WEBVTT - Flubber

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<v Speaker 1>On the beck Del Cast. The questions asked if movies

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<v Speaker 1>have women and um are all their discussions just boyfriends

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<v Speaker 1>and husbands or do they have individualism? The patriarchy zef

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<v Speaker 1>invest start changing it with the beck Del Cast. Caitlin, Yes, Jamie,

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<v Speaker 1>we started this podcast many moons ago. I feel like

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<v Speaker 1>we weren't really honest with our listeners who we were

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<v Speaker 1>doing this podcast for, really, and so I just want

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<v Speaker 1>to take this opportunity right here, right now to say

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<v Speaker 1>we're doing it for wee bow Welcome to the back

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<v Speaker 1>dol cast. Um, yes, welcome. My intro was gonna be

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<v Speaker 1>something like, um, hey, Jamie, I invented some green flying rubber.

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<v Speaker 1>Do you want to come try it with me? I

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<v Speaker 1>hope it doesn't hit me in the head with a

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<v Speaker 1>bowling ball, and I go ALLEI there there the bowling ballsy.

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<v Speaker 1>I mean, this is the flabber episode of the Betel Cast,

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<v Speaker 1>So get ready for some serious discorse the bowling balls.

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<v Speaker 1>I thought it would have been so much funnier if

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<v Speaker 1>the spy like guy if his head just like exploded,

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<v Speaker 1>Like what is that movie where the head like fully explode,

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<v Speaker 1>Well that's what would happen if a ball you're just

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<v Speaker 1>pulverized skull would be all over the pavement. Yeah, that

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<v Speaker 1>is I'm trying to think of that. Do you know,

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<v Speaker 1>like the gift I'm talking about where someone's head Just

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<v Speaker 1>I don't, I mean probably I've probably seen that. I'll

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<v Speaker 1>think of it. Anyways. This is the Flabber episode of

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<v Speaker 1>the Betel Cast. This. I don't know if this has

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<v Speaker 1>really been a request. I feel like it's been like

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<v Speaker 1>a joke request. I don't think anyone's ever wanted this

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<v Speaker 1>to happen. Also, we should stay right at the top here.

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<v Speaker 1>So this is the episode that is being released the

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<v Speaker 1>week of the US election, and the reason if if

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<v Speaker 1>you don't know the read if you're if you don't

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<v Speaker 1>know the reason because you're like, what do you mean?

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<v Speaker 1>I love elections? They're so fun, you know, it's just

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<v Speaker 1>no matter the outcome. And that really didn't feel good

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<v Speaker 1>to say everyone's fucking exhausted and upset, and so we figured,

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<v Speaker 1>you know, why not when not released an episode on

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<v Speaker 1>the Flubber. We're not trying to make you like, well, see,

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<v Speaker 1>this is where it gets complicated. We were saying, you know,

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<v Speaker 1>let's not make you be strenuous with anyone's brain this week,

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<v Speaker 1>because we're usually geniuses, but like, let's not like choose

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<v Speaker 1>any material that is like really dense. But then it

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<v Speaker 1>turns out we for got so much of a flubber

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<v Speaker 1>and there's actually quite a bit to talk about. Well,

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<v Speaker 1>there's a bit to talk about, but it's I think

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<v Speaker 1>totally upset you. It's not gonna upset you totally. This

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<v Speaker 1>episode will still be light either. And we are recording

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<v Speaker 1>this well before the election, so we do not know

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<v Speaker 1>two weeks the outcome. So this is either going to

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<v Speaker 1>be a we just don't know, I guess celebration or

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<v Speaker 1>away for listeners to escape the tragic result of the election.

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<v Speaker 1>We don't know. But here, but here's flubber. We don't

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<v Speaker 1>know what's going on. Here's flubber. And so here's so

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<v Speaker 1>the backtel cast. If this is your first episode, change that, No,

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<v Speaker 1>listen to this and only this episode. Oh that's really

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<v Speaker 1>fun that, I mean, it would be kind of mean

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<v Speaker 1>to us. But if like, you know, when someone's like, oh,

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<v Speaker 1>I want to try this podcast, but it's been on

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<v Speaker 1>for a long time, what episodes should they start with?

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<v Speaker 1>And they're like the flubber episode changed with the way

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<v Speaker 1>I watched movies u um. The Bechtel Cast is our

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<v Speaker 1>podcast where we take a look at some of the

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<v Speaker 1>movies of the world that I've had a cultural impact,

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<v Speaker 1>and we look at it using an intersexual feminist lens,

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<v Speaker 1>and we use the Bechdel Test as a jumping off

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<v Speaker 1>point for discussion. And I'm spoiling it. I can't believe

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<v Speaker 1>this movie passes the Bechdel Test. I'm actively upset by it.

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<v Speaker 1>It's like, may I enter, Yes, you may like okay.

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<v Speaker 1>I was like, I'm aware of a couple of different conversations,

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<v Speaker 1>but I forgot to pay close enough attention. As per usual,

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<v Speaker 1>there's a conversation between feminist icon we and feminist icon

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<v Speaker 1>Dr Sarah where she's like, hey Sarah, let me in.

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<v Speaker 1>I'm a robot I can't use and Dr Sarah's like, okay,

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<v Speaker 1>DOAK come in? And you're like, well, god damn it.

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<v Speaker 1>Well if it doesn't pass the damn test, well I'll

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<v Speaker 1>be gosh darn't. Wait, Kayla. What is the test? It's

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<v Speaker 1>a media metric created by queer cartoonist Alison Bechtel, sometimes

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<v Speaker 1>called the Bechtel Wallace Test. It requires for our purposes,

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<v Speaker 1>our version of the test. Two people of any marginalized

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<v Speaker 1>gender must have names, they must speak to each other,

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<v Speaker 1>and their conversation has to be about something other than

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<v Speaker 1>a man, and that conversation must last at least two

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<v Speaker 1>lines of dialogue. Hey, Dr Sarah, let me in the window.

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<v Speaker 1>I'm a robot. Okay, come in. Now back to talking

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<v Speaker 1>about Robin Williams and what a talks life partner he

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<v Speaker 1>is in this movie. I don't know what's going on

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<v Speaker 1>in this movie, but it's the Flabber episode Flabber directed

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<v Speaker 1>by Les Mayfield, produced by John Hughes, and it's We've

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<v Speaker 1>talked about John Hughes a few times on this show, right,

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<v Speaker 1>I mean, we definitely get the Breakfast Club. But he's

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<v Speaker 1>come up quite a bit. He has a couple of

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<v Speaker 1>good movies and then it's really like deadlock between a

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<v Speaker 1>lot of movies for worst. And this is by no

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<v Speaker 1>means his worst, but it's since it's not very good.

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<v Speaker 1>I think other of his movies are more competently written.

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<v Speaker 1>I think this might be the least competently written movie

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<v Speaker 1>he's ever worked on. Right, he has movies that are

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<v Speaker 1>more problematic. Do adhere to store story structure a little better,

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<v Speaker 1>whereas Flubber has third act problems the problems first act problem.

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<v Speaker 1>The movie ends in the middle of the second act

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<v Speaker 1>and then it just kind of starts again. I was genuinely,

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<v Speaker 1>I mean, you have a master's in the damn thing.

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<v Speaker 1>This is sud film, But where is it from. I

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<v Speaker 1>would never bring this up on my own, so thank

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<v Speaker 1>you for doing it for Meg. You on a little yeah, yeah, yeah,

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<v Speaker 1>it is a master's degree in screenwriting from Boston University,

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<v Speaker 1>not Medfield or whatever. This is only because it's not real. Also, okay,

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<v Speaker 1>this is fun. Uh. Friend of the cast Slash, one

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<v Speaker 1>of the closest people in my whole life, Julia Claire

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<v Speaker 1>is from Medfield, Medfield, Massachusetts. Medfield College does not exist.

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<v Speaker 1>But I guess the reason this movie takes place in Medfield,

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<v Speaker 1>Massachusetts is because Walt Disney's best friend is from there,

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<v Speaker 1>and their use to be a like special tiny airport

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<v Speaker 1>in Medfield, so Walt Disney could visit his friend. And

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<v Speaker 1>that's the fun fact I learned. So to all our Medfield,

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<v Speaker 1>Massachusetts listeners, they don't need to hear about Flubber from us.

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<v Speaker 1>It's Medfield Cannon. Well, may I share my fun fact

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<v Speaker 1>yes please. So towards the end of the movie, Philip

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<v Speaker 1>and Sarah are trying to pitch Flubber to Ford Motor Company,

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<v Speaker 1>and she holds up a sign with Philip's email address

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<v Speaker 1>on it, p Brainard at Medfield dot e du. Now,

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<v Speaker 1>I took it upon myself to email you did that

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<v Speaker 1>email address? Did anything happen? I said, Hi, Phil, I

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<v Speaker 1>would like to buy some flubber please. He in response,

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<v Speaker 1>I got this address not found peperin Ard at Medfield

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<v Speaker 1>dot e d U. The message was not delivered because

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<v Speaker 1>Medfield dot e du could not be found. There's no

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<v Speaker 1>such thing. It turns out that's a really hard way

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<v Speaker 1>to find out that they made up of college for

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<v Speaker 1>the movie. Like usually I forget who I was talking about?

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<v Speaker 1>Was it? Were we talking about this on a different

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<v Speaker 1>episode where it's like usually when there's like fake phone

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<v Speaker 1>numbers and emails, they lead some somewhere and it's usually

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<v Speaker 1>like donate here or like, ha ha, here's the movie's website.

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<v Speaker 1>They couldn't even bothered, They couldn't even be bothered to

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<v Speaker 1>make up Medfield dot e d you for this movie.

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<v Speaker 1>I can't believe this. Yeah, I think we talked about

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<v Speaker 1>we talked about that on an episode that is coming

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<v Speaker 1>out in the future post this episode. What if we

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<v Speaker 1>were like, what if everyone was like, wait, they don't

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<v Speaker 1>record live, Um, so you'll hear us talk about that

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<v Speaker 1>and you'll be like, oh my god, wow, there it is.

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<v Speaker 1>So we don't have a guest today. We know we

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<v Speaker 1>don't have a guest. We just thought we would goof

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<v Speaker 1>around today because it's a tough week here in the US,

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<v Speaker 1>and so you know, we wanted to speak to none

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<v Speaker 1>of it and hopefully offer you a little bit of escapism. Yes,

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<v Speaker 1>so actually Flubber Flubber is our guest, and here in

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<v Speaker 1>spirit we have here with this flubber. Do you think

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<v Speaker 1>there's are flubber toys? It's so weird. There's like there

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<v Speaker 1>was a lot of I remember I had a Flubber

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<v Speaker 1>Happy Meal toy for sure. Yeah, that sounds familiar. They

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<v Speaker 1>had these like Disney Happy Meal toys where it would

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<v Speaker 1>be like the base of the toy was like a

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<v Speaker 1>va a fake v A just tape, and then on

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<v Speaker 1>top would be a little flubber wearing sunglasses. Oh I've

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<v Speaker 1>got oh Jamie, you're a little memory. Wow. I'm so

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<v Speaker 1>proud of myself. That's literally what it is. It's wearing sunglasses.

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<v Speaker 1>I love when Flubber wears sunglasses. I will say the

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<v Speaker 1>dance scene in Flubber Necessary is iconic. And there we're

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<v Speaker 1>big fans of super Flubber here and Flubber, and you

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<v Speaker 1>know how Superocky will do shirts that are like credits

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<v Speaker 1>in movies. I want a shirt that says Flubber Mambo

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<v Speaker 1>by Danny elf Danny Elfman. That was such a good credit.

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<v Speaker 1>I like, is there it says like score by Danny Elfman,

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<v Speaker 1>and then there's a separate title card that says Flubber

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<v Speaker 1>Mambo by Danny Elfman. Why is that its own thing?

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<v Speaker 1>I I wondered that too, and then I came up

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<v Speaker 1>with a theory, which is I feel like, if you

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<v Speaker 1>really make a point to single out a song, it

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<v Speaker 1>says to me, you're trying to get trophies for that song.

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<v Speaker 1>Do you think they submitted Flubber Mambo for Best Original?

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<v Speaker 1>I mean it definitely wasn't nominated, but I wouldn't rule

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<v Speaker 1>it out. I like that theory. Yeah, I think that

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<v Speaker 1>they were like flabber Mom was gonna sweep it is

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<v Speaker 1>good that whole like, I love the Flabber dance sequence.

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<v Speaker 1>I was still like, you know, we are like weirdly

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<v Speaker 1>gendering the flabber at one point, but but outside of that,

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<v Speaker 1>it's a great dance sequence. The flabber turns into drums,

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<v Speaker 1>the flabber turns into the horns the flabber. What can't

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<v Speaker 1>the flabber do? And that's the question we never really

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<v Speaker 1>get answered. No, you're right. I thought there was going

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<v Speaker 1>to be a lot of gender issues with the Flabber, right,

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<v Speaker 1>but it's really the Flabber ends up kind of being

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<v Speaker 1>genderless icon, genderless icon at one point where the skirt,

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<v Speaker 1>but we don't really I mean, that could mean anything

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<v Speaker 1>that's true. So we're doing what's your history with Flabber?

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<v Speaker 1>My history with Flabber. It came out when I was

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<v Speaker 1>I guess eleven, so I was like pretty much the

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<v Speaker 1>target demo more or less. I was like getting to

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<v Speaker 1>an age where I mean, this was the same year

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<v Speaker 1>that Titanic came out as well. This movie comes out

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<v Speaker 1>mere weeks before before Titanic. Yes, and as soon as

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<v Speaker 1>Titanic came out, that was it for me. I watched

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<v Speaker 1>nothing for an entire year besides Titanic. But I got

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<v Speaker 1>a few weeks worth of a flubbering, so I seen it.

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<v Speaker 1>Do you think Flabber was like the last movie you

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<v Speaker 1>saw before titan Like in theaters? I don't even know

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<v Speaker 1>if I saw Flubber in theaters. We didn't. We definitely

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<v Speaker 1>rented it. We never owned it on VHS, but I've

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<v Speaker 1>I'm so sorry. Yeah, I think we must have just

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<v Speaker 1>rented it a couple of times because my sister was

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<v Speaker 1>like eight at the time, and she would have been

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<v Speaker 1>I think, a little closer to the target demo. So

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<v Speaker 1>I had seen it a couple of times as a

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<v Speaker 1>probably like and I have not. I had not seen

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<v Speaker 1>it since then, so it was a pretty big cultural

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<v Speaker 1>staple in the late nineties. But yeah, I just I

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<v Speaker 1>never bothered with it again as soon as I discovered Titanic.

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<v Speaker 1>Most people know about Flabber, but no one remembers what

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<v Speaker 1>happened in Flabber. It's very much like a Wes Anderson

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<v Speaker 1>movie in that way where you know what it is,

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<v Speaker 1>and you remember three things that happened in the trailer,

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<v Speaker 1>but you really are not able to answer any further questions. True, Yeah, well,

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<v Speaker 1>what's your history with it? We definitely owned this NBA.

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<v Speaker 1>But I have a very early formative memory of seeing

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<v Speaker 1>Flabber in theaters because I was my my brother, my baby.

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<v Speaker 1>My brother was born shortly before this movie came out.

0:14:48.680 --> 0:14:51.240
<v Speaker 1>I remember this was like he was, well, act, he's

0:14:51.240 --> 0:14:55.400
<v Speaker 1>born in April seven, so he would have been like

0:14:55.760 --> 0:14:58.440
<v Speaker 1>an infant, but not like the tiniest infant, like not

0:14:58.640 --> 0:15:02.400
<v Speaker 1>completely ridiculous to bring an infant to Flubber, but like,

0:15:02.440 --> 0:15:05.160
<v Speaker 1>I see where this is going. So your mom brought

0:15:05.200 --> 0:15:08.520
<v Speaker 1>a baby to my guess is that me and my

0:15:08.600 --> 0:15:12.040
<v Speaker 1>cousins really wanted to see Flubber and my mom brought

0:15:12.080 --> 0:15:14.720
<v Speaker 1>a tiny baby and was like, let's see how it goes.

0:15:15.240 --> 0:15:17.320
<v Speaker 1>But I was like, yeah, I was, I was four

0:15:18.000 --> 0:15:21.360
<v Speaker 1>and my brother was baby, and I just remember he

0:15:21.640 --> 0:15:27.640
<v Speaker 1>kind of wrecked the Flubber experience what with being allowed baby,

0:15:28.040 --> 0:15:31.560
<v Speaker 1>and so I just when I it's this movie. And

0:15:31.600 --> 0:15:34.680
<v Speaker 1>then weirdly Eddie Murphy Doctor Doolittle, which I think comes

0:15:34.680 --> 0:15:37.880
<v Speaker 1>out in the ninety eight. I'd have to check that,

0:15:38.520 --> 0:15:43.400
<v Speaker 1>but those were two movies about wacky professors that I

0:15:43.440 --> 0:15:47.560
<v Speaker 1>was really excited about. That my brother cried as a

0:15:47.600 --> 0:15:50.440
<v Speaker 1>little baby head off the whole time and ruined it,

0:15:51.160 --> 0:15:54.040
<v Speaker 1>and so Ben ruined Flabber the first time, but then

0:15:54.080 --> 0:15:57.200
<v Speaker 1>we did get the VHS tape and I saw it

0:15:57.480 --> 0:16:01.400
<v Speaker 1>many times after, but I haven't seen it for uh

0:16:02.000 --> 0:16:05.960
<v Speaker 1>twenty years at least, Like I think that probably we

0:16:06.000 --> 0:16:09.120
<v Speaker 1>got Flabber n VHS. I watched it fifty times and

0:16:09.160 --> 0:16:13.680
<v Speaker 1>then I haven't watched it since. Sure, so there was

0:16:13.720 --> 0:16:16.120
<v Speaker 1>a lot I didn't remember about it, but I yeah,

0:16:16.240 --> 0:16:20.760
<v Speaker 1>early early memory, me and me and Flubber and uh, Ben,

0:16:20.760 --> 0:16:24.120
<v Speaker 1>if you're listening, he fucked Flabber all the way up

0:16:24.120 --> 0:16:28.120
<v Speaker 1>for the whole family been. Honestly, it's on my mom.

0:16:28.160 --> 0:16:31.200
<v Speaker 1>She shouldn't have brought a baby to Flabber, but it

0:16:31.320 --> 0:16:33.600
<v Speaker 1>was worth a try. Maybe he would have slept through Flabber,

0:16:33.760 --> 0:16:36.840
<v Speaker 1>but it's too compelling. He just couldn't get see, I mean,

0:16:36.960 --> 0:16:43.560
<v Speaker 1>the bouncy, the flying rubber, he's Flabber. I think I

0:16:43.600 --> 0:16:46.640
<v Speaker 1>remember the trailer for this movie more clearly than the

0:16:46.680 --> 0:16:49.160
<v Speaker 1>movie itself, because there were a few moments that I

0:16:49.200 --> 0:16:53.120
<v Speaker 1>was like, oh, that's a trailer moment, such as when

0:16:53.200 --> 0:16:57.440
<v Speaker 1>he says it's Flabber. That's definitely in the trailer, or

0:16:57.840 --> 0:17:01.960
<v Speaker 1>when he says what a bang, that's definitely in the trailer.

0:17:02.080 --> 0:17:03.960
<v Speaker 1>I didn't watch the trailer, but I'm pretty sure. And

0:17:04.240 --> 0:17:08.080
<v Speaker 1>then and then when what's his name Christopher McDonald is

0:17:08.200 --> 0:17:12.080
<v Speaker 1>dancing with the flubber, that's definitely in the trailer. And

0:17:12.119 --> 0:17:15.800
<v Speaker 1>then when the basketball player jumps with the flubber. There's

0:17:15.800 --> 0:17:20.440
<v Speaker 1>no women in the trailer, is what I'm saying. There's well,

0:17:20.480 --> 0:17:24.400
<v Speaker 1>there's barely women in the movie. So poor Marshall Ghart.

0:17:24.640 --> 0:17:26.680
<v Speaker 1>I didn't know who Marsha gay Harden was the last

0:17:26.720 --> 0:17:30.320
<v Speaker 1>time I watched this movie me either, And now that

0:17:30.359 --> 0:17:33.200
<v Speaker 1>I watched it, it was like in her career wise,

0:17:33.240 --> 0:17:36.720
<v Speaker 1>it was a pretty early role for her, and uh,

0:17:36.840 --> 0:17:41.159
<v Speaker 1>we gotta get her out of this movie. Good Escaping.

0:17:41.800 --> 0:17:45.040
<v Speaker 1>I know, by the way, Dr Doolittle did come out

0:17:45.080 --> 0:17:49.920
<v Speaker 1>in and it was directed by a woman, Betty Thomas. Wow,

0:17:50.000 --> 0:17:54.040
<v Speaker 1>so I guess we have to cover it. I bet

0:17:54.040 --> 0:17:58.040
<v Speaker 1>that movie sucks, but I remember really, really liking I

0:17:58.080 --> 0:18:01.119
<v Speaker 1>have two formative memories that d do little, which is

0:18:01.200 --> 0:18:04.200
<v Speaker 1>first that my brother cried the whole time, and second

0:18:04.240 --> 0:18:07.119
<v Speaker 1>that because I would always go to movies with all

0:18:07.480 --> 0:18:10.840
<v Speaker 1>like ten of my cousins because my mom ran like

0:18:10.960 --> 0:18:14.040
<v Speaker 1>a fake daycare out of our house and so we

0:18:14.080 --> 0:18:16.800
<v Speaker 1>would all go together, and I remember someone got like

0:18:16.920 --> 0:18:19.160
<v Speaker 1>a roll of Starbursts and they were like just past

0:18:19.200 --> 0:18:21.879
<v Speaker 1>the starburst down the row, and for some reason, I

0:18:21.880 --> 0:18:24.560
<v Speaker 1>thought my cousins were unwrapping my starburst and I had

0:18:24.600 --> 0:18:30.919
<v Speaker 1>like four starbursts that with the full story before. But

0:18:30.960 --> 0:18:33.800
<v Speaker 1>I didn't realize it was that movie. It was any

0:18:33.880 --> 0:18:38.000
<v Speaker 1>Murphy talking to and it was so embarrassing because I

0:18:38.040 --> 0:18:44.600
<v Speaker 1>was like, ha ha, what a crunchy starbirsts my cousins. Yeah,

0:18:45.760 --> 0:18:47.880
<v Speaker 1>clearly it hasn't effected me at all because I don't

0:18:47.920 --> 0:18:54.560
<v Speaker 1>even remember it happened. Oh my god. Okay, alright, so

0:18:54.840 --> 0:18:59.440
<v Speaker 1>should should I just do the recap and good luck? Yeah,

0:19:00.960 --> 0:19:02.639
<v Speaker 1>I'll try to come in on the assist where I

0:19:02.680 --> 0:19:06.280
<v Speaker 1>can thank you so much. All right, First of all,

0:19:06.320 --> 0:19:09.879
<v Speaker 1>there's an opening sequence that is very similar to the

0:19:09.920 --> 0:19:13.120
<v Speaker 1>opening sequence of Back to the Future, and we're like, oh,

0:19:13.160 --> 0:19:16.000
<v Speaker 1>I guess you know lest Mayfield watched Back to the

0:19:16.040 --> 0:19:20.600
<v Speaker 1>Future and just copied it. I had not connected that. Okay,

0:19:20.920 --> 0:19:23.720
<v Speaker 1>I do enjoy the opening of the movie, and a

0:19:23.840 --> 0:19:28.960
<v Speaker 1>Danny Elfman score cannot be denied. Unfortunately, Um so I

0:19:29.000 --> 0:19:31.640
<v Speaker 1>was you know, there are moments when on the rewatch

0:19:31.680 --> 0:19:33.800
<v Speaker 1>of this where I was kind of like dancing with

0:19:33.880 --> 0:19:38.320
<v Speaker 1>my dog. Let's say, I mean, there's a mambo, the

0:19:38.320 --> 0:19:45.399
<v Speaker 1>Flower Mambo snubbed the snub of the Century, but just

0:19:45.520 --> 0:19:47.840
<v Speaker 1>that that part where like you see all the robots

0:19:47.920 --> 0:19:51.080
<v Speaker 1>like making breakfast and stuff like that, something very similar

0:19:51.160 --> 0:19:53.640
<v Speaker 1>happens in Back to the Future. I wrote that down

0:19:53.800 --> 0:19:56.520
<v Speaker 1>is I think that that is safe to say a

0:19:56.680 --> 0:19:59.240
<v Speaker 1>full on movie troupe because I thought of two other

0:19:59.320 --> 0:20:01.240
<v Speaker 1>movies that happen and in that are not Back to

0:20:01.280 --> 0:20:04.520
<v Speaker 1>the Future. Oh wait, what also happens in Pee's Big

0:20:04.520 --> 0:20:07.600
<v Speaker 1>Adventure at the very beginning, and it also happens at

0:20:07.600 --> 0:20:11.240
<v Speaker 1>the beginning of Wallace and Grommet in a lot of

0:20:11.240 --> 0:20:13.640
<v Speaker 1>the shorts. And then I think also in the movie

0:20:13.720 --> 0:20:16.120
<v Speaker 1>where I don't I don't know what it says about

0:20:16.119 --> 0:20:20.000
<v Speaker 1>the movie other than like there's an inventor in this movie.

0:20:20.400 --> 0:20:23.760
<v Speaker 1>That and the lengths that men will go to to

0:20:23.800 --> 0:20:30.000
<v Speaker 1>not do household chores. But it's like breakfast breakfast machine

0:20:30.680 --> 0:20:38.760
<v Speaker 1>is definitely some sort of movie length something something something

0:20:39.160 --> 0:20:45.560
<v Speaker 1>semiotics is breakfast machine semiotics. We don't know anyways, Um, yeah,

0:20:45.560 --> 0:20:47.639
<v Speaker 1>he does have a breakfast machine. And then I immediately

0:20:47.680 --> 0:20:49.720
<v Speaker 1>tried to think of all the other breakfast machines that

0:20:49.760 --> 0:20:54.040
<v Speaker 1>I've seen, Well, we've got four. Four that's too many.

0:20:54.119 --> 0:20:56.880
<v Speaker 1>That's a lot. Listeners. If you can think of any others,

0:20:56.920 --> 0:21:00.760
<v Speaker 1>please in like a twenty years fan to too many? Yeah,

0:21:00.800 --> 0:21:04.879
<v Speaker 1>that's true. Okay, So, um, it's two movies with a

0:21:05.000 --> 0:21:08.679
<v Speaker 1>Danny Elfman score. Sorry, what was the other one? Peewee?

0:21:08.920 --> 0:21:10.960
<v Speaker 1>I think so it was the Tim Burton movie Safe

0:21:11.000 --> 0:21:15.840
<v Speaker 1>to Assume, right, Yeah, anyways, continue, this is not important.

0:21:16.320 --> 0:21:21.480
<v Speaker 1>So this breakfast machine belongs to Philip Brainard. That's Robin

0:21:21.520 --> 0:21:24.960
<v Speaker 1>Williams brain get it right. And yeah, if you're like, oh,

0:21:25.080 --> 0:21:28.240
<v Speaker 1>is this movie subtle? His last name is brain This

0:21:28.240 --> 0:21:33.720
<v Speaker 1>movie is adapted from another Disney movie. I think when

0:21:33.920 --> 0:21:36.440
<v Speaker 1>like every live action Disney movie that came out in

0:21:36.480 --> 0:21:40.199
<v Speaker 1>the nineties sixties except Mary Poppins, I was like, no,

0:21:40.640 --> 0:21:44.240
<v Speaker 1>thank you. Um, but it's one of those. So there

0:21:44.320 --> 0:21:47.000
<v Speaker 1>is a precedent for this character, right, but that doesn't

0:21:47.040 --> 0:21:50.080
<v Speaker 1>make his name less really bashing you over the head

0:21:50.119 --> 0:21:54.359
<v Speaker 1>of a mallet. So this movie, so the property is

0:21:54.400 --> 0:21:58.800
<v Speaker 1>based on a short story by Samuel W. Taylor and

0:21:58.880 --> 0:22:03.840
<v Speaker 1>it's also by st On the movie The Absent Minded Professor,

0:22:04.480 --> 0:22:07.359
<v Speaker 1>which I did you We talked about this a little

0:22:07.359 --> 0:22:09.159
<v Speaker 1>bit before, and as soon as you mentioned it, I

0:22:09.200 --> 0:22:11.600
<v Speaker 1>was like, oh, maybe it's like right there on my

0:22:11.680 --> 0:22:15.199
<v Speaker 1>Disney Plus I'll hit play. So I watched like of

0:22:15.240 --> 0:22:18.879
<v Speaker 1>it just to like see if there's anything worth talking about.

0:22:19.440 --> 0:22:23.879
<v Speaker 1>I watched clips and I was just like, m my takeaway,

0:22:24.520 --> 0:22:29.199
<v Speaker 1>I don't like it, but it definitely had I was

0:22:29.240 --> 0:22:32.120
<v Speaker 1>active the only thing I found in my research, and like,

0:22:32.240 --> 0:22:35.480
<v Speaker 1>I watched a few clips of it that I didn't

0:22:35.480 --> 0:22:38.399
<v Speaker 1>realize that there was. I thought that flubber wasn't a

0:22:38.680 --> 0:22:44.600
<v Speaker 1>nineties naming convention, but flubber it's been with us as

0:22:44.600 --> 0:22:48.520
<v Speaker 1>a culture. It's been there. Flubber has been there for

0:22:48.520 --> 0:22:51.320
<v Speaker 1>for you know, almost sixty years at this point. So

0:22:51.400 --> 0:22:54.800
<v Speaker 1>that's the thing about that, which means we're do We're

0:22:54.840 --> 0:22:58.639
<v Speaker 1>about due for another Flubber the thirty If the thirty

0:22:58.680 --> 0:23:03.640
<v Speaker 1>years cycle is true, gird your loins. We're getting Flubber

0:23:03.680 --> 0:23:07.800
<v Speaker 1>in the next couple of years. Honestly, it would be

0:23:07.840 --> 0:23:11.440
<v Speaker 1>an honor to be involved. You will be the most embarrassing,

0:23:11.640 --> 0:23:17.080
<v Speaker 1>like classically, this this moment in time mistake to be

0:23:18.359 --> 0:23:19.960
<v Speaker 1>Do you see where I'm going with this all female

0:23:20.000 --> 0:23:25.720
<v Speaker 1>rebit of Flabber. Okay, Okay, I don't hate it was

0:23:25.760 --> 0:23:29.640
<v Speaker 1>a woman in step. You're just like, please just let

0:23:29.720 --> 0:23:33.359
<v Speaker 1>a woman direct a movie. That's literally we didn't ask

0:23:33.400 --> 0:23:37.040
<v Speaker 1>for girl Flubber. Um. But would I watch it? Yes,

0:23:37.400 --> 0:23:39.440
<v Speaker 1>I would watch. But now that you mentioned it, we're

0:23:39.440 --> 0:23:44.360
<v Speaker 1>getting it. But hold on, hold girl Flubber, Girl Flabber. Okay,

0:23:44.400 --> 0:23:50.800
<v Speaker 1>I'll watch it. Okay. So anyway, so this is an adaptation,

0:23:51.000 --> 0:23:55.040
<v Speaker 1>which I didn't realize until I went on Wikipedia. Yeah,

0:23:55.080 --> 0:23:58.000
<v Speaker 1>I didn't know that before like researching for this right. Yeah.

0:23:58.200 --> 0:24:00.480
<v Speaker 1>The one thing I'll say about up amount of Professor

0:24:00.680 --> 0:24:04.480
<v Speaker 1>is that there is another female character who they eliminate

0:24:04.520 --> 0:24:08.840
<v Speaker 1>in Flubber because the Professor has like a housekeeper that

0:24:09.040 --> 0:24:11.800
<v Speaker 1>I think they replace with we Bow. I think they

0:24:11.840 --> 0:24:18.000
<v Speaker 1>combine a housekeeper and a dog into that was read.

0:24:18.160 --> 0:24:21.320
<v Speaker 1>I was like wow ee, wowee wow, where to where

0:24:21.320 --> 0:24:24.880
<v Speaker 1>to even begin? Or I think they turned the housekeeper

0:24:24.960 --> 0:24:29.560
<v Speaker 1>into Webber the other robot, and then the dog Charlie

0:24:29.840 --> 0:24:33.560
<v Speaker 1>in the first movie gets turned into we Bow. So

0:24:33.760 --> 0:24:37.720
<v Speaker 1>for everyone listening, if you I remembered there was a

0:24:37.840 --> 0:24:43.919
<v Speaker 1>robot assistant, I did not remember the extent that she

0:24:44.080 --> 0:24:46.960
<v Speaker 1>is involved in the movie. Then that how much she

0:24:47.040 --> 0:24:49.880
<v Speaker 1>wants to have sex with him. I do not remember

0:24:49.920 --> 0:24:54.680
<v Speaker 1>how horny, horny horny she was. I yeah, I remembered

0:24:54.760 --> 0:24:56.879
<v Speaker 1>that I did. Two things I remembered about her was

0:24:56.920 --> 0:24:59.840
<v Speaker 1>that she was a robot assistant and that she some

0:25:00.000 --> 0:25:02.639
<v Speaker 1>times played I remember that she played a clip from

0:25:02.720 --> 0:25:06.240
<v Speaker 1>Dumbo on her screen at one point, because she communicates

0:25:06.320 --> 0:25:12.479
<v Speaker 1>only in Disney owned clips, yes, which is like, uh,

0:25:12.720 --> 0:25:14.480
<v Speaker 1>fun as a kid, but as an adult kind of

0:25:14.480 --> 0:25:20.320
<v Speaker 1>embarrassing to watch. Yeah, exactly. So okay, let's sorry, where

0:25:20.320 --> 0:25:24.320
<v Speaker 1>are we know? It's it's it's no one's fault. It's

0:25:24.400 --> 0:25:30.000
<v Speaker 1>clubber's fault, all right. So um Philip Brainerd. He is

0:25:30.040 --> 0:25:34.480
<v Speaker 1>a science professor at Midfield College, which is at risk

0:25:34.760 --> 0:25:37.960
<v Speaker 1>of closing down because it owes a lot of money

0:25:38.040 --> 0:25:41.399
<v Speaker 1>or something. There's it's there in dire financial streets. And

0:25:41.440 --> 0:25:47.480
<v Speaker 1>then we learn by Philip telling his robot wi bow oh,

0:25:47.560 --> 0:25:50.199
<v Speaker 1>if he could just discover this new source of energy,

0:25:50.280 --> 0:25:54.320
<v Speaker 1>he could save the college. And once you listen, if

0:25:54.320 --> 0:25:55.960
<v Speaker 1>you're if you've gotten this far in the episode, you

0:25:56.040 --> 0:26:01.399
<v Speaker 1>gotta watch flubber. Um. I didn't really lies until I

0:26:01.440 --> 0:26:04.479
<v Speaker 1>looked at the I had like scholarly journal Wikipedia up

0:26:04.520 --> 0:26:07.439
<v Speaker 1>as I was watching the movie and it said Jody

0:26:07.520 --> 0:26:09.760
<v Speaker 1>Benson as we Bow, I was like, wait a second,

0:26:10.080 --> 0:26:14.120
<v Speaker 1>Jodie Benson is Ariel. And then once you find out

0:26:14.240 --> 0:26:16.720
<v Speaker 1>that the voice of Weibo is the voice of Ariel,

0:26:16.880 --> 0:26:19.359
<v Speaker 1>you cannot unhear it, and you're just like, why does

0:26:19.400 --> 0:26:23.919
<v Speaker 1>Ariel want to have sex with the professor so bad? Anyways,

0:26:25.400 --> 0:26:27.840
<v Speaker 1>it's her, and I'm pretty sure that the later video

0:26:27.920 --> 0:26:31.399
<v Speaker 1>you see is also her. I'm pretty sure. I was

0:26:31.440 --> 0:26:34.720
<v Speaker 1>curious about that if it was. I don't know exactly

0:26:34.760 --> 0:26:38.080
<v Speaker 1>how Jody Benson looked in but it looks like her

0:26:38.280 --> 0:26:41.840
<v Speaker 1>with nineties hair, so I'm assuming, right, okay, And then

0:26:41.880 --> 0:26:43.800
<v Speaker 1>we expect her to break it out in song and

0:26:43.880 --> 0:26:46.840
<v Speaker 1>be like you want singabout bops? I got twenty. She

0:26:46.960 --> 0:26:48.919
<v Speaker 1>just wants to be where the people are, but she

0:26:48.960 --> 0:26:51.800
<v Speaker 1>didn't understand that once she was there where the people were,

0:26:52.160 --> 0:26:55.480
<v Speaker 1>that if she wasn't a people, she's not gonna be

0:26:55.480 --> 0:26:58.280
<v Speaker 1>able to see. She kind of has had the same

0:26:58.320 --> 0:27:01.480
<v Speaker 1>problem in two movies. And The Fun she's a mermaid

0:27:01.600 --> 0:27:05.159
<v Speaker 1>and she can't attain the arbitrary love interest, and the

0:27:05.280 --> 0:27:08.879
<v Speaker 1>next one, this is basically The Little Mermaid too. She

0:27:09.000 --> 0:27:11.920
<v Speaker 1>wants the arbitrary love interest who would not be nice

0:27:11.920 --> 0:27:15.360
<v Speaker 1>to her. But she's a robot this time it's complicated.

0:27:16.200 --> 0:27:23.159
<v Speaker 1>Wow makes you think. Alright, So Phillips his future wife

0:27:24.400 --> 0:27:28.040
<v Speaker 1>Sarah played by Marcia gay Harden. They're supposed to be

0:27:28.040 --> 0:27:32.520
<v Speaker 1>getting married that evening, but he keeps forgetting about it

0:27:32.560 --> 0:27:36.720
<v Speaker 1>because he's so absent minded. He's the absent minded professor.

0:27:37.080 --> 0:27:40.359
<v Speaker 1>We know? Did you catch? I want this movie twice

0:27:40.440 --> 0:27:43.680
<v Speaker 1>and I kept forgetting to check. She works at the

0:27:44.240 --> 0:27:48.440
<v Speaker 1>college as well. Her door says doctor Sarah. Does it

0:27:48.560 --> 0:27:51.119
<v Speaker 1>say what she teaches? Do we know what she's like

0:27:51.280 --> 0:27:54.679
<v Speaker 1>a professor of I was under the impression that she

0:27:54.880 --> 0:27:59.520
<v Speaker 1>was like the dean or the president, I thought, But

0:27:59.520 --> 0:28:02.760
<v Speaker 1>I don't remember how I got that information. This poor

0:28:02.960 --> 0:28:06.200
<v Speaker 1>woman does not have a true friend in her entire

0:28:06.320 --> 0:28:11.160
<v Speaker 1>life because she is being stood up by this man

0:28:11.240 --> 0:28:15.040
<v Speaker 1>at the altar for the repeatedly. This is the third time,

0:28:15.600 --> 0:28:18.560
<v Speaker 1>and her friends aren't like, maybe dump him. Yeah, she's

0:28:18.600 --> 0:28:22.960
<v Speaker 1>got one friend, Martha, who's just like who's too supportive?

0:28:23.280 --> 0:28:26.440
<v Speaker 1>Like Martha, you really need to step it up as

0:28:26.440 --> 0:28:31.240
<v Speaker 1>a friend, because Marcia gay Harden is humiliating herself over

0:28:31.280 --> 0:28:35.720
<v Speaker 1>and over for this loser. Yeah, he's he's missed two

0:28:35.800 --> 0:28:39.000
<v Speaker 1>other wedding dates of theirs, but he's like, don't worry, Sarah,

0:28:39.400 --> 0:28:42.320
<v Speaker 1>I will not miss our wedding this time, because she's

0:28:42.320 --> 0:28:44.720
<v Speaker 1>all like, if you miss it this time, we are

0:28:45.040 --> 0:28:51.960
<v Speaker 1>through no Before the wedding, though, Philip's rival Wilson shows

0:28:52.160 --> 0:28:55.840
<v Speaker 1>up to his classroom and he openly admits to the

0:28:55.920 --> 0:29:03.800
<v Speaker 1>following stealing Philip's ideas being petty, being corrupt, and wanting

0:29:03.880 --> 0:29:08.280
<v Speaker 1>to steal his bride to be Okay, honestly, we have

0:29:08.320 --> 0:29:12.600
<v Speaker 1>no choice but to stand. He is the most expository

0:29:12.720 --> 0:29:15.640
<v Speaker 1>character I've seen in a movie in a really long time.

0:29:16.160 --> 0:29:19.280
<v Speaker 1>Like he's so and he's played by Christopher McDonald, who

0:29:19.360 --> 0:29:22.920
<v Speaker 1>is a well respected, like a good character actor who

0:29:22.960 --> 0:29:28.600
<v Speaker 1>also has like resting nineties villain face, like he literally

0:29:28.640 --> 0:29:33.160
<v Speaker 1>they're like typecasting him as Mr Steel your girl. Uh.

0:29:33.240 --> 0:29:35.760
<v Speaker 1>And then there's that one what is that line read

0:29:35.800 --> 0:29:38.760
<v Speaker 1>he does where you're like, oh my goodness, like can

0:29:38.800 --> 0:29:41.800
<v Speaker 1>you be serious? He like he like walks out after

0:29:41.840 --> 0:29:44.400
<v Speaker 1>he's been wooing her and he's like, I can't lose

0:29:44.600 --> 0:29:48.040
<v Speaker 1>the girl is mine, and you're like, did you just

0:29:48.120 --> 0:29:53.040
<v Speaker 1>say that out loud? Like it's so I feel. My

0:29:53.160 --> 0:29:56.200
<v Speaker 1>read was that Christopher McDonald fully knew what movie he

0:29:56.320 --> 0:29:59.640
<v Speaker 1>was in, and he was just like, all right, I'll

0:29:59.680 --> 0:30:03.560
<v Speaker 1>read a line. I'll dance with the flubber. You might

0:30:03.600 --> 0:30:07.360
<v Speaker 1>not like what you see, but that's on you. He

0:30:07.480 --> 0:30:10.560
<v Speaker 1>also at one point ships the flubber out of his

0:30:11.280 --> 0:30:16.120
<v Speaker 1>butt hole. Does so let's not forget that that is

0:30:16.120 --> 0:30:17.800
<v Speaker 1>actually a really good point and I should have made

0:30:17.840 --> 0:30:22.320
<v Speaker 1>it sooner. We can't forget that he does ship the

0:30:22.320 --> 0:30:25.400
<v Speaker 1>flabber out his butt hole, and that's after he's been defeated,

0:30:25.440 --> 0:30:29.760
<v Speaker 1>because you can argue that that is that scene takes

0:30:29.760 --> 0:30:33.640
<v Speaker 1>place after the movie should have ended, right, there's a

0:30:33.680 --> 0:30:36.120
<v Speaker 1>whole point where the movie ends, but then it keeps

0:30:36.160 --> 0:30:41.360
<v Speaker 1>going anyways. Yeah, so Wilson shows up and then okay,

0:30:41.360 --> 0:30:44.440
<v Speaker 1>so then later that day, as Philip is getting ready

0:30:44.480 --> 0:30:48.360
<v Speaker 1>for his wedding, he figures out the final piece of

0:30:48.360 --> 0:30:50.760
<v Speaker 1>the puzzle for this new energy source that he's been

0:30:50.800 --> 0:30:53.840
<v Speaker 1>working on, and then he like does some science stuff.

0:30:54.280 --> 0:30:57.959
<v Speaker 1>He accidentally blows up his lab, but it ends up

0:30:57.960 --> 0:31:06.840
<v Speaker 1>working because emerges. But Flubber, it's not a scary movie.

0:31:08.280 --> 0:31:13.680
<v Speaker 1>October over, It's November. No more scares. Flubber is a

0:31:13.720 --> 0:31:20.720
<v Speaker 1>blob of green gelatinous balncy goo that also seems to

0:31:20.760 --> 0:31:24.880
<v Speaker 1>be sentient. That was a question I had. Yes, there's

0:31:24.880 --> 0:31:30.400
<v Speaker 1>a question. When Flubber starts wilding out, bursting through glass,

0:31:30.480 --> 0:31:36.400
<v Speaker 1>harassing the neighborhood, we both flies up to. Also the

0:31:36.440 --> 0:31:39.120
<v Speaker 1>science of this movie, I'll say it as a scientist,

0:31:39.240 --> 0:31:43.560
<v Speaker 1>it makes no sense because he's because Robin Williams, Dr

0:31:43.640 --> 0:31:48.040
<v Speaker 1>Flabber or Professor Flabber whatever. Professor Fluber is like, I

0:31:48.080 --> 0:31:50.800
<v Speaker 1>need to make things fly, but his robot can already fly.

0:31:51.120 --> 0:31:55.640
<v Speaker 1>How is she flying? Great question? Could that technology be applied?

0:31:56.280 --> 0:31:59.880
<v Speaker 1>But anyways, we both flies because she can. She flies

0:32:00.120 --> 0:32:03.400
<v Speaker 1>up to Professor Flabber and says, oh, no, you gave

0:32:03.480 --> 0:32:06.680
<v Speaker 1>Flabber too much free will? And you're like, is that

0:32:06.760 --> 0:32:13.920
<v Speaker 1>a chemical composition? Like? And also, even if let's go

0:32:13.960 --> 0:32:17.720
<v Speaker 1>a step further, even if free will can be put

0:32:17.760 --> 0:32:20.360
<v Speaker 1>in a little test tube, why would you then give

0:32:20.400 --> 0:32:24.320
<v Speaker 1>it to Flubber. You would think that Flabber having free

0:32:24.320 --> 0:32:30.400
<v Speaker 1>will would only cause problems. There's no practical use for

0:32:30.440 --> 0:32:35.840
<v Speaker 1>Flubber having free will and a personality. Here's my theory

0:32:36.080 --> 0:32:39.040
<v Speaker 1>as also a scientist, I have your science scientific theories.

0:32:40.040 --> 0:32:43.480
<v Speaker 1>I think that that line is meant to be a joke,

0:32:44.320 --> 0:32:48.800
<v Speaker 1>and it just so happens that it's not funny. It's

0:32:48.800 --> 0:32:52.120
<v Speaker 1>not funny. But then, how do you explain Flabber having

0:32:52.240 --> 0:33:00.720
<v Speaker 1>having Yes, I don't think he deliberately gave Flubber free will.

0:33:00.760 --> 0:33:04.520
<v Speaker 1>That might just be a byproduct of the very complicated

0:33:05.360 --> 0:33:09.240
<v Speaker 1>formula he was working on. I'm guessing I was trying

0:33:09.240 --> 0:33:12.120
<v Speaker 1>to read this movie like a few movies. I think

0:33:12.160 --> 0:33:16.000
<v Speaker 1>there's a few influential movies you can kind of map

0:33:16.280 --> 0:33:19.680
<v Speaker 1>this movie on, and one of them is I Frankenstein.

0:33:23.200 --> 0:33:28.240
<v Speaker 1>I think that Flupper and and and Adam Frankenstein have

0:33:28.400 --> 0:33:32.160
<v Speaker 1>more in common than we ever could have met. But

0:33:32.600 --> 0:33:35.040
<v Speaker 1>they just kind of they have free will, but they

0:33:35.120 --> 0:33:37.400
<v Speaker 1>just kind of take it in different directions. I don't know.

0:33:37.440 --> 0:33:41.480
<v Speaker 1>I mean, I guess Victor Frankenstein didn't necessarily want his

0:33:41.720 --> 0:33:44.960
<v Speaker 1>creature to have free will, but then it just kind

0:33:45.000 --> 0:33:47.160
<v Speaker 1>of did. That was kind And that's kind of a

0:33:47.240 --> 0:33:50.000
<v Speaker 1>question that comes up later of like do robots have souls?

0:33:50.040 --> 0:33:52.760
<v Speaker 1>That's brought up in exactly one line of dialogue and

0:33:52.800 --> 0:33:55.680
<v Speaker 1>then they're like, we're actually not equipped to handle that,

0:33:55.920 --> 0:34:01.440
<v Speaker 1>and they're right, Um, the robots have soul? Does flab

0:34:01.640 --> 0:34:05.800
<v Speaker 1>have a soul? No one asks that and not the

0:34:05.840 --> 0:34:10.080
<v Speaker 1>problem except for us. So we're out here doing the

0:34:10.160 --> 0:34:16.520
<v Speaker 1>important cinematic discourse that is absent. This is the world.

0:34:16.880 --> 0:34:26.680
<v Speaker 1>Yeah exactly, Okay, exactly exactly. Anyway, so, uh, Philip inventing

0:34:27.160 --> 0:34:33.440
<v Speaker 1>this substance makes him miss his wedding. So now Wilson,

0:34:33.680 --> 0:34:36.799
<v Speaker 1>the rival man, is there to make a move on

0:34:36.840 --> 0:34:39.960
<v Speaker 1>Sarah because she's like, I'm through with Philip and he

0:34:40.000 --> 0:34:44.080
<v Speaker 1>gives her a ride home and we're like, oh no,

0:34:44.960 --> 0:34:47.920
<v Speaker 1>Marcia gay Harden already has no self esteem. Let's not

0:34:48.000 --> 0:34:51.440
<v Speaker 1>make this worse. I can't wait to talk about that.

0:34:51.520 --> 0:34:54.719
<v Speaker 1>I'm just like, does she have like a sibling? Does

0:34:54.800 --> 0:34:57.160
<v Speaker 1>she have like a friend? Like? Is there anyone in

0:34:57.239 --> 0:35:00.239
<v Speaker 1>her life? Like we've all been at a low po wine.

0:35:00.560 --> 0:35:04.080
<v Speaker 1>Sure in terms of like I'm not asking for what

0:35:04.120 --> 0:35:07.319
<v Speaker 1>I need in a relationship, but this is just egregious.

0:35:07.640 --> 0:35:11.040
<v Speaker 1>She needs someone in her life to intervene. I know

0:35:11.320 --> 0:35:15.080
<v Speaker 1>it's not funny. You know what slubber is sentient slubber

0:35:15.360 --> 0:35:20.440
<v Speaker 1>should should intervene. Should have been like Dr Sarah, you

0:35:20.480 --> 0:35:23.160
<v Speaker 1>know you're a brilliant woman with your life ahead of you.

0:35:23.239 --> 0:35:26.480
<v Speaker 1>Why are you settling for someone who keeps I'm just imagining,

0:35:26.520 --> 0:35:31.800
<v Speaker 1>like Oprah, Why is an Oprah in this movie? Does it? Also?

0:35:31.880 --> 0:35:34.760
<v Speaker 1>I feel like if Dr Sarah watched a single episode

0:35:34.800 --> 0:35:38.239
<v Speaker 1>of Oprah, she would be like, WHOA, I need to

0:35:38.280 --> 0:35:40.720
<v Speaker 1>I need to stop accepting less than what I deserve.

0:35:41.480 --> 0:35:44.800
<v Speaker 1>You know who would have been a perfect already character

0:35:45.080 --> 0:35:47.719
<v Speaker 1>in the movie. Who would have talked her out of

0:35:47.800 --> 0:35:50.759
<v Speaker 1>marrying Philip is wee Bow. She would have done it

0:35:50.800 --> 0:35:54.839
<v Speaker 1>for selfish purposes. But we Bow should have been there

0:35:54.880 --> 0:35:57.360
<v Speaker 1>being like Sarah, you can do better. Yeah, I work

0:35:57.440 --> 0:35:59.960
<v Speaker 1>for the guy, but he's not a good romantic partner.

0:36:00.239 --> 0:36:03.880
<v Speaker 1>But someone else, we both goes a very different way.

0:36:04.280 --> 0:36:08.800
<v Speaker 1>We've said I've got to ruin your marriage. I feel like,

0:36:08.960 --> 0:36:11.160
<v Speaker 1>is it implied that she just never reminds him that

0:36:11.200 --> 0:36:13.719
<v Speaker 1>at his wedding? And also that's on the assumption that

0:36:13.800 --> 0:36:16.399
<v Speaker 1>someone needs to be reminded that they're getting married, which

0:36:16.400 --> 0:36:18.880
<v Speaker 1>means they're not invested enough in their relationship. But like,

0:36:19.480 --> 0:36:22.520
<v Speaker 1>I'm sorry, I'm just like he's just so absent minded.

0:36:22.560 --> 0:36:29.040
<v Speaker 1>Though he's absent minded, I feel like he just maybe

0:36:29.160 --> 0:36:34.680
<v Speaker 1>as a lifelong bachelor, it's all good. Like if you're

0:36:34.719 --> 0:36:38.719
<v Speaker 1>not wanting or if you were like work over relationship

0:36:38.960 --> 0:36:42.960
<v Speaker 1>every time, then maybe just you need a certain kind

0:36:43.000 --> 0:36:45.920
<v Speaker 1>of a relationship or no relationship. But I'm not seeing

0:36:45.960 --> 0:36:51.640
<v Speaker 1>the compatibility. I'm Dr phil I'm not seeing the compatibility.

0:36:51.760 --> 0:36:56.280
<v Speaker 1>She seems like she really like wants an engaging relationship.

0:36:56.680 --> 0:36:59.239
<v Speaker 1>You're not wrong. I just I tried to view her

0:36:59.280 --> 0:37:01.520
<v Speaker 1>as like if you were my friend, what would I do?

0:37:01.760 --> 0:37:05.360
<v Speaker 1>And you would simply be like, don't marry him. Stop

0:37:05.400 --> 0:37:08.000
<v Speaker 1>trying to marry this person. They're not they're ill equipped.

0:37:08.040 --> 0:37:11.920
<v Speaker 1>You've tried twice already. It's it's failed both times. Don't

0:37:12.000 --> 0:37:15.000
<v Speaker 1>keep trying. You're so sad, like like you're so sad

0:37:15.040 --> 0:37:18.600
<v Speaker 1>about him. Let's just like he's ill equipped. We've got

0:37:18.600 --> 0:37:22.839
<v Speaker 1>to move on. We're in Medfields. The city's swarming with

0:37:23.360 --> 0:37:28.960
<v Speaker 1>romantic prospects in Medfield, Massachusetts. Maybe I don't know. I've

0:37:29.000 --> 0:37:32.560
<v Speaker 1>never been. Um, So, okay, let's take a break before

0:37:32.560 --> 0:37:34.200
<v Speaker 1>we go any further, because this is going to be

0:37:34.239 --> 0:37:40.080
<v Speaker 1>an episode where the episode is recap. So let's take

0:37:40.120 --> 0:37:43.120
<v Speaker 1>a break and then we'll come right back to keep recapping.

0:37:49.400 --> 0:37:56.520
<v Speaker 1>And we're back. We're back. So where so Philip has

0:37:56.560 --> 0:38:00.200
<v Speaker 1>missed his wedding. So he goes to Sarah and he's like,

0:38:00.400 --> 0:38:04.920
<v Speaker 1>I'm so sorry, but I was just too busy inventing

0:38:05.000 --> 0:38:07.960
<v Speaker 1>Flubber to be at our wedding. And then he shows

0:38:07.960 --> 0:38:11.799
<v Speaker 1>her Flubber and she's like, I honestly don't give a

0:38:11.800 --> 0:38:17.680
<v Speaker 1>ship about Flubber. We're through now. Meanwhile, how many I mean,

0:38:17.719 --> 0:38:22.480
<v Speaker 1>we've all been there, We've all we've all been stood

0:38:22.560 --> 0:38:26.360
<v Speaker 1>up for Flubber. I do love his angle coming into

0:38:26.400 --> 0:38:29.319
<v Speaker 1>this scene and his angle is like no, no, no, no no, no, no,

0:38:29.320 --> 0:38:32.040
<v Speaker 1>no no no. I know I stood you up at

0:38:32.040 --> 0:38:37.200
<v Speaker 1>the alder for the third time, but it's because and

0:38:37.280 --> 0:38:42.040
<v Speaker 1>she's supposed to be like, oh okay, So she does

0:38:42.080 --> 0:38:44.400
<v Speaker 1>stand up for herself here. And then there's another trailer

0:38:44.480 --> 0:38:49.000
<v Speaker 1>moment which is Robin Williams throwing himself directly into his

0:38:49.080 --> 0:38:52.640
<v Speaker 1>spine from a third story window. I was just gonna

0:38:52.680 --> 0:38:55.440
<v Speaker 1>say he that would have broken his spine, would have

0:38:55.480 --> 0:38:59.200
<v Speaker 1>been a fatal accident. But there's a I mean, that's

0:38:59.239 --> 0:39:01.560
<v Speaker 1>part of I feel like, that's a that's kind of

0:39:01.560 --> 0:39:05.440
<v Speaker 1>a part of like the like sixties movie, nineties movie dissonance,

0:39:06.080 --> 0:39:10.919
<v Speaker 1>where in the sixties, I'm sure it looked so cartoony

0:39:11.000 --> 0:39:15.400
<v Speaker 1>goofy that you're like, oh, this is a cartoon basically,

0:39:15.680 --> 0:39:18.280
<v Speaker 1>but when you see it with like more updated effects,

0:39:18.280 --> 0:39:22.960
<v Speaker 1>you're like, oh, that he would have died. Well, unless

0:39:23.120 --> 0:39:26.520
<v Speaker 1>I will say I did have difficulty paying attention to

0:39:27.040 --> 0:39:29.319
<v Speaker 1>the absent minded professor when I was watching it, But

0:39:29.320 --> 0:39:32.560
<v Speaker 1>I'm pretty sure that moment doesn't even happen. Not that specific,

0:39:32.880 --> 0:39:35.960
<v Speaker 1>but the stunt, that's like the stunts to me, the

0:39:36.000 --> 0:39:39.759
<v Speaker 1>stunts I saw like looked faker, I guess because it

0:39:39.840 --> 0:39:42.680
<v Speaker 1>was just like an older movie but in the nineties.

0:39:42.920 --> 0:39:45.759
<v Speaker 1>I mean, maybe this is controversial, but I feel like

0:39:45.840 --> 0:39:49.719
<v Speaker 1>for the most part, the effects, while there's too many

0:39:49.800 --> 0:39:54.640
<v Speaker 1>of them, they mostly held like flubber I have no notes,

0:39:55.120 --> 0:39:56.840
<v Speaker 1>that's Lord of the Rings. That's my Lord of the

0:39:56.920 --> 0:40:03.800
<v Speaker 1>Rings for seven Like the c g I. The practical

0:40:03.800 --> 0:40:07.080
<v Speaker 1>effects yeah, pretty decent. The only thing that really like

0:40:07.160 --> 0:40:09.399
<v Speaker 1>bumped me as like whoa those effects like old were

0:40:09.440 --> 0:40:14.239
<v Speaker 1>some like c g I geese flying in the sky. Yeah, yes,

0:40:14.560 --> 0:40:18.080
<v Speaker 1>those looked really fake. But the flubber I'm the flubber dancing.

0:40:18.440 --> 0:40:20.799
<v Speaker 1>I was like, well, color me and press. Who am

0:40:20.840 --> 0:40:23.239
<v Speaker 1>I to say how flubber dances? This is the only

0:40:23.239 --> 0:40:28.080
<v Speaker 1>way I've seen it. Yeah, well, they did have an

0:40:28.120 --> 0:40:32.160
<v Speaker 1>eighty million dollar budget, and I think like seventy million

0:40:32.239 --> 0:40:38.120
<v Speaker 1>of that went to animating Flabber in seven money. Like,

0:40:38.280 --> 0:40:40.799
<v Speaker 1>hold on, I'm gonna crunch some numbers, you please. I

0:40:40.800 --> 0:40:43.440
<v Speaker 1>feel that I'm slowing down the recap so much today. Um,

0:40:43.640 --> 0:40:47.360
<v Speaker 1>I'm going to convert flubber money. Now, this is important.

0:40:47.440 --> 0:40:51.920
<v Speaker 1>We need we need the adjusted for inflation. Oh okay, wait,

0:40:52.680 --> 0:40:56.279
<v Speaker 1>wait there, I got a website that's like you do

0:40:56.320 --> 0:41:01.279
<v Speaker 1>the map? Who are we? Professor Brainerd? And I'm like,

0:41:02.320 --> 0:41:04.200
<v Speaker 1>you think I am? Do we get a first name

0:41:04.239 --> 0:41:07.480
<v Speaker 1>for him? Yeah? Philip? Philip? Oh yeah, who am I

0:41:07.640 --> 0:41:12.040
<v Speaker 1>phil Brainard? I think so okay, one point six too.

0:41:12.200 --> 0:41:17.280
<v Speaker 1>I'm doing a math problem. It would be million dollars

0:41:17.280 --> 0:41:24.080
<v Speaker 1>in today money. Embarrassing. That's such a big budget for

0:41:24.080 --> 0:41:34.560
<v Speaker 1>for flubber animation. Flubber well, you know the scene is iconic. Alright.

0:41:34.640 --> 0:41:39.239
<v Speaker 1>So meanwhile, Will Wheaton is suddenly in the movie and

0:41:39.280 --> 0:41:46.680
<v Speaker 1>you're like, sure, sure, he's twenty five, but he's fifteen. Um,

0:41:46.760 --> 0:41:51.160
<v Speaker 1>he's a student of Phillips at the university. Yeah, he's

0:41:51.200 --> 0:41:56.400
<v Speaker 1>like probably twenty, but he is flunking his chemistry class.

0:41:56.760 --> 0:42:02.160
<v Speaker 1>So his rich dad, Chester Honecker sends his goons to

0:42:02.520 --> 0:42:05.919
<v Speaker 1>Philip's house to kick his ass. We're not really sure,

0:42:06.440 --> 0:42:10.800
<v Speaker 1>but they don't get a chance to do anything. Another

0:42:10.840 --> 0:42:13.640
<v Speaker 1>pre was like, what were they going to do when

0:42:13.640 --> 0:42:18.920
<v Speaker 1>they arrived at Professor Flabber's house. They're wearing dark clothing

0:42:19.080 --> 0:42:20.880
<v Speaker 1>that made them seem like they're going to try to

0:42:21.040 --> 0:42:26.480
<v Speaker 1>rob him for grades. I didn't know what their angle was,

0:42:26.560 --> 0:42:28.960
<v Speaker 1>but yeah, Well the scene right before that is like, well,

0:42:29.000 --> 0:42:32.360
<v Speaker 1>he has principles, but anyone can be bought for the

0:42:32.520 --> 0:42:36.000
<v Speaker 1>right price. Basically, so, okay, are you going to go

0:42:36.080 --> 0:42:38.520
<v Speaker 1>bribe him? Doesn't seem like it. It seems like you're

0:42:38.560 --> 0:42:41.120
<v Speaker 1>going to go try to beat the ship out of him, right.

0:42:41.360 --> 0:42:44.040
<v Speaker 1>But whatever they intended to do, they don't get to

0:42:44.120 --> 0:42:48.600
<v Speaker 1>do because this is when Philip is doing more experiments

0:42:48.760 --> 0:42:53.680
<v Speaker 1>with Flubber, and he's rubbing Flubber all over golf balls

0:42:53.760 --> 0:42:59.040
<v Speaker 1>and bowling balls, which end up hitting the goons balls

0:42:59.120 --> 0:43:04.239
<v Speaker 1>for his experiments at his house. Uh, it's like, you're

0:43:04.280 --> 0:43:07.120
<v Speaker 1>the worst scientist ever. Why aren't you in like a

0:43:07.239 --> 0:43:13.200
<v Speaker 1>legitimate lab. You're not measuring anything, You're not like everything

0:43:13.680 --> 0:43:16.759
<v Speaker 1>every experiment he does, he's like not using this scientific

0:43:16.840 --> 0:43:21.359
<v Speaker 1>method at all. Well, it fully applies that whatever he's

0:43:21.400 --> 0:43:25.680
<v Speaker 1>doing with Flubber, the university does not have any interest

0:43:25.760 --> 0:43:30.240
<v Speaker 1>in funding because he would like that was another question

0:43:30.280 --> 0:43:34.000
<v Speaker 1>that I had about story logic. Where is he like

0:43:34.600 --> 0:43:37.600
<v Speaker 1>doing the first draft of Flubber at his house, then

0:43:37.640 --> 0:43:40.600
<v Speaker 1>he has to apply for grant to do like is

0:43:40.640 --> 0:43:44.520
<v Speaker 1>it an academia issue or like? But he already works there,

0:43:44.640 --> 0:43:48.000
<v Speaker 1>and apparently he's going to get married to someone who's

0:43:48.080 --> 0:43:51.960
<v Speaker 1>like higher up, Like couldn't he ask the president? He could?

0:43:52.000 --> 0:43:54.920
<v Speaker 1>He could ask her, like who shouldn't ask for funding

0:43:54.960 --> 0:43:59.120
<v Speaker 1>about Flubber? Maybe? But well, Jamie, they're not on speaking

0:43:59.239 --> 0:44:02.480
<v Speaker 1>terms because he forgot to go to their wedding for

0:44:02.520 --> 0:44:05.799
<v Speaker 1>a third time. But this is my other question, Like,

0:44:08.440 --> 0:44:11.320
<v Speaker 1>so he it seems like he's been working on flabber

0:44:11.400 --> 0:44:15.279
<v Speaker 1>for maybe a little while, like he like. That's what

0:44:16.400 --> 0:44:18.880
<v Speaker 1>Phil and Weebo have led me to believe is that

0:44:18.920 --> 0:44:21.520
<v Speaker 1>he's been working on it for a bit. So word

0:44:21.520 --> 0:44:24.239
<v Speaker 1>to believe that his work he doesn't discuss with his

0:44:24.320 --> 0:44:27.919
<v Speaker 1>fiance at all, even though it would actually be really

0:44:27.920 --> 0:44:31.040
<v Speaker 1>helpful because she could probably help him secure funding to

0:44:31.120 --> 0:44:35.000
<v Speaker 1>do what he's doing, which then led me to this theory,

0:44:35.040 --> 0:44:40.560
<v Speaker 1>which is every time this is okay, every time Professor

0:44:40.600 --> 0:44:44.799
<v Speaker 1>Flabber doesn't marry Marcia Gayharden, does she just say I'm

0:44:44.840 --> 0:44:48.839
<v Speaker 1>not speaking to you. Here's the next wedding, Like, does

0:44:48.880 --> 0:44:52.360
<v Speaker 1>she just not speak to him between weddings? He doesn't

0:44:52.400 --> 0:44:55.920
<v Speaker 1>show up that because I don't understand why he wouldn't

0:44:55.920 --> 0:45:00.760
<v Speaker 1>tell her about Flabber until after he missed the third wedding. Right,

0:45:00.920 --> 0:45:03.160
<v Speaker 1>it seems like she would be interested in it, which

0:45:03.200 --> 0:45:06.960
<v Speaker 1>we which is later confirmed when she's interested in it. Yes,

0:45:07.400 --> 0:45:11.200
<v Speaker 1>because yeah, right, this, yes, this all tracks because he

0:45:11.320 --> 0:45:14.200
<v Speaker 1>already has most of the formula. The only thing that

0:45:14.239 --> 0:45:17.000
<v Speaker 1>he needed to figure out was like, oh, I need

0:45:17.000 --> 0:45:22.080
<v Speaker 1>to introduce heat into the equation to like whatever to

0:45:22.120 --> 0:45:26.960
<v Speaker 1>have have some reaction, and that's what ultimately invents Flabber.

0:45:27.040 --> 0:45:30.480
<v Speaker 1>So he'd been working on this for who knows how

0:45:30.520 --> 0:45:34.760
<v Speaker 1>long he had never told her about this. Ridiculous. Again,

0:45:34.840 --> 0:45:38.919
<v Speaker 1>this is another red flag for Dr Sarah being like,

0:45:39.400 --> 0:45:43.680
<v Speaker 1>you were working on like sentient goo and you didn't

0:45:43.719 --> 0:45:47.560
<v Speaker 1>even tell me. If if a romantic partner of mine

0:45:47.680 --> 0:45:50.279
<v Speaker 1>was like by the way I made Flabber, I I

0:45:50.640 --> 0:45:53.640
<v Speaker 1>my reply would be, what do you mean by the way,

0:45:53.840 --> 0:45:57.120
<v Speaker 1>is there no transparent Yeah, why were you keeping that

0:45:57.200 --> 0:46:00.160
<v Speaker 1>whole process is secret? I thought you were gene being

0:46:00.239 --> 0:46:03.440
<v Speaker 1>on me. I mean, while you're at home making flabber

0:46:03.680 --> 0:46:07.080
<v Speaker 1>with your robot and then I would dump them, which

0:46:07.120 --> 0:46:11.920
<v Speaker 1>they also don't cohabitate, which I think sometimes happens. Maybe

0:46:11.920 --> 0:46:13.680
<v Speaker 1>that was more of a thing in the nineties where

0:46:13.719 --> 0:46:15.839
<v Speaker 1>you wouldn't already be living with I feel like that's

0:46:15.840 --> 0:46:19.319
<v Speaker 1>almost a carryover from the sixties probably of like, yeah,

0:46:19.320 --> 0:46:21.319
<v Speaker 1>I guess you get married and then you move out

0:46:21.320 --> 0:46:23.279
<v Speaker 1>of your house you grew up in, or I don't know.

0:46:23.320 --> 0:46:25.560
<v Speaker 1>I was, yeah, I was like, that's like kind of

0:46:25.680 --> 0:46:29.160
<v Speaker 1>unusual by today's standards, But I don't I don't remember.

0:46:30.280 --> 0:46:34.440
<v Speaker 1>Maybe that was something that happened. But even so, it

0:46:34.520 --> 0:46:37.800
<v Speaker 1>seems like they weren't on speaking terms before the wedding

0:46:37.960 --> 0:46:41.080
<v Speaker 1>and then and this is like getting nitpicky, I'll admit.

0:46:41.480 --> 0:46:44.680
<v Speaker 1>But they both go to work the day of their wedding,

0:46:45.200 --> 0:46:47.880
<v Speaker 1>don't you. People usually take the day off. And it

0:46:47.920 --> 0:46:50.439
<v Speaker 1>also implies that they're getting married on a weekday, which

0:46:50.440 --> 0:46:54.720
<v Speaker 1>also really happens. They're getting married on a Friday evening

0:46:54.800 --> 0:46:58.520
<v Speaker 1>at six thirty pm. I don't know that much about

0:46:58.560 --> 0:47:00.960
<v Speaker 1>wedding culture, granted, but what I do know is that

0:47:01.000 --> 0:47:04.760
<v Speaker 1>you usually get married on a weekend day, a Saturday,

0:47:04.800 --> 0:47:07.640
<v Speaker 1>maybe a Sunday, so people can come, so they don't

0:47:07.680 --> 0:47:11.480
<v Speaker 1>have two people can come work right, and that you

0:47:11.520 --> 0:47:15.160
<v Speaker 1>can just have the day off and enjoy the festivities

0:47:15.480 --> 0:47:18.640
<v Speaker 1>that the Friday at six thirty. I I first was

0:47:18.840 --> 0:47:20.960
<v Speaker 1>thought that was a writing mistake, but then I thought

0:47:21.000 --> 0:47:23.920
<v Speaker 1>about it, and I think it's not a writing mistake.

0:47:24.160 --> 0:47:26.640
<v Speaker 1>And it makes me really sad. I feel like that's

0:47:27.320 --> 0:47:31.520
<v Speaker 1>third scheduled wedding logic where you're like, I don't care

0:47:32.120 --> 0:47:37.160
<v Speaker 1>when it is, I just want it to happen. And

0:47:37.239 --> 0:47:39.920
<v Speaker 1>you can see there's like fourteen people there. It's a

0:47:40.000 --> 0:47:42.480
<v Speaker 1>very small wedding, and it makes you wonder how many

0:47:42.480 --> 0:47:45.840
<v Speaker 1>people were invited to the first wedding versus the third,

0:47:46.040 --> 0:47:49.200
<v Speaker 1>which makes you wonder how many tens of thousands of

0:47:49.239 --> 0:47:53.560
<v Speaker 1>dollars has been wasted on all of the like deposits

0:47:53.880 --> 0:47:56.839
<v Speaker 1>and all the people you have to book, the caterers,

0:47:56.840 --> 0:48:01.440
<v Speaker 1>the flower people, the everything. I just have to repeat.

0:48:01.600 --> 0:48:07.000
<v Speaker 1>John Hughes wrote this movie like and he adapted and

0:48:07.400 --> 0:48:10.720
<v Speaker 1>in the so neither of us have watched the original.

0:48:10.760 --> 0:48:14.440
<v Speaker 1>All the way through. But based on everything I know

0:48:14.520 --> 0:48:19.280
<v Speaker 1>about the nineteen sixties version, it's less of a movie

0:48:19.440 --> 0:48:22.480
<v Speaker 1>and more of a series of episodes of like, here's

0:48:22.560 --> 0:48:25.279
<v Speaker 1>what happens with the absent minded professor. He does this,

0:48:25.400 --> 0:48:27.280
<v Speaker 1>and then it kind of ends, and then this happens,

0:48:27.320 --> 0:48:29.000
<v Speaker 1>and then that kind of ends, and then it's this

0:48:29.239 --> 0:48:31.560
<v Speaker 1>and then, like I don't think so, at least from

0:48:31.560 --> 0:48:34.240
<v Speaker 1>what I the chunk that I watched, or like the

0:48:34.239 --> 0:48:39.520
<v Speaker 1>three quarters I watched, it was like a fluid like movie. Yeah, God,

0:48:39.680 --> 0:48:41.440
<v Speaker 1>I mean the clips I saw, I was like, these

0:48:41.440 --> 0:48:44.319
<v Speaker 1>assume like three different movies. I mean, but I guess

0:48:44.320 --> 0:48:47.760
<v Speaker 1>that that's what movie is too. It takes a slight

0:48:47.920 --> 0:48:51.520
<v Speaker 1>like act three of the movie. Like, well, first of all,

0:48:51.560 --> 0:48:55.520
<v Speaker 1>I think maybe the sixties version is better written because

0:48:55.960 --> 0:48:58.799
<v Speaker 1>like the whole basketball game, the whole like villain with

0:48:58.920 --> 0:49:03.520
<v Speaker 1>the rich guy, that all gets introduced almost immediately, which

0:49:03.920 --> 0:49:07.920
<v Speaker 1>does need to happen story logic wise. Well, and also

0:49:07.960 --> 0:49:14.360
<v Speaker 1>there's no like robot. It's just it's simply a dog,

0:49:14.680 --> 0:49:18.600
<v Speaker 1>and you're like, well that makes that's a movie. That's

0:49:18.600 --> 0:49:22.120
<v Speaker 1>a kids movie. It's someone and as the dog instead

0:49:22.160 --> 0:49:27.000
<v Speaker 1>of someone, and it's there tortured robot assistant that's in

0:49:27.040 --> 0:49:32.320
<v Speaker 1>love with them like that change, Yeah, was the change.

0:49:32.600 --> 0:49:35.840
<v Speaker 1>The big difference with the the I keep wanting to

0:49:35.880 --> 0:49:38.160
<v Speaker 1>call it the nutty Professor. That's not the same thing.

0:49:38.680 --> 0:49:42.320
<v Speaker 1>The absent minded professor is that later in that movie,

0:49:42.520 --> 0:49:45.880
<v Speaker 1>he's trying he tries to sell the Flubber technology to

0:49:46.000 --> 0:49:48.880
<v Speaker 1>the government. Yes, so a bunch of stuff happens there,

0:49:49.320 --> 0:49:52.960
<v Speaker 1>and then meanwhile the bad guy, the rich guy who's

0:49:53.000 --> 0:49:56.840
<v Speaker 1>evil like tries to trick him and like, so there's

0:49:57.360 --> 0:50:01.520
<v Speaker 1>slightly different plot points there, but generally it's like, yeah,

0:50:01.520 --> 0:50:06.000
<v Speaker 1>it's like a pretty standard, cohesive movie that doesn't feel

0:50:06.040 --> 0:50:09.440
<v Speaker 1>that episodic. Uh. And that is probably again better written

0:50:09.640 --> 0:50:13.520
<v Speaker 1>than Flabber because that script is a mess. It's not good,

0:50:13.600 --> 0:50:19.840
<v Speaker 1>but it's structure like right, that's I don't yeah, I

0:50:19.880 --> 0:50:23.680
<v Speaker 1>don't know. And John Hughes took the original Like by

0:50:23.719 --> 0:50:27.120
<v Speaker 1>all accounts from the like context, I was able to

0:50:27.120 --> 0:50:29.839
<v Speaker 1>find there's not that much written about You know what's

0:50:29.880 --> 0:50:31.840
<v Speaker 1>bad when you can google the name of a movie

0:50:31.920 --> 0:50:34.480
<v Speaker 1>and then the word BuzzFeed and there are no results.

0:50:34.920 --> 0:50:37.799
<v Speaker 1>That's how you know you are. You were you were

0:50:37.840 --> 0:50:43.920
<v Speaker 1>addressing lost media. But Bill Walsh randomized name for me.

0:50:43.960 --> 0:50:46.359
<v Speaker 1>But he he co wrote Mary Poppins. He did like

0:50:46.480 --> 0:50:49.520
<v Speaker 1>the sixties live action Disney movies basically is what he

0:50:49.600 --> 0:50:52.520
<v Speaker 1>was famous for writing. And so he wrote the original script,

0:50:52.600 --> 0:50:56.400
<v Speaker 1>and I guess that John Hughes like officially took his

0:50:56.440 --> 0:51:02.080
<v Speaker 1>script and they were like John Hughes rewriting Bill all script, Wow,

0:51:02.120 --> 0:51:03.880
<v Speaker 1>this is going to be so good. And then I

0:51:04.000 --> 0:51:08.560
<v Speaker 1>just like got hornier and it wasn't good. What I

0:51:08.600 --> 0:51:12.960
<v Speaker 1>will say the absent minded professor, Well, the collective fifteen

0:51:13.000 --> 0:51:16.440
<v Speaker 1>minutes I watched board Me out of my skull and

0:51:16.719 --> 0:51:20.960
<v Speaker 1>you want to leave this earth. It at least like

0:51:21.880 --> 0:51:26.520
<v Speaker 1>wasn't horny. There's a noticeable absence of horny. Why is

0:51:26.560 --> 0:51:31.680
<v Speaker 1>the children's movie so horny? So horny? Like that? For me,

0:51:32.160 --> 0:51:35.879
<v Speaker 1>I just don't understand. Yes, yeah, we'll talk about that

0:51:36.280 --> 0:51:39.440
<v Speaker 1>as soon as we somehow. This is the recap. Is

0:51:39.480 --> 0:51:43.600
<v Speaker 1>the episode in a way? In a way? Um okay,

0:51:43.719 --> 0:51:47.239
<v Speaker 1>So the goons show up, they get fought off by

0:51:47.320 --> 0:51:50.160
<v Speaker 1>the flubber balls, get hit by the bowling ball. Would

0:51:50.160 --> 0:51:53.040
<v Speaker 1>have been if you're watching the movie, tell me like,

0:51:53.160 --> 0:51:55.600
<v Speaker 1>it wouldn't be funnier if his head exploded and one

0:51:55.600 --> 0:52:01.279
<v Speaker 1>of the goons simply died of flubber related causes. That's

0:52:00.120 --> 0:52:05.680
<v Speaker 1>the goons are played by. And I didn't bother even

0:52:05.719 --> 0:52:08.800
<v Speaker 1>to look up the actor's names either. I didn't know

0:52:09.520 --> 0:52:13.680
<v Speaker 1>it's Buffalo Bill from the Silence of the Lamb. Yes,

0:52:14.360 --> 0:52:17.680
<v Speaker 1>is one of them, and then the main prison guard

0:52:17.760 --> 0:52:25.040
<v Speaker 1>from Shawshank Redemption is the other one. Unbelievable, How yeah,

0:52:25.080 --> 0:52:27.640
<v Speaker 1>I mean, I guess they're like John Hughes movie eighty

0:52:27.640 --> 0:52:31.080
<v Speaker 1>million dollar budget, Robin Williams Disney. You're like, this all

0:52:31.200 --> 0:52:35.279
<v Speaker 1>sounds like things that people like, but then unfortunately it

0:52:35.400 --> 0:52:39.440
<v Speaker 1>is flubber, and then it's that's so cruel. Also, I

0:52:39.480 --> 0:52:43.279
<v Speaker 1>wanted to shout out the character actor who plays Martha

0:52:43.320 --> 0:52:47.560
<v Speaker 1>in exactly two scenes, who is apparently Martha gay Harden's

0:52:47.640 --> 0:52:49.799
<v Speaker 1>only friend in the world and is too afraid to

0:52:49.800 --> 0:52:52.400
<v Speaker 1>tell her that she's in the most toxic relationship of

0:52:52.400 --> 0:52:57.080
<v Speaker 1>all time. But it is iconic character actor Edie mcclerk,

0:52:57.239 --> 0:53:00.600
<v Speaker 1>who is in everything. If you feel like recognize her

0:53:00.640 --> 0:53:03.799
<v Speaker 1>from something, it's because you probably do. She was I

0:53:03.880 --> 0:53:07.799
<v Speaker 1>remember her in I remember her in Ferris Feeler's Day Off.

0:53:08.560 --> 0:53:12.520
<v Speaker 1>She's in that. I remember her, and I think, yes,

0:53:12.760 --> 0:53:16.800
<v Speaker 1>she's in Carrie oh, I remember her from Plane Strings

0:53:16.800 --> 0:53:20.640
<v Speaker 1>and Automobiles. She's in a scene where Steve Martin says

0:53:20.840 --> 0:53:23.600
<v Speaker 1>fuck like a hundred times in a row because she's

0:53:23.600 --> 0:53:26.279
<v Speaker 1>like playing this customer service role. So that's also a

0:53:26.320 --> 0:53:28.160
<v Speaker 1>John Hughes movie. So she's in a bunch of John

0:53:28.239 --> 0:53:32.560
<v Speaker 1>Hughes Okay, so she's John Hughes canon, so he brought

0:53:32.560 --> 0:53:36.600
<v Speaker 1>her in for. But she's first of all classic stock

0:53:36.680 --> 0:53:39.960
<v Speaker 1>best friend character where the only thing we know about

0:53:39.960 --> 0:53:42.200
<v Speaker 1>her is that she is the leading lady's best friend.

0:53:42.560 --> 0:53:44.759
<v Speaker 1>But unfortunately, the second thing we know about her is

0:53:44.800 --> 0:53:49.640
<v Speaker 1>that she's the worst good friend. The first thing we know,

0:53:49.760 --> 0:53:51.600
<v Speaker 1>she's a friend. The second thing we know, she's a

0:53:51.640 --> 0:53:57.840
<v Speaker 1>bad friend, and that's all we know. Also, I'm sorry,

0:53:57.920 --> 0:54:01.160
<v Speaker 1>like Dr Sarah if in if I'm putting myself in

0:54:01.239 --> 0:54:06.640
<v Speaker 1>Dr Sarah's shoes. If my triple fiance who keeps not

0:54:06.640 --> 0:54:09.120
<v Speaker 1>not being my fiance because he won't show up to

0:54:09.160 --> 0:54:13.160
<v Speaker 1>a wedding, If my triple fiance can't remember my only

0:54:13.280 --> 0:54:16.480
<v Speaker 1>friend's name, I'm not going to marry that. Like I'm

0:54:16.560 --> 0:54:20.879
<v Speaker 1>just not. You know, he doesn't even remember her name,

0:54:20.960 --> 0:54:23.280
<v Speaker 1>and it's supposed to be like ha ha, he doesn't

0:54:23.280 --> 0:54:26.120
<v Speaker 1>even know her name. He's so absent minded and you're like,

0:54:26.840 --> 0:54:28.759
<v Speaker 1>this is not We're just like, no, this is a

0:54:28.840 --> 0:54:32.880
<v Speaker 1>bad person. Don't marry. I need to get like Marshak

0:54:33.040 --> 0:54:35.480
<v Speaker 1>heard and out of here. We got to get her out,

0:54:35.840 --> 0:54:45.560
<v Speaker 1>I know, alright, So actually we kept so Philip an hour. Um,

0:54:45.640 --> 0:54:50.000
<v Speaker 1>Philip figures out how to make his car fly using flubber,

0:54:50.200 --> 0:54:52.279
<v Speaker 1>and then he flies it over to Sarah's house to

0:54:52.320 --> 0:54:57.760
<v Speaker 1>win her back, but she is already canoodling with Wilson,

0:54:58.520 --> 0:55:02.200
<v Speaker 1>which really upset it's Philip, he throws an apple at

0:55:02.200 --> 0:55:07.040
<v Speaker 1>his head. Yes. Meanwhile, back at Philip's house, Wiebo creates

0:55:07.120 --> 0:55:11.120
<v Speaker 1>a hologram image of a woman I think, with the

0:55:11.239 --> 0:55:14.480
<v Speaker 1>sole purpose of seducing Philip. But the twist is I

0:55:14.520 --> 0:55:19.000
<v Speaker 1>think it's actually Jody Benson's body, which is like, doesn't

0:55:19.120 --> 0:55:22.280
<v Speaker 1>make it better, it makes it I think even weirder.

0:55:23.360 --> 0:55:26.760
<v Speaker 1>I know. But yes, she goes on some it looks

0:55:26.800 --> 0:55:29.439
<v Speaker 1>like the it looks like the thing that Share has

0:55:29.480 --> 0:55:32.600
<v Speaker 1>at the beginning of Yeah, I thought that too. She

0:55:32.719 --> 0:55:37.560
<v Speaker 1>creates this all hologram image of this woman and she's

0:55:37.600 --> 0:55:41.759
<v Speaker 1>about to like surprise, kiss Philip in his sleep, but

0:55:41.880 --> 0:55:44.919
<v Speaker 1>before she can, he wakes up and he's like, wait

0:55:44.960 --> 0:55:47.960
<v Speaker 1>a minute, I got it. I can use flubber to

0:55:48.360 --> 0:55:52.839
<v Speaker 1>influence the results of the basketball game. Because there's this

0:55:52.960 --> 0:55:59.480
<v Speaker 1>basketball game that's happening surprise, between Medfield and Rutland where

0:55:59.680 --> 0:56:03.880
<v Speaker 1>Will works, and he wants to do this because Wilson

0:56:04.440 --> 0:56:07.120
<v Speaker 1>was like, if my team wins the game, then you

0:56:07.280 --> 0:56:10.360
<v Speaker 1>we have to go away for a weekend together, Sarah.

0:56:10.480 --> 0:56:13.680
<v Speaker 1>So Phillips like, well, I can't let that happen. I

0:56:13.719 --> 0:56:16.000
<v Speaker 1>can't let the other team win. I have to use

0:56:16.200 --> 0:56:23.920
<v Speaker 1>flabbers so that Medfield wins. This seat is so pointless

0:56:24.000 --> 0:56:27.040
<v Speaker 1>that it like makes your body hurt. Yeah. It's also

0:56:27.080 --> 0:56:32.239
<v Speaker 1>a huge component of the The Absent Minded Professor sixties movie, Yes, right,

0:56:32.280 --> 0:56:34.680
<v Speaker 1>And it was like a big thing in both of them.

0:56:34.680 --> 0:56:36.400
<v Speaker 1>But in both of them you're just like, you're just

0:56:36.440 --> 0:56:38.799
<v Speaker 1>like why, I think it has a purpose in the

0:56:38.840 --> 0:56:40.480
<v Speaker 1>first one, but in this one it's just like a

0:56:40.600 --> 0:56:46.040
<v Speaker 1>really long scene. Yes. So then Philip goes and sprays

0:56:46.200 --> 0:56:51.520
<v Speaker 1>liquid flubber on the team's basketball gear, and then he

0:56:51.600 --> 0:56:54.400
<v Speaker 1>goes to watch the game. While the game is happening,

0:56:54.840 --> 0:56:59.040
<v Speaker 1>Weibo is back at home and let's flubber out of

0:56:59.040 --> 0:57:04.600
<v Speaker 1>its container. Que flubber mambo. That's when that scene happens,

0:57:05.360 --> 0:57:07.640
<v Speaker 1>and then we cut back to the basketball game where

0:57:07.840 --> 0:57:13.360
<v Speaker 1>Medfield College wins, right, but Sarah is still like, no, Philip,

0:57:13.440 --> 0:57:16.760
<v Speaker 1>I'm hanging out with Wilson. So he goes home and

0:57:16.800 --> 0:57:21.400
<v Speaker 1>confides in weibo about how much he loves Sarah, which

0:57:21.440 --> 0:57:25.120
<v Speaker 1>weebow records, and then she goes over to Sarah's house

0:57:25.200 --> 0:57:29.680
<v Speaker 1>to show her all of the gushy stuff that Philip

0:57:29.720 --> 0:57:33.600
<v Speaker 1>was saying, and Sarah is touched, so she goes back

0:57:33.640 --> 0:57:36.440
<v Speaker 1>to Philip and she's like, I'll take you back, and

0:57:36.440 --> 0:57:38.920
<v Speaker 1>then he's like, look, here's my flubber car, and she's like,

0:57:39.120 --> 0:57:41.960
<v Speaker 1>this is how we can save the school. So then

0:57:42.000 --> 0:57:46.000
<v Speaker 1>they go we should say the movie that is set

0:57:46.080 --> 0:57:50.000
<v Speaker 1>up for us should end when they get back together.

0:57:50.520 --> 0:57:53.760
<v Speaker 1>That's where the movie for me, I'm like, okay, so

0:57:53.840 --> 0:57:58.280
<v Speaker 1>at the beginning of the movie, oh no, I keep

0:57:58.320 --> 0:58:02.280
<v Speaker 1>forgetting about the wedding. At the end, she forgives him says, Okay,

0:58:02.440 --> 0:58:07.120
<v Speaker 1>we'll get married again. I it's a bad plot, but

0:58:07.320 --> 0:58:10.120
<v Speaker 1>with the plot we're given at the beginning, it's like

0:58:10.680 --> 0:58:15.200
<v Speaker 1>I had no more questions after that, there's no more there.

0:58:15.320 --> 0:58:17.640
<v Speaker 1>I mean the loose end. Tying up is like the

0:58:17.680 --> 0:58:21.160
<v Speaker 1>fact that you included a robot and made them horny,

0:58:21.280 --> 0:58:24.800
<v Speaker 1>But that's kind of on you the whole, Like, but

0:58:24.960 --> 0:58:28.280
<v Speaker 1>what's going to happen to the school. It's like, oh wait,

0:58:29.080 --> 0:58:34.240
<v Speaker 1>I never fully understood that mistake. Uh, and I don't

0:58:34.280 --> 0:58:36.680
<v Speaker 1>care and I don't care about like it seems like

0:58:36.960 --> 0:58:40.080
<v Speaker 1>the That's the other thing is like the like goons

0:58:40.160 --> 0:58:43.080
<v Speaker 1>that are sent to the house are taken out by Flubber,

0:58:43.240 --> 0:58:47.280
<v Speaker 1>and then it was for me, it's sort of like alright, cool, yeah,

0:58:47.320 --> 0:58:52.120
<v Speaker 1>they're the like guess what they're back? You're like, why

0:58:52.160 --> 0:58:55.000
<v Speaker 1>that the Third Actors Show was so rough it was

0:58:55.040 --> 0:58:58.720
<v Speaker 1>really hard to pay attention. Here's why. It's because and

0:58:58.760 --> 0:59:01.840
<v Speaker 1>they don't do enough to properly set this up or

0:59:01.880 --> 0:59:05.360
<v Speaker 1>explain it. But the evil rich guy has loaned the

0:59:05.440 --> 0:59:08.880
<v Speaker 1>school money so that he's like, I'm going to collect

0:59:09.080 --> 0:59:12.840
<v Speaker 1>on my loan by stealing Flubber. So then that's why

0:59:12.880 --> 0:59:16.440
<v Speaker 1>we still have this like tension of him trying to

0:59:16.560 --> 0:59:20.600
<v Speaker 1>like take the flubber and like all those steaks. But

0:59:21.160 --> 0:59:25.400
<v Speaker 1>that should have played out before Philip and Sarah got

0:59:25.440 --> 0:59:27.840
<v Speaker 1>back together. I feel like, yeah, because you're right, because

0:59:27.840 --> 0:59:30.560
<v Speaker 1>once that tension is resolved. We're just like, okay, cool,

0:59:30.920 --> 0:59:33.200
<v Speaker 1>the movie should be over. The only thing that was

0:59:33.280 --> 0:59:37.040
<v Speaker 1>unresolved for me that the movie doesn't even resolve. They

0:59:37.080 --> 0:59:43.280
<v Speaker 1>instead murder the character. H is that like, oh, you know,

0:59:43.480 --> 0:59:48.040
<v Speaker 1>like Wee Bow is the driving force that gets Professor

0:59:48.080 --> 0:59:51.880
<v Speaker 1>Flabber and Dr Sarah back together. But doesn't that you know,

0:59:52.080 --> 0:59:55.280
<v Speaker 1>hurt for her because she has these strong feelings for

0:59:55.280 --> 0:59:59.439
<v Speaker 1>for Professor Flabber. So what I I thought might happen

0:59:59.480 --> 1:00:04.160
<v Speaker 1>because I don't remember how this fucking movie ends. I'm like, oh,

1:00:04.200 --> 1:00:07.080
<v Speaker 1>like Wee Bo is gonna have to have this personal

1:00:07.160 --> 1:00:10.320
<v Speaker 1>reckoning of like, well, how where do I go from here?

1:00:10.560 --> 1:00:13.360
<v Speaker 1>As as a as a robot? Where do I go?

1:00:13.760 --> 1:00:17.600
<v Speaker 1>You know, like that I've accepted that this is not

1:00:17.680 --> 1:00:21.400
<v Speaker 1>a relationship that's going to happen for me, but instead

1:00:21.440 --> 1:00:25.320
<v Speaker 1>that doesn't happen. She seems to immediately be like, oh, well,

1:00:25.520 --> 1:00:28.560
<v Speaker 1>I know it was killing me before and I canceled

1:00:28.640 --> 1:00:32.000
<v Speaker 1>multiple weddings on purpose, but I'm over it. And then

1:00:32.080 --> 1:00:37.160
<v Speaker 1>she's killed another example of a woman who's in love

1:00:37.200 --> 1:00:40.240
<v Speaker 1>with this mediocre man and then just like it's literally

1:00:40.960 --> 1:00:47.520
<v Speaker 1>her for two year old, like it's her movie her

1:00:48.200 --> 1:00:50.959
<v Speaker 1>if it was for someone who was zero years old,

1:00:51.040 --> 1:00:54.400
<v Speaker 1>if they were like, okay, so computers and humans could

1:00:54.400 --> 1:01:01.160
<v Speaker 1>they fuck let's discuss And then like Flubber Flubber arrives

1:01:01.200 --> 1:01:05.800
<v Speaker 1>at no, they can't. But just in this case, I mean,

1:01:06.000 --> 1:01:09.800
<v Speaker 1>it's possible. Again, You're like, maybe I knew this didn't

1:01:09.840 --> 1:01:11.800
<v Speaker 1>happen because I was, like, I would have remembered. But

1:01:12.440 --> 1:01:15.160
<v Speaker 1>if we Bo, like maybe we Bow could go dad

1:01:15.240 --> 1:01:20.080
<v Speaker 1>another guy, a human guy you don't know. But obviously

1:01:20.120 --> 1:01:23.080
<v Speaker 1>she doesn't do that. Instead, she's killed. Instead, she is killed.

1:01:23.360 --> 1:01:25.480
<v Speaker 1>I just can't get over the fact that we've always

1:01:26.200 --> 1:01:29.400
<v Speaker 1>murdered murdered, and then we're supposed to care about it.

1:01:29.440 --> 1:01:33.240
<v Speaker 1>But I could not even begin to make myself care

1:01:33.280 --> 1:01:36.080
<v Speaker 1>about that moment because we both like we're still kind

1:01:36.080 --> 1:01:40.040
<v Speaker 1>of mad at we Bow, right, because we Bow has

1:01:40.080 --> 1:01:44.480
<v Speaker 1>been a lot of fucked up stuff, and I'm rooting

1:01:44.520 --> 1:01:48.280
<v Speaker 1>for no one right except for kind of doctor Sarah,

1:01:48.320 --> 1:01:51.000
<v Speaker 1>who I'm like, I just need her to, like, you know,

1:01:51.040 --> 1:01:53.120
<v Speaker 1>get a therapist or like talk to someone who's going

1:01:53.160 --> 1:01:57.560
<v Speaker 1>to be like act with some self esteem. But I

1:01:57.600 --> 1:02:02.080
<v Speaker 1>don't feel anything for Professor Flubber because he's like a

1:02:02.240 --> 1:02:11.760
<v Speaker 1>narcissistic jerk who doesn't care about anything except Flubber. That's

1:02:11.800 --> 1:02:14.360
<v Speaker 1>who I'm rooting for. I'm rooting for Flubber. I don't

1:02:14.400 --> 1:02:17.040
<v Speaker 1>know what Flubber wants. I want. They're trying to get

1:02:17.080 --> 1:02:21.000
<v Speaker 1>whatever they want. Uh. I'm not rooting for we Bow

1:02:21.120 --> 1:02:26.000
<v Speaker 1>because we Bow is like also very selfish and doesn't

1:02:26.040 --> 1:02:28.800
<v Speaker 1>care what it's going to make Professor Flubber happy. She

1:02:28.880 --> 1:02:30.960
<v Speaker 1>just wants what's going to make her happy. And then

1:02:31.000 --> 1:02:34.600
<v Speaker 1>she's surprised kisses him via astral projection and I don't

1:02:34.760 --> 1:02:39.800
<v Speaker 1>like that, and like, so I'm not rooting for wee Bo.

1:02:40.160 --> 1:02:43.560
<v Speaker 1>Dr Sarah has is kind of like too big a

1:02:43.600 --> 1:02:45.960
<v Speaker 1>project to take on. So yeah, it's you're just kind

1:02:46.000 --> 1:02:49.480
<v Speaker 1>of rooting for Flubber. I feel for Dr Sarah, but

1:02:49.520 --> 1:02:53.280
<v Speaker 1>I'm rooting for Flubber. It's just the whole wee Bow

1:02:53.320 --> 1:02:56.960
<v Speaker 1>thing is so it just like made my head hurt.

1:02:57.040 --> 1:03:00.960
<v Speaker 1>I totally forgot about the whole webo of story and

1:03:01.160 --> 1:03:05.680
<v Speaker 1>the fact that it is not just unresolved but killed.

1:03:06.040 --> 1:03:08.960
<v Speaker 1>It's such a John Hughes thing for me to be like,

1:03:09.040 --> 1:03:10.720
<v Speaker 1>I don't know what to do with this female character.

1:03:10.960 --> 1:03:13.680
<v Speaker 1>Let's get rid of her, Like let's see. Ah, you know,

1:03:15.040 --> 1:03:18.560
<v Speaker 1>I don't know. Well, why don't we take another break

1:03:18.840 --> 1:03:30.400
<v Speaker 1>and then come back to finish the reekend and we're

1:03:30.440 --> 1:03:35.800
<v Speaker 1>back all right? Where were we? Um the disaster of

1:03:35.800 --> 1:03:38.920
<v Speaker 1>a third act of this movie? Oh? Yes, So Sarah

1:03:38.920 --> 1:03:42.320
<v Speaker 1>and Philip get back together, and then they go to

1:03:43.160 --> 1:03:49.080
<v Speaker 1>Ford to sell the Flubber technology weird spawn in the movie.

1:03:49.200 --> 1:03:52.280
<v Speaker 1>You're like, really, but that was the first movie too.

1:03:52.320 --> 1:03:56.880
<v Speaker 1>It's also a forward car. You're like, what American industry

1:03:56.960 --> 1:04:02.560
<v Speaker 1>is dead? Get over it. But Chester, the rich bad guy,

1:04:03.040 --> 1:04:07.640
<v Speaker 1>he's mad at Philip again because the whole Lone thing

1:04:07.800 --> 1:04:11.640
<v Speaker 1>or something again, it's not clear, but he sends his

1:04:11.760 --> 1:04:15.080
<v Speaker 1>goons to Philip's house to steal the Flubber and in

1:04:15.240 --> 1:04:18.200
<v Speaker 1>so doing that when they kill Webow. But Weibo has

1:04:18.320 --> 1:04:23.320
<v Speaker 1>uploaded her consciousness onto the computer, and then a daughter

1:04:23.600 --> 1:04:29.800
<v Speaker 1>of Weibow is created we Bet or something. I feel

1:04:29.840 --> 1:04:31.880
<v Speaker 1>like we are in this episode. We are kind of

1:04:31.920 --> 1:04:38.960
<v Speaker 1>analyzing things in real time. Wow. I mean the Weibow death.

1:04:39.400 --> 1:04:44.600
<v Speaker 1>I was like, wow, the wee Bow will I did

1:04:44.800 --> 1:04:50.280
<v Speaker 1>not remember and I was like, wow, that video. She's

1:04:50.480 --> 1:04:58.520
<v Speaker 1>so horny. She's like, oh, Professor Brainer Ariel the Mermaid,

1:04:59.080 --> 1:05:02.680
<v Speaker 1>she and again I'm like, Dr Sarah, are you really

1:05:02.800 --> 1:05:07.480
<v Speaker 1>like yeah, seems cool to me, Like I get like, oh,

1:05:07.600 --> 1:05:11.600
<v Speaker 1>your robot was murdered, and but it was so horry

1:05:11.720 --> 1:05:15.560
<v Speaker 1>and he's like crying. Also, there is that, okay, one

1:05:15.560 --> 1:05:20.680
<v Speaker 1>of my favorite bad line exchanges in this movie. And

1:05:20.760 --> 1:05:23.440
<v Speaker 1>again it's like, no, just I love Robin Williams, no

1:05:23.560 --> 1:05:26.920
<v Speaker 1>disrespect to him. It's not his fault that this movie sucks.

1:05:27.080 --> 1:05:30.520
<v Speaker 1>He's doing everything he can. But there is that there's

1:05:30.600 --> 1:05:34.280
<v Speaker 1>that line where after it seems like Dr Sarah has

1:05:34.320 --> 1:05:37.439
<v Speaker 1>dumped him for good, Eddie comes home. He's like me, me, me,

1:05:37.840 --> 1:05:42.280
<v Speaker 1>and then he says, I guess it's just you and

1:05:42.320 --> 1:05:45.280
<v Speaker 1>me now we both it's just us and she's like

1:05:46.360 --> 1:05:54.240
<v Speaker 1>and then he says, and Flabber makes three. And then

1:05:54.240 --> 1:05:57.400
<v Speaker 1>I just was like I watched that exchange so many

1:05:57.440 --> 1:06:00.320
<v Speaker 1>times because and Flabber makes three. I'm like, I can't

1:06:00.320 --> 1:06:03.600
<v Speaker 1>write like that. That's genius. That's and Flobber makes three.

1:06:03.960 --> 1:06:07.840
<v Speaker 1>That's incredible. Back to the Will, the will is so

1:06:07.960 --> 1:06:13.720
<v Speaker 1>horny and again the story logical. She's like, okay, So

1:06:13.800 --> 1:06:18.960
<v Speaker 1>first of all, it's another example of like professor, Professor

1:06:19.000 --> 1:06:22.040
<v Speaker 1>Flobber only has toxic relationships in his life. He has

1:06:22.080 --> 1:06:27.320
<v Speaker 1>a toxic relationship where he's like mistreating his triple fiance

1:06:27.520 --> 1:06:30.880
<v Speaker 1>Dr Sarah, and then he has a toxic relationship with

1:06:31.600 --> 1:06:34.560
<v Speaker 1>with we Bow. But it's kind of like more on

1:06:34.640 --> 1:06:37.720
<v Speaker 1>both ends there because we Bow is also like deceiving

1:06:37.800 --> 1:06:40.760
<v Speaker 1>him and hiding from him and ever return and You're like,

1:06:40.760 --> 1:06:43.800
<v Speaker 1>this is double this is you know, there's it's there's

1:06:43.840 --> 1:06:46.200
<v Speaker 1>two parties in this situation where I feel like Dr

1:06:46.360 --> 1:06:49.640
<v Speaker 1>Sarah is kind of more squarely a victim of the relationship,

1:06:50.320 --> 1:06:54.280
<v Speaker 1>but we Bow is like, oh yeah, I copied all

1:06:54.280 --> 1:06:56.320
<v Speaker 1>my data and I never told you. And you're like,

1:06:56.600 --> 1:07:01.080
<v Speaker 1>who programs are robot to do that? Like I can't

1:07:01.120 --> 1:07:04.600
<v Speaker 1>think of it? But again, okay, Professor flaps. Big problem

1:07:04.640 --> 1:07:06.960
<v Speaker 1>is he gives He gives all of his creations too

1:07:07.000 --> 1:07:10.320
<v Speaker 1>much free will, too much free will, which also begs

1:07:10.320 --> 1:07:15.880
<v Speaker 1>the question if he has invented a robot with like

1:07:15.960 --> 1:07:21.080
<v Speaker 1>he she's a I, he has invented artificial intelligence, how

1:07:21.160 --> 1:07:24.760
<v Speaker 1>has he not sold that technology to save the school?

1:07:25.000 --> 1:07:28.240
<v Speaker 1>How has that not been something The only thing he

1:07:28.280 --> 1:07:32.040
<v Speaker 1>put in it was Google calendar and Disney Plus that's

1:07:32.080 --> 1:07:36.040
<v Speaker 1>the only thing that's in the robot has two absides

1:07:36.120 --> 1:07:40.280
<v Speaker 1>Calendar and Disney Plus and neither of them work. Uh,

1:07:40.560 --> 1:07:42.919
<v Speaker 1>it can fly, but it can fly, and it has

1:07:42.960 --> 1:07:47.560
<v Speaker 1>its own thoughts and feeling. It experiences human emotion. It

1:07:47.760 --> 1:07:51.680
<v Speaker 1>falls in love with a person that they can play

1:07:51.720 --> 1:07:58.960
<v Speaker 1>clips of dumbbo like it's so confusing that but like, yeah, no,

1:07:59.320 --> 1:08:02.960
<v Speaker 1>we Bow is shady as hell, like she's she's like, oh,

1:08:03.000 --> 1:08:04.920
<v Speaker 1>by the way, I copied all of my data and

1:08:04.960 --> 1:08:08.160
<v Speaker 1>I never told you. Also, I've been this, I've been

1:08:08.200 --> 1:08:11.320
<v Speaker 1>I've been Jody Benson the whole time, but you just

1:08:11.360 --> 1:08:15.160
<v Speaker 1>didn't know. And like she's and I'm so horny and

1:08:15.160 --> 1:08:17.920
<v Speaker 1>I'm wearing she looks like, um she looks like a

1:08:18.000 --> 1:08:20.680
<v Speaker 1>Cape Bush music video is what she looks like in

1:08:20.800 --> 1:08:23.960
<v Speaker 1>that um oh, with the outfit she puts on with

1:08:23.960 --> 1:08:27.519
<v Speaker 1>with the flowy I'm like just like full wuthering heights,

1:08:27.600 --> 1:08:31.519
<v Speaker 1>Like what is this? But but what she says is,

1:08:32.240 --> 1:08:36.080
<v Speaker 1>first of all, I never told you I copied my brain,

1:08:36.439 --> 1:08:40.400
<v Speaker 1>which is something as the creator that you would want

1:08:40.439 --> 1:08:45.200
<v Speaker 1>to know. She copied her brain on an emergency disc,

1:08:45.520 --> 1:08:50.680
<v Speaker 1>a sloppy disk, a floppy disk. Yeah, And and she

1:08:50.800 --> 1:08:55.280
<v Speaker 1>implies that she's had like digital zero and one sex

1:08:55.360 --> 1:08:58.719
<v Speaker 1>with his consciousness because she's like, I made a copy

1:08:58.760 --> 1:09:00.240
<v Speaker 1>of my brain, but I took out all the parts

1:09:00.280 --> 1:09:03.599
<v Speaker 1>that are like weird in random and I replace them

1:09:03.600 --> 1:09:07.320
<v Speaker 1>with parts of you, which to me says it's their baby.

1:09:07.439 --> 1:09:11.840
<v Speaker 1>She made a baby, right, which they do refer to

1:09:12.120 --> 1:09:15.000
<v Speaker 1>her like the new Webow, the little red we Bow

1:09:15.200 --> 1:09:22.880
<v Speaker 1>as their daughter. So they raise her. I'm like, I'm

1:09:22.920 --> 1:09:25.200
<v Speaker 1>I don't know, I don't know. I was just like

1:09:26.040 --> 1:09:28.479
<v Speaker 1>I was. Maybe I'm being a little harder on Weibow,

1:09:28.840 --> 1:09:31.760
<v Speaker 1>but I'm like we Bow deceitful to the very end,

1:09:32.240 --> 1:09:37.200
<v Speaker 1>like by the way, I'm pregnant and you sure I'm dead,

1:09:37.240 --> 1:09:40.519
<v Speaker 1>but I'm pregnant and you have to raise it with

1:09:40.560 --> 1:09:45.840
<v Speaker 1>Marcia gay Harden, I'm like, what, And now Flubber makes

1:09:46.040 --> 1:09:52.120
<v Speaker 1>Fourber makes four because now and then they like gender

1:09:52.280 --> 1:09:55.120
<v Speaker 1>Flubber at the end, because they make Flubber like the

1:09:55.200 --> 1:09:57.479
<v Speaker 1>brother kind of there, like I'm not sharing a room

1:09:57.479 --> 1:10:05.200
<v Speaker 1>with Flubber. He's spinky. You're like what, I just can't believe.

1:10:05.680 --> 1:10:08.599
<v Speaker 1>I just can't believe. Like from that on, I'm like,

1:10:08.920 --> 1:10:12.439
<v Speaker 1>I don't even know where we are. So so she

1:10:12.560 --> 1:10:18.400
<v Speaker 1>dies but she's pregnant to raise the baby and here's

1:10:18.400 --> 1:10:23.479
<v Speaker 1>the schematics for the baby, right. He also just happens

1:10:23.479 --> 1:10:28.640
<v Speaker 1>to have an updated, newer looking little red wee bow

1:10:28.840 --> 1:10:33.120
<v Speaker 1>robot that that consciousness gets uploaded into. I guess I

1:10:33.240 --> 1:10:38.360
<v Speaker 1>can't even handle it. Yeah, it's it's no good. Okay.

1:10:38.400 --> 1:10:41.800
<v Speaker 1>So we're almost done with the recap. We're at the

1:10:41.840 --> 1:10:46.960
<v Speaker 1>climactic sequence. So Philip and Sarah go to Chester to

1:10:47.040 --> 1:10:50.720
<v Speaker 1>get the flubber back, and Wilson is also there, and

1:10:50.840 --> 1:10:54.360
<v Speaker 1>some for some reason, Sarah is surprised that he's a

1:10:54.400 --> 1:10:56.639
<v Speaker 1>bad guy, and it's like, do you not have any

1:10:56.720 --> 1:11:02.599
<v Speaker 1>judge of character at all? Sarah? I'm just like what, yeah, poor,

1:11:02.680 --> 1:11:05.200
<v Speaker 1>I mean, I'm like, I just wish I could talk

1:11:05.280 --> 1:11:10.000
<v Speaker 1>to Sarah, I know you were real. And then all

1:11:10.000 --> 1:11:12.360
<v Speaker 1>the goons are there, so this big fight breaks out,

1:11:12.439 --> 1:11:16.120
<v Speaker 1>but Sarah and Philip have put flubber all over their

1:11:16.120 --> 1:11:19.120
<v Speaker 1>hands and feet, so they're you know, bouncing all around.

1:11:19.160 --> 1:11:24.720
<v Speaker 1>They're punching the bad guys. Flubber goes through Wilson's digestive

1:11:24.760 --> 1:11:29.280
<v Speaker 1>system out of his butt hole, and that's the final like, woo,

1:11:29.320 --> 1:11:32.840
<v Speaker 1>we won. That's iconic. And then they're like, yeah, the enemy.

1:11:33.000 --> 1:11:37.320
<v Speaker 1>Once the enemy poops flubber out his butt hole. That's

1:11:37.320 --> 1:11:42.240
<v Speaker 1>how you know you won. The battle has been fought

1:11:42.240 --> 1:11:47.040
<v Speaker 1>and you lost. They win and they saved the college.

1:11:47.240 --> 1:11:51.200
<v Speaker 1>And then Philip and Sarah finally get married, but they

1:11:51.240 --> 1:11:56.400
<v Speaker 1>get married remotely because he's still can't be bothered to

1:11:56.600 --> 1:11:59.960
<v Speaker 1>show up for the wedding. I had to rewind. I'm like,

1:12:00.080 --> 1:12:02.920
<v Speaker 1>there's no way he didn't show up. And he's in

1:12:03.040 --> 1:12:08.479
<v Speaker 1>his basement like a miga away. He's right there. It's oh,

1:12:10.160 --> 1:12:13.519
<v Speaker 1>and she has to kiss her daughter. She's to kiss

1:12:13.520 --> 1:12:17.960
<v Speaker 1>her daughter, who's the who's the baby of a robot

1:12:18.040 --> 1:12:23.760
<v Speaker 1>that was murdered, And you just want better for her.

1:12:24.320 --> 1:12:27.960
<v Speaker 1>You want better for her. She has a pattern where

1:12:28.000 --> 1:12:32.200
<v Speaker 1>she is with this toxic person, and this toxic person

1:12:32.240 --> 1:12:37.439
<v Speaker 1>just begets toxic robots, toxic everything. I just I couldn't

1:12:37.439 --> 1:12:39.360
<v Speaker 1>believe he didn't show up at the wedding. At the end,

1:12:39.439 --> 1:12:43.800
<v Speaker 1>it's like furious. I was so mad, and flubber makes

1:12:43.840 --> 1:12:46.880
<v Speaker 1>four flubber makes and then and then here's what I wrote,

1:12:47.160 --> 1:12:53.639
<v Speaker 1>um and then they live flubberly ever after. Sorry, that's

1:12:53.640 --> 1:12:56.120
<v Speaker 1>the police coming to arrest you from what you just said.

1:12:57.000 --> 1:13:07.160
<v Speaker 1>Uh there, oh, oh a cab. I can't this movie. Okay,

1:13:07.400 --> 1:13:11.000
<v Speaker 1>we've talked so much already. Some lines that stick out

1:13:11.040 --> 1:13:15.800
<v Speaker 1>to me. Flubber could save this college. Okay that I love.

1:13:16.040 --> 1:13:21.599
<v Speaker 1>Do it for wee bo. That's great. Uh this line

1:13:21.880 --> 1:13:26.360
<v Speaker 1>when after Sarah and Professor Flabbery back together, we're going

1:13:26.439 --> 1:13:29.800
<v Speaker 1>to sell you the flubber. Okay, that's a line that

1:13:29.880 --> 1:13:34.280
<v Speaker 1>they say to the rich guy, Oh what else is there?

1:13:35.400 --> 1:13:40.080
<v Speaker 1>And Flubber makes three? Of course, somebody iconic line, I think. Oh,

1:13:40.120 --> 1:13:42.559
<v Speaker 1>and I was also going to say that should we

1:13:42.560 --> 1:13:45.080
<v Speaker 1>should just try to introduce that into like the lexicon

1:13:45.240 --> 1:13:49.400
<v Speaker 1>of this podcast. When the villain is defeated, they have

1:13:50.120 --> 1:13:53.800
<v Speaker 1>pooped out the flubber. They poop the flubber, and then

1:13:53.880 --> 1:13:59.519
<v Speaker 1>the movie is over. They can't. He said something like,

1:13:59.600 --> 1:14:02.439
<v Speaker 1>oh mommy, and then he poops it out. He goes,

1:14:02.600 --> 1:14:06.960
<v Speaker 1>oh mommy, you know what. That's another iconic quote. He doesn't,

1:14:08.520 --> 1:14:13.400
<v Speaker 1>Oh mommy poops out flabber. That is something that happens. Oh,

1:14:13.600 --> 1:14:19.719
<v Speaker 1>you gave Flubber too much free will. That's another. So

1:14:20.479 --> 1:14:23.759
<v Speaker 1>do you have any notes on Flabber? No perfect acts.

1:14:23.920 --> 1:14:26.840
<v Speaker 1>I thought I would, but then I didn't. Oh sorry,

1:14:26.880 --> 1:14:32.639
<v Speaker 1>I meant like the character Flabber like Flabber I thought

1:14:32.680 --> 1:14:35.320
<v Speaker 1>was gonna. I thought that they were like gonna miss

1:14:35.320 --> 1:14:38.320
<v Speaker 1>pac Man Flubber, and they were gonna put a lot

1:14:38.360 --> 1:14:41.120
<v Speaker 1>of gender coating onto Flabber. But the really the only

1:14:41.160 --> 1:14:45.200
<v Speaker 1>example of that I could find was when Flubber dances

1:14:45.240 --> 1:14:49.080
<v Speaker 1>with Flubber the Flubber mambo. The Flabber I mean Oscar

1:14:49.160 --> 1:14:55.000
<v Speaker 1>nominated in a just world, right. I already in the

1:14:55.040 --> 1:14:57.080
<v Speaker 1>time we've been recording this have tweeted it at super

1:14:57.160 --> 1:15:01.080
<v Speaker 1>yucky and I'm getting them to consider it, uh that

1:15:01.600 --> 1:15:07.160
<v Speaker 1>that's just called efficiency baby um. But it seems like

1:15:07.200 --> 1:15:10.120
<v Speaker 1>they were trying to put on some gender signifiers onto

1:15:10.200 --> 1:15:16.240
<v Speaker 1>flubbers flubbers um where they put a kind of a skirt,

1:15:16.400 --> 1:15:19.760
<v Speaker 1>a dancing skirt onto Flabber. But I would say even that,

1:15:19.800 --> 1:15:22.240
<v Speaker 1>you know, Flubber is such a genderless entity that really

1:15:22.280 --> 1:15:25.800
<v Speaker 1>any Flabber could be wearing the skirt. And while I

1:15:25.840 --> 1:15:29.200
<v Speaker 1>would say that probably whoever wrote it wasn't was probably

1:15:29.200 --> 1:15:32.400
<v Speaker 1>in a more gender normative nineties mindset, I don't know

1:15:32.479 --> 1:15:37.080
<v Speaker 1>that for sure. So in that way, Flubber is a

1:15:37.160 --> 1:15:41.720
<v Speaker 1>gender fluid icon. I agree. I think that they there

1:15:41.720 --> 1:15:43.880
<v Speaker 1>could have definitely been because a lot of things that

1:15:44.680 --> 1:15:48.120
<v Speaker 1>especially of this era and before this, and even there's

1:15:48.479 --> 1:15:53.800
<v Speaker 1>you know, residual things after this where something that would

1:15:53.840 --> 1:15:58.440
<v Speaker 1>not be gendered at all would never be assigned any

1:15:58.600 --> 1:16:02.800
<v Speaker 1>gender will still be given gender signifiers. And this even

1:16:02.880 --> 1:16:06.840
<v Speaker 1>happens in like a lot of animated movies, where like

1:16:07.240 --> 1:16:11.519
<v Speaker 1>animals are the characters and they find ways to be like, well,

1:16:11.560 --> 1:16:14.000
<v Speaker 1>the female character even though the female and the male

1:16:14.120 --> 1:16:17.720
<v Speaker 1>of this species look exactly alike, you could not distinguish.

1:16:17.800 --> 1:16:21.120
<v Speaker 1>The female has long eyelashes and a bow, long eyelashes,

1:16:21.160 --> 1:16:27.439
<v Speaker 1>and like a bust and like hips sausage. Pretty yeah, yeah,

1:16:27.520 --> 1:16:32.519
<v Speaker 1>like like weird animal titties that don't actually exist. There.

1:16:32.560 --> 1:16:35.479
<v Speaker 1>There's a great old at this point, but like an

1:16:35.479 --> 1:16:39.480
<v Speaker 1>Anya Sarkisian video that like breaks down this whole phenomenon

1:16:39.560 --> 1:16:46.519
<v Speaker 1>of just like adding egregious gender signifiers because no reason,

1:16:46.720 --> 1:16:50.120
<v Speaker 1>literally just to do it right, which I honestly thought

1:16:51.000 --> 1:16:54.840
<v Speaker 1>I was going into this with brain thinking for sure

1:16:55.120 --> 1:16:58.080
<v Speaker 1>that was going to happen with the actual flabber more

1:16:58.560 --> 1:17:01.600
<v Speaker 1>but then it was just done with we bow instead,

1:17:02.600 --> 1:17:07.759
<v Speaker 1>but flabber, you know, the flabber itself, iconic, iconic, still

1:17:08.080 --> 1:17:12.080
<v Speaker 1>justice for flubber. There, I said it all the Flubber,

1:17:12.479 --> 1:17:15.400
<v Speaker 1>all of the Flubber. There was one time when Flubber

1:17:16.320 --> 1:17:19.840
<v Speaker 1>made a a fat phobic kind of joke, or a

1:17:19.920 --> 1:17:24.920
<v Speaker 1>Flubber made fun of a butt, and I didn't like that.

1:17:25.120 --> 1:17:28.559
<v Speaker 1>I noticed that as well, and Flubber really needs to

1:17:29.479 --> 1:17:32.680
<v Speaker 1>get right in that way. Yeah, so there. I mean,

1:17:32.720 --> 1:17:36.439
<v Speaker 1>it wasn't it wasn't completely flawless, but it honestly, I

1:17:36.479 --> 1:17:41.679
<v Speaker 1>thought that the flo the actual Flabber, not the movie Flabber,

1:17:42.320 --> 1:17:44.479
<v Speaker 1>was going to be there was gonna be way more

1:17:44.520 --> 1:17:45.960
<v Speaker 1>to talk about, but I kind of don't really have

1:17:46.040 --> 1:17:48.200
<v Speaker 1>that much to talk about. I really just have like

1:17:48.600 --> 1:17:53.080
<v Speaker 1>Wee Bow and Dr Sarah same. So kudos to Flubber

1:17:53.400 --> 1:17:59.600
<v Speaker 1>the character. You go, Flubber the Mambo Flubber seems to

1:17:59.600 --> 1:18:05.440
<v Speaker 1>be able to reproduce a sexually because Flubber is replicating

1:18:05.479 --> 1:18:08.280
<v Speaker 1>itself over and over again. But I wouldn't say that

1:18:08.280 --> 1:18:12.760
<v Speaker 1>the Flabber isn't horny. So for me, it got like

1:18:12.880 --> 1:18:16.240
<v Speaker 1>the Flubber did seem to be. I'm like, the Flabber

1:18:16.320 --> 1:18:19.559
<v Speaker 1>reproduced a sexually we saw, but I also feel like

1:18:19.560 --> 1:18:21.880
<v Speaker 1>we saw the Flabber kind of getting like, you know,

1:18:21.960 --> 1:18:27.200
<v Speaker 1>like stimulated by the other Flabber. So there are true

1:18:27.280 --> 1:18:31.599
<v Speaker 1>questions about the reproductive habits of Flubber. But also I'm like,

1:18:32.720 --> 1:18:39.400
<v Speaker 1>also it begs the question is Flubber and organic material

1:18:39.520 --> 1:18:42.600
<v Speaker 1>or is this inorganic chemistry? Is this organic chemistry or

1:18:42.680 --> 1:18:46.479
<v Speaker 1>inorganic chemistry? We still don't really know. Yeah, and and

1:18:46.560 --> 1:18:51.120
<v Speaker 1>it really you would think, well, I don't know. Does

1:18:51.520 --> 1:18:56.760
<v Speaker 1>does too much free will imply sexuality? Maybe? Don't know?

1:18:57.080 --> 1:19:00.240
<v Speaker 1>I don't know. I mean because Professor Flabber never made

1:19:00.240 --> 1:19:03.320
<v Speaker 1>it clear what the ingredients are in too much free will?

1:19:04.520 --> 1:19:07.800
<v Speaker 1>We may never know. We will never know. The Flabber

1:19:07.960 --> 1:19:14.440
<v Speaker 1>is kind of just like a scientific miracle. And I

1:19:14.439 --> 1:19:18.439
<v Speaker 1>hope that the Flabber gets emancipated from Professor Flabber much

1:19:18.600 --> 1:19:22.280
<v Speaker 1>like again, and I'll draw that I Frankenstein parallel again,

1:19:23.280 --> 1:19:26.760
<v Speaker 1>you know, I Frankenstein got away from professoral he killed

1:19:26.760 --> 1:19:31.120
<v Speaker 1>Professor killed he did kill him? Uh, he killed him?

1:19:31.320 --> 1:19:36.360
<v Speaker 1>And what if Flabber killed Professor and then got away

1:19:36.439 --> 1:19:44.320
<v Speaker 1>and then waged the war of gargoyles first demons I

1:19:44.320 --> 1:19:49.320
<v Speaker 1>love so much. Um, if Flabber did kill Professor Flabber,

1:19:49.520 --> 1:19:51.320
<v Speaker 1>that would not be a children's movie, but it would

1:19:51.360 --> 1:19:54.240
<v Speaker 1>be a movie I would watch yeah, and maybe he

1:19:54.280 --> 1:19:56.960
<v Speaker 1>doesn't deserve to die, but he certainly is not worthy

1:19:57.400 --> 1:20:02.439
<v Speaker 1>of a relationship with Dr Sarah. Dr Sarah, I mean,

1:20:03.120 --> 1:20:05.519
<v Speaker 1>I don't I've maybe I've already said everything I need

1:20:05.560 --> 1:20:08.200
<v Speaker 1>to say about Dr Sarah. I just like again, and

1:20:08.240 --> 1:20:11.719
<v Speaker 1>it's like we've been having a flubber load of fun

1:20:11.800 --> 1:20:16.360
<v Speaker 1>in this episode. But from a writing perspective, this is

1:20:16.400 --> 1:20:20.160
<v Speaker 1>like just a really poorly written female character that it

1:20:20.240 --> 1:20:23.720
<v Speaker 1>doesn't seem like was written that much better in the

1:20:23.800 --> 1:20:28.920
<v Speaker 1>nineteen sixties. But it's just kind of studying how passive

1:20:29.600 --> 1:20:33.880
<v Speaker 1>she is and outside of like the joke slash point

1:20:33.920 --> 1:20:36.599
<v Speaker 1>we've been making of, like she clearly has no support

1:20:36.640 --> 1:20:40.679
<v Speaker 1>system to like advocate for her and she's not able

1:20:40.720 --> 1:20:43.280
<v Speaker 1>to advocate for herself. But it's like John Hughes is

1:20:43.320 --> 1:20:45.280
<v Speaker 1>writing this, This is not a real person, you know,

1:20:45.360 --> 1:20:49.040
<v Speaker 1>Like there is even a version of this script that

1:20:49.120 --> 1:20:52.120
<v Speaker 1>goes exactly the same way. I still wouldn't like it,

1:20:52.200 --> 1:20:55.280
<v Speaker 1>but like Dr Sarah doesn't really even stand up for

1:20:55.280 --> 1:20:58.400
<v Speaker 1>herself one time. The one time she stands up for herself,

1:20:58.439 --> 1:21:01.360
<v Speaker 1>it's to be like I'm breaking up with you enough

1:21:01.479 --> 1:21:04.639
<v Speaker 1>with the flubber, But then she just goes back on that,

1:21:05.280 --> 1:21:09.559
<v Speaker 1>and and also the way that what's the villain's name,

1:21:09.640 --> 1:21:13.599
<v Speaker 1>the guy who ships out the flower Wilson, the way

1:21:13.640 --> 1:21:16.679
<v Speaker 1>he treats her is also really coercive and gross where

1:21:17.200 --> 1:21:20.960
<v Speaker 1>he I mean, where he literally does like a mission

1:21:21.040 --> 1:21:23.640
<v Speaker 1>statement was like I'm here to steal your girl and

1:21:23.680 --> 1:21:29.400
<v Speaker 1>your flabber and like and your flabber too, and you're

1:21:29.400 --> 1:21:34.400
<v Speaker 1>a little flabber too, your little flabber two, He'll get you.

1:21:35.439 --> 1:21:40.920
<v Speaker 1>And you're a little flaber too. That should be that funny, um,

1:21:40.960 --> 1:21:43.000
<v Speaker 1>but he, I mean, the way he treats her and

1:21:43.040 --> 1:21:46.040
<v Speaker 1>the way she responds is it's a very coercive situation.

1:21:46.240 --> 1:21:48.760
<v Speaker 1>But in a way to me, it was clear that

1:21:48.800 --> 1:21:52.519
<v Speaker 1>the writer wasn't really aware, Like he knows that Wilson

1:21:52.640 --> 1:21:56.280
<v Speaker 1>is bad, but he doesn't know how to write the response.

1:21:56.760 --> 1:22:00.120
<v Speaker 1>So I just I ended up like feeling badly for

1:22:00.120 --> 1:22:03.280
<v Speaker 1>her in that situation too, because it was hard to

1:22:03.320 --> 1:22:06.360
<v Speaker 1>tell is she interested in him but she's not, but

1:22:06.400 --> 1:22:08.559
<v Speaker 1>then she has, but then she's It seems like she

1:22:08.680 --> 1:22:13.360
<v Speaker 1>was just appeasing him to end the conversation, but it

1:22:13.400 --> 1:22:15.519
<v Speaker 1>didn't seem like that was what the movie. I wasn't

1:22:15.520 --> 1:22:19.040
<v Speaker 1>sure what the movie I thought here's my read of it, because,

1:22:19.360 --> 1:22:21.160
<v Speaker 1>like you said, the one moment she stands up for

1:22:21.200 --> 1:22:23.559
<v Speaker 1>herself when she likes puts her foot down. She was like,

1:22:23.600 --> 1:22:26.200
<v Speaker 1>we are through. You failed to show up for our

1:22:26.240 --> 1:22:29.840
<v Speaker 1>third wedding, so I can't do this anymore. It's like, God,

1:22:30.000 --> 1:22:33.240
<v Speaker 1>that's already the line. First of all, right, It's like, wow,

1:22:33.360 --> 1:22:36.160
<v Speaker 1>that's like after the first wedding he didn't show up.

1:22:36.400 --> 1:22:39.840
<v Speaker 1>That's when you draw the line. Maybe, but whatever, your

1:22:40.320 --> 1:22:43.000
<v Speaker 1>it's your life. So she puts her foot down, she

1:22:43.040 --> 1:22:46.600
<v Speaker 1>breaks off the relationship. And then that's when what's his

1:22:46.640 --> 1:22:50.400
<v Speaker 1>favor Wilson swoops in. She somehow does not notice that

1:22:50.439 --> 1:22:53.439
<v Speaker 1>he is a sleazy piece of ship because she just

1:22:53.520 --> 1:22:56.240
<v Speaker 1>does not have any awareness of the world at all.

1:22:56.640 --> 1:22:59.000
<v Speaker 1>And this is because of this trope that we see

1:22:59.040 --> 1:23:02.400
<v Speaker 1>a lot where I think a lot of male writers

1:23:02.439 --> 1:23:07.639
<v Speaker 1>of screenplays, I think that women are so just like

1:23:08.240 --> 1:23:11.840
<v Speaker 1>desperate for the affection of a man. She will just

1:23:11.880 --> 1:23:15.240
<v Speaker 1>get engaged to the first man who pays her any attention.

1:23:15.360 --> 1:23:18.439
<v Speaker 1>So when Wilson comes in, he's like, well, I'm here now, yeah,

1:23:18.840 --> 1:23:21.960
<v Speaker 1>let's kiss, And she's like, well okay, and then and

1:23:22.000 --> 1:23:25.000
<v Speaker 1>then when and then when he turns out to you know,

1:23:25.080 --> 1:23:26.920
<v Speaker 1>he doesn't show up for the third wedding, Well, three

1:23:26.920 --> 1:23:29.439
<v Speaker 1>strikes and you're out, Mr, as far as weddings go.

1:23:30.000 --> 1:23:32.519
<v Speaker 1>And and then the first guy that shows her attention

1:23:32.520 --> 1:23:36.200
<v Speaker 1>after that she engages and she's like, well, we're in

1:23:36.200 --> 1:23:39.400
<v Speaker 1>a relationship now, I guess. And you're like Marcia Gayharden,

1:23:39.439 --> 1:23:43.439
<v Speaker 1>you're the president of a fictional college, like you know,

1:23:44.240 --> 1:23:47.479
<v Speaker 1>woman in a leadership role, like you're you're a woman

1:23:47.520 --> 1:23:53.519
<v Speaker 1>in academia. You're like, there's just no reason that her

1:23:53.640 --> 1:23:58.400
<v Speaker 1>logical choice would be so like anyone, Like she's a

1:23:58.439 --> 1:24:01.479
<v Speaker 1>really smart and I don't know, it's it's I and

1:24:01.520 --> 1:24:03.880
<v Speaker 1>I understand, like where there's a lot of women in

1:24:04.080 --> 1:24:07.080
<v Speaker 1>leadership roles who still struggle with self esteem. I get that.

1:24:07.960 --> 1:24:10.280
<v Speaker 1>I just don't think that the writer is thinking that

1:24:10.320 --> 1:24:12.519
<v Speaker 1>hard about it. It just seems like a generalization of

1:24:12.560 --> 1:24:16.920
<v Speaker 1>like she's a woman over thirty, she's desperate to get married,

1:24:17.080 --> 1:24:21.200
<v Speaker 1>Like that was more how I read that choice, Yeah, exactly.

1:24:22.280 --> 1:24:25.760
<v Speaker 1>Or there's another reading of that where we're supposed to

1:24:25.760 --> 1:24:27.640
<v Speaker 1>think that they're genuinely in love, Which brings me to

1:24:27.800 --> 1:24:30.080
<v Speaker 1>a point that we didn't we didn't touch on yet,

1:24:30.840 --> 1:24:37.599
<v Speaker 1>which was though like most mind numbing character explanation for

1:24:37.640 --> 1:24:41.960
<v Speaker 1>me in the whole movie, where I don't even remember

1:24:42.080 --> 1:24:45.280
<v Speaker 1>which rejection. Oh. I think it's like after the basketball

1:24:45.320 --> 1:24:48.519
<v Speaker 1>game where Professor Flever comes home and he's like, hmm,

1:24:48.720 --> 1:24:51.600
<v Speaker 1>she don't love me because I stood her up for

1:24:51.640 --> 1:24:55.000
<v Speaker 1>a wedding three times. He's like, she doesn't love me,

1:24:55.200 --> 1:24:59.519
<v Speaker 1>she likes the guy, and then we bow. Seems like

1:24:59.520 --> 1:25:02.240
<v Speaker 1>she's about to confess her love and be like, let's

1:25:02.320 --> 1:25:09.000
<v Speaker 1>have sex right now, Professor Flubber take my astral projection body.

1:25:11.120 --> 1:25:13.479
<v Speaker 1>But then he says, and I didn't write down the quote.

1:25:13.520 --> 1:25:18.360
<v Speaker 1>I should have something akin to well, you don't understand weepo.

1:25:19.200 --> 1:25:24.559
<v Speaker 1>I am so absent minded because I love Dr Sarah

1:25:25.000 --> 1:25:29.200
<v Speaker 1>so much, and you're like, that does not make sense,

1:25:29.600 --> 1:25:33.960
<v Speaker 1>that does not make your That is the most gaslighty

1:25:34.040 --> 1:25:38.120
<v Speaker 1>to your own robot ship I've ever heard. It's like, no,

1:25:38.600 --> 1:25:42.120
<v Speaker 1>it's I keep forgetting about our wedding because I'm just

1:25:42.240 --> 1:25:46.960
<v Speaker 1>thinking about how much I freaking love you. And it's like, no, dude,

1:25:47.000 --> 1:25:52.679
<v Speaker 1>you're thinking about Flubber, Like we see what you're thinking about,

1:25:52.720 --> 1:25:59.280
<v Speaker 1>and you're committed relationship with Flubber studies, Like you're not

1:25:59.400 --> 1:26:04.840
<v Speaker 1>thinking about Sarah. That's the whole problem, the whole infuriating

1:26:04.920 --> 1:26:07.880
<v Speaker 1>start seeing where like his Google calendar is like Mary

1:26:08.000 --> 1:26:10.200
<v Speaker 1>Sarah and he's like, I don't know, I don't know

1:26:10.320 --> 1:26:13.599
<v Speaker 1>haircut flubber, And you're like, oh my god, we know

1:26:13.680 --> 1:26:17.960
<v Speaker 1>you can read what's happening. Yeah, I wrote down that

1:26:18.640 --> 1:26:22.320
<v Speaker 1>this is a story about a man who loses his

1:26:22.680 --> 1:26:27.479
<v Speaker 1>fiancee because of flubber and then uses flubber the the

1:26:27.560 --> 1:26:30.599
<v Speaker 1>reason he lost his fiance to begin with, to try

1:26:30.640 --> 1:26:32.760
<v Speaker 1>to win her back. And it's just like, you're I

1:26:32.840 --> 1:26:35.680
<v Speaker 1>don't work. You're supposed to be a genius. How is

1:26:35.760 --> 1:26:37.760
<v Speaker 1>this your logic? Right? And then the fact that it

1:26:37.800 --> 1:26:39.759
<v Speaker 1>does work is just like this is the worst writing

1:26:39.800 --> 1:26:42.920
<v Speaker 1>I've ever seen in my life. It's so frustrating. Yeah,

1:26:42.960 --> 1:26:45.519
<v Speaker 1>and and then the fact that like he doesn't even

1:26:45.560 --> 1:26:51.040
<v Speaker 1>apologize to her, really like wee Bo starts to feel guilty,

1:26:51.120 --> 1:26:55.560
<v Speaker 1>which she should by the way she keeps intentionally sabotaging

1:26:55.600 --> 1:26:58.719
<v Speaker 1>the wedding, although again, he shouldn't be forgetting the wedding.

1:26:58.800 --> 1:27:01.160
<v Speaker 1>He should treat me about to remind him he's getting married.

1:27:01.360 --> 1:27:03.559
<v Speaker 1>That said, if he needs we both to remember and

1:27:03.600 --> 1:27:05.840
<v Speaker 1>she's not doing it, because she wants to have sex

1:27:05.880 --> 1:27:09.280
<v Speaker 1>with them. That's not good either way. We both starts

1:27:09.280 --> 1:27:11.360
<v Speaker 1>to feel guilt because she has too much free will.

1:27:11.680 --> 1:27:16.000
<v Speaker 1>And she goes to a Bechtel cast past Bechtel test,

1:27:16.080 --> 1:27:20.040
<v Speaker 1>not cast, no Bechtel test, passing scene with Marcia gay

1:27:20.080 --> 1:27:23.160
<v Speaker 1>Harden because she's like, oh, you know whatever, I'm accountable

1:27:23.200 --> 1:27:26.439
<v Speaker 1>for this, and she's like no. Look. Also she's like, no, look,

1:27:26.720 --> 1:27:32.360
<v Speaker 1>I'm secretly filming Professor Flaber at all times from multiple

1:27:32.479 --> 1:27:37.879
<v Speaker 1>cinematic angles. And here's him, and here is him saying

1:27:38.560 --> 1:27:42.320
<v Speaker 1>this totally irrational explanation of why he keeps missing the wedding,

1:27:42.320 --> 1:27:44.960
<v Speaker 1>which is that he's absent minded because he loves you.

1:27:45.000 --> 1:27:48.400
<v Speaker 1>And Marcia gay Harden is like, oh, I forgive him,

1:27:48.640 --> 1:27:52.120
<v Speaker 1>and you're like that is not Not only is that

1:27:52.200 --> 1:27:55.519
<v Speaker 1>not just not a good explanation of what's going on,

1:27:55.760 --> 1:27:59.400
<v Speaker 1>it's also he never apologizes to her, or like he's

1:27:59.520 --> 1:28:01.960
<v Speaker 1>sort of kind of does and passing me like, ah,

1:28:02.560 --> 1:28:05.320
<v Speaker 1>I'm so glad we're passed all of that, Like and

1:28:05.400 --> 1:28:07.720
<v Speaker 1>now you can really focus on what matters, which is

1:28:07.800 --> 1:28:11.599
<v Speaker 1>flabber which was the problem, Like, I just don't get it.

1:28:12.560 --> 1:28:16.000
<v Speaker 1>Not only does he not apologize He never even just

1:28:16.080 --> 1:28:20.480
<v Speaker 1>tries to talk to Sarah about what is clearly relationship

1:28:20.520 --> 1:28:24.000
<v Speaker 1>problems that they are having. He never Yeah, It's like

1:28:24.240 --> 1:28:28.000
<v Speaker 1>if he were an adult, he would be like, look,

1:28:28.360 --> 1:28:32.240
<v Speaker 1>I know, like, here's some flaws that I have. I'm

1:28:32.280 --> 1:28:34.920
<v Speaker 1>so sorry. I'm gonna work on being better. But the

1:28:34.960 --> 1:28:38.040
<v Speaker 1>only thing he ever does is just be like, here,

1:28:38.120 --> 1:28:40.439
<v Speaker 1>let me show you how much of a geniees I am.

1:28:40.520 --> 1:28:43.400
<v Speaker 1>Let me show you how good I am at flubber,

1:28:43.920 --> 1:28:47.639
<v Speaker 1>And that's going to save our relationship. I'm so good

1:28:47.680 --> 1:28:52.920
<v Speaker 1>at flubber. You don't understand. Maybe, baby baby, you know

1:28:52.920 --> 1:28:55.000
<v Speaker 1>what a guy is like flailing and he's like, baby baby,

1:28:55.120 --> 1:29:01.680
<v Speaker 1>maybe there's a lot of soft bees and you're like, up, um,

1:29:01.760 --> 1:29:07.400
<v Speaker 1>he's like that. But with flubber, which has a couple

1:29:07.400 --> 1:29:11.040
<v Speaker 1>of soft bees, in't it? It's I felt I felt

1:29:11.200 --> 1:29:16.240
<v Speaker 1>so mad when she And then also the like, why

1:29:16.280 --> 1:29:18.880
<v Speaker 1>does I mean this is a convention we talked about

1:29:18.920 --> 1:29:22.240
<v Speaker 1>a million times, but this is just so uniquely bizarre.

1:29:23.160 --> 1:29:26.959
<v Speaker 1>Why does everyone want to have a kiss with Professor

1:29:27.000 --> 1:29:30.680
<v Speaker 1>Flabber while he's asleep. They're like, you know, it's like

1:29:30.760 --> 1:29:33.760
<v Speaker 1>when it's the same, it's the same logic that will

1:29:33.760 --> 1:29:36.679
<v Speaker 1>eventually get us an all female reboit of Flubber, which

1:29:36.720 --> 1:29:38.160
<v Speaker 1>is like, what if we just do the same thing

1:29:38.200 --> 1:29:40.280
<v Speaker 1>that we did that everyone hated, but we flipped it

1:29:40.479 --> 1:29:43.160
<v Speaker 1>and you're like, no one wants that, Like what if

1:29:43.200 --> 1:29:46.000
<v Speaker 1>we kissed an unconscious male? And it's like, that's not

1:29:46.000 --> 1:29:51.519
<v Speaker 1>why people were asking for Actually, uh and somebody because

1:29:51.760 --> 1:29:56.920
<v Speaker 1>we Bow is always citing Disney movie references. She like

1:29:57.160 --> 1:30:00.120
<v Speaker 1>to show her intention of what she wants to do

1:30:00.280 --> 1:30:03.880
<v Speaker 1>with I think her name is Sylvia, the like hologram

1:30:04.000 --> 1:30:07.200
<v Speaker 1>version of her. There's like this little clip of snow

1:30:07.200 --> 1:30:10.599
<v Speaker 1>White in the Seven Dwarves that plays where you see

1:30:10.640 --> 1:30:14.599
<v Speaker 1>Prince Charming kissing an unconscious snow White and she's like, yeah,

1:30:14.840 --> 1:30:18.479
<v Speaker 1>great idea that too, And it's just like and then

1:30:18.520 --> 1:30:20.760
<v Speaker 1>the only that's what happens been the only thing you

1:30:20.800 --> 1:30:26.479
<v Speaker 1>install on your emotionally intelligent robot is Disney Plus it's commentary.

1:30:26.640 --> 1:30:30.920
<v Speaker 1>She's gonna start wilding out with some irrational behaviors. Okay, Well,

1:30:31.080 --> 1:30:34.720
<v Speaker 1>was that Shirley McClain movie that she kept watching and

1:30:34.760 --> 1:30:38.479
<v Speaker 1>then like that was the thing that made her realize that, oh,

1:30:38.720 --> 1:30:40.599
<v Speaker 1>I if I love him, I need to let him

1:30:40.640 --> 1:30:43.360
<v Speaker 1>go kind of thing. I don't know. I was wondering

1:30:43.400 --> 1:30:46.320
<v Speaker 1>that too, and then I was like, Wow, we're so young.

1:30:46.400 --> 1:30:49.080
<v Speaker 1>We don't even know what this movie is. I don't know.

1:30:49.200 --> 1:30:51.800
<v Speaker 1>Let me look up some Shirley McClain performances and see

1:30:51.800 --> 1:30:54.200
<v Speaker 1>if we can guess, because there were a few. I'm

1:30:54.200 --> 1:30:56.000
<v Speaker 1>guessing that they had to license a few things. I

1:30:56.000 --> 1:30:58.439
<v Speaker 1>don't know what Disney owned at this time, because I'm like,

1:30:58.479 --> 1:31:00.280
<v Speaker 1>they are only Simpsons now. I don't don't know. If

1:31:00.320 --> 1:31:02.519
<v Speaker 1>they did then, who know, I don't think so they

1:31:02.720 --> 1:31:06.080
<v Speaker 1>used a Mickey Rooney clip, they used a Shirley Temple clip,

1:31:06.160 --> 1:31:09.640
<v Speaker 1>they used like a few old Hollywood clips. What do

1:31:09.720 --> 1:31:12.960
<v Speaker 1>you think it was? Was it Shirley McClain? Was it

1:31:13.240 --> 1:31:17.040
<v Speaker 1>terms of endearment? Maybe she was I think would have

1:31:17.040 --> 1:31:21.400
<v Speaker 1>been older by that point, was it? It wasn't the apartment?

1:31:21.680 --> 1:31:26.280
<v Speaker 1>I think I've seen that one Steel Magnolias. No, she

1:31:26.280 --> 1:31:29.320
<v Speaker 1>would have been even older. I don't in terms of

1:31:29.680 --> 1:31:34.320
<v Speaker 1>what is terms of endearment? Maybe that is right. Three

1:31:34.960 --> 1:31:39.639
<v Speaker 1>Debora Winger, Shirley McClain. Don't you know there's someone out

1:31:39.680 --> 1:31:43.719
<v Speaker 1>there screaming at us from home, being like, it's this movie?

1:31:44.600 --> 1:31:46.760
<v Speaker 1>I don't know, the only thing I know about terms.

1:31:46.800 --> 1:31:49.120
<v Speaker 1>I haven't seen terms of endearment, but I know that

1:31:49.439 --> 1:31:52.200
<v Speaker 1>Coreina Longworth talked about it on last season of You

1:31:52.320 --> 1:31:54.920
<v Speaker 1>Must Remember This, and that's all I know. When you

1:31:54.960 --> 1:31:58.080
<v Speaker 1>said terms of endearment, I thought the thing that came

1:31:58.120 --> 1:32:02.000
<v Speaker 1>to my mind was Steel Magnolia's So I don't know

1:32:02.120 --> 1:32:06.759
<v Speaker 1>the difference between movies. We're so young and that's honestly

1:32:06.880 --> 1:32:10.439
<v Speaker 1>killing us. Um yeah, I have. I don't know what

1:32:10.479 --> 1:32:12.960
<v Speaker 1>that was, but I also that was my first Like

1:32:13.240 --> 1:32:15.439
<v Speaker 1>everything I thought was going to happen to the Flubber

1:32:15.560 --> 1:32:20.720
<v Speaker 1>in terms of like aggressively forcing gender stereotypes onto a

1:32:20.840 --> 1:32:25.040
<v Speaker 1>character that it doesn't really make sense, would be this

1:32:25.120 --> 1:32:29.160
<v Speaker 1>heavily gendered happened to Weibo instead, where we had a

1:32:29.280 --> 1:32:32.360
<v Speaker 1>version of this conversation in our her like thing, where

1:32:32.640 --> 1:32:36.080
<v Speaker 1>it's not it's not in a rational writing decision to

1:32:36.160 --> 1:32:41.799
<v Speaker 1>make an assistant programmed tool to have a woman's voice.

1:32:42.240 --> 1:32:45.280
<v Speaker 1>And I know a lot of the time it seems like, oh, well,

1:32:45.280 --> 1:32:49.160
<v Speaker 1>this is a win for women, but it isn't. Because

1:32:49.200 --> 1:32:51.920
<v Speaker 1>the reason that that like Siri has a female voice,

1:32:52.000 --> 1:32:54.639
<v Speaker 1>or like, you know, all the Siri knockoffs is because

1:32:55.720 --> 1:32:58.439
<v Speaker 1>we're you know, at a young age formed to think

1:32:58.560 --> 1:33:04.360
<v Speaker 1>that women were in service, you know, like care roles, people,

1:33:04.360 --> 1:33:06.720
<v Speaker 1>and people are more comfortable telling a woman what to

1:33:06.800 --> 1:33:10.439
<v Speaker 1>do than younger man what to do. So that is

1:33:10.479 --> 1:33:13.439
<v Speaker 1>why all your robot voices are or most of your

1:33:13.520 --> 1:33:16.560
<v Speaker 1>robot voices are defaulting to female. And then there's a

1:33:16.560 --> 1:33:20.439
<v Speaker 1>bunch of examples of like when it's a science like

1:33:20.479 --> 1:33:23.200
<v Speaker 1>when it's a science assistant, you'll hear a male voice

1:33:23.240 --> 1:33:26.920
<v Speaker 1>and like why is that? And it isn't like off

1:33:26.960 --> 1:33:30.000
<v Speaker 1>the wall that Weibo would have a female voice, because

1:33:30.720 --> 1:33:33.680
<v Speaker 1>you would assume Professor Flabber is more comfortable telling a

1:33:33.720 --> 1:33:36.640
<v Speaker 1>woman what to do than a man, uh, which we

1:33:36.720 --> 1:33:40.320
<v Speaker 1>know because he keeps disrespecting women the whole movie. But

1:33:40.400 --> 1:33:43.640
<v Speaker 1>then there's the the other robot, Webber, who seems to

1:33:43.680 --> 1:33:46.639
<v Speaker 1>be doing only domestic chores. And I feel like that

1:33:46.760 --> 1:33:51.559
<v Speaker 1>robot was coded male. I think so, But also you

1:33:51.680 --> 1:33:55.240
<v Speaker 1>can't really tell because Weber never really talks. I don't

1:33:55.320 --> 1:33:57.840
<v Speaker 1>Flebern doesn't really have an arc. Where was Webber's are

1:33:57.960 --> 1:34:02.040
<v Speaker 1>where Justice for Webber? Come on? Justice for Webber? Yeah?

1:34:02.040 --> 1:34:04.120
<v Speaker 1>I don't really know what's going on with Webber other

1:34:04.160 --> 1:34:07.559
<v Speaker 1>than that he was a vacuum cleaner. Um, but but

1:34:07.640 --> 1:34:10.040
<v Speaker 1>he was gendered male. I think that they use he

1:34:10.200 --> 1:34:14.040
<v Speaker 1>him pronounced towards Webber, who is a vacuum cleaner. Why

1:34:14.040 --> 1:34:18.240
<v Speaker 1>did we gender the vacuum cleaner? So many questions? Uh there,

1:34:19.040 --> 1:34:23.000
<v Speaker 1>um yeah, But like the fact that on top of

1:34:23.120 --> 1:34:27.880
<v Speaker 1>like the semi coherent choice, where again, Her is not

1:34:27.920 --> 1:34:30.040
<v Speaker 1>a movie I like, I think it's a fucking I

1:34:30.080 --> 1:34:35.320
<v Speaker 1>don't like it kind of movie. But at least the

1:34:35.320 --> 1:34:41.880
<v Speaker 1>the like assistant was made with a like female coded personality,

1:34:42.240 --> 1:34:45.120
<v Speaker 1>and it's made clear in the movie why that is happening.

1:34:45.600 --> 1:34:50.160
<v Speaker 1>Right in this movie, it just happens. And then she's

1:34:50.200 --> 1:34:58.479
<v Speaker 1>also given all these like human female nineties stereotypes. That is,

1:34:58.520 --> 1:35:01.080
<v Speaker 1>like did he program the is he doesn't seem to

1:35:01.120 --> 1:35:04.280
<v Speaker 1>be emotionally intelligent enough to know what any woman is

1:35:04.360 --> 1:35:08.439
<v Speaker 1>like literally says, I wish I understood human beings. I

1:35:08.439 --> 1:35:12.000
<v Speaker 1>wish I understood women. I wish I understood emotions and passions.

1:35:12.120 --> 1:35:16.680
<v Speaker 1>I wish I understood any of that. So how it's

1:35:16.720 --> 1:35:20.280
<v Speaker 1>because he just keeps knocking over this like court of

1:35:20.400 --> 1:35:23.880
<v Speaker 1>free will, He's gotten his basement. I'm just like, you

1:35:23.920 --> 1:35:25.840
<v Speaker 1>know the fact that the fact that the first thing

1:35:25.880 --> 1:35:30.240
<v Speaker 1>we see, you know, we Bow with I don't know

1:35:30.280 --> 1:35:33.679
<v Speaker 1>why I thought her name was Phoebe. Listeners if there's

1:35:33.720 --> 1:35:36.720
<v Speaker 1>another robot assistant in a movie called Phoebe. I was

1:35:37.120 --> 1:35:39.800
<v Speaker 1>shocked that her name wasn't Phoebe, but maybe my brain

1:35:39.920 --> 1:35:43.719
<v Speaker 1>was just like weebo Phoebe. It's the same either way.

1:35:44.360 --> 1:35:46.400
<v Speaker 1>The first thing we see where she's on her own,

1:35:46.520 --> 1:35:51.080
<v Speaker 1>she's like crying at a romance movie, which it's not,

1:35:52.000 --> 1:35:54.559
<v Speaker 1>you know, it's just like it's a lot of it's

1:35:54.560 --> 1:35:57.720
<v Speaker 1>a lot of coding. And then when you consider who

1:35:57.720 --> 1:36:02.600
<v Speaker 1>who programmer is, You're like, how did this happen? Exactly?

1:36:02.840 --> 1:36:05.240
<v Speaker 1>How long has she existed for? Like is this anything

1:36:05.280 --> 1:36:09.760
<v Speaker 1>she's developed over time? Like does she get smarter as

1:36:09.800 --> 1:36:12.960
<v Speaker 1>she does she like develop and grow and dependent of

1:36:13.000 --> 1:36:16.400
<v Speaker 1>her programming. There's a lot of questions. I don't know.

1:36:16.520 --> 1:36:18.559
<v Speaker 1>I feel like they're like, Okay, so the viewers of

1:36:18.600 --> 1:36:22.439
<v Speaker 1>this movie are four years old, and there Jamie and

1:36:22.680 --> 1:36:25.040
<v Speaker 1>her brother was crying, and they're gonna be like, okay,

1:36:25.080 --> 1:36:26.840
<v Speaker 1>so there we don't need to really worry about we

1:36:27.000 --> 1:36:29.559
<v Speaker 1>Bow's arc. And they're like, no killer or whatever if

1:36:29.560 --> 1:36:32.040
<v Speaker 1>she won't remember, and they were right, And I feel

1:36:32.080 --> 1:36:34.920
<v Speaker 1>like that is like people will be like, Caitlin, Jamie,

1:36:35.000 --> 1:36:40.880
<v Speaker 1>why are you Why are you analyzing Flubber so deeply?

1:36:40.960 --> 1:36:44.360
<v Speaker 1>This is a children's movie, you know what first? And

1:36:44.400 --> 1:36:48.120
<v Speaker 1>in this case, normally I would say, well, doesn't media

1:36:48.320 --> 1:36:50.920
<v Speaker 1>formulate how you view the rest of your life? But

1:36:50.960 --> 1:36:52.760
<v Speaker 1>in this case, we did not remember any of the

1:36:52.760 --> 1:36:55.759
<v Speaker 1>problematic elements. And so the answer is, I don't know, Well,

1:36:55.880 --> 1:37:01.960
<v Speaker 1>we didn't remember them consciously, maybe, but maybe we did subconsciously.

1:37:02.360 --> 1:37:04.800
<v Speaker 1>What if I have been I'm like, what if I

1:37:04.840 --> 1:37:08.080
<v Speaker 1>was watching Okay, Devil's Advocate. Maybe this happened to a listener.

1:37:08.200 --> 1:37:11.000
<v Speaker 1>Let us know you're watching Flabber, and then you're like,

1:37:11.360 --> 1:37:17.760
<v Speaker 1>oh my gosh, every toxic relationship in my life is

1:37:17.840 --> 1:37:22.280
<v Speaker 1>because a Flabber. Like I have been stood up at

1:37:22.320 --> 1:37:26.719
<v Speaker 1>the altar three times, several times, and I didn't realize

1:37:26.760 --> 1:37:30.160
<v Speaker 1>it was because I was just chasing this unrealistic ideal

1:37:30.240 --> 1:37:35.120
<v Speaker 1>of Professor Flabber and wee bow and Flabber makes three.

1:37:35.560 --> 1:37:38.560
<v Speaker 1>I and Flabber makes three. I'm just never going to

1:37:38.720 --> 1:37:41.400
<v Speaker 1>get over. That's another shirt I want, just like that

1:37:41.479 --> 1:37:44.519
<v Speaker 1>part of the script. And Flubber makes three. I'd buy it,

1:37:44.560 --> 1:37:47.080
<v Speaker 1>I'd wear it. I honestly thought that flabber was more

1:37:47.160 --> 1:37:49.920
<v Speaker 1>of like a cult movie, but it's kind of not.

1:37:50.080 --> 1:37:52.559
<v Speaker 1>I think it's just kind of like people remember Robin

1:37:52.600 --> 1:37:56.839
<v Speaker 1>Williams saying it's Flabberber right. Well. My other counter argument

1:37:56.920 --> 1:38:00.360
<v Speaker 1>too it's a movie for children, is that there are

1:38:00.400 --> 1:38:04.920
<v Speaker 1>many movies four children that are a million times less

1:38:04.960 --> 1:38:09.439
<v Speaker 1>problematic and better written. And some of my favorite movies

1:38:09.880 --> 1:38:15.400
<v Speaker 1>i e. Paddington, Paddington to Mowanna, et cetera. Well there's

1:38:15.439 --> 1:38:18.720
<v Speaker 1>even like problematic children's movies that stuck with me more

1:38:18.840 --> 1:38:22.400
<v Speaker 1>and I still think are better like we Have whatever.

1:38:22.520 --> 1:38:24.479
<v Speaker 1>You can listen to the Little Mermaid episode. But even

1:38:24.520 --> 1:38:28.400
<v Speaker 1>in terms of like the cannon of Jody bentson children's movies,

1:38:28.600 --> 1:38:32.519
<v Speaker 1>would I ever, unless I was like making a joke,

1:38:33.560 --> 1:38:41.000
<v Speaker 1>choose Flubber over The Little Mermaid? No, like never, because

1:38:41.560 --> 1:38:45.640
<v Speaker 1>the problem is here that more people would be negatively

1:38:45.720 --> 1:38:50.000
<v Speaker 1>affected by the toxic messages of the movie Flubber if

1:38:50.320 --> 1:38:53.640
<v Speaker 1>Flubber was a good movie, But since it's not, I

1:38:53.680 --> 1:38:59.280
<v Speaker 1>think that generally the the negative effect was kind of neutral.

1:39:00.000 --> 1:39:02.280
<v Speaker 1>But maybe if it was good, like the Little Mermaid

1:39:02.360 --> 1:39:04.800
<v Speaker 1>is a good movie with a lot of bad messages,

1:39:05.160 --> 1:39:08.759
<v Speaker 1>and that is why so many people carry so many

1:39:08.920 --> 1:39:12.639
<v Speaker 1>negative messages from it. Flubber is a bad movie that

1:39:12.720 --> 1:39:15.960
<v Speaker 1>no one remembers what happens in it, so but a

1:39:16.000 --> 1:39:20.000
<v Speaker 1>lot of people did see it grossed enough almost a

1:39:20.040 --> 1:39:23.160
<v Speaker 1>hundred and eighty million dollars worldwide at the box office

1:39:23.200 --> 1:39:27.679
<v Speaker 1>in nineties seven, money, which adjusted for inflation, is five

1:39:27.920 --> 1:39:31.799
<v Speaker 1>billion dollars. It seems like this was a Thanksgiving movie.

1:39:32.000 --> 1:39:37.000
<v Speaker 1>It was released like around Thanksgiving time, bringing the whole

1:39:37.160 --> 1:39:40.880
<v Speaker 1>family to see Flubber, and I guess they did. I did.

1:39:41.040 --> 1:39:45.800
<v Speaker 1>I was there. Um, this movie sucks so much, like,

1:39:46.800 --> 1:39:49.559
<v Speaker 1>but did I have fun watching it? Yes? Well the

1:39:49.560 --> 1:39:53.880
<v Speaker 1>other okay, so the other. Going back to Wei Bow not,

1:39:56.800 --> 1:39:59.160
<v Speaker 1>one of the weird things about her is that she

1:39:59.320 --> 1:40:03.439
<v Speaker 1>is so she's rife with all of these like women

1:40:03.520 --> 1:40:09.479
<v Speaker 1>be desperate, women be lying and deceiving women be surely

1:40:09.560 --> 1:40:12.400
<v Speaker 1>not claim it all that kind of stuff. But she

1:40:12.600 --> 1:40:17.120
<v Speaker 1>is still the more active female character than Sarah. Sarah

1:40:17.280 --> 1:40:21.120
<v Speaker 1>is so passive. Weibo is far more active, but everything

1:40:21.200 --> 1:40:26.240
<v Speaker 1>she's doing is deceitful. So it's just like, what is

1:40:26.280 --> 1:40:28.960
<v Speaker 1>the takeaway I'm supposed to be rooting for we like,

1:40:29.000 --> 1:40:32.719
<v Speaker 1>I think that we're supposed that I can't suspend, suspend

1:40:32.760 --> 1:40:36.760
<v Speaker 1>my belief to be rooting for Professor Flubber or we Bow.

1:40:37.160 --> 1:40:40.960
<v Speaker 1>I think that they both need to like work on themselves.

1:40:41.479 --> 1:40:45.519
<v Speaker 1>And I really need to send a long email and

1:40:45.560 --> 1:40:47.920
<v Speaker 1>be like, I can't be your friend anymore because this

1:40:48.000 --> 1:40:51.000
<v Speaker 1>is just becoming too much and the way you're treating

1:40:51.160 --> 1:40:54.080
<v Speaker 1>Professor Flabber isn't okay, and the way Professor Flubber is

1:40:54.080 --> 1:40:56.479
<v Speaker 1>treating the people in his life isn't okay. And I

1:40:56.600 --> 1:40:59.439
<v Speaker 1>just need to remove myself from the situation. And Dr

1:40:59.520 --> 1:41:01.400
<v Speaker 1>Sarah and I are going to get an Airbnb this

1:41:01.439 --> 1:41:04.719
<v Speaker 1>weekend and just talk things out, like that's what Martha

1:41:04.760 --> 1:41:09.559
<v Speaker 1>should have done, but we don't know anything about Martha. Um. Yeah, no,

1:41:09.720 --> 1:41:13.439
<v Speaker 1>I this movie really wants me to empathize with Wee Bow,

1:41:13.720 --> 1:41:16.840
<v Speaker 1>but we Bow is acting like a twelve year old,

1:41:16.880 --> 1:41:19.840
<v Speaker 1>which maybe she has. I don't know. I'd like it's

1:41:19.880 --> 1:41:25.479
<v Speaker 1>a very junior high revenge tactic to me. And Astral

1:41:25.520 --> 1:41:28.479
<v Speaker 1>projecting to surprise kiss someone that's new for me in

1:41:28.520 --> 1:41:31.519
<v Speaker 1>a movie, but that I don't like it. But I've

1:41:31.560 --> 1:41:35.160
<v Speaker 1>never seen it before. I've never seen that we've seen

1:41:35.240 --> 1:41:41.679
<v Speaker 1>Astral because there's there's moments in like Blade runner. There's

1:41:41.800 --> 1:41:49.360
<v Speaker 1>moments in I seen that movie Get a Grip. There's

1:41:49.400 --> 1:41:51.720
<v Speaker 1>moments like that where they're like, Okay, let's make out

1:41:51.720 --> 1:41:58.400
<v Speaker 1>with a hologram, but probably it happened, but there's not.

1:41:59.160 --> 1:42:02.160
<v Speaker 1>Most of those hisses seem to be consensual. So yeah,

1:42:02.240 --> 1:42:06.439
<v Speaker 1>this is I think maybe a rare instance of a

1:42:06.560 --> 1:42:12.719
<v Speaker 1>non consensual hologram kiss. So whoops, So that's not good.

1:42:12.920 --> 1:42:16.479
<v Speaker 1>And then it happens also in real life, and neither

1:42:16.640 --> 1:42:19.400
<v Speaker 1>time is there any consequence. The first time it happens,

1:42:19.439 --> 1:42:21.760
<v Speaker 1>he's like, I had a dream about basketball, And the

1:42:21.760 --> 1:42:25.439
<v Speaker 1>second time he's like, oh goody, my ex girlfriend broke

1:42:25.479 --> 1:42:27.880
<v Speaker 1>into my house and kissed me and now I'm so happy.

1:42:28.000 --> 1:42:30.200
<v Speaker 1>And now we're going to get married a fourth time.

1:42:30.360 --> 1:42:32.680
<v Speaker 1>And you're just like, I'm not going to show up

1:42:32.680 --> 1:42:36.000
<v Speaker 1>to that wedding either. Get me out of this yeah literally,

1:42:36.040 --> 1:42:38.479
<v Speaker 1>and he isn't. Uh, It's like, get me out of

1:42:38.520 --> 1:42:42.360
<v Speaker 1>this movie, get me out of this world? Um, did

1:42:42.360 --> 1:42:48.320
<v Speaker 1>she anything else? Two last quick things? Okay, Phil is like, hey,

1:42:48.360 --> 1:42:50.720
<v Speaker 1>we bow come into this flying car with me and

1:42:50.760 --> 1:42:53.720
<v Speaker 1>she's like, no, flying makes me sick, even though she

1:42:53.960 --> 1:42:57.640
<v Speaker 1>is a flying robot. Yeah. I was like, don't you

1:42:57.680 --> 1:43:02.160
<v Speaker 1>fly all day. We bow and then she's like, I'm sick,

1:43:02.240 --> 1:43:06.080
<v Speaker 1>and he's like, you're a robot and she's like, oh yeah. Um.

1:43:06.120 --> 1:43:09.120
<v Speaker 1>The other thing I wanted to say was flubber clean

1:43:09.360 --> 1:43:13.760
<v Speaker 1>energy question mark. Yeah, oh my god. We that's a

1:43:13.800 --> 1:43:17.800
<v Speaker 1>way better application of flubber than a basketball game. Yeah,

1:43:18.240 --> 1:43:22.640
<v Speaker 1>flubber seems like renewable clean energy. Although we don't we

1:43:22.720 --> 1:43:25.280
<v Speaker 1>don't know for sure, We don't really know what went

1:43:25.320 --> 1:43:29.760
<v Speaker 1>into the making of Flubber. Literally, like Elon Musk, the

1:43:29.800 --> 1:43:35.160
<v Speaker 1>story down to the toxicity and lack of understanding of

1:43:35.240 --> 1:43:38.360
<v Speaker 1>how to treat a human being that Professor Flubber has.

1:43:39.080 --> 1:43:42.280
<v Speaker 1>This is the blueprint. Elon Musk sees Flabber in theaters

1:43:42.320 --> 1:43:45.280
<v Speaker 1>and it's like, I could do that. I could be

1:43:45.360 --> 1:43:49.679
<v Speaker 1>cruel to women and any employee I've ever had. Yeah,

1:43:49.720 --> 1:43:52.479
<v Speaker 1>and then and then also make electric cars at his

1:43:52.560 --> 1:43:57.160
<v Speaker 1>flubber tesla more like flabber. Let's not do that a flabber.

1:43:57.439 --> 1:44:00.599
<v Speaker 1>I wish that there was a flubber toy. Also, this

1:44:00.720 --> 1:44:05.080
<v Speaker 1>was such a moment for such a moment for like

1:44:05.920 --> 1:44:09.959
<v Speaker 1>goop in children's entertainment, you got slime, you got flubber,

1:44:10.000 --> 1:44:14.200
<v Speaker 1>you got ghack. Remember Ghack. I remember ghack and it's

1:44:14.200 --> 1:44:16.200
<v Speaker 1>a cycle too, because it came back a couple of

1:44:16.280 --> 1:44:18.800
<v Speaker 1>years ago as like slime that you would make at

1:44:18.840 --> 1:44:22.000
<v Speaker 1>your house, and that like child YouTubers to be like

1:44:22.040 --> 1:44:26.719
<v Speaker 1>I'm making slime, and it's like, okay, kids love goop.

1:44:27.120 --> 1:44:30.080
<v Speaker 1>I get it. I remember getting ghack for my birthday

1:44:30.080 --> 1:44:33.240
<v Speaker 1>once and being like, oh my god, a whole egg

1:44:33.439 --> 1:44:37.840
<v Speaker 1>full of goop. Now my parents spent eight dollars on

1:44:38.120 --> 1:44:41.800
<v Speaker 1>Like that's too much for Goopluber expensive. Do you think

1:44:41.840 --> 1:44:45.240
<v Speaker 1>that Gwyneth Paltrow saw flubber and she's like, there are

1:44:45.280 --> 1:44:51.520
<v Speaker 1>other applications to this. Yeah, the implications of this technology

1:44:51.640 --> 1:44:56.599
<v Speaker 1>are just unbelievable. I'm looking up flubber toys because I would.

1:44:56.640 --> 1:44:59.240
<v Speaker 1>I would get you buy a flubber. I would buy

1:44:59.240 --> 1:45:03.400
<v Speaker 1>a flubber. Don't email p Brainard at Medfield dot et

1:45:03.520 --> 1:45:06.960
<v Speaker 1>you ask him to buy some flubber because he won't respond.

1:45:07.040 --> 1:45:10.439
<v Speaker 1>What an asshole. Honestly talks it to the very end. Uh,

1:45:10.479 --> 1:45:13.599
<v Speaker 1>there are flubber bean bags of the Disney Store made,

1:45:13.720 --> 1:45:17.120
<v Speaker 1>and there is of course five hundred million people on

1:45:17.160 --> 1:45:20.600
<v Speaker 1>eBay trying to get rid of that happy Meal toy

1:45:20.760 --> 1:45:24.800
<v Speaker 1>with flabber wearing sunglasses. There's also oh my god, there's

1:45:24.840 --> 1:45:29.080
<v Speaker 1>also a what the hell there's a talking wee bow? Wait,

1:45:29.920 --> 1:45:34.720
<v Speaker 1>that's what's what? There's a talking wee bow. Listen, I

1:45:35.280 --> 1:45:37.559
<v Speaker 1>pre quarantine. I would be like I would never get

1:45:37.560 --> 1:45:41.080
<v Speaker 1>a flubber toy. But guess what. I bought a Babu

1:45:41.160 --> 1:45:45.120
<v Speaker 1>frick and it's in my house and I also tried

1:45:45.200 --> 1:45:46.880
<v Speaker 1>to buy I don't know. I don't know if it's

1:45:46.880 --> 1:45:48.479
<v Speaker 1>ever coming. It seemed like it was kind of from

1:45:48.520 --> 1:45:52.559
<v Speaker 1>a suspicious vendor. But something Kaitlyn you sent it to

1:45:52.600 --> 1:45:55.439
<v Speaker 1>me is something called green Baby, because I don't think

1:45:55.479 --> 1:45:59.200
<v Speaker 1>they can call it baby Grinch without paying royalties. But

1:45:59.320 --> 1:46:01.920
<v Speaker 1>I mean, in the way a flubber another green baby.

1:46:02.360 --> 1:46:05.519
<v Speaker 1>A listener sent us that link. Actually so and I'm

1:46:05.520 --> 1:46:08.400
<v Speaker 1>so sorry. I don't I don't shout remember your handle,

1:46:08.479 --> 1:46:11.840
<v Speaker 1>but shout out to the listener who made us aware

1:46:11.880 --> 1:46:16.959
<v Speaker 1>of green Baby, a k baby Grinch the toy. And honestly,

1:46:17.000 --> 1:46:19.559
<v Speaker 1>I have to say, I think I just gave a

1:46:19.680 --> 1:46:25.920
<v Speaker 1>random person. I just don't think that my feeling and

1:46:26.040 --> 1:46:28.439
<v Speaker 1>the green Baby isn't coming. I will be. It will

1:46:28.479 --> 1:46:32.880
<v Speaker 1>be a Christmas miracle and green Baby gets here in

1:46:32.920 --> 1:46:35.080
<v Speaker 1>time for me to watch Baby Grinch. But it we'll

1:46:35.120 --> 1:46:38.920
<v Speaker 1>see your heart will grow three sizes that day. My

1:46:39.040 --> 1:46:42.080
<v Speaker 1>heart will explode out of my body and I'll die.

1:46:42.600 --> 1:46:45.600
<v Speaker 1>If Green Baby gets here, it would make me so happy.

1:46:46.680 --> 1:46:51.080
<v Speaker 1>I don't know well well, and Flubber makes three anyone,

1:46:52.439 --> 1:46:54.880
<v Speaker 1>So we the movie does pass the Bechdel test, as

1:46:54.880 --> 1:46:58.600
<v Speaker 1>we've discussed between Sarah and we bought that quick exchange

1:46:58.680 --> 1:47:02.240
<v Speaker 1>the remainder of that conversation, and as them talking about Phil,

1:47:03.040 --> 1:47:06.760
<v Speaker 1>so that doesn't pass. And then Sarah and Martha also talk,

1:47:06.880 --> 1:47:11.720
<v Speaker 1>but I think they only talk about the impending hetero wedding. Yeah,

1:47:11.880 --> 1:47:14.720
<v Speaker 1>that's coming up. So I don't think any of those

1:47:14.720 --> 1:47:18.559
<v Speaker 1>exchanges past. Jamie. If we have a nipple scale that

1:47:18.640 --> 1:47:24.599
<v Speaker 1>we have to oh no on the five nipples based

1:47:24.680 --> 1:47:31.880
<v Speaker 1>on how affairs looking at it through an intersectional feminist lens, uh,

1:47:32.240 --> 1:47:42.040
<v Speaker 1>you know what? Five flowers? I don't know. I guess

1:47:42.040 --> 1:47:46.840
<v Speaker 1>I would give this like nipple, okay, because I don't

1:47:46.840 --> 1:47:50.639
<v Speaker 1>think the movie. I mean, I guess I appreciate any

1:47:50.720 --> 1:47:56.960
<v Speaker 1>story in which a man is largely motivated by a woman.

1:47:57.240 --> 1:48:00.240
<v Speaker 1>I feel like, although I mean it annoys is me

1:48:00.320 --> 1:48:04.040
<v Speaker 1>when a woman is largely motivated by a man, right

1:48:04.240 --> 1:48:08.799
<v Speaker 1>in a movie. But I don't mind the flip of that, right,

1:48:08.840 --> 1:48:13.760
<v Speaker 1>because I think men normally aren't characterized that way. So

1:48:14.080 --> 1:48:17.160
<v Speaker 1>when you do see it, I'm like, Okay, that feels

1:48:17.160 --> 1:48:20.920
<v Speaker 1>sort of like a subversion. Um although everything that he

1:48:21.000 --> 1:48:24.400
<v Speaker 1>does to try to win her back is ridiculous and

1:48:24.439 --> 1:48:28.360
<v Speaker 1>ill informed and he needs to go to several hundred

1:48:28.880 --> 1:48:31.920
<v Speaker 1>hours worth of therapy to learn how to be a

1:48:31.920 --> 1:48:35.360
<v Speaker 1>better partner because he also does like he the one

1:48:35.400 --> 1:48:38.000
<v Speaker 1>time he attempts to communicate with her, he just ends

1:48:38.080 --> 1:48:42.439
<v Speaker 1>up spying on her instead, Right, So that was that

1:48:42.479 --> 1:48:44.680
<v Speaker 1>was a double disappointment. Was like, oh, I was like, oh,

1:48:44.720 --> 1:48:46.519
<v Speaker 1>he's going to go try to communicate with her, but

1:48:46.600 --> 1:48:50.320
<v Speaker 1>then he instead spies on her and then never talks

1:48:50.360 --> 1:48:54.000
<v Speaker 1>her and drives away in his flying car. Immature, right,

1:48:54.040 --> 1:48:57.560
<v Speaker 1>And just the way that Sarah seems to be characterized

1:48:57.560 --> 1:48:59.600
<v Speaker 1>as just being so desperate for the attention of a

1:48:59.640 --> 1:49:03.000
<v Speaker 1>man she will just be with any man who is

1:49:03.000 --> 1:49:07.720
<v Speaker 1>paying attention to her, and we Bow is characterized as

1:49:07.760 --> 1:49:12.639
<v Speaker 1>just being also obsessive with the only man she knows,

1:49:12.640 --> 1:49:16.120
<v Speaker 1>to the point where she's she's lying to herself, She's

1:49:16.200 --> 1:49:21.160
<v Speaker 1>lying to him. She's lying to everybody about it. It

1:49:21.160 --> 1:49:24.519
<v Speaker 1>ain't right. But I don't know. I guess one nipple

1:49:24.960 --> 1:49:32.479
<v Speaker 1>for reasons I don't even know about know why I

1:49:32.600 --> 1:49:35.439
<v Speaker 1>don't even I mean, I'm telling I'm I guess I'm

1:49:35.479 --> 1:49:43.200
<v Speaker 1>going to say like a half um, but I like,

1:49:43.640 --> 1:49:50.080
<v Speaker 1>do have a bizarre unexplained I mean, actually I can't.

1:49:51.080 --> 1:49:54.400
<v Speaker 1>You're gonna hate this. I can explain my attachment to

1:49:54.439 --> 1:49:57.760
<v Speaker 1>the movie. And you know what it is, the Flubber.

1:49:58.080 --> 1:50:01.400
<v Speaker 1>I love the Flubber. I love the flubber. I love

1:50:01.439 --> 1:50:04.720
<v Speaker 1>when the flubber dances. I love when the flubber bounces

1:50:04.760 --> 1:50:08.160
<v Speaker 1>around and breaks things and scares people. I like when

1:50:08.200 --> 1:50:10.639
<v Speaker 1>the flubber is caught in the glove. I like when

1:50:10.640 --> 1:50:14.479
<v Speaker 1>the flubber dances the flubber mombo. I like when the

1:50:14.479 --> 1:50:18.360
<v Speaker 1>flubber lives happily ever after, And I love when Flubber

1:50:18.400 --> 1:50:23.920
<v Speaker 1>makes three Do you mean flubberly ever after? In a way? Yes,

1:50:24.520 --> 1:50:27.360
<v Speaker 1>I so this movie. I mean the redeeming part of

1:50:27.360 --> 1:50:32.160
<v Speaker 1>Flubber is the flubber. Um. The story is horrible. The

1:50:32.240 --> 1:50:35.400
<v Speaker 1>story is maybe one of the worst. Um it is

1:50:35.439 --> 1:50:38.920
<v Speaker 1>at least I mean, I guess the argument that you

1:50:38.960 --> 1:50:42.840
<v Speaker 1>can make is that it's like not a male protagonist

1:50:42.840 --> 1:50:45.640
<v Speaker 1>that is openly disdainful of women, but just kind of

1:50:45.720 --> 1:50:50.320
<v Speaker 1>extremely dismissive and careless in I would assume all of

1:50:50.439 --> 1:50:53.360
<v Speaker 1>his relationships, but we only see his relationships with women.

1:50:53.479 --> 1:50:55.280
<v Speaker 1>I can't imagine that. It's like he would have a

1:50:55.320 --> 1:50:57.640
<v Speaker 1>male friend who he would be really attentive towards. That

1:50:57.680 --> 1:51:00.000
<v Speaker 1>doesn't really make sense to me, But we only see

1:51:00.439 --> 1:51:04.120
<v Speaker 1>him miss treating his partner and miss treating what I

1:51:04.120 --> 1:51:08.840
<v Speaker 1>don't even I mean, and something something weird robot relationship,

1:51:10.680 --> 1:51:14.639
<v Speaker 1>has a toxic relationship with his robot. And then we

1:51:14.720 --> 1:51:19.479
<v Speaker 1>also see heavy gender coating on an aerial than mermaid robot,

1:51:20.240 --> 1:51:22.559
<v Speaker 1>who is I mean, she's suffering. I feel for her

1:51:22.640 --> 1:51:25.639
<v Speaker 1>in some ways, but also she's like not nice and

1:51:25.760 --> 1:51:27.800
<v Speaker 1>she is not an ally to other women because she

1:51:27.920 --> 1:51:31.880
<v Speaker 1>keeps sucking over Dr Sarah, who did nothing, nothing, nothing nothing.

1:51:31.960 --> 1:51:34.439
<v Speaker 1>If she's gonna love anyone, she should love Webber, the

1:51:34.520 --> 1:51:37.200
<v Speaker 1>other robot. Like he's right there, he's also a robot,

1:51:37.200 --> 1:51:41.200
<v Speaker 1>You're probably more compatible. We had nothing nice to say

1:51:41.240 --> 1:51:44.120
<v Speaker 1>about Webber, Like we're like, we didn't think, you know,

1:51:44.160 --> 1:51:46.280
<v Speaker 1>We're just like what, he's just a vacuum cleaner, but

1:51:46.360 --> 1:51:48.760
<v Speaker 1>also there was more that I don't know. It's like

1:51:48.800 --> 1:51:52.479
<v Speaker 1>she doesn't need to date Weber, but like just yeah,

1:51:52.520 --> 1:51:55.080
<v Speaker 1>we only need to take the l or like search

1:51:55.160 --> 1:51:58.559
<v Speaker 1>herself and what she really needs to not do is

1:51:59.280 --> 1:52:04.920
<v Speaker 1>Diana Blaze of Glory and then tell someone that she's pregnant. Um,

1:52:05.000 --> 1:52:07.160
<v Speaker 1>so I'm going to give it half of one nipple.

1:52:07.240 --> 1:52:10.840
<v Speaker 1>And then also like what happened with Martha, she was

1:52:10.880 --> 1:52:13.599
<v Speaker 1>a bad friend and she was disrespected by the plot.

1:52:13.880 --> 1:52:17.080
<v Speaker 1>She wasn't even at the wedding when she well, I mean,

1:52:17.120 --> 1:52:19.680
<v Speaker 1>to be fair, it's the fourth one. It's true. She's like,

1:52:19.720 --> 1:52:21.559
<v Speaker 1>I've been to the first three. I'm not coming to

1:52:21.640 --> 1:52:24.520
<v Speaker 1>another one. That's I mean, maybe that's just her establishing

1:52:24.520 --> 1:52:27.519
<v Speaker 1>boundaries that are like maybe kind of healthy. Uh true,

1:52:27.760 --> 1:52:30.920
<v Speaker 1>She's like, listen, I'm not you're wasting my time. I

1:52:30.960 --> 1:52:35.720
<v Speaker 1>have an e harmony date. Did that exist? Um? In

1:52:35.760 --> 1:52:39.080
<v Speaker 1>any case? In any case or match dot com? I

1:52:39.080 --> 1:52:42.000
<v Speaker 1>don't know what with dating say was it was? I

1:52:42.040 --> 1:52:44.680
<v Speaker 1>think it was still not very online, was it? I

1:52:44.720 --> 1:52:46.599
<v Speaker 1>think it was. But it was like the period of

1:52:46.640 --> 1:52:49.320
<v Speaker 1>movies where I wonder when those movies started when it

1:52:49.360 --> 1:52:51.559
<v Speaker 1>was like if you dated online. Everyone in the movie

1:52:51.560 --> 1:52:57.559
<v Speaker 1>would be like, no, no, don't do that, and then

1:52:57.560 --> 1:53:00.479
<v Speaker 1>three years later they're like, I get like, I'm taking

1:53:00.479 --> 1:53:04.639
<v Speaker 1>three days a week from the internet. Um, in any case,

1:53:05.280 --> 1:53:09.800
<v Speaker 1>that was nothing to do with this. I'll give it

1:53:09.800 --> 1:53:13.040
<v Speaker 1>a half nipple, but I'll give it five flobbers. So

1:53:13.160 --> 1:53:15.679
<v Speaker 1>I don't think there is a single person of color

1:53:15.960 --> 1:53:19.280
<v Speaker 1>on screen at any point in the entire even in

1:53:19.400 --> 1:53:21.720
<v Speaker 1>scenes where there's like there you're on campus and you

1:53:21.840 --> 1:53:26.080
<v Speaker 1>see like extras and stuff. I think every person is white,

1:53:26.280 --> 1:53:29.519
<v Speaker 1>which we should have mentioned sooner. Um. In our defense,

1:53:29.680 --> 1:53:31.880
<v Speaker 1>this is a John Hughes movie, so it almost goes

1:53:31.880 --> 1:53:34.920
<v Speaker 1>throughout saying this is going to be the very white,

1:53:35.479 --> 1:53:39.760
<v Speaker 1>incoherent and toxic. Yeah, this movie isn't good, but uh

1:53:39.960 --> 1:53:43.040
<v Speaker 1>it's saving Grace is the one thing that John Hughes

1:53:43.080 --> 1:53:46.960
<v Speaker 1>didn't make up, which was Flabber. Uh flabber forever. I

1:53:47.000 --> 1:53:50.040
<v Speaker 1>just put a flabber toy in my eBay card and

1:53:50.200 --> 1:53:56.440
<v Speaker 1>Flabber will be getting to my house on Tuesday. Incredible.

1:53:57.320 --> 1:54:04.960
<v Speaker 1>H Well, that's our flabber episode. I think you'll agree

1:54:05.120 --> 1:54:10.240
<v Speaker 1>that it was necessary, and I'm like worried for I

1:54:10.520 --> 1:54:13.760
<v Speaker 1>hope everyone in the world, everyone in the US is

1:54:13.800 --> 1:54:16.639
<v Speaker 1>doing okay this week. I also hope that we're doing

1:54:16.640 --> 1:54:21.200
<v Speaker 1>okay this week. I mean, who knows there, you know?

1:54:21.640 --> 1:54:24.320
<v Speaker 1>We we yeah, we we don't. We again, don't know

1:54:24.360 --> 1:54:28.639
<v Speaker 1>what the results of the election are at this time

1:54:28.640 --> 1:54:31.320
<v Speaker 1>of this recording. We record like a month in advance.

1:54:31.479 --> 1:54:38.480
<v Speaker 1>And that's just um self care. Yes, so that's flabber,

1:54:38.640 --> 1:54:41.440
<v Speaker 1>that's flabber. Hey, here's something I would like to plug

1:54:41.520 --> 1:54:44.760
<v Speaker 1>of my own. Oh yes, go ahead. I do a

1:54:44.920 --> 1:54:50.280
<v Speaker 1>new Instagram live show called Movie Talk with Caitlin. It

1:54:50.640 --> 1:54:55.680
<v Speaker 1>is derived from a Facebook bit I did for a

1:54:55.680 --> 1:54:58.480
<v Speaker 1>while back when I still used Facebook. But it's an

1:54:58.480 --> 1:55:02.000
<v Speaker 1>Instagram live show now where me and a guest Jamie.

1:55:02.080 --> 1:55:05.600
<v Speaker 1>You've been on it. I've had several friends of the

1:55:05.680 --> 1:55:09.000
<v Speaker 1>cast on it at this point as well. But it's

1:55:09.000 --> 1:55:13.840
<v Speaker 1>just me talking about movies with people. There's no preparation

1:55:14.120 --> 1:55:17.520
<v Speaker 1>that I have to do beforehand. There's no uh post

1:55:17.560 --> 1:55:20.520
<v Speaker 1>production work I have to do afterward. It's just a

1:55:20.640 --> 1:55:24.680
<v Speaker 1>fun little time. So check that out. Follow me on

1:55:24.760 --> 1:55:27.920
<v Speaker 1>Instagram to be able to watch the show. You can

1:55:27.920 --> 1:55:31.520
<v Speaker 1>do that. Follow me at Caitlyn Dronte and I have

1:55:31.560 --> 1:55:35.000
<v Speaker 1>a little thing to plug as well. Please I have

1:55:35.280 --> 1:55:39.840
<v Speaker 1>a podcast coming out called Lolita Podcast because I couldn't

1:55:39.880 --> 1:55:42.320
<v Speaker 1>think of another thing to call the podcast. Um, it's

1:55:42.360 --> 1:55:45.640
<v Speaker 1>coming out right here on iHeart Radio. It is a

1:55:45.680 --> 1:55:51.720
<v Speaker 1>deep dive into the story of Vladimir Nabokov's Lolita and

1:55:51.880 --> 1:55:54.800
<v Speaker 1>it's cultural impact in all the ways it has been

1:55:55.040 --> 1:55:58.960
<v Speaker 1>twisted to get a global culture to take every single

1:55:58.960 --> 1:56:02.720
<v Speaker 1>wrong message from the original work. So that is going

1:56:02.800 --> 1:56:06.680
<v Speaker 1>to start airing on November twenty three, and then there's

1:56:06.680 --> 1:56:09.280
<v Speaker 1>going to be episodes airing into the new year. Um.

1:56:09.480 --> 1:56:12.360
<v Speaker 1>And it is a project that is very interesting and

1:56:12.680 --> 1:56:16.840
<v Speaker 1>is actively ruining my mental health. So check it us

1:56:17.880 --> 1:56:21.640
<v Speaker 1>sorady to hear that it's fun. It's actually really interesting. Jimmy,

1:56:21.640 --> 1:56:23.840
<v Speaker 1>you should watch a movie talk with Caitlin for a

1:56:23.880 --> 1:56:28.920
<v Speaker 1>public cleanser. I should I do, I will um. And

1:56:28.960 --> 1:56:30.800
<v Speaker 1>then you can follow us all the regular places on

1:56:31.240 --> 1:56:34.920
<v Speaker 1>at Bechtel Cast. Uh. Follow us at patreon dot com,

1:56:34.920 --> 1:56:37.920
<v Speaker 1>slash backtel cast for five dollars a month. All right,

1:56:37.920 --> 1:56:41.959
<v Speaker 1>it's our patreon ak Matreon and you get to bonus

1:56:42.160 --> 1:56:46.840
<v Speaker 1>episodes a month. And it's Mary Kate nationally November. For

1:56:46.880 --> 1:56:51.040
<v Speaker 1>some reason, I insisted let's see how it goes and

1:56:51.560 --> 1:56:54.200
<v Speaker 1>You can get our merch at t public dot com,

1:56:54.200 --> 1:56:58.640
<v Speaker 1>slash the Bechtel Cast, and most of all, just take

1:56:58.680 --> 1:57:03.600
<v Speaker 1>care of yourself. Take here, engage in mutual aid. We

1:57:03.640 --> 1:57:06.520
<v Speaker 1>will always keep you updated on everything there that we can.

1:57:06.960 --> 1:57:11.400
<v Speaker 1>And get yourself a flubber toy. You deserve it. You

1:57:11.440 --> 1:57:16.839
<v Speaker 1>deserve it, and also live flubberly ever after and Flabber

1:57:16.920 --> 1:57:19.320
<v Speaker 1>makes three. Bye Bye Maye