WEBVTT - Chapter 22: The Deal

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<v Speaker 1>Bridgewater is a production of iHeartRadio three D audio and

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<v Speaker 1>Grim and Mild from Aaron Mackey. For a full exposure,

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<v Speaker 1>listen with headphones. Listener discretion advised. I want to help

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<v Speaker 1>Jeremy because you're special. So I want to offer you

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<v Speaker 1>a choice. Why what choice? You don't want to hear?

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<v Speaker 1>Why you're no? Okay, sure we can talk about that first.

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<v Speaker 1>I guess why would I help you? That's what you're

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<v Speaker 1>asking right? Sure to start, you know, now that the

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<v Speaker 1>shock has worn off, you seem remarkably calm for someone

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<v Speaker 1>talking to an ageless, magical being. Well, let's just say

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<v Speaker 1>I've learned to accept a lot in the past few weeks,

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<v Speaker 1>and this is just another thing to add to the pilot.

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<v Speaker 1>Well that's a little insulting. Oh, I'm sorry to hurt

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<v Speaker 1>your feelings, but I do have more important things to

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<v Speaker 1>focus on right now. Of course, of course your father, right,

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<v Speaker 1>what about him? Well, I know what he's thinking of doing,

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<v Speaker 1>I mean, so noble. How do you know that he

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<v Speaker 1>talked about it in my forest with that awful woman,

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<v Speaker 1>the one who gave you those ridiculous rooms. You mean,

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<v Speaker 1>the rooms that were meant to protect us, that you sabotage,

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<v Speaker 1>no sense of adventure. I'm almost disappointed. Jeremy must be

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<v Speaker 1>a real kick in the teeth. Huh, dear old dad

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<v Speaker 1>wanting to throw himself back into nowhere rather than stay

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<v Speaker 1>here with you. Oh, come on, if you've just come

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<v Speaker 1>here to mock no, no, no. Well, to be fair,

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<v Speaker 1>you came to me stomping through the woods shouting for

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<v Speaker 1>the faye. What exactly were you hoping to say to us?

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<v Speaker 1>I want to talk about the deal. Well, what a

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<v Speaker 1>lovely coincidence. I do too. I was about to come

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<v Speaker 1>looking for you myself before you very kindly brought yourself

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<v Speaker 1>to me. All right, then, I guess I will ask

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<v Speaker 1>another question. Why are you saying that I'm special? Well,

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<v Speaker 1>you see, I don't particularly like losing. From where I'm standing,

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<v Speaker 1>it seems like you've gotten exactly what you want for

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<v Speaker 1>the past several centuries. Sure, fine, the deal is, it's whatever.

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<v Speaker 1>But I get bored and you've got a very interesting energy. Jeremy.

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<v Speaker 1>When you were a kid, you believed, and you were

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<v Speaker 1>always wandering off where you weren't supposed to. You remember that,

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<v Speaker 1>don't you? Or have you forgotten that this isn't your

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<v Speaker 1>first time meeting the fair Realm up close. It was

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<v Speaker 1>you when I was a kid. You try to lure

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<v Speaker 1>me away. No, here's the thing about that. Nothing lured

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<v Speaker 1>you over. You didn't have to be lured. What are

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<v Speaker 1>you talking about. I don't know if you were just

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<v Speaker 1>a naturally curious kid or just fucking lucky. But you

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<v Speaker 1>ran into a puckwagie just happened upon it. That doesn't

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<v Speaker 1>make any sense, I know, right, And then what's weird?

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<v Speaker 1>The thing tries to do its whole spiel, come play

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<v Speaker 1>with us whatever. That seemed good to you, so you followed.

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<v Speaker 1>And here's where it gets really weird. You came to

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<v Speaker 1>the other side just right on in. What what do

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<v Speaker 1>you mean? Yeah, you're not supposed to be able to

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<v Speaker 1>do that, but I don't know. I guess with the

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<v Speaker 1>timing of the veil being thinner and whatever magical activity

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<v Speaker 1>those weirdos were doing, something hinky was going on in

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<v Speaker 1>the Bridgewater Triangle and you just tripped right on into

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<v Speaker 1>our kingdom. You're telling me that I've been to the

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<v Speaker 1>Faye Realm. You spent a lovely afternoon there. I'm actually

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<v Speaker 1>kind of insalted. You don't remember anything about it. I don't.

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<v Speaker 1>This doesn't make any sense. Why why would you let

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<v Speaker 1>me go? I didn't. I wouldn't have been able to

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<v Speaker 1>take you back even if I wanted to. Okay, no,

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<v Speaker 1>that's a lie. I could have, but I didn't want to.

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<v Speaker 1>So I don't get to observe humans all that much,

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<v Speaker 1>not for longer than it takes to, you know, take

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<v Speaker 1>their lives. And I had just taken a girl, so

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<v Speaker 1>I wasn't really looking for another. But wait, wait, wait, wait,

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<v Speaker 1>there was that that kid that went missing from her

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<v Speaker 1>girl Scout Truth, the one that my dad and Anne found. Well,

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<v Speaker 1>they didn't find her exactly. Francine Markham Jesus, that was

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<v Speaker 1>her name, and now it's one of mine, And that's

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<v Speaker 1>this body. The story I told you about getting lost

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<v Speaker 1>and moving away when I was a kid was totally true.

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<v Speaker 1>So you've been living among humans for the past forty years. Well,

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<v Speaker 1>it's a little more complicated than that. That's the wonderful

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<v Speaker 1>thing about changelings. The terms of our agreement with you

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<v Speaker 1>lot means we're not supposed to come over here and

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<v Speaker 1>kill a bunch of you, and we're not technically allowed

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<v Speaker 1>to take people outside of the willing volunteers but as

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<v Speaker 1>long as we don't do it too often, kids are

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<v Speaker 1>a little more flexible. Changelings are different because you're not

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<v Speaker 1>taking them, you're replacing it exactly. And sometimes the kids

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<v Speaker 1>get stuck and poor Alden, but mostly it works. It

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<v Speaker 1>allows us to circumvent the finer points of the deal.

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<v Speaker 1>Lets us be in our realm and this one and

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<v Speaker 1>not pass out from your little tricks, the inside out clothes,

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<v Speaker 1>the bells and so on. You mean it, lets you

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<v Speaker 1>break the rules that you made, rules that you broke

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<v Speaker 1>two without even trying. Imagine my surprise. I'm in a

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<v Speaker 1>new form, this twelve year old girl, and this kid

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<v Speaker 1>comes on through who I don't recognize here. I'm thinking

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<v Speaker 1>someone else decided to pull the old changeling act without

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<v Speaker 1>my explicit say so, wait, you mean I'm a no, no,

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<v Speaker 1>you're just you. That's what was so strange. And given

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<v Speaker 1>that you didn't come over to do anything malicious, I

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<v Speaker 1>thought it might be interesting to watch what the Faye

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<v Speaker 1>realm does to a living, full blown human Over the years.

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<v Speaker 1>That's never happened. But then Daddy called and you ran

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<v Speaker 1>on home, so he got me out. You just walked

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<v Speaker 1>right back over. You heard his voice, and it was

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<v Speaker 1>like the veil just lifted right up for you. Do

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<v Speaker 1>you know how frustrating that is? I've spent so much

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<v Speaker 1>of my existence waiting for tedious human years to get

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<v Speaker 1>back here. In between cycle resets, you don't get to

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<v Speaker 1>go anywhere unless you've recently taken a changeling, which we

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<v Speaker 1>can't do all that often. Besides, they don't last very long,

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<v Speaker 1>just a human lifespan. And here you were just waltzing

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<v Speaker 1>in and out, no problem at all? Why me? How?

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<v Speaker 1>I have no fucking clue. I've spent the past few

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<v Speaker 1>decades trying to figure it out, and the best I

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<v Speaker 1>can come up with is random chance mixed with a

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<v Speaker 1>strong connection between you and your father that kept you

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<v Speaker 1>tethered enough to your side to bring you back. Love

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<v Speaker 1>really was the solution all along? Then why wasn't I

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<v Speaker 1>able to bring my dad back from the limit all?

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<v Speaker 1>I don't know. We don't control that bit, so it's

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<v Speaker 1>hard to say. This is all wild magic, very unpredictable,

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<v Speaker 1>very capricious. And I are you telling me that I

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<v Speaker 1>can do magic? Is that because I went over to

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<v Speaker 1>the other side as a kid, or can anyone? No? No, no,

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<v Speaker 1>you can't do magic, but you just no human can.

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<v Speaker 1>It was me, obviously. I told half my little birdies

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<v Speaker 1>to go away and then sent over some warm tinglis,

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<v Speaker 1>basically mimicking the sensation of real magic as much as

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<v Speaker 1>your puny brain could take anyway. So then is there

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<v Speaker 1>a point to any of this? Why have you gone

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<v Speaker 1>through all this trouble? You know you are being quite

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<v Speaker 1>prickly for someone who wants something for me. If I

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<v Speaker 1>remember human stories about the fake correctly, being polite is

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<v Speaker 1>one of those big rules. What are you gonna do.

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<v Speaker 1>You're gonna set another thunderbird on me, trapped me in

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<v Speaker 1>a house. If you wanted me dead, you would have

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<v Speaker 1>done it by now. And you know what, I am

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<v Speaker 1>not the one who wants something here. Well, you might

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<v Speaker 1>not be magical, but I think you might want to be.

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<v Speaker 1>I think you do want to see what's on the

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<v Speaker 1>other side, and that interests me. That was your idea. Remember,

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<v Speaker 1>I was just giving a name to the feeling that

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<v Speaker 1>you were already having. I am a folklore professor, of course,

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<v Speaker 1>I'm interested in magical beings. I'm not sure that's all

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<v Speaker 1>it is. Here. You are talking to one such being,

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<v Speaker 1>and you're not asking a thing about me besides being

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<v Speaker 1>pretty rude. That's not very academic behavior. Like I said,

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<v Speaker 1>I have bigger things to focus on, which is why

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<v Speaker 1>I'd like to help. You'll understand I'm a little bit skeptical. Sure,

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<v Speaker 1>sure of course, but don't you want to at least

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<v Speaker 1>hear me out. I don't know. Are you willing to

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<v Speaker 1>renegotiate the deal to close the gate for good and

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<v Speaker 1>to let us live peacefully at our own separate world.

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<v Speaker 1>What do you think then? I don't really want to

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<v Speaker 1>know what you have to offer me. Would you even

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<v Speaker 1>really want that, Jeremy, for the gate to be closed

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<v Speaker 1>for good? Of course I would. You took my father

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<v Speaker 1>from you, kidnapped children, you killed them. But we've also

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<v Speaker 1>given you your whole life's purpose, haven't we. You couldn't

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<v Speaker 1>be a folklore professor if there was no folklore to teach.

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<v Speaker 1>I have operated my entire life until now under the

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<v Speaker 1>assumption that nothing I taught was real. There's millennia of

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<v Speaker 1>lore that I can lecture on without new monsters coming through.

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<v Speaker 1>But now you know it is real, you could find

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<v Speaker 1>out exactly which bits were true, how it all connects.

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<v Speaker 1>I've told you. I'm Faye and that Puckwudgies and the

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<v Speaker 1>Dover Demon are all real. That creature in Anne's house

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<v Speaker 1>that was a yokai all right here in the Bridgewater Triangle.

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<v Speaker 1>How is that possible? I don't know, and I'm assuming

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<v Speaker 1>that you're not going to just tell me. I think

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<v Speaker 1>you owe it to yourself to find out. Oh, don't

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<v Speaker 1>pretend to know me, don't I We've had a handful

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<v Speaker 1>of conversations and one of us was lying about who

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<v Speaker 1>they were the whole time. So no, I don't think

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<v Speaker 1>you know me. Come on, that's not fair. I think

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<v Speaker 1>we were clicking, I mean, becoming friends, weren't we. I

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<v Speaker 1>didn't know anything real about you, Sure you did. You

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<v Speaker 1>said you were a legend tripper, which you are not,

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<v Speaker 1>aren't I I spend a good deal of my time

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<v Speaker 1>chasing monsters around. You said you'd never seen anything paranormal.

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<v Speaker 1>I haven't where I'm from. All those creepy crawleys are

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<v Speaker 1>perfect on you. Stop stop stop twisting this around. You

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<v Speaker 1>tricked me. I don't know why. I don't know if

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<v Speaker 1>it was just for fun for you, I don't know.

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<v Speaker 1>And I don't know why you think I would be

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<v Speaker 1>interested in seeing your world? But you are not going

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<v Speaker 1>to trick me again. I thought maybe you needed a friend,

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<v Speaker 1>that's why it was fun. But well, I think you're

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<v Speaker 1>being pulled in all sorts of directions and it's become

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<v Speaker 1>impossible to know which way is up, and you want

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<v Speaker 1>to help orient me out of the goodness of your heart.

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<v Speaker 1>Maybe I need a friend too. I don't think that

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<v Speaker 1>we have the strongest foundation for a friendship, or maybe not.

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<v Speaker 1>But tell me when was the last time you met

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<v Speaker 1>someone you felt like you could actually talk to, who

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<v Speaker 1>understood you. Is this my choice then, to be your

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<v Speaker 1>friend or not? Not exactly. I want to give you

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<v Speaker 1>the chance to save your father. How I'm going to

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<v Speaker 1>tell you a secret now, Jeremy, a secret that's been

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<v Speaker 1>very well kept for centuries. I'm going to tell you

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<v Speaker 1>what happens when someone passes all the way through the liminal,

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<v Speaker 1>as you call it. They don't die, not exactly. It

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<v Speaker 1>becomes nearly impossible for them to cross back out. Their

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<v Speaker 1>body wouldn't survive in this mortal world. That sounds an

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<v Speaker 1>awful lot like dying. I like to think of it

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<v Speaker 1>as eternal life. So you're saying that when the souls

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<v Speaker 1>have served their time, they go to heaven. No, I

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<v Speaker 1>don't know anything about all that stuff. God and the

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<v Speaker 1>Devil and all the rest. Could be real, could be

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<v Speaker 1>just humans confusing us for something else. I don't know,

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<v Speaker 1>and I don't particularly care to find out. But the Kingdom,

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<v Speaker 1>our kingdom is a kind of heaven, full of beauty

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<v Speaker 1>and magic and creatures you've never even heard of. You

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<v Speaker 1>loved it when you were there as a kid, and

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<v Speaker 1>I think you'd love it again. That's what happens when

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<v Speaker 1>humans pass through. They come to live with us in

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<v Speaker 1>the Kingdom forever. I thought you said humans didn't just

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<v Speaker 1>come over to the other side. By the time they

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<v Speaker 1>get there, they're not human anymore, just like the body

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<v Speaker 1>standing in front of you, all the changelings, your dad,

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<v Speaker 1>anyone who passes through becomes something else. And what if

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<v Speaker 1>they don't want to pass through, What if they just

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<v Speaker 1>want to die? Well, I'm sure we could arrange that,

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<v Speaker 1>but no one has ever wanted to die, not once

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<v Speaker 1>they've reached the other side. Problem is, this secret wasn't

0:13:22.600 --> 0:13:25.400
<v Speaker 1>really ever meant to be a secret. The knowledge got

0:13:25.440 --> 0:13:28.120
<v Speaker 1>lost on the way somehow, and it seems that that

0:13:28.280 --> 0:13:31.000
<v Speaker 1>caused lots of problems. Well, I don't know what you're

0:13:31.000 --> 0:13:33.559
<v Speaker 1>getting at. Well, no one ever said you had to

0:13:33.600 --> 0:13:37.079
<v Speaker 1>stay in the liminal. The deal was for two souls

0:13:37.080 --> 0:13:40.200
<v Speaker 1>every forty years to pass through the veil and join us.

0:13:41.120 --> 0:13:43.679
<v Speaker 1>Every forty years, we open the gate a little bit

0:13:43.720 --> 0:13:48.360
<v Speaker 1>more and we take a sacrifice and invite guests. Remember,

0:13:48.360 --> 0:13:51.360
<v Speaker 1>they have to be willing, which means we can't just

0:13:51.520 --> 0:13:54.720
<v Speaker 1>pull them through to the other side, and so people

0:13:54.760 --> 0:13:59.200
<v Speaker 1>get stuck. People get stuck. They could just continue to

0:13:59.240 --> 0:14:02.280
<v Speaker 1>walk through, go through the other side of the veil.

0:14:03.040 --> 0:14:05.320
<v Speaker 1>We don't need them to stay in the liminal until

0:14:05.360 --> 0:14:08.400
<v Speaker 1>the gate opens again. But no one can ever find

0:14:08.400 --> 0:14:10.959
<v Speaker 1>the other gate when they're inside. It's like they're in

0:14:11.000 --> 0:14:13.320
<v Speaker 1>a waiting room with two doors, and they're blind to

0:14:13.360 --> 0:14:16.760
<v Speaker 1>the second door. So you're telling me that this whole time,

0:14:17.280 --> 0:14:20.120
<v Speaker 1>my dad and Alden could have just gone through the

0:14:20.200 --> 0:14:22.400
<v Speaker 1>other door and lived in the Kingdom, and the Liminal

0:14:22.440 --> 0:14:24.440
<v Speaker 1>would have been empty for forty years, and that would

0:14:24.440 --> 0:14:27.240
<v Speaker 1>have been fine, according to the terms of the deal.

0:14:27.560 --> 0:14:33.600
<v Speaker 1>We're not cruel, Jeremy, we're not. We're particular. It's not

0:14:33.680 --> 0:14:37.240
<v Speaker 1>our fault. You're kind or terrible communication. Why can't you

0:14:37.280 --> 0:14:41.560
<v Speaker 1>just show people the door that's what I'm offering to you.

0:14:41.560 --> 0:14:44.360
<v Speaker 1>You go through willingly, and I tell you how to

0:14:44.360 --> 0:14:47.240
<v Speaker 1>get right into the kingdom. I can't trust you to

0:14:47.280 --> 0:14:50.720
<v Speaker 1>get lucky again. You can find that boy who's in

0:14:50.720 --> 0:14:53.680
<v Speaker 1>there already and taken through with you. I'll let that

0:14:53.800 --> 0:14:55.840
<v Speaker 1>count as two for this cycle. Give you a little

0:14:55.880 --> 0:14:58.280
<v Speaker 1>bit of a freebee. Why would you be giving me

0:14:58.560 --> 0:15:04.360
<v Speaker 1>this preferential treatment. I like you, Why on earth would

0:15:04.360 --> 0:15:08.480
<v Speaker 1>I trust you? You did before? Nothing's changed, of course

0:15:08.560 --> 0:15:11.040
<v Speaker 1>it has changed. I trusted the human I met, not

0:15:11.120 --> 0:15:14.080
<v Speaker 1>whatever you are, and you're right you were. You were

0:15:14.120 --> 0:15:16.880
<v Speaker 1>easy to talk to. I did feel a connection, but

0:15:16.960 --> 0:15:21.880
<v Speaker 1>that was all. It was all fabricated. You're angry with me, Yeah,

0:15:21.920 --> 0:15:24.040
<v Speaker 1>I'm angry with a lot of people right now. Why

0:15:24.360 --> 0:15:30.800
<v Speaker 1>why are you mad? Because I feel stupid, I feel duped.

0:15:30.840 --> 0:15:33.880
<v Speaker 1>I found you interesting. Now I'm being told it was

0:15:33.880 --> 0:15:39.600
<v Speaker 1>all a trick. Wait, you find me interesting? Yeah? I did,

0:15:40.280 --> 0:15:42.480
<v Speaker 1>And now that you find out I'm a being of

0:15:42.600 --> 0:15:46.320
<v Speaker 1>magic and myth, I'm less interesting. I found you interesting

0:15:46.320 --> 0:15:49.400
<v Speaker 1>in a way that I don't usually find people interesting. Okay,

0:15:49.920 --> 0:15:52.640
<v Speaker 1>Oh you know I have people in my life. I'm

0:15:52.680 --> 0:15:54.960
<v Speaker 1>not some sort of hermit. I didn't say you were

0:15:55.280 --> 0:15:57.840
<v Speaker 1>you kind of did. I said you needed a friend.

0:15:58.360 --> 0:16:01.400
<v Speaker 1>We can always use more friends. Well, there are people

0:16:01.960 --> 0:16:04.840
<v Speaker 1>who care about me and people that I care about,

0:16:05.280 --> 0:16:09.680
<v Speaker 1>But I don't know. I guess I don't normally meet

0:16:09.720 --> 0:16:15.000
<v Speaker 1>people who intrigue me. Never, No, not never. It's just

0:16:17.440 --> 0:16:19.760
<v Speaker 1>there have been people through the years, people who are

0:16:19.760 --> 0:16:24.640
<v Speaker 1>sweet and not a lot else, and they always wanted

0:16:25.040 --> 0:16:28.880
<v Speaker 1>more more than you wanted to give. I guess I'm

0:16:28.920 --> 0:16:32.240
<v Speaker 1>just picking. I'm not asking anything of you that you

0:16:32.280 --> 0:16:35.280
<v Speaker 1>don't want to give. Jeremy, now you're just asking for

0:16:35.360 --> 0:16:38.720
<v Speaker 1>my life. What's one human life? When you can live forever?

0:16:38.920 --> 0:16:43.560
<v Speaker 1>Is something so much more? Well? What would happen when

0:16:43.600 --> 0:16:47.800
<v Speaker 1>I'm over there? The learning never ends. You would be

0:16:47.840 --> 0:16:52.760
<v Speaker 1>treated as one of us. What are you doing? You

0:16:52.800 --> 0:16:56.120
<v Speaker 1>would be able to do magic over there, Jeremy magic

0:16:56.200 --> 0:17:02.480
<v Speaker 1>you can't even dream of. Ah, Magic like this. A

0:17:02.600 --> 0:17:08.040
<v Speaker 1>broken wrist heal in an instant. This is the choice

0:17:08.080 --> 0:17:11.679
<v Speaker 1>I'm presenting you with, Jeremy. Come with me through the

0:17:11.760 --> 0:17:14.800
<v Speaker 1>veil and into the other side. All the questions you've

0:17:14.800 --> 0:17:18.440
<v Speaker 1>had your entire life will be answered, and you get

0:17:18.480 --> 0:17:21.240
<v Speaker 1>to save your dad in the process. I'd never see

0:17:21.240 --> 0:17:28.399
<v Speaker 1>them again, or Anne or Vibbin or Olivia or anyone true.

0:17:29.119 --> 0:17:32.280
<v Speaker 1>But come on, your connections to people are tenuous at best.

0:17:33.080 --> 0:17:36.560
<v Speaker 1>You know that which you could give all those relationships

0:17:36.640 --> 0:17:40.119
<v Speaker 1>meaning by saving the people you love. Isn't that the

0:17:40.200 --> 0:17:42.680
<v Speaker 1>best thing you could do for them? Give them a

0:17:42.800 --> 0:17:46.080
<v Speaker 1>chance to live, Give them a chance to live without me,

0:17:46.880 --> 0:17:49.800
<v Speaker 1>with the knowledge that you are alive and well somewhere else,

0:17:50.520 --> 0:17:53.879
<v Speaker 1>and that you gave them their lives. They'll love you

0:17:53.960 --> 0:17:57.320
<v Speaker 1>for that more than they could ever you stayed. How

0:17:57.359 --> 0:18:00.119
<v Speaker 1>do I know that you're telling me the truth? You

0:18:00.200 --> 0:18:03.480
<v Speaker 1>have done nothing but tricked me. I'm telling you the truth.

0:18:04.440 --> 0:18:07.359
<v Speaker 1>I've been telling you the truth this whole time. You

0:18:07.440 --> 0:18:10.680
<v Speaker 1>just have to open your eyes and see it. Isn't

0:18:10.680 --> 0:18:13.800
<v Speaker 1>that what this has all been about, the evidence of

0:18:13.840 --> 0:18:16.439
<v Speaker 1>the truth in front of you this whole time? But

0:18:16.680 --> 0:18:20.080
<v Speaker 1>you never believed it, not until you saw your father.

0:18:21.040 --> 0:18:23.320
<v Speaker 1>I didn't have any proof until then. But did you

0:18:23.359 --> 0:18:26.479
<v Speaker 1>really need it? What do you think would have happened

0:18:26.520 --> 0:18:29.240
<v Speaker 1>if you'd believed it all earlier? Do you think you

0:18:29.240 --> 0:18:33.080
<v Speaker 1>could have saved him sooner? Don't let skepticism keep you

0:18:33.119 --> 0:18:38.080
<v Speaker 1>from doing the right thing again, Jeremy, you can trust me.

0:18:58.560 --> 0:19:00.600
<v Speaker 1>I just think he should be back by an He

0:19:00.760 --> 0:19:04.239
<v Speaker 1>just needs a little space, Thomas. We don't hear from

0:19:04.280 --> 0:19:06.160
<v Speaker 1>him in the next half hour, we'll give him a call.

0:19:09.040 --> 0:19:13.800
<v Speaker 1>Are we making completely the wrong decision? Anne? I don't know.

0:19:14.600 --> 0:19:17.800
<v Speaker 1>I really don't. If you tell me you don't want

0:19:17.840 --> 0:19:20.040
<v Speaker 1>to do this, I will support you one hundred percent.

0:19:20.080 --> 0:19:23.040
<v Speaker 1>We'll find another way. You know, we don't have that time.

0:19:23.160 --> 0:19:26.240
<v Speaker 1>We don't know that. No, we don't know for certain

0:19:26.280 --> 0:19:29.760
<v Speaker 1>that you couldn't survive here. No, I know it. I

0:19:29.800 --> 0:19:35.080
<v Speaker 1>can feel it in my bones. Are you really okay

0:19:35.080 --> 0:19:37.640
<v Speaker 1>with this? Do you truly understand what you're giving up?

0:19:38.320 --> 0:19:44.800
<v Speaker 1>I've I've made so many mistakes, Thomas. I've had a

0:19:44.840 --> 0:19:51.480
<v Speaker 1>lifetime fault with mistakes. Are you saying no? Oh no, no,

0:19:51.680 --> 0:19:56.800
<v Speaker 1>not you never hear you? You, Jeremy Shelley, Those were

0:19:56.840 --> 0:20:00.440
<v Speaker 1>the best choices I've ever made. But I think I

0:20:00.520 --> 0:20:05.440
<v Speaker 1>was given these gifts. You know, I squandered him and

0:20:06.119 --> 0:20:11.560
<v Speaker 1>no I did yes, And I can never get that

0:20:11.600 --> 0:20:17.280
<v Speaker 1>time back. But you could what I want to do this, Thomas.

0:20:17.320 --> 0:20:20.000
<v Speaker 1>I owe this to my family, to this place, to you,

0:20:20.160 --> 0:20:23.800
<v Speaker 1>to myself to do this. I want to make things right, Okay.

0:20:23.840 --> 0:20:26.280
<v Speaker 1>I want to protect the people that I love, but

0:20:26.480 --> 0:20:31.640
<v Speaker 1>you maybe you've done enough and I could go without you.

0:20:31.640 --> 0:20:37.280
<v Speaker 1>You know, think about it. You're still You're still so young, Thomas,

0:20:38.040 --> 0:20:40.800
<v Speaker 1>and even if you're sick, you could at least spend

0:20:40.800 --> 0:20:42.480
<v Speaker 1>the rest of your life here. I mean, have a

0:20:42.520 --> 0:20:46.680
<v Speaker 1>little joy before you go. My best years there behind me.

0:20:46.840 --> 0:20:51.160
<v Speaker 1>And I could die tomorrow. We have no idea. Yeah,

0:20:51.200 --> 0:20:53.600
<v Speaker 1>but you're not dead yet. I mean, even if you are,

0:20:54.320 --> 0:20:57.600
<v Speaker 1>if this world really is rejecting you, then at least

0:20:58.560 --> 0:21:02.199
<v Speaker 1>it'll all be over right. But in the meantime, you

0:21:02.320 --> 0:21:06.480
<v Speaker 1>could you could live another month or a year. I mean,

0:21:06.520 --> 0:21:10.800
<v Speaker 1>we just don't know, no, and I won't let you.

0:21:11.320 --> 0:21:15.800
<v Speaker 1>Oh okay, well, since when have you been able to

0:21:15.800 --> 0:21:19.679
<v Speaker 1>tell me what to do? Please let me do this

0:21:19.760 --> 0:21:23.439
<v Speaker 1>for you. Let me give you the family that I

0:21:23.520 --> 0:21:26.080
<v Speaker 1>spent my life keeping at a distance. I mean, I

0:21:26.280 --> 0:21:31.639
<v Speaker 1>ruined my chance, but you you haven't ruined yours. I

0:21:31.680 --> 0:21:36.000
<v Speaker 1>don't want to do this without you, okay. I mean

0:21:36.040 --> 0:21:40.520
<v Speaker 1>I've been without you for so long. I know, I know,

0:21:40.960 --> 0:21:44.159
<v Speaker 1>but maybe maybe we don't get to be together. No,

0:21:45.640 --> 0:21:49.720
<v Speaker 1>maybe we have been given this beautiful family, but we

0:21:49.840 --> 0:21:52.879
<v Speaker 1>have to you know, we have to take care of

0:21:52.920 --> 0:21:56.439
<v Speaker 1>them at different times in different ways you've been thinking

0:21:56.480 --> 0:21:58.960
<v Speaker 1>about this. I was just trying to find the right

0:21:58.960 --> 0:22:01.760
<v Speaker 1>way to bring it up. I knew that when we

0:22:01.800 --> 0:22:06.000
<v Speaker 1>told Jeremy that I'd have doubt. You deserve to be

0:22:06.040 --> 0:22:08.960
<v Speaker 1>with your son, Thomas. So to you, he's not mine.

0:22:10.080 --> 0:22:13.520
<v Speaker 1>He was once and then I abandoned him. Okay, I

0:22:13.640 --> 0:22:16.680
<v Speaker 1>lost you and I abandoned him. You know you can't

0:22:16.680 --> 0:22:25.240
<v Speaker 1>do the same. I know. No, we're not doing it, Thomas.

0:22:25.880 --> 0:22:28.680
<v Speaker 1>I appreciate what you're trying to do for me. Anne.

0:22:29.800 --> 0:22:32.400
<v Speaker 1>I love you so much for it. But it's all

0:22:32.440 --> 0:22:37.639
<v Speaker 1>a mood point. It needs two souls. Maybe not it

0:22:37.720 --> 0:22:41.879
<v Speaker 1>did when you went in because Alden was already in there. No,

0:22:42.480 --> 0:22:46.080
<v Speaker 1>I would take good care of him, Thomas. I swear

0:22:46.160 --> 0:22:49.720
<v Speaker 1>to you, No, you can't do that. I can't do

0:22:49.760 --> 0:22:53.000
<v Speaker 1>that to him. I made a promise, I know, and

0:22:53.040 --> 0:22:56.040
<v Speaker 1>you will keep that promise. But remember what you said

0:22:56.040 --> 0:23:00.159
<v Speaker 1>to Jeremy that you wanted to buy him time, And

0:23:00.240 --> 0:23:02.560
<v Speaker 1>that's what I am doing. I am buying you time.

0:23:03.160 --> 0:23:05.359
<v Speaker 1>I'll look after Alton while you figure out how to

0:23:05.400 --> 0:23:08.240
<v Speaker 1>help us cross over, and then close the gates for

0:23:08.280 --> 0:23:11.840
<v Speaker 1>good and you can really get to live while you

0:23:11.920 --> 0:23:21.919
<v Speaker 1>still can. Please Thomas, Jeremy, Jeremy. Guys, Peyton, what are

0:23:21.920 --> 0:23:26.480
<v Speaker 1>you doing here? Where's Jeremy? He's out for some air?

0:23:27.000 --> 0:23:30.520
<v Speaker 1>Why they told him they're going into the liminal good?

0:23:31.359 --> 0:23:35.120
<v Speaker 1>That's one problem solved. Well do you know where he went?

0:23:35.200 --> 0:23:37.119
<v Speaker 1>He's not picking up his phone. He just went for

0:23:37.160 --> 0:23:41.720
<v Speaker 1>a walk around the block. His car isn't here. What

0:23:41.720 --> 0:23:46.040
<v Speaker 1>what's going on? What's wrong that friend of his? I

0:23:46.160 --> 0:23:49.280
<v Speaker 1>don't know what her deal is, but she is bad news.

0:23:49.880 --> 0:23:53.600
<v Speaker 1>What do you mean she's the one who's summoned the birds.

0:23:54.520 --> 0:23:56.639
<v Speaker 1>I don't know how she knew the right room or

0:23:56.640 --> 0:23:59.360
<v Speaker 1>why she did it. But if Jeremy is with her

0:23:59.440 --> 0:24:03.440
<v Speaker 1>right now, then we have a big problem. You think

0:24:03.440 --> 0:24:06.480
<v Speaker 1>she'd hurt Jeremy, no offense, but it is not Jeremy.

0:24:06.520 --> 0:24:10.119
<v Speaker 1>I'm worried about. What are you worried about? I think

0:24:10.920 --> 0:24:15.399
<v Speaker 1>whoever that legend tripper is, she's trying to open the

0:24:15.480 --> 0:24:28.200
<v Speaker 1>gate for good. Are we even sure this is where

0:24:28.200 --> 0:24:31.040
<v Speaker 1>he would come? If he's not here yet, he will

0:24:31.119 --> 0:24:34.199
<v Speaker 1>be soon. How do you know? Can't you feel that

0:24:35.080 --> 0:24:40.600
<v Speaker 1>something is unsettled? Yeah? This is all feeling really eerily familiar.

0:24:40.960 --> 0:24:44.040
<v Speaker 1>Jeremy would he wouldn't try to go in himself. Would

0:24:44.040 --> 0:24:47.960
<v Speaker 1>he No, no way, Are you sure? Because I think

0:24:48.000 --> 0:24:51.000
<v Speaker 1>he would do a lot to save Thomas. If he

0:24:51.080 --> 0:24:54.199
<v Speaker 1>goes in, he goes in as long as he's willing.

0:24:54.480 --> 0:24:59.440
<v Speaker 1>Problem solved. No, no, not problem solved. But if he's

0:24:59.440 --> 0:25:03.879
<v Speaker 1>trying to help that woman do something extremely stupid, I don't.

0:25:04.000 --> 0:25:07.240
<v Speaker 1>I don't think Jeremy would open up our world to chaos.

0:25:07.840 --> 0:25:10.160
<v Speaker 1>Do you agree with your girlfriend that he'd do anything

0:25:10.240 --> 0:25:20.639
<v Speaker 1>to save his dad? Yeah, well then we better hurry live. Yeah,

0:25:20.720 --> 0:25:23.040
<v Speaker 1>I need you to do something for me, Honey. What

0:25:23.240 --> 0:25:27.040
<v Speaker 1>is it? I think, I think whatever is about to happen.

0:25:27.040 --> 0:25:28.920
<v Speaker 1>I have a feeling that this is this is gonna

0:25:28.920 --> 0:25:32.320
<v Speaker 1>be app Okay, this is going to end today. Yeah,

0:25:32.359 --> 0:25:33.760
<v Speaker 1>and so I need you to tell your mom what

0:25:33.800 --> 0:25:37.560
<v Speaker 1>happened and that I love her, Nanna. I thought we

0:25:37.560 --> 0:25:39.920
<v Speaker 1>were gonna have my time that I could say goodbye.

0:25:40.359 --> 0:25:43.280
<v Speaker 1>You don't have to do this, I do, you know,

0:25:43.359 --> 0:25:46.480
<v Speaker 1>I do. I never should have told my mom about Thomas.

0:25:47.040 --> 0:25:48.760
<v Speaker 1>I thought you were sure that she deserved to know.

0:25:49.119 --> 0:25:52.080
<v Speaker 1>She did it, But she shouldn't have ever met him live,

0:25:52.320 --> 0:25:55.800
<v Speaker 1>because now she's met her dad live. I'm going to

0:25:55.880 --> 0:26:01.520
<v Speaker 1>go in alone. What I've told Thomas to stay. Nana,

0:26:01.800 --> 0:26:06.120
<v Speaker 1>it's okay, it's okay, okay. Just give Ethan a huge

0:26:06.160 --> 0:26:09.200
<v Speaker 1>hug from No Nana. You can't do this. I won't

0:26:09.280 --> 0:26:13.240
<v Speaker 1>let you, all right, Joel. The lake is just ahead.

0:26:13.840 --> 0:26:17.040
<v Speaker 1>We're sure that's where they'll be. I'm not sure about anything,

0:26:17.760 --> 0:26:24.639
<v Speaker 1>but we have to start somewhere. There he is, Jeremy, Jeremy, Dad,

0:26:25.800 --> 0:26:28.960
<v Speaker 1>Get away from him. Dad, what are you doing here?

0:26:29.440 --> 0:26:33.480
<v Speaker 1>I mean it, you step away. She's Louise. Everyone is

0:26:33.520 --> 0:26:38.520
<v Speaker 1>so touchy today. Dad. You shouldn't be here, Jeremy. This

0:26:38.600 --> 0:26:41.360
<v Speaker 1>woman she can't be trusted. She knew that the ruin

0:26:41.440 --> 0:26:44.239
<v Speaker 1>would open the veil. She's been lying to you. I know,

0:26:45.040 --> 0:26:49.359
<v Speaker 1>you know. She's a change link. She's Faye. Wait what

0:26:50.560 --> 0:26:55.600
<v Speaker 1>she's actually called me? Francine. Good to meet you, Jeremy.

0:26:56.200 --> 0:26:58.879
<v Speaker 1>What the hell is going on? Francine and I have

0:26:58.920 --> 0:27:03.960
<v Speaker 1>made a deal, h you just what? Not binding just yet?

0:27:04.160 --> 0:27:06.800
<v Speaker 1>So you know, if you could give us a sesse

0:27:06.920 --> 0:27:11.480
<v Speaker 1>stay back, Jeremy, what did you do? We've had it wrong. Okay,

0:27:11.520 --> 0:27:13.399
<v Speaker 1>people don't have to stay in the liminal. They can

0:27:13.440 --> 0:27:16.040
<v Speaker 1>pass through to the other side. Oh no, what are

0:27:16.040 --> 0:27:19.359
<v Speaker 1>you talking about? She explained everything. The deal was made

0:27:19.400 --> 0:27:21.760
<v Speaker 1>for two souls to pass through, and people have been

0:27:21.800 --> 0:27:25.400
<v Speaker 1>getting lost. They've not been going to the second door. Second,

0:27:25.920 --> 0:27:30.040
<v Speaker 1>there is no second door. Excuse me, there is. Actually

0:27:30.160 --> 0:27:33.439
<v Speaker 1>you don't talk. I know, Dad, I know how to

0:27:33.520 --> 0:27:35.320
<v Speaker 1>find it, and I am going through and I will

0:27:35.320 --> 0:27:39.920
<v Speaker 1>find Alden and we will both go into the Kingdom. Kingdom.

0:27:40.160 --> 0:27:42.320
<v Speaker 1>This is not happening, Dad. You have to let me

0:27:42.359 --> 0:27:45.280
<v Speaker 1>do this. You think this this thing is telling you

0:27:45.320 --> 0:27:48.520
<v Speaker 1>the truth. She's nothing to gain from this. She is

0:27:48.560 --> 0:27:52.760
<v Speaker 1>not lying. Yemmy, come on, you're smarter than this. You

0:27:52.840 --> 0:27:57.200
<v Speaker 1>know the fake can't be trusted. Rude. They have motivations

0:27:57.200 --> 0:28:00.679
<v Speaker 1>that we know nothing about. They're playing this game on

0:28:00.720 --> 0:28:05.800
<v Speaker 1>a different scale. This is not a game, Jeremy. I'm

0:28:05.880 --> 0:28:09.679
<v Speaker 1>going your what me and your dad agreed. He's going

0:28:09.720 --> 0:28:11.520
<v Speaker 1>to stay and I am going to go. I'll take

0:28:11.560 --> 0:28:14.120
<v Speaker 1>care of Alden and if what this woman is saying

0:28:14.240 --> 0:28:16.920
<v Speaker 1>is true, I'll take him through and you stay here

0:28:16.920 --> 0:28:18.639
<v Speaker 1>with your dad and you find a way to make

0:28:18.680 --> 0:28:22.520
<v Speaker 1>him healthy or just enjoy whatever time you have. We

0:28:22.800 --> 0:28:27.720
<v Speaker 1>didn't agree. Oh yeah, that's not going to work for

0:28:27.760 --> 0:28:32.159
<v Speaker 1>me anymore. What well, you've agreed to go, so I

0:28:32.200 --> 0:28:34.679
<v Speaker 1>think we should just stick to that. What do you

0:28:34.720 --> 0:28:36.879
<v Speaker 1>want with my son? You know, if you would just

0:28:36.960 --> 0:28:39.160
<v Speaker 1>let him stay lost the first time, we wouldn't even

0:28:39.240 --> 0:28:42.240
<v Speaker 1>be in this situation. What the hell does that mean?

0:28:42.960 --> 0:28:47.680
<v Speaker 1>Jeremy is of interest to us? Hey, cover me. I'm

0:28:47.720 --> 0:28:51.800
<v Speaker 1>about to do something very stupid. Why is he of

0:28:51.920 --> 0:28:55.360
<v Speaker 1>interest to you? Well, we're flattered that he finds us

0:28:55.440 --> 0:29:01.680
<v Speaker 1>so interesting. Hey, I could find you interesting. Come on, Jeremy,

0:29:02.560 --> 0:29:05.000
<v Speaker 1>you know it should be me. Don't be a martyr.

0:29:05.240 --> 0:29:08.040
<v Speaker 1>Can everyone just stop for a second. If none of

0:29:08.120 --> 0:29:10.680
<v Speaker 1>us are willing, then it won't work and you will

0:29:10.720 --> 0:29:15.920
<v Speaker 1>have to renegotiate the deal. That's not really how it works.

0:29:19.960 --> 0:29:27.760
<v Speaker 1>I wouldn't do that if I were you. You really

0:29:27.760 --> 0:29:31.720
<v Speaker 1>shouldn't be messing around with magic. You don't understand what

0:29:33.560 --> 0:29:36.400
<v Speaker 1>are you doing to him? He was being very sneaky

0:29:36.560 --> 0:29:41.760
<v Speaker 1>carving rooms. Oh fippen, Yeah, you knew that wouldn't work.

0:29:42.800 --> 0:29:48.240
<v Speaker 1>Very valiant, try though, you broke my arm bones heel.

0:29:48.880 --> 0:29:50.480
<v Speaker 1>I thought you said you weren't going to hurt anyone.

0:29:50.920 --> 0:29:54.880
<v Speaker 1>It was self defense. He was trying to banish me.

0:29:55.560 --> 0:30:03.680
<v Speaker 1>Fair enough, Jeremy, Well this has been interesting. Sorry, that

0:30:03.800 --> 0:30:07.200
<v Speaker 1>was a lie. This kind of human drama is so exhausting.

0:30:07.240 --> 0:30:09.720
<v Speaker 1>I don't know how you do it so much, but

0:30:10.560 --> 0:30:16.080
<v Speaker 1>we should get going, Jeremy. You have to let me

0:30:16.120 --> 0:30:18.000
<v Speaker 1>do this. Dad. Did you just watch what she did

0:30:18.040 --> 0:30:19.640
<v Speaker 1>to your best friend and you still want to go

0:30:19.680 --> 0:30:23.640
<v Speaker 1>with her? Bibbin is fine? This is our best option. No,

0:30:23.920 --> 0:30:29.640
<v Speaker 1>it isn't. I'm going alone. No. I promised Alden I

0:30:29.680 --> 0:30:32.840
<v Speaker 1>would get him out. Yeah, and you will. Oh, screw Alden.

0:30:33.280 --> 0:30:37.080
<v Speaker 1>Alden is not your son. I am Jeremy, Jeremy, and

0:30:37.200 --> 0:30:39.280
<v Speaker 1>I know that doesn't mean very much anymore, which is

0:30:39.280 --> 0:30:44.400
<v Speaker 1>why I am doing this. You all clearly don't need me, Jeremy.

0:30:44.440 --> 0:30:46.600
<v Speaker 1>That's not true. This is the best thing I can do.

0:30:46.680 --> 0:30:49.320
<v Speaker 1>This is how I can be most useful. This is

0:30:49.320 --> 0:30:53.840
<v Speaker 1>what I'm good for. No can get off of me. No,

0:30:54.120 --> 0:30:56.680
<v Speaker 1>you're not going, Jeremy. Do you not let me go?

0:30:56.880 --> 0:31:03.200
<v Speaker 1>I will. You'll let me go and keep him down, Okay, Dad? No,

0:31:04.040 --> 0:31:08.080
<v Speaker 1>I love you, Jeremy. No, I love you so much.

0:31:08.120 --> 0:31:10.280
<v Speaker 1>Being your dad is the most important thing in the

0:31:10.320 --> 0:31:15.720
<v Speaker 1>world to me. No, Dad, I will always love you.

0:31:17.880 --> 0:31:25.320
<v Speaker 1>Don is so quaint now, Jeremy. The doorst openness, and

0:31:25.520 --> 0:31:27.760
<v Speaker 1>your dad would never want you to walk through it.

0:31:27.960 --> 0:31:33.760
<v Speaker 1>You know that. But it's not finished. Live, Nana, tell

0:31:33.840 --> 0:31:36.320
<v Speaker 1>the mom and Ethan that I love them. Nana. No,

0:31:36.560 --> 0:31:43.320
<v Speaker 1>it's okay, Live, it's okay. Ethan hug for me. Jeremy,

0:31:43.360 --> 0:32:00.320
<v Speaker 1>I'm so sorry. God, damn it, this isn't over. It's done.

0:32:03.520 --> 0:32:18.800
<v Speaker 1>It's done, Jeremy, it can't be. No, I'm sorry. I've

0:32:18.800 --> 0:32:24.600
<v Speaker 1>got you, I've got you. Is that thing gone? I

0:32:24.720 --> 0:32:29.440
<v Speaker 1>think so? She said? Do you think she'll be back?

0:32:30.000 --> 0:32:33.320
<v Speaker 1>The deal is for two souls. She might still be

0:32:33.360 --> 0:32:35.920
<v Speaker 1>able to come over here in that form, but she

0:32:35.960 --> 0:32:41.280
<v Speaker 1>can't do anything more, not now, but eventually. We'll worry

0:32:41.280 --> 0:32:47.560
<v Speaker 1>about that another day. Okay, right, Ben, all the monsters

0:32:48.000 --> 0:32:55.640
<v Speaker 1>might still be out there. We're not done yet. And

0:32:55.800 --> 0:33:00.440
<v Speaker 1>what she do to me? Do you mean she healed

0:33:00.440 --> 0:33:06.680
<v Speaker 1>my wrist? I think it? God, I felt like she

0:33:06.760 --> 0:33:12.720
<v Speaker 1>did something to me. It wasn't myself, wasn't I No, No,

0:33:13.000 --> 0:33:17.479
<v Speaker 1>you weren't. I think I think maybe she was messing

0:33:17.520 --> 0:33:22.080
<v Speaker 1>with your head somehow. You know, I want I really

0:33:22.280 --> 0:33:29.400
<v Speaker 1>wanted to go. I know I didn't mean that that

0:33:29.560 --> 0:33:33.480
<v Speaker 1>stuff what I said. I know, I know that I

0:33:33.560 --> 0:33:38.880
<v Speaker 1>know what it too. You think my dad knew? Yeah, yeah,

0:33:38.880 --> 0:33:45.200
<v Speaker 1>I think he knew. I should I have I wish

0:33:45.280 --> 0:33:54.680
<v Speaker 1>I told him he's God's God. Listen, we should get

0:33:54.680 --> 0:34:06.160
<v Speaker 1>out of the forest. Hello, h Uncle Tommy? Is that?

0:34:08.560 --> 0:34:43.560
<v Speaker 1>Where does uncle Tommy? Where am I holden? Holden? Hey? Lee? Profession?

0:34:44.640 --> 0:34:49.719
<v Speaker 1>Oh yeah, I wasn't expected to show you again. I

0:34:49.800 --> 0:34:53.799
<v Speaker 1>know this is unexpected, but there's something I need to

0:34:53.800 --> 0:34:56.799
<v Speaker 1>tell you. How did that radio work out for you?

0:34:57.440 --> 0:35:02.160
<v Speaker 1>It worked out well? Really? U really well? Actually, if

0:35:02.160 --> 0:35:04.000
<v Speaker 1>it's hard, I'd like to hang onto it for a

0:35:04.040 --> 0:35:07.760
<v Speaker 1>little while. Of course I've got no use for it anymore.

0:35:08.880 --> 0:35:13.040
<v Speaker 1>Are you hoping to talk to more ghosts? Kind of

0:35:13.719 --> 0:35:15.480
<v Speaker 1>want to lend it to a friend. Actually, she's got

0:35:15.480 --> 0:35:17.719
<v Speaker 1>some stuff happening down in Virginia that she could use

0:35:17.800 --> 0:35:23.040
<v Speaker 1>little little help with. All. The radio is yours? Thanks, y.

0:35:24.320 --> 0:35:30.000
<v Speaker 1>That's not why you're here, though, is it? Now? I

0:35:30.000 --> 0:35:34.200
<v Speaker 1>I brought someone to see you. Oh yeah, it's Thomas

0:35:34.200 --> 0:35:39.200
<v Speaker 1>with you now now. Um Thomas had to uh he

0:35:39.440 --> 0:35:44.239
<v Speaker 1>left Bridgewater. Oh I'm sure to hear that. Yeah, me too,

0:35:45.360 --> 0:35:49.520
<v Speaker 1>but he really wanted to bring someone back to see you. Ah,

0:35:50.920 --> 0:35:57.359
<v Speaker 1>is this your son? No? This is um? Hey? Can

0:35:57.400 --> 0:36:04.480
<v Speaker 1>you can you come a little closer? Lee? Lee? You

0:36:04.800 --> 0:36:25.160
<v Speaker 1>got so Oh what? Really, it's really him Oh. This

0:36:25.200 --> 0:36:28.560
<v Speaker 1>episode of Bridgewater was written by Lauren Shippin and directed

0:36:28.600 --> 0:36:33.160
<v Speaker 1>by Brendan Patrick Hughes Assistant director Sarah Klein. Sound designed

0:36:33.200 --> 0:36:37.799
<v Speaker 1>by Vincent de Johnny Rima Ilkali, Josh Thane, and Trevor Young,

0:36:38.080 --> 0:36:43.160
<v Speaker 1>with music by Chad Lawson. Starring Misha Collins as Jeremy Bradshaw,

0:36:43.400 --> 0:36:48.120
<v Speaker 1>Melissa Ponzio as Anne Becker, Alan Tudik as Thomas Bradshaw,

0:36:48.680 --> 0:36:54.239
<v Speaker 1>Karen Sony as Vipen Krana, Sabra May as Olivia Hoskins,

0:36:54.320 --> 0:36:59.360
<v Speaker 1>Cheryl Umania as Officer Bautista, Will Wheaton as Captain Haddock,

0:37:00.040 --> 0:37:04.760
<v Speaker 1>Risha Helper as the Legend Tripper, Stephen Guarino as Doctor

0:37:04.920 --> 0:37:10.239
<v Speaker 1>Edwards Nandamisu Dembe as Peyton Blake, Hilary Burton Morgan as

0:37:10.280 --> 0:37:15.520
<v Speaker 1>Shelley Hoskins, Nicki McCauley as Celeste Than, Victoria Grace as

0:37:15.640 --> 0:37:20.439
<v Speaker 1>Katie Franks, with additional voice acting by Greta Gould, Shelby Young,

0:37:20.680 --> 0:37:26.200
<v Speaker 1>Adam O'Byrne, Monte, Markham, Charlie Bergman, and Teren Westbrook. Executive

0:37:26.200 --> 0:37:30.759
<v Speaker 1>producers Aaron Manky, Misha Collins, Lauren Shippin, Matt Frederick and

0:37:30.920 --> 0:37:36.400
<v Speaker 1>Alexander Williams, supervising producers Josh Thane and Trevor Young. Bridgewater

0:37:36.560 --> 0:37:39.520
<v Speaker 1>was created by me Aaron Mankey and is a production

0:37:39.600 --> 0:37:42.680
<v Speaker 1>of Grim and Mild and iHeart three D Audio. Learn

0:37:42.719 --> 0:37:45.640
<v Speaker 1>more about the show over at Grimm Andmild dot com,

0:37:45.680 --> 0:37:49.200
<v Speaker 1>slash Bridgewater and find more podcasts from iHeartRadio on the

0:37:49.239 --> 0:37:53.080
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:37:53.120 --> 0:37:57.040
<v Speaker 1>favorite shows, and as always, thanks for listening.