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Speaker 1: R and B Money.

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Speaker 2: We thank.

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Speaker 3: Valentine.

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Speaker 1: We are the authority on all thing R and D

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Speaker 1: ladies and gentleman. My name is Tank Valentine and this

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Speaker 1: is the only money podcast, the authority. Yeah yeah, the

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Speaker 1: old thing alrn B.

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Speaker 2: This ship ain't iffy old.

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Speaker 1: To be young yeah yeah, in in the streets, Oh

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Speaker 1: to be young, learning lessons in love, get it yeah

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Speaker 1: and free yeah and.

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Speaker 2: Lit.

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Speaker 1: I mean just like the young fellas they hoop.

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Speaker 2: Yeah, we gonna get to that.

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Speaker 1: They dance, Yeah, they get all the pearl Yeah, making every.

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Speaker 2: Week piece of fresh one widow the wow because they're

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Speaker 2: getting the resist.

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Speaker 1: We got our little brothers. Man, listen, no emphasis on

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Speaker 1: little man. That's just an age thing, man. But the

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Speaker 1: big boys what I'm trying to tell you, Yes, sir,

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Speaker 1: damn Darius, Yes, sir, I mean you know, I didn't

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Speaker 1: mean d D. But we got a new thing going

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Speaker 1: right now. It's called block talk.

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Speaker 4: Yeah yeah, yes, sir, brothers we made it.

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Speaker 3: Man another mother everybody.

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Speaker 1: Yeah, blood, that's what's crazy, Like that's really dope to see,

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Speaker 1: you know what I mean? Because this business, this thing

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Speaker 1: that we're in, this place that we're in, it can

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Speaker 1: do some crazy things to you and it can. It's

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Speaker 1: it's kind of built to tear things apart, right, and

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Speaker 1: you you all have maintained the brotherhood, you know what

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Speaker 1: I mean, on a high level. And that's that's what

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Speaker 1: I really respect, really respect y'all for like no if

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Speaker 1: ands of butts. It's Dom and Darius all the motherfucking times,

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Speaker 1: all the time, and Bro, it's just it's just incredible, man,

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Speaker 1: And and the work that you guys do continue to do,

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Speaker 1: you keep elevating, you keep growing. Now.

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Speaker 2: I feel like I feel like I watched all y'all

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Speaker 2: was babies you did.

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Speaker 3: Yeah. I remember day one coming up us going to

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Speaker 3: the Underdog studio, walking upstairs, just trying to get you

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Speaker 3: all to hear one song from Man when niggas had

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Speaker 3: Mitch Mass, George's and backwards going to reject.

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Speaker 1: Down Cat Daddy. It just came out, was on the radio.

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Speaker 3: And James was like Tank up here. James would be

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Speaker 3: like where the dance Niggas.

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Speaker 2: Just going out with Nash.

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Speaker 1: Niggas do exactly who Daddy's. It was much by young

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Speaker 1: niggas being cool and fly yeah and making a great

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Speaker 1: name for yourselves, a great name.

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Speaker 5: Always left for like a great impression. Yes, everywhere you

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Speaker 5: guys have ever been, you know what I mean, Like,

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Speaker 5: nobody's ever been like those niggas. Y'all have never been

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Speaker 5: those niggas. You know what I'm saying, you guys has

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Speaker 5: always been like man, you know that there is my

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Speaker 5: guys is my little cousins artist from Robbie Jones, your

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Speaker 5: actual family. And you know what I'm saying, like, guys

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Speaker 5: who will Everyone is always champion y'all and that and

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Speaker 5: that should be saluted because a lot of people don't

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Speaker 5: know how to keep their names in good standing. Yeah,

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Speaker 5: I appreciate y'all done an amazing job of that. Man,

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Speaker 5: always good vibes. We want for y'all. We want stay

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Speaker 5: out the mud everything for y'all. Keep my name up

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Speaker 5: the muddy squeaky. Let's let's let's talk this music thing.

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Speaker 2: Man.

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Speaker 5: Let's let's go back to the beginning, to go back

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Speaker 5: to sack Town.

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Speaker 6: Man.

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Speaker 1: Listen, sack down Town. Yeah, well makes two brothers decide

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Speaker 1: that they want to pursue music, and not just pursue music,

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Speaker 1: but pursue it together. Where does this begin?

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Speaker 3: You want?

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Speaker 1: I guess when you go all the way to the

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Speaker 1: top of the story.

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Speaker 3: My mom.

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Speaker 1: She was always a singer and music musician. My dad's

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Speaker 1: on the sports side, so we always had to kind

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Speaker 1: of do something in the crib, like I always had

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Speaker 1: to sing or you know, just be doing something like

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Speaker 1: that was they wasn't having it was the entertainment.

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Speaker 3: Pretty much for real. Anybody come over to the dad

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Speaker 3: get them for sure.

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Speaker 2: I'm very familiar.

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Speaker 3: I'm very familiar with this story.

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Speaker 1: Go ahead for her.

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Speaker 3: He was only six.

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Speaker 1: School, so you know, we have to always have to performance,

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Speaker 1: sing and stuff like that. But then kind of bro

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Speaker 1: went into who right in yeah serious manner. So I

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Speaker 1: was just like, well, I mean, I'm athletic and shit,

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Speaker 1: but he loves that, yeah I'm saying, And I just

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Speaker 1: started making beats.

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Speaker 5: Like we can't graze over that right, no way, because

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Speaker 5: I've had NBA basketball, but this is real and y'all

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Speaker 5: know how I feel about sports, and I don't be

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Speaker 5: saying just random ship when it comes to that, I

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Speaker 5: had NBA niggas be like, so you know Darius is

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Speaker 5: Darius Logan. I'm like, okay, you know.

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Speaker 2: What I'm saying like that, like the legend of yeah

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Speaker 2: niggas is like yeah, no, no, no, no, no.

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Speaker 5: We went to play aau with Darius Logan, right, I'm like, wait,

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Speaker 5: wait all you seven foot niggas when found him?

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Speaker 3: Yeah, I used to play for you know, EBO was

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Speaker 3: based out of Fresnow and I used to play with

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Speaker 3: the Lopez Twins Quincy point Dexter, So I used to

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Speaker 3: go down there every weekend go hoop with them, and

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Speaker 3: I was at one time my sophomore year, I was

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Speaker 3: like ranked number five point guard in the nation. During

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Speaker 3: that time, that's when hoop was everything. I didn't care

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Speaker 3: anything about music, only for the girls, but everything was hoop.

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Speaker 3: Working out three times a day, my dad on our

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Speaker 3: ass or on my ass, torturing me. You know how,

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Speaker 3: it is just like hoop, sleep, get back to hooping,

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Speaker 3: and that's all I knew. Working out didn't have no summers.

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Speaker 3: But when it came to hoop, I was cooking niggas.

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Speaker 3: And then at one point I just honestly fell out

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Speaker 3: of love with it, and I was I knew, I knew,

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Speaker 3: I knew we could always do music, and I was like,

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Speaker 3: you know what, I don't give it a try? Why not?

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Speaker 2: So one day you literally was just like I'm done,

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Speaker 2: I'm done hooping.

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Speaker 3: I kept tweaking my ankle and I was just like, man,

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Speaker 3: every time I got all these damn ankle versus, this

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Speaker 3: ain't working.

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Speaker 2: He's at Steph Curry.

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Speaker 3: Speaking of Steph Curry, we played on the same All

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Speaker 3: American Team Adidas camp when he was becoming Steph Curry.

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Speaker 3: Blast from the Past, but good old days. Played with

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Speaker 3: Titus and Timothy. They played with Kawhi, Leonard San Diego State,

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Speaker 3: all of them is all my bros. My Hoop, Kevin Galloway,

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Speaker 3: Eugene Crockett, all my dogs. Yeah, I was hooping hooping,

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Speaker 3: But then I was just like he was making That's

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Speaker 3: when he started making beats off fruity loops and then

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Speaker 3: he'd be like, bro during the MySpace era, he'd be like,

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Speaker 3: I just posted this beat up there and I listened

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Speaker 3: to it and I'd be like, oh, this is just slip.

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Speaker 3: So he just remixing all types of beats. He figured

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Speaker 3: out what worked for him, and then when I came home,

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Speaker 3: we just started making songs. Like we just started recording

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Speaker 3: niggas discovered auto tune.

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Speaker 2: It was like, yeah, let's.

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Speaker 1: Make a song, Yeah, where you recording the vocals at

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Speaker 1: some my that he bought a set up because he

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Speaker 1: was like, basically like, you're not gonna be doing nothing

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Speaker 1: around here, but Bro doing hoop in a serious way.

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Speaker 1: So I'm gonna get you this equipment, and I have

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Speaker 1: to figure how to open and run protuls by myself

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Speaker 1: or Pops is gonna take all the equipment back. So

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Speaker 1: I'm getting knocked out. Oh yeah, yeah, yeah, you know

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Speaker 1: he was gonna take the ship back.

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Speaker 3: Debo for sure, debo the whole area.

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Speaker 1: Whole year.

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Speaker 3: He was everybody dad, yeah, big.

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Speaker 7: Get knocked out, Like you said, for sure.

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Speaker 3: What that's gonna do?

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Speaker 1: Before I was getting me mad, but yeah I had,

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Speaker 1: so I had to like kind of like this thick

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Speaker 1: ass book and just I'm just trying to get it

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Speaker 1: to operate, you know what I mean. And once I

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Speaker 1: got it going, we start figuring it out, and different

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Speaker 1: ogs who was in music pop by and be like,

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Speaker 1: oh ship, like I got something going on, just throwing

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Speaker 1: a little advice, how to how to armor track and

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Speaker 1: how to everything all that stuff. So once we kind

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Speaker 1: of got a little flow, and Bro would come home

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Speaker 1: from college and we would just cook and Victoria money,

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Speaker 1: she would It would be us three cooking up at

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Speaker 1: the house like way, No, I didn't know all three

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Speaker 1: of them was sitting in the room cooking. Yeah yeah,

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Speaker 1: the first time. We all the attitude grandma's Yeah, yeah,

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Speaker 1: so crazy. We would just cook up and then we

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Speaker 1: would make songs and print them on the CD and

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Speaker 1: then take them to the Like, my grandma lived across

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Speaker 1: the street from my dad, so he bought a house

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Speaker 1: for her to keep family close. But when she moved

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Speaker 1: back east, we made the studio house because he was

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Speaker 1: and he rented out the room, renting out the rooms,

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Speaker 1: and then we had the master and we put the

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Speaker 1: studio in there.

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Speaker 5: And how old are you at this point, y'are still teenagers? Yeah,

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Speaker 5: but obviously across the street from the house.

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Speaker 1: Yeah, so it's not like you'll.

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Speaker 3: He got the cameras, right, Yeah, you can't ship. We

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Speaker 3: just trying to sneak in girls.

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Speaker 2: Yeah deep deep bo get get to my house right

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Speaker 2: right right? But Dad, you don't even get them.

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Speaker 1: We can.

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Speaker 3: We can see him walking across the street on.

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Speaker 2: The side stuff.

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Speaker 3: Play with your reds by right, seeing the acts, sleeping

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Speaker 3: the clothes.

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Speaker 2: But yeah, that's how, Yeah, that's how I kind of

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Speaker 2: the basis.

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Speaker 5: Of it through our high school from that point, are

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Speaker 5: you you're barely in high school?

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Speaker 2: You're what sophomore junior?

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Speaker 3: Yeah, he's in eighth grade. I'm a junior senior in

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Speaker 3: high school.

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Speaker 2: His pop's hot when you stop hooping.

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Speaker 5: M hmmm, Because you said y'all doing three of Days,

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Speaker 5: that means that he didn't dedicated his life to it

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Speaker 5: as well.

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Speaker 3: But you know, around that time, I'm just like, all right, bro,

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Speaker 3: I want to start doing my own thing, you know,

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Speaker 3: start working my own coaches, so you know, just start

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Speaker 3: like figuring out what worked for me. But he was

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Speaker 3: hot for a little bit. But then when they was

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Speaker 3: hearing the music, even though you know, were thinking we're

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Speaker 3: making slaps back then, until yeah, it.

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Speaker 1: Wasn't it be there? Hey, well we felt like we was.

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Speaker 1: I thought I was getting the publishing.

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Speaker 3: We did too.

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Speaker 1: I was like, I'm killing everything the old older There

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Speaker 1: was producers and like in the business that I was

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Speaker 1: signed to playing, but.

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Speaker 2: At least they had you signed.

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Speaker 1: They were, yeah, that's trash, what this weak?

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Speaker 2: Right?

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Speaker 8: Hard?

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Speaker 1: I had my TV, I had a PV keyboard, the

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Speaker 1: DPM four yeah, and I was shut up and I

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Speaker 1: only really had nine tracks to make the beat. Yeah,

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Speaker 1: And sometimes I would have to layer two instruments on

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Speaker 1: one track. Like it was just it just wasn't it

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Speaker 1: just wasn't, you know, conduced. I figured I figured that

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Speaker 1: whole out. But in the beginning of making those beats

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Speaker 1: on that particular keyboard, Oh no, they was laughing at me, laughing.

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Speaker 1: I go, man, listen, you ain't got a chance, like motherfucker.

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Speaker 2: So did y'all start producing locally? Yeah, y'all, I'm reducing.

230
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Speaker 2: I've been sacked me like for you know, for different

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Speaker 2: artists up there in the whole thing.

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Speaker 1: I was while bros in college, I was making money.

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Speaker 1: I was making I was already showing beats, making money.

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Speaker 2: How much you selling beats for hun.

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Speaker 1: They could walk with the beat like no publishing need

236
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Speaker 1: like it was buying the whole beat.

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Speaker 3: Yeah. I didn't even understand that part, of.

238
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Speaker 2: Course, because that was independent anyway. Yeah, put it out.

239
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Speaker 1: And came out anyway. But sit I knew it was.

240
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Speaker 1: I knew it was something when I bought my mama

241
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Speaker 1: washing and dryer mm hmm. I was like, oh yeah,

242
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Speaker 1: I'm having my way. And so when broke Yeah, when

243
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Speaker 1: Bro would come back and we lock in and we

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Speaker 1: just start, we just created a flow like just we

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Speaker 1: just worked together really well.

246
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Speaker 2: I mean then we brothers.

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Speaker 1: Of course, you know you have an occasional once a

248
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Speaker 1: year fight or some ship.

249
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Speaker 3: Like that argument.

250
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Speaker 1: But it's always progressive to make the song better.

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Speaker 5: Yeah yeah, yeah, but my man vib just fight up

252
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Speaker 5: a basketball. We don't fight everything else. Be cool about basketball.

253
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Speaker 5: We really want to kill each other.

254
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Speaker 1: You got to learn what that is when first playing

255
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Speaker 1: basketball over the two niggas, I'm like, so are they brothers?

256
00:15:04,400 --> 00:15:16,400
Speaker 3: Like the same blood? I could see Bob talking ship

257
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Speaker 3: the whole time.

258
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Speaker 1: I love it crazy, So you sell them. You in

259
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Speaker 1: the hood, slinging slinging beats, serving the base, serving. And

260
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Speaker 1: I had me and my homies. We had a little

261
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Speaker 1: rap group. It's called Team heiphe Mom's right, and we

262
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Speaker 1: was we was recording my boy Dre, Marcus, Doug Eric

263
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Speaker 1: my nigga and we would just record like nobody. We

264
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Speaker 1: would just imitate like all the hyphey movement shells and

265
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Speaker 1: rap ship and then but when Bro came, like that's

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Speaker 1: when we was like doing more singing stuff, and my

267
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Speaker 1: mom would be like overead, like yeah, let us again,

268
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Speaker 1: try and do less of this, listen to more of

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Speaker 1: this gotch you like you know stuff. Yeah.

270
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Speaker 3: So then my dad knew a friend he used to

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Speaker 3: do like community service hours for like his youth program

272
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Speaker 3: or whatever. And this guy named jim Or knew fly styles.

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Speaker 3: Mm hmm.

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Speaker 2: Yeah.

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Speaker 3: He introduced us to fly styles. And during that time,

276
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Speaker 3: Robbie introduced us to Andre Merrick.

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Speaker 9: Gotcha okay, so yeah nothing nigga, I can hop, Yeah,

278
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Speaker 9: I digga, shoot the hell out of man, shoot it

279
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Speaker 9: and right the hell out.

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Speaker 6: Of some song.

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Speaker 1: Yeah. Yeah.

282
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Speaker 3: So during that time, while we're trying to figure out

283
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Speaker 3: we think we mak it, slaps Robbie like he here

284
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Speaker 3: and he like, I'm gonna sit it to my friend Andre, maryy.

285
00:16:45,280 --> 00:16:47,600
Speaker 3: We don't know nothing about the business. Yeah, we talked

286
00:16:47,640 --> 00:16:48,000
Speaker 3: to Andre.

287
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Speaker 5: Robbie already in l A, already already already one tree here,

288
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Speaker 5: one tree hell yeah yeah.

289
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Speaker 3: Adre on the phoney like, yeah, the music is not good.

290
00:17:00,200 --> 00:17:03,160
Speaker 1: I'm just keeping I'm gonna keep it real with y'all.

291
00:17:03,360 --> 00:17:05,399
Speaker 1: Y'all need to keep on, just keep on, keep on

292
00:17:05,480 --> 00:17:09,439
Speaker 1: saying this stuff. But you're not there, not what you think. Like,

293
00:17:09,560 --> 00:17:12,680
Speaker 1: you know, we was feeling like we don't to record.

294
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Speaker 1: We're supposed to be down here we're supposed to be.

295
00:17:14,600 --> 00:17:16,720
Speaker 3: Yeah, me not knowing then I'm just like taking that

296
00:17:16,760 --> 00:17:18,359
Speaker 3: competitive nature from sports and men like.

297
00:17:18,359 --> 00:17:19,800
Speaker 1: I'm about to show them.

298
00:17:20,280 --> 00:17:24,520
Speaker 3: And then during that whole during that time, we met Fly. Yeah,

299
00:17:24,520 --> 00:17:28,720
Speaker 3: we met Fly, came down here Fly, he was working

300
00:17:28,720 --> 00:17:32,040
Speaker 3: with us, or during that time the first met up Brown.

301
00:17:33,840 --> 00:17:36,200
Speaker 1: Yeah, it's working with Brown because we did the song

302
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Speaker 1: called Michael and Me. Jesus Christ, that's where it is.

303
00:17:39,000 --> 00:17:40,520
Speaker 1: We did the song called Michael and Me, and it

304
00:17:40,560 --> 00:17:42,639
Speaker 1: was like, we love Michael Jackson. So we did this

305
00:17:42,720 --> 00:17:45,560
Speaker 1: tribute kind of like everybody gotta love Michael. And then

306
00:17:45,680 --> 00:17:48,040
Speaker 1: like you know what I'm saying, like we was doing

307
00:17:48,040 --> 00:17:50,720
Speaker 1: it for Michael or that was the idea to Fly

308
00:17:51,080 --> 00:17:54,160
Speaker 1: was trying to run with, you know. And then Chris

309
00:17:54,200 --> 00:17:57,760
Speaker 1: heard it and was like, let me record it and

310
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Speaker 1: do it as a tribute. And that's how we met Chris.

311
00:18:00,200 --> 00:18:01,359
Speaker 1: That's how that all happened.

312
00:18:01,760 --> 00:18:04,679
Speaker 3: I was like sixteen, Yeah, when we met Chris at

313
00:18:04,720 --> 00:18:05,320
Speaker 3: the Grammy party.

314
00:18:06,240 --> 00:18:11,119
Speaker 1: That's why. That's initially why yeah, And and then you know,

315
00:18:11,240 --> 00:18:13,040
Speaker 1: all the other stuff happened, and it just it kind

316
00:18:13,040 --> 00:18:16,960
Speaker 1: of changed the narrative on but we knew at that point,

317
00:18:17,320 --> 00:18:19,560
Speaker 1: like we need to be here. Yeah. Now it's like

318
00:18:19,640 --> 00:18:23,240
Speaker 1: we Yeah, so we went back that last time. I

319
00:18:23,280 --> 00:18:27,720
Speaker 1: mean we ran away. We packed up the equipment.

320
00:18:28,480 --> 00:18:30,159
Speaker 2: How am I didn't tell your mom and dad? I

321
00:18:30,200 --> 00:18:32,720
Speaker 2: was going, No, we literally right away.

322
00:18:32,840 --> 00:18:37,600
Speaker 3: Yeah, you was grown I was grown away.

323
00:18:37,960 --> 00:18:38,520
Speaker 1: I read Wait.

324
00:18:39,080 --> 00:18:41,800
Speaker 3: Yeah, I had my little Ford focus. We packed up

325
00:18:41,840 --> 00:18:48,359
Speaker 3: all our stuff in the back, waited, let's go to

326
00:18:48,480 --> 00:18:49,800
Speaker 3: La Nigga.

327
00:18:50,560 --> 00:18:54,440
Speaker 5: To me, neither nobody all these years, I know, y'all, Yeah,

328
00:18:54,960 --> 00:18:56,240
Speaker 5: you will run away this whole time.

329
00:18:59,119 --> 00:18:59,800
Speaker 1: He really is.

330
00:19:05,840 --> 00:19:08,160
Speaker 3: A road man sick. You had a big.

331
00:19:10,920 --> 00:19:11,080
Speaker 6: Man.

332
00:19:12,119 --> 00:19:16,560
Speaker 1: That right there makes it so much better. Wow, y'all

333
00:19:16,680 --> 00:19:17,440
Speaker 1: had no choice.

334
00:19:17,800 --> 00:19:19,760
Speaker 3: We didn't have no choice to make it. I had

335
00:19:19,800 --> 00:19:21,160
Speaker 3: no choice. It wasn't going back.

336
00:19:29,400 --> 00:19:30,880
Speaker 2: So what's that phone call?

337
00:19:31,000 --> 00:19:36,480
Speaker 3: Like I was dodging, ignore nation, ignore, ignore ignore. I

338
00:19:36,520 --> 00:19:38,400
Speaker 3: wasn't ready ye because I'm just like trying to figure

339
00:19:38,440 --> 00:19:40,919
Speaker 3: out you guys, big brother. I had to do what

340
00:19:40,960 --> 00:19:42,639
Speaker 3: I had to do. Yeah, And I was the one

341
00:19:42,680 --> 00:19:44,199
Speaker 3: that was like, bro, we need to go. And I

342
00:19:44,240 --> 00:19:46,160
Speaker 3: was like, man, we got to figure this out. He's

343
00:19:46,200 --> 00:19:47,639
Speaker 3: just like, let's go, And I'm like, you know what,

344
00:19:48,240 --> 00:19:51,000
Speaker 3: let's just go, let's load up. We out. I had

345
00:19:51,040 --> 00:19:53,520
Speaker 3: been to l A because you know, the camps and hooping.

346
00:19:53,600 --> 00:19:55,920
Speaker 3: So I was aware, but I know we knew Fly

347
00:19:56,920 --> 00:19:58,800
Speaker 3: and I knew some of his other hommies. So I

348
00:19:58,880 --> 00:20:00,840
Speaker 3: was trying to figure out the living. Meanwhile, he's just

349
00:20:00,880 --> 00:20:03,040
Speaker 3: thinking about music. I'm like, we gotta figure this out.

350
00:20:03,080 --> 00:20:05,280
Speaker 3: What we're gonna say. Yeah, So he was living out

351
00:20:05,280 --> 00:20:08,440
Speaker 3: the focus for a good two or three months to

352
00:20:08,560 --> 00:20:10,800
Speaker 3: three months. Yeah, living out the focus, trying to figure

353
00:20:10,800 --> 00:20:12,800
Speaker 3: out where we was gonna stay, and trying to get

354
00:20:12,800 --> 00:20:14,560
Speaker 3: to the studio. When we first pulled up to l

355
00:20:14,640 --> 00:20:18,560
Speaker 3: A coming from Sack where we go to go see Polo,

356
00:20:21,760 --> 00:20:22,280
Speaker 3: we're sick.

357
00:20:27,920 --> 00:20:30,240
Speaker 1: And when that times, like we gotta meet Pop. We're

358
00:20:30,240 --> 00:20:33,000
Speaker 1: here to meet Polo. Yeah, I had never met him before.

359
00:20:33,040 --> 00:20:38,280
Speaker 1: No niggas still got raised there. Yeah, so y'all get

360
00:20:38,320 --> 00:20:41,880
Speaker 1: to the timetime. Oh god, yeah, what happened? Pool comes out?

361
00:20:41,920 --> 00:20:45,240
Speaker 3: He like, hm, hmmm, y'all talented, but this how you

362
00:20:45,320 --> 00:20:52,760
Speaker 3: do this? How you do this? Bro? Like you don't know, y'all.

363
00:20:53,680 --> 00:20:56,119
Speaker 3: We're like, nah, we're just trying to play some music.

364
00:20:56,200 --> 00:21:00,960
Speaker 3: He's like, nah, Jesus, but he laughed, laugh while they

365
00:21:01,000 --> 00:21:05,239
Speaker 3: all go and then we just leaving them, what like

366
00:21:05,440 --> 00:21:09,480
Speaker 3: a month later, we ended up staying at Fly's friend Dennis. Yeah.

367
00:21:10,160 --> 00:21:10,720
Speaker 3: Let the stay there.

368
00:21:10,880 --> 00:21:13,159
Speaker 1: Was playing the rent there, like half the rent as

369
00:21:13,160 --> 00:21:17,440
Speaker 1: long as we could, and then uh we we left

370
00:21:17,440 --> 00:21:20,600
Speaker 1: there and started living with Fly and Fly had his

371
00:21:20,680 --> 00:21:24,320
Speaker 1: camp over there. It was us t Fly and Notch

372
00:21:25,040 --> 00:21:29,280
Speaker 1: and Rob a rest in Peace and so he was

373
00:21:29,320 --> 00:21:32,080
Speaker 1: like trying to, you know, do his executive thing, like

374
00:21:32,119 --> 00:21:34,479
Speaker 1: I got these producers and trying to get records off

375
00:21:34,520 --> 00:21:37,280
Speaker 1: and stuff, and we was in that mix, but it

376
00:21:37,400 --> 00:21:39,840
Speaker 1: just it didn't work out. Ultimately, Prince Charles is over

377
00:21:39,840 --> 00:21:44,959
Speaker 1: there too, crazy yeah crazy, yeah, yeah, crazy, And then uh,

378
00:21:45,640 --> 00:21:47,760
Speaker 1: it just didn't work out all the way around. But

379
00:21:48,160 --> 00:21:50,440
Speaker 1: that was like the basis of when we first got here,

380
00:21:50,880 --> 00:21:54,760
Speaker 1: when we just do records, record, record and not. When

381
00:21:54,760 --> 00:21:57,560
Speaker 1: we got off the freeway, Notch was going. We didn't

382
00:21:57,600 --> 00:21:59,280
Speaker 1: know where it was going. We called Notch and he

383
00:21:59,359 --> 00:22:01,960
Speaker 1: was like, pull up to the studio. Then we met

384
00:22:01,960 --> 00:22:04,800
Speaker 1: the New Boys and that's how we got our first placement,

385
00:22:06,240 --> 00:22:09,199
Speaker 1: no no, with the It's called New Girl Okay, And

386
00:22:09,280 --> 00:22:12,200
Speaker 1: we got a feature on there too, which the vocals were.

387
00:22:12,200 --> 00:22:14,800
Speaker 2: Terrible, horrible and y'all fresh in the city.

388
00:22:14,920 --> 00:22:18,320
Speaker 3: Oh yeah, for sure. We they was the New Boys

389
00:22:18,400 --> 00:22:21,040
Speaker 3: was recording in Guardina Guardina. Yeah, so we're coming straight

390
00:22:21,080 --> 00:22:24,080
Speaker 3: from straight to the hood, going in the recording the garage.

391
00:22:24,480 --> 00:22:27,840
Speaker 3: M h and not you there, like come on over here,

392
00:22:27,880 --> 00:22:31,360
Speaker 3: you know not. So that's how we got our fir

393
00:22:31,600 --> 00:22:35,000
Speaker 3: that first check. We got behind McDonald's on fifteen yep,

394
00:22:35,280 --> 00:22:36,439
Speaker 3: fifteen split it.

395
00:22:36,480 --> 00:22:40,240
Speaker 2: We got paid behind the McDonald's. Yeah, we signed up

396
00:22:40,240 --> 00:22:40,800
Speaker 2: with Donald's.

397
00:22:40,960 --> 00:22:43,720
Speaker 5: Got producer because we had to sign your producers there. Yeah,

398
00:22:43,840 --> 00:22:47,760
Speaker 5: at McDonalds. At McDonald's okay, all right, at mc donald's. Yeah,

399
00:22:47,840 --> 00:22:49,720
Speaker 5: did you read it or did y'all just take it?

400
00:22:50,720 --> 00:22:53,960
Speaker 3: Was like we was at McDonald's all right, he was

401
00:22:54,000 --> 00:22:57,280
Speaker 3: already already hungry.

402
00:22:56,640 --> 00:23:01,639
Speaker 2: That's a great way to do that, thank my witch.

403
00:23:05,040 --> 00:23:05,600
Speaker 3: Exactly.

404
00:23:05,920 --> 00:23:13,399
Speaker 1: Hey, I need a maxf man. We're going large large.

405
00:23:13,960 --> 00:23:14,879
Speaker 1: I want the big drink.

406
00:23:17,359 --> 00:23:19,760
Speaker 2: I gotta.

407
00:23:20,680 --> 00:23:23,000
Speaker 1: Check and drink.

408
00:23:24,720 --> 00:23:25,040
Speaker 3: Wow.

409
00:23:26,040 --> 00:23:28,960
Speaker 1: Look, you mess your question just as as creatives, right

410
00:23:29,280 --> 00:23:33,560
Speaker 1: because shout out down dream mary head. It definitely hits

411
00:23:33,560 --> 00:23:36,320
Speaker 1: you with the you know what I'm saying, You're not

412
00:23:36,440 --> 00:23:39,239
Speaker 1: there yet, you ain't got it. At what point did

413
00:23:39,280 --> 00:23:42,280
Speaker 1: you feel like, because now before you get to this placement,

414
00:23:43,800 --> 00:23:46,840
Speaker 1: at what point do you feel like you're a competitive

415
00:23:47,119 --> 00:23:51,240
Speaker 1: like you have something that that now is on the

416
00:23:51,359 --> 00:23:54,919
Speaker 1: level of what you hear on the streets. For me,

417
00:23:54,960 --> 00:23:59,400
Speaker 1: it was a Micael record how much swell. It was

418
00:23:59,760 --> 00:24:01,640
Speaker 1: like Fly was trying to take it to a kon

419
00:24:01,760 --> 00:24:04,240
Speaker 1: and it was like conversations that we're a part of

420
00:24:04,320 --> 00:24:07,440
Speaker 1: now that we've never been a part of. So that's

421
00:24:07,480 --> 00:24:09,399
Speaker 1: what had the battery pack of me or I'm like,

422
00:24:09,560 --> 00:24:11,119
Speaker 1: we need to that's what we need. We need the

423
00:24:11,160 --> 00:24:11,680
Speaker 1: micro record.

424
00:24:11,800 --> 00:24:13,560
Speaker 2: Yeah, we need to get out, we need to be

425
00:24:13,600 --> 00:24:15,760
Speaker 2: there were in the game now.

426
00:24:16,320 --> 00:24:19,680
Speaker 1: So at that point you felt like y'all had something yeah. Yeah,

427
00:24:19,720 --> 00:24:21,600
Speaker 1: And then we're going back and forth with dre during

428
00:24:21,600 --> 00:24:24,000
Speaker 1: this time too, So when we started saying this stuff,

429
00:24:24,040 --> 00:24:25,560
Speaker 1: it was like this fire, it's getting better.

430
00:24:25,680 --> 00:24:28,120
Speaker 3: Did that record ever place? With the micro record?

431
00:24:29,000 --> 00:24:32,359
Speaker 1: Chris is gonna cut it at that time, and then

432
00:24:32,840 --> 00:24:37,760
Speaker 1: all the Reary stuff happened. So it's just like the

433
00:24:37,840 --> 00:24:40,720
Speaker 1: whole train just derailed. It was like and y'all never

434
00:24:40,760 --> 00:24:43,880
Speaker 1: tried to put on nobody else. No, we just came

435
00:24:43,880 --> 00:24:44,879
Speaker 1: back and just kept creating.

436
00:24:44,960 --> 00:24:49,160
Speaker 5: That song, created the conversation to get your yeah right, yeah, Okay,

437
00:24:49,200 --> 00:24:51,280
Speaker 5: So now y'all got cat Daddy.

438
00:24:51,000 --> 00:24:55,960
Speaker 10: Going, so Cat Daddy's Next, Cat Daddy's Next, before this

439
00:24:56,040 --> 00:25:01,160
Speaker 10: new girl did Caddaddy Yeah, and then man we get

440
00:25:01,160 --> 00:25:05,720
Speaker 10: silent universe, no Jay Hawk producive. But I kind of

441
00:25:05,760 --> 00:25:08,280
Speaker 10: like tz old if you will, you know what I'm saying.

442
00:25:08,280 --> 00:25:11,119
Speaker 10: I did all the edits and recorded it and moving,

443
00:25:11,359 --> 00:25:12,959
Speaker 10: arranging and doing all that stuff.

444
00:25:12,960 --> 00:25:16,280
Speaker 1: So it was pretty like you know what I'm saying,

445
00:25:16,400 --> 00:25:20,320
Speaker 1: like put this in the beat, additional production, you know.

446
00:25:20,520 --> 00:25:23,960
Speaker 2: So and then we was all we was actually in the.

447
00:25:23,920 --> 00:25:26,680
Speaker 1: Reject and the rejects. Yeah, so it was like we

448
00:25:26,680 --> 00:25:30,160
Speaker 1: was going everywhere in the Vands seven Rejects, popping out,

449
00:25:30,440 --> 00:25:34,960
Speaker 1: backward Skinnies, Miss Master Jordan's dancing, dancing everywhere we went.

450
00:25:35,400 --> 00:25:37,320
Speaker 1: And we we really couldn't do much at the house

451
00:25:37,560 --> 00:25:41,640
Speaker 1: growing up, like as far as like partying, so we

452
00:25:41,560 --> 00:25:45,240
Speaker 1: were that's why we are how we are Witness. No,

453
00:25:48,800 --> 00:25:52,080
Speaker 1: it's Christian, Christian base, but Po just didn't play that ship.

454
00:25:52,119 --> 00:25:56,479
Speaker 3: He's real militant. But he was like that for everybody

455
00:25:56,480 --> 00:25:59,080
Speaker 3: in the neighborhood, like like I respect for your dad

456
00:25:59,080 --> 00:26:02,400
Speaker 3: and yeah, but we just live with him, so that's

457
00:26:02,440 --> 00:26:04,399
Speaker 3: our dad, so like, no, you're not doing that.

458
00:26:04,440 --> 00:26:07,480
Speaker 2: But he kept y'all block straight. Yeah, yeah, no, I

459
00:26:07,520 --> 00:26:07,840
Speaker 2: get it.

460
00:26:07,880 --> 00:26:08,359
Speaker 3: I love that.

461
00:26:08,480 --> 00:26:08,919
Speaker 1: I get it.

462
00:26:08,920 --> 00:26:11,359
Speaker 5: So when y'all get out here, now your niggas become rejects,

463
00:26:11,640 --> 00:26:16,639
Speaker 5: right okay, all right yeah yeah, and y'all dancing with

464
00:26:16,680 --> 00:26:17,639
Speaker 5: your pants on backers?

465
00:26:17,760 --> 00:26:19,679
Speaker 3: Yeah yeah, everything I activated.

466
00:26:19,800 --> 00:26:23,040
Speaker 5: I know Pops probably saw the video, like, man, it

467
00:26:23,160 --> 00:26:29,720
Speaker 5: was too late though, I see them whooping them.

468
00:26:30,680 --> 00:26:37,080
Speaker 1: I'm kicking that is coming, hella mess, I know you've

469
00:26:37,080 --> 00:26:38,440
Speaker 1: seen motherfucker.

470
00:26:41,440 --> 00:26:42,880
Speaker 3: Man. It was that.

471
00:26:43,160 --> 00:26:44,840
Speaker 2: It was that I wouldn't have let y'all come to

472
00:26:44,840 --> 00:26:45,240
Speaker 2: the studio.

473
00:26:45,320 --> 00:26:45,879
Speaker 3: I have known that.

474
00:26:47,359 --> 00:26:54,240
Speaker 8: Pop said like, I can't come round, y'all can't come here.

475
00:26:54,840 --> 00:26:56,280
Speaker 3: Right in fact, y'all's.

476
00:26:55,920 --> 00:26:59,399
Speaker 1: Got to go now. I don't want no trouble.

477
00:26:59,440 --> 00:27:02,520
Speaker 3: Man was a different error. Yeah, But once we got

478
00:27:02,560 --> 00:27:06,159
Speaker 3: past that, we had got signed with Universal, Rondor with

479
00:27:06,320 --> 00:27:11,080
Speaker 3: Kevin Hall was over there and he put us with Damon.

480
00:27:11,680 --> 00:27:13,040
Speaker 3: That was the best thing they did was put us

481
00:27:13,080 --> 00:27:13,840
Speaker 3: over there with that then.

482
00:27:14,720 --> 00:27:18,880
Speaker 5: So Kevin hard to just introduce you out of that. Yeah, okay, okay, Yeah.

483
00:27:18,920 --> 00:27:20,600
Speaker 5: The deal we song was horrible, terrible?

484
00:27:20,760 --> 00:27:24,960
Speaker 3: Yeah. Yeah, who signed a life away compubsing deal? Yeah? Yeah?

485
00:27:25,040 --> 00:27:26,000
Speaker 1: How many songs?

486
00:27:26,600 --> 00:27:26,800
Speaker 3: Three?

487
00:27:28,640 --> 00:27:32,960
Speaker 5: Three hundred percent songs? Three songs, three, three, four song?

488
00:27:33,280 --> 00:27:35,520
Speaker 5: How much I got. Let's let's just let's just talk

489
00:27:35,520 --> 00:27:35,919
Speaker 5: about it.

490
00:27:37,080 --> 00:27:43,720
Speaker 3: Man two two for one, Yeah, put both of y'all

491
00:27:43,920 --> 00:27:44,840
Speaker 3: yeah to split.

492
00:27:45,800 --> 00:27:46,040
Speaker 1: Yeah.

493
00:27:46,680 --> 00:27:49,320
Speaker 2: Yeah. He could have signed in the back of McDonalds.

494
00:27:51,359 --> 00:27:56,359
Speaker 3: We signed that with that Kevin some money rings all

495
00:27:56,400 --> 00:28:01,080
Speaker 3: that time. Do you think good there? Carora Hall was

496
00:28:01,119 --> 00:28:06,760
Speaker 3: sitting there like driwskie, Yeah, sign right here out here.

497
00:28:16,400 --> 00:28:22,080
Speaker 1: But three hundred yeah, Yeah, that was tough. That's tough. Yeah,

498
00:28:23,200 --> 00:28:24,280
Speaker 1: I had five hundred.

499
00:28:25,000 --> 00:28:26,920
Speaker 3: Yeah.

500
00:28:27,320 --> 00:28:30,160
Speaker 1: I mean we got out of that thing. No, for sure,

501
00:28:30,240 --> 00:28:33,040
Speaker 1: of course, it was just but you know what I think.

502
00:28:33,280 --> 00:28:37,560
Speaker 1: I think and me and j have talked about this before, like, yeah,

503
00:28:37,600 --> 00:28:41,240
Speaker 1: it sounds like a bad deal, but you ultimately were

504
00:28:41,240 --> 00:28:47,200
Speaker 1: betting on yourself. Yeah, and whatever by any means necessary.

505
00:28:47,720 --> 00:28:49,880
Speaker 1: You had to eat and you have to survive, and

506
00:28:49,920 --> 00:28:51,440
Speaker 1: you were just going to charge it to the food

507
00:28:51,520 --> 00:28:52,560
Speaker 1: loops and the microphone.

508
00:28:53,000 --> 00:28:54,960
Speaker 2: Because the other the other question is.

509
00:28:56,800 --> 00:28:58,480
Speaker 5: Would you sign it again if you were in that

510
00:28:58,560 --> 00:29:02,440
Speaker 5: same position, if you knew that it was going to

511
00:29:02,520 --> 00:29:05,600
Speaker 5: lead to you guys being here the success that you've had,

512
00:29:06,040 --> 00:29:07,840
Speaker 5: And that's you got to ask yourself. I think you

513
00:29:07,880 --> 00:29:13,480
Speaker 5: know a lot of times people hindsight is twenty twenty obviously,

514
00:29:14,200 --> 00:29:15,880
Speaker 5: But you have so many people who.

515
00:29:20,400 --> 00:29:22,160
Speaker 2: Said, I'm trying to figure the best way I could

516
00:29:22,160 --> 00:29:22,640
Speaker 2: say it to.

517
00:29:24,160 --> 00:29:24,520
Speaker 1: Fuck it.

518
00:29:24,760 --> 00:29:27,959
Speaker 5: You got people who are outsmarting themselves.

519
00:29:28,920 --> 00:29:31,800
Speaker 2: They're just too business savvy in the beginning.

520
00:29:33,280 --> 00:29:37,719
Speaker 5: Because what people don't understand is, in the beginning, you

521
00:29:37,760 --> 00:29:42,240
Speaker 5: really don't have any bargaining chips. You don't have any leverage,

522
00:29:42,760 --> 00:29:45,640
Speaker 5: and the leverage you think you have is really in

523
00:29:45,680 --> 00:29:52,440
Speaker 5: your head. Right unless you got some crazy bidding war,

524
00:29:53,240 --> 00:29:57,560
Speaker 5: everybody's chasing you down and you can leverage that into

525
00:29:57,600 --> 00:30:02,320
Speaker 5: the best deal possible. But when you are trying to eat, yes, sir, Yeah,

526
00:30:02,400 --> 00:30:05,280
Speaker 5: and you don't want to sell dope no more, talk

527
00:30:05,280 --> 00:30:07,200
Speaker 5: about it. You don't want to live in your daddy

528
00:30:07,200 --> 00:30:09,320
Speaker 5: house no more, you don't want it. Means so many

529
00:30:09,400 --> 00:30:13,560
Speaker 5: different variables that come into play that people just tend

530
00:30:13,600 --> 00:30:18,920
Speaker 5: to overlook. Yeah, like yes, because the objective is to

531
00:30:19,040 --> 00:30:20,600
Speaker 5: one day be able to laugh.

532
00:30:20,400 --> 00:30:24,719
Speaker 2: About it, right sir, Right, for sure, not. But the

533
00:30:24,760 --> 00:30:26,480
Speaker 2: only way to be able to laugh about it is

534
00:30:26,520 --> 00:30:27,720
Speaker 2: to be successful.

535
00:30:28,320 --> 00:30:28,560
Speaker 3: Right.

536
00:30:28,800 --> 00:30:32,280
Speaker 2: Most of the people that I see complaining, don't you.

537
00:30:32,240 --> 00:30:38,200
Speaker 3: Do it, don't you do it, don't you do it?

538
00:30:40,000 --> 00:30:46,200
Speaker 2: I've been successful. Right, you've only done it once.

539
00:30:47,720 --> 00:30:51,280
Speaker 5: And you got a bad deal with that one time

540
00:30:51,280 --> 00:30:55,040
Speaker 5: that you got you was cracking. I get it, I

541
00:30:55,080 --> 00:30:59,600
Speaker 5: get I get the frustration. I get the frustration. But

542
00:30:59,840 --> 00:31:02,040
Speaker 5: it if you've done it over and over and over

543
00:31:02,280 --> 00:31:06,440
Speaker 5: and you've you've gotten to this place, this wonderful place

544
00:31:06,440 --> 00:31:11,080
Speaker 5: called renegotiation, right, you laugh at that shit.

545
00:31:11,440 --> 00:31:13,600
Speaker 3: For sure. We always we definitely got the last love

546
00:31:13,680 --> 00:31:14,800
Speaker 3: the last laugh. For sure.

547
00:31:15,000 --> 00:31:19,000
Speaker 5: Y'all got twenty, I got thirty five, really got twenty five.

548
00:31:19,000 --> 00:31:22,120
Speaker 5: Then I got a little ten on top later, right,

549
00:31:22,520 --> 00:31:24,920
Speaker 5: but it really only got thirty five. It got thirty five,

550
00:31:25,000 --> 00:31:28,120
Speaker 5: all leaving the seventy five I was supposed to get.

551
00:31:28,200 --> 00:31:30,120
Speaker 5: Y'all got your whole twenty. It was twenty and y'all

552
00:31:30,160 --> 00:31:30,760
Speaker 5: got twenty.

553
00:31:30,920 --> 00:31:31,120
Speaker 3: Yeah.

554
00:31:31,160 --> 00:31:33,000
Speaker 1: It was supposed to be more attached, like as we

555
00:31:33,520 --> 00:31:37,840
Speaker 1: progressive the deal, right, but it just ended up us

556
00:31:37,920 --> 00:31:41,400
Speaker 1: getting out of it me too, not have just yeah

557
00:31:41,600 --> 00:31:44,560
Speaker 1: same thing for you for you, short money deal.

558
00:31:46,240 --> 00:31:48,520
Speaker 2: They can't take the big money. It didn't put him

559
00:31:48,520 --> 00:31:56,240
Speaker 2: in a head lot. I got that hot one seventy five.

560
00:31:56,840 --> 00:31:59,600
Speaker 3: Yeah, yeah, the Lord way.

561
00:31:58,920 --> 00:32:02,840
Speaker 1: Yeah yeah, but it was it was it was prison.

562
00:32:04,360 --> 00:32:12,880
Speaker 1: It was all jail, jail ball violence. There are no

563
00:32:13,000 --> 00:32:18,840
Speaker 1: bad deals, man. Yeah, Like I just I just feel

564
00:32:18,880 --> 00:32:22,360
Speaker 1: like you have to do what you have to do.

565
00:32:23,240 --> 00:32:26,040
Speaker 1: Like I've been in situations where I was owed a

566
00:32:26,160 --> 00:32:31,520
Speaker 1: lot of money, a lot of money, and it was

567
00:32:31,560 --> 00:32:37,600
Speaker 1: either fight that or settle for less and get back. Cracking, right,

568
00:32:40,080 --> 00:32:41,120
Speaker 1: Cracking is the remedy.

569
00:32:41,560 --> 00:32:42,040
Speaker 3: Mm hmmm.

570
00:32:43,120 --> 00:32:45,160
Speaker 5: Cracking is the remedy. So let's get to crack, get

571
00:32:45,200 --> 00:32:46,640
Speaker 5: the crack, and let's get the crack.

572
00:32:49,040 --> 00:32:52,560
Speaker 3: Which cracking on, it's a couple of episodes like that.

573
00:32:53,120 --> 00:32:54,280
Speaker 3: Come on, let's let's start.

574
00:32:54,880 --> 00:32:57,720
Speaker 1: Come on, come on, come on, y'all eating up now.

575
00:32:59,160 --> 00:33:02,479
Speaker 5: After the what y'all, what's your first record that you're like, Okay,

576
00:33:03,600 --> 00:33:08,480
Speaker 5: we can breathe a little bit for y'all, and y'all mind, I.

577
00:33:08,400 --> 00:33:11,080
Speaker 3: Would say to those your camera, the streets for sure,

578
00:33:11,640 --> 00:33:14,520
Speaker 3: streets and these screechs.

579
00:33:14,280 --> 00:33:15,280
Speaker 1: And how long.

580
00:33:16,520 --> 00:33:19,440
Speaker 5: So these people can know how long has y'all had

581
00:33:19,520 --> 00:33:22,640
Speaker 5: y'all been in the streets before streets got cracking? How

582
00:33:22,640 --> 00:33:26,520
Speaker 5: long y'all been in la figuring it out? You know,

583
00:33:27,120 --> 00:33:28,080
Speaker 5: as I would call it.

584
00:33:28,320 --> 00:33:33,520
Speaker 1: Yeah, the hamster wheel, the hamster will before that record

585
00:33:34,360 --> 00:33:35,520
Speaker 1: does what it does for y'all.

586
00:33:36,720 --> 00:33:37,680
Speaker 2: How many years had it been?

587
00:33:38,160 --> 00:33:41,560
Speaker 3: Well, this is year seventeen, so that was what.

588
00:33:43,560 --> 00:33:49,800
Speaker 5: Thirteen Yeah, y'all have been surviving this ship and thirteen years.

589
00:33:49,520 --> 00:33:53,680
Speaker 3: Thirteen years living out the whip, making slaps niggas stealing

590
00:33:53,760 --> 00:33:58,200
Speaker 3: our drip. We're doing our type of stuff. Your shit,

591
00:33:59,240 --> 00:34:00,800
Speaker 3: we didn't get it here. We didn't give a lot

592
00:34:00,800 --> 00:34:01,880
Speaker 3: of niggas a lot of drip.

593
00:34:02,240 --> 00:34:02,800
Speaker 2: And it's fine.

594
00:34:02,800 --> 00:34:05,400
Speaker 1: We got a lot of serns. It's okay, we got

595
00:34:05,440 --> 00:34:08,919
Speaker 1: a lot of Hey, we've got a couple more lessons

596
00:34:08,960 --> 00:34:12,680
Speaker 1: for you'll come back. Yeah, yeah, but this time we

597
00:34:12,719 --> 00:34:13,520
Speaker 1: getting our link back.

598
00:34:13,960 --> 00:34:18,360
Speaker 3: Anyways, you feel that Dojah Cat Street record, Yeah, it

599
00:34:18,440 --> 00:34:21,080
Speaker 3: took off like a man, what's wildfire?

600
00:34:21,200 --> 00:34:23,799
Speaker 1: What's crazy is that record was out Yeah for like

601
00:34:23,800 --> 00:34:27,719
Speaker 1: a year before it cracked off like the internet just

602
00:34:27,840 --> 00:34:33,080
Speaker 1: on some leak type ship on the album erupted late

603
00:34:33,600 --> 00:34:37,480
Speaker 1: m hm, like because that's not a normal Doja Cat

604
00:34:37,480 --> 00:34:38,120
Speaker 1: record either though.

605
00:34:38,440 --> 00:34:42,240
Speaker 5: Yeah, it's a very black doj R. And b Hey, Doja,

606
00:34:42,320 --> 00:34:44,600
Speaker 5: I like black Doja. You should do more of those

607
00:34:44,640 --> 00:34:47,600
Speaker 5: records due And I'm so just so you know, I'm

608
00:34:47,640 --> 00:34:50,319
Speaker 5: looking to camera. I'm a huge fan. I love Doja

609
00:34:50,400 --> 00:34:52,680
Speaker 5: Cat I think Doja Cat is one of the most

610
00:34:52,719 --> 00:34:58,720
Speaker 5: talented artists amazing in this ship, not female artists period.

611
00:34:58,800 --> 00:35:02,920
Speaker 5: She is a she's different and I love her on

612
00:35:02,960 --> 00:35:08,239
Speaker 5: that R and B Field. Yeah, come on, hot pink, hot, hot,

613
00:35:09,000 --> 00:35:12,520
Speaker 5: hot pink, love that money. So when when you get

614
00:35:12,520 --> 00:35:16,480
Speaker 5: a record like that, what are the conversations after that?

615
00:35:17,719 --> 00:35:18,240
Speaker 1: For y'all?

616
00:35:19,000 --> 00:35:21,200
Speaker 3: I felt like everybody that was the first door really

617
00:35:21,280 --> 00:35:25,319
Speaker 3: kicked down, like boom, oh, y'all about to have a Well,

618
00:35:25,320 --> 00:35:27,960
Speaker 3: can y'all do it again? That's what it was. It's

619
00:35:28,000 --> 00:35:30,560
Speaker 3: just luck. It wasn't said, but it was like, Okay,

620
00:35:30,680 --> 00:35:33,399
Speaker 3: y'all got one, but can y'all do it again? And

621
00:35:33,440 --> 00:35:36,160
Speaker 3: then after that we got iffy with Chris Brown. Yeah

622
00:35:36,640 --> 00:35:40,360
Speaker 3: mm hmmm hmmm, and ify that was that was a

623
00:35:40,360 --> 00:35:43,120
Speaker 3: great error because I was doing COVID. We was hooping

624
00:35:43,160 --> 00:35:46,200
Speaker 3: with Bro every day. Yeah, you know, we've been doing

625
00:35:46,239 --> 00:35:49,000
Speaker 3: Chris throughout the years forever, but we really locked in

626
00:35:49,000 --> 00:35:52,520
Speaker 3: with Bro because there wasn't nothing to do hoop make

627
00:35:52,640 --> 00:35:55,560
Speaker 3: music makers. So we low key had advantage because it

628
00:35:55,600 --> 00:35:59,560
Speaker 3: wasn't other producers at the quarter court Yeah, quartercourt slippery,

629
00:35:59,600 --> 00:36:08,399
Speaker 3: slippery into the full half court court, yes, but yeah,

630
00:36:08,800 --> 00:36:12,000
Speaker 3: if he was amazing. Bro, just kept playing it every day.

631
00:36:12,160 --> 00:36:15,160
Speaker 3: He was playing the strugg gold with this one. Yeah.

632
00:36:15,400 --> 00:36:19,160
Speaker 1: It was like it's great in concept too. Yeah, it's great.

633
00:36:19,160 --> 00:36:20,960
Speaker 3: And because you know, you cut so many records so

634
00:36:20,960 --> 00:36:24,360
Speaker 3: you'll be like you never know and COVID really has stuff.

635
00:36:24,400 --> 00:36:29,520
Speaker 3: So I'm just like, you're still gonna put that. He's like, no, no, no,

636
00:36:29,520 --> 00:36:29,919
Speaker 3: we're good.

637
00:36:30,040 --> 00:36:33,400
Speaker 2: I'm like, okay, you know he's gonna send this to

638
00:36:33,440 --> 00:36:33,960
Speaker 2: don't you can't.

639
00:36:34,040 --> 00:36:40,000
Speaker 1: Ye got advantage now, you got right right.

640
00:36:40,880 --> 00:36:45,600
Speaker 3: Call her right there. You can put it on there,

641
00:36:47,160 --> 00:36:50,759
Speaker 3: remember that if he Yeah yeah, actually pulled up a

642
00:36:50,760 --> 00:36:52,760
Speaker 3: couple of times and we was all we was all hooping.

643
00:36:52,840 --> 00:36:55,160
Speaker 1: Yeah, yeah, went out. There must have some people around here,

644
00:36:56,280 --> 00:36:57,319
Speaker 1: you know, strong man.

645
00:37:00,280 --> 00:37:03,920
Speaker 3: I remember that let it out, you know, definitely.

646
00:37:04,120 --> 00:37:07,719
Speaker 2: Yes, that's so that now it's starting. Now it's going up.

647
00:37:07,920 --> 00:37:08,440
Speaker 3: Yeah.

648
00:37:08,719 --> 00:37:11,279
Speaker 1: And that we did in the City and hate Me

649
00:37:11,320 --> 00:37:15,839
Speaker 1: tomorrow too. Yeah, so it was you know, now you're

650
00:37:15,840 --> 00:37:17,640
Speaker 1: getting production it production.

651
00:37:17,680 --> 00:37:20,640
Speaker 5: Answer, yeah yeah, yeah, no more fast food, parking lot

652
00:37:20,960 --> 00:37:21,800
Speaker 5: fast yeah.

653
00:37:23,000 --> 00:37:24,640
Speaker 1: Yeah. You have your own.

654
00:37:24,520 --> 00:37:27,480
Speaker 3: Lawyer now yeah yeah yeah. Yeah, we're gonna have a

655
00:37:27,520 --> 00:37:28,640
Speaker 3: meeting at Mastrows now.

656
00:37:29,120 --> 00:37:34,400
Speaker 1: Yeah, you gotta eat. Yeah, here's my question if you

657
00:37:34,480 --> 00:37:40,279
Speaker 1: if you talk to your dad yet. I was at

658
00:37:40,280 --> 00:37:43,000
Speaker 1: that point. You know, we had talked about we already

659
00:37:43,040 --> 00:37:45,600
Speaker 1: we had thirty years.

660
00:37:47,520 --> 00:37:55,120
Speaker 6: The answered the phone right now.

661
00:37:53,440 --> 00:37:54,239
Speaker 3: For thirty years.

662
00:37:54,280 --> 00:37:55,880
Speaker 2: It's crazy he called.

663
00:37:55,680 --> 00:37:59,920
Speaker 3: You what what in the stranger things?

664
00:38:00,560 --> 00:38:01,440
Speaker 2: This is crazy.

665
00:38:02,320 --> 00:38:05,680
Speaker 1: Yeah, we had talked to run a cat Daddy era,

666
00:38:05,880 --> 00:38:09,799
Speaker 1: like really started building our relationship again in a new way.

667
00:38:09,880 --> 00:38:14,800
Speaker 1: It's like, not yo, baby, boys, but as you're grown

668
00:38:14,840 --> 00:38:19,920
Speaker 1: men now, you know, surviving and pushing to thrive.

669
00:38:19,680 --> 00:38:22,279
Speaker 3: In the music industry is you know, being Pops overprotective.

670
00:38:22,360 --> 00:38:23,920
Speaker 3: And then it's like, all right, we got it.

671
00:38:23,920 --> 00:38:26,160
Speaker 1: That, like, well yeah, and I think and I think

672
00:38:26,719 --> 00:38:30,279
Speaker 1: you know, Pops can he can respect that part of it,

673
00:38:30,719 --> 00:38:34,080
Speaker 1: you know, you you boys, you know, making your own

674
00:38:34,120 --> 00:38:36,560
Speaker 1: way to become men, right, you know what I mean,

675
00:38:36,880 --> 00:38:39,600
Speaker 1: and taking that leap of faith. Yeah, And so I

676
00:38:39,640 --> 00:38:42,520
Speaker 1: can imagine him, you know, of course, wanting to protect

677
00:38:42,520 --> 00:38:46,319
Speaker 1: you guys, and and and and be there for you.

678
00:38:46,360 --> 00:38:48,920
Speaker 1: But I can imagine you know, he's proud as well,

679
00:38:48,960 --> 00:38:50,799
Speaker 1: because y'all i'all in the belly the.

680
00:38:50,719 --> 00:38:53,959
Speaker 3: Beast, right definitely, you know what I'm saying.

681
00:38:53,960 --> 00:38:56,520
Speaker 1: And you living and you ain't You ain't backing down

682
00:38:56,520 --> 00:38:58,640
Speaker 1: from no phasee you like we out here.

683
00:38:58,800 --> 00:39:02,800
Speaker 2: Right, Did y'all ever moved back? Not at any point

684
00:39:03,960 --> 00:39:05,800
Speaker 2: I stayed the whole time.

685
00:39:05,960 --> 00:39:07,000
Speaker 1: That's because that's the tailing.

686
00:39:07,600 --> 00:39:07,880
Speaker 3: Damn.

687
00:39:08,040 --> 00:39:08,920
Speaker 1: I respect that, bro.

688
00:39:09,239 --> 00:39:11,279
Speaker 3: Yeah, sure, there's been a couple of moments, right, it's

689
00:39:11,320 --> 00:39:13,120
Speaker 3: just like, all right, I guess we're about to go

690
00:39:13,160 --> 00:39:15,839
Speaker 3: back here we come, sack care, we're coming. Then a

691
00:39:15,840 --> 00:39:18,839
Speaker 3: blessing come through a place to come through. Every time

692
00:39:18,880 --> 00:39:22,600
Speaker 3: I'm just looking like, man, we don't get through this

693
00:39:22,840 --> 00:39:26,680
Speaker 3: bread right now, I have no cheese. Jesus bnd. Within

694
00:39:26,760 --> 00:39:30,279
Speaker 3: twenty four hours, Blessed got that call. Let's pull up

695
00:39:30,320 --> 00:39:32,759
Speaker 3: to the studio and cook. Every time I'm about to

696
00:39:32,800 --> 00:39:35,359
Speaker 3: leave it, it's like that's how I know guy, he's

697
00:39:35,400 --> 00:39:37,280
Speaker 3: watching it, making sure that we're good.

698
00:39:37,880 --> 00:39:41,000
Speaker 5: Because y'all do the work. That's one thing too, right.

699
00:39:42,480 --> 00:39:45,440
Speaker 5: I've seen so many people come here. Obviously I'm a transplant.

700
00:39:45,440 --> 00:39:47,479
Speaker 5: Tank is a transplant. We none of us are from here.

701
00:39:48,080 --> 00:39:51,879
Speaker 5: But I've seen so many people come here and get

702
00:39:52,320 --> 00:39:55,600
Speaker 5: so caught up in the life and the lifestyle of

703
00:39:55,840 --> 00:40:00,600
Speaker 5: LA Right, and listen, y'all some part the niggas I

704
00:40:01,080 --> 00:40:03,839
Speaker 5: just go, y'all are who y'all are, but y'all never

705
00:40:03,880 --> 00:40:05,799
Speaker 5: got caught up in it to the point where y'all

706
00:40:05,800 --> 00:40:08,759
Speaker 5: didn't do the work for sure, right, And there's you know,

707
00:40:08,800 --> 00:40:12,520
Speaker 5: because I think for me, I've always just did the work.

708
00:40:12,760 --> 00:40:16,319
Speaker 5: I never really parted, never really my thing because I

709
00:40:16,400 --> 00:40:18,400
Speaker 5: just knew me right, Like I'm just like, I gotta

710
00:40:18,480 --> 00:40:22,640
Speaker 5: focus on this. But watching y'all as a big brother,

711
00:40:22,680 --> 00:40:25,399
Speaker 5: watching y'all like yo, they can still like ll y'all

712
00:40:25,400 --> 00:40:27,120
Speaker 5: can attest to this. I've never pulled y'all to the

713
00:40:27,120 --> 00:40:29,759
Speaker 5: side and say, yo, y'all doing too much because I

714
00:40:29,920 --> 00:40:33,479
Speaker 5: just like, no, they still do the work. I've only

715
00:40:33,480 --> 00:40:35,200
Speaker 5: done that to people and they'll know who they are

716
00:40:35,680 --> 00:40:38,960
Speaker 5: who didn't do the work that you're supposed to do.

717
00:40:40,800 --> 00:40:42,480
Speaker 5: And y'all have done the work. And that's why you

718
00:40:42,560 --> 00:40:47,400
Speaker 5: said you be flat on your back, fucked up thinking

719
00:40:47,400 --> 00:40:50,840
Speaker 5: you going back home. And then twenty four hours later,

720
00:40:51,120 --> 00:40:52,879
Speaker 5: either y'all got to check coming through. Y'all got another

721
00:40:52,920 --> 00:40:56,640
Speaker 5: opportunity coming through because y'all have been a reliable call.

722
00:40:57,080 --> 00:41:00,760
Speaker 5: We've called y'all multiple times from the TGT Chief Project

723
00:41:01,080 --> 00:41:04,839
Speaker 5: Tanks project me as an artist like we've always might.

724
00:41:05,760 --> 00:41:06,960
Speaker 3: We gotta call the guy.

725
00:41:07,920 --> 00:41:09,799
Speaker 5: I gotta called the guy because y'all gonna show up

726
00:41:09,840 --> 00:41:11,200
Speaker 5: and do the work and do y'all things, and it's

727
00:41:11,200 --> 00:41:13,399
Speaker 5: gonna be great work. Yeah, you know what I mean.

728
00:41:13,440 --> 00:41:16,360
Speaker 5: So salute to y'all for that. And y'all have had

729
00:41:16,400 --> 00:41:17,920
Speaker 5: a good time. It's been fun for me to watch

730
00:41:18,320 --> 00:41:21,560
Speaker 5: from the outside of young niggas have a good ass time.

731
00:41:22,480 --> 00:41:22,799
Speaker 2: You know.

732
00:41:22,840 --> 00:41:25,000
Speaker 3: I feel like the party is just it rolls up

733
00:41:25,040 --> 00:41:25,680
Speaker 3: into the music.

734
00:41:26,280 --> 00:41:29,440
Speaker 1: Yeah, definitely feeds it. Yeah that makes feel good music. Yeah,

735
00:41:29,640 --> 00:41:30,160
Speaker 1: it feeds it.

736
00:41:30,680 --> 00:41:48,840
Speaker 3: Yeah. I like hanging out honestly, Tank, you literally like

737
00:41:48,880 --> 00:41:51,200
Speaker 3: the first person out. You are the first person to

738
00:41:51,239 --> 00:41:53,160
Speaker 3: be Like when we was in the studio working at

739
00:41:53,239 --> 00:41:55,200
Speaker 3: Damon the Harvey studio, he was like the first person

740
00:41:55,200 --> 00:41:57,320
Speaker 3: to be like validated us, be like, no, these niggas

741
00:41:57,320 --> 00:41:59,800
Speaker 3: are dope. Nobody was trying to hear this, you know

742
00:41:59,880 --> 00:42:03,680
Speaker 3: how it is during that time, it was y'all who

743
00:42:03,800 --> 00:42:05,560
Speaker 3: was all at the studio. I was.

744
00:42:09,280 --> 00:42:14,120
Speaker 1: Popping up Mansur that whole just that whole the uh

745
00:42:15,680 --> 00:42:20,279
Speaker 1: yeah yeah yeah track. So y'all like when y'all kind

746
00:42:20,280 --> 00:42:24,440
Speaker 1: of stepped it's like it's cold. Like then Harvey and

747
00:42:24,520 --> 00:42:27,160
Speaker 1: everybody else started like listening from a different kind of

748
00:42:27,600 --> 00:42:29,640
Speaker 1: There was a different look in the building. Yeah, because

749
00:42:29,640 --> 00:42:33,960
Speaker 1: I was like, that was like music school Motown for us,

750
00:42:34,600 --> 00:42:35,200
Speaker 1: you know what I mean.

751
00:42:35,200 --> 00:42:35,800
Speaker 3: It was learning.

752
00:42:36,640 --> 00:42:39,719
Speaker 1: That's that was a good too. That's where you get

753
00:42:39,760 --> 00:42:45,000
Speaker 1: residuals from facts that house, right that right without us

754
00:42:45,120 --> 00:42:47,520
Speaker 1: you learned there. Yeah one we the knowledge we.

755
00:42:47,480 --> 00:42:50,000
Speaker 5: Got because yeah, I was the young dancing niggas at

756
00:42:50,000 --> 00:42:52,840
Speaker 5: that point, right, like, y'all, that's that's what your vibe was,

757
00:42:52,880 --> 00:42:54,560
Speaker 5: and y'all were a good time.

758
00:42:55,400 --> 00:42:57,040
Speaker 2: The music hadn't fully got there yet.

759
00:42:57,160 --> 00:43:02,880
Speaker 3: Yeah, the niggas, y'all was like, shit back and watch, like, damn,

760
00:43:05,400 --> 00:43:06,680
Speaker 3: this song ain't good either.

761
00:43:07,080 --> 00:43:10,319
Speaker 1: Uncle, be like give me the files, come back and

762
00:43:10,360 --> 00:43:12,360
Speaker 1: be a record you like, m Yeah.

763
00:43:12,800 --> 00:43:16,040
Speaker 2: Okay, Now you guys were You guys were privy to.

764
00:43:17,640 --> 00:43:21,279
Speaker 5: Some really tenured people in the business who actually cared

765
00:43:21,280 --> 00:43:24,160
Speaker 5: about y'all too, though, you know, from Jamond Harvey, uh,

766
00:43:24,560 --> 00:43:26,880
Speaker 5: you know what I mean, Like there was like a

767
00:43:26,920 --> 00:43:29,560
Speaker 5: general consensus around there like no, no, no, these are our

768
00:43:29,600 --> 00:43:35,440
Speaker 5: little brothers. Like all of us took a liking to

769
00:43:35,520 --> 00:43:37,200
Speaker 5: y'all to the point of being like no, no, no,

770
00:43:37,239 --> 00:43:40,319
Speaker 5: we have to pour into them, and we're just glad

771
00:43:40,360 --> 00:43:42,400
Speaker 5: that ship worked out because we'd been like man.

772
00:43:43,680 --> 00:43:44,640
Speaker 1: Niggas was weak.

773
00:43:48,480 --> 00:43:49,040
Speaker 3: The song.

774
00:43:56,239 --> 00:43:56,560
Speaker 2: Joseph.

775
00:44:00,360 --> 00:44:01,240
Speaker 3: Yeah.

776
00:44:04,800 --> 00:44:07,680
Speaker 5: But it's really cool though, to have those conversations right

777
00:44:07,719 --> 00:44:11,279
Speaker 5: to be sitting with you know, l A Read and

778
00:44:11,719 --> 00:44:15,000
Speaker 5: you know he's playing me Jayden and then he plays

779
00:44:15,040 --> 00:44:29,799
Speaker 5: y'all record and as he's like, oh yes, these guys right.

780
00:44:29,880 --> 00:44:31,759
Speaker 2: But now that that those moments feel good though.

781
00:44:31,960 --> 00:44:35,279
Speaker 5: Honestly, bro, and seriously like those those moments feel good

782
00:44:35,480 --> 00:44:39,759
Speaker 5: to know that we saw it saw we you know,

783
00:44:39,840 --> 00:44:44,080
Speaker 5: and we believed early and facts definitely.

784
00:44:44,120 --> 00:44:44,319
Speaker 1: Yah.

785
00:44:45,520 --> 00:44:47,840
Speaker 2: Yeah, y'all did y'all part?

786
00:44:47,880 --> 00:44:48,319
Speaker 1: You know what I mean?

787
00:44:48,400 --> 00:44:49,239
Speaker 2: Y'all did y'all part?

788
00:44:49,280 --> 00:44:52,640
Speaker 1: Bro? Yeah? I think you guys are like, you know,

789
00:44:52,840 --> 00:44:56,400
Speaker 1: just so everybody can you know, understand the type of

790
00:44:56,440 --> 00:45:00,120
Speaker 1: producers that you are. You know, you guys are like

791
00:45:01,640 --> 00:45:07,520
Speaker 1: you guys do anything. Yeah literally literally yeah. Like I've

792
00:45:07,520 --> 00:45:12,200
Speaker 1: called y'all and asked y'all for some OUTLANDI ship and

793
00:45:12,280 --> 00:45:16,120
Speaker 1: JB like, what are you doing? I'm just hanging out

794
00:45:16,120 --> 00:45:19,400
Speaker 1: with my young guys doing young fields.

795
00:45:23,760 --> 00:45:25,640
Speaker 3: I'm not always the voice of reason. I'd like to

796
00:45:25,719 --> 00:45:26,160
Speaker 3: have fun.

797
00:45:28,640 --> 00:45:34,600
Speaker 1: No, No, I get on my turn up and I

798
00:45:34,719 --> 00:45:42,920
Speaker 1: need that fix. I hit the black tuxedo text Shaine, turn.

799
00:45:42,760 --> 00:45:44,520
Speaker 3: Me up the way.

800
00:45:45,239 --> 00:45:50,319
Speaker 5: I still remember the shots fired. I don't know if

801
00:45:50,360 --> 00:45:51,840
Speaker 5: y'all know what really happened.

802
00:45:52,280 --> 00:45:56,960
Speaker 3: I don't know exactly, No, no t g T happened what.

803
00:45:58,640 --> 00:46:04,600
Speaker 5: So So that's what ultimately we were asked, yes, very

804
00:46:04,719 --> 00:46:07,160
Speaker 5: very politely and nicely from the label.

805
00:46:08,760 --> 00:46:10,480
Speaker 1: To get away from shots Fire.

806
00:46:11,160 --> 00:46:12,960
Speaker 3: Oh so they killed the record.

807
00:46:15,960 --> 00:46:20,200
Speaker 5: Because they had they spent a lot of money for

808
00:46:20,239 --> 00:46:22,520
Speaker 5: this TGT album and they needed Tank to get in

809
00:46:22,600 --> 00:46:23,480
Speaker 5: TGT mode.

810
00:46:23,880 --> 00:46:26,280
Speaker 3: And it was smart they would have used the momentum.

811
00:46:27,320 --> 00:46:30,000
Speaker 1: But at that time is a different from It was

812
00:46:30,040 --> 00:46:33,680
Speaker 1: a different time like you were as an artist. You

813
00:46:33,800 --> 00:46:36,640
Speaker 1: hyper focused on the thing, on the task at hand,

814
00:46:37,320 --> 00:46:42,160
Speaker 1: and and it was nobody was really having two conversations

815
00:46:42,160 --> 00:46:42,759
Speaker 1: at the same time.

816
00:46:42,760 --> 00:46:45,279
Speaker 5: And shots Fire wasn't attached to anything exactly. Remember Tanke

817
00:46:45,280 --> 00:46:46,080
Speaker 5: didn't have an album.

818
00:46:46,200 --> 00:46:48,080
Speaker 2: It wasn't you know. It was just like you know,

819
00:46:48,280 --> 00:46:49,240
Speaker 2: that was.

820
00:46:50,880 --> 00:46:56,480
Speaker 1: Moving about moving list. Brown say hey, I need you

821
00:46:56,520 --> 00:46:58,279
Speaker 1: to perform with me at the at the Power of Face.

822
00:46:58,320 --> 00:47:04,680
Speaker 1: I said, dude, what, I'm on stage with the Brown? Yeah,

823
00:47:05,000 --> 00:47:12,600
Speaker 1: with the Brown? What He Then we went to the

824
00:47:12,600 --> 00:47:14,160
Speaker 1: club after part of the night. He was like just

825
00:47:14,280 --> 00:47:17,280
Speaker 1: let's do shots fire in the club. I said, absolutely,

826
00:47:17,840 --> 00:47:22,880
Speaker 1: right ready, we found Off in the club. I'm on

827
00:47:23,120 --> 00:47:27,440
Speaker 1: l a radio going crazy. It really was. It was

828
00:47:27,480 --> 00:47:28,560
Speaker 1: a boy like it really was.

829
00:47:28,640 --> 00:47:31,200
Speaker 5: Not for sure, it was and it was a really

830
00:47:31,280 --> 00:47:34,000
Speaker 5: it was a tough spot for us just from a

831
00:47:34,080 --> 00:47:35,680
Speaker 5: from a business standpoint.

832
00:47:36,040 --> 00:47:37,920
Speaker 2: It was a tough spot because.

833
00:47:39,239 --> 00:47:43,120
Speaker 5: Tank had already signed on and gave his word to

834
00:47:43,160 --> 00:47:46,120
Speaker 5: the Groove Right and to the label that he was

835
00:47:46,160 --> 00:47:49,160
Speaker 5: also you know, both deals were there. Yeah, Tank solo

836
00:47:49,200 --> 00:47:52,040
Speaker 5: deal was there. T G T was there, and it

837
00:47:52,160 --> 00:47:54,920
Speaker 5: was like we kind of got to get into it

838
00:47:54,960 --> 00:47:57,800
Speaker 5: because this album got to get turned in, y'all. Was

839
00:47:57,800 --> 00:48:01,200
Speaker 5: part of those sessions. Obviously we mentioned it love and

840
00:48:01,239 --> 00:48:04,160
Speaker 5: what's what's the second one? Don't take it don't take

841
00:48:04,160 --> 00:48:06,680
Speaker 5: it wrong, take it wrong, take wrong right, take it wrong.

842
00:48:06,719 --> 00:48:09,680
Speaker 5: But so it was one of those things where you know,

843
00:48:09,840 --> 00:48:12,920
Speaker 5: him and I had to sit down and I'm like, Chief,

844
00:48:14,960 --> 00:48:16,960
Speaker 5: you know, hurt me.

845
00:48:17,000 --> 00:48:18,520
Speaker 3: Man, I was supposed to be our first one that

846
00:48:18,640 --> 00:48:20,120
Speaker 3: was It's a lot involved.

847
00:48:20,520 --> 00:48:20,880
Speaker 1: Hurt me.

848
00:48:21,080 --> 00:48:22,920
Speaker 2: Those are the tough those are the tough parts of

849
00:48:22,920 --> 00:48:23,400
Speaker 2: this business.

850
00:48:23,440 --> 00:48:26,480
Speaker 3: Bro I was still eating McDonald's. A stronger ship.

851
00:48:28,560 --> 00:48:34,000
Speaker 2: Had told us Bro was part of my argument our

852
00:48:34,120 --> 00:48:34,680
Speaker 2: niggas is.

853
00:48:36,480 --> 00:48:40,759
Speaker 3: Is that twenty thirteen, twenty fourteen, that was when that.

854
00:48:40,800 --> 00:48:41,600
Speaker 1: Was well.

855
00:48:43,120 --> 00:48:47,880
Speaker 3: Yeah man, yeah label yeah man, that's crazy.

856
00:48:47,880 --> 00:48:50,759
Speaker 5: But you know I needed that song too. Yeah, it's

857
00:48:50,800 --> 00:48:55,520
Speaker 5: going crazy ship crack. I remember the video video show

858
00:48:56,120 --> 00:48:58,320
Speaker 5: Chris is going It was it was crazy.

859
00:48:58,360 --> 00:49:02,799
Speaker 1: It was crazy. Listen, I'm thinking, you know, pull up,

860
00:49:02,840 --> 00:49:04,520
Speaker 1: pull up for me a little bro, pull up Chris

861
00:49:04,520 --> 00:49:05,680
Speaker 1: and just you know, we're just gonna do a little

862
00:49:05,680 --> 00:49:08,319
Speaker 1: part of the video. You just and that. Nigga said,

863
00:49:08,840 --> 00:49:14,560
Speaker 1: I have other plans. Flight the bar crazy, So what

864
00:49:14,560 --> 00:49:17,640
Speaker 1: are you doing? Nikka jumped on that bar. I remember

865
00:49:17,880 --> 00:49:21,560
Speaker 1: I said.

866
00:49:19,520 --> 00:49:30,919
Speaker 11: You'll be rich transformed, So I said, he transformed different, Nika, I.

867
00:49:30,840 --> 00:49:33,080
Speaker 2: Said, are we rich rich?

868
00:49:33,320 --> 00:49:35,359
Speaker 3: Right? We did the two shots?

869
00:49:35,360 --> 00:49:40,719
Speaker 2: I said, oh god, I'm the hottest old nigga.

870
00:49:42,920 --> 00:49:46,239
Speaker 1: Hey, listen, I can always count on you guys too

871
00:49:47,560 --> 00:49:53,440
Speaker 1: to help me find something different that that I can do.

872
00:49:54,840 --> 00:49:56,600
Speaker 1: You know what I'm saying, you guys are you guys

873
00:49:56,600 --> 00:50:00,040
Speaker 1: are great at producing and writing in a space to

874
00:50:00,080 --> 00:50:03,839
Speaker 1: where it's like, okay, but you don't need to say

875
00:50:03,880 --> 00:50:07,360
Speaker 1: that yeah right, but you can say this, yeah, you

876
00:50:07,440 --> 00:50:08,880
Speaker 1: don't need to feel like that but it can feel

877
00:50:08,920 --> 00:50:11,239
Speaker 1: like this, you know, see what I'm saying. Yeah, And

878
00:50:11,239 --> 00:50:14,600
Speaker 1: it's like a lot of times I'm listening to y'all

879
00:50:16,719 --> 00:50:19,359
Speaker 1: as long as i've been doing it, I'm like this, Yeah, okay, cool,

880
00:50:20,200 --> 00:50:23,040
Speaker 1: and you'll be vocal producing me, big bro, trying to

881
00:50:23,080 --> 00:50:25,840
Speaker 1: take that down, stay writing, stay right in here with

882
00:50:25,920 --> 00:50:31,160
Speaker 1: it got you. And that's the cool part about all

883
00:50:31,200 --> 00:50:33,520
Speaker 1: of this, you know what I'm saying. As you guys

884
00:50:33,520 --> 00:50:37,000
Speaker 1: have probably learned some stuff from us. We've learning stuff

885
00:50:37,000 --> 00:50:38,240
Speaker 1: from y'all for sure.

886
00:50:38,760 --> 00:50:41,680
Speaker 3: For sure. The fact that you even want to the

887
00:50:41,719 --> 00:50:44,359
Speaker 3: fact that you even trust us to be like, I'm

888
00:50:44,360 --> 00:50:46,200
Speaker 3: gonna listen to what you say. Who means the world

889
00:50:46,239 --> 00:50:50,399
Speaker 3: already already because we in the studio, like I said before,

890
00:50:50,560 --> 00:50:51,879
Speaker 3: trying to just get a yes from y'all.

891
00:50:52,360 --> 00:50:56,239
Speaker 1: Yeah, yeah, that means a lot. Yes, it's like a

892
00:50:56,239 --> 00:51:05,759
Speaker 1: mouse resision. Then asked you a question. Do you remember

893
00:51:05,800 --> 00:51:08,320
Speaker 1: when you played Residuals at my house in the studio

894
00:51:10,280 --> 00:51:15,440
Speaker 1: and I said, what in the fuck? What's Chris?

895
00:51:15,440 --> 00:51:18,520
Speaker 3: Honest? You heard Chris version the first version heard?

896
00:51:18,680 --> 00:51:18,879
Speaker 2: Yeah?

897
00:51:19,120 --> 00:51:23,200
Speaker 1: Yeah, yes, the first one was brown? Yeah, what was

898
00:51:23,200 --> 00:51:23,640
Speaker 1: it done?

899
00:51:23,640 --> 00:51:25,600
Speaker 3: It was doing? It was brown?

900
00:51:27,360 --> 00:51:29,919
Speaker 1: It was because he was like, he was, you wasn't sure. Yeah,

901
00:51:29,920 --> 00:51:32,920
Speaker 1: that's right, that's right, that's right, that's right.

902
00:51:32,960 --> 00:51:33,600
Speaker 3: And I said.

903
00:51:36,239 --> 00:51:39,360
Speaker 1: The album had dropped album and dropped and it wasn't

904
00:51:39,600 --> 00:51:40,440
Speaker 1: on the album.

905
00:51:40,560 --> 00:51:44,640
Speaker 3: Yeah, I was like, it was basically on a Breezy

906
00:51:44,719 --> 00:51:49,320
Speaker 3: album exactly. That's what started the Breezy album was Residuals,

907
00:51:49,480 --> 00:51:54,479
Speaker 3: Residuals and Uh Hate Me Tomorrow? How old was that song?

908
00:51:55,320 --> 00:51:58,480
Speaker 1: We didn't win that time around the time the Breezy

909
00:51:58,480 --> 00:51:59,120
Speaker 1: album came out.

910
00:52:00,120 --> 00:52:02,560
Speaker 3: That No, he's saying when we actually made.

911
00:52:02,400 --> 00:52:10,960
Speaker 1: It, yeaheen when when the Breeze the of them come out.

912
00:52:08,960 --> 00:52:10,960
Speaker 3: It was like twenty twenty two.

913
00:52:11,080 --> 00:52:11,560
Speaker 1: It was like.

914
00:52:13,200 --> 00:52:14,040
Speaker 3: Early in the year.

915
00:52:14,080 --> 00:52:15,719
Speaker 1: It was like we made him like February or something

916
00:52:15,760 --> 00:52:19,000
Speaker 1: like that February, but it was when the album came out.

917
00:52:18,920 --> 00:52:21,279
Speaker 3: Later that year. I'm saying when we actually made the

918
00:52:21,320 --> 00:52:25,200
Speaker 3: song was twenty nineteen. We actually like created the song,

919
00:52:25,520 --> 00:52:27,160
Speaker 3: but we've been played it for Bro and then Bro

920
00:52:27,280 --> 00:52:30,320
Speaker 3: cut it, cut it yeah initially twenty.

921
00:52:30,080 --> 00:52:32,400
Speaker 5: Two yeah, two yeah, and then the song doesn't come

922
00:52:32,400 --> 00:52:35,440
Speaker 5: out to what twenty four Yeah, so this is five

923
00:52:35,520 --> 00:52:36,440
Speaker 5: years old when it comes out.

924
00:52:36,520 --> 00:52:42,000
Speaker 1: Yeah, wow, yeah, I heard it. I heard half a listen.

925
00:52:43,480 --> 00:52:46,040
Speaker 1: I remember him telling me that he's like nigga. I said, brazy,

926
00:52:46,080 --> 00:52:48,319
Speaker 1: what's no, no, no, bro, that's that's going on. The bonus ques,

927
00:52:48,560 --> 00:52:52,040
Speaker 1: that's that's going let's go it. Ye that record if

928
00:52:52,080 --> 00:52:55,239
Speaker 1: it wasn't he was just trying to figure out how

929
00:52:55,239 --> 00:53:02,800
Speaker 1: to get this damn right yeah right and say it

930
00:53:02,880 --> 00:53:04,520
Speaker 1: was like, I mean I don't really dress.

931
00:53:04,640 --> 00:53:07,040
Speaker 3: Fine, you want that hoodie?

932
00:53:07,040 --> 00:53:07,400
Speaker 2: Already?

933
00:53:07,520 --> 00:53:07,719
Speaker 6: Fine?

934
00:53:08,880 --> 00:53:11,920
Speaker 2: That one?

935
00:53:12,960 --> 00:53:18,600
Speaker 1: I like, right, where to the you talking about a song?

936
00:53:18,920 --> 00:53:19,839
Speaker 1: I want it?

937
00:53:20,360 --> 00:53:23,080
Speaker 3: Man? Man?

938
00:53:23,280 --> 00:53:26,480
Speaker 5: It was that's what okay, So this is all these challenges.

939
00:53:26,760 --> 00:53:31,080
Speaker 5: These are songs you want. I wanted that song bad.

940
00:53:32,320 --> 00:53:32,919
Speaker 3: That makes sense.

941
00:53:32,960 --> 00:53:34,960
Speaker 1: I wanted that song. Y'all played that song? I said,

942
00:53:35,360 --> 00:53:39,600
Speaker 1: so he's not used to he's kind of using.

943
00:53:39,680 --> 00:53:40,640
Speaker 3: He double checked.

944
00:53:41,719 --> 00:53:46,040
Speaker 2: Asking about the girl. So y'all how far did y'all?

945
00:53:48,920 --> 00:53:50,520
Speaker 2: How well do you know her?

946
00:53:52,080 --> 00:53:52,880
Speaker 3: Was she your girl?

947
00:53:52,960 --> 00:53:53,240
Speaker 6: Girl?

948
00:53:54,960 --> 00:54:01,520
Speaker 1: Or I think that had breathing me listen man, residualus man, man,

949
00:54:01,800 --> 00:54:04,080
Speaker 1: what's going on? Oh yeah?

950
00:54:04,200 --> 00:54:18,640
Speaker 3: Using that? Yeah? You should? Right, you should?

951
00:54:10,000 --> 00:54:20,279
Speaker 1: Yeah? I wanted that one. Man.

952
00:54:20,920 --> 00:54:23,719
Speaker 3: It was originally for Usher. The idea was for us,

953
00:54:23,800 --> 00:54:26,760
Speaker 3: and we was like, man, how could we do something

954
00:54:26,800 --> 00:54:30,120
Speaker 3: that's close to any of the songs on Confessions, and

955
00:54:30,120 --> 00:54:31,839
Speaker 3: I was just saying, the same week we did if

956
00:54:31,840 --> 00:54:33,120
Speaker 3: he and Residual is the same week.

957
00:54:33,960 --> 00:54:36,640
Speaker 1: I think it was just on like one that Tequila

958
00:54:36,760 --> 00:54:45,320
Speaker 1: was Tequilian on One Man Tequila Tequila and Helian Tequilian Tequila. Listen,

959
00:54:47,400 --> 00:54:50,440
Speaker 1: what a song like?

960
00:54:50,640 --> 00:54:51,879
Speaker 3: What a song.

961
00:54:53,160 --> 00:54:53,200
Speaker 6: Like?

962
00:54:53,440 --> 00:55:02,279
Speaker 1: Song so powerful that it didn't need nothing. It didn't

963
00:55:02,320 --> 00:55:08,200
Speaker 1: need no campaign, it didn't need no budget, it didn't

964
00:55:08,200 --> 00:55:17,120
Speaker 1: need nothing, just for him to sing item. They know different,

965
00:55:17,560 --> 00:55:23,800
Speaker 1: they know I love they know as a member of

966
00:55:23,920 --> 00:55:24,680
Speaker 1: Team Breezy.

967
00:55:24,880 --> 00:55:27,400
Speaker 3: Yeah, how many teams are you a part of?

968
00:55:28,400 --> 00:55:35,200
Speaker 1: Well, I'm in the Beehive okay, and I'm Team Breezy.

969
00:55:35,400 --> 00:55:37,360
Speaker 3: Okay, I'm Team Breezy.

970
00:55:38,160 --> 00:55:40,160
Speaker 1: I'm in my own I'm a soldier in my own

971
00:55:40,560 --> 00:55:42,520
Speaker 1: There you go, my own fan base as well.

972
00:55:43,600 --> 00:55:54,760
Speaker 2: You're a fan of you.

973
00:55:56,239 --> 00:56:00,640
Speaker 1: I remember I was over. It was in London. I

974
00:56:00,640 --> 00:56:02,759
Speaker 1: gotta I got a video to and I think I

975
00:56:02,800 --> 00:56:04,560
Speaker 1: think I might have posted when he was singing the song,

976
00:56:04,600 --> 00:56:11,520
Speaker 1: and I was just like, like, I feel I felt

977
00:56:11,520 --> 00:56:16,200
Speaker 1: like Breeze hadn't had that moment yet that you talked about,

978
00:56:16,200 --> 00:56:19,879
Speaker 1: that we talked about that that literally just stand there

979
00:56:20,719 --> 00:56:24,200
Speaker 1: flat foot, flat footed, get to it and and and

980
00:56:24,360 --> 00:56:28,680
Speaker 1: let them let him just look at you, right yea,

981
00:56:29,160 --> 00:56:31,520
Speaker 1: Like when I'm standing in London and watching, I'm like

982
00:56:31,560 --> 00:56:36,840
Speaker 1: this my god. Yeah it is a rap.

983
00:56:37,040 --> 00:56:39,480
Speaker 5: Yeah, that takes you to a different place, especially as

984
00:56:39,480 --> 00:56:43,120
Speaker 5: a especially as a performing artist, you know who's known

985
00:56:43,160 --> 00:56:46,440
Speaker 5: to move and dance a lot when you when you're still,

986
00:56:47,400 --> 00:56:49,719
Speaker 5: but you gotta have a certain record that you can

987
00:56:49,760 --> 00:56:51,839
Speaker 5: get that off the microphone came.

988
00:56:54,400 --> 00:56:57,400
Speaker 3: Yeah, he's standing at the bigger as screen and.

989
00:56:58,880 --> 00:57:05,120
Speaker 1: People are just they're just that right, they have a

990
00:57:05,239 --> 00:57:09,799
Speaker 1: moment like you're in off Chris all the time. He's

991
00:57:09,960 --> 00:57:14,799
Speaker 1: always doing something amazing, right, but for him to just

992
00:57:15,000 --> 00:57:18,760
Speaker 1: stand there and them to be able to have one

993
00:57:18,840 --> 00:57:22,560
Speaker 1: focus point, nobody else on stage, nothing else, just him,

994
00:57:22,600 --> 00:57:23,439
Speaker 1: and people were like.

995
00:57:25,760 --> 00:57:27,160
Speaker 3: It was crazy crazy.

996
00:57:27,280 --> 00:57:31,560
Speaker 5: How does how does it feel as a creative of

997
00:57:31,640 --> 00:57:35,320
Speaker 5: someone who's that was a part of that record to

998
00:57:35,400 --> 00:57:35,880
Speaker 5: watch that.

999
00:57:37,080 --> 00:57:40,040
Speaker 3: It's amazing the one in New York, the one in

1000
00:57:40,080 --> 00:57:42,800
Speaker 3: New York and the one that so far, so far.

1001
00:57:43,040 --> 00:57:47,080
Speaker 1: Yeah, just when when as soon as you see it,

1002
00:57:47,080 --> 00:57:50,800
Speaker 1: it's like Michael putting the glove on. It's like, oh,

1003
00:57:50,840 --> 00:57:53,360
Speaker 1: I know it's WoT to come on, right, come on now,

1004
00:57:53,600 --> 00:57:56,000
Speaker 1: I got the phones up, I got my phone out. Man,

1005
00:57:56,360 --> 00:57:59,080
Speaker 1: I'm looking like this, just looking around like all these people.

1006
00:57:59,120 --> 00:57:59,760
Speaker 3: This is crazy.

1007
00:58:00,120 --> 00:58:03,600
Speaker 1: We made this song in a little studio room. Everybody

1008
00:58:03,600 --> 00:58:07,720
Speaker 1: got that motherfucker now in a stadium in stadium. I

1009
00:58:07,800 --> 00:58:10,520
Speaker 1: was like, it also makes me want to take everything

1010
00:58:10,560 --> 00:58:12,520
Speaker 1: like a little bit more serious too, like what we

1011
00:58:12,560 --> 00:58:15,600
Speaker 1: talk about in these records and like in the future,

1012
00:58:15,600 --> 00:58:19,000
Speaker 1: because it's like it's really touching people, Like it's it's

1013
00:58:19,040 --> 00:58:21,080
Speaker 1: in their homes and their phones and they you know,

1014
00:58:21,800 --> 00:58:24,400
Speaker 1: a part of their lives, all of our lives, like

1015
00:58:25,600 --> 00:58:29,480
Speaker 1: never know what what record is going to be that like,

1016
00:58:30,040 --> 00:58:34,040
Speaker 1: especially right now. There's fire right now on Fire, Yeah,

1017
00:58:34,680 --> 00:58:41,680
Speaker 1: having a moment. There's the there's the residuals too, so uh,

1018
00:58:43,080 --> 00:58:47,160
Speaker 1: he'd be worried about it him. I seen a couple

1019
00:58:47,200 --> 00:58:48,920
Speaker 1: of records. Yeah, I got a couple of records on there.

1020
00:58:49,360 --> 00:58:50,640
Speaker 1: I got a couple of records.

1021
00:59:00,280 --> 00:59:03,200
Speaker 5: What's the what's the like, what's the lineup right now?

1022
00:59:03,320 --> 00:59:05,560
Speaker 5: Like of the records that y'all got coming, y'all got

1023
00:59:05,560 --> 00:59:09,520
Speaker 5: out the news and talk about.

1024
00:59:08,720 --> 00:59:11,200
Speaker 3: We just did three on B two K's album.

1025
00:59:11,600 --> 00:59:13,040
Speaker 1: Yeah, I love that.

1026
00:59:13,280 --> 00:59:15,520
Speaker 3: We have the first single on there gave them boy

1027
00:59:15,600 --> 00:59:18,600
Speaker 3: some some heat smackers working.

1028
00:59:18,640 --> 00:59:21,600
Speaker 1: I love working with those guys, great imagy because.

1029
00:59:22,520 --> 00:59:24,840
Speaker 3: When we when we was working with them, it was

1030
00:59:24,880 --> 00:59:26,720
Speaker 3: like bro, we was letting them know, like bro. It

1031
00:59:26,840 --> 00:59:29,960
Speaker 3: was Michael Jackson The Winings and then y'all growing up,

1032
00:59:30,040 --> 00:59:32,880
Speaker 3: like because our dad wouldn't let us going back to Pops.

1033
00:59:32,760 --> 00:59:33,640
Speaker 2: He wouldn't let us sit.

1034
00:59:33,680 --> 00:59:38,280
Speaker 5: That's a wild combo. Michael Jackson The Winings and B two.

1035
00:59:38,200 --> 00:59:40,440
Speaker 3: K Yeah until like m P.

1036
00:59:40,560 --> 00:59:43,600
Speaker 1: Three players came out that we were just like throwing

1037
00:59:43,640 --> 00:59:45,680
Speaker 1: whatever on there at that point because he didn't know,

1038
00:59:45,680 --> 00:59:49,439
Speaker 1: he couldn't monitor it. But before we got to watch

1039
00:59:49,480 --> 00:59:52,680
Speaker 1: one of six and Park listen to the Winings and

1040
00:59:52,840 --> 00:59:56,959
Speaker 1: Luther vandros Oh god, I hate that, Oh god, every

1041
00:59:56,960 --> 01:00:00,040
Speaker 1: time I love I love you. No, no, no, you

1042
01:00:00,120 --> 01:00:03,240
Speaker 1: know that one song. We have to sing that thing

1043
01:00:03,280 --> 01:00:04,440
Speaker 1: for a whole summer.

1044
01:00:04,480 --> 01:00:11,400
Speaker 3: What's the song? Uh? Yeah? So yeah, I was all right.

1045
01:00:12,880 --> 01:00:15,480
Speaker 3: Soon as soon as we're walking, get up, get up.

1046
01:00:16,680 --> 01:00:22,640
Speaker 5: My mom is like this, Oh god, some moms can sing. Yeah,

1047
01:00:22,720 --> 01:00:28,600
Speaker 5: Dad can't sing nothing. No, hell no, y'all y'all was

1048
01:00:28,760 --> 01:00:34,520
Speaker 5: fully his entertaining watching You're gonna be looking like my

1049
01:00:34,680 --> 01:00:36,600
Speaker 5: uncle laugh at that far for sure.

1050
01:00:37,400 --> 01:00:40,160
Speaker 2: No, that was K That was yeah, I was that

1051
01:00:40,240 --> 01:00:41,480
Speaker 2: was it. That's gonna be dope.

1052
01:00:42,720 --> 01:00:43,040
Speaker 1: Who else?

1053
01:00:43,040 --> 01:00:43,320
Speaker 3: Who else?

1054
01:00:43,400 --> 01:00:46,800
Speaker 1: You got K Brown on a new on the Brown album.

1055
01:00:46,920 --> 01:00:52,480
Speaker 1: We got a joint two on there. Yeah, we did

1056
01:00:52,520 --> 01:00:56,440
Speaker 1: a joint with Jeanne that I hope that it's just

1057
01:00:56,440 --> 01:00:56,880
Speaker 1: really good.

1058
01:00:57,000 --> 01:01:00,200
Speaker 3: Have a special one coming with Nice Nice. Yeah. And

1059
01:01:00,240 --> 01:01:01,680
Speaker 3: then we got the Black Taxedo product.

1060
01:01:01,680 --> 01:01:04,240
Speaker 1: I was about to say, man, yeah, man, it's time

1061
01:01:04,240 --> 01:01:09,080
Speaker 1: we're about to start dropping these bobs. The Black Tuxedo Project.

1062
01:01:08,920 --> 01:01:12,080
Speaker 3: First single with your A and R. Yeah, you did

1063
01:01:12,080 --> 01:01:13,560
Speaker 3: what you did? You did you did?

1064
01:01:14,040 --> 01:01:15,919
Speaker 2: When's the first record dropping for black?

1065
01:01:17,200 --> 01:01:17,400
Speaker 1: Yeah?

1066
01:01:17,400 --> 01:01:19,240
Speaker 2: I know yet.

1067
01:01:19,160 --> 01:01:23,880
Speaker 5: A sack As I told them, niggask my bad ad Okay,

1068
01:01:23,960 --> 01:01:26,600
Speaker 5: I mean I'm directing this to it a sat directing.

1069
01:01:27,000 --> 01:01:30,600
Speaker 2: Listen, listen, come on, come on, stand on the table

1070
01:01:30,600 --> 01:01:31,240
Speaker 2: bro listen.

1071
01:01:31,960 --> 01:01:33,920
Speaker 3: Yeah, yeah, talk your ship crazy.

1072
01:01:34,400 --> 01:01:43,400
Speaker 1: These motherfucker's right here have been talented and gifted for

1073
01:01:43,440 --> 01:01:47,000
Speaker 1: a long long time, yes, sir, and they've been using

1074
01:01:47,040 --> 01:01:53,479
Speaker 1: their talents and their gifts to elevate everybody else. Now

1075
01:01:53,520 --> 01:01:57,720
Speaker 1: it is time for their gifts and their talents to

1076
01:01:57,960 --> 01:02:03,680
Speaker 1: elevate them. It is selfish. Time you've earned it, You

1077
01:02:03,840 --> 01:02:11,880
Speaker 1: deserve it. Yellow Yeah. Period. I know all these records

1078
01:02:11,960 --> 01:02:15,600
Speaker 1: is gonna come out on all these artists, and it's

1079
01:02:15,640 --> 01:02:18,760
Speaker 1: gonna be good. It's gonna be fine. The level of

1080
01:02:18,840 --> 01:02:21,160
Speaker 1: production and writing and the things that you do in

1081
01:02:21,160 --> 01:02:23,560
Speaker 1: that space unquestioned.

1082
01:02:23,920 --> 01:02:24,520
Speaker 3: For sure, you.

1083
01:02:24,560 --> 01:02:30,360
Speaker 1: Understand what I'm saying. But Black Tuxedo time.

1084
01:02:30,400 --> 01:02:35,240
Speaker 3: Oh yeah, first time, first single, call crash Out, just

1085
01:02:35,240 --> 01:02:37,560
Speaker 3: so you'll come on first young called crash Out.

1086
01:02:37,600 --> 01:02:39,640
Speaker 1: Man, come on, man, ep on the way, it's called

1087
01:02:39,680 --> 01:02:45,040
Speaker 1: Boys and the Band, Come on, come on, Yeah, listen,

1088
01:02:45,160 --> 01:02:49,040
Speaker 1: shit about to get interested.

1089
01:02:49,360 --> 01:02:49,760
Speaker 3: Listen.

1090
01:02:51,160 --> 01:02:54,080
Speaker 1: I'm trying to tell you right now. You talk about promotions,

1091
01:02:54,200 --> 01:02:56,960
Speaker 1: I'm I'm what's the what's what's the fan club? What

1092
01:02:57,080 --> 01:03:10,040
Speaker 1: is the fan club? Tuxedo game at the house. I

1093
01:03:10,160 --> 01:03:15,120
Speaker 1: got that house the text, he doesn't respect it. The

1094
01:03:15,160 --> 01:03:18,480
Speaker 1: Tuxedo Gang is in full effect. Yeah, yeah, for sure,

1095
01:03:19,400 --> 01:03:25,320
Speaker 1: it's soap is so good. It's so good that I

1096
01:03:25,440 --> 01:03:27,160
Speaker 1: that I be mad that it's not out.

1097
01:03:27,920 --> 01:03:29,160
Speaker 3: Oh no, it's coming out, for sure.

1098
01:03:29,200 --> 01:03:31,919
Speaker 1: But I know you got damn right, it's coming out. Yeah,

1099
01:03:32,040 --> 01:03:39,520
Speaker 1: y'all gonna put it out or somehow somehow get another one.

1100
01:03:40,200 --> 01:03:40,960
Speaker 3: Looking for y'all.

1101
01:03:42,920 --> 01:03:44,080
Speaker 2: They ran away from l A.

1102
01:03:46,200 --> 01:03:50,880
Speaker 3: Like motherfuckers, I got my taxi.

1103
01:03:53,200 --> 01:03:57,280
Speaker 1: Y'all can be like like why is why? Why? Why's

1104
01:03:57,320 --> 01:04:00,880
Speaker 1: taking one of six? You're marrying a song? Boys in

1105
01:04:00,920 --> 01:04:11,280
Speaker 1: the band, my new group tigning to answer the phone

1106
01:04:11,280 --> 01:04:14,840
Speaker 1: records and run away the table.

1107
01:04:17,760 --> 01:04:22,120
Speaker 2: My daddy had a label car Runaway Slave. Dame is

1108
01:04:22,160 --> 01:04:27,640
Speaker 2: label that runaway Slave that Runaway Slave records.

1109
01:04:27,840 --> 01:04:34,880
Speaker 1: Yeah, yeah that was the log.

1110
01:04:37,240 --> 01:04:40,640
Speaker 3: Records record the record.

1111
01:04:41,520 --> 01:04:45,920
Speaker 1: I got so many jumps back, but I don't know

1112
01:04:45,920 --> 01:04:49,000
Speaker 1: how the people are gonna take them. So I'm not

1113
01:04:49,080 --> 01:04:58,640
Speaker 1: going to do the imagery of the logo I got.

1114
01:04:59,480 --> 01:05:03,640
Speaker 2: No, you don't try not bring this ship up.

1115
01:05:07,840 --> 01:05:17,200
Speaker 1: You cut it out. That's great, that's great. That What

1116
01:05:17,320 --> 01:05:19,280
Speaker 1: about you? What about this? You talked the drip man?

1117
01:05:19,280 --> 01:05:23,840
Speaker 1: What about the fashion man? Because that's another part that

1118
01:05:23,920 --> 01:05:28,160
Speaker 1: I think plays a major role in like how you

1119
01:05:28,200 --> 01:05:34,320
Speaker 1: guys are received too, right, like your your appearance. You

1120
01:05:34,320 --> 01:05:37,720
Speaker 1: you niggas look like somebody Oh yeah all the time?

1121
01:05:38,240 --> 01:05:46,200
Speaker 1: Put that yeah bathing you feel me respect? Yeah, it's happening.

1122
01:05:46,320 --> 01:05:48,720
Speaker 1: And how important do you feel that that is? It's

1123
01:05:49,000 --> 01:05:52,360
Speaker 1: I think it's everything. You never get a second chance

1124
01:05:52,360 --> 01:05:55,000
Speaker 1: to make a first impression. So when they seen me

1125
01:05:55,080 --> 01:05:55,760
Speaker 1: they got to see this.

1126
01:05:56,800 --> 01:05:59,920
Speaker 3: I mean, I just take it as this is just

1127
01:06:00,040 --> 01:06:02,840
Speaker 3: how I feel today, you know what I mean. It's

1128
01:06:02,880 --> 01:06:06,360
Speaker 3: so much easier being yourself than somebody else. So this

1129
01:06:06,520 --> 01:06:09,120
Speaker 3: is me and a lot of niggas like to steal

1130
01:06:09,120 --> 01:06:11,960
Speaker 3: from me. I just stole a couple of fish.

1131
01:06:11,760 --> 01:06:16,080
Speaker 1: From It's all good.

1132
01:06:16,160 --> 01:06:26,480
Speaker 3: Yeah, they got a handshake exactly exactly. They got it here, you.

1133
01:06:32,000 --> 01:06:44,120
Speaker 1: Got cool, sha, they got nobody in our face.

1134
01:06:45,040 --> 01:06:46,200
Speaker 3: This is great, bro.

1135
01:06:46,760 --> 01:06:50,440
Speaker 1: I'm just I'm proud and I'm excited for you guys,

1136
01:06:51,080 --> 01:06:53,680
Speaker 1: you know what I mean. And I just and and

1137
01:06:53,680 --> 01:06:57,280
Speaker 1: and we just you know, we we thought it was important,

1138
01:06:57,360 --> 01:07:03,320
Speaker 1: like to get your conversation. Yeah, and and and and

1139
01:07:03,360 --> 01:07:04,320
Speaker 1: your recognition.

1140
01:07:05,000 --> 01:07:07,440
Speaker 3: You've got to see you niggas.

1141
01:07:08,080 --> 01:07:12,200
Speaker 1: They got to see and understand what we're so excited about.

1142
01:07:12,520 --> 01:07:15,960
Speaker 5: That's the purpose of this show, man, for all of us,

1143
01:07:16,000 --> 01:07:19,280
Speaker 5: to make sure that we're seeing in our spaces, man,

1144
01:07:19,480 --> 01:07:24,720
Speaker 5: and for us to to to have this space for y'all,

1145
01:07:25,400 --> 01:07:27,280
Speaker 5: you know, for y'all to pull up and to tell

1146
01:07:27,360 --> 01:07:30,960
Speaker 5: y'all story and to introduce yourself in a different way

1147
01:07:30,960 --> 01:07:34,360
Speaker 5: to the world, not just through the music, through your personalities,

1148
01:07:34,360 --> 01:07:37,400
Speaker 5: through the fashion, through you know, your lifestyle. You know

1149
01:07:37,440 --> 01:07:39,960
Speaker 5: what I mean, Like this is, this is this is

1150
01:07:39,960 --> 01:07:40,680
Speaker 5: the place for it.

1151
01:07:40,720 --> 01:07:41,800
Speaker 3: Man, Like we.

1152
01:07:42,280 --> 01:07:46,320
Speaker 2: Really we really want to I mean we man, we

1153
01:07:47,560 --> 01:07:48,320
Speaker 2: one hundred.

1154
01:07:48,040 --> 01:07:52,200
Speaker 5: And sixty plus episodes at this point, Like you know,

1155
01:07:52,280 --> 01:07:54,920
Speaker 5: this is this is the this is the purpose, you

1156
01:07:54,960 --> 01:07:57,760
Speaker 5: know what I mean? And y'all y'all mean a lot

1157
01:07:58,200 --> 01:08:00,920
Speaker 5: to what we're doing, you know, I mean it means

1158
01:08:00,920 --> 01:08:03,280
Speaker 5: a lot to us. Bro Like y'all really family man,

1159
01:08:03,520 --> 01:08:06,200
Speaker 5: y'all really family man. Appreciate you, Proud of y'all.

1160
01:08:06,280 --> 01:08:09,760
Speaker 1: We love y'all, Love y'all, y'all. This platform that you're created,

1161
01:08:10,040 --> 01:08:12,480
Speaker 1: it's going crazy. It's going crazy. It's going crazy.

1162
01:08:13,560 --> 01:08:16,960
Speaker 5: Recognize at the gas station and shipgas were talking about.

1163
01:08:18,360 --> 01:08:21,040
Speaker 7: Creaks now things, trying to get some little zoom zooms

1164
01:08:21,040 --> 01:08:30,680
Speaker 7: and show listen people have people have said that they

1165
01:08:30,720 --> 01:08:31,840
Speaker 7: listened to the podcast.

1166
01:08:32,680 --> 01:08:34,920
Speaker 1: I get way more of that than I do get records.

1167
01:08:35,439 --> 01:08:36,960
Speaker 3: Yeah, open up a whole you know what.

1168
01:08:36,920 --> 01:08:41,920
Speaker 1: I'm saying, Like it's but again it's because it's because.

1169
01:08:41,600 --> 01:08:45,679
Speaker 5: Of this, you know, we can highlight y'all and highlight

1170
01:08:45,720 --> 01:08:48,960
Speaker 5: our peers and for us, people that we've just we've

1171
01:08:49,000 --> 01:08:52,479
Speaker 5: looked up to, people that we just met like this.

1172
01:08:52,479 --> 01:08:55,280
Speaker 5: This has been really cool man, and I just had

1173
01:08:55,280 --> 01:08:57,360
Speaker 5: a moment just looking over at you and be like, damn,

1174
01:08:57,360 --> 01:09:00,320
Speaker 5: this is crazy that we got a platform that we can, yeah,

1175
01:09:00,680 --> 01:09:03,479
Speaker 5: really lean to our brothers to come on here.

1176
01:09:03,320 --> 01:09:03,920
Speaker 1: And do their thing.

1177
01:09:04,000 --> 01:09:04,200
Speaker 3: Man.

1178
01:09:04,520 --> 01:09:07,320
Speaker 2: Man, this this makes me happy for sure. I need

1179
01:09:07,320 --> 01:09:11,479
Speaker 2: this music out. I need this Black tux prodjact.

1180
01:09:11,960 --> 01:09:12,200
Speaker 3: Yeah.

1181
01:09:13,320 --> 01:09:19,320
Speaker 1: That is the Black Tuxedo site, the Black Tuxedo Graham

1182
01:09:19,439 --> 01:09:25,679
Speaker 1: and TikTok the It's It's time back Tuxedo YouTube. Yeah,

1183
01:09:25,960 --> 01:09:30,040
Speaker 1: Black Tuxedo Man, like the world see those gang world wide,

1184
01:09:30,120 --> 01:09:30,759
Speaker 1: world wide?

1185
01:09:30,800 --> 01:09:31,599
Speaker 3: Man, what's up?

1186
01:09:31,920 --> 01:09:32,400
Speaker 1: Like like.

1187
01:09:34,400 --> 01:09:37,360
Speaker 2: You got it? You shot it? Bro?

1188
01:09:38,320 --> 01:09:42,479
Speaker 5: Bro performing at our Grammy event of course. Yeah, what

1189
01:09:42,479 --> 01:09:43,080
Speaker 5: what we're doing?

1190
01:09:44,479 --> 01:09:47,440
Speaker 3: Crash out first single, Black Tuxedo.

1191
01:09:47,720 --> 01:09:49,040
Speaker 1: I got jumping around.

1192
01:09:49,800 --> 01:09:50,800
Speaker 3: I love ship.

1193
01:09:51,680 --> 01:09:52,439
Speaker 1: I'm jumping.

1194
01:09:52,520 --> 01:09:53,840
Speaker 3: I got to show you the first clip of the

1195
01:09:53,880 --> 01:09:54,800
Speaker 3: vid too. It's crazy.

1196
01:09:55,320 --> 01:09:59,080
Speaker 1: I'm jumping around, jumping around. I promise you it's a

1197
01:09:59,120 --> 01:09:59,840
Speaker 1: Tuxedo gang.

1198
01:10:00,000 --> 01:10:08,840
Speaker 8: Remember, hey, man, love up your piano back. There's not

1199
01:10:08,880 --> 01:10:12,120
Speaker 8: even a camera over there. Looking at the cameras right here. Bro,

1200
01:10:12,760 --> 01:10:15,000
Speaker 8: don't mean my tik. He has nothing to do with

1201
01:10:15,360 --> 01:10:15,840
Speaker 8: my side.

1202
01:10:18,800 --> 01:10:25,080
Speaker 1: Broy was like, what what.

1203
01:10:24,920 --> 01:10:25,320
Speaker 3: Did I do?

1204
01:10:27,120 --> 01:10:33,320
Speaker 1: Stage, diving, shout is gone, wreck, the whole party, the

1205
01:10:33,360 --> 01:10:37,120
Speaker 1: whole tripped out, tank, tripped out, fire Marshall shut it down.

1206
01:10:37,200 --> 01:10:38,719
Speaker 1: He's on one. It was a fire.

1207
01:10:39,160 --> 01:10:40,000
Speaker 3: He's on one.

1208
01:10:40,720 --> 01:10:49,640
Speaker 1: Take him to a corner with a fire by I.

1209
01:10:49,760 --> 01:10:53,840
Speaker 3: Just put you with the fire, the fire. It's gonna

1210
01:10:53,840 --> 01:10:55,840
Speaker 3: be a fun listen. I can't wait for y'all to

1211
01:10:55,840 --> 01:10:56,839
Speaker 3: get y'all here record.

1212
01:10:57,400 --> 01:10:58,759
Speaker 1: Yeah, me too. I'm excited.

1213
01:10:58,800 --> 01:10:59,679
Speaker 3: I can't wait. I can't wait.

1214
01:11:00,080 --> 01:11:03,120
Speaker 5: That's gonna be another that's gonna be a party watching

1215
01:11:03,200 --> 01:11:04,160
Speaker 5: y'all have a here.

1216
01:11:04,240 --> 01:11:08,160
Speaker 3: He's gonna be great. It's gonna be grid. I know

1217
01:11:08,240 --> 01:11:08,519
Speaker 3: you are.

1218
01:11:08,720 --> 01:11:12,360
Speaker 1: I'm gonna be there. Sure be right there. Yeah, can

1219
01:11:12,400 --> 01:11:13,040
Speaker 1: get out of the picture.

1220
01:11:14,640 --> 01:11:17,519
Speaker 2: I gotta you move, you move.

1221
01:11:19,600 --> 01:11:33,320
Speaker 3: The show. Comfortable smile is great. Brows do that right

1222
01:11:41,439 --> 01:11:42,599
Speaker 3: with a little creepy smile.

1223
01:11:50,800 --> 01:11:57,679
Speaker 2: Yeah yeah yeah, m hmm.

1224
01:11:59,560 --> 01:11:59,760
Speaker 1: Yeah.

1225
01:11:59,800 --> 01:12:01,120
Speaker 2: You He create his owns the thing.

1226
01:12:05,880 --> 01:12:10,000
Speaker 3: Mm hmmmm. It look like.

1227
01:12:13,720 --> 01:12:19,120
Speaker 1: Domon Darius. You've you've listened to some music growing up

1228
01:12:21,120 --> 01:12:23,200
Speaker 1: by only three artists at first, but after that you

1229
01:12:23,240 --> 01:12:24,840
Speaker 1: were able to expand.

1230
01:12:24,479 --> 01:12:26,040
Speaker 3: Your palette, yes.

1231
01:12:33,240 --> 01:12:39,280
Speaker 1: Three, into some music that has shaped your artist set.

1232
01:12:39,360 --> 01:12:46,760
Speaker 1: The people want to know, They want to know man, huh,

1233
01:12:47,439 --> 01:12:48,599
Speaker 1: they want to know your.

1234
01:12:53,960 --> 01:12:54,320
Speaker 3: All right?

1235
01:12:55,520 --> 01:13:05,200
Speaker 1: Top five, Top five, come on with it, top fire,

1236
01:13:08,439 --> 01:13:10,320
Speaker 1: your top I.

1237
01:13:10,320 --> 01:13:11,960
Speaker 3: Would be using us.

1238
01:13:14,360 --> 01:13:16,400
Speaker 2: All the songs.

1239
01:13:18,080 --> 01:13:23,160
Speaker 3: Were out to wait by you go. We're on this show.

1240
01:13:23,960 --> 01:13:25,600
Speaker 6: Go on boat in.

1241
01:13:25,800 --> 01:13:26,960
Speaker 1: Your top TI.

1242
01:13:29,360 --> 01:13:41,599
Speaker 3: Yeah, Top five sneaker, Randy you.

1243
01:13:44,040 --> 01:13:51,880
Speaker 2: Tim Fletter bring it on home?

1244
01:13:52,520 --> 01:14:03,200
Speaker 4: Yeah yeah, m hm.

1245
01:14:11,479 --> 01:14:23,240
Speaker 3: Definitely Randy watching.

1246
01:14:20,880 --> 01:14:29,760
Speaker 1: A right right right your top you know what we'll

1247
01:14:29,840 --> 01:14:38,000
Speaker 1: we'll mm hmm. You the top five R and B singers.

1248
01:14:39,680 --> 01:14:40,880
Speaker 1: Do you all agree on much?

1249
01:14:42,600 --> 01:14:43,320
Speaker 3: Yeah?

1250
01:14:43,600 --> 01:14:47,599
Speaker 1: That don't sound just the handshake. Yeah, okay, all right

1251
01:14:49,920 --> 01:14:52,920
Speaker 1: on this one. You do two, you do three?

1252
01:14:53,760 --> 01:15:01,520
Speaker 3: Okay, I'm gonna say Michael Jackson.

1253
01:15:03,280 --> 01:15:12,719
Speaker 1: And uh yes, strong strong, I gotta go tankh Taxi

1254
01:15:12,800 --> 01:15:17,000
Speaker 1: looking brown c b.

1255
01:15:21,479 --> 01:15:21,880
Speaker 3: Mm hmm.

1256
01:15:23,360 --> 01:15:27,600
Speaker 1: It's just R and B right, No, sure, will do

1257
01:15:27,720 --> 01:15:30,160
Speaker 1: what you want to do. You got a Carraybar.

1258
01:15:30,160 --> 01:15:35,280
Speaker 2: Kimbresolutely Kim Barell. She called me, she called me to I.

1259
01:15:35,280 --> 01:15:40,439
Speaker 3: Wish I called she called me. I got this is who? Yeah?

1260
01:15:40,720 --> 01:15:41,800
Speaker 2: Who you want me to hold for?

1261
01:15:43,240 --> 01:15:45,320
Speaker 3: Yeah, y'all need to do a song again.

1262
01:15:45,400 --> 01:15:49,080
Speaker 1: Yeah, I'm all I'm all wait, I'm waiting.

1263
01:15:50,520 --> 01:15:52,880
Speaker 3: What is that happening? Yeah?

1264
01:15:53,360 --> 01:15:57,400
Speaker 1: Yeah, I gotta call it okay, all right, Now we're

1265
01:15:57,400 --> 01:16:00,479
Speaker 1: gonna do top five R and B songs. You three,

1266
01:16:00,560 --> 01:16:03,880
Speaker 1: you do too, don't be scared of your own music.

1267
01:16:03,920 --> 01:16:05,360
Speaker 1: He let just throw that out there.

1268
01:16:06,400 --> 01:16:08,439
Speaker 3: Residuals ah.

1269
01:16:08,439 --> 01:16:12,120
Speaker 1: We have to do that, absolutely, We gotta do that absolutely.

1270
01:16:12,439 --> 01:16:18,439
Speaker 3: Mm hmmm, hm hmm. Joe, I want to.

1271
01:16:18,439 --> 01:16:23,800
Speaker 1: Know, Yeah, yeah, yeah, a song that's just what I

1272
01:16:23,880 --> 01:16:25,519
Speaker 1: referead it right.

1273
01:16:26,400 --> 01:16:28,320
Speaker 2: Whe don't drink your juice and it it was.

1274
01:16:31,120 --> 01:16:41,800
Speaker 3: Yeah, uh hm hmmm, damn god, damn it, you got

1275
01:16:41,920 --> 01:16:47,519
Speaker 3: you got. That's I guess I'll go. Oh, I'll go

1276
01:16:47,640 --> 01:16:50,120
Speaker 3: with Marion Gay dance with me.

1277
01:16:51,439 --> 01:16:53,760
Speaker 1: Yeah, that's not like some of your pop will listen

1278
01:16:53,800 --> 01:16:56,640
Speaker 1: to for sure. Yeah, I'm starting to. I'm starting to

1279
01:16:56,640 --> 01:17:04,680
Speaker 1: pick up his vibe. You got too human nature crush. Yes, Yeah,

1280
01:17:04,680 --> 01:17:07,600
Speaker 1: I'm gonna'ma double up on Michael and another part of

1281
01:17:07,600 --> 01:17:11,200
Speaker 1: me musicality and some of those songs is just the

1282
01:17:11,320 --> 01:17:13,559
Speaker 1: musicianship out of this world?

1283
01:17:13,680 --> 01:17:14,719
Speaker 3: What was Michael on?

1284
01:17:15,960 --> 01:17:16,240
Speaker 1: Whatever?

1285
01:17:16,280 --> 01:17:17,559
Speaker 3: Ever heard another song like that?

1286
01:17:17,640 --> 01:17:18,799
Speaker 1: Whatever? He wanted to be one?

1287
01:17:19,000 --> 01:17:22,600
Speaker 5: Yeah, free, he was on, he was on, he was

1288
01:17:22,640 --> 01:17:24,639
Speaker 5: on some y'all can't do this?

1289
01:17:25,000 --> 01:17:26,920
Speaker 3: Yeah, right, man.

1290
01:17:27,640 --> 01:17:28,920
Speaker 2: And Prince keep making these hits.

1291
01:17:28,920 --> 01:17:29,360
Speaker 1: So I got to.

1292
01:17:31,320 --> 01:17:31,639
Speaker 3: Listen.

1293
01:17:32,760 --> 01:17:36,960
Speaker 5: They cap each other so sharp. Michael Jackson and Prince

1294
01:17:37,640 --> 01:17:43,880
Speaker 5: high Man high level sharpening. People can say whatever they were.

1295
01:17:43,880 --> 01:17:47,040
Speaker 5: Oh yeah, you know they were too. I guarantee you, nigga.

1296
01:17:48,240 --> 01:17:52,080
Speaker 5: That's when he just dropped right and Quincy get.

1297
01:17:51,880 --> 01:17:55,200
Speaker 3: Over here hit the laft to nay nigga. He was like,

1298
01:17:55,920 --> 01:18:01,160
Speaker 3: what you saying? What Michael said said the lad tonight

1299
01:18:02,560 --> 01:18:03,840
Speaker 3: because you're like ship.

1300
01:18:03,640 --> 01:18:06,479
Speaker 1: Man, ship man man, We're going to keep it going

1301
01:18:06,720 --> 01:18:13,639
Speaker 1: four o'clock in the morning. Sure you want to vocals

1302
01:18:13,680 --> 01:18:14,920
Speaker 1: this early in the morning.

1303
01:18:15,200 --> 01:18:16,920
Speaker 3: You don't want to stretch your cards.

1304
01:18:17,479 --> 01:18:22,439
Speaker 1: Cross Okay, all right, that battle is great going, man,

1305
01:18:23,400 --> 01:18:26,719
Speaker 1: I mean I can dig it. Man, you're super groovy,

1306
01:18:26,800 --> 01:18:50,680
Speaker 1: Mike ship all right, let's build your vol trod, your

1307
01:18:50,760 --> 01:18:53,560
Speaker 1: super r and B artists. Who you gonna get the

1308
01:18:53,600 --> 01:19:02,400
Speaker 1: vocal from performance style, styling, passion of the artists. Who's

1309
01:19:02,439 --> 01:19:07,920
Speaker 1: going to produce for this artist and who's gonna right

1310
01:19:08,520 --> 01:19:12,040
Speaker 1: for this artist? Yeah, those wrinkles and now start with

1311
01:19:12,080 --> 01:19:13,920
Speaker 1: you where they're gonna get the vocal from. Where you're

1312
01:19:13,920 --> 01:19:17,479
Speaker 1: getting the vocal from one vocal? I gotta go back, Michael.

1313
01:19:19,400 --> 01:19:23,160
Speaker 3: Yeah, they're gonna hit false He's gonna hit everything, all

1314
01:19:23,200 --> 01:19:25,280
Speaker 3: of it, top tier m.

1315
01:19:25,439 --> 01:19:28,120
Speaker 1: Hm down performance style.

1316
01:19:30,360 --> 01:19:31,439
Speaker 3: Bro mm hmm.

1317
01:19:33,720 --> 01:19:38,639
Speaker 1: Nobody's fucking bro you got it, got it, yeah, no

1318
01:19:38,680 --> 01:19:40,840
Speaker 1: doubt about it, no doubt about it.

1319
01:19:40,960 --> 01:19:42,320
Speaker 3: I've seen my boy flying here.

1320
01:19:43,360 --> 01:19:44,080
Speaker 1: Then I seen it.

1321
01:19:44,120 --> 01:19:45,160
Speaker 2: I was I was worried.

1322
01:19:46,200 --> 01:19:48,200
Speaker 3: Wow, how did you get Are you okay?

1323
01:19:49,680 --> 01:19:50,519
Speaker 2: Nothing? I can do.

1324
01:19:54,200 --> 01:19:58,960
Speaker 3: Nothing. I see they see where they bring you back down? Right,

1325
01:19:59,240 --> 01:19:59,639
Speaker 3: I can't.

1326
01:19:59,640 --> 01:20:02,760
Speaker 2: I can't get it right, I'm overseas.

1327
01:20:02,840 --> 01:20:07,120
Speaker 1: Before before they changed some of the plot because they

1328
01:20:07,160 --> 01:20:10,000
Speaker 1: had the big pillars in the back of the stadium

1329
01:20:10,040 --> 01:20:13,080
Speaker 1: before in the front right, but you know people couldn't

1330
01:20:13,080 --> 01:20:15,200
Speaker 1: see that with blind spots, so they moved it. But

1331
01:20:15,400 --> 01:20:19,920
Speaker 1: before he would go to the pillar and it would

1332
01:20:19,920 --> 01:20:21,960
Speaker 1: be at the top and he would he would land

1333
01:20:22,000 --> 01:20:23,920
Speaker 1: on the pillow stand. He would be on the top

1334
01:20:23,960 --> 01:20:30,280
Speaker 1: of that. Nah, jam no it was, I said, Oh

1335
01:20:30,360 --> 01:20:36,800
Speaker 1: he he was in the rafters. Yeah, Superman. Then when

1336
01:20:36,840 --> 01:20:40,320
Speaker 1: you want upside down, I said, Okay, my post nasal

1337
01:20:40,360 --> 01:20:42,880
Speaker 1: drip ain't gonna allow me to be upside down.

1338
01:20:50,080 --> 01:20:56,200
Speaker 3: Remember my bad Put right.

1339
01:20:59,800 --> 01:21:05,800
Speaker 1: For me back right side, okay, just put me down

1340
01:21:05,840 --> 01:21:11,519
Speaker 1: my head there, just put me down, get out, okay, okay.

1341
01:21:11,600 --> 01:21:15,360
Speaker 1: Vocal mike forming style, brown styling.

1342
01:21:16,160 --> 01:21:27,920
Speaker 3: Who's gonna steal your style? Damn? Whose style would you steal? Yeah?

1343
01:21:27,000 --> 01:21:28,599
Speaker 1: Yeah for real?

1344
01:21:28,720 --> 01:21:33,360
Speaker 3: And Kanye ship for sure? Yeah yeah. And I thought

1345
01:21:33,400 --> 01:21:36,000
Speaker 3: about Michael you know he had that Versati thong.

1346
01:21:36,080 --> 01:21:39,200
Speaker 1: I was like, wait, what what what are you talking about?

1347
01:21:39,200 --> 01:21:43,320
Speaker 1: When he had depends with and it was over the

1348
01:21:43,320 --> 01:21:45,559
Speaker 1: top man, Okay, you had the button up in the middle.

1349
01:21:45,720 --> 01:21:48,880
Speaker 3: Only he only didn't do that, said a super artist

1350
01:21:48,920 --> 01:21:51,760
Speaker 3: real ones. Yeah he was on this.

1351
01:21:52,400 --> 01:21:55,920
Speaker 1: That's a lid talk. They gotta like with the button

1352
01:21:56,000 --> 01:22:01,679
Speaker 1: underneath snappy, that was different. I said, he a wow, boy,

1353
01:22:02,640 --> 01:22:08,599
Speaker 1: nigga caught it the beside. You though, I was gonna

1354
01:22:08,600 --> 01:22:09,200
Speaker 1: look at slot.

1355
01:22:09,439 --> 01:22:13,200
Speaker 3: No, I'm not. And it was gold than you got.

1356
01:22:13,320 --> 01:22:18,479
Speaker 6: Me's Mike Bro. You added, hey, bro, don't be day

1357
01:22:18,560 --> 01:22:35,320
Speaker 6: a fighting man had a pero big thong. I'm gonna

1358
01:22:35,360 --> 01:22:35,920
Speaker 6: stick up.

1359
01:22:39,080 --> 01:22:48,920
Speaker 1: Ship man, Michael Man, you wown yourself. Do you want

1360
01:22:48,960 --> 01:22:49,080
Speaker 1: to go?

1361
01:22:50,360 --> 01:22:54,440
Speaker 3: You want to go? Go man, I'm gonna stick to

1362
01:22:54,600 --> 01:23:01,200
Speaker 3: Michael Parill and Kanye Fire. You will take a your time,

1363
01:23:02,800 --> 01:23:03,479
Speaker 3: take a lott.

1364
01:23:05,600 --> 01:23:09,160
Speaker 2: Who the passion of the artist, the heart of the artists,

1365
01:23:09,160 --> 01:23:09,600
Speaker 2: who means it?

1366
01:23:10,600 --> 01:23:18,880
Speaker 3: Oh passion? Beyonce? Yeah, she shouln Yeah.

1367
01:23:19,000 --> 01:23:24,280
Speaker 1: All, yeah, that's a different thing. Different Ye, I'm gonna

1368
01:23:24,320 --> 01:23:27,400
Speaker 1: double back to you. Who's producing for this artist? Mean

1369
01:23:28,280 --> 01:23:39,760
Speaker 1: hm hmm, that's a great area. Who's writing for this artist?

1370
01:23:46,640 --> 01:23:49,680
Speaker 3: He's gonna you should Yeah. You know when black Tux,

1371
01:23:49,760 --> 01:23:53,679
Speaker 3: you don't get involved. She started moving, ship started shaking,

1372
01:23:55,240 --> 01:23:56,040
Speaker 3: and you get to that.

1373
01:23:59,200 --> 01:24:08,240
Speaker 5: Wow, your daddy would let you get.

1374
01:24:11,479 --> 01:24:14,920
Speaker 2: I didn't know what was gonna be on these two

1375
01:24:14,960 --> 01:24:15,679
Speaker 2: niggs in the house.

1376
01:24:15,840 --> 01:24:23,120
Speaker 3: Bullshit, I can't see you. Yeah, niggas on the Sacramento

1377
01:24:23,200 --> 01:24:29,280
Speaker 3: News to ship. Yeah, actually, mama's over there, mom. Yeah, yeah,

1378
01:24:29,280 --> 01:24:29,840
Speaker 3: I love it.

1379
01:24:30,040 --> 01:24:31,439
Speaker 1: I love it all. Right, here we go.

1380
01:24:37,760 --> 01:24:39,320
Speaker 2: I ain't saying no names, dames.

1381
01:24:39,360 --> 01:24:42,240
Speaker 3: I ain't saying no names. I ain't saying no names.

1382
01:24:42,479 --> 01:24:47,519
Speaker 3: I ain't saying no means. Were we in what you did?

1383
01:24:48,120 --> 01:24:53,960
Speaker 3: Don't say she? I ain't saying no name.

1384
01:25:03,600 --> 01:25:06,040
Speaker 2: Yes, sir, good, Yeah, sir.

1385
01:25:07,080 --> 01:25:07,960
Speaker 3: I'm a buyas CD.

1386
01:25:10,240 --> 01:25:14,360
Speaker 2: You know they print there in six weeks.

1387
01:25:15,640 --> 01:25:17,320
Speaker 3: Get it his album.

1388
01:25:17,400 --> 01:25:19,120
Speaker 5: So we come to the very important part of the

1389
01:25:19,120 --> 01:25:23,240
Speaker 5: show Man. Okay, well, y'all tell us the story. Funnyer

1390
01:25:23,320 --> 01:25:28,360
Speaker 5: fucked up? Are funny and fucked up? The only rude

1391
01:25:28,360 --> 01:25:34,440
Speaker 5: to the game is you can't say me. It takes

1392
01:25:35,280 --> 01:25:37,960
Speaker 5: for the love of God, you can't say no days.

1393
01:25:38,200 --> 01:25:41,320
Speaker 2: I'm definitely gonna say, okay, we wasn't.

1394
01:25:41,040 --> 01:25:45,640
Speaker 5: There, Okay, all right, yeah got I got some what

1395
01:25:45,760 --> 01:25:46,120
Speaker 5: you got?

1396
01:25:46,600 --> 01:25:50,120
Speaker 3: I'm trying to think you through right now? You go ahead? Yeah,

1397
01:25:50,600 --> 01:25:55,240
Speaker 3: something living in there? Do you want to talk about

1398
01:25:55,240 --> 01:25:58,240
Speaker 3: the what the message?

1399
01:26:03,800 --> 01:26:09,080
Speaker 1: That sounds like? Yeah? So so we go to the

1400
01:26:09,080 --> 01:26:11,320
Speaker 1: studio with this artist, right, yeah, they call us in.

1401
01:26:13,320 --> 01:26:15,360
Speaker 1: It's I feel like it's another one of those moments

1402
01:26:15,360 --> 01:26:18,920
Speaker 1: of we're feeling like we got the record and we

1403
01:26:18,960 --> 01:26:22,439
Speaker 1: don't not the record type ship, but the records weren't bad,

1404
01:26:24,040 --> 01:26:29,479
Speaker 1: and uh we pressed playing on the record and Bro

1405
01:26:29,920 --> 01:26:32,360
Speaker 1: grat his necklace around.

1406
01:26:34,360 --> 01:26:35,200
Speaker 3: I looked over Bro.

1407
01:26:35,320 --> 01:26:37,280
Speaker 1: I said, I'm trying not to laugh.

1408
01:26:37,320 --> 01:26:37,960
Speaker 3: I'm black brother.

1409
01:26:38,479 --> 01:26:41,400
Speaker 1: And then after after he does all.

1410
01:26:41,240 --> 01:26:46,519
Speaker 3: Of this ship, he was like, it's not it, spin

1411
01:26:46,640 --> 01:26:48,920
Speaker 3: dancing to the song and saying, this is not it.

1412
01:26:49,320 --> 01:26:53,120
Speaker 1: Boy, we was on fire. We was on fire.

1413
01:26:53,280 --> 01:26:55,679
Speaker 3: Ben's the necklace around spend dancing and ship.

1414
01:26:58,760 --> 01:27:02,000
Speaker 1: Yeah, it's not it's just not the conversation.

1415
01:27:02,120 --> 01:27:06,840
Speaker 3: I want to be right, why are you dance?

1416
01:27:08,800 --> 01:27:10,000
Speaker 2: I had a boy?

1417
01:27:11,120 --> 01:27:14,040
Speaker 3: He was like yeah, We're like, oh, Yeah, he's dancing. Yeah,

1418
01:27:15,000 --> 01:27:16,479
Speaker 3: he's on air sliding.

1419
01:27:18,920 --> 01:27:24,679
Speaker 1: We had it's so disrespectfully, misleading, misleading. It was pain

1420
01:27:27,320 --> 01:27:30,000
Speaker 1: and he's asking why he barely hold it back.

1421
01:27:31,200 --> 01:27:31,960
Speaker 3: What're you gonna say that.

1422
01:27:34,160 --> 01:27:36,960
Speaker 1: Already? What you want? What you want to talk about?

1423
01:27:39,040 --> 01:27:43,080
Speaker 3: He's like, I don't want to call girls pitches, you know.

1424
01:27:43,200 --> 01:27:47,400
Speaker 3: And I'm like, nigga that biggs calling each other bitches.

1425
01:27:47,560 --> 01:27:50,559
Speaker 3: I was just in my moad and DOMD was looking

1426
01:27:50,600 --> 01:27:52,960
Speaker 3: like cut it out, and then he was like, play

1427
01:27:52,960 --> 01:27:54,559
Speaker 3: it some one more time and then he just went

1428
01:27:54,600 --> 01:27:57,559
Speaker 3: back to swing his chain. He kept doing it and

1429
01:27:57,600 --> 01:27:58,559
Speaker 3: it was getting me hot.

1430
01:27:58,920 --> 01:28:04,800
Speaker 1: I was like, and I'm looking him like, I can't

1431
01:28:04,800 --> 01:28:10,720
Speaker 1: wait to y'all let me some songs, everybody.

1432
01:28:13,960 --> 01:28:18,560
Speaker 8: Yeah, why tanks, eye clothes.

1433
01:28:20,640 --> 01:28:24,559
Speaker 3: I'm gonna just say this, Ain't it just that moment

1434
01:28:25,439 --> 01:28:33,160
Speaker 3: again that you gotta try that.

1435
01:28:33,240 --> 01:28:33,720
Speaker 1: It's not it.

1436
01:28:34,000 --> 01:28:37,800
Speaker 3: You gotta try that. That's not right. Yeah in the corner,

1437
01:28:38,120 --> 01:28:40,639
Speaker 3: Jo going crazy like that, that's.

1438
01:28:40,520 --> 01:28:42,360
Speaker 1: Just weak man.

1439
01:28:43,000 --> 01:28:45,639
Speaker 3: The life of a producer. Yeah, I have a writer.

1440
01:28:46,000 --> 01:28:46,200
Speaker 1: Yeah.

1441
01:28:47,000 --> 01:28:49,880
Speaker 3: People don't understand man, for sure.

1442
01:28:49,960 --> 01:28:55,760
Speaker 1: They don't like if people just really knew how not

1443
01:28:56,000 --> 01:28:58,599
Speaker 1: guaranteed all of this ship is.

1444
01:28:59,640 --> 01:29:02,880
Speaker 5: Niggas thirteen years years going after it.

1445
01:29:03,120 --> 01:29:04,760
Speaker 3: You got to be a little crazy.

1446
01:29:05,080 --> 01:29:11,080
Speaker 1: No, a little psych absolutely got to delusion with money,

1447
01:29:11,120 --> 01:29:11,800
Speaker 1: long say, the.

1448
01:29:11,760 --> 01:29:14,880
Speaker 3: Little look you have to you have to be the

1449
01:29:14,920 --> 01:29:15,439
Speaker 3: a little.

1450
01:29:15,200 --> 01:29:18,240
Speaker 1: Little out here to think that you're just gonna pull

1451
01:29:18,439 --> 01:29:24,639
Speaker 1: some out of the sky, yeah, and make a bunch

1452
01:29:24,640 --> 01:29:26,679
Speaker 1: of money with it, right right and make.

1453
01:29:26,560 --> 01:29:28,880
Speaker 5: It more been the person gonna swing their chain to

1454
01:29:28,960 --> 01:29:34,880
Speaker 5: it right, actually like it because he didn't like y'all.

1455
01:29:35,360 --> 01:29:37,240
Speaker 3: He didn't like for some reason.

1456
01:29:37,920 --> 01:29:39,639
Speaker 2: Kept jamming to keep on there.

1457
01:29:40,280 --> 01:29:42,840
Speaker 5: This ship is different, man, Yeah, but we do. It's

1458
01:29:42,880 --> 01:29:44,760
Speaker 5: different because a lot of things have to line up too.

1459
01:29:45,600 --> 01:29:47,080
Speaker 5: Because that was the other thing, like, yeah, we make

1460
01:29:47,120 --> 01:29:49,240
Speaker 5: we had, we're making fun of it, we having you know,

1461
01:29:49,280 --> 01:29:50,360
Speaker 5: telling jokes about it.

1462
01:29:50,520 --> 01:29:53,760
Speaker 2: But the truth of the matter is he probably liked it.

1463
01:29:53,800 --> 01:29:59,639
Speaker 3: Not for him all right, exactly facts Yeah, yeah.

1464
01:29:59,600 --> 01:30:04,000
Speaker 5: That of those conversations, it don't hit me right, don't

1465
01:30:04,000 --> 01:30:09,280
Speaker 5: fit that, bro heard it right, And that's tough as writers,

1466
01:30:09,320 --> 01:30:11,080
Speaker 5: bro and pro creative.

1467
01:30:12,479 --> 01:30:14,519
Speaker 3: You just said there was like this is for this person.

1468
01:30:14,680 --> 01:30:17,760
Speaker 3: You in there for hours trying to think, trying to

1469
01:30:17,760 --> 01:30:19,200
Speaker 3: look at what they got going on their life. You're

1470
01:30:19,200 --> 01:30:22,559
Speaker 3: doing all types of things the lyrics, right, go in

1471
01:30:22,600 --> 01:30:23,839
Speaker 3: there and get that good old.

1472
01:30:23,680 --> 01:30:26,840
Speaker 1: No, it's just and I like, I like to like

1473
01:30:26,880 --> 01:30:29,519
Speaker 1: in it. Like if we put in other professions, like

1474
01:30:29,520 --> 01:30:34,400
Speaker 1: like let's say you build houses, right, and you build

1475
01:30:34,400 --> 01:30:38,080
Speaker 1: what you think is a great house, and you're showing

1476
01:30:38,120 --> 01:30:39,679
Speaker 1: it to everybody like this, how I'm telling.

1477
01:30:39,560 --> 01:30:42,040
Speaker 3: You, I got you need to pull in the.

1478
01:30:44,400 --> 01:30:46,600
Speaker 2: Right in door court.

1479
01:30:49,360 --> 01:30:54,719
Speaker 1: And everybody looks at the house like a right, yeah,

1480
01:30:54,840 --> 01:30:58,920
Speaker 1: you didn't invest it? How much time? How much money?

1481
01:30:59,120 --> 01:31:01,240
Speaker 3: I don't like the roof. I'm good, you know what

1482
01:31:01,240 --> 01:31:01,719
Speaker 3: I'm saying.

1483
01:31:01,920 --> 01:31:05,200
Speaker 1: Yeah, So it's like I just I wanted to say

1484
01:31:05,200 --> 01:31:07,840
Speaker 1: that some people can really like understand.

1485
01:31:07,400 --> 01:31:11,120
Speaker 2: Like because they don't don't understand, they don't get it.

1486
01:31:12,360 --> 01:31:17,040
Speaker 1: Oh, y'all got no, this is yeah, this thing easy.

1487
01:31:16,680 --> 01:31:19,360
Speaker 5: Waiting for that one yes, and then when you get

1488
01:31:19,400 --> 01:31:21,200
Speaker 5: that yes, then you gotta wait for the world to

1489
01:31:21,240 --> 01:31:23,040
Speaker 5: say yes too after you actually.

1490
01:31:23,560 --> 01:31:27,120
Speaker 3: Oh my god, for sure, it's it's not a sperience

1491
01:31:27,160 --> 01:31:29,519
Speaker 3: a marathon for sure. For sure.

1492
01:31:29,840 --> 01:31:34,760
Speaker 1: Yeah. Listen, man, well you niggas is in shape, yes, sir, definitely, yeah,

1493
01:31:34,880 --> 01:31:39,080
Speaker 1: in shape? Brother, thank you brother. Don't for no reason,

1494
01:31:40,520 --> 01:31:44,599
Speaker 1: black tuxedo game. I'm gonna be in my text. Change

1495
01:31:44,840 --> 01:31:47,639
Speaker 1: for sure what I'm saying two point two.

1496
01:31:49,000 --> 01:31:52,000
Speaker 3: Thank you again for the residuous challenge. Man oh man,

1497
01:31:52,479 --> 01:31:53,679
Speaker 3: you said the whole thing.

1498
01:31:53,600 --> 01:31:58,240
Speaker 1: On fire, on fire all my brothers. Man, appreciate it,

1499
01:31:58,280 --> 01:32:00,799
Speaker 1: and I love it was an love with the record,

1500
01:32:01,200 --> 01:32:04,519
Speaker 1: that's the biggest part. Like, I love, I love the

1501
01:32:04,560 --> 01:32:11,559
Speaker 1: record period. But you know the fact that somebody thought

1502
01:32:11,600 --> 01:32:14,479
Speaker 1: there was gonna cause somebody else to do.

1503
01:32:14,360 --> 01:32:19,320
Speaker 3: That, Yeah, it's crazy fueled the fire. Yeah call my

1504
01:32:19,960 --> 01:32:22,400
Speaker 3: challenge said, now we got to call Tank shout out

1505
01:32:22,439 --> 01:32:25,639
Speaker 3: my boy Tariq, shut that up. We put it together

1506
01:32:27,160 --> 01:32:35,080
Speaker 3: and uh yeah, man, man like TuS the Tank.

1507
01:32:37,160 --> 01:32:45,240
Speaker 1: T see those gang team Breezy Yeah behind. I mean,

1508
01:32:45,360 --> 01:32:47,479
Speaker 1: I'm part of all of it. I just want to

1509
01:32:47,479 --> 01:32:50,960
Speaker 1: say that you brothers are extremely special. Thank you. Can

1510
01:32:52,320 --> 01:32:56,320
Speaker 1: I pray that you know that like that you really

1511
01:32:56,400 --> 01:33:01,240
Speaker 1: know that, and and that it's not a matter if

1512
01:33:01,400 --> 01:33:05,080
Speaker 1: just a matter of when. Keep doing the work, man,

1513
01:33:06,520 --> 01:33:09,960
Speaker 1: just keep doing the work. I promise you. I ain't

1514
01:33:10,040 --> 01:33:15,720
Speaker 1: gassing appreciate it, appreciate just thank us the awards. Yeah, man,

1515
01:33:15,880 --> 01:33:22,280
Speaker 1: oh for sure. It's gonna be nasty long speech. First,

1516
01:33:22,400 --> 01:33:23,800
Speaker 1: I want to go there and listen.

1517
01:33:23,880 --> 01:33:25,840
Speaker 3: They're gonna cut that. They're gonna cut that music on things.

1518
01:33:27,520 --> 01:33:35,799
Speaker 3: Get this upstairs, some music already.

1519
01:33:36,320 --> 01:33:40,360
Speaker 1: I was all right, no, y'all, y'all are y'all are

1520
01:33:40,400 --> 01:33:42,640
Speaker 1: great man. We we we We're happy. We got to

1521
01:33:42,680 --> 01:33:46,320
Speaker 1: do this, you know what I'm saying us anytime? You

1522
01:33:46,439 --> 01:33:47,000
Speaker 1: know that right?

1523
01:33:47,720 --> 01:33:51,200
Speaker 3: Yes, anything but whatever, I'll send in the record.

1524
01:33:51,320 --> 01:33:54,160
Speaker 2: What if you need to do? Yeah, Okay. My name

1525
01:33:54,200 --> 01:33:55,800
Speaker 2: is Tank in Time.

1526
01:33:56,520 --> 01:33:59,200
Speaker 1: This is the R and B Money Podcast, the authority

1527
01:33:59,680 --> 01:34:06,840
Speaker 1: on all things R and B. This is our family. Yes,

1528
01:34:07,120 --> 01:34:10,280
Speaker 1: and whatever we can do to turn them up, it's up.

1529
01:34:10,439 --> 01:34:15,160
Speaker 1: That's what the fucks me is doing. Yes, Diamondarius, Susy

1530
01:34:15,320 --> 01:34:15,559
Speaker 1: Darl