WEBVTT - 111: Cartoon Network

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<v Speaker 1>Hello, welcome to another edition of Nerdificent. I am one

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<v Speaker 1>half of your host, Danny Fernandez, sitting across from me

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<v Speaker 1>virtually still is if you want anyway, how's everybody doing

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<v Speaker 1>there in your home? So hopefully six feet away from

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<v Speaker 1>folks mask on the opposite of the future song if

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<v Speaker 1>he I recently got tested and was negative. Um, and

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<v Speaker 1>that just goes even though I've been out protesting what

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<v Speaker 1>not the last couple of weeks. Would like to say

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<v Speaker 1>again the importance of wearing a mask. A lot of

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<v Speaker 1>people are taking these masks off and it's crazy, and

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<v Speaker 1>I just want to say, like, I still have been

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<v Speaker 1>testing negative. I've been really careful. Um. I know sometimes

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<v Speaker 1>it's not always someone's fault, but a lot of people

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<v Speaker 1>are acting. When we were protesting, there were people at

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<v Speaker 1>brunch not even kidding. We walked by people at brunch

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<v Speaker 1>and who and I was just with their masks off,

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<v Speaker 1>enjoying their eggs. Benedict, Yeah, yeah, it was. It was

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<v Speaker 1>wild too, because, um, when I went to the last protest,

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<v Speaker 1>I took a lift there because you know, I didn't

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<v Speaker 1>want to drive, and something pop off, I need to go,

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<v Speaker 1>and then I'm stuck trying to get my car. So

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<v Speaker 1>I was like, let me just lift and then you know,

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<v Speaker 1>I know these streets, um, but I forgot like that

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<v Speaker 1>all that, all of that stuff is different now. So

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<v Speaker 1>like the lift driver showed up and I was wearing

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<v Speaker 1>my mask, and then he was like, oh he put

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<v Speaker 1>his mask on, Like bro okay, first of all, but

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<v Speaker 1>I'm glad I did because we're talking or whatever. And

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<v Speaker 1>then he just starts coughing recklessly. I'm like, glad you

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<v Speaker 1>put your mask. You try to have it off. You're

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<v Speaker 1>trying to have this off. Drop my ass off. Also,

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<v Speaker 1>that means he was coughing in his car the whole

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<v Speaker 1>time before. You got in a lot of cough particles.

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<v Speaker 1>That's why I had my mask on, you toll. The

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<v Speaker 1>people don't know that. And then you got the a

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<v Speaker 1>c on you know, cough particles everywhere. We're not talking

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<v Speaker 1>about car cough particles right now. We're talking about cartoons

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<v Speaker 1>more specific. We're talking about the cartoon Network Baby talking

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<v Speaker 1>another cartoon Network Baby. I can see our guests laughing

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<v Speaker 1>at this transition with the smooth segues. I always got

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<v Speaker 1>the smooth talking about the coronavirus. We're talking about the

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<v Speaker 1>cartoon virus. Yeah, the virus that is Cartoon Network. Baby.

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<v Speaker 1>Uh yeah, no, yeah, yeah, that's what that's what we're

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<v Speaker 1>talking about. It's a good time. But you know, we

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<v Speaker 1>we we couldn't have be a conversation about cartoon now.

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<v Speaker 1>One of the one of our good friends who's as

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<v Speaker 1>a triplog holding it down all over the Cartoon network.

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<v Speaker 1>Someone would say he's taking over Cartoon Network. Every time

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<v Speaker 1>everyone would say he is Cartoon Network someone. Yeah, Mr

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<v Speaker 1>Cartoon Network, like you know, uh, you know, like like Pitbulls,

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<v Speaker 1>Mr three or five live, this is Mr Cartoon Network.

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<v Speaker 1>Uh what how you doing? Jeff? Is is Jeff Trummel. Baby,

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<v Speaker 1>thank you AUS for having me back. It's been a

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<v Speaker 1>long time left you without some dope cartoons and step

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<v Speaker 1>two Jeff, Mr Cartoon Network. Tramo head writer of Craig

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<v Speaker 1>of the Creek sometimes voice actor Creek. Yeah, thank you

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<v Speaker 1>guys for having me. Yeah. You were just nominated to

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<v Speaker 1>Yeah yeah, we got nominated for Outstanding Children's Animated Series

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<v Speaker 1>at the Daytime Emmys. So that's super cool. Are they

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<v Speaker 1>having the like how does that work? No? I think

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<v Speaker 1>it's I'll be like this doom. I would love it

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<v Speaker 1>if if like somebody loses and they just like end

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<v Speaker 1>there's they just walk out and just their screen just

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<v Speaker 1>goes to black. Need this anymore? I want to know

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<v Speaker 1>who my like if we get to go to the

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<v Speaker 1>Virtual Emmys, who my like box is going to be

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<v Speaker 1>next to? Like do I get to sit next to

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<v Speaker 1>like Steve Harvey or somebody at the Joy Emmys or whatever.

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<v Speaker 1>That would me and that would be a nice box

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<v Speaker 1>to be next to. Oh my gosh, I want to

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<v Speaker 1>see because then it'll also be showing like people's homes.

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<v Speaker 1>I'm so nosy. I want to like see you'd be surprised.

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<v Speaker 1>Some people are like, yeah, yeah, see you or have

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<v Speaker 1>wildness showing, Yeah, all that wildness and all that. Like

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<v Speaker 1>I totally see that. Like when they do SNL from home,

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<v Speaker 1>you're like, oh, you can definitely tell who's been on

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<v Speaker 1>SNL how long some of them some of them bets.

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<v Speaker 1>I'm like, oh, there's a lot of space here. Also

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<v Speaker 1>some people just like it's so funny because you can

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<v Speaker 1>see you have a bunch of art behind me and stuff.

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<v Speaker 1>We all do. Actually I can see in our places.

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<v Speaker 1>But like the people that just have a blank wall, Yeah,

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<v Speaker 1>that cracks me up to it's just like this massively

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<v Speaker 1>like plane. I'm like, wow, really artistic. Yeah, don't. I

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<v Speaker 1>don't need nothing. I don't need nothing. You see the

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<v Speaker 1>big old light my ice cream dog right there, and

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<v Speaker 1>that's I always try and get that in frame. We've

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<v Speaker 1>been doing zoom calls for super Punch on TBS, another

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<v Speaker 1>head Turner a Venture uh, and they'll, you know, I'll

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<v Speaker 1>zoom call in. And I've just been putting different things

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<v Speaker 1>in the background. And I have this giant Elizabeth plush

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<v Speaker 1>from Gettama and it was just sitting back there the

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<v Speaker 1>whole the whole episode. I'm like, well, you know, they

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<v Speaker 1>didn't tell me to move it, so I'm gonna put

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<v Speaker 1>it back there. So I'm gonna see how much wild

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<v Speaker 1>stuff I can just fit behind me without them calling

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<v Speaker 1>it out. Um, Jeff, we normally start our episodes with

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<v Speaker 1>what we're seeking out about. Do you have anything or

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<v Speaker 1>artists or creators or shows or movies or books or

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<v Speaker 1>anything that you're kind of geeking out about right now? Okay,

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<v Speaker 1>let's see. I've been seeking out a lot about Static Shock,

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<v Speaker 1>one of my favorite shows. I've been rewatching it I

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<v Speaker 1>talked about on the podcast lately. I keep messaging Matthew

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<v Speaker 1>Cherry about it. Uh in is full. Yeah, it's just

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<v Speaker 1>me being like, hey, can we do static? Can we

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<v Speaker 1>do static? And he's like, I don't even own that,

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<v Speaker 1>are you? He and I were like talking about my

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<v Speaker 1>pilot originally when I first sold it, and then when

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<v Speaker 1>his oscar happened, it suddenly was like nope, his inboxes full,

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<v Speaker 1>like doing other things with bigger people. It's cool because

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<v Speaker 1>he's a Craig fan, which is kind of nuts. So

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<v Speaker 1>he's messaged me about Craig, which is really cool. But um, yeah,

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<v Speaker 1>so I'm speaking out about Static always forever, I'm speaking

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<v Speaker 1>out about Spy Family. So mom, I'm reading. That's super

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<v Speaker 1>super good, highly recommend to anyone who likes manga. Uh.

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<v Speaker 1>I don't want to spoil it, But did you say

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<v Speaker 1>Spy Family? Yeah? I was just about to pick that

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<v Speaker 1>one up. It's good. You should check it. Yeah, I'm

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<v Speaker 1>not gonna spoil it, just okay, I think you'll like it. Well.

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<v Speaker 1>On that Static shock, I have a whole I should

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<v Speaker 1>send it to you so you can see what I

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<v Speaker 1>was thinking. But I had a whole treat and I

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<v Speaker 1>sent because I met with this production company that did

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<v Speaker 1>all of the like at the time, like d C

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<v Speaker 1>like on you know how they have their like platform

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<v Speaker 1>and I sent like the static treatment, but it's like

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<v Speaker 1>and it was one thing that like I was like,

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<v Speaker 1>you have to meet with me if you if you

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<v Speaker 1>do it, because there's one like, uh change I made.

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<v Speaker 1>And I was like, I know, I know what I'm

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<v Speaker 1>talking about because in the you know, in the show,

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<v Speaker 1>his um his father you know, was alive and his

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<v Speaker 1>mom passed and she was like a paramedic, and then

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<v Speaker 1>her father was a cop. And then I wanted to

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<v Speaker 1>flip it where his mom is alive and then the

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<v Speaker 1>father is a cop and then play with you know,

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<v Speaker 1>police brutality that way instead of having like this cop

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<v Speaker 1>on the show. That's like, you know, I'm one of

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<v Speaker 1>the good ones, son So you know, it was just

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<v Speaker 1>trying to trying to get dark and just so DC

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<v Speaker 1>could be like, no, like we like all all this

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<v Speaker 1>except this, um but yeah, that's tight um me. You know,

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<v Speaker 1>I'm geeking out about you know, keeping keeping the theme straight. Uh,

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<v Speaker 1>Spider Man Miles, Uh you know that that that was

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<v Speaker 1>a super dope reveal, uh. And what a roller coaster

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<v Speaker 1>because Sony open their mouth and said that it was

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<v Speaker 1>just a DLC and and insomnia. Holo holol No, no,

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<v Speaker 1>don't let Nope, Nope, they had to try. They have

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<v Speaker 1>to stop that train because people were getting ready to

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<v Speaker 1>light there. They have no light of up. They have

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<v Speaker 1>to be like old. Nope, that is not true. It

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<v Speaker 1>is a full game. It is aful So I'm super

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<v Speaker 1>I'm super excited also because you know, by the looks

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<v Speaker 1>on it, it's an older Miles, and I don't think

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<v Speaker 1>we've really got to see much older Miles, like all

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<v Speaker 1>the Miles of in high school. So I I that's

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<v Speaker 1>that's the fun I am because there is like a

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<v Speaker 1>fun in seeing teen teen Peter Parker and then adult

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<v Speaker 1>Peter Parker. So I'm so excited to see what adult

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<v Speaker 1>Miles is. And I pray, pray, pray they have black

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<v Speaker 1>people on the writing team of Adult Miles. Yeah, I wanna.

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<v Speaker 1>I'm gonna use this as a side bar for um

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<v Speaker 1>for video game writing, because there's something that's been scratching

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<v Speaker 1>at the back of my head since, uh since I've

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<v Speaker 1>played it. But um, Life is Strange to Life is

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<v Speaker 1>Strange is really good, Uh, you know, narrative video game series,

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<v Speaker 1>and Life is Strange too follows um a a half Mexican,

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<v Speaker 1>half white um kid whose dad is killed by the

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<v Speaker 1>cops and they're on the world. No, his dad is

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<v Speaker 1>killed by a cop and his son like uh kills

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<v Speaker 1>him and like like accidentally kills the cop trying to

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<v Speaker 1>protect his dad, and they go on the run and

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<v Speaker 1>the whole game. The way life is strange works is

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<v Speaker 1>you make a series of decisions and like you get

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<v Speaker 1>different um you get different uh endings based on how

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<v Speaker 1>many quote unquote good or bad decisions you make, how

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<v Speaker 1>many aggressive or passive ones you make, and the you know,

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<v Speaker 1>I went through it totally in with my own emotions,

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<v Speaker 1>with my own views on racism, and in the end

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<v Speaker 1>still like had good relationships stuff throughout, But in the

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<v Speaker 1>end I got the quote unquote bad ending in the

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<v Speaker 1>sense that because I was I wasn't passive whenever there

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<v Speaker 1>was a racist situation, Like if someone was racist, they

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<v Speaker 1>got clapped, like like as simple as that, like it

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<v Speaker 1>like and and and and and it wasn't even like

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<v Speaker 1>I was just just cavalierly killing people. But if they

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<v Speaker 1>were being racist and putting my life at risk because

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<v Speaker 1>of it, I defended my I chose the chance to

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<v Speaker 1>defend myself and not do that, and in the end

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<v Speaker 1>you get the um the ending where like you go

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<v Speaker 1>to Mexico. You make it because your whole the whole game,

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<v Speaker 1>you're trying that You're coming from Seattle trying to go

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<v Speaker 1>to Mexico because you know you have family down there,

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<v Speaker 1>and in the end, if you do it that way,

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<v Speaker 1>you make it to Mexico. But you're like these crime

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<v Speaker 1>brothers who like have have like are like the boss

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<v Speaker 1>and you're like the head of of of the crime thing.

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<v Speaker 1>And then like the one I watched, all the endings

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<v Speaker 1>and the good ending is that the brother has the

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<v Speaker 1>older brother ends up you know, going to prison for

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<v Speaker 1>that for that crime of accidentally killing the cop, coming

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<v Speaker 1>out years later. And then the brother goes on a

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<v Speaker 1>camping trip. He has like PTSD from being in prison

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<v Speaker 1>and all the experiences they have, and then they then

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<v Speaker 1>the him and his little brother go separate ways. So

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<v Speaker 1>technically the bad ending is the only ending where the

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<v Speaker 1>brothers are together. But that's like the one that's the

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<v Speaker 1>the you know, marketed quote unquote bad ending. And I

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<v Speaker 1>was like, this is how you know it was written

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<v Speaker 1>by white people, because the only good option is turning

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<v Speaker 1>yourself in, like you you, it just shows you how

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<v Speaker 1>you view the police completely differently. For you to think, oh,

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<v Speaker 1>that's the only way out is because the major final

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<v Speaker 1>choice you make it and this is spoilers if you

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<v Speaker 1>haven't played so go ahead, is you're at the boarder

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<v Speaker 1>and there's this like social worker who's been working with

0:11:45.000 --> 0:11:47.040
<v Speaker 1>you who's like, this is your last chance. You gotta stop.

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<v Speaker 1>You choose to either ram through or you you get

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<v Speaker 1>off the car and turn yourself in. And there and

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<v Speaker 1>it's really cool because that it's not just two choices.

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<v Speaker 1>If you were aggressive and all your choices and I

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<v Speaker 1>learned this and I'm glad it didn't pick and you

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<v Speaker 1>chose to turn yourself in based on my aggressive choices,

0:12:06.280 --> 0:12:09.440
<v Speaker 1>he would have ran through and the older brother would

0:12:09.440 --> 0:12:11.319
<v Speaker 1>have died, and then it would have been an ending

0:12:11.400 --> 0:12:13.679
<v Speaker 1>where he kind of is in Mexico by himself holding

0:12:13.720 --> 0:12:18.480
<v Speaker 1>it down. Uh. So, like your your choices, your actions also,

0:12:18.760 --> 0:12:20.839
<v Speaker 1>you know, depend on how the outcome comes. But it

0:12:20.920 --> 0:12:24.080
<v Speaker 1>still was like this is whack Like like I was like,

0:12:24.120 --> 0:12:26.640
<v Speaker 1>you made so many good points about how like they

0:12:26.679 --> 0:12:29.720
<v Speaker 1>were making really good points about you. I think it

0:12:29.800 --> 0:12:32.800
<v Speaker 1>was such a good game for people to uh like

0:12:32.880 --> 0:12:34.640
<v Speaker 1>you really can't do it, but you know, kind of

0:12:34.679 --> 0:12:38.480
<v Speaker 1>give a short feeling of how racism feels and how

0:12:38.520 --> 0:12:41.080
<v Speaker 1>it affects how you talk with people. And then in

0:12:41.120 --> 0:12:42.679
<v Speaker 1>the end they just dropped the ball like that where

0:12:42.679 --> 0:12:44.560
<v Speaker 1>it's like, but you still should turn your cop yourself

0:12:44.559 --> 0:12:47.720
<v Speaker 1>into the cops. Also, sorry for taking the whole segment

0:12:47.800 --> 0:12:57.840
<v Speaker 1>to have this combo. Oh I'm not geeking out about anything. Um,

0:12:58.760 --> 0:13:02.319
<v Speaker 1>I'll just like give shout out actually to my friend

0:13:02.360 --> 0:13:06.599
<v Speaker 1>Amanda Diebert who she just wrote her first ever a

0:13:06.679 --> 0:13:10.120
<v Speaker 1>hundred and forty page graphic novel, which is for DC

0:13:10.200 --> 0:13:14.120
<v Speaker 1>superhero girls. It's called Weird Science, just like on our

0:13:14.600 --> 0:13:17.120
<v Speaker 1>Nerdy d C which we which you all kind of

0:13:17.120 --> 0:13:21.120
<v Speaker 1>were mentioning. Um, yeah, so y'all can pick that up

0:13:21.160 --> 0:13:24.040
<v Speaker 1>for people of all ages, but definitely, you know, get

0:13:24.040 --> 0:13:27.439
<v Speaker 1>it to the younger crowd so they can they can

0:13:27.480 --> 0:13:31.720
<v Speaker 1>be a part of STEM with our superhero overalls. Yeah. Well, yeah,

0:13:32.040 --> 0:13:35.480
<v Speaker 1>thank you, and sorry for blowing It's something that's really

0:13:35.520 --> 0:13:36.839
<v Speaker 1>been on my mind. I think I'm just going to

0:13:36.960 --> 0:13:39.240
<v Speaker 1>do a thread where I actually just fully go into it.

0:13:39.320 --> 0:13:41.800
<v Speaker 1>But you should. Yeah, I mean there's so many times

0:13:41.840 --> 0:13:44.400
<v Speaker 1>when you even on this podcast have had the discussion

0:13:44.400 --> 0:13:46.160
<v Speaker 1>of times when we can tell that there were no

0:13:46.240 --> 0:13:51.080
<v Speaker 1>writers of color, writers specifically culture, because we just wouldn't

0:13:51.160 --> 0:13:54.800
<v Speaker 1>do that. You know, even different cultures are are separate,

0:13:54.840 --> 0:13:57.280
<v Speaker 1>and so it's just like you can tell. And what

0:13:57.320 --> 0:13:59.120
<v Speaker 1>I was gonna say is when you said I hope

0:13:59.120 --> 0:14:02.480
<v Speaker 1>that there's writers on the game, I hope there's animators

0:14:02.600 --> 0:14:07.200
<v Speaker 1>animate Like you know, black and POC. Animators are so

0:14:07.640 --> 0:14:10.440
<v Speaker 1>limit like they're just not they're there and they're not

0:14:10.520 --> 0:14:13.640
<v Speaker 1>given the opportunities in the same way. I think even

0:14:14.000 --> 0:14:17.400
<v Speaker 1>in the studios that I've been involved with, it seems

0:14:17.440 --> 0:14:19.320
<v Speaker 1>like you have to prove yourself. I mean, this is

0:14:19.440 --> 0:14:22.440
<v Speaker 1>we say this all the time, but literally stories of

0:14:22.480 --> 0:14:26.640
<v Speaker 1>people who were like lead story board artists for huge

0:14:26.720 --> 0:14:30.120
<v Speaker 1>movies not being allowed to direct, like that's typically the

0:14:30.160 --> 0:14:32.440
<v Speaker 1>next step, like just being told that they didn't pay

0:14:32.480 --> 0:14:34.360
<v Speaker 1>their dues even though they've been there for a decade.

0:14:34.440 --> 0:14:37.320
<v Speaker 1>It's something all of us, I think could vent about forever.

0:14:37.400 --> 0:14:42.520
<v Speaker 1>But it's insane, the hoops and obstacles even to be

0:14:42.720 --> 0:14:46.800
<v Speaker 1>an animator um on these properties. So again you'll see

0:14:47.440 --> 0:14:50.760
<v Speaker 1>a black or brown um character, but then you look

0:14:50.800 --> 0:14:54.280
<v Speaker 1>at the animators and they're all white, so it's it's

0:14:54.280 --> 0:14:57.200
<v Speaker 1>a mess. I mean, the one thing I'll say about

0:14:57.200 --> 0:15:00.160
<v Speaker 1>it is you can tell just how much diverse he

0:15:00.200 --> 0:15:04.800
<v Speaker 1>has needed when you see when you hop into um,

0:15:04.840 --> 0:15:06.840
<v Speaker 1>when you when you hop into a create a character

0:15:07.320 --> 0:15:10.360
<v Speaker 1>and you and you stuck with you know, corn rows

0:15:10.600 --> 0:15:16.040
<v Speaker 1>or apro terrible. You know. Yeah, it's always like you know,

0:15:16.400 --> 0:15:22.400
<v Speaker 1>straight up ludicrous and too fast, too furious lovers. I

0:15:22.440 --> 0:15:26.440
<v Speaker 1>wanted to say, not all Latina's have huge boobs either.

0:15:26.480 --> 0:15:28.600
<v Speaker 1>This is every video game. Some of us are just

0:15:28.640 --> 0:15:35.400
<v Speaker 1>a B plus and that's okay. Some of us have

0:15:35.720 --> 0:15:38.400
<v Speaker 1>have thickness in other areas, which our thighs and our

0:15:38.440 --> 0:15:40.960
<v Speaker 1>booty and not just up top. Some of us have both,

0:15:41.000 --> 0:15:45.760
<v Speaker 1>but not all of us. Okay, representation matters. Yeah. So

0:15:46.000 --> 0:15:48.760
<v Speaker 1>um Ted Turner, which if you are referencing and I

0:15:48.800 --> 0:15:53.440
<v Speaker 1>feel like it's a really um popular famous name um

0:15:53.720 --> 0:15:59.400
<v Speaker 1>is he actually got the his company from his dad

0:16:00.480 --> 0:16:04.920
<v Speaker 1>who left him. He unfortunately committed suicide and Ted was

0:16:05.000 --> 0:16:08.440
<v Speaker 1>left like trying to take over this this company, which

0:16:08.480 --> 0:16:10.680
<v Speaker 1>was really fascinated because he ended up taking a lot

0:16:10.720 --> 0:16:15.160
<v Speaker 1>of risks. So Ted actually sold off radio stations and

0:16:15.200 --> 0:16:17.680
<v Speaker 1>bought a TV station. He bought w j r J

0:16:17.920 --> 0:16:22.040
<v Speaker 1>in Atlanta, which eventually became w t B S, which

0:16:22.080 --> 0:16:27.000
<v Speaker 1>had old movies, sports and cartoons. So Ted ended up

0:16:27.120 --> 0:16:31.040
<v Speaker 1>launching CNN and it was a twenty four hour news channel,

0:16:31.080 --> 0:16:33.640
<v Speaker 1>and that was wild to people at the time. People

0:16:33.640 --> 0:16:35.960
<v Speaker 1>were like, why would we need to watch the news?

0:16:37.480 --> 0:16:41.840
<v Speaker 1>But that formula for CNN ended up lending itself to

0:16:41.960 --> 0:16:46.960
<v Speaker 1>Cartoon Network, which became a twenty four hour cartoon channel.

0:16:47.720 --> 0:16:51.080
<v Speaker 1>So when Ted bought MGM, I mean he was just

0:16:51.120 --> 0:16:55.080
<v Speaker 1>taking over. He got all of their cartoons. And then

0:16:55.080 --> 0:16:57.800
<v Speaker 1>when he bought all the w B movies, he got

0:16:57.840 --> 0:17:01.200
<v Speaker 1>all the cartoons from Warner Brothers. So that was like

0:17:01.240 --> 0:17:05.119
<v Speaker 1>Bugs Bunny, all the Loony Tunes. So you can understand

0:17:05.160 --> 0:17:08.399
<v Speaker 1>why he would need Those are hundreds of cartoons, right,

0:17:08.520 --> 0:17:11.280
<v Speaker 1>hundreds of titles, and so that's why he was like,

0:17:11.320 --> 0:17:14.439
<v Speaker 1>I need my own channel that just airs all of

0:17:14.440 --> 0:17:18.920
<v Speaker 1>this property that I have, so a little bit more

0:17:18.960 --> 0:17:23.840
<v Speaker 1>of the backstory, and he purchased Hanna Barbera and that

0:17:23.960 --> 0:17:26.680
<v Speaker 1>was it, right. It was that they have Scooby Doo,

0:17:26.760 --> 0:17:29.440
<v Speaker 1>they have Yogi Bear, they have the flint Stone Jet sins.

0:17:29.480 --> 0:17:32.359
<v Speaker 1>I mean, it's like all those old vintage cartoons. So

0:17:32.560 --> 0:17:36.560
<v Speaker 1>this man was like the mastermind behind UH. And I

0:17:36.600 --> 0:17:38.879
<v Speaker 1>watched UH. I watched an interview with him where he

0:17:38.960 --> 0:17:43.720
<v Speaker 1>said adults watched cartoons too, because that was not commonly

0:17:43.720 --> 0:17:46.399
<v Speaker 1>thought of several decades ago, and he said more people

0:17:46.400 --> 0:17:51.080
<v Speaker 1>watch cartoons at night then CNN. So that is something

0:17:51.119 --> 0:17:53.959
<v Speaker 1>he realized and was like, I'm going to need a

0:17:54.040 --> 0:17:57.280
<v Speaker 1>channel that fully shows all the properties that I bought,

0:17:57.320 --> 0:18:00.439
<v Speaker 1>all this money I put in UM. So that is

0:18:00.480 --> 0:18:05.800
<v Speaker 1>the story of how Ted Turner started Cartoon Network. Wow,

0:18:06.440 --> 0:18:09.840
<v Speaker 1>thank you uncle to hide ain't through. He was like,

0:18:10.000 --> 0:18:12.480
<v Speaker 1>we in these tunes out, We're getting these tunes out.

0:18:12.880 --> 0:18:17.359
<v Speaker 1>So getting the Cartoon Network the banger bar that Danny

0:18:17.480 --> 0:18:21.240
<v Speaker 1>totally missed when she was like the Seeing News Network.

0:18:21.720 --> 0:18:24.240
<v Speaker 1>And then he was able to start a twenty four

0:18:24.280 --> 0:18:32.400
<v Speaker 1>hour car tune channel, Cartoon Network, Cartoon Network. But that's

0:18:32.400 --> 0:18:34.480
<v Speaker 1>because I was saving it for you. If he for

0:18:34.720 --> 0:18:38.600
<v Speaker 1>you on October one, which I know that you love

0:18:39.320 --> 0:18:43.600
<v Speaker 1>finding out how long since you were born for Yeah,

0:18:43.680 --> 0:18:45.240
<v Speaker 1>we don't have to get into that, but that is

0:18:45.400 --> 0:18:50.679
<v Speaker 1>four years after me and Danny were born. In October UH,

0:18:51.600 --> 0:18:56.720
<v Speaker 1>the Cartoon Network launched the finale of Tartakovsky's uh launched

0:18:56.760 --> 0:19:00.080
<v Speaker 1>the finale of Tartakovsky's eighteen twelve or You're with the

0:19:00.119 --> 0:19:03.720
<v Speaker 1>backdrop of cartoon explosions, followed by a special event called

0:19:03.800 --> 0:19:06.919
<v Speaker 1>Droopy's Guy to the Cartoon Network, hosted by the MGM

0:19:06.960 --> 0:19:11.160
<v Speaker 1>cartoon character Droopy, during which the first cartoon on the network,

0:19:11.520 --> 0:19:15.320
<v Speaker 1>Rhapsody Rabbit, was shown. So that was that was real nice.

0:19:15.800 --> 0:19:18.160
<v Speaker 1>Then the late Night Black and White showed early black

0:19:18.200 --> 0:19:21.800
<v Speaker 1>and white cartoons mostly from the Fleshers Studios and Walter

0:19:21.960 --> 0:19:25.000
<v Speaker 1>Lance like Witty the Woodpecker from the nineteen thirties and

0:19:25.840 --> 0:19:28.720
<v Speaker 1>Merry Melodies and you know the classics, and then tune

0:19:28.720 --> 0:19:31.760
<v Speaker 1>Heads would show three shorts with a similar theme provide

0:19:31.800 --> 0:19:34.800
<v Speaker 1>trivia about the cartoons. There was also an afternoon cartoon

0:19:34.840 --> 0:19:38.040
<v Speaker 1>block called high Noon Tunes, which was hosted by Cowboy

0:19:38.119 --> 0:19:42.320
<v Speaker 1>hand Puppets. An example of the like simplicity and imagination

0:19:42.400 --> 0:19:45.720
<v Speaker 1>of the network in its early years and the majority

0:19:45.800 --> 0:19:48.680
<v Speaker 1>of the class cannimation was that that was the majority

0:19:48.760 --> 0:19:51.080
<v Speaker 1>of the classic animation that was shown on Cartoon Network.

0:19:51.160 --> 0:19:53.720
<v Speaker 1>No longer airs on a regular basis, but Tom and

0:19:53.800 --> 0:19:58.119
<v Speaker 1>Jerry and Looney Tunes still aired and lasted until seventeen.

0:19:58.560 --> 0:20:00.720
<v Speaker 1>So yeah, I was run and so those running the

0:20:00.800 --> 0:20:04.280
<v Speaker 1>classic tunes while they're developing some new heat. Yeah. So

0:20:04.400 --> 0:20:07.919
<v Speaker 1>because Turner owned so many other channels, they could promote

0:20:07.960 --> 0:20:10.840
<v Speaker 1>Cartoon Network on the other channels. Remember, they were going

0:20:10.880 --> 0:20:13.800
<v Speaker 1>against Nicktoons. So Nicktoons, which we did our episode on,

0:20:14.280 --> 0:20:18.719
<v Speaker 1>was heavily realizing this formula of having kind of weird

0:20:19.000 --> 0:20:22.160
<v Speaker 1>experimental especially if you look at early Nicktoons, they really

0:20:22.200 --> 0:20:25.119
<v Speaker 1>allowed their creators to be weird and gross, which is

0:20:25.160 --> 0:20:27.159
<v Speaker 1>something that kind of came back but went away for

0:20:27.440 --> 0:20:30.440
<v Speaker 1>for about a decade um. So they were starting to

0:20:30.920 --> 0:20:33.920
<v Speaker 1>with a lot of the Cartoon Network commercials, they would

0:20:33.920 --> 0:20:37.600
<v Speaker 1>add this weird, awkward like modern spin on the vintage

0:20:37.680 --> 0:20:41.960
<v Speaker 1>cartoons and their first original show actually, so not just

0:20:42.040 --> 0:20:45.200
<v Speaker 1>the Vintage cartoons. The first original show was The Moxie Show,

0:20:45.640 --> 0:20:48.560
<v Speaker 1>but it wasn't really popular. So what a lot of

0:20:48.640 --> 0:20:55.840
<v Speaker 1>people consider their first big show April fift Space Ghost

0:20:56.240 --> 0:20:59.680
<v Speaker 1>Coast to Coast. It was a top of the hand

0:20:59.720 --> 0:21:03.760
<v Speaker 1>of bar They're a superhero. Uh. It was one of

0:21:03.800 --> 0:21:07.800
<v Speaker 1>their most original programming ideas and really made them stand

0:21:07.840 --> 0:21:09.920
<v Speaker 1>out like that set the tone then for the rest

0:21:10.000 --> 0:21:11.880
<v Speaker 1>of the channel was kind of like, oh, there's something

0:21:12.000 --> 0:21:16.320
<v Speaker 1>cool and funny an adult over here. Um, but did

0:21:16.400 --> 0:21:19.600
<v Speaker 1>y'all watch Space Ghost Oh? Yeah, I was. I was

0:21:19.640 --> 0:21:23.280
<v Speaker 1>big in a Space Ghost The brack was really funny, Uh,

0:21:23.840 --> 0:21:27.000
<v Speaker 1>just what they turned into and just and it was,

0:21:27.320 --> 0:21:30.600
<v Speaker 1>you know, I think my first introduction to like, you know,

0:21:31.200 --> 0:21:33.920
<v Speaker 1>bits and though and like when characters, you know, when

0:21:34.040 --> 0:21:36.120
<v Speaker 1>when just the idea of like, you know, what each

0:21:36.200 --> 0:21:38.680
<v Speaker 1>character is going to do, how they're gonna react. And

0:21:39.400 --> 0:21:43.320
<v Speaker 1>it was just so funny this concept that they really

0:21:43.440 --> 0:21:46.520
<v Speaker 1>kind of I feel like, focused on the reality of

0:21:46.720 --> 0:21:49.560
<v Speaker 1>of like what would it be like if this character

0:21:50.400 --> 0:21:55.199
<v Speaker 1>was was you know, was was making this late night

0:21:55.280 --> 0:21:59.639
<v Speaker 1>show with his enemies and and it was just my

0:21:59.680 --> 0:22:02.600
<v Speaker 1>favorite the one. Yeah, I watched a lot of Space

0:22:02.680 --> 0:22:07.480
<v Speaker 1>Gosts a little bit later because, um, I'm just slightly

0:22:07.960 --> 0:22:11.280
<v Speaker 1>younger than you guys. I was far in nine four,

0:22:11.400 --> 0:22:14.520
<v Speaker 1>so I wasn't allowed to watch Space Ghosts despite my

0:22:14.600 --> 0:22:18.240
<v Speaker 1>protests now, but I do remember eventually watching Space Goals

0:22:18.359 --> 0:22:21.520
<v Speaker 1>and one of the things, uh, that is really interesting

0:22:21.560 --> 0:22:24.880
<v Speaker 1>about it is they would premiere other shows on there

0:22:24.960 --> 0:22:27.680
<v Speaker 1>that would later become Cartoon Network shows. The first time

0:22:27.760 --> 0:22:31.640
<v Speaker 1>we see the Powerpuff Girls is on Space Goals, Um,

0:22:31.760 --> 0:22:33.720
<v Speaker 1>which is kind of crazy, and they had a different

0:22:33.920 --> 0:22:36.200
<v Speaker 1>title that I don't think I can say on this

0:22:36.320 --> 0:22:41.639
<v Speaker 1>program because it's not eg but you know, like Space

0:22:41.720 --> 0:22:44.960
<v Speaker 1>Goals is also like such a weird show that really

0:22:45.040 --> 0:22:47.639
<v Speaker 1>does change the kind of tone of Cartoon Network going forward,

0:22:48.000 --> 0:22:50.840
<v Speaker 1>because it's so what if we took this old property

0:22:50.880 --> 0:22:53.399
<v Speaker 1>and just made him a talk show host? Is the

0:22:53.520 --> 0:22:56.440
<v Speaker 1>weirdest thing in the world. But also like so many

0:22:56.480 --> 0:22:58.640
<v Speaker 1>people who worked on that would go on to work

0:22:58.680 --> 0:23:01.200
<v Speaker 1>on other things that we're going to get into. So

0:23:02.240 --> 0:23:04.960
<v Speaker 1>I don't want to like spoil anything, but you know,

0:23:05.040 --> 0:23:08.000
<v Speaker 1>Aquitine hunger for his fans and so on. This kind

0:23:08.040 --> 0:23:14.360
<v Speaker 1>of all starts here. Yeah, oh so great. Um, speaking

0:23:14.480 --> 0:23:17.800
<v Speaker 1>of getting into we have to take a really quick

0:23:17.880 --> 0:23:21.520
<v Speaker 1>break and then we are going to hop down nostalgia. Leine,

0:23:21.600 --> 0:23:27.440
<v Speaker 1>I'm so excited talking about those huge properties that the

0:23:27.600 --> 0:23:40.200
<v Speaker 1>cartoon cartoon time of Cartoon Network. Right after this and

0:23:40.600 --> 0:23:43.680
<v Speaker 1>we're back, we're walking. I wanted to say something, Jeff,

0:23:43.720 --> 0:23:47.960
<v Speaker 1>I also couldn't watch Space Ghost. What the heck like

0:23:48.080 --> 0:23:50.119
<v Speaker 1>that was like when Lion King came out. I was

0:23:50.200 --> 0:23:52.639
<v Speaker 1>like barely allowed to watch Lion King, not like in

0:23:52.680 --> 0:23:54.879
<v Speaker 1>our fifties, even if you are a listener in your

0:23:54.920 --> 0:23:58.720
<v Speaker 1>fifties high Hello, we love you. Um, I know, it's

0:23:58.920 --> 0:24:01.879
<v Speaker 1>what's so funny? Is uh? That's kind of the nugget

0:24:01.920 --> 0:24:06.119
<v Speaker 1>that was dropped here just kind of watching it is.

0:24:06.560 --> 0:24:08.879
<v Speaker 1>The Space Ghost was a Cartoon Network show originally, but

0:24:08.960 --> 0:24:11.639
<v Speaker 1>I think most people attributed to Adult Swim because Adult

0:24:11.680 --> 0:24:14.240
<v Speaker 1>Swim started re airing it. I think that's when I

0:24:14.359 --> 0:24:18.960
<v Speaker 1>got into it, because it ran until I could see myself,

0:24:19.119 --> 0:24:22.080
<v Speaker 1>like ninety nine the the end the end kind of

0:24:22.280 --> 0:24:24.520
<v Speaker 1>era is probably when I kind of came in, but

0:24:24.640 --> 0:24:26.679
<v Speaker 1>I didn't know it was running that long. I'm actually

0:24:26.720 --> 0:24:29.600
<v Speaker 1>really surprised because to to me, well technically, it kind

0:24:29.640 --> 0:24:32.080
<v Speaker 1>of was. I always felt Cartoon Network was around my

0:24:32.200 --> 0:24:35.520
<v Speaker 1>whole life. I didn't realize it started it kind of

0:24:35.680 --> 0:24:38.520
<v Speaker 1>not that long ago. You know, I'm older than Cartoon

0:24:38.560 --> 0:24:40.240
<v Speaker 1>Network and I if you would have asked me that

0:24:40.359 --> 0:24:42.119
<v Speaker 1>before this episode, I would have been like, no, this

0:24:42.320 --> 0:24:46.320
<v Speaker 1>it's been around, just like Nickelodeon. But no, uh no,

0:24:46.440 --> 0:24:50.080
<v Speaker 1>Cartoon Network was like, nah, we got this. I couldn't really,

0:24:50.119 --> 0:24:52.440
<v Speaker 1>I didn't really watch it till the odds, Like I

0:24:52.480 --> 0:24:55.960
<v Speaker 1>don't think I watched TVZ until like two thousand or

0:24:56.040 --> 0:24:59.680
<v Speaker 1>something like I don't because I was watching like Rugrats

0:24:59.720 --> 0:25:02.159
<v Speaker 1>since stuff like I was still too young, I think

0:25:02.240 --> 0:25:04.679
<v Speaker 1>to watch some of the stuff on. This also depends

0:25:04.720 --> 0:25:07.680
<v Speaker 1>on when you got cable. Yeah, but it's it's also

0:25:07.800 --> 0:25:11.800
<v Speaker 1>very interesting to how you had it challenged the medium,

0:25:11.880 --> 0:25:14.960
<v Speaker 1>because you know, we did. We never really talked about

0:25:15.000 --> 0:25:17.760
<v Speaker 1>how our kind of relationship with Cartoon Network, but I

0:25:17.880 --> 0:25:21.040
<v Speaker 1>definitely know that Cartoon Network always had a different voice

0:25:22.000 --> 0:25:25.159
<v Speaker 1>to me than Nickelodeon for the longest, and Nickelodeon I

0:25:25.280 --> 0:25:27.800
<v Speaker 1>was really watching just their live action shows. I wasn't

0:25:27.840 --> 0:25:30.640
<v Speaker 1>really messing with their cartoons like your Alex Mac You're

0:25:30.720 --> 0:25:33.560
<v Speaker 1>all that, Like that's what I was really getting from Nickelodeon.

0:25:33.920 --> 0:25:36.440
<v Speaker 1>And then Cartoon Network was where I wanted the cartoons

0:25:36.480 --> 0:25:39.840
<v Speaker 1>like Dexter's Lab and power Puff Girls, and it really

0:25:39.960 --> 0:25:41.680
<v Speaker 1>they kind of had They were kind of the for

0:25:41.800 --> 0:25:44.960
<v Speaker 1>lack of a better worth, the edgier of the cartoon giants.

0:25:45.320 --> 0:25:48.760
<v Speaker 1>But then I think there's somewhere along the line Nickelodeon

0:25:48.920 --> 0:25:50.719
<v Speaker 1>kind of figured it out, and that's when you had

0:25:50.840 --> 0:25:55.760
<v Speaker 1>them making things like Adventure Time, which uh that that's

0:25:55.760 --> 0:25:59.159
<v Speaker 1>a Nickelodeon Cartoon Network network. Okay, whether which one is

0:25:59.240 --> 0:26:02.000
<v Speaker 1>the there's one. It's very similar. What am I thinking of?

0:26:02.280 --> 0:26:05.000
<v Speaker 1>Let me see. You know it's interesting is that Nickelodeon

0:26:05.640 --> 0:26:10.760
<v Speaker 1>produced the pilot for Adventure Time decided not to keep it. Yeah,

0:26:11.280 --> 0:26:15.880
<v Speaker 1>network bought it and they did it. They I will say,

0:26:16.040 --> 0:26:19.880
<v Speaker 1>as I'm friends with a lot of animators, and uh,

0:26:20.440 --> 0:26:23.000
<v Speaker 1>Nickelodeon has taken a lot of els like that. A

0:26:23.080 --> 0:26:27.359
<v Speaker 1>Loudhouse is definitely like a show that definitely has a

0:26:28.560 --> 0:26:33.080
<v Speaker 1>a a cartoon network vibe even almost style. You know,

0:26:33.840 --> 0:26:37.359
<v Speaker 1>uh a zim which I would have totally believed was

0:26:37.480 --> 0:26:41.000
<v Speaker 1>a if you would have told me it was, that

0:26:41.119 --> 0:26:44.560
<v Speaker 1>was a Nickelodeon show. Um, But like their shows that

0:26:44.680 --> 0:26:46.440
<v Speaker 1>I kind of definitely was like, that's a nick show.

0:26:46.560 --> 0:26:48.639
<v Speaker 1>Is like a fairly odd Parents where it's still like

0:26:49.320 --> 0:26:52.480
<v Speaker 1>trying to like really leaning on the family wholesomeness and

0:26:52.560 --> 0:26:55.920
<v Speaker 1>all this where cartoon networks kind of like almost in

0:26:56.000 --> 0:26:58.200
<v Speaker 1>the void. It almost feels like it's our voice, even

0:26:58.240 --> 0:26:59.760
<v Speaker 1>though you know, we know it's adults doing it, but

0:26:59.800 --> 0:27:02.680
<v Speaker 1>they're like we you know they we're gonna do some

0:27:02.800 --> 0:27:06.159
<v Speaker 1>wild things. You know. It's it's yeah to me. On

0:27:06.280 --> 0:27:10.760
<v Speaker 1>the on the spectrum, you have Disney. On the right,

0:27:11.119 --> 0:27:13.359
<v Speaker 1>you have This isn't political. I'm just saying you have

0:27:14.359 --> 0:27:17.879
<v Speaker 1>the right. You have Nick in the Middle, and you

0:27:17.960 --> 0:27:20.840
<v Speaker 1>have Cartoon Network on. Yes, I would totally agree with

0:27:21.000 --> 0:27:25.879
<v Speaker 1>that from being weird and allowing so Invader Zim is

0:27:25.920 --> 0:27:27.920
<v Speaker 1>another one where they took an l because they canceled it.

0:27:28.600 --> 0:27:30.800
<v Speaker 1>They wouldn't let him do what he I think we

0:27:30.920 --> 0:27:32.720
<v Speaker 1>covered that in our nicktoons, but he was like, if

0:27:32.760 --> 0:27:35.040
<v Speaker 1>you're not gonna let me do and and brilliant, very

0:27:35.280 --> 0:27:37.480
<v Speaker 1>funny show, if you're not gonna let me make my

0:27:37.520 --> 0:27:38.840
<v Speaker 1>show the way I want that, I'm just not going

0:27:38.880 --> 0:27:42.240
<v Speaker 1>to give you my show at all. So yeah, yeah,

0:27:42.400 --> 0:27:47.320
<v Speaker 1>especially you know it's because you know, we like like

0:27:47.440 --> 0:27:49.760
<v Speaker 1>Zim was already kind of pushing that edge of what

0:27:49.880 --> 0:27:52.600
<v Speaker 1>a Nick show can do, and I think that's that's

0:27:53.080 --> 0:27:55.960
<v Speaker 1>that's that's they're like, no, we gotta But also it's

0:27:56.000 --> 0:27:58.480
<v Speaker 1>funny knowing that this is also the same company that

0:27:58.600 --> 0:28:00.840
<v Speaker 1>did things like rock O's Mom Life and Rent and

0:28:00.880 --> 0:28:03.119
<v Speaker 1>Stimpy and then somewhere they just took a full one

0:28:03.240 --> 0:28:05.200
<v Speaker 1>eight and just like, we're not going to do that

0:28:05.320 --> 0:28:08.320
<v Speaker 1>type of weird stuff anymore. I think until we got

0:28:08.400 --> 0:28:11.399
<v Speaker 1>to see and I think this is maybe possibly taking

0:28:11.600 --> 0:28:15.479
<v Speaker 1>from the early rent and stimpy slash. How successful um

0:28:16.080 --> 0:28:19.760
<v Speaker 1>Cartoon Network was was SpongeBob. SpongeBob but brought back that

0:28:20.840 --> 0:28:24.200
<v Speaker 1>intense close animated shots that are really disgusting and like

0:28:24.320 --> 0:28:26.800
<v Speaker 1>being weird and gross and having bad breath and boogers

0:28:26.840 --> 0:28:31.000
<v Speaker 1>and all of that. Um So, but you're right there.

0:28:31.320 --> 0:28:33.840
<v Speaker 1>Do you definitely see more of that on Cartoon Network,

0:28:33.960 --> 0:28:36.480
<v Speaker 1>Which is kind of funny because it's like that's kids humor,

0:28:36.680 --> 0:28:38.920
<v Speaker 1>Like they're gross and they're weird and they find like

0:28:39.000 --> 0:28:43.600
<v Speaker 1>dead animals and stuff, and um so, so let's hop

0:28:43.680 --> 0:28:46.360
<v Speaker 1>into are the big ones that we grew up with.

0:28:46.800 --> 0:28:52.480
<v Speaker 1>In in we had what a cartoon? Which feels so old?

0:28:52.560 --> 0:28:54.600
<v Speaker 1>That sounds so old coming out of my mouth, But

0:28:54.680 --> 0:28:59.240
<v Speaker 1>it was essentially it was essentially for UM. It gave

0:28:59.240 --> 0:29:03.400
<v Speaker 1>a lot of our histic freedom for animators and creators.

0:29:03.560 --> 0:29:08.479
<v Speaker 1>It was shorts. Actually, it was a segment of shorts

0:29:08.560 --> 0:29:11.560
<v Speaker 1>that would be featured on Cartoon Network to kind of

0:29:11.760 --> 0:29:14.640
<v Speaker 1>gauge how good they did and if they could be

0:29:15.560 --> 0:29:19.840
<v Speaker 1>shows on their own. So that's where we had Dexter's Laboratory.

0:29:20.120 --> 0:29:23.160
<v Speaker 1>We had Powerpuff Girls, we had Johnny Bravo, we had

0:29:23.200 --> 0:29:27.200
<v Speaker 1>Couraged the cowardly Dog. These all were shorts. They actually,

0:29:27.320 --> 0:29:28.960
<v Speaker 1>if you have to send this to you had an

0:29:29.080 --> 0:29:33.480
<v Speaker 1>early version of Family Guy not even kidding. It's a

0:29:33.640 --> 0:29:38.920
<v Speaker 1>bald Peter who's older. It's voiced by um Seth McFarlane

0:29:39.280 --> 0:29:41.720
<v Speaker 1>and he's like picking up a dog at the pound

0:29:41.840 --> 0:29:47.200
<v Speaker 1>who's Brian. It's insane. Apparently they passed on that, which

0:29:47.280 --> 0:29:51.440
<v Speaker 1>also like, isn't entirely their brand. Uh, definitely feels more

0:29:51.680 --> 0:29:54.600
<v Speaker 1>like where it landed Fox and the Simpsons and whatnot.

0:29:54.720 --> 0:29:58.760
<v Speaker 1>But Canny can't even can't even believe, you know, it

0:29:58.760 --> 0:30:01.840
<v Speaker 1>would be like a different show that would have been

0:30:02.000 --> 0:30:05.200
<v Speaker 1>if it was on Cartoon Network, you know, like like

0:30:05.440 --> 0:30:08.760
<v Speaker 1>like it would it just would be a whole different

0:30:10.400 --> 0:30:14.520
<v Speaker 1>the whole different beast. I was about to say, um Quagmire.

0:30:14.560 --> 0:30:17.200
<v Speaker 1>I was like, we definitely don't need Quagmire on Cartoon Network,

0:30:17.280 --> 0:30:19.040
<v Speaker 1>but then we have Johnny Bravo, so I'm just gonna

0:30:19.080 --> 0:30:22.680
<v Speaker 1>shut up. Yeah, I mean, Seth actually worked on Johnny Bravo,

0:30:22.760 --> 0:30:27.320
<v Speaker 1>I believe makes a lot of sense, makes a lot

0:30:27.400 --> 0:30:29.920
<v Speaker 1>of sense. But Jeff, out of those like ones that

0:30:30.000 --> 0:30:32.120
<v Speaker 1>I named were the ones that were like hute that

0:30:32.280 --> 0:30:35.000
<v Speaker 1>you really watched on too. We also ended up having

0:30:35.040 --> 0:30:38.080
<v Speaker 1>after that edit and Eddie and you know, um, my

0:30:38.200 --> 0:30:41.040
<v Speaker 1>big one was I loved Johnny Bravo, I love power Puff.

0:30:42.040 --> 0:30:45.320
<v Speaker 1>My big one was Dexter. I'm actually wearing a Dexter shirt.

0:30:47.840 --> 0:30:50.480
<v Speaker 1>Like that was the show that the one show I

0:30:50.600 --> 0:30:52.640
<v Speaker 1>kind of would like really make sure to like jump

0:30:52.720 --> 0:30:55.240
<v Speaker 1>over to Cartoon Network to watch because I was watching

0:30:55.280 --> 0:30:57.479
<v Speaker 1>a lot of Keenan and Kale and other stuff from

0:30:57.520 --> 0:31:02.160
<v Speaker 1>Nickelodeon UM. And I remember like Dexter used to premiere

0:31:02.320 --> 0:31:05.400
<v Speaker 1>like seven o'clock on Fridays, and I remember like watching

0:31:05.440 --> 0:31:08.760
<v Speaker 1>it with my dad. There's like a musical episode where

0:31:09.000 --> 0:31:13.920
<v Speaker 1>they kind it's kind of Michael Jackson inspired, but like

0:31:14.240 --> 0:31:17.080
<v Speaker 1>that was my show because I don't know that the

0:31:17.200 --> 0:31:19.400
<v Speaker 1>humor really like stood up to me. And I watched

0:31:19.400 --> 0:31:21.400
<v Speaker 1>it on HBO Max recently and I was like, oh,

0:31:21.480 --> 0:31:25.440
<v Speaker 1>this is still very funny, you know, like very simplistic

0:31:25.560 --> 0:31:28.280
<v Speaker 1>of like this is Dexter. He's making something, his sister

0:31:28.360 --> 0:31:31.400
<v Speaker 1>breaks it, reprints, repete, you know, over and over, but

0:31:31.520 --> 0:31:35.840
<v Speaker 1>it's still like super interesting and funny. Yeah. I think

0:31:35.920 --> 0:31:38.280
<v Speaker 1>that's what made Dexter such a hit was the layers

0:31:38.320 --> 0:31:40.680
<v Speaker 1>to it. Because you had the layer of like he's

0:31:40.720 --> 0:31:43.160
<v Speaker 1>this mad scientist making things, but you had that like

0:31:43.440 --> 0:31:46.840
<v Speaker 1>very simple, easy to understand kid level thing of always

0:31:46.880 --> 0:31:48.960
<v Speaker 1>feeling like your siblings are getting in the way and

0:31:49.080 --> 0:31:51.840
<v Speaker 1>messing your stuff up. I remember I used to love

0:31:52.240 --> 0:31:54.600
<v Speaker 1>like that relationship because my d D reminded me of

0:31:54.640 --> 0:31:57.120
<v Speaker 1>my sister. It's like, yeah, you always miss my stuff up,

0:31:57.200 --> 0:32:00.480
<v Speaker 1>you know, when you're breaking my stuff. And it was

0:32:00.560 --> 0:32:04.080
<v Speaker 1>just fun to see him just, uh, you know, just

0:32:04.360 --> 0:32:07.160
<v Speaker 1>try these new things and they just always pushed the

0:32:07.200 --> 0:32:11.120
<v Speaker 1>boundaries of like what his tricks would do. And uh,

0:32:11.720 --> 0:32:15.360
<v Speaker 1>it was a solid opening for Cartoon Network because I

0:32:15.480 --> 0:32:18.840
<v Speaker 1>was definitely watching that. I loved Johnny Bravo. That was

0:32:18.920 --> 0:32:23.240
<v Speaker 1>like the first person character I tried to like impersonate

0:32:23.320 --> 0:32:25.800
<v Speaker 1>with the voice, Like I was so sure I did

0:32:25.840 --> 0:32:28.440
<v Speaker 1>a good Johnny Bravo, Like I told all my friends

0:32:28.440 --> 0:32:31.560
<v Speaker 1>and all I would say is Johnny Bravo. That's all

0:32:31.600 --> 0:32:35.120
<v Speaker 1>I would say. But I was like, uh, yeah, that

0:32:35.200 --> 0:32:41.200
<v Speaker 1>was perfectly Yeah, what was Johnny Bravo in here? Um?

0:32:41.560 --> 0:32:43.720
<v Speaker 1>For me, it was my girls a power Puff power

0:32:43.760 --> 0:32:48.200
<v Speaker 1>Puff Girls Mojo Jojo. I mean like I was just him,

0:32:48.680 --> 0:32:52.360
<v Speaker 1>which I saw someone cause playing as Um. I just

0:32:52.680 --> 0:32:56.880
<v Speaker 1>loved the concept of this show also combined kind of

0:32:57.000 --> 0:32:59.320
<v Speaker 1>like that anime style for those of us that were,

0:32:59.640 --> 0:33:03.800
<v Speaker 1>you know, um getting into anime at the time. And um,

0:33:04.640 --> 0:33:06.800
<v Speaker 1>I think also just having these three girls that were

0:33:06.840 --> 0:33:10.400
<v Speaker 1>so different. Um, I definitely definitely felt like I was

0:33:10.720 --> 0:33:13.080
<v Speaker 1>Buttercup like im if he knows this about me? And

0:33:13.200 --> 0:33:15.120
<v Speaker 1>very type A. So I was like, she's the leader,

0:33:15.200 --> 0:33:19.040
<v Speaker 1>she's the type A, She's like you know. Um. They

0:33:19.040 --> 0:33:21.560
<v Speaker 1>also had different monsters every week like that to me

0:33:21.760 --> 0:33:24.880
<v Speaker 1>is really even just looking from an animated standpoint, Um,

0:33:26.320 --> 0:33:28.320
<v Speaker 1>I I loved all the colors, Like I just it

0:33:28.400 --> 0:33:31.360
<v Speaker 1>was such a for me. It just embodied who I

0:33:31.560 --> 0:33:34.800
<v Speaker 1>was at that time, in elementary school to middle school

0:33:34.960 --> 0:33:37.000
<v Speaker 1>and so that was like one of my favorite and

0:33:37.120 --> 0:33:41.400
<v Speaker 1>just seeing girls beat up people. Yeah, I mean yeah.

0:33:41.440 --> 0:33:44.040
<v Speaker 1>It was a solid show. And this was Craig McCracken,

0:33:44.200 --> 0:33:47.640
<v Speaker 1>who who like before that, worked on Two Stupids Dogs,

0:33:47.680 --> 0:33:51.040
<v Speaker 1>Space Ghost, Coast to Coast. He had an appearance as himself,

0:33:51.560 --> 0:33:53.400
<v Speaker 1>uh you know he did. He was on you know

0:33:53.680 --> 0:33:57.200
<v Speaker 1>what a cartoon obviously on Dexter's Lab, so he was

0:33:57.280 --> 0:33:59.320
<v Speaker 1>kind of like, you know, one of one of cartoon

0:33:59.400 --> 0:34:04.760
<v Speaker 1>networks guys and h you went on to EP Regular Show, writer,

0:34:04.920 --> 0:34:09.359
<v Speaker 1>storyboard artist for Chowder uh and uh. And his next

0:34:09.440 --> 0:34:12.759
<v Speaker 1>kind of big thing after that, which I remember being great,

0:34:12.920 --> 0:34:17.120
<v Speaker 1>was Foster's Home for Imaginary Friends. So so Craig, you know,

0:34:18.000 --> 0:34:21.440
<v Speaker 1>definitely one of those folks who who was knocked it

0:34:21.520 --> 0:34:23.440
<v Speaker 1>out of the park. I was, I was, you know,

0:34:23.600 --> 0:34:26.640
<v Speaker 1>he also ePAT the pilot of Regular Show as well.

0:34:27.120 --> 0:34:33.200
<v Speaker 1>So so that was and we had all of those

0:34:33.280 --> 0:34:41.759
<v Speaker 1>Dexter and Powerpuff Girls and whatnot. And if we had

0:34:42.200 --> 0:34:46.480
<v Speaker 1>a spaceship, we had a robot named Tom, and we

0:34:46.640 --> 0:34:51.000
<v Speaker 1>had five hours anime programming. I don't even want to

0:34:51.000 --> 0:34:53.319
<v Speaker 1>go I don't even want to go too long into

0:34:53.400 --> 0:34:56.280
<v Speaker 1>this because it's gonna have to be its whole own episode.

0:34:56.800 --> 0:35:00.080
<v Speaker 1>This will be its own episode. Two Unami launched, and

0:35:00.200 --> 0:35:03.239
<v Speaker 1>that was that. That just pretty much I think that

0:35:04.640 --> 0:35:09.600
<v Speaker 1>brought the everyone to to Cartoon Network, like like it

0:35:09.760 --> 0:35:12.160
<v Speaker 1>was through the power of wea biness that we had

0:35:12.280 --> 0:35:15.440
<v Speaker 1>everyone there. Because that's how that's how I kind of

0:35:15.480 --> 0:35:17.720
<v Speaker 1>caught onto some shows that maybe weren't on my radar.

0:35:17.920 --> 0:35:20.120
<v Speaker 1>Was you get to Tunami a little earlier and you're like, oh,

0:35:20.200 --> 0:35:22.680
<v Speaker 1>what's this thing going on? Like if you prepared as

0:35:22.760 --> 0:35:25.920
<v Speaker 1>the opener for Tunami. You're in for some good traffic

0:35:26.080 --> 0:35:29.320
<v Speaker 1>because you you didn't because Tsunami was such an event

0:35:29.719 --> 0:35:32.719
<v Speaker 1>that even the interstitial stuff you wanted to see, like

0:35:32.840 --> 0:35:35.239
<v Speaker 1>all the like back and forth with Tom and seeing

0:35:35.280 --> 0:35:37.720
<v Speaker 1>what he has to say. So you were there early.

0:35:38.080 --> 0:35:40.600
<v Speaker 1>So so if you were, if you were a a

0:35:41.000 --> 0:35:44.520
<v Speaker 1>pre Twunami show, you definitely had eyes on you. We

0:35:44.719 --> 0:35:47.960
<v Speaker 1>had so, Jeff, I don't know what you um. I

0:35:48.040 --> 0:35:50.640
<v Speaker 1>know everyone knows what my favorite thing in Tunami is,

0:35:50.800 --> 0:35:55.960
<v Speaker 1>but we had Sailor Moon DBZ. Voltron Reboot also ended

0:35:56.040 --> 0:36:00.520
<v Speaker 1>up having Gundam Wing. I'm sure Tenchi Muyo later. Um,

0:36:01.000 --> 0:36:04.000
<v Speaker 1>was there a specific anime that you were tuning into for?

0:36:04.239 --> 0:36:09.560
<v Speaker 1>To me? Um, what's to no? No, I'm kidding. I

0:36:09.800 --> 0:36:12.480
<v Speaker 1>loved Reboot. Reboot was my big show. That was the

0:36:12.520 --> 0:36:15.320
<v Speaker 1>first one I really got into. But I think we

0:36:15.400 --> 0:36:19.799
<v Speaker 1>all know where this is going, and it's Dragon Ball Z. Yeah, yeah,

0:36:19.960 --> 0:36:22.359
<v Speaker 1>I might. I have an interesting thing with Dragon Ball

0:36:22.440 --> 0:36:23.840
<v Speaker 1>Zy where my friend was trying to get me to

0:36:23.920 --> 0:36:27.000
<v Speaker 1>watch it forever and I was like, I have no interest,

0:36:27.520 --> 0:36:30.840
<v Speaker 1>And the episode I finally watched it is, in hindsight,

0:36:30.920 --> 0:36:35.319
<v Speaker 1>probably the least interesting episode of the series. It's when

0:36:35.360 --> 0:36:37.399
<v Speaker 1>they're on the way to Dynamic and they run into

0:36:37.440 --> 0:36:43.560
<v Speaker 1>that ship Krillin and Boma and Gohan. No it's not

0:36:43.719 --> 0:36:49.080
<v Speaker 1>the one, because that would be hilarious. Um, they running, well,

0:36:49.280 --> 0:36:52.360
<v Speaker 1>they run into the ship of like it's like Little Boys.

0:36:52.400 --> 0:36:54.320
<v Speaker 1>It's kind of like a Robin or not rob like

0:36:54.360 --> 0:36:57.480
<v Speaker 1>a Peter Pan situation in space. And I think they're

0:36:57.480 --> 0:37:01.959
<v Speaker 1>trying to like take uh you know, Sea Fighter Team's ship.

0:37:02.239 --> 0:37:05.040
<v Speaker 1>And I was just enamored because I had never seen

0:37:05.080 --> 0:37:08.040
<v Speaker 1>anything like it, you know, and literally did. I didn't

0:37:08.040 --> 0:37:10.800
<v Speaker 1>even know who Gohan was, who Goku was. My first

0:37:10.840 --> 0:37:15.480
<v Speaker 1>introduces to the show is Gohan and Krylin. So um yeah,

0:37:15.560 --> 0:37:18.279
<v Speaker 1>I mean I don't know what have happened. If I

0:37:18.360 --> 0:37:20.800
<v Speaker 1>hadn't seen that episode, if I'd be like some giant

0:37:20.880 --> 0:37:23.319
<v Speaker 1>nerd who doesn't know about Dragon Bozzy, and that would

0:37:23.320 --> 0:37:28.000
<v Speaker 1>be sacrilegious. Oh yeah, I mean. Well, one thing I

0:37:28.120 --> 0:37:30.160
<v Speaker 1>want to go back and correct, which I totally did

0:37:30.320 --> 0:37:34.239
<v Speaker 1>forget about, was we we saw tom in when it

0:37:34.400 --> 0:37:40.359
<v Speaker 1>launched in we had space ghost villain Maltar running the ship.

0:37:40.600 --> 0:37:43.440
<v Speaker 1>It was him first, you know, pulling on the on

0:37:43.560 --> 0:37:46.200
<v Speaker 1>the ones and twos to drop these uh these these

0:37:46.239 --> 0:37:48.719
<v Speaker 1>little these cartoons for us, and I do, I do

0:37:48.960 --> 0:37:51.120
<v Speaker 1>remember that, but it's so it was such a small

0:37:51.640 --> 0:37:55.799
<v Speaker 1>piece of time because Tom is Tom. You don't think

0:37:55.840 --> 0:37:58.400
<v Speaker 1>of tonam without thinking Tom. But we doubt. I do

0:37:58.520 --> 0:38:01.160
<v Speaker 1>want to put the little respec on Multar for pulling

0:38:01.239 --> 0:38:04.359
<v Speaker 1>them and the levers to get us these animals right

0:38:04.560 --> 0:38:08.360
<v Speaker 1>uh right up top, you know, because it was it was,

0:38:08.560 --> 0:38:11.359
<v Speaker 1>it was good. Yeah. I didn't join and I think

0:38:11.440 --> 0:38:16.759
<v Speaker 1>until Tom was yeah yeah, because when like launched with

0:38:16.840 --> 0:38:21.320
<v Speaker 1>ThunderCats cartoon uh Roulette, which had like different old school

0:38:21.360 --> 0:38:26.160
<v Speaker 1>cartoons mixed in Voltron and Johnny quest so and then

0:38:26.360 --> 0:38:29.520
<v Speaker 1>the next year is when it went uh full anime.

0:38:29.680 --> 0:38:32.000
<v Speaker 1>So the first year was a wash. I probably didn't

0:38:32.000 --> 0:38:37.200
<v Speaker 1>even watch that the first year. The second year is

0:38:37.480 --> 0:38:40.040
<v Speaker 1>ten years. We are ten years old at this point, Danny,

0:38:40.440 --> 0:38:45.080
<v Speaker 1>is when we jumped over and we had Robotech, Beast Wars, Transformers,

0:38:45.400 --> 0:38:49.000
<v Speaker 1>Sailor Moon, Dragon Ball Z, and Super Friends and that

0:38:49.360 --> 0:38:51.799
<v Speaker 1>is that. Now that is a lineup that is an

0:38:51.920 --> 0:38:56.480
<v Speaker 1>unbeatable lineup. And then we had in reboot Roman Wars

0:38:56.600 --> 0:38:59.600
<v Speaker 1>and power Puff Girls and then two thousand one of

0:38:59.680 --> 0:39:01.560
<v Speaker 1>the most I feel like slept on because I just

0:39:01.680 --> 0:39:05.640
<v Speaker 1>for some reason. This anime is just the design. The

0:39:05.760 --> 0:39:08.440
<v Speaker 1>idea of it was always tight g Force, Guardians of

0:39:08.520 --> 0:39:14.480
<v Speaker 1>Space Mobile Suit, Gundham Wing, Batman animated series, Tinchy Mullo,

0:39:14.840 --> 0:39:20.560
<v Speaker 1>Tinci Universe, Tinchi in Tokyo Blue Summer Number. This was

0:39:20.640 --> 0:39:23.120
<v Speaker 1>the era where there was way too many Tinchy shows.

0:39:23.200 --> 0:39:25.719
<v Speaker 1>I remember this. I was like, why why are there

0:39:25.880 --> 0:39:29.319
<v Speaker 1>so many Tinchy shows? Because like one was like an

0:39:29.440 --> 0:39:31.719
<v Speaker 1>actually like an actual like Samurai anime, and then there

0:39:31.800 --> 0:39:33.520
<v Speaker 1>was one that it felt like it was all about

0:39:33.560 --> 0:39:37.200
<v Speaker 1>the girls being horny for him, Like, uh, I don't

0:39:37.200 --> 0:39:40.480
<v Speaker 1>know which one, but it was wild? Um which one?

0:39:40.520 --> 0:39:48.799
<v Speaker 1>Did you? Uh? Well, I don't, you know. I think

0:39:48.880 --> 0:39:52.239
<v Speaker 1>everyone knows. Everyone knows. But it's so funny because looking

0:39:52.280 --> 0:39:55.000
<v Speaker 1>at these lineups, I remember getting them all and it's

0:39:55.040 --> 0:39:57.360
<v Speaker 1>so funny because we talked about this a ton of

0:39:57.520 --> 0:40:01.560
<v Speaker 1>times with dragon Ball Z, the the ever looping, never

0:40:01.640 --> 0:40:04.120
<v Speaker 1>being able to finish it, because in two thousand one

0:40:04.600 --> 0:40:07.560
<v Speaker 1>is when they showed dragon Ball after they ran dragon

0:40:07.640 --> 0:40:10.239
<v Speaker 1>Ball Z. So they showed dragon Ball after dragon Ball Z.

0:40:10.760 --> 0:40:13.799
<v Speaker 1>But this, I think, damn, I think this is the one.

0:40:13.920 --> 0:40:15.520
<v Speaker 1>This is this is the year two thousand one. You

0:40:15.600 --> 0:40:20.880
<v Speaker 1>had Outlast Star Big Oh, Card Captor, Sucura, Uh Mobile Suit, Gundam,

0:40:21.080 --> 0:40:24.440
<v Speaker 1>the eight MS Team and War in the Pocket, Zoid's

0:40:24.719 --> 0:40:28.359
<v Speaker 1>Batman Beyond and dragon Ball, And that might be one

0:40:28.400 --> 0:40:32.279
<v Speaker 1>of the hardest years. I like, we might have to

0:40:32.320 --> 0:40:34.440
<v Speaker 1>do a poll and see which one everyone like. If

0:40:34.520 --> 0:40:36.960
<v Speaker 1>only the show is listed, what's the year you're taking,

0:40:37.000 --> 0:40:38.959
<v Speaker 1>Because this really does feel like one of those house

0:40:39.080 --> 0:40:45.400
<v Speaker 1>memes because the it's it's great and it's truly sorry.

0:40:45.440 --> 0:40:47.600
<v Speaker 1>I might we gotta keep going because I'll get lost

0:40:47.640 --> 0:40:51.160
<v Speaker 1>into Nami. That was an era that is the foundations

0:40:51.239 --> 0:40:53.520
<v Speaker 1>of I would say, the foundations of the career I

0:40:53.600 --> 0:40:57.760
<v Speaker 1>sit on right now. Yes, that gave me my NERD credit.

0:40:57.840 --> 0:41:04.279
<v Speaker 1>I feel like it's animal Yeah I I I push

0:41:04.360 --> 0:41:06.359
<v Speaker 1>everyone to go through and look at those lines, because

0:41:06.360 --> 0:41:08.720
<v Speaker 1>it was like I was going back into my couch

0:41:08.840 --> 0:41:10.960
<v Speaker 1>every time I was reading these names. Because some you're

0:41:10.960 --> 0:41:13.080
<v Speaker 1>even forgetting. You're like, oh, yeah, I was watching Battle

0:41:13.080 --> 0:41:16.640
<v Speaker 1>and do not me. Oh I love I love being

0:41:16.680 --> 0:41:20.200
<v Speaker 1>a nerve. We have to take a really quick break.

0:41:21.120 --> 0:41:25.400
<v Speaker 1>But then next up m hm, we got when he

0:41:25.520 --> 0:41:27.920
<v Speaker 1>was talking about how a lot of adults watching these cartoons,

0:41:28.880 --> 0:41:38.480
<v Speaker 1>We're gonna talk about Adults Swim right after this, and

0:41:38.800 --> 0:41:41.640
<v Speaker 1>we're back, So we're hopping forward a little bit, uh

0:41:41.920 --> 0:41:47.360
<v Speaker 1>to two thousand and one. Sundays at ten pm, we

0:41:47.520 --> 0:41:53.680
<v Speaker 1>have Adult Swim. Now, if y'all remember, um the commercials

0:41:53.760 --> 0:41:55.839
<v Speaker 1>for this, do you remember it was like a bunch

0:41:55.920 --> 0:41:59.480
<v Speaker 1>of elderly people like coping into the pool and whatnot.

0:42:00.480 --> 0:42:04.440
<v Speaker 1>So this was mature content for older audiences, which if

0:42:04.480 --> 0:42:10.120
<v Speaker 1>you're a kid, there's no way you're turning the challenge. Wait,

0:42:10.200 --> 0:42:12.080
<v Speaker 1>you're turning in the channel if you if it was

0:42:12.160 --> 0:42:15.239
<v Speaker 1>the perfect marketing because you're gonna sit there a bunch

0:42:15.320 --> 0:42:17.600
<v Speaker 1>of kids and be like, all right, y'all gotta turn

0:42:17.680 --> 0:42:19.680
<v Speaker 1>now because it's about to be for the don't you

0:42:19.800 --> 0:42:28.000
<v Speaker 1>were like the hell I am? Uh? They had re runs, anime,

0:42:28.640 --> 0:42:31.520
<v Speaker 1>more anime that we couldn't technically watch on two Nami,

0:42:32.200 --> 0:42:35.120
<v Speaker 1>a lot of sketch comedy, and it kind of created

0:42:35.160 --> 0:42:37.920
<v Speaker 1>its own brand which still holds up today. Like I

0:42:38.000 --> 0:42:40.440
<v Speaker 1>think Adult Swim is considered you know, when I think

0:42:40.480 --> 0:42:43.799
<v Speaker 1>of the Adult Swim exhibit at Comic Con every year,

0:42:43.920 --> 0:42:46.680
<v Speaker 1>it's like kind of although it's a part of Cartoon Network,

0:42:46.760 --> 0:42:53.279
<v Speaker 1>it has it definitely is its own brand and own style. Um. Yeah, yeah, Jeff,

0:42:53.360 --> 0:42:55.719
<v Speaker 1>So do you remember like some of the original thing.

0:42:55.800 --> 0:42:57.759
<v Speaker 1>Were you watching Adult Swim at this time at two

0:42:57.800 --> 0:43:01.279
<v Speaker 1>thousand and one where you allowed to watching it. I

0:43:01.440 --> 0:43:03.680
<v Speaker 1>was the mature age of eleven, and I was ready

0:43:03.719 --> 0:43:07.600
<v Speaker 1>to watch Aquittine Hunger for Yeah. I think Family Guy

0:43:07.800 --> 0:43:09.759
<v Speaker 1>might No, Family Guy wasn't there yet, but I know

0:43:09.800 --> 0:43:14.720
<v Speaker 1>I was watching Aquutines. Um geez. I think Baby Blues

0:43:14.920 --> 0:43:18.640
<v Speaker 1>was on the first season. Uh, what do they have?

0:43:18.800 --> 0:43:22.800
<v Speaker 1>Home movies? Movies movies? We thought that was so gross

0:43:22.840 --> 0:43:25.719
<v Speaker 1>and weird. My brothers and I would watch that. I

0:43:25.960 --> 0:43:28.560
<v Speaker 1>was Yeah, I was very off put by the style

0:43:28.640 --> 0:43:31.040
<v Speaker 1>of home movies because I was so used to like, oh,

0:43:31.239 --> 0:43:35.320
<v Speaker 1>so this is is this occurred? What is this doctor

0:43:35.400 --> 0:43:39.040
<v Speaker 1>Cats coming out? Cats? Yeah? Yeah, I don't know. If

0:43:39.080 --> 0:43:41.040
<v Speaker 1>you're the one thing that always stands out to me

0:43:41.040 --> 0:43:46.160
<v Speaker 1>about home movies is, um, I forgot the little scruffy kids.

0:43:46.400 --> 0:43:47.880
<v Speaker 1>But he was like, yeah, my mom says, I have

0:43:47.960 --> 0:43:50.759
<v Speaker 1>cradle cap and he opens up. Do you remember that scene?

0:43:50.840 --> 0:43:53.040
<v Speaker 1>Every kid people at home are listening to this, Like,

0:43:53.080 --> 0:43:55.520
<v Speaker 1>I remember that he opened up his hair and you

0:43:55.600 --> 0:44:00.239
<v Speaker 1>can see it like on his scalp, his name, and um,

0:44:01.000 --> 0:44:04.600
<v Speaker 1>that is what stands out for me about movies. Yeah,

0:44:05.200 --> 0:44:09.160
<v Speaker 1>I know, yeah, they Adult Swim is interesting and this

0:44:09.320 --> 0:44:12.279
<v Speaker 1>is another thing that would probably get its own episode,

0:44:12.880 --> 0:44:15.959
<v Speaker 1>but because it was interesting seeing Adults Swim fall into

0:44:16.040 --> 0:44:19.360
<v Speaker 1>its voice, because it really definitely even from the beginning,

0:44:19.440 --> 0:44:22.719
<v Speaker 1>you could tell they had they slowly started like having

0:44:22.760 --> 0:44:25.280
<v Speaker 1>those bumps where they would say a little snarky things,

0:44:25.840 --> 0:44:28.200
<v Speaker 1>and then they just went to the all black and

0:44:28.320 --> 0:44:30.520
<v Speaker 1>I was like, oh, oh, what was this all about?

0:44:30.560 --> 0:44:32.920
<v Speaker 1>And then they're just having a combo with the audience

0:44:33.360 --> 0:44:36.680
<v Speaker 1>leading into things, and it was almost like, in a

0:44:36.800 --> 0:44:39.280
<v Speaker 1>weird way, they just kind of took the two Nami

0:44:39.440 --> 0:44:41.960
<v Speaker 1>formula and they're like, oh, we're just we're just kind

0:44:41.960 --> 0:44:44.320
<v Speaker 1>of like between bumps, talk to the audience before we

0:44:44.440 --> 0:44:47.920
<v Speaker 1>jump into stuff, but make it more adult snark humor.

0:44:48.280 --> 0:44:50.759
<v Speaker 1>And they and it seems like they really knocked it

0:44:50.800 --> 0:44:54.239
<v Speaker 1>out the part because people really just was vibing with it.

0:44:54.320 --> 0:44:57.880
<v Speaker 1>And then they started adding like flying Lotus and its

0:44:58.120 --> 0:45:01.520
<v Speaker 1>music in the back. It was yeah, Adult Swim really

0:45:01.560 --> 0:45:04.520
<v Speaker 1>grew into It's it's always cool to see something find

0:45:04.560 --> 0:45:07.200
<v Speaker 1>its voice and then like stick with it, and it

0:45:07.320 --> 0:45:08.880
<v Speaker 1>was and they they were holding it down, you know,

0:45:09.000 --> 0:45:11.800
<v Speaker 1>you had Adults Swim. They were kind of they eventually

0:45:11.840 --> 0:45:15.400
<v Speaker 1>slowly started taking the brunt of Tonami up until uh,

0:45:15.960 --> 0:45:21.359
<v Speaker 1>you know, Tunami was running like up until like two

0:45:21.400 --> 0:45:23.800
<v Speaker 1>thousand and eight, and then like then it was on

0:45:23.880 --> 0:45:26.480
<v Speaker 1>Adult Swim and they had the Anime block and that,

0:45:26.880 --> 0:45:29.479
<v Speaker 1>and then in two thousand twelve they brought to Nami back.

0:45:30.120 --> 0:45:33.399
<v Speaker 1>Uh so let's a and and and and they're going

0:45:33.520 --> 0:45:37.120
<v Speaker 1>hard with this. It's so funny because like I felt

0:45:37.120 --> 0:45:40.080
<v Speaker 1>the big oh too oh yeah, the weird second series though,

0:45:40.480 --> 0:45:43.400
<v Speaker 1>like I I always had like like all the stuff

0:45:43.400 --> 0:45:47.080
<v Speaker 1>they're showing on onto on the new two Namie, I'm like,

0:45:47.120 --> 0:45:49.600
<v Speaker 1>oh yeah, I'm watching it on your crunchy roll and

0:45:49.680 --> 0:45:51.920
<v Speaker 1>all that stuff. Because it's so funny that anime is

0:45:51.960 --> 0:45:55.080
<v Speaker 1>so accessible now. I mean, there's still nothing like watching

0:45:55.120 --> 0:45:56.640
<v Speaker 1>it for free if your parents have cable or if

0:45:56.640 --> 0:45:59.360
<v Speaker 1>you're under age and can't have a million streaming apps,

0:45:59.600 --> 0:46:03.880
<v Speaker 1>but it is like cool to see like just what

0:46:04.400 --> 0:46:08.160
<v Speaker 1>is kind of blowing up and it seems like what

0:46:08.520 --> 0:46:11.520
<v Speaker 1>the smart thing that Tunami is still doing is really

0:46:12.120 --> 0:46:15.240
<v Speaker 1>knocking out those like shown in anime that are popping

0:46:15.280 --> 0:46:18.759
<v Speaker 1>because all these you know, fire Force, you know, you

0:46:18.880 --> 0:46:21.560
<v Speaker 1>got my Hero, Demon Slayer Joe Joe, like, those are

0:46:21.600 --> 0:46:23.880
<v Speaker 1>the ones everyone's talking about anyway, So the kids are

0:46:23.920 --> 0:46:27.359
<v Speaker 1>still in on it. Kids are still in I think

0:46:27.400 --> 0:46:29.880
<v Speaker 1>to just getting to see because we know some of

0:46:29.960 --> 0:46:32.759
<v Speaker 1>those voice actors, at least for the English dub, so

0:46:32.840 --> 0:46:36.040
<v Speaker 1>I think just getting to see them in the stylized

0:46:36.080 --> 0:46:40.840
<v Speaker 1>Cartoon Network slash Tunami commercials, which were always super famous.

0:46:40.920 --> 0:46:43.560
<v Speaker 1>One of my favorites that I think everyone remembers from

0:46:43.640 --> 0:46:47.359
<v Speaker 1>Tunami was when they were um Future Trunks, when they're

0:46:47.360 --> 0:46:52.279
<v Speaker 1>advertising Future Trunks and it's him slashing through the screen um.

0:46:52.800 --> 0:46:56.160
<v Speaker 1>And so even now with one punch Man or Dragon

0:46:56.239 --> 0:46:58.440
<v Speaker 1>Ball Super when they had it on there, I don't

0:46:58.440 --> 0:47:00.440
<v Speaker 1>know if it's still on their replaying, although I wouldn't

0:47:00.440 --> 0:47:03.920
<v Speaker 1>doubt it. Um is is it's funny to get to

0:47:04.040 --> 0:47:07.480
<v Speaker 1>have that, like um those quick cuts of like a

0:47:07.680 --> 0:47:11.360
<v Speaker 1>very popular Tunami, like the style of Tunami commercials that

0:47:11.440 --> 0:47:14.359
<v Speaker 1>they would do to promote. One thing I did want

0:47:14.360 --> 0:47:17.000
<v Speaker 1>to bring up is in two thousand and six, Cartoon

0:47:17.080 --> 0:47:24.360
<v Speaker 1>Network actually had its first live action movie, which was reanimated.

0:47:25.200 --> 0:47:26.680
<v Speaker 1>It was very much in this style. I don't know

0:47:26.680 --> 0:47:28.680
<v Speaker 1>if you saw this, um if you're Jeff, but it

0:47:28.760 --> 0:47:31.040
<v Speaker 1>was in the style of Who Framed Roger rabbit Ish,

0:47:31.120 --> 0:47:34.080
<v Speaker 1>where it's like live action and the cartoons end up

0:47:34.120 --> 0:47:38.440
<v Speaker 1>turning into a show which was called Jimmy's Head Show

0:47:38.760 --> 0:47:42.960
<v Speaker 1>Out of Jimmy's Head. Yeah, yeah, um, but yeah. It

0:47:43.360 --> 0:47:45.400
<v Speaker 1>was kind of controversial because they started to go in

0:47:45.480 --> 0:47:47.920
<v Speaker 1>that direction of having more which we still see kind

0:47:47.960 --> 0:47:52.040
<v Speaker 1>of on adults women stuff, is having humans, and I

0:47:52.160 --> 0:47:55.040
<v Speaker 1>think that was kind of upsetting for some people that

0:47:55.120 --> 0:47:59.239
<v Speaker 1>were just like, no, this is cartoons only. Um, but

0:47:59.400 --> 0:48:03.279
<v Speaker 1>you even had on Space Coast there would be human guests. Yeah.

0:48:04.680 --> 0:48:06.759
<v Speaker 1>But I think a lot of people were scared that

0:48:06.880 --> 0:48:09.320
<v Speaker 1>this was going to turn into like what Nickelodeon is

0:48:09.520 --> 0:48:13.239
<v Speaker 1>or Disney, which is half and half. Um. I think

0:48:13.239 --> 0:48:15.960
<v Speaker 1>a lot of people didn't want that too to happen.

0:48:16.640 --> 0:48:19.520
<v Speaker 1>So I remember now now looking at it, Yeah, I

0:48:19.600 --> 0:48:23.080
<v Speaker 1>don't totally remember reanimated and out of Jimmy's Head. Yeah,

0:48:23.200 --> 0:48:25.240
<v Speaker 1>And I was people are like, oh, it's a cartoon network.

0:48:25.280 --> 0:48:27.360
<v Speaker 1>I was like, yeah, but it's still cartoon adjacent in

0:48:27.400 --> 0:48:30.480
<v Speaker 1>their defense, but you know, and this is like well

0:48:30.560 --> 0:48:33.920
<v Speaker 1>after two thousand and four, when they kind of rebranded

0:48:33.960 --> 0:48:37.040
<v Speaker 1>and had their originals only thing going on, and that's

0:48:37.040 --> 0:48:40.720
<v Speaker 1>when you had Mega's XLR Foster's Home for Imaginary Friends

0:48:40.760 --> 0:48:44.520
<v Speaker 1>and Hi, Hi Puffy Mommy. You MEI who I had

0:48:44.600 --> 0:48:48.160
<v Speaker 1>the biggest crush on? I was, I was, I was

0:48:48.239 --> 0:48:50.040
<v Speaker 1>all in. I was ready to go. I was like

0:48:50.120 --> 0:48:51.839
<v Speaker 1>taking me to Tokyo. I'm about to go out there

0:48:51.840 --> 0:48:54.600
<v Speaker 1>and meet him. Um it was. I was deep in.

0:48:55.080 --> 0:48:58.040
<v Speaker 1>Uh they were and it was in Papiami. Umi was

0:48:58.160 --> 0:49:02.120
<v Speaker 1>the this Japanese popra duo and they and it was

0:49:02.200 --> 0:49:06.000
<v Speaker 1>that perfect uh, that that style of where where they're like, Okay,

0:49:06.040 --> 0:49:08.239
<v Speaker 1>we kind of have a little street style, but also

0:49:08.320 --> 0:49:11.399
<v Speaker 1>we're like fun and they they were. It's they were

0:49:11.480 --> 0:49:15.279
<v Speaker 1>just like super super big. And then they had a

0:49:15.360 --> 0:49:19.600
<v Speaker 1>show and in the US that kind of uh really

0:49:20.440 --> 0:49:21.880
<v Speaker 1>we were like okay, who are these and then we

0:49:21.960 --> 0:49:24.120
<v Speaker 1>kind of knew him as though. The people who did

0:49:24.200 --> 0:49:26.680
<v Speaker 1>the intro to Teen Titans and we're like, okay, well

0:49:26.760 --> 0:49:29.560
<v Speaker 1>y'all did that. We messing with you that that intro

0:49:29.719 --> 0:49:34.360
<v Speaker 1>did slap. I would be remiss slash. Also not wanting

0:49:34.400 --> 0:49:37.279
<v Speaker 1>to get hate mail if we don't bring up Samurai Jack.

0:49:39.520 --> 0:49:43.040
<v Speaker 1>Don't put some respect on Samurai Jack. I think all

0:49:43.080 --> 0:49:46.240
<v Speaker 1>of us watched it, I you know, that animation style,

0:49:46.360 --> 0:49:50.799
<v Speaker 1>classic animation style, so recognizable. UM also wanted to give

0:49:50.800 --> 0:49:53.000
<v Speaker 1>a shout out to Billy and Mandy. A lot of

0:49:53.040 --> 0:49:57.640
<v Speaker 1>people repped Billy and Mandy. Yeah. Um, but now, Jeff,

0:49:57.680 --> 0:50:01.520
<v Speaker 1>we're kind of approaching you'll or the current present day

0:50:02.120 --> 0:50:06.200
<v Speaker 1>cartoon network, UM, which we have Craig of the Creek,

0:50:06.480 --> 0:50:10.160
<v Speaker 1>which we said is is nominated for an Emmy. UM,

0:50:11.760 --> 0:50:13.520
<v Speaker 1>how do you feel? I mean, I feel like y'all

0:50:13.640 --> 0:50:17.200
<v Speaker 1>have been groundbreaking, like literally groundbreaking at this channel, but

0:50:17.239 --> 0:50:20.920
<v Speaker 1>also an animation. Do you feel like there is a

0:50:21.040 --> 0:50:24.440
<v Speaker 1>lot of pressure on the show to two you know,

0:50:24.600 --> 0:50:28.239
<v Speaker 1>I just I'm curious, like as a creator and and

0:50:28.480 --> 0:50:32.320
<v Speaker 1>being groundbreaking what that means as far as artistic freedom

0:50:33.080 --> 0:50:37.880
<v Speaker 1>for Craig of the Creek. Huh. I mean, I don't.

0:50:39.080 --> 0:50:41.399
<v Speaker 1>I think there's a lot of pressure in the sense

0:50:41.520 --> 0:50:43.399
<v Speaker 1>of wanting to do things that need to be done

0:50:43.560 --> 0:50:47.480
<v Speaker 1>and doing them correctly, you know, like because we're following

0:50:47.600 --> 0:50:50.239
<v Speaker 1>like Stephen Universe and Clearance and a lot of other

0:50:50.280 --> 0:50:54.720
<v Speaker 1>shows that were able to like really inform and really

0:50:54.880 --> 0:50:59.480
<v Speaker 1>I think help like just you know, show people like

0:51:00.239 --> 0:51:03.200
<v Speaker 1>that people are different and who people love are different,

0:51:03.320 --> 0:51:05.480
<v Speaker 1>or people's skin color is different, and you know, like

0:51:06.080 --> 0:51:08.360
<v Speaker 1>these are characters you can like and empathize with and

0:51:08.480 --> 0:51:11.440
<v Speaker 1>see yourself in. And I know that's something that we

0:51:11.640 --> 0:51:14.759
<v Speaker 1>really wanted to do on CREG just from day one. Um,

0:51:15.040 --> 0:51:18.640
<v Speaker 1>I think we've done a fine job so far of

0:51:18.840 --> 0:51:21.600
<v Speaker 1>just really like trying to make things as the verse

0:51:21.680 --> 0:51:24.920
<v Speaker 1>as we can. But we're always pushing that envelope. We're

0:51:24.920 --> 0:51:27.920
<v Speaker 1>always trying to make sure that like people are addressing

0:51:28.040 --> 0:51:30.640
<v Speaker 1>characters the way they should be, you know, if somebody

0:51:30.760 --> 0:51:34.320
<v Speaker 1>is non binary, or addressing them by the proper pronouns

0:51:34.360 --> 0:51:37.120
<v Speaker 1>and stuff, because that's stuff super important and it's super

0:51:37.160 --> 0:51:41.560
<v Speaker 1>important to instill that into kids now, Like you know, Um,

0:51:41.840 --> 0:51:45.319
<v Speaker 1>I think that the better we are and like really

0:51:45.560 --> 0:51:49.080
<v Speaker 1>hitting those things and really showing that, like there's gonna

0:51:49.120 --> 0:51:51.080
<v Speaker 1>be different types of people that you're going to encounter,

0:51:51.200 --> 0:51:53.800
<v Speaker 1>and they are no less valid than anyone else. Everyone

0:51:53.920 --> 0:51:57.080
<v Speaker 1>is at this together. All these kids play harmoniously, and

0:51:57.160 --> 0:51:59.920
<v Speaker 1>all these kids appreciate each other and love each other,

0:52:00.040 --> 0:52:03.319
<v Speaker 1>and that's something that so many people need to do. Um.

0:52:03.960 --> 0:52:06.520
<v Speaker 1>So I guess there's a pressure in it, but I

0:52:06.600 --> 0:52:09.279
<v Speaker 1>think it's the societal pressure that everyone has. I think

0:52:09.760 --> 0:52:12.399
<v Speaker 1>that you know, I'm not under any more pressure than

0:52:12.560 --> 0:52:15.160
<v Speaker 1>you or if you or anyone else. It's just we

0:52:15.239 --> 0:52:17.320
<v Speaker 1>want to make sure that we have this platform and

0:52:17.400 --> 0:52:21.200
<v Speaker 1>we're using it properly. And I think that's one of

0:52:21.239 --> 0:52:24.440
<v Speaker 1>the ways we can do it. Um. I you know,

0:52:24.760 --> 0:52:27.040
<v Speaker 1>there's a lot of eyes on the show, and yeah,

0:52:27.080 --> 0:52:28.840
<v Speaker 1>I just want to make sure that we're getting the

0:52:28.960 --> 0:52:32.200
<v Speaker 1>best message out that we can. Yeah, I think of

0:52:32.360 --> 0:52:34.840
<v Speaker 1>when I think of my friend Laula, who does a

0:52:34.880 --> 0:52:38.319
<v Speaker 1>Costa grandees Over, which is a spinoff of Loudhouse. Um,

0:52:39.040 --> 0:52:41.480
<v Speaker 1>this Chicano Family. For me, it's just kind of I

0:52:41.520 --> 0:52:45.000
<v Speaker 1>think pressure in like if this doesn't do well, like

0:52:45.239 --> 0:52:48.759
<v Speaker 1>when will we get this again? You know, it's kind

0:52:48.800 --> 0:52:50.319
<v Speaker 1>of like what we're talking about, Like we just don't

0:52:50.320 --> 0:52:52.840
<v Speaker 1>get to really have a lot of animators and creators

0:52:52.880 --> 0:52:55.680
<v Speaker 1>of color that are getting to as many risks. So

0:52:55.760 --> 0:52:57.760
<v Speaker 1>I guess it is cool that it's at Cartoon Network

0:52:57.800 --> 0:53:01.000
<v Speaker 1>because it does feel like a channel that has dived

0:53:02.040 --> 0:53:04.560
<v Speaker 1>into risks like and I think that is why a

0:53:04.640 --> 0:53:07.239
<v Speaker 1>lot of these are so successful, is because they let

0:53:07.360 --> 0:53:11.480
<v Speaker 1>their creators take big swings um, and a lot of

0:53:11.560 --> 0:53:15.239
<v Speaker 1>those payoff. But are there, um speaking as the head

0:53:15.280 --> 0:53:19.600
<v Speaker 1>writer writing, are there shows that have influenced your style.

0:53:21.560 --> 0:53:24.560
<v Speaker 1>Um yeah, I mean taking it back to something I

0:53:24.600 --> 0:53:28.319
<v Speaker 1>brought up earlier was Static Shock. That was a very

0:53:28.360 --> 0:53:30.719
<v Speaker 1>important show to me for so many reasons as a kid,

0:53:30.840 --> 0:53:33.480
<v Speaker 1>but also like they pushed the envelope a lot, and

0:53:33.880 --> 0:53:36.160
<v Speaker 1>they did things about race, and they did things about

0:53:36.200 --> 0:53:38.759
<v Speaker 1>like gun violence and so many things that we're still

0:53:38.880 --> 0:53:42.520
<v Speaker 1>dealing with today, which it seems kind of taboo to

0:53:42.560 --> 0:53:45.080
<v Speaker 1>bring up in cartoons for kids now, and they were

0:53:45.120 --> 0:53:48.279
<v Speaker 1>doing it, you know, twenty years ago, and I know

0:53:48.480 --> 0:53:50.919
<v Speaker 1>that stuff really affecting me and it helped me learn

0:53:51.239 --> 0:53:54.400
<v Speaker 1>and I think that when we get the opportunity to

0:53:54.480 --> 0:53:56.319
<v Speaker 1>kind of teach kids, that that's something that we need

0:53:56.400 --> 0:54:01.200
<v Speaker 1>to do. So um, there's that's been a big influence

0:54:01.280 --> 0:54:03.520
<v Speaker 1>for me. Also in the sense of like seeing a

0:54:03.840 --> 0:54:06.160
<v Speaker 1>black lead. That wasn't the thing I saw a lot.

0:54:06.320 --> 0:54:09.440
<v Speaker 1>It was always like you're the sidekick, you're the gero,

0:54:09.760 --> 0:54:12.759
<v Speaker 1>you're the nerd or the whatever, you know, like, and

0:54:13.000 --> 0:54:15.600
<v Speaker 1>that was something really important to us when doing Craig

0:54:15.760 --> 0:54:18.520
<v Speaker 1>is like, Craig is the lead, and he's not just

0:54:18.760 --> 0:54:21.600
<v Speaker 1>the nerd or the athlete or the you know what.

0:54:21.760 --> 0:54:24.319
<v Speaker 1>He's just a kid and everybody can just be a kid.

0:54:24.480 --> 0:54:26.560
<v Speaker 1>You don't have to have all these like, you know,

0:54:26.680 --> 0:54:31.040
<v Speaker 1>different pressures on you. So that's um for us. That's

0:54:31.080 --> 0:54:32.759
<v Speaker 1>like the big thing that we're thinking of. That's the

0:54:32.800 --> 0:54:35.480
<v Speaker 1>big thing that I'm always thinking of going into these stories.

0:54:35.600 --> 0:54:39.400
<v Speaker 1>It's just how can we make sure that, like this

0:54:39.520 --> 0:54:42.839
<v Speaker 1>show needs to speak to everyone, and yes, it needs

0:54:42.880 --> 0:54:45.120
<v Speaker 1>to speak to black people, and yes it does, I think,

0:54:45.239 --> 0:54:48.040
<v Speaker 1>and we should feel represented, but it also needs to

0:54:48.120 --> 0:54:53.040
<v Speaker 1>speak to everyone so they know that, you know, we're

0:54:53.080 --> 0:54:56.480
<v Speaker 1>all just people, you know. Yeah, feel that. I feel that.

0:54:56.680 --> 0:55:00.680
<v Speaker 1>I feel that I have a couple more questions. Unless

0:55:00.680 --> 0:55:02.680
<v Speaker 1>you have some questions. If he no, no, you can

0:55:02.719 --> 0:55:07.920
<v Speaker 1>go ask away. Well. As far as creators breaking into

0:55:07.960 --> 0:55:11.120
<v Speaker 1>this space, there's no one way to do it. I

0:55:11.200 --> 0:55:14.960
<v Speaker 1>know we all have like stumbled into not stumbled, but

0:55:15.120 --> 0:55:19.360
<v Speaker 1>like have different avenues that we have created for ourselves

0:55:19.400 --> 0:55:21.960
<v Speaker 1>in order to get to where we are. Is there

0:55:22.200 --> 0:55:24.880
<v Speaker 1>any advice that you give to young creators that are

0:55:24.920 --> 0:55:26.360
<v Speaker 1>like listening. I feel like we have a lot of

0:55:26.400 --> 0:55:27.920
<v Speaker 1>people that are trying to come up in the industry

0:55:28.000 --> 0:55:30.120
<v Speaker 1>right now that listen to Iffy Nice show. I don't

0:55:30.160 --> 0:55:34.319
<v Speaker 1>know if there's any advice that you could give them. Oh,

0:55:34.440 --> 0:55:42.000
<v Speaker 1>man um even just basic. Yeah, it's tough because, like

0:55:42.120 --> 0:55:45.759
<v Speaker 1>you said, there's so many different ways I think. Um,

0:55:46.160 --> 0:55:48.759
<v Speaker 1>you know, the basic answer is always like practice and

0:55:48.880 --> 0:55:51.400
<v Speaker 1>right and practice your craft, and I think that's important.

0:55:51.440 --> 0:55:54.080
<v Speaker 1>But a lot of it is experiences. You know, like

0:55:55.000 --> 0:55:58.000
<v Speaker 1>a lot of times your experiences reflect your writing or

0:55:58.040 --> 0:56:02.879
<v Speaker 1>reflect your art style. And it's very easy to fall

0:56:02.960 --> 0:56:05.000
<v Speaker 1>into a run. I know for me, especially in working

0:56:05.040 --> 0:56:07.880
<v Speaker 1>on stories, it's very easy to like come to it

0:56:08.040 --> 0:56:10.480
<v Speaker 1>from I have this background and this is how I'd

0:56:10.480 --> 0:56:13.400
<v Speaker 1>approached it. And sometimes you need those different experiences to

0:56:13.480 --> 0:56:15.800
<v Speaker 1>fully realize things. You have to be open, you have

0:56:15.920 --> 0:56:18.520
<v Speaker 1>to talk to people. You can't just assume that like, hey,

0:56:18.560 --> 0:56:21.640
<v Speaker 1>I'm gonna write this story and uh, there's gonna be

0:56:21.840 --> 0:56:24.719
<v Speaker 1>the Samoan character. I know nothing about Samoan people. So

0:56:25.360 --> 0:56:28.000
<v Speaker 1>like put in the work and learn the experiences and

0:56:28.480 --> 0:56:30.800
<v Speaker 1>try to reflect that in your story. But also like,

0:56:31.520 --> 0:56:34.239
<v Speaker 1>don't feel like you can't be yourself and what you're

0:56:34.280 --> 0:56:36.800
<v Speaker 1>working on too, Like you really need to infuse yourself

0:56:37.280 --> 0:56:40.759
<v Speaker 1>because that's what you're selling. You're selling your experience as

0:56:40.880 --> 0:56:44.439
<v Speaker 1>well as what you think other experiences are from your own,

0:56:44.560 --> 0:56:47.600
<v Speaker 1>like you know, going out there and learning and experiencing

0:56:47.680 --> 0:56:51.719
<v Speaker 1>different people's lives. I think also for me, and I'm

0:56:51.760 --> 0:56:53.360
<v Speaker 1>sure you feel this way too if he is like

0:56:53.480 --> 0:56:56.520
<v Speaker 1>not getting pigeonholed. Like, so, as a writer, you know,

0:56:56.680 --> 0:56:59.759
<v Speaker 1>the show that I sold was about my trauma like

0:57:00.040 --> 0:57:03.120
<v Speaker 1>experience in mental health care system. But I don't want

0:57:03.160 --> 0:57:06.040
<v Speaker 1>to just be the trauma comedy writer. I realized that

0:57:06.080 --> 0:57:08.160
<v Speaker 1>a lot of people were hitting me up to like,

0:57:08.640 --> 0:57:10.440
<v Speaker 1>you know, this is about mental health and this show

0:57:10.520 --> 0:57:12.640
<v Speaker 1>is about mental health, and I'm like, that's great. I

0:57:12.840 --> 0:57:15.719
<v Speaker 1>kind of just want to write a superhero show, you know.

0:57:15.880 --> 0:57:17.440
<v Speaker 1>I kind of just so the next thing that I'm

0:57:17.480 --> 0:57:20.200
<v Speaker 1>doing right now is an animated property that like doesn't

0:57:20.280 --> 0:57:23.360
<v Speaker 1>deal with hate crimes and doesn't deal with like you know,

0:57:23.440 --> 0:57:25.680
<v Speaker 1>it's kind of just like not not saying that you

0:57:25.800 --> 0:57:29.560
<v Speaker 1>can't do both. That's what I'm saying, is like don't

0:57:30.040 --> 0:57:32.240
<v Speaker 1>It's kind of like what you were saying, like no, no,

0:57:32.560 --> 0:57:34.560
<v Speaker 1>like your voice, but also know that that's not the

0:57:34.720 --> 0:57:37.760
<v Speaker 1>only story that you can tell. And so I was

0:57:37.800 --> 0:57:40.960
<v Speaker 1>just kind of tired of being the expert in trauma like,

0:57:41.080 --> 0:57:43.440
<v Speaker 1>but I also want to have joy, and I want

0:57:43.440 --> 0:57:46.560
<v Speaker 1>to see our characters having joy and being carefree and

0:57:47.000 --> 0:57:49.120
<v Speaker 1>like just getting to go to an amusement park for

0:57:49.200 --> 0:57:51.800
<v Speaker 1>the day or something and not have to worry about

0:57:51.800 --> 0:57:55.320
<v Speaker 1>their parents being deported. And it's just like so, so

0:57:55.560 --> 0:57:59.160
<v Speaker 1>I I would encourage people to um find their voice,

0:57:59.200 --> 0:58:02.240
<v Speaker 1>but also what are shows that bring you joy? And

0:58:02.640 --> 0:58:05.520
<v Speaker 1>watch those? And what I'm doing for my animated property

0:58:05.640 --> 0:58:07.280
<v Speaker 1>is I had to sit down and watch what is

0:58:07.320 --> 0:58:09.680
<v Speaker 1>out now. You know, it's not the same as when

0:58:09.720 --> 0:58:12.000
<v Speaker 1>I when I was younger watching. I have a great

0:58:12.200 --> 0:58:16.440
<v Speaker 1>animated background, but what are kids watching right now? So

0:58:16.640 --> 0:58:20.360
<v Speaker 1>I'm not pitching something that's already out there. Um And

0:58:20.480 --> 0:58:22.320
<v Speaker 1>just so I can know some of these conversations, like

0:58:22.400 --> 0:58:24.280
<v Speaker 1>you were saying, the conversations they have on Craig of

0:58:24.320 --> 0:58:27.680
<v Speaker 1>the Creek and on Stephen Universe are way different than

0:58:27.760 --> 0:58:29.840
<v Speaker 1>what they were allowed to have a decade or two ago.

0:58:30.320 --> 0:58:33.440
<v Speaker 1>That's on some of these these shows. So things have

0:58:33.720 --> 0:58:37.360
<v Speaker 1>elevated and um our characters are even allowed to be

0:58:37.480 --> 0:58:41.120
<v Speaker 1>even more fleshed out. Uh And And so I would

0:58:41.200 --> 0:58:44.440
<v Speaker 1>encourage anyone trying to jump into animation to watch a

0:58:44.520 --> 0:58:47.320
<v Speaker 1>lot of what is out right now. We did it,

0:58:47.800 --> 0:58:50.680
<v Speaker 1>we did it. We did not talk about every show.

0:58:50.880 --> 0:58:53.600
<v Speaker 1>I'm we will do a part two. I promise we

0:58:54.040 --> 0:58:57.000
<v Speaker 1>never can talk about every show, and that's why we

0:58:57.160 --> 0:59:00.320
<v Speaker 1>have episodes about shows. So this is a about the

0:59:00.480 --> 0:59:05.800
<v Speaker 1>journey to where what we've gotten from from Cartoon Network.

0:59:06.080 --> 0:59:08.160
<v Speaker 1>And if you have a show that you're like, oh,

0:59:09.040 --> 0:59:11.080
<v Speaker 1>I want to hear you'all talk about this, I gotta

0:59:11.080 --> 0:59:15.160
<v Speaker 1>do is gently tweet us. We'll put it on the roster. Jeff,

0:59:15.280 --> 0:59:18.960
<v Speaker 1>where can people find People can find me on Twitter

0:59:19.400 --> 0:59:21.640
<v Speaker 1>and on Instagram if you want to see drawings of

0:59:21.720 --> 0:59:25.440
<v Speaker 1>me done by more talented people at Mr Jeff trammel

0:59:25.840 --> 0:59:29.480
<v Speaker 1>u two elms, two els. And I will also tweet

0:59:29.480 --> 0:59:33.000
<v Speaker 1>about our show, our Emmy nominated show Until you went

0:59:33.080 --> 0:59:37.600
<v Speaker 1>in where you can watch it all right? Uh? And me?

0:59:37.760 --> 0:59:40.400
<v Speaker 1>You know I'm always if you wide away, Twitter, Instagram,

0:59:40.640 --> 0:59:44.880
<v Speaker 1>if d's on Twitch, the Salt Squad grows every you

0:59:44.960 --> 0:59:47.640
<v Speaker 1>know y'all have been in there. You know Jeff's been playing.

0:59:47.680 --> 0:59:49.880
<v Speaker 1>If y'all, if y'all think you'all can beat Jeff at

0:59:49.960 --> 0:59:52.240
<v Speaker 1>Dragon Ball fighter Z, pull up, I'm gonna let you

0:59:52.320 --> 0:59:55.600
<v Speaker 1>know right now you probably can't. I know you good.

0:59:55.920 --> 0:59:58.320
<v Speaker 1>Jeff is nice. Jeff is so nice that we had

0:59:58.560 --> 1:00:01.000
<v Speaker 1>some dude come in from the chat and he was like, oh,

1:00:01.160 --> 1:00:02.400
<v Speaker 1>is there a skilled Limon And I was like, no,

1:00:02.640 --> 1:00:05.120
<v Speaker 1>This boy came and watched us, and then he got

1:00:05.240 --> 1:00:07.600
<v Speaker 1>Jeff once and then he was talking about how he'd

1:00:07.600 --> 1:00:09.840
<v Speaker 1>be training and all this stuff, and then Jeff came

1:00:09.840 --> 1:00:12.840
<v Speaker 1>back and beat him. So so so let's say, Jeff,

1:00:13.400 --> 1:00:17.360
<v Speaker 1>it's nice with it. Uh So, so come come, come

1:00:17.400 --> 1:00:19.320
<v Speaker 1>with the heat. We're gonna we're gonna get back to

1:00:19.360 --> 1:00:23.160
<v Speaker 1>what everyone's been. Have him dying, uh to have me

1:00:23.240 --> 1:00:25.960
<v Speaker 1>do it again? And Zeno voice of Hawks that he

1:00:26.120 --> 1:00:28.640
<v Speaker 1>wants in next time. So it'll be fun. You'll get

1:00:28.680 --> 1:00:32.440
<v Speaker 1>to get washed by by the creator of Craig's Creek

1:00:32.480 --> 1:00:34.800
<v Speaker 1>and possibly the voice of Hot. But you know, if

1:00:34.840 --> 1:00:36.880
<v Speaker 1>you need to feel good your boy out here. Me

1:00:36.920 --> 1:00:39.120
<v Speaker 1>I'm still learning, don't worry. I'm gonna I'm gonna get

1:00:39.120 --> 1:00:41.600
<v Speaker 1>one of these fiber classes going. And then one day

1:00:41.800 --> 1:00:44.080
<v Speaker 1>I'm just gonna come back like a big boy and

1:00:44.200 --> 1:00:46.280
<v Speaker 1>Jeff ain't gonna know what hit him. That's that's my

1:00:46.400 --> 1:00:52.960
<v Speaker 1>new that's my new limit. Right now? Where am I

1:00:54.960 --> 1:00:57.240
<v Speaker 1>I am? Miss Danny Fernanez and all the things. And

1:00:57.280 --> 1:00:59.760
<v Speaker 1>also if he and I um both were on a

1:01:00.400 --> 1:01:03.440
<v Speaker 1>called the Great Debate, which came out this week, so

1:01:03.800 --> 1:01:05.600
<v Speaker 1>check it out. It's on sci Fi. It's a bunch

1:01:05.640 --> 1:01:11.600
<v Speaker 1>of nerds and comedians arguing about comedy nerds things. It's

1:01:11.760 --> 1:01:15.080
<v Speaker 1>very funny. So I saw some people in the comments like, oh,

1:01:15.520 --> 1:01:17.640
<v Speaker 1>you know, but I'm like, this is not a straight

1:01:17.880 --> 1:01:21.320
<v Speaker 1>statistical like you know in this season of Batman. He

1:01:21.440 --> 1:01:24.160
<v Speaker 1>blah blah blah. It's it's nerdy comedy people being nerdy

1:01:24.240 --> 1:01:27.360
<v Speaker 1>comedy people. So it's very entertaining. And watch it. It's

1:01:27.360 --> 1:01:30.560
<v Speaker 1>on sci Fi get Out dropping every week for the

1:01:30.640 --> 1:01:36.240
<v Speaker 1>next month. All right, Uh well, I guess that's also

1:01:37.240 --> 1:01:39.000
<v Speaker 1>I guess one. Is it the way we normally in

1:01:39.080 --> 1:01:41.000
<v Speaker 1>this and say say