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Speaker 1: Forever. Look man, oh, I see you? Why and look

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Speaker 1: over there? How is that culture? Yes? Goodness, lost cultures calling.

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Speaker 1: There's pizzas a little bit elongated, and I called the verve.

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Speaker 1: But there's pizzazz and verve to that, you know. Yeah,

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Speaker 1: I was um, I was seeing because actually it's been

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Speaker 1: a little bit of a time since we last recorded.

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Speaker 1: It has been and that's only because we recorded so

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Speaker 1: many episodes in Los Angeles. We hope everyone enjoyed. Very

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Speaker 1: prateful June. Yes, let us know what you thought. You know,

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Speaker 1: I liked the cadence a little bit. I loved it,

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Speaker 1: and I was seeing. I wonder if we are on

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Speaker 1: the same wavelength still, And guess what we are, baby.

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Speaker 1: We elongated when I elunged it, and we felt that,

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Speaker 1: we felt the verve and we swerved and I am

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Speaker 1: feeling still the spirit of pride throughout of July, all

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Speaker 1: of July. Okay, so let's six ended. Let's let's just

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Speaker 1: keep keep celebrating pride. You know what, I celebrate pride

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Speaker 1: every single day. And I'm let me ask, I'm gay. Okay,

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Speaker 1: So so this is I'm Barbara Walter. Is your Oprah?

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Speaker 1: When she's talking about Gail, and I'm gonna ask you

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Speaker 1: the question, why are you crying? O? My god, imagine

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Speaker 1: if Oprah said she was gay? I almost just said

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Speaker 1: I'm gay. And then I thought of Oprah saying that

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Speaker 1: she was gay, and like, what a moment. Do you

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Speaker 1: know what I'm talking about? You're talking about the time

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Speaker 1: part with Gail? The Gail. She is the mother, the

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Speaker 1: mother I never had, the sister that anyone would want,

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Speaker 1: and the friend that everybody deserves. I don't know a

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Speaker 1: better person. I don't know a better person. And then

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Speaker 1: Barbara Walcher says why are you crying? And says, because

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Speaker 1: I haven't told her that enough. It's not beautiful. See.

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Speaker 1: And then you know, Oprah is heartwarming and that's actually

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Speaker 1: a little culture number fifty is heart warming, heartwarming. Bit

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Speaker 1: you know who is a heartwarming? Bitch? I have a

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Speaker 1: feeling I know who You're going to say? What's our guests? Why?

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Speaker 1: Because I knew it was going to be a segue? Bugo,

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Speaker 1: this is another two time your baby? Have I ever

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Speaker 1: told you about my impression of our guests that I did? No?

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Speaker 1: Can we can do well? I am the Caroline Ray

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Speaker 1: of her show Vernett right at Club coming. And what

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Speaker 1: I mean by the Caroline Ray is I always fill

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Speaker 1: in whenever Rosey o'donald right right right, she'sine. And so

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Speaker 1: the first day I host, I was going to host

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Speaker 1: with Henry also present. Very soon. He's chomping at the

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Speaker 1: bit to speak. We did an Instagram story that was

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Speaker 1: a Catherine Cohen character, I love, I love, I remember that.

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Speaker 1: That was a great promo. It was good. I mean,

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Speaker 1: guess what it was a hot house. That was a

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Speaker 1: hot house house that night. Let's go through the credit show.

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Speaker 1: She is one of the co hosts of It's a

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Speaker 1: Guy Thing, long running staple show in Brooklyn, one of

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Speaker 1: the biggest, biggest shows, one of the biggest shows, one

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Speaker 1: of the biggest shows, truly co host with me, Drew Harry,

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Speaker 1: Patty Harrison. All the industry talk about it, all the

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Speaker 1: industry talk about it. Of course, um. She is one

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Speaker 1: of the auteurs behind Turner Master's Memory Hospital, Forever Dogs

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Speaker 1: only one of Forever Dogs only scripted podcasts, and she's

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Speaker 1: debuting a new podcast on the network. And this point

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Speaker 1: of saying, can't believe because of because of our co

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Speaker 1: host at this point it should be how please go

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Speaker 1: listen to it. It is Seek Treatment with Cat and Pat.

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Speaker 1: Oh Baby I with Pat re again. I love this

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Speaker 1: show already. We're recording this before it's coming out, but

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Speaker 1: I know I'm gonna love it. And also we should

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Speaker 1: say I just plugged, but we should replug because it

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Speaker 1: is my favorite show in New York City Club coming

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Speaker 1: every Wednesday, formerly Eastern Block, but now it's Act. It's

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Speaker 1: such a it was a prodigal return. She's back and

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Speaker 1: she's bigger and badder than ever. And of course please

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Speaker 1: go see her show at Joe's Pub. It's sold out

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Speaker 1: in June, but she's performing again July thirty one. The twist,

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Speaker 1: She's gorgeous. Matt has a pitch for a retitle, No

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Speaker 1: I have I have a pitch for a retitle of

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Speaker 1: Joe's Pub, of Joe's pep okay, let's get to this.

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Speaker 1: After we introduced our guest, please welcome, I'm also saying

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Speaker 1: who else is also here? And Henry? Hello? You two?

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Speaker 1: Oh my god, wow you here? You both are are. Oh,

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Speaker 1: it's so funny. We talked about how last time we

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Speaker 1: did an episode with you, unfortunately we were running late

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Speaker 1: to the recording sash and it created an anxious atmosphere

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Speaker 1: and only fifty nine minutes, and it was a protracted episode.

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Speaker 1: And do you know what I remember about that session?

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Speaker 1: What I was wearing jeans? And I don't wear jeans,

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Speaker 1: And what are you wearing? Well, I must tell the listens.

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Speaker 1: I ran here, that's right, all right? And yes, my

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Speaker 1: home in South Brooklyn. We are recording in North Brooklyn. Yes,

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Speaker 1: so I'm wearing a lulu head to Tolulu. Dare you

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Speaker 1: not even one outdoor voices piece? Never? Whatever, never, whatever, whatever?

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Speaker 1: What was the duration of the rum? Oh forty five minutes?

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Speaker 1: Oh my god? Do you know that? Now you and

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Speaker 1: Henry have that in common. They run for a long time.

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Speaker 1: You know why. I like to go a long time,

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Speaker 1: treating myself like ship and then to sort of like

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Speaker 1: take that back. I just ruined my life. Yes, honey,

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Speaker 1: Greek yogurt for breakfast. Yes, yes, yes, I usually will

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Speaker 1: run a very short distance, very hard, which is a

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Speaker 1: workouts a sprinter. That's a great workout. It's a spread,

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Speaker 1: not not a marathon. It's a spread. It's famously a sprint,

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Speaker 1: not of Now let's get to this Joe's pub retitle.

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Speaker 1: I think that when you host the show. It should

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Speaker 1: be called hose what lub. I wasn't expecting the hub

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Speaker 1: hub like hose hub like the hub, Bro, the hose

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Speaker 1: go right right every home. I spoke, I'm a huh,

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Speaker 1: take back the word the word I am the hole. Sorry.

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Speaker 1: I have these like lcoras where it's like hosts and

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Speaker 1: it's like hose. You've been saying in this new one today,

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Speaker 1: Tuta free or whatever you le tuta are you guys

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Speaker 1: bringing out of me? It's I think we have tiedle

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Speaker 1: of that already. What a record already within the first

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Speaker 1: few minutes. Well, Lulu, because of the endorphins that are circulating. Yea,

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Speaker 1: oh my god, you're bro. Often that will happen, you know.

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Speaker 1: Bone and I went to go do sol cycle yesterday,

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Speaker 1: so cycle I have a canker sore, so I'm really

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Speaker 1: having a hard time. I always have cankass. The class, well,

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Speaker 1: it was fabulous, Marie La. Of course, our dear friend

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Speaker 1: was running the class, but they had a technical difficulty

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Speaker 1: in the a C. When out, Honey, and when I

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Speaker 1: told you it was a hot box, it was a

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Speaker 1: hot ho hub. The mirror, every single mirror was glazed,

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Speaker 1: humidity was condensation, everywhere, and you could fucking do the

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Speaker 1: whole car sex scene reenactment from Titanic if you wanted

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Speaker 1: to bed every night in my dreams, I have a

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Speaker 1: c though. I went to finn class in college, and

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Speaker 1: I'm as if I was in the famous movie I

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Speaker 1: Feel Pretty My seat fell down? Class? Did you hit

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Speaker 1: your head and become written and believe in myself? For

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Speaker 1: the record, I loved the film and I won't argue

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Speaker 1: about it with anyone I saw up For a minute,

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Speaker 1: I was like, oh, I'd be into that. I had

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Speaker 1: the t O m L my life. I thought it

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Speaker 1: was hilarious, love jo a minute of it. Anyways, I

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Speaker 1: fell and hurt my voo because THEO is the first

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Speaker 1: thing that goes voo. Hit the seat, But what part

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Speaker 1: of the voo? The whole damn not even localized voo

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Speaker 1: with the global global Oh my god, that feeling. No,

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Speaker 1: I'm not even a role what do you mean le?

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Speaker 1: Oh my god, this is the vibe that we want. Though,

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Speaker 1: I just did a performance at Joe's Pub and Catherine

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Speaker 1: Cole was also on the bill, and so I went

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Speaker 1: out into the audience to watch her, and she described

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Speaker 1: Joe's Pub as isn't this heavn I loved that? I

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Speaker 1: love one. A word takes a turn? Isn't this hen Henry? Henry,

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Speaker 1: what do you think of all this this slang that

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Speaker 1: these new mentions of the words. Having spent a lot

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Speaker 1: of time around both Matt and Catherine, I'm quite to it.

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Speaker 1: We want and can we share about our performance on Thursday?

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Speaker 1: I was texting Henry because we're gonna be performing with

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Speaker 1: Countess Lue. You are doing that on Thursday. I'm just

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Speaker 1: going to do a number. Him saving what should we do?

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Speaker 1: And he goes, whatever will make you the most, googo,

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Speaker 1: Lulu loves beautiful. I know it's my god. I have

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Speaker 1: two words. I'm sitting with two words. Smiths well, I

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Speaker 1: frequently want to make up a word, Henry and I

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Speaker 1: frequently will make Henry and I just received them. Yeah,

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Speaker 1: I've never made one up. I'm comfortable just sitting back.

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Speaker 1: I was because they were talking about yes of corks

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Speaker 1: before we had recorded. I was saying, my only contribution is, oh,

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Speaker 1: my gox, even that's not going to catch on. I

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Speaker 1: don't know if that's my role here. You know what

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Speaker 1: I'm saying. They're in every relationship there is the gardener

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Speaker 1: and there's the garden. Oh my god. In my relationship,

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Speaker 1: I'm the garden. We explain um different saying that my

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Speaker 1: boyfriend literally takes care of me because I'm a child.

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Speaker 1: And by the way, boyfriend, thank you, Steven. He's a

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Speaker 1: wonderful man, wonder from And can I tell you something.

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Speaker 1: I can wear a hat, I can where, can wear anything.

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Speaker 1: He's a male model, male model, great eyes, good facial hair,

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Speaker 1: and a kind voice, grand voice and good height and

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Speaker 1: patient temperament. I love to objectify him. And he's always wonderful.

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Speaker 1: And he's a talented comedian. So funny. So smart Um

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Speaker 1: directed My Joe's pub show. Now talk about talk about

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Speaker 1: the Hot Hub show. It was a dream come true. Yeah.

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Speaker 1: I wanted to do a show there since I was

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Speaker 1: in high school watching clips on YouTube and Henry and

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Speaker 1: I finally got to take the stage on Thursday. My

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Speaker 1: parents were there, um, so they heard a lot about me.

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Speaker 1: The gates were out and they heard a lot about

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Speaker 1: I was Pride Weekend and I celebrated after the show.

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Speaker 1: Well you kicked off Pride Weekend. I did, and the

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Speaker 1: government asked me to do that. Thank Governor. The current

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Speaker 1: government was like, they're very familiar with my right, right.

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Speaker 1: I will congratulations first of all, because it was it

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Speaker 1: was very much an event, and I'm so sorry we

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Speaker 1: couldn't make it, but we will be. I'm coming on.

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Speaker 1: I can't wait now, I think because I I received

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Speaker 1: a text from someone saying the gays are here. Of

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Speaker 1: course they were there. Well I know, but I just

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Speaker 1: want I want Catherine to speak on, to have to

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Speaker 1: give a little voice over on the ways in which

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Speaker 1: she's able to cultivate this very tough, this very tough

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Speaker 1: fan base. Oh my god, yeah, they are animals. How

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Speaker 1: how do you keep us, you know, in line? How

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Speaker 1: do you feed the boys? How do you feed us boys?

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Speaker 1: I sprinkle that bread. I just bring the fun and

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Speaker 1: and that's what they love each other. It's mutual. Honestly,

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Speaker 1: does feel like like we're all there, you know what

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Speaker 1: I mean. I think it's beautiful, the community. We're a

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Speaker 1: part of it. I feel so lucky every day. That

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Speaker 1: is real, do you say, Henry? Yeah? And I have

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Speaker 1: thought about it, like why do gay people love Katherine

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Speaker 1: so much? Like and like because I do too, obviously,

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Speaker 1: And it's it's like this undefinedble You're so it's a

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Speaker 1: specially unique thing about you. Like you know, there are

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Speaker 1: many gay icons, but there you are a specific type

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Speaker 1: of one that hasn't been hasn't been created yet except

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Speaker 1: for you. Thank you. Oh my God. Well, to quote

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Speaker 1: my parents after they met all my friends and came here,

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Speaker 1: is everyone in New York gay? It feels that it

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Speaker 1: feels like everyone in the world is gay? Isn't it

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Speaker 1: feeling like like now lately I've just been I'll appear

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Speaker 1: on stage and I'll just be like it will go

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Speaker 1: rule like and i just be like very like me

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Speaker 1: at my true base, and I'm like, wow, am I

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Speaker 1: like truly spoiled? Or is all the world turning gay?

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Speaker 1: Because now I feel like I could go on any

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Speaker 1: stage and just like like my my thing and it's

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Speaker 1: it's fine. Whereas like sometimes I'm like, maybe I need

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Speaker 1: to go and throw myself in front of a straight

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Speaker 1: audience to like see what's what. I did that recently

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Speaker 1: with a series of shows at Carolines when Reductress did

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Speaker 1: all those shows a very time square audience, and it

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Speaker 1: really took me by surprise. Like the first show, I

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Speaker 1: was like I bombed, but then I adapted and I

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Speaker 1: just at the end, I managed to win some of

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Speaker 1: them over. I think, but that is that is that

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Speaker 1: is an exercise. Because Pat was saying this to your

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Speaker 1: co host, Like I saw him last week and he

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Speaker 1: was like, yeah, I did a show with carolines aboumbed

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Speaker 1: And I was like, no, you didn't like or it's

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Speaker 1: just whatever, it doesn't matter. But if you did, then

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Speaker 1: like that is that is a way for you to

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Speaker 1: like you take that with you and like figure out

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Speaker 1: not you don't change anything about yourself, but you just

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Speaker 1: you know what to expect in the future. Yeah. I

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Speaker 1: think a lot of times at club coming, I can

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Speaker 1: get up on stage and literally be like Loosa's Susa

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Speaker 1: and everyone's like Caroline and like I should really learn

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Speaker 1: how to write a joke. So then I went home

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Speaker 1: and I wrote a bunch of stuff and I was like, God,

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Speaker 1: I'm fucking amazing. I think that's a certain kind of

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Speaker 1: performer that is always going to say afterwards like oh no,

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Speaker 1: like I bombed. Like I'm noticing that about certain people,

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Speaker 1: like no matter what, I feel like they are always

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Speaker 1: going to say when they get off stage, like I bombed,

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Speaker 1: that was horrible, even if it wasn't like they just

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Speaker 1: can't understand when it was good, whereas like, I don't know,

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Speaker 1: I always feel like after I come off stage and

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Speaker 1: I was like, yeah, had fun, you know what I mean?

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Speaker 1: Like maybe that makes me not discerning, but often, like

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Speaker 1: I do think Pat is one of them. When he

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Speaker 1: comes off he talked, maybe he comes off stage and

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Speaker 1: oftentimes it's like, no, are you like that are critical? Henry?

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Speaker 1: What do you think? After the Joe's Pub show, We're

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Speaker 1: both were like just kind of in a daze and

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Speaker 1: like was that good? We were like asking each other

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Speaker 1: if we thought it was good, because it was just

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Speaker 1: such a weird experience being in a bigger room with

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Speaker 1: a band and everything. But then after the show everyone

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Speaker 1: confirmed that it was. Of course, there sometimes when I

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Speaker 1: get off and I'm like, I killed, no doubt, and

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Speaker 1: when it isn't that extreme that I'm like, oh I

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Speaker 1: wish I I'm very hard on myself. Yeah yeah, I'm

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Speaker 1: Oh my god, distress. She did kill the town. The

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Speaker 1: town was buzzing, the trades were traded. But I truly

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Speaker 1: sometimes just enter a blackout when I'm on stage. Yes,

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Speaker 1: what is that? Let's unpack that, because I've been going

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Speaker 1: through this too. And I don't really don't know what

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Speaker 1: it is talk to me. It's usually when it's like

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Speaker 1: a high stake situation. Um, I feel like I've underprepared.

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Speaker 1: I go on stage and I'm just so in it

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Speaker 1: for the first time that I think, oh my god,

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Speaker 1: this is this is going terribly no matter no matter what,

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Speaker 1: I don't know, I'm sure that's not the case. I think,

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Speaker 1: you know what, anytime I feel like I didn't do well,

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Speaker 1: I there have There have not been very many times

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Speaker 1: when people have been able to talk me down and

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Speaker 1: be like, no, that was actually fine. I'm always like

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Speaker 1: steadfast in my thing of like, no, I was terrible,

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Speaker 1: I'm not a good performer, was terrible, or like could

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Speaker 1: have done better. I could have done better, for sure,

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Speaker 1: But I don't know, Like, what is it for you?

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Speaker 1: What's your experience with that? If I'm really nervous, if

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Speaker 1: I'm at a big gig, I'll be doing my thing.

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Speaker 1: But while I'm doing it, I'm thinking, Okay, you're doing it,

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Speaker 1: this is happening to you. This is your life. You're

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Speaker 1: doing the big show. Keep going. But I don't know,

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Speaker 1: because don't you ever see yourself like while you're doing

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Speaker 1: that and think, oh my god, how annoying, Like no

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Speaker 1: one wants to hear about how bad that they Yes, yeah,

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Speaker 1: and so I keep it to myself now, I keep

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Speaker 1: it to myself. Now, I'm like, no one wants to

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Speaker 1: hear about me complaining about my like this opportunity that

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Speaker 1: I have, I actually can't keep anything inside. So if

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Speaker 1: I have a glimmer of a feeling, everyone I know

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Speaker 1: is going to know about it. And that is for

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Speaker 1: better and mostly for worse. I am the same. I

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Speaker 1: am the same. Yeah, we're very similar. Yeah, I think

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Speaker 1: we are very similar. I think that me and Catherine

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Speaker 1: are very similar. I think we're very similar ven diagram.

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Speaker 1: I think we are a ven diagram. I think we

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Speaker 1: are the middle part of the event diagram. You know

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Speaker 1: where it meets if you would to dress circle once,

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Speaker 1: says Katherine, went says mad. There's that section in the

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Speaker 1: middle where the cross over. That section is very big.

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Speaker 1: Oftentimes Henry is in the middle of that circle. And

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Speaker 1: as he is there on the piano, I think this

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Speaker 1: is speaking of Henry. Henry, he just had quite the experience.

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Speaker 1: Oh I want to hear about it. Oh you did

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Speaker 1: a gig with Neo Patrick. Yeah, there's not much to say.

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Speaker 1: It was a corporate Jeff Peanut Butter sold out. Jeff

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Speaker 1: Peanut Butter has Neil Patrick Harris money. Yeah, they yeah,

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Speaker 1: I mean they're huge. Um yeah, and well and I

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Speaker 1: think Jeff is owned by a bigger company. I don't know.

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Speaker 1: I heard the name and it sounded familiar. Um, but yeah,

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Speaker 1: it was a Jeff. They launched a new product. Sometimes

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Speaker 1: it was basically a granola bar with Jif peanut butter

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Speaker 1: in it. And imagine it was lube. Wait, how funny

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Speaker 1: would it be if Jeff came out with lube Jeffy

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Speaker 1: lube one more time, Jeff Lube. I think it will

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Speaker 1: be funny if the peanut butter company came out with

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Speaker 1: lubricant for sex. Now, Henry, did you you played for

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Speaker 1: Neil or what did you play for? Just the music

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Speaker 1: groups so O s F G which Yeah, Becky Coin,

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Speaker 1: Sam Reis and the boys who are all great, the

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Speaker 1: Nameless Boy do we have time to say four names?

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Speaker 1: I love all of those people. They're all the sweetest

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Speaker 1: people ever, and they're so funny and so they people

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Speaker 1: on Facebook Live would like send in situations that are

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Speaker 1: tough with like being parents, like kids not going to

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Speaker 1: bed or whatever, and then Neil Patrick Harris would uh

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Speaker 1: pretend to say something about his kids that he can

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Speaker 1: relate with, and then O s F you G would

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Speaker 1: improvise the scene and Neil would interject scoring all of it. Oh,

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Speaker 1: that's fine, it was real. They did an amazing job. Actually,

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Speaker 1: so it was improvisation. It was improvisation. And Neil had

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Speaker 1: Nilka to play, to play that that's fine, and he

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Speaker 1: was really nice. That's good. That's good, that's good, that's good.

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Speaker 1: I mean, you know we were telling Henry before we

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Speaker 1: went on we record, you know, we have our we

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Speaker 1: have our stances on Neil here famously called him a

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Speaker 1: hello milady gay. Absolutely, that's who he is, and people

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Speaker 1: on Twitter were very confused, like what do you mean?

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Speaker 1: What does that even mean? I'm like, it's he's like hello,

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Speaker 1: It's implicit. The meeting is implicit. And for me, he

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Speaker 1: is a board game. That is a worse insult. Yeah,

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Speaker 1: to be a board game. No, I mean, so a

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Speaker 1: lot of people have fun with you. It's just that

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Speaker 1: you know that you have to bring you out. Wow,

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Speaker 1: that's how you write a joke, honey, taking notes, Catherine,

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Speaker 1: I was I was looking at Catherine direction. I was saying,

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Speaker 1: I was saying to the listeners, and that's how you write.

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Speaker 1: I do need to learn how to write. Wait, I

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Speaker 1: need to talk about I need to talk about an

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Speaker 1: event that I went to. I was it was not

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Speaker 1: we need to hear about the gig there like Henry

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Speaker 1: Digg at this at this JIFF event. I went to

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Speaker 1: the Jimmy Awards the National High School Musical Theater. Where's

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Speaker 1: now By the time this comes out, this a lot

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Speaker 1: of have been a month old, but it's to fresh

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Speaker 1: in my memory right now. It is the next day.

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Speaker 1: This is the day after the Jimmy's um. First of all,

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Speaker 1: Laura but Nanty hosted. She was glamor and I mean

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Speaker 1: she looks great, yes, but she is She's one of us,

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Speaker 1: do you know what I mean? She gets its, woman

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Speaker 1: who gets She's a woman who gets it. She jokes.

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Speaker 1: She was so charming, just like get her to host

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Speaker 1: the fucking Oscar She would nail it. I puscars even films. Honey.

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Speaker 1: She was coming up with her own jokes just on

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Speaker 1: the fly. So so good. Um and so anyway, it's

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Speaker 1: they pick eighty high school students musical theater students mostly

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Speaker 1: from public schools, not a lot of performing performing arts

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Speaker 1: high schools, um interestingly, but it's eighty kids. Um. And

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Speaker 1: then they all have to place. They have to win

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Speaker 1: a regional award and these are like legit regional awards,

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Speaker 1: that's how you qualify. Um. But then they spend they

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Speaker 1: basically spend a week at m y U at New

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Speaker 1: Studio on Broadway, thank you God, living in the fucking

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Speaker 1: dorms liv um, working with you know, working with the

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Speaker 1: people at New Studio on Broadway. But anyway, it's a

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Speaker 1: thrilling award show. UM, so good. I have to tell

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Speaker 1: you about one moment. Come on. So they divided it

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Speaker 1: up where um, it's forty kids who who do like

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Speaker 1: musical medley's from the roles that they won their regional

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Speaker 1: awards with. But then they did for another forty person.

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Speaker 1: This is like the JV squad. They got these forty

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Speaker 1: kids to do this like tribute to Disney Theatrical Productions,

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Speaker 1: and it was just a medley of Disney commercialization. It

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Speaker 1: was the most corporate funck nonsense. It was terrible. It

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Speaker 1: was like these poor kids have to read off this

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Speaker 1: like copy for the biggest corporation in the fucking world.

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Speaker 1: I think they loved well, no, I mean these sweet heads,

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Speaker 1: like the last stage, you were like, oh, that one's gay.

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Speaker 1: It was, I mean most of them, but like, but

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Speaker 1: this is an example of the copy. Okay, like at

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Speaker 1: the end, like it all leads, it all builds up to,

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Speaker 1: like it goes to the timeline of Disney things on Broadway,

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Speaker 1: and then it ends with this one kid just like

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Speaker 1: standing up and saying it maybe summer in New York City,

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Speaker 1: but on Broadway everything's for rozen. And then they say

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Speaker 1: it was that kind of thing where it was like

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Speaker 1: and then like, oh, my god it was. And then

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Speaker 1: they did my god, he delivered it. They did. They

403
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Speaker 1: even talked about King David or I eat or something,

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Speaker 1: and they were like um. And then this one sweet

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00:22:48,600 --> 00:22:51,400
Speaker 1: girl was like, um and I eat her or Keen David.

406
00:22:51,400 --> 00:22:52,960
Speaker 1: I might be mixing them up. I may be complaining them.

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Speaker 1: She goes and I eat A musicalized the stories of

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Speaker 1: soldiers and slaves like that was was the situation. But

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Speaker 1: this is the moment that was like a star making

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Speaker 1: moment for this one girl. Her name is Sabrina Astoll.

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Speaker 1: Remember that name, Sabrina astoll. Okay, so oh my god, Okay,

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Speaker 1: where do I even begin? So they got they get

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Speaker 1: to the Mary Poppins part where they talk about the

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Speaker 1: Mary Poppins musical and she gets up and she has

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Speaker 1: a speech part where she's come and like you like

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Speaker 1: she's nervous, and she's this gorgeous, thin blonde girl, like

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Speaker 1: fully developed, and she's like it's just just just like

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Speaker 1: like textbook on Gino and she's but she's nervous, she's terrified.

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Speaker 1: She's she's at the min Scoff Theater. She's at the

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Speaker 1: Jimmy's Bitch is the biggest her her copy of something

421
00:23:43,320 --> 00:23:48,840
Speaker 1: like what's supposed to be something like Mary Poppins and

422
00:23:50,040 --> 00:24:02,320
Speaker 1: written by George George George Clooney follows No follows Mary Poppinson,

423
00:24:03,560 --> 00:24:08,639
Speaker 1: George George clo and Jora and then she and then

424
00:24:08,680 --> 00:24:13,119
Speaker 1: she just gives up and she goes, George Clooney, you

425
00:24:14,400 --> 00:24:16,800
Speaker 1: you can watch this back. It is on the internet.

426
00:24:17,080 --> 00:24:19,120
Speaker 1: And then and then like everyone's like, oh my god,

427
00:24:19,200 --> 00:24:22,840
Speaker 1: this poor girl. And then so then the thing ends,

428
00:24:22,960 --> 00:24:25,439
Speaker 1: and then that's intermission, and then after intermission is when

429
00:24:25,440 --> 00:24:28,560
Speaker 1: the judges. The judges are supposed to pick out the

430
00:24:28,680 --> 00:24:32,040
Speaker 1: eight finalists, four from each gender from the two genders

431
00:24:32,119 --> 00:24:34,880
Speaker 1: to move on to the final round. To the final round,

432
00:24:34,920 --> 00:24:36,480
Speaker 1: and one of them is picked from the g and

433
00:24:36,520 --> 00:24:38,080
Speaker 1: three of them are picked from like the Medley group.

434
00:24:38,440 --> 00:24:42,680
Speaker 1: One of them is fixed round the JV group. So

435
00:24:42,760 --> 00:24:45,480
Speaker 1: then the announced, and then Laura Bonanty and Matt is

436
00:24:45,720 --> 00:24:50,280
Speaker 1: losing it well me Brandon's got Jones and old Kimbost

437
00:24:50,320 --> 00:24:53,520
Speaker 1: are dying. We're up in the mezzanine word I'm thinking

438
00:24:53,600 --> 00:24:57,680
Speaker 1: of you guys hearing. We were freaking out. We were like,

439
00:24:57,840 --> 00:25:05,399
Speaker 1: imagine if George Colonia wrote and then knew it was

440
00:25:06,200 --> 00:25:10,040
Speaker 1: knew it was wrong, she kept it and in fact

441
00:25:10,359 --> 00:25:12,119
Speaker 1: not at least she keep returning to it. It was

442
00:25:12,160 --> 00:25:16,080
Speaker 1: her fucking sign off. She said the word, she said

443
00:25:16,080 --> 00:25:20,080
Speaker 1: the name George, and then she was like Clooney, okay.

444
00:25:20,119 --> 00:25:23,480
Speaker 1: So then so then intermission. Everyone's talking about an intermission like,

445
00:25:23,520 --> 00:25:27,159
Speaker 1: oh my god, that poor girl. And then and the

446
00:25:27,320 --> 00:25:29,640
Speaker 1: second act begins. Lord Vanni comes back on stage and goes,

447
00:25:30,800 --> 00:25:33,439
Speaker 1: I just have to let everybody know that George Clooney

448
00:25:33,560 --> 00:25:35,440
Speaker 1: was not involved in the making of Mary Pommins like

449
00:25:35,680 --> 00:25:38,520
Speaker 1: handle SOA was so funny about it. Um And then

450
00:25:38,520 --> 00:25:40,240
Speaker 1: they bring out all the kids, all eighty kids, to

451
00:25:40,280 --> 00:25:42,639
Speaker 1: announce who the finalists are. The eight finalists are for

452
00:25:43,000 --> 00:25:46,600
Speaker 1: four girls, four boys, and then um, they announced three

453
00:25:46,640 --> 00:25:52,520
Speaker 1: girls and then guess who they fucking announced Sabrina. The

454
00:25:52,640 --> 00:25:55,040
Speaker 1: judging is based on the performances from the day before

455
00:25:55,080 --> 00:25:58,280
Speaker 1: that we're not open to the public, so these so

456
00:25:58,480 --> 00:26:01,320
Speaker 1: these four people. So then these analists end up doing solos,

457
00:26:02,320 --> 00:26:05,000
Speaker 1: and then she goes up on stage and then so

458
00:26:05,080 --> 00:26:07,560
Speaker 1: then so then when she must have been when she

459
00:26:07,720 --> 00:26:09,080
Speaker 1: when she when when it was announced that she was

460
00:26:09,119 --> 00:26:11,600
Speaker 1: the finalist, everyone freaks out, like Joel Brandon, m PSJ

461
00:26:11,680 --> 00:26:14,280
Speaker 1: and now were like she was like a icon now

462
00:26:14,520 --> 00:26:16,159
Speaker 1: because at intermission I was like that poor girl. But

463
00:26:16,160 --> 00:26:18,520
Speaker 1: then Brandon goes, oh, she'll be fine, She's gonna be

464
00:26:18,640 --> 00:26:22,119
Speaker 1: fucking famous tomorrow, Like she'll she'll have no problem, Like

465
00:26:22,200 --> 00:26:24,719
Speaker 1: she's going to be a star. What happened? So then

466
00:26:24,920 --> 00:26:27,040
Speaker 1: so then when she's announced, like it's it's a beautiful moment.

467
00:26:27,080 --> 00:26:28,760
Speaker 1: Everyone in theaters freaking out. They're like, oh my god,

468
00:26:28,800 --> 00:26:31,879
Speaker 1: she's a finalist, Sabrina. And then and then Laura and

469
00:26:31,880 --> 00:26:34,879
Speaker 1: Anti goes Sabrina. George Clooney would be so proud right

470
00:26:34,920 --> 00:26:36,600
Speaker 1: now like it got a big laugh. But then she

471
00:26:36,760 --> 00:26:39,480
Speaker 1: went up and sang um that one song from Sister

472
00:26:39,600 --> 00:26:45,040
Speaker 1: act Um. But she was incredible, she was, she was,

473
00:26:45,200 --> 00:26:49,280
Speaker 1: but she was fucking phenomenal. She she did not when

474
00:26:49,320 --> 00:26:51,720
Speaker 1: she lost to this girl who did her renew wrap,

475
00:26:52,000 --> 00:26:54,159
Speaker 1: I can't believe I know these names, but there were

476
00:26:54,160 --> 00:26:57,840
Speaker 1: the stars of tomorrow. But um, anyway, she lost, but

477
00:26:57,920 --> 00:27:00,520
Speaker 1: she was close. She she was like real close together

478
00:27:00,640 --> 00:27:03,520
Speaker 1: and she was incredible. And I think Joel Joelan Bradon

479
00:27:03,520 --> 00:27:04,800
Speaker 1: took a picture with her at the after party. But

480
00:27:04,880 --> 00:27:07,120
Speaker 1: this is all to say what I would have given

481
00:27:07,160 --> 00:27:09,400
Speaker 1: to like this. It was it's only its tenth year.

482
00:27:09,520 --> 00:27:11,159
Speaker 1: I would have given everything to have had something like that,

483
00:27:12,760 --> 00:27:16,280
Speaker 1: just to watch. I'm about to blow your mind, don't

484
00:27:16,280 --> 00:27:20,200
Speaker 1: you know this? No Hill, my little brother went to

485
00:27:20,280 --> 00:27:25,760
Speaker 1: the Jimmy's Wait seriously, my brother Billy Cohen, Billy Billy

486
00:27:25,840 --> 00:27:28,520
Speaker 1: Cohen was to nominate at the Jimmy and Dirty Rotten

487
00:27:28,560 --> 00:27:32,080
Speaker 1: Scoundrels at Episcopal High School in Houston, Texas. Here did

488
00:27:32,119 --> 00:27:33,600
Speaker 1: he do it? He must have done it. So I

489
00:27:33,760 --> 00:27:36,359
Speaker 1: went and I was, oh my god, I think I

490
00:27:36,560 --> 00:27:43,480
Speaker 1: was a sophomore junior in college, like yesterday. It must

491
00:27:43,520 --> 00:27:48,160
Speaker 1: have been like two thousand. Oh my god, so cool, Billy.

492
00:27:48,280 --> 00:27:50,880
Speaker 1: So the whole family went. It was so so fun,

493
00:27:51,040 --> 00:27:54,600
Speaker 1: and they followed his journey on the show called PBS

494
00:27:55,800 --> 00:27:58,800
Speaker 1: Broadway Bound or something. Oh my god, should ask Joel

495
00:27:58,840 --> 00:28:02,520
Speaker 1: because he's watched that a yes, So we went and

496
00:28:02,600 --> 00:28:05,520
Speaker 1: it was so fun and it's a beautiful thing. The

497
00:28:05,600 --> 00:28:07,560
Speaker 1: Disney thing reminded me. So. The thing that takes you

498
00:28:07,600 --> 00:28:09,080
Speaker 1: to the Jimmys when you're from Houston is called the

499
00:28:09,119 --> 00:28:15,400
Speaker 1: Tommy tun Awards. And when my junior year, they pick

500
00:28:15,800 --> 00:28:18,040
Speaker 1: two people from every school to do like a big

501
00:28:18,119 --> 00:28:20,800
Speaker 1: opening number. And I got to do it, and it

502
00:28:20,840 --> 00:28:22,840
Speaker 1: was an original song written for it, and the song

503
00:28:23,000 --> 00:28:26,360
Speaker 1: was I'll never forget it. Ready do it? Keep your

504
00:28:26,440 --> 00:28:30,119
Speaker 1: eyes eyes on the goal, Just keep your eyes on

505
00:28:30,440 --> 00:28:34,359
Speaker 1: the goal. If you play the part that's written in

506
00:28:34,520 --> 00:28:39,320
Speaker 1: your heart, we'll learn together and we'll grow. Keep you

507
00:28:40,680 --> 00:28:46,440
Speaker 1: will grow. It sounds like I'm just deep in the

508
00:28:46,560 --> 00:28:51,280
Speaker 1: Jimmy community. And Catherine famously has has her brother Billy Cohen,

509
00:28:51,280 --> 00:28:54,480
Speaker 1: who's so handsome and hunk. You make your scream, He'll

510
00:28:54,520 --> 00:28:56,680
Speaker 1: make you screens. Gonna be a big star, baby, remember

511
00:28:56,720 --> 00:29:00,120
Speaker 1: the name. Well, the Cohen's Are the Star Stars Out?

512
00:29:00,160 --> 00:29:03,360
Speaker 1: Would you ever think of doing a full length show

513
00:29:03,560 --> 00:29:06,680
Speaker 1: with your brother? Oh my god, I don't know what

514
00:29:06,720 --> 00:29:08,200
Speaker 1: it would be like? And you don't know what you're

515
00:29:08,480 --> 00:29:11,640
Speaker 1: because he's more he doesn't do comedy right, No, right now,

516
00:29:11,720 --> 00:29:14,960
Speaker 1: he's just been He's an actor musician, so he does lots.

517
00:29:15,000 --> 00:29:17,200
Speaker 1: He did a production of ones. He does like what

518
00:29:17,320 --> 00:29:20,560
Speaker 1: he's doing. The guitar, the drums, the singing um. Yeah,

519
00:29:20,560 --> 00:29:22,120
Speaker 1: I'd be funny just singing together one day. That's like

520
00:29:22,200 --> 00:29:24,520
Speaker 1: my parents dream, right, I'm sure And you don't and

521
00:29:24,640 --> 00:29:26,600
Speaker 1: you don't know yet. With siblings, it's tough to know

522
00:29:26,760 --> 00:29:29,160
Speaker 1: what that creative relationship is like because maybe that's something

523
00:29:29,200 --> 00:29:32,200
Speaker 1: you've never explored. Maybe and listen to No, I'm just

524
00:29:32,440 --> 00:29:35,240
Speaker 1: I'm just thinking because I'm such a nightmare, Like maybe

525
00:29:35,280 --> 00:29:38,960
Speaker 1: you would want to work with I think he would? Would?

526
00:29:39,080 --> 00:29:42,120
Speaker 1: I think I want my sister to write me a song.

527
00:29:43,400 --> 00:29:45,680
Speaker 1: I gotta tell you. My sister was a fucking songwriter

528
00:29:45,760 --> 00:29:48,280
Speaker 1: back in her day. She was the one who was

529
00:29:48,360 --> 00:29:51,400
Speaker 1: always like she like if this, if you can believe this.

530
00:29:51,800 --> 00:29:53,920
Speaker 1: She was very much like a Matt Rodgers to my

531
00:29:54,080 --> 00:29:55,880
Speaker 1: bow and ying now like the dynamic that we have.

532
00:29:56,480 --> 00:29:58,880
Speaker 1: But she was like the you. She was the one

533
00:29:58,880 --> 00:30:01,160
Speaker 1: who would be like, Okay, we're doing a fucking talk show.

534
00:30:01,200 --> 00:30:04,960
Speaker 1: Get ready. That was me in my own home as well. Yeah, yeah, yeah,

535
00:30:05,040 --> 00:30:06,840
Speaker 1: it's an older child than the older child. Did you

536
00:30:06,920 --> 00:30:08,960
Speaker 1: make Billy perform? Oh yeah we did. We did lots.

537
00:30:09,120 --> 00:30:10,920
Speaker 1: And we have another brother too, named Charlie who can

538
00:30:10,920 --> 00:30:15,640
Speaker 1: also sing. Really it's sucking Von Trapp and he's yeah,

539
00:30:15,720 --> 00:30:19,200
Speaker 1: he's not really a performer now, but he's he's dabbled

540
00:30:19,280 --> 00:30:21,680
Speaker 1: for sure. And you can't talk about the Von Trapps

541
00:30:21,720 --> 00:30:26,080
Speaker 1: without talking about the Copersky You know, the Three Coppersky Boys.

542
00:30:26,360 --> 00:30:28,760
Speaker 1: One of my favorite videos is the Three Coppersky Boys

543
00:30:29,400 --> 00:30:31,920
Speaker 1: singing Here Comes the Sun on the piano found on

544
00:30:32,000 --> 00:30:35,440
Speaker 1: my Instagram with my full name right, he's every time

545
00:30:35,480 --> 00:30:36,959
Speaker 1: he comes in here. He is trying to get those

546
00:30:36,960 --> 00:30:41,280
Speaker 1: Instagram followers at Henry copers his full name. As he'll

547
00:30:41,320 --> 00:30:45,120
Speaker 1: tell you, I think I support it. There's well Thursday

548
00:30:45,160 --> 00:30:47,440
Speaker 1: for followers. We have to talk about something about the brothers.

549
00:30:48,080 --> 00:30:51,640
Speaker 1: Did you see Sam's latest comment on my and stuff? Yeah? Okay,

550
00:30:51,640 --> 00:30:54,440
Speaker 1: so Sam Coperski again another hot honky brother will make

551
00:30:54,480 --> 00:30:59,280
Speaker 1: you scream. Sam's obsessed with me. I folsted a photo

552
00:30:59,320 --> 00:31:02,280
Speaker 1: of me and like this cute jumpsuits, singing as I

553
00:31:02,360 --> 00:31:07,920
Speaker 1: do almost daily. He comments, oh, mommy heart Wait wait

554
00:31:08,200 --> 00:31:12,760
Speaker 1: was it heart eyes or fire? I thought I sent?

555
00:31:12,880 --> 00:31:15,520
Speaker 1: I thought I tagged you, Sam. I saw you commenting

556
00:31:15,640 --> 00:31:18,760
Speaker 1: on his thing, saying I was waiting for you. Sam. Yes,

557
00:31:19,160 --> 00:31:24,440
Speaker 1: so that happened. First cat, you're playing with you, You're

558
00:31:24,480 --> 00:31:27,120
Speaker 1: playing with fire and playing with five, he said, mommy

559
00:31:27,280 --> 00:31:30,320
Speaker 1: heart eyes. Whoa you got? His Instagram handles his full

560
00:31:30,400 --> 00:31:33,040
Speaker 1: name too, and he loves gay followers, which most of

561
00:31:33,120 --> 00:31:35,760
Speaker 1: his followers. He did a cover of my song be

562
00:31:35,840 --> 00:31:38,160
Speaker 1: a Bit to your Closest friends as Pride. Do you

563
00:31:38,160 --> 00:31:40,600
Speaker 1: remember that when we found that and he did not

564
00:31:40,760 --> 00:31:43,800
Speaker 1: tag Matt he had it. We found it organically. WHOA?

565
00:31:44,320 --> 00:31:47,360
Speaker 1: I think Sam, this is so interesting that Sam loves

566
00:31:47,400 --> 00:31:49,760
Speaker 1: the gay following, because I think Sam is exactly one

567
00:31:49,760 --> 00:31:53,160
Speaker 1: of those straight boys who loves that, who loves the gay,

568
00:31:53,880 --> 00:31:58,040
Speaker 1: who loves the game, right, you know, he follows like

569
00:31:58,760 --> 00:32:07,200
Speaker 1: funny guys and when I get along swimming. At one time,

570
00:32:07,760 --> 00:32:09,560
Speaker 1: my friend he lives in Chicago, and one of my

571
00:32:09,760 --> 00:32:12,880
Speaker 1: close girlfriends with Chicago, and I was like, Sam, why

572
00:32:12,880 --> 00:32:15,000
Speaker 1: don't you hang out with her, and he was like,

573
00:32:15,160 --> 00:32:17,080
Speaker 1: all her friends are gay, and I was like, but

574
00:32:17,200 --> 00:32:21,520
Speaker 1: you love gays. He's like, not these ones. It's like,

575
00:32:21,680 --> 00:32:25,440
Speaker 1: you know, I think I have good company, have good gas.

576
00:32:26,040 --> 00:32:28,200
Speaker 1: Everyone always says that about Henry. He's got good gays.

577
00:32:28,680 --> 00:32:32,160
Speaker 1: You've curated the gays for him. Yeah. Speaking of curation

578
00:32:32,280 --> 00:32:35,880
Speaker 1: and songwriting, and then Jimmie's and musical performance and Catherine,

579
00:32:36,440 --> 00:32:40,320
Speaker 1: I think it's time that we hear a number, and

580
00:32:40,440 --> 00:32:44,719
Speaker 1: I mean a number from the twist. She's gorgeous. Now

581
00:32:44,760 --> 00:32:46,560
Speaker 1: can you tell us about a little bit about the song?

582
00:32:46,600 --> 00:32:48,920
Speaker 1: And you're about to sing? So this is what I

583
00:32:48,960 --> 00:32:52,120
Speaker 1: would call my origin story. This is the opener to

584
00:32:52,200 --> 00:32:55,960
Speaker 1: the show. Comes from a real place. And I don't

585
00:32:55,960 --> 00:32:59,120
Speaker 1: want to say anymore, but can I stand yes? Please?

586
00:33:16,040 --> 00:33:19,719
Speaker 1: When I was a little girl gazing now my window,

587
00:33:19,840 --> 00:33:23,960
Speaker 1: looking at the world, wishing time would just go on

588
00:33:24,200 --> 00:33:26,920
Speaker 1: and on and on and take me to a new

589
00:33:27,000 --> 00:33:31,040
Speaker 1: place where I sing a song and meet a fresh face. Hey,

590
00:33:31,520 --> 00:33:35,760
Speaker 1: how do we find our calling? How do we know

591
00:33:36,160 --> 00:33:41,160
Speaker 1: where we be? Long? If we harbor enough resentiment in

592
00:33:41,280 --> 00:33:45,360
Speaker 1: our teens, we can write I Catching and find it song?

593
00:33:48,480 --> 00:33:53,960
Speaker 1: Oh boys never wanted to kiss me? So now I

594
00:33:54,120 --> 00:34:00,200
Speaker 1: do come and boys never wanted to kiss me, So

595
00:34:00,400 --> 00:34:04,520
Speaker 1: why need you to look at me? Look at me,

596
00:34:04,600 --> 00:34:07,800
Speaker 1: look at me, look at me, look at me, look

597
00:34:07,800 --> 00:34:09,320
Speaker 1: at me, look at me, look at me, at me,

598
00:34:11,080 --> 00:34:12,759
Speaker 1: look at me, look at me, look at me. At me.

599
00:34:12,920 --> 00:34:19,480
Speaker 1: Kristy's less like a hilaria. When I was a tween

600
00:34:19,600 --> 00:34:22,799
Speaker 1: age girl at the big school dance, I placefully graph

601
00:34:22,920 --> 00:34:26,160
Speaker 1: Andrew's hat head away. I franced it was a very

602
00:34:26,200 --> 00:34:28,160
Speaker 1: thing I've seen one of the skinny hot girls do.

603
00:34:28,719 --> 00:34:31,120
Speaker 1: But Andrew was just like, give me my hat back.

604
00:34:35,480 --> 00:34:40,040
Speaker 1: I thought stealing someone's hat was sexy, But now I'm

605
00:34:40,200 --> 00:34:44,680
Speaker 1: singing in a dimly lit bar. Andrew was very fat

606
00:34:44,800 --> 00:34:48,719
Speaker 1: and has a car. Boys never wanted to kiss me,

607
00:34:49,719 --> 00:34:53,040
Speaker 1: So now I do. Come at he don't do it anyway.

608
00:34:53,640 --> 00:34:57,120
Speaker 1: Boys never wanted to kiss me, So why need you

609
00:34:57,440 --> 00:35:00,440
Speaker 1: you You need to look at me, seriously play look

610
00:35:00,480 --> 00:35:02,279
Speaker 1: at you, look at me, look at me, lit me up,

611
00:35:03,719 --> 00:35:05,400
Speaker 1: look at me, look at me, look at me, Lily

612
00:35:07,480 --> 00:35:08,960
Speaker 1: at me, look at me, look at me, look at me.

613
00:35:09,080 --> 00:35:15,680
Speaker 1: Base paste blesh look at bridge. Oh this is healthy.

614
00:35:15,880 --> 00:35:19,439
Speaker 1: What I'm doing is healthy. This is a good way

615
00:35:19,560 --> 00:35:23,160
Speaker 1: to work ship out. Yeah. For the record, I've met

616
00:35:23,239 --> 00:35:26,640
Speaker 1: boys who want to kiss so I'm even monacle. The

617
00:35:27,040 --> 00:35:33,040
Speaker 1: dead came not now, but it's never enough. Boys never

618
00:35:33,200 --> 00:35:37,680
Speaker 1: wanted to kiss me, So now I do comy. I

619
00:35:37,800 --> 00:35:42,200
Speaker 1: need help. Boys never wanted to kiss me. So I

620
00:35:42,360 --> 00:35:46,000
Speaker 1: need all of you to look at me seriously, past again,

621
00:35:46,120 --> 00:35:50,040
Speaker 1: look at me, look at me, look at me, look

622
00:35:50,040 --> 00:35:52,640
Speaker 1: at me, look at you. I'm telling a boy, look

623
00:35:52,640 --> 00:35:54,120
Speaker 1: a look at me, look at me, look at me,

624
00:35:54,160 --> 00:36:14,799
Speaker 1: at bass, at you, and oh my word, I mean

625
00:36:15,200 --> 00:36:17,480
Speaker 1: that is that the moment I heard that the first time?

626
00:36:17,480 --> 00:36:20,239
Speaker 1: When the first time I heard that? Instant classic? Yeah, no,

627
00:36:20,320 --> 00:36:23,560
Speaker 1: instant classic? For sure? Should we reset? She can speak

628
00:36:23,600 --> 00:36:27,360
Speaker 1: to us? Stand? Oh you want to stand? Is that weird? No? Stand?

629
00:36:27,440 --> 00:36:28,680
Speaker 1: Do you care? Or do you want to sit and

630
00:36:28,719 --> 00:36:30,319
Speaker 1: be dropped in? I don't care about. Can I get

631
00:36:30,360 --> 00:36:32,880
Speaker 1: a sip of water? We'll do whatever you want. That

632
00:36:33,000 --> 00:36:35,600
Speaker 1: is the vocal stylings of someone who drank for two

633
00:36:35,719 --> 00:36:41,040
Speaker 1: days straight after her show. You sound the phenomenon? Can

634
00:36:41,080 --> 00:36:44,480
Speaker 1: I ask you a question? Boys, we're not giving you attention? Babe?

635
00:36:44,840 --> 00:36:48,719
Speaker 1: Why do you think I'm so magnetic? The boys were

636
00:36:48,760 --> 00:36:53,120
Speaker 1: not giving me a second of their time? Really? No

637
00:36:53,400 --> 00:36:55,400
Speaker 1: boy liked me or showed interest in me until I

638
00:36:55,560 --> 00:36:58,600
Speaker 1: was eighteen? What is okay? Because this is something that

639
00:36:58,680 --> 00:37:01,280
Speaker 1: we is, you know verse, So I could talk about

640
00:37:01,280 --> 00:37:04,480
Speaker 1: this for days. But does like desirability at a young

641
00:37:04,560 --> 00:37:06,960
Speaker 1: age just make you boring? Like is that what it is?

642
00:37:07,080 --> 00:37:11,160
Speaker 1: Where you grow up into like some uncompelling person? Like

643
00:37:11,320 --> 00:37:14,080
Speaker 1: what is that? You think you're magnetic? You think you're

644
00:37:14,160 --> 00:37:17,720
Speaker 1: magnetic because you were not desired because I was always

645
00:37:17,760 --> 00:37:19,799
Speaker 1: trying to get people to like me, trying to get

646
00:37:20,120 --> 00:37:22,600
Speaker 1: laugh because I had plenty of male friends who were

647
00:37:22,640 --> 00:37:26,600
Speaker 1: like flirty with me but wouldn't want anything. I had

648
00:37:26,600 --> 00:37:29,319
Speaker 1: a male friend who would call me every night after

649
00:37:29,400 --> 00:37:33,160
Speaker 1: school to talk. I know what happened to him. He's

650
00:37:33,200 --> 00:37:37,799
Speaker 1: engaged to a woman, to a friend. Come on, I know, hon,

651
00:37:38,080 --> 00:37:41,719
Speaker 1: that is my reality now how I always want to

652
00:37:41,719 --> 00:37:42,880
Speaker 1: talk to you but they don't want to kiss you,

653
00:37:43,400 --> 00:37:45,960
Speaker 1: or then they'll kiss him. They'll be like mm, this

654
00:37:46,080 --> 00:37:48,200
Speaker 1: isn't working. I'm like okay fine, and they're like that's

655
00:37:48,200 --> 00:37:50,719
Speaker 1: because he bite them because I always tell you don't

656
00:37:50,800 --> 00:37:54,080
Speaker 1: bind them them because them with my with my tooth,

657
00:37:54,440 --> 00:37:56,680
Speaker 1: and then I know, but I say, I'm like okay,

658
00:37:56,719 --> 00:37:58,560
Speaker 1: that's fine. Yeah, Like you know I don't want to, like,

659
00:37:58,680 --> 00:38:00,480
Speaker 1: you know, yeah, whatever, you're comfort with it, and then

660
00:38:00,520 --> 00:38:02,680
Speaker 1: they go, but just like, you know, remember me and

661
00:38:02,840 --> 00:38:04,200
Speaker 1: like if you guys want to, if you want to,

662
00:38:04,320 --> 00:38:06,000
Speaker 1: if I can hang out with you guys. Sometimes I'm like,

663
00:38:06,360 --> 00:38:08,560
Speaker 1: you know, that's that's the thing that that happens to him,

664
00:38:08,600 --> 00:38:10,560
Speaker 1: which I hate, which I'm like, no, is when they

665
00:38:10,640 --> 00:38:13,160
Speaker 1: want to be in the comedy community, just ask just

666
00:38:13,280 --> 00:38:15,680
Speaker 1: come hang out, like at a show or something I

667
00:38:16,080 --> 00:38:20,040
Speaker 1: just happened. I think like the friend group that all

668
00:38:20,120 --> 00:38:24,160
Speaker 1: of us are part of is so incredible. An outsider

669
00:38:24,520 --> 00:38:26,879
Speaker 1: you'd want in babe, and I would say, I would

670
00:38:26,920 --> 00:38:29,120
Speaker 1: go as far as say that, Madam Bowen are the

671
00:38:29,200 --> 00:38:31,919
Speaker 1: queen Bees. Oh no, no, I don't like that. I don't.

672
00:38:32,160 --> 00:38:34,120
Speaker 1: I don't want to be the queen Bee, not in

673
00:38:34,200 --> 00:38:36,000
Speaker 1: the mean girl culture way, but in a way that

674
00:38:36,200 --> 00:38:37,920
Speaker 1: you bring people together is what I'm saying. Thank you.

675
00:38:38,080 --> 00:38:40,040
Speaker 1: But then I'm not even going to give us that

676
00:38:40,120 --> 00:38:42,440
Speaker 1: credit because we discussed at length last time we were

677
00:38:42,520 --> 00:38:45,080
Speaker 1: here when Larry was in the space, that Henry was

678
00:38:45,160 --> 00:38:47,560
Speaker 1: the clue that that bound Henry is the queen Bee

679
00:38:47,560 --> 00:38:51,600
Speaker 1: in Regina George Way, yes, and he is blonde. You

680
00:38:51,640 --> 00:38:52,960
Speaker 1: don't know. I lived with him for two and a

681
00:38:53,000 --> 00:38:55,560
Speaker 1: half years and we there's a burn book at his apartment.

682
00:38:56,200 --> 00:38:58,760
Speaker 1: It says cruel things about everyone in the comedy community.

683
00:38:59,000 --> 00:39:02,080
Speaker 1: And he does have a hot mom, which could you

684
00:39:02,920 --> 00:39:10,360
Speaker 1: even wait to talk about? Diana Away Diane Penning, famous soprano,

685
00:39:10,920 --> 00:39:15,320
Speaker 1: saying Cabernet, cabaret and just blew the house down like

686
00:39:15,400 --> 00:39:18,120
Speaker 1: it was amazing. It's really special. She she was like,

687
00:39:18,800 --> 00:39:21,440
Speaker 1: she's never been in a gay club before, and so

688
00:39:21,640 --> 00:39:26,800
Speaker 1: then does sing that's beautiful fun. Well how did she feel? What? What?

689
00:39:27,239 --> 00:39:29,400
Speaker 1: How did she think? I warned her. I was like,

690
00:39:29,600 --> 00:39:32,320
Speaker 1: so people will probably like yell things out while you

691
00:39:32,480 --> 00:39:36,120
Speaker 1: are singing and stuff. But she liked it. She She's like, okay,

692
00:39:36,200 --> 00:39:38,719
Speaker 1: I can do that, um, and she loved it. And

693
00:39:39,280 --> 00:39:43,040
Speaker 1: it was really special to like to like have her

694
00:39:43,080 --> 00:39:45,360
Speaker 1: perform on my show. Like growing up, she would like

695
00:39:45,680 --> 00:39:48,399
Speaker 1: have me play like a little Sana Tina on her

696
00:39:48,680 --> 00:39:52,040
Speaker 1: whatever and stuff and come into the stage Sana Tina.

697
00:39:53,440 --> 00:39:55,719
Speaker 1: But it was beautiful to have her for her first

698
00:39:55,800 --> 00:39:57,840
Speaker 1: experience at a gay bar, gay space, to be with

699
00:39:58,000 --> 00:39:59,920
Speaker 1: you for a thing that you were sort of running

700
00:40:00,160 --> 00:40:03,000
Speaker 1: and yeah, yeah, and I just want to share I

701
00:40:03,080 --> 00:40:06,239
Speaker 1: want to share her like she she's an amazing person,

702
00:40:06,840 --> 00:40:10,640
Speaker 1: amazing musician and uh and I want her to perform

703
00:40:10,719 --> 00:40:12,319
Speaker 1: for the rest of her life. And it gets harder

704
00:40:12,360 --> 00:40:15,360
Speaker 1: the older you get and to book work and stuff

705
00:40:15,400 --> 00:40:17,640
Speaker 1: and stuff. I feel like here she is at Alan

706
00:40:17,680 --> 00:40:21,200
Speaker 1: Cummings Club slaying the house down. Yeah, this is what

707
00:40:21,320 --> 00:40:24,480
Speaker 1: I'm talking about. He's such a bitch. He's so mean

708
00:40:24,680 --> 00:40:29,960
Speaker 1: and reis so fucking Yeah. I was really proud of her,

709
00:40:30,040 --> 00:40:32,000
Speaker 1: and I was really and she loved it and felt

710
00:40:32,040 --> 00:40:33,560
Speaker 1: really good about it. Was like the whole room was

711
00:40:33,600 --> 00:40:36,480
Speaker 1: like and she had us in her palm and when

712
00:40:36,520 --> 00:40:39,520
Speaker 1: I finished, tears instant. That was crying. You just don't

713
00:40:39,520 --> 00:40:42,600
Speaker 1: get to hear something like that very often. She's truly talented.

714
00:40:42,800 --> 00:40:46,000
Speaker 1: A voice like that is yeah, other worldly. Yeah, she

715
00:40:46,120 --> 00:40:48,080
Speaker 1: has like I always think of her voice is like

716
00:40:48,960 --> 00:40:52,600
Speaker 1: like glass, like smooth glass, yes, beach glass or something

717
00:40:52,640 --> 00:40:56,600
Speaker 1: like beach Okay, like in Sweetholme, Alabama. One the lightning

718
00:40:57,160 --> 00:41:00,399
Speaker 1: all the time. Why do you think of it? I'll

719
00:41:00,400 --> 00:41:02,160
Speaker 1: tell you why I think about it just because of

720
00:41:02,200 --> 00:41:06,200
Speaker 1: the lightning part. You go, because I love the way

721
00:41:06,680 --> 00:41:08,680
Speaker 1: for this one says the line, So I can kiss

722
00:41:08,760 --> 00:41:13,640
Speaker 1: you anytime yes, I love you know. When I was

723
00:41:13,719 --> 00:41:15,320
Speaker 1: walking here, I was thinking of when I did it

724
00:41:15,360 --> 00:41:20,440
Speaker 1: the first time. And when I was running here, I

725
00:41:20,600 --> 00:41:22,520
Speaker 1: was thinking the first time you guys asked about my

726
00:41:22,600 --> 00:41:24,240
Speaker 1: culture moment, I was like, do I have another answer?

727
00:41:24,280 --> 00:41:26,520
Speaker 1: And I was thinking one of the cultural moments for me.

728
00:41:28,880 --> 00:41:33,200
Speaker 1: Anytime there's a movie, um, a period piece where there's

729
00:41:33,239 --> 00:41:35,759
Speaker 1: sort of big dresses and there's a ball and there's

730
00:41:35,800 --> 00:41:39,120
Speaker 1: a dance and people put their hands up side by

731
00:41:39,200 --> 00:41:42,759
Speaker 1: side and look at each other. Yes, that's that's the moment.

732
00:41:43,000 --> 00:41:45,200
Speaker 1: I'm going to set a film right now, and I

733
00:41:45,239 --> 00:41:47,960
Speaker 1: want to see how you react. Okay, ever after, yes,

734
00:41:49,520 --> 00:41:52,200
Speaker 1: one any kind of like I'm doing a high five

735
00:41:52,200 --> 00:41:54,920
Speaker 1: position right now. But yes, when two high fives meet

736
00:41:54,920 --> 00:41:56,719
Speaker 1: and then there's like a like a like a like

737
00:41:56,800 --> 00:41:59,560
Speaker 1: a slow like spin around each other, we never lose

738
00:41:59,760 --> 00:42:06,239
Speaker 1: icon talk that. Yes, and they had like a koy conversation. Yes, darling, Hi, yeah,

739
00:42:06,640 --> 00:42:09,480
Speaker 1: quite well you look well as well. I'm quite well

740
00:42:09,560 --> 00:42:11,680
Speaker 1: you look well as well. That's why I can't write

741
00:42:11,719 --> 00:42:15,319
Speaker 1: a fucking merchant Ivory movie. Bit Anyways, Rogers and Yang

742
00:42:15,320 --> 00:42:17,360
Speaker 1: are never going to be a Merchant and Ivory. Rodgers

743
00:42:17,400 --> 00:42:21,759
Speaker 1: and Yang, I never heard it like good. People often

744
00:42:21,800 --> 00:42:24,319
Speaker 1: call us Bowen and Matt or Matt Rogers and Bowen Yang,

745
00:42:24,640 --> 00:42:26,560
Speaker 1: but not Rodgers in Yang, which I don't think sounds good.

746
00:42:26,640 --> 00:42:30,479
Speaker 1: That's why we're not writing a musical together just yet. Okay, Yeah,

747
00:42:31,280 --> 00:42:33,200
Speaker 1: the I think I think it's the ethnic part throws

748
00:42:33,239 --> 00:42:35,240
Speaker 1: it off. I'm not saying I'm not like it should

749
00:42:35,239 --> 00:42:39,480
Speaker 1: be Yang and Rodgers. No, because it's the Yang it

750
00:42:39,520 --> 00:42:48,720
Speaker 1: should be. Okay. I have a question. I just mentioned

751
00:42:49,120 --> 00:42:53,360
Speaker 1: ever after and I mentioned Reese and Reese Witherspoon Andrew

752
00:42:53,400 --> 00:42:57,320
Speaker 1: Barrymore are both in my coven? Which is five actresses

753
00:42:57,400 --> 00:43:01,600
Speaker 1: that you have that are your rider dies? Oh my god?

754
00:43:02,040 --> 00:43:08,640
Speaker 1: What is all your covens? Mine is Reese, Drew, Kirsten Dunst,

755
00:43:09,000 --> 00:43:12,680
Speaker 1: Nicole Kidman, and Regina Hall. Okay, those are amazing. I

756
00:43:12,719 --> 00:43:15,200
Speaker 1: don't know. Um um, Okay, I can go down and

757
00:43:15,200 --> 00:43:19,160
Speaker 1: I've skipped some really good ones. Go it's five, Sandra, Yes,

758
00:43:19,680 --> 00:43:26,759
Speaker 1: it's um. Sorry, yours against the two raised Weatherspoon, Drew Barrymore,

759
00:43:27,320 --> 00:43:33,280
Speaker 1: Nicole Kidman, Regina Hall, and Kirsten Dunst with Michelle Pfeiffer

760
00:43:33,880 --> 00:43:35,799
Speaker 1: the empress of them all. Okay, so I will also

761
00:43:35,840 --> 00:43:39,200
Speaker 1: share I'll do, Sandra. I'll also share in Kirsten dunst Um,

762
00:43:39,920 --> 00:43:46,160
Speaker 1: do you want to say, um, Rosemary DeWitt, bitch, that's

763
00:43:46,360 --> 00:43:48,760
Speaker 1: not it is not true. I mean I don't because

764
00:43:48,880 --> 00:43:50,359
Speaker 1: now I do, because now I don't want to pick

765
00:43:50,440 --> 00:43:58,080
Speaker 1: the bab the obvious ones. Well come, park Parker definitely

766
00:43:58,160 --> 00:44:00,360
Speaker 1: in the mix for me. Wow, Catherine, I harrh is

767
00:44:00,360 --> 00:44:05,000
Speaker 1: a pretty letter because once you open that door, it's

768
00:44:05,000 --> 00:44:07,799
Speaker 1: a long hallway. Bitch. I think I see a lot.

769
00:44:08,440 --> 00:44:11,560
Speaker 1: Katherine must have been an inspiration. Oh my god, can

770
00:44:11,600 --> 00:44:13,800
Speaker 1: you imagine? You really are? You really are? You're like

771
00:44:13,920 --> 00:44:16,800
Speaker 1: Katherine right harh and Parker posey married And that is

772
00:44:17,080 --> 00:44:19,160
Speaker 1: the best thing I could ever hear. Yeah, you really

773
00:44:19,239 --> 00:44:25,280
Speaker 1: are like them. I can't wait to be in a movie.

774
00:44:27,000 --> 00:44:32,480
Speaker 1: It's like, let's go, let's need who are your influences? Oh? Whoa?

775
00:44:32,760 --> 00:44:36,320
Speaker 1: I don't know, Um what do you love right now? Like?

776
00:44:36,480 --> 00:44:38,960
Speaker 1: What like because you just kind of step into this

777
00:44:39,080 --> 00:44:42,040
Speaker 1: new Katherine. Yeah, it's like two year old thing. Yeah,

778
00:44:42,160 --> 00:44:44,520
Speaker 1: you're right, you know what I mean? Like what it

779
00:44:44,640 --> 00:44:47,800
Speaker 1: was brewing? Yeah? What edged you into that? Trying to

780
00:44:47,920 --> 00:44:50,160
Speaker 1: think if there's like a moment or an image, It's

781
00:44:50,200 --> 00:44:53,040
Speaker 1: like it's more like a feeling than a person. It's

782
00:44:53,160 --> 00:44:57,320
Speaker 1: like silk. It's the idea of lime green next to

783
00:44:57,560 --> 00:45:01,160
Speaker 1: hot pink, but in a way that's fun. As you can,

784
00:45:01,239 --> 00:45:03,080
Speaker 1: I can I just be annoying and say it's like

785
00:45:03,560 --> 00:45:07,080
Speaker 1: it's like Carol King meets Bridget Everett. It's like it's

786
00:45:07,120 --> 00:45:10,120
Speaker 1: like Bridget, but like a touch wholesome. It's not like

787
00:45:10,200 --> 00:45:12,000
Speaker 1: it's not like she's like shaking your tips in your face,

788
00:45:12,680 --> 00:45:15,760
Speaker 1: in your face, which is Bridgets, like which is Bridget,

789
00:45:16,000 --> 00:45:19,719
Speaker 1: which is like her beautiful fantastic trademark and like what

790
00:45:19,880 --> 00:45:23,279
Speaker 1: a icon. But like with Catherine, it's like it's it's,

791
00:45:23,360 --> 00:45:27,120
Speaker 1: it's it's it's such a cool like convergence of different things.

792
00:45:27,480 --> 00:45:29,480
Speaker 1: You gotta go to the show, got you gotta go

793
00:45:29,520 --> 00:45:33,440
Speaker 1: to the show at hose Hub. Joe's the twist she

794
00:45:33,600 --> 00:45:36,279
Speaker 1: scored just on ly before we get into another song.

795
00:45:36,360 --> 00:45:39,440
Speaker 1: I don't want to take the coven question away from Henry.

796
00:45:39,600 --> 00:45:41,319
Speaker 1: Do you have your coven? I can think of a few.

797
00:45:41,920 --> 00:45:45,440
Speaker 1: My favorite actress in the world is Mary Steinberger and yes,

798
00:45:45,800 --> 00:45:49,719
Speaker 1: you make sense for you. That's beautiful. I could watch

799
00:45:49,760 --> 00:45:52,880
Speaker 1: her do anything like she's my favorite. Yeah, did you

800
00:45:52,920 --> 00:45:55,799
Speaker 1: see book Club, No, I haven't yet. She was really

801
00:45:55,840 --> 00:45:57,360
Speaker 1: great in Book Class. She was great in it, and

802
00:45:57,480 --> 00:45:59,279
Speaker 1: she made me cry at the end, which is saying

803
00:45:59,400 --> 00:46:01,960
Speaker 1: something about her acting ability, because the plot line they

804
00:46:02,000 --> 00:46:04,719
Speaker 1: gave her was so she had a terrible plot line,

805
00:46:04,760 --> 00:46:06,920
Speaker 1: but her and even her and stepbrothers I thought was

806
00:46:07,040 --> 00:46:10,480
Speaker 1: so sweet, so nice. My favorite Mary Steinberger am I

807
00:46:10,520 --> 00:46:14,000
Speaker 1: saying her name right. My favorite moment of hers of

808
00:46:14,080 --> 00:46:16,759
Speaker 1: all time is an elf at the end when she

809
00:46:16,880 --> 00:46:18,920
Speaker 1: tries to sing Santa Claus coming to Town and her

810
00:46:19,000 --> 00:46:21,400
Speaker 1: voice cracks and it makes me cry. I've seen that

811
00:46:21,440 --> 00:46:23,759
Speaker 1: movie a billion times. It makes me cry every time

812
00:46:24,120 --> 00:46:26,080
Speaker 1: she goes up for the high part in the bridge

813
00:46:26,120 --> 00:46:28,880
Speaker 1: and she tries but that she recalls your mom, Henry.

814
00:46:29,040 --> 00:46:32,760
Speaker 1: That's why maybe they like you have a similar vibe.

815
00:46:33,120 --> 00:46:35,360
Speaker 1: I think I think it's Mary's. It truly is Mary's

816
00:46:35,360 --> 00:46:38,000
Speaker 1: speaking voice. Even that I think lends her that sweetness,

817
00:46:38,080 --> 00:46:42,080
Speaker 1: that that like, that that watchable quality. Yeah. And then

818
00:46:42,480 --> 00:46:45,680
Speaker 1: after dur enthusiasm when she improvises, you really see who

819
00:46:45,760 --> 00:46:49,080
Speaker 1: she is and or I assume who she is. I

820
00:46:49,200 --> 00:46:51,279
Speaker 1: just love her, Yeah. And then I love Corney Cox

821
00:46:51,400 --> 00:46:56,080
Speaker 1: is my favorite. You love you love Corny. I love

822
00:46:56,239 --> 00:46:59,319
Speaker 1: Cougar Town Sugartown was good. Wait, okay, I'm gonna add

823
00:46:59,320 --> 00:47:07,800
Speaker 1: I'm gonna add can Lisa to mine and you have

824
00:47:08,000 --> 00:47:10,640
Speaker 1: worship of the altar of the comeback. Yes, it's truly

825
00:47:10,640 --> 00:47:14,160
Speaker 1: amazing television. I think about it almost every day. Yeah,

826
00:47:15,520 --> 00:47:21,120
Speaker 1: the second season, perfect Cry, it was the finale is

827
00:47:21,160 --> 00:47:23,440
Speaker 1: one of the best finalees I've ever takes your breath away.

828
00:47:24,480 --> 00:47:29,160
Speaker 1: Her husband and that it's hot to me. Yeah. His name, Um,

829
00:47:29,640 --> 00:47:31,719
Speaker 1: you know I'm losing his name, but his name is

830
00:47:31,760 --> 00:47:33,759
Speaker 1: Mark in the show. When I see him in anything else,

831
00:47:33,800 --> 00:47:37,080
Speaker 1: I'm like, he's got to me. Yeah, he was. He

832
00:47:37,200 --> 00:47:39,600
Speaker 1: was at he was at Cody b casting with him

833
00:47:39,680 --> 00:47:43,120
Speaker 1: with me once in a waiting room. He seemed nice.

834
00:47:44,200 --> 00:47:47,279
Speaker 1: Him and um, what's his face? John Slattery's wife were

835
00:47:47,280 --> 00:47:48,880
Speaker 1: there together and they were catching up, and I was like,

836
00:47:49,280 --> 00:47:52,360
Speaker 1: these are two John Slattery's wife. Oh from ma F

837
00:47:53,520 --> 00:48:00,880
Speaker 1: She's awesome. Divorce now I love to watch. I like

838
00:48:01,000 --> 00:48:04,360
Speaker 1: divorce to honestly, And I'm going to add Sarah Jessica.

839
00:48:07,400 --> 00:48:10,760
Speaker 1: I love Sarah Jessica. Did you see that Kim Cantrall

840
00:48:10,840 --> 00:48:14,400
Speaker 1: did monologue said as I did. No. Wait, she's a

841
00:48:14,440 --> 00:48:19,479
Speaker 1: major influence and again, I was talking to someone recently

842
00:48:19,480 --> 00:48:21,120
Speaker 1: who said they had never seen sex in the city,

843
00:48:21,239 --> 00:48:24,640
Speaker 1: and that is truly something that is not okay, okay, no,

844
00:48:24,880 --> 00:48:26,760
Speaker 1: you have to see it, even if it doesn't necessarily

845
00:48:26,800 --> 00:48:30,800
Speaker 1: hold up the best. People don't understand those the impact.

846
00:48:31,239 --> 00:48:36,239
Speaker 1: Those four are turning great performances in throughout the fact

847
00:48:36,280 --> 00:48:38,839
Speaker 1: that the Kim Control thing didn't get one note after

848
00:48:38,960 --> 00:48:42,200
Speaker 1: literally three episodes is a test. She kept it interesting.

849
00:48:42,520 --> 00:48:45,480
Speaker 1: It's a I love that. I love that. That shows amazing.

850
00:48:45,520 --> 00:48:47,440
Speaker 1: I was just rewatching a bunch of because everyone was

851
00:48:47,440 --> 00:48:50,719
Speaker 1: talking about it for the twentieth anniversary. Yes, yes, yes,

852
00:48:51,000 --> 00:48:52,960
Speaker 1: I'm deep in it. So sad that that had to

853
00:48:53,000 --> 00:48:54,880
Speaker 1: be marred in such controversy, you know what I mean?

854
00:48:55,160 --> 00:48:56,960
Speaker 1: They couldn't all come out and wait, what do you

855
00:48:57,000 --> 00:49:00,839
Speaker 1: mean enough with the drama, the drama, the girl. Yeah,

856
00:49:00,840 --> 00:49:03,400
Speaker 1: but you're saying like you don't care. Oh, it just

857
00:49:03,440 --> 00:49:06,920
Speaker 1: doesn't affect me. I'm just like the show that this

858
00:49:07,080 --> 00:49:13,759
Speaker 1: is groundbreaking, but their feud doesn't affect me. Thought, um no,

859
00:49:14,000 --> 00:49:16,480
Speaker 1: well that and do you have any more? I love

860
00:49:16,600 --> 00:49:20,600
Speaker 1: Drew as well. I love Kate lynch at us very talented,

861
00:49:21,360 --> 00:49:26,800
Speaker 1: very talented, a good choice and Emma Watson, what well, Emma,

862
00:49:26,880 --> 00:49:29,160
Speaker 1: I feel, Emma I feel is amazing. But I do

863
00:49:29,360 --> 00:49:32,160
Speaker 1: believe that I don't know the beauty and the beast

864
00:49:32,200 --> 00:49:35,520
Speaker 1: things was bad. But I just love her and she

865
00:49:35,840 --> 00:49:38,239
Speaker 1: is her mind and Granger honey, no doubt about that. Yeah,

866
00:49:38,320 --> 00:49:41,759
Speaker 1: and she's good in Wallflower too. Wallflower. I have one

867
00:49:41,840 --> 00:49:46,000
Speaker 1: to add, and it's just that Forever Bridget Jones Diary

868
00:49:46,040 --> 00:49:47,880
Speaker 1: is a perfect movie. And so I have to give

869
00:49:47,920 --> 00:49:49,960
Speaker 1: a little bit of a kiss, kiss, a little chef's

870
00:49:50,040 --> 00:49:52,000
Speaker 1: kiss to re name. You know, we've lost what I

871
00:49:52,520 --> 00:49:55,960
Speaker 1: love who, We've lost what I love. Bridget Jones, The

872
00:49:56,160 --> 00:50:01,080
Speaker 1: Ente of Reason, like a perfect sequel, even for Beat

873
00:50:01,160 --> 00:50:02,640
Speaker 1: for Beat, the same. Oh yeah. And then she gets,

874
00:50:02,840 --> 00:50:06,240
Speaker 1: I mean, there's a terrible problematic purpose. She gets arrested

875
00:50:06,280 --> 00:50:09,560
Speaker 1: in Thailand and she has to like talk. She talks

876
00:50:09,600 --> 00:50:13,480
Speaker 1: to all these poor Thie prisoners. She's like, I'm British,

877
00:50:13,880 --> 00:50:18,719
Speaker 1: I'm white. Like it's insane unacceptable. Now never mind, I

878
00:50:18,760 --> 00:50:22,960
Speaker 1: take it back in the Bridgie Jones, the whole thing

879
00:50:23,080 --> 00:50:25,279
Speaker 1: is for me, It's for you, Okay. I do want

880
00:50:25,280 --> 00:50:27,839
Speaker 1: to add really quick amazing. I want to really quickly

881
00:50:27,880 --> 00:50:32,960
Speaker 1: add to my nissy Nash wait, have you guys watched clause?

882
00:50:33,000 --> 00:50:35,560
Speaker 1: I hear, I gotta watch. I hear, it's amazing. We

883
00:50:35,600 --> 00:50:38,840
Speaker 1: got to watch. I hear the clause is amazing. And

884
00:50:38,880 --> 00:50:40,279
Speaker 1: then you think about the cast and you're like, yeah,

885
00:50:40,320 --> 00:50:43,239
Speaker 1: of course it's amazing. It's Carrie Preston. Do you know

886
00:50:43,360 --> 00:50:47,200
Speaker 1: Carry Preston. Carry Preston is Michael Emerson who was been

887
00:50:47,280 --> 00:50:50,800
Speaker 1: on Lost, his wife who was Arlene on True Blood.

888
00:50:51,680 --> 00:50:54,880
Speaker 1: You must know Carrie Preston. I know the name. Okay, Well,

889
00:50:54,960 --> 00:50:57,520
Speaker 1: she's very good and she's on clause, and Niecey is

890
00:50:57,560 --> 00:50:59,360
Speaker 1: on clause. And then the rest of the cast is

891
00:50:59,400 --> 00:51:03,280
Speaker 1: really good too. Oh you know who's on clause? Caruchi

892
00:51:03,360 --> 00:51:07,280
Speaker 1: Tram who is that Chris Brown's ex girlfriend after Rihanna,

893
00:51:07,719 --> 00:51:09,759
Speaker 1: And now she's like a successful actress and it's like

894
00:51:09,800 --> 00:51:12,719
Speaker 1: a turn for Karuchi, turn for Caruchi. Okay, I think

895
00:51:12,760 --> 00:51:19,320
Speaker 1: it's time. Can we all just turn and glare dared

896
00:51:20,000 --> 00:51:24,040
Speaker 1: pour water in his cup? Now? All right? So is

897
00:51:24,080 --> 00:51:27,239
Speaker 1: it time for for Katherine Nicks? Now tell us about

898
00:51:27,239 --> 00:51:29,480
Speaker 1: this next time you're gonna do so. This is what

899
00:51:29,880 --> 00:51:32,960
Speaker 1: critics and fans alike are calling the song of the Summer.

900
00:51:40,600 --> 00:51:43,160
Speaker 1: I don't know if you heard her. If you hang

901
00:51:43,239 --> 00:51:46,520
Speaker 1: on every word I say, but I got something I'm

902
00:51:46,560 --> 00:51:50,560
Speaker 1: mua share. So listen up. The weather's getting hot, and

903
00:51:50,719 --> 00:51:53,840
Speaker 1: I am also ready to play. So listen up and

904
00:51:53,920 --> 00:51:59,680
Speaker 1: I'll tell you how you can make me BA make

905
00:52:00,040 --> 00:52:06,120
Speaker 1: I avns events. I want to go to events, please,

906
00:52:06,160 --> 00:52:08,560
Speaker 1: and I need your events events events. I want to

907
00:52:08,600 --> 00:52:11,240
Speaker 1: go to events, and take me to your events. Don't

908
00:52:11,280 --> 00:52:13,640
Speaker 1: know if you know, but it is done that. I

909
00:52:13,760 --> 00:52:17,000
Speaker 1: am just perfect to take to a red carpet where

910
00:52:17,080 --> 00:52:20,080
Speaker 1: you must read the dance steps. I know the poses.

911
00:52:20,239 --> 00:52:23,399
Speaker 1: Yes you know. I slay the skinny arms because I've

912
00:52:23,440 --> 00:52:30,040
Speaker 1: hated my art since I was a pretteen. Thank you patriarchy.

913
00:52:33,719 --> 00:52:35,320
Speaker 1: Then s events. I want to go to women so

914
00:52:35,440 --> 00:52:37,040
Speaker 1: I life is hard. I need to go to women

915
00:52:37,120 --> 00:52:39,080
Speaker 1: say then seventh, I need to go to women's to

916
00:52:39,480 --> 00:52:43,319
Speaker 1: scape my life. Can't tell dress Champaigne feature who lift

917
00:52:43,560 --> 00:52:46,359
Speaker 1: via your dress code list at the door. Don't worry,

918
00:52:46,480 --> 00:52:48,960
Speaker 1: I've done this before. People will send me ship for

919
00:52:49,040 --> 00:52:51,160
Speaker 1: breath frenzy. I look like that ass and breathe. But

920
00:52:51,200 --> 00:52:54,640
Speaker 1: they need it in a nice way, Yes, they definitial

921
00:52:54,680 --> 00:53:04,360
Speaker 1: remain it in a night. Then take me to the

922
00:53:04,400 --> 00:53:23,960
Speaker 1: old events. Spitch don't insult me, be a good host.

923
00:53:24,120 --> 00:53:27,600
Speaker 1: No face, We'll get that only paper less post. If

924
00:53:27,640 --> 00:53:31,239
Speaker 1: you ask me for my nailing a dress, hey, we'll

925
00:53:31,280 --> 00:53:34,440
Speaker 1: get lost. I must confess because I know so much,

926
00:53:36,080 --> 00:53:41,920
Speaker 1: because I can't afford to convents. And when I go

927
00:53:42,000 --> 00:53:44,240
Speaker 1: to womens please please, I need to go to women's

928
00:53:44,480 --> 00:53:46,279
Speaker 1: ten s events and might be two womens and to

929
00:53:46,600 --> 00:53:49,000
Speaker 1: escape my life, I need to go to an event

930
00:53:49,320 --> 00:53:52,120
Speaker 1: to steal the boyd that she's inside. Go to in

931
00:53:52,200 --> 00:53:58,520
Speaker 1: the front with me. Please, I'll go to an event. Wow. Wow,

932
00:53:59,200 --> 00:54:02,560
Speaker 1: it makes you feel you like my schedule isn't full enough.

933
00:54:03,040 --> 00:54:08,240
Speaker 1: That is truly a song for this generation. I think. Okay,

934
00:54:08,480 --> 00:54:11,360
Speaker 1: do you feel as you get older that you have

935
00:54:11,680 --> 00:54:15,320
Speaker 1: less fomo or more less? Okay, of course I know

936
00:54:15,600 --> 00:54:19,000
Speaker 1: that's a redundant question in some way, less, I don't

937
00:54:19,040 --> 00:54:21,160
Speaker 1: care as much that I don't go to stuff. I

938
00:54:21,280 --> 00:54:23,640
Speaker 1: just know at this point, like most events are the same,

939
00:54:24,640 --> 00:54:27,160
Speaker 1: Like they're fun and I'm going to connect with my friends,

940
00:54:27,200 --> 00:54:29,919
Speaker 1: but I can connect with them tomorrow. But it's also

941
00:54:29,960 --> 00:54:31,759
Speaker 1: about like now that I'm dating someone, it's just a

942
00:54:31,840 --> 00:54:33,520
Speaker 1: different vibe. Like when I was single, I was like,

943
00:54:33,960 --> 00:54:39,360
Speaker 1: if I don't fuck to night, I will die. And

944
00:54:39,440 --> 00:54:43,880
Speaker 1: now it's like, y'all know she fucking every night. I

945
00:54:44,040 --> 00:54:46,719
Speaker 1: imagine I only get it one day, one weekend a year,

946
00:54:46,800 --> 00:54:51,040
Speaker 1: and that's Pride. I literally never have FOMO until this

947
00:54:52,520 --> 00:54:55,600
Speaker 1: Pride year. And every Pride it's like because you want

948
00:54:55,640 --> 00:54:58,080
Speaker 1: it to be, because you feel like you deserve to

949
00:54:58,200 --> 00:55:00,920
Speaker 1: have that like fun filled every it is fun weekend,

950
00:55:01,000 --> 00:55:02,719
Speaker 1: and then when it's not that and like you're kind

951
00:55:02,719 --> 00:55:05,440
Speaker 1: of figuring out plans, it's kind of like, oh, no,

952
00:55:05,640 --> 00:55:08,080
Speaker 1: I'm wasting this weekend and it's not the one to waste.

953
00:55:09,040 --> 00:55:12,000
Speaker 1: Its stressful. I guess I will say around big events

954
00:55:12,080 --> 00:55:14,359
Speaker 1: like that where it's like, oh, if I'm I don't

955
00:55:14,360 --> 00:55:17,640
Speaker 1: go to a barbecue on the fourth of July, I'm trash,

956
00:55:18,280 --> 00:55:21,120
Speaker 1: like that kind of thing where it's this everyone's doing

957
00:55:21,160 --> 00:55:24,560
Speaker 1: the same thing. That's whereas it's like, oh, we're all

958
00:55:24,560 --> 00:55:26,040
Speaker 1: going out to this barnet. You want to come, I'm

959
00:55:26,080 --> 00:55:28,960
Speaker 1: like no, But if I see a photo on social like,

960
00:55:29,200 --> 00:55:31,880
Speaker 1: it's going to hurt my feelings. Like even if I

961
00:55:31,960 --> 00:55:34,080
Speaker 1: decide not to go, I see a photo and I'm

962
00:55:34,120 --> 00:55:39,000
Speaker 1: like want to die, Oh my god. I mean it's yeah,

963
00:55:39,080 --> 00:55:41,080
Speaker 1: I mean that's that's the culture. Baby. Was it a

964
00:55:41,160 --> 00:55:43,800
Speaker 1: negative experience that caused you to write that song? And

965
00:55:43,920 --> 00:55:47,640
Speaker 1: if so, who left you out? Oh? Good question? No,

966
00:55:48,000 --> 00:55:52,080
Speaker 1: I just I love um dressing up and wearing amazing outfits.

967
00:55:52,160 --> 00:55:53,759
Speaker 1: And if you don't have an event to go to,

968
00:55:54,000 --> 00:55:56,680
Speaker 1: like I mean, I'll dress up for a normal day,

969
00:55:56,719 --> 00:55:59,399
Speaker 1: but I treat our Wednesday show like a fashion show. Yes,

970
00:55:59,840 --> 00:56:03,000
Speaker 1: I always trying and bring a look. It's fun. What

971
00:56:03,120 --> 00:56:06,279
Speaker 1: about re wearing looks? What are your what's your stance on?

972
00:56:06,520 --> 00:56:08,600
Speaker 1: Go for it? Go for it? Okay? But then what's

973
00:56:08,600 --> 00:56:11,400
Speaker 1: the turnover for new stuff? It's also tough if you

974
00:56:11,640 --> 00:56:13,320
Speaker 1: wear it look you're like, well, now I can't post

975
00:56:13,360 --> 00:56:16,719
Speaker 1: to show. Yeah, that's the thing. I have one shirt

976
00:56:16,760 --> 00:56:18,359
Speaker 1: I'm really liking right now, and I feel like it's

977
00:56:18,400 --> 00:56:20,440
Speaker 1: made an appearance in a lot of posts, and I

978
00:56:20,600 --> 00:56:23,960
Speaker 1: get I will say every time I wear something and

979
00:56:24,040 --> 00:56:26,279
Speaker 1: Dave Mazzoni sees me in it more than once, He's like, oh,

980
00:56:26,360 --> 00:56:28,279
Speaker 1: this shirt is making another appearance, This shorts going, this

981
00:56:28,320 --> 00:56:31,640
Speaker 1: shirt is in heavy rotation. He makes comments because his

982
00:56:32,200 --> 00:56:35,319
Speaker 1: well know what, they are not all his. Sometimes they

983
00:56:35,360 --> 00:56:37,640
Speaker 1: are his because I frequently get ham me downs from him.

984
00:56:37,960 --> 00:56:40,520
Speaker 1: But something but oftentimes they will just be a nice

985
00:56:40,560 --> 00:56:42,120
Speaker 1: shirt and I now he knows that I like it,

986
00:56:42,719 --> 00:56:46,759
Speaker 1: so he calls me out, keeps me in check. Yeah.

987
00:56:46,840 --> 00:56:50,000
Speaker 1: I just try and uh buy new stuff constantly. And

988
00:56:50,120 --> 00:56:52,839
Speaker 1: as a very wealthy woman with a full time job,

989
00:56:53,000 --> 00:56:56,800
Speaker 1: that's easy for me, right right right. You know the

990
00:56:56,920 --> 00:56:59,160
Speaker 1: thing is in this in these streets, it's like you

991
00:56:59,280 --> 00:57:02,959
Speaker 1: have to just maybe sometimes like you wear something open

992
00:57:03,040 --> 00:57:06,040
Speaker 1: when it wasn't before with the tank underneath, or dressed

993
00:57:06,080 --> 00:57:08,200
Speaker 1: it up with a with a different pant. I wear

994
00:57:08,280 --> 00:57:10,680
Speaker 1: lots of goodwill I get. I just get big halls

995
00:57:10,760 --> 00:57:18,200
Speaker 1: of fun stuff into What about footwear? Oh oh, I

996
00:57:18,360 --> 00:57:21,720
Speaker 1: just love a chunky shoe. I mean I can't walk

997
00:57:21,760 --> 00:57:28,120
Speaker 1: in heels. It's it's impossible for everyone, for everyone. Thank you,

998
00:57:28,360 --> 00:57:31,280
Speaker 1: thank you. Do you think if all my heels on

999
00:57:31,440 --> 00:57:35,600
Speaker 1: my shoes are like popping off, that that is my fault?

1000
00:57:35,720 --> 00:57:38,400
Speaker 1: Or do you think that that is the shoes, Like okay,

1001
00:57:40,000 --> 00:57:42,520
Speaker 1: the back of my shoes, like the heel will come

1002
00:57:42,560 --> 00:57:45,960
Speaker 1: attached from the disattached from the soul. Is that because

1003
00:57:45,960 --> 00:57:49,880
Speaker 1: I'm walking too hard? Should I have more shoes? How

1004
00:57:49,920 --> 00:57:53,040
Speaker 1: long have you had the shoes? M hmmm. I think

1005
00:57:53,080 --> 00:57:55,040
Speaker 1: it's a cheap shoe that I'm buying. I'm sorry, I

1006
00:57:55,120 --> 00:57:58,160
Speaker 1: just want to top this out with my springy gate.

1007
00:57:58,440 --> 00:58:02,400
Speaker 1: I guess is it are you? Are you rubbing your

1008
00:58:02,840 --> 00:58:04,640
Speaker 1: heels a little too much? You're scuffing the heel a

1009
00:58:04,640 --> 00:58:06,320
Speaker 1: little too It could be that I'm scuffing the hill

1010
00:58:06,320 --> 00:58:08,400
Speaker 1: a little bit too much. Don't talk to me about footwear.

1011
00:58:08,560 --> 00:58:11,480
Speaker 1: You wear sandals in this city. You will go out

1012
00:58:11,560 --> 00:58:14,400
Speaker 1: and nothing with no I washed my feet when I

1013
00:58:14,440 --> 00:58:20,640
Speaker 1: get home. But think about the amount of filthwhere isn't

1014
00:58:20,640 --> 00:58:23,640
Speaker 1: it a safety hazard? Like like I mean there is,

1015
00:58:23,760 --> 00:58:27,200
Speaker 1: like yeah, broken glass everywhere. Um, but you know you

1016
00:58:27,320 --> 00:58:29,400
Speaker 1: keep an eye out for it. I have thick sandals too,

1017
00:58:29,960 --> 00:58:34,400
Speaker 1: mm hmm. You know what you wear. And then if

1018
00:58:34,400 --> 00:58:36,800
Speaker 1: you're at the beach, you wear some tevas. I love

1019
00:58:38,120 --> 00:58:44,040
Speaker 1: what's Tiva's water sandals? Even wear them in the city.

1020
00:58:44,120 --> 00:58:48,600
Speaker 1: They have a platform. Well I want is what those like?

1021
00:58:48,760 --> 00:58:51,480
Speaker 1: Those like like the Grecian sandals, like the cover the

1022
00:58:51,520 --> 00:58:54,680
Speaker 1: whole foot and this and the back of the y. Yes. Now,

1023
00:58:54,840 --> 00:58:57,600
Speaker 1: when you're an outdoorsman, do you have a chaco? Do

1024
00:58:57,760 --> 00:59:02,560
Speaker 1: have a taco? Chaco? Chaco chacos tacos are advanced Tiva's.

1025
00:59:02,680 --> 00:59:05,440
Speaker 1: They have a great feeling. You guys don't know what

1026
00:59:05,440 --> 00:59:08,480
Speaker 1: I'm talking about. You know, as someone who went to

1027
00:59:08,720 --> 00:59:11,800
Speaker 1: Christian summer camp in Arkansas. I have a few pairs

1028
00:59:12,000 --> 00:59:14,200
Speaker 1: and you guys should check it out. Tacos, You've got

1029
00:59:14,200 --> 00:59:16,760
Speaker 1: a fun chaco tant that's all Cris cross on your foot.

1030
00:59:17,520 --> 00:59:20,000
Speaker 1: It is awesome. I thought you were making it was

1031
00:59:20,040 --> 00:59:24,520
Speaker 1: another Casco Choco. You're gonna love it. Chacos. Okay, baby,

1032
00:59:24,920 --> 00:59:26,680
Speaker 1: Do you spend a lot of time in Colorado in

1033
00:59:26,720 --> 00:59:29,160
Speaker 1: the summer? No? You know what. This is the thing

1034
00:59:29,200 --> 00:59:31,000
Speaker 1: now where everyone's like, you go to Colorado a lot.

1035
00:59:31,000 --> 00:59:33,480
Speaker 1: I'm like, I know, but it's my parents were always like,

1036
00:59:33,960 --> 00:59:35,960
Speaker 1: come back. I love it. I go home all the time.

1037
00:59:36,160 --> 00:59:38,720
Speaker 1: I know, but I'm starting to feel like they see

1038
00:59:38,760 --> 00:59:40,720
Speaker 1: me enough and then maybe one day I'll look back

1039
00:59:40,720 --> 00:59:42,360
Speaker 1: and I'd be like, dang, I wish I had gone

1040
00:59:42,400 --> 00:59:45,520
Speaker 1: back more. I want to see my parents every day.

1041
00:59:46,520 --> 00:59:52,040
Speaker 1: You've got Murph my dog. Now, not the gender matters

1042
00:59:52,280 --> 00:59:55,280
Speaker 1: for Murphy. He's a boy. Sometimes I thought Murphy was

1043
00:59:55,320 --> 00:59:59,720
Speaker 1: a girl. I know, he's so elegant. Could be named

1044
00:59:59,760 --> 01:00:04,240
Speaker 1: it from Murphy Brown, Yes brown, Yes, Murphy is truly

1045
01:00:04,400 --> 01:00:07,360
Speaker 1: everyone has to go check out Murphy's instagram. Oh my god,

1046
01:00:07,800 --> 01:00:11,640
Speaker 1: my dad will be so thrilled. It's called Everybody Loves Murphy. Yes,

1047
01:00:11,840 --> 01:00:14,880
Speaker 1: let me make sure that's right. And Murphy is what's

1048
01:00:15,240 --> 01:00:21,320
Speaker 1: what's an Irish setter? So elegant, gorgeous, ears, long ears,

1049
01:00:21,400 --> 01:00:25,280
Speaker 1: always groomed. So my dad had one growing up, and

1050
01:00:25,320 --> 01:00:27,360
Speaker 1: so for his birthday one year, we surprised him with Murphy.

1051
01:00:27,440 --> 01:00:30,080
Speaker 1: And Murphy was so small and was the same color

1052
01:00:30,160 --> 01:00:33,960
Speaker 1: as the wood floor, and so my dad didn't notice him.

1053
01:00:34,160 --> 01:00:37,040
Speaker 1: We were all looking like this, what who died? I

1054
01:00:37,160 --> 01:00:42,920
Speaker 1: was like, look down, that's beautiful. Sweet Murphy's invisible. Everybody

1055
01:00:42,960 --> 01:00:46,600
Speaker 1: loves Murphy. Check him out. Everybody loves Murphy at everybody

1056
01:00:46,720 --> 01:00:49,600
Speaker 1: loves Murphy. I'm happy that you and Murphy are getting

1057
01:00:49,720 --> 01:00:55,120
Speaker 1: some followers, and Sam and Sam and Sam, so everyone.

1058
01:00:55,440 --> 01:00:57,080
Speaker 1: I feel that it might be time to move on

1059
01:00:57,240 --> 01:01:00,800
Speaker 1: to our classic segment, which was called I think so honey,

1060
01:01:00,800 --> 01:01:02,720
Speaker 1: and did you forget that you're supposed to do one? Yeah?

1061
01:01:02,920 --> 01:01:06,680
Speaker 1: I knew you can't prepared. No I did not. Um,

1062
01:01:06,840 --> 01:01:09,120
Speaker 1: you can't prepared with the songs, but not the topics.

1063
01:01:09,960 --> 01:01:13,960
Speaker 1: That's why you will go last. And of course Henry,

1064
01:01:14,000 --> 01:01:16,400
Speaker 1: we offer the opportunities for you to. I don't think so, honey.

1065
01:01:16,480 --> 01:01:18,640
Speaker 1: As well, and Henry, you've never passed up the chance

1066
01:01:18,680 --> 01:01:20,840
Speaker 1: to I don't think so, honey. Yeah, nothing's going to

1067
01:01:20,920 --> 01:01:30,440
Speaker 1: mine right now. Maybe a trouble history, honey, Okay. And

1068
01:01:30,760 --> 01:01:33,240
Speaker 1: I and Henry. It's hard for Henry to go negative

1069
01:01:33,360 --> 01:01:35,640
Speaker 1: in general, but to go negative on a beloved thing,

1070
01:01:36,320 --> 01:01:38,160
Speaker 1: you see, I want to try. Well, he's done it

1071
01:01:38,200 --> 01:01:42,240
Speaker 1: before with Katrina Rogers herself. Yes, like I said, but

1072
01:01:42,520 --> 01:01:45,240
Speaker 1: he's a bit There's a burden book in the bedroom

1073
01:01:45,280 --> 01:01:48,760
Speaker 1: and I'm telling in the bedroom now it sounds like

1074
01:01:48,800 --> 01:01:51,360
Speaker 1: you're ready with something that How about you go first?

1075
01:01:51,440 --> 01:01:53,160
Speaker 1: This is Matt Rodgers. I don't think so, Hony. As

1076
01:01:53,160 --> 01:01:56,840
Speaker 1: time starts now, I don't think so, honey. Captain Crunch okay,

1077
01:01:56,960 --> 01:02:00,200
Speaker 1: So first of all, it's sweetened corn and oats. I

1078
01:02:00,240 --> 01:02:04,040
Speaker 1: wouldn't dare do that to milk. Okay, you're disgusting. And

1079
01:02:04,200 --> 01:02:06,680
Speaker 1: guess what you are nowhere near at the top of

1080
01:02:06,800 --> 01:02:10,160
Speaker 1: the list of favorite cereals. I'm talking about raisin brand, bitch,

1081
01:02:10,640 --> 01:02:13,920
Speaker 1: and yes I do bravely mentioned raisin brand before number

1082
01:02:13,960 --> 01:02:16,440
Speaker 1: two for me, which is honeying out cheerios, even regular

1083
01:02:16,560 --> 01:02:20,800
Speaker 1: cheerios are better than Captain Crunch sweetened corn and oats.

1084
01:02:20,920 --> 01:02:24,760
Speaker 1: Are you serious? I'm not understanding Captain Crunch. I don't

1085
01:02:24,840 --> 01:02:27,360
Speaker 1: understand what makes it so mass market? It is everywhere

1086
01:02:27,440 --> 01:02:30,200
Speaker 1: Before I was in the supermarket, there was Captain Crunch

1087
01:02:30,360 --> 01:02:32,680
Speaker 1: up there, And where was honeying out cheerios? And where

1088
01:02:32,760 --> 01:02:35,040
Speaker 1: was Raisin brand? It was nowhere to be found. Also,

1089
01:02:35,160 --> 01:02:37,600
Speaker 1: I am not just coming for the physical material that

1090
01:02:37,680 --> 01:02:39,919
Speaker 1: makes up the surreal itself. I will also be coming

1091
01:02:39,960 --> 01:02:42,880
Speaker 1: for the mascot. Honey, Captain Crunch, you are an old

1092
01:02:43,040 --> 01:02:45,920
Speaker 1: white man at sea and that is a metaphor as

1093
01:02:46,040 --> 01:02:48,840
Speaker 1: well as a literal description of who you are. You

1094
01:02:48,920 --> 01:02:52,960
Speaker 1: are at sea, bitch, Captain Crunch. How about Captain Never?

1095
01:02:55,320 --> 01:02:59,520
Speaker 1: And that's one minute? How about Captain Never? Favorite cereal

1096
01:03:00,000 --> 01:03:03,920
Speaker 1: knows you got to be and to drink the milk?

1097
01:03:04,360 --> 01:03:08,520
Speaker 1: I drink the milk after everything? Wait, what is its fretty?

1098
01:03:08,520 --> 01:03:10,080
Speaker 1: Pebbles is maybe the only other one that I just

1099
01:03:10,240 --> 01:03:13,120
Speaker 1: don't understand. I only will eat if there's the berries.

1100
01:03:13,880 --> 01:03:15,480
Speaker 1: Y'all eat it both ways. But I love the berries.

1101
01:03:15,640 --> 01:03:20,560
Speaker 1: Captain Crunch and berries. There's a little berries berry balls,

1102
01:03:21,520 --> 01:03:24,880
Speaker 1: and there's a berries. It's really good. It's also like

1103
01:03:26,720 --> 01:03:29,280
Speaker 1: it's the Captain Crunch brand and it says oops, all berries.

1104
01:03:29,360 --> 01:03:34,040
Speaker 1: So there's no sweetened corner notes. It's only berries. There's two.

1105
01:03:34,120 --> 01:03:36,560
Speaker 1: It's it's two spectrum's two opposite ends of the spectrum

1106
01:03:36,560 --> 01:03:39,720
Speaker 1: in the middle. There's the sweetened oats and the berries

1107
01:03:40,360 --> 01:03:42,880
Speaker 1: sweet corn and the berries. Well, the brand is all

1108
01:03:42,920 --> 01:03:45,960
Speaker 1: over the place. That just feeds my I don't think

1109
01:03:46,000 --> 01:03:47,920
Speaker 1: so honey even more. I don't think so honey, Captain

1110
01:03:47,960 --> 01:03:50,000
Speaker 1: Crunch I was gonna do. I don't think so honey

1111
01:03:50,080 --> 01:03:52,920
Speaker 1: sandals in the city. But I think that it can

1112
01:03:53,080 --> 01:03:56,480
Speaker 1: it can work. You've convinced me that it can work. Um,

1113
01:03:57,200 --> 01:04:00,600
Speaker 1: I can do something. Yes, I hope that you can. Okay, alright,

1114
01:04:00,640 --> 01:04:02,680
Speaker 1: this is bowen. I don't think so honey. As time

1115
01:04:02,720 --> 01:04:05,480
Speaker 1: starts now, I don't think so honey. Coasters and my coasters,

1116
01:04:05,520 --> 01:04:07,280
Speaker 1: I mean coasters that you would use on a coffee

1117
01:04:07,320 --> 01:04:11,360
Speaker 1: table or any surface to protect what your cheap ass

1118
01:04:11,560 --> 01:04:15,920
Speaker 1: varnished bitch. No, there that never happens. That's that never.

1119
01:04:16,480 --> 01:04:19,560
Speaker 1: There has never been a forceful application of a glass

1120
01:04:19,680 --> 01:04:22,240
Speaker 1: or a cup on a surface to ever affect the

1121
01:04:22,360 --> 01:04:24,840
Speaker 1: surface and the varnished to dent it that this is

1122
01:04:24,880 --> 01:04:28,200
Speaker 1: a myth. This is a myth propagated by big coasters,

1123
01:04:28,360 --> 01:04:32,360
Speaker 1: which is an industry that is toxic and corporate honey

1124
01:04:33,560 --> 01:04:37,080
Speaker 1: coasters are sponsored by guess what, Haliburton. Bitch, look it up.

1125
01:04:37,200 --> 01:04:40,760
Speaker 1: It's true. Every coaster you buy, Haliburton is behind it,

1126
01:04:40,760 --> 01:04:44,800
Speaker 1: and they're giving that money to Tucker Carlson himself. Tucker Carlson,

1127
01:04:44,840 --> 01:04:48,240
Speaker 1: who fucked Julie Bowen. Bitch. I'm out here to sexually

1128
01:04:48,880 --> 01:04:52,360
Speaker 1: Julie Bowen because she always goes on Fox and Friends.

1129
01:04:52,640 --> 01:04:55,440
Speaker 1: Do not have any sympathy for Julie Bowen people. She

1130
01:04:55,640 --> 01:04:58,520
Speaker 1: is the devil. She made fun of Sofia Vergara when

1131
01:04:58,560 --> 01:05:00,960
Speaker 1: she was just starting out was race fist. So Julie

1132
01:05:01,000 --> 01:05:03,760
Speaker 1: bow and Tucker Carlson coasters, the coasters are a myth.

1133
01:05:03,880 --> 01:05:07,240
Speaker 1: That's one minute. Explain the Julie Bowen and Tucker Carlson thing,

1134
01:05:07,320 --> 01:05:09,760
Speaker 1: because I don't understand what this is. So what happened was,

1135
01:05:09,960 --> 01:05:12,960
Speaker 1: and this is fact checked, This is fact checked. Tucker

1136
01:05:13,000 --> 01:05:17,240
Speaker 1: Carlson and Julie Bowen had an extramarital affair and at

1137
01:05:17,480 --> 01:05:19,320
Speaker 1: some point they were like, we're gonna leave, We're gonna

1138
01:05:19,400 --> 01:05:21,120
Speaker 1: leave them. We're gonna leave them, We're gonna get we're

1139
01:05:21,120 --> 01:05:25,120
Speaker 1: gonna get married. Whatever. Julie Bowen divorces from her husband.

1140
01:05:25,480 --> 01:05:28,720
Speaker 1: Tucker Carlson gets cold feet and doesn't divorce from his wife.

1141
01:05:29,240 --> 01:05:33,400
Speaker 1: What a Tucker Carlson things so now, But like whatever,

1142
01:05:33,520 --> 01:05:35,200
Speaker 1: I do not feel bad for her. Where did this

1143
01:05:35,280 --> 01:05:38,000
Speaker 1: come from? This information? Like just blind items? But like

1144
01:05:39,240 --> 01:05:41,520
Speaker 1: I believe them, bitch, And she's on Fox and Friends.

1145
01:05:41,640 --> 01:05:45,240
Speaker 1: They're looking up on YouTube, bitch, She's she regularly makes

1146
01:05:45,280 --> 01:05:48,760
Speaker 1: appearances on Fox and Friends. She's a fucking idiot, as

1147
01:05:48,840 --> 01:05:51,720
Speaker 1: is everybody else who goes on Fox and Friends or

1148
01:05:51,800 --> 01:05:55,439
Speaker 1: watches Fox and Friends. It's really not a good song.

1149
01:05:55,600 --> 01:05:57,760
Speaker 1: So there's I'm not I'm not saying I'm not being

1150
01:05:57,800 --> 01:06:00,600
Speaker 1: sex negative here. I'm not shaming Julie Bowen for her

1151
01:06:00,720 --> 01:06:04,560
Speaker 1: sexual choices. But I mean maybe yes, like who would

1152
01:06:04,600 --> 01:06:08,080
Speaker 1: fuck Tucker Carlson honestly, and they're right fucking mind. But

1153
01:06:08,240 --> 01:06:11,880
Speaker 1: also it's fine there's no tolerance for the intolerant. Otherwise

1154
01:06:12,000 --> 01:06:15,120
Speaker 1: you let intolerance win there there you go, no tolerance

1155
01:06:15,160 --> 01:06:19,520
Speaker 1: for the intolerant. I can't believe they hook up anyway.

1156
01:06:20,160 --> 01:06:21,800
Speaker 1: And Julie Bone and you look up at the interviews

1157
01:06:21,800 --> 01:06:25,080
Speaker 1: with Julie Bowen fucking mocking Sofia of regards accent. When

1158
01:06:25,120 --> 01:06:26,760
Speaker 1: Modern Familey first came out, I was like, who the

1159
01:06:27,200 --> 01:06:29,600
Speaker 1: what are you doing? Was she really doing that? She

1160
01:06:29,760 --> 01:06:31,880
Speaker 1: was like, oh, she was just doing a sofia. I'm

1161
01:06:31,880 --> 01:06:33,640
Speaker 1: not going to do one. I was about to. She

1162
01:06:33,800 --> 01:06:36,280
Speaker 1: was doing sofia of her card impressions on fucking Chelsea

1163
01:06:36,400 --> 01:06:40,720
Speaker 1: Handler and then and then like Chelsea was like stop

1164
01:06:41,000 --> 01:06:44,240
Speaker 1: she did maybe not maybe, I don't know. She tells

1165
01:06:44,280 --> 01:06:46,200
Speaker 1: he wasn't woke back. You don't have your own narrative.

1166
01:06:46,280 --> 01:06:49,959
Speaker 1: She's performing checked this whole story anyway, because I typed

1167
01:06:50,000 --> 01:06:53,040
Speaker 1: in Tucker Carlson, Julie Bowen and couldn't find anything. No, no, no,

1168
01:06:53,160 --> 01:06:55,600
Speaker 1: you weren't searching her enough. They okay, I'll start harder.

1169
01:06:55,720 --> 01:06:57,880
Speaker 1: All right, what are we thinking? Is it going to

1170
01:06:57,920 --> 01:07:01,440
Speaker 1: be Henry Henry first trouble? Do you want me to go?

1171
01:07:01,800 --> 01:07:04,760
Speaker 1: Do you have one? I think I have one? I

1172
01:07:04,880 --> 01:07:06,720
Speaker 1: wish I remember this, but I'm just gonna let it fly.

1173
01:07:07,000 --> 01:07:09,440
Speaker 1: Oh that's the best. Okay, this is Catherine Cohens. I

1174
01:07:09,480 --> 01:07:11,640
Speaker 1: don't think so, honey, her time starts now. I don't

1175
01:07:11,680 --> 01:07:14,200
Speaker 1: think so, honey, you the world. Who say you don't

1176
01:07:14,280 --> 01:07:17,960
Speaker 1: like sell your life, are you fucking kidding me? Everyone

1177
01:07:18,320 --> 01:07:21,080
Speaker 1: has sell you life. I see you looking at my

1178
01:07:21,160 --> 01:07:23,560
Speaker 1: thighs when I go running. It's because you like it,

1179
01:07:24,040 --> 01:07:27,400
Speaker 1: because there's texture, because there's something to work with. You.

1180
01:07:27,640 --> 01:07:30,800
Speaker 1: The world, You, the world. I went to college, I

1181
01:07:30,880 --> 01:07:33,320
Speaker 1: didn't have any cellulight. I wore jeans for six months.

1182
01:07:33,440 --> 01:07:36,760
Speaker 1: When I took my jeans off, something I shifted. I

1183
01:07:36,960 --> 01:07:41,840
Speaker 1: had a landscape, a gorgeous landscape painting of little dumps

1184
01:07:41,880 --> 01:07:45,560
Speaker 1: and hills, and that is beautiful. The world, you, the world.

1185
01:07:45,960 --> 01:07:51,240
Speaker 1: Have you've seen a painting? Most are bumpy. I love

1186
01:07:51,280 --> 01:07:54,440
Speaker 1: a painting. I once had. A boyfriend told me, told

1187
01:07:54,520 --> 01:07:59,080
Speaker 1: me looked like an old painting, and I knew what

1188
01:07:59,240 --> 01:08:02,040
Speaker 1: he meant. I'm like one of those ladies. I'm soft

1189
01:08:02,120 --> 01:08:04,320
Speaker 1: and squishy, and do you the world they're trying to

1190
01:08:04,360 --> 01:08:06,880
Speaker 1: tell me I should be airbrush, but you should say

1191
01:08:06,880 --> 01:08:08,800
Speaker 1: I should get a tan to cover my cellulite. Bitch,

1192
01:08:08,920 --> 01:08:15,080
Speaker 1: it is here to stay. Rumble, Rumble in my legged rumble,

1193
01:08:15,160 --> 01:08:20,320
Speaker 1: rumble in my legg I think rumble rumble in my

1194
01:08:20,439 --> 01:08:22,080
Speaker 1: leggis is a rule of culture. I think it's a

1195
01:08:22,080 --> 01:08:25,919
Speaker 1: real coach Renumber seventy one. Rumble, rumble in my leggies.

1196
01:08:26,240 --> 01:08:28,360
Speaker 1: It is here to stay now. You the world is

1197
01:08:28,400 --> 01:08:31,519
Speaker 1: another indelible Katherine Cohen catch phrase. You the world that

1198
01:08:31,680 --> 01:08:34,040
Speaker 1: you should figure that in too, seek treatment. Yes, you

1199
01:08:34,160 --> 01:08:38,640
Speaker 1: the world is the world. Write that down, h p

1200
01:08:38,760 --> 01:08:43,840
Speaker 1: Jing you free ideas. Um, that was beautiful, Catherine. I

1201
01:08:43,920 --> 01:08:46,240
Speaker 1: think off the cuff is exactly what someone like you

1202
01:08:47,400 --> 01:08:49,840
Speaker 1: thrives in. I really do feel. I mean maybe it's

1203
01:08:49,840 --> 01:08:51,160
Speaker 1: in my head that I feel like when I wear

1204
01:08:51,320 --> 01:08:56,000
Speaker 1: shorts and I'm jogging, like people look at my you know,

1205
01:08:56,040 --> 01:08:58,719
Speaker 1: they're not looking at your at your butt. My butt

1206
01:08:58,840 --> 01:09:03,360
Speaker 1: isn't my best feature. My books care better. It has

1207
01:09:03,400 --> 01:09:05,280
Speaker 1: to be one or the other. It's a beautiful better

1208
01:09:05,400 --> 01:09:12,360
Speaker 1: world or a guy, Oh my god, kill me, kill me.

1209
01:09:12,800 --> 01:09:16,080
Speaker 1: But also, you know everything like gay men too, they

1210
01:09:16,280 --> 01:09:19,639
Speaker 1: have those discussions. Okay, straight men aren't the only filthy,

1211
01:09:19,680 --> 01:09:25,320
Speaker 1: disgusting people. Also gay man or gross you're ready? Yeah,

1212
01:09:25,360 --> 01:09:27,439
Speaker 1: do you have a trouball topic? Well, I'm going to

1213
01:09:27,560 --> 01:09:28,840
Speaker 1: leave that out to Bow and Yang who has a

1214
01:09:28,880 --> 01:09:31,400
Speaker 1: phone out. I don't have the troullball Okay, well I'll

1215
01:09:31,560 --> 01:09:34,200
Speaker 1: look through the trouball topic. You have a note I

1216
01:09:34,280 --> 01:09:37,720
Speaker 1: have a note list which has many troubball topics, and

1217
01:09:38,760 --> 01:09:42,120
Speaker 1: don't be nervous. In fact, I'll go easy on you. Um, well,

1218
01:09:43,040 --> 01:09:49,519
Speaker 1: here the vixen just kidding, Okay, I have a good one.

1219
01:09:49,560 --> 01:09:56,680
Speaker 1: Henry your sorry, It's okay. He needs water to live.

1220
01:09:57,320 --> 01:10:06,040
Speaker 1: Actually you okay, Henry Kaperski your I don't think so, honey, trollabull.

1221
01:10:06,160 --> 01:10:14,360
Speaker 1: Topic is papar rozzi regulation and the time starts now, Okay,

1222
01:10:14,520 --> 01:10:17,880
Speaker 1: I don't think so, honey. Paparazzi regulation, which must be

1223
01:10:18,560 --> 01:10:22,440
Speaker 1: people that are trying to stop the paparazzi from harassing celebrities.

1224
01:10:24,120 --> 01:10:26,120
Speaker 1: If you're gonna be famous and have a lot of money,

1225
01:10:26,240 --> 01:10:27,840
Speaker 1: you should be open to the idea that people are

1226
01:10:27,880 --> 01:10:29,200
Speaker 1: going to take pictures of you, and you should be

1227
01:10:29,240 --> 01:10:32,000
Speaker 1: grateful that you have all that money and people are

1228
01:10:32,640 --> 01:10:37,479
Speaker 1: buying what you're selling. And about kids and uh papara

1229
01:10:37,600 --> 01:10:41,439
Speaker 1: Oh yeah, and if you have a kid, you should

1230
01:10:41,560 --> 01:10:44,400
Speaker 1: have never revealed a photo of them in the first place,

1231
01:10:44,439 --> 01:10:48,639
Speaker 1: so paparazzi wouldn't know what they look like. So um,

1232
01:10:48,880 --> 01:10:52,080
Speaker 1: when I have a daughter, I will never let a

1233
01:10:52,160 --> 01:10:56,760
Speaker 1: picture of her be uploaded anywhere ever until she wants that,

1234
01:10:57,560 --> 01:11:00,519
Speaker 1: and she can decide if she wants to be seek

1235
01:11:00,720 --> 01:11:05,479
Speaker 1: out by the paparazzi. So paparazzi regulation is, we don't

1236
01:11:05,520 --> 01:11:11,120
Speaker 1: need it. Keep going, and uh, being a celebrity is

1237
01:11:11,120 --> 01:11:14,599
Speaker 1: probably really easy. And then that's one minute. I told

1238
01:11:14,640 --> 01:11:18,120
Speaker 1: you he's evil. Being a celebrity is easy. Who has

1239
01:11:18,160 --> 01:11:20,599
Speaker 1: ever said that he wants the paparazzi to run amuck?

1240
01:11:20,920 --> 01:11:23,679
Speaker 1: I like how he assumes A definitely gonna have a daughter,

1241
01:11:24,120 --> 01:11:27,880
Speaker 1: she definitely will be a star. Stand by both of

1242
01:11:27,920 --> 01:11:32,240
Speaker 1: those statements. No, my daughter is gonna she's gonna be amazing.

1243
01:11:32,240 --> 01:11:36,600
Speaker 1: You've always talked about wanting a daughter. An you can

1244
01:11:36,680 --> 01:11:40,680
Speaker 1: make that choice, you can. What are you thinking? Adoption? Absolutely? Adoption, Yes,

1245
01:11:41,000 --> 01:11:42,719
Speaker 1: the more, the more yes, the more I think about,

1246
01:11:42,720 --> 01:11:44,800
Speaker 1: the more adoption to talk about it. I just there

1247
01:11:44,840 --> 01:11:46,640
Speaker 1: are so many kids out there with the parents, and

1248
01:11:46,760 --> 01:11:51,000
Speaker 1: that I feel like as people that don't want to procreate,

1249
01:11:51,840 --> 01:11:57,280
Speaker 1: like it's maybe that's our purpose for many of our purposes. Yes,

1250
01:11:57,439 --> 01:12:01,919
Speaker 1: and then if you want to do something what beautiful,

1251
01:12:02,120 --> 01:12:04,960
Speaker 1: you want to pass on your lineage, that's wonderful. But

1252
01:12:05,360 --> 01:12:07,320
Speaker 1: I feel like my purpose is to take a child,

1253
01:12:07,360 --> 01:12:12,720
Speaker 1: a girl probably or um yeah, there you go. See,

1254
01:12:12,720 --> 01:12:15,840
Speaker 1: I think it's irresponsible to bring your own child into

1255
01:12:15,920 --> 01:12:18,439
Speaker 1: this world. And you heard it here first quote me. Wow,

1256
01:12:18,760 --> 01:12:21,080
Speaker 1: you say it's okay to have Sara. Get you say

1257
01:12:21,200 --> 01:12:24,120
Speaker 1: it's responsible to add to the population. But so that

1258
01:12:24,240 --> 01:12:26,720
Speaker 1: and that's why you go into what Henry and I

1259
01:12:26,840 --> 01:12:29,799
Speaker 1: might be opposed on this one issue, but we agree

1260
01:12:29,880 --> 01:12:32,840
Speaker 1: on adoption. Yes, I guess with a second thing, I'm

1261
01:12:32,920 --> 01:12:34,960
Speaker 1: truly indifferent. No no, with the second thing, no, no,

1262
01:12:35,000 --> 01:12:37,400
Speaker 1: I agree. I truly don't care, like I might even

1263
01:12:37,560 --> 01:12:40,360
Speaker 1: do surcusy if if it comes down and I have

1264
01:12:40,400 --> 01:12:46,120
Speaker 1: an announcement, we are expect. We had sex at hose

1265
01:12:46,200 --> 01:12:49,679
Speaker 1: Up after right after our last show that we did together.

1266
01:12:50,200 --> 01:12:54,519
Speaker 1: Come on, I have a real question. Can you see

1267
01:12:54,560 --> 01:12:57,880
Speaker 1: me as mommy? Yes? Oh that's nice. I never think

1268
01:12:57,920 --> 01:12:59,439
Speaker 1: of it that way. I think you'd be a great

1269
01:13:00,080 --> 01:13:02,559
Speaker 1: literally something I think about a lot. Do I want

1270
01:13:02,640 --> 01:13:05,560
Speaker 1: kids or not. I would love for you to be

1271
01:13:05,640 --> 01:13:08,080
Speaker 1: around my daughter a lot. I feel like your daughter

1272
01:13:08,080 --> 01:13:10,640
Speaker 1: will be the luckiest lady in the world. She'll be

1273
01:13:10,720 --> 01:13:15,960
Speaker 1: treated like a princess. I think about it. Well, he's crying.

1274
01:13:16,120 --> 01:13:19,840
Speaker 1: His icy heart has melted, my crawling out of his chest,

1275
01:13:20,920 --> 01:13:25,479
Speaker 1: put it back in to the hospital. The hospital already. Um,

1276
01:13:25,880 --> 01:13:28,719
Speaker 1: so this has been a fabulous episode of last Racism.

1277
01:13:28,760 --> 01:13:32,879
Speaker 1: We're going to have one more performance ahead of Katherine

1278
01:13:32,920 --> 01:13:39,240
Speaker 1: Cohen's show The Twist She's Gorgeous on July thirty one.

1279
01:13:40,200 --> 01:13:45,840
Speaker 1: Bowen final um comments and exaltation to Catherine tell her, we,

1280
01:13:46,200 --> 01:13:50,280
Speaker 1: Matt and I go on every show, every podcast, whatever,

1281
01:13:50,400 --> 01:13:53,040
Speaker 1: every meeting, and people ask who's exciting right now? Who's

1282
01:13:53,080 --> 01:13:56,559
Speaker 1: who really inspires you? Every time with that fail, Katherine's

1283
01:13:56,640 --> 01:13:59,439
Speaker 1: name comes up. Yes, And I always say my favorite

1284
01:13:59,439 --> 01:14:01,599
Speaker 1: show in the every week, which you can literally see

1285
01:14:01,600 --> 01:14:03,960
Speaker 1: every week for free. It's crazy to me that there's

1286
01:14:04,000 --> 01:14:08,560
Speaker 1: a show every single week for free that Theeast but

1287
01:14:10,160 --> 01:14:18,240
Speaker 1: Tony and and it's Kabernick Caberret every Wednesday night at

1288
01:14:18,280 --> 01:14:20,280
Speaker 1: eight p m. At Club Coming. You can always expect

1289
01:14:20,360 --> 01:14:23,840
Speaker 1: to see exciting talent doing exciting things. Well, thank you

1290
01:14:23,920 --> 01:14:25,920
Speaker 1: so much, both of you, all three of you everywhere

1291
01:14:25,920 --> 01:14:27,640
Speaker 1: in this room. You inspire me and I love you

1292
01:14:27,720 --> 01:14:29,640
Speaker 1: so much and thank for having we Thank H P.

1293
01:14:29,800 --> 01:14:37,040
Speaker 1: J and H E. R. And this is gonna be

1294
01:14:37,600 --> 01:14:40,880
Speaker 1: Henry Koperski accompanying Katherine and Katherine tell us a little

1295
01:14:40,880 --> 01:14:42,280
Speaker 1: bit about this song before we do it, And I

1296
01:14:42,320 --> 01:14:44,200
Speaker 1: want to make it clear. Henry and I write all

1297
01:14:44,240 --> 01:14:46,880
Speaker 1: our songs together, so it's sort of we share the

1298
01:14:47,040 --> 01:14:51,679
Speaker 1: composition credit. We I come in with lyrics, he claims

1299
01:14:51,720 --> 01:14:53,800
Speaker 1: in with the music. It's a match made in heaven.

1300
01:14:54,520 --> 01:14:58,920
Speaker 1: And have for talking us. So this last song is

1301
01:14:59,000 --> 01:15:01,240
Speaker 1: a song about my journey, and that's all I want

1302
01:15:01,280 --> 01:15:17,400
Speaker 1: to say. No, no, no, Yeah, A joint de quin Eno,

1303
01:15:20,760 --> 01:15:26,040
Speaker 1: that's the gym where the ads are just porn. I

1304
01:15:26,280 --> 01:15:37,360
Speaker 1: joined de quin Yeah. I pay a lot. I wanted

1305
01:15:37,479 --> 01:15:44,439
Speaker 1: to be hot. I wanted to be sold. Then if

1306
01:15:44,560 --> 01:15:48,479
Speaker 1: you don't worry about me, is that bad to say?

1307
01:15:51,600 --> 01:15:57,120
Speaker 1: I guess I don't give a ship. Why are these

1308
01:15:57,240 --> 01:16:03,240
Speaker 1: moms hotter than me? I should be the one who

1309
01:16:03,439 --> 01:16:07,839
Speaker 1: looks like she's twenty three? Why are these moms holders

1310
01:16:07,920 --> 01:16:13,240
Speaker 1: at me? Why am not other one stretched marks on

1311
01:16:13,680 --> 01:16:17,479
Speaker 1: my ladder? I've never even had a kid, and these

1312
01:16:17,520 --> 01:16:20,559
Speaker 1: moms have kids and apps, and I'm at their kids

1313
01:16:20,640 --> 01:16:24,240
Speaker 1: have EPs and I've never even served my apps. I'm

1314
01:16:24,360 --> 01:16:30,400
Speaker 1: not nag back God, but for now I'm just going

1315
01:16:30,720 --> 01:16:44,519
Speaker 1: on comes she got so cold in here bird? Why

1316
01:16:44,600 --> 01:16:50,240
Speaker 1: are these moms hotter than me? I should be so

1317
01:16:50,840 --> 01:16:55,080
Speaker 1: what who looks like she's twenty three? Why are these

1318
01:16:55,280 --> 01:17:06,080
Speaker 1: moms waters from me? Why the other one with I

1319
01:17:06,160 --> 01:17:13,080
Speaker 1: thought that was just for thighs. Anyways, I'm hungry. Bye.

1320
01:17:17,120 --> 01:17:24,640
Speaker 1: Katholina Kaliva at Henry CAPERSK. We end every episode on

1321
01:17:24,680 --> 01:17:26,559
Speaker 1: a sound that was we were not going to beat

1322
01:17:26,600 --> 01:17:34,200
Speaker 1: that or are we? Oh say, can't you see? But

1323
01:17:34,439 --> 01:17:39,400
Speaker 1: now we can't. We can't, we can't. Forever This has

1324
01:17:39,479 --> 01:17:43,160
Speaker 1: been a Forever Dog production executive produced by Brett Boham,

1325
01:17:43,520 --> 01:17:48,280
Speaker 1: Joe Cilio, and Alex Ramsey. For more original podcasts, please

1326
01:17:48,400 --> 01:17:52,120
Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our

1327
01:17:52,160 --> 01:17:56,720
Speaker 1: shows on Apple Podcasts, Spotify, or wherever you get your podcasts.

1328
01:17:57,040 --> 01:17:59,799
Speaker 1: Keep up with the latest Forever Dog news by following

1329
01:17:59,840 --> 01:18:04,559
Speaker 1: on Twitter and Instagram at Forever Dog Team, and liking

1330
01:18:04,680 --> 01:18:06,840
Speaker 1: our page on Facebook m