WEBVTT - #497 - Huey Briss

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<v Speaker 1>What up is Huey Bris the Grace Park Legend Long

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<v Speaker 1>Beach on you can check me out on a Bootleg

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<v Speaker 1>CAV podcast.

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<v Speaker 2>Before we start the episode, man, I got to remind

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<v Speaker 2>everybody that we are on the radio in eighty cities

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<v Speaker 2>every single day across the country. Man Real ninety two

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<v Speaker 2>to three every day Monday through Friday in Los Angeles,

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<v Speaker 2>Wild ninety four to one in Tampa, KKFI in Phoenix.

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<v Speaker 2>We're all over the place, Miami, Vegas. We can go

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<v Speaker 2>on and on. Want to give a shout out to

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<v Speaker 2>our latest affiliate. Shout out to Knoxville, Tennessee, Man Hot

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<v Speaker 2>one O four point five for being the latest city

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<v Speaker 2>to join the Bootleg CAV show network. All right, now,

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<v Speaker 2>I don't ever really talk about the radio show on

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<v Speaker 2>the podcast, keep them separate. But if you want to

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<v Speaker 2>listen to the radio show, you can click the link

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<v Speaker 2>in the bio for a list of all the cities

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<v Speaker 2>you can listen to at Yeah, that makes sense. Let's

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<v Speaker 2>get to the interview. Yo, Boutleg CAV podcast special guests

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<v Speaker 2>in here repping Long Beach, Hueie brist in the building.

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<v Speaker 2>I didn't think you'd ever come because I tweeted something

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<v Speaker 2>about Devin Booker, like three years ago. And I'm still

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<v Speaker 2>Matt and you said you're working to ever come on

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<v Speaker 2>my show. I said, remind me never to do this show.

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<v Speaker 2>And now and there you're here, Karma, you're here though.

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<v Speaker 2>Well this is your old album from a couple of

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<v Speaker 2>years ago. I just want to say thank you. Most

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<v Speaker 2>artists don't bring gifts, so we got some blue vinyl. Yeah. Also,

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<v Speaker 2>most independent artists don't have vinyl. They're broke. Well they also,

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<v Speaker 2>you know, don't take their business too serious at all.

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<v Speaker 2>But you have a new album that you're working on. Yes,

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<v Speaker 2>well it's done. It's coming out December sixth yea like

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<v Speaker 2>ten days I think Jesus is that ten days from now? Yeah? Oh?

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<v Speaker 2>Fuck me? Running Thanksgiving as what tomorrow? Oh shit, Well

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<v Speaker 2>I didn't expect that it's coming as whole. Everything's just

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<v Speaker 2>flown by. This year was fast as shit, for sure,

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<v Speaker 2>for sure. Now. I first heard of you through Rest

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<v Speaker 2>in Peace to Buys, one our guy Buys who passed away.

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<v Speaker 2>You guys were working together in what capacity? Because I

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<v Speaker 2>know he was pushing your ship for a long time.

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<v Speaker 1>He helped me, He changed my life in every way

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<v Speaker 1>you could think he helped me, like aside from music,

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<v Speaker 1>heet me like be a better like the great guy.

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<v Speaker 1>He helped me be a professional yapper. He was a

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<v Speaker 1>good he knew how to yap. Oh my god, I

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<v Speaker 1>missed those convos. But he was starting app called you

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<v Speaker 1>sound I'm sure.

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<v Speaker 2>I remember you sound sound profile too. He forced me

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<v Speaker 2>to do it and me too.

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<v Speaker 1>He was just trying to Actually, he was trying to

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<v Speaker 1>get me to dissolve every like little small beef. I

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<v Speaker 1>had it because you know, Long Beach is hell a

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<v Speaker 1>small hell of weird and I had a lot of

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<v Speaker 1>fucking beefs because I'm hella good at rapping.

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<v Speaker 2>Niggas just weren't that fire. I don't want to say

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<v Speaker 2>their names, but anybody you are cool with now that

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<v Speaker 2>you can.

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<v Speaker 1>All of them, like everybody I'm cool with now, but

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<v Speaker 1>like a little miss like miss mishaps with little with rappers.

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<v Speaker 2>And anybody who you're making music with now.

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<v Speaker 1>No, but I do want to make music with them.

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<v Speaker 1>One dude that I'm super cool with now that I

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<v Speaker 1>did have a uh miscommunication with. He also has a

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<v Speaker 1>platform as well. His name is Desi G and the

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<v Speaker 1>Corner Store The Freestyles Exactly. I want to go on

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<v Speaker 1>there and be honored.

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<v Speaker 3>Uh.

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<v Speaker 1>I tell him on air, like, you know, I was

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<v Speaker 1>a fucking young, dumb, immature, fucking insecure idiot, and I

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<v Speaker 1>apologize for whatever I did and said.

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<v Speaker 2>He's at a long beach. He's at a longa. We

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<v Speaker 2>grew up together.

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<v Speaker 1>I love the I love the freestyle series. Literally grew

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<v Speaker 1>up together. And I have nothing beloved for him. Is

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<v Speaker 1>I know his family Like nothing beloved for that dude.

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<v Speaker 1>And actually, the first time I ever was on the

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<v Speaker 1>radio was a Desi G song. It's called Nothing that

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<v Speaker 1>buys put together Byes and ar that didn't even want

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<v Speaker 1>to cut a percentage nothing, he didn't want anything. And

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<v Speaker 1>the song I actually just performed at Camp flog naw

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<v Speaker 1>and the song that Mike G brought me out.

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<v Speaker 2>He asked me, he said, can you do that song

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<v Speaker 2>with desi G? Nothing?

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<v Speaker 1>And I'm like, my stomach's turning. I'm like, oh my god,

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<v Speaker 1>I haven't heard that song in so fucking long, like

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<v Speaker 1>made me think about Byes. I'm like, look at Byes

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<v Speaker 1>pulling strings from fucking heaven right, so crazy. That's the

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<v Speaker 1>only I was like, Yo, I got a new song,

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<v Speaker 1>like a new album coming do that like we wanted

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<v Speaker 1>nothing song with Dezig.

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<v Speaker 2>It's funny, Okay. I can't flog though. That was the

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<v Speaker 2>most people I've probably ever seen in one setting. Yeah,

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<v Speaker 2>I was. That was the one, Like I know everybody

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<v Speaker 2>who's in LA was like, can't flog or a complex

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<v Speaker 2>cong which one to go to? It was? It was

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<v Speaker 2>really just like whichever one you get tickets to.

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<v Speaker 1>Exactly, And I had tickets to both because like shout

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<v Speaker 1>out to Complex, kin, I have my own booth there

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<v Speaker 1>two years ago. No you didn't, I had two years

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<v Speaker 1>ago booth there. They asked me to do it again.

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<v Speaker 1>Was a long beach exactly, so they kind of gave

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<v Speaker 1>me the sympathy booth. They weren't selling all the booths.

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<v Speaker 1>No disrespect to Complex gn I love you and I

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<v Speaker 1>appreciate the opportunity, but they weren't. They didn't sell all

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<v Speaker 1>the boots, so they're like, hey, Bris, like can you

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<v Speaker 1>do it? And that brought a lot of people through because.

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<v Speaker 2>People fog nah would have been the one though, Man,

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<v Speaker 2>oh my god, I shit it at a flog I

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<v Speaker 2>was in Thailand. I left Dookie on the stage. Nasty

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<v Speaker 2>how I did that? And it was kind of crazy.

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<v Speaker 2>I'm not going to call anybody else, but a certain

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<v Speaker 2>person on the side of the stage was like, do

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<v Speaker 2>you know, like do you know the lyrics? Like do

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<v Speaker 2>you know the cue to which you're like, do you know?

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<v Speaker 2>Mike's hot? And I'm like I looked and I was like,

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<v Speaker 2>I'm a grown man. I'm like I'm doing I'm pro.

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<v Speaker 1>I said, uh yeah, but the uh was like a

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<v Speaker 1>confused like, oh, she doesn't know right, and she said, oh,

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<v Speaker 1>doesn't look like he knows his cue, like make sure

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<v Speaker 1>Mike's Mike, Mike's cold.

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<v Speaker 2>Until it's time to go on.

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<v Speaker 1>I'm like, oh shit, Like I'm thinking it's like a

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<v Speaker 1>technical issue or something. Man, that crowd acted like they

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<v Speaker 1>know me for the whole time. I had a line

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<v Speaker 1>of white people on the side of the stage waiting

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<v Speaker 1>for me to get off the stage to take pictures.

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<v Speaker 2>That's big. Never they after I took all the pictures,

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<v Speaker 2>they were like, oh, yeah, what's your name? They were

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<v Speaker 2>just like we just saw you on stage and you

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<v Speaker 2>were amazing. They don't even care. But that's what's about

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<v Speaker 2>Like I always say that about like artists who don't

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<v Speaker 2>take their live show serious, Like yo, that is a

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<v Speaker 2>real way to like gain fans because cause there's even

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<v Speaker 2>if you open up for somebody, like if people even

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<v Speaker 2>if they give you a chance, you know, and you

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<v Speaker 2>kill it, Like even if you convert ten people, five people,

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<v Speaker 2>twenty people, Like that's something that shit changed my life.

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<v Speaker 2>And it was Mike G two. So he has a

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<v Speaker 2>loyal ass fan base for sure, loyal. So they're like,

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<v Speaker 2>who the fuck is this guy? Right? And I see

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<v Speaker 2>when I seen hands go.

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<v Speaker 1>Humbly speaking, I've never done a show that big ever,

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<v Speaker 1>and I've never made that many people put their hands up.

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<v Speaker 2>And if I was like, yeah.

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<v Speaker 1>This if this is the feeling that uh fucking Roddy

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<v Speaker 1>Rich and all those guys get to when they.

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<v Speaker 2>Do, I said, yeah, I gotta make some pits. Yeah,

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<v Speaker 2>you so give me kind of Are Are you from

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<v Speaker 2>the same area as I see? You know, I see

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<v Speaker 2>you repped the north side of the same area as Vince.

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<v Speaker 2>Literally yeah, like I'm from the Grace Park area. My

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<v Speaker 2>dad's from Boulevard Mafia. Vince's hood is like two Winds.

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<v Speaker 2>Two Wins is like Artesia over here.

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<v Speaker 1>They actually beef by the way, but like two Wins

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<v Speaker 1>is over here, and then Boulevard is like closer to Compton,

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<v Speaker 1>so like I'm right in the middle from Grace Park,

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<v Speaker 1>like I went to like Jordan High, Like I'm up

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<v Speaker 1>and down Atlantic Long Beach Boulevard fifty fifth Carmelitos.

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<v Speaker 2>Long Beach is like such an interesting city because like

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<v Speaker 2>if people who aren't from LA just consider it LA

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<v Speaker 2>because we think of Snoop and people are like Snoop LA,

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<v Speaker 2>but it's Long Beach. LA does not like it if

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<v Speaker 2>you live here. It's like, dude, Long Beach is a

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<v Speaker 2>serious drive. They don't like us. It's its own thing.

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<v Speaker 2>It's it's it's it's got its own politics and own

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<v Speaker 2>county jail, its own county jail. And hell, you know,

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<v Speaker 2>there's Asian crips.

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<v Speaker 1>There's all heavy And I didn't meet a blood in

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<v Speaker 1>person until I was like fourteen fifteen, Like I never

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<v Speaker 1>I never knew that. I kind of didn't even I

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<v Speaker 1>thought that was like a figment of TV.

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<v Speaker 2>So there's not bloods in Long Fuck No. So they're there,

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<v Speaker 2>they live there and stuff, but they're like their neighborhood

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<v Speaker 2>isn't there. Hell no, it's so there's nothing but cryp

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<v Speaker 2>set So they're sets set beef with.

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<v Speaker 1>Each other that are yes, all crips. Nobody in Long

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<v Speaker 1>Beach gets along.

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<v Speaker 2>Got it, got it, got maybe like if that's your

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<v Speaker 2>cousin or like, but it's like heavy brown and black

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<v Speaker 2>beef heavy. And then the Asians fit in there somewhere.

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<v Speaker 1>Asians beef with the Mexicans really bad, Like that's worse

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<v Speaker 1>than us, Like they like the underdogs, so they're not

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<v Speaker 1>given fair fades at all. Like you get caught at

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<v Speaker 1>a fucking liquor store and you're a you're with the Asian.

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<v Speaker 1>The Mexican's gonna get on the Asian first.

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<v Speaker 2>Shit. I was just in Thailand with Stupid Young, which

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<v Speaker 2>was Stupid Young runs Long Beach, which was crazy because

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<v Speaker 2>he was cracking out in Thailand.

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<v Speaker 1>Bro Stupid Young's hood. The Asian boys are so cracking

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<v Speaker 1>in Long Beach. They don't even go to liquor stores.

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<v Speaker 1>They have a lady that goes and comes and brings

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<v Speaker 1>alcohol and cups and ice to them.

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<v Speaker 2>So he has a guy who uh, this dude Steve,

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<v Speaker 2>who I met in Bangkok and he's a stupid young

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<v Speaker 2>og yeah from Asian boys. Yeah, and he did a

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<v Speaker 2>stint in prison and got out and moved to Bangkok

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<v Speaker 2>and opened a dispensary that's Gangston. So I'm like out

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<v Speaker 2>there and I'm like like pulling up to this dude's

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<v Speaker 2>dispensary is called California's Finest, of course, and it's like

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<v Speaker 2>the most like laed out like storage just in the

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<v Speaker 2>middle of Bangkok in the middle. And then there's this dude, Steve,

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<v Speaker 2>who's like the most like hardcore crip Asian dude you've

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<v Speaker 2>ever met in your life. And he's just like thriving

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<v Speaker 2>in Thailand.

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<v Speaker 1>I can see that. Yeah, Long Beach is weird. It's

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<v Speaker 1>like the water out there is so different. We could

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<v Speaker 1>travel anywhere and like adapt so crazy and like I'll

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<v Speaker 1>be I would never be surprised if like stupid young

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<v Speaker 1>opened up his own fuckings.

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<v Speaker 2>No, he's doing his thing, man, and uh you know

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<v Speaker 2>I was. I was just trying to work with him too.

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<v Speaker 2>If you could hook that up, that's easy work, I

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<v Speaker 2>told I just told him, I'm like, bro, I see,

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<v Speaker 2>I see the way you're moving around in Thailand, dog, Like,

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<v Speaker 2>you know what's great about you being out here? You

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<v Speaker 2>have your guard down. He was chilling, probably because it's like,

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<v Speaker 2>you know, if you're in La you're moving around like

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<v Speaker 2>you got problems to everybody. It's like it's like, dude,

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<v Speaker 2>you just never know the brown is. Even if you're

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<v Speaker 2>in Vegas, you never know Asians brown too.

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<v Speaker 1>I don't want to speak on I need to find out,

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<v Speaker 1>like in the comments, please let me.

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<v Speaker 2>I'll say this. I did see one of Stupid Young's

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<v Speaker 2>friends with the tattoo the City Yellow Boys. Okay, that

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<v Speaker 2>makes sense, but I I it's an observation, understood, not

0:09:59.679 --> 0:10:03.240
<v Speaker 2>a death claration for me. Understood, understood, understood, understood. I'm not.

0:10:03.840 --> 0:10:07.160
<v Speaker 2>I'm not confirming nor disconfirming. Much respect to to all

0:10:07.160 --> 0:10:12.600
<v Speaker 2>the yellows. Uh talk about your your new project you

0:10:12.600 --> 0:10:14.120
<v Speaker 2>got coming. You got a new record out right now.

0:10:14.120 --> 0:10:16.000
<v Speaker 2>That's dope that you said. It's kind of like you

0:10:16.440 --> 0:10:19.920
<v Speaker 2>stepping into like a new uh you know, uh, something

0:10:19.920 --> 0:10:21.520
<v Speaker 2>that maybe could get played in the clubs, get played

0:10:21.520 --> 0:10:22.240
<v Speaker 2>in the day parties.

0:10:22.360 --> 0:10:25.280
<v Speaker 1>Unfortunately, I had to conform. As you can see, I'm here.

0:10:25.320 --> 0:10:26.640
<v Speaker 1>I've been performing to things lately.

0:10:27.080 --> 0:10:30.160
<v Speaker 2>Yeah, sometimes, I mean conforming is one way to put it.

0:10:30.200 --> 0:10:33.240
<v Speaker 1>I have to, But I was basically what happened was

0:10:33.559 --> 0:10:35.960
<v Speaker 1>the I was already kind of like working on an album,

0:10:36.240 --> 0:10:37.360
<v Speaker 1>and I was like oh.

0:10:37.200 --> 0:10:39.720
<v Speaker 2>I'm not gonna make no I'm gonna do all no hooks.

0:10:40.040 --> 0:10:43.520
<v Speaker 2>You know how to underground guys get and I get channel.

0:10:43.559 --> 0:10:45.920
<v Speaker 2>Trust is my guy. He's from Compton. She started the

0:10:45.960 --> 0:10:49.200
<v Speaker 2>genre Compton House. He hit me, Actually I hit him.

0:10:49.440 --> 0:10:51.800
<v Speaker 2>I was blowing him up for months, like, please, can

0:10:51.800 --> 0:10:53.360
<v Speaker 2>I get in a session with you? You're blowing up

0:10:53.400 --> 0:10:54.640
<v Speaker 2>right now. I know you.

0:10:54.920 --> 0:10:57.480
<v Speaker 1>It's not like you're some fucking guy that I know you. Dude,

0:10:57.559 --> 0:11:01.600
<v Speaker 1>so like he's he never he never not said it,

0:11:01.640 --> 0:11:04.520
<v Speaker 1>but he was, you know, he was very like working

0:11:04.559 --> 0:11:08.480
<v Speaker 1>and busy. He was running sessions with DJ Quick Randomly.

0:11:08.600 --> 0:11:10.920
<v Speaker 1>He texts me an address, that's it in a time,

0:11:11.240 --> 0:11:14.320
<v Speaker 1>be here, don't be late. Like fuck, I don't have

0:11:14.400 --> 0:11:17.000
<v Speaker 1>any gas. I don't have anything. I like, hit a bitch,

0:11:17.360 --> 0:11:19.160
<v Speaker 1>can I borrow some money for your gass? And I'm

0:11:19.200 --> 0:11:22.360
<v Speaker 1>weaaring fucking wherever I am? I go way to fucking

0:11:22.679 --> 0:11:26.000
<v Speaker 1>undisclosed location. I knock on the fucking door. A lady

0:11:26.040 --> 0:11:27.520
<v Speaker 1>comes out like, who are you here for? It gives

0:11:27.520 --> 0:11:30.160
<v Speaker 1>me this weird ass look, coo youre here for? I'm like, trust,

0:11:30.200 --> 0:11:33.680
<v Speaker 1>I'm like all humbled and shit. She's like, oh, I

0:11:33.760 --> 0:11:35.719
<v Speaker 1>go to the door. Fucking DJ Quick answered the door.

0:11:37.000 --> 0:11:38.920
<v Speaker 1>Mind blown. You should have seen me. Everybody in the

0:11:39.000 --> 0:11:41.240
<v Speaker 1>room is like looking at how I'm gonna react. Mind

0:11:41.320 --> 0:11:43.280
<v Speaker 1>is blown. I'm like what the fuck. He's like, yeah,

0:11:43.360 --> 0:11:43.680
<v Speaker 1>it's me.

0:11:43.960 --> 0:11:44.320
<v Speaker 2>It's me.

0:11:44.880 --> 0:11:47.120
<v Speaker 1>I'm like, nah, homie, Like you're not just about to

0:11:47.160 --> 0:11:49.400
<v Speaker 1>just open the door and fuck me up like that. Bro, Like, nah,

0:11:49.440 --> 0:11:51.520
<v Speaker 1>I'm gonna try this again. I went out, open the

0:11:51.520 --> 0:11:53.840
<v Speaker 1>door again. It's still there. He's still there. I'm like, okay,

0:11:53.920 --> 0:11:57.800
<v Speaker 1>this isn't a dream. I'm fanning out. He's a Channels

0:11:57.840 --> 0:12:00.240
<v Speaker 1>in there, just being super chill, like yeah, just got

0:12:00.280 --> 0:12:02.840
<v Speaker 1>done running a fucking thirty hour session, Like we're all tired,

0:12:02.840 --> 0:12:03.720
<v Speaker 1>we're all about to go home.

0:12:03.920 --> 0:12:06.360
<v Speaker 2>Yeah, Quick's been on it, dude, he's been working. Dude.

0:12:06.520 --> 0:12:09.880
<v Speaker 1>I'm like, hell Na, like something got to shake. They're

0:12:09.920 --> 0:12:11.760
<v Speaker 1>playing me the new record. It was Quick and.

0:12:11.760 --> 0:12:14.400
<v Speaker 2>Problem Trooper Coo exactly.

0:12:14.040 --> 0:12:18.120
<v Speaker 1>So problems running through records, just letting me hear shit

0:12:18.320 --> 0:12:19.400
<v Speaker 1>and like great album.

0:12:19.400 --> 0:12:21.080
<v Speaker 2>I'm honored. At this time, I'm like, what the fuck

0:12:21.160 --> 0:12:23.080
<v Speaker 2>is going on? Like Channel's on here, Like what the fuck?

0:12:23.160 --> 0:12:25.120
<v Speaker 2>My boy Barney's there, he's helping write with Channel.

0:12:25.160 --> 0:12:28.920
<v Speaker 1>It's just a lot going on at one time, Buddy

0:12:29.000 --> 0:12:32.520
<v Speaker 1>walks in randomly. I guess he got the same message, right,

0:12:32.559 --> 0:12:34.800
<v Speaker 1>But he's buddy, so he can come whenever he wants.

0:12:35.400 --> 0:12:37.680
<v Speaker 2>Quick's like, oh shit, Buddy, here, I can't leave yet,

0:12:37.800 --> 0:12:38.400
<v Speaker 2>Like nah.

0:12:38.240 --> 0:12:41.000
<v Speaker 1>They pop up with some drinks, everybody's the party starts,

0:12:41.000 --> 0:12:42.839
<v Speaker 1>you know, Buddy come in. It's it's it's a whole

0:12:42.880 --> 0:12:46.080
<v Speaker 1>different energy. So channel's like fuck. It plays a beat,

0:12:46.120 --> 0:12:48.520
<v Speaker 1>the beat that's on my fucking album. I just write

0:12:48.520 --> 0:12:51.360
<v Speaker 1>a verse really quick, like the quickest verse I've ever wrote,

0:12:52.000 --> 0:12:55.679
<v Speaker 1>no pun and I'm writing the verse quickest. Fuck and

0:12:55.720 --> 0:12:58.079
<v Speaker 1>Buddy just like, let me go on the studio. He

0:12:58.120 --> 0:12:59.520
<v Speaker 1>goes in the studio, does the hook. We've got to

0:12:59.520 --> 0:13:00.320
<v Speaker 1>rewrite the whole verse.

0:13:00.360 --> 0:13:03.880
<v Speaker 2>Now. I'm like, god damnit. Now not at all. It's

0:13:03.920 --> 0:13:07.200
<v Speaker 2>a dance song, now, dancer. I don't want to round man, sir.

0:13:07.240 --> 0:13:09.400
<v Speaker 2>I'm like, God damn it, I gotta write a dance song.

0:13:09.440 --> 0:13:12.200
<v Speaker 2>I'm like, uh. I start going through my notes, I

0:13:12.240 --> 0:13:14.240
<v Speaker 2>like I have nothing. I'm like, God damn it. I'm

0:13:14.240 --> 0:13:15.760
<v Speaker 2>like fuck. I write the verse like.

0:13:15.800 --> 0:13:19.160
<v Speaker 1>That's why the first verse is so short, because I'm like, fuck,

0:13:19.240 --> 0:13:21.480
<v Speaker 1>I don't write these kind of songs for real. So

0:13:21.520 --> 0:13:22.839
<v Speaker 1>I have to write a verse about a bitch I

0:13:22.880 --> 0:13:24.439
<v Speaker 1>met in the club, which I don't meet bitches in

0:13:24.480 --> 0:13:24.839
<v Speaker 1>the club.

0:13:25.120 --> 0:13:27.080
<v Speaker 2>So his hook kind of dictated like, okay, well now

0:13:27.120 --> 0:13:27.640
<v Speaker 2>I gotta go.

0:13:27.600 --> 0:13:29.800
<v Speaker 1>There, which makes sense because fifty cent I saw fifty

0:13:29.840 --> 0:13:31.560
<v Speaker 1>interviews like I can't even write a verse without a hook.

0:13:31.600 --> 0:13:33.440
<v Speaker 2>I'm like, well, I can't write it. I get the

0:13:33.480 --> 0:13:36.800
<v Speaker 2>hook from the verse. That's how I write, Like I'm tupac,

0:13:37.559 --> 0:13:41.000
<v Speaker 2>So that makes sense, buddy, killed it. I fucking.

0:13:42.320 --> 0:13:45.439
<v Speaker 1>Write the verse. And then everybody's tired, mind you, They've

0:13:45.440 --> 0:13:46.960
<v Speaker 1>been in the studio all day. So I'm like, fun,

0:13:47.040 --> 0:13:49.080
<v Speaker 1>all right, can I take this song? And Todd is there?

0:13:49.120 --> 0:13:51.400
<v Speaker 1>Shout out to Todd. Todd is Larry Junes engineer.

0:13:51.679 --> 0:13:56.160
<v Speaker 2>Okay, Todd didn't have to send me the session, mind you,

0:13:56.240 --> 0:13:59.040
<v Speaker 2>because that's not my session, right, I'm blowing Todd up, Yo,

0:13:59.120 --> 0:14:00.000
<v Speaker 2>can you send me that session.

0:14:00.400 --> 0:14:01.880
<v Speaker 1>I don't even have an engineer at the time. I'm like,

0:14:01.880 --> 0:14:03.640
<v Speaker 1>how the fuck am I gonna I gotta finish this song?

0:14:03.760 --> 0:14:06.040
<v Speaker 1>Like Quick's in there. Quick saw me do my verse,

0:14:06.280 --> 0:14:08.120
<v Speaker 1>saw me do it, and just dipped. He was all right, cool,

0:14:08.160 --> 0:14:10.600
<v Speaker 1>like keep doing your thing. Baby got up out of there.

0:14:11.200 --> 0:14:15.000
<v Speaker 1>I sat on that song for like maybe like a

0:14:15.080 --> 0:14:17.679
<v Speaker 1>month or two. And then this girl I'm dating at

0:14:17.720 --> 0:14:19.160
<v Speaker 1>the time, right now, I was about to say at

0:14:19.200 --> 0:14:22.440
<v Speaker 1>the time, do not don't leave me. This girl I'm

0:14:22.520 --> 0:14:27.160
<v Speaker 1>dating was as a fucking Channel Tress fan like she

0:14:27.440 --> 0:14:30.360
<v Speaker 1>loves him. She's like, no, you need to finish this song.

0:14:30.480 --> 0:14:33.280
<v Speaker 1>It's the last thing you do. I'm like, all right,

0:14:34.200 --> 0:14:36.880
<v Speaker 1>a higher engineer with money I don't have in the studio,

0:14:36.920 --> 0:14:40.000
<v Speaker 1>I can afford finish the second verse. Then I have

0:14:40.120 --> 0:14:44.640
<v Speaker 1>to pay another session to get Barney Barney Bones who

0:14:44.680 --> 0:14:47.160
<v Speaker 1>helps Channel Right all the time, to come do his part,

0:14:48.040 --> 0:14:51.200
<v Speaker 1>and then I have to book another session to mix

0:14:51.240 --> 0:14:53.240
<v Speaker 1>it master it. So at this point I'm in the

0:14:53.280 --> 0:14:55.280
<v Speaker 1>red in my own fucking budget.

0:14:55.440 --> 0:14:56.880
<v Speaker 2>I'm like, damn truly independent.

0:14:56.920 --> 0:15:01.880
<v Speaker 1>I'm truly independent, and I'm like, fuck dude, like whatever. Randomly,

0:15:02.480 --> 0:15:06.200
<v Speaker 1>a song I did with Smino and Jid because of Buddy.

0:15:06.280 --> 0:15:09.080
<v Speaker 1>Buddy invited me to the session. I marked the song

0:15:09.440 --> 0:15:12.320
<v Speaker 1>that's my kind of rappers right marked it. It leaked

0:15:12.560 --> 0:15:15.080
<v Speaker 1>because you know, damn well, Jibs people and Smino aren't

0:15:15.080 --> 0:15:17.680
<v Speaker 1>going to just let some city let some shit leak out,

0:15:17.720 --> 0:15:19.680
<v Speaker 1>like I mean, let some shit clear that wouldn't have

0:15:19.720 --> 0:15:21.880
<v Speaker 1>got clear. They just got off tour. Oh yeah, they

0:15:21.880 --> 0:15:24.320
<v Speaker 1>had the dre they had the dress right, yep, yep.

0:15:25.080 --> 0:15:27.440
<v Speaker 2>So we're trying to like maybe perform the song. You know,

0:15:27.640 --> 0:15:30.440
<v Speaker 2>it's very like high hopes, like maybe Whybeo will drop

0:15:30.480 --> 0:15:35.560
<v Speaker 2>it after the tour, very very very immature thinking. But

0:15:35.600 --> 0:15:37.480
<v Speaker 2>I mean they're both on major labels too. It's not

0:15:37.600 --> 0:15:39.360
<v Speaker 2>happening for me. It's a little bit harder. It's a

0:15:39.360 --> 0:15:41.960
<v Speaker 2>little bit harder to get those records out. It's almost like,

0:15:41.960 --> 0:15:44.480
<v Speaker 2>if you're an independent artist, it would behoove you to

0:15:44.560 --> 0:15:47.160
<v Speaker 2>work with major artists. It's like it was cool to

0:15:47.200 --> 0:15:48.240
<v Speaker 2>send around to people and.

0:15:48.240 --> 0:15:50.960
<v Speaker 3>Yeah, like I got some shit with Jit and but

0:15:51.000 --> 0:15:54.120
<v Speaker 3>I guess one of the engineers at the studio heard

0:15:54.120 --> 0:15:57.040
<v Speaker 3>it and he mixed it and sent it to me,

0:15:57.160 --> 0:15:58.359
<v Speaker 3>and then it leaked.

0:15:58.760 --> 0:16:01.400
<v Speaker 2>It was a form of Smino Jid leaks that came out.

0:16:01.840 --> 0:16:03.240
<v Speaker 2>The leak got to.

0:16:03.200 --> 0:16:07.600
<v Speaker 1>Create music, create music, heard that it was creating, So

0:16:07.640 --> 0:16:08.280
<v Speaker 1>I posted it.

0:16:08.320 --> 0:16:09.520
<v Speaker 2>Now everybody's posting.

0:16:09.240 --> 0:16:10.840
<v Speaker 1>It like fucking we got off here, we can keep

0:16:10.920 --> 0:16:14.520
<v Speaker 1>up with Jid and Smino, duh. And then fucking that

0:16:14.600 --> 0:16:18.000
<v Speaker 1>got me a little distribution deal with Create that helped

0:16:18.000 --> 0:16:21.320
<v Speaker 1>me pay for the video for this, and helped me

0:16:21.480 --> 0:16:23.640
<v Speaker 1>get me a nice little car. And like I've invested

0:16:23.640 --> 0:16:26.600
<v Speaker 1>in my own studio. Bought the fucking Bay ten seventy three,

0:16:26.800 --> 0:16:32.440
<v Speaker 1>the distresser compressor, the Noyman ten, the Noyman, the funk.

0:16:32.480 --> 0:16:34.320
<v Speaker 2>I mean, you got like the fucking that's that's the

0:16:34.400 --> 0:16:36.480
<v Speaker 2>vocal chain, that's all you need. Killed it and it's

0:16:36.520 --> 0:16:37.800
<v Speaker 2>right in the crib hollow.

0:16:38.000 --> 0:16:41.600
<v Speaker 1>Put the kid to sleep. I got an SSL like

0:16:41.600 --> 0:16:42.800
<v Speaker 1>a Very. I don't think they make.

0:16:42.680 --> 0:16:43.640
<v Speaker 2>It anymore like a Very.

0:16:43.880 --> 0:16:47.280
<v Speaker 1>You didn't make it the small SSL, Yeah, I don't.

0:16:47.360 --> 0:16:49.280
<v Speaker 1>I got the I got like the OG one somehow

0:16:49.320 --> 0:16:52.240
<v Speaker 1>because of shout out to Vinyl, but I mean not Vinyl.

0:16:52.360 --> 0:16:57.080
<v Speaker 2>Uh. I can't even vintage Kings. So you're recording yourself

0:16:57.200 --> 0:16:58.080
<v Speaker 2>all day's.

0:16:58.480 --> 0:17:01.120
<v Speaker 1>I just hired an engineer from haw he's out here

0:17:01.160 --> 0:17:04.960
<v Speaker 1>and he's like working out Pulse, getting hell of money

0:17:05.000 --> 0:17:07.000
<v Speaker 1>at Pulse. So now I kind of can give it,

0:17:07.040 --> 0:17:08.520
<v Speaker 1>like y'all got two hundred dollars. Then you come through,

0:17:08.520 --> 0:17:09.280
<v Speaker 1>He's like, yeah, I'll do it.

0:17:09.560 --> 0:17:09.960
<v Speaker 2>Come on.

0:17:10.280 --> 0:17:12.440
<v Speaker 1>So now he helps me out a lot now, thank god,

0:17:12.920 --> 0:17:15.040
<v Speaker 1>But are you still out Long Beach. No, I'm in

0:17:15.040 --> 0:17:17.200
<v Speaker 1>Hollywood now, Smart fifteen minutes from here.

0:17:17.440 --> 0:17:21.280
<v Speaker 2>Smart killed it. Rent control building, rent controls the move.

0:17:21.440 --> 0:17:23.600
<v Speaker 2>Oh my god, that saw, I know, God was real. Bro,

0:17:23.680 --> 0:17:26.080
<v Speaker 2>I'll tell you that story later. Yeah, my boy lives

0:17:26.119 --> 0:17:29.199
<v Speaker 2>in an apartment in North Hollywood and his rent is

0:17:29.280 --> 0:17:33.679
<v Speaker 2>so disrespectfully cheap that it like I want to like

0:17:34.040 --> 0:17:35.960
<v Speaker 2>throw him out and move into his apartment. You would

0:17:36.000 --> 0:17:39.680
<v Speaker 2>hate me. Then, two bedroom, two bathroom, two parking spots,

0:17:40.000 --> 0:17:42.000
<v Speaker 2>so my boys got the same shit and he's paying

0:17:42.600 --> 0:17:45.560
<v Speaker 2>fifteen to sixty a month. He killed me off. Yeah,

0:17:46.160 --> 0:17:48.280
<v Speaker 2>Nico Blitz said, motherfucker. He's been living there for like

0:17:48.280 --> 0:17:51.520
<v Speaker 2>six years. He's he killed it. Don't move it, lovely.

0:17:51.760 --> 0:17:54.800
<v Speaker 2>It was that three years ago. So however much it's increased,

0:17:54.840 --> 0:17:56.840
<v Speaker 2>it isn't that much because it's rent controlled. So I'm like, dude,

0:17:56.880 --> 0:18:00.760
<v Speaker 2>you're winning killed it, winning killed it. So I'm like,

0:18:00.840 --> 0:18:04.639
<v Speaker 2>no matter how, no matter what happens, never moved, sublease it.

0:18:04.880 --> 0:18:07.920
<v Speaker 2>I'm like, don't ever move bro. Like it's a two bedroom,

0:18:07.960 --> 0:18:09.160
<v Speaker 2>you don't have any kids, who cares.

0:18:09.160 --> 0:18:12.000
<v Speaker 1>It's amazing and we switch rooms all the time. She

0:18:12.440 --> 0:18:14.800
<v Speaker 1>wants my room sometimes I want her room. She lives

0:18:14.800 --> 0:18:18.080
<v Speaker 1>with me now, so it's so gangster. I'm so, I'm blessed.

0:18:18.080 --> 0:18:19.800
<v Speaker 1>I killed that and I put the studio in the

0:18:19.880 --> 0:18:22.640
<v Speaker 1>room and I just recording there all day, this whole

0:18:22.720 --> 0:18:26.119
<v Speaker 1>pretty much the last couple songs of this project, and

0:18:26.200 --> 0:18:28.280
<v Speaker 1>all my next shit is in the fucking crib fire.

0:18:28.440 --> 0:18:30.160
<v Speaker 2>How smart though you save money that way, I'm never

0:18:30.240 --> 0:18:33.920
<v Speaker 2>leaving that shit. What have you been able to sit

0:18:33.960 --> 0:18:36.600
<v Speaker 2>with the Kendrick album? Yet? I love it? Yeah? All

0:18:36.640 --> 0:18:39.520
<v Speaker 2>the way through Kendrick keeps sucking up my rollout. Yeah,

0:18:39.520 --> 0:18:41.480
<v Speaker 2>I mean like I was fucking up a lot of

0:18:41.520 --> 0:18:44.000
<v Speaker 2>rollouts anytime he drops. To be honest, he kind of.

0:18:44.760 --> 0:18:48.159
<v Speaker 1>I learned a valuable lesson on patience because the video

0:18:48.960 --> 0:18:51.760
<v Speaker 1>was supposed to come out when he dropped the Surprise

0:18:52.000 --> 0:18:54.800
<v Speaker 1>Little Album. My video was supposed to come out that day,

0:18:54.800 --> 0:18:57.640
<v Speaker 1>but my video guy didn't have the titles done yet.

0:18:58.000 --> 0:19:01.480
<v Speaker 2>Ah, So I was like getting upset because the day

0:19:01.520 --> 0:19:04.159
<v Speaker 2>before I'm like, like the font and stuff exactly, And

0:19:04.240 --> 0:19:05.960
<v Speaker 2>the day before I'm like, we need the video to

0:19:06.000 --> 0:19:08.040
<v Speaker 2>drop tomorrow because the song comes out tomorrow and then

0:19:08.119 --> 0:19:10.640
<v Speaker 2>creates like chill out. We could push the DSPs through

0:19:10.640 --> 0:19:14.480
<v Speaker 2>the weekend. Drop it on Monday today. Yes, ma'am, goodness, gracious,

0:19:14.640 --> 0:19:19.520
<v Speaker 2>there's a phone call, just hit ignore young lady. Goodness. Yeah.

0:19:19.520 --> 0:19:22.560
<v Speaker 2>I was in Thailand walking out of Rolling Loud and

0:19:22.640 --> 0:19:25.800
<v Speaker 2>my boy was like, Kendrick just dropped and I was

0:19:25.840 --> 0:19:30.560
<v Speaker 2>like what, and it was Thailand is fifteen hours ahead

0:19:30.600 --> 0:19:34.879
<v Speaker 2>of La goddamn. So it's like tomorrow at night. Damn.

0:19:35.400 --> 0:19:38.640
<v Speaker 2>It's crazy. So I'm like what and like, so we're

0:19:38.680 --> 0:19:40.920
<v Speaker 2>walking out, I'm listening to this shit in my ear

0:19:41.000 --> 0:19:43.440
<v Speaker 2>like this, like what the fuck? I couldn't get past

0:19:43.480 --> 0:19:45.720
<v Speaker 2>the first song for a minute. I was like, because

0:19:45.720 --> 0:19:47.720
<v Speaker 2>you had to like dissect it, you had to go wait, wait,

0:19:47.760 --> 0:19:49.359
<v Speaker 2>what did he say? What do you say? He came

0:19:49.400 --> 0:19:53.480
<v Speaker 2>out Snoop. Yes, that fucked me up for sure, And

0:19:53.560 --> 0:19:56.000
<v Speaker 2>I like how Snoop you know, replied like a good

0:19:56.000 --> 0:19:58.960
<v Speaker 2>sport and was like it was the Edibles. It's it's

0:19:59.320 --> 0:20:01.399
<v Speaker 2>because I I kind of felt him, because when Snoop,

0:20:01.480 --> 0:20:03.479
<v Speaker 2>when when I saw that, I felt like, I mean,

0:20:03.520 --> 0:20:06.159
<v Speaker 2>obviously it's not my position to feel any type of way,

0:20:06.320 --> 0:20:08.639
<v Speaker 2>but I did kind of feel like I would like,

0:20:08.640 --> 0:20:11.360
<v Speaker 2>why would Snoop validate then Corny Ship like you know,

0:20:11.480 --> 0:20:13.359
<v Speaker 2>but it's like Snoop, Snoop post Hell is ship on

0:20:13.400 --> 0:20:15.920
<v Speaker 2>his pitch, his pagoops damn near mean pin. I was

0:20:15.960 --> 0:20:18.919
<v Speaker 2>about to say, yeah, mean page. So it's like I

0:20:18.920 --> 0:20:21.720
<v Speaker 2>feel like with with Snoop, you really can't like Snoop's

0:20:21.760 --> 0:20:23.240
<v Speaker 2>hard is. I feel like in a good.

0:20:23.080 --> 0:20:26.520
<v Speaker 1>Place always, especially with Kendrick. He he knighted him, He

0:20:27.200 --> 0:20:30.119
<v Speaker 1>knighted him on stage. Kendrick is knighted by the gods.

0:20:30.920 --> 0:20:32.520
<v Speaker 2>Yeah, no, it's wild. Yeah, I thought it was joked

0:20:32.520 --> 0:20:34.400
<v Speaker 2>that he put on a bunch of young guys too.

0:20:34.440 --> 0:20:34.679
<v Speaker 2>You know.

0:20:34.880 --> 0:20:37.239
<v Speaker 1>I listened to it the first I was in New

0:20:37.320 --> 0:20:39.639
<v Speaker 1>York when it dropped, So it was super surreal for

0:20:39.760 --> 0:20:42.280
<v Speaker 1>me because I'm like on the subway listening to it, like.

0:20:42.920 --> 0:20:45.560
<v Speaker 2>What is going on right now? Like who is he

0:20:45.640 --> 0:20:47.560
<v Speaker 2>talking about? Why? Who's this other guy?

0:20:47.680 --> 0:20:50.359
<v Speaker 1>All the track lists were Yeah, there was hidden I

0:20:50.359 --> 0:20:52.280
<v Speaker 1>didn't know none of those guys except I just knew.

0:20:52.720 --> 0:20:56.640
<v Speaker 2>I knew obviously Wally Paeso and uh I never heard

0:20:56.680 --> 0:21:01.480
<v Speaker 2>of Lefty was dope, Pacs'm hip on every anybody now Yeah,

0:21:01.680 --> 0:21:04.240
<v Speaker 2>and then but I didn't. I couldn't tell it was

0:21:04.760 --> 0:21:06.800
<v Speaker 2>right away, Like I know a couple of records, But

0:21:06.920 --> 0:21:10.600
<v Speaker 2>I feel like Wally really deserved it. Though for sure

0:21:11.280 --> 0:21:15.880
<v Speaker 2>some big everybody thought, yeah with the future thing, Well

0:21:15.920 --> 0:21:18.399
<v Speaker 2>he's got some he signed us. He might have a

0:21:18.400 --> 0:21:20.320
<v Speaker 2>situation that he's gonn announce.

0:21:20.200 --> 0:21:22.280
<v Speaker 1>The man I've seen he's with Zona man a lot.

0:21:22.480 --> 0:21:24.800
<v Speaker 1>That's my triplet. Me him and Buddy are triplets.

0:21:25.400 --> 0:21:29.240
<v Speaker 2>While he's got some ship. He came with what was

0:21:29.240 --> 0:21:33.480
<v Speaker 2>his first song, not paranoid, uh, just trying to kill

0:21:33.520 --> 0:21:36.600
<v Speaker 2>me for some scandalous.

0:21:36.920 --> 0:21:39.520
<v Speaker 1>Scandalus is huge in the hood. I mean we were

0:21:39.520 --> 0:21:41.760
<v Speaker 1>like okay, Like scandalss is a classic boom. Then he

0:21:41.800 --> 0:21:45.640
<v Speaker 1>drops the O three flow and like, if you've ever

0:21:46.040 --> 0:21:48.320
<v Speaker 1>dealt with a dude who's been to jail before on

0:21:48.400 --> 0:21:50.359
<v Speaker 1>any level, that is their ship.

0:21:50.640 --> 0:21:53.119
<v Speaker 2>Yeah, you could play that. You could play that in

0:21:53.160 --> 0:21:56.199
<v Speaker 2>the club. And he's very different because he doesn't. I

0:21:56.200 --> 0:21:58.360
<v Speaker 2>don't feel like he wants to come off like he's

0:21:58.359 --> 0:22:01.760
<v Speaker 2>some super blood. He doesn't. But the other thing that's

0:22:01.800 --> 0:22:05.439
<v Speaker 2>interesting about Wally is like he is a like he

0:22:05.520 --> 0:22:09.479
<v Speaker 2>really has the real capacity and ability to like wrap

0:22:09.840 --> 0:22:13.560
<v Speaker 2>his fucking ass. Oh yeah, I've ciphered with that man. Actually,

0:22:13.600 --> 0:22:15.439
<v Speaker 2>he's come on a freestyle a couple of times on here,

0:22:15.440 --> 0:22:17.840
<v Speaker 2>and every time I'm just like, oh my god, what

0:22:18.000 --> 0:22:18.800
<v Speaker 2>one takes it?

0:22:18.920 --> 0:22:21.280
<v Speaker 1>Oh yeah he has a classic one here? Yeah yeah,

0:22:21.280 --> 0:22:22.800
<v Speaker 1>I common it's just so good man.

0:22:22.840 --> 0:22:25.280
<v Speaker 2>I'm like, dude, you're a fucking alien. He doesn't even try.

0:22:25.560 --> 0:22:28.320
<v Speaker 2>He's an alien, don't. I don't forget which major label

0:22:28.400 --> 0:22:30.359
<v Speaker 2>had him signed. That was it Atlantic? They fuck that

0:22:30.480 --> 0:22:32.280
<v Speaker 2>up though, Oh they know they did. Though a lot.

0:22:32.320 --> 0:22:33.919
<v Speaker 1>I feel like a lot of labels know when they

0:22:34.000 --> 0:22:37.080
<v Speaker 1>fuck up because they can't they can't market them the

0:22:37.119 --> 0:22:37.520
<v Speaker 1>way they.

0:22:37.520 --> 0:22:40.639
<v Speaker 2>I don't understand what the like. Uh, it feels like

0:22:40.680 --> 0:22:45.119
<v Speaker 2>there's this huge like wall of like labels that just

0:22:45.200 --> 0:22:47.359
<v Speaker 2>don't know how to market West Coast artists that aren't

0:22:47.400 --> 0:22:48.680
<v Speaker 2>already like super on.

0:22:49.320 --> 0:22:52.000
<v Speaker 1>Even then, like even Roddy, Like they don't know how

0:22:52.040 --> 0:22:53.920
<v Speaker 1>to to his next level. Like a lot of people

0:22:53.960 --> 0:22:55.320
<v Speaker 1>don't know what to do with the West Coast.

0:22:55.359 --> 0:22:58.240
<v Speaker 2>Yeah, the Roddy thing is interesting because I truly feel

0:22:58.320 --> 0:23:02.440
<v Speaker 2>like he's a study of like somebody who who's momentum

0:23:02.560 --> 0:23:05.520
<v Speaker 2>was truly affected by COVID. You know, wow, I didn't

0:23:05.560 --> 0:23:07.960
<v Speaker 2>even think about that because he had his whole festival

0:23:08.040 --> 0:23:11.359
<v Speaker 2>run that was coming. He had the biggest song on

0:23:11.400 --> 0:23:13.600
<v Speaker 2>the planet when COVID started. You know, the box was

0:23:13.600 --> 0:23:15.439
<v Speaker 2>the biggest song on the planet and still I mean

0:23:15.440 --> 0:23:17.919
<v Speaker 2>it was went like diamond, didn't it. Yeah? I think so.

0:23:18.400 --> 0:23:21.679
<v Speaker 2>I mean that's all time crazy single. Whoever is a

0:23:21.680 --> 0:23:23.399
<v Speaker 2>part of that song. I know it's doing fair, But

0:23:23.440 --> 0:23:26.560
<v Speaker 2>I think when when with COVID, it's like everybody was

0:23:26.560 --> 0:23:29.160
<v Speaker 2>sitting down overthinking ship. I had heard that that second

0:23:29.200 --> 0:23:32.680
<v Speaker 2>album had like four different versions. The version that ended

0:23:32.760 --> 0:23:34.959
<v Speaker 2>up coming out was like not the version a lot

0:23:34.960 --> 0:23:37.560
<v Speaker 2>of people said should have came out. But I also

0:23:37.640 --> 0:23:39.040
<v Speaker 2>thought that this shit was cool. We had some shit

0:23:39.080 --> 0:23:41.679
<v Speaker 2>on there. Line. I love Roddy man. I think Roddy's

0:23:41.720 --> 0:23:44.639
<v Speaker 2>incredible me too, and I want to work with him.

0:23:44.760 --> 0:23:46.280
<v Speaker 2>But I do think the COVID thing was just a

0:23:46.359 --> 0:23:48.639
<v Speaker 2>weird thing because there were certain like younger artists who

0:23:48.760 --> 0:23:50.240
<v Speaker 2>like didn't know what to do. Like I was like, Okay,

0:23:50.280 --> 0:23:52.600
<v Speaker 2>well if COVID's here, do we still work, Well, we

0:23:52.640 --> 0:23:55.719
<v Speaker 2>can't tour, So like he was really you gotta understand

0:23:55.800 --> 0:24:00.199
<v Speaker 2>his tour was going on when that album came out, the.

0:24:00.200 --> 0:24:02.200
<v Speaker 1>First one or the second one, the first one, h

0:24:02.640 --> 0:24:04.480
<v Speaker 1>anti social one, Yeah, oh my god.

0:24:04.760 --> 0:24:09.640
<v Speaker 2>So he was doing fifteen eighteen hundred cap venues, oh

0:24:09.760 --> 0:24:11.960
<v Speaker 2>my god, when he should have been doing like three

0:24:12.200 --> 0:24:14.960
<v Speaker 2>four five thousand, So he didn't even really get to

0:24:15.160 --> 0:24:17.639
<v Speaker 2>fully like crack the tour after the album hit and

0:24:17.840 --> 0:24:21.080
<v Speaker 2>like Blue the fuck he's an arena artist? No, yeah,

0:24:21.119 --> 0:24:22.600
<v Speaker 2>I mean I think I don't know. I wouldn't. I

0:24:22.600 --> 0:24:25.280
<v Speaker 2>don't know if he is now, but I think that

0:24:25.440 --> 0:24:27.680
<v Speaker 2>he's capable of being an arena golf wing.

0:24:28.119 --> 0:24:30.520
<v Speaker 1>When Mustard brought him out, oh yeah, that was the

0:24:30.640 --> 0:24:34.320
<v Speaker 1>most respectfully, that was like the most of the crowd.

0:24:35.160 --> 0:24:36.920
<v Speaker 2>I mean, he's got them hit. They were washing to

0:24:37.040 --> 0:24:39.040
<v Speaker 2>his songs. Riddy's got hits, and he's got He's got

0:24:39.080 --> 0:24:40.920
<v Speaker 2>this like the songs that are just so easy to

0:24:40.960 --> 0:24:43.840
<v Speaker 2>sing along too, like his melodies are un like unfukiable

0:24:43.880 --> 0:24:50.680
<v Speaker 2>for us. Was on Kendergarten Uh siete uh pay so

0:24:50.720 --> 0:24:55.879
<v Speaker 2>so who am I forgetting? It? Is one more? I

0:24:55.960 --> 0:24:59.320
<v Speaker 2>know there's a few more hit a hit, a hitted,

0:24:59.400 --> 0:25:02.560
<v Speaker 2>hitted baby love his verse. Yeah, people be hitting meet

0:25:02.560 --> 0:25:05.960
<v Speaker 2>the whoops. They love him, Yes, yes, and I think

0:25:06.000 --> 0:25:06.359
<v Speaker 2>he might be.

0:25:06.440 --> 0:25:11.840
<v Speaker 1>Kendricks's cousin says, uh huh, Dodie Dodi's Hey, now say

0:25:11.920 --> 0:25:13.320
<v Speaker 1>now that's him he on Hay Now say.

0:25:13.280 --> 0:25:18.280
<v Speaker 2>Now, oh that song is nast What is on Dodger Blue?

0:25:18.600 --> 0:25:22.560
<v Speaker 2>A ZI, there we go. He's on Dodger Blue. Uh

0:25:23.160 --> 0:25:27.240
<v Speaker 2>it's Wally and Roddy.

0:25:27.400 --> 0:25:29.639
<v Speaker 1>And I feel like a Z Shike is on a

0:25:29.840 --> 0:25:31.320
<v Speaker 1>sick run. He was just on He's on a t

0:25:31.440 --> 0:25:34.320
<v Speaker 1>D run. He school boys ship, got his own song

0:25:34.400 --> 0:25:36.439
<v Speaker 1>for sure. He's on Kendrick ship. I feel like if

0:25:36.480 --> 0:25:38.679
<v Speaker 1>he gets on one more t D artist ship, they

0:25:38.720 --> 0:25:39.520
<v Speaker 1>might as well sign him.

0:25:40.160 --> 0:25:42.240
<v Speaker 2>Yeah, hey man, him and him and Rucie had a

0:25:42.280 --> 0:25:43.080
<v Speaker 2>great album.

0:25:42.880 --> 0:25:44.760
<v Speaker 1>That they dropped a couple of years and and Shike

0:25:44.880 --> 0:25:46.840
<v Speaker 1>like kind of like got load of great kind of

0:25:46.880 --> 0:25:49.639
<v Speaker 1>popping like between one take Jay and Shike and then

0:25:49.760 --> 0:25:52.040
<v Speaker 1>like load the Great is like insane.

0:25:52.400 --> 0:25:56.119
<v Speaker 2>Yeah, I feel like, uh, I mean, ship man, it's up.

0:25:56.240 --> 0:25:58.680
<v Speaker 2>It's just really up to all everybody to deliver, you know.

0:25:59.400 --> 0:26:02.919
<v Speaker 2>And I think I think now it's like it's almost

0:26:02.960 --> 0:26:08.640
<v Speaker 2>like the industry has always been so like non West

0:26:08.680 --> 0:26:13.240
<v Speaker 2>Coast biased, like it's always the South or East Coast

0:26:13.320 --> 0:26:16.119
<v Speaker 2>artists get all love or fucking Canadian art. But I

0:26:16.200 --> 0:26:18.480
<v Speaker 2>do feel like Kendrick's like forcing the moment to where

0:26:18.560 --> 0:26:20.919
<v Speaker 2>if you're from LA like the labels would be doing

0:26:20.960 --> 0:26:23.680
<v Speaker 2>themselves a disservice to not look at you and be like, hey,

0:26:24.280 --> 0:26:26.960
<v Speaker 2>how do we make this happen? Like I think Lefty

0:26:26.960 --> 0:26:31.040
<v Speaker 2>Gunplay is going to get a stupid bag. Stupid bag,

0:26:31.680 --> 0:26:36.240
<v Speaker 2>Like what like this guy is a fucking He's like

0:26:36.359 --> 0:26:37.800
<v Speaker 2>he just did some shit with O j Z and

0:26:37.840 --> 0:26:39.440
<v Speaker 2>then you see how they rolled it out. I thought

0:26:39.600 --> 0:26:41.840
<v Speaker 2>he's got a song out with Jeremiah right now. Him

0:26:41.880 --> 0:26:43.920
<v Speaker 2>and oh Jeez's been working him and hit Boy got

0:26:43.960 --> 0:26:46.440
<v Speaker 2>a damn your whole album together. He's been working with

0:26:46.520 --> 0:26:48.800
<v Speaker 2>tight Ali sign. Like, I feel like that's your right

0:26:48.840 --> 0:26:50.680
<v Speaker 2>of passage if hit Boy like gives you an album.

0:26:52.160 --> 0:26:55.200
<v Speaker 2>It's like hitt Boy is free big hit by the way,

0:26:56.119 --> 0:26:58.600
<v Speaker 2>but yeah, hit Boy's been on a crazy run. But yeah,

0:26:58.800 --> 0:27:00.920
<v Speaker 2>for sure, it's something like a right passage. For sure.

0:27:01.000 --> 0:27:02.520
<v Speaker 1>It's like, oh, hit boys fucking with you, Like, I

0:27:02.560 --> 0:27:03.760
<v Speaker 1>still got work to do. I need to get the

0:27:03.840 --> 0:27:06.000
<v Speaker 1>hit Boy and I still need to get.

0:27:06.080 --> 0:27:07.159
<v Speaker 2>You haven't worked with hit Boy yet.

0:27:07.400 --> 0:27:09.320
<v Speaker 1>Nah, that's the hommie, But I still need to get

0:27:09.359 --> 0:27:11.920
<v Speaker 1>like hit Boy and Alchemist, Alchemist the one. If I

0:27:11.960 --> 0:27:14.359
<v Speaker 1>could just get them too, and just like I'll be okay.

0:27:15.240 --> 0:27:16.760
<v Speaker 2>Who do you? Do you have any other features on

0:27:16.800 --> 0:27:19.760
<v Speaker 2>your new project? Buddy's on there, Barney Bones is on there?

0:27:20.000 --> 0:27:24.960
<v Speaker 2>Who else is on there? Channels on there? I don't

0:27:25.000 --> 0:27:28.720
<v Speaker 2>think it's anybody else. I don't not off the top

0:27:28.720 --> 0:27:30.720
<v Speaker 2>of my head, I don't. I'll be wrapping way better

0:27:30.760 --> 0:27:32.399
<v Speaker 2>than niggas. So it's like there's gonna be trying to

0:27:32.400 --> 0:27:34.760
<v Speaker 2>come to the studio with me. You you have like

0:27:34.800 --> 0:27:37.640
<v Speaker 2>a pretty crazy independent catalog too, Like you've you drop

0:27:37.720 --> 0:27:40.200
<v Speaker 2>a lot, Like I think twenty twenty three years old,

0:27:40.200 --> 0:27:41.639
<v Speaker 2>you had three or four hours that you dropped. I

0:27:41.760 --> 0:27:44.159
<v Speaker 2>was hurting that year too. Is it like for you

0:27:44.359 --> 0:27:46.800
<v Speaker 2>being like an independent artist and this is like how

0:27:46.840 --> 0:27:50.800
<v Speaker 2>you pay your bills? Do you see, like the the

0:27:50.960 --> 0:27:53.600
<v Speaker 2>more music you are able to drop, does it help

0:27:53.720 --> 0:27:58.800
<v Speaker 2>with like raising all sales? The sickest part. I made

0:27:58.840 --> 0:28:00.919
<v Speaker 2>the most money this year and I didn't even.

0:28:00.840 --> 0:28:05.000
<v Speaker 1>Drop really like how though I have no idea? Just

0:28:05.080 --> 0:28:09.280
<v Speaker 1>off music, yes, off of merch music shows. Buddy put

0:28:09.320 --> 0:28:11.679
<v Speaker 1>me on his album. We went straight to Japan.

0:28:12.640 --> 0:28:18.080
<v Speaker 2>You went to your Japan's crazy. I hate to be

0:28:18.200 --> 0:28:20.040
<v Speaker 2>that rapper that's like, oh I'm big in Japan. No,

0:28:20.160 --> 0:28:21.879
<v Speaker 2>but that's the thing I swear to god, me and

0:28:21.920 --> 0:28:24.560
<v Speaker 2>Buddy did like five shows out there. I was just

0:28:24.640 --> 0:28:27.520
<v Speaker 2>talking to my boys and they they're part of a

0:28:27.600 --> 0:28:30.439
<v Speaker 2>group called bad Hop, which is like the only hip

0:28:30.480 --> 0:28:32.360
<v Speaker 2>hop group they ever saw to Tokyo Dome I thought

0:28:32.440 --> 0:28:36.280
<v Speaker 2>was shit. And they were just talking about how Japanese,

0:28:36.480 --> 0:28:40.240
<v Speaker 2>he said, Asian fans period. He's like they buy everything. Oh,

0:28:40.320 --> 0:28:42.360
<v Speaker 2>I sold out. He was like, Yo, if you got

0:28:42.440 --> 0:28:44.200
<v Speaker 2>a T shirt, if you got a lunchbox, if you

0:28:44.280 --> 0:28:46.960
<v Speaker 2>got a fucking pencil, they're buying it. I should have

0:28:47.040 --> 0:28:49.239
<v Speaker 2>I should have went around like if you could get

0:28:49.320 --> 0:28:51.080
<v Speaker 2>cracking in Japan, you're the man.

0:28:51.560 --> 0:28:53.840
<v Speaker 1>That's the only thing that makes people out here fuck

0:28:53.920 --> 0:28:56.320
<v Speaker 1>with me for real, because they'd be like even like

0:28:56.640 --> 0:28:58.920
<v Speaker 1>the all the West Coast dudes like Jay Worthy others

0:28:59.200 --> 0:29:01.520
<v Speaker 1>like you go to go to Japan, like Japan, Like

0:29:01.560 --> 0:29:02.840
<v Speaker 1>Jay Worthy's really big in Japan.

0:29:03.160 --> 0:29:05.280
<v Speaker 2>I bet he's huge out there. Yeah. And I don't

0:29:05.280 --> 0:29:07.240
<v Speaker 2>even know, Like I wonder like, is it just like

0:29:08.160 --> 0:29:10.640
<v Speaker 2>is it just that the music resonates them? Niggas wear

0:29:10.680 --> 0:29:12.680
<v Speaker 2>do rags out there for sure, And there's like the

0:29:13.040 --> 0:29:15.080
<v Speaker 2>Japanese solos, Yes, they think.

0:29:16.160 --> 0:29:18.400
<v Speaker 1>You can't tell them that until I come around and

0:29:18.440 --> 0:29:20.400
<v Speaker 1>they're like, oh, yeah, that that's Melanie.

0:29:20.480 --> 0:29:23.920
<v Speaker 2>I just wonder what is the what is the the

0:29:24.040 --> 0:29:26.800
<v Speaker 2>highway for the music to pop over there? Is it

0:29:27.240 --> 0:29:29.480
<v Speaker 2>the obviously it's the Internet, but is there do you

0:29:29.520 --> 0:29:31.680
<v Speaker 2>have to put work in out there for to like translate?

0:29:31.760 --> 0:29:33.680
<v Speaker 2>I think it was. I think it's like a conscious

0:29:33.680 --> 0:29:35.480
<v Speaker 2>effort of like, hey, we need to put some effort

0:29:35.480 --> 0:29:37.600
<v Speaker 2>into Japan for it to work. No. I think that's

0:29:37.640 --> 0:29:39.280
<v Speaker 2>what they don't fuck with. I think you just need

0:29:39.400 --> 0:29:41.960
<v Speaker 2>a lowrider in your video and they're like, we're in

0:29:43.320 --> 0:29:47.480
<v Speaker 2>that simple so their culture. They love jay Z so

0:29:47.720 --> 0:29:51.000
<v Speaker 2>much out there too. Jay Z so so Yankee hats

0:29:51.200 --> 0:29:52.320
<v Speaker 2>they love that.

0:29:52.440 --> 0:29:55.600
<v Speaker 1>Yeah, if you're really from New York or really from LA,

0:29:55.760 --> 0:29:59.360
<v Speaker 1>they fuck with you interesting, They fuck with you heavy,

0:29:59.800 --> 0:30:02.440
<v Speaker 1>like they're gonna ask you to like LA. Like if

0:30:02.480 --> 0:30:03.800
<v Speaker 1>you wear that het out there, they're gonna think you're

0:30:03.800 --> 0:30:04.360
<v Speaker 1>from San Francisco.

0:30:04.480 --> 0:30:05.080
<v Speaker 2>Oh that's fire.

0:30:05.200 --> 0:30:10.440
<v Speaker 1>Your your representation, No representation matters out there like a motherfucker.

0:30:10.520 --> 0:30:13.440
<v Speaker 1>Like any advice from any West Coast artists, go as

0:30:13.520 --> 0:30:14.480
<v Speaker 1>west as possible.

0:30:15.360 --> 0:30:17.920
<v Speaker 2>If you want to get that Japan money, yes, because

0:30:17.920 --> 0:30:19.720
<v Speaker 2>they're given to you. G Perico, probably go out there

0:30:19.760 --> 0:30:23.680
<v Speaker 2>and eat what g Perico goes anywhere and eats because

0:30:24.120 --> 0:30:29.080
<v Speaker 2>he's a supercrip, the super Crypt. He is super he's

0:30:29.120 --> 0:30:31.960
<v Speaker 2>got he could go anywhere.

0:30:32.200 --> 0:30:35.400
<v Speaker 1>He's he was one of the He's the first major

0:30:35.480 --> 0:30:37.720
<v Speaker 1>West Coast artists that gave me a feature.

0:30:38.080 --> 0:30:41.560
<v Speaker 2>He's, by the way, the fucking nicest guy ever. I

0:30:41.640 --> 0:30:43.440
<v Speaker 2>didn't even you would never know that man gang Bang

0:30:43.520 --> 0:30:46.040
<v Speaker 2>if he didn't look like a supercrypt. He does look

0:30:46.120 --> 0:30:48.920
<v Speaker 2>like a supercrypt. Though. Yes he has like a vintage

0:30:48.960 --> 0:30:54.520
<v Speaker 2>bandana collection. That's a wild sentence. I promise you, Like, Yo,

0:30:54.600 --> 0:30:56.720
<v Speaker 2>you see this. I got this from a Korean dollar

0:30:56.800 --> 0:30:57.720
<v Speaker 2>store in ninety nine.

0:30:57.920 --> 0:31:00.120
<v Speaker 1>He's gonna he's gonna hit you in this interview. Come

0:31:00.160 --> 0:31:03.080
<v Speaker 1>out and be like he ain't lying. Lat Nigga got different.

0:31:02.840 --> 0:31:03.760
<v Speaker 2>That one from six.

0:31:03.920 --> 0:31:05.520
<v Speaker 1>I got that from O six like this one was

0:31:05.600 --> 0:31:09.160
<v Speaker 1>in the Chronic video. He's like, I collect bandanas, it's vintage.

0:31:09.240 --> 0:31:10.560
<v Speaker 2>Do for this on stage.

0:31:10.600 --> 0:31:12.240
<v Speaker 1>You get it the blues in Vegas the night he

0:31:12.360 --> 0:31:14.720
<v Speaker 1>was killed, and he don't like back pocket of either.

0:31:14.800 --> 0:31:17.800
<v Speaker 1>He put that bitch all the way on on his

0:31:17.920 --> 0:31:19.480
<v Speaker 1>head like he's such a crip that the.

0:31:19.880 --> 0:31:21.720
<v Speaker 2>You know what I would we got to give to

0:31:21.800 --> 0:31:25.120
<v Speaker 2>that credit to him because he's one of the forefronts

0:31:25.160 --> 0:31:27.920
<v Speaker 2>of the bandana movement still, and I'm not talking about

0:31:28.080 --> 0:31:29.760
<v Speaker 2>putting one in your pocket, but I'm talking about like

0:31:29.800 --> 0:31:32.640
<v Speaker 2>the applying it to your head. Yes, in full force.

0:31:32.720 --> 0:31:35.320
<v Speaker 2>He does not play. Yeah, he's still there's a few

0:31:35.360 --> 0:31:37.400
<v Speaker 2>guys who wear bandanas, but I feel like jee Perico's like.

0:31:37.440 --> 0:31:41.240
<v Speaker 1>The bandana whever and Gee Perico is filthy rich, don't

0:31:41.480 --> 0:31:45.040
<v Speaker 1>that's not why let's I'm away these let's not get

0:31:45.080 --> 0:31:48.960
<v Speaker 1>that fucked got rich guy taught me more about financial

0:31:49.000 --> 0:31:49.880
<v Speaker 1>literacy than.

0:31:51.720 --> 0:31:54.360
<v Speaker 2>Anybody. He's the one that told me, maybe like a

0:31:54.440 --> 0:31:56.040
<v Speaker 2>year ago. He's like, oh yeah, if you're going like

0:31:56.120 --> 0:31:58.480
<v Speaker 2>Blue Leg Cab or Just Incredible or any of these platforms,

0:31:58.520 --> 0:32:01.080
<v Speaker 2>he's like, just just spitch who notes, Just spit your

0:32:01.080 --> 0:32:03.320
<v Speaker 2>own notes, apt like whatever you got, spit it, like,

0:32:03.400 --> 0:32:06.280
<v Speaker 2>don't play, Like, don't go up there and think like motherfuckers,

0:32:06.280 --> 0:32:08.000
<v Speaker 2>I'm gonna see that. Yeah, Like I'm gonna go up

0:32:08.000 --> 0:32:10.720
<v Speaker 2>there and like you know, don't go do a performing.

0:32:10.800 --> 0:32:13.080
<v Speaker 1>He's like just specifically like this platform and like the

0:32:13.440 --> 0:32:15.240
<v Speaker 1>like these other ones, He's like, go up there and

0:32:15.400 --> 0:32:18.040
<v Speaker 1>like spin. Motherfuckers are watching because He's like niggas in

0:32:18.080 --> 0:32:19.080
<v Speaker 1>jail and niggas all over it.

0:32:19.280 --> 0:32:21.720
<v Speaker 2>They watched that ship. Is one of the smartest guys

0:32:21.720 --> 0:32:24.120
<v Speaker 2>in hip hop. Man. He taught me a lot. He

0:32:24.200 --> 0:32:25.560
<v Speaker 2>got this indie rapt shit figured out.

0:32:26.160 --> 0:32:28.720
<v Speaker 1>He that's why I move how I move. He gave

0:32:28.800 --> 0:32:30.960
<v Speaker 1>me that feature and told me, like, get away from this, dude,

0:32:31.000 --> 0:32:33.640
<v Speaker 1>stop messing with that. Dude, where's your publicist? Why aren't

0:32:33.640 --> 0:32:35.520
<v Speaker 1>you putting money towards this? Oh you got if you

0:32:35.600 --> 0:32:37.160
<v Speaker 1>get it? He's he told me, if you get a

0:32:37.560 --> 0:32:39.560
<v Speaker 1>distribution deal, spend all your money on the budget on

0:32:39.600 --> 0:32:42.880
<v Speaker 1>digital marketing. M He's like all of it, Like, don't

0:32:42.960 --> 0:32:45.360
<v Speaker 1>waste a dollar, keep all of it for digital market

0:32:45.360 --> 0:32:46.520
<v Speaker 1>I just spend You know, I got a child.

0:32:46.560 --> 0:32:49.200
<v Speaker 2>So what would be digital marketing be for people who

0:32:49.240 --> 0:32:50.720
<v Speaker 2>are watching who don't understand like that.

0:32:50.800 --> 0:32:55.360
<v Speaker 1>Sleeping on gems, Instagram pages, Spotify, marquees, making sure that

0:32:55.440 --> 0:32:59.040
<v Speaker 1>your ship front center ads fucking making sure that your

0:32:59.040 --> 0:33:01.120
<v Speaker 1>ship is like visit bull and they can see you,

0:33:01.360 --> 0:33:03.880
<v Speaker 1>especially if you're handsome. You know what I'm saying, Like,

0:33:04.040 --> 0:33:06.880
<v Speaker 1>make sure you put your image first, because that's what

0:33:07.120 --> 0:33:10.240
<v Speaker 1>really draws people to him. His image is like top

0:33:10.360 --> 0:33:13.200
<v Speaker 1>tier that's true. And he wears he can wear red

0:33:13.320 --> 0:33:14.160
<v Speaker 1>and people are like, are you.

0:33:14.160 --> 0:33:16.680
<v Speaker 2>Going is that's his clothing line? You get it? Blue

0:33:16.720 --> 0:33:18.840
<v Speaker 2>T shirt, very top is blue. That's how we met

0:33:18.960 --> 0:33:19.720
<v Speaker 2>because I was I.

0:33:20.640 --> 0:33:24.000
<v Speaker 1>I used to be partnered with the Art Gallery and

0:33:24.080 --> 0:33:26.240
<v Speaker 1>Long Beach and he wanted to shoot a video and

0:33:26.440 --> 0:33:28.080
<v Speaker 1>he wanted to do a photo shoot and he wanted

0:33:28.120 --> 0:33:29.560
<v Speaker 1>to do a campaign like he wanted to do three

0:33:29.600 --> 0:33:31.120
<v Speaker 1>and one at the Art Gallery, and I gave him

0:33:31.120 --> 0:33:32.200
<v Speaker 1>like an incredible deal.

0:33:32.480 --> 0:33:35.040
<v Speaker 2>Yeah, and it was crazy, great guy, man, that Guparico

0:33:35.280 --> 0:33:39.320
<v Speaker 2>changed my life. Yo, what uh for you? Man? This

0:33:39.480 --> 0:33:41.840
<v Speaker 2>new album? I'm assuming are you already kind of because

0:33:42.040 --> 0:33:43.920
<v Speaker 2>you drop so often? Are you already kind of working

0:33:43.960 --> 0:33:44.920
<v Speaker 2>on the next thing? Yeah?

0:33:45.000 --> 0:33:47.240
<v Speaker 1>Me and Channel Tress, that's who did the single. We

0:33:47.320 --> 0:33:50.360
<v Speaker 1>got the EP pretty much done, so that's what's next.

0:33:50.560 --> 0:33:50.760
<v Speaker 2>Yeah.

0:33:50.800 --> 0:33:53.160
<v Speaker 1>And then the dude Rohan, I'm going to sign him

0:33:53.200 --> 0:33:55.280
<v Speaker 1>to my My. I'm gonna start a label after this.

0:33:55.680 --> 0:33:58.200
<v Speaker 1>And then you want to sign only producers.

0:33:57.680 --> 0:34:01.560
<v Speaker 2>Like DJ's and like fucking engineers. Drew and Buddy do

0:34:01.840 --> 0:34:04.680
<v Speaker 2>like a full, full, full thing. I'm on Buddy's next single.

0:34:04.720 --> 0:34:06.160
<v Speaker 2>I would love to do something with Buddy we just

0:34:06.200 --> 0:34:09.400
<v Speaker 2>need to sit down because he's independent. Now he's up Empire, right,

0:34:09.920 --> 0:34:11.719
<v Speaker 2>I'll let him tell it. Well, I don't know. I

0:34:12.080 --> 0:34:14.560
<v Speaker 2>know he had if he had a cup of tea

0:34:14.560 --> 0:34:17.640
<v Speaker 2>at Empire exactly. He was over there, Okay, I don't

0:34:18.440 --> 0:34:20.560
<v Speaker 2>he got some big news coming too. He's like Wally,

0:34:21.440 --> 0:34:24.839
<v Speaker 2>Jesus them guys Compton. Yeah, there's something in the water

0:34:24.880 --> 0:34:26.880
<v Speaker 2>over there. Something is in the water in Compton. I

0:34:26.960 --> 0:34:29.440
<v Speaker 2>think that is a fair state, for sure. There it is, man.

0:34:29.440 --> 0:34:31.440
<v Speaker 2>We'll look. Your new album's coming out December sixth. Yes,

0:34:32.200 --> 0:34:34.399
<v Speaker 2>people can still buy vinyl from your old albums. I'm

0:34:34.400 --> 0:34:37.800
<v Speaker 2>assuming it's all online. Bristol, miss dot com go support

0:34:38.080 --> 0:34:39.879
<v Speaker 2>uh and I appreciate you pulling up and go watch

0:34:39.920 --> 0:34:41.480
<v Speaker 2>the freestyle this guy just did too, because it is

0:34:41.600 --> 0:34:44.080
<v Speaker 2>fucking fire boom heree Brice