WEBVTT - Ex Machina with Olivia Gatwood

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<v Speaker 1>On the Bechdecast, the questions ask if movies have women

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<v Speaker 1>and them, are all their discussions just boyfriends and husbands

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<v Speaker 1>or do they have individualism? It's the patriarchy. Zeph and

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<v Speaker 1>Beast start changing with the Bechdel cast. Cluck cluck, full

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<v Speaker 1>clutch cluck. Queen, how are you?

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<v Speaker 2>I'm doing so great? How are you.

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<v Speaker 1>Never been worse? And I cannot overemphasize that. But today

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<v Speaker 1>we are here to release I think kind of a

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<v Speaker 1>banger episode. Oh yeah, we're unlocking an episode from our

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<v Speaker 1>Patreon aka Matreon. If you enjoyed this episode, you should

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<v Speaker 1>obviously be subscribing. It's five bucks a month and it'll

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<v Speaker 1>give you access to over one hundred and fifty episodes,

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<v Speaker 1>plus new ones every month with Caitlin and myself. But

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<v Speaker 1>it's Chicken Run Week. It's Chicken Run Week.

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<v Speaker 2>Yes it is.

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<v Speaker 1>Oh, you didn't think it was Chicken Run Week.

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<v Speaker 2>Well it is.

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<v Speaker 1>Well it is.

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<v Speaker 2>Take that and there's a reason.

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<v Speaker 1>There's a method, Yes there is.

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<v Speaker 2>So this is an episode that we originally released on

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<v Speaker 2>the Matreon in February twenty twenty one as a part

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<v Speaker 2>of a theme that we didn't have a good title for.

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<v Speaker 2>But the theme itself was I think pretty solid, which

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<v Speaker 2>was movies with animals in the title, because we did

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<v Speaker 2>Chicken Run and Coyote Ugly, Yes, which has nothing to

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<v Speaker 2>do with animals.

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<v Speaker 1>Yeah, and two movies that are really like, couldn't be

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<v Speaker 1>less in conversation with one another, true, but two fun

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<v Speaker 1>episodes to do and Chicken Run I mean an all

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<v Speaker 1>timer movie film. There has since been a sequel released

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<v Speaker 1>on Netflix that I have not watched yet, what about yourself.

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<v Speaker 2>I just watched it yesterday.

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<v Speaker 1>My niece loves it and she's four, So there you go.

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<v Speaker 2>It was fun, I would say, not as good as

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<v Speaker 2>Chicken Run the original high bar kind of nothing, hy

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<v Speaker 2>Barticlear exactly. Anyway, you released this episode like three and

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<v Speaker 2>a half years ago, so if you hear some references

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<v Speaker 2>that feel a bit dated, that's why. If you're like,

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<v Speaker 2>why are they bringing up the sonic the Hedgehog movie?

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<v Speaker 2>Why are they talking about pandemic stimulus checks as if

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<v Speaker 2>it just happened, Well, that's wild.

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<v Speaker 1>I guess what. We weren't even vaccinated. Like, really, take

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<v Speaker 1>yourself back there. We were in the thick of it,

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<v Speaker 1>and we're in the thick of it now. But it's

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<v Speaker 1>in a different way. The reason we're doing this is

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<v Speaker 1>if you're in the Los Angeles area, you're in freaking

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<v Speaker 1>luck because we are hosting a screening of Chicken Run

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<v Speaker 1>at the Low's feel As three with American Cinematech on

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<v Speaker 1>August twenty fifth. We're so pumped. We technically hosted as

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<v Speaker 1>screening with them last year, but neither of us could

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<v Speaker 1>go this year. Things are a little different because you

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<v Speaker 1>had COVID last year. I have COVID right now, so

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<v Speaker 1>I'm not gonna have it in three weeks. So yeah,

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<v Speaker 1>we'll be there.

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<v Speaker 2>We'll be there presenting Chicken Run. Yes, this is part

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<v Speaker 2>of American Semitech's Friend of the Fest podcast festival, where

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<v Speaker 2>they have podcast hosts introduce one of their favorite films,

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<v Speaker 2>and we have the honor of presenting Chicken Run. And

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<v Speaker 2>we're like, hey, what better way to promote that screening

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<v Speaker 2>than to unlock our Matreon episode on Chicken Run. And

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<v Speaker 2>that's what we're doing right now. A men, Now, if

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<v Speaker 2>this is your first episode of the Bechdel Cast or

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<v Speaker 2>you know, you don't really know who we are and

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<v Speaker 2>what we are, we well, first of all, my name's

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<v Speaker 2>Caitlin Deronte.

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<v Speaker 1>My name is Jamie loftus.

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<v Speaker 2>This is our podcast where we examine movies through an

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<v Speaker 2>intersectional feminist lens, using the Bechdel Test as a jumping

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<v Speaker 2>off point. But Jamie, what's that well?

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<v Speaker 1>The Bechdel Test is a media metric originally created by

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<v Speaker 1>queer cartoonist Alison Bechdel, often called the Bechdel Wallace Test

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<v Speaker 1>because it was co created with Alison Bechdel's good friend

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<v Speaker 1>Liz Wallace. This test was created as a joke, a

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<v Speaker 1>bit a lark an idea, a passing fancy by Alison

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<v Speaker 1>Bechdel for her iconic comic Iconic Comic Likes to Watch

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<v Speaker 1>Out for Great Comic. She's basically commenting on how infrequently

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<v Speaker 1>women talk to each other in a queer context originally,

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<v Speaker 1>but the way it's been adapted for the mainstream is

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<v Speaker 1>that it's looking at how infrequently people of marginalized genders

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<v Speaker 1>are allowed to speak about not men. So there's a

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<v Speaker 1>lot of versions of the test. The test we use

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<v Speaker 1>is this, two characters of a marginalized gender with names

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<v Speaker 1>must speak to each other for more than two lines

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<v Speaker 1>of dialogue about a character who is not a man,

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<v Speaker 1>and I honestly forget with Chicken Run. I honestly forget

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<v Speaker 1>you're gonna have to consult with us three and a

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<v Speaker 1>half years ago because they they know.

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<v Speaker 2>Yeah, well, if you want me to spoil it for

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<v Speaker 2>you right now, they definitely pass the Bechdel test.

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<v Speaker 1>I mean it is mostly about Yeah, this is a

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<v Speaker 1>chicken matriarchy in any case, that is what we're releasing.

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<v Speaker 1>And if you are in the LA area, we would love, love,

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<v Speaker 1>love for you to join us on Sunday, August twenty fifth,

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<v Speaker 1>at four pm. We're going to put the link in

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<v Speaker 1>the description of this episode. We're also going to be

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<v Speaker 1>plugging the hell out of it on social media, and

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<v Speaker 1>please join us.

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<v Speaker 2>It's eighty four minutes long, and it's been eighty four

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<v Speaker 2>minutes minutes and I can still smell the chicken chickens.

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<v Speaker 1>Yep, I can still smell the chickens.

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<v Speaker 2>The chickens had never been used.

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<v Speaker 1>Which is the whole point, Which is the whole point

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<v Speaker 1>of Chicken Run, which is the whole point. They're trying

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<v Speaker 1>to escape with their lives exactly. Yeah, just a perfect movie.

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<v Speaker 1>We would love to watch it with you. I you know,

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<v Speaker 1>I want to dress up like a chicken. There I

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<v Speaker 1>said it. I want to dress up like a chicken

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<v Speaker 1>do it. I don't know, like I've never really made

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<v Speaker 1>I believe in myself that I can make this happen.

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<v Speaker 1>I don't know what that's gonna look like, but you

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<v Speaker 1>should come and see see if we pulled it off.

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<v Speaker 2>Yes, definitely, so yeah, grab tickets for that. You can

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<v Speaker 2>also find the tickets on our link tree link Tree

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<v Speaker 2>slash Bechtel Cast and Yeah, we are so excited to

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<v Speaker 2>present this movie and we hope to see you there.

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<v Speaker 2>And in the meantime, enjoy this unlocked Matreon episode of

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<v Speaker 2>Chicken Run. Jamie, what's your relationship with Chicken Run?

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<v Speaker 1>Chicken Run's one of my favorite movies ever. I love

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<v Speaker 1>Chicken Run. I remember seeing it in theaters with my

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<v Speaker 1>family and being like, wow, look at this chickens run

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<v Speaker 1>and not really understanding you know, feminism, patriarchal structures or

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<v Speaker 1>or you know, workers live, and yet Chicken Run really hit.

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<v Speaker 1>I loved it. I thought. I remember being scared when

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<v Speaker 1>they go into the Chicken Machine. It was like for

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<v Speaker 1>me right up there with Toy Story three, where it's like,

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<v Speaker 1>oh my god, these adorable characters are entering a doom

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<v Speaker 1>machine and I'm so scared. I just love I just

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<v Speaker 1>love Chicken Run, and I watch it probably about once

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<v Speaker 1>a year for fun, depending on whether it's streaming places.

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<v Speaker 1>I just watched it a couple months ago because I

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<v Speaker 1>remember texting you about it, like fairly recently, and then

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<v Speaker 1>you came up with this brilliant theme, You're welcome, and

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<v Speaker 1>here we are back at Chicken Run, and yeah, I think,

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<v Speaker 1>I mean, there are elements of it that don't hold

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<v Speaker 1>up for me, but I think by and large as

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<v Speaker 1>a movie, as a product, as a story, as a romp,

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<v Speaker 1>as a romp, I mean, I think it holds up

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<v Speaker 1>extraordinarily well. And I still love it. And I tweeted

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<v Speaker 1>about loving today, and then you get five trillion people

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<v Speaker 1>be like, but what about mel Gibson? As Like, I

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<v Speaker 1>am aware that mel Gibson is in this movie. We

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<v Speaker 1>will talk about it, but I'm not gonna let mel

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<v Speaker 1>Gibson take away Chicken Run from me. I really love

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<v Speaker 1>this movie and fuck mel Gibson. Two things can be true.

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<v Speaker 1>What's your history with Chicken Run?

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<v Speaker 2>I haven't seen it as often as you, but I

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<v Speaker 2>too love this movie. I saw it when it first

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<v Speaker 2>came out in two thousand. I think I saw it

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<v Speaker 2>like a couple times. I think that was my first

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<v Speaker 2>introduction to that type of like stop motion from that

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<v Speaker 2>studio specifically, because I don't think I saw anything Wallace

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<v Speaker 2>and Grammt until after this.

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<v Speaker 1>Yeah, I think that I didn't see any Wallace and

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<v Speaker 1>Grammat until unless they I don't think they showed the

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<v Speaker 1>short and I don't think I saw it until like

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<v Speaker 1>Curse of the were Rabbit, and then I went back

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<v Speaker 1>and saw the short cartoons. Right, everything from this studio

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<v Speaker 1>is so fucking beautiful, Like all of the Arden and

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<v Speaker 1>Studios stuff is just like incredible.

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<v Speaker 2>Yeah, And I always get so I get and people

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<v Speaker 2>might drag me for this, but I get this studio's

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<v Speaker 2>content sometimes confused with Laika content.

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<v Speaker 1>Oh, I mean they also do could blame you thank

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<v Speaker 1>you so much ascept a bully. Yeah no, I mean

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<v Speaker 1>like the because Leika is like Coraline and shit like that.

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<v Speaker 2>Right, Yeah, but like similar, like especially with what did

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<v Speaker 2>I see recently missing Link that came out like twenty

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<v Speaker 2>nineteen or something. Yes, I was like, oh, this is

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<v Speaker 2>probably the same studio as Chicken Run. And then I

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<v Speaker 2>was like, oh wait, no it's the other one.

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<v Speaker 1>So looks very similar yeah, Thelika movies do like quiet,

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<v Speaker 1>and I feel like there's a lot of like they're

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<v Speaker 1>also all very British, yes, and so I feel like

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<v Speaker 1>it's also the tone to the movies, or I'm sure

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<v Speaker 1>that there is some overlap app creatively, but they're like, yeah,

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<v Speaker 1>they're very British stop motion movies. If anyone's if anyone

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<v Speaker 1>bullies you about that, launch me out of the chicken

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<v Speaker 1>what is it the catapult? Yeah, the chicken catapults.

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<v Speaker 2>I'll attack them more like the chicken polt.

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<v Speaker 1>Oh god, the sheer resourcefulness of these brilliant chickens.

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<v Speaker 2>I know. Oh, I can't wait to talk about it.

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<v Speaker 1>There's so much to talk about. Even in it's the

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<v Speaker 1>areas where it is not amazing, there's still a lot

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<v Speaker 1>to talk about, Like this movie. Now that I was

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<v Speaker 1>paying attention to the politics of the movie and not

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<v Speaker 1>just being like I love these chickens, which is usually

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<v Speaker 1>where I'm at when I'm watching Chicken Run. I'm eating

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<v Speaker 1>a plate of nachos and I'm like, these chickens are

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<v Speaker 1>so cool. But this is like this movie is like

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<v Speaker 1>if Animal Farm had gone right basically, yeah, like it's

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<v Speaker 1>animals like seizing the means of production. I have a

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<v Speaker 1>whole thing about it. But like they're seizing the means

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<v Speaker 1>of production, they are overthrowing the oppressive force. But there's

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<v Speaker 1>no like there's not enough infighting that the whole operation

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<v Speaker 1>gets sabotaged, like they liberate themselves. It's beautiful.

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<v Speaker 2>It is beautiful. It's also what So we recently were

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<v Speaker 2>guests on the podcast Creature Feature talking about B Movie,

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<v Speaker 2>and I feel like this is what B Movie was

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<v Speaker 2>like maybe trying to do and then like utterly fumbling

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<v Speaker 2>and failing every step of the way.

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<v Speaker 1>Yeah. B movie just ended up being like, Wow, capitalism

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<v Speaker 1>it's awesome. No, no, no, its it rocks. Although I

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<v Speaker 1>was thinking I was thinking about B Movie when Larry

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<v Speaker 1>King died, because I'm like, wow, what was his name?

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<v Speaker 2>Me, Larry King?

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<v Speaker 1>Be Larry King. That was like maybe his best maybe

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<v Speaker 1>his best work, his best credit, Yeah iconic. Yeah. No,

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<v Speaker 1>So Larry King's not in this although I wish he

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<v Speaker 1>was instead of Mel Gibson. Seriously, the Mel Gibson of

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<v Speaker 1>it all. It's so it fucking sucks that he's in

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<v Speaker 1>this movie, man, because other than that, it is like

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<v Speaker 1>such a fabulous.

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<v Speaker 2>Movie. At least we don't have to see Mel Gibson's face.

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<v Speaker 1>It does make it easier to I mean, it's I

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<v Speaker 1>hate that he got paid to be in this amazing movie. Yeah,

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<v Speaker 1>at very least he's playing an evil fraud. But then

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<v Speaker 1>also he's forgiven at the end.

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<v Speaker 2>Oh, don't get me, Sack.

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<v Speaker 1>There's a lot to be taught. I'm just like, you

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<v Speaker 1>know what, he should have just left and stayed gone.

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<v Speaker 2>And stayed gone exactly.

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<v Speaker 1>I don't know why, Like I thought, I really thought,

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<v Speaker 1>because I've been thinking so much about when we redid

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<v Speaker 1>Beauty and the Beast and we had that whole conversation

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<v Speaker 1>about like the burden of forgiveness on female characters, and

0:12:48.000 --> 0:12:51.720
<v Speaker 1>I didn't totally. I don't know. I just I'm never

0:12:51.880 --> 0:12:54.720
<v Speaker 1>paying super close attention to the plot points of Chicken Run.

0:12:54.800 --> 0:12:58.199
<v Speaker 1>And so I was like, she, Ginger comes so close

0:12:58.360 --> 0:13:01.320
<v Speaker 1>to like subverting that and being like, fuck you get

0:13:01.320 --> 0:13:04.840
<v Speaker 1>out of here, you coward, right, But then he shows

0:13:04.920 --> 0:13:09.120
<v Speaker 1>up and then she I'm like, Ginger, I mean, live

0:13:09.160 --> 0:13:11.640
<v Speaker 1>your life, don't let me tell you how to live, Ginger.

0:13:11.880 --> 0:13:16.400
<v Speaker 1>But like Ginger, I feel like we can just do better.

0:13:16.520 --> 0:13:17.440
<v Speaker 1>We can do better.

0:13:17.600 --> 0:13:18.440
<v Speaker 2>Ginger can do something.

0:13:18.440 --> 0:13:22.160
<v Speaker 1>I'm not opposed to Ginger finding love, but like Rocky

0:13:22.960 --> 0:13:26.080
<v Speaker 1>really literally it sounds like my mom of just like

0:13:26.080 --> 0:13:28.920
<v Speaker 1>my mom's like, you're gonna go off with some guy

0:13:28.960 --> 0:13:32.680
<v Speaker 1>from Rhode Island, which is literally who Rocky is. He's

0:13:32.720 --> 0:13:37.840
<v Speaker 1>some guy from Rhode Island. True, Ginger, do not just

0:13:37.880 --> 0:13:39.560
<v Speaker 1>go off with some guy from Rhode Island. I mean

0:13:39.640 --> 0:13:41.040
<v Speaker 1>that whole thing. We'll get there, but.

0:13:41.440 --> 0:13:44.240
<v Speaker 2>Yes, yeah, we'll get there. In the meantime, should we

0:13:44.280 --> 0:13:44.840
<v Speaker 2>recap it?

0:13:45.360 --> 0:13:48.560
<v Speaker 1>Yes, I'm sorry, I'm getting like so excited. I have

0:13:48.640 --> 0:13:51.520
<v Speaker 1>like a full glass of wine and I'm so excited

0:13:51.559 --> 0:13:53.240
<v Speaker 1>to talk about chicken run.

0:13:53.520 --> 0:13:56.200
<v Speaker 2>Oh my goodness, I love it. Uh, let's take a

0:13:56.240 --> 0:13:58.760
<v Speaker 2>quick break and then we'll come right back for the recap.

0:14:08.920 --> 0:14:11.840
<v Speaker 2>So the story is as follows. We open on a

0:14:11.960 --> 0:14:17.240
<v Speaker 2>chicken farm. The chickens are, they talk, and they're they're people,

0:14:17.480 --> 0:14:19.520
<v Speaker 2>But their chickens.

0:14:18.679 --> 0:14:21.280
<v Speaker 1>The most horrifying thing. I mean not horrifying. I don't

0:14:21.320 --> 0:14:23.600
<v Speaker 1>know how the animation gets away with not being scary,

0:14:23.640 --> 0:14:27.160
<v Speaker 1>but giving a farmful of chickens full sets of human

0:14:27.240 --> 0:14:32.760
<v Speaker 1>teeth is such like a decision that it should look

0:14:32.800 --> 0:14:34.960
<v Speaker 1>scarier than it does, and I feel like it speaks

0:14:34.960 --> 0:14:37.880
<v Speaker 1>to the animation that that is not extremely because wasn't

0:14:37.920 --> 0:14:41.280
<v Speaker 1>that like the reason that they completely reanimated the sonic

0:14:41.280 --> 0:14:43.600
<v Speaker 1>the Hedgehog movie is because they're like, why does he

0:14:43.640 --> 0:14:44.560
<v Speaker 1>have human teeth?

0:14:45.040 --> 0:14:48.640
<v Speaker 2>Oh? I thought it was because his like proportions were

0:14:48.680 --> 0:14:49.200
<v Speaker 2>all wrong.

0:14:49.800 --> 0:14:53.480
<v Speaker 1>Wait let me oh, hold on, Maybe it was a combination,

0:14:53.520 --> 0:14:55.120
<v Speaker 1>because that sounds right as well.

0:14:55.120 --> 0:14:58.200
<v Speaker 2>Because he was like, his like proportions were just like,

0:14:58.560 --> 0:15:01.200
<v Speaker 2>like his leg the length of his legs and arms

0:15:01.320 --> 0:15:04.720
<v Speaker 2>were just like really bizarre. And they were like, this

0:15:04.800 --> 0:15:05.720
<v Speaker 2>looks terrible.

0:15:06.120 --> 0:15:10.360
<v Speaker 1>So we're both right and and I forgot how scary

0:15:10.400 --> 0:15:14.800
<v Speaker 1>the first sonic was. Yeah, so he both looked too

0:15:14.880 --> 0:15:17.480
<v Speaker 1>much like an animal and his proportions were like two

0:15:17.720 --> 0:15:20.840
<v Speaker 1>Uncanny Valley photorealistic, Like he just looks like a blue cat,

0:15:21.200 --> 0:15:23.800
<v Speaker 1>but he has like a full set of like Joe

0:15:23.800 --> 0:15:29.240
<v Speaker 1>Biden viniars, Pete Davis whatever, whoever, Walton Goggins vinyars like

0:15:29.360 --> 0:15:32.880
<v Speaker 1>mm hmm, just really scary stuff. For some reason, the

0:15:33.000 --> 0:15:35.800
<v Speaker 1>chickens and the roosters they're allowed to have full sets

0:15:35.840 --> 0:15:38.360
<v Speaker 1>of teeth. It doesn't bother me, Yeah, why not.

0:15:38.480 --> 0:15:43.000
<v Speaker 2>I'll allow it. So one of the chickens, our hero Ginger,

0:15:43.360 --> 0:15:46.360
<v Speaker 2>is organizing a mass escape for her and all the

0:15:46.440 --> 0:15:49.800
<v Speaker 2>other chickens to basically do a prison break. And I

0:15:49.800 --> 0:15:52.320
<v Speaker 2>also read that when this movie was like being developed,

0:15:52.440 --> 0:15:55.160
<v Speaker 2>they were just like, let's do the Great Escape but

0:15:55.280 --> 0:15:56.640
<v Speaker 2>with chickens.

0:15:56.360 --> 0:16:01.160
<v Speaker 1>Which is like, holy shit, right, what a what a

0:16:01.200 --> 0:16:01.840
<v Speaker 1>wide swing?

0:16:02.120 --> 0:16:03.440
<v Speaker 2>Why didn't I think of that? You know?

0:16:03.880 --> 0:16:04.720
<v Speaker 1>Yeah, exactly.

0:16:06.600 --> 0:16:09.240
<v Speaker 2>So we meet some of the other chickens. There's Babs,

0:16:09.480 --> 0:16:14.600
<v Speaker 2>who is always knitting. There is Mac who is the

0:16:15.000 --> 0:16:16.760
<v Speaker 2>brainy chicken in Stem.

0:16:17.480 --> 0:16:18.960
<v Speaker 1>She's a chicken in Stem.

0:16:18.800 --> 0:16:20.600
<v Speaker 2>A chicken in Stem, and you'd love to see it

0:16:20.680 --> 0:16:22.440
<v Speaker 2>at last, at long Last.

0:16:22.560 --> 0:16:25.120
<v Speaker 1>She's also Scottish, which is constantly made a joke off,

0:16:25.200 --> 0:16:27.240
<v Speaker 1>and I'm like, I can't tell if this is offensive

0:16:27.280 --> 0:16:29.600
<v Speaker 1>or if I just don't live in the UK, but

0:16:29.920 --> 0:16:31.080
<v Speaker 1>she's very Scottish.

0:16:31.520 --> 0:16:32.640
<v Speaker 2>She also wears glasses.

0:16:32.800 --> 0:16:36.600
<v Speaker 1>She wears glasses exactly. Yeah.

0:16:36.800 --> 0:16:42.040
<v Speaker 2>Yes, there's Bunty, who lays a lot of eggs. I

0:16:42.040 --> 0:16:44.440
<v Speaker 2>think that's kind of the main thing that we know.

0:16:44.760 --> 0:16:49.840
<v Speaker 2>She's very fertile, Yeah, very fertile, full bursting at the

0:16:49.920 --> 0:16:54.960
<v Speaker 2>seems with eggs. There's also an old rooster named Fowler

0:16:55.280 --> 0:16:59.080
<v Speaker 2>who's like a former military man and he's always carrying

0:16:59.400 --> 0:17:01.920
<v Speaker 2>the world War two, yeah.

0:17:02.280 --> 0:17:04.959
<v Speaker 1>Or he says you did. He was actually just a chicken.

0:17:06.400 --> 0:17:08.879
<v Speaker 2>He's just a chicken this whole time. Yeah, but he's

0:17:08.880 --> 0:17:10.760
<v Speaker 2>always caring on about his glory days.

0:17:11.320 --> 0:17:11.480
<v Speaker 1>Right.

0:17:12.000 --> 0:17:14.640
<v Speaker 2>So Ginger is trying to escape and she gets caught

0:17:14.760 --> 0:17:20.000
<v Speaker 2>by mister Tweety, Mister Tweety's dogs and Missus Tweety.

0:17:19.800 --> 0:17:24.640
<v Speaker 1>Oh and iconic villains so scary. When I was a kid,

0:17:24.680 --> 0:17:28.640
<v Speaker 1>I was so scared of her. But I think, you know, Jen,

0:17:29.000 --> 0:17:31.320
<v Speaker 1>we'll have a more full discussion about her. But like

0:17:32.320 --> 0:17:36.439
<v Speaker 1>where older women are so often fully demonized, with Missus Tweety,

0:17:36.520 --> 0:17:39.000
<v Speaker 1>it's not because she's jealous of this. I think she's

0:17:39.080 --> 0:17:42.720
<v Speaker 1>very logically motivated and true. And I also think that

0:17:42.800 --> 0:17:45.720
<v Speaker 1>she is I forget where I thought this as I

0:17:45.800 --> 0:17:48.480
<v Speaker 1>was watching, and I'm like, you're reaching, Jamie. But then

0:17:48.560 --> 0:17:50.679
<v Speaker 1>I saw someone else wrote about it. I was like,

0:17:50.720 --> 0:17:52.760
<v Speaker 1>I think that she's supposed to be like low key

0:17:52.880 --> 0:17:58.200
<v Speaker 1>Margaret Thatcher. Oh, she styled kind of similarly. I think

0:17:58.200 --> 0:18:01.720
<v Speaker 1>she's supposed to be like rural Margaret Margaret Thatcher. That's

0:18:01.800 --> 0:18:04.520
<v Speaker 1>my working theory that at least I have their name

0:18:04.520 --> 0:18:07.960
<v Speaker 1>written down here, that at least one writer also thought.

0:18:08.800 --> 0:18:11.439
<v Speaker 1>But she's at least she is an She is like,

0:18:11.600 --> 0:18:14.280
<v Speaker 1>she looks kind of like an evil stepmother, but she

0:18:14.440 --> 0:18:21.640
<v Speaker 1>is a very highly motivated capitalist villain. Yeah, iconic, iconic, scary.

0:18:21.400 --> 0:18:23.240
<v Speaker 2>And voiced by Miranda Richardson.

0:18:23.600 --> 0:18:24.760
<v Speaker 1>Yes, too amazing.

0:18:25.520 --> 0:18:29.399
<v Speaker 2>So Ginger gets caught and is thrown into solitary confinement,

0:18:30.040 --> 0:18:32.840
<v Speaker 2>and as soon as she's released, she plans another escape,

0:18:32.920 --> 0:18:35.600
<v Speaker 2>and another and another. We get a montage, each one

0:18:35.720 --> 0:18:38.639
<v Speaker 2>ending in her getting caught and put in solitary.

0:18:38.960 --> 0:18:43.360
<v Speaker 1>They're all funny, Yes, I like when they dress up

0:18:43.840 --> 0:18:47.280
<v Speaker 1>like missus tweety and almost escape. Oh and then it's

0:18:47.359 --> 0:18:49.600
<v Speaker 1>just a dress full of chickens. Oh, I'm laughing.

0:18:50.080 --> 0:18:55.080
<v Speaker 2>The visual comedy in this movie is outstanding genius.

0:18:55.160 --> 0:19:00.679
<v Speaker 1>It's so good all Yeah, Like these chickens, they are

0:19:00.760 --> 0:19:03.600
<v Speaker 1>cracking me up eighty four minutes straight.

0:19:03.840 --> 0:19:07.199
<v Speaker 2>Even the scene where like they're trying to escape like

0:19:07.480 --> 0:19:10.119
<v Speaker 2>a trough they're like covering themselves up with it, and

0:19:10.160 --> 0:19:12.119
<v Speaker 2>then they flip over and all their legs are just

0:19:12.160 --> 0:19:15.000
<v Speaker 2>sort of flailing about. Like just the visual of their

0:19:15.119 --> 0:19:17.560
<v Speaker 2>legs is the funniest thing I've ever seen.

0:19:18.000 --> 0:19:20.639
<v Speaker 1>Yeah, Like anytime they're on, the chickens are on like

0:19:20.960 --> 0:19:26.360
<v Speaker 1>stationary bicycles. I'm laughing like it just chickens are funny

0:19:26.520 --> 0:19:32.280
<v Speaker 1>and and they're also you know, maytriarchy seizing the means

0:19:32.280 --> 0:19:35.880
<v Speaker 1>of production, so they're also very inspirational. Here is it's true,

0:19:36.160 --> 0:19:40.240
<v Speaker 1>Oh dressful of chickens, Like, who's gonna no, I can't

0:19:40.240 --> 0:19:43.119
<v Speaker 1>write a joke that good dressful of chickens hilarious.

0:19:44.640 --> 0:19:48.320
<v Speaker 2>So mister and missus Tweety this is an egg farm,

0:19:48.359 --> 0:19:51.679
<v Speaker 2>not a poultry farm yet, but they're keeping track of

0:19:52.160 --> 0:19:55.760
<v Speaker 2>the chicken's egg production, and if a chicken doesn't produce

0:19:55.880 --> 0:20:00.840
<v Speaker 2>enough eggs, the Tweeties chop that chicken's head, which we

0:20:01.280 --> 0:20:04.240
<v Speaker 2>see not like the gory details of it, but so

0:20:04.520 --> 0:20:07.800
<v Speaker 2>sad though, Like a chicken gets murdered within the first

0:20:07.840 --> 0:20:08.640
<v Speaker 2>ten minutes of the.

0:20:08.600 --> 0:20:14.120
<v Speaker 1>Movie talk about steaks, I mean, yeah, immediately that it's

0:20:14.240 --> 0:20:17.520
<v Speaker 1>life or death for the chickens because of what's her name?

0:20:18.080 --> 0:20:23.480
<v Speaker 1>Her name is Edwena Chicken Edwena at this on this view,

0:20:23.520 --> 0:20:26.440
<v Speaker 1>at least, I'm like, at least she didn't like it

0:20:26.480 --> 0:20:29.040
<v Speaker 1>would have been even because this is a g rated movie,

0:20:29.119 --> 0:20:31.880
<v Speaker 1>which is wild for how many times they almost knife

0:20:31.920 --> 0:20:37.119
<v Speaker 1>the chickens, right, But at least Edwena didn't. I was

0:20:37.119 --> 0:20:39.520
<v Speaker 1>worried that she was gonna go like, ah, like, but

0:20:39.600 --> 0:20:40.480
<v Speaker 1>it's just silent.

0:20:41.200 --> 0:20:43.160
<v Speaker 2>You just hear like the thunk of an axe.

0:20:43.240 --> 0:20:46.359
<v Speaker 1>I wonder if they're like if she clucks when she's beheaded,

0:20:46.680 --> 0:20:51.760
<v Speaker 1>it's PG or something. I don't know. That's too much.

0:20:52.520 --> 0:20:56.840
<v Speaker 2>Right, Oh my goodness. And also missus Tweety is sick

0:20:56.880 --> 0:21:00.720
<v Speaker 2>and tired of the farm's minuscule profits, and she sees

0:21:00.760 --> 0:21:04.359
<v Speaker 2>an ad to turn her egg farm into a gold

0:21:04.400 --> 0:21:09.560
<v Speaker 2>mine by producing chicken meat rather than chicken eggs. Meanwhile,

0:21:09.760 --> 0:21:14.480
<v Speaker 2>Ginger is trying to hatch a new plan to escape.

0:21:14.840 --> 0:21:16.760
<v Speaker 2>Get it hatch.

0:21:17.840 --> 0:21:22.480
<v Speaker 1>Ginger in these scenes reminds me of like every DSA

0:21:22.640 --> 0:21:25.600
<v Speaker 1>meeting I've ever been to, where there's like one highly

0:21:25.640 --> 0:21:29.119
<v Speaker 1>motivated person trying to get like fifty well meaning people

0:21:29.160 --> 0:21:32.160
<v Speaker 1>to pay attention to a good idea, and everyone's like, wait,

0:21:32.280 --> 0:21:38.600
<v Speaker 1>huh what huh. It's literally Ginger is a branch leader

0:21:38.640 --> 0:21:41.160
<v Speaker 1>of the DSA, and no one on the zoom call

0:21:41.240 --> 0:21:41.960
<v Speaker 1>is listening to.

0:21:41.920 --> 0:21:45.679
<v Speaker 2>Her exactly, so basically, she just keeps pitching ideas to

0:21:45.880 --> 0:21:49.240
<v Speaker 2>escape because her whole thing is she's not happy with

0:21:49.400 --> 0:21:53.720
<v Speaker 2>the expectation to lay eggs every day until she is

0:21:54.480 --> 0:21:58.080
<v Speaker 2>what is it plucked, roasted and turned into chicken dinner

0:21:58.160 --> 0:22:00.200
<v Speaker 2>or some some I forget the quote exactly.

0:22:00.240 --> 0:22:03.600
<v Speaker 1>Right, because it's like the Tweeties, even before they sell poultry.

0:22:03.640 --> 0:22:06.119
<v Speaker 1>Once you don't lay eggs, they will just eat you.

0:22:06.880 --> 0:22:12.280
<v Speaker 2>Correct. Yes, So she's not satisfied with this being her

0:22:12.320 --> 0:22:15.760
<v Speaker 2>fate and that's why she is longing to be free.

0:22:15.920 --> 0:22:18.159
<v Speaker 2>But the other chickens are like, well, you know what

0:22:18.240 --> 0:22:21.000
<v Speaker 2>if we don't try to escape because it never seems

0:22:21.040 --> 0:22:21.680
<v Speaker 2>to work.

0:22:21.680 --> 0:22:25.920
<v Speaker 1>Right, it's exhausting, I'm tired. And then that line where

0:22:25.960 --> 0:22:29.160
<v Speaker 1>Ginger is like, there's not just fences outside of the coop,

0:22:29.200 --> 0:22:36.400
<v Speaker 1>there's fences in your mind, and you're like, well, like exactly, Oh,

0:22:36.480 --> 0:22:37.240
<v Speaker 1>she's amazing.

0:22:37.560 --> 0:22:42.720
<v Speaker 2>She's a what a speaker, truly, and yeah there's stuff

0:22:42.760 --> 0:22:45.679
<v Speaker 2>to talk about with the complacency of the other chicken.

0:22:47.080 --> 0:22:52.200
<v Speaker 1>I love, it's literally it's just it's a Marxist tail.

0:22:54.480 --> 0:22:56.920
<v Speaker 2>Okay. So the other chickens are like, well, let's maybe

0:22:56.920 --> 0:23:00.280
<v Speaker 2>not escape. So Ginger is hopeless until a root stur

0:23:00.400 --> 0:23:06.320
<v Speaker 2>named Rocky this is mel Gibson boo yeah, flies into

0:23:06.320 --> 0:23:10.520
<v Speaker 2>their farm and Ginger gets the idea for the chickens

0:23:10.560 --> 0:23:13.399
<v Speaker 2>to escape by flying over the fence and out of

0:23:13.440 --> 0:23:16.800
<v Speaker 2>the farm, and she wants Rocky to teach them to fly,

0:23:18.320 --> 0:23:21.320
<v Speaker 2>but Rocky is not interested in that. But he cannot

0:23:21.440 --> 0:23:24.600
<v Speaker 2>leave because he broke his wing crash landing into the farm.

0:23:24.840 --> 0:23:28.159
<v Speaker 1>And then there's a great scene where they have to

0:23:28.280 --> 0:23:31.359
<v Speaker 1>like negotiate of like what services he's going to provide,

0:23:31.400 --> 0:23:33.520
<v Speaker 1>because at first he's like, no, I'm not gonna help you.

0:23:33.800 --> 0:23:36.840
<v Speaker 1>He kind of reminds me of like Chicken Han Solo

0:23:36.920 --> 0:23:40.359
<v Speaker 1>a little bit where he's like, screw the collective. I'm

0:23:40.480 --> 0:23:43.520
<v Speaker 1>just a I'm just a guy, and I'm just a

0:23:43.560 --> 0:23:49.159
<v Speaker 1>horny guy wandering the earth, and screw you. And then she,

0:23:49.440 --> 0:23:52.080
<v Speaker 1>you know, she kind of she's got them. She's like,

0:23:52.200 --> 0:23:54.200
<v Speaker 1>I'm not just going to This is where I feel

0:23:54.200 --> 0:23:56.520
<v Speaker 1>like there's a really cool something set up that the

0:23:56.840 --> 0:23:59.360
<v Speaker 1>ending doesn't really follow through on of like she does

0:23:59.400 --> 0:24:02.640
<v Speaker 1>not have sympathy for him, just because he says that

0:24:02.720 --> 0:24:06.320
<v Speaker 1>she should like in to establish their relationship, which is

0:24:06.359 --> 0:24:10.679
<v Speaker 1>such a strong way to establish a relationship between like

0:24:10.960 --> 0:24:14.600
<v Speaker 1>in a kid's cartoon. Right. Oh, I just wish it

0:24:14.680 --> 0:24:16.840
<v Speaker 1>stayed that way, but I love that. I love that

0:24:16.880 --> 0:24:19.440
<v Speaker 1>first scene where he's like what, You're not gonna help

0:24:19.440 --> 0:24:22.720
<v Speaker 1>me because I'm cute and she's like, fuck you, right

0:24:22.760 --> 0:24:24.000
<v Speaker 1>to the guillotine, sir.

0:24:24.640 --> 0:24:26.359
<v Speaker 2>And then I mean this is like, this is just

0:24:26.400 --> 0:24:30.879
<v Speaker 2>like a good screenwriting comment. But he's like, okay, fine,

0:24:30.920 --> 0:24:33.840
<v Speaker 2>I'll teach you everything I know, which he doesn't know

0:24:33.920 --> 0:24:36.320
<v Speaker 2>anything because spoiler alert, he doesn't know how to fly,

0:24:37.000 --> 0:24:40.120
<v Speaker 2>but he just like omits that, which is the same

0:24:40.160 --> 0:24:42.520
<v Speaker 2>thing he does to the two rats that we.

0:24:42.520 --> 0:24:47.240
<v Speaker 1>See Timothy's more. Timothy's spall like, let this man play

0:24:47.400 --> 0:24:49.320
<v Speaker 1>not a rat for once in his life.

0:24:49.680 --> 0:24:51.880
<v Speaker 2>He might as well have been playing scabberds. Yeah.

0:24:52.040 --> 0:24:54.960
<v Speaker 1>Literally, I'm just like, this man is being typecast as

0:24:55.040 --> 0:24:58.359
<v Speaker 1>a literal rat, and that's not nice. He was a

0:24:58.400 --> 0:25:01.720
<v Speaker 1>really good mister Poe in Series of Unfortunate Events, which

0:25:01.760 --> 0:25:03.200
<v Speaker 1>I am. I think I am going to choose that

0:25:03.280 --> 0:25:08.440
<v Speaker 1>for my birthday this year on the Matreon ooh yeah,

0:25:08.960 --> 0:25:10.960
<v Speaker 1>but yeah, poor Timothy's ball when I was like, wait

0:25:11.000 --> 0:25:13.239
<v Speaker 1>a second, it can't be and I'm like, god damn it,

0:25:13.240 --> 0:25:17.679
<v Speaker 1>they're still making Timothy's Ball play a British rat. Maybe

0:25:17.680 --> 0:25:19.520
<v Speaker 1>this is how he got cast in Harry Potter.

0:25:19.560 --> 0:25:22.960
<v Speaker 2>Ye, this was before the first Harry Potter movie.

0:25:23.080 --> 0:25:25.560
<v Speaker 1>That would be really yeah, because he doesn't even come

0:25:25.600 --> 0:25:27.680
<v Speaker 1>in till like the later movies, right, like the third

0:25:27.760 --> 0:25:28.919
<v Speaker 1>or fourth or something.

0:25:29.119 --> 0:25:29.639
<v Speaker 2>The third one.

0:25:29.720 --> 0:25:32.720
<v Speaker 1>Yeah, so that would be really sad but also kind

0:25:32.720 --> 0:25:34.200
<v Speaker 1>of funny if they were like, well, you know he

0:25:34.280 --> 0:25:40.720
<v Speaker 1>can play a British rat, well, Timmy's ball weird.

0:25:41.040 --> 0:25:46.680
<v Speaker 2>Yeah. So back on the farm, So some men show

0:25:46.760 --> 0:25:51.560
<v Speaker 2>up from the circus to collect Rocky the rooster, so

0:25:51.640 --> 0:25:55.520
<v Speaker 2>like he's a runaway from the circus. Ginger realizes this,

0:25:55.720 --> 0:25:59.240
<v Speaker 2>so she makes a deal with him that the chickens

0:25:59.240 --> 0:26:02.440
<v Speaker 2>will hide him if he teaches them to fly, and

0:26:02.760 --> 0:26:03.640
<v Speaker 2>he agrees.

0:26:04.080 --> 0:26:06.000
<v Speaker 1>Amazing negotiation by Ginger.

0:26:06.359 --> 0:26:10.399
<v Speaker 2>Incredible. Yes. Then the next day Rocky starts training the

0:26:10.480 --> 0:26:15.000
<v Speaker 2>chickens to fly by not doing anything related to flying,

0:26:15.160 --> 0:26:18.120
<v Speaker 2>and they don't seem to be making any progress because

0:26:18.480 --> 0:26:19.520
<v Speaker 2>chickens can't fly.

0:26:19.880 --> 0:26:22.560
<v Speaker 1>Yeah, it's kind of like evokes I think that these

0:26:22.560 --> 0:26:25.560
<v Speaker 1>movies were made too close together, but like it evoked

0:26:25.600 --> 0:26:30.320
<v Speaker 1>the be a Man sequence from Mulan for me of

0:26:30.440 --> 0:26:37.240
<v Speaker 1>just like an insecure man leading a group of soldiers

0:26:37.280 --> 0:26:39.240
<v Speaker 1>for a mission that they will fail at. I guess

0:26:39.280 --> 0:26:40.480
<v Speaker 1>that's where I was coming from.

0:26:40.480 --> 0:26:44.520
<v Speaker 2>Sure, Yeah, I mean a training montage is a training

0:26:44.560 --> 0:26:47.040
<v Speaker 2>montage is a training montage. You know they're I.

0:26:47.040 --> 0:26:49.000
<v Speaker 1>Guess I just don't watch many movies with trade. I

0:26:49.000 --> 0:26:50.960
<v Speaker 1>think these are the These are the only two movies

0:26:51.000 --> 0:26:53.200
<v Speaker 1>I've ever seen with a group training montage.

0:26:53.200 --> 0:26:56.160
<v Speaker 2>Oh my gosh. Really I have seen are.

0:26:56.119 --> 0:26:59.800
<v Speaker 1>Other movies with training montages that are like a big

0:27:00.080 --> 0:27:03.240
<v Speaker 1>group of people, because I'm like, I've seen movies with

0:27:03.280 --> 0:27:06.080
<v Speaker 1>training montages, but I just feel like these movies two

0:27:06.160 --> 0:27:08.600
<v Speaker 1>years apart. I think that's why I'm just like, uh

0:27:08.640 --> 0:27:12.720
<v Speaker 1>huh oh yeah. Insecure guy leads a group of soldiers

0:27:12.720 --> 0:27:14.160
<v Speaker 1>that don't really know what they're doing.

0:27:14.840 --> 0:27:17.679
<v Speaker 2>I mean, just like any sports movie where like the

0:27:17.680 --> 0:27:21.960
<v Speaker 2>whole team is training, there's you know, dozens of those.

0:27:21.960 --> 0:27:27.119
<v Speaker 1>I've seen, remember the Titans. I haven't seen many sports movies.

0:27:27.840 --> 0:27:30.320
<v Speaker 1>I think that's why I'm like, Wow, look at these

0:27:30.440 --> 0:27:34.320
<v Speaker 1>two iconic movies borrowing from each other, Mulan and Chicken Run.

0:27:34.680 --> 0:27:37.200
<v Speaker 1>There's no way, but that was what I thought.

0:27:37.240 --> 0:27:40.919
<v Speaker 2>Sure, Well, gotta watch more training montages.

0:27:40.960 --> 0:27:43.160
<v Speaker 1>They're great, apparently, I guess.

0:27:43.600 --> 0:27:46.720
<v Speaker 2>Okay, so the chickens are trying to learn to fly,

0:27:47.080 --> 0:27:51.480
<v Speaker 2>no progress is being made, and then the equipment for

0:27:52.400 --> 0:27:58.400
<v Speaker 2>turning the farm into a poultry farm arrives and we're like, wow,

0:27:58.480 --> 0:28:00.640
<v Speaker 2>those steaks that we thought were all ready pretty high,

0:28:00.840 --> 0:28:02.959
<v Speaker 2>guess what even higher?

0:28:03.160 --> 0:28:05.840
<v Speaker 1>Who Now they won't stop rising.

0:28:05.720 --> 0:28:10.399
<v Speaker 2>They really won't. So some of the chickens, including Ginger,

0:28:10.440 --> 0:28:15.200
<v Speaker 2>are growing skeptical of Rocky because nothing seems to be happening.

0:28:15.720 --> 0:28:19.760
<v Speaker 2>She wants results, but he's also this like pompous, shitty

0:28:19.840 --> 0:28:23.600
<v Speaker 2>guy who's just like being dodgy about everything. Classic. Then

0:28:23.680 --> 0:28:28.639
<v Speaker 2>missus Tweety doubles their food rations to fatten the chickens

0:28:28.720 --> 0:28:31.560
<v Speaker 2>up so they produce more meat, which Ginger figures out

0:28:31.760 --> 0:28:34.000
<v Speaker 2>and tells the chickens, and then everyone is all sad

0:28:34.040 --> 0:28:37.280
<v Speaker 2>because they realize they're about to be murdered. And then Rocky,

0:28:37.440 --> 0:28:42.120
<v Speaker 2>to cheer everyone up, throws a party, right, and Ginger's like,

0:28:42.360 --> 0:28:45.600
<v Speaker 2>wait a minute, maybe I was wrong about him. Maybe

0:28:45.600 --> 0:28:49.520
<v Speaker 2>he's actually this good, nice guy after all, and his

0:28:49.640 --> 0:28:53.400
<v Speaker 2>wings seems to be better. So she's like, Okay, tomorrow

0:28:53.520 --> 0:28:55.960
<v Speaker 2>you can fly for us and show us how it's done,

0:28:56.520 --> 0:29:00.240
<v Speaker 2>and he's like, yeah, yeah, definitely, I can definitely sure

0:29:00.400 --> 0:29:02.120
<v Speaker 2>definitely do that. Uh huh huh.

0:29:02.440 --> 0:29:05.680
<v Speaker 1>God, he's such a coward. I always, I always forget

0:29:05.720 --> 0:29:08.960
<v Speaker 1>that he never even like admits. There's no scene in

0:29:09.000 --> 0:29:12.360
<v Speaker 1>which he's like, Okay, I actually can't fly. At least

0:29:12.520 --> 0:29:15.120
<v Speaker 1>then he would have a shred.

0:29:15.240 --> 0:29:17.440
<v Speaker 2>Of like integrity.

0:29:17.400 --> 0:29:21.840
<v Speaker 1>Yeah, but he's just a total like weak coward.

0:29:22.080 --> 0:29:22.600
<v Speaker 2>Yeah.

0:29:22.680 --> 0:29:25.800
<v Speaker 1>I mean, I'm it's nice, you know, for our purposes.

0:29:25.840 --> 0:29:28.720
<v Speaker 1>It's it's interesting that like Ginger figures out that he's

0:29:28.760 --> 0:29:31.840
<v Speaker 1>a fraud. She finds in the next scene, she finds

0:29:31.960 --> 0:29:34.480
<v Speaker 1>us the other half of the poster that basically says

0:29:34.480 --> 0:29:37.800
<v Speaker 1>he's a circus act. He can't really fly. So it's

0:29:37.800 --> 0:29:40.640
<v Speaker 1>good that she discovers that. But I'm like, this fucking

0:29:41.480 --> 0:29:45.480
<v Speaker 1>guy from Rhode Island is just lying, lying, lying, and

0:29:45.520 --> 0:29:48.360
<v Speaker 1>then he bails. He never even he never has to

0:29:48.400 --> 0:29:49.240
<v Speaker 1>face the music.

0:29:49.680 --> 0:29:53.960
<v Speaker 2>It's he's there. There are like one or two moments

0:29:54.000 --> 0:29:56.320
<v Speaker 2>where it's clear that he's like trying to work up

0:29:56.320 --> 0:29:59.280
<v Speaker 2>the nerve to tell her, but then doesn't he You

0:29:59.360 --> 0:30:01.040
<v Speaker 2>might say he chickens out.

0:30:01.320 --> 0:30:04.960
<v Speaker 1>He chickens out. He's the biggest chicken in the movie,

0:30:04.960 --> 0:30:10.640
<v Speaker 1>not just physically because he's pretty tall, but he's a cat.

0:30:10.680 --> 0:30:15.080
<v Speaker 1>He's a cowardly he's a chicken chicken. Yes, he bails,

0:30:15.120 --> 0:30:17.680
<v Speaker 1>he gets his little chicken bindle and he gets the

0:30:17.720 --> 0:30:18.520
<v Speaker 1>fuck out of there.

0:30:19.360 --> 0:30:22.720
<v Speaker 2>Also, does he ever apologize to her at the end? No,

0:30:22.920 --> 0:30:25.640
<v Speaker 2>he doesn't, didn't think so she there.

0:30:25.800 --> 0:30:30.040
<v Speaker 1>There are a few elements of like very girl there.

0:30:30.160 --> 0:30:32.720
<v Speaker 1>For the most part, I feel like Ginger's character like

0:30:33.760 --> 0:30:37.360
<v Speaker 1>manages to skirt around late nineties girl power feminism, but

0:30:37.400 --> 0:30:40.240
<v Speaker 1>there's a few moments where it's like he never apologizes

0:30:41.040 --> 0:30:44.640
<v Speaker 1>and there's that classic I feel like this happens in

0:30:44.760 --> 0:30:48.040
<v Speaker 1>every Mary Kate Nashley movie where he calls her like

0:30:48.240 --> 0:30:52.880
<v Speaker 1>a diminutive thing. He's like dollphace, angel beak or whatever,

0:30:53.120 --> 0:30:56.640
<v Speaker 1>and then she goes, my name is Ginger, and it's

0:30:56.720 --> 0:30:59.840
<v Speaker 1>like that edit some if you said a sentence like that,

0:30:59.840 --> 0:31:02.720
<v Speaker 1>that that's feminism, And like there was a time where

0:31:02.760 --> 0:31:06.200
<v Speaker 1>I feel like there's that happens in like Disney's Hercules

0:31:06.240 --> 0:31:09.280
<v Speaker 1>as well, where it's like, at least with Ginger, she

0:31:09.360 --> 0:31:14.240
<v Speaker 1>genuinely is like I think, a really feminist iconic character. Yeah,

0:31:14.240 --> 0:31:16.720
<v Speaker 1>but I feel like sometimes that's a shorthand for men

0:31:16.800 --> 0:31:20.120
<v Speaker 1>writing quote unquote empowered female characters. It's like, that's not

0:31:20.240 --> 0:31:22.880
<v Speaker 1>my name, this is my name, and you're like that's

0:31:22.920 --> 0:31:23.480
<v Speaker 1>all we get.

0:31:23.640 --> 0:31:27.400
<v Speaker 2>It's like, don't it happens in my name? Yeah, it

0:31:27.440 --> 0:31:30.880
<v Speaker 2>happens in Transformers with Megan Fox, where like her boyfriend

0:31:30.960 --> 0:31:33.880
<v Speaker 2>is like, come on, little bunny, and she's like, I

0:31:33.920 --> 0:31:36.840
<v Speaker 2>can't tell you how much I'm not your little bunny. Meanwhile,

0:31:36.880 --> 0:31:39.479
<v Speaker 2>she's like humping the hood of a car.

0:31:39.920 --> 0:31:42.600
<v Speaker 1>Don't ask me, don't ask me why. This is the

0:31:42.640 --> 0:31:45.520
<v Speaker 1>only thing I remember about New York minute starting Mary

0:31:45.600 --> 0:31:48.400
<v Speaker 1>Kate and Ashley. But that happens, for sure. I think

0:31:48.440 --> 0:31:51.960
<v Speaker 1>Dean from Gilmour Girls is like, hey, kid, and then

0:31:52.280 --> 0:31:56.360
<v Speaker 1>Mary Kate or Ashley is like, my name's not Kid, it's.

0:31:56.480 --> 0:31:57.920
<v Speaker 2>Mary Kay or Ashley.

0:31:58.040 --> 0:32:00.920
<v Speaker 1>Whatever the fuck? Yeah, I'm Mary kay and or Ashley

0:32:00.960 --> 0:32:04.160
<v Speaker 1>and he's like, whoa. What you said back there really

0:32:04.200 --> 0:32:08.880
<v Speaker 1>made me think, like you're just like that. So that happens.

0:32:08.880 --> 0:32:12.320
<v Speaker 1>But at least other things happened in Chicken Run, you know. Sure,

0:32:12.440 --> 0:32:14.600
<v Speaker 1>But that whole thing that was like my little nineties

0:32:14.600 --> 0:32:18.560
<v Speaker 1>feminism Antenna went up when she's like, the name is Ginger, mister,

0:32:19.360 --> 0:32:23.000
<v Speaker 1>like that whole thing whatever, Yeah, it's still Chicken Run.

0:32:23.360 --> 0:32:26.040
<v Speaker 2>Do you think Ginger was named after Ginger Spice?

0:32:27.360 --> 0:32:29.520
<v Speaker 1>I was thinking about as tohold by Ginger and then

0:32:29.520 --> 0:32:31.040
<v Speaker 1>I looked, did you ever watch that cartoon?

0:32:31.080 --> 0:32:31.200
<v Speaker 2>No?

0:32:31.640 --> 0:32:35.320
<v Speaker 1>Oh my god, it was a really good like, Okay.

0:32:35.000 --> 0:32:36.400
<v Speaker 2>Who is is someone me owing?

0:32:37.800 --> 0:32:43.120
<v Speaker 1>Yes, there's this cat. It's not Flea hungry.

0:32:42.800 --> 0:32:44.720
<v Speaker 2>For his chicken dinner. Oh it's a different cat.

0:32:44.800 --> 0:32:46.760
<v Speaker 1>No, it's Flea sitting at the window. Because there's a

0:32:46.760 --> 0:32:50.120
<v Speaker 1>lot of alley cats in our neighbor feeds and fixes

0:32:50.200 --> 0:32:53.600
<v Speaker 1>and relief, like it's like a catchabuili system. But there's

0:32:53.760 --> 0:32:55.880
<v Speaker 1>cats around, and Flea will talk to them. But there's

0:32:55.880 --> 0:32:59.960
<v Speaker 1>this one cat that we have checked on them multiple

0:33:00.120 --> 0:33:04.120
<v Speaker 1>times and they seem fine, but they just keep They

0:33:04.160 --> 0:33:06.560
<v Speaker 1>just kind of yell and then we're like, are you okay?

0:33:06.640 --> 0:33:08.880
<v Speaker 1>And we're like if given him food or her. I

0:33:08.920 --> 0:33:10.880
<v Speaker 1>don't know what the gender of the cat is. I like,

0:33:10.960 --> 0:33:13.320
<v Speaker 1>I secretly, I'm like, what if the cat is pregnant?

0:33:13.880 --> 0:33:14.080
<v Speaker 2>Oh?

0:33:15.880 --> 0:33:19.560
<v Speaker 1>Gregs and just is like uncomfortable because she's full of Gregs.

0:33:19.840 --> 0:33:21.720
<v Speaker 1>I don't really know what's going on, but it's been

0:33:21.760 --> 0:33:25.040
<v Speaker 1>going on for a week and every time she starts screaming,

0:33:25.120 --> 0:33:28.080
<v Speaker 1>flee gets stressed out. Oh I don't know.

0:33:28.880 --> 0:33:32.479
<v Speaker 2>I'm just thinking of a bunch of little kittens named Greg.

0:33:33.480 --> 0:33:41.280
<v Speaker 1>The little Greg's running around five hundred. Anyways, chicken run right, Yes.

0:33:41.280 --> 0:33:47.320
<v Speaker 2>So where do we leave off? Oh Ginger, Yeah, he's

0:33:47.320 --> 0:33:51.760
<v Speaker 2>a fraud, but she doesn't Ginger doesn't know that yet. Meanwhile,

0:33:51.880 --> 0:33:56.200
<v Speaker 2>missus Tweety has gotten the equipment together, the U and

0:33:56.240 --> 0:34:00.160
<v Speaker 2>it's basically just this machine that turns a chicken to

0:34:00.240 --> 0:34:03.840
<v Speaker 2>a packaged chicken pie, and she wants to test it out.

0:34:04.040 --> 0:34:07.160
<v Speaker 2>So they grab Ginger and put her in the pie machine.

0:34:07.880 --> 0:34:11.000
<v Speaker 2>Rocky goes to save her. The two of them go

0:34:11.160 --> 0:34:14.719
<v Speaker 2>through the machine. They managed to escape and fuck up

0:34:14.760 --> 0:34:19.960
<v Speaker 2>the machine, and now everyone's like, wow, Rocky, what a hero, even.

0:34:19.800 --> 0:34:24.120
<v Speaker 1>Though he does nothing at least because I was like,

0:34:24.200 --> 0:34:27.480
<v Speaker 1>oh god, we're damseling Ginger. But then it's like Rocky

0:34:27.560 --> 0:34:31.680
<v Speaker 1>truly does not help in any significant way, and that

0:34:31.719 --> 0:34:36.520
<v Speaker 1>he just kind of joins the distress, Like.

0:34:36.800 --> 0:34:38.640
<v Speaker 2>You mean, like when they's inside the machine.

0:34:39.160 --> 0:34:41.360
<v Speaker 1>Yeah, I mean mainly, I mean, I guess it seemed

0:34:41.360 --> 0:34:43.239
<v Speaker 1>more like a group effort and it wasn't like she

0:34:43.440 --> 0:34:46.040
<v Speaker 1>was damseled and now, oh no, he has to like

0:34:46.160 --> 0:34:48.759
<v Speaker 1>single handedly rescue her, and it was at least like

0:34:48.800 --> 0:34:51.000
<v Speaker 1>a group effort to get out of the machine in

0:34:51.040 --> 0:34:51.600
<v Speaker 1>one piece.

0:34:52.400 --> 0:34:55.279
<v Speaker 2>Sometimes well, I was I was like paying super close

0:34:55.320 --> 0:34:57.239
<v Speaker 2>attention to this because I was like, okay, is it

0:34:57.320 --> 0:35:01.200
<v Speaker 2>like he saves her sometimes she saves him sometimes, Like

0:35:01.320 --> 0:35:04.840
<v Speaker 2>how how does that dynamic play out? And it felt

0:35:04.840 --> 0:35:07.440
<v Speaker 2>to me like he does do a few things to

0:35:07.680 --> 0:35:11.120
<v Speaker 2>save her from certain death, she does one thing to

0:35:11.239 --> 0:35:13.880
<v Speaker 2>save him. But it felt to me like the scales

0:35:13.880 --> 0:35:18.120
<v Speaker 2>were tipped into like she is being damseled territory and

0:35:18.160 --> 0:35:20.720
<v Speaker 2>he does have to save her a few more times

0:35:20.800 --> 0:35:23.600
<v Speaker 2>than she saves him, or that she's able to save herself.

0:35:23.920 --> 0:35:26.560
<v Speaker 1>Interesting, I was, I was not doing the exact math

0:35:26.640 --> 0:35:28.160
<v Speaker 1>on it. I was, at least I guess I was

0:35:28.239 --> 0:35:31.520
<v Speaker 1>more expecting like, oh, we're damseling her and then it's

0:35:31.520 --> 0:35:34.080
<v Speaker 1>going to be a clear cut like end of The

0:35:34.120 --> 0:35:37.759
<v Speaker 1>Little Mermaid, like I'm gonna defeat the villain, and then

0:35:37.960 --> 0:35:40.680
<v Speaker 1>you know it's at least a little more subtle than that.

0:35:40.800 --> 0:35:44.759
<v Speaker 1>But yeah, I mean I totally trust that. I wasn't. Yeah,

0:35:44.960 --> 0:35:47.960
<v Speaker 1>I wasn't keeping counts. Yeah, I just love Chicken Run

0:35:48.000 --> 0:35:52.360
<v Speaker 1>too much. Disappointing, disappointing Chicken Run, do better, Chicken Run.

0:35:52.239 --> 0:35:58.000
<v Speaker 2>Seriously, So he he emerges like this heroic you know, Wow,

0:35:58.040 --> 0:36:01.319
<v Speaker 2>I saved her and then he and Ginger have a

0:36:01.400 --> 0:36:05.319
<v Speaker 2>little moment and we're like, uh, oh, don't like where

0:36:05.320 --> 0:36:05.960
<v Speaker 2>this is going.

0:36:06.320 --> 0:36:09.160
<v Speaker 1>But you know, you know, I'm like in the year

0:36:09.200 --> 0:36:15.560
<v Speaker 1>two thousand. You know, it's so fucked up. She doesn't

0:36:15.920 --> 0:36:16.680
<v Speaker 1>need him.

0:36:17.040 --> 0:36:20.080
<v Speaker 2>No, no, she really doesn't. But the next morning it's

0:36:20.120 --> 0:36:23.840
<v Speaker 2>time for Rocky to show them his flying abilities, but

0:36:24.480 --> 0:36:26.520
<v Speaker 2>he's nowhere to be found. And this is when he

0:36:26.640 --> 0:36:29.680
<v Speaker 2>leaves behind like the rest of the circus poster showing

0:36:29.760 --> 0:36:32.439
<v Speaker 2>him being shot out of a cannon, revealing that he

0:36:32.800 --> 0:36:36.600
<v Speaker 2>cannot fly and never could. And we're like, oh, wow,

0:36:36.680 --> 0:36:39.480
<v Speaker 2>have we arrived at the low point of the movie much?

0:36:40.120 --> 0:36:44.160
<v Speaker 1>Yeah, it sounded like a second And what's more, Ginger's

0:36:44.200 --> 0:36:47.080
<v Speaker 1>lost all hope the end of it.

0:36:49.080 --> 0:36:54.600
<v Speaker 2>Until Ginger gets the idea, inspired by Fowler's time in

0:36:54.680 --> 0:36:58.400
<v Speaker 2>the Royal Air Force, to fly out of the farm

0:36:58.560 --> 0:37:06.480
<v Speaker 2>by building an airplane slash giant flying chicken apparatus. So

0:37:06.520 --> 0:37:10.000
<v Speaker 2>they get to work on building this while mister Tweety

0:37:10.200 --> 0:37:14.120
<v Speaker 2>gets to work repairing the chicken pie machine and he

0:37:14.280 --> 0:37:17.040
<v Speaker 2>finally fixes it, so now it's like a okay, and

0:37:17.120 --> 0:37:21.360
<v Speaker 2>it's now or never. The chickens roll out their flying

0:37:21.480 --> 0:37:26.680
<v Speaker 2>chicken plane. They take off Rocky comes back to help,

0:37:27.239 --> 0:37:30.440
<v Speaker 2>but missus Tweety is there trying to stop them. She

0:37:30.600 --> 0:37:36.080
<v Speaker 2>grabs on They have to scary, very scary scary. They

0:37:36.160 --> 0:37:39.680
<v Speaker 2>have to fight her off, and they do and then

0:37:39.719 --> 0:37:43.120
<v Speaker 2>they you know, finally fly over the fence toward their freedom.

0:37:43.200 --> 0:37:47.080
<v Speaker 2>And then the movie ends with the chickens living in

0:37:47.880 --> 0:37:51.279
<v Speaker 2>like a grassy nook paradise.

0:37:50.840 --> 0:37:56.799
<v Speaker 1>Like Chicken Themyscira basically like yeah, except that there's like

0:37:57.600 --> 0:38:00.560
<v Speaker 1>a few men allowed to be there. Yeah, they end

0:38:00.680 --> 0:38:03.560
<v Speaker 1>up in chicken paradise the end.

0:38:04.400 --> 0:38:07.960
<v Speaker 2>So let's take another break and then we'll come back

0:38:08.000 --> 0:38:21.400
<v Speaker 2>to discuss where do we want to begin.

0:38:22.360 --> 0:38:24.120
<v Speaker 1>I think, I mean, I would like to kind of

0:38:24.120 --> 0:38:28.120
<v Speaker 1>get the you know, touch on the mel Gibson stuff

0:38:28.239 --> 0:38:31.200
<v Speaker 1>at the top and as well as the stuff we've

0:38:31.239 --> 0:38:33.520
<v Speaker 1>been just like alluding to the whole time of like

0:38:34.560 --> 0:38:38.600
<v Speaker 1>for me, two of the most crushingly bad things about

0:38:38.600 --> 0:38:42.600
<v Speaker 1>this movie are the fact that mel Gibson is involved.

0:38:42.800 --> 0:38:44.759
<v Speaker 1>And I don't don't I don't even want to like

0:38:45.160 --> 0:38:49.960
<v Speaker 1>rehash his crimes here, but he's I mean famously his

0:38:50.120 --> 0:38:54.120
<v Speaker 1>career has been more or less like unfortunately not stopped,

0:38:54.400 --> 0:38:58.800
<v Speaker 1>but you know, impeded significantly by the number of anti

0:38:58.800 --> 0:39:02.080
<v Speaker 1>semitic and missile is and violent things that he's said

0:39:02.120 --> 0:39:06.360
<v Speaker 1>over the years. And so unfortunately we've had a discussion

0:39:06.400 --> 0:39:10.160
<v Speaker 1>of this sort in our What Women Want episode as well,

0:39:10.160 --> 0:39:12.360
<v Speaker 1>because I think that's the other big mel Gibson movie

0:39:12.360 --> 0:39:18.640
<v Speaker 1>that we've covered. Yeah, but nothing, it's it's fucking inexcusable,

0:39:18.719 --> 0:39:21.560
<v Speaker 1>and no matter what we say about this movie, there's

0:39:21.719 --> 0:39:25.359
<v Speaker 1>there's no excusing mel Gibson and the fact that he's

0:39:25.360 --> 0:39:31.920
<v Speaker 1>still cast and shit today like is inexcuse, like inexcusably bad.

0:39:32.000 --> 0:39:35.760
<v Speaker 1>He should not have a fucking career at the very least.

0:39:36.000 --> 0:39:38.160
<v Speaker 1>So I just wanted to touch on the mel Gibson

0:39:38.200 --> 0:39:40.759
<v Speaker 1>stuff at the top, Like, no matter how much love

0:39:40.840 --> 0:39:45.759
<v Speaker 1>that we have for this movie, doesn't excuse anything mel

0:39:45.800 --> 0:39:49.880
<v Speaker 1>Gibson related, Right, But going off, I guess the number

0:39:49.880 --> 0:39:52.920
<v Speaker 1>one thing, or not the number one but up there

0:39:52.920 --> 0:39:55.640
<v Speaker 1>of like the things of this movie that don't hold

0:39:55.719 --> 0:39:59.040
<v Speaker 1>up for me, is the the chicken love story. You

0:39:59.120 --> 0:40:00.080
<v Speaker 1>don't need it.

0:40:00.200 --> 0:40:02.360
<v Speaker 2>Why is there a chicken romance?

0:40:02.960 --> 0:40:06.440
<v Speaker 1>Why? Yeah, it's also not like I feel like it's

0:40:06.480 --> 0:40:09.680
<v Speaker 1>interesting because recently on the show, I think we've encountered

0:40:09.800 --> 0:40:15.760
<v Speaker 1>actually like a few different heterosexual love stories that felt earned. Yeah,

0:40:15.800 --> 0:40:18.040
<v Speaker 1>but this is not one of them. This is not earned.

0:40:18.200 --> 0:40:22.080
<v Speaker 1>This love story sucks and it feels very It feels

0:40:22.200 --> 0:40:24.600
<v Speaker 1>very studio notesy to me because it doesn't really fit

0:40:24.640 --> 0:40:25.320
<v Speaker 1>into the story.

0:40:25.520 --> 0:40:30.279
<v Speaker 2>Uh uh yeah, for a number of reasons. One that

0:40:30.440 --> 0:40:35.120
<v Speaker 2>Rocky spends a large chunk of the movie lying to

0:40:35.520 --> 0:40:37.200
<v Speaker 2>all of the chickens.

0:40:36.680 --> 0:40:38.760
<v Speaker 1>Classic two thousand rhetoric.

0:40:38.880 --> 0:40:41.759
<v Speaker 2>Yeah, and specifically Ginger because she's the one, you know,

0:40:41.880 --> 0:40:46.319
<v Speaker 2>kind of orchestrating him, teaching them how to fly. She's

0:40:46.400 --> 0:40:49.640
<v Speaker 2>negotiating with him, so he's like kind of directly lying

0:40:49.680 --> 0:40:54.040
<v Speaker 2>to her first and foremost, he is nagging her and

0:40:54.520 --> 0:40:57.560
<v Speaker 2>like you mentioned, calling her, you know, sexist names.

0:40:57.719 --> 0:40:59.640
<v Speaker 1>And it's kind of dealt with in a very I mean,

0:40:59.680 --> 0:41:03.480
<v Speaker 1>I think unfortunately, it's dealt with better than a teen

0:41:03.600 --> 0:41:06.359
<v Speaker 1>movie of this year would deal with it, because at

0:41:06.440 --> 0:41:10.560
<v Speaker 1>least she doesn't like she I don't know. The first

0:41:10.640 --> 0:41:14.239
<v Speaker 1>half of this movie. I like how she responds to

0:41:15.080 --> 0:41:17.719
<v Speaker 1>his bullshit, like she is using him for a very

0:41:17.760 --> 0:41:20.560
<v Speaker 1>specific purpose and wants nothing to do with him outside

0:41:20.600 --> 0:41:23.400
<v Speaker 1>of his immediate use to the collective that she feels

0:41:23.440 --> 0:41:27.320
<v Speaker 1>beholden too. And then it's like the last half hour

0:41:27.400 --> 0:41:32.160
<v Speaker 1>of the movie, that whole, like I thought really subversive

0:41:32.200 --> 0:41:34.960
<v Speaker 1>setup just totally falls apart, and I'm like, and then

0:41:35.000 --> 0:41:37.960
<v Speaker 1>it just becomes fucking like she's all that of like

0:41:39.280 --> 0:41:40.879
<v Speaker 1>or ten things I hate about you? If like, oh,

0:41:40.880 --> 0:41:44.040
<v Speaker 1>this person who like has been nothing but cruel to

0:41:44.120 --> 0:41:47.480
<v Speaker 1>me actually loves me and I don't care to dielide

0:41:47.600 --> 0:41:51.080
<v Speaker 1>and I don't and I do who care? Apology? Never

0:41:51.120 --> 0:41:51.600
<v Speaker 1>heard of it?

0:41:51.760 --> 0:41:52.879
<v Speaker 2>Like right?

0:41:53.120 --> 0:41:56.879
<v Speaker 1>Just oh god, why does Rocky have a redemption arc?

0:41:57.160 --> 0:41:59.839
<v Speaker 1>Like get rid of it?

0:42:00.080 --> 0:42:02.879
<v Speaker 2>Get rid of Yeah? He he abandons them in their

0:42:03.040 --> 0:42:06.200
<v Speaker 2>like their moment of dire need, like he does everything

0:42:06.239 --> 0:42:11.759
<v Speaker 2>wrong every step of the way, does not deserve redemption

0:42:12.880 --> 0:42:17.479
<v Speaker 2>the fact that Ginger just like forgives him and yeah,

0:42:17.760 --> 0:42:23.640
<v Speaker 2>that whole like burden of forgiveness applies here, Like why

0:42:23.719 --> 0:42:26.839
<v Speaker 2>because again he doesn't even do the bare minimum. Really,

0:42:26.840 --> 0:42:29.879
<v Speaker 2>he just throws a party to like cheer some people up.

0:42:30.440 --> 0:42:33.120
<v Speaker 1>But he does that selfishly too. He does that to

0:42:33.160 --> 0:42:36.000
<v Speaker 1>distract from the fact that he can actually help them, right,

0:42:36.719 --> 0:42:40.200
<v Speaker 1>I just it's so frustrating because it's like the burden

0:42:40.280 --> 0:42:43.400
<v Speaker 1>of forgiveness thing bothers me even more in the way

0:42:43.440 --> 0:42:47.359
<v Speaker 1>it plays out in this movie. Because this isn't saying

0:42:47.440 --> 0:42:49.680
<v Speaker 1>much for Beauty and the Beast, But you know, when

0:42:49.719 --> 0:42:52.800
<v Speaker 1>Belle meets the Beast, she's gonna forgive him one hundred percent,

0:42:52.960 --> 0:42:56.279
<v Speaker 1>no doubt in your mind. There's never like, oh, is

0:42:56.280 --> 0:42:59.160
<v Speaker 1>she gonna go her own way here? Because bell is

0:42:59.160 --> 0:43:02.200
<v Speaker 1>not beholden to collective there we have yet to see

0:43:02.400 --> 0:43:05.040
<v Speaker 1>a feminist theme or her interact with a woman. We

0:43:05.080 --> 0:43:08.080
<v Speaker 1>have no reason to believe that she wouldn't like.

0:43:08.239 --> 0:43:11.560
<v Speaker 2>And it's a fairy tale going in, so you assume that, Okay,

0:43:12.239 --> 0:43:15.799
<v Speaker 2>the main woman, the title woman, and the title man

0:43:15.840 --> 0:43:18.040
<v Speaker 2>are probably going to get together at the end.

0:43:18.400 --> 0:43:21.440
<v Speaker 1>Exactly. Yeah, it's like Beauty and the Beasts. It's not

0:43:21.520 --> 0:43:24.600
<v Speaker 1>like Beauty like bales on the Beast because he's a

0:43:24.600 --> 0:43:29.000
<v Speaker 1>fucking asshole. Like that should be the title though, Chicken Run,

0:43:29.400 --> 0:43:34.439
<v Speaker 1>Chicken Run, Chicken Run, so waved toxic character like there.

0:43:35.360 --> 0:43:38.680
<v Speaker 1>It just it would have been so easy and more

0:43:39.080 --> 0:43:43.960
<v Speaker 1>more like I think, like thematically satisfying to have her.

0:43:44.400 --> 0:43:47.040
<v Speaker 1>It just seems like it doesn't make sense with her character,

0:43:47.400 --> 0:43:49.880
<v Speaker 1>Like the way she said, she's set up so distinctly

0:43:49.920 --> 0:43:53.520
<v Speaker 1>and so strongly as like a character who would not

0:43:53.600 --> 0:43:56.440
<v Speaker 1>I keep almost saying a person she's a chicken. She's

0:43:57.080 --> 0:44:00.520
<v Speaker 1>a chicken who would not have any patience for this

0:44:00.640 --> 0:44:02.640
<v Speaker 1>kind of shit. And then the second that he like

0:44:03.680 --> 0:44:05.800
<v Speaker 1>lies in a way that means he is no longer

0:44:05.920 --> 0:44:09.840
<v Speaker 1>useful to her collective mission, she would never talk to

0:44:09.920 --> 0:44:13.480
<v Speaker 1>him again. Like, it just doesn't make sense none at all.

0:44:13.520 --> 0:44:15.480
<v Speaker 1>It just doesn't make sense other than they talked on

0:44:15.520 --> 0:44:18.200
<v Speaker 1>a roof once, which is another contrivance that it's like,

0:44:18.400 --> 0:44:19.560
<v Speaker 1>oh god, come on.

0:44:19.960 --> 0:44:22.719
<v Speaker 2>Yeah, especially like you said, the way that she is

0:44:23.000 --> 0:44:27.840
<v Speaker 2>characterized in the beginning is just like having these you know,

0:44:27.960 --> 0:44:32.000
<v Speaker 2>strong values and wanting to be autonomous and not be

0:44:32.840 --> 0:44:37.160
<v Speaker 2>a cog in the egg machine, right and not that

0:44:37.280 --> 0:44:39.680
<v Speaker 2>like someone who you know, a woman who is like

0:44:40.080 --> 0:44:44.120
<v Speaker 2>strongly convicted couldn't and wouldn't end up with a romantic partner.

0:44:44.480 --> 0:44:48.040
<v Speaker 2>But like she seems to like have a good chicken

0:44:48.040 --> 0:44:51.840
<v Speaker 2>head on her shoulders. Yeah, you know, she doesn't tolerate

0:44:51.920 --> 0:44:55.919
<v Speaker 2>bullshit from anyone, right, much less a shitty man who

0:44:55.960 --> 0:44:59.600
<v Speaker 2>again lies and nags her and abandons her and like,

0:44:59.719 --> 0:45:04.360
<v Speaker 2>just like all he does everything wrong. There's nothing about

0:45:04.600 --> 0:45:08.240
<v Speaker 2>what her character had been established to be that would

0:45:08.520 --> 0:45:11.680
<v Speaker 2>make you think that she would be at all willing

0:45:11.960 --> 0:45:16.439
<v Speaker 2>to forgive him right, and yet that's what she does,

0:45:16.880 --> 0:45:22.120
<v Speaker 2>even though he does not apologize or hold himself accountable

0:45:22.200 --> 0:45:24.320
<v Speaker 2>at all for anything he did.

0:45:24.800 --> 0:45:28.239
<v Speaker 1>No, I mean in the way that he's like, I

0:45:28.280 --> 0:45:32.080
<v Speaker 1>don't know, Yeah, the whole I want to give the

0:45:32.120 --> 0:45:36.360
<v Speaker 1>writer of this movie, who's written a lot while committing

0:45:36.400 --> 0:45:38.920
<v Speaker 1>the sin of being a sis man, has written a

0:45:38.960 --> 0:45:41.759
<v Speaker 1>lot of like iconic children's movies that I really love.

0:45:42.120 --> 0:45:43.640
<v Speaker 2>Wait, what else has he done? I forgot to look

0:45:43.719 --> 0:45:43.960
<v Speaker 2>him up.

0:45:44.480 --> 0:45:48.840
<v Speaker 1>His name's Carrie Kirkpatrick. He wrote James and the Giant

0:45:48.880 --> 0:45:51.880
<v Speaker 1>Peach the movie. He wrote Honey, We Shrunk Ourselves, he

0:45:51.920 --> 0:45:56.440
<v Speaker 1>wrote Chicken Run, he wrote The Little Vampire, iconic like,

0:45:56.760 --> 0:46:00.600
<v Speaker 1>He's written a lot of classic kids movies. And he

0:46:00.640 --> 0:46:05.520
<v Speaker 1>also wrote and directed small Foot, which was one of

0:46:05.960 --> 0:46:09.440
<v Speaker 1>the animated Bigfoot movies that came out a couple of

0:46:09.480 --> 0:46:11.640
<v Speaker 1>years ago. And it is the good one?

0:46:12.040 --> 0:46:16.200
<v Speaker 2>Is it? The one that was? And Zendaia is me.

0:46:16.440 --> 0:46:23.080
<v Speaker 1>Chi, Yes, it is that one he wrote. I mean,

0:46:23.480 --> 0:46:25.880
<v Speaker 1>had he not written and directed small Foot, we wouldn't

0:46:25.920 --> 0:46:30.600
<v Speaker 1>have Sunday's Meat Chie. So there's a lot, you know,

0:46:30.760 --> 0:46:34.080
<v Speaker 1>there's a lot. But he's like, he's written kids movies

0:46:34.120 --> 0:46:37.040
<v Speaker 1>that at very at least have stuck with me that

0:46:37.200 --> 0:46:39.880
<v Speaker 1>seemed to be like pretty different for their time at

0:46:39.960 --> 0:46:42.160
<v Speaker 1>least or not just like you know, fill in the

0:46:42.200 --> 0:46:45.960
<v Speaker 1>blank kind of movies. Sure, I wouldn't be surprised, And

0:46:46.000 --> 0:46:49.440
<v Speaker 1>maybe I'm giving Carrie Kirkpatrick too much credit here, but like,

0:46:49.600 --> 0:46:53.399
<v Speaker 1>I wouldn't be surprised if, like in two thousand, Mel

0:46:53.400 --> 0:46:57.240
<v Speaker 1>Gibson is this big star, if notes come back of like, well,

0:46:57.320 --> 0:47:00.600
<v Speaker 1>we have to have the mel Gibson Rooster character redeemed

0:47:00.640 --> 0:47:02.080
<v Speaker 1>by the end of the movie, and there should be

0:47:02.160 --> 0:47:04.799
<v Speaker 1>a love story, because that's pretty standard for these kinds

0:47:04.800 --> 0:47:07.800
<v Speaker 1>of movies. But it just, I don't know, it sticks

0:47:07.800 --> 0:47:10.799
<v Speaker 1>out extra unfortunately in a movie that it has so

0:47:11.040 --> 0:47:15.200
<v Speaker 1>much like really power, Like the first half of this

0:47:15.320 --> 0:47:19.600
<v Speaker 1>movie is like incredible, and then starting at the point

0:47:19.680 --> 0:47:22.920
<v Speaker 1>where Ginger is low key Damsel, I feel like that's

0:47:22.960 --> 0:47:24.759
<v Speaker 1>one of the first cracks you sort of see of

0:47:24.880 --> 0:47:28.760
<v Speaker 1>like oh no, oh, no, contrivances are starting to happen.

0:47:29.400 --> 0:47:31.520
<v Speaker 1>But I don't know, like a good half of this movie,

0:47:31.520 --> 0:47:35.919
<v Speaker 1>I'm just like, fuck, this is really cool, Like yeah, yeah,

0:47:35.960 --> 0:47:40.720
<v Speaker 1>so the love story in this one, I can't can't

0:47:40.719 --> 0:47:44.000
<v Speaker 1>defend it in any way doesn't make sense with the character.

0:47:45.000 --> 0:47:48.680
<v Speaker 1>There's no earned redemption, there's no apology. I don't want

0:47:48.680 --> 0:47:53.040
<v Speaker 1>to see chickens kiss period, and especially if those human

0:47:53.120 --> 0:47:57.160
<v Speaker 1>teeth in their beaks are all clacking around nasty. Where

0:47:57.200 --> 0:47:59.680
<v Speaker 1>are those teeth rooted? They don't have gums, you know,

0:48:01.120 --> 0:48:05.319
<v Speaker 1>hard to know why these dentured chickens are kissing. And

0:48:05.520 --> 0:48:05.960
<v Speaker 1>I didn't.

0:48:06.120 --> 0:48:09.680
<v Speaker 2>I know why? Why? Well, I know why they have teeth? Oh,

0:48:10.280 --> 0:48:14.399
<v Speaker 2>because go on, it's because Jerry Bruckheimer was like, get

0:48:14.440 --> 0:48:16.440
<v Speaker 2>these chickens somephon ears.

0:48:16.840 --> 0:48:21.440
<v Speaker 1>Oh, that's great foreshadowing for our coyote ugly episode, Jerry Bruckheimer.

0:48:22.080 --> 0:48:24.960
<v Speaker 1>That I mean, I knew. I wish I didn't know

0:48:25.040 --> 0:48:27.600
<v Speaker 1>as a Jerry Bruckheimer movie going in, because the second

0:48:27.640 --> 0:48:31.080
<v Speaker 1>you see someone's mouth, you're like, well, I know who's

0:48:31.120 --> 0:48:37.279
<v Speaker 1>behind this, uh Bruckheimer teeth Lord Michael's and Jerry Bruckheimer like,

0:48:37.960 --> 0:48:41.439
<v Speaker 1>someone's gotta someone's gotta hold these men to account about

0:48:41.440 --> 0:48:43.799
<v Speaker 1>the whole teeth issue, Like what is wrong with you?

0:48:44.239 --> 0:48:48.520
<v Speaker 1>Like sirs creepy old men being like why don't you

0:48:48.560 --> 0:48:52.880
<v Speaker 1>get a new mouth, young lady? Like get away from me,

0:48:55.160 --> 0:48:57.120
<v Speaker 1>young man. I mean, they don't, they don't discriminate by

0:48:57.160 --> 0:48:59.160
<v Speaker 1>gender of who they will force to get a new mouth.

0:48:59.280 --> 0:49:01.920
<v Speaker 1>Anyone will get new mouth for these at least there's that,

0:49:02.719 --> 0:49:08.920
<v Speaker 1>So that's yeah, they are god so creepy. Anyways. Yeah,

0:49:08.680 --> 0:49:11.959
<v Speaker 1>the relationship aspect suck.

0:49:12.120 --> 0:49:14.400
<v Speaker 2>Hate it. Get it out of there. You could easily

0:49:14.440 --> 0:49:17.840
<v Speaker 2>remove it. The movie would be even better than it is.

0:49:18.400 --> 0:49:21.920
<v Speaker 2>And yeah, I hate the chicken romance.

0:49:22.280 --> 0:49:23.640
<v Speaker 1>No chicken romance please.

0:49:24.080 --> 0:49:27.320
<v Speaker 2>Another thing that I felt was in the same vein

0:49:27.600 --> 0:49:30.200
<v Speaker 2>of like why is this here and why did you

0:49:30.239 --> 0:49:33.640
<v Speaker 2>make this choice because it goes against everything that had

0:49:33.960 --> 0:49:38.200
<v Speaker 2>also been set up about like Ginger especially was when

0:49:38.239 --> 0:49:42.360
<v Speaker 2>they're rolling out the Chicken plane at the end of

0:49:42.360 --> 0:49:44.960
<v Speaker 2>the movie, see where you go. They engineered themselves, They

0:49:45.080 --> 0:49:49.040
<v Speaker 2>designed it themselves, they builded themselves. And then they're like, okay,

0:49:49.080 --> 0:49:52.560
<v Speaker 2>we're ready to take off. Fowler, go get into the

0:49:52.560 --> 0:49:54.920
<v Speaker 2>pilot's seat because you have to fly this thing. And

0:49:54.920 --> 0:49:56.359
<v Speaker 2>he's like, well, I don't know how to do it.

0:49:56.400 --> 0:49:59.600
<v Speaker 2>I was I was a mascot in the in the

0:49:59.600 --> 0:50:01.879
<v Speaker 2>Air Force, so I can't fly a pilane.

0:50:01.880 --> 0:50:04.880
<v Speaker 1>First of all, you're like, a chicken was a mascot

0:50:05.040 --> 0:50:07.800
<v Speaker 1>for the Air Force in World War Two?

0:50:08.400 --> 0:50:13.760
<v Speaker 2>What you know what Sorry to all of the UK listeners,

0:50:13.800 --> 0:50:15.200
<v Speaker 2>but I would not put it past.

0:50:16.600 --> 0:50:22.040
<v Speaker 1>That's really me. That's so funny, that's so funny. Yeah,

0:50:22.200 --> 0:50:24.600
<v Speaker 1>sorry UK listeners, but you've.

0:50:24.480 --> 0:50:25.960
<v Speaker 2>Got some weird mascots.

0:50:26.280 --> 0:50:28.560
<v Speaker 1>Yeah. I also found this plot point really frustrating.

0:50:28.680 --> 0:50:31.000
<v Speaker 2>Yeah, okay, So what happens is basically they're like, Fowler,

0:50:31.120 --> 0:50:32.799
<v Speaker 2>you need to fly this thing, and he's like, well,

0:50:32.880 --> 0:50:34.279
<v Speaker 2>I don't know how to do it, and they're like,

0:50:34.320 --> 0:50:36.799
<v Speaker 2>but you're our only hope, and it's like he has

0:50:36.880 --> 0:50:39.560
<v Speaker 2>no more experience than any of the other chickens. Why

0:50:39.600 --> 0:50:43.960
<v Speaker 2>wouldn't Ginger fly or why wouldn't Mac the brainy stem

0:50:44.040 --> 0:50:45.040
<v Speaker 2>chicken fly it.

0:50:45.320 --> 0:50:49.400
<v Speaker 1>I thought Mac was the more logical choice for this,

0:50:49.880 --> 0:50:52.480
<v Speaker 1>especially because it's like it's one thing like they could have.

0:50:53.239 --> 0:50:56.640
<v Speaker 1>I don't know, it's just such a weird choice because

0:50:56.920 --> 0:50:59.800
<v Speaker 1>on one hand, it's like, I like where that scene

0:50:59.840 --> 0:51:03.200
<v Speaker 1>is going, where there's kind of this theme throughout Chicken

0:51:03.280 --> 0:51:09.600
<v Speaker 1>Run of men overcompensating and like men putting their pride

0:51:09.640 --> 0:51:13.680
<v Speaker 1>first and being deceitful because of their own insecurity and

0:51:13.680 --> 0:51:15.799
<v Speaker 1>because of their own pride, and like that's the theme

0:51:15.840 --> 0:51:18.800
<v Speaker 1>with Rocky and that's a theme with Fowler. And I

0:51:19.400 --> 0:51:22.280
<v Speaker 1>like that. I think that that's like an interesting dynamic

0:51:22.320 --> 0:51:25.440
<v Speaker 1>to play around with. And so Rocky is exposed as

0:51:25.480 --> 0:51:28.920
<v Speaker 1>being a fraud. He bails, right, Fowler is exposed as

0:51:28.960 --> 0:51:31.440
<v Speaker 1>being a fraud, and it's like, Okay, I like that

0:51:31.520 --> 0:51:35.040
<v Speaker 1>they made that choice because it's like his character kind

0:51:35.040 --> 0:51:36.840
<v Speaker 1>of is reflected that the whole time. He's always like,

0:51:36.840 --> 0:51:38.800
<v Speaker 1>look at me, look at me. And then if he

0:51:38.880 --> 0:51:40.360
<v Speaker 1>has to do anything, he's like, oh, I don't know,

0:51:40.440 --> 0:51:43.320
<v Speaker 1>ask Ginger because she's the only as told by Ginger,

0:51:43.440 --> 0:51:45.320
<v Speaker 1>it's the only like she's the only person that knows

0:51:46.280 --> 0:51:50.439
<v Speaker 1>or chicken. She's not a person, she's a chicken. She's

0:51:50.480 --> 0:51:53.520
<v Speaker 1>the only person chicken in the Oh my god, it's

0:51:53.560 --> 0:51:56.040
<v Speaker 1>so stressful. She's the only chicken in the coop that

0:51:56.200 --> 0:51:59.680
<v Speaker 1>like is she's like the organizer, right, And yeah, so

0:51:59.719 --> 0:52:02.560
<v Speaker 1>I like that his character is kind of exposed as

0:52:02.560 --> 0:52:04.319
<v Speaker 1>a fraud. But then it's like, if you're gonna do that,

0:52:05.000 --> 0:52:09.000
<v Speaker 1>why immediately in the same scene offer him a redemption

0:52:09.239 --> 0:52:13.080
<v Speaker 1>arc Like that's such a weird choice. Yeah, this should

0:52:13.080 --> 0:52:15.000
<v Speaker 1>have been like Mac should have been at I mean,

0:52:15.320 --> 0:52:17.480
<v Speaker 1>Mac at least had an integral like it seemed like

0:52:17.520 --> 0:52:21.600
<v Speaker 1>she was like command control inside of the plane. But

0:52:21.680 --> 0:52:23.600
<v Speaker 1>she should have been driving the fucking plane.

0:52:24.080 --> 0:52:26.680
<v Speaker 2>Come on, Yeah, I would have liked it way better

0:52:26.719 --> 0:52:30.520
<v Speaker 2>if maybe like Fowler sort of like of his own accord,

0:52:30.640 --> 0:52:34.000
<v Speaker 2>gets into the pilot's seat, like realizes he can't fly,

0:52:34.440 --> 0:52:38.440
<v Speaker 2>and then like Ginger's like, wait, you can't fly, Well,

0:52:38.440 --> 0:52:41.439
<v Speaker 2>then get the hell out of there. Hey, Mac, you

0:52:41.560 --> 0:52:45.760
<v Speaker 2>engineered this thing. Surely you know how it functions. You

0:52:45.840 --> 0:52:48.839
<v Speaker 2>fly the plane. And then she's like, yeah, here I go.

0:52:49.040 --> 0:52:51.600
<v Speaker 1>I wanted to. I wanted to see Mac and Ginger

0:52:51.680 --> 0:52:54.399
<v Speaker 1>in the front seat of the plane doing the damn

0:52:54.440 --> 0:52:58.160
<v Speaker 1>thing like I it's it's frustrating because it's like and

0:52:58.200 --> 0:53:01.279
<v Speaker 1>it's not I'm not even saying, like kick Fowler off

0:53:01.320 --> 0:53:03.200
<v Speaker 1>the plane, like just put him on a bike. Just

0:53:03.239 --> 0:53:05.440
<v Speaker 1>put him on a bike. Yeah, you know, like I

0:53:05.719 --> 0:53:08.520
<v Speaker 1>think that you know Fowler, it seems like he is

0:53:08.560 --> 0:53:11.719
<v Speaker 1>the kind of character. He is very flawed. He is

0:53:11.800 --> 0:53:16.200
<v Speaker 1>like very pompous, but he can be worked with in

0:53:16.200 --> 0:53:19.799
<v Speaker 1>a way that I don't think Rocky can. Right, Like

0:53:19.840 --> 0:53:22.879
<v Speaker 1>he has like loyalty to the chickens of the coop

0:53:22.960 --> 0:53:25.360
<v Speaker 1>at least, and it's like, don't toss him off the plane.

0:53:25.600 --> 0:53:28.239
<v Speaker 1>But don't tell him to drive the plane. He just

0:53:28.239 --> 0:53:31.319
<v Speaker 1>told you can't drive the plane, like what? And then

0:53:31.360 --> 0:53:34.280
<v Speaker 1>I feel like there that was another thing that, Like, God,

0:53:34.800 --> 0:53:36.880
<v Speaker 1>most of my problems with this movie are in the

0:53:37.000 --> 0:53:41.080
<v Speaker 1>last ten minutes, which is frustrating because I just like,

0:53:41.160 --> 0:53:44.799
<v Speaker 1>it's such a chicken run is so good, but like,

0:53:45.600 --> 0:53:49.320
<v Speaker 1>if we're if we're if we're pecking it apart. Wow,

0:53:50.800 --> 0:53:51.200
<v Speaker 1>I know.

0:53:51.160 --> 0:53:57.200
<v Speaker 2>It's catching cocka doodle do, cock a doodle do? Tell

0:53:57.320 --> 0:54:02.359
<v Speaker 2>more one of the cockodoodle doos and cocka doodle don'ts

0:54:02.400 --> 0:54:03.399
<v Speaker 2>of chicken run?

0:54:04.560 --> 0:54:07.240
<v Speaker 1>Oh my god, Wait, now I forgot. I was gonna say,

0:54:08.160 --> 0:54:11.600
<v Speaker 1>I'm so sorry for no, We're just making so many perfect,

0:54:11.680 --> 0:54:15.360
<v Speaker 1>hilarious jokes. Wait, there was something. Wait, I'll get a.

0:54:15.360 --> 0:54:19.680
<v Speaker 2>Chicken pun chicken instead a chicken run.

0:54:21.280 --> 0:54:27.080
<v Speaker 1>Okay, wait Fowler. Fuck. I don't know. I don't know

0:54:27.600 --> 0:54:31.319
<v Speaker 1>it had something to do with Fowler. I don't know. Sorry, Oh,

0:54:31.480 --> 0:54:34.600
<v Speaker 1>I'll figure it out of Itally, I just I got

0:54:34.920 --> 0:54:40.120
<v Speaker 1>so taken in. Yeah, I don't know. I guess. It

0:54:40.239 --> 0:54:43.160
<v Speaker 1>just seems like this movie was making really interesting points

0:54:43.160 --> 0:54:48.319
<v Speaker 1>about masculinity and the expectations of masculinity, but then they

0:54:48.400 --> 0:54:50.839
<v Speaker 1>just kind of offered all the male characters who had

0:54:50.840 --> 0:54:56.799
<v Speaker 1>displayed those traits in immediate redemption arc at the very

0:54:56.960 --> 0:54:58.839
<v Speaker 1>end for no reason, for.

0:54:58.760 --> 0:55:03.080
<v Speaker 2>No reason, completely under like they did nothing to earn.

0:55:03.440 --> 0:55:05.920
<v Speaker 1>I think, like, honestly, I think that like I would

0:55:05.920 --> 0:55:08.640
<v Speaker 1>have accepted a Fowler redemption act if he had had

0:55:08.680 --> 0:55:11.600
<v Speaker 1>to work for it, and if he had had to

0:55:11.760 --> 0:55:14.880
<v Speaker 1>like accept Oh I remember, I was gonna say, but

0:55:14.920 --> 0:55:17.600
<v Speaker 1>if he had had to like be humbled in some

0:55:17.719 --> 0:55:20.680
<v Speaker 1>way instead of being constant like that was his arc,

0:55:20.880 --> 0:55:23.080
<v Speaker 1>was that he was not humble even though he didn't

0:55:23.120 --> 0:55:26.600
<v Speaker 1>know how to do anything right, Like, so that should

0:55:26.600 --> 0:55:29.680
<v Speaker 1>be the resolution of like, Okay, we don't hate you Fowler,

0:55:29.719 --> 0:55:33.560
<v Speaker 1>but like sit down, you know, like yeah, that's but

0:55:33.800 --> 0:55:36.640
<v Speaker 1>that doesn't happen. Oh, so that was okay. So what

0:55:36.719 --> 0:55:39.960
<v Speaker 1>I was gonna say is, in the majority of this movie,

0:55:40.400 --> 0:55:43.480
<v Speaker 1>I thought it was interesting and like generally kind of

0:55:43.520 --> 0:55:48.400
<v Speaker 1>cool how the chickens. The chickens are not like Mary

0:55:48.480 --> 0:55:51.719
<v Speaker 1>sued at any point where it's not like they suddenly

0:55:51.840 --> 0:55:54.600
<v Speaker 1>know how to get out of the coup. They suddenly

0:55:54.760 --> 0:55:57.040
<v Speaker 1>like they pick up a whatever and all of a

0:55:57.040 --> 0:56:00.920
<v Speaker 1>sudden they're superheroes and they like you see them working

0:56:01.120 --> 0:56:04.040
<v Speaker 1>closer to their goal. You see them try and fail,

0:56:04.560 --> 0:56:07.960
<v Speaker 1>you understand kind of what their journey is. But then

0:56:08.000 --> 0:56:11.640
<v Speaker 1>at the end, Fowler is Mary Souon where all of

0:56:11.680 --> 0:56:13.000
<v Speaker 1>a sudden he's like, I don't know how to ride

0:56:13.000 --> 0:56:15.440
<v Speaker 1>a plane. Two seconds later he's like, I'm driving the

0:56:15.440 --> 0:56:19.759
<v Speaker 1>plane right. How though, Like it's for a movie that

0:56:19.800 --> 0:56:23.800
<v Speaker 1>seemed pretty conscious of like showing the character arcs of

0:56:23.960 --> 0:56:26.640
<v Speaker 1>like how they're getting closer and closer and closer to

0:56:27.120 --> 0:56:30.480
<v Speaker 1>knowing how to do what they need to. Hm, it's

0:56:30.520 --> 0:56:32.520
<v Speaker 1>such a weird last minute choice to just be like,

0:56:32.560 --> 0:56:35.440
<v Speaker 1>all of a sudden, this character that never gets his

0:56:35.560 --> 0:56:38.759
<v Speaker 1>ego checked once, even though it seems like that's where

0:56:38.760 --> 0:56:42.400
<v Speaker 1>the character is going, right, can suddenly magically drive a plane.

0:56:42.719 --> 0:56:44.800
<v Speaker 1>Like it's just weird.

0:56:44.960 --> 0:56:49.239
<v Speaker 2>Yeah, yeah, yeah, like you said, Mac, we it's established

0:56:49.280 --> 0:56:53.520
<v Speaker 2>that Mac is the brainy chicken and stem she does

0:56:53.800 --> 0:56:59.600
<v Speaker 2>complex you know, calculus and physics equations and all you know, geometry.

0:57:00.040 --> 0:57:02.240
<v Speaker 2>Who knows what all she's even.

0:57:02.080 --> 0:57:04.240
<v Speaker 1>Doing bits of shit. It's out of my pay grade.

0:57:04.239 --> 0:57:07.120
<v Speaker 2>I don't know, right, But they're like, yeah, byye, but

0:57:07.280 --> 0:57:11.799
<v Speaker 2>she she understands thrust, you know, she like designs this

0:57:11.960 --> 0:57:17.600
<v Speaker 2>catapult and then she's put in charge of engineering this thing. Babs,

0:57:17.640 --> 0:57:23.000
<v Speaker 2>who is seen constantly knitting, is in charge of manufacturing.

0:57:23.200 --> 0:57:26.080
<v Speaker 2>And like other chickens are you know, getting the material.

0:57:26.120 --> 0:57:28.240
<v Speaker 2>They're like all doing something in contributing.

0:57:27.800 --> 0:57:30.280
<v Speaker 1>Which I appreciated that that was paid off on too.

0:57:30.440 --> 0:57:32.840
<v Speaker 1>That like her because the knitting thing, it's like, oh

0:57:32.880 --> 0:57:35.040
<v Speaker 1>you could. I was like, is this a reductive thing?

0:57:35.080 --> 0:57:37.480
<v Speaker 1>What's happening? What's happening? What's happening? But then like that

0:57:37.480 --> 0:57:42.600
<v Speaker 1>that plant and payoff baby, she's like she's a textile manufacturer.

0:57:43.440 --> 0:57:44.280
<v Speaker 2>She sees the.

0:57:44.240 --> 0:57:46.640
<v Speaker 1>Means of productions in her little chicken hands.

0:57:46.960 --> 0:57:47.280
<v Speaker 2>M h.

0:57:47.720 --> 0:57:48.320
<v Speaker 1>I love her.

0:57:48.400 --> 0:57:52.840
<v Speaker 2>Yes, So yeah, that was disappointing to me that they

0:57:53.480 --> 0:57:56.200
<v Speaker 2>did that whole thing with Fowler. And then the the

0:57:56.280 --> 0:57:58.920
<v Speaker 2>other thing that we already talked about a bit and

0:57:59.120 --> 0:58:01.080
<v Speaker 2>we don't need to reh too much was just the

0:58:02.120 --> 0:58:05.720
<v Speaker 2>you know, women need to be saved by men, even

0:58:05.760 --> 0:58:08.080
<v Speaker 2>when they're all chickens so like.

0:58:08.320 --> 0:58:10.919
<v Speaker 1>Which is frustrating because it's like Ginger is so set

0:58:11.000 --> 0:58:13.960
<v Speaker 1>up to be able to do it that there's really

0:58:14.120 --> 0:58:17.640
<v Speaker 1>like I was, I was able to get as far

0:58:18.040 --> 0:58:23.920
<v Speaker 1>as like, Okay, I understand why Ginger would enlist Rocky's help,

0:58:25.000 --> 0:58:27.720
<v Speaker 1>but the second she finds out he's a fraud, I

0:58:27.760 --> 0:58:30.680
<v Speaker 1>have no like we no longer have any narrative excuse

0:58:30.760 --> 0:58:34.520
<v Speaker 1>to like have him even in the story, Like right.

0:58:34.760 --> 0:58:36.800
<v Speaker 2>Yeah, I don't I don't mind that she enlists his

0:58:37.200 --> 0:58:40.480
<v Speaker 2>help because he seems to be able to fly and

0:58:40.560 --> 0:58:42.640
<v Speaker 2>they need to learn how to do that, and.

0:58:42.920 --> 0:58:45.280
<v Speaker 1>We've already seen them try and fail so many times

0:58:45.320 --> 0:58:48.800
<v Speaker 1>that it's like, oh, okay, Like narratively, it like she

0:58:48.960 --> 0:58:51.760
<v Speaker 1>will you know anything that seems promising, she will try

0:58:51.960 --> 0:58:52.360
<v Speaker 1>mm hmm.

0:58:52.600 --> 0:58:54.480
<v Speaker 2>Yeah, So I don't mind that at all. I'm talking

0:58:54.480 --> 0:58:57.480
<v Speaker 2>more just specifically about the she gets put in the

0:58:57.560 --> 0:59:01.280
<v Speaker 2>chicken pie machine and Rocky like goes in after her,

0:59:01.480 --> 0:59:04.480
<v Speaker 2>and yeah, like her feet are stuck in the dough.

0:59:04.600 --> 0:59:06.520
<v Speaker 2>She he has to pull her out of the dough

0:59:06.560 --> 0:59:09.960
<v Speaker 2>before she gets crushed. They're about to get splatted by gravy.

0:59:10.080 --> 0:59:13.160
<v Speaker 2>He takes like a vegetable and like crams it into

0:59:13.200 --> 0:59:17.280
<v Speaker 2>the gravy machine. At the very end of that sequence,

0:59:18.120 --> 0:59:21.160
<v Speaker 2>she does pull him out of the pie and get

0:59:21.200 --> 0:59:23.480
<v Speaker 2>him out of the oven. So she does one thing,

0:59:23.520 --> 0:59:26.720
<v Speaker 2>but it's mostly him rescuing her.

0:59:27.360 --> 0:59:30.200
<v Speaker 1>And the thing is like there, see I wasn't. Yeah,

0:59:30.200 --> 0:59:32.439
<v Speaker 1>I mean we already kind of ash. I wasn't keeping

0:59:32.520 --> 0:59:34.760
<v Speaker 1>track of like who is doing how much in that scene.

0:59:35.440 --> 0:59:37.280
<v Speaker 1>But the whole time I was watching that scene, I

0:59:37.320 --> 0:59:40.760
<v Speaker 1>was like, this should be like Mac, or this should

0:59:40.760 --> 0:59:44.520
<v Speaker 1>be like I guess that it's that's okay. I guess that.

0:59:44.520 --> 0:59:47.040
<v Speaker 1>That's kind of like the last kind of issue I

0:59:47.120 --> 0:59:53.040
<v Speaker 1>have with how the Chicken Collective is written at times, right,

0:59:53.600 --> 0:59:57.400
<v Speaker 1>they are sometimes written too and it's like, God, everyone

0:59:57.440 --> 0:59:59.960
<v Speaker 1>take this with a grave of salt, because it is funny,

1:00:00.280 --> 1:00:08.640
<v Speaker 1>like a grain a chicken feed can feed. But like

1:00:09.200 --> 1:00:11.640
<v Speaker 1>the chickens are I think framed as being like quote

1:00:11.680 --> 1:00:15.920
<v Speaker 1>unquote hysterical at times where they are put in. I mean,

1:00:16.000 --> 1:00:19.000
<v Speaker 1>the thing is like the steaks are very high, and

1:00:19.040 --> 1:00:22.480
<v Speaker 1>so it's not like they're overreacting, but they are often

1:00:22.560 --> 1:00:27.640
<v Speaker 1>like ah, like they're they're always panicking, which which makes sense.

1:00:27.600 --> 1:00:28.800
<v Speaker 2>Very funny to look at.

1:00:29.120 --> 1:00:31.360
<v Speaker 1>It's so the thing is, it's so funny to watch

1:00:31.360 --> 1:00:34.080
<v Speaker 1>the chickens panic, and so I'm like hah. Then I'm

1:00:34.120 --> 1:00:37.720
<v Speaker 1>also like, but wait a second, wait a minute, this

1:00:37.800 --> 1:00:41.120
<v Speaker 1>podcast has destroyed my brain. I can no longer enjoy

1:00:41.320 --> 1:00:44.320
<v Speaker 1>cartoon chickens running around I have to be like, but

1:00:44.360 --> 1:00:47.000
<v Speaker 1>what are the implications of the cartoon chickens running around?

1:00:48.160 --> 1:00:49.720
<v Speaker 2>Let's the inherent sexism here?

1:00:49.920 --> 1:00:52.280
<v Speaker 1>Yeah, but I think there is something like there is

1:00:52.600 --> 1:00:54.600
<v Speaker 1>like the chickens are sometimes made out to be like

1:00:54.960 --> 1:00:58.800
<v Speaker 1>I think like humorously overreacting, right, if we're saying, you

1:00:58.800 --> 1:01:01.080
<v Speaker 1>know that a lot of these like these chickens are

1:01:01.160 --> 1:01:04.640
<v Speaker 1>drawn from life, human life, so that we were to

1:01:04.680 --> 1:01:07.720
<v Speaker 1>imagine a group of women panicking and running around, and

1:01:08.440 --> 1:01:11.360
<v Speaker 1>I think that it's kind of most egregious. And when

1:01:11.560 --> 1:01:14.080
<v Speaker 1>Rocky is like I've got this and no one kind

1:01:14.120 --> 1:01:17.920
<v Speaker 1>of stands up to be like, well, Gingers are like leader,

1:01:18.200 --> 1:01:20.920
<v Speaker 1>like she's our leader, Like no one offers to go

1:01:21.000 --> 1:01:24.440
<v Speaker 1>with him, there's no like it just seemed almost.

1:01:24.120 --> 1:01:26.800
<v Speaker 2>Like they like volunteer him, right, They're like, you have

1:01:26.840 --> 1:01:28.360
<v Speaker 2>to go do it, Rocky.

1:01:28.520 --> 1:01:31.960
<v Speaker 1>Which strikes me as like a little cowardly of the

1:01:32.080 --> 1:01:35.680
<v Speaker 1>chickens of like Ginger is addicted to putting her life

1:01:35.680 --> 1:01:39.479
<v Speaker 1>on the line for all of you chickens, Like why

1:01:39.480 --> 1:01:43.000
<v Speaker 1>are none of the chickens like let's make sure, Like

1:01:43.200 --> 1:01:45.680
<v Speaker 1>I just kind of wish that in that scenario, I

1:01:45.720 --> 1:01:49.520
<v Speaker 1>don't even like hate. I think that it's like plot wise,

1:01:50.000 --> 1:01:54.120
<v Speaker 1>seeing the how how dire the chicken machine is and

1:01:54.160 --> 1:01:57.240
<v Speaker 1>how scary it is, like that is a valuable plot point.

1:01:58.160 --> 1:02:00.800
<v Speaker 1>But you know, it's like maybe Fowler could have been

1:02:00.840 --> 1:02:04.920
<v Speaker 1>kidnapped or one of the chickens could have gone to

1:02:05.080 --> 1:02:07.800
<v Speaker 1>like navigate their way out with Ginger. Like I just

1:02:07.920 --> 1:02:12.040
<v Speaker 1>ultimately the fact that the chicken knife machine pop pie

1:02:12.160 --> 1:02:15.640
<v Speaker 1>scene ends up serving the romantic narrative. I just didn't like.

1:02:15.720 --> 1:02:17.920
<v Speaker 1>I don't hate that the scene happens. Yeah, I was

1:02:17.960 --> 1:02:19.880
<v Speaker 1>so scared of it when I was a kid, and

1:02:19.920 --> 1:02:21.520
<v Speaker 1>I would have been just as scared if it was

1:02:21.560 --> 1:02:25.040
<v Speaker 1>like Mac or Babs or like whomstever else. And it

1:02:25.080 --> 1:02:28.160
<v Speaker 1>also makes more logical plot sense to me that one

1:02:28.200 --> 1:02:33.200
<v Speaker 1>of her like lifelong chicken friends would go I don't know.

1:02:33.600 --> 1:02:37.360
<v Speaker 2>Yeah, I think my fix would be if well, then

1:02:37.400 --> 1:02:40.040
<v Speaker 2>mister Tweety is like I know, oh, I know, just

1:02:40.160 --> 1:02:43.440
<v Speaker 2>the chicken because he has a vendetta against Ginger, so

1:02:43.480 --> 1:02:47.160
<v Speaker 2>it makes sense that Ginger are in solitary right exactly.

1:02:47.720 --> 1:02:50.320
<v Speaker 2>I think my fix would just be like Gingers able

1:02:50.440 --> 1:02:55.200
<v Speaker 2>to save herself, because we've seen her be very resourceful

1:02:56.040 --> 1:03:00.800
<v Speaker 2>this whole movie. Can't she just for self and get

1:03:00.800 --> 1:03:03.560
<v Speaker 2>herself out because yea, the function it serves in the

1:03:03.600 --> 1:03:06.400
<v Speaker 2>story for Rocky to save her does sort of ignite

1:03:06.440 --> 1:03:10.160
<v Speaker 2>their romance, which doesn't need to be in the movie.

1:03:09.880 --> 1:03:13.280
<v Speaker 1>Their trauma bonded chickens. You're like, I don't need this,

1:03:13.920 --> 1:03:16.280
<v Speaker 1>or even if we need to have Rocky show up,

1:03:16.920 --> 1:03:19.200
<v Speaker 1>maybe he shows up and he's completely useless because that's

1:03:19.240 --> 1:03:21.720
<v Speaker 1>kind of his thing. And then she's She's like, oh great,

1:03:21.720 --> 1:03:23.200
<v Speaker 1>now it's twice as hard for us to get out

1:03:23.200 --> 1:03:25.840
<v Speaker 1>of this chicken machine. You fucking lose her like there.

1:03:25.880 --> 1:03:30.080
<v Speaker 1>I don't know. I just like, yeah, I don't like

1:03:30.280 --> 1:03:33.000
<v Speaker 1>because it's I think that that's such a scary effective

1:03:33.000 --> 1:03:36.560
<v Speaker 1>scene and to have it service this like I don't know,

1:03:36.680 --> 1:03:39.240
<v Speaker 1>romantic subplot that we both hate. I was just like, man,

1:03:40.160 --> 1:03:48.800
<v Speaker 1>don't love it. Should we talk about things we love about? Yes? Kay? Okay?

1:03:50.400 --> 1:03:53.400
<v Speaker 1>I read a lot. There's like kind of a stunning

1:03:53.400 --> 1:03:57.000
<v Speaker 1>amount of think pieces about Chicken run oh, which I

1:03:57.120 --> 1:04:00.560
<v Speaker 1>do love because I had all these that I'm like,

1:04:00.600 --> 1:04:01.680
<v Speaker 1>are these irrational?

1:04:01.760 --> 1:04:02.040
<v Speaker 2>Am I?

1:04:02.440 --> 1:04:04.800
<v Speaker 1>And And some of them were and I won't bring

1:04:04.840 --> 1:04:10.000
<v Speaker 1>them up, but others were. Okay, So I do feel

1:04:10.080 --> 1:04:13.560
<v Speaker 1>pretty confident and I'm pulling I'm gonna be reading from

1:04:14.040 --> 1:04:18.600
<v Speaker 1>uh two pieces. One is from Bitch Media by Dehan

1:04:18.920 --> 1:04:23.840
<v Speaker 1>Jotanovic and the other is from Film School Rejects by

1:04:23.880 --> 1:04:29.680
<v Speaker 1>Brianna Ziggler that kind of comment on the either the

1:04:29.920 --> 1:04:32.440
<v Speaker 1>like hyper feminists or because I kind of went into

1:04:32.520 --> 1:04:34.280
<v Speaker 1>Chicken Run being like, oh, this is like a really

1:04:34.320 --> 1:04:39.600
<v Speaker 1>feminist movie, but it's also a really like I'm gonna

1:04:39.640 --> 1:04:41.680
<v Speaker 1>quote the piece because I always like it's a very

1:04:41.720 --> 1:04:46.120
<v Speaker 1>anti capitalist piece of g rated children's art, which is

1:04:46.440 --> 1:04:50.640
<v Speaker 1>so fucking cool, like yeah, yeah, And and Brianna Ziggler

1:04:50.720 --> 1:04:53.600
<v Speaker 1>in particular gets like full on into like Marxist theory,

1:04:53.640 --> 1:04:56.520
<v Speaker 1>which is like locate out of my pay grate, but

1:04:56.600 --> 1:04:59.840
<v Speaker 1>like she is, she is right where it's like I

1:05:00.280 --> 1:05:03.880
<v Speaker 1>did you read Animal Farm in high school? I did, so,

1:05:04.120 --> 1:05:07.320
<v Speaker 1>Like there we were confronted with kind of an Animal

1:05:07.360 --> 1:05:12.840
<v Speaker 1>Farm style situation here, right, And it's based on literally

1:05:13.040 --> 1:05:16.800
<v Speaker 1>a movie called The Great Escape about people like escaping

1:05:16.920 --> 1:05:21.680
<v Speaker 1>a prisoner of war World War II camp, and so

1:05:21.720 --> 1:05:24.880
<v Speaker 1>it's like pulling from some pretty dark stuff. So I

1:05:24.920 --> 1:05:28.800
<v Speaker 1>just want to read a section of Brianna Zigler discussing

1:05:28.840 --> 1:05:36.240
<v Speaker 1>the Marxist themes in Chicken Run because I truly do firmly. Like, Yeah,

1:05:36.480 --> 1:05:39.439
<v Speaker 1>Ginger reminds me of every DSA chapter leader I've ever

1:05:39.520 --> 1:05:44.400
<v Speaker 1>interacted with. Like, Okay, So here's what Brianna says. Quote

1:05:45.040 --> 1:05:48.200
<v Speaker 1>the Tweeties farm and their chickens mirror the oft maligned

1:05:48.200 --> 1:05:51.680
<v Speaker 1>working environments and practices of our modern day capitalist society.

1:05:51.960 --> 1:05:54.320
<v Speaker 1>We're only valuable to our bosses as long as we

1:05:54.360 --> 1:05:57.640
<v Speaker 1>can provide them with labor and therefore profit. As soon

1:05:57.640 --> 1:06:01.160
<v Speaker 1>as we aren't profitable, we're disposable and reply. Thus this

1:06:01.280 --> 1:06:05.360
<v Speaker 1>idea of Marxist theory inherent within chicken run, the objective

1:06:05.480 --> 1:06:08.760
<v Speaker 1>of Marxism being the self emancipation of the working class

1:06:08.920 --> 1:06:13.720
<v Speaker 1>i e. The chickens. German philosopher Karl Marx believed in

1:06:13.760 --> 1:06:16.760
<v Speaker 1>a socialist revolution in order to bring about control of

1:06:16.840 --> 1:06:21.840
<v Speaker 1>political power for the proletariat. The dictatorship of the proletariat,

1:06:21.880 --> 1:06:25.280
<v Speaker 1>as he called it, would give the proletary public ownership

1:06:25.360 --> 1:06:32.200
<v Speaker 1>of the means of production, distribution, and exchange. I'll skip

1:06:32.240 --> 1:06:36.840
<v Speaker 1>down a little bit. It gets pretty dense. Part of

1:06:36.880 --> 1:06:39.960
<v Speaker 1>Marxist theory also includes this idea of seizing the means

1:06:40.000 --> 1:06:43.040
<v Speaker 1>of production. Means of production being what is used to

1:06:43.080 --> 1:06:46.080
<v Speaker 1>produce goods and seizing them, as in taking control and

1:06:46.200 --> 1:06:48.800
<v Speaker 1>using them for the greater good instead of personal gain

1:06:48.960 --> 1:06:53.680
<v Speaker 1>as with capitalism. Thus, the chicken's entire bodies are the

1:06:53.720 --> 1:06:56.720
<v Speaker 1>Tweedy's means of producing goods as well as being the

1:06:56.720 --> 1:06:59.800
<v Speaker 1>goods themselves. In the end, the chicken's ultimate way of

1:06:59.840 --> 1:07:03.520
<v Speaker 1>the escape relies entirely on their bodies hand powering a

1:07:03.520 --> 1:07:08.480
<v Speaker 1>plane they built all by themselves unquote. So it's like,

1:07:09.040 --> 1:07:14.280
<v Speaker 1>also this incredible labor story where like, you know, I

1:07:14.280 --> 1:07:16.600
<v Speaker 1>feel like missus Tweety is kind of like a classically

1:07:16.720 --> 1:07:21.200
<v Speaker 1>evil hyper capitalist villain, right, and I think that it

1:07:21.320 --> 1:07:24.880
<v Speaker 1>framed even slightly differently. She's basically a girl boss, right,

1:07:24.920 --> 1:07:27.400
<v Speaker 1>where she's like, I'm going to start my own business

1:07:27.480 --> 1:07:30.200
<v Speaker 1>and like, yes, ladies, let's grind these chickens to death,

1:07:30.600 --> 1:07:34.520
<v Speaker 1>like that kind of vibe where she is motivated by

1:07:34.520 --> 1:07:39.000
<v Speaker 1>personal profit. And then the chickens like they are basically

1:07:39.040 --> 1:07:42.440
<v Speaker 1>performing some form of like unpaid prison labor. They are

1:07:42.480 --> 1:07:47.480
<v Speaker 1>held captive. They are used strictly for what they can produce,

1:07:47.560 --> 1:07:49.840
<v Speaker 1>which at first is their eggs, which are immediately sees

1:07:49.880 --> 1:07:53.600
<v Speaker 1>from them, with the only exchange being food, you know,

1:07:53.720 --> 1:07:57.680
<v Speaker 1>the ability to continue to live and produce, which already

1:07:57.680 --> 1:08:00.520
<v Speaker 1>you're like, okay, this is a labor story. And then

1:08:00.760 --> 1:08:03.480
<v Speaker 1>when they are no longer useful to produce eggs, they

1:08:03.480 --> 1:08:07.960
<v Speaker 1>are then harvested for the personal profit of missus tweety.

1:08:09.000 --> 1:08:11.280
<v Speaker 1>So yeah, I just thought it was like a really

1:08:12.520 --> 1:08:16.080
<v Speaker 1>heady but fascinating point that, like the means of production

1:08:16.200 --> 1:08:20.439
<v Speaker 1>at first are the chickens' abilities to produce eggs, and

1:08:20.479 --> 1:08:25.200
<v Speaker 1>then eventually the means of production once it becomes clear

1:08:25.280 --> 1:08:29.679
<v Speaker 1>that it's actually more profitable to just mercilessly harvest the chickens,

1:08:30.040 --> 1:08:32.760
<v Speaker 1>the means of production becomes their actual bodies, and so

1:08:32.800 --> 1:08:36.280
<v Speaker 1>then using their bodies to escape is also seizing the

1:08:36.320 --> 1:08:40.280
<v Speaker 1>means of production. Like strictly by having bodily autonomy, the

1:08:40.439 --> 1:08:44.920
<v Speaker 1>chickens of Chicken Run have reclaimed the means of production

1:08:45.080 --> 1:08:47.960
<v Speaker 1>and they can self determine what they want to do

1:08:48.040 --> 1:08:52.439
<v Speaker 1>with their lives on Chicken Island. I just so shout

1:08:52.439 --> 1:08:55.160
<v Speaker 1>out to Breonna Ziglai. I will send you this link

1:08:55.640 --> 1:08:59.320
<v Speaker 1>so we'll have it in the description as well. But

1:09:00.040 --> 1:09:02.360
<v Speaker 1>it was phrasing things that I didn't quite have like

1:09:02.560 --> 1:09:08.160
<v Speaker 1>the Marxist vocabulary to say. But it's like, fuck, yeah,

1:09:08.320 --> 1:09:11.360
<v Speaker 1>It's like on top of the fact that we are

1:09:11.400 --> 1:09:16.960
<v Speaker 1>living in a chicken matriarchy. They literally like liberate themselves

1:09:17.200 --> 1:09:18.880
<v Speaker 1>from capitalism.

1:09:19.439 --> 1:09:23.440
<v Speaker 2>It's yeah, it's amazing, it's amazing. I like the commentary

1:09:23.439 --> 1:09:28.040
<v Speaker 2>too on. So not only is Missus Tweety this like,

1:09:29.000 --> 1:09:34.160
<v Speaker 2>you know, capitalist stooge bourgeois owning and controlling the means

1:09:34.200 --> 1:09:39.840
<v Speaker 2>of production villain. She also she's like explaining the branding

1:09:40.240 --> 1:09:42.640
<v Speaker 2>that she wants to do for the chicken pies that

1:09:42.680 --> 1:09:45.080
<v Speaker 2>she intends to sell, and she's like, yeah, they're going

1:09:45.120 --> 1:09:48.840
<v Speaker 2>to be called Missus Tweety's chicken pies and her husband

1:09:48.920 --> 1:09:53.080
<v Speaker 2>her husband is like missus and she's like, yeah, a

1:09:53.160 --> 1:09:56.720
<v Speaker 2>woman's touch makes the public seem more comfortable. So she

1:09:56.880 --> 1:10:01.840
<v Speaker 2>understands like marketing, but also like she understands like the

1:10:01.880 --> 1:10:04.920
<v Speaker 2>patriarchal structure that her chicken pies are going to be

1:10:05.080 --> 1:10:06.960
<v Speaker 2>like distributed and sold to.

1:10:07.520 --> 1:10:11.639
<v Speaker 1>She's literally a girl boss. She's a chicken girl boss.

1:10:11.680 --> 1:10:16.000
<v Speaker 1>Like she understands the patriarchal structure, and instead of using

1:10:16.040 --> 1:10:20.400
<v Speaker 1>that understanding to liberate herself and other people she's operating,

1:10:20.560 --> 1:10:23.080
<v Speaker 1>she's continuing to operate inside of it in order to

1:10:23.120 --> 1:10:27.280
<v Speaker 1>turn a profit for herself. Personally, she's a girl boss,

1:10:27.400 --> 1:10:33.160
<v Speaker 1>and I really like that her downfall is underestimating the chickens,

1:10:33.280 --> 1:10:37.200
<v Speaker 1>like she That's where I'm just like, Okay, Carrie Kirkpatrick,

1:10:37.520 --> 1:10:41.800
<v Speaker 1>are you a socialist? Because like the especially with how

1:10:41.840 --> 1:10:45.720
<v Speaker 1>the tweeties talk like the chickens the chickens do, they

1:10:45.760 --> 1:10:50.280
<v Speaker 1>are the chickens are socialists, but it's kind of like

1:10:50.560 --> 1:10:53.920
<v Speaker 1>worded a little more ambiguously for them. But when the

1:10:53.960 --> 1:10:57.240
<v Speaker 1>tweeties are talking, I'm like, this guy took a couple

1:10:57.400 --> 1:11:01.160
<v Speaker 1>courses because like mister Tweety is made out to be

1:11:01.320 --> 1:11:04.880
<v Speaker 1>really paranoid for saying like the chickens are organized, like

1:11:04.920 --> 1:11:08.280
<v Speaker 1>the chickens are going, they're like plotting their escape. And

1:11:08.320 --> 1:11:11.479
<v Speaker 1>the reason that missus Tweety ultimately or part of the

1:11:11.520 --> 1:11:14.280
<v Speaker 1>reason the chickens are able to seize their bodily autonomy

1:11:14.320 --> 1:11:18.920
<v Speaker 1>and build a plane, is because missus Tweety doesn't believe

1:11:19.200 --> 1:11:24.400
<v Speaker 1>that the chickens are intelligent enough, like the underclass chickens

1:11:24.439 --> 1:11:29.440
<v Speaker 1>being beneath humans. Yes, that the underclass is like intelligent

1:11:29.600 --> 1:11:34.720
<v Speaker 1>or motivated enough to organize and rise up, And so

1:11:34.760 --> 1:11:37.519
<v Speaker 1>I liked that that's like that's made explicitly clear, like

1:11:38.160 --> 1:11:40.960
<v Speaker 1>a bunch of times that missus Tweety does not believe

1:11:41.360 --> 1:11:46.480
<v Speaker 1>that people, not people with their chickens, that living creatures

1:11:46.600 --> 1:11:50.680
<v Speaker 1>she views as lesser than and less intelligent than her

1:11:51.400 --> 1:11:54.800
<v Speaker 1>could possibly outwit her, which I feel like you can

1:11:54.840 --> 1:11:58.920
<v Speaker 1>apply that. I mean, that applies to a wide array

1:11:59.080 --> 1:12:03.080
<v Speaker 1>of historical risings. But right, I like, how I I

1:12:03.120 --> 1:12:05.800
<v Speaker 1>think that missus tweety and and mister Tweety, I mean

1:12:05.840 --> 1:12:09.680
<v Speaker 1>they're both kind of villains in that you get kind

1:12:09.720 --> 1:12:12.160
<v Speaker 1>of two kinds of capitalist villains. You have like the

1:12:12.200 --> 1:12:14.160
<v Speaker 1>super motivated one and then you have the kind of

1:12:14.160 --> 1:12:15.760
<v Speaker 1>the bystander.

1:12:15.600 --> 1:12:19.920
<v Speaker 2>Right, so just sort of like passively participating, and.

1:12:19.920 --> 1:12:23.120
<v Speaker 1>Like, to mister Tweety's credit, he does notice that the

1:12:23.200 --> 1:12:27.080
<v Speaker 1>chickens are organized. It's just no one believes mister Tweety.

1:12:27.760 --> 1:12:30.840
<v Speaker 2>Yeah, missus Tweety's gaslighting him the whole time. She's like,

1:12:30.920 --> 1:12:34.599
<v Speaker 2>it's all in your head to her own detriment. Yeah, yeah,

1:12:35.040 --> 1:12:38.080
<v Speaker 2>she should have just listened. Believe mister Tweety.

1:12:38.320 --> 1:12:44.839
<v Speaker 1>Believe mister Tweety's believe. How did you feel when mister Tweety? Okay,

1:12:45.320 --> 1:12:48.320
<v Speaker 1>this was kind of I was like, oh, how did

1:12:48.360 --> 1:12:50.880
<v Speaker 1>you feel when mister Tweety was very willing to let

1:12:50.920 --> 1:12:55.800
<v Speaker 1>his wife die. At the end, I was like, kind

1:12:55.800 --> 1:12:59.519
<v Speaker 1>of always just like, I guess she's not nice to you,

1:12:59.560 --> 1:13:02.519
<v Speaker 1>but you're like benefiting from everything she's doing. Like I

1:13:03.280 --> 1:13:05.600
<v Speaker 1>kind of didn't. I was like, mister Tweety, that's like

1:13:06.360 --> 1:13:08.720
<v Speaker 1>fucked up. You're just gonna let your wife get all

1:13:08.800 --> 1:13:09.519
<v Speaker 1>ground up.

1:13:09.880 --> 1:13:13.160
<v Speaker 2>I think he is. He's had it up to here

1:13:13.560 --> 1:13:17.639
<v Speaker 2>with her gaslighting him and just being cruel to him

1:13:17.760 --> 1:13:21.760
<v Speaker 2>and making unreasonable demands of him the whole movie, and

1:13:21.760 --> 1:13:25.320
<v Speaker 2>she's and he's just like, you know what, I've had enough.

1:13:25.240 --> 1:13:28.000
<v Speaker 1>Off of their head. I just like, I guess I

1:13:29.160 --> 1:13:31.880
<v Speaker 1>don't know, not that I have this like well of

1:13:31.960 --> 1:13:35.320
<v Speaker 1>sympathy for missus Tweety, but I'm like, damn, the one

1:13:35.400 --> 1:13:38.680
<v Speaker 1>person who she thought was her ride or die was

1:13:38.880 --> 1:13:41.679
<v Speaker 1>very willing to let her get turned into a pot pie.

1:13:42.160 --> 1:13:44.639
<v Speaker 1>Yeah she does live. That also felt very g random.

1:13:44.720 --> 1:13:46.439
<v Speaker 1>She doesn't get ground up. She lives, but then she

1:13:46.479 --> 1:13:48.880
<v Speaker 1>also gets crushed by a wall, so maybe she does die.

1:13:49.040 --> 1:13:51.400
<v Speaker 2>So maybe she does die. Hard to say, I have

1:13:51.800 --> 1:13:55.240
<v Speaker 2>three jokes that I love in particular in this movie.

1:13:55.320 --> 1:13:59.320
<v Speaker 2>One of them is toward the end when mister Tweety

1:13:59.360 --> 1:14:01.800
<v Speaker 2>goes to all the chickens to put them through the

1:14:01.880 --> 1:14:05.559
<v Speaker 2>chicken pie machine. They're like, what's the plan, Ginger, and

1:14:05.600 --> 1:14:08.559
<v Speaker 2>she's like attack, so they all attack him and he's

1:14:08.600 --> 1:14:11.360
<v Speaker 2>like in the background flailing around like all covered in

1:14:11.439 --> 1:14:15.480
<v Speaker 2>chickens and he's like, the chickens are revolting, missus tweety,

1:14:15.640 --> 1:14:18.680
<v Speaker 2>and she says, finally something we can agree on.

1:14:19.400 --> 1:14:24.040
<v Speaker 1>The wordplay that is really funny, Yeah, amazing iconic.

1:14:24.400 --> 1:14:27.880
<v Speaker 2>And then also my two other favorite jokes are when

1:14:27.920 --> 1:14:30.160
<v Speaker 2>the chickens are trying to learn to fly and they're

1:14:30.160 --> 1:14:33.879
<v Speaker 2>just sort of like falling everywhere. One of the rats

1:14:34.000 --> 1:14:38.760
<v Speaker 2>is like, it's raining. Hen hilarious, right, I love I

1:14:38.800 --> 1:14:45.080
<v Speaker 2>love a pun. And then this one unfortunately works because

1:14:45.720 --> 1:14:51.360
<v Speaker 2>mel Gibson being cast as Rocky. So I'm but after

1:14:51.479 --> 1:14:55.879
<v Speaker 2>Rocky is exposed as a fraud, I think it's Bunty

1:14:56.040 --> 1:14:58.519
<v Speaker 2>says I knew he was fake all along. In fact,

1:14:58.560 --> 1:15:01.040
<v Speaker 2>I'm not even certain he was a mayor, which is

1:15:01.080 --> 1:15:04.280
<v Speaker 2>funny because mel Gibson is also not American, but he's

1:15:04.320 --> 1:15:05.360
<v Speaker 2>doing an American access.

1:15:05.360 --> 1:15:09.320
<v Speaker 1>Oh I didn't realize that that.

1:15:09.520 --> 1:15:11.880
<v Speaker 2>I don't know if that's intentional, but I was like,

1:15:13.120 --> 1:15:16.240
<v Speaker 2>so God, that's such a peak Mel Gibson joke that

1:15:16.280 --> 1:15:18.880
<v Speaker 2>it's like, yeah, to be there there.

1:15:18.960 --> 1:15:24.679
<v Speaker 1>I also had a whole section that about how Rocky

1:15:24.760 --> 1:15:32.200
<v Speaker 1>the Rooster represents the hollow promises of the American dream

1:15:32.520 --> 1:15:34.760
<v Speaker 1>enlighten me. I won't take as long as I did

1:15:34.840 --> 1:15:38.360
<v Speaker 1>for the chickens being socialists, which they were.

1:15:38.320 --> 1:15:41.200
<v Speaker 2>But that's fine. I have my own little allegory that

1:15:41.240 --> 1:15:41.920
<v Speaker 2>I'd like to share.

1:15:42.000 --> 1:15:45.640
<v Speaker 1>But okay, great, go on. Yeah. I also had a

1:15:45.760 --> 1:15:48.840
<v Speaker 1>little thing that I wrote down and I was like, Okay,

1:15:48.840 --> 1:15:50.680
<v Speaker 1>if I can find one writer that has mentioned this,

1:15:50.800 --> 1:15:54.679
<v Speaker 1>I will say it on the show. So okay. So

1:15:55.120 --> 1:15:59.880
<v Speaker 1>you know we're on a chicken farm somewhere in England, right,

1:16:00.120 --> 1:16:02.800
<v Speaker 1>We're in the UK. At least we know that there

1:16:02.800 --> 1:16:06.160
<v Speaker 1>are Scottish chickens there, so it's kind of ambiguous where

1:16:06.160 --> 1:16:11.639
<v Speaker 1>it is. Anyways, an American chicken shows up, right, he

1:16:11.720 --> 1:16:15.160
<v Speaker 1>kind of flies out of the sky quote unquote, and

1:16:15.439 --> 1:16:18.479
<v Speaker 1>he promises all these amazing things, and he's like, I

1:16:18.479 --> 1:16:20.919
<v Speaker 1>can do this, I can do that. I've seen everything,

1:16:21.000 --> 1:16:25.400
<v Speaker 1>I've been everywhere, I've lived this really rich and satisfying life.

1:16:25.800 --> 1:16:30.080
<v Speaker 1>It turns out that he has been deceitful and that

1:16:30.680 --> 1:16:35.320
<v Speaker 1>there's nothing behind all these huge promises that he's made

1:16:35.360 --> 1:16:37.840
<v Speaker 1>to them, and he's kind of like made off on this,

1:16:38.240 --> 1:16:42.120
<v Speaker 1>you know, reputation of being this like intrepid American when

1:16:42.160 --> 1:16:46.240
<v Speaker 1>in fact, you know, he is completely lost in his

1:16:46.400 --> 1:16:49.000
<v Speaker 1>life and he is strictly running on this like hyper

1:16:49.080 --> 1:16:53.559
<v Speaker 1>masculine American image and it ends up being false and

1:16:53.600 --> 1:16:57.960
<v Speaker 1>all the layers are pulled back. So I wrote down

1:16:59.560 --> 1:17:04.240
<v Speaker 1>Rocky the Rooster better example of false American dream than

1:17:04.640 --> 1:17:10.800
<v Speaker 1>Great Gatsby. Oohoo, hot take, Oh wow, hot take. I

1:17:10.840 --> 1:17:14.280
<v Speaker 1>think you know goodness eighty four minutes and you get

1:17:14.320 --> 1:17:18.000
<v Speaker 1>the message way easier than reading The Great Gatsby.

1:17:18.800 --> 1:17:23.479
<v Speaker 2>I like all of our references to orwell, we've read above.

1:17:23.520 --> 1:17:27.080
<v Speaker 2>We've got an f Scott Fitzgerald in there. Okay, we

1:17:27.120 --> 1:17:27.800
<v Speaker 2>haven't readst in.

1:17:27.880 --> 1:17:29.960
<v Speaker 1>We went to an American high school.

1:17:30.280 --> 1:17:34.120
<v Speaker 2>Okay, but don't get used to it, because I won't

1:17:34.120 --> 1:17:36.559
<v Speaker 2>be reading any more books I've read.

1:17:36.600 --> 1:17:40.640
<v Speaker 1>That's why we're not doing Jane Austin January, because we

1:17:40.760 --> 1:17:43.439
<v Speaker 1>don't want to read a book. Don't make us Oh

1:17:43.479 --> 1:17:44.760
<v Speaker 1>my god.

1:17:46.680 --> 1:17:49.720
<v Speaker 2>No, I yeah, I like that. That works for me.

1:17:50.080 --> 1:17:55.160
<v Speaker 1>What was your allegorical connection? I'm excited this is maybe

1:17:55.360 --> 1:17:58.960
<v Speaker 1>me reaching. Okay, I'm perfectly willing to admit that, but

1:17:59.120 --> 1:18:03.120
<v Speaker 1>because you know, I was rewatching this through the Bechdel lens,

1:18:03.439 --> 1:18:06.800
<v Speaker 1>I was also thinking that the chicken farm could be

1:18:06.840 --> 1:18:12.040
<v Speaker 1>interpreted as like an allegory for the patriarchy, and by

1:18:12.040 --> 1:18:15.000
<v Speaker 1>that I mean like the institution of the farm, like

1:18:15.080 --> 1:18:19.599
<v Speaker 1>not its occupants, but the farm as an institution, and

1:18:20.160 --> 1:18:24.360
<v Speaker 1>how it's like physically made to be very restrictive, like

1:18:24.400 --> 1:18:30.080
<v Speaker 1>a prison, especially because the expectation for the chickens is

1:18:30.200 --> 1:18:35.839
<v Speaker 1>to use their bodies to produce something that this institution wants,

1:18:36.439 --> 1:18:42.720
<v Speaker 1>much like the way the patriarchy historically for millennia has

1:18:42.760 --> 1:18:47.120
<v Speaker 1>expected that the role that women take on in society

1:18:47.360 --> 1:18:50.920
<v Speaker 1>is to bear children and raise them. And that's not

1:18:51.040 --> 1:18:53.920
<v Speaker 1>exactly what the chickens are doing in this movie, but

1:18:54.000 --> 1:18:59.200
<v Speaker 1>it's still this like patriarchal expectation for anyone with eggs

1:18:59.240 --> 1:19:04.679
<v Speaker 1>in their bodies to use their bodies to incubate either

1:19:05.320 --> 1:19:09.360
<v Speaker 1>like the eggs themselves or like human babies that come

1:19:09.400 --> 1:19:14.400
<v Speaker 1>from egg cells. And you know, for human women, historically,

1:19:14.439 --> 1:19:17.360
<v Speaker 1>that's been the role that we've been ascribed and that's

1:19:17.439 --> 1:19:23.240
<v Speaker 1>what value we have been seen to have in society. Yeah,

1:19:23.280 --> 1:19:27.280
<v Speaker 1>and not much beyond that. And obviously that's less true

1:19:27.400 --> 1:19:32.320
<v Speaker 1>for human women today. But I still think this allegorical

1:19:32.439 --> 1:19:36.360
<v Speaker 1>patriarchy argument works. Oh for sure. I think it's like

1:19:36.439 --> 1:19:41.519
<v Speaker 1>run by a woman, but it absolutely is a patriarchal structure. Like, yeah,

1:19:41.560 --> 1:19:43.639
<v Speaker 1>just because a women's at the top doesn't mean it's

1:19:43.680 --> 1:19:45.960
<v Speaker 1>feminists for the last time.

1:19:46.439 --> 1:19:53.559
<v Speaker 2>People, Right, women can still uphold patriarchal standards. We've said

1:19:53.600 --> 1:19:54.639
<v Speaker 2>it before, we'll say it again.

1:19:54.840 --> 1:19:58.680
<v Speaker 1>And that kind of echoes like turf ideology too, of

1:19:58.760 --> 1:20:01.760
<v Speaker 1>like defining womanhood by the ability to reproduce, which is

1:20:01.800 --> 1:20:04.599
<v Speaker 1>how a lot of you know, like turfs kind of

1:20:04.640 --> 1:20:09.720
<v Speaker 1>continue to perpetuate harm towards trans women and like, you know,

1:20:09.960 --> 1:20:13.400
<v Speaker 1>saying that being a woman is defined by your ability

1:20:13.400 --> 1:20:17.720
<v Speaker 1>to reproduce, which obviously intentionally excludes trans women and it

1:20:17.800 --> 1:20:22.320
<v Speaker 1>excludes people with wombs who don't want to have children.

1:20:22.640 --> 1:20:27.080
<v Speaker 1>Like it's just such an absurd Yeah, and I totally

1:20:27.120 --> 1:20:29.439
<v Speaker 1>agree with you. Like it goes back to like, oh,

1:20:29.520 --> 1:20:34.080
<v Speaker 1>your value is determined by your ability to perpetuate X

1:20:34.200 --> 1:20:38.600
<v Speaker 1>y Z in this case food life, right, whatever, and

1:20:38.640 --> 1:20:42.040
<v Speaker 1>then if you're not deemed useful enough, then we'll just

1:20:42.080 --> 1:20:42.400
<v Speaker 1>eat you.

1:20:42.880 --> 1:20:48.439
<v Speaker 2>Yeah, so that was my whole thing, because like, the

1:20:48.560 --> 1:20:51.599
<v Speaker 2>chicken farm is extremely restrictive. It is sort of like

1:20:52.280 --> 1:20:56.760
<v Speaker 2>based on these very rigid gender roles and expectations for

1:20:56.960 --> 1:20:59.920
<v Speaker 2>the chickens. And I was like, what is this but

1:21:00.160 --> 1:21:01.840
<v Speaker 2>the patriarchy it is.

1:21:01.960 --> 1:21:06.920
<v Speaker 1>Yeah, it's also like the turf patriarchy on that, like

1:21:07.000 --> 1:21:08.960
<v Speaker 1>where it's like, you know, if you only define an

1:21:08.960 --> 1:21:13.080
<v Speaker 1>animal by their ability to reproduce, your excluding so many

1:21:13.400 --> 1:21:18.280
<v Speaker 1>out of sheer you know, does either prejudice or desire

1:21:18.320 --> 1:21:22.400
<v Speaker 1>to profit or often both. Yes, So you know we

1:21:22.439 --> 1:21:25.080
<v Speaker 1>should have you know we I think that they should have.

1:21:25.880 --> 1:21:30.040
<v Speaker 1>You know, let missus Tweety die. She should have died.

1:21:30.120 --> 1:21:31.080
<v Speaker 2>She was she was.

1:21:31.800 --> 1:21:34.880
<v Speaker 1>You know what if nothing else, I'm like, we've gotten

1:21:34.920 --> 1:21:39.000
<v Speaker 1>this far, Like, let's do the guillotine. Yeah, we're here.

1:21:39.120 --> 1:21:41.640
<v Speaker 1>I don't care if it's PG. Make it PG and

1:21:41.720 --> 1:21:45.320
<v Speaker 1>drag out a chicken guillotine.

1:21:45.479 --> 1:21:45.719
<v Speaker 2>Yeah.

1:21:46.040 --> 1:21:48.240
<v Speaker 1>One thing I liked in this movie was and that

1:21:48.280 --> 1:21:51.160
<v Speaker 1>I wish we had more of, and I think if Rocky,

1:21:51.400 --> 1:21:54.320
<v Speaker 1>had Rocky's storyline up been treated differently, we would have

1:21:54.320 --> 1:21:59.600
<v Speaker 1>gotten more. Was Ginger and Max friendship and their collaboration.

1:22:00.360 --> 1:22:02.840
<v Speaker 1>I really thought that there was kind of more to

1:22:03.080 --> 1:22:06.880
<v Speaker 1>kind of mine from that relationship, because you do get

1:22:06.920 --> 1:22:09.519
<v Speaker 1>a few scenes with them. They are like they're both

1:22:09.600 --> 1:22:14.320
<v Speaker 1>friends and they are like co organizers, where I liked.

1:22:14.400 --> 1:22:17.880
<v Speaker 1>I always love when there is I mean there there

1:22:17.960 --> 1:22:21.840
<v Speaker 1>is sometimes internal conflict at the Coup, but it is

1:22:22.280 --> 1:22:25.920
<v Speaker 1>not it's it's I don't know, it is, like I thought,

1:22:25.920 --> 1:22:29.880
<v Speaker 1>pretty logically driven conflict. It wasn't just like, well, there's

1:22:29.920 --> 1:22:31.800
<v Speaker 1>a lot of women in this area, so of course

1:22:31.800 --> 1:22:33.559
<v Speaker 1>they're going to be arguing with each other.

1:22:33.520 --> 1:22:34.280
<v Speaker 2>Like right.

1:22:34.600 --> 1:22:37.160
<v Speaker 1>I really liked that, especially with Ginger and Mac. They

1:22:37.280 --> 1:22:40.479
<v Speaker 1>both brought something different to the table. Ginger was like

1:22:40.560 --> 1:22:45.360
<v Speaker 1>an ideas person. Mac was a logistics person. Chicken I

1:22:45.400 --> 1:22:46.200
<v Speaker 1>keep saying person.

1:22:47.240 --> 1:22:51.000
<v Speaker 2>I mean they're personified chickens. They're base, they're people. Chickens

1:22:51.000 --> 1:22:55.120
<v Speaker 2>are people too. I'm peta now, oh my god, streful.

1:22:56.040 --> 1:22:58.360
<v Speaker 1>There's like, you know, we have our right brain chicken

1:22:58.400 --> 1:23:01.519
<v Speaker 1>and our left brain chicken and they're colaborating. And I

1:23:01.760 --> 1:23:04.960
<v Speaker 1>like that they sometimes disagree with each other, but it's

1:23:05.200 --> 1:23:09.599
<v Speaker 1>never like and now we're fighting and like everything is over.

1:23:09.840 --> 1:23:13.599
<v Speaker 1>Like there's even one scene where Ginger is kind of like, well,

1:23:13.680 --> 1:23:15.639
<v Speaker 1>Rocky's going to teach us how to fly, so don't

1:23:15.680 --> 1:23:19.439
<v Speaker 1>worry about it. And MA'X like, I believe that, but

1:23:20.160 --> 1:23:24.240
<v Speaker 1>has he flown? Like the way that they approach conflict

1:23:24.280 --> 1:23:27.920
<v Speaker 1>to each other is very respectful, Yeah, and seems true

1:23:27.960 --> 1:23:31.280
<v Speaker 1>to their friendship. And I just really liked it. I

1:23:31.280 --> 1:23:34.320
<v Speaker 1>felt like that could have been an example of like

1:23:34.520 --> 1:23:39.439
<v Speaker 1>a needless argument between two female characters in a a

1:23:39.479 --> 1:23:42.559
<v Speaker 1>story that is treated in a pretty grounded way of

1:23:42.640 --> 1:23:46.120
<v Speaker 1>like Max sort of knows that Gingers drinking the rocky

1:23:46.200 --> 1:23:49.120
<v Speaker 1>kool aid too much, but isn't you know, isn't aggressive

1:23:49.120 --> 1:23:51.519
<v Speaker 1>about it? You know, She's like you definitely could be right.

1:23:51.880 --> 1:23:54.519
<v Speaker 1>I believe you, but like, but considered, they don't need

1:23:54.560 --> 1:23:56.960
<v Speaker 1>to know it, but like, have you considered, we've never

1:23:57.000 --> 1:24:00.960
<v Speaker 1>seen him fly? Like, I just I liked that. I

1:24:00.960 --> 1:24:05.519
<v Speaker 1>thought that was like a really positive, subtle dynamic that

1:24:05.600 --> 1:24:07.880
<v Speaker 1>I wish we had gotten more of a look at.

1:24:08.560 --> 1:24:11.799
<v Speaker 2>Yeah, but like you said, I appreciate that there wasn't

1:24:12.080 --> 1:24:16.799
<v Speaker 2>just like all this chicken infighting because oh women, female

1:24:16.880 --> 1:24:20.519
<v Speaker 2>chickens be petty, so they have to be constantly arguing.

1:24:20.600 --> 1:24:24.800
<v Speaker 2>Any conflict within the chickens felt justified, And that kind

1:24:24.800 --> 1:24:27.599
<v Speaker 2>of brings up that the complacency thing I mentioned earlier

1:24:27.640 --> 1:24:30.519
<v Speaker 2>of like, again, if you're looking at this chicken farm

1:24:30.720 --> 1:24:35.799
<v Speaker 2>as like a capitalist machine or as the patriarchy, and honestly,

1:24:36.040 --> 1:24:41.040
<v Speaker 2>what's the difference. You know that there's often complacency with it,

1:24:41.120 --> 1:24:47.479
<v Speaker 2>like among the masses, because when oppression is normalized, as

1:24:47.479 --> 1:24:53.240
<v Speaker 2>it often is in capitalism and the patriarchy, you don't

1:24:53.280 --> 1:24:56.599
<v Speaker 2>often have the tools or resources to break out of it,

1:24:56.880 --> 1:24:59.360
<v Speaker 2>or you know, sometimes you don't have the full awareness

1:24:59.400 --> 1:25:03.440
<v Speaker 2>of what's even happening because you know, maybe the oppression

1:25:03.520 --> 1:25:06.000
<v Speaker 2>is kind of subtle, or again, like it's just been

1:25:06.000 --> 1:25:12.639
<v Speaker 2>so normalized and you have yet to unlearn the toxic ideology.

1:25:12.479 --> 1:25:15.240
<v Speaker 1>Or it's just like a conflict a verse, like it's

1:25:15.680 --> 1:25:18.479
<v Speaker 1>you can't not see where the chickens are coming from there,

1:25:18.479 --> 1:25:21.519
<v Speaker 1>because it's like their fear is like if we quote

1:25:21.600 --> 1:25:24.680
<v Speaker 1>unquote overreact to this, maybe we'll just get killed, or

1:25:24.720 --> 1:25:28.360
<v Speaker 1>like maybe our predicament will somehow worsen exactly. Yeah, I

1:25:28.400 --> 1:25:32.520
<v Speaker 1>don't know. I was like I was full like galaxy

1:25:32.600 --> 1:25:35.800
<v Speaker 1>brain meme watching that can play some chickens because it

1:25:35.840 --> 1:25:37.840
<v Speaker 1>does like it almost I got into an argument with

1:25:37.880 --> 1:25:43.519
<v Speaker 1>someone for reasons right like a few weeks ago about

1:25:43.640 --> 1:25:46.840
<v Speaker 1>the two thousand dollars checks that we.

1:25:46.080 --> 1:25:47.760
<v Speaker 2>We here in the US were supposed to have.

1:25:47.640 --> 1:25:50.600
<v Speaker 1>Received, and then all of a sudden, the Biden administration

1:25:50.720 --> 1:25:52.640
<v Speaker 1>was like, actually you got six hundred, so now it's

1:25:52.680 --> 1:25:55.840
<v Speaker 1>gonna be fourteen hundred. Fourteen hundred plus six hundred equals

1:25:55.880 --> 1:25:59.000
<v Speaker 1>two thousand, so shut up, like you should be happy.

1:25:59.640 --> 1:26:01.920
<v Speaker 1>And how there was like a lot of kind of

1:26:01.960 --> 1:26:04.960
<v Speaker 1>infighting online about like, you know, people who are like,

1:26:05.120 --> 1:26:07.760
<v Speaker 1>just take the fourteen hundred dollars, like, just take it,

1:26:07.800 --> 1:26:10.679
<v Speaker 1>and then other people are like, but we were promised

1:26:10.680 --> 1:26:13.920
<v Speaker 1>a lot more, and like we feel justified in arguing

1:26:14.000 --> 1:26:17.120
<v Speaker 1>that we should get at very least what we were

1:26:17.160 --> 1:26:20.559
<v Speaker 1>promised instead of having to accept these kind of piecemeal things.

1:26:20.600 --> 1:26:23.680
<v Speaker 1>And I know that that's not exactly what's going on

1:26:24.080 --> 1:26:26.400
<v Speaker 1>in Chicken Run, but I did think of it because

1:26:26.439 --> 1:26:30.439
<v Speaker 1>it's like, you know, the chicken's legitimate fear is like

1:26:30.600 --> 1:26:33.360
<v Speaker 1>if if we rock the boat too much, we are

1:26:33.360 --> 1:26:37.559
<v Speaker 1>putting ourselves in danger, which is true. And they even

1:26:37.600 --> 1:26:40.760
<v Speaker 1>like say that explicitly towards the end, where like gingerfull

1:26:40.840 --> 1:26:44.480
<v Speaker 1>On like beating her chest battle cry like we're gonna

1:26:44.800 --> 1:26:48.920
<v Speaker 1>die oppressed, or we're gonna like we're gonna like die

1:26:49.040 --> 1:26:51.680
<v Speaker 1>trying in this effort, and then she's able to like

1:26:51.760 --> 1:26:55.160
<v Speaker 1>get the energy she needs to get the chickens to revolt. Yeah,

1:26:55.160 --> 1:26:57.680
<v Speaker 1>but it makes sense that it's like I always appreciate

1:26:57.720 --> 1:27:00.240
<v Speaker 1>because I feel like a lot of times, every every

1:27:00.320 --> 1:27:05.400
<v Speaker 1>day like the e your everyday chicken type character is

1:27:05.439 --> 1:27:10.639
<v Speaker 1>made out to be like not smart, when that's very

1:27:10.680 --> 1:27:12.519
<v Speaker 1>often not true, and I feel like it's not even

1:27:12.600 --> 1:27:14.959
<v Speaker 1>productive to tell a story that way of like anyone

1:27:15.120 --> 1:27:20.200
<v Speaker 1>who is like oppression is normalized is not smart, Like

1:27:20.240 --> 1:27:22.760
<v Speaker 1>that is kind of a ridiculous precedent to set.

1:27:23.320 --> 1:27:23.840
<v Speaker 2>Mm hmmm.

1:27:24.040 --> 1:27:25.960
<v Speaker 1>I like that as far as the chickens go, we

1:27:26.040 --> 1:27:31.240
<v Speaker 1>at least do understand in story why they are, you know, nervous,

1:27:31.320 --> 1:27:34.120
<v Speaker 1>because they've seen what happens to chickens who step out

1:27:34.120 --> 1:27:35.559
<v Speaker 1>of line. They get fucking beheaded.

1:27:35.960 --> 1:27:37.559
<v Speaker 2>Uena gets her head chopped off.

1:27:37.720 --> 1:27:40.280
<v Speaker 1>So I don't know. Yeah, I found that like that

1:27:40.400 --> 1:27:46.760
<v Speaker 1>part to be like really affecting of Yeah, of like

1:27:46.800 --> 1:27:49.960
<v Speaker 1>they're not just like sheeple, you know, in the way

1:27:50.000 --> 1:27:53.880
<v Speaker 1>that I think some like large groups of people or

1:27:53.960 --> 1:27:56.840
<v Speaker 1>like towns people in movies are made out to see them.

1:27:56.840 --> 1:27:59.920
<v Speaker 1>They're not total sheeple, like they're they're chickens with the

1:28:00.040 --> 1:28:04.840
<v Speaker 1>legitimate concerns, right, and just because they are like it,

1:28:05.680 --> 1:28:08.519
<v Speaker 1>I agree that they should rise up and that the

1:28:08.600 --> 1:28:10.519
<v Speaker 1>time has come, and I'm glad that Ginger was able

1:28:10.520 --> 1:28:12.840
<v Speaker 1>to motivate them, but you also see where they're coming from.

1:28:12.840 --> 1:28:14.400
<v Speaker 1>At the beginning, I'm just like, oh, these are just

1:28:14.400 --> 1:28:17.040
<v Speaker 1>people who are like, let's take the fourteen hundred dollars check.

1:28:17.400 --> 1:28:19.640
<v Speaker 1>Why are you so mad? And it's like, right, I

1:28:19.680 --> 1:28:22.479
<v Speaker 1>don't know. I was like, okay, fourteen hundred dollars check, chickens,

1:28:22.560 --> 1:28:25.599
<v Speaker 1>got it, wrote that down. Fuck.

1:28:27.360 --> 1:28:32.559
<v Speaker 2>But and then also just like it reinforces Ginger is

1:28:32.600 --> 1:28:36.800
<v Speaker 2>this like is this feminist icon? Like she's the one

1:28:36.840 --> 1:28:39.280
<v Speaker 2>who's like, you know what, yes, the steaks are high,

1:28:39.400 --> 1:28:44.560
<v Speaker 2>Yes we might die, but we are going to die regardless, exactly.

1:28:44.600 --> 1:28:46.320
<v Speaker 1>Like it was just so bleak.

1:28:46.640 --> 1:28:49.519
<v Speaker 2>Right right, But yeah, I think her the quote was

1:28:49.600 --> 1:28:52.960
<v Speaker 2>like we're gonna die free chickens, or we're going to

1:28:53.000 --> 1:28:56.200
<v Speaker 2>die trying. And then Babs is like those are only options.

1:28:56.280 --> 1:28:57.000
<v Speaker 1>Hilarious.

1:28:57.120 --> 1:28:59.320
<v Speaker 2>Yeah, it's uh, she's like, you know what, I've had

1:28:59.439 --> 1:29:02.719
<v Speaker 2>enough of this, fed up and we're gonna revolt.

1:29:03.240 --> 1:29:05.880
<v Speaker 1>Yeah, yeah, and it's like and by that point it's

1:29:05.920 --> 1:29:09.280
<v Speaker 1>like they are so they're like literally, if they don't

1:29:09.280 --> 1:29:13.519
<v Speaker 1>do anything, they're only extending their lives by a short

1:29:13.520 --> 1:29:16.280
<v Speaker 1>amount of time. And so it's like, okay, the time

1:29:16.439 --> 1:29:20.759
<v Speaker 1>has come, like uprising, we're building a plane and then

1:29:20.960 --> 1:29:22.800
<v Speaker 1>the one man here is gonna magically know how to

1:29:22.800 --> 1:29:26.000
<v Speaker 1>fly the plane. Don't love that, but the I don't know.

1:29:26.040 --> 1:29:28.920
<v Speaker 1>I just the way that the uprising was like orchestrated.

1:29:28.920 --> 1:29:31.840
<v Speaker 1>You're just like, shit, I got all I got all

1:29:31.920 --> 1:29:37.080
<v Speaker 1>worked up. I was like, damn, she's right, She's right. Yeah,

1:29:37.160 --> 1:29:40.080
<v Speaker 1>Ginger is amazing. Ginger is so amazing. I hate that

1:29:40.120 --> 1:29:43.599
<v Speaker 1>she has to date Rocky, some guy from Rhode Island

1:29:43.880 --> 1:29:47.360
<v Speaker 1>at the end. It's so not okay, you have nothing

1:29:47.439 --> 1:29:51.320
<v Speaker 1>going for him. I liked how we kind of alluded

1:29:51.360 --> 1:29:54.519
<v Speaker 1>to this earlier. But I like how Babs is seen

1:29:54.680 --> 1:29:57.559
<v Speaker 1>doing like she's knitting. She's like a nervous knitter, and

1:29:57.600 --> 1:30:00.800
<v Speaker 1>she's doing kind of like traditionally domestic and I feel

1:30:00.800 --> 1:30:03.280
<v Speaker 1>like that's another thing that sometimes we see in movies

1:30:03.320 --> 1:30:06.080
<v Speaker 1>that are like trying to present themselves as feminists, where

1:30:06.080 --> 1:30:11.639
<v Speaker 1>they're like fuck domestic work, when that's actually really reductive

1:30:11.800 --> 1:30:15.520
<v Speaker 1>to people who perform domestic work of any gender. Like

1:30:15.280 --> 1:30:17.880
<v Speaker 1>I like that it's not just a joke of like

1:30:18.439 --> 1:30:22.240
<v Speaker 1>the work, the traditionally feminine work she's doing ends up

1:30:22.520 --> 1:30:24.280
<v Speaker 1>like being a big part of the reason that they're

1:30:24.280 --> 1:30:24.920
<v Speaker 1>able to fly.

1:30:25.400 --> 1:30:27.360
<v Speaker 2>Yeah, that's great. Love it.

1:30:27.640 --> 1:30:30.920
<v Speaker 1>I love that this, like this coop, this revolution is

1:30:30.960 --> 1:30:35.040
<v Speaker 1>inclusive of all sorts of women and all sort of

1:30:35.120 --> 1:30:39.160
<v Speaker 1>like any everyone is welcome to the revolution, including Rocky,

1:30:39.200 --> 1:30:41.120
<v Speaker 1>which is like, well, let's where are we going to draw.

1:30:41.000 --> 1:30:43.120
<v Speaker 2>The line, but like draw the one somewhere.

1:30:43.280 --> 1:30:45.719
<v Speaker 1>But I do like I like that the we haven't

1:30:45.720 --> 1:30:47.960
<v Speaker 1>really talked about the rats because who really cares, but

1:30:48.080 --> 1:30:52.400
<v Speaker 1>like the rats sort of redeem themselves to some extent.

1:30:52.560 --> 1:30:55.360
<v Speaker 1>They sacrifice something that's important to them in order to

1:30:56.120 --> 1:31:00.320
<v Speaker 1>join the revolution, and there is some sort of like

1:31:00.320 --> 1:31:03.720
<v Speaker 1>like hesitate to say there's like restorative justice applied to

1:31:03.760 --> 1:31:06.040
<v Speaker 1>the Timothy's Ball rat, but it's like kind of true,

1:31:06.520 --> 1:31:09.519
<v Speaker 1>like they they are welcome to the revolution if they

1:31:09.520 --> 1:31:12.479
<v Speaker 1>are willing to contribute in a meaningful way and not

1:31:12.560 --> 1:31:15.000
<v Speaker 1>be assholes, and like that is kind of it seems

1:31:15.000 --> 1:31:18.000
<v Speaker 1>like that's kind of the line of like who's welcome

1:31:18.040 --> 1:31:21.559
<v Speaker 1>and who isn't is like, will you act in favor

1:31:21.600 --> 1:31:25.120
<v Speaker 1>of the collective if you will get on the plane, baby,

1:31:25.200 --> 1:31:29.040
<v Speaker 1>jump on a bike. I love it. Yeah, let's build

1:31:29.080 --> 1:31:30.240
<v Speaker 1>a plane and get out of here.

1:31:33.080 --> 1:31:38.160
<v Speaker 2>Seriously, Here's something else I like, which is that Bunty

1:31:38.680 --> 1:31:45.120
<v Speaker 2>is voiced by Emelda Staunton aka Aunt Lucy from Paddington.

1:31:45.000 --> 1:31:48.639
<v Speaker 1>Aka She's gonna play the Queen. And the last season

1:31:48.680 --> 1:31:49.639
<v Speaker 1>of The Crown.

1:31:50.240 --> 1:31:52.920
<v Speaker 2>Oh cool, cool cool? Yeah, you have watched The Crown yet.

1:31:52.920 --> 1:31:56.520
<v Speaker 1>But it's boring. It's boring, but I've seen every episode,

1:31:56.720 --> 1:31:59.080
<v Speaker 1>which is a lot of things.

1:32:00.080 --> 1:32:04.360
<v Speaker 2>Also, how is Fouler not voiced by John Hurt?

1:32:04.720 --> 1:32:05.280
<v Speaker 1>Yeah?

1:32:05.320 --> 1:32:07.120
<v Speaker 2>I was like, oh, that's for sure John Hurt. And

1:32:07.120 --> 1:32:08.680
<v Speaker 2>then I looked it up and it's like it's not

1:32:08.880 --> 1:32:10.560
<v Speaker 2>John Hurt and you're like, what.

1:32:10.439 --> 1:32:12.439
<v Speaker 1>It's whoever you call? When John Hurt is an.

1:32:12.360 --> 1:32:18.639
<v Speaker 2>Available Benjamin with throw I guess that's very British sounding.

1:32:18.920 --> 1:32:22.160
<v Speaker 2>Yeah right, And then speaking of voice acting, okay, so

1:32:22.880 --> 1:32:25.320
<v Speaker 2>oh yeah I saw this or not. But the sequel

1:32:25.400 --> 1:32:28.960
<v Speaker 2>of Chicken Run is in development. I think it's slated

1:32:28.960 --> 1:32:31.160
<v Speaker 2>to come out in a couple of years this year.

1:32:31.200 --> 1:32:32.840
<v Speaker 1>Actually, it comes out in twenty twenty one.

1:32:32.960 --> 1:32:35.360
<v Speaker 2>Oh, no kidding. Oh my goodness. I looked it up

1:32:35.400 --> 1:32:38.439
<v Speaker 2>on IMDb and it said that it was tentatively to

1:32:38.479 --> 1:32:44.480
<v Speaker 2>be released twenty twenty three, but also, IDK maybe maybe

1:32:44.240 --> 1:32:48.080
<v Speaker 2>the pandemic has pushed Maybe it was originally twenty twenty one,

1:32:48.120 --> 1:32:50.040
<v Speaker 2>but the pandemic pushed it back.

1:32:50.120 --> 1:32:54.280
<v Speaker 1>Aandemic has pushed back. All I don't they're fun industry

1:32:54.360 --> 1:32:58.920
<v Speaker 1>insider info because I work in stop motion animation. Stop

1:32:58.960 --> 1:33:01.639
<v Speaker 1>motion animation that makes sense, yes, not which the animation

1:33:01.800 --> 1:33:04.479
<v Speaker 1>is kind of impossible to do without people in the

1:33:04.479 --> 1:33:06.439
<v Speaker 1>same room, so yeah, makes sense.

1:33:07.479 --> 1:33:11.160
<v Speaker 2>But anyway, so the A sequel is in development, and

1:33:11.400 --> 1:33:16.000
<v Speaker 2>the voice actor who plays Ginger, Julia Sawala.

1:33:16.040 --> 1:33:18.120
<v Speaker 1>I have never tried to say her name out loud.

1:33:18.720 --> 1:33:22.240
<v Speaker 2>Yes, so apologies if I got that wrong, But she

1:33:22.640 --> 1:33:28.280
<v Speaker 2>revealed in July twenty twenty that Ardman, the animation studio

1:33:28.320 --> 1:33:33.360
<v Speaker 2>behind Chicken Run, intended to recast her, saying that her

1:33:33.479 --> 1:33:39.800
<v Speaker 2>voice now sounds quote too old, and Julia said, in

1:33:39.840 --> 1:33:44.639
<v Speaker 2>response to that, I have officially been plucked, stuffed, and roasted,

1:33:44.680 --> 1:33:47.320
<v Speaker 2>which is the quote from the movie that I butchered earlier,

1:33:47.720 --> 1:33:49.680
<v Speaker 2>butchered loved that.

1:33:49.840 --> 1:33:53.080
<v Speaker 1>She was like, listen, you think I don't deserve to

1:33:53.120 --> 1:33:56.280
<v Speaker 1>be in Chicken Run. Here, I am quoting Chicken Run.

1:33:56.479 --> 1:33:59.479
<v Speaker 1>This is such a bullshit thing. Yeah, that there, And

1:33:59.520 --> 1:34:03.519
<v Speaker 1>it seemed to be done because it sucks because it's

1:34:03.560 --> 1:34:06.680
<v Speaker 1>like Mel Gibson is rightfully not coming back for the

1:34:06.720 --> 1:34:08.760
<v Speaker 1>next Chicken Run movie, and so they kind of use

1:34:08.840 --> 1:34:13.320
<v Speaker 1>this as a blanket excuse to get rid of Julia

1:34:13.400 --> 1:34:16.720
<v Speaker 1>Sowalha as well, when it's like, but she didn't do

1:34:16.800 --> 1:34:20.040
<v Speaker 1>anything like she this is her. This is an iconic

1:34:20.880 --> 1:34:25.360
<v Speaker 1>I always like it's it's so frustrating. How like if

1:34:25.360 --> 1:34:31.080
<v Speaker 1>there's any area of acting where agism should particularly not

1:34:31.280 --> 1:34:35.599
<v Speaker 1>come into the mix, it's fucking cartoon voice acting seriously,

1:34:35.600 --> 1:34:38.800
<v Speaker 1>like that is a level of agism that is just

1:34:38.840 --> 1:34:42.960
<v Speaker 1>like almost inconceivable because you're just it's there was like

1:34:43.000 --> 1:34:45.599
<v Speaker 1>a similar discussion going on for it. This was like

1:34:46.000 --> 1:34:48.600
<v Speaker 1>five or six years ago, but when the new Powerpuff

1:34:48.640 --> 1:34:51.519
<v Speaker 1>Girls cartoon was coming out, they were like, we're getting

1:34:51.800 --> 1:34:55.519
<v Speaker 1>the old Powerpuff Girls are not coming back because they're

1:34:55.600 --> 1:34:58.439
<v Speaker 1>forty now, and it's like, well they were twenty five

1:34:58.520 --> 1:35:01.280
<v Speaker 1>when they were the Powerpuff Girl, Like what are you

1:35:01.360 --> 1:35:05.200
<v Speaker 1>talking about? It's so it is so like bizarre and

1:35:05.240 --> 1:35:09.400
<v Speaker 1>frustrating that there's ageism in any area of entertainment, right,

1:35:09.439 --> 1:35:14.080
<v Speaker 1>but like in particular voice acting, it's like on what grounds.

1:35:13.880 --> 1:35:16.800
<v Speaker 2>Yes, not that any of it makes sense, but like

1:35:17.280 --> 1:35:19.679
<v Speaker 2>that makes the least amount of sense.

1:35:19.840 --> 1:35:22.200
<v Speaker 1>We're in such a level of fantasy where it's like

1:35:22.280 --> 1:35:27.000
<v Speaker 1>she is voicing a claymation, Chicken. How are you too

1:35:27.120 --> 1:35:31.599
<v Speaker 1>old to voice a clamation? Chicken? Yeah? That was That

1:35:31.760 --> 1:35:35.479
<v Speaker 1>story is so fucking fry, especially because it's like we

1:35:35.520 --> 1:35:39.040
<v Speaker 1>should just now. It's like we can't purely be thrilled

1:35:39.080 --> 1:35:41.240
<v Speaker 1>for a new Chicken Run because it's like what at

1:35:41.280 --> 1:35:43.160
<v Speaker 1>first when I remember when that came out, when it

1:35:43.200 --> 1:35:45.200
<v Speaker 1>was like, oh, Chicken Run, but this time no Mel Gibson,

1:35:45.840 --> 1:35:51.240
<v Speaker 1>sign me up? But yeah, but you can't. I really

1:35:51.320 --> 1:35:53.680
<v Speaker 1>I'm curious if there's ever gonna be especially if it's

1:35:53.680 --> 1:35:56.559
<v Speaker 1>being pushed back to twenty twenty three. I wonder if

1:35:57.760 --> 1:36:02.880
<v Speaker 1>that prompted any discussion in the right direction, because it's

1:36:02.880 --> 1:36:06.599
<v Speaker 1>like there's no reason to recast Ginger, absolutely none, especially

1:36:06.880 --> 1:36:09.040
<v Speaker 1>like a movie going to Netflix where you don't need

1:36:09.080 --> 1:36:13.120
<v Speaker 1>to promote it like on what grounds. Yeah, Ginger is

1:36:13.160 --> 1:36:16.759
<v Speaker 1>an icon, And I'm also very glad that Julias Sawall

1:36:16.880 --> 1:36:20.200
<v Speaker 1>has spoke up yea for herself because.

1:36:19.960 --> 1:36:22.519
<v Speaker 2>There was backlash. I mean, I'm reading I read this

1:36:22.600 --> 1:36:26.920
<v Speaker 2>on Wikipedia, our favorite scholarly journal, of course, and it

1:36:26.960 --> 1:36:28.880
<v Speaker 2>didn't go into a whole lot of depth about like

1:36:29.160 --> 1:36:33.880
<v Speaker 2>the backlash that the recasting received, the people saying that,

1:36:34.000 --> 1:36:37.679
<v Speaker 2>you know this is extremely ageis why is this happening? Yeah,

1:36:37.920 --> 1:36:39.439
<v Speaker 2>so I don't know a lot of details about it,

1:36:39.439 --> 1:36:43.799
<v Speaker 2>but there was I mean, maybe the studio will listen

1:36:44.120 --> 1:36:47.679
<v Speaker 2>and be like, sorry, we goofed, Julia come back.

1:36:48.240 --> 1:36:50.840
<v Speaker 1>I really hope so, because it's like I don't know,

1:36:51.360 --> 1:36:53.960
<v Speaker 1>I know that it's like foolish. Just I just I

1:36:54.000 --> 1:36:59.400
<v Speaker 1>have such a strong love for Ardman animation, like all like,

1:37:01.040 --> 1:37:03.920
<v Speaker 1>don't recast Ginger, you fight?

1:37:04.120 --> 1:37:05.839
<v Speaker 2>Like yikes.

1:37:06.960 --> 1:37:10.200
<v Speaker 1>Yeah, I was disappointed to hear that. I was interested.

1:37:10.400 --> 1:37:13.840
<v Speaker 1>Did you know, Caitlin that Chicken Run is the highest

1:37:14.080 --> 1:37:18.280
<v Speaker 1>grossing stop motion movie ever by like a lot.

1:37:18.880 --> 1:37:21.720
<v Speaker 2>I did also read that on Wikipedia.

1:37:22.400 --> 1:37:25.679
<v Speaker 1>I forgot how like Chicken Run was like a moment

1:37:26.120 --> 1:37:29.639
<v Speaker 1>Chicken Run was fully I was curious, but like this

1:37:29.640 --> 1:37:32.280
<v Speaker 1>this movie came out the year before there was an

1:37:32.360 --> 1:37:35.680
<v Speaker 1>Academy Award for Best Animated Feature, Yes, which was such

1:37:35.720 --> 1:37:37.760
<v Speaker 1>a Bummer. I was just like, Wow, Chicken Run. I

1:37:37.760 --> 1:37:39.639
<v Speaker 1>feel like would have had it on lock.

1:37:40.439 --> 1:37:43.360
<v Speaker 2>So yeah, I was reading that it got snubbed for

1:37:43.520 --> 1:37:45.960
<v Speaker 2>like because it was like it could have been a

1:37:45.960 --> 1:37:47.800
<v Speaker 2>contender for Best Picture.

1:37:48.439 --> 1:37:51.080
<v Speaker 1>But that just doesn't happen in animation. Yeah.

1:37:51.360 --> 1:37:55.200
<v Speaker 2>Right, So basically everyone's like, g whiz, kind of sucks

1:37:55.240 --> 1:37:58.519
<v Speaker 2>that Chicken Run didn't win anything. Let's make a Best

1:37:58.840 --> 1:38:05.040
<v Speaker 2>Animated Feature categor the following year, which was won by Shrek.

1:38:05.520 --> 1:38:08.599
<v Speaker 1>Never forgot there's, I mean, of all the iconic things

1:38:08.640 --> 1:38:11.240
<v Speaker 1>about Shrek, the fact that it won the first Animation

1:38:11.400 --> 1:38:16.240
<v Speaker 1>Academy Award is like wow, just wow. Chicken Run walked

1:38:16.360 --> 1:38:20.080
<v Speaker 1>so Shrek could run, and that is a beautiful thing.

1:38:20.360 --> 1:38:21.200
<v Speaker 2>That is a beautiful thing.

1:38:21.360 --> 1:38:23.280
<v Speaker 1>I wish the Chicken Run had more trophies, but the

1:38:23.280 --> 1:38:28.479
<v Speaker 1>fact that Chicken Run was so rawly powerful that people

1:38:28.479 --> 1:38:30.800
<v Speaker 1>were like, we need a new oscar so we can

1:38:30.840 --> 1:38:33.479
<v Speaker 1>give it to to Shrek.

1:38:35.160 --> 1:38:36.160
<v Speaker 2>That's so bleak.

1:38:36.320 --> 1:38:39.760
<v Speaker 1>Oh my god. Shrek is funny though, So you know,

1:38:39.800 --> 1:38:40.519
<v Speaker 1>what can you do?

1:38:41.360 --> 1:38:44.799
<v Speaker 2>While we're covering Shrek two this year? Sometime on the matrix,

1:38:45.080 --> 1:38:49.840
<v Speaker 2>we spoke it. We spoke it in reality, we manifested it.

1:38:50.080 --> 1:38:51.400
<v Speaker 2>Chicken Run is really.

1:38:51.200 --> 1:38:57.679
<v Speaker 1>Like so iconically good and I want to marry Chicken Run.

1:38:57.760 --> 1:38:58.760
<v Speaker 2>I love Chicken Frun.

1:39:01.640 --> 1:39:04.080
<v Speaker 1>It's amazing. I saw I was a PlayStation game, and

1:39:04.200 --> 1:39:07.280
<v Speaker 1>I was like, what, whoa? I know? I want to

1:39:07.280 --> 1:39:09.000
<v Speaker 1>play the PlayStation Chicken Run game.

1:39:09.240 --> 1:39:10.559
<v Speaker 2>Damn too.

1:39:11.240 --> 1:39:13.400
<v Speaker 1>Yeah, did you have anything else? Anything? That's about everything?

1:39:13.439 --> 1:39:17.320
<v Speaker 2>I know? That covered? I'm pretty sure Yeah, that was

1:39:17.360 --> 1:39:22.000
<v Speaker 2>everything I had. So this movie does pass the Bechdel test.

1:39:22.640 --> 1:39:28.720
<v Speaker 1>Not between many many chickens, so many chickens. Chickens talking

1:39:28.760 --> 1:39:31.719
<v Speaker 1>about seizing the means of production passes the Bechtyl test.

1:39:32.600 --> 1:39:37.360
<v Speaker 2>Period when chickens talk to each other about the laws

1:39:37.360 --> 1:39:40.679
<v Speaker 2>of physics such as thrust passes the test.

1:39:41.040 --> 1:39:43.760
<v Speaker 1>I wonder if that's like it sounds like that's the

1:39:43.800 --> 1:39:46.360
<v Speaker 1>sort of thing that I'm like, it sounds like science.

1:39:46.400 --> 1:39:49.880
<v Speaker 1>I wonder if we have any any any listeners in stem?

1:39:50.760 --> 1:39:56.000
<v Speaker 1>Was the Chicken science accurate? Because I just want genuinely curious.

1:39:56.040 --> 1:39:59.280
<v Speaker 1>It sounded real to me, But everyone saying science and

1:39:59.360 --> 1:40:03.840
<v Speaker 1>movies sound real to me. Let us know, Yeah, how

1:40:03.840 --> 1:40:05.800
<v Speaker 1>many nipples were given this thing? Hmmm?

1:40:06.600 --> 1:40:12.679
<v Speaker 2>I would give it? I can. I want to give

1:40:12.720 --> 1:40:17.200
<v Speaker 2>it like three or three and a half. It definitely

1:40:17.200 --> 1:40:21.080
<v Speaker 2>gets points taken off for you know, those like early

1:40:21.240 --> 1:40:25.800
<v Speaker 2>two thousand era, like hetero romance getting wedged into the

1:40:25.840 --> 1:40:30.280
<v Speaker 2>story for absolutely no reason, several male redemption arcs that

1:40:30.320 --> 1:40:35.360
<v Speaker 2>are completely unearned and undeserved, female character having to be

1:40:35.439 --> 1:40:39.160
<v Speaker 2>saved by a male character, that kind of stuff. Yeah,

1:40:39.200 --> 1:40:44.040
<v Speaker 2>but it's like this society of chickens who like form

1:40:44.120 --> 1:40:48.479
<v Speaker 2>their own matriarchy even though they are living within this

1:40:48.680 --> 1:40:54.960
<v Speaker 2>like these oppressive confines of this like capitalistic patriarchal structure.

1:40:55.520 --> 1:40:59.240
<v Speaker 2>They're like, not for me, not on, not today, We're

1:40:59.240 --> 1:41:05.040
<v Speaker 2>gonna kape out of this, and they do, and they

1:41:05.280 --> 1:41:11.120
<v Speaker 2>are extremely motivated, they're extremely active. They're iconic, absolutely iconic.

1:41:11.400 --> 1:41:13.800
<v Speaker 2>I think I'm going to give it three and a

1:41:13.840 --> 1:41:20.080
<v Speaker 2>half nipples, and I'm going to give one to Ginger,

1:41:20.400 --> 1:41:26.120
<v Speaker 2>I will give one to Mac the chicken, and Stem,

1:41:26.520 --> 1:41:33.840
<v Speaker 2>I will give one two Babs, who's knitting saves the day.

1:41:34.760 --> 1:41:37.719
<v Speaker 2>And I will give my half nipple to Edwina, who

1:41:37.800 --> 1:41:42.840
<v Speaker 2>does unfortunately get murdered maybe before we even meet her,

1:41:43.160 --> 1:41:43.479
<v Speaker 2>but I.

1:41:43.400 --> 1:41:45.320
<v Speaker 1>Feel like she kind of ends up being like I

1:41:45.360 --> 1:41:48.759
<v Speaker 1>feel like I wish that Edwina's name was invoked more

1:41:48.840 --> 1:41:51.519
<v Speaker 1>of like she's kind of a martyr for this cause

1:41:51.640 --> 1:41:55.759
<v Speaker 1>like her, like that is the last straw. They're like, Okay,

1:41:55.920 --> 1:41:58.400
<v Speaker 1>they're taking Edwena, Like there should be a statue of

1:41:58.520 --> 1:42:02.479
<v Speaker 1>Edwena on Chicken Island, and I hope there is because

1:42:02.479 --> 1:42:05.520
<v Speaker 1>she like she literally that she's kind of the inciting

1:42:05.520 --> 1:42:08.679
<v Speaker 1>incident in a lot of ways of just like we had,

1:42:08.680 --> 1:42:11.160
<v Speaker 1>like the steaks have never been higher. It's we're not

1:42:11.320 --> 1:42:14.920
<v Speaker 1>bucking around anymore. They took it Weena from us, and yeah,

1:42:14.960 --> 1:42:17.240
<v Speaker 1>now I'm like, damn it Weena should be like literally

1:42:17.320 --> 1:42:19.760
<v Speaker 1>like a cultural chicken icon.

1:42:20.240 --> 1:42:24.400
<v Speaker 2>Truly. Yeah, she's like the Joan of Arc of the

1:42:24.560 --> 1:42:27.000
<v Speaker 2>Chickens exactly exactly.

1:42:28.000 --> 1:42:30.840
<v Speaker 1>I'm gonna I'm gonna maybe overdo it a little. I'm

1:42:30.840 --> 1:42:35.080
<v Speaker 1>gonna get this four nipples because it is literally a feminist,

1:42:35.080 --> 1:42:37.960
<v Speaker 1>socialist movie that is g rated for children and it's

1:42:37.960 --> 1:42:42.240
<v Speaker 1>about chickens, and so uh there, I totally agree. I mean,

1:42:42.240 --> 1:42:45.160
<v Speaker 1>we've we've hashed out kind of the shortcomings. Most of

1:42:45.200 --> 1:42:47.599
<v Speaker 1>my issues with this movie are in the third act.

1:42:47.760 --> 1:42:49.600
<v Speaker 1>Feels like a lot of studio notes of like we

1:42:49.720 --> 1:42:52.880
<v Speaker 1>gotta have these chickens with teeth kissing, which nia don't,

1:42:53.160 --> 1:42:55.160
<v Speaker 1>and like we have to have all these last second

1:42:55.439 --> 1:42:57.880
<v Speaker 1>male redemption arcs, even though they're not set up in

1:42:57.920 --> 1:42:59.720
<v Speaker 1>any way, and it's actually set up for a way

1:42:59.720 --> 1:43:04.200
<v Speaker 1>more interesting ending. But all that said, it's literally like

1:43:05.560 --> 1:43:11.280
<v Speaker 1>it's a story of a matriarchal chicken society seizing the

1:43:11.360 --> 1:43:17.120
<v Speaker 1>means of production, demanding bodily autonomy, defeating capitalism, and moving

1:43:17.160 --> 1:43:23.160
<v Speaker 1>to Chicken Island. That is amazing. That is so amazing.

1:43:23.240 --> 1:43:25.640
<v Speaker 1>I wish that there were more women involved in the

1:43:25.680 --> 1:43:28.680
<v Speaker 1>production of this movie. I will say, like Ardman is

1:43:28.720 --> 1:43:32.320
<v Speaker 1>a company that I fully love that is a bunch

1:43:32.360 --> 1:43:36.680
<v Speaker 1>of old white British guys, and I hope that that

1:43:36.840 --> 1:43:38.960
<v Speaker 1>is no longer the case. I own. I haven't been

1:43:39.040 --> 1:43:42.360
<v Speaker 1>keeping up with their roster of people. It seems to

1:43:42.439 --> 1:43:45.160
<v Speaker 1>usually be the same couple of guys, much like Pixar.

1:43:46.360 --> 1:43:51.400
<v Speaker 1>But all that said, I mean it's this, It's like powerful,

1:43:51.560 --> 1:43:54.840
<v Speaker 1>and it got me all worked up. Even now when

1:43:54.840 --> 1:43:57.839
<v Speaker 1>I watch Chicken Run, I want to join a revolution,

1:43:58.120 --> 1:44:00.160
<v Speaker 1>and I think that's a great thing for children and

1:44:00.800 --> 1:44:03.639
<v Speaker 1>to rise up against their oppressors and build a plane.

1:44:05.479 --> 1:44:08.720
<v Speaker 1>So I'm going to give Chicken Run four nipples and

1:44:08.800 --> 1:44:11.000
<v Speaker 1>to give one to Ginger. I'm and to give one

1:44:11.040 --> 1:44:14.479
<v Speaker 1>to Mac and give one to Edwina, and I'll give

1:44:14.479 --> 1:44:17.680
<v Speaker 1>one to Babs because she makes the textiles that make

1:44:17.680 --> 1:44:22.160
<v Speaker 1>the plane fly. Baby. Yeah, yeah, shout out. Chicken Run

1:44:22.280 --> 1:44:24.280
<v Speaker 1>really a cultural moment.

1:44:24.520 --> 1:44:28.519
<v Speaker 2>This movie also, in addition to you know, inspiring me

1:44:28.680 --> 1:44:33.360
<v Speaker 2>to revolt more, yeah, I also am like, yep, I

1:44:33.360 --> 1:44:37.200
<v Speaker 2>think I might have to fully commit to veganism. Now

1:44:37.479 --> 1:44:37.960
<v Speaker 2>there you go.

1:44:38.080 --> 1:44:40.120
<v Speaker 1>You don't that's beautiful.

1:44:39.840 --> 1:44:44.280
<v Speaker 2>Thank you so much. I'm on My current food intake

1:44:44.560 --> 1:44:47.840
<v Speaker 2>is I get one meat cheat a day. Sorry for

1:44:47.880 --> 1:44:52.439
<v Speaker 2>a day. I get one meat cheat a month where

1:44:52.439 --> 1:44:54.920
<v Speaker 2>I can eat meat once a month, and then the

1:44:54.960 --> 1:44:59.240
<v Speaker 2>rest of my meals are vegetarian or vegan. But now

1:44:59.240 --> 1:45:02.080
<v Speaker 2>I'm just like, damn, Chicken Run might push me over

1:45:02.120 --> 1:45:06.400
<v Speaker 2>the edge and I might have to just commit. We'll see.

1:45:06.520 --> 1:45:07.759
<v Speaker 2>I'll keep everyone posted.

1:45:08.080 --> 1:45:12.080
<v Speaker 1>Ginger is an absolutely, I mean an inspiration. She really is.

1:45:12.640 --> 1:45:15.360
<v Speaker 1>She's a feminist. I think she's entering my pantheon of

1:45:15.479 --> 1:45:18.920
<v Speaker 1>all time feminist icons because she's not a feminist that

1:45:19.000 --> 1:45:21.320
<v Speaker 1>just works to liberate herself, which I feel like if.

1:45:21.160 --> 1:45:23.720
<v Speaker 2>She's uplifting other chicken women.

1:45:23.880 --> 1:45:26.320
<v Speaker 1>That which is, which is like one of the most

1:45:26.439 --> 1:45:30.320
<v Speaker 1>core important things is like, you're not just working to

1:45:30.640 --> 1:45:33.880
<v Speaker 1>liberate yourself, because then you're just a girl boss. You're

1:45:33.920 --> 1:45:38.479
<v Speaker 1>working to liberate the collective of the oppressed. Now we're

1:45:38.560 --> 1:45:42.160
<v Speaker 1>fucking talking and that's what Chicken Run is saying. And

1:45:42.200 --> 1:45:47.840
<v Speaker 1>I love I love Chicken Run. Yeah, it's it's almost

1:45:47.920 --> 1:45:51.120
<v Speaker 1>a perfect movie. Let me rewrite the last, you know, half.

1:45:50.880 --> 1:45:54.680
<v Speaker 2>Hour seriously, like end of AC two onward. There's just

1:45:54.800 --> 1:45:56.679
<v Speaker 2>some changes that could be made and then it would

1:45:56.720 --> 1:45:57.640
<v Speaker 2>be perfect and.

1:45:57.640 --> 1:45:59.800
<v Speaker 1>They wouldn't even need to be big changes. You can

1:45:59.800 --> 1:46:01.719
<v Speaker 1>still on like a plane of flight and Chicken Island

1:46:01.840 --> 1:46:07.759
<v Speaker 1>just sea the things. Oh, anyways, an amazing piece of cinema.

1:46:08.160 --> 1:46:12.679
<v Speaker 2>Wow, Well there you have it, folks. That was our

1:46:13.240 --> 1:46:18.080
<v Speaker 2>unlocked Chicken Run episode unlocked from the Matreon, which, again,

1:46:18.120 --> 1:46:20.439
<v Speaker 2>if you like this episode and you're not yet a

1:46:20.520 --> 1:46:25.240
<v Speaker 2>Matreon subscriber, you should do that immediately by going to

1:46:25.880 --> 1:46:29.760
<v Speaker 2>patreon dot com slash spectal Cast and subscribing for a

1:46:29.840 --> 1:46:32.920
<v Speaker 2>mere five dollars a month and that gets you two

1:46:33.080 --> 1:46:37.599
<v Speaker 2>bonus episodes every single month that are always on a brilliant, genius,

1:46:37.720 --> 1:46:39.120
<v Speaker 2>incredible theme.

1:46:39.479 --> 1:46:42.639
<v Speaker 1>Yeah, we've never missed. I actually and I sometimes speak

1:46:42.680 --> 1:46:46.799
<v Speaker 1>sarcastically randomly, But I actually do think of the Matren

1:46:46.880 --> 1:46:49.840
<v Speaker 1>we have rarely, if ever missed in one hundred and

1:46:49.960 --> 1:46:51.920
<v Speaker 1>fifty one hundred percent hit rate.

1:46:52.240 --> 1:46:55.719
<v Speaker 2>Only hits, Yeah, only the hits for our Matrons.

1:46:55.800 --> 1:46:58.320
<v Speaker 1>There's only one time on the in the history of

1:46:58.320 --> 1:47:01.000
<v Speaker 1>the Matreon where we accidentally did not cover a movie

1:47:01.000 --> 1:47:03.919
<v Speaker 1>at all, and it is one of our best episodes

1:47:03.920 --> 1:47:06.120
<v Speaker 1>we've ever recorded, So we've.

1:47:05.920 --> 1:47:09.160
<v Speaker 2>Never Yes, are you referring to the episode where we

1:47:09.280 --> 1:47:12.120
<v Speaker 2>tried to talk about the shape of water and instead

1:47:12.479 --> 1:47:15.280
<v Speaker 2>got carried away talking about the three eleven cruise.

1:47:16.240 --> 1:47:18.920
<v Speaker 1>Yes, and all of the hilarious ways that it would

1:47:18.960 --> 1:47:21.439
<v Speaker 1>be funny for it to sink like the Titanic, Like

1:47:22.160 --> 1:47:26.800
<v Speaker 1>I just the band is already on the boat. The

1:47:26.880 --> 1:47:31.160
<v Speaker 1>point is, and that could happen again at any time. Yeah,

1:47:31.800 --> 1:47:35.400
<v Speaker 1>So join us at the matreod. It's fun, it's it's

1:47:35.439 --> 1:47:39.160
<v Speaker 1>it's still the discussion you love, but more of a

1:47:39.240 --> 1:47:43.760
<v Speaker 1>more vibes. There's vibes over on the matred.

1:47:43.400 --> 1:47:44.240
<v Speaker 2>Tons of vibes.

1:47:44.360 --> 1:47:47.960
<v Speaker 1>Yeah, and if you want to have even more vibes

1:47:48.000 --> 1:47:50.799
<v Speaker 1>still again, if you are in the Los Angeles area,

1:47:50.880 --> 1:47:53.519
<v Speaker 1>please come and join us on Sunday, August twenty fifth

1:47:53.720 --> 1:47:57.240
<v Speaker 1>at four pm at the Lowsphilas three. Thank you to

1:47:57.320 --> 1:48:01.080
<v Speaker 1>American Cinematech for inviting us to participate in Friends of

1:48:01.120 --> 1:48:04.040
<v Speaker 1>the Fest even though we aggressive we both did not

1:48:04.120 --> 1:48:05.400
<v Speaker 1>show up at our screening last year.

1:48:06.240 --> 1:48:07.400
<v Speaker 2>We had good reasons.

1:48:07.479 --> 1:48:09.559
<v Speaker 1>We had good reasons. My dad was in chemo and

1:48:09.600 --> 1:48:12.599
<v Speaker 1>you had COVID and this year neither of those. They're

1:48:12.600 --> 1:48:15.880
<v Speaker 1>non issues. They're no issues. And so please join us

1:48:16.120 --> 1:48:19.160
<v Speaker 1>for Chicken Run. It's been eighty four minutes.

1:48:19.439 --> 1:48:21.840
<v Speaker 2>It's been eighty four minutes, that's right, And you can

1:48:22.240 --> 1:48:26.360
<v Speaker 2>grab tickets. We'll have the link in the description of

1:48:26.400 --> 1:48:29.200
<v Speaker 2>this episode. You can also go to link tree slash

1:48:29.240 --> 1:48:32.080
<v Speaker 2>Bechdel Cast and get those little.

1:48:32.000 --> 1:48:34.960
<v Speaker 1>Tickets, those little tikies, those.

1:48:34.800 --> 1:48:39.960
<v Speaker 2>Little chickens, those for Chicken Run. Is that anything?

1:48:40.240 --> 1:48:46.400
<v Speaker 1>No notes? Episodes over, Bye bye.

1:48:48.600 --> 1:48:51.840
<v Speaker 2>The Bechdel Cast is a production of iHeartMedia, hosted by

1:48:51.920 --> 1:48:55.839
<v Speaker 2>Caitlin Derante and Jamie Loftus, produced by Sophie Lichterman, edited

1:48:55.920 --> 1:48:59.080
<v Speaker 2>by Mola Board. Our theme song was composed by Mike

1:48:59.200 --> 1:49:03.559
<v Speaker 2>Kaplan with vocals by Katherine Voskresenski. Our logo and merch

1:49:03.720 --> 1:49:06.680
<v Speaker 2>is designed by Jamie Loftus and a special thanks to

1:49:06.720 --> 1:49:11.160
<v Speaker 2>Aristotle Assevedo. For more information about the podcast, please visit

1:49:11.200 --> 1:49:13.200
<v Speaker 2>Linktree slash Bechtelcast