1 00:00:00,720 --> 00:00:17,680 Speaker 1: I am all in, kiss you, I am all in 2 00:00:17,960 --> 00:00:22,280 Speaker 1: with Scott Patterson and I heart Radio podcast Everybody. Scott Patterson, 3 00:00:22,280 --> 00:00:25,800 Speaker 1: We're back for pop Culture Minnisota with Tera S. Season three, 4 00:00:26,280 --> 00:00:29,680 Speaker 1: Episode four, One's Got Class and the Other One Dies 5 00:00:29,800 --> 00:00:34,040 Speaker 1: d y e S. Original air date October fifteen, two 6 00:00:34,040 --> 00:00:37,559 Speaker 1: thousand and two. Tara take it away. Can I just 7 00:00:37,600 --> 00:00:44,560 Speaker 1: correct you on something? It's Tar Boddy. Scott Patterson. We're 8 00:00:44,600 --> 00:00:49,680 Speaker 1: back with another pop culture Minnisota with Tara S. Season three, 9 00:00:49,680 --> 00:00:52,639 Speaker 1: Episode four, One's Got Class, the Other One Dies, d 10 00:00:52,840 --> 00:00:56,040 Speaker 1: y e S and I'm About to Die to Air 11 00:00:56,120 --> 00:01:01,800 Speaker 1: date October two thousand and two. Tara take away. All right, 12 00:01:02,280 --> 00:01:07,480 Speaker 1: now before she does. Guys, we we like Tara. We're 13 00:01:07,480 --> 00:01:10,600 Speaker 1: giving her some notes. She's gonna get better in bed. 14 00:01:10,880 --> 00:01:13,559 Speaker 1: Give me all the notes. I'll give you all the notes. 15 00:01:13,600 --> 00:01:15,680 Speaker 1: But you're doing hard. When you guys have been doing 16 00:01:15,680 --> 00:01:17,560 Speaker 1: this for how long now? And I just start you 17 00:01:17,600 --> 00:01:21,320 Speaker 1: have like a rhythm, you know you guys, it's almost 18 00:01:21,319 --> 00:01:27,360 Speaker 1: our one year anniversary. That's so cute doing this for 19 00:01:27,400 --> 00:01:34,040 Speaker 1: five years years because we're so exhaust No, no, it's 20 00:01:34,080 --> 00:01:36,160 Speaker 1: just we do we do. We do a lot of episodes. 21 00:01:36,200 --> 00:01:38,360 Speaker 1: I mean, this is like this is like a real job, 22 00:01:38,640 --> 00:01:42,600 Speaker 1: you know, and it's fun. Heck, it's fun and fun, 23 00:01:42,760 --> 00:01:45,440 Speaker 1: fun as all get up. But tera you have entered 24 00:01:45,480 --> 00:01:50,120 Speaker 1: the gonna be like an ongoing joke. It's okay, Tara. 25 00:01:50,600 --> 00:01:54,160 Speaker 1: You have entered the rumpus room with us. Yes, late 26 00:01:54,200 --> 00:01:57,520 Speaker 1: in the game, but we feel you can rump with 27 00:01:57,560 --> 00:01:59,360 Speaker 1: the best of them. Is that going to get out 28 00:01:59,360 --> 00:02:02,160 Speaker 1: of it out too? I don't know, No, not at all. 29 00:02:03,760 --> 00:02:06,760 Speaker 1: We heard you were quite quite the rumper um. You're 30 00:02:06,760 --> 00:02:09,639 Speaker 1: doing great. You had some very insightful comments on this 31 00:02:09,760 --> 00:02:14,200 Speaker 1: last recap. I mean you pointing out some some great stuff. 32 00:02:14,560 --> 00:02:16,760 Speaker 1: It's so funny because I've seen this series maybe like 33 00:02:16,840 --> 00:02:20,919 Speaker 1: five six times, um, but I've never really like deep 34 00:02:20,960 --> 00:02:23,160 Speaker 1: dived into each episode, Like I feel like I'm learning 35 00:02:23,160 --> 00:02:26,120 Speaker 1: new things as we go. Right, Yeah, me too. I 36 00:02:26,120 --> 00:02:28,000 Speaker 1: mean it's the first time I'm seeing them, you know, 37 00:02:28,040 --> 00:02:31,120 Speaker 1: and I'm like, what I was on this show? Wow? 38 00:02:31,800 --> 00:02:34,560 Speaker 1: So yeah, So anyway, take it away, all right. So 39 00:02:34,600 --> 00:02:39,440 Speaker 1: we'll start with um in a diner where um Loralai says, 40 00:02:39,720 --> 00:02:41,800 Speaker 1: my whole face spins around a bunch of times and 41 00:02:41,800 --> 00:02:44,000 Speaker 1: winds up at the back of my head like Daffy Duck. 42 00:02:44,400 --> 00:02:47,760 Speaker 1: Rory says, that's the silliest one yet. Loria, I says, Now, 43 00:02:47,800 --> 00:02:49,959 Speaker 1: if that's how I go, you gotta promise to move 44 00:02:50,000 --> 00:02:51,640 Speaker 1: my face back to the front of my head like 45 00:02:51,760 --> 00:02:55,760 Speaker 1: Daffy did with his beak, So, of course. Daffy Duck 46 00:02:55,880 --> 00:02:58,960 Speaker 1: is an animated cartoon from the Warner Brothers Loony Tunes 47 00:02:59,040 --> 00:03:02,400 Speaker 1: and Mary Melody series of cartoons, and often running the 48 00:03:02,440 --> 00:03:06,000 Speaker 1: gamut between being the best friend or art rival of 49 00:03:06,080 --> 00:03:10,079 Speaker 1: Bugs Bunny Um. Daffy was one of the first new 50 00:03:10,240 --> 00:03:13,520 Speaker 1: screwball characters that emerged in the late nineteen thirties to 51 00:03:13,639 --> 00:03:17,680 Speaker 1: replace traditional everyman characters who were more popular earlier in 52 00:03:17,720 --> 00:03:20,959 Speaker 1: the decades, such as Mickey Mouse and Popeye. Do we 53 00:03:21,280 --> 00:03:23,560 Speaker 1: I watched all this, all this as a kid, all 54 00:03:23,560 --> 00:03:26,200 Speaker 1: of it? All this jump? Do we not ask Tara 55 00:03:26,360 --> 00:03:32,280 Speaker 1: for a Daffy Duck impersonation? All right? Well this you 56 00:03:32,360 --> 00:03:34,840 Speaker 1: better be good because Riley sher nail are offscar at 57 00:03:34,840 --> 00:03:37,600 Speaker 1: the ground. All right, let's do this one this, No, 58 00:03:37,800 --> 00:03:46,720 Speaker 1: hold up, this all yes, Scott's a lot better than Yeah, 59 00:03:46,920 --> 00:03:53,880 Speaker 1: not the best. You'll get there, you'll get there. But 60 00:03:53,880 --> 00:03:56,640 Speaker 1: but the lisp. Actually, I watched all those cartoons. Those 61 00:03:56,680 --> 00:03:59,680 Speaker 1: were big in my era, the like early eighties, late 62 00:03:59,680 --> 00:04:04,200 Speaker 1: seven Yeah, we I don't know they were still around 63 00:04:04,200 --> 00:04:07,920 Speaker 1: for these young women. Yeah, I watched you didn't really 64 00:04:08,800 --> 00:04:13,240 Speaker 1: does super Friends mean anything to you? No, not to me. 65 00:04:13,440 --> 00:04:18,279 Speaker 1: Not to you, of course what super Friends? Oh my god? 66 00:04:18,360 --> 00:04:22,640 Speaker 1: Only the best cartoon ever. It was Wonder Woman, Superman, 67 00:04:23,360 --> 00:04:26,560 Speaker 1: Batman and Robin and the Wonder Twins, and there was 68 00:04:26,600 --> 00:04:28,920 Speaker 1: like Aquaman and they just went on adventures and it 69 00:04:29,000 --> 00:04:33,040 Speaker 1: was a cartoon. It was awesome, so awesome. There might 70 00:04:33,080 --> 00:04:35,080 Speaker 1: have been like a lesson too. I think there was, 71 00:04:35,120 --> 00:04:42,360 Speaker 1: like it was a teaching moment, same era. All right, 72 00:04:42,400 --> 00:04:44,880 Speaker 1: all right, so let's move on to Lane walking into 73 00:04:44,880 --> 00:04:48,280 Speaker 1: the diner. She says perfectly. It's totally time efficient, being 74 00:04:48,320 --> 00:04:51,000 Speaker 1: a thirty second commute from my house. We practiced for 75 00:04:51,040 --> 00:04:53,120 Speaker 1: two hours. I'm home in time to watch reruns of 76 00:04:53,160 --> 00:04:56,240 Speaker 1: Johnny Uns talk show on Korean television with my mom. 77 00:04:56,360 --> 00:04:58,400 Speaker 1: Who thinks I hooked up with you guys, which I did, 78 00:04:58,440 --> 00:05:01,279 Speaker 1: so I'm not even lying. So Johnny Un is a 79 00:05:01,360 --> 00:05:04,839 Speaker 1: Korean American actor, singer, and comedian, and he hosted the 80 00:05:04,839 --> 00:05:10,279 Speaker 1: first americanized Korean talk show from to and he was 81 00:05:10,320 --> 00:05:13,760 Speaker 1: first discovered by Johnny Carson in nineteen seventy seven and 82 00:05:13,839 --> 00:05:17,680 Speaker 1: appeared on his show in nineteen seventy nine. All right, 83 00:05:17,760 --> 00:05:21,560 Speaker 1: let's move on to band practice, where Zach says, Lawrence 84 00:05:21,600 --> 00:05:25,919 Speaker 1: Welko cranked louder than this? So um he is a 85 00:05:25,960 --> 00:05:30,839 Speaker 1: big band leader hosted in what Lawrence Well cranked louder 86 00:05:30,920 --> 00:05:37,320 Speaker 1: than this? The line bubbles yea Lawrence Well like like 87 00:05:37,560 --> 00:05:40,440 Speaker 1: it's such a dick, Like Lawrence Will cranked harder than 88 00:05:40,440 --> 00:05:44,159 Speaker 1: this is basically saying we blow because Laurence Will. It's 89 00:05:44,200 --> 00:05:47,680 Speaker 1: like the softest kind of elevate vetter music ever invented. 90 00:05:48,160 --> 00:05:49,800 Speaker 1: He had a weekly she had a variety show, a 91 00:05:50,000 --> 00:05:53,400 Speaker 1: weekly show, and sometimes I really thought my grandpa was 92 00:05:53,480 --> 00:05:55,880 Speaker 1: Lawrence Welk, Like they kind of blurred together the way 93 00:05:55,920 --> 00:05:59,800 Speaker 1: they looked. He was on the air for twenty seven years. Sorry, sorry, 94 00:05:59,839 --> 00:06:07,080 Speaker 1: I didn't mean to usurp you. No, I just that's cool. 95 00:06:08,440 --> 00:06:11,080 Speaker 1: And there's like a massive amount of spit that comes 96 00:06:11,080 --> 00:06:15,159 Speaker 1: out each time I do that. But I'm sitting next today. 97 00:06:15,279 --> 00:06:21,160 Speaker 1: I was so sorry. Oh man, all right, let's move 98 00:06:21,160 --> 00:06:23,520 Speaker 1: on to the next one. Lane says, wait, no, Brian, 99 00:06:23,560 --> 00:06:25,760 Speaker 1: I'm not exaggerating. Once a guy in our town named 100 00:06:25,839 --> 00:06:29,520 Speaker 1: Kirk was practicing Bohemian Rhapsody with his band, the Kirk 101 00:06:29,560 --> 00:06:32,080 Speaker 1: Glease and Five, and my mom shut them down so 102 00:06:32,160 --> 00:06:35,200 Speaker 1: fast the band fled without their instruments and never came 103 00:06:35,200 --> 00:06:37,279 Speaker 1: back for them. To this day, Kirk can't listen to 104 00:06:37,360 --> 00:06:41,640 Speaker 1: Queen without tearing up. Such a good song, so good, 105 00:06:41,680 --> 00:06:44,279 Speaker 1: So I want to see that. That's a scene I 106 00:06:44,320 --> 00:06:49,680 Speaker 1: want to say with Kirk, Yeah, with the band. Yeah, 107 00:06:50,720 --> 00:06:54,880 Speaker 1: Bohemian Rhapsody. So Bohemian Rapsody was a song by the 108 00:06:54,880 --> 00:06:57,960 Speaker 1: famous band Queen, written by Freddie Mercury for the band's 109 00:06:58,000 --> 00:07:01,440 Speaker 1: album A Night at the Opera in five and Kirk 110 00:07:01,520 --> 00:07:03,880 Speaker 1: Glease and five is a reference to the Jackson Five, 111 00:07:03,960 --> 00:07:07,240 Speaker 1: which of course composed of the members of the Jackson family. 112 00:07:07,880 --> 00:07:10,240 Speaker 1: In the early days of Queen's show, the microphone standard 113 00:07:10,240 --> 00:07:13,560 Speaker 1: Freddie Mercury's broke, but instead of finding a news stand, 114 00:07:13,760 --> 00:07:17,040 Speaker 1: he held the stub of the stand containing the microphone 115 00:07:17,040 --> 00:07:19,760 Speaker 1: and kept singing. This gave him a new idea, and 116 00:07:19,800 --> 00:07:21,960 Speaker 1: soon he started to use the new prop in various 117 00:07:21,960 --> 00:07:24,560 Speaker 1: shows while roaming around the stage. And so I actually 118 00:07:24,560 --> 00:07:28,200 Speaker 1: never knew that. I didn't either, but I get it now. 119 00:07:28,400 --> 00:07:37,440 Speaker 1: That's good, right, yeah, alright, so still in band practice, 120 00:07:37,480 --> 00:07:39,760 Speaker 1: more music references. We've had a lot of but because 121 00:07:39,760 --> 00:07:45,320 Speaker 1: of Dan Paladino, right, so Dave says, because we're supposed 122 00:07:45,360 --> 00:07:47,400 Speaker 1: to be one for all band, like the Clash or 123 00:07:47,520 --> 00:07:51,240 Speaker 1: You Two. It's a democracy, so of course. Clash was 124 00:07:51,280 --> 00:07:54,360 Speaker 1: an English punk rock band that forms in ninety six 125 00:07:54,400 --> 00:07:57,200 Speaker 1: as part of the original wave of British punk. The 126 00:07:57,240 --> 00:08:01,320 Speaker 1: guitarist and co founder of the Class, Joe Strummer, was 127 00:08:01,360 --> 00:08:05,440 Speaker 1: a big stamp collector while he was in school. You Two, 128 00:08:05,520 --> 00:08:09,120 Speaker 1: as an Irish rock band, formed in Dublin in and 129 00:08:09,160 --> 00:08:13,080 Speaker 1: You Two considered calling themselves the Hype Feedback and even 130 00:08:13,320 --> 00:08:16,400 Speaker 1: Larry Mullin Band, which is due to them forming after 131 00:08:16,480 --> 00:08:20,080 Speaker 1: drummer Larry Mullin posted a notice at their school looking 132 00:08:20,120 --> 00:08:23,760 Speaker 1: for other musicians to start the band, kind of like Lane. Yeah, 133 00:08:23,880 --> 00:08:27,400 Speaker 1: there you go. My god, what's the name of her band? 134 00:08:27,960 --> 00:08:29,720 Speaker 1: I don't think we have it yet. I don't think 135 00:08:29,760 --> 00:08:31,840 Speaker 1: they've given I mean it becomes Hepp Alien, but is 136 00:08:31,880 --> 00:08:36,480 Speaker 1: there anything? No, I don't have a name. It's it's 137 00:08:36,480 --> 00:08:42,320 Speaker 1: a Lane Kim band. Yeah, it's called Larry Mullin. It's 138 00:08:42,320 --> 00:08:46,760 Speaker 1: despicable that you was saying. So I think Amy you 139 00:08:46,880 --> 00:08:50,280 Speaker 1: referenced this in our last episode. Um Dave says, there's 140 00:08:50,320 --> 00:08:54,439 Speaker 1: no where you're going to become our Pete Best fired 141 00:08:54,440 --> 00:08:58,160 Speaker 1: from the Beatles, yep or way being too good looking 142 00:08:59,720 --> 00:09:02,000 Speaker 1: and rummer you have so Pete Bess as the original 143 00:09:02,080 --> 00:09:04,400 Speaker 1: drummer of the Beatles, who was replaced by Ringo Star 144 00:09:04,480 --> 00:09:07,679 Speaker 1: a few weeks before they recorded their debut single in 145 00:09:07,720 --> 00:09:11,079 Speaker 1: their Poor Pete Best. In the early days of the shows, 146 00:09:11,120 --> 00:09:14,480 Speaker 1: they stayed at a cinema in Germany and when Paul 147 00:09:14,520 --> 00:09:17,000 Speaker 1: and Pete walked into the room, they couldn't see so 148 00:09:17,040 --> 00:09:20,040 Speaker 1: they lit an object but accidentally started a small fire. 149 00:09:20,440 --> 00:09:23,000 Speaker 1: The owner of the cinema had them arrested, and Paul 150 00:09:23,040 --> 00:09:26,040 Speaker 1: and Pete stayed in jail for the night. And Pete 151 00:09:26,080 --> 00:09:30,320 Speaker 1: Best is still alive. M really, what did he go 152 00:09:30,400 --> 00:09:32,480 Speaker 1: on to do? Did he stay in music? The Pete 153 00:09:32,520 --> 00:09:35,800 Speaker 1: Best band? I think the Pete Best something like that, 154 00:09:35,840 --> 00:09:40,120 Speaker 1: the Pete Best four something like that. And did he 155 00:09:40,280 --> 00:09:43,160 Speaker 1: fire and the drummer of his own band? I guess not. 156 00:09:43,440 --> 00:09:46,640 Speaker 1: He's the drummer. And I think he's been married to 157 00:09:46,679 --> 00:09:50,360 Speaker 1: the same lady since nineteen The twist of irony, he 158 00:09:50,480 --> 00:09:57,680 Speaker 1: fired himself? Oh man, are let's move to the next scene. 159 00:09:58,160 --> 00:10:00,360 Speaker 1: This is when Lane and Rory are on the phone 160 00:10:01,200 --> 00:10:03,880 Speaker 1: and Lane says, you're making light now stop and focus 161 00:10:03,920 --> 00:10:07,760 Speaker 1: and turned down the Corner Shop. It's distracting. Rory says that, no, 162 00:10:08,200 --> 00:10:12,040 Speaker 1: your Coltrane is distracting. Turn that down. Lane says, hey, 163 00:10:12,120 --> 00:10:14,760 Speaker 1: I'm an angst here, and Coltrane speaks to my soul. 164 00:10:14,800 --> 00:10:18,200 Speaker 1: I can't turn it down. The Corner Shop is a 165 00:10:18,200 --> 00:10:21,320 Speaker 1: British band whose music is a fusion of Indian, British 166 00:10:21,360 --> 00:10:26,760 Speaker 1: indie rock and electronic dance. Original Corner Shop drummer David D. 167 00:10:26,960 --> 00:10:29,800 Speaker 1: Chambers use a lawnmower grass collector as part of his 168 00:10:29,840 --> 00:10:33,880 Speaker 1: initial drum kit with the group Wow. Coltrane is a 169 00:10:33,960 --> 00:10:37,160 Speaker 1: jazz musician and saxophonist, and through his career he recorded 170 00:10:37,160 --> 00:10:41,400 Speaker 1: forty studio albums, twenty three compilation albums, and nineteen singles. 171 00:10:42,120 --> 00:10:46,560 Speaker 1: Well there you have it, There, we have it. There 172 00:10:46,600 --> 00:10:50,320 Speaker 1: you have your pop culture episode, Ladies and Gentlemen. Very 173 00:10:50,720 --> 00:10:54,120 Speaker 1: quick was a quick one minimum pop culture in this 174 00:10:54,280 --> 00:10:57,640 Speaker 1: but I loved it. But the pop culture that it 175 00:10:57,679 --> 00:10:59,920 Speaker 1: was in it was very poper poppy and very cult. 176 00:11:00,880 --> 00:11:05,440 Speaker 1: I thought, um, so, no worries there, right, We have 177 00:11:05,520 --> 00:11:10,480 Speaker 1: a lot more guys. Why that was done? I'm like, 178 00:11:10,520 --> 00:11:14,800 Speaker 1: did I miss something? One minute? I stepped away? I 179 00:11:14,840 --> 00:11:17,640 Speaker 1: thought you just wanted it to end to be honest, Like, wow, 180 00:11:17,679 --> 00:11:21,840 Speaker 1: am I doing that bad? Bring it up a little bit. Okay, okay, 181 00:11:22,160 --> 00:11:24,920 Speaker 1: keep it going. Oh, for God's sake, there it is 182 00:11:25,240 --> 00:11:29,360 Speaker 1: Larry kinds of people. Yeah, so let's go to this 183 00:11:29,480 --> 00:11:32,280 Speaker 1: Larry King reference. Loreal I says, I'm a success. Who 184 00:11:32,280 --> 00:11:34,960 Speaker 1: would have thought? Rory said? I suspected you had it 185 00:11:35,000 --> 00:11:37,880 Speaker 1: in you. Loria I says, from rags to riches, I 186 00:11:37,920 --> 00:11:41,360 Speaker 1: wonder why Larry King hasn't called so obviously. Larry King 187 00:11:41,440 --> 00:11:44,040 Speaker 1: was the host of Larry King Live, a nightly interview 188 00:11:44,120 --> 00:11:48,360 Speaker 1: program on CNN, and Larry King was actually born Larry Zeiger. 189 00:11:49,160 --> 00:11:52,079 Speaker 1: When he moved from Brooklyn to Miami in ninety seven, 190 00:11:52,400 --> 00:11:54,960 Speaker 1: his first boss shot down his last name and said 191 00:11:55,040 --> 00:11:59,079 Speaker 1: Zager was too ethnic. According to King's autobiography, his boss 192 00:11:59,080 --> 00:12:00,679 Speaker 1: looked down at a paper and saw an ad that 193 00:12:00,720 --> 00:12:04,680 Speaker 1: said King's Wholesale Liquors. What then his boss said, King, 194 00:12:04,840 --> 00:12:09,000 Speaker 1: how about Larry King? Yeah? I would have to say 195 00:12:09,080 --> 00:12:13,920 Speaker 1: Larry King rolls off the tongue more than Larry Yeah. 196 00:12:17,480 --> 00:12:20,960 Speaker 1: All right, let's move right into Louis Armstrong. Loral I says, well, 197 00:12:21,000 --> 00:12:23,319 Speaker 1: you gave in just in time, because I was about 198 00:12:23,360 --> 00:12:26,280 Speaker 1: to transition out of baby talk into my Louis Armstrong voice, 199 00:12:26,600 --> 00:12:28,480 Speaker 1: and that my friend is a whole lot worse than 200 00:12:28,520 --> 00:12:34,760 Speaker 1: baby talk. M Louis Armstrong was an innovator of American jazz, 201 00:12:34,760 --> 00:12:38,120 Speaker 1: known for his gravelly singing voice. What's your favorite Louis 202 00:12:38,240 --> 00:12:44,880 Speaker 1: Armstrong song? Hello Dolly? Right? What? It's a wonderful world. 203 00:12:45,360 --> 00:12:50,560 Speaker 1: I'm with you, Amy, It's a one. It's like, isn't it? 204 00:12:50,559 --> 00:12:56,680 Speaker 1: What a wonderful? Didn't do it? Didn't he didn't he 205 00:12:56,720 --> 00:13:03,000 Speaker 1: do a version of Hello Dolly? Like I said, Hello Dolly? 206 00:13:04,440 --> 00:13:07,120 Speaker 1: I do nothing? So am I wrong? Am I thinking 207 00:13:07,160 --> 00:13:09,280 Speaker 1: of somebody else? Can we can we make a bet? 208 00:13:09,320 --> 00:13:12,160 Speaker 1: Five dollar bet? Five dollars? I can't. I can't afford that. 209 00:13:12,240 --> 00:13:15,760 Speaker 1: I can't five dollar bet, says can someone google that 210 00:13:15,800 --> 00:13:17,640 Speaker 1: real quick? Because I could use the five You can 211 00:13:17,720 --> 00:13:24,360 Speaker 1: venmo me. It's totally fine. So the water relief, Dolly, 212 00:13:24,679 --> 00:13:31,400 Speaker 1: I'm picturing that um woman saying that is that Carol Channing? Yes, 213 00:13:32,600 --> 00:13:37,360 Speaker 1: I'm mistaking Carol Channing for Louis Armstrong. He's not the original, 214 00:13:37,559 --> 00:13:39,760 Speaker 1: but he did do a take on it. Thank you 215 00:13:39,960 --> 00:13:42,840 Speaker 1: very much. Five bangaroon, he's come out. You can vemo. 216 00:13:42,920 --> 00:13:51,959 Speaker 1: It's okay. Five smoleans. You know I take checks. Just 217 00:13:52,280 --> 00:13:55,400 Speaker 1: I will send you five rolls of I want to 218 00:13:55,440 --> 00:13:58,120 Speaker 1: see it on the next payment. Just send it in 219 00:13:59,480 --> 00:14:03,079 Speaker 1: Amy losing bet five dollars. Thank you. I really thought 220 00:14:03,120 --> 00:14:05,559 Speaker 1: you were actually an idiot. Yeah, I know that right. 221 00:14:05,920 --> 00:14:10,400 Speaker 1: Underestimate me again. See what happens, See what happens, See 222 00:14:10,400 --> 00:14:14,720 Speaker 1: what happens. My Carol Channing is pretty bad. How about 223 00:14:14,840 --> 00:14:17,080 Speaker 1: you do? You do your Carol Channing and I'll do 224 00:14:17,160 --> 00:14:34,080 Speaker 1: Daffy Duck singing that song? Ready, go, I forget? Oh god, 225 00:14:34,080 --> 00:14:39,400 Speaker 1: we're losing our marbles. Bee you stop me like halfway? 226 00:14:40,320 --> 00:14:45,480 Speaker 1: Keep going right. You gotta stay on your toes here, No, 227 00:14:45,600 --> 00:14:48,360 Speaker 1: I'm trying, all right, you gotta stay on your toes. 228 00:14:48,520 --> 00:14:51,720 Speaker 1: I mean, money's flying around. People are losing fortunes. It's 229 00:14:51,720 --> 00:14:55,960 Speaker 1: some people are winning things. It's unbelievable, all right. So 230 00:14:56,080 --> 00:14:58,320 Speaker 1: let's go to Lane, who says, what do you think? Pink? 231 00:14:58,440 --> 00:15:01,200 Speaker 1: Or is that too pink? The singer? And Kelly Osborne 232 00:15:01,240 --> 00:15:03,840 Speaker 1: and Gwen Stefani. I don't even think you need to 233 00:15:03,880 --> 00:15:05,760 Speaker 1: say anything about that, definitely, don't. I think we know 234 00:15:05,800 --> 00:15:08,000 Speaker 1: who they all are. Let's go to this next one 235 00:15:08,040 --> 00:15:12,200 Speaker 1: where we mentioned in the last episode. Lorelie says Jimmy Buffett. 236 00:15:12,280 --> 00:15:15,800 Speaker 1: Luke says, put that back. Lorelie says, you like Jimmy Buffett, 237 00:15:15,840 --> 00:15:19,240 Speaker 1: He's so mellow. I've just been to a few shows, 238 00:15:19,320 --> 00:15:21,760 Speaker 1: that's all. A few shows. Oh my god, you're a 239 00:15:21,800 --> 00:15:25,040 Speaker 1: buffet head? Is that the one you want me to wear? 240 00:15:25,160 --> 00:15:28,920 Speaker 1: Or not? Seeing margueritea Ville? So Amy, what is it 241 00:15:28,920 --> 00:15:33,040 Speaker 1: called again? It's not a part parrot heads? Parrot head? Amy? 242 00:15:33,120 --> 00:15:36,000 Speaker 1: Were you a parent head? Oh no, I have never 243 00:15:36,040 --> 00:15:37,720 Speaker 1: even been to a Jimmy Buffer concert, but I just 244 00:15:37,880 --> 00:15:40,920 Speaker 1: know all about it. I just know everything, and so 245 00:15:40,960 --> 00:15:43,000 Speaker 1: I don't know if that was an intentional thing or 246 00:15:43,000 --> 00:15:49,000 Speaker 1: if it was a m m m. Well. Margaritaville is 247 00:15:49,040 --> 00:15:53,440 Speaker 1: a ninety seven song, of course by Jimmy Buffett um 248 00:15:53,520 --> 00:15:56,480 Speaker 1: and he had a cameo and Margarite as a Margarite 249 00:15:56,520 --> 00:16:00,360 Speaker 1: a guy in Jurassic World. That's cute. Don't want to 250 00:16:00,360 --> 00:16:02,840 Speaker 1: go back, and I need to go back and watch 251 00:16:02,840 --> 00:16:05,120 Speaker 1: it because I am. I don't know if I've mentioned 252 00:16:05,160 --> 00:16:07,720 Speaker 1: this yet, but there's two movies. I am counting down 253 00:16:07,800 --> 00:16:13,680 Speaker 1: for this summer Top Gun, Maverick and Jurassic Like the 254 00:16:13,760 --> 00:16:16,840 Speaker 1: Final Adventure. I don't know what it's called the next 255 00:16:16,880 --> 00:16:19,800 Speaker 1: one whatever, No, I think it's the final Woe is 256 00:16:19,840 --> 00:16:23,440 Speaker 1: it the conclusion? I don't know, but I cannot wait 257 00:16:23,480 --> 00:16:30,960 Speaker 1: for both? Yea, all right, so let's go to the 258 00:16:31,040 --> 00:16:35,760 Speaker 1: next one. This is when Rory is dying Lane's hair. 259 00:16:36,480 --> 00:16:38,080 Speaker 1: She's trying to distract her and she says, I got 260 00:16:38,120 --> 00:16:40,400 Speaker 1: a package. What's that? Oh? Jim Carey says that in 261 00:16:40,560 --> 00:16:44,720 Speaker 1: ace Ventura, good distractions. Still thinking thinking about world events, 262 00:16:45,000 --> 00:16:47,320 Speaker 1: lots going on there, thinking about the last movie I saw, 263 00:16:47,400 --> 00:16:50,080 Speaker 1: Vin Diesel, wasn't it? Think about Vin Diesel now, Think 264 00:16:50,080 --> 00:16:52,520 Speaker 1: about where Vin Diesel, call the name Vin Diesel, Think 265 00:16:52,560 --> 00:16:56,120 Speaker 1: about Vin Diesel's mysterious ethnicity, thinking about how surprising is 266 00:16:56,120 --> 00:16:57,920 Speaker 1: to have so much to think about with Vin Diesel. 267 00:16:58,120 --> 00:17:02,080 Speaker 1: Who knew? Did they called Triple X a flop in 268 00:17:02,160 --> 00:17:04,399 Speaker 1: this or was that a different show I was listening to? No, 269 00:17:04,480 --> 00:17:07,000 Speaker 1: they did not. This was just about Vin Diesel because 270 00:17:07,000 --> 00:17:10,720 Speaker 1: I love Inn Diesel and Triple X was solid. No, 271 00:17:11,119 --> 00:17:13,480 Speaker 1: they wouldn't have made their kind of commentary on the 272 00:17:13,520 --> 00:17:16,439 Speaker 1: show Yeah, they wouldn't help the dare that. Yeah they do. 273 00:17:16,520 --> 00:17:20,119 Speaker 1: They sometimes rip on things. Yeah. But what's your favorite 274 00:17:20,160 --> 00:17:26,439 Speaker 1: Vin Diesel movie? Mine? Yeah? God, I don't know that. 275 00:17:26,480 --> 00:17:28,920 Speaker 1: I've seen one, and so have you seen any Fast 276 00:17:28,960 --> 00:17:34,560 Speaker 1: and Furious? No? Have you seen The Pacifier? That's a 277 00:17:34,680 --> 00:17:38,200 Speaker 1: good one. It is so good. It's very cutting edge 278 00:17:38,200 --> 00:17:40,600 Speaker 1: because I think like Vin Diesel was just sort of 279 00:17:40,640 --> 00:17:44,359 Speaker 1: showing up in the world at this time, wasn't he 280 00:17:45,000 --> 00:17:50,680 Speaker 1: Wasn't he in a big, a big film franchise Curious No, No, No, 281 00:17:53,760 --> 00:17:58,000 Speaker 1: Saving Private Ryan or something started out something like that. Yes, 282 00:17:58,200 --> 00:18:01,840 Speaker 1: I think I saw him in that, Yeah, because that 283 00:18:01,880 --> 00:18:05,000 Speaker 1: was the beginning of his career. Yes, I think you 284 00:18:05,119 --> 00:18:09,920 Speaker 1: are correct, something like that. The Pacifier was a classic. 285 00:18:10,840 --> 00:18:15,240 Speaker 1: He was in Boiler Room, Riddick not good. Uh, Pitch 286 00:18:15,280 --> 00:18:21,720 Speaker 1: Black not good? Keep going, I'll see what his first movie? Alright, 287 00:18:21,880 --> 00:18:24,040 Speaker 1: the next one we have Loria Lie says, Oh, we're 288 00:18:24,040 --> 00:18:26,840 Speaker 1: happy to be here, right, Luke says, yep, zippity doo 289 00:18:26,880 --> 00:18:35,080 Speaker 1: da so zippity do. It's a zippity day. Did you 290 00:18:35,119 --> 00:18:37,960 Speaker 1: guys know that that song will no longer be playing 291 00:18:38,000 --> 00:18:43,320 Speaker 1: in Splash Mountain at the both Disney parks out yeah, 292 00:18:43,400 --> 00:18:45,879 Speaker 1: because it's actually from the movie UM Song of the South, 293 00:18:46,480 --> 00:18:49,199 Speaker 1: and UM it's due to a lot of allegations of 294 00:18:49,320 --> 00:18:52,440 Speaker 1: racism and stereotyping African America. Splash Mountain is gonna be 295 00:18:52,480 --> 00:18:54,840 Speaker 1: like something different. It's gonna be Princess and the Frog. 296 00:18:55,080 --> 00:18:58,440 Speaker 1: So Tiana like it. Yeah, they haven't changed it yet, 297 00:18:58,480 --> 00:19:00,280 Speaker 1: but it's in the works to take that song out. 298 00:19:01,680 --> 00:19:04,359 Speaker 1: So that ride gets you wet anyone that tells you different. 299 00:19:04,800 --> 00:19:07,560 Speaker 1: It's certain places you sit in the first two roads. 300 00:19:09,320 --> 00:19:12,159 Speaker 1: The log makes you soaked, it does. I got soaked 301 00:19:12,200 --> 00:19:21,479 Speaker 1: on the log. Yeah, alright, So then Rory says, uh 302 00:19:21,800 --> 00:19:26,159 Speaker 1: in reference to Lane's hair, She says, like straw, I 303 00:19:26,200 --> 00:19:28,399 Speaker 1: feel like I should be singing if I only had 304 00:19:28,400 --> 00:19:34,040 Speaker 1: a brain, If I only had a brain, it was 305 00:19:33,720 --> 00:19:39,000 Speaker 1: it was um so if I was uncredited in the 306 00:19:39,000 --> 00:19:42,320 Speaker 1: movie Awakenings, he was a hospital orderly but it was 307 00:19:42,359 --> 00:19:46,639 Speaker 1: saving private Ryan. I feel like there's always a Wizard 308 00:19:46,640 --> 00:19:50,520 Speaker 1: of Oz like reference in every single episode. It comes 309 00:19:50,520 --> 00:19:56,440 Speaker 1: around a lot, doesn't it. Yeah. Yeah, anyways, yep, it's 310 00:19:56,480 --> 00:19:59,560 Speaker 1: moving on to the next one. Lorelei Um says during 311 00:19:59,600 --> 00:20:03,480 Speaker 1: her speed it wasn't funny. Luke says, not from your angle, 312 00:20:03,840 --> 00:20:05,840 Speaker 1: but from mine. It was an Evening at the Improv. 313 00:20:07,760 --> 00:20:09,879 Speaker 1: In the Evening at the Improv was a television program 314 00:20:09,880 --> 00:20:12,280 Speaker 1: featuring stand up comedians, and it was the longest running 315 00:20:12,280 --> 00:20:17,480 Speaker 1: stand up series and originated of stand up comedy. Originator 316 00:20:17,520 --> 00:20:20,840 Speaker 1: of stand up comedy, Lorala says, oh no, what's this? 317 00:20:21,160 --> 00:20:23,760 Speaker 1: Luke says, looks like high Noon and stars hollow. This 318 00:20:23,840 --> 00:20:28,680 Speaker 1: is when the moms are walking towards them and uh. 319 00:20:28,840 --> 00:20:32,000 Speaker 1: The classic Western movie high Noon contains a scene of 320 00:20:32,040 --> 00:20:35,200 Speaker 1: a posse of bad guys walking down main Street gunning 321 00:20:35,240 --> 00:20:38,719 Speaker 1: for the sheriff, much like the mom's marching towards Laureli, 322 00:20:41,480 --> 00:20:44,200 Speaker 1: Gary Cooper and Greece. Kelly had an affair that lasted 323 00:20:44,400 --> 00:20:49,520 Speaker 1: um for the duration of the filming and also if anybody, um, 324 00:20:49,560 --> 00:20:53,560 Speaker 1: if high Noon wants to sponsor us. You know, when 325 00:20:53,560 --> 00:20:55,680 Speaker 1: I heard that, I thought of the Salzer. I didn't 326 00:20:55,680 --> 00:20:58,480 Speaker 1: know what I personally, I love a high Noon here 327 00:20:58,520 --> 00:21:04,200 Speaker 1: there and our last pop culture note for this episode, 328 00:21:04,600 --> 00:21:07,679 Speaker 1: Jess says, Hey, you're gonna go all word clever on me. 329 00:21:07,720 --> 00:21:09,679 Speaker 1: I gotta go call Eddie and Lumpy to tell him 330 00:21:10,320 --> 00:21:12,880 Speaker 1: late that was amazing. I loved every second of that reference. 331 00:21:13,080 --> 00:21:21,960 Speaker 1: So good so fifties, sixties, right sixties, um fifties, I 332 00:21:21,960 --> 00:21:24,879 Speaker 1: think so. Yeah. Word Clever was father of Wally and 333 00:21:24,920 --> 00:21:27,120 Speaker 1: the Beave in the television series Leave It to Beaver. 334 00:21:27,560 --> 00:21:31,359 Speaker 1: Eddie Haskell and Clarence Lumpy Rutherford were Wally and the 335 00:21:31,400 --> 00:21:35,640 Speaker 1: Beeves friends. You imagine having a son where his nicknames 336 00:21:35,680 --> 00:21:47,359 Speaker 1: the Beaver, the Beave Lumpy. And that was our last 337 00:21:47,600 --> 00:21:52,200 Speaker 1: pop culture reference for this episode, except for the middle 338 00:21:52,240 --> 00:21:56,280 Speaker 1: when we thought you were done anymore. I kind of 339 00:21:56,320 --> 00:21:57,720 Speaker 1: just went with it. I thought, you know, I'll me 340 00:21:57,760 --> 00:22:02,920 Speaker 1: talking anymore, and weirdly after the second half was even 341 00:22:03,080 --> 00:22:06,200 Speaker 1: more improved. It was worth getting better. Just give me 342 00:22:06,240 --> 00:22:08,760 Speaker 1: all the tips. This is episode number two for you. 343 00:22:08,800 --> 00:22:11,960 Speaker 1: I'm really impressed. You keep going, Tara, doing great. Your 344 00:22:12,000 --> 00:22:18,680 Speaker 1: facts are great, great research, great read. Uh. And that's 345 00:22:18,680 --> 00:22:20,640 Speaker 1: going to wrap it up for this. I don't leave 346 00:22:20,640 --> 00:22:22,720 Speaker 1: the party fast, but I gotta get to Whole Foods. 347 00:22:24,040 --> 00:22:25,800 Speaker 1: Don't let us keep it. We're only doing it. We're 348 00:22:25,880 --> 00:22:29,520 Speaker 1: only doing like a groundbreaking, world famous podcast. You're but 349 00:22:29,560 --> 00:22:32,280 Speaker 1: go ahead, you need to go to the guys. Gotta 350 00:22:32,320 --> 00:22:35,359 Speaker 1: go get Whole Foods. There. You gotta go wipe some 351 00:22:35,440 --> 00:22:40,639 Speaker 1: bugs off. The Radiator really did a fast one last night. 352 00:22:40,760 --> 00:22:42,600 Speaker 1: I just you know, I gotta go early. I gotta 353 00:22:42,640 --> 00:22:44,919 Speaker 1: go get an ice cream sandwich. But I guys, you 354 00:22:44,920 --> 00:22:47,000 Speaker 1: gotta go wipe that, you know what, off my shows. 355 00:22:47,119 --> 00:22:54,080 Speaker 1: So anyway, you're the best. No, you're the best. You 356 00:22:54,119 --> 00:23:02,560 Speaker 1: make me better. So you guys gonna cut out a 357 00:23:02,560 --> 00:23:06,320 Speaker 1: tiny bit early finish without me now loves it. That's it. 358 00:23:07,440 --> 00:23:11,840 Speaker 1: You're the best buy. Everybody loved the whole fam Huh, 359 00:23:12,160 --> 00:23:35,480 Speaker 1: we're gone, she left, she gotta go. Oh man, Alright, 360 00:23:35,560 --> 00:23:41,119 Speaker 1: that's it, everybody. Thanks for downloading. Best fans on the planet, Tara, 361 00:23:41,760 --> 00:23:45,840 Speaker 1: brilliant job, coming along beautifully. According we're your way ahead 362 00:23:45,840 --> 00:23:49,719 Speaker 1: of schedule. Uh. We have to fend off all the 363 00:23:49,760 --> 00:23:53,800 Speaker 1: other companies because they're trying to sign her a new 364 00:23:53,920 --> 00:24:00,600 Speaker 1: stot star and podcasting for God's sake. Alright, Danielle, good 365 00:24:00,640 --> 00:24:04,600 Speaker 1: seeing you guys, Take care much, love, peace out, stay 366 00:24:04,640 --> 00:24:36,760 Speaker 1: safe everyone hoges, get hey everybody, and don't forget Follow 367 00:24:36,840 --> 00:24:40,720 Speaker 1: us on Instagram at I Am all In podcast and 368 00:24:40,840 --> 00:24:45,560 Speaker 1: email us at Gilmore at I heart radio dot com. 369 00:24:45,560 --> 00:24:47,119 Speaker 1: Oh you, gil More fans. If you're looking for the 370 00:24:47,160 --> 00:24:49,280 Speaker 1: best cup of coffee in the world, go to my 371 00:24:49,680 --> 00:24:52,800 Speaker 1: website for my company scott ep dot com, s c 372 00:24:52,960 --> 00:24:55,440 Speaker 1: O T. 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