 3: take me downtown to go shopping, okay, and he pointed

1193
01:04:11,240 --> 01:04:13,520
Speaker 3: out all the fly things like we for Rooke was

1194
01:04:13,960 --> 01:04:17,600
Speaker 3: a new thing back then. But you know everybody was

1195
01:04:17,600 --> 01:04:20,480
Speaker 3: onlan the niggas that was on the hood was on

1196
01:04:20,600 --> 01:04:27,439
Speaker 3: my fucking Deodora t I sweatsuits, Pumila right player Ham

1197
01:04:28,360 --> 01:04:34,200
Speaker 3: was on Gucci East Laurenti on and it's pronounced give

1198
01:04:34,240 --> 01:04:36,520
Speaker 3: on she and it's the medium for me proper because

1199
01:04:36,520 --> 01:04:39,920
Speaker 3: I'm nice, Well, I'm not nice if I try to

1200
01:04:39,960 --> 01:04:42,520
Speaker 3: put that sweatsuit on. Now this my stomach gonna go pot.

1201
01:04:43,000 --> 01:04:44,720
Speaker 3: I'm a bust out like James Brown with the j

1202
01:04:45,400 --> 01:04:48,080
Speaker 3: on the overall with with the chest cut out.

1203
01:04:48,480 --> 01:04:51,480
Speaker 1: I just want to know why ain't nobody tell James

1204
01:04:51,920 --> 01:04:54,560
Speaker 1: that was nigga put on it?

1205
01:04:54,800 --> 01:04:57,480
Speaker 3: Hey bro? That was not a leotard. That was a

1206
01:04:57,600 --> 01:05:02,240
Speaker 3: Speedo spandex superhero outfit with okay bro, hey brod JB want.

1207
01:05:02,120 --> 01:05:06,520
Speaker 1: With a new pursuit with spaghetti straps. Why ain't nobody

1208
01:05:06,680 --> 01:05:08,520
Speaker 1: tell my man the nigga.

1209
01:05:12,160 --> 01:05:15,120
Speaker 3: Nobody's going to tell the Emperor that his new clothes

1210
01:05:15,360 --> 01:05:18,120
Speaker 3: are still in the fucking pool house.

1211
01:05:18,440 --> 01:05:23,240
Speaker 1: There's somebody close to the Emperor, like there's always one

1212
01:05:23,400 --> 01:05:27,680
Speaker 1: person that's like they can get away with telling you

1213
01:05:27,840 --> 01:05:29,600
Speaker 1: the truth. It's always one.

1214
01:05:31,360 --> 01:05:32,720
Speaker 3: There has to be.

1215
01:05:34,440 --> 01:05:36,280
Speaker 2: But I wanted to make sure that I pointed out

1216
01:05:36,320 --> 01:05:40,240
Speaker 2: that because niggas didn't get on that to another fifteen years,

1217
01:05:40,360 --> 01:05:43,360
Speaker 2: maybe twenty after you shouted that out in your record.

1218
01:05:43,400 --> 01:05:47,840
Speaker 3: What's that now, I'm out of the club. I'm feeling

1219
01:05:47,960 --> 01:05:50,320
Speaker 3: fancy free, which is you know, people bagged on me

1220
01:05:50,360 --> 01:05:52,960
Speaker 3: for that, you know, shout out to the nigga. You

1221
01:05:53,080 --> 01:05:55,520
Speaker 3: need to get at me. He said something. The nigga said,

1222
01:05:55,640 --> 01:05:58,240
Speaker 3: how you feel you feel fancy free, fancy free whatever,

1223
01:05:59,080 --> 01:06:02,320
Speaker 3: spray on some zeririus which was x E R y

1224
01:06:02,440 --> 01:06:08,200
Speaker 3: U s serious and putting my Givanhi givon she sweatsuit

1225
01:06:09,240 --> 01:06:13,720
Speaker 3: thelure before Seann John. It was that cold gray and

1226
01:06:13,800 --> 01:06:21,880
Speaker 3: burgundy like charcoal gray. Would burgundy fucking swayed. You can't

1227
01:06:21,960 --> 01:06:24,760
Speaker 3: tell me I had to rap about that fucking outfit,

1228
01:06:25,280 --> 01:06:28,000
Speaker 3: you know what I mean? I was owned. I knew it.

1229
01:06:28,640 --> 01:06:30,840
Speaker 3: I was putting niggas on the givon she. Now it's

1230
01:06:30,880 --> 01:06:34,480
Speaker 3: the thing everybody wi on she slides and bags and whatever.

1231
01:06:34,600 --> 01:06:37,680
Speaker 3: Yeah no, and the family give on she This niggas

1232
01:06:37,960 --> 01:06:40,480
Speaker 3: Crypt is the ship the givon she crypt looked like

1233
01:06:40,560 --> 01:06:42,840
Speaker 3: his motherfuckers the ship he had in the store, big

1234
01:06:43,000 --> 01:06:46,240
Speaker 3: black marble. Motherfucker would just give on she and fucking

1235
01:06:46,480 --> 01:06:50,360
Speaker 3: big funt. Yeah, I loved the motherfucker. I love designers

1236
01:06:50,440 --> 01:06:53,560
Speaker 3: like man. We used to get our clothes made for

1237
01:06:53,720 --> 01:06:59,280
Speaker 3: us when Georgio, uh well his name was not Georgio,

1238
01:06:59,400 --> 01:07:03,320
Speaker 3: Gia Georgio too. We talk about that. But Gianni Rassaci

1239
01:07:04,520 --> 01:07:08,320
Speaker 3: was alive when we was getting our outfits. So he

1240
01:07:08,480 --> 01:07:13,320
Speaker 3: had people designing, like, you know, tailoring us like. He had,

1241
01:07:13,440 --> 01:07:15,360
Speaker 3: you know, a staff that would you go in there

1242
01:07:15,360 --> 01:07:17,440
Speaker 3: and see his nice prints and if you couldn't if

1243
01:07:17,480 --> 01:07:19,400
Speaker 3: they couldn't fit it in the European numbers like in

1244
01:07:19,480 --> 01:07:23,640
Speaker 3: the new you know, metric to American standard, he would.

1245
01:07:23,880 --> 01:07:30,960
Speaker 3: He would have guys cut us like his early bro.

1246
01:07:31,120 --> 01:07:33,600
Speaker 3: You had the Lord Jesus in the silk shirt early.

1247
01:07:34,280 --> 01:07:38,840
Speaker 3: You understand what I'm saying. One pubic hair on my chest, bro,

1248
01:07:39,440 --> 01:07:42,720
Speaker 3: like no, no, beat the bugs naked bear, you know,

1249
01:07:42,840 --> 01:07:47,600
Speaker 3: the little rib k Shawn. My nigga would fucking versace bros. Yeah,

1250
01:07:47,760 --> 01:07:49,840
Speaker 3: because I knew that niggas was gonna call me gay

1251
01:07:50,360 --> 01:07:53,320
Speaker 3: and all that, and androgeny was it. I still funk

1252
01:07:53,360 --> 01:07:56,080
Speaker 3: with androgen I still fly my hair out, received hairline

1253
01:07:56,080 --> 01:07:59,200
Speaker 3: and all my should still go gangbusters, and bitch would

1254
01:07:59,200 --> 01:08:01,880
Speaker 3: still be like, let me touch it. Live know that

1255
01:08:02,680 --> 01:08:08,960
Speaker 3: don't touch my hair, leave it alone. I don't know this.

1256
01:08:09,200 --> 01:08:10,440
Speaker 3: This is how I feel right. There is a lot

1257
01:08:10,480 --> 01:08:13,440
Speaker 3: of people, a lot of people. They don't know this. Tupac.

1258
01:08:13,720 --> 01:08:15,320
Speaker 3: When he got out of jail, that nigga turned into

1259
01:08:15,320 --> 01:08:18,000
Speaker 3: Martin Luther King. All his verses sounded like Martin Luther

1260
01:08:18,080 --> 01:08:19,960
Speaker 3: King Jr. And I've been I'll maybe not get there

1261
01:08:20,040 --> 01:08:22,360
Speaker 3: with you. I'm really standing plus plus second hand say

1262
01:08:22,360 --> 01:08:25,679
Speaker 3: it's midnight. He started rapping like MLK because he was like, fucking,

1263
01:08:25,680 --> 01:08:27,479
Speaker 3: I'm finna go the biggest I could go. And who

1264
01:08:27,560 --> 01:08:30,040
Speaker 3: do people he's a black panther? Who do people respect Martin?

1265
01:08:30,240 --> 01:08:33,040
Speaker 3: They respect their legends that die for a purpose. And

1266
01:08:33,080 --> 01:08:35,679
Speaker 3: that's what my nigga did. He went out like MLK Jr.

1267
01:08:35,720 --> 01:08:37,439
Speaker 3: And I'm like, I fuck with him, you know what

1268
01:08:37,479 --> 01:08:39,439
Speaker 3: I mean. So that's how I'm finna go. I'm going

1269
01:08:39,520 --> 01:08:43,080
Speaker 3: out hard, but going out like Prince So. I don't

1270
01:08:43,080 --> 01:08:46,920
Speaker 3: know how hard you grew out with Chaffan. I'm gonna

1271
01:08:46,960 --> 01:08:48,800
Speaker 3: make it happen. Let me get some of the Michael

1272
01:08:48,880 --> 01:08:53,080
Speaker 3: Jackson motherfucking the suits he got on by Alexander McQueen.

1273
01:08:53,120 --> 01:08:55,360
Speaker 3: When Alexander McQueen designed it for him that it was

1274
01:08:55,400 --> 01:08:57,960
Speaker 3: all fucking you know what I'm saying. Look like serget

1275
01:08:57,960 --> 01:09:01,799
Speaker 3: pepper lungers. I want I want to wear that ship. Yeah, Kanye,

1276
01:09:01,880 --> 01:09:04,800
Speaker 3: where is it? Yeah? Shout out Kanye, Yeah he wear it.

1277
01:09:05,800 --> 01:09:08,960
Speaker 3: I just like I'm happy for any nigga that owns

1278
01:09:09,000 --> 01:09:11,679
Speaker 3: itself in this business. And that's that's that's making calls

1279
01:09:11,960 --> 01:09:14,040
Speaker 3: and going to get his rest in sleep and see

1280
01:09:14,080 --> 01:09:15,760
Speaker 3: his kids when he wants to bro and he ain't

1281
01:09:16,040 --> 01:09:19,559
Speaker 3: beholding to nobody to make him do or say anything

1282
01:09:19,640 --> 01:09:22,040
Speaker 3: that he don't want to do or say. Yeah, shout

1283
01:09:22,080 --> 01:09:25,920
Speaker 3: out to all niggas in power. Yeah, yeah the kids.

1284
01:09:30,600 --> 01:09:42,479
Speaker 5: Five, Yeah, your top five five rapper Army, your top.

1285
01:09:42,800 --> 01:09:50,479
Speaker 3: Army, Arby singer Loot the Vandros, horry me some Marty Gaye.

1286
01:09:51,000 --> 01:09:52,080
Speaker 4: We ain't got to know.

1287
01:09:53,000 --> 01:09:57,120
Speaker 1: Comes on me so and we'll like, you know when

1288
01:09:57,280 --> 01:09:58,680
Speaker 1: you shit go with.

1289
01:10:14,000 --> 01:10:17,880
Speaker 7: You five?

1290
01:10:19,880 --> 01:10:29,799
Speaker 3: Get it all right? It's Marvin Gaye, Stevie Wonder, include

1291
01:10:29,840 --> 01:10:32,760
Speaker 3: the Vandross, Michael Jackson, Rick James is in there too.

1292
01:10:32,880 --> 01:10:38,479
Speaker 3: That's a bad thing, motherfucker. That is the quickest ever

1293
01:10:39,680 --> 01:10:42,840
Speaker 3: our pun intended ever Top five. But y'all seen me

1294
01:10:42,920 --> 01:10:45,160
Speaker 3: singing about him. Well it ain't nothing to think about.

1295
01:10:45,560 --> 01:10:47,360
Speaker 3: Think about the records, you're finna go by. You're talking

1296
01:10:47,360 --> 01:10:50,400
Speaker 3: about five top five individuals or groups, because that's a

1297
01:10:50,439 --> 01:10:52,920
Speaker 3: whole different thing, because Zap isn't. My other talk five

1298
01:10:53,000 --> 01:10:55,439
Speaker 3: is Roger Trumpman's app You know what I'm saying, even

1299
01:10:55,439 --> 01:10:59,960
Speaker 3: though he didn't sing that talk box about vocals, that's vocals, motherfucker.

1300
01:11:00,120 --> 01:11:05,760
Speaker 3: That's as you know. Then you got oh, hold on

1301
01:11:06,280 --> 01:11:11,639
Speaker 3: Casey Haley the album here am I wrong? And Jojo

1302
01:11:11,760 --> 01:11:14,800
Speaker 3: Haley together they're the thing the are.

1303
01:11:14,800 --> 01:11:18,160
Speaker 1: A thing that will never be replicated.

1304
01:11:18,479 --> 01:11:21,559
Speaker 3: Rick never gets no motherfucking prop.

1305
01:11:22,080 --> 01:11:25,520
Speaker 1: Tell me when was again distinctive?

1306
01:11:25,840 --> 01:11:29,000
Speaker 3: You understand me? Of course, Ralph Resment is great, Rolph

1307
01:11:29,080 --> 01:11:32,479
Speaker 3: Restaurant is great, Johnny Gill is great. Bobby Brown, everybody

1308
01:11:32,600 --> 01:11:34,880
Speaker 3: bought my fucking he was the king of fucking king

1309
01:11:34,960 --> 01:11:38,599
Speaker 3: of stage, King of rob We got that, but sing wise,

1310
01:11:39,280 --> 01:11:44,760
Speaker 3: that goddamn Ralph kne stand the rain nigga, Hey a

1311
01:11:44,880 --> 01:11:48,120
Speaker 3: jealous girl in my town? And Ricky always wait for

1312
01:11:48,240 --> 01:11:50,880
Speaker 3: Rick to say, because rick always do the dancing. Whatever right?

1313
01:11:51,560 --> 01:11:54,160
Speaker 1: Your top five R and B songs?

1314
01:11:55,200 --> 01:12:01,920
Speaker 3: Oh Lord for just for radio, or it's yours, it's yours. Sure,

1315
01:12:04,800 --> 01:12:09,960
Speaker 3: Sailing Christopher Cross I Want to Be Closer by Switch

1316
01:12:12,320 --> 01:12:14,320
Speaker 3: mixed with They'll Never Be. They're kind of the same

1317
01:12:14,360 --> 01:12:22,439
Speaker 3: record anything Luther Vandros on the Busybody album The Other

1318
01:12:22,560 --> 01:12:25,719
Speaker 3: Night I Fell in Love or the First one because

1319
01:12:26,040 --> 01:12:29,880
Speaker 3: make Me a Believer is the coldest record ever. Luther.

1320
01:12:30,240 --> 01:12:32,760
Speaker 3: I met Luther Vandros on a flight home after we

1321
01:12:32,880 --> 01:12:36,000
Speaker 3: did the Source Awards when the tobacco happened and Sugar

1322
01:12:36,040 --> 01:12:38,920
Speaker 3: started to fight. I rode home with Luther back to

1323
01:12:39,080 --> 01:12:40,600
Speaker 3: LA He was going to go meet Clive Davis. It

1324
01:12:40,640 --> 01:12:42,639
Speaker 3: was finding in Nuclive and I was trying to talk

1325
01:12:42,680 --> 01:12:44,680
Speaker 3: to Luther in first class, but I was hungover from

1326
01:12:44,720 --> 01:12:47,160
Speaker 3: Hennessy and you know what I'm saying, and wrestling all

1327
01:12:47,280 --> 01:12:50,160
Speaker 3: night with Sugar shit, so I can't really talk to

1328
01:12:50,280 --> 01:12:52,680
Speaker 3: Luther like I wanted to. And this nigga had on

1329
01:12:52,720 --> 01:12:54,760
Speaker 3: the VERSACEI shirt and a perm and I was like,

1330
01:12:54,840 --> 01:12:56,479
Speaker 3: I was trying to talk to this nigga bad, No

1331
01:12:56,560 --> 01:12:59,880
Speaker 3: words would come out. But Luther Vandros other side of

1332
01:12:59,880 --> 01:13:02,479
Speaker 3: the world fucked my head up. As a kid, Bro,

1333
01:13:03,120 --> 01:13:06,240
Speaker 3: we're talking about loneliness, you know what I mean? Wow,

1334
01:13:08,479 --> 01:13:14,519
Speaker 3: Prince Adore is number one and there's another Prince record

1335
01:13:14,600 --> 01:13:18,880
Speaker 3: that's crazy at Ship. It's fucking I'm gonna be weird

1336
01:13:18,920 --> 01:13:21,920
Speaker 3: with this one. When you are in love and break

1337
01:13:22,000 --> 01:13:23,479
Speaker 3: it on down. I don't want nobody else here to

1338
01:13:23,560 --> 01:13:26,320
Speaker 3: sound like just the way he wrote slow songs was

1339
01:13:26,400 --> 01:13:29,920
Speaker 3: the ship it was out here. That's one of my

1340
01:13:30,000 --> 01:13:32,320
Speaker 3: favorite Prince records of all one that break it down.

1341
01:13:33,920 --> 01:13:36,680
Speaker 3: The fact that he gave it to Tevin first and

1342
01:13:36,760 --> 01:13:41,080
Speaker 3: then it came back and and his version was did

1343
01:13:41,120 --> 01:13:43,400
Speaker 3: you hear him see the jungle love? I'm sure he did.

1344
01:13:44,680 --> 01:13:46,439
Speaker 3: He wrote jungle love, but to hear him do his

1345
01:13:46,560 --> 01:13:50,120
Speaker 3: version of it all I listened to right now, bro

1346
01:13:50,640 --> 01:13:57,680
Speaker 3: is jungle. Prince wrote that song for him, but he

1347
01:13:57,800 --> 01:14:00,840
Speaker 3: got his own version. He sings it. It was a demo.

1348
01:14:03,680 --> 01:14:08,160
Speaker 3: This nigga, people come get this here, get this nigga,

1349
01:14:08,560 --> 01:14:12,560
Speaker 3: just another manic Monday. Don't go chase some waterfalls. This

1350
01:14:12,680 --> 01:14:16,360
Speaker 3: nigga wrote, motherfucking nothing compares to you. This nigga wrote,

1351
01:14:16,560 --> 01:14:18,960
Speaker 3: motherfucking hold on, hold on. There's some other shitt he wrote,

1352
01:14:19,240 --> 01:14:21,439
Speaker 3: I feel for you for uh. We know some of

1353
01:14:21,520 --> 01:14:23,960
Speaker 3: these are common, but there's this rabbit hole that Prince

1354
01:14:24,080 --> 01:14:26,639
Speaker 3: got that where you just had to I was thinking

1355
01:14:26,880 --> 01:14:28,960
Speaker 3: Tony Tony, Tony was writing some of them songs, but

1356
01:14:29,080 --> 01:14:32,920
Speaker 3: they wasn't. But then to them used to be on

1357
01:14:33,160 --> 01:14:35,439
Speaker 3: tour with Prince. So they used to see Prince like

1358
01:14:35,479 --> 01:14:37,960
Speaker 3: sliding off the stage the night when he go too far.

1359
01:14:38,280 --> 01:14:39,840
Speaker 3: He come do the city, come out and the slide

1360
01:14:40,880 --> 01:14:42,960
Speaker 3: and go too far and like fall off the stage.

1361
01:14:43,720 --> 01:14:47,120
Speaker 3: You know they catch him. Yeah, Princess showman, greatest showman

1362
01:14:47,160 --> 01:14:51,320
Speaker 3: of all time. Bro, Prince did it. But nothing beats

1363
01:14:52,160 --> 01:14:57,120
Speaker 3: Marvin Gaye's Sad Tomorrow's and the Last Chance. There was

1364
01:14:57,120 --> 01:14:59,160
Speaker 3: a couple of records that he did that came out

1365
01:14:59,200 --> 01:15:01,599
Speaker 3: after he died, and his Walking and Rain all that ship.

1366
01:15:01,640 --> 01:15:03,920
Speaker 3: When he was doing all the Doubt, he was trying

1367
01:15:03,960 --> 01:15:06,519
Speaker 3: to be like Frank Sinatra. That's incredible.

1368
01:15:06,680 --> 01:15:08,880
Speaker 1: I bought a bunch of boxes from a record store

1369
01:15:08,920 --> 01:15:11,760
Speaker 1: going out in business and stumbled on it.

1370
01:15:11,840 --> 01:15:13,800
Speaker 3: And he had the little perm and the little brown

1371
01:15:13,920 --> 01:15:16,599
Speaker 3: and the brown and blue powder blue lay every day. Bro,

1372
01:15:17,479 --> 01:15:20,679
Speaker 3: and that bro made me love Frank Sinatra. That's crazy

1373
01:15:21,080 --> 01:15:24,080
Speaker 3: that he linked you to that music. He was doing

1374
01:15:24,160 --> 01:15:24,639
Speaker 3: big band.

1375
01:15:25,960 --> 01:15:27,680
Speaker 1: His label didn't want him to do the big band.

1376
01:15:29,720 --> 01:15:31,599
Speaker 3: Barry Gordy was like, Bro, what are you wasting your

1377
01:15:31,640 --> 01:15:33,559
Speaker 3: time with this Jashi for what he said, he's never

1378
01:15:33,600 --> 01:15:35,280
Speaker 3: going to sell any records. We know you're going to

1379
01:15:35,320 --> 01:15:37,960
Speaker 3: impress just four hundred people, like, let me show you

1380
01:15:37,960 --> 01:15:39,840
Speaker 3: how to sell four hundred dollars records. Let me show

1381
01:15:39,840 --> 01:15:42,280
Speaker 3: you how to go go and he and he did,

1382
01:15:42,800 --> 01:15:45,639
Speaker 3: and that's why Barry Gordy is And another one reput

1383
01:15:45,880 --> 01:15:49,519
Speaker 3: no hold on. Sam Cook is the greatest singer of

1384
01:15:49,760 --> 01:15:53,439
Speaker 3: soul music period. You can call whoever you want. Listen

1385
01:15:53,520 --> 01:15:56,439
Speaker 3: to Little Red Rooster, Listen to motherfucker you send me,

1386
01:15:56,840 --> 01:16:03,559
Speaker 3: and you'll never be the same. He invented soul, soul music,

1387
01:16:05,080 --> 01:16:10,720
Speaker 3: prettiest voices. Johnny Wilder from heat Wave, prettiest voice ever,

1388
01:16:12,640 --> 01:16:16,840
Speaker 3: Johnny Wilder, look it up always forever, It's cool, quick,

1389
01:16:17,160 --> 01:16:21,320
Speaker 3: cool quick. John Buck told me that I sound like

1390
01:16:21,680 --> 01:16:23,680
Speaker 3: Johnny Wilder from heat Wave when I do my falsetto.

1391
01:16:24,320 --> 01:16:28,040
Speaker 3: That's the biggest compliment you can get. Johnny Wilder's wife

1392
01:16:28,479 --> 01:16:30,519
Speaker 3: didn't want to marry nobody that didn't sound as good

1393
01:16:30,520 --> 01:16:33,679
Speaker 3: as Smoky Robinson, so that niggas song always in forever

1394
01:16:33,800 --> 01:16:36,679
Speaker 3: to her. And they was both army. They was both

1395
01:16:36,760 --> 01:16:39,160
Speaker 3: you know, in the army. So you end up marrying her.

1396
01:16:39,200 --> 01:16:41,000
Speaker 3: She ended up marrying me because she was like, it's

1397
01:16:41,040 --> 01:16:44,479
Speaker 3: hard to be smoking. And he got that pussy and

1398
01:16:44,720 --> 01:16:50,400
Speaker 3: married because he said, just want him high ass notes.

1399
01:16:53,320 --> 01:16:55,599
Speaker 3: Come on, man, the power of the pussy. We sing

1400
01:16:55,840 --> 01:16:58,160
Speaker 3: for pussy. That's all R and B people. Do we

1401
01:16:58,320 --> 01:16:59,920
Speaker 3: want to fuck after this song?

1402
01:17:00,240 --> 01:17:05,960
Speaker 1: And as a direct correlation from false settle to the pussy,

1403
01:17:06,600 --> 01:17:07,200
Speaker 1: oh yeah.

1404
01:17:07,720 --> 01:17:10,599
Speaker 3: Oh yeah, some high frequencies vibrate that month.

1405
01:17:10,680 --> 01:17:15,000
Speaker 1: The first time I ever heard girls scream was off

1406
01:17:15,600 --> 01:17:21,559
Speaker 1: False Settle in ninth grade at that that school school

1407
01:17:21,840 --> 01:17:26,040
Speaker 1: uh program with all the whole school and I was

1408
01:17:26,080 --> 01:17:30,479
Speaker 1: singing a gospel song. But something about that false Settle

1409
01:17:31,960 --> 01:17:37,000
Speaker 1: send a different kind of energy that I received even

1410
01:17:37,120 --> 01:17:45,040
Speaker 1: on today. Quick, let's do a vultron. This is what

1411
01:17:45,240 --> 01:17:48,040
Speaker 1: vultron is. We're gonna make your super R and B artists.

1412
01:17:48,800 --> 01:17:50,840
Speaker 1: We want to know where you're getting the vocal from,

1413
01:17:51,000 --> 01:17:54,280
Speaker 1: the performance style, the styling of the artist, the heart

1414
01:17:54,360 --> 01:17:57,160
Speaker 1: of the artist, and who's gonna produce for this motherfucker. Yeah,

1415
01:17:57,600 --> 01:18:01,080
Speaker 1: let's start with the vocal. Who's on vocal? You're gonna

1416
01:18:01,080 --> 01:18:02,439
Speaker 1: grab the build your super R.

1417
01:18:02,439 --> 01:18:10,680
Speaker 3: And br Alan Rants, the Rants Brothers, Jesus, I want

1418
01:18:10,760 --> 01:18:14,960
Speaker 3: him first, and then I need one other person from

1419
01:18:15,000 --> 01:18:20,000
Speaker 3: the mighty clouset Joy. It all come from gospel silent yeah,

1420
01:18:20,080 --> 01:18:28,040
Speaker 3: ran sound monster. So that's that's one. Then you put

1421
01:18:28,120 --> 01:18:34,200
Speaker 3: him with put him with my boy Johnny Wilder from

1422
01:18:34,240 --> 01:18:37,040
Speaker 3: heat Wave. She got these too. You got this natural

1423
01:18:37,880 --> 01:18:41,439
Speaker 3: this this natural guy. That's and then the woman who

1424
01:18:41,520 --> 01:18:44,040
Speaker 3: I'll put with Johnny Wilder so they could just make

1425
01:18:44,600 --> 01:18:50,600
Speaker 3: these these really beautiful melodies, is Minny Ripperton, so they

1426
01:18:50,640 --> 01:18:54,000
Speaker 3: can have fun. It's a girl and there's two more. No,

1427
01:18:54,400 --> 01:19:05,400
Speaker 3: it's just funny. Five people right, sore they come together

1428
01:19:05,479 --> 01:19:11,280
Speaker 3: like the toy. No, no, no, mister quick wrong, this

1429
01:19:11,800 --> 01:19:15,400
Speaker 3: nigga done, got drunk about the bitch. Now I'm missing

1430
01:19:15,439 --> 01:19:18,640
Speaker 3: the whole point. It would have happened. I knew. I

1431
01:19:18,680 --> 01:19:22,880
Speaker 3: didn't think it was gonna happen this, Okay.

1432
01:19:24,320 --> 01:19:26,880
Speaker 1: One person for the vocal, you got to pick one person.

1433
01:19:26,960 --> 01:19:28,640
Speaker 3: Okay, one person for the vocal.

1434
01:19:28,600 --> 01:19:35,640
Speaker 1: One person Sally, performance style on stage James, okay. The

1435
01:19:35,840 --> 01:19:38,120
Speaker 1: styling of the artist, the drip chiffon.

1436
01:19:38,800 --> 01:19:43,080
Speaker 3: Mm hmmm, I don't want to do Prince early Okay,

1437
01:19:44,960 --> 01:19:52,200
Speaker 3: but yeah, Prince, the passion of the artist, passion, the

1438
01:19:52,560 --> 01:19:56,639
Speaker 3: hardest working man, in show business? Is Michael Jackson easily?

1439
01:19:58,360 --> 01:20:04,080
Speaker 1: No debate, no debate. Who's producing for this motherfucker? The producer,

1440
01:20:04,240 --> 01:20:08,680
Speaker 1: the producer that makes it all makes sense, and.

1441
01:20:08,800 --> 01:20:17,400
Speaker 3: We'll buy the record and like it. Rod Temperton, Oh

1442
01:20:19,000 --> 01:20:27,240
Speaker 3: hate me later, yeah, bitch, yeah yeah. Now I'm finna

1443
01:20:27,280 --> 01:20:28,920
Speaker 3: go home and be all five of them. That's my

1444
01:20:29,000 --> 01:20:32,160
Speaker 3: new VOT trying. I'm about to morphine all people don't

1445
01:20:32,200 --> 01:20:33,880
Speaker 3: know how bad I am, Bro, I can really sing.

1446
01:20:41,240 --> 01:20:43,160
Speaker 3: I just go through all the scales. I go moldl

1447
01:20:43,240 --> 01:20:51,600
Speaker 3: Now what is that just me and you? Oh yeah

1448
01:20:51,720 --> 01:21:01,240
Speaker 3: yeah huh. We don't need nobody else, Jee, Now this

1449
01:21:01,439 --> 01:21:03,479
Speaker 3: was the thing. The problem told me to bring my

1450
01:21:03,560 --> 01:21:05,960
Speaker 3: equipment up here so that we could really get down,

1451
01:21:06,680 --> 01:21:09,400
Speaker 3: Like let's get down like I deal with like Raphael

1452
01:21:09,520 --> 01:21:13,599
Speaker 3: and and Dwayne and Timothy and Lies and all them niggas.

1453
01:21:13,960 --> 01:21:17,759
Speaker 3: So what you want to do, Bro? We got another segment?

1454
01:21:18,520 --> 01:21:19,880
Speaker 3: Oh yeah, y'all got to shoot somebody else?

1455
01:21:19,960 --> 01:21:20,040
Speaker 7: Right?

1456
01:21:20,120 --> 01:21:21,760
Speaker 3: No, no, we just got a segment of the show

1457
01:21:21,800 --> 01:21:24,360
Speaker 3: that we need you for. Which one is that I

1458
01:21:25,120 --> 01:21:27,479
Speaker 3: ain't saying no names. I ain't saying no Will you

1459
01:21:27,600 --> 01:21:30,880
Speaker 3: tell us a story funny or fucked up? Are funny

1460
01:21:30,920 --> 01:21:35,080
Speaker 3: and fucked up. Oh you mean bad ship that happened, real, synny.

1461
01:21:35,640 --> 01:21:36,479
Speaker 3: I ain't saying no names.

1462
01:21:37,520 --> 01:21:37,920
Speaker 1: Can't say no.

1463
01:21:38,160 --> 01:21:41,200
Speaker 3: That's the only rule to the game. Okay, cool, that's

1464
01:21:41,240 --> 01:21:42,960
Speaker 3: hard to because I'm gonna keep it real. Last nigga,

1465
01:21:43,000 --> 01:21:44,800
Speaker 3: so so you keep really just don't say to name?

1466
01:21:45,640 --> 01:21:51,840
Speaker 3: What's okay? The story weird. I was shocked. I was surprised,

1467
01:21:52,040 --> 01:21:54,160
Speaker 3: like I didn't know this world. You know they say

1468
01:21:54,240 --> 01:22:03,519
Speaker 3: never meet your heroes. Oh man, everybody that I had

1469
01:22:04,160 --> 01:22:07,519
Speaker 3: meetings with, whether I was present or whether I was

1470
01:22:07,640 --> 01:22:10,559
Speaker 3: like drunk, because it's only you know, it's drunk quick

1471
01:22:10,600 --> 01:22:13,240
Speaker 3: and sober quick, so you know what I mean. If

1472
01:22:13,320 --> 01:22:15,200
Speaker 3: I might have been drunk and probably like rub people

1473
01:22:15,200 --> 01:22:16,880
Speaker 3: the wrong way because I could be a little terse,

1474
01:22:17,360 --> 01:22:19,200
Speaker 3: you know what I mean, a little bracive when I'm high.

1475
01:22:21,439 --> 01:22:24,080
Speaker 3: But somebody that gave me like some funny energy, and

1476
01:22:24,160 --> 01:22:26,320
Speaker 3: I was like, I'm gonna stop shut out this nigga.

1477
01:22:26,320 --> 01:22:28,479
Speaker 3: I don't give a fuck who motherfuckers think he is.

1478
01:22:29,479 --> 01:22:31,160
Speaker 3: I ain't saying the names. Okay.

1479
01:22:32,080 --> 01:22:32,200
Speaker 1: Uh.

1480
01:22:32,280 --> 01:22:35,720
Speaker 3: Somebody, a real famous person shook my hand and I

1481
01:22:35,840 --> 01:22:37,800
Speaker 3: was like, man, I love your music. He pushed off

1482
01:22:37,880 --> 01:22:41,080
Speaker 3: me and was like, I'm still the best off walked away.

1483
01:22:41,400 --> 01:22:50,360
Speaker 3: I was like, this guy cocaine' and hell of its right,

1484
01:22:50,439 --> 01:22:54,040
Speaker 3: he's got left that shit anyway. It was one of them.

1485
01:22:54,240 --> 01:22:56,320
Speaker 3: It was like that happened to me. And then another

1486
01:22:56,400 --> 01:23:01,880
Speaker 3: person told me, quick, you not high, You ain't hot.

1487
01:23:01,960 --> 01:23:06,559
Speaker 3: Look jay Z, he's fucking hot. You're not hot, get

1488
01:23:06,600 --> 01:23:10,280
Speaker 3: hot and give me a call. Who are you to

1489
01:23:10,439 --> 01:23:15,599
Speaker 3: be a parameter or a thermostat motherfucker? And I ain't

1490
01:23:15,640 --> 01:23:20,400
Speaker 3: saying no names. He just some bit shit. I was like, Oh,

1491
01:23:20,520 --> 01:23:23,120
Speaker 3: he's just trying to get to me. I realize people

1492
01:23:23,280 --> 01:23:25,880
Speaker 3: say shit to throw you off, just so that they

1493
01:23:25,920 --> 01:23:27,519
Speaker 3: could get a head start on trying to get to

1494
01:23:28,400 --> 01:23:30,880
Speaker 3: you know, your worm before the sun comes up faster

1495
01:23:31,000 --> 01:23:34,200
Speaker 3: than you. Because everybody it's all about making it home

1496
01:23:34,240 --> 01:23:35,640
Speaker 3: safe with all the money you can make it with.

1497
01:23:35,760 --> 01:23:37,280
Speaker 3: And it's just people trying to get in front of

1498
01:23:37,360 --> 01:23:39,559
Speaker 3: me because they knew the money was coming to me anyway.

1499
01:23:39,760 --> 01:23:43,040
Speaker 3: Because you know, I'm not thirsty. I don't run around

1500
01:23:43,120 --> 01:23:46,519
Speaker 3: chasing money. Money falls on me, you know what I mean.

1501
01:23:47,200 --> 01:23:49,599
Speaker 3: And the more I release, when I take my top

1502
01:23:49,680 --> 01:23:52,000
Speaker 3: and pull it back and my convertible car, the money

1503
01:23:52,040 --> 01:23:54,400
Speaker 3: falls inside the car. Then I gotta hurry up and

1504
01:23:54,439 --> 01:23:55,960
Speaker 3: put it back on because the wind blows it out

1505
01:23:55,960 --> 01:23:58,040
Speaker 3: and everybody's chasing the car full of money. But I

1506
01:23:58,040 --> 01:23:59,840
Speaker 3: don't give a fuck about none of these motherfuckers. Ain't

1507
01:23:59,840 --> 01:24:03,680
Speaker 3: no living or dead, live or dead, or you know,

1508
01:24:03,760 --> 01:24:05,760
Speaker 3: did something funny to me. They all get a pass

1509
01:24:05,840 --> 01:24:10,320
Speaker 3: because humans to air is human. I forgive you. Don't

1510
01:24:10,360 --> 01:24:12,320
Speaker 3: care about nobody making no mistakes with me. They don't

1511
01:24:12,360 --> 01:24:14,920
Speaker 3: lose no sleep. Now, if you put your hands on me,

1512
01:24:15,080 --> 01:24:16,600
Speaker 3: I'm gonna pick you up and I'm gonna throw you

1513
01:24:16,640 --> 01:24:20,760
Speaker 3: through a studio play glass window. I ask anybody about that.

1514
01:24:21,240 --> 01:24:26,479
Speaker 3: I fuck niggas up. I want to see I don't

1515
01:24:26,479 --> 01:24:29,599
Speaker 3: want to see it. Keep these cameras on, don't find somebody.

1516
01:24:32,160 --> 01:24:34,120
Speaker 3: We're gonna fight. And I love it when they hit

1517
01:24:34,160 --> 01:24:36,280
Speaker 3: me too. Nigga hit me like like, oh you hit

1518
01:24:36,400 --> 01:24:38,960
Speaker 3: like a bitch, and just pick them up and throw

1519
01:24:39,040 --> 01:24:43,040
Speaker 3: them through the plate glass window. I like when niggas say,

1520
01:24:43,360 --> 01:24:48,000
Speaker 3: you tripping, man, that's not fair. You had three tries.

1521
01:24:48,040 --> 01:24:51,599
Speaker 3: You disrespected my motherfucking girl. You stepped on my motherfucker shoe,

1522
01:24:51,840 --> 01:24:55,760
Speaker 3: and you said I was whack. That's a rapper, that's three.

1523
01:24:55,960 --> 01:24:58,200
Speaker 3: Come on, he ain't gonna get three. You gotta go

1524
01:24:58,280 --> 01:25:01,120
Speaker 3: through the class these people, or through the through the wood.

1525
01:25:02,040 --> 01:25:06,160
Speaker 3: It's a little harder the glass. Just the special effects.

1526
01:25:06,439 --> 01:25:10,360
Speaker 3: You know, it looks good. They's flying through the glass. Sorry, man,

1527
01:25:10,360 --> 01:25:11,519
Speaker 3: I watched a lot of Bruce Lee when I was

1528
01:25:11,560 --> 01:25:14,760
Speaker 3: a kid. Quick, we need the school man. Nobody want

1529
01:25:14,760 --> 01:25:17,000
Speaker 3: to go to no d Yes, yes they do, Yes

1530
01:25:17,080 --> 01:25:19,120
Speaker 3: they do. And we're gonna and we're gonna keep talking

1531
01:25:19,160 --> 01:25:21,880
Speaker 3: about Listen, let me tell you right this, it's about

1532
01:25:21,920 --> 01:25:24,920
Speaker 3: to go out too. I already know about one hundred

1533
01:25:24,920 --> 01:25:26,040
Speaker 3: and fifty million people looking at you.

1534
01:25:26,120 --> 01:25:29,880
Speaker 1: Look, and we're putting it on. Notice that DJ Quick

1535
01:25:30,880 --> 01:25:31,880
Speaker 1: has the information.

1536
01:25:31,960 --> 01:25:34,599
Speaker 3: We're gonna start that Centennial High School where Kendrek Coolio

1537
01:25:34,760 --> 01:25:39,000
Speaker 3: DJ Quick Second High See we all come from. That's

1538
01:25:39,000 --> 01:25:43,120
Speaker 3: where we're gonna start from. We start there where they

1539
01:25:43,200 --> 01:25:45,760
Speaker 3: have like one hour to go into this room with

1540
01:25:45,920 --> 01:25:48,160
Speaker 3: pro tools and the whole shit's a studio. This ship

1541
01:25:48,200 --> 01:25:51,600
Speaker 3: look like Hollywood. We're gonna call it Compton Wood and

1542
01:25:51,880 --> 01:25:55,719
Speaker 3: you know Hollywood, hear me, yep? And then the motherfucker's

1543
01:25:55,760 --> 01:25:57,439
Speaker 3: going there for like an hour. The good kids, the

1544
01:25:57,520 --> 01:25:59,680
Speaker 3: ones who like all straight A's are doing shit and

1545
01:25:59,800 --> 01:26:01,599
Speaker 3: you know, student teacher like you know what I mean,

1546
01:26:01,720 --> 01:26:04,720
Speaker 3: like they most likely to succeed. Give them the key,

1547
01:26:04,800 --> 01:26:06,519
Speaker 3: Let them go in there for a hour when everybody

1548
01:26:06,560 --> 01:26:09,000
Speaker 3: else is going out to lunch and recess. Put them

1549
01:26:09,000 --> 01:26:10,599
Speaker 3: in that studio for an hour and just let them

1550
01:26:10,640 --> 01:26:14,560
Speaker 3: record on the best microphones, the best pre amplifiers, the

1551
01:26:14,960 --> 01:26:17,880
Speaker 3: best dacs, ad c's, you know, the best, you know

1552
01:26:17,880 --> 01:26:19,519
Speaker 3: what I mean, all of the best clocks, and the

1553
01:26:19,600 --> 01:26:23,040
Speaker 3: best fucking audio recording equipment, and the best engineers, like

1554
01:26:23,080 --> 01:26:24,800
Speaker 3: your guys, because I love the dude that just came

1555
01:26:24,880 --> 01:26:29,559
Speaker 3: and make them speaking. Shout out to motherfucking Ruben. But yeah,

1556
01:26:29,680 --> 01:26:31,640
Speaker 3: if tank, if you, if you, if you come up there,

1557
01:26:31,760 --> 01:26:35,280
Speaker 3: them girls gonna be they young girls, Bro, they impressionable,

1558
01:26:36,160 --> 01:26:37,800
Speaker 3: and you buff and ship. You know what I'm saying.

1559
01:26:37,840 --> 01:26:39,719
Speaker 3: You can be the handsome guy at the little high school,

1560
01:26:40,880 --> 01:26:42,720
Speaker 3: you know what I'm saying. But we put on a suit.

1561
01:26:42,840 --> 01:26:43,439
Speaker 3: We can go in there.

1562
01:26:44,120 --> 01:26:44,800
Speaker 1: You put on the suit.

1563
01:26:46,880 --> 01:26:48,800
Speaker 3: But if you do a concert up there, they're gonna

1564
01:26:48,800 --> 01:26:52,840
Speaker 3: lose their mind. Because there's nothing more beautiful than teenage angst.

1565
01:26:53,640 --> 01:26:55,920
Speaker 3: You know, that's what made Nirvana hot. Vanna is the

1566
01:26:55,960 --> 01:26:58,760
Speaker 3: greatest rock and roll group of all time. Y'all can laugh,

1567
01:26:58,880 --> 01:27:01,320
Speaker 3: and I know guns and Roses, you know, shout out

1568
01:27:01,320 --> 01:27:05,599
Speaker 3: to Steven Adler, that's my brother. But Nirvana was teenage

1569
01:27:05,680 --> 01:27:08,720
Speaker 3: angs Bro. They named their first hit after deodorant. Bro

1570
01:27:09,120 --> 01:27:13,240
Speaker 3: smells like teen spirit. You know. That's what kids are

1571
01:27:13,240 --> 01:27:15,720
Speaker 3: feeling right now. They're ready for their breakthrough. The one

1572
01:27:15,840 --> 01:27:19,160
Speaker 3: thing that run DMC helped us have our breakthrough. These

1573
01:27:19,240 --> 01:27:22,479
Speaker 3: kids need. Kendrick is letting everybody know that you can

1574
01:27:22,560 --> 01:27:24,640
Speaker 3: have your breakthrough whenever y'all want to, because I just

1575
01:27:24,680 --> 01:27:27,200
Speaker 3: bought you all time, you know what I mean. I

1576
01:27:27,360 --> 01:27:30,160
Speaker 3: just made it to where y'all have a blanket of

1577
01:27:30,600 --> 01:27:34,280
Speaker 3: time and passion and money and love and everything is boom,

1578
01:27:34,760 --> 01:27:37,360
Speaker 3: you know what I mean, And y'all got shine. He

1579
01:27:37,680 --> 01:27:39,200
Speaker 3: put the light on them, fuck the light on me,

1580
01:27:40,200 --> 01:27:42,240
Speaker 3: you know what I mean. So that's what I'm saying.

1581
01:27:42,240 --> 01:27:43,720
Speaker 3: It would have to be at the teen and then

1582
01:27:43,760 --> 01:27:46,519
Speaker 3: we hopefully would do it like at the at the

1583
01:27:46,560 --> 01:27:48,680
Speaker 3: Hollywood school, like the one that Brandy and all of

1584
01:27:48,720 --> 01:27:50,720
Speaker 3: them went to and Patrunce Russian but she went to

1585
01:27:50,720 --> 01:27:54,000
Speaker 3: the lock But you know, the Hollywood School was Highland

1586
01:27:54,040 --> 01:27:57,280
Speaker 3: and Sunset in Hollywood High School you do it there too.

1587
01:27:58,360 --> 01:28:00,000
Speaker 3: You know you have a nigga like me, Come up

1588
01:28:00,080 --> 01:28:03,840
Speaker 3: there without the juice, no tequila, because right now I

1589
01:28:03,960 --> 01:28:08,040
Speaker 3: had a bad day, y'all. My pool, my jacuzzie didn't

1590
01:28:08,080 --> 01:28:10,120
Speaker 3: get as cool as I wanted it to because it

1591
01:28:10,200 --> 01:28:13,839
Speaker 3: was a warm day at my house. So fuck my jacuzzie.

1592
01:28:14,120 --> 01:28:16,000
Speaker 3: You are. Yeah, I gotta put some ice in it.

1593
01:28:16,240 --> 01:28:18,679
Speaker 3: I'll be back tomorrow when cool off and go getting

1594
01:28:18,680 --> 01:28:19,320
Speaker 3: that motherfucker.

1595
01:28:19,600 --> 01:28:23,479
Speaker 1: Ladies and gentlemen, first of all, my name is Tank Valentine,

1596
01:28:23,640 --> 01:28:26,360
Speaker 1: and this has been an episode that you will never forget,

1597
01:28:26,880 --> 01:28:31,120
Speaker 1: ever ever ever forget. The information is coming and flat

1598
01:28:31,120 --> 01:28:33,880
Speaker 1: out this a bad motherfucker with some respect on his name.

1599
01:28:34,240 --> 01:28:36,559
Speaker 1: Man all the time, one hundred percent of the time,

1600
01:28:36,960 --> 01:28:40,160
Speaker 1: or it can be problems. Play glass window, you know,

1601
01:28:40,280 --> 01:28:42,800
Speaker 1: I don't. I don't want you to. I don't want

1602
01:28:42,840 --> 01:28:44,439
Speaker 1: you to go through because.

1603
01:28:44,240 --> 01:28:46,000
Speaker 3: I'm gonna go to jail and i'ma have to sign

1604
01:28:46,120 --> 01:28:49,080
Speaker 3: autographs with motherfucking charcoal that niggas made and be holding

1605
01:28:49,080 --> 01:28:51,519
Speaker 3: in their booty. I don't want it's weird in there.

1606
01:28:51,520 --> 01:28:53,320
Speaker 3: I'm gonna make your bible out of some soap. Get

1607
01:28:53,360 --> 01:28:57,920
Speaker 3: the fuck away from me, and that's what we don't want. Ladies,

1608
01:28:57,960 --> 01:29:06,080
Speaker 3: gamin I meet niggas assy, prissy gook mhm