1 00:00:03,320 --> 00:00:05,519 Speaker 1: What would you talk about on your on your podcast? 2 00:00:05,800 --> 00:00:22,880 Speaker 1: Fine Elvis to representing show, Well, this is awkward. Why 3 00:00:22,920 --> 00:00:24,800 Speaker 1: is it awkward? Because there's an anti chair here where 4 00:00:24,840 --> 00:00:27,200 Speaker 1: Elvis was about ten seconds ago? Where do you go? 5 00:00:27,280 --> 00:00:35,000 Speaker 1: Where from us? Away from us? No? Talking to his microphone? 6 00:00:35,080 --> 00:00:36,519 Speaker 1: Is there a chance he went to the bathroom and 7 00:00:36,520 --> 00:00:40,239 Speaker 1: maybe he's coming back. He took his coffee and he 8 00:00:40,280 --> 00:00:42,159 Speaker 1: looked like he had a mission. He was out of here. 9 00:00:42,479 --> 00:00:45,880 Speaker 1: He's gone. I like it. Good for him, I'll be honest. 10 00:00:46,159 --> 00:00:48,880 Speaker 1: This whole working from home thing is pretty damn great. 11 00:00:49,840 --> 00:00:52,000 Speaker 1: Now you've done this before, right, like one other day. 12 00:00:52,360 --> 00:00:54,240 Speaker 1: I did it one other day, and then I was 13 00:00:54,280 --> 00:00:56,960 Speaker 1: sick the other couple of days, so I don't really 14 00:00:57,000 --> 00:00:59,640 Speaker 1: consider that counting because I was sick the day I 15 00:00:59,720 --> 00:01:03,200 Speaker 1: was working from home. I think, of everyone in this room, 16 00:01:03,240 --> 00:01:05,800 Speaker 1: I am the only person who has not worked from 17 00:01:05,840 --> 00:01:10,560 Speaker 1: home once since the pandemic starting. I've been here every 18 00:01:10,600 --> 00:01:14,080 Speaker 1: freaking day since the beginning, and I still don't know 19 00:01:14,160 --> 00:01:16,040 Speaker 1: what it's like to do what Nates doing now, making 20 00:01:16,080 --> 00:01:19,880 Speaker 1: scrambled eggs during the commercial breaks, and the only thing back, 21 00:01:20,040 --> 00:01:22,040 Speaker 1: the only thing that's giving you back is your fingers, 22 00:01:22,400 --> 00:01:24,200 Speaker 1: And you know that because you could do the job 23 00:01:24,280 --> 00:01:27,480 Speaker 1: from home, but because of your fingers and their size, 24 00:01:27,800 --> 00:01:32,400 Speaker 1: you cannot run the Let's get a visual. Diana is 25 00:01:32,440 --> 00:01:36,880 Speaker 1: here videotaping this, this whole audio console that people are 26 00:01:36,920 --> 00:01:39,679 Speaker 1: seeing in front of us. This is what needs what 27 00:01:39,800 --> 00:01:43,080 Speaker 1: I need to do my job. Okay, because during the pandemic, 28 00:01:43,120 --> 00:01:44,440 Speaker 1: you know, I was sitting the chair and I pressed 29 00:01:44,440 --> 00:01:48,240 Speaker 1: all the buttons. They wanted to take this and put 30 00:01:48,280 --> 00:01:51,640 Speaker 1: it on an iPad for me to bring home, and 31 00:01:51,680 --> 00:01:54,400 Speaker 1: they wanted me to slide my fingers up and down 32 00:01:54,440 --> 00:01:58,360 Speaker 1: an iPad virtually and press little tiny buttons with my 33 00:01:58,400 --> 00:02:02,040 Speaker 1: fat fingers. The size an iPad, but it has to 34 00:02:02,160 --> 00:02:05,240 Speaker 1: encompass everything you see here with all these buttons. You 35 00:02:05,280 --> 00:02:06,760 Speaker 1: mean to tell me that I'm not going to make 36 00:02:06,880 --> 00:02:09,960 Speaker 1: one false move or one mistake or something you knew 37 00:02:10,000 --> 00:02:12,000 Speaker 1: that it would have been sho would have been a disaster. 38 00:02:12,240 --> 00:02:15,400 Speaker 1: It's not optimal. I will say that I can't do 39 00:02:15,480 --> 00:02:17,600 Speaker 1: my job from home either. I did, because that has 40 00:02:17,639 --> 00:02:20,919 Speaker 1: been here every day and Foggy does it. I've been home, 41 00:02:21,280 --> 00:02:23,400 Speaker 1: but I somebody still has to be here to do 42 00:02:23,480 --> 00:02:25,480 Speaker 1: my job. So I can only do half my job 43 00:02:25,520 --> 00:02:28,560 Speaker 1: from home, like I would sit in Scotty's seat, and 44 00:02:28,600 --> 00:02:31,080 Speaker 1: he would tell me what to do. But he would 45 00:02:31,720 --> 00:02:33,680 Speaker 1: you could have used like one of these little rubber 46 00:02:33,760 --> 00:02:35,680 Speaker 1: like you you know, have the little stylus. He couldn't 47 00:02:35,760 --> 00:02:39,399 Speaker 1: use that. You couldn't use that totally. Turning the microphones 48 00:02:39,440 --> 00:02:42,640 Speaker 1: on hold one on the fly. That's very hard hard 49 00:02:42,680 --> 00:02:44,680 Speaker 1: to do. You've got to play this thing like a 50 00:02:44,720 --> 00:02:53,760 Speaker 1: fucking piano. Man. I wasn't gonna bring that up, Gandi. 51 00:02:53,800 --> 00:02:55,600 Speaker 1: I was gonna try to leave that out of the conversation. 52 00:02:55,800 --> 00:02:57,720 Speaker 1: I said, scary fox it up half the time in 53 00:02:57,760 --> 00:03:02,880 Speaker 1: front of the real board. Do you know how many 54 00:03:02,960 --> 00:03:05,839 Speaker 1: breakdowns and meltdowns we would have had? Have I been 55 00:03:06,960 --> 00:03:11,160 Speaker 1: the pandemic couldn't happen too many? Too many? Is this 56 00:03:11,200 --> 00:03:14,560 Speaker 1: your pits for job security? That and the fact that 57 00:03:15,000 --> 00:03:17,680 Speaker 1: I want to just know, honestly, date, what's it like 58 00:03:17,800 --> 00:03:19,240 Speaker 1: being at home? This is like one of your first 59 00:03:19,280 --> 00:03:22,080 Speaker 1: times your home. The Probably the best thing was the 60 00:03:22,080 --> 00:03:26,440 Speaker 1: fact that I slept in a full hour longer because 61 00:03:26,560 --> 00:03:29,839 Speaker 1: my commute is roughly forty five minutes to an hour, 62 00:03:30,720 --> 00:03:34,960 Speaker 1: so I slept in until five six because my alarm 63 00:03:35,000 --> 00:03:38,760 Speaker 1: goes off an hour. It was the greatest feeling to 64 00:03:38,840 --> 00:03:46,320 Speaker 1: wake up actually rested. How sound this time the morning 65 00:03:46,360 --> 00:03:50,000 Speaker 1: means everything? It's you know, and people say like, oh, 66 00:03:50,080 --> 00:03:53,720 Speaker 1: you're done early, Oh my god, you're done. Okay, first 67 00:03:53,720 --> 00:03:56,240 Speaker 1: of all, we're not done. Second of all, if you 68 00:03:56,320 --> 00:03:59,200 Speaker 1: had never woken up at like four in the morning 69 00:03:59,560 --> 00:04:02,280 Speaker 1: on an sistant basis, try it for a week, you 70 00:04:02,320 --> 00:04:07,360 Speaker 1: will slowly die inside. And then everybody's like, oh, we're 71 00:04:07,360 --> 00:04:09,000 Speaker 1: going to launch or we're going to do this. You 72 00:04:09,000 --> 00:04:10,560 Speaker 1: want to call me, and I'm like, no, I just 73 00:04:10,600 --> 00:04:14,440 Speaker 1: on a nap. Nap. But then, on top of being 74 00:04:14,440 --> 00:04:18,120 Speaker 1: able to sleep in my refrigerator is fifteen feet away, 75 00:04:18,440 --> 00:04:20,359 Speaker 1: whatever I want is there. I don't have to like 76 00:04:20,400 --> 00:04:22,320 Speaker 1: try and remember my yogurt in the morning, which I 77 00:04:22,360 --> 00:04:25,880 Speaker 1: forget occasionally. If I wanted a coffee, it's right there, 78 00:04:26,160 --> 00:04:28,360 Speaker 1: and it's not a coffee maker that somebody stuck their 79 00:04:28,400 --> 00:04:33,279 Speaker 1: dicken Scottie. It is great. I mean, we don't know 80 00:04:33,279 --> 00:04:35,719 Speaker 1: what you do to your coffee. True, fair enough, Garrett. 81 00:04:35,760 --> 00:04:37,800 Speaker 1: But then the other great thing is as soon as 82 00:04:37,800 --> 00:04:40,520 Speaker 1: I'm done, I take out my headphones, I close my laptop, 83 00:04:40,600 --> 00:04:45,000 Speaker 1: I can go back to bed and in seconds second back, 84 00:04:45,440 --> 00:04:47,599 Speaker 1: two hours back. Every day you don't have to press 85 00:04:47,640 --> 00:04:50,120 Speaker 1: three two four two. When you got to take four 86 00:04:50,200 --> 00:04:54,080 Speaker 1: to you could just say, oh, we'll get this. Well, 87 00:04:54,120 --> 00:04:56,599 Speaker 1: did you notice I was gone from six to seven? 88 00:04:57,080 --> 00:05:00,600 Speaker 1: Just what I was doing? Wait, you would say, if 89 00:05:00,640 --> 00:05:04,080 Speaker 1: that's ten hours a week, Brody, do the math, how 90 00:05:04,240 --> 00:05:09,279 Speaker 1: like five days a week? Oh my gosh, it's a 91 00:05:09,320 --> 00:05:12,200 Speaker 1: lot of time. Scott Scotty has a commute that's just 92 00:05:12,279 --> 00:05:15,320 Speaker 1: as long, and he leaves even earlier. It's like you, 93 00:05:15,839 --> 00:05:18,360 Speaker 1: I'm telling you, like people at work this shift or 94 00:05:18,400 --> 00:05:22,320 Speaker 1: get up this early, you are not working to your 95 00:05:22,360 --> 00:05:25,039 Speaker 1: full potential. I hate to say it, you know what, though, 96 00:05:25,279 --> 00:05:26,560 Speaker 1: And I know that you guys are all gonna be like, 97 00:05:26,560 --> 00:05:29,279 Speaker 1: what the I don't like working from home at all. 98 00:05:29,680 --> 00:05:31,880 Speaker 1: I do it because I want, you know, there's stuff 99 00:05:31,920 --> 00:05:34,000 Speaker 1: that has to happen, and I have certain obligations right 100 00:05:34,000 --> 00:05:35,560 Speaker 1: now that I have to be kind of meeting. But 101 00:05:35,960 --> 00:05:38,800 Speaker 1: I would much rather come into work and split up 102 00:05:38,800 --> 00:05:40,640 Speaker 1: my day than be home all day. I feel like 103 00:05:40,680 --> 00:05:44,400 Speaker 1: I'm less productive. I don't pay attention as much, I think, 104 00:05:44,680 --> 00:05:47,119 Speaker 1: and then I just feel like the chemistry of dealing 105 00:05:47,120 --> 00:05:49,159 Speaker 1: with you guys and talking to you guys feels better 106 00:05:49,160 --> 00:05:52,440 Speaker 1: and I'm more awake when I'm actually here in the studio. Well, 107 00:05:53,040 --> 00:05:54,800 Speaker 1: let me get this, let me let me just straight 108 00:05:54,839 --> 00:05:57,360 Speaker 1: and the show is better when we're all there. Yeah, 109 00:05:57,400 --> 00:05:59,160 Speaker 1: I think it's fun. We get the energy. There's the 110 00:05:59,279 --> 00:06:02,240 Speaker 1: timing issue, there's there's no delay. I mean, we are here, 111 00:06:02,320 --> 00:06:04,760 Speaker 1: live in front. We we read body language, and we 112 00:06:04,800 --> 00:06:07,440 Speaker 1: feed off each other's energy. But on a personal level, 113 00:06:07,680 --> 00:06:12,640 Speaker 1: working from home, holy shite, that's why it's nice that 114 00:06:12,760 --> 00:06:16,280 Speaker 1: we can. We can have the best of all the 115 00:06:16,400 --> 00:06:26,880 Speaker 1: freedom A second quarter fingers at this point, but seriously, 116 00:06:26,960 --> 00:06:29,719 Speaker 1: because coming in there it's like so much fun. We 117 00:06:29,760 --> 00:06:32,240 Speaker 1: have a great time. But if something needs to be done, 118 00:06:32,320 --> 00:06:34,240 Speaker 1: or if we cannot get there for some reason, like 119 00:06:34,279 --> 00:06:36,599 Speaker 1: today I didn't get to come in, it's it's you're 120 00:06:36,640 --> 00:06:38,680 Speaker 1: okay with it, like you know what I mean, and 121 00:06:38,720 --> 00:06:42,040 Speaker 1: we make it work. We still we still have great shows. 122 00:06:42,520 --> 00:06:46,120 Speaker 1: Guys are a lot skinnier than scary. There was a 123 00:06:46,480 --> 00:06:49,520 Speaker 1: window with doing it because in the beginning of the pandemic, 124 00:06:49,520 --> 00:06:51,160 Speaker 1: when we were all at home, we all kind of 125 00:06:51,240 --> 00:06:53,080 Speaker 1: messed up all kinds of stuff. You have to figure 126 00:06:53,080 --> 00:06:55,840 Speaker 1: it out. We learned it, and now it's totally fine 127 00:06:55,839 --> 00:06:57,840 Speaker 1: and smooth when we're all home. You should have done 128 00:06:57,839 --> 00:06:59,800 Speaker 1: it then and funked it all up then when we 129 00:06:59,760 --> 00:07:03,960 Speaker 1: were all doing it now now it's scary, right, and 130 00:07:04,000 --> 00:07:06,200 Speaker 1: you should have had like a justin case like you 131 00:07:06,200 --> 00:07:08,080 Speaker 1: should have had them hook it up at home, just 132 00:07:08,320 --> 00:07:11,360 Speaker 1: in case. The comunity then that didn't come along for 133 00:07:11,440 --> 00:07:14,440 Speaker 1: quite something. That was that was like at least six months. 134 00:07:14,440 --> 00:07:16,560 Speaker 1: I want to say that they figured out for at 135 00:07:16,640 --> 00:07:19,360 Speaker 1: least four months. Yeah, the I pad thing, they did 136 00:07:19,360 --> 00:07:21,720 Speaker 1: it my old job. You were able to do that, 137 00:07:21,760 --> 00:07:24,440 Speaker 1: and that was years ago. The board, though, that scary 138 00:07:24,560 --> 00:07:27,360 Speaker 1: runs is a lot. I honestly don't know how you 139 00:07:27,360 --> 00:07:31,080 Speaker 1: would do that from home. Like many it did physical 140 00:07:31,160 --> 00:07:34,600 Speaker 1: buttons and levers and faders and things. I'd like to 141 00:07:34,600 --> 00:07:36,880 Speaker 1: see Scary get the actual replica of that board in 142 00:07:36,960 --> 00:07:43,600 Speaker 1: his house. Then are you talking now that they loved 143 00:07:43,600 --> 00:07:45,840 Speaker 1: the corporate card? Go buy him aboard for his house. 144 00:07:45,920 --> 00:07:48,080 Speaker 1: Let's go the way. I have never had a corporate card. 145 00:07:48,080 --> 00:07:49,840 Speaker 1: The only person with a corporate card is Scotty B. 146 00:07:50,000 --> 00:07:54,640 Speaker 1: And he has to pay for gas for the station vehicles. Scotty, Scotty, 147 00:07:54,720 --> 00:07:57,080 Speaker 1: sell one of the station vehicles and get Scary aboard 148 00:07:57,120 --> 00:07:59,280 Speaker 1: for his house. You wouldn't have just said that, I 149 00:07:59,320 --> 00:08:01,000 Speaker 1: probably could have and they wouldn't know. But now that 150 00:08:01,120 --> 00:08:02,720 Speaker 1: they don't watch this, they don't care about us. Then 151 00:08:02,720 --> 00:08:06,520 Speaker 1: I'm watching this podcast, is right? There are a couple 152 00:08:06,560 --> 00:08:09,240 Speaker 1: of issues. Froggy, here's a living room he never sits in. 153 00:08:09,240 --> 00:08:10,880 Speaker 1: He could put it right in the living room. Yeah, 154 00:08:10,880 --> 00:08:13,880 Speaker 1: I can turn my living room into my full fledged studio. 155 00:08:14,080 --> 00:08:16,680 Speaker 1: Right wait, Danielle, what are the issues? Like? Just I mean, 156 00:08:16,720 --> 00:08:18,960 Speaker 1: it's kind of stupid, but like, say you cut a 157 00:08:19,000 --> 00:08:21,800 Speaker 1: commercial while you're in studio, Like I was in studio yesterday, 158 00:08:22,000 --> 00:08:24,240 Speaker 1: so I cut a whole bunch of commercials. The mic 159 00:08:24,360 --> 00:08:27,280 Speaker 1: quality is different. So I got a couple of emails 160 00:08:27,280 --> 00:08:31,120 Speaker 1: today that said, hey, these need revisions for whatever reason. Well, 161 00:08:31,160 --> 00:08:34,560 Speaker 1: I can't just cut the line because it sounds totally different, 162 00:08:34,800 --> 00:08:37,600 Speaker 1: So I have to recut the entire commercial again because 163 00:08:37,600 --> 00:08:45,160 Speaker 1: it's a different microphone that different. Right, But Scary has 164 00:08:45,200 --> 00:08:48,199 Speaker 1: the same microphone at his house, so he's getting closer. 165 00:08:48,600 --> 00:08:50,599 Speaker 1: How much money you spend on that microphone? It's like, 166 00:08:50,720 --> 00:08:52,679 Speaker 1: don't you listen to the Brooklyn Boys podcast? He has 167 00:08:52,720 --> 00:08:57,200 Speaker 1: at two point seven million dollars. Set the microphone at 168 00:08:57,200 --> 00:08:59,880 Speaker 1: your house the same one in the studio. Yes, but 169 00:09:00,080 --> 00:09:01,880 Speaker 1: this is not the one that feeds from my commercials. 170 00:09:02,240 --> 00:09:05,600 Speaker 1: That's when you took from the studio. Yeah, the commercial 171 00:09:06,120 --> 00:09:07,880 Speaker 1: No no, no, no, they could They didn't set it 172 00:09:07,960 --> 00:09:12,920 Speaker 1: up like that. This is the one, very funny, that's 173 00:09:12,480 --> 00:09:17,920 Speaker 1: the very famous one. But because of the thing they 174 00:09:17,960 --> 00:09:21,160 Speaker 1: haven't figured out. They're actually working on it now to 175 00:09:21,280 --> 00:09:23,360 Speaker 1: figure out how I can do commercials from home. That's 176 00:09:23,360 --> 00:09:26,200 Speaker 1: on exactly the same. So well, you're talking about a 177 00:09:26,240 --> 00:09:28,840 Speaker 1: digital Mike USB mike, which is one the black one, 178 00:09:28,880 --> 00:09:31,600 Speaker 1: and versus a regular standard analog Mike which is the 179 00:09:31,600 --> 00:09:33,640 Speaker 1: silver one. You know, we are holding Nate back from 180 00:09:33,679 --> 00:09:36,240 Speaker 1: just enjoying the rest of his dab. I know, can 181 00:09:36,280 --> 00:09:41,320 Speaker 1: we cut this short finish? I want to give Nates 182 00:09:41,360 --> 00:09:43,079 Speaker 1: something to shoot for Nate some day. In one day 183 00:09:43,080 --> 00:09:44,800 Speaker 1: in February, I did the show from a hot tub, 184 00:09:44,880 --> 00:09:48,880 Speaker 1: so just gold really, Oh my god, I just told 185 00:09:48,880 --> 00:09:52,840 Speaker 1: two years you're telling me you in the hot tub once. Yeah. 186 00:09:53,520 --> 00:09:56,960 Speaker 1: I always pictured Brody laying down with his Plant Tronics 187 00:09:56,960 --> 00:10:01,160 Speaker 1: bluetooth in his ear, listening to the station and then 188 00:10:01,160 --> 00:10:03,640 Speaker 1: writing jokes on on his phone and then they were 189 00:10:03,679 --> 00:10:06,800 Speaker 1: going into the slack chat. That's how I always envisioned 190 00:10:06,840 --> 00:10:10,400 Speaker 1: you during the pandemic. Yeah, yes, that's correct. But there 191 00:10:10,400 --> 00:10:12,959 Speaker 1: were days I was out brushing the pool and getting 192 00:10:13,040 --> 00:10:15,520 Speaker 1: leaves out of the pool. Uh, you know, stuff like that. 193 00:10:15,559 --> 00:10:18,560 Speaker 1: But the hot tub was calling me one morning. He's 194 00:10:18,600 --> 00:10:20,679 Speaker 1: calling me. Actually, I think you go back to sleep. 195 00:10:20,720 --> 00:10:24,439 Speaker 1: We're all to go back to sleep during the scary 196 00:10:24,520 --> 00:10:27,040 Speaker 1: asked me on a Brooklyn Boys episode two weeks ago. 197 00:10:27,160 --> 00:10:28,960 Speaker 1: He said, Brody, be honest. Now, no one's gonna hear 198 00:10:28,960 --> 00:10:31,120 Speaker 1: this with us. You've fallen asleep during the show, right. 199 00:10:31,559 --> 00:10:33,199 Speaker 1: I said, no, no, I have it. He goes, yes, 200 00:10:33,280 --> 00:10:37,319 Speaker 1: you have never never. I think your heads on the pillow. 201 00:10:39,360 --> 00:10:42,800 Speaker 1: I've laid down a couple of times. I'm not gonna. 202 00:10:43,160 --> 00:10:46,520 Speaker 1: I'm not gonna. This is this is my ug pillow. 203 00:10:46,559 --> 00:10:52,640 Speaker 1: It's always soft, and called all right, is there anything else? 204 00:10:52,679 --> 00:10:55,040 Speaker 1: And then the student goes, oh, I got one more question, Nate. 205 00:10:55,120 --> 00:10:57,319 Speaker 1: Is that student ready to leave the class right now? 206 00:10:57,400 --> 00:11:00,320 Speaker 1: And like, oh god, everybody put your hands down. But say, 207 00:11:00,360 --> 00:11:03,079 Speaker 1: come on, okay. You know what if if I gotta 208 00:11:03,120 --> 00:11:05,520 Speaker 1: tell you, if if if Heather was home a couple 209 00:11:05,559 --> 00:11:07,120 Speaker 1: of days and Nate was home a couple of days, 210 00:11:07,360 --> 00:11:09,440 Speaker 1: you know they'd be having sex during a commercial break. 211 00:11:09,520 --> 00:11:13,280 Speaker 1: You know they were chog. Wouldn't be if she wasn't sick, 212 00:11:13,320 --> 00:11:19,640 Speaker 1: I might have tried it some right. Yeah, well it 213 00:11:19,720 --> 00:11:21,959 Speaker 1: was fun being from home, but I do miss you guys, 214 00:11:21,960 --> 00:11:24,120 Speaker 1: and I can't wait to be back in there. This 215 00:11:24,240 --> 00:11:26,000 Speaker 1: would I got your chocolate bunny milk? When are you 216 00:11:26,000 --> 00:11:28,960 Speaker 1: gonna kind? Well? How? Oh god? I don't know if 217 00:11:29,000 --> 00:11:35,000 Speaker 1: i'll be there. Let I don't know, Scotty. That's really 218 00:11:35,040 --> 00:11:38,640 Speaker 1: cutting it close there. Can you freeze that stuff? Chocolate 219 00:11:38,679 --> 00:11:41,760 Speaker 1: bunny milk? Is that special for Easter? Yeah? It's really 220 00:11:41,760 --> 00:11:44,760 Speaker 1: good from Stu Leonard. They have different seasonal milk and 221 00:11:44,800 --> 00:11:48,960 Speaker 1: this is the Easter milk. The milk is the milk hollow. Yes. 222 00:11:49,400 --> 00:11:51,720 Speaker 1: How does the chocolate in a chocolate milk different from 223 00:11:51,720 --> 00:11:55,160 Speaker 1: a chocolate bunny milk. It's just it's a richer chocolate. Yeah, 224 00:11:55,280 --> 00:12:00,440 Speaker 1: it's excellent. Yeah, well I'll go over godd he save 225 00:12:00,480 --> 00:12:04,200 Speaker 1: it and not a day Friday. It'll go great, that's true. 226 00:12:05,120 --> 00:12:07,000 Speaker 1: Are we done? We're done? Right? I think we were 227 00:12:07,000 --> 00:12:11,400 Speaker 1: done a little while ago, but yeah, we're done, everybody. 228 00:12:12,000 --> 00:12:23,319 Speaker 1: I got therapist coming in in three minutes. The fifteen 229 00:12:23,360 --> 00:12:24,320 Speaker 1: minute Morning Show