1 00:00:00,280 --> 00:00:03,600 Speaker 1: Hey, I'm Norah Jones and today I'm playing along with 2 00:00:03,760 --> 00:00:06,720 Speaker 1: Robert Glasper. This is part two. Enjoy. 3 00:00:07,280 --> 00:00:20,520 Speaker 2: I'm just playing lo we sy, I'm just playing in lonezy. 4 00:00:21,440 --> 00:00:21,920 Speaker 3: Hi. 5 00:00:22,120 --> 00:00:24,680 Speaker 1: I'm Norah Jones. Welcome to the show. With me as 6 00:00:25,000 --> 00:00:28,440 Speaker 1: with me as always? Oh sorry, that's my line? Okay 7 00:00:28,800 --> 00:00:29,800 Speaker 1: with me as always? 8 00:00:29,960 --> 00:00:30,240 Speaker 2: Is you? 9 00:00:30,720 --> 00:00:36,839 Speaker 1: Sarah? Oda me? How have begun? How long you been 10 00:00:36,880 --> 00:00:37,440 Speaker 1: waiting to do that? 11 00:00:37,520 --> 00:00:37,680 Speaker 4: Joe? 12 00:00:37,880 --> 00:00:41,720 Speaker 5: Just I just came up with it. I basically like 13 00:00:41,760 --> 00:00:43,760 Speaker 5: Conan O'Brien. I just came up with things off the 14 00:00:43,800 --> 00:00:46,200 Speaker 5: top of my head. I'm so funny on the spot. 15 00:00:46,000 --> 00:00:48,800 Speaker 1: We loved the ConA and O'Brien. Being on Conan and 16 00:00:48,840 --> 00:00:50,239 Speaker 1: O'Brien was my dream. 17 00:00:50,720 --> 00:00:53,080 Speaker 5: If you haven't checked it out yet, check out Nora's 18 00:00:53,159 --> 00:00:54,480 Speaker 5: Conan episode. 19 00:00:54,160 --> 00:00:58,000 Speaker 1: Yes O'Brien Needs a Friend podcast, which you probably already 20 00:00:58,000 --> 00:01:02,120 Speaker 1: know because you're cool. I know you're cool. We're buds. 21 00:01:02,360 --> 00:01:05,360 Speaker 1: Do you like me? Do you like me? Thanks for 22 00:01:05,440 --> 00:01:08,160 Speaker 1: joining us though. Today we're doing part two of our 23 00:01:08,280 --> 00:01:09,600 Speaker 1: Robert Glasper episode. 24 00:01:09,760 --> 00:01:13,920 Speaker 5: Yes, it's a continuation of Nora's conversation with Robert, and 25 00:01:13,959 --> 00:01:17,360 Speaker 5: you get to hear more about his beginnings in Texas 26 00:01:17,400 --> 00:01:21,120 Speaker 5: and Also, in this episode, you revisit one of your 27 00:01:21,360 --> 00:01:22,360 Speaker 5: classic songs. 28 00:01:22,440 --> 00:01:24,920 Speaker 1: Oh yeah, he requested to do one of my songs, 29 00:01:24,920 --> 00:01:29,440 Speaker 1: which was so sweet, and that's very special. Also I 30 00:01:29,480 --> 00:01:32,200 Speaker 1: get to just sang and he plays the piano on 31 00:01:32,240 --> 00:01:32,720 Speaker 1: that song. 32 00:01:33,160 --> 00:01:34,880 Speaker 5: This is actually the first pianist. 33 00:01:35,040 --> 00:01:37,960 Speaker 1: This is our first pianist guest pianist. 34 00:01:38,200 --> 00:01:40,319 Speaker 5: This is our first pianist pianist. 35 00:01:40,600 --> 00:01:44,360 Speaker 1: I don't know how to say that word, but piano, piano, plianoist. Honestly, 36 00:01:44,440 --> 00:01:48,040 Speaker 1: pretty I'm pretty sure. I only say piano player because 37 00:01:48,080 --> 00:01:54,520 Speaker 1: I pianist. Pianist sounds so formal and reminiscent of pianist piano. 38 00:01:55,640 --> 00:02:00,680 Speaker 1: He played the piano. This is the first piano player 39 00:02:00,720 --> 00:02:03,960 Speaker 1: that we've had on which is both super special for 40 00:02:04,040 --> 00:02:07,760 Speaker 1: me and sometimes tricky for me to know what to do, 41 00:02:07,920 --> 00:02:09,600 Speaker 1: but also freaking awesome. 42 00:02:09,880 --> 00:02:11,560 Speaker 5: Yeah, you don't know what to do with your hands, 43 00:02:11,600 --> 00:02:12,840 Speaker 5: but nobody's watching. 44 00:02:13,040 --> 00:02:15,920 Speaker 1: But I did play worly on most of these these songs, 45 00:02:15,960 --> 00:02:18,880 Speaker 1: but not on one or two of them, and it's 46 00:02:19,040 --> 00:02:22,880 Speaker 1: pretty awesome. He's an incredible piano player. And if you 47 00:02:22,919 --> 00:02:26,520 Speaker 1: haven't checked out part one, I suggest checking it out first. 48 00:02:26,639 --> 00:02:29,959 Speaker 1: But you know, you do what you want and there's 49 00:02:30,000 --> 00:02:36,160 Speaker 1: no wrong way to eat me. You say, no, I'm sorry, 50 00:02:36,320 --> 00:02:37,920 Speaker 1: there's no wrong way to do this. But I do 51 00:02:37,960 --> 00:02:39,840 Speaker 1: think you should listen to episode one if you. 52 00:02:39,800 --> 00:02:41,520 Speaker 5: Want you missed it, check it out. You'll hear some 53 00:02:41,639 --> 00:02:43,520 Speaker 5: unexpected duets. 54 00:02:43,280 --> 00:02:46,080 Speaker 1: And you'll you'll you'll get to hear his intro. But 55 00:02:46,480 --> 00:02:48,640 Speaker 1: in case you don't, we're going to intro him again. 56 00:02:48,720 --> 00:02:51,000 Speaker 1: And you know he's put out so many great albums. 57 00:02:51,000 --> 00:02:56,760 Speaker 1: He's collaborated with a Brazilian people. Yes, some of them Brazilian, No, probably, yeah, 58 00:02:57,120 --> 00:03:00,480 Speaker 1: like a Brazilion. He's collaborated with everyone from eric A 59 00:03:00,520 --> 00:03:05,320 Speaker 1: Badu to her to Questlove, to Q Tip to Roy 60 00:03:05,360 --> 00:03:09,840 Speaker 1: Hargrove to me too, is that weird? To save Me? 61 00:03:11,240 --> 00:03:15,080 Speaker 1: It's true, Michelle and degio Cello. He's he's just he's 62 00:03:15,080 --> 00:03:18,360 Speaker 1: one of those people who has played with everyone and 63 00:03:18,560 --> 00:03:20,520 Speaker 1: is special in everything he does. 64 00:03:20,720 --> 00:03:23,359 Speaker 5: He's very flexible and he's a chameleon. But he's got 65 00:03:23,360 --> 00:03:26,000 Speaker 5: his real unique style that is the thread of all 66 00:03:26,040 --> 00:03:27,760 Speaker 5: these different projects that he works on. 67 00:03:28,040 --> 00:03:31,760 Speaker 1: Yes, and he's my fellow Texan, my buddy from jazz Camp. 68 00:03:32,360 --> 00:03:35,560 Speaker 1: I hope you really enjoy the rest of this two parter. 69 00:03:36,200 --> 00:03:39,600 Speaker 1: It was a fatty. So we chopped it up and uh. 70 00:03:39,720 --> 00:03:41,560 Speaker 5: Oh we got to get his band camp picture. 71 00:03:41,720 --> 00:03:44,400 Speaker 1: Oh, it wasn't that kind of a band camp. 72 00:03:44,840 --> 00:03:46,400 Speaker 5: I mean his band, marching band. 73 00:03:46,600 --> 00:03:50,920 Speaker 1: Oh yeah, we talk about marching band. Yes, I'll ask 74 00:03:51,000 --> 00:03:54,360 Speaker 1: him he has one. Enjoy this episode, part two of 75 00:03:54,600 --> 00:04:03,920 Speaker 1: Robert Last Heard Pardieu. I went to ninth grade at 76 00:04:03,920 --> 00:04:08,240 Speaker 1: a regular high school. Yeah, so you went later. 77 00:04:08,360 --> 00:04:11,920 Speaker 4: I went tenth grade audition, ninth grade. I made it, 78 00:04:12,400 --> 00:04:13,480 Speaker 4: But in my mind I was going to be a 79 00:04:13,480 --> 00:04:16,200 Speaker 4: basketball player. I still wasn't convinced with the piano yet. 80 00:04:16,240 --> 00:04:17,240 Speaker 1: Yeah, because you're tall. 81 00:04:17,120 --> 00:04:18,480 Speaker 4: Because I'm tall, and I thought I was gonna be 82 00:04:18,480 --> 00:04:21,000 Speaker 4: a basketball player because in junior high I was one 83 00:04:21,000 --> 00:04:23,160 Speaker 4: of the good guys. Yeah mind Joe went to all 84 00:04:23,200 --> 00:04:28,839 Speaker 4: white junior high pretty much, and so in basketball. Yeah, 85 00:04:28,960 --> 00:04:31,200 Speaker 4: when the schools integrated and you have to go through 86 00:04:31,200 --> 00:04:32,600 Speaker 4: the thing, and now you're at a high school where 87 00:04:32,600 --> 00:04:33,080 Speaker 4: it's all these. 88 00:04:32,960 --> 00:04:35,040 Speaker 1: Other schools, you weren't good anymore. 89 00:04:35,080 --> 00:04:36,440 Speaker 4: Oh. I wrote the bench the whole year. 90 00:04:36,520 --> 00:04:38,320 Speaker 1: Oh no, was that really depressing? 91 00:04:38,520 --> 00:04:40,760 Speaker 4: Oh it just made me slide the bench over to 92 00:04:40,800 --> 00:04:45,599 Speaker 4: the piano. I just the same bench like that, it's 93 00:04:45,640 --> 00:04:48,119 Speaker 4: the same. I'm glad that I realized I sucked early. 94 00:04:48,200 --> 00:04:50,840 Speaker 4: I think that's important, Oh God, knowing what you're really 95 00:04:50,880 --> 00:04:52,800 Speaker 4: good at and what you suck at early, and being 96 00:04:52,800 --> 00:04:55,560 Speaker 4: a realist, because what happens is, I tell people all 97 00:04:55,600 --> 00:05:00,120 Speaker 4: the time, you confuse your hobby with your gift. You 98 00:05:00,120 --> 00:05:00,600 Speaker 4: know what I mean? 99 00:05:01,160 --> 00:05:01,720 Speaker 3: I don't know. 100 00:05:01,960 --> 00:05:04,039 Speaker 1: I mean I get what you're saying, and I agree 101 00:05:04,360 --> 00:05:08,159 Speaker 1: to a certain point, but I feel confused. I guess 102 00:05:08,240 --> 00:05:10,080 Speaker 1: with the kids, you know, sometimes they want to give 103 00:05:10,160 --> 00:05:12,560 Speaker 1: up on something, and I don't want them to give 104 00:05:12,640 --> 00:05:15,239 Speaker 1: up yet not kids. Oh you're talking about. 105 00:05:15,360 --> 00:05:17,200 Speaker 4: My mom didn't let me give up more piano. I talk, 106 00:05:17,200 --> 00:05:18,919 Speaker 4: I won't pay basketball. She said, fine, but. 107 00:05:18,960 --> 00:05:20,919 Speaker 1: You have to tell you take piano with Yeah, my 108 00:05:20,920 --> 00:05:21,440 Speaker 1: mom too. 109 00:05:21,320 --> 00:05:23,960 Speaker 4: Because my mom saw the gift. I didn't see it. Okay, 110 00:05:24,279 --> 00:05:27,360 Speaker 4: I'm talking about you're grown. Oh you know when later 111 00:05:27,400 --> 00:05:29,320 Speaker 4: in high school is that's when you kind of know 112 00:05:29,560 --> 00:05:31,839 Speaker 4: where you're going, what you gotta vibe with. That's true, 113 00:05:31,880 --> 00:05:33,479 Speaker 4: you know what I mean? The kids know, they don't 114 00:05:33,520 --> 00:05:35,440 Speaker 4: know yet. So if you see a passionate about something 115 00:05:35,480 --> 00:05:37,599 Speaker 4: they're not good at, let them do it because they 116 00:05:37,680 --> 00:05:39,880 Speaker 4: might get good at it. Yeah, and but once you 117 00:05:39,920 --> 00:05:41,920 Speaker 4: get you know, you're seventeen year eighteen. 118 00:05:42,000 --> 00:05:43,000 Speaker 1: Now you're grown. 119 00:05:43,120 --> 00:05:46,040 Speaker 4: You're grown now, and you know that you over here. 120 00:05:46,080 --> 00:05:48,680 Speaker 4: You do this so well with the least effort. Yeah, 121 00:05:48,720 --> 00:05:49,320 Speaker 4: that's the gift. 122 00:05:49,440 --> 00:05:50,039 Speaker 1: That's the gift. 123 00:05:50,080 --> 00:05:51,960 Speaker 4: That's the gift. Whatever you do really well with the 124 00:05:52,040 --> 00:05:55,080 Speaker 4: least effort, that's most likely of a gift. And you 125 00:05:55,120 --> 00:05:57,120 Speaker 4: can do things you like to do things. I love 126 00:05:57,160 --> 00:05:59,640 Speaker 4: playing basketball. I still love playing basketball, but that's that's 127 00:05:59,680 --> 00:06:02,000 Speaker 4: a passion of mine. I love to watch it. Now 128 00:06:02,200 --> 00:06:02,920 Speaker 4: I don't play much. 129 00:06:03,120 --> 00:06:05,520 Speaker 1: It's your passion, but you're not going to be started again. 130 00:06:06,760 --> 00:06:09,200 Speaker 4: Sometimes your passion is not your gift. My passion is music, 131 00:06:09,200 --> 00:06:13,040 Speaker 4: obviously the first passion. Luckily, my passion is my gift 132 00:06:13,080 --> 00:06:14,280 Speaker 4: and they work together, and that work. 133 00:06:14,360 --> 00:06:16,240 Speaker 1: That's how I feel. I feel like music is my hobby. 134 00:06:17,000 --> 00:06:18,080 Speaker 4: Oh really, what's your passion? 135 00:06:18,640 --> 00:06:20,000 Speaker 1: Well no, it's my passion too. 136 00:06:20,320 --> 00:06:22,400 Speaker 4: So music is your hobby and your passion is your gift. 137 00:06:22,839 --> 00:06:23,280 Speaker 1: All of them. 138 00:06:23,400 --> 00:06:24,600 Speaker 4: Got you? Do you have any hobbies. 139 00:06:25,200 --> 00:06:29,080 Speaker 1: I like to ski and take hikes, and I like 140 00:06:29,120 --> 00:06:32,880 Speaker 1: to do pottery. Really really, I make these really fucked 141 00:06:32,920 --> 00:06:33,680 Speaker 1: up looking. 142 00:06:33,440 --> 00:06:36,599 Speaker 4: Masks that you hang on on the wall. 143 00:06:36,720 --> 00:06:38,080 Speaker 1: Yeah they're really weird. 144 00:06:38,200 --> 00:06:41,159 Speaker 4: Oh cool? Yeah, But like, you know, I'm glad that 145 00:06:41,279 --> 00:06:43,240 Speaker 4: my mom was a realistic She was like, she let 146 00:06:43,240 --> 00:06:45,640 Speaker 4: me actually go to high school for basketball. I didn't 147 00:06:45,640 --> 00:06:47,440 Speaker 4: want I didn't want to go to performing house high 148 00:06:47,440 --> 00:06:49,320 Speaker 4: school yet, so I was going to play. She let 149 00:06:49,400 --> 00:06:50,839 Speaker 4: me sit the bench the whole year and let me 150 00:06:50,880 --> 00:06:54,640 Speaker 4: realize myself. Oh but I was still taking care of 151 00:06:54,720 --> 00:06:57,240 Speaker 4: lessons at at the same time. So then I get 152 00:06:57,240 --> 00:07:00,520 Speaker 4: to switch the tenth grade year and then you were. 153 00:07:00,200 --> 00:07:02,880 Speaker 1: You were in. That was Yeah, she sounds like she 154 00:07:02,960 --> 00:07:03,520 Speaker 1: was special. 155 00:07:03,720 --> 00:07:06,680 Speaker 4: It was yeah, very special. Absolutely. 156 00:07:06,760 --> 00:07:08,599 Speaker 1: It's nice to have someone looking at for you. 157 00:07:09,240 --> 00:07:09,440 Speaker 4: Yeah. 158 00:07:09,560 --> 00:07:13,440 Speaker 1: My mom made me audition for arts Magnet. Nice because 159 00:07:13,440 --> 00:07:15,200 Speaker 1: I wanted to go to interlock In. Do you know 160 00:07:15,200 --> 00:07:18,160 Speaker 1: about that place? Yeah, you've probably done a gig there 161 00:07:18,880 --> 00:07:21,040 Speaker 1: in Michigan. It's a big arts camp. I went to 162 00:07:21,080 --> 00:07:23,120 Speaker 1: summer camp there. I got this scholarship to go to 163 00:07:23,280 --> 00:07:25,640 Speaker 1: summer camp up there, and they have a boarding school 164 00:07:26,160 --> 00:07:27,880 Speaker 1: and I wanted to go to the boarding school so bad. 165 00:07:27,920 --> 00:07:30,680 Speaker 1: After I went to the camp and she was like, 166 00:07:30,760 --> 00:07:33,680 Speaker 1: there's no way I'm sending you to boarding school. No 167 00:07:33,760 --> 00:07:38,000 Speaker 1: way now. But look, Dallas has a We lived in Grapevine, 168 00:07:38,480 --> 00:07:41,600 Speaker 1: so Dallas has this arts school. Why don't you audition 169 00:07:41,680 --> 00:07:41,960 Speaker 1: for it? 170 00:07:41,960 --> 00:07:45,000 Speaker 4: So I auditioned and boom, yeah the way I got 171 00:07:45,000 --> 00:07:47,280 Speaker 4: into I didn't even know about the art school. My 172 00:07:47,320 --> 00:07:48,880 Speaker 4: mom used to let me drop her off at her 173 00:07:49,000 --> 00:07:52,360 Speaker 4: job and take the car. Oh cool, I mean I'll 174 00:07:52,400 --> 00:07:57,800 Speaker 4: have to drive home. Couldn't be out. Yeah yeah, I 175 00:07:57,880 --> 00:07:59,880 Speaker 4: used to drop her off, get to drive, you know, 176 00:08:00,600 --> 00:08:02,920 Speaker 4: drop her off. And it was her her standards night. 177 00:08:02,960 --> 00:08:06,280 Speaker 4: She was singing play piano at this bar. Standards, you know, 178 00:08:06,600 --> 00:08:08,920 Speaker 4: the saying. And the deal was she let me take 179 00:08:08,920 --> 00:08:10,720 Speaker 4: the car home and then come back and pick her 180 00:08:10,760 --> 00:08:13,400 Speaker 4: up at like one am or something, and I had 181 00:08:13,400 --> 00:08:16,800 Speaker 4: to come in and play a song with her. That's 182 00:08:17,520 --> 00:08:19,200 Speaker 4: last night. For the last song of the night. I 183 00:08:19,200 --> 00:08:21,760 Speaker 4: would go play a song with her and we would 184 00:08:21,800 --> 00:08:25,720 Speaker 4: do some jazz standard special body of Soul or predido 185 00:08:26,000 --> 00:08:28,000 Speaker 4: or there's be another U. We had a few. 186 00:08:29,520 --> 00:08:32,680 Speaker 1: That was like yeah before every ninety four, yeah, you 187 00:08:32,720 --> 00:08:33,640 Speaker 1: know total. 188 00:08:33,960 --> 00:08:38,360 Speaker 4: So the bartender one night was like, your son's really good. 189 00:08:38,880 --> 00:08:41,439 Speaker 4: My friend is the professor at the high school for 190 00:08:41,480 --> 00:08:43,880 Speaker 4: the performing urts. He should go audition, you know, you 191 00:08:43,880 --> 00:08:45,079 Speaker 4: should have an audition. 192 00:08:45,360 --> 00:08:46,120 Speaker 1: That is so cool. 193 00:08:46,200 --> 00:08:49,200 Speaker 4: She's like, oh, Rob, you want The ad was like, no, 194 00:08:49,320 --> 00:08:52,640 Speaker 4: I want to go to Elkins High School basketball. She's like, no, 195 00:08:52,880 --> 00:08:55,760 Speaker 4: you're going to audition. So auditioned and I got in. 196 00:08:56,480 --> 00:08:58,240 Speaker 4: But again I was like, I want to play basketball. 197 00:08:58,240 --> 00:09:00,360 Speaker 4: I want to basket. And I was playing clarinet. Oh 198 00:09:00,720 --> 00:09:01,560 Speaker 4: in the marching band. 199 00:09:01,679 --> 00:09:03,720 Speaker 1: Okay, yeah, saxophone marching band. 200 00:09:04,360 --> 00:09:05,760 Speaker 4: Come on, come on, come on. 201 00:09:06,600 --> 00:09:09,160 Speaker 1: You know you have a picture of yourself and that output. 202 00:09:08,960 --> 00:09:11,760 Speaker 4: Outfit right somewhere somewhere, for sure. 203 00:09:11,679 --> 00:09:14,200 Speaker 1: Hanging on the walls at the high school for sure. 204 00:09:14,800 --> 00:09:19,640 Speaker 4: Absolutely, yeah. And you know I was doing that, and 205 00:09:19,720 --> 00:09:21,320 Speaker 4: you know there was a girl involved because I went 206 00:09:21,679 --> 00:09:23,280 Speaker 4: you know, because when you do marching band, you start 207 00:09:23,280 --> 00:09:25,720 Speaker 4: the summer before you go to school. You start marching 208 00:09:25,760 --> 00:09:27,760 Speaker 4: band before you even go to school, early before you 209 00:09:27,800 --> 00:09:30,200 Speaker 4: get to so did I started dating this girl? So 210 00:09:30,240 --> 00:09:32,520 Speaker 4: I was like, no, ma, I want to go to Elkins. 211 00:09:32,520 --> 00:09:35,600 Speaker 4: She was like, okay, fine, go to Elkins do that. 212 00:09:36,400 --> 00:09:39,000 Speaker 4: And then I realized where I need to be. You know, yeah, 213 00:09:39,920 --> 00:09:41,880 Speaker 4: I didn't even know any jazz piano players when they 214 00:09:41,920 --> 00:09:44,120 Speaker 4: asked me for the audition. It's like, who are your 215 00:09:44,120 --> 00:09:45,319 Speaker 4: favorite jazz piano players? 216 00:09:45,480 --> 00:09:46,680 Speaker 1: Really, you weren't listening to this. 217 00:09:47,320 --> 00:09:50,920 Speaker 4: All I knew was two people. This is eighth grade. Yeah, 218 00:09:51,200 --> 00:09:53,439 Speaker 4: I knew chick Area, I knew as Computerson. 219 00:09:53,600 --> 00:09:56,400 Speaker 1: Okay, that's more than I knew in eighth grade. Yeah. 220 00:09:57,040 --> 00:10:01,080 Speaker 1: Actually I just knew Billie Holiday in eighth grade in Savon. 221 00:10:01,800 --> 00:10:05,680 Speaker 4: Yeah. I mean those that's all you need, you know. 222 00:10:04,960 --> 00:10:09,400 Speaker 1: I didn't know the piano Plarygy yeah. I mean yeah, 223 00:10:09,520 --> 00:10:10,719 Speaker 1: I didn't know I knew them yet. 224 00:10:10,760 --> 00:10:11,000 Speaker 4: Yeah. 225 00:10:11,360 --> 00:10:14,400 Speaker 1: Yeah, Wow, that's cool. Did you say you wanted to 226 00:10:14,440 --> 00:10:15,120 Speaker 1: do Sunrise? 227 00:10:15,280 --> 00:10:15,839 Speaker 4: Absolutely? 228 00:10:15,960 --> 00:10:17,679 Speaker 1: Really, yes, that's so funny. 229 00:10:17,840 --> 00:10:21,200 Speaker 4: I love Sunrise. Sunrise was like my wake up song 230 00:10:21,360 --> 00:10:25,160 Speaker 4: for so long. It's such a nice wake up joint. 231 00:10:25,280 --> 00:10:25,480 Speaker 4: You know. 232 00:10:25,760 --> 00:10:27,880 Speaker 1: It has a good vibe. Yeah, definitely has a good vibe. 233 00:10:27,880 --> 00:10:29,040 Speaker 1: It definitely has morning vibes. 234 00:10:29,160 --> 00:10:30,760 Speaker 4: Absolutely, yeah. Absolutely. 235 00:10:31,200 --> 00:10:34,120 Speaker 1: I was wondering, like, because you knew me because I 236 00:10:34,160 --> 00:10:37,120 Speaker 1: was on Blue Note, and then what year were you 237 00:10:37,160 --> 00:10:37,880 Speaker 1: on Blue Note? 238 00:10:38,040 --> 00:10:41,760 Speaker 4: I got signed to Blue Note two thousand and five. Okay, yeah, okay, 239 00:10:42,080 --> 00:10:45,640 Speaker 4: I was the first signing of an instrumentalist since you Yeah. 240 00:10:45,800 --> 00:10:48,959 Speaker 4: Really yeah. They couldn't afford anybody until you came out 241 00:10:49,040 --> 00:10:51,079 Speaker 4: with I don't know why, yeah, and then they could 242 00:10:51,080 --> 00:10:53,480 Speaker 4: afford to sign the Shamists. Again. That's why I said 243 00:10:54,160 --> 00:10:55,880 Speaker 4: I made a joke to Eli. Shout out to Eli, 244 00:10:56,120 --> 00:10:59,000 Speaker 4: shout out, Yeah, I made a joke. I was like, 245 00:10:59,040 --> 00:10:59,839 Speaker 4: let's name my album. 246 00:11:01,000 --> 00:11:04,040 Speaker 1: That's so funny. I think I read that you said 247 00:11:04,080 --> 00:11:04,720 Speaker 1: that somewhere. 248 00:11:04,800 --> 00:11:05,160 Speaker 4: Yeah. 249 00:11:05,679 --> 00:11:09,560 Speaker 1: Yeah, I feel like I remember like feeling really self 250 00:11:09,559 --> 00:11:14,480 Speaker 1: conscious about my jazz level at that point, because like 251 00:11:14,720 --> 00:11:17,000 Speaker 1: it's where it came from. But I didn't think that 252 00:11:17,040 --> 00:11:19,040 Speaker 1: record was a jazz record. But then a lot of 253 00:11:19,080 --> 00:11:22,840 Speaker 1: people kept saying it was, but it wasn't really. But 254 00:11:23,040 --> 00:11:25,400 Speaker 1: like I felt like maybe jazz musicians were mad at 255 00:11:25,440 --> 00:11:28,200 Speaker 1: me or something, you know what I mean, Thank you 256 00:11:27,679 --> 00:11:29,600 Speaker 1: they do, you know what I mean? I felt like 257 00:11:29,640 --> 00:11:33,320 Speaker 1: this weird, like, uh, I'm not, actually I am. I 258 00:11:33,360 --> 00:11:34,040 Speaker 1: do feel like. 259 00:11:34,000 --> 00:11:36,439 Speaker 4: A jazz musician. This is my take on it. When 260 00:11:36,480 --> 00:11:39,480 Speaker 4: you're a jazz musician, it just gives you the tools 261 00:11:39,880 --> 00:11:41,959 Speaker 4: to do whatever you want, you know what I mean. 262 00:11:42,080 --> 00:11:44,960 Speaker 4: Like to play jazz in a mediocre way, you have 263 00:11:45,000 --> 00:11:47,920 Speaker 4: to be better than other musicians in any genre other 264 00:11:47,960 --> 00:11:50,920 Speaker 4: than classical. Classical and jazz are the only genres where 265 00:11:50,920 --> 00:11:53,120 Speaker 4: you pretty much have to master your instrument just to 266 00:11:53,160 --> 00:11:55,280 Speaker 4: play it in a mediocre way. Yeah, you know what 267 00:11:55,320 --> 00:11:58,199 Speaker 4: I mean. It's hard, so you have to really master it, 268 00:11:58,200 --> 00:11:59,440 Speaker 4: and you have to learn it. You have to really 269 00:11:59,520 --> 00:12:01,520 Speaker 4: really know it, you know what I mean. So it 270 00:12:01,640 --> 00:12:04,080 Speaker 4: just gives you the tools. Now you have the tools 271 00:12:04,200 --> 00:12:07,200 Speaker 4: to do whatever you know. And that's what That's how 272 00:12:07,240 --> 00:12:09,080 Speaker 4: I look at it. And even the a lot of 273 00:12:09,120 --> 00:12:11,640 Speaker 4: jazz is we love, they don't stop at just playing jazz. 274 00:12:11,679 --> 00:12:11,840 Speaker 4: You know. 275 00:12:12,160 --> 00:12:13,960 Speaker 1: No, I know that all of that I know now, 276 00:12:14,280 --> 00:12:16,920 Speaker 1: But I think at twenty three I felt I felt 277 00:12:16,960 --> 00:12:19,959 Speaker 1: a little of course, like if I saw Jason Moran, 278 00:12:20,040 --> 00:12:21,559 Speaker 1: I was like, oh my gosh, does he think I'm 279 00:12:21,559 --> 00:12:23,600 Speaker 1: a loser? You know, he's such. 280 00:12:23,480 --> 00:12:27,319 Speaker 4: A serious but he's not. That's the thing about Jason too. 281 00:12:27,360 --> 00:12:29,040 Speaker 4: I love Jason which high school too. Yeah. 282 00:12:29,040 --> 00:12:30,680 Speaker 1: I was gonna say he's older, right. 283 00:12:30,600 --> 00:12:32,360 Speaker 4: Yeah, he's older. He went to school with Chris Dave, 284 00:12:32,480 --> 00:12:36,480 Speaker 4: That's right. Yeah, but he has a he's way more 285 00:12:37,200 --> 00:12:41,040 Speaker 4: broad and open minded and for other things than people 286 00:12:41,120 --> 00:12:43,280 Speaker 4: might think. You know what I'm saying. But he's huge 287 00:12:43,280 --> 00:12:46,280 Speaker 4: supportive of mine from the very beginning and all the 288 00:12:46,320 --> 00:12:48,599 Speaker 4: things I was doing extra things outside of jazz. He 289 00:12:48,679 --> 00:12:49,640 Speaker 4: was like, man, do that shit? 290 00:12:50,080 --> 00:12:52,760 Speaker 1: Well, he gave me advice once too. I did one 291 00:12:52,760 --> 00:12:55,720 Speaker 1: of those BLUETOMT fifty anniversary at the Kennedy Center. He 292 00:12:55,760 --> 00:12:59,400 Speaker 1: asked me to sing with him and Wayne Shorter. Yeah, 293 00:12:59,400 --> 00:13:01,720 Speaker 1: you were there. He asked me to sing with him 294 00:13:01,800 --> 00:13:04,720 Speaker 1: with Wayne Shorter, Brian Blade, and John Pattatucci. And I 295 00:13:04,800 --> 00:13:08,520 Speaker 1: was so like honored, I'm scared kind of to sing 296 00:13:08,559 --> 00:13:10,520 Speaker 1: with him. And then Jason emailed me later He's like, 297 00:13:10,520 --> 00:13:13,440 Speaker 1: you should make a record with Wayne, and I was 298 00:13:13,480 --> 00:13:17,480 Speaker 1: like really, And that's why I asked him to play 299 00:13:17,480 --> 00:13:19,440 Speaker 1: on that. On that record, I mean he played on 300 00:13:19,520 --> 00:13:21,920 Speaker 1: like three or four songs, but absolutely, I know. 301 00:13:22,120 --> 00:13:24,360 Speaker 4: It was just like a producers. 302 00:13:24,679 --> 00:13:27,480 Speaker 1: It was like the encouragement that I needed to feel 303 00:13:27,480 --> 00:13:31,280 Speaker 1: worthy to even ask. It was really sweet. 304 00:13:31,640 --> 00:13:32,880 Speaker 4: Yeah, he's that guy. 305 00:13:33,120 --> 00:13:36,200 Speaker 1: He's like, give me a little advice for sure. So 306 00:13:36,440 --> 00:13:38,040 Speaker 1: it's sweet to me that you want to play Sunrise 307 00:13:38,080 --> 00:13:39,680 Speaker 1: because I think of it as a country song, but 308 00:13:39,840 --> 00:13:43,920 Speaker 1: I love country. Yeah, of course you're from Texas. Baby. 309 00:13:44,240 --> 00:13:46,520 Speaker 4: My dream is to go onto a Bondie rate one day. 310 00:13:46,720 --> 00:13:50,559 Speaker 1: Oh my god, have you ever played with her? She's great. 311 00:13:50,600 --> 00:13:52,800 Speaker 1: I played with him went really Yeah. I got to 312 00:13:52,800 --> 00:13:56,320 Speaker 1: sing with her really once. Yeah. 313 00:13:56,559 --> 00:13:58,920 Speaker 4: Even if I get to just play, I can't make 314 00:13:58,960 --> 00:14:00,679 Speaker 4: it can't make you love me. Even if I just 315 00:14:00,760 --> 00:14:02,880 Speaker 4: even if we just do that, I'm good, just do it. 316 00:14:03,080 --> 00:14:06,040 Speaker 4: I'm good. I'm so good, you know what I mean. 317 00:14:06,320 --> 00:14:08,520 Speaker 4: You know, I sat with Bruce Hornsby one day. 318 00:14:08,640 --> 00:14:09,559 Speaker 1: I forgot that was his. 319 00:14:10,280 --> 00:14:13,240 Speaker 4: Yeah, oh man, he we sat the piano one day. 320 00:14:13,400 --> 00:14:16,839 Speaker 4: I'm a huge Bruce Hornsby fan. Yeah, and we sat 321 00:14:16,840 --> 00:14:18,720 Speaker 4: at the piano one that he showed me like how 322 00:14:18,760 --> 00:14:22,640 Speaker 4: he played it and hooked it up, you know, like, yeah, yeah, 323 00:14:23,560 --> 00:14:24,080 Speaker 4: he's great. 324 00:14:24,400 --> 00:14:27,400 Speaker 1: I just learned recently that that's him, really, because you know, 325 00:14:27,560 --> 00:14:29,800 Speaker 1: growing up, I never knew what was what. I just 326 00:14:29,840 --> 00:14:32,960 Speaker 1: didn't pay attention. I didn't have the album. I knew 327 00:14:32,960 --> 00:14:34,320 Speaker 1: that song by heart from the radio. 328 00:14:34,520 --> 00:14:35,760 Speaker 4: You know, it's one of the greatest songs. 329 00:14:35,760 --> 00:14:37,160 Speaker 1: It's such a great song. 330 00:14:37,000 --> 00:14:40,440 Speaker 4: Written by football player. Really, you know, Donald was produced it. 331 00:14:40,720 --> 00:14:41,720 Speaker 1: I don't know any of this. 332 00:14:42,040 --> 00:14:43,960 Speaker 4: Wait, you don't know Don produced it. I didn't know 333 00:14:44,000 --> 00:14:47,160 Speaker 4: that Don. Yeah, So shout out to Down was by 334 00:14:47,160 --> 00:14:50,720 Speaker 4: the man. When you get a minute, have Don tell 335 00:14:50,760 --> 00:14:54,120 Speaker 4: you the whole story of how he ended up producing 336 00:14:54,400 --> 00:14:56,240 Speaker 4: Look at the Draw. That's the album Bonnie right, Look 337 00:14:56,240 --> 00:14:59,040 Speaker 4: at the Draw. That's his first album that he ever produced. 338 00:14:59,080 --> 00:15:01,560 Speaker 4: That's the way it came up. Was just so random. 339 00:15:01,840 --> 00:15:04,080 Speaker 4: It was super random and you just have to ask 340 00:15:04,120 --> 00:15:06,320 Speaker 4: him about it. It's a long story, but it's amazing. 341 00:15:06,600 --> 00:15:10,000 Speaker 4: But he produced that song and Bruce Hornsby playing piano 342 00:15:10,000 --> 00:15:10,280 Speaker 4: on it. 343 00:15:10,560 --> 00:15:12,280 Speaker 1: He's a football player who wrote it. 344 00:15:12,560 --> 00:15:14,400 Speaker 4: I don't know the guy. I don't know the guy's name, 345 00:15:14,440 --> 00:15:17,520 Speaker 4: but he was the butler was watching TV. He was 346 00:15:17,560 --> 00:15:19,800 Speaker 4: watching something like Cops, one of the shows, and the 347 00:15:19,840 --> 00:15:22,480 Speaker 4: guy had handcuffs and then I think and he I 348 00:15:22,480 --> 00:15:24,080 Speaker 4: have an argument with his wife. And when he was 349 00:15:24,280 --> 00:15:25,760 Speaker 4: before they put him in the car, he was like, 350 00:15:26,120 --> 00:15:29,600 Speaker 4: I can't make it love you don't. So the guy 351 00:15:29,840 --> 00:15:32,760 Speaker 4: wrote a song, but Don was said the song was fast. 352 00:15:32,760 --> 00:15:34,640 Speaker 4: He was like, I can't make you love me if 353 00:15:34,680 --> 00:15:37,160 Speaker 4: you don't blow up. So Don was like, bro, let's 354 00:15:37,240 --> 00:15:39,760 Speaker 4: let's let's let's slow it down, and he it was 355 00:15:39,800 --> 00:15:41,280 Speaker 4: his idea to like slow it down and make it 356 00:15:41,320 --> 00:15:43,800 Speaker 4: a thing. They brought Bruce hornsby and hook up some more, 357 00:15:43,880 --> 00:15:46,840 Speaker 4: you know, some nice changes, and then yeah, then they 358 00:15:46,880 --> 00:15:48,840 Speaker 4: recorded it money rate and it was it was Don's 359 00:15:48,840 --> 00:15:51,040 Speaker 4: I did for the drummer. I met the drummer. They 360 00:15:51,040 --> 00:15:53,440 Speaker 4: can't he can't show one of my shows with Don. 361 00:15:54,000 --> 00:15:55,520 Speaker 4: Don was like a drummer and I can't make you 362 00:15:55,560 --> 00:15:55,840 Speaker 4: love me? 363 00:15:55,960 --> 00:15:56,440 Speaker 1: Amazing. 364 00:15:56,560 --> 00:15:58,080 Speaker 4: It was Don's idea to make it. Do you have 365 00:15:58,160 --> 00:15:58,920 Speaker 4: him used brushes? 366 00:15:59,200 --> 00:16:03,760 Speaker 1: It's just the saddest sentiment and so beautifully said. 367 00:16:04,040 --> 00:16:07,360 Speaker 4: Amazing that that song and Time at the time. You 368 00:16:07,400 --> 00:16:09,600 Speaker 4: know I played that with Cindy Love did you? I 369 00:16:09,840 --> 00:16:12,440 Speaker 4: manifested that the time was my favorite songs of all time. 370 00:16:12,520 --> 00:16:14,720 Speaker 1: I think it's our generation's favorite song of all time. 371 00:16:14,880 --> 00:16:16,680 Speaker 4: Like it has to be. It has to be like 372 00:16:16,760 --> 00:16:19,200 Speaker 4: top five. It's in there. It's top ten for sure, 373 00:16:19,240 --> 00:16:21,640 Speaker 4: but top five, like undisputable. I played at my show 374 00:16:21,720 --> 00:16:23,680 Speaker 4: sometimes just to get the audience to do sing alongs 375 00:16:23,680 --> 00:16:24,000 Speaker 4: for fun. 376 00:16:24,080 --> 00:16:24,880 Speaker 1: Oh I saw that? 377 00:16:25,920 --> 00:16:27,440 Speaker 3: Yeah, no, not that song. 378 00:16:27,280 --> 00:16:28,920 Speaker 1: Time like that you did all that. 379 00:16:29,000 --> 00:16:31,080 Speaker 4: So I would bring Time by Time in and one day, 380 00:16:31,320 --> 00:16:34,160 Speaker 4: like four years ago or something, her people called my 381 00:16:34,200 --> 00:16:36,520 Speaker 4: people and then it was like, hey, Cindy would love 382 00:16:36,520 --> 00:16:38,760 Speaker 4: for Robert to come play at her fundraise or she 383 00:16:38,760 --> 00:16:41,000 Speaker 4: doesn't be Oh yeah, I did one of those at 384 00:16:41,000 --> 00:16:43,880 Speaker 4: the Beacon Theater. Yes, they wanted to play Time at 385 00:16:43,920 --> 00:16:44,160 Speaker 4: the time. 386 00:16:44,200 --> 00:16:46,720 Speaker 1: I was like, because she knows that she's cool, because 387 00:16:46,720 --> 00:16:47,560 Speaker 1: she checks stuff out. 388 00:16:47,640 --> 00:16:51,120 Speaker 4: Oh my God. We rehearsed one time at sir went 389 00:16:51,160 --> 00:16:53,760 Speaker 4: and played it literally one time. Everybody was crying. I 390 00:16:53,800 --> 00:16:55,960 Speaker 4: was crying, she was crying, her team was crying. Her 391 00:16:55,960 --> 00:16:58,120 Speaker 4: team said, Robert, we've been watching her do this song 392 00:16:58,160 --> 00:17:01,200 Speaker 4: for forty years, she said, never. They say it's never 393 00:17:01,240 --> 00:17:01,800 Speaker 4: been like that. 394 00:17:01,840 --> 00:17:04,280 Speaker 1: But isn't it beautiful when you can change the emotion 395 00:17:04,440 --> 00:17:08,400 Speaker 1: of something and it comes out like it's. 396 00:17:08,240 --> 00:17:08,760 Speaker 3: Just the two of you? 397 00:17:09,680 --> 00:17:10,639 Speaker 4: I didn't. First of all, I didn't know it was 398 00:17:10,680 --> 00:17:12,400 Speaker 4: gonna be duo. I'm thinking I'm playing with the band. 399 00:17:12,640 --> 00:17:14,080 Speaker 1: Yeah, just duo. 400 00:17:14,560 --> 00:17:17,880 Speaker 4: And she played still guitar what me and her I. 401 00:17:17,800 --> 00:17:19,320 Speaker 1: Didn't know she could play still guitar. 402 00:17:19,160 --> 00:17:22,600 Speaker 4: Still guitar amazing and piano, and we did it one 403 00:17:22,600 --> 00:17:24,359 Speaker 4: time of rehearsal. She was like, that's it. We're not 404 00:17:24,359 --> 00:17:25,480 Speaker 4: doing anymore into the show. 405 00:17:26,080 --> 00:17:26,719 Speaker 1: Yeah, I say it. 406 00:17:26,880 --> 00:17:28,760 Speaker 4: We did that to show. That's one of the most 407 00:17:28,880 --> 00:17:31,439 Speaker 4: nervous I've never been. I don't get nervous. That was 408 00:17:31,480 --> 00:17:32,119 Speaker 4: I was shaking. 409 00:17:32,240 --> 00:17:32,920 Speaker 1: You were nervous. 410 00:17:33,000 --> 00:17:33,679 Speaker 4: I was nervous. 411 00:17:33,680 --> 00:17:35,440 Speaker 1: It was also really naked. 412 00:17:35,480 --> 00:17:38,600 Speaker 4: Absolutely super naked. So it's like you hear everything, you 413 00:17:38,640 --> 00:17:39,120 Speaker 4: know what I mean? 414 00:17:39,200 --> 00:17:41,040 Speaker 1: That was like, yeah, that's beautiful. 415 00:17:41,240 --> 00:17:44,399 Speaker 4: That was Yeah, one of the greatest moments. 416 00:17:45,800 --> 00:17:50,600 Speaker 1: Sunrise. It's a lot down. I'm not gonna play. I 417 00:17:50,640 --> 00:17:52,240 Speaker 1: want you to play. Is that cool? 418 00:17:52,680 --> 00:17:52,960 Speaker 3: Do you know? 419 00:17:53,000 --> 00:17:53,640 Speaker 1: The core is enough? 420 00:17:54,040 --> 00:17:54,280 Speaker 4: Sure? 421 00:17:54,359 --> 00:17:54,600 Speaker 2: You know? 422 00:17:54,800 --> 00:17:56,360 Speaker 4: I think I did. We'll see where it takes us. 423 00:17:56,440 --> 00:17:58,800 Speaker 1: I never get accompanied by another pianist. 424 00:17:59,119 --> 00:18:00,840 Speaker 4: You always come to yourself. 425 00:18:00,560 --> 00:18:02,399 Speaker 1: And I think, I like have a thing with it, 426 00:18:02,440 --> 00:18:04,439 Speaker 1: and I really like it. But this is a treat 427 00:18:04,480 --> 00:18:05,200 Speaker 1: because it's you. 428 00:18:05,880 --> 00:18:06,360 Speaker 4: I love it. 429 00:18:06,359 --> 00:18:07,040 Speaker 1: It's fun for me. 430 00:18:07,160 --> 00:18:10,080 Speaker 4: I love it. I think a little setup here, that's right, 431 00:18:11,200 --> 00:18:11,720 Speaker 4: that's like. 432 00:18:11,640 --> 00:18:15,960 Speaker 1: A little of that on an empty stomach. Whatever you want, 433 00:18:16,080 --> 00:18:16,880 Speaker 1: it don't matter. 434 00:18:34,640 --> 00:18:44,560 Speaker 4: Again, let me say, then it goes to the. 435 00:18:47,400 --> 00:18:52,359 Speaker 1: Okay, and then just look at me and got it. 436 00:18:52,640 --> 00:18:54,280 Speaker 1: That's pretty m. 437 00:18:54,400 --> 00:18:58,240 Speaker 6: H m hmm. 438 00:19:05,640 --> 00:19:09,440 Speaker 3: Sunrise, Sunrise looks like. 439 00:19:09,560 --> 00:19:11,720 Speaker 1: Morning in your rides. 440 00:19:12,200 --> 00:19:15,359 Speaker 3: Where the clock's hail nine fifteen. 441 00:19:15,520 --> 00:19:22,439 Speaker 6: Four hours sunrise. 442 00:19:20,400 --> 00:19:27,000 Speaker 7: Sunrise couldn't tell to sif it try, because the afternoons 443 00:19:27,200 --> 00:19:28,960 Speaker 7: already coming along. 444 00:19:31,040 --> 00:19:32,600 Speaker 3: And I said, who. 445 00:19:37,680 --> 00:19:58,320 Speaker 7: Said to you? Surprise Surprise couldn't find it in your ads, 446 00:19:58,960 --> 00:20:02,880 Speaker 7: but I'm sure it's written all old over my face. 447 00:20:05,480 --> 00:20:13,000 Speaker 7: Surprise Surprise never served that I could hide when I see. 448 00:20:12,760 --> 00:20:18,920 Speaker 3: You We've made it through another day, and I say. 449 00:20:35,600 --> 00:20:35,960 Speaker 8: To you. 450 00:21:05,440 --> 00:21:14,400 Speaker 7: On night the night, throw its cover down A long. 451 00:21:14,400 --> 00:21:25,080 Speaker 3: Me again from Ride is the only. 452 00:21:24,880 --> 00:21:32,679 Speaker 7: Way to break me back. 453 00:21:35,920 --> 00:21:43,920 Speaker 6: Hoo hoo. 454 00:21:48,400 --> 00:21:55,080 Speaker 3: Oh do you. 455 00:22:26,280 --> 00:22:30,000 Speaker 4: That's just a beautiful song. It's such a beautiful song. 456 00:22:30,160 --> 00:22:32,040 Speaker 1: It just makes it. 457 00:22:32,119 --> 00:22:34,560 Speaker 4: It makes your days start just good. You just start 458 00:22:34,600 --> 00:22:36,679 Speaker 4: off with day good like that. That reminds me of 459 00:22:36,760 --> 00:22:39,639 Speaker 4: like when sunrise. I literally put that on in the morning. 460 00:22:40,200 --> 00:22:42,600 Speaker 1: Oh man, it's so beautiful, do you. 461 00:22:43,920 --> 00:22:44,119 Speaker 3: I know? 462 00:22:44,200 --> 00:22:47,600 Speaker 1: It's so great to hear you play it. Man, that 463 00:22:47,720 --> 00:22:52,240 Speaker 1: had all that stuff in it. Yeah, all the things 464 00:22:52,240 --> 00:22:55,080 Speaker 1: we've been talking about for the last hour. It's funny, 465 00:22:55,119 --> 00:22:57,920 Speaker 1: you know. On tour I have Brian Blade is an 466 00:22:57,920 --> 00:22:58,800 Speaker 1: incredible singer. 467 00:22:59,280 --> 00:23:01,399 Speaker 4: I'm sure no I've heard him saying, yeah, he's a 468 00:23:01,400 --> 00:23:01,920 Speaker 4: great singer. 469 00:23:02,119 --> 00:23:05,000 Speaker 1: So I've slowly over the years gotten less shy and 470 00:23:05,160 --> 00:23:07,520 Speaker 1: like please sing harmonies and he's he's a little shy, yeah, 471 00:23:07,560 --> 00:23:09,280 Speaker 1: And I'm like, come on, you got I've tried to 472 00:23:09,280 --> 00:23:13,480 Speaker 1: ce tip him a little. Yeah, He's like, yeah, you 473 00:23:13,480 --> 00:23:16,320 Speaker 1: got it, but he totally has it. And my favorite 474 00:23:16,359 --> 00:23:19,399 Speaker 1: thing is when he sings harmonies on He'll sing on 475 00:23:19,440 --> 00:23:21,480 Speaker 1: the ooze and then he'll sing. We do like a 476 00:23:21,520 --> 00:23:24,800 Speaker 1: gospel song. He sings and he does like some country 477 00:23:24,800 --> 00:23:25,639 Speaker 1: harmonies for me. 478 00:23:27,520 --> 00:23:28,280 Speaker 4: Let's try it together. 479 00:23:34,280 --> 00:23:55,840 Speaker 1: That's pretty. You're sweet. This is the most fun, of course, 480 00:23:55,960 --> 00:23:56,919 Speaker 1: thank you for doing this. 481 00:23:57,240 --> 00:23:57,760 Speaker 6: So fun. 482 00:23:58,800 --> 00:24:00,600 Speaker 1: Absolutely, let's do your song. 483 00:24:01,119 --> 00:24:03,439 Speaker 4: Let it ride. Yes, let's do it. 484 00:24:03,480 --> 00:24:08,840 Speaker 1: I want to do it. Okay. First of all, when 485 00:24:08,960 --> 00:24:11,280 Speaker 1: you guys asked me to sing on this run into 486 00:24:11,320 --> 00:24:12,240 Speaker 1: the studio. 487 00:24:12,920 --> 00:24:13,800 Speaker 4: I wasn't even there. 488 00:24:13,960 --> 00:24:14,800 Speaker 1: You weren't even there. 489 00:24:15,000 --> 00:24:18,920 Speaker 4: I was on tour. I know exactly. He's like, I 490 00:24:18,920 --> 00:24:20,680 Speaker 4: think I can get no where to do it. I'm 491 00:24:20,680 --> 00:24:22,560 Speaker 4: going to ask her because she lives right the corner 492 00:24:22,560 --> 00:24:23,040 Speaker 4: from the studio. 493 00:24:23,080 --> 00:24:29,680 Speaker 1: Yeah, yeah, I love that place. Shout out recording Brooklyn Recording. 494 00:24:30,320 --> 00:24:32,560 Speaker 4: It's my guy right there. I love that studio too. 495 00:24:32,840 --> 00:24:35,680 Speaker 4: It's just so it makes it's so inspiring, it makes 496 00:24:35,720 --> 00:24:37,640 Speaker 4: you want to create because he has everything there. 497 00:24:38,040 --> 00:24:40,240 Speaker 1: It's so easy. Yeah. Like we pulled out of Marimbo 498 00:24:40,320 --> 00:24:41,800 Speaker 1: once to when we were recording. 499 00:24:42,080 --> 00:24:43,719 Speaker 4: And if he doesn't have it, he has like OCD 500 00:24:43,880 --> 00:24:45,800 Speaker 4: with stuff. If he doesn't have it, he gets it. Yeah. 501 00:24:46,040 --> 00:24:48,640 Speaker 4: I mean I tricked him. I tricked him. My purposely 502 00:24:48,800 --> 00:24:52,000 Speaker 4: was like I was doing something for a score or something. 503 00:24:52,000 --> 00:24:54,440 Speaker 4: I was like, hey, do you have a timpany. 504 00:24:54,480 --> 00:24:57,760 Speaker 1: He was like, no, that's why he got the tempany, 505 00:24:57,800 --> 00:25:01,600 Speaker 1: that's why you created that. We used it. You used it, 506 00:25:01,760 --> 00:25:05,680 Speaker 1: you said on my third album. I'm pretty sure, Oh you. 507 00:25:05,600 --> 00:25:07,920 Speaker 4: Don't have it. Well, I'll do that this other studio. 508 00:25:07,200 --> 00:25:10,280 Speaker 4: And he got it like literally, like the next day 509 00:25:10,320 --> 00:25:12,439 Speaker 4: or the day after. It was like he needs to 510 00:25:12,480 --> 00:25:13,000 Speaker 4: get Yeah. 511 00:25:13,040 --> 00:25:15,960 Speaker 1: I feel like if I ever needed something cool, I 512 00:25:16,000 --> 00:25:17,720 Speaker 1: tell Andy that I need it and he finds it 513 00:25:17,760 --> 00:25:18,520 Speaker 1: on for me. 514 00:25:18,600 --> 00:25:20,680 Speaker 4: Yeah, finds it. He has to have it. 515 00:25:21,040 --> 00:25:21,720 Speaker 1: That's amazing. 516 00:25:21,960 --> 00:25:22,200 Speaker 3: Yeah. 517 00:25:22,520 --> 00:25:26,280 Speaker 1: Yeah, I sang on this song and you said, who 518 00:25:26,320 --> 00:25:27,080 Speaker 1: wrote the lyric? 519 00:25:27,440 --> 00:25:28,440 Speaker 4: Oh? 520 00:25:28,720 --> 00:25:29,960 Speaker 1: I met her at the Blue Note. 521 00:25:30,080 --> 00:25:34,080 Speaker 4: Yeah. Muncina Mooncinamncina a great, great vocalist, great songwriter. She 522 00:25:34,080 --> 00:25:36,480 Speaker 4: does a lot of stuff with common okay, but yeah, 523 00:25:36,520 --> 00:25:38,879 Speaker 4: and she has her own stuff on you know, but 524 00:25:38,960 --> 00:25:41,520 Speaker 4: she's she's great and yeah, she wrote. I called her. 525 00:25:41,520 --> 00:25:42,760 Speaker 4: I was like, hey, I want to do this song. 526 00:25:42,920 --> 00:25:45,800 Speaker 4: Could you please write the lyrics? She was sick and 527 00:25:45,840 --> 00:25:47,560 Speaker 4: I was like, just write the lyrics for me, Just 528 00:25:47,600 --> 00:25:50,040 Speaker 4: write it and she was like okay, and she did 529 00:25:50,040 --> 00:25:51,000 Speaker 4: a little demo for it. 530 00:25:51,520 --> 00:25:52,000 Speaker 1: She sings. 531 00:25:52,119 --> 00:25:54,280 Speaker 4: Yeah, she sings. She sings plays and the ranges. 532 00:25:54,840 --> 00:25:55,360 Speaker 1: That's so cool. 533 00:25:55,400 --> 00:25:57,280 Speaker 4: And yeah, she wrote this and gave it back to me, 534 00:25:57,359 --> 00:26:01,240 Speaker 4: like literally the same day. She's really fast, too, super fast. 535 00:26:01,240 --> 00:26:02,800 Speaker 4: And then you met her at the Blue Note. 536 00:26:02,840 --> 00:26:04,360 Speaker 1: I met at the BLUEO and I was so excited. 537 00:26:04,480 --> 00:26:07,680 Speaker 4: Yeah, exactly, shot, Yeah. 538 00:26:07,640 --> 00:26:10,639 Speaker 1: I love this song absolutely, And when I sang it, 539 00:26:10,760 --> 00:26:13,600 Speaker 1: you weren't there, but Eli was there. And Eli's like 540 00:26:13,640 --> 00:26:17,080 Speaker 1: my brother because he's been he was a Blue notte 541 00:26:17,200 --> 00:26:17,680 Speaker 1: when I. 542 00:26:17,640 --> 00:26:19,280 Speaker 4: Got signed me too, yeah exactly. 543 00:26:19,359 --> 00:26:21,879 Speaker 1: I mean, I don't know about you, but I felt 544 00:26:22,040 --> 00:26:25,080 Speaker 1: very lucky to fall into a record label that became 545 00:26:25,119 --> 00:26:25,640 Speaker 1: my family. 546 00:26:25,760 --> 00:26:26,840 Speaker 4: Absolutely j R. 547 00:26:27,240 --> 00:26:36,840 Speaker 1: Gems, absolutely so many others. Yeah, early on, whenever my 548 00:26:36,880 --> 00:26:38,639 Speaker 1: first album came out, it was so big, but I 549 00:26:38,640 --> 00:26:42,320 Speaker 1: had like this protective bubble even though they were pushing 550 00:26:42,359 --> 00:26:45,679 Speaker 1: me to people they weren't. They were like protecting me. 551 00:26:46,119 --> 00:26:49,080 Speaker 1: And Bruce, oh my god, Bruce Lonvall. 552 00:26:49,720 --> 00:27:03,280 Speaker 4: Yeah, absolutely absolutely yeah, and Eli like like blastsberg. 553 00:27:08,560 --> 00:27:10,880 Speaker 1: Yeah. So I was kind of sick when I recorded it, 554 00:27:10,960 --> 00:27:12,480 Speaker 1: and I think I was a little bit of a 555 00:27:12,480 --> 00:27:14,320 Speaker 1: pain in the butt, Like I was like, I can't 556 00:27:14,880 --> 00:27:18,200 Speaker 1: I can't sing today, but it sounds. 557 00:27:18,000 --> 00:27:22,320 Speaker 4: Really good sometimes sometimes a little sickness adds a little 558 00:27:22,359 --> 00:27:25,520 Speaker 4: something color, a little something exactly. I love it. I 559 00:27:25,560 --> 00:27:26,760 Speaker 4: loved it, So let's do it. 560 00:27:26,800 --> 00:27:28,919 Speaker 1: And Chris, Chris, Daddy Dave on this. 561 00:27:29,520 --> 00:27:32,359 Speaker 4: No, that's that's on that album. That's Mark Cullenberg. 562 00:27:32,680 --> 00:27:33,400 Speaker 1: I didn't know that. 563 00:27:33,480 --> 00:27:36,000 Speaker 4: Yeah, Mark Collenberg is on the Black Radio too, so 564 00:27:36,000 --> 00:27:37,840 Speaker 4: he's doing them on the whole album. People so many 565 00:27:37,880 --> 00:27:41,080 Speaker 4: people think that's a really something, but no, it's Mark, 566 00:27:41,200 --> 00:27:41,679 Speaker 4: like playing it. 567 00:27:41,760 --> 00:27:43,919 Speaker 1: I actually thought it was Chris because it sounds like 568 00:27:44,600 --> 00:27:45,800 Speaker 1: and he's so good at like. 569 00:27:45,840 --> 00:27:47,000 Speaker 4: Exactly, I didn't know that. 570 00:27:47,040 --> 00:27:52,200 Speaker 1: Mark Holmberg. Mark, that's so cool. It's so good. Absolutely, 571 00:27:54,920 --> 00:27:56,119 Speaker 1: I kind of want to play that bar. 572 00:27:58,280 --> 00:27:59,680 Speaker 4: That's dope. Let's do that. 573 00:28:00,080 --> 00:28:02,080 Speaker 1: By the way, what are the chords? I just want 574 00:28:02,080 --> 00:28:04,760 Speaker 1: to know. Yeah, I know I can figure it out. 575 00:28:05,640 --> 00:28:13,280 Speaker 4: Yeah, No, for sure. It's C minor A minor raise five, yeah, 576 00:28:13,560 --> 00:28:26,840 Speaker 4: B flat minor. Yeah, then F minor nine, then D 577 00:28:26,960 --> 00:28:32,800 Speaker 4: minor D minor nine, yep, D D then D flat major, 578 00:28:34,880 --> 00:28:37,520 Speaker 4: F minor F sharp major. 579 00:28:38,920 --> 00:28:41,320 Speaker 1: I'm never gonna remember that. I'm so glad I haven't 580 00:28:41,480 --> 00:28:42,160 Speaker 1: recorded so. 581 00:28:42,120 --> 00:28:42,760 Speaker 3: I can learn it. 582 00:28:43,920 --> 00:28:46,880 Speaker 4: I'll do a little thing and then I go into 583 00:28:46,880 --> 00:28:49,320 Speaker 4: the actual chords cool. 584 00:28:49,520 --> 00:28:50,360 Speaker 1: I'll let it ride. 585 00:28:50,680 --> 00:28:51,240 Speaker 4: You know what I mean. 586 00:29:00,280 --> 00:29:23,320 Speaker 6: H m hm h m hmmm mm hmmm mm hm 587 00:29:34,080 --> 00:29:35,520 Speaker 6: hm hm. 588 00:29:40,640 --> 00:29:45,520 Speaker 3: I've never been a gambler. I stay on the safe side. 589 00:29:47,920 --> 00:29:53,440 Speaker 3: You know, someone know I'm all right. But all of 590 00:29:53,480 --> 00:29:54,200 Speaker 3: that's what gotten. 591 00:29:54,280 --> 00:30:06,240 Speaker 7: When I'm looking at your eyes, I'm happily out on 592 00:30:06,360 --> 00:30:09,080 Speaker 7: olim pull me up. 593 00:30:09,000 --> 00:30:11,080 Speaker 3: From he inside. 594 00:30:12,400 --> 00:30:12,640 Speaker 6: Love. 595 00:30:14,480 --> 00:30:20,560 Speaker 3: Show me what it feels like. I guarantee anything. So 596 00:30:20,880 --> 00:30:24,480 Speaker 3: my love is on the line. 597 00:30:27,280 --> 00:30:43,560 Speaker 9: But a letter ride, a letter ride, A letter ride, 598 00:30:46,520 --> 00:30:47,840 Speaker 9: a letter ride. 599 00:30:55,240 --> 00:31:00,840 Speaker 7: It's easier than never know to walk away with noise side, 600 00:31:02,520 --> 00:31:02,800 Speaker 7: I know. 601 00:31:04,680 --> 00:31:10,000 Speaker 3: Show me what it feels like. Happily do anything. 602 00:31:11,040 --> 00:31:21,960 Speaker 7: If I know I'm by your side. Happily do anything. 603 00:31:23,840 --> 00:31:30,320 Speaker 7: If I know I'm by your side. You know, show 604 00:31:30,360 --> 00:31:36,640 Speaker 7: me what it feels like. I guarantee anything. So all 605 00:31:36,840 --> 00:31:39,959 Speaker 7: love is on the line. 606 00:31:43,840 --> 00:31:57,160 Speaker 3: But letty ride. I let it ride. So Letty ride. 607 00:32:02,360 --> 00:32:12,480 Speaker 10: Hira last. 608 00:32:17,440 --> 00:32:22,760 Speaker 6: Josh, who. 609 00:33:07,680 --> 00:33:16,000 Speaker 3: I let it up? I let him ride. 610 00:33:19,600 --> 00:33:20,560 Speaker 1: I laid it ride. 611 00:33:25,720 --> 00:33:39,440 Speaker 3: I laid it ride. I let it ride. 612 00:34:20,840 --> 00:34:46,440 Speaker 10: Mm hmm, ok, nice, slow fa. 613 00:34:49,560 --> 00:34:50,759 Speaker 4: When do you tell the mc fair When do. 614 00:34:50,760 --> 00:34:53,480 Speaker 1: You tell the mc fair man, that'd be crazy. 615 00:34:54,200 --> 00:34:54,960 Speaker 10: I don't know, you do know? 616 00:34:55,080 --> 00:34:57,680 Speaker 4: That I don't where it takes me. 617 00:34:58,680 --> 00:35:02,320 Speaker 1: Great, It's it's a real like complex thing. It's like 618 00:35:02,520 --> 00:35:05,479 Speaker 1: very straight over like something that's very straight but also 619 00:35:05,719 --> 00:35:06,400 Speaker 1: nothing straight. 620 00:35:06,520 --> 00:35:08,080 Speaker 4: Yeah, absolutely, I love that. 621 00:35:08,640 --> 00:35:10,719 Speaker 1: Did you ever do Marri McParland show? 622 00:35:11,000 --> 00:35:11,160 Speaker 10: Yes? 623 00:35:11,280 --> 00:35:14,080 Speaker 1: I did. I did I need to ask you about it? 624 00:35:14,160 --> 00:35:18,359 Speaker 4: Yes, I did her show. Man. It must have been 625 00:35:18,640 --> 00:35:21,319 Speaker 4: maybe a few years before she passed. Yeah, like maybe 626 00:35:21,360 --> 00:35:22,880 Speaker 4: two or three years before she passed. 627 00:35:22,960 --> 00:35:23,160 Speaker 1: Yeah. 628 00:35:23,760 --> 00:35:25,560 Speaker 4: I looked forward to that so much because I listened 629 00:35:25,560 --> 00:35:26,399 Speaker 4: to her show all the time. 630 00:35:26,480 --> 00:35:28,879 Speaker 1: Yeah, in high school. Absolutely, you had the tapes going 631 00:35:28,920 --> 00:35:29,439 Speaker 1: around man. 632 00:35:29,800 --> 00:35:30,440 Speaker 4: Absolutely. 633 00:35:30,600 --> 00:35:34,359 Speaker 1: Yeah. My teacher in high school, Kent ellingson another shout out, 634 00:35:34,719 --> 00:35:38,080 Speaker 1: Briker t No, he had acquired a bunch of tapes 635 00:35:38,120 --> 00:35:41,520 Speaker 1: of her show from someone who acquired them from someone 636 00:35:41,560 --> 00:35:44,080 Speaker 1: in a nursing home who died or something like. It 637 00:35:44,200 --> 00:35:47,520 Speaker 1: was a very random and I remember listening in high 638 00:35:47,520 --> 00:35:48,680 Speaker 1: school to the Bill Evans one. 639 00:35:48,960 --> 00:35:52,080 Speaker 4: Oh yeah, absolutely, Yeah, she's been out here for a minute. 640 00:35:53,120 --> 00:35:55,200 Speaker 1: Are you doing the Blue Note again in October? Okay? 641 00:35:55,320 --> 00:35:57,640 Speaker 1: Cool plugging, I mean you don't need plugging. 642 00:35:59,320 --> 00:36:02,279 Speaker 4: Of course, every October is called Obtoberfest. Yeah. 643 00:36:02,400 --> 00:36:03,920 Speaker 1: The Blue Note and Jazz. 644 00:36:03,760 --> 00:36:05,640 Speaker 4: Club in New York. I do the whole month of 645 00:36:05,680 --> 00:36:08,400 Speaker 4: October and like the first week or two of November, 646 00:36:08,520 --> 00:36:10,279 Speaker 4: so it ends up being like, you know, six seven 647 00:36:10,440 --> 00:36:12,040 Speaker 4: seven weeks, five six seven weeks something like that. 648 00:36:12,160 --> 00:36:14,840 Speaker 1: That's when I started with you, right before the pandemic. 649 00:36:14,960 --> 00:36:15,239 Speaker 1: I think. 650 00:36:15,600 --> 00:36:17,800 Speaker 4: Yeah, But then if we do it and it's a 651 00:36:17,880 --> 00:36:20,040 Speaker 4: real gig, you know what I mean, for a few days, 652 00:36:20,120 --> 00:36:23,399 Speaker 4: something we can do that, we can do all these things. Yeah, 653 00:36:23,440 --> 00:36:25,520 Speaker 4: I'd be amazed. H Maybe we can get Brian and 654 00:36:25,560 --> 00:36:27,719 Speaker 4: can do it with this. Yes, and that'll be my 655 00:36:27,800 --> 00:36:28,160 Speaker 4: first time. 656 00:36:29,320 --> 00:36:31,120 Speaker 1: We'll make it happen. You're gonna play with Blade and 657 00:36:31,200 --> 00:36:32,799 Speaker 1: Bonnie Raid maybe together. 658 00:36:32,680 --> 00:36:33,240 Speaker 4: Maybe together. 659 00:36:33,360 --> 00:36:35,120 Speaker 1: Let's go, let's book a sash. 660 00:36:35,800 --> 00:36:36,360 Speaker 4: Let's do it. 661 00:36:37,560 --> 00:36:40,279 Speaker 1: Yeah, family for life. I'm so happy to do this 662 00:36:40,400 --> 00:36:40,600 Speaker 1: with you. 663 00:36:41,120 --> 00:36:44,880 Speaker 4: Love you much. Yeah, absolutely, Yeah, we did it. 664 00:36:45,120 --> 00:36:45,800 Speaker 7: We did do it. 665 00:36:46,120 --> 00:36:46,680 Speaker 4: We did it. 666 00:36:53,160 --> 00:37:00,840 Speaker 11: Oh my god, Bonnie Ray, Yeah, turned on the babe, 667 00:37:02,920 --> 00:37:08,000 Speaker 11: turn down these voices inside my. 668 00:37:10,800 --> 00:37:12,360 Speaker 3: Laid down with me. 669 00:37:14,880 --> 00:37:24,360 Speaker 7: Tell me no, lie, just hold me Cale, don't pay no, 670 00:37:27,360 --> 00:37:29,279 Speaker 7: don't patron. 671 00:37:35,600 --> 00:37:41,480 Speaker 3: Because I can make you love me. If you don't, 672 00:37:44,400 --> 00:37:53,760 Speaker 3: you can make your heart feet something. It wll hear 673 00:37:54,040 --> 00:37:59,759 Speaker 3: in the doe these fine loud. 674 00:38:01,280 --> 00:38:09,920 Speaker 10: I will lay it down. I feel the power, but 675 00:38:10,160 --> 00:38:11,279 Speaker 10: you don't. 676 00:38:13,640 --> 00:38:14,400 Speaker 4: No, you. 677 00:38:17,040 --> 00:38:27,360 Speaker 3: Because I can make close if you don't. 678 00:38:38,960 --> 00:38:45,200 Speaker 4: H Yeah, I don't even know what was playing. I 679 00:38:45,239 --> 00:38:45,840 Speaker 4: don't even know that. 680 00:38:50,280 --> 00:38:54,920 Speaker 5: I who to thunk I can't make you love me would. 681 00:38:54,719 --> 00:38:55,920 Speaker 1: Be in this episode. 682 00:38:55,920 --> 00:38:56,480 Speaker 3: I didn't think. 683 00:38:56,520 --> 00:38:58,239 Speaker 1: I didn't know that was going to happen, and I 684 00:38:58,320 --> 00:39:00,400 Speaker 1: missed the first line. But if it was so beautiful. 685 00:39:00,400 --> 00:39:03,239 Speaker 8: I love that he knew the story behind it. Yeah, 686 00:39:03,480 --> 00:39:08,360 Speaker 8: how it was written that. It's totally hilarious. God, and 687 00:39:08,480 --> 00:39:10,680 Speaker 8: I want to make him and Bonnie meat now. 688 00:39:11,520 --> 00:39:14,000 Speaker 1: Oh yeah, I have to shed do that. Yeah, a 689 00:39:14,040 --> 00:39:18,480 Speaker 1: little pair and Brian. Yeah, that was so fun. 690 00:39:18,640 --> 00:39:20,759 Speaker 5: It was so fun to hear him play piano on 691 00:39:20,920 --> 00:39:24,680 Speaker 5: Sunrise because I felt like his playing adds like a 692 00:39:24,800 --> 00:39:25,719 Speaker 5: new feeling to it. 693 00:39:26,000 --> 00:39:29,359 Speaker 1: Oh, it was totally different and so beautiful. He's so good. 694 00:39:29,680 --> 00:39:31,839 Speaker 1: It's interesting. We went to see him at the Blue 695 00:39:31,880 --> 00:39:34,239 Speaker 1: Note probably four years ago, and it was such an 696 00:39:34,320 --> 00:39:37,680 Speaker 1: incredible show and he's such an incredible musician. But I 697 00:39:37,880 --> 00:39:40,520 Speaker 1: feel like a lot of the show he's spent featuring 698 00:39:40,600 --> 00:39:44,200 Speaker 1: other people, and there was only a few minutes where 699 00:39:44,239 --> 00:39:47,839 Speaker 1: he really let loose and I was like, whoa, Yeah, 700 00:39:48,400 --> 00:39:50,800 Speaker 1: it's like he can do so many different types of shows. 701 00:39:51,120 --> 00:39:53,440 Speaker 1: Sometimes his shows are like that where he's featuring all 702 00:39:53,440 --> 00:39:55,960 Speaker 1: these people in the groove and the songs and he's 703 00:39:56,000 --> 00:39:58,680 Speaker 1: playing incredibly But and then when he does like a 704 00:39:58,760 --> 00:40:02,480 Speaker 1: trio show, when he really gets to playing, he's an 705 00:40:02,520 --> 00:40:03,480 Speaker 1: insane musician. 706 00:40:04,320 --> 00:40:08,120 Speaker 5: Like his group name Robert glasper Experiment. It's very experimental, 707 00:40:08,239 --> 00:40:10,960 Speaker 5: like it's kind of like anything goes and it's very 708 00:40:11,560 --> 00:40:13,759 Speaker 5: you never know what you're gonna get, so it's for 709 00:40:13,840 --> 00:40:16,440 Speaker 5: the audience. It's so engaging, and he also includes the 710 00:40:16,520 --> 00:40:17,560 Speaker 5: audience and so much. 711 00:40:17,440 --> 00:40:19,800 Speaker 1: Of it it does, which is really fun. His shows 712 00:40:19,800 --> 00:40:21,400 Speaker 1: are so fun. You have to go see him if 713 00:40:21,440 --> 00:40:23,960 Speaker 1: you haven't, and it was it was so nice to 714 00:40:24,000 --> 00:40:26,040 Speaker 1: you just hear him play piano too, you know, like 715 00:40:26,120 --> 00:40:30,439 Speaker 1: an acoustic piano back to the old days of jazz camp. 716 00:40:30,840 --> 00:40:32,400 Speaker 1: In case you miss the names of any of the 717 00:40:32,520 --> 00:40:36,400 Speaker 1: songs in this episode, the first song we played was Sunrise, 718 00:40:36,760 --> 00:40:39,239 Speaker 1: one of my songs, and that was really fun. And 719 00:40:39,320 --> 00:40:42,560 Speaker 1: then the second song was let It Ride, which is 720 00:40:42,600 --> 00:40:45,000 Speaker 1: a song I sang on for one of Robert's albums, 721 00:40:45,120 --> 00:40:49,080 Speaker 1: Black Radio Tube, and so in case you're looking for that, 722 00:40:49,440 --> 00:40:51,359 Speaker 1: and then the third song was of course, I Can't 723 00:40:51,400 --> 00:40:53,800 Speaker 1: Make You Lucky, funny rat classic. 724 00:40:54,239 --> 00:40:56,520 Speaker 5: Yes, thanks so much for listening to our Robert glassper 725 00:40:56,640 --> 00:40:59,200 Speaker 5: episodes are two parter, our first first two parter. 726 00:41:00,280 --> 00:41:02,200 Speaker 1: But it was just there was so much good stuff. 727 00:41:02,239 --> 00:41:03,360 Speaker 5: We didn't want to cut anything. 728 00:41:03,480 --> 00:41:05,040 Speaker 1: Yeah, and we didn't want it to be too long 729 00:41:05,360 --> 00:41:09,719 Speaker 1: a longie. Thanks to Robert, and thanks to you for 730 00:41:09,880 --> 00:41:12,520 Speaker 1: listening and you just said that, And. 731 00:41:12,640 --> 00:41:15,200 Speaker 5: Thanks again to everyone who sent us emails and messages 732 00:41:15,280 --> 00:41:17,839 Speaker 5: to let us know who your dream guests are. Yes, 733 00:41:18,400 --> 00:41:22,560 Speaker 5: we hear you, We hear you, and our wheels are spinning. 734 00:41:23,680 --> 00:41:30,440 Speaker 1: Spinning, We're working on it, working on it. We're on it. 735 00:41:31,080 --> 00:41:35,719 Speaker 1: Thank you, Thank you, love you Bye. This episode was 736 00:41:35,760 --> 00:41:40,879 Speaker 1: recorded at Sunset Sound in Los Angeles, California, by Clint Whelander, 737 00:41:41,480 --> 00:41:45,319 Speaker 1: assisted by Zach Zaidel, edited by Sarah Oda, mixed by 738 00:41:45,520 --> 00:41:50,640 Speaker 1: Jamie Landry. Additional engineering by Pete Hanlon and Matthew Vasquez. 739 00:41:51,320 --> 00:41:55,440 Speaker 1: Artwork by Eliza Fry, Photography by Shervin Linez. Produced by 740 00:41:55,480 --> 00:41:58,239 Speaker 1: me and Myota. Thanks for listening. Don't forget to like 741 00:41:58,280 --> 00:42:04,480 Speaker 1: and subscribe. Yo h