WEBVTT - Slap Shot with Mike Loftus

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<v Speaker 1>On the Bechde Cast, the questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zephim fast start

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<v Speaker 1>changing it with the Bechdel Cast.

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<v Speaker 2>Happy Birthday, Jamie.

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<v Speaker 1>Thank you so much, Boom, slam, punch.

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<v Speaker 2>Slap, inside shot.

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<v Speaker 1>Divorce, so many themes.

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<v Speaker 3>Homophobia, so many themes.

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<v Speaker 1>Pittsburgh, mm hmm. I was really excited that this movie

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<v Speaker 1>took place. I was like, I was like, where is

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<v Speaker 1>Kaitlyn going to connect with this movie. There's got to

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<v Speaker 1>be somewhere. I was like, Pennsylvania.

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<v Speaker 2>It's the Pennsylvania Connection.

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<v Speaker 1>So okay, Welcome to the Bechdel Cast. My name is

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<v Speaker 1>Jamie Laftus.

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<v Speaker 2>My name is Caitlin Derante, and this is our show

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<v Speaker 2>where we analyze movies through an intersectional feminist lens, using

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<v Speaker 2>the Bechdel Test simply as a jumping off point to

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<v Speaker 2>initiate much larger, much grander conversations.

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<v Speaker 1>It's true, and the Bechdel Test, of course, is a

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<v Speaker 1>media metric created by Alice and Bechdel as a joke

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<v Speaker 1>as a goof back in the eighties in her comic

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<v Speaker 1>Likes to watch out for. It started as just a

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<v Speaker 1>one off joke, but has since become a way to

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<v Speaker 1>talk about how and if women are represented in movies

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<v Speaker 1>and people of marginalized genders in general. A lot of

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<v Speaker 1>versions of the test. The version of the test that

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<v Speaker 1>we observe to start our conversation is the test requires

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<v Speaker 1>that there be two characters with names of a marginalized

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<v Speaker 1>gender talking about something other than men for two lines

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<v Speaker 1>of dialogue.

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<v Speaker 2>Or more or more, preferably more often but not. It

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<v Speaker 2>doesn't happen that way usually.

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<v Speaker 1>But there's so much to talk about. It's not the

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<v Speaker 1>b L and end all of any movie. And today

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<v Speaker 1>it's it comes but twice a year, a birthday episode

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<v Speaker 1>where Caitlin and I really get to go absolutely hogwild

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<v Speaker 1>on on our on our choice of movie, on our

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<v Speaker 1>choice of guest. It's a fun time. And this has

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<v Speaker 1>been an episode that has been it's not an episode

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<v Speaker 1>that's ever been. It's been requested by one person. It's

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<v Speaker 1>no coincidence of that person's sorry guest. Yeah, but I

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<v Speaker 1>would say it's been well, Dad, what do you how

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<v Speaker 1>long have you been asking me about This's been a

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<v Speaker 1>couple of years.

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<v Speaker 4>Well, how long have you had the show seven years now,

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<v Speaker 4>it hasn't been seven years.

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<v Speaker 1>I would say at least four years.

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<v Speaker 4>Well, we've talked about this, I mean in your other

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<v Speaker 4>podcast life when you did the Kathy podcast. You know,

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<v Speaker 4>it was a it was a thought that I had that,

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<v Speaker 4>you know, there was this comic. It wasn't for everybody,

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<v Speaker 4>but the more I thought about it, it was kind

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<v Speaker 4>of it was unique first time. You know, it was

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<v Speaker 4>like there really weren't in themic strips. You know, women

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<v Speaker 4>were moms or girlfriends, maybe teachers, but there was never

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<v Speaker 4>like a single business woman. So I tossed that to you,

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<v Speaker 4>and I guess in the case of slap Shot, you know,

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<v Speaker 4>I sort of was thinking of a Kathy thing too,

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<v Speaker 4>because you know, there are interesting to me, you know,

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<v Speaker 4>representations of women and their stories, and that's that's what

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<v Speaker 4>your cast is all about, you and Caitlin. So I thought, well,

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<v Speaker 4>you know, throw it out there and see what they think.

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<v Speaker 1>And here we are, and sure enough, we're doing it.

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<v Speaker 1>We're covering a slap shot and the guest you just

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<v Speaker 1>heard Alan Kitlyn usually introduced the guests, but they have

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<v Speaker 1>generously offered me the opportunity.

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<v Speaker 2>It's your time to shine.

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<v Speaker 1>Jamie, our guest today, is a former hockey writer, current

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<v Speaker 1>hockey fan. Has been covering hockey since the eighties, been

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<v Speaker 1>playing hockey since the seventies when the movie comes out.

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<v Speaker 1>He's also a proud father to two wonderful children, lifelong

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<v Speaker 1>Brocton residents, a Brockton legend. It's Mike loftis welcome. Welcome

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<v Speaker 1>to the cast.

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<v Speaker 4>Dad, Welcome, Jamie. Good to see you, and good to

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<v Speaker 4>see you too, Caitlyn.

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<v Speaker 1>Thank you for listeners. I'm currently in Brockton at my

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<v Speaker 1>dad's house and he's he's downstairs with my equipment. I'm

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<v Speaker 1>upstairs with my phone. We've had a very professional setup.

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<v Speaker 1>It's like we're not even. But he did drive me

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<v Speaker 1>to Dunkin Donuts right before the episode, so that.

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<v Speaker 2>On you gotta have your birthday dunks.

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<v Speaker 1>Yeah, it's true, it's yeah, it's I'm feeling the birthday love.

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<v Speaker 1>I'm feeling thrilled about the birthday. So yeah, the my

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<v Speaker 1>memory of I don't remember when you first brought this

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<v Speaker 1>movie up to me for the Bechdel cast, but you

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<v Speaker 1>every time you're like, I think it would just be

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<v Speaker 1>like if I happen to be talking about work you'd

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<v Speaker 1>be like, you know, flap Shot is written by a

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<v Speaker 1>woman that was just kind of the pitch and it

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<v Speaker 1>stuck with me.

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<v Speaker 2>And you pitched it to me Jamie multiple times as well,

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<v Speaker 2>and I was it was yeah later, which.

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<v Speaker 1>To be fair, it's not a personal attack. That's how

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<v Speaker 1>most of our episodes end up happening. We think it

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<v Speaker 1>over for a good two years, and then eventually we

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<v Speaker 1>cover it. I feel like that has become kind of

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<v Speaker 1>our habit.

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<v Speaker 2>It's true.

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<v Speaker 1>Anyways, Yeah, we're covering slap Shot. It is a nineteen

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<v Speaker 1>seventy seven film is directed by George roy Hill. It

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<v Speaker 1>is written by Nancy Dawd. It stars Paul Newman amongst

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<v Speaker 1>Caitlin Is Oh I learned this. I learned this as

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<v Speaker 1>wearying dad. Caitlyn's horny for Paul Newman, and he's very handsome.

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<v Speaker 2>Oh my gosh. It's kind of the only thing I'm

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<v Speaker 2>going to be able to contribute to this episode. My

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<v Speaker 2>third for Paul Newman.

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<v Speaker 1>Yeah, unbelievable, focused on men that night, having discourse.

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<v Speaker 2>I'm just gonna be like Paul Newman, oh woo ga.

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<v Speaker 2>I don't like his character, but I very much enjoy

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<v Speaker 2>looking at his face.

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<v Speaker 1>Well, I guess, let's let's get into it. I guess, dad, Uh, well, actually,

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<v Speaker 1>let's get ours out of the way kill it. What's

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<v Speaker 1>your history with the movie slap Shot?

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<v Speaker 2>I only know about this movie because of the various

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<v Speaker 2>times Jamie, you've said, my dad wants to come on

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<v Speaker 2>the podcast and cover slap Shot, and okay, that is

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<v Speaker 2>the reason I know this movie exists, Jamie, what's yours?

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<v Speaker 1>I know this movie exists because my dad has told

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<v Speaker 1>me about it. But I also have we've had Hansen

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<v Speaker 1>brother glasses at the house for I remember where we

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<v Speaker 1>have like I think they're on the table next to you, Dad,

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<v Speaker 1>but they're like the Hanson brother like taped glasses. It's

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<v Speaker 1>it is like, that's the only part of this movie

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<v Speaker 1>that I really knew about. I had not watched it

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<v Speaker 1>until the other day to prepare for this episode, because

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<v Speaker 1>you know, I criminally have never been very into hockey,

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<v Speaker 1>and so it was not a movie that really appealed

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<v Speaker 1>to me. But I knew the Hanson brothers because they

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<v Speaker 1>are so ingratiated into hockey iconography that we have like

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<v Speaker 1>glasses that were given out at a game with the

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<v Speaker 1>tape in the middle and the hands and Brothers specifically

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<v Speaker 1>are very iconic in hockey culture. I think this movie

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<v Speaker 1>is too, but like more, I think the Handsome Brothers

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<v Speaker 1>are kind of the most enduring. Would is that right?

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<v Speaker 4>Would you say? Absolutely? I mean it's you know, you

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<v Speaker 4>brought us some other hockey movies last night. There aren't

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<v Speaker 4>a lot of them. Yeah, you know, there are a

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<v Speaker 4>lot of baseball and football and basketball movies. Hockey. I

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<v Speaker 4>think hockey fans of a certain age says it's slap shot,

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<v Speaker 4>and then you know, maybe another generation would be the

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<v Speaker 4>Mighty Ducks, and.

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<v Speaker 1>You know, I think we'd say more so than Mighty Ducks,

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<v Speaker 1>and then current current generation. I don't know if they

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<v Speaker 1>have a hockey movie.

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<v Speaker 4>I could tell you of a hockey movie, but the

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<v Speaker 4>good It's goon Yes.

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<v Speaker 2>Oh, I have heard of this one, Sean William Scott.

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<v Speaker 2>Isn't it?

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<v Speaker 4>If I'm not mistaken, I don't know actors that well,

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<v Speaker 4>but I think it is. I actually I know the

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<v Speaker 4>Gentleman that that film was based on. Okay, it's a

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<v Speaker 4>true story about a guy who and and the and

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<v Speaker 4>the movie does not really tell the story of the

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<v Speaker 4>actual person, but classic that was okay, he knew he

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<v Speaker 4>knew that was gonna happen, and he was. He was

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<v Speaker 4>alright with it.

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<v Speaker 1>You know, I hope they paid him well for the book.

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<v Speaker 4>Rights that might have happened.

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<v Speaker 1>But yeah, Slapshot has not been a huge part of

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<v Speaker 1>my life. But hockey certainly has grew up around hockey culture,

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<v Speaker 1>hockey ideas, hockey labor. Yeah, I have I like. I

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<v Speaker 1>like hockey, I think as much as someone who doesn't

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<v Speaker 1>follow it can.

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<v Speaker 2>I mean, missus Zamboni.

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<v Speaker 5>I have a Zamboni tattoo, and I didn't notice until

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<v Speaker 5>the end of the first movie the movie Slap Shot

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<v Speaker 5>zero Zamboni's Zamboni visibility at an all time low.

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<v Speaker 1>My favorite ice sports movie, as you know, is Ititania.

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<v Speaker 1>I love Itania. Not a single Zamboni in that one either,

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<v Speaker 1>What the hell?

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<v Speaker 4>I know, it's pretty and you know it's interesting to

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<v Speaker 4>me that, you know, when I sat down to watch

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<v Speaker 4>it again the other night, like and watch it in

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<v Speaker 4>a different way, I didn't realize it was it's a

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<v Speaker 4>two hour movie.

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<v Speaker 6>Yes it sure, it feels pretty long, so so you know,

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<v Speaker 6>there was plenty of time in there for you know, Zamboni,

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<v Speaker 6>tomfoolery and yet rueling Zamboni's.

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<v Speaker 4>Well even just a you know, I mean, I don't

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<v Speaker 4>know if we I don't know if this is the

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<v Speaker 4>part where we even bring in little things about the film,

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<v Speaker 4>but you know, little things, little things that the you know,

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<v Speaker 4>the team does to really really continue to whip people

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<v Speaker 4>in a frenzy, right like you know, parking an ambulance

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<v Speaker 4>outside of a game, you know, before it starts, you

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<v Speaker 4>couldn't have had somebody dress up crazy and just like

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<v Speaker 4>you know, drive the zamboni.

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<v Speaker 1>Naked person driving a Zamboni, Well, it's a perfect it's

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<v Speaker 1>a perfect runch comedy idea.

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<v Speaker 4>Okay, never mind, but you know, an oversight. I agree,

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<v Speaker 4>Jane good point.

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<v Speaker 1>Yeah, I felt strongly about that. I feel like Zamboni's

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<v Speaker 1>are rarely included, to the point where I wonder if

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<v Speaker 1>the company simply objects to it because it just seems

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<v Speaker 1>like such an easy win. But they're a very kind

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<v Speaker 1>of flatigious Italian family, the Zamboni family, so I've heard

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<v Speaker 1>when I've tried to contact them. Sure, So I like hockey.

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<v Speaker 1>I'd never seen slapshot all the way through, and I

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<v Speaker 1>watched it twice to repair, once with my dad, once

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<v Speaker 1>without and I have I mean it's so weird because

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<v Speaker 1>I feel like the reason that I didn't like this

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<v Speaker 1>movie as much as I was hoping to just has

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<v Speaker 1>mostly to do with the fact that I historically don't

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<v Speaker 1>love like super raunchy comedies, like they just have never

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<v Speaker 1>really appealed to me. But the more that I learned

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<v Speaker 1>about the production of this movie, there's a lot of

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<v Speaker 1>stuff to talk about. Certainly, a lot of it doesn't

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<v Speaker 1>age well. We were getting dinner with my aunt's last

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<v Speaker 1>night and my Annie Kate, my dad's sister. We've all

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<v Speaker 1>been hockey pilled over the years, and she's like, oh, yeah,

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<v Speaker 1>I've seen Slap Shot. It's kind of hard to watch

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<v Speaker 1>now because it's long and a lot of it ages

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<v Speaker 1>really badly. And I was like, all right, so we're

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<v Speaker 1>all in the same page here. But it is interesting.

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<v Speaker 1>We don't cover a lot of movies from the seventies,

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<v Speaker 1>and I think for a movie that a lot of

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<v Speaker 1>it ages not well, there were more women in the

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<v Speaker 1>story than I was expecting. I think more women than

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<v Speaker 1>your average sports movie in general, I would agree, so

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<v Speaker 1>lots to talk about. Yeah, Dad, what's your history with

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<v Speaker 1>the movie Slap Shot? Do you remember when you first saw.

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<v Speaker 4>Well that it actually came out the year I graduated

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<v Speaker 4>high school, nice nineteen seventy seven, which is when I

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<v Speaker 4>was wrapping up my my super average career as a player.

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<v Speaker 1>Okay, give us the rundown. What position did you play? Generally?

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<v Speaker 4>I was a defense defenseman. One goal career statistics one goal,

0:12:21.880 --> 0:12:29.559
<v Speaker 4>one assist, multiple penalty minutes. Knee injuries, yes, one knee surgery,

0:12:29.640 --> 0:12:34.440
<v Speaker 4>one broken nose. Went from there to I coached youth

0:12:34.480 --> 0:12:36.480
<v Speaker 4>hockey with a buddy of mine for a couple of years.

0:12:36.520 --> 0:12:37.080
<v Speaker 4>That was fun.

0:12:37.320 --> 0:12:37.640
<v Speaker 1>Nice.

0:12:37.960 --> 0:12:41.360
<v Speaker 4>When I was in college, I started officiating games as

0:12:41.400 --> 0:12:44.720
<v Speaker 4>a way to make a few bucks, and then that

0:12:44.800 --> 0:12:47.640
<v Speaker 4>all dried up and I went into the the you know,

0:12:47.880 --> 0:12:50.960
<v Speaker 4>there was no future in any of that for me,

0:12:51.800 --> 0:12:54.839
<v Speaker 4>but I still just kind of couldn't quit the game

0:12:56.000 --> 0:13:00.200
<v Speaker 4>and love newspapers, loved the sports section, sports guy in

0:13:00.240 --> 0:13:02.360
<v Speaker 4>there I am, and like the you know, kind of

0:13:02.400 --> 0:13:05.600
<v Speaker 4>the teeth of the late seventies or when there's a

0:13:05.600 --> 0:13:08.040
<v Speaker 4>lot of people going into journalism because of like all

0:13:08.120 --> 0:13:10.800
<v Speaker 4>the president's men, and you know, everybody wants to be

0:13:10.840 --> 0:13:11.520
<v Speaker 4>a journalist.

0:13:12.160 --> 0:13:16.040
<v Speaker 2>Interesting movies are so influential that didn't.

0:13:15.760 --> 0:13:18.120
<v Speaker 1>Really feel like there was an uptick after all the presidents,

0:13:18.160 --> 0:13:19.080
<v Speaker 1>and that makes sense to me.

0:13:19.360 --> 0:13:22.640
<v Speaker 4>Oh yeah, definitely, because a person like me, who would

0:13:22.679 --> 0:13:23.920
<v Speaker 4>show up and say, yeah, I want to be a

0:13:23.960 --> 0:13:27.320
<v Speaker 4>sports writer, was like, what that doesn't count? What's wrong

0:13:27.360 --> 0:13:31.280
<v Speaker 4>with you? Yeah? So that's how that's kind of where

0:13:31.280 --> 0:13:33.960
<v Speaker 4>it comes from. And the interesting little side story is

0:13:33.960 --> 0:13:36.480
<v Speaker 4>the reason that I even played in the first place

0:13:36.960 --> 0:13:39.040
<v Speaker 4>was that when she was young, before she got married,

0:13:39.080 --> 0:13:42.240
<v Speaker 4>my mom was a huge hockey fan. She loved the Bruins.

0:13:42.320 --> 0:13:45.840
<v Speaker 4>I think she really liked the fights a lot. But

0:13:47.080 --> 0:13:48.920
<v Speaker 4>you know, she got married, she had three kids in

0:13:48.960 --> 0:13:53.280
<v Speaker 4>four years, and at around that time, the Bruins in Boston,

0:13:53.320 --> 0:13:55.800
<v Speaker 4>who had been terrible for a while, all of a

0:13:55.800 --> 0:13:58.040
<v Speaker 4>sudden they got very good. They had a great team

0:13:58.120 --> 0:14:00.040
<v Speaker 4>and a lot of personality, a lot of fun, and

0:14:00.760 --> 0:14:03.960
<v Speaker 4>she couldn't contain herself. She just she signed me up,

0:14:04.000 --> 0:14:05.560
<v Speaker 4>even though I told her I didn't want to play

0:14:05.760 --> 0:14:09.120
<v Speaker 4>so and you know, by the end of my first

0:14:09.160 --> 0:14:10.960
<v Speaker 4>season playing it was kind of all I wanted to do.

0:14:11.280 --> 0:14:11.720
<v Speaker 1>Nice.

0:14:11.920 --> 0:14:14.640
<v Speaker 4>So there's my is that dot Now. I don't think

0:14:14.640 --> 0:14:18.600
<v Speaker 4>my mom watched Slapshot with me, but but you know,

0:14:18.800 --> 0:14:23.320
<v Speaker 4>myself obviously and my my hockey friends. I mean you know,

0:14:23.480 --> 0:14:27.360
<v Speaker 4>certain aspects of that movie just from having played on

0:14:27.400 --> 0:14:29.760
<v Speaker 4>a team and everything like that just kind of, you know,

0:14:29.880 --> 0:14:30.600
<v Speaker 4>cracked us up.

0:14:30.640 --> 0:14:35.440
<v Speaker 1>And then just just for listener context, how long did

0:14:35.480 --> 0:14:40.520
<v Speaker 1>you work in sports journalism covering.

0:14:40.160 --> 0:14:44.920
<v Speaker 4>Hockey, specifically covering hockey. I would say I started like

0:14:45.000 --> 0:14:48.960
<v Speaker 4>in nineteen eighty nine. Halfway through that season, I became

0:14:49.040 --> 0:14:52.640
<v Speaker 4>like the full time you know, Bruins beat writer at

0:14:52.640 --> 0:14:58.640
<v Speaker 4>my paper. And I held that job through the twenty

0:14:58.760 --> 0:15:03.520
<v Speaker 4>nineteen twenty season, the last the bubble season, the pandemic season.

0:15:04.400 --> 0:15:06.200
<v Speaker 4>So it was a good It was like thirty something

0:15:06.280 --> 0:15:10.680
<v Speaker 4>years and I and also, you know, as my newspaper changed,

0:15:10.720 --> 0:15:13.200
<v Speaker 4>the industry changed, and I had to you know, I

0:15:13.240 --> 0:15:16.360
<v Speaker 4>always said the Bruins, but I found lots and lots

0:15:16.360 --> 0:15:18.840
<v Speaker 4>of other hockey stories to do. You know, here in

0:15:18.880 --> 0:15:22.160
<v Speaker 4>New England and the Boston area is so lots of

0:15:22.200 --> 0:15:26.800
<v Speaker 4>college stories, lots of stories about minor league players, you know,

0:15:26.960 --> 0:15:31.120
<v Speaker 4>draft picks we had, you know, coaches. And one of

0:15:31.160 --> 0:15:35.840
<v Speaker 4>the more interesting things was over my time was the

0:15:35.880 --> 0:15:40.760
<v Speaker 4>growth of like the women's hockey game, which I'm not

0:15:40.840 --> 0:15:43.480
<v Speaker 4>even sure it really existed when I started.

0:15:43.640 --> 0:15:47.440
<v Speaker 2>You know, I just realized I know nothing about it,

0:15:47.200 --> 0:15:51.080
<v Speaker 2>nor did I even realize there was a women's hockey league.

0:15:51.080 --> 0:15:54.080
<v Speaker 1>It's cool. I mean that that, you know, obviously, you

0:15:54.080 --> 0:15:55.760
<v Speaker 1>know a million times worry about it than me. But

0:15:55.800 --> 0:15:59.560
<v Speaker 1>when when I went to Toronto a couple of months

0:15:59.560 --> 0:16:03.160
<v Speaker 1>ago to do a show with your rock about I

0:16:03.200 --> 0:16:05.240
<v Speaker 1>went to the Hockey Hall of Fame, and it's like

0:16:05.280 --> 0:16:08.840
<v Speaker 1>this big, cool, sprawling museum that has exhibits on women's

0:16:08.880 --> 0:16:12.000
<v Speaker 1>hockey and on non white hockey leagues, and just like

0:16:12.040 --> 0:16:15.320
<v Speaker 1>all all of this cool. I don't know, you know,

0:16:15.480 --> 0:16:20.840
<v Speaker 1>it is definitely a predominantly white male sport, as our

0:16:21.320 --> 0:16:25.760
<v Speaker 1>most North American sports, but women's women's hockey leagues are

0:16:25.800 --> 0:16:27.880
<v Speaker 1>really really interesting, and I feel like there is I'm

0:16:27.960 --> 0:16:31.440
<v Speaker 1>kind of surprised that there isn't a movie about maybe.

0:16:31.440 --> 0:16:33.280
<v Speaker 1>I mean, listeners feel free to let us know if

0:16:33.320 --> 0:16:34.760
<v Speaker 1>there is one and we just don't know about it.

0:16:34.800 --> 0:16:37.920
<v Speaker 1>But I don't think I've ever seen like movie or

0:16:37.960 --> 0:16:42.280
<v Speaker 1>show explicitly about women's hockey, which feels weird. I feel

0:16:42.320 --> 0:16:46.360
<v Speaker 1>like there's movies about at least one movie about women's

0:16:46.360 --> 0:16:48.040
<v Speaker 1>sports in most major sports.

0:16:48.400 --> 0:16:51.720
<v Speaker 4>Yeah, I mean, but it was, I mean, it's around here,

0:16:51.760 --> 0:16:53.880
<v Speaker 4>and I guess, you know, in other places where hockey

0:16:53.960 --> 0:16:57.440
<v Speaker 4>is a thing. You know, the youth in high school

0:16:57.520 --> 0:17:00.920
<v Speaker 4>and college level. You know, women's hockey is a thing.

0:17:01.000 --> 0:17:03.880
<v Speaker 4>You know almost every almost everybody has a team now

0:17:03.920 --> 0:17:07.119
<v Speaker 4>in college. And the interesting thing to me was it

0:17:07.480 --> 0:17:11.119
<v Speaker 4>has struggled to really get off the ground and stay established.

0:17:11.160 --> 0:17:14.119
<v Speaker 4>But I will say, for like the last five or

0:17:14.160 --> 0:17:18.800
<v Speaker 4>six years has been a women's professional hockey league. You know,

0:17:18.840 --> 0:17:22.040
<v Speaker 4>where women you know, it's professional, they got paid to play.

0:17:23.160 --> 0:17:26.639
<v Speaker 4>As the twenty nineteen twenty twenty season was winding down

0:17:27.560 --> 0:17:31.080
<v Speaker 4>before everything shut down because of COVID, I always I

0:17:31.160 --> 0:17:35.520
<v Speaker 4>think about, how interesting is that the last athlete that

0:17:35.600 --> 0:17:39.560
<v Speaker 4>I interviewed face to face one on one was a

0:17:39.600 --> 0:17:43.000
<v Speaker 4>women's professional hockey player. Cool, which I thought was you know,

0:17:43.080 --> 0:17:44.640
<v Speaker 4>I didn't know it was going to be the last one.

0:17:44.640 --> 0:17:46.280
<v Speaker 4>I thought I would be going to work the next day.

0:17:46.320 --> 0:17:48.000
<v Speaker 1>But or you would have talked to a man.

0:17:49.080 --> 0:17:50.960
<v Speaker 4>No, I was there specifically to do that.

0:17:52.640 --> 0:17:57.280
<v Speaker 1>Okay, all right, you're killing it, everything's going great. No, No,

0:17:57.480 --> 0:18:01.119
<v Speaker 1>that's that's really I am obviously a fan of my dad,

0:18:01.600 --> 0:18:04.680
<v Speaker 1>but I think it's I think I do think it's

0:18:04.680 --> 0:18:08.000
<v Speaker 1>cool that you've covered so many local stories that no

0:18:08.040 --> 0:18:11.880
<v Speaker 1>one that that are not ordinarily covered especially with I mean,

0:18:12.040 --> 0:18:14.399
<v Speaker 1>like I mean, Caitlin, what you just said is kind

0:18:14.440 --> 0:18:16.879
<v Speaker 1>of proof of that. It's just like women's Like women's

0:18:16.880 --> 0:18:20.000
<v Speaker 1>hockey is absolutely a thing, but it's not covered in

0:18:20.080 --> 0:18:22.600
<v Speaker 1>any sort of broad way, right.

0:18:22.520 --> 0:18:25.600
<v Speaker 2>Like I've never seen a women's talkie game on TV.

0:18:25.800 --> 0:18:29.280
<v Speaker 2>Not that I'm like actively seeking out sports games.

0:18:29.359 --> 0:18:32.119
<v Speaker 4>You you would more likely find it during like the Olympics.

0:18:32.119 --> 0:18:37.520
<v Speaker 4>It's a it's a yeah. And an issue is that

0:18:37.920 --> 0:18:40.800
<v Speaker 4>the United States is great at it, Canada is great

0:18:40.840 --> 0:18:44.639
<v Speaker 4>at it, but there's you know, they need more international competition.

0:18:44.720 --> 0:18:50.640
<v Speaker 4>It is you know, it's not like there's generations of Swedish, Norwegian,

0:18:51.080 --> 0:18:52.400
<v Speaker 4>you know, European players.

0:18:52.440 --> 0:18:54.919
<v Speaker 2>I was going to say, like Sweden, what are you doing? Hello?

0:18:55.840 --> 0:18:58.400
<v Speaker 4>I know, right, But I mean it'll come. It will come.

0:18:58.600 --> 0:19:01.560
<v Speaker 1>It will when I write my awesome women's hockey movie.

0:19:03.440 --> 0:19:06.520
<v Speaker 2>So let's take a quick break and then we will

0:19:06.560 --> 0:19:08.879
<v Speaker 2>come back for the recap.

0:19:09.320 --> 0:19:11.640
<v Speaker 1>First periods over, you could say.

0:19:17.960 --> 0:19:20.960
<v Speaker 2>And we're back and now it's the second period. How

0:19:21.000 --> 0:19:23.120
<v Speaker 2>many are there periods? Okay? There three?

0:19:23.160 --> 0:19:25.480
<v Speaker 1>So this kind of works perfect. Wow.

0:19:25.920 --> 0:19:29.240
<v Speaker 2>Yeah, So the thing that I thought was halftime, it's

0:19:29.240 --> 0:19:32.040
<v Speaker 2>probably not actually halftime there's like two breaks.

0:19:32.359 --> 0:19:35.000
<v Speaker 1>Yeah, there's the middle. Yeah, there's not really any like

0:19:35.200 --> 0:19:39.480
<v Speaker 1>manner of halftime show for hockey. There's like, uh, well

0:19:39.720 --> 0:19:42.960
<v Speaker 1>to guess my ms. The Zamboni's are kind of how

0:19:43.000 --> 0:19:45.120
<v Speaker 1>you know, like, yeah, they come out twice and they

0:19:45.600 --> 0:19:48.600
<v Speaker 1>resurface the ice because that's their kind of one purpose.

0:19:48.960 --> 0:19:53.959
<v Speaker 1>And and sometimes uh, you know, kids and also local

0:19:54.000 --> 0:19:59.359
<v Speaker 1>celebs will come out on the zamboni and sometimes it's

0:19:59.400 --> 0:20:03.320
<v Speaker 1>me Staple Center in January twenty twenty, it was me

0:20:03.560 --> 0:20:06.000
<v Speaker 1>one time. I think we should I think we should

0:20:06.000 --> 0:20:09.280
<v Speaker 1>definitely post a picture of it to our Instagram. Actually absolutely,

0:20:09.440 --> 0:20:13.880
<v Speaker 1>I think it's pretty importantly do. But there's well there's

0:20:13.920 --> 0:20:19.760
<v Speaker 1>also I feel like there's because there's no cheerleading element

0:20:19.960 --> 0:20:23.960
<v Speaker 1>to hockey because it's on ice. But they have like

0:20:24.280 --> 0:20:27.760
<v Speaker 1>what do they call like it's a group of it's

0:20:27.840 --> 0:20:31.280
<v Speaker 1>now a gender inclusive group, but it's like a they

0:20:31.320 --> 0:20:34.640
<v Speaker 1>kind of assist the zamboni's. It's not really as best

0:20:34.680 --> 0:20:38.960
<v Speaker 1>of as cheerleading or dancing. It's really just like excited sweeping.

0:20:39.960 --> 0:20:42.480
<v Speaker 4>And there are there are some teams that will employ

0:20:42.640 --> 0:20:46.080
<v Speaker 4>people to you know, stand in the stairways and everything

0:20:46.160 --> 0:20:46.600
<v Speaker 4>and cheer.

0:20:46.920 --> 0:20:49.760
<v Speaker 1>Okay, I know that job. It seems like a fun job.

0:20:49.840 --> 0:20:52.560
<v Speaker 1>I wonder if I feel like traditionally those jobs are

0:20:52.560 --> 0:20:54.879
<v Speaker 1>really low paid. I wonder what the deal is in hockey.

0:20:54.880 --> 0:20:57.199
<v Speaker 1>But I was like, you know, I would sweep, I

0:20:57.200 --> 0:20:58.639
<v Speaker 1>would sweep in shorts. Why not?

0:20:59.119 --> 0:20:59.959
<v Speaker 2>Yeah, let's do it.

0:21:00.160 --> 0:21:04.000
<v Speaker 1>Anyways, let's what happens in the movie slap Shot let us.

0:21:04.200 --> 0:21:08.400
<v Speaker 2>I would be delighted to tell you. Okay, we meet

0:21:08.760 --> 0:21:14.159
<v Speaker 2>a minor league, right, minor league hockey team called the

0:21:14.280 --> 0:21:19.720
<v Speaker 2>Chiefs from the fictional town of Charlestown, Pennsylvania, not to

0:21:19.760 --> 0:21:24.800
<v Speaker 2>be confused with Charlestown, Massachusetts, which is where the movie

0:21:24.880 --> 0:21:26.840
<v Speaker 2>The Town famously takes place.

0:21:27.200 --> 0:21:29.080
<v Speaker 1>That is kind of the famous town. Wow.

0:21:30.840 --> 0:21:35.720
<v Speaker 2>Okay, so the most seasoned player and also the coach.

0:21:35.800 --> 0:21:38.719
<v Speaker 2>I did not know that the coach of a hockey

0:21:38.720 --> 0:21:41.359
<v Speaker 2>team was also a player. Fascinating to me.

0:21:41.800 --> 0:21:43.240
<v Speaker 1>Can that happen in minor leagues?

0:21:43.359 --> 0:21:43.520
<v Speaker 4>Yeah?

0:21:43.560 --> 0:21:44.000
<v Speaker 1>Is that a thing?

0:21:44.160 --> 0:21:46.840
<v Speaker 4>Yeah? It has been player coaches. The lower you go,

0:21:47.119 --> 0:21:48.960
<v Speaker 4>you never know what you're going to see.

0:21:50.200 --> 0:21:56.399
<v Speaker 2>So the coach slash a player is Reggie Dunlop played

0:21:56.440 --> 0:21:59.719
<v Speaker 2>by Paul Newman Albahabba. And then we meet some other

0:21:59.760 --> 0:22:06.320
<v Speaker 2>players like Ned Bryden. There's a goalie named Denny who

0:22:06.720 --> 0:22:11.120
<v Speaker 2>is French and everyone makes fun of him for English

0:22:11.160 --> 0:22:12.880
<v Speaker 2>not being his first language.

0:22:13.359 --> 0:22:16.480
<v Speaker 1>I really like his opening monologue that ends like with

0:22:16.600 --> 0:22:21.960
<v Speaker 1>him just poetically describing the penalty box and then you

0:22:22.000 --> 0:22:25.240
<v Speaker 1>get free. I was like, whoa, Yes, you feel shame

0:22:25.359 --> 0:22:27.080
<v Speaker 1>and then you get free, and you're like.

0:22:27.200 --> 0:22:32.720
<v Speaker 2>Whoa, Denny. We also meet Joe McGrath, who is the

0:22:32.760 --> 0:22:38.040
<v Speaker 2>team's manager because he's not the coach, so he's the manager.

0:22:38.119 --> 0:22:41.240
<v Speaker 4>Is that right, Mike, Yeah, general managers what you'd call, okay.

0:22:41.800 --> 0:22:46.280
<v Speaker 2>Got it. He has the team do fashion shows to

0:22:46.720 --> 0:22:50.120
<v Speaker 2>promote the games because people aren't coming out as much

0:22:50.240 --> 0:22:53.000
<v Speaker 2>to the games anymore because the Chiefs kind of suck

0:22:53.080 --> 0:22:57.440
<v Speaker 2>and they've been losing a lot. Also, a local mill

0:22:58.080 --> 0:23:01.200
<v Speaker 2>is going to be closing soon in town and it's

0:23:01.359 --> 0:23:05.240
<v Speaker 2>going to potentially mean that Charlestown will sort of dry

0:23:05.400 --> 0:23:08.320
<v Speaker 2>up and then the team might have to fold, so

0:23:08.400 --> 0:23:13.800
<v Speaker 2>that's looming over everybody. We also meet the Hansen brothers.

0:23:14.440 --> 0:23:19.320
<v Speaker 2>They have just been signed over to the Chiefs. They're

0:23:19.440 --> 0:23:24.040
<v Speaker 2>characterized as being a bunch of dipshits who bring their

0:23:24.080 --> 0:23:27.000
<v Speaker 2>toys with them even though they're adults.

0:23:27.240 --> 0:23:29.679
<v Speaker 1>They're yeah, they're young adults. I don't know. It's like

0:23:29.720 --> 0:23:33.080
<v Speaker 1>it didn't shock me that, like when they're like eighteen,

0:23:33.160 --> 0:23:34.280
<v Speaker 1>twenty and twenty.

0:23:34.000 --> 0:23:35.679
<v Speaker 2>One something like that, and then.

0:23:35.520 --> 0:23:38.400
<v Speaker 1>You're just like, yeah, I guess they would bring.

0:23:38.600 --> 0:23:39.680
<v Speaker 2>Their race cars.

0:23:40.200 --> 0:23:41.760
<v Speaker 1>I don't know. I was about to say they're not

0:23:41.840 --> 0:23:43.919
<v Speaker 1>hurting anybody, but that's actually kind of their whole fanger.

0:23:44.119 --> 0:23:47.439
<v Speaker 2>But they do kind of they are super violent on

0:23:47.480 --> 0:23:49.760
<v Speaker 2>the ice, and then they would later go on to

0:23:50.119 --> 0:23:52.919
<v Speaker 2>form a boy band and sing bop.

0:23:53.280 --> 0:23:53.760
<v Speaker 4>I know.

0:23:53.920 --> 0:23:58.040
<v Speaker 1>It's so confusing, Like I got that is that's a

0:23:58.080 --> 0:24:01.080
<v Speaker 1>good generation gap. It's like, who are the hands and

0:24:01.160 --> 0:24:04.680
<v Speaker 1>brothers to you? Right, because I'm going to mbop every time.

0:24:04.880 --> 0:24:07.720
<v Speaker 1>I didn't know that boomers had their own handsome brothers.

0:24:07.840 --> 0:24:12.679
<v Speaker 2>It's true. Okay. So we also meet a few of

0:24:12.720 --> 0:24:19.080
<v Speaker 2>the players' wives. They're his wives, such as Bryden's wife Lily.

0:24:19.960 --> 0:24:23.439
<v Speaker 2>She hates this town. She seems to just kind of

0:24:23.520 --> 0:24:28.440
<v Speaker 2>generally hate her life and possibly her husband. We also

0:24:28.480 --> 0:24:34.119
<v Speaker 2>meet Francine, who is Reggie's ex wife who he is

0:24:34.160 --> 0:24:35.119
<v Speaker 2>trying to win.

0:24:35.119 --> 0:24:38.679
<v Speaker 1>Back to know of it my hero, my favorite character,

0:24:38.760 --> 0:24:40.439
<v Speaker 1>Francine Rocks.

0:24:41.600 --> 0:24:45.359
<v Speaker 2>So the team they wonder who owns the team because

0:24:45.400 --> 0:24:48.639
<v Speaker 2>they don't know, and Reggie is like, I don't know,

0:24:48.680 --> 0:24:54.080
<v Speaker 2>it's just a corporation. And then they're general manager. That

0:24:54.119 --> 0:24:58.280
<v Speaker 2>guy Joe reveals that this is the Chief's last season,

0:24:59.000 --> 0:25:01.640
<v Speaker 2>and the players are worried that they won't be signed

0:25:01.720 --> 0:25:04.399
<v Speaker 2>to another team. Some of them feel like they're getting

0:25:04.440 --> 0:25:08.919
<v Speaker 2>too old to like be a valuable asset to another team.

0:25:09.760 --> 0:25:14.240
<v Speaker 2>Reggie thinks that they might get sold and get transferred

0:25:14.280 --> 0:25:18.080
<v Speaker 2>to a new city. He's thinking somewhere in Florida.

0:25:18.200 --> 0:25:23.800
<v Speaker 1>Reggie is such a mess. It is no secret to

0:25:23.840 --> 0:25:26.480
<v Speaker 1>anyone on this call. And I don't care for the

0:25:26.560 --> 0:25:29.960
<v Speaker 1>character of Reggie. Not a fan of his. I think

0:25:29.960 --> 0:25:33.000
<v Speaker 1>it's so like we'll talk about him more obviously later

0:25:33.000 --> 0:25:36.560
<v Speaker 1>in the episode, but I really like especially the second

0:25:36.560 --> 0:25:39.000
<v Speaker 1>time when I was watching it, it was because he's

0:25:39.080 --> 0:25:42.840
<v Speaker 1>such a piece of shit to everyone, and it's it's

0:25:42.880 --> 0:25:45.960
<v Speaker 1>really interesting to me that like his only redeeming moments

0:25:46.320 --> 0:25:51.480
<v Speaker 1>happen privately, Like he's never publicly nice to anybody privately

0:25:51.640 --> 0:25:54.440
<v Speaker 1>will he will say nice things about people behind their back,

0:25:54.680 --> 0:25:57.240
<v Speaker 1>never to their face, And it just like it made me,

0:25:57.600 --> 0:26:00.960
<v Speaker 1>I don't know, it was an interesting character. I mean,

0:26:01.160 --> 0:26:03.919
<v Speaker 1>it's tricky because it's like, I don't think the movie

0:26:03.960 --> 0:26:07.360
<v Speaker 1>is fully I don't know. I mean I I think

0:26:07.400 --> 0:26:10.160
<v Speaker 1>he's like he's a piece of shit and also kind

0:26:10.200 --> 0:26:12.159
<v Speaker 1>of tragic to me in a way because he just

0:26:12.160 --> 0:26:16.600
<v Speaker 1>seems like someone who needs a friend so badly, but

0:26:16.800 --> 0:26:20.600
<v Speaker 1>like can't stop getting in his own way enough to

0:26:20.720 --> 0:26:24.080
<v Speaker 1>ever like have a friend. Like there's so many characters

0:26:24.080 --> 0:26:27.120
<v Speaker 1>in this movie that he almost forges a friendship with

0:26:27.400 --> 0:26:29.720
<v Speaker 1>but then turns on them or is a piece of

0:26:29.720 --> 0:26:32.400
<v Speaker 1>shit to them, or like feels insecure for a second

0:26:32.440 --> 0:26:34.359
<v Speaker 1>and says something cruel to them, and you're just like

0:26:34.400 --> 0:26:39.080
<v Speaker 1>this person is so like it's it's a mess. He's

0:26:39.119 --> 0:26:41.920
<v Speaker 1>an asshole. But it's also like it's sad, Like it's

0:26:41.920 --> 0:26:44.000
<v Speaker 1>like this guy just needs to get out of his

0:26:44.040 --> 0:26:46.760
<v Speaker 1>own way and make a make a friend, but but

0:26:47.080 --> 0:26:51.320
<v Speaker 1>but he can't do it, and it's it's very frustrating

0:26:51.440 --> 0:26:56.280
<v Speaker 1>to watch him sabotage himself over and over truly.

0:26:57.160 --> 0:27:01.600
<v Speaker 2>Yeah, So he's insecure about the future, sure of the team,

0:27:02.119 --> 0:27:06.600
<v Speaker 2>and he goes to this sports writer Dickie Done aka

0:27:06.880 --> 0:27:09.200
<v Speaker 2>basically Mike loftis, Yeah.

0:27:09.119 --> 0:27:12.080
<v Speaker 1>Dad, did you feel represented? Dicky Done?

0:27:12.720 --> 0:27:14.679
<v Speaker 4>I do like that he's often well just trying to

0:27:14.680 --> 0:27:15.840
<v Speaker 4>catch the spirit of the thing.

0:27:15.920 --> 0:27:18.080
<v Speaker 2>You know, he says this a lot.

0:27:18.200 --> 0:27:22.720
<v Speaker 4>Yes, yes, I mean you know whatever Reggie Dunlop plays him.

0:27:22.960 --> 0:27:26.080
<v Speaker 4>You know obviously, you know kind of plants this story

0:27:26.119 --> 0:27:29.960
<v Speaker 4>about here we're getting sold when you know that never

0:27:30.119 --> 0:27:34.080
<v Speaker 4>was going to happen. Right, So Dickie's Dickie's failure to

0:27:34.240 --> 0:27:35.600
<v Speaker 4>like maybe follow up on that.

0:27:37.200 --> 0:27:40.000
<v Speaker 2>He's not doing very good journalism, yes, because he's doing

0:27:40.000 --> 0:27:41.160
<v Speaker 2>no research.

0:27:41.080 --> 0:27:46.159
<v Speaker 4>But you know he's probably selling some papers, and you know,

0:27:46.280 --> 0:27:49.000
<v Speaker 4>he just it's funny how he just sort of fell

0:27:49.080 --> 0:27:54.359
<v Speaker 4>right into right, right into Reggis. Reggis trapped there.

0:27:54.720 --> 0:27:58.760
<v Speaker 2>Well, he is charming, he is like charismatics. So people are.

0:27:58.600 --> 0:28:01.000
<v Speaker 1>Like, he is hot, so you should probably.

0:28:00.960 --> 0:28:03.320
<v Speaker 2>Be so hot. So everyone listens to him.

0:28:03.560 --> 0:28:05.520
<v Speaker 4>And that's a great line too where there you know, Paul,

0:28:05.880 --> 0:28:08.640
<v Speaker 4>you know Reggie is reading the story. Hey, Dickie Dunn

0:28:08.640 --> 0:28:10.720
<v Speaker 4>wrote it. You know it's true, right.

0:28:12.520 --> 0:28:18.680
<v Speaker 1>Also, Uh, it's it's stereotypes. Uh, sports writers as bad parents.

0:28:20.440 --> 0:28:23.160
<v Speaker 1>His daughter run out and her brother was bullying her,

0:28:23.240 --> 0:28:26.119
<v Speaker 1>and he's like, all right, resolve it among yourselves. Talking

0:28:26.160 --> 0:28:27.119
<v Speaker 1>to Paul Newman.

0:28:26.880 --> 0:28:30.640
<v Speaker 2>I'm doing business, right, now I'm mister business, bad representation.

0:28:31.520 --> 0:28:32.959
<v Speaker 4>I think there might have been a drink or two

0:28:33.040 --> 0:28:33.440
<v Speaker 4>there too.

0:28:33.840 --> 0:28:36.200
<v Speaker 1>Oh yeah, yeah, he said, he said, go away kids,

0:28:36.200 --> 0:28:38.320
<v Speaker 1>and then he starts drinking again. There's a lot of

0:28:38.400 --> 0:28:42.720
<v Speaker 1>drinking in this movie, so much drinking. Yeah, Dad, you'll

0:28:42.800 --> 0:28:45.800
<v Speaker 1>have to explain the seventies.

0:28:49.680 --> 0:28:53.240
<v Speaker 2>So Dickie Dunn is like, that's ridiculous. No one's gonna

0:28:53.240 --> 0:28:56.640
<v Speaker 2>buy a fifth place team, and Reggie is like, well

0:28:56.720 --> 0:29:02.200
<v Speaker 2>that's about to change. Mean, while Reggie is having an

0:29:02.240 --> 0:29:08.160
<v Speaker 2>affair with an opponent's wife, his wife Suzanne, and she

0:29:08.320 --> 0:29:12.560
<v Speaker 2>tells Reggie that she's been sleeping with other women recently,

0:29:13.320 --> 0:29:18.800
<v Speaker 2>which Reggie uses when he plays his opponent the following week.

0:29:18.920 --> 0:29:25.480
<v Speaker 2>This guy named Hanrahan Han Rahn. That will we'll talk

0:29:25.480 --> 0:29:26.080
<v Speaker 2>about that.

0:29:26.080 --> 0:29:29.200
<v Speaker 1>That'll be a whole thing, because that's it's like, that's

0:29:29.200 --> 0:29:32.560
<v Speaker 1>something that this movie is so constantly infuriating, mostly because

0:29:32.600 --> 0:29:36.680
<v Speaker 1>of regg Yeah, where you're like, oh wow, I would

0:29:36.680 --> 0:29:38.640
<v Speaker 1>guess that that wouldn't be something that would be like

0:29:38.720 --> 0:29:41.400
<v Speaker 1>commonly discussed in a popular movie in the seventies, and

0:29:41.400 --> 0:29:44.600
<v Speaker 1>then in the next scene you're like, well, what was

0:29:44.640 --> 0:29:46.520
<v Speaker 1>the point, Like, if you're just going to do that.

0:29:46.440 --> 0:29:51.120
<v Speaker 2>What was the point exactly? Yeah. So Hanrahan is the

0:29:51.120 --> 0:29:54.840
<v Speaker 2>goalie for the other team, and Reggie is taunting him

0:29:55.040 --> 0:29:58.040
<v Speaker 2>and saying, you know your wife is a lesbian. But

0:29:58.120 --> 0:30:02.160
<v Speaker 2>he's using a lot of slurs and it makes hanrah

0:30:02.240 --> 0:30:07.000
<v Speaker 2>Han so mad and distracted that he gets scored on

0:30:07.240 --> 0:30:11.200
<v Speaker 2>a bunch and the Chiefs win, also partly because they

0:30:11.200 --> 0:30:14.200
<v Speaker 2>get very violent and start beating the shit out of

0:30:14.400 --> 0:30:15.400
<v Speaker 2>the other team.

0:30:15.400 --> 0:30:18.960
<v Speaker 1>Which is sort of like becoming their new Emma Owing card.

0:30:19.320 --> 0:30:24.400
<v Speaker 2>Yeah, yeah, yes. Meanwhile, we have a scene with Lily.

0:30:24.560 --> 0:30:27.560
<v Speaker 2>She's still having a really hard time. It seems like

0:30:27.680 --> 0:30:31.880
<v Speaker 2>Brandon is cheating on her, and then Reggie tries to

0:30:32.000 --> 0:30:35.440
<v Speaker 2>comfort her, but in a very sleazy way where he's like,

0:30:35.720 --> 0:30:38.000
<v Speaker 2>come over, I'll give you a foot rub.

0:30:38.240 --> 0:30:43.080
<v Speaker 1>He's so frustrating. I'm just like, she that's whatever I mean.

0:30:43.120 --> 0:30:46.160
<v Speaker 1>I guess the choice is consistent with Reggie's character, but

0:30:46.200 --> 0:30:49.720
<v Speaker 1>I'm just like, ah, these two characters, they both need

0:30:49.760 --> 0:30:52.000
<v Speaker 1>a friend. Why can't they be friends to each other?

0:30:52.080 --> 0:30:54.800
<v Speaker 1>But it's because Reggie can't because he's a creep. Yeah,

0:30:54.800 --> 0:30:56.120
<v Speaker 1>because he can't not be a creep.

0:30:56.280 --> 0:30:58.400
<v Speaker 2>But he's not even the most creepy guy on the

0:30:58.440 --> 0:31:01.040
<v Speaker 2>team because that's a guy named Morris's.

0:31:01.240 --> 0:31:03.520
<v Speaker 1>Oh he's a disaster. Yeah.

0:31:03.560 --> 0:31:08.800
<v Speaker 2>Anyway, so the team sees this story in the paper

0:31:08.920 --> 0:31:12.440
<v Speaker 2>that Dicky Dunn had printed about how the Chiefs are

0:31:12.480 --> 0:31:16.000
<v Speaker 2>going to get bought and transferred to Florida, which they're

0:31:16.120 --> 0:31:21.680
<v Speaker 2>very excited about. And so, with the team morale higher

0:31:21.720 --> 0:31:25.800
<v Speaker 2>than ever, the Chiefs start winning a bunch, although again

0:31:25.800 --> 0:31:30.200
<v Speaker 2>they're playing way rougher than normal. There's lots of punching

0:31:30.360 --> 0:31:34.959
<v Speaker 2>and bloody faces and stuff. Although Brayden is opposed to

0:31:35.120 --> 0:31:38.920
<v Speaker 2>playing dirty, he thinks it's cheap and not the right

0:31:38.960 --> 0:31:40.720
<v Speaker 2>way to win, which.

0:31:40.640 --> 0:31:43.280
<v Speaker 1>He'll sort of like built into He's like, I went

0:31:43.360 --> 0:31:47.360
<v Speaker 1>to college. I'm not none of this nonsense. I went

0:31:47.440 --> 0:31:48.280
<v Speaker 1>to college.

0:31:48.400 --> 0:31:51.120
<v Speaker 2>Yeah, I'm still a piece of shit who's cheating on

0:31:51.240 --> 0:31:53.440
<v Speaker 2>my wife, but I have morals.

0:31:53.520 --> 0:31:56.880
<v Speaker 1>But I went to college.

0:31:57.120 --> 0:32:00.720
<v Speaker 2>But Reggie is very pro all of this hockey violence,

0:32:00.840 --> 0:32:03.440
<v Speaker 2>and he starts putting the Hansen brothers in the game,

0:32:03.920 --> 0:32:08.280
<v Speaker 2>whose entire strategy is just to punch the ship out

0:32:08.320 --> 0:32:09.520
<v Speaker 2>of their opponents.

0:32:09.880 --> 0:32:11.680
<v Speaker 1>I kind of love the hands, Like, it's kind of

0:32:11.680 --> 0:32:13.760
<v Speaker 1>hard not to love the Hansen brothers.

0:32:13.920 --> 0:32:16.880
<v Speaker 2>They're so goofy, they're extremely goofy.

0:32:17.160 --> 0:32:21.600
<v Speaker 1>Wait, my dad's got some some a real real sleigh

0:32:21.840 --> 0:32:26.000
<v Speaker 1>of a of a context corner for them. But oh okay,

0:32:26.160 --> 0:32:28.560
<v Speaker 1>I love I love the hands and brothers. They're fun.

0:32:30.840 --> 0:32:38.360
<v Speaker 2>I yeah, there's awesome anyway. So, uh, the team continues

0:32:38.400 --> 0:32:42.920
<v Speaker 2>to speculate who the owner is. Meanwhile, this thing is

0:32:42.920 --> 0:32:47.520
<v Speaker 2>happening where Reggie just like keeps lying about the team

0:32:47.560 --> 0:32:51.880
<v Speaker 2>getting bought and sold to keep the morale up. And

0:32:52.240 --> 0:32:56.160
<v Speaker 2>also maybe he's just like deluding himself because he knows

0:32:56.200 --> 0:32:59.320
<v Speaker 2>that he's about to reach a point where he's probably

0:32:59.320 --> 0:33:02.600
<v Speaker 2>gonna have to tire and he's so insecure and he

0:33:02.640 --> 0:33:04.040
<v Speaker 2>can't deal with it.

0:33:04.040 --> 0:33:08.720
<v Speaker 1>It's so I read this incredible essay about how Reggie

0:33:09.440 --> 0:33:14.720
<v Speaker 1>is a metaphor for the men of Pittsburgh in the seventies. Wow,

0:33:14.760 --> 0:33:17.840
<v Speaker 1>and I'm just like, I'm excited to talk about it later.

0:33:18.000 --> 0:33:24.960
<v Speaker 2>Okay, Okay. So then Reggie sees Francene with another guy

0:33:25.280 --> 0:33:29.320
<v Speaker 2>and he's kind of like following her around and calling

0:33:29.320 --> 0:33:32.320
<v Speaker 2>different places that he knows that she frequents to try

0:33:32.360 --> 0:33:36.840
<v Speaker 2>to like see who she's been there with. Very stalker behavior.

0:33:37.080 --> 0:33:38.640
<v Speaker 1>Yeah he's doing I mean he does the same thing

0:33:38.680 --> 0:33:40.960
<v Speaker 1>to Lily. He like jumps in her car at one point,

0:33:41.080 --> 0:33:44.600
<v Speaker 1>like he's just he has no no issue really inserting

0:33:44.680 --> 0:33:45.480
<v Speaker 1>being around.

0:33:45.720 --> 0:33:49.760
<v Speaker 2>Yeah yeah, And he bumps into her at some point,

0:33:49.800 --> 0:33:53.160
<v Speaker 2>and franccene tells Reggie that she's moving to Long Island,

0:33:54.080 --> 0:33:58.880
<v Speaker 2>which I'm like, yes, please get away from him. Then

0:33:59.160 --> 0:34:04.160
<v Speaker 2>there's an upcoming game against Syracuse, so Reggie goes on

0:34:04.880 --> 0:34:08.000
<v Speaker 2>the radio for an interview and he says that he's

0:34:08.160 --> 0:34:11.799
<v Speaker 2>putting a bounty on I don't know if it's that

0:34:11.960 --> 0:34:14.120
<v Speaker 2>team's coach or just kind of like one of their

0:34:14.160 --> 0:34:17.480
<v Speaker 2>star players, this guy Tim McCracken. And he's like, I'm

0:34:17.480 --> 0:34:20.640
<v Speaker 2>paying one hundred dollars of my own money for someone

0:34:20.719 --> 0:34:21.960
<v Speaker 2>to kill him.

0:34:22.360 --> 0:34:26.240
<v Speaker 1>It's such a love bounty. It's kind of fun, right.

0:34:27.680 --> 0:34:30.920
<v Speaker 2>And then there's this player who has given himself the

0:34:31.040 --> 0:34:35.360
<v Speaker 2>nickname Killer and he's like, I'll do it. I'll kill

0:34:35.520 --> 0:34:41.880
<v Speaker 2>Tim McCracken. Anyway, Lily shows up at Reggie's place with

0:34:42.000 --> 0:34:45.800
<v Speaker 2>her huge Saint Bernard dog. She seems to have left

0:34:46.160 --> 0:34:48.800
<v Speaker 2>Bryden and she has a new lease online.

0:34:48.880 --> 0:34:49.959
<v Speaker 1>He doesn't know it yet.

0:34:50.040 --> 0:34:55.040
<v Speaker 2>He doesn't know it yet, let's see. Then Reggie takes

0:34:55.239 --> 0:34:59.319
<v Speaker 2>Lily to Francine's hair salon and she gets a bit

0:34:59.320 --> 0:34:59.799
<v Speaker 2>of a makeo.

0:35:00.680 --> 0:35:04.080
<v Speaker 1>I have some I have complicated thoughts about that scene

0:35:04.080 --> 0:35:06.560
<v Speaker 1>because I feel like that scene's heart is in the

0:35:06.640 --> 0:35:09.960
<v Speaker 1>right place, but it's kind of broadly done. But I'm

0:35:09.960 --> 0:35:10.799
<v Speaker 1>excited to talk about it.

0:35:10.840 --> 0:35:14.960
<v Speaker 2>Yeah, yeah, Yeah. Then Reggie finally figures out who the

0:35:15.000 --> 0:35:18.440
<v Speaker 2>owner of the Chiefs is and he goes to see

0:35:18.760 --> 0:35:25.680
<v Speaker 2>him just kidding. It's a woman jeamed whit Anita McCambridge,

0:35:26.360 --> 0:35:28.520
<v Speaker 2>and he wants to know how the sale of the

0:35:28.520 --> 0:35:31.720
<v Speaker 2>team is going, but she tells him that she plans

0:35:31.760 --> 0:35:35.040
<v Speaker 2>to fold the team and take a tax loss rather

0:35:35.080 --> 0:35:37.440
<v Speaker 2>than sell it because she won't make enough of a

0:35:37.480 --> 0:35:39.040
<v Speaker 2>profit if she sells the team.

0:35:39.440 --> 0:35:43.680
<v Speaker 1>It's like every single decision, like every streamer is making

0:35:43.760 --> 0:35:47.440
<v Speaker 1>right now, they're like, no, actually, we're deleting your entire

0:35:47.560 --> 0:35:50.960
<v Speaker 1>life and career because it suits me today.

0:35:51.320 --> 0:35:51.759
<v Speaker 4>Fuck you.

0:35:52.320 --> 0:35:58.840
<v Speaker 2>Yikes. And so this news infuriates Reggie and he brutally

0:35:58.880 --> 0:36:01.920
<v Speaker 2>insults her son and then storms out.

0:36:02.239 --> 0:36:05.759
<v Speaker 1>Classic Reggie, He's like, well, I'm feeling a little insecure

0:36:05.760 --> 0:36:09.279
<v Speaker 1>and angry. Let me insult someone who's not here in

0:36:09.360 --> 0:36:12.560
<v Speaker 1>the cruelest way I can possibly think of, truly, kind

0:36:12.560 --> 0:36:13.120
<v Speaker 1>of his whole thing.

0:36:13.320 --> 0:36:17.399
<v Speaker 2>Then Reggie comes clean to his team. He admits that

0:36:17.440 --> 0:36:21.480
<v Speaker 2>there's no deal for them to be bought and moved

0:36:21.560 --> 0:36:25.920
<v Speaker 2>to Florida. That Ned was right all along. They shouldn't

0:36:25.920 --> 0:36:28.480
<v Speaker 2>be resorting to all of this violence as a way

0:36:28.520 --> 0:36:31.680
<v Speaker 2>to win games. And this is Reggie's last game and

0:36:31.760 --> 0:36:35.080
<v Speaker 2>he's gonna play it straight and try to win that

0:36:35.320 --> 0:36:40.320
<v Speaker 2>championship honestly and legitimately. But this is when they're playing

0:36:40.400 --> 0:36:44.239
<v Speaker 2>Syracuse and that team is ready for a bloodbath. So

0:36:44.280 --> 0:36:49.400
<v Speaker 2>the game starts and the Syracuse team are fighting, but

0:36:49.480 --> 0:36:53.120
<v Speaker 2>the Chiefs aren't fighting back, and they're losing. And then

0:36:53.360 --> 0:36:58.640
<v Speaker 2>it's not halftime, it's either after the first or second period.

0:37:00.040 --> 0:37:04.480
<v Speaker 2>They're like in the locker room and their general manager

0:37:04.560 --> 0:37:07.960
<v Speaker 2>Joe is like, hey, there's a bunch of NHL scouts

0:37:08.000 --> 0:37:10.839
<v Speaker 2>in the crowd, so you have to put on a

0:37:10.880 --> 0:37:15.520
<v Speaker 2>good show for them, and Reggie's like, okay, forget everything

0:37:15.560 --> 0:37:17.799
<v Speaker 2>I said. We're gonna play dirty, and then we just

0:37:17.840 --> 0:37:24.360
<v Speaker 2>like cut to everyone punching each other. Francine and Lily

0:37:24.440 --> 0:37:28.880
<v Speaker 2>show up to the game, and Braiden sees his wife

0:37:29.600 --> 0:37:31.880
<v Speaker 2>and he's like, wow.

0:37:31.760 --> 0:37:34.239
<v Speaker 1>This part is where this is where like the whole

0:37:34.280 --> 0:37:36.959
<v Speaker 1>Lily story falls apart from me where I'm like, what

0:37:37.880 --> 0:37:41.440
<v Speaker 1>happened here? So confused about what happens with Lily's character.

0:37:41.840 --> 0:37:44.920
<v Speaker 2>Yeah, I don't know sure, and I also don't know

0:37:45.000 --> 0:37:49.480
<v Speaker 2>exactly what prompts this. But Braiden goes out on the

0:37:49.680 --> 0:37:55.200
<v Speaker 2>ice while everyone well everyone's just punching each other and

0:37:55.239 --> 0:37:58.640
<v Speaker 2>not playing hockey even a little bit, and Braiden starts

0:37:58.680 --> 0:38:02.200
<v Speaker 2>doing a strip tease, and everyone in the crowd and

0:38:02.239 --> 0:38:07.040
<v Speaker 2>all the players are like, te wow, And for.

0:38:07.040 --> 0:38:10.400
<v Speaker 1>Some reason this solves all of the problems in his marriage.

0:38:10.680 --> 0:38:14.319
<v Speaker 1>You're just like, it's very cinematic, but you're just like,

0:38:14.640 --> 0:38:17.680
<v Speaker 1>it doesn't make sense, but it's a very movie behavior.

0:38:18.560 --> 0:38:22.640
<v Speaker 2>Yeah, and he does the strip tease and it somehow

0:38:22.960 --> 0:38:26.360
<v Speaker 2>wins the game. I don't know if the other team forfits.

0:38:26.400 --> 0:38:27.480
<v Speaker 2>I don't know what happens.

0:38:28.480 --> 0:38:33.200
<v Speaker 4>I could tell you. So as as Ned is doing

0:38:33.239 --> 0:38:35.759
<v Speaker 4>his strip tease, one of the players, one of the

0:38:36.000 --> 0:38:40.040
<v Speaker 4>it might be Tim McCracken, is furious and he's like,

0:38:40.200 --> 0:38:43.080
<v Speaker 4>you know, during the middle of this bloodbath, he starts

0:38:43.120 --> 0:38:46.400
<v Speaker 4>to yell at the official like that's disgusting. Make him stop,

0:38:47.040 --> 0:38:49.680
<v Speaker 4>And the officials like, what do you mean, it's disgusting

0:38:49.719 --> 0:38:51.800
<v Speaker 4>look at this, and they end up with an argument e.

0:38:51.880 --> 0:38:55.440
<v Speaker 4>McCracken or the you know, the opponent hits the official.

0:38:55.680 --> 0:38:59.960
<v Speaker 4>He which is, no matter how low the miners or whatever,

0:39:00.239 --> 0:39:04.200
<v Speaker 4>you know, you can't hit an official. And he hit him,

0:39:04.200 --> 0:39:07.040
<v Speaker 4>and the officials says that's it. The game's over. You forfeit.

0:39:07.280 --> 0:39:11.720
<v Speaker 2>You know, got it? Okay, okay, nice, okay. It reminds

0:39:11.719 --> 0:39:14.480
<v Speaker 2>me of an air bud when they're like, there's nothing

0:39:14.520 --> 0:39:17.360
<v Speaker 2>in the rule book that says a dog can't play basketball.

0:39:17.640 --> 0:39:19.800
<v Speaker 2>It's like, there's nothing in the rule book that says

0:39:19.800 --> 0:39:23.640
<v Speaker 2>a player can't come out and strip to win the game.

0:39:23.880 --> 0:39:26.120
<v Speaker 1>Right, you can maybe get a penalty for it.

0:39:26.200 --> 0:39:30.080
<v Speaker 4>Play was stopped at the time, you know, it doesn't.

0:39:30.160 --> 0:39:33.640
<v Speaker 1>It's true, so he's basically just doing it. It's like

0:39:33.719 --> 0:39:36.160
<v Speaker 1>that that could have been the the ice sweepers, it

0:39:36.160 --> 0:39:38.920
<v Speaker 1>could have been, could have been anything, and he happened

0:39:39.560 --> 0:39:43.200
<v Speaker 1>to do that. I don't, yeah, I have so the

0:39:43.239 --> 0:39:45.759
<v Speaker 1>way that this movie it's so bizarre. We were talking

0:39:45.800 --> 0:39:47.279
<v Speaker 1>about it when we were watching it a couple of

0:39:47.360 --> 0:39:50.320
<v Speaker 1>nights ago, where it's like this movie in the last

0:39:50.400 --> 0:39:52.440
<v Speaker 1>half of it, like I'd be on board, and then

0:39:52.440 --> 0:39:54.080
<v Speaker 1>it would lose me for ten minutes, and I'd be

0:39:54.080 --> 0:39:55.359
<v Speaker 1>back for a couple of minutes, and then it would

0:39:55.440 --> 0:39:57.200
<v Speaker 1>lose me for ten minutes, and then I kind of

0:39:57.320 --> 0:39:59.839
<v Speaker 1>liked the ending, and it was like I didn't see

0:40:00.600 --> 0:40:03.560
<v Speaker 1>I don't like, well, whatever, we're at the end, basically, yeah,

0:40:03.560 --> 0:40:07.200
<v Speaker 1>but like it lost me during this whole game, because

0:40:07.200 --> 0:40:11.799
<v Speaker 1>you're like, why does ned stripping on ice solve the

0:40:11.840 --> 0:40:18.040
<v Speaker 1>issue of infidelity and them hating it each other? And

0:40:18.080 --> 0:40:21.120
<v Speaker 1>then it seems like well whatever, Like I'm I didn't

0:40:21.360 --> 0:40:24.120
<v Speaker 1>dislike the scene between Lily and Francine, even though it

0:40:24.160 --> 0:40:28.360
<v Speaker 1>was like whatever channeled into the idea and to a makeover.

0:40:28.760 --> 0:40:31.040
<v Speaker 1>I think you can make the argument that it was

0:40:31.080 --> 0:40:34.080
<v Speaker 1>like she was getting a makeover to feel better about herself.

0:40:34.200 --> 0:40:37.760
<v Speaker 1>It didn't seem like it was overtly for her husband

0:40:37.880 --> 0:40:40.359
<v Speaker 1>or for anyone except for herself.

0:40:39.840 --> 0:40:42.400
<v Speaker 2>Because she had already left him by that point.

0:40:42.520 --> 0:40:44.960
<v Speaker 1>Yeah, it seemed like she was doing it to feel

0:40:45.000 --> 0:40:46.919
<v Speaker 1>more confident about herself. And I don't have an issue

0:40:46.920 --> 0:40:49.960
<v Speaker 1>with that, but it just seems like it's like implied

0:40:49.960 --> 0:40:55.040
<v Speaker 1>that something happens between Lily and Francine off screen that

0:40:55.560 --> 0:40:57.040
<v Speaker 1>leads because I'm like, I don't even know why they

0:40:57.040 --> 0:40:59.640
<v Speaker 1>show up at that hockey game. It's confusing to me

0:40:59.680 --> 0:41:03.239
<v Speaker 1>because it seems like Lily or Francines like getting really

0:41:03.360 --> 0:41:06.000
<v Speaker 1>gassed up to like get out into the world and

0:41:06.080 --> 0:41:09.720
<v Speaker 1>start her life. Like whether that's dating or moving or whatever,

0:41:09.760 --> 0:41:12.239
<v Speaker 1>it is kind of unclear. But then it's like, the

0:41:12.280 --> 0:41:13.920
<v Speaker 1>next time we see them, they're at the hockey game.

0:41:13.960 --> 0:41:15.600
<v Speaker 1>You're like, when did you guys decide to go to

0:41:15.640 --> 0:41:18.040
<v Speaker 1>the hockey game? Why? It seems like the opposite of

0:41:18.040 --> 0:41:18.960
<v Speaker 1>what Lily was trying to do.

0:41:19.040 --> 0:41:21.200
<v Speaker 2>Right, they should have gone out to dinner.

0:41:21.760 --> 0:41:24.640
<v Speaker 1>They should have gone out to a singles bar.

0:41:25.000 --> 0:41:28.120
<v Speaker 2>Right, and then they could have started a book club together.

0:41:28.680 --> 0:41:32.000
<v Speaker 2>You know, I don't know anyway, So we cut to

0:41:33.080 --> 0:41:37.439
<v Speaker 2>a parade. The team I think has disbanded, but the

0:41:37.480 --> 0:41:41.040
<v Speaker 2>players seems like they're getting contracts to go play on

0:41:41.160 --> 0:41:45.200
<v Speaker 2>other teams. Reggie is going to go play in Minneapolis.

0:41:45.920 --> 0:41:48.560
<v Speaker 2>He tries to get Francine to come with him, but

0:41:48.680 --> 0:41:54.080
<v Speaker 2>she's like pass. But Lily and Braden do get back

0:41:54.120 --> 0:41:58.280
<v Speaker 2>together in an infuriating moment, and then.

0:41:58.120 --> 0:42:02.240
<v Speaker 1>Everyone I've never been so it on different characters endings

0:42:02.239 --> 0:42:05.280
<v Speaker 1>where it's like I'm thrilled for Francine and I'm completely

0:42:05.280 --> 0:42:06.280
<v Speaker 1>confused by Lily.

0:42:06.520 --> 0:42:10.160
<v Speaker 2>Yeah, but anyway, but everyone's celebrating at the parade, and

0:42:10.200 --> 0:42:15.280
<v Speaker 2>that's how the movie ends. So let's take another break.

0:42:16.360 --> 0:42:19.960
<v Speaker 2>Second period period is over. Is there a big Is

0:42:20.000 --> 0:42:23.319
<v Speaker 2>there a big buzzer in hockey to like signify the

0:42:23.400 --> 0:42:24.080
<v Speaker 2>end of a period?

0:42:24.160 --> 0:42:25.719
<v Speaker 4>Well, I think it's a siren, you know.

0:42:25.840 --> 0:42:36.520
<v Speaker 2>Oh okay, so a wuga will be right back. We're back,

0:42:36.560 --> 0:42:39.240
<v Speaker 2>and it's time for the third period.

0:42:39.560 --> 0:42:42.120
<v Speaker 1>And the third period can go on for a while.

0:42:42.360 --> 0:42:44.840
<v Speaker 2>Mm hmm. There's no time limit.

0:42:45.239 --> 0:42:48.040
<v Speaker 1>If things are tight, you know. Sometimes sometimes it just

0:42:48.239 --> 0:42:48.719
<v Speaker 1>keeps going.

0:42:48.800 --> 0:42:50.160
<v Speaker 2>Sometimes we go into overtime.

0:42:50.280 --> 0:42:51.920
<v Speaker 4>Overtime, yes on the Bechdel cast.

0:42:52.160 --> 0:42:56.000
<v Speaker 5>Yes, oh that's exactly Okay, I wonder that's that's when

0:42:56.040 --> 0:42:57.800
<v Speaker 5>we do the our scoring.

0:42:57.960 --> 0:43:01.319
<v Speaker 2>That's oh yeah, that's like the penalty shootout kind of thing.

0:43:01.600 --> 0:43:05.839
<v Speaker 1>Yeah. So, Dad, I before we get into the full analysis,

0:43:05.920 --> 0:43:11.960
<v Speaker 1>I'm curious, do you feel that the sport of hockey

0:43:12.200 --> 0:43:16.279
<v Speaker 1>is like does this feel authentic to because you, I

0:43:16.280 --> 0:43:19.000
<v Speaker 1>mean like we're reporting like on the road with teams

0:43:19.480 --> 0:43:23.360
<v Speaker 1>and reporting from locker rooms for decades. Does this movie

0:43:23.400 --> 0:43:29.360
<v Speaker 1>feel close for the era? Does it feel overblown and moviefied, like,

0:43:29.400 --> 0:43:33.360
<v Speaker 1>how does it square with your experience in this arena?

0:43:33.760 --> 0:43:37.200
<v Speaker 4>You know, hey, you know, it's a good question. I

0:43:37.200 --> 0:43:39.760
<v Speaker 4>mean I think, you know, when I watched that movie,

0:43:40.440 --> 0:43:45.360
<v Speaker 4>everything in it from the hockey standpoint is just an exaggeration.

0:43:45.880 --> 0:43:46.080
<v Speaker 1>You know.

0:43:47.120 --> 0:43:50.399
<v Speaker 4>It's like, you know, yes there is locker room talk,

0:43:51.360 --> 0:43:55.040
<v Speaker 4>but some of the extent that these guys, you know, no,

0:43:55.120 --> 0:43:57.920
<v Speaker 4>I don't think. I mean, I never heard the violence

0:43:58.000 --> 0:44:01.680
<v Speaker 4>in games. You know. Yes, it's a very very physical game,

0:44:01.760 --> 0:44:05.040
<v Speaker 4>and I would say back in that era that was

0:44:05.080 --> 0:44:07.319
<v Speaker 4>more of a factor, that was more of a strategy

0:44:07.960 --> 0:44:12.520
<v Speaker 4>than it is now. And also to the NHL, it's

0:44:12.520 --> 0:44:15.520
<v Speaker 4>like any major sport, people follow him. There's like the

0:44:15.520 --> 0:44:19.560
<v Speaker 4>top level and then there are different tiers in hockey.

0:44:19.640 --> 0:44:23.120
<v Speaker 4>The lower that you go, you know, you're probably not

0:44:23.200 --> 0:44:25.200
<v Speaker 4>going to make it, you know, you might you know,

0:44:25.280 --> 0:44:29.760
<v Speaker 4>move up another level or two. So the crazier things,

0:44:29.840 --> 0:44:32.840
<v Speaker 4>I guess, you know, would tend to happen, you know,

0:44:32.880 --> 0:44:37.439
<v Speaker 4>in the lower minors, smaller towns, you know, smaller franchises,

0:44:37.520 --> 0:44:40.400
<v Speaker 4>things like that. I mean, and that's you know, that's

0:44:40.600 --> 0:44:41.959
<v Speaker 4>kind of where the movie came from.

0:44:42.000 --> 0:44:42.160
<v Speaker 2>Now.

0:44:42.280 --> 0:44:44.719
<v Speaker 4>Nancy Dowd's brother.

0:44:44.960 --> 0:44:46.800
<v Speaker 1>Ned Nancy the writer.

0:44:47.600 --> 0:44:51.760
<v Speaker 4>Yes, I'm sorry. Yeah, So her brother played college hockey

0:44:51.840 --> 0:44:55.080
<v Speaker 4>in Maine, and then he played two years a low

0:44:55.160 --> 0:44:58.840
<v Speaker 4>minor professional hockey league, and he would he you know,

0:44:58.880 --> 0:45:01.080
<v Speaker 4>he would tell his sisters worries about the you know,

0:45:01.160 --> 0:45:04.920
<v Speaker 4>the things that happened, and thus the movie. You know,

0:45:05.200 --> 0:45:07.560
<v Speaker 4>so a lot of it. There's a lot of things

0:45:08.239 --> 0:45:11.200
<v Speaker 4>that are based on things that actually did happen. And

0:45:11.239 --> 0:45:14.080
<v Speaker 4>I think that, you know, for film purposes and everything,

0:45:14.719 --> 0:45:17.200
<v Speaker 4>you know, it's it's amplified and exaggerated.

0:45:17.760 --> 0:45:20.720
<v Speaker 1>That's something I mean, I guess that's like a place

0:45:20.760 --> 0:45:23.040
<v Speaker 1>that I would be down to start, is just talking

0:45:23.040 --> 0:45:25.120
<v Speaker 1>a little bit about the behind the scenes process of

0:45:25.160 --> 0:45:27.680
<v Speaker 1>this movie, because I didn't I know that. I mean,

0:45:27.760 --> 0:45:29.920
<v Speaker 1>the one fact I knew about this movie other than

0:45:30.120 --> 0:45:33.120
<v Speaker 1>it's where the hands and brother's glasses comes from, is

0:45:33.280 --> 0:45:35.279
<v Speaker 1>what my dad told me five thousand times, which is

0:45:35.280 --> 0:45:37.919
<v Speaker 1>that a woman wrote the movie. It was the fact

0:45:38.000 --> 0:45:41.200
<v Speaker 1>that I knew, but I didn't know I actually really liked.

0:45:41.360 --> 0:45:43.240
<v Speaker 1>I don't know, it's like it I was like, oh,

0:45:43.360 --> 0:45:47.600
<v Speaker 1>I kind of do stuff like that sometimes. Where Nancy down, Yeah,

0:45:47.640 --> 0:45:50.960
<v Speaker 1>like she heard that her brother was involved in this

0:45:51.080 --> 0:45:53.440
<v Speaker 1>what was the name of the team that the Chiefs

0:45:53.440 --> 0:45:54.040
<v Speaker 1>are based.

0:45:53.840 --> 0:45:58.600
<v Speaker 4>On, the Johnstown Jets, okay in Pennsylvania, So that was

0:45:58.640 --> 0:45:59.120
<v Speaker 4>a team.

0:45:59.000 --> 0:46:03.000
<v Speaker 1>Her brother was on. He called basically with the premise

0:46:03.080 --> 0:46:05.600
<v Speaker 1>to slap shot that this you know team was not

0:46:05.600 --> 0:46:07.279
<v Speaker 1>going to be around for much longer, and so she

0:46:07.960 --> 0:46:10.800
<v Speaker 1>followed them around for a month, and she like shadowed

0:46:10.800 --> 0:46:15.520
<v Speaker 1>them and did basically like Gonzo's style, following this minor

0:46:15.600 --> 0:46:18.200
<v Speaker 1>league team around. And so a lot of what she

0:46:18.680 --> 0:46:22.120
<v Speaker 1>saw went directly into the movie in the script, which

0:46:22.200 --> 0:46:24.359
<v Speaker 1>I think you can argue works for and against it

0:46:24.400 --> 0:46:27.359
<v Speaker 1>because it's like if she's presenting in this the late

0:46:27.400 --> 0:46:30.839
<v Speaker 1>seventies that authentically a lot of it doesn't age well

0:46:30.880 --> 0:46:34.040
<v Speaker 1>because it was, you know, almost fifty years ago, but

0:46:34.120 --> 0:46:37.400
<v Speaker 1>it does seem like that was sort of her goal

0:46:37.920 --> 0:46:40.560
<v Speaker 1>in writing it and what she was trying to present.

0:46:40.640 --> 0:46:43.400
<v Speaker 1>And so I went back to the way that this

0:46:43.480 --> 0:46:46.520
<v Speaker 1>movie was originally covered because it was like a hit.

0:46:46.600 --> 0:46:49.479
<v Speaker 1>It was a box office success, people liked it, Paul

0:46:49.560 --> 0:46:51.960
<v Speaker 1>Newman was in it, and it was also like I

0:46:52.000 --> 0:46:54.880
<v Speaker 1>thought it was interesting that it was drawn attention to

0:46:54.960 --> 0:46:57.520
<v Speaker 1>when the movie came out, that these were like, quote,

0:46:57.719 --> 0:46:59.440
<v Speaker 1>I'm just trying to think if there's like a contemporary

0:46:59.480 --> 0:47:01.440
<v Speaker 1>example of it where they were like quote unquote like

0:47:01.760 --> 0:47:07.960
<v Speaker 1>respectable filmmakers making this raunchy comedy. Because the director of

0:47:08.000 --> 0:47:11.600
<v Speaker 1>this movie, George roy Hill, like he directed Butch Cassidy,

0:47:11.640 --> 0:47:16.160
<v Speaker 1>he'd done all of these like, you know, really prestige sensitive, thoughtful,

0:47:16.360 --> 0:47:20.080
<v Speaker 1>prestigie movies, and then later in his career makes this

0:47:20.200 --> 0:47:24.200
<v Speaker 1>super super raunchy comedy. And then you have Nancy Dowd

0:47:24.440 --> 0:47:30.680
<v Speaker 1>who is from Framingham, Massachusetts, representing Massachusetts, but grew up

0:47:30.719 --> 0:47:34.799
<v Speaker 1>you know, like a pretty like upper crusty Massachusetts life.

0:47:34.840 --> 0:47:37.880
<v Speaker 1>She went to Smith College like she was like a

0:47:38.880 --> 0:47:41.680
<v Speaker 1>no one and this was like her first success. She

0:47:41.719 --> 0:47:44.000
<v Speaker 1>went on after this. Two years after this, she won

0:47:44.040 --> 0:47:48.239
<v Speaker 1>an oscar for a movie called Coming Home about Did

0:47:48.239 --> 0:47:48.919
<v Speaker 1>you see that? Dad?

0:47:49.280 --> 0:47:52.360
<v Speaker 4>I did? Did you like it?

0:47:52.360 --> 0:47:52.640
<v Speaker 1>It was?

0:47:52.680 --> 0:47:55.480
<v Speaker 4>It was a little challenging to believe. It's very serious.

0:47:55.520 --> 0:47:56.800
<v Speaker 4>It was like a it was kind of like a

0:47:56.880 --> 0:48:01.280
<v Speaker 4>Vietnam War movie real and it's you know John Floyd

0:48:01.520 --> 0:48:04.440
<v Speaker 4>so well it.

0:48:04.280 --> 0:48:07.799
<v Speaker 1>Works against it. Yeah, it's no national treasure. But no,

0:48:07.880 --> 0:48:08.520
<v Speaker 1>I mean it's.

0:48:08.480 --> 0:48:09.279
<v Speaker 4>Like speaking.

0:48:10.520 --> 0:48:14.520
<v Speaker 1>But yeah, because John Boyd is truly evil. Yeah, but

0:48:14.520 --> 0:48:18.640
<v Speaker 1>but it felt like these prestigiee stars, serious writers and

0:48:19.080 --> 0:48:24.000
<v Speaker 1>directors making this really raunchy, goofy comedy. But it was

0:48:24.120 --> 0:48:27.600
<v Speaker 1>also like my dad. The news talked a lot about

0:48:27.600 --> 0:48:30.480
<v Speaker 1>how like a woman wrote the movie in a different

0:48:30.560 --> 0:48:33.920
<v Speaker 1>context at I'm not criticizing this, but I just like

0:48:34.120 --> 0:48:37.640
<v Speaker 1>most of the coverage of Nancy Dawd at this time

0:48:37.840 --> 0:48:41.120
<v Speaker 1>was like, it's the raunchiest comedy of the year and

0:48:41.200 --> 0:48:45.239
<v Speaker 1>a Woa wa will woman wrote it, and like, which

0:48:45.280 --> 0:48:48.200
<v Speaker 1>I think that we still see stuff like that, and

0:48:48.880 --> 0:48:52.239
<v Speaker 1>it's still like the majority of Raanji comedies that come

0:48:52.280 --> 0:48:54.680
<v Speaker 1>out are not written by I don't think that there's

0:48:54.719 --> 0:48:58.600
<v Speaker 1>really parody. I mean, there's not parody in film in general,

0:48:58.640 --> 0:49:03.120
<v Speaker 1>but I think, especially in this genre, it still feels

0:49:03.160 --> 0:49:06.360
<v Speaker 1>super male driven. I feel like joy Ride is the

0:49:06.400 --> 0:49:11.239
<v Speaker 1>only exception I can think of this year. But I

0:49:11.280 --> 0:49:13.560
<v Speaker 1>read some of the coverage because I was like, well,

0:49:13.560 --> 0:49:17.279
<v Speaker 1>how did Nancy Dowd kind of feeld this? And I

0:49:17.320 --> 0:49:19.520
<v Speaker 1>thought she was cool. I thought she was really funny

0:49:19.520 --> 0:49:22.160
<v Speaker 1>and really cool. She says this in a New York

0:49:22.160 --> 0:49:25.480
<v Speaker 1>Times article from nineteen seventy seven. This is how it's

0:49:25.520 --> 0:49:30.840
<v Speaker 1>set up. Set up obscenity hockey. A woman missed out

0:49:30.920 --> 0:49:34.160
<v Speaker 1>has been meeting so many people lately who can't believe

0:49:34.200 --> 0:49:37.120
<v Speaker 1>that she actually wrote this screenplay, that she is beginning

0:49:37.120 --> 0:49:40.440
<v Speaker 1>to lose her patience, and she says, quote, the world

0:49:40.480 --> 0:49:43.280
<v Speaker 1>has a weird view of women. People seem to believe

0:49:43.280 --> 0:49:46.000
<v Speaker 1>that we have to write about divorce or suicide or

0:49:46.080 --> 0:49:49.759
<v Speaker 1>children so called women's topics. But we've been around women

0:49:49.800 --> 0:49:53.799
<v Speaker 1>aren't sequestered anymore, and kind of just goes on to

0:49:55.040 --> 0:49:57.600
<v Speaker 1>talk about how it reminds me of like how you

0:49:57.640 --> 0:49:59.799
<v Speaker 1>still see a lot of women writers being like, well,

0:50:00.000 --> 0:50:03.239
<v Speaker 1>wish this wasn't the story. Shut up, like watch the

0:50:03.280 --> 0:50:06.400
<v Speaker 1>movie and like it or don't. But this movie was,

0:50:06.480 --> 0:50:09.960
<v Speaker 1>even in its time, considered to be pretty sexist. I

0:50:09.960 --> 0:50:14.239
<v Speaker 1>think Paul Newman called it honestly sexist, which I think

0:50:14.320 --> 0:50:17.040
<v Speaker 1>is an interesting way to come about it. And I

0:50:17.120 --> 0:50:19.839
<v Speaker 1>think I think what he's trying to say, I don't know,

0:50:20.200 --> 0:50:22.000
<v Speaker 1>let me know if either of you feel differently, is

0:50:22.000 --> 0:50:24.879
<v Speaker 1>that it feels like it's more speaking to like how

0:50:25.000 --> 0:50:28.799
<v Speaker 1>Nancy Dowd was not transcribing dialogue but like just sort

0:50:28.800 --> 0:50:32.200
<v Speaker 1>of saying authentically, how guys she was hanging out with

0:50:32.280 --> 0:50:35.279
<v Speaker 1>we're talking and not sanitizing what they were saying. So

0:50:35.320 --> 0:50:37.839
<v Speaker 1>it's like she was hanging out with sexist guys. The

0:50:37.880 --> 0:50:41.040
<v Speaker 1>movie is honestly sexist because she's not like, you know,

0:50:41.320 --> 0:50:43.399
<v Speaker 1>sugarmaking more appealing.

0:50:43.600 --> 0:50:46.319
<v Speaker 4>Yeah. Yeah, and you know I would say too that,

0:50:46.480 --> 0:50:49.120
<v Speaker 4>you know, when it came out, you know, and I

0:50:49.200 --> 0:50:53.520
<v Speaker 4>was whatever, eighteen years old. I don't recall knowing that

0:50:53.719 --> 0:50:55.120
<v Speaker 4>a woman wrote it at the time.

0:50:55.239 --> 0:50:57.120
<v Speaker 1>I mean, we just you know, you should have been

0:50:57.120 --> 0:51:00.800
<v Speaker 1>reading the New York Times, well they couldn't up about.

0:51:00.600 --> 0:51:04.920
<v Speaker 4>It, reading the Brockton Enterprise, and hoping to one day

0:51:04.960 --> 0:51:08.800
<v Speaker 4>work for the Patriot Ledger. But we were just excited

0:51:09.320 --> 0:51:11.799
<v Speaker 4>because there was a movie about hockey, you know, and

0:51:11.880 --> 0:51:15.280
<v Speaker 4>it was our thing. Really didn't take it that much farther,

0:51:15.960 --> 0:51:17.960
<v Speaker 4>you know. I was surprised when I like looked a

0:51:17.960 --> 0:51:20.799
<v Speaker 4>little bit more into it later on, you know, just

0:51:20.800 --> 0:51:24.239
<v Speaker 4>finding out like little little things about people who were

0:51:24.239 --> 0:51:27.600
<v Speaker 4>in the movie. You know that that got me to look,

0:51:27.880 --> 0:51:30.280
<v Speaker 4>you know, behind this, not behind the scenes, but behind

0:51:30.280 --> 0:51:32.480
<v Speaker 4>the story, and it was like, you know, the only

0:51:32.520 --> 0:51:34.680
<v Speaker 4>thing was like, oh, a woman wrote it. I guess,

0:51:35.239 --> 0:51:38.960
<v Speaker 4>you know. My not reaction to that, but like the

0:51:39.000 --> 0:51:42.719
<v Speaker 4>way I I might come off that way is like

0:51:42.719 --> 0:51:46.359
<v Speaker 4>like if her brother wrote the movie, it'd be like, oh, yeah,

0:51:46.440 --> 0:51:49.080
<v Speaker 4>of course, you know, like all that dialogue, this and that,

0:51:49.160 --> 0:51:51.720
<v Speaker 4>and it just it just you know, it just wouldn't

0:51:51.719 --> 0:51:55.960
<v Speaker 4>have seemed you know, it's so raunchy. Like I'm not

0:51:56.080 --> 0:51:59.480
<v Speaker 4>saying like anybody can't be raunchy, but it's like, you

0:51:59.480 --> 0:52:01.600
<v Speaker 4>know that one character, you know, Kaitlin you brought up

0:52:01.640 --> 0:52:05.320
<v Speaker 4>Marris is like it's gross, you know, it's like it's hideous,

0:52:05.360 --> 0:52:09.200
<v Speaker 4>like his h you know, I was saying to Jamie

0:52:09.360 --> 0:52:11.560
<v Speaker 4>it was not like I never heard some of those

0:52:11.640 --> 0:52:16.960
<v Speaker 4>terms before, but like so so rare, you know, and

0:52:17.080 --> 0:52:18.960
<v Speaker 4>you know, I mean I don't know, I guess in

0:52:19.040 --> 0:52:23.359
<v Speaker 4>an office, you know, on a team, there's always that

0:52:23.480 --> 0:52:27.000
<v Speaker 4>one person that you know takes it a little bit

0:52:27.719 --> 0:52:29.880
<v Speaker 4>farther or just like is extreme.

0:52:30.440 --> 0:52:30.680
<v Speaker 2>Yeah.

0:52:30.719 --> 0:52:32.759
<v Speaker 4>And as I was as I was watching it the

0:52:32.840 --> 0:52:36.319
<v Speaker 4>other night, it was like I didn't catch, you know,

0:52:36.480 --> 0:52:38.759
<v Speaker 4>in my earlier viewings of it that a lot of

0:52:38.800 --> 0:52:40.919
<v Speaker 4>his teammates are kind of grossed out by him too,

0:52:41.000 --> 0:52:43.840
<v Speaker 4>which is like, well, you know, thank God for that,

0:52:44.080 --> 0:52:44.279
<v Speaker 4>you know.

0:52:44.840 --> 0:52:47.359
<v Speaker 1>Yeah, I mean I think it's well, we'll get into

0:52:47.360 --> 0:52:51.239
<v Speaker 1>this too, like I I don't know, it's I think

0:52:51.320 --> 0:52:55.800
<v Speaker 1>that it seems like her goal in writing the movie

0:52:55.960 --> 0:52:58.880
<v Speaker 1>was like writing obviously like a movie that people would

0:52:59.200 --> 0:53:02.080
<v Speaker 1>like that was funny, but was also like authentic to

0:53:02.120 --> 0:53:05.080
<v Speaker 1>what she'd experienced, which I don't really have a problem with.

0:53:05.200 --> 0:53:07.719
<v Speaker 1>I think it's more like, especially because this movie has

0:53:07.719 --> 0:53:10.400
<v Speaker 1>been out for almost, you know, fifty years now, like

0:53:10.680 --> 0:53:14.200
<v Speaker 1>it's interesting watching like what parts of this movie are

0:53:14.360 --> 0:53:16.960
<v Speaker 1>its legacy because I feel like the parts that I

0:53:17.000 --> 0:53:20.160
<v Speaker 1>thought were interesting about the movie are not parts of

0:53:20.200 --> 0:53:22.319
<v Speaker 1>the movie that are famous. And also that's like the

0:53:22.320 --> 0:53:26.879
<v Speaker 1>writer has no control over what becomes known about their

0:53:27.000 --> 0:53:29.680
<v Speaker 1>work or not. But it just I don't know, I

0:53:29.760 --> 0:53:32.200
<v Speaker 1>just think it's there was more to this movie than

0:53:32.239 --> 0:53:35.319
<v Speaker 1>I thought, but like the nuanced parts of it aren't

0:53:35.360 --> 0:53:36.640
<v Speaker 1>what it's known for.

0:53:37.160 --> 0:53:41.359
<v Speaker 2>That Plus like, yeah, she was observing the team, and

0:53:43.080 --> 0:53:47.520
<v Speaker 2>who knows, like if she was like transcribing like stuff

0:53:47.520 --> 0:53:50.040
<v Speaker 2>that they said and putting it into the script, or

0:53:50.080 --> 0:53:52.200
<v Speaker 2>if she was embellishing some of it. But it seems

0:53:52.239 --> 0:53:54.799
<v Speaker 2>like for the most part, she's like, well, the way

0:53:54.880 --> 0:53:58.120
<v Speaker 2>that Dicky Dunn just tries to capture the spirit of

0:53:58.160 --> 0:53:59.319
<v Speaker 2>the thing, I.

0:53:59.360 --> 0:54:01.000
<v Speaker 1>Mean guess I guess she's trying to do that.

0:54:01.120 --> 0:54:04.600
<v Speaker 2>Yeah, Nancy dwod was just trying to capture the spirit

0:54:04.640 --> 0:54:07.239
<v Speaker 2>of the thing, and that seems like the spirit was

0:54:07.560 --> 0:54:10.440
<v Speaker 2>a lot of like pretty losersh guys who are either

0:54:10.480 --> 0:54:15.040
<v Speaker 2>creepy or stockery, or they don't treat women well, et cetera.

0:54:15.760 --> 0:54:18.480
<v Speaker 2>That's just the vibe. Those were the vibes she was getting.

0:54:18.480 --> 0:54:21.560
<v Speaker 2>So that's what she put on the page. My concern

0:54:21.880 --> 0:54:26.879
<v Speaker 2>is that a lot of it is presented uncritically and

0:54:27.200 --> 0:54:31.480
<v Speaker 2>or just framed, like Morris saying all of his gross

0:54:31.680 --> 0:54:34.840
<v Speaker 2>comments about women's bodies and stuff like that is usually

0:54:34.840 --> 0:54:37.359
<v Speaker 2>just framed as a joke, like ha ha, look at

0:54:37.400 --> 0:54:39.960
<v Speaker 2>the look at the team creep. Isn't he funny? Aren't

0:54:39.960 --> 0:54:40.759
<v Speaker 2>we laughing at him?

0:54:41.160 --> 0:54:41.560
<v Speaker 1>Yeah?

0:54:41.640 --> 0:54:44.319
<v Speaker 2>So but again it's like, you know, it's the seventies.

0:54:44.480 --> 0:54:49.279
<v Speaker 2>A lot of horrible things we're not presented critically. It

0:54:49.320 --> 0:54:53.440
<v Speaker 2>was just this is what's normal, and it's normal. So

0:54:53.520 --> 0:54:54.280
<v Speaker 2>that's fine.

0:54:54.520 --> 0:54:58.000
<v Speaker 1>Yeah, I don't know, it's movies of this era are

0:54:58.040 --> 0:55:03.040
<v Speaker 1>always I feel like in that way. Yeah. Sorry, I

0:55:03.080 --> 0:55:04.399
<v Speaker 1>have one more quote from her from this New York

0:55:04.400 --> 0:55:07.560
<v Speaker 1>Times piece. The piece goes on she's generally frustrated that

0:55:07.640 --> 0:55:10.920
<v Speaker 1>the movie was considered to have strong sexist overtones. This

0:55:11.000 --> 0:55:12.920
<v Speaker 1>was something I was talked about in original reviews of

0:55:12.960 --> 0:55:17.960
<v Speaker 1>the movie, but she was annoyed with that. She said, quote,

0:55:18.200 --> 0:55:20.040
<v Speaker 1>the only thing I thought twice about writing was making

0:55:20.080 --> 0:55:23.759
<v Speaker 1>the team's rich, uncaring owner a woman. I worried about

0:55:23.800 --> 0:55:26.080
<v Speaker 1>people saying I had made a sexist statement, but I've

0:55:26.120 --> 0:55:29.080
<v Speaker 1>seen that woman's attitude so many times. Quote I never

0:55:29.160 --> 0:55:31.960
<v Speaker 1>let my children see a hockey game unquote, So it

0:55:32.000 --> 0:55:35.440
<v Speaker 1>seems I mean whatever she felt, she felt differently, And

0:55:36.360 --> 0:55:40.359
<v Speaker 1>I don't know. It's like, I feel I respect what

0:55:40.360 --> 0:55:42.359
<v Speaker 1>she's trying to do, and I also agree with what

0:55:42.400 --> 0:55:45.960
<v Speaker 1>you're saying. Galen, is like it just depends on like

0:55:46.560 --> 0:55:50.080
<v Speaker 1>how your movie is received and how like I think,

0:55:50.080 --> 0:55:52.560
<v Speaker 1>if you're looking for nuance in this movie, you can

0:55:52.719 --> 0:55:56.000
<v Speaker 1>find it, but because of the genre, you might not

0:55:56.120 --> 0:55:57.560
<v Speaker 1>necessarily be looking for it.

0:55:58.200 --> 0:55:59.840
<v Speaker 4>I don't know, you know, And I think too, like

0:55:59.880 --> 0:56:02.240
<v Speaker 4>the you know, the fact that the owner is a woman.

0:56:03.400 --> 0:56:05.680
<v Speaker 4>You know, As I was, you know, pitching this idea

0:56:05.760 --> 0:56:09.400
<v Speaker 4>to to Jamie, it's like, I don't think this will pass.

0:56:09.480 --> 0:56:13.040
<v Speaker 4>I think this is like the worst possible. But she's

0:56:13.080 --> 0:56:17.760
<v Speaker 4>she's you know, us the description rich uncaring, it's also

0:56:17.840 --> 0:56:23.480
<v Speaker 4>it's a she's a ruthless, bottom line business person, right,

0:56:23.560 --> 0:56:27.279
<v Speaker 4>and like any guy would have done that, you know, Yeah,

0:56:27.320 --> 0:56:29.880
<v Speaker 4>I mean it the same, you know, But so I

0:56:29.880 --> 0:56:32.719
<v Speaker 4>don't I don't know that you saw a lot of

0:56:32.719 --> 0:56:35.759
<v Speaker 4>that back then where the I don't know, is it

0:56:35.760 --> 0:56:38.920
<v Speaker 4>called girl boss. I don't want to step in anything here.

0:56:39.160 --> 0:56:41.520
<v Speaker 1>You know. Well, yeah, you've seen my you've seen my show.

0:56:41.840 --> 0:56:43.520
<v Speaker 1>I mean I think it kind of I think that

0:56:43.560 --> 0:56:45.880
<v Speaker 1>it does fall into that thing. I don't know. I

0:56:45.920 --> 0:56:47.920
<v Speaker 1>think it's interesting that that was what was on her

0:56:48.000 --> 0:56:50.920
<v Speaker 1>mind in seventy seven, because I that was one of

0:56:50.960 --> 0:56:54.120
<v Speaker 1>the characters that I didn't think, really I didn't have

0:56:54.160 --> 0:56:57.040
<v Speaker 1>an issue with. I had an issue with how Red

0:56:57.200 --> 0:56:59.719
<v Speaker 1>treated her versus like how she was portrayed, because it

0:56:59.760 --> 0:57:01.520
<v Speaker 1>was like at that point for me, I don't know

0:57:01.520 --> 0:57:03.520
<v Speaker 1>how you felt at this point in the movie, Caitlin,

0:57:03.600 --> 0:57:06.600
<v Speaker 1>but it was like you had seen different kinds of

0:57:06.640 --> 0:57:09.840
<v Speaker 1>women throughout this movie that It's like I feel like

0:57:09.880 --> 0:57:13.319
<v Speaker 1>sometimes if there's only one woman in the movie and

0:57:13.400 --> 0:57:17.840
<v Speaker 1>she is like a ruthless, cruel person, then it's like, well,

0:57:18.200 --> 0:57:20.800
<v Speaker 1>I have no idea how this writer feels about women.

0:57:21.080 --> 0:57:24.680
<v Speaker 1>This seems like how they're presenting all women. But because

0:57:24.720 --> 0:57:26.480
<v Speaker 1>it's like this one character who comes up late in

0:57:26.480 --> 0:57:29.160
<v Speaker 1>the movie, I feel like she represents more of a

0:57:29.720 --> 0:57:34.920
<v Speaker 1>class thing than any sort of commentary on gender. And

0:57:34.520 --> 0:57:37.720
<v Speaker 1>I was fine with that, Like it's you know, she

0:57:37.960 --> 0:57:42.520
<v Speaker 1>and Regen is seen both suck in very very different ways.

0:57:43.040 --> 0:57:46.040
<v Speaker 1>And yeah, that worked for me. I thought it was

0:57:46.040 --> 0:57:48.440
<v Speaker 1>interesting that that was the thing that stuck with her,

0:57:48.480 --> 0:57:50.280
<v Speaker 1>because I think the thing that stuck with me really

0:57:50.360 --> 0:57:54.680
<v Speaker 1>was I agree, like there's not any pushback on how

0:57:54.840 --> 0:57:58.440
<v Speaker 1>men talk about women in this movie. I agree with

0:57:58.440 --> 0:58:01.040
<v Speaker 1>you Dad that like they're they're there were some that

0:58:01.320 --> 0:58:02.800
<v Speaker 1>you know, you would, but you would have to kind

0:58:02.840 --> 0:58:06.000
<v Speaker 1>of be looking for it of like someone being like Hugh,

0:58:06.240 --> 0:58:09.680
<v Speaker 1>because they do like the I think that the character

0:58:09.800 --> 0:58:12.440
<v Speaker 1>that is most clearly written in a way that the

0:58:12.440 --> 0:58:15.120
<v Speaker 1>movie is conscious of being sexist is I don't know,

0:58:15.200 --> 0:58:16.520
<v Speaker 1>do you know what the name of that character is,

0:58:16.640 --> 0:58:19.040
<v Speaker 1>Like the one that is who only says.

0:58:18.800 --> 0:58:20.880
<v Speaker 4>Sexist Morris Morris.

0:58:21.080 --> 0:58:25.000
<v Speaker 1>Yeah, Yeah, Morris's whole thing is that he views women

0:58:25.160 --> 0:58:28.800
<v Speaker 1>as objects. And it's like that's the joke with the character.

0:58:29.200 --> 0:58:31.000
<v Speaker 4>Yeah, and you know, and to go back to go

0:58:31.120 --> 0:58:33.720
<v Speaker 4>back to the point that it's a two hour movie.

0:58:34.360 --> 0:58:37.760
<v Speaker 4>If you cut Mars out right, it becomes it could

0:58:37.760 --> 0:58:38.120
<v Speaker 4>have been.

0:58:38.000 --> 0:58:41.160
<v Speaker 2>An easier movie to digest for sure.

0:58:41.600 --> 0:58:44.640
<v Speaker 4>Yeah, And I mean it doesn't really add anything. I

0:58:44.680 --> 0:58:47.960
<v Speaker 4>don't think, you know, it's just it's like it, you

0:58:48.000 --> 0:58:52.080
<v Speaker 4>know again, the scene with the owner and Paul Newman.

0:58:53.000 --> 0:58:55.760
<v Speaker 4>You know, as I think about it now, that's like

0:58:55.960 --> 0:58:58.800
<v Speaker 4>Reg Dunlop, you know, the shoes on the other foot

0:58:58.800 --> 0:59:02.680
<v Speaker 4>now because you know, not because she's a woman, but

0:59:02.720 --> 0:59:05.520
<v Speaker 4>she's the owner and she's telling them like, yeah, I

0:59:05.560 --> 0:59:09.120
<v Speaker 4>could help you and your and your your players, but

0:59:09.320 --> 0:59:10.919
<v Speaker 4>you know, but there's nothing in it for me. There's

0:59:10.920 --> 0:59:13.880
<v Speaker 4>no money in it for me. And when he says,

0:59:13.960 --> 0:59:17.320
<v Speaker 4>you know, we're human beings, you know, that's maybe about

0:59:17.320 --> 0:59:19.640
<v Speaker 4>as you know for all the other scenes where like

0:59:19.680 --> 0:59:21.920
<v Speaker 4>he's sort of vulnerable and he wants you know, France

0:59:21.960 --> 0:59:26.120
<v Speaker 4>scene back. You know, that was a it's a small scene,

0:59:26.280 --> 0:59:30.200
<v Speaker 4>but that's probably you know, his most his most human

0:59:30.360 --> 0:59:32.320
<v Speaker 4>vulnerable moment maybe, you know.

0:59:32.320 --> 0:59:36.520
<v Speaker 2>And it could have been a much more effective just

0:59:36.840 --> 0:59:40.400
<v Speaker 2>scene in general or commentary or whatever it's trying to

0:59:40.520 --> 0:59:44.440
<v Speaker 2>do as far as like, yeah, rich people conduct and

0:59:44.600 --> 0:59:48.240
<v Speaker 2>them not caring about human lives and only caring about

0:59:48.280 --> 0:59:51.479
<v Speaker 2>the bottom line. But then the scene ends with him

0:59:51.560 --> 0:59:56.000
<v Speaker 2>going on a homophobic tirade about her young son, and

0:59:56.040 --> 0:59:59.080
<v Speaker 2>then it's just like, well, that undercuts everything that could

0:59:59.080 --> 1:00:00.960
<v Speaker 2>have been interesting about that scene.

1:00:00.840 --> 1:00:03.000
<v Speaker 4>Right, Caitlin, As you said earlier, the scene where you

1:00:03.000 --> 1:00:06.959
<v Speaker 4>know he's with the opponent's wife, you know, I mean,

1:00:07.560 --> 1:00:10.919
<v Speaker 4>you know, she explains a very you know, personal thing

1:00:10.960 --> 1:00:14.080
<v Speaker 4>to him, and he seems to be listening and have

1:00:14.160 --> 1:00:18.680
<v Speaker 4>some you know, respect and everything. But then you know,

1:00:18.840 --> 1:00:21.920
<v Speaker 4>right two seconds later, and that sets his character. Everything

1:00:22.400 --> 1:00:25.480
<v Speaker 4>he can use he will use against others.

1:00:25.520 --> 1:00:28.919
<v Speaker 1>You know. Yeah, well that's that's something that I maybe,

1:00:29.040 --> 1:00:31.560
<v Speaker 1>I mean, if it works for every I mean that

1:00:31.840 --> 1:00:34.160
<v Speaker 1>maybe has a good opportunity to slip over to just

1:00:34.280 --> 1:00:38.080
<v Speaker 1>read as a character. I wonder I'm trying to think

1:00:38.120 --> 1:00:40.520
<v Speaker 1>I couldn't think of like a modern day analog for

1:00:40.560 --> 1:00:42.920
<v Speaker 1>this character, because I do think that there is value

1:00:43.120 --> 1:00:48.040
<v Speaker 1>in presenting a character like this, who is you know,

1:00:48.280 --> 1:00:53.640
<v Speaker 1>like I struggle, like a complicated guy, but someone who

1:00:54.320 --> 1:00:58.840
<v Speaker 1>responds to insecurity by being hateful like that is I

1:00:58.840 --> 1:01:02.360
<v Speaker 1>think something that exists in the world. It exists in

1:01:03.120 --> 1:01:05.160
<v Speaker 1>a lot of men, but a lot of people, but

1:01:05.320 --> 1:01:09.400
<v Speaker 1>mostly men. If we're being honest, But you know, in general,

1:01:09.440 --> 1:01:11.800
<v Speaker 1>these are people who exist in the world. I don't

1:01:11.840 --> 1:01:17.920
<v Speaker 1>think it's off the table to present that, but presenting

1:01:18.000 --> 1:01:21.240
<v Speaker 1>it as your movie star hero is a very difficult

1:01:21.280 --> 1:01:23.680
<v Speaker 1>self for me because then it's like, I think that

1:01:23.760 --> 1:01:25.840
<v Speaker 1>the element like Paul Newman, I think gives a good

1:01:25.840 --> 1:01:29.240
<v Speaker 1>performance in this movie, but he's Paul Newman. You know,

1:01:29.360 --> 1:01:32.000
<v Speaker 1>he's like, you're gonna love him because he's Paul Newman,

1:01:32.040 --> 1:01:35.080
<v Speaker 1>and he's charismatic, and he's handsome, and even when he's

1:01:35.080 --> 1:01:39.600
<v Speaker 1>saying horrible things, especially in the late seventies where people

1:01:39.800 --> 1:01:43.960
<v Speaker 1>said horrible things more openly than they currently do, Like,

1:01:44.400 --> 1:01:48.600
<v Speaker 1>it's just it's even if there is something to be

1:01:48.760 --> 1:01:51.960
<v Speaker 1>said about presenting a character like this, I feel like

1:01:52.200 --> 1:01:55.560
<v Speaker 1>the combination of positioning it as your main character and

1:01:55.600 --> 1:02:01.240
<v Speaker 1>your hero, and also like combining that with he doesn't

1:02:01.480 --> 1:02:03.920
<v Speaker 1>really I mean, I guess like he doesn't get what

1:02:04.000 --> 1:02:06.240
<v Speaker 1>he wants in the way that we see in some

1:02:06.320 --> 1:02:09.280
<v Speaker 1>movies where like someone fucking sucks the whole movie and

1:02:09.320 --> 1:02:11.280
<v Speaker 1>then for some reason they get exactly what they want

1:02:11.280 --> 1:02:13.840
<v Speaker 1>at the end. It's a mixed bag for Rege at

1:02:13.880 --> 1:02:17.160
<v Speaker 1>the end. But I wouldn't say he like he doesn't

1:02:17.200 --> 1:02:20.800
<v Speaker 1>get his uh really like he gets to continue to

1:02:21.280 --> 1:02:23.680
<v Speaker 1>work in hockey, Like he gets part of it. I

1:02:23.680 --> 1:02:26.480
<v Speaker 1>think the main thing he loses is the relationship that

1:02:26.560 --> 1:02:29.760
<v Speaker 1>he very obviously still wants, right and deservedly so and

1:02:29.760 --> 1:02:31.920
<v Speaker 1>not I think is one of the better done parts

1:02:31.920 --> 1:02:34.720
<v Speaker 1>of the movie for sure. But yeah, I don't know.

1:02:34.800 --> 1:02:38.920
<v Speaker 1>I struggled with how his character was framed.

1:02:39.120 --> 1:02:43.040
<v Speaker 2>I don't know, especially because he learns nothing, he shows

1:02:43.200 --> 1:02:46.320
<v Speaker 2>no growth, and even at the end when it seems like,

1:02:46.840 --> 1:02:49.040
<v Speaker 2>you know what, I don't want to win this way

1:02:49.080 --> 1:02:51.960
<v Speaker 2>by you know, pummeling the other team. I want to

1:02:52.040 --> 1:02:56.000
<v Speaker 2>play hockey and win that way. And then as soon

1:02:56.040 --> 1:02:58.640
<v Speaker 2>as he's like, oh, they're scouts here, and it's.

1:02:58.560 --> 1:02:59.720
<v Speaker 1>Like never, never mind.

1:03:00.120 --> 1:03:03.480
<v Speaker 2>Yeah, yeah, it's like okay, so you have absolutely no

1:03:03.600 --> 1:03:05.320
<v Speaker 2>code of ethics. That's interesting.

1:03:06.040 --> 1:03:08.000
<v Speaker 4>And again, I mean, I don't know if we're supposed

1:03:08.000 --> 1:03:10.680
<v Speaker 4>to be where we're supposed to be in the discussion.

1:03:10.720 --> 1:03:13.120
<v Speaker 4>But you know, again, the more I thought about it,

1:03:13.200 --> 1:03:16.600
<v Speaker 4>I remember reading a piece several years ago about the

1:03:16.640 --> 1:03:19.440
<v Speaker 4>movie as you know, kind of a not a hockey

1:03:19.480 --> 1:03:21.280
<v Speaker 4>movie or a good but like a sort of a

1:03:21.320 --> 1:03:28.160
<v Speaker 4>snapshot of America kind of at the time, late seventies

1:03:28.240 --> 1:03:31.360
<v Speaker 4>and I you know, I can't really remember what the

1:03:31.400 --> 1:03:35.280
<v Speaker 4>economy was like, you know, but things, you know, longtime businesses,

1:03:35.320 --> 1:03:39.280
<v Speaker 4>you know, long time industries were really taking you know,

1:03:39.440 --> 1:03:43.480
<v Speaker 4>a hit back then, like the steel industry. And and

1:03:44.120 --> 1:03:46.640
<v Speaker 4>one of the things that kind of struck me watching it,

1:03:46.640 --> 1:03:49.439
<v Speaker 4>it's like with everybody depicted in there, even if they're

1:03:49.480 --> 1:03:52.600
<v Speaker 4>not characters in the movie, but like you know, the fans, right,

1:03:53.480 --> 1:03:56.800
<v Speaker 4>they're all looking at losing their jobs because they're you know,

1:03:56.920 --> 1:04:00.960
<v Speaker 4>their jobs are going to disappear. And the player will

1:04:01.000 --> 1:04:03.480
<v Speaker 4>they get signed, you know, will the team full? Will it?

1:04:03.600 --> 1:04:05.520
<v Speaker 4>You know, if they were believing it would get sold.

1:04:06.040 --> 1:04:11.240
<v Speaker 4>To me, there's like this low level desperation you know,

1:04:11.400 --> 1:04:15.040
<v Speaker 4>to survive on the on the parts of everyone there,

1:04:15.280 --> 1:04:18.520
<v Speaker 4>you know. And in the case of Paul Newman's you know,

1:04:18.880 --> 1:04:23.640
<v Speaker 4>Paul Newman being the oldest one, being not really that successful,

1:04:24.160 --> 1:04:27.840
<v Speaker 4>you know, I mean, whether this is you know him

1:04:27.880 --> 1:04:30.600
<v Speaker 4>all the time or not, you know, he's he's kind

1:04:30.640 --> 1:04:32.919
<v Speaker 4>of the worst one. He's like, I will I will

1:04:32.960 --> 1:04:37.840
<v Speaker 4>do anything. I'll do whatever it takes, you know, to

1:04:37.880 --> 1:04:41.760
<v Speaker 4>be able to continue my career someplace else or here.

1:04:42.320 --> 1:04:45.000
<v Speaker 4>And if it has to do with you know, kind

1:04:45.040 --> 1:04:48.960
<v Speaker 4>of manipulating my players or manipulating people who are involved

1:04:49.000 --> 1:04:52.080
<v Speaker 4>my players, you know, means to an end pretty much

1:04:52.440 --> 1:04:53.360
<v Speaker 4>all the way through.

1:04:53.440 --> 1:04:56.400
<v Speaker 1>You know. I Yeah, I I the closest I can

1:04:56.480 --> 1:05:04.080
<v Speaker 1>get to rationalizing Rag's carecharacter. I read an essay, an

1:05:04.120 --> 1:05:07.400
<v Speaker 1>academic essay. I was on Google dot scholar dot com.

1:05:07.480 --> 1:05:12.200
<v Speaker 1>Of course. Yes, this was published in athlon A E.

1:05:12.280 --> 1:05:15.800
<v Speaker 1>T hl O N Eighth Lawn, The Journal of Sport Literature,

1:05:15.920 --> 1:05:19.640
<v Speaker 1>volume thirty seven, issue one from twenty nineteen, written by

1:05:19.720 --> 1:05:22.920
<v Speaker 1>John Source. To take everything he says with a grain AsSalt,

1:05:23.200 --> 1:05:27.560
<v Speaker 1>but I did really appreciate his retrospective view on this movie,

1:05:27.960 --> 1:05:30.720
<v Speaker 1>and I think it offered because he did a more

1:05:31.240 --> 1:05:35.360
<v Speaker 1>class driven view of the men on his team, which

1:05:35.400 --> 1:05:38.040
<v Speaker 1>I do think is a valuable way of looking at

1:05:38.080 --> 1:05:41.840
<v Speaker 1>this movie. But he basically makes the argument that Reggie's

1:05:41.960 --> 1:05:45.720
<v Speaker 1>character like doesn't shy away from the fact that reg

1:05:45.960 --> 1:05:48.680
<v Speaker 1>is a despicable character, and I do. I guess it's

1:05:48.720 --> 1:05:52.320
<v Speaker 1>like we don't have nineteen seventy seven goggles to put on,

1:05:52.400 --> 1:05:56.160
<v Speaker 1>and I wonder how clearly that read at the time.

1:05:56.920 --> 1:05:59.960
<v Speaker 1>But I think that the argument that he makes the

1:06:00.120 --> 1:06:03.400
<v Speaker 1>I think is interesting and kind of speaks to like

1:06:03.440 --> 1:06:05.280
<v Speaker 1>the parts of this movie that did work for me

1:06:05.960 --> 1:06:09.320
<v Speaker 1>was that, you know, I think the setting is very

1:06:09.360 --> 1:06:14.280
<v Speaker 1>relevant here where they're like encapsulated in this fictional steel

1:06:14.400 --> 1:06:18.080
<v Speaker 1>town where jobs are falling left and right. There's this

1:06:18.240 --> 1:06:22.440
<v Speaker 1>huge sense of insecurity about the future, and you see

1:06:22.480 --> 1:06:25.120
<v Speaker 1>in these men on the team a level of like

1:06:25.560 --> 1:06:28.640
<v Speaker 1>people acting desperately when their future is insecure. And I

1:06:28.680 --> 1:06:33.760
<v Speaker 1>think reg is a really extreme, kind of like monstrous

1:06:33.920 --> 1:06:37.040
<v Speaker 1>version of that, where he is so desperate to preserve

1:06:37.080 --> 1:06:40.280
<v Speaker 1>what he wants for his version of the future that

1:06:40.360 --> 1:06:44.360
<v Speaker 1>he will undercut almost anyone in his life, even if

1:06:44.400 --> 1:06:48.520
<v Speaker 1>he likes and respects them. He is not above completely

1:06:48.600 --> 1:06:52.360
<v Speaker 1>selling them out in order to preserve the future that

1:06:52.480 --> 1:06:56.880
<v Speaker 1>he feels entitled to. And John Soares kind of makes

1:06:56.960 --> 1:07:01.320
<v Speaker 1>the argument that this movie The Streets, well, I guess

1:07:01.320 --> 1:07:03.720
<v Speaker 1>something that is historically true. I didn't know this, but

1:07:03.760 --> 1:07:06.640
<v Speaker 1>I was delighted to learn it that in times of

1:07:07.440 --> 1:07:12.880
<v Speaker 1>economic insecurity and in recessions and depressions, women are like

1:07:12.960 --> 1:07:19.320
<v Speaker 1>statistically more likely to move with the time, and men

1:07:19.440 --> 1:07:22.440
<v Speaker 1>are more likely to cling to how things were and

1:07:22.560 --> 1:07:27.280
<v Speaker 1>be unwilling to change their situation. They're less likely to

1:07:27.320 --> 1:07:29.720
<v Speaker 1>want to move, They're less likely to want to switch professions.

1:07:29.760 --> 1:07:31.720
<v Speaker 1>They're less likely to want to change the way that

1:07:31.760 --> 1:07:34.680
<v Speaker 1>their day to day life is versus women are far

1:07:34.760 --> 1:07:37.240
<v Speaker 1>more likely to be I guess like just kind of

1:07:37.280 --> 1:07:40.560
<v Speaker 1>more realistic about what's happening.

1:07:40.880 --> 1:07:41.919
<v Speaker 2>More adaptable.

1:07:42.120 --> 1:07:44.200
<v Speaker 4>You know, there's a line in the movie and in

1:07:44.240 --> 1:07:47.680
<v Speaker 4>the scene where you know, redch and his opponent's wife

1:07:48.320 --> 1:07:51.560
<v Speaker 4>are in bed, and it closes with I think he's

1:07:51.600 --> 1:07:54.160
<v Speaker 4>telling her, you know, the team's going to fold, or

1:07:54.200 --> 1:07:55.680
<v Speaker 4>the team they know, I don't know what I'm going

1:07:55.760 --> 1:07:59.360
<v Speaker 4>to do, and she says to him, you know, just

1:07:59.360 --> 1:08:02.800
<v Speaker 4>just use your imagination. That's what I've been doing. So

1:08:02.840 --> 1:08:05.400
<v Speaker 4>it's you know, And I think he uses that line

1:08:05.800 --> 1:08:09.040
<v Speaker 4>himself later on yea, on somebody else, but you know, but.

1:08:09.040 --> 1:08:11.080
<v Speaker 1>He's still I mean, but I think that that's part

1:08:11.080 --> 1:08:14.200
<v Speaker 1>of like what is frustrating about the men in this

1:08:14.320 --> 1:08:17.320
<v Speaker 1>movie for me is like they even at the end,

1:08:17.479 --> 1:08:19.360
<v Speaker 1>and I think the movie is conscious of this, Like

1:08:19.640 --> 1:08:23.120
<v Speaker 1>reg has not really changed because his last line is

1:08:23.200 --> 1:08:26.000
<v Speaker 1>him lying about whether his wife is leaving him or not,

1:08:26.160 --> 1:08:28.400
<v Speaker 1>because you know, Lily is like, oh, is she coming

1:08:28.600 --> 1:08:32.160
<v Speaker 1>and he's like yeah, and we know she's not. And

1:08:32.200 --> 1:08:34.880
<v Speaker 1>it's like this it's kind of like a I think

1:08:34.960 --> 1:08:36.960
<v Speaker 1>viewed a certain way, and this is not the way

1:08:37.000 --> 1:08:39.360
<v Speaker 1>that this character is regarded in pop culture, but I

1:08:39.479 --> 1:08:41.439
<v Speaker 1>liked looking at it that way of like, this guy

1:08:41.520 --> 1:08:44.360
<v Speaker 1>is kind of tragic. He can't accept that things are

1:08:44.439 --> 1:08:48.880
<v Speaker 1>changing and that his life is changing, and that is

1:08:48.920 --> 1:08:51.320
<v Speaker 1>something that I think is like very relatable and everyone

1:08:51.360 --> 1:08:55.160
<v Speaker 1>has experienced that to some degree. And also it's like

1:08:55.720 --> 1:08:59.120
<v Speaker 1>if you whatever, because we as the audience know that

1:08:59.280 --> 1:09:04.000
<v Speaker 1>he is just like really committed to having the upper

1:09:04.040 --> 1:09:06.800
<v Speaker 1>hand in his life in a way that's impossible, and

1:09:07.360 --> 1:09:10.160
<v Speaker 1>I just thought it was interesting. But yeah, I think

1:09:10.200 --> 1:09:13.160
<v Speaker 1>that viewed from that sort of perspective, the men in

1:09:13.320 --> 1:09:19.120
<v Speaker 1>this movie are not flexible. They are completely inflexible and

1:09:19.160 --> 1:09:21.720
<v Speaker 1>they refuse to accept a future that is uncomfortable to them.

1:09:22.120 --> 1:09:25.479
<v Speaker 1>And the women in this movie are not like that.

1:09:25.560 --> 1:09:29.000
<v Speaker 1>They will. I mean, I think that the well, and

1:09:29.000 --> 1:09:32.439
<v Speaker 1>we'll talk about really shortly because it's like her character

1:09:32.479 --> 1:09:34.920
<v Speaker 1>is so frustrating because I feel like she was inconsistent

1:09:34.960 --> 1:09:39.360
<v Speaker 1>with this. But with the characters of Suzanne, who is

1:09:40.760 --> 1:09:47.000
<v Speaker 1>Suzanne Hanrahan I'm assuming, and Francine, they are both women

1:09:47.040 --> 1:09:51.960
<v Speaker 1>who are like, look, I was either uncomfortable, unsafe, and

1:09:52.000 --> 1:09:53.680
<v Speaker 1>so I got the fuck out and I moved on

1:09:53.800 --> 1:09:57.360
<v Speaker 1>with my life. And that's like, that's what you have

1:09:57.439 --> 1:10:00.400
<v Speaker 1>to do to survive. And I think it's a especially

1:10:00.439 --> 1:10:04.680
<v Speaker 1>effective with Francine because she knows that she's right to

1:10:04.760 --> 1:10:07.040
<v Speaker 1>leave him. I honestly was I thought that the movie

1:10:07.040 --> 1:10:08.880
<v Speaker 1>would end with them getting back together, and I was

1:10:08.920 --> 1:10:09.960
<v Speaker 1>so thrilled that it didn't.

1:10:10.040 --> 1:10:12.640
<v Speaker 4>Absolutely, it feels like a good fake out. Yeah, she

1:10:13.320 --> 1:10:16.599
<v Speaker 4>turns her car around and joins the parade. Yeah, I mean,

1:10:16.640 --> 1:10:19.080
<v Speaker 4>and that was you know again, that was a thing

1:10:19.160 --> 1:10:20.960
<v Speaker 4>that sort of struck me about the movie. You know,

1:10:21.600 --> 1:10:24.679
<v Speaker 4>in a lot of other movies, that's what would have happened.

1:10:24.720 --> 1:10:27.160
<v Speaker 4>You know, they would have gotten together at the end.

1:10:27.200 --> 1:10:29.719
<v Speaker 2>You know, she would have been like, Wow, you won

1:10:30.360 --> 1:10:34.479
<v Speaker 2>the trophy at the championship game. Well here's me another

1:10:34.760 --> 1:10:37.560
<v Speaker 2>trophy trophy.

1:10:37.560 --> 1:10:40.799
<v Speaker 4>Well, you know, happy endings in movies, right, that's.

1:10:40.640 --> 1:10:45.000
<v Speaker 2>The Hollywood does love a happy ending.

1:10:45.240 --> 1:10:48.160
<v Speaker 1>But the last shot of this movie is her driving

1:10:48.200 --> 1:10:50.519
<v Speaker 1>in the other direction, and I feel like that great.

1:10:50.640 --> 1:10:53.479
<v Speaker 1>That was my favorite sort of thread in the movie.

1:10:53.600 --> 1:10:56.800
<v Speaker 1>Is I felt like because of the time, and I mean,

1:10:56.840 --> 1:11:00.320
<v Speaker 1>this still happens in movies that they would how I

1:11:00.400 --> 1:11:02.160
<v Speaker 1>end up reconciling When she showed up at the game

1:11:02.200 --> 1:11:05.280
<v Speaker 1>at the end, I'm like, well, that's curtain's on, Franccene.

1:11:05.360 --> 1:11:09.240
<v Speaker 1>She's gonna be fucked over. But rewatching it again knowing

1:11:09.280 --> 1:11:12.599
<v Speaker 1>that she leaves, it's even kind of like cooler. Yeah,

1:11:12.640 --> 1:11:16.840
<v Speaker 1>she was my favorite character because she consistently like she

1:11:17.240 --> 1:11:21.200
<v Speaker 1>has affection for her ex husband but also like doesn't

1:11:21.240 --> 1:11:23.200
<v Speaker 1>want to get back together. And I think like in

1:11:23.240 --> 1:11:26.880
<v Speaker 1>their interactions, it was really interesting because Paul Newman's character

1:11:26.960 --> 1:11:30.439
<v Speaker 1>is constantly trying to like manufacture a need that she

1:11:30.520 --> 1:11:32.920
<v Speaker 1>would have for him, where he's he's constantly like, well,

1:11:32.920 --> 1:11:34.920
<v Speaker 1>if you need money, you can call me, and she's like,

1:11:35.080 --> 1:11:37.559
<v Speaker 1>I don't bought, Like you know, she doesn't need him,

1:11:37.600 --> 1:11:40.960
<v Speaker 1>and he can't like he knows that at his core

1:11:41.479 --> 1:11:43.519
<v Speaker 1>because he says it behind her back. He never says

1:11:43.520 --> 1:11:46.200
<v Speaker 1>it to her face, but he says behind her back like, oh, yeah,

1:11:46.200 --> 1:11:48.800
<v Speaker 1>since my wife broke up with me, her life has

1:11:48.840 --> 1:11:51.960
<v Speaker 1>been way better, Like he says that to Lily, So

1:11:52.000 --> 1:11:54.200
<v Speaker 1>it's like he knows it, but he can't really admit it.

1:11:54.240 --> 1:11:57.560
<v Speaker 1>And it's just it felt like an interesting, like complicated

1:11:57.600 --> 1:12:00.760
<v Speaker 1>relationship dynamic that feels like something that happens in the

1:12:00.760 --> 1:12:05.120
<v Speaker 1>real world. And I just like that specific subplot I

1:12:05.200 --> 1:12:08.720
<v Speaker 1>think kind of worked for me, especially because Francine was like,

1:12:09.280 --> 1:12:12.360
<v Speaker 1>you know, touched that he seemed to recognize that when

1:12:12.360 --> 1:12:15.960
<v Speaker 1>she heard it from a third party. But he's right,

1:12:16.240 --> 1:12:18.439
<v Speaker 1>and she wants to move on with her life and

1:12:18.479 --> 1:12:21.040
<v Speaker 1>she does, and I thought that that was cool. Yes,

1:12:21.400 --> 1:12:26.600
<v Speaker 1>But for some reason, that same nuance in generosity is

1:12:26.640 --> 1:12:31.759
<v Speaker 1>not extended to Lily, which I found to be so weird.

1:12:32.240 --> 1:12:34.719
<v Speaker 1>I'm like, was that a studio note, Like two women

1:12:34.760 --> 1:12:37.400
<v Speaker 1>can't leave their husbands, it can just be the one

1:12:37.560 --> 1:12:41.120
<v Speaker 1>like what happened there? Because Lily, I think again, is

1:12:41.600 --> 1:12:44.960
<v Speaker 1>set up in an interesting way, but then it kind

1:12:44.960 --> 1:12:47.320
<v Speaker 1>of goes away by the ant of the movie, right.

1:12:47.200 --> 1:12:51.800
<v Speaker 2>It seems like she's being set up that her arc

1:12:51.920 --> 1:12:58.040
<v Speaker 2>will be like she's mustering up the courage to actually

1:12:58.400 --> 1:13:00.960
<v Speaker 2>leave her husband, which is so that she seems to

1:13:01.000 --> 1:13:05.280
<v Speaker 2>want to do for a while. She's like very vocal

1:13:05.320 --> 1:13:09.960
<v Speaker 2>about how miserable she is in this town. She seems

1:13:10.080 --> 1:13:15.120
<v Speaker 2>very miserable in the relationship. She's watching her husband flirting

1:13:15.120 --> 1:13:19.960
<v Speaker 2>with other women, and she eventually I don't know if

1:13:19.960 --> 1:13:23.479
<v Speaker 2>there's some catalysts that gets her to finally leave him,

1:13:23.560 --> 1:13:25.840
<v Speaker 2>or if it just kind of happens, but one day

1:13:25.960 --> 1:13:29.559
<v Speaker 2>she shows up on Also the fact that she goes

1:13:29.640 --> 1:13:32.920
<v Speaker 2>to Reggie. I guess he's the only person who has

1:13:32.960 --> 1:13:36.920
<v Speaker 2>like extended any kind of olive Brancher or anything.

1:13:37.320 --> 1:13:38.840
<v Speaker 1>I sort of found that to be an act of

1:13:38.880 --> 1:13:42.519
<v Speaker 1>desperation because we've seen her fail to make friends and

1:13:42.600 --> 1:13:47.479
<v Speaker 1>connections inside of this small world that she's been forced into.

1:13:47.640 --> 1:13:49.680
<v Speaker 2>Kind of right, because we see her hang out with

1:13:49.800 --> 1:13:54.680
<v Speaker 2>other hockey wives for lack of a better term.

1:13:55.120 --> 1:13:56.800
<v Speaker 1>Who to be fair, and I think this is like

1:13:56.880 --> 1:14:00.000
<v Speaker 1>a class thing where she and her husband ned because

1:14:00.120 --> 1:14:02.600
<v Speaker 1>they're like from you know, well to do families, and

1:14:02.640 --> 1:14:07.880
<v Speaker 1>they're both college educated. She is positioned as like smarter, hotter,

1:14:08.080 --> 1:14:11.080
<v Speaker 1>better than the other hockey wives, which didn't feel fair.

1:14:11.600 --> 1:14:15.320
<v Speaker 2>Right, Yeah, and she's not able to connect with them.

1:14:15.400 --> 1:14:18.559
<v Speaker 2>So anyway, she leaves Bryden for a while and goes

1:14:18.880 --> 1:14:23.320
<v Speaker 2>to Reggie and she's like, I'm moving in, I guess,

1:14:23.800 --> 1:14:28.360
<v Speaker 2>and then he takes her. He introduces her to Franccene,

1:14:28.720 --> 1:14:30.920
<v Speaker 2>and what I would have liked to have happened was

1:14:31.680 --> 1:14:34.240
<v Speaker 2>they become friends. They have a lot of common ground.

1:14:34.680 --> 1:14:35.720
<v Speaker 2>You know they're both.

1:14:36.000 --> 1:14:38.400
<v Speaker 1>Which is like established, and the one scene they have together,

1:14:38.520 --> 1:14:39.040
<v Speaker 1>it's like.

1:14:39.080 --> 1:14:41.360
<v Speaker 2>Right, like there's a lot to learn for sure, like

1:14:41.360 --> 1:14:45.240
<v Speaker 2>there are neither like current or former relationships with hockey

1:14:45.320 --> 1:14:48.960
<v Speaker 2>players who don't know how to treat women well at all,

1:14:49.640 --> 1:14:52.120
<v Speaker 2>and the women are sick of it. And I thought

1:14:52.160 --> 1:14:58.599
<v Speaker 2>it was gonna be a situation where Franccene empowers Lily

1:14:58.760 --> 1:15:01.839
<v Speaker 2>to like you know, write out on her own, because there's.

1:15:01.640 --> 1:15:04.400
<v Speaker 1>Which it's like, I well, but that's what was so confusing,

1:15:04.400 --> 1:15:07.559
<v Speaker 1>because it felt like, you know, you can I don't know,

1:15:07.680 --> 1:15:11.599
<v Speaker 1>like the makeover thing didn't bother me at all really

1:15:11.680 --> 1:15:14.120
<v Speaker 1>because it's also like we're seeing Susanne or no, sorry,

1:15:14.120 --> 1:15:18.040
<v Speaker 1>we're seeing Francceine at her job. So okay. I think

1:15:18.080 --> 1:15:21.120
<v Speaker 1>a lesser movie would have reg be like we gotta

1:15:21.240 --> 1:15:23.800
<v Speaker 1>make this girl over and you know, but like Reg

1:15:24.360 --> 1:15:27.719
<v Speaker 1>right there and Francine and like whatever, it's a dated

1:15:27.720 --> 1:15:29.760
<v Speaker 1>way of doing it. But I was like, okay, but

1:15:29.800 --> 1:15:31.960
<v Speaker 1>then when but then when they go to the hockey game,

1:15:32.040 --> 1:15:35.280
<v Speaker 1>like what happened? Because I really liked that conversation where

1:15:35.720 --> 1:15:38.599
<v Speaker 1>Lily is and again it's like in the context of

1:15:38.640 --> 1:15:42.680
<v Speaker 1>like what I mean, we're well into second wave feminism

1:15:42.720 --> 1:15:45.600
<v Speaker 1>by the late seventies, but leaving your husband in the

1:15:45.680 --> 1:15:50.880
<v Speaker 1>late seventies is different than currently, right, and there are

1:15:50.960 --> 1:15:55.120
<v Speaker 1>different dynamics to that, and so I understand why, like

1:15:55.439 --> 1:15:58.639
<v Speaker 1>Lily is nervous about it. It's a nerve wracking experience

1:15:58.640 --> 1:16:00.880
<v Speaker 1>to leave your spouse, no matter what is happening in

1:16:01.720 --> 1:16:05.759
<v Speaker 1>But I liked how Francine like she said, it's lousy

1:16:05.760 --> 1:16:07.879
<v Speaker 1>at first you think you're dying, but then it's fabulous.

1:16:07.960 --> 1:16:09.640
<v Speaker 1>You become a new woman and you're like, this is

1:16:09.680 --> 1:16:12.920
<v Speaker 1>such an interesting dynamic to set up, but then it

1:16:12.960 --> 1:16:15.160
<v Speaker 1>just goes nowhere, it goes back nowhere.

1:16:15.240 --> 1:16:18.280
<v Speaker 4>Yeah, yeah, and the interesting you know Caitlyn too, I mean,

1:16:18.640 --> 1:16:27.719
<v Speaker 4>like and Jamie, that's your name, right, Yeah, I agree.

1:16:27.760 --> 1:16:31.800
<v Speaker 4>Like Lily, you know, that whole character sort of confuses

1:16:31.840 --> 1:16:35.240
<v Speaker 4>me because you know, she makes very clear she doesn't

1:16:35.360 --> 1:16:37.840
<v Speaker 4>like that life. They could go back to, you know,

1:16:38.000 --> 1:16:44.960
<v Speaker 4>something easier with money, and she leaves her husband but

1:16:45.160 --> 1:16:49.160
<v Speaker 4>stays in the life. You know, she stays in the town.

1:16:49.240 --> 1:16:51.600
<v Speaker 4>She goes to another hockey person, you know.

1:16:51.920 --> 1:16:55.240
<v Speaker 1>So it's like, I do wonder, I mean, but I wondered,

1:16:55.280 --> 1:16:58.200
<v Speaker 1>like if that was just like temporary and then she

1:16:58.400 --> 1:17:00.600
<v Speaker 1>because it was like, I mean, I guess it took Franccene.

1:17:00.680 --> 1:17:03.160
<v Speaker 1>We don't know how long she and reg have been separated,

1:17:03.240 --> 1:17:06.519
<v Speaker 1>or how long Francine had to save or whatever it

1:17:06.520 --> 1:17:09.000
<v Speaker 1>would take for her to start her restart her life

1:17:09.000 --> 1:17:12.559
<v Speaker 1>somewhere else, But I don't know. It seemed like the

1:17:12.640 --> 1:17:16.320
<v Speaker 1>movie was setting us up for like, oh, Franccene could

1:17:16.600 --> 1:17:20.400
<v Speaker 1>inspire or give Lily the confidence to do something similar.

1:17:21.000 --> 1:17:24.800
<v Speaker 4>Yes, coach, I agree, like I empower her coachure, so

1:17:25.439 --> 1:17:27.720
<v Speaker 4>that that part was a little bit hard not to

1:17:27.920 --> 1:17:30.120
<v Speaker 4>just of it. It was like, oh, I didn't think

1:17:30.439 --> 1:17:33.759
<v Speaker 4>that was going to be the result of this, you know, right, because.

1:17:33.600 --> 1:17:37.000
<v Speaker 1>Then it's like Ned, Ned does not change at all.

1:17:37.120 --> 1:17:40.599
<v Speaker 1>I know that, like symbolically him doing the strip tease

1:17:40.720 --> 1:17:43.040
<v Speaker 1>is supposed to mean something, but it just like that

1:17:43.120 --> 1:17:45.960
<v Speaker 1>did nothing for me at all. I found his character

1:17:45.960 --> 1:17:48.000
<v Speaker 1>frustrating throughout. I mean, as you know that, I just

1:17:48.040 --> 1:17:49.920
<v Speaker 1>like did not take to that character at all. I

1:17:49.920 --> 1:17:53.400
<v Speaker 1>didn't like him. I thought he was both snobby and

1:17:53.720 --> 1:17:57.160
<v Speaker 1>exactly all of the things that he claimed that he

1:17:57.280 --> 1:18:00.840
<v Speaker 1>was above. Like yeah, I just I just didn't I

1:18:00.880 --> 1:18:03.640
<v Speaker 1>thought he's like such a snotty little asshole who is

1:18:03.960 --> 1:18:07.240
<v Speaker 1>horrible to his wife. I didn't know how to communicate

1:18:07.280 --> 1:18:11.080
<v Speaker 1>with her. Again, a legitimate relationship dynamic to explore, but

1:18:11.200 --> 1:18:13.040
<v Speaker 1>like I felt like at the end, he's like, now

1:18:13.160 --> 1:18:15.200
<v Speaker 1>I got my wife back and she's got this cool

1:18:15.200 --> 1:18:17.640
<v Speaker 1>new makeover, and it's like, but you did nothing, You

1:18:17.680 --> 1:18:20.680
<v Speaker 1>did nothing. And the last thing he did before he

1:18:20.720 --> 1:18:25.680
<v Speaker 1>did his weird little routine that I didn't like, was like,

1:18:25.800 --> 1:18:28.800
<v Speaker 1>talk shit about her on the radio. And I was like,

1:18:29.479 --> 1:18:31.080
<v Speaker 1>is ay I gonna tell her about that? Say, we're

1:18:31.080 --> 1:18:34.360
<v Speaker 1>gonna tell her that he called her a hot piece

1:18:34.400 --> 1:18:37.599
<v Speaker 1>of ass who's an alcoholic that hates him on the radio,

1:18:37.920 --> 1:18:41.400
<v Speaker 1>because I would not be thrilled to hear my spouse

1:18:41.600 --> 1:18:42.639
<v Speaker 1>saying shit like that.

1:18:43.080 --> 1:18:45.800
<v Speaker 2>True. But then I'd be like, but he's exactly right.

1:18:45.960 --> 1:18:48.160
<v Speaker 2>I am a hot who hates.

1:18:48.000 --> 1:18:52.200
<v Speaker 1>Him, and I'd stop drinking if I if I just

1:18:52.320 --> 1:18:52.760
<v Speaker 1>left him.

1:18:53.120 --> 1:18:56.680
<v Speaker 2>Yeah, yeah, I mean, when Francine and Lily show up

1:18:56.720 --> 1:18:59.040
<v Speaker 2>to the game at the end, one of them says,

1:18:59.479 --> 1:19:02.599
<v Speaker 2>what am I even doing here? And I'm like, yeah,

1:19:02.680 --> 1:19:04.840
<v Speaker 2>your question, what are you even doing there?

1:19:05.040 --> 1:19:06.479
<v Speaker 1>I wish that I knew the answer.

1:19:07.520 --> 1:19:10.519
<v Speaker 4>Well, I think if if Lily wanted to go to

1:19:10.560 --> 1:19:13.559
<v Speaker 4>that last game. She did not really have a lot

1:19:13.560 --> 1:19:16.880
<v Speaker 4>of friends among the other wives. True, you know, so

1:19:17.360 --> 1:19:20.160
<v Speaker 4>you know, like as an ally maybe And there is

1:19:20.200 --> 1:19:22.639
<v Speaker 4>another scene and you know, you know, we've talked mainly

1:19:22.640 --> 1:19:26.640
<v Speaker 4>about the same two three women, but there are some

1:19:26.680 --> 1:19:28.800
<v Speaker 4>scenes with the other wise. Like there's a scene where

1:19:28.800 --> 1:19:30.880
<v Speaker 4>the wives are all in their car waiting for their

1:19:30.960 --> 1:19:33.479
<v Speaker 4>husbands to get home from a bus trip. And I

1:19:33.800 --> 1:19:36.439
<v Speaker 4>thought it's a sort of a sad scene, but in

1:19:36.520 --> 1:19:39.000
<v Speaker 4>the in the in the same way, they kind of

1:19:39.040 --> 1:19:41.960
<v Speaker 4>like have to kind of you know, form their own

1:19:42.000 --> 1:19:44.760
<v Speaker 4>little group and rally around each other and support each

1:19:44.760 --> 1:19:47.919
<v Speaker 4>other because they clearly are not, you know, too psyched

1:19:48.000 --> 1:19:51.040
<v Speaker 4>with with the life either. And there you know what

1:19:51.120 --> 1:19:54.000
<v Speaker 4>their husbands are doing, and you know that they're gone

1:19:54.080 --> 1:19:54.680
<v Speaker 4>and this and that.

1:19:55.160 --> 1:19:59.640
<v Speaker 2>I wish since this is mostly an ensemble cast, you know,

1:19:59.680 --> 1:20:02.519
<v Speaker 2>you've got Paul Newman is like the main character, but

1:20:02.520 --> 1:20:06.720
<v Speaker 2>you've got a lot of little subplots with various other characters,

1:20:06.880 --> 1:20:10.920
<v Speaker 2>that there was more focus on the wives of these

1:20:11.040 --> 1:20:17.440
<v Speaker 2>hockey players, because to me, they're in more interesting situations

1:20:17.479 --> 1:20:21.360
<v Speaker 2>than especially because so many of the men are characterized

1:20:21.400 --> 1:20:25.680
<v Speaker 2>as either just being like hot headed or trying to

1:20:25.760 --> 1:20:30.880
<v Speaker 2>prove something about their masculinity, or their sleezy creeps, or

1:20:30.920 --> 1:20:33.760
<v Speaker 2>their wildly homophobic you know, all of this stuff that

1:20:33.800 --> 1:20:37.360
<v Speaker 2>I don't want to see. And then the women are

1:20:37.800 --> 1:20:41.120
<v Speaker 2>in this position of you know, it's a time where

1:20:41.720 --> 1:20:45.559
<v Speaker 2>a lot of people in like hetero couples, the women

1:20:45.600 --> 1:20:51.160
<v Speaker 2>were still relying on their husbands for sustainable like for

1:20:51.640 --> 1:20:55.960
<v Speaker 2>his income, and women in the workplace were not as

1:20:56.040 --> 1:20:58.840
<v Speaker 2>welcome as they are today. So it was hard to

1:20:58.960 --> 1:21:02.120
<v Speaker 2>be a single one owner to be, you know, someone

1:21:02.280 --> 1:21:05.840
<v Speaker 2>earning your own way as a woman at that time,

1:21:06.160 --> 1:21:11.000
<v Speaker 2>and so they're relying on these men who are not

1:21:11.240 --> 1:21:14.760
<v Speaker 2>treating them well at all. But it's also very like

1:21:15.520 --> 1:21:21.559
<v Speaker 2>normalized culturally, but they still are like heavily drinking about it.

1:21:21.600 --> 1:21:22.639
<v Speaker 2>There's a scene where.

1:21:22.880 --> 1:21:25.800
<v Speaker 1>I will actually I liked the scene. I think you're

1:21:25.840 --> 1:21:30.120
<v Speaker 1>gonna reference because I yeah, it's I'm trying to like

1:21:30.520 --> 1:21:32.599
<v Speaker 1>put this through because it's like, it's not like there

1:21:32.600 --> 1:21:36.839
<v Speaker 1>were not movies that had women protagonists in the seventies,

1:21:36.840 --> 1:21:38.640
<v Speaker 1>but in sports movies, I know that that was I

1:21:38.960 --> 1:21:42.720
<v Speaker 1>feel like, I don't know, I feel like I feel

1:21:42.760 --> 1:21:44.880
<v Speaker 1>a little defensive of Nancy Dad because I will say,

1:21:44.920 --> 1:21:50.280
<v Speaker 1>I do think that in this movie, the men, with

1:21:50.400 --> 1:21:53.920
<v Speaker 1>the exception of Reg, who at least you see a

1:21:53.960 --> 1:21:56.360
<v Speaker 1>few layers of even though I kind of dislike all

1:21:56.400 --> 1:21:59.200
<v Speaker 1>of them, but you do see different lairs of this character,

1:21:59.280 --> 1:22:01.479
<v Speaker 1>so there's like no and how he's written. But I

1:22:01.520 --> 1:22:05.400
<v Speaker 1>think that the women that are presented far more broadly

1:22:05.479 --> 1:22:08.800
<v Speaker 1>than the men are because most of the hockey team,

1:22:08.880 --> 1:22:12.439
<v Speaker 1>except for like Ned and Reg, are like just like,

1:22:12.680 --> 1:22:15.160
<v Speaker 1>here's this guy, and this is what he does and

1:22:15.200 --> 1:22:17.800
<v Speaker 1>how he reacts. Like here's a sexist guy, here's a

1:22:17.920 --> 1:22:20.960
<v Speaker 1>violent guy, here's a homophobic guy. And you're like, there's

1:22:21.000 --> 1:22:23.840
<v Speaker 1>all these guys, and they're written in the very, very

1:22:23.880 --> 1:22:29.120
<v Speaker 1>broad way that men in raunchy comedies are, which is

1:22:29.200 --> 1:22:31.840
<v Speaker 1>kind of why I don't like the genre. But I

1:22:31.920 --> 1:22:34.200
<v Speaker 1>will say that, like, I mean, I even think back

1:22:34.240 --> 1:22:37.000
<v Speaker 1>to like raunchy comedies that came out when we were

1:22:37.640 --> 1:22:40.559
<v Speaker 1>the target audience, and I'm thinking like early hangover movies

1:22:40.600 --> 1:22:42.920
<v Speaker 1>and like John Appatow movies and shit like that, and

1:22:43.000 --> 1:22:46.800
<v Speaker 1>I feel like in this movie you get women, like

1:22:46.960 --> 1:22:52.400
<v Speaker 1>more different kinds of women than you did like thirty

1:22:52.479 --> 1:22:55.439
<v Speaker 1>years later in some cases. But true, I think the

1:22:55.479 --> 1:22:58.120
<v Speaker 1>hockey wives are the most broadly written women that appear

1:22:58.240 --> 1:23:01.000
<v Speaker 1>in the movie. And I didn't love that because I

1:23:01.000 --> 1:23:02.920
<v Speaker 1>feel like it in the same way that I didn't

1:23:02.960 --> 1:23:05.760
<v Speaker 1>like when Ned was like a snotty like I went

1:23:05.840 --> 1:23:09.519
<v Speaker 1>to whatever fucking school he went to, and so I'm

1:23:09.960 --> 1:23:12.920
<v Speaker 1>better than most of the guys on this team, like

1:23:12.960 --> 1:23:15.320
<v Speaker 1>it's just like a moral superiority. And Lily kind of

1:23:15.320 --> 1:23:18.120
<v Speaker 1>takes that into how she treats the hockey wives, where

1:23:18.120 --> 1:23:20.599
<v Speaker 1>I think she treats them kind of as like bimbos

1:23:20.600 --> 1:23:22.960
<v Speaker 1>who aren't as smart as her, and it seems like

1:23:23.000 --> 1:23:25.280
<v Speaker 1>that is a part of the reason that she doesn't

1:23:25.320 --> 1:23:27.880
<v Speaker 1>hang out with them, because it seems like the other

1:23:28.120 --> 1:23:30.559
<v Speaker 1>hockey wives, who I don't know if we get names

1:23:30.560 --> 1:23:34.120
<v Speaker 1>for them, they seem like they I mean, they have

1:23:34.160 --> 1:23:35.439
<v Speaker 1>a lot in common. A lot of what they have

1:23:35.479 --> 1:23:39.400
<v Speaker 1>in common sucks. Is like they are sort of along

1:23:39.479 --> 1:23:43.880
<v Speaker 1>for the ride of their husband's career and it seems

1:23:44.040 --> 1:23:48.320
<v Speaker 1>isolating and depressing and frustrating. And I thought it was

1:23:48.720 --> 1:23:50.760
<v Speaker 1>she's made a joke of. But we see the same

1:23:50.800 --> 1:23:53.519
<v Speaker 1>hockey wife a few different times who's constantly like kind

1:23:53.560 --> 1:23:58.719
<v Speaker 1>of referencing like Johnny either like Johnny, Yes, Johnny's who's Johnny.

1:23:58.840 --> 1:24:01.960
<v Speaker 2>I have no idea which Johnny is, but he's one

1:24:02.000 --> 1:24:02.400
<v Speaker 2>of them.

1:24:02.320 --> 1:24:05.240
<v Speaker 1>One of those. But I thought Johnny's wife like she's

1:24:05.400 --> 1:24:07.559
<v Speaker 1>played for laughs mostly, But I thought it was like,

1:24:08.160 --> 1:24:10.880
<v Speaker 1>I don't know, I didn't. I liked her like she

1:24:11.040 --> 1:24:13.360
<v Speaker 1>was she was like trying to make the best of

1:24:13.400 --> 1:24:16.040
<v Speaker 1>what she seemed to know was a bad situation. But

1:24:16.120 --> 1:24:18.000
<v Speaker 1>she's like I'm trying to get my husband to read

1:24:18.040 --> 1:24:20.360
<v Speaker 1>a book, or like I'm trying to get my husband

1:24:20.439 --> 1:24:24.320
<v Speaker 1>to do anything except be a fucking goon, which is

1:24:24.360 --> 1:24:27.160
<v Speaker 1>like whatever, what like all the guys in the team are,

1:24:27.920 --> 1:24:30.840
<v Speaker 1>and it's you know, it's not. Is it the most

1:24:30.840 --> 1:24:33.880
<v Speaker 1>progressive thing ever? No, But I didn't feel like there is.

1:24:34.040 --> 1:24:37.080
<v Speaker 1>Like she was like an interesting character that I wish

1:24:37.120 --> 1:24:39.400
<v Speaker 1>it had been played for more than last because when

1:24:40.600 --> 1:24:43.120
<v Speaker 1>one of the fights that Lily and Ned have in public,

1:24:43.640 --> 1:24:46.000
<v Speaker 1>you know, Lily basically ends by being like me and

1:24:46.040 --> 1:24:49.479
<v Speaker 1>Ned are better than everyone here, bye, and like leaves right.

1:24:50.080 --> 1:24:54.160
<v Speaker 1>And Johnny's wife, who God, I wish she had a

1:24:54.240 --> 1:24:56.639
<v Speaker 1>name respond to that by being like, oh, I really

1:24:56.680 --> 1:25:00.120
<v Speaker 1>feel for her, and you're like, that's I don't know,

1:25:00.200 --> 1:25:04.880
<v Speaker 1>I whatever, Like I guess I understood like those. It

1:25:04.960 --> 1:25:07.679
<v Speaker 1>seems like it's implied in the movie that those women

1:25:07.720 --> 1:25:11.160
<v Speaker 1>don't connect with each other because of class differences. But

1:25:12.200 --> 1:25:14.719
<v Speaker 1>I felt like the hockey wives I thought were played

1:25:14.760 --> 1:25:17.400
<v Speaker 1>broadly in a way that it would have been because

1:25:17.560 --> 1:25:22.760
<v Speaker 1>I appreciated that the movie made time for women at all,

1:25:23.040 --> 1:25:27.439
<v Speaker 1>which again it's like, I like, sports movies almost never do,

1:25:27.720 --> 1:25:30.600
<v Speaker 1>and if you, if you do, it's like the supportive

1:25:30.680 --> 1:25:34.840
<v Speaker 1>wife like grabbing their husband's hand being like go.

1:25:34.200 --> 1:25:38.040
<v Speaker 7>Go coach a baby or whatever the fuck, which is

1:25:38.080 --> 1:25:41.080
<v Speaker 7>like so fucking boring. But it's like how a lot

1:25:41.080 --> 1:25:44.720
<v Speaker 7>of women appear in sports movies at all. But there

1:25:44.840 --> 1:25:47.479
<v Speaker 7>was especially because it's like Nancy Dad seemed to want

1:25:47.560 --> 1:25:48.880
<v Speaker 7>to include women.

1:25:48.720 --> 1:25:52.840
<v Speaker 1>But it felt like well to an extent, like I'm

1:25:52.880 --> 1:25:56.920
<v Speaker 1>happy to include educated women, but like it seemed like

1:25:56.960 --> 1:25:58.920
<v Speaker 1>the hockey wives were. I just feel like there was

1:25:59.000 --> 1:26:02.040
<v Speaker 1>room for them to be played off as more of

1:26:02.120 --> 1:26:04.000
<v Speaker 1>kind of one liners. But I liked that scene in

1:26:04.040 --> 1:26:06.080
<v Speaker 1>the car where it was like, even though these women

1:26:06.120 --> 1:26:08.840
<v Speaker 1>don't get along, they do have a common struggle and

1:26:08.880 --> 1:26:11.680
<v Speaker 1>they are pushed aside and expected to put up with

1:26:11.760 --> 1:26:15.879
<v Speaker 1>all of this shit, and it's like leading to addiction

1:26:16.000 --> 1:26:17.360
<v Speaker 1>issues for them, and.

1:26:17.360 --> 1:26:20.840
<v Speaker 2>Yeah, they all seem to be self medicating to fight

1:26:21.200 --> 1:26:27.240
<v Speaker 2>the just either loneliness or abuse that they're putting up with. Right,

1:26:28.040 --> 1:26:32.120
<v Speaker 2>can we talk about Suzanne, because.

1:26:31.840 --> 1:26:33.240
<v Speaker 1>Let's talk about Suzanne.

1:26:33.760 --> 1:26:36.120
<v Speaker 2>So Suzanne is the character. I think she's only in

1:26:36.240 --> 1:26:38.240
<v Speaker 2>one scene, yeah, which.

1:26:38.000 --> 1:26:41.800
<v Speaker 1>Is wild because the actor who plays her is like

1:26:42.520 --> 1:26:46.599
<v Speaker 1>so successful and won an Oscar like this same year.

1:26:47.000 --> 1:26:49.680
<v Speaker 2>Oh wow, what's her name? I didn't even look it up.

1:26:49.920 --> 1:26:54.040
<v Speaker 1>Well, Linda Dylan. You probably my dad picked up on this.

1:26:54.120 --> 1:26:56.479
<v Speaker 1>I was like, oh, she is she? I think most

1:26:56.640 --> 1:27:00.760
<v Speaker 1>iconically plays the mom in a Christmas Story. But she

1:27:01.520 --> 1:27:04.439
<v Speaker 1>or no, sorry, she was nominated this same year for

1:27:04.520 --> 1:27:11.160
<v Speaker 1>playing I think the mom character in Close Encounters. Okay,

1:27:11.640 --> 1:27:16.240
<v Speaker 1>but whatever. She's like a very very successful actor. But

1:27:16.320 --> 1:27:18.479
<v Speaker 1>she's only in this movie for one minute, for.

1:27:18.479 --> 1:27:23.000
<v Speaker 2>One scene, and it's the scene where she's in bed

1:27:23.200 --> 1:27:30.600
<v Speaker 2>with Reggie, and she's talking about how her husband Hanrahan,

1:27:31.520 --> 1:27:33.840
<v Speaker 2>when he was like out on the road for a game,

1:27:34.680 --> 1:27:38.160
<v Speaker 2>how she and another hockey wife they would get together

1:27:38.400 --> 1:27:41.400
<v Speaker 2>and talk about how depressed and lonely they were without

1:27:41.600 --> 1:27:44.760
<v Speaker 2>the men, and then also how they lamented that they

1:27:44.840 --> 1:27:48.080
<v Speaker 2>never did much of anything themselves, which I feel like

1:27:48.160 --> 1:27:51.960
<v Speaker 2>is also maybe what Lily struggles with to some degree,

1:27:52.000 --> 1:27:56.480
<v Speaker 2>where she's like, I'm not doing anything but like supporting

1:27:56.600 --> 1:27:59.280
<v Speaker 2>my husband in his career, but like what about or

1:27:59.320 --> 1:28:02.880
<v Speaker 2>maybe this is just like headcanon that I'm assigning to Lily.

1:28:03.080 --> 1:28:06.360
<v Speaker 2>But anyway, Suzanne's talking about how like, oh, I never

1:28:06.520 --> 1:28:09.680
<v Speaker 2>did anything for myself, and then she goes on to

1:28:09.720 --> 1:28:13.280
<v Speaker 2>describe how one night when she and this other hockey

1:28:13.280 --> 1:28:16.920
<v Speaker 2>wife were hanging out, they were drinking and they started

1:28:16.960 --> 1:28:21.639
<v Speaker 2>fooling around, but then they kept getting together and having

1:28:21.680 --> 1:28:25.679
<v Speaker 2>sex sober, and that they were like engaging in this

1:28:26.040 --> 1:28:32.160
<v Speaker 2>like sexual relationship that they were both into. And she's like, hey, Reg,

1:28:32.240 --> 1:28:35.720
<v Speaker 2>have you ever considered sleeping with men? And at first

1:28:35.760 --> 1:28:38.840
<v Speaker 2>he says no, but then he's like, who knows, maybe

1:28:38.840 --> 1:28:42.679
<v Speaker 2>I'll start sleeping with old goalies. And then I'm like, okay,

1:28:42.760 --> 1:28:43.640
<v Speaker 2>he's I don't know.

1:28:44.479 --> 1:28:48.120
<v Speaker 1>That scene is like almost and then it's so frustrating.

1:28:48.240 --> 1:28:51.519
<v Speaker 8>But it's also like I feel like that's like Reg sucks,

1:28:51.560 --> 1:28:54.320
<v Speaker 8>and it's like it's so frustrating to see a character

1:28:54.360 --> 1:28:57.160
<v Speaker 8>that in their more private moments seems to be a

1:28:57.280 --> 1:29:00.240
<v Speaker 8>better person than they are in their public.

1:29:00.120 --> 1:29:04.200
<v Speaker 2>Yeah, right, Because again the whole reason this scene even

1:29:04.320 --> 1:29:07.160
<v Speaker 2>happens narratively in the movie is that so he now

1:29:07.240 --> 1:29:12.280
<v Speaker 2>has information that he uses against his opponent in a

1:29:12.600 --> 1:29:18.080
<v Speaker 2>way that like outs this guy's wife, like disparages her

1:29:18.280 --> 1:29:22.800
<v Speaker 2>for her queerness, and he's like using that as ammunition

1:29:22.960 --> 1:29:25.360
<v Speaker 2>to try to win the game and like for his

1:29:25.400 --> 1:29:30.639
<v Speaker 2>own personal benefit. He does something similar with the general manager,

1:29:30.760 --> 1:29:33.479
<v Speaker 2>that guy Joe, where he's like, Hey, remember that night

1:29:33.680 --> 1:29:36.080
<v Speaker 2>that you I walked in on you and you were

1:29:36.120 --> 1:29:39.880
<v Speaker 2>wearing like women's lingerie and then you came on to me. Well,

1:29:39.920 --> 1:29:42.320
<v Speaker 2>I don't have to tell anyone about that as long

1:29:42.360 --> 1:29:45.439
<v Speaker 2>as you give me. So he basically like blackmails him

1:29:45.680 --> 1:29:48.760
<v Speaker 2>to learn the owner who the owner of the team is.

1:29:49.040 --> 1:29:51.320
<v Speaker 1>That's something that yeah, And then that's like I do

1:29:51.360 --> 1:29:55.000
<v Speaker 1>think the Reges is a super villain because I do

1:29:55.600 --> 1:30:00.080
<v Speaker 1>almost believe him when he says that he like he

1:30:00.000 --> 1:30:04.519
<v Speaker 1>he's like, I get it. It's the seventies, queer people exist, Like,

1:30:04.720 --> 1:30:08.400
<v Speaker 1>I do believe that he understands that. But the fact

1:30:08.400 --> 1:30:14.320
<v Speaker 1>that he understands that and is not above exploiting societal

1:30:14.320 --> 1:30:18.639
<v Speaker 1>homophobia against people that he knows and says he likes,

1:30:19.240 --> 1:30:23.640
<v Speaker 1>it's like, that's that's extra Evil's that's extra evil.

1:30:23.800 --> 1:30:27.120
<v Speaker 4>And in that scene, you know, like first of all,

1:30:27.160 --> 1:30:30.080
<v Speaker 4>the scene where he you know, kind of bates the opponent,

1:30:30.520 --> 1:30:34.560
<v Speaker 4>the goalie, right, you know, with this information that he

1:30:34.640 --> 1:30:39.360
<v Speaker 4>has about his wife, you know, from a hockey perspective,

1:30:40.000 --> 1:30:44.040
<v Speaker 4>you know, nobody, nobody stands on the ice and shouts

1:30:44.040 --> 1:30:45.720
<v Speaker 4>at someone and then moves over.

1:30:45.840 --> 1:30:48.519
<v Speaker 1>You know, Oh, they're not shouting plot points at each.

1:30:48.320 --> 1:30:51.080
<v Speaker 4>Other on the Oh no no. So that that was

1:30:51.160 --> 1:30:53.120
<v Speaker 4>like annoying because some of the you know, some of

1:30:53.240 --> 1:30:55.759
<v Speaker 4>the stuff with the Hanson brothers, the hockey, the skating,

1:30:55.880 --> 1:30:59.439
<v Speaker 4>the this that the hitting you know is legit. Those

1:30:59.439 --> 1:31:04.479
<v Speaker 4>guys were really hockey players. But so Reg dunlop and

1:31:04.640 --> 1:31:08.639
<v Speaker 4>rages the goalie who attacks him finally after a goal

1:31:08.720 --> 1:31:13.439
<v Speaker 4>and it's a big fight. Now does anybody know at first,

1:31:13.640 --> 1:31:16.200
<v Speaker 4>like what caused this big fight? Did anybody hear what

1:31:16.280 --> 1:31:19.800
<v Speaker 4>Reggie was saying? I don't think so? Just the goalie? Yeah,

1:31:19.880 --> 1:31:23.200
<v Speaker 4>so he he could have left it there on the ice, right,

1:31:23.479 --> 1:31:25.719
<v Speaker 4>But then he comes in and tells his whole team

1:31:25.840 --> 1:31:27.680
<v Speaker 4>like when they asked him, would you say, you know,

1:31:28.360 --> 1:31:34.479
<v Speaker 4>and he you know someone else that he was you know,

1:31:34.800 --> 1:31:37.920
<v Speaker 4>I don't know that that is diabolical.

1:31:38.360 --> 1:31:41.840
<v Speaker 1>Yes, it's evil, Like it's evil, and it's first because

1:31:42.160 --> 1:31:47.280
<v Speaker 1>I didn't hate their scene together before I saw the

1:31:47.320 --> 1:31:51.040
<v Speaker 1>scene after, because it felt like these are themes and

1:31:51.240 --> 1:31:54.960
<v Speaker 1>just like queer people like just appearing in movies at

1:31:55.000 --> 1:31:57.120
<v Speaker 1>all in a way that was like it seemed like

1:31:57.160 --> 1:32:00.240
<v Speaker 1>they both accepted each other in that scene, and like

1:32:00.320 --> 1:32:04.080
<v Speaker 1>the language is not great, but it's like for the time,

1:32:04.200 --> 1:32:07.280
<v Speaker 1>it was like, wow, this it seems very unlikely that

1:32:07.360 --> 1:32:12.080
<v Speaker 1>this was appearing in like popular summer comedies at the time,

1:32:12.560 --> 1:32:17.479
<v Speaker 1>So okay, like you know, I can navigate around the

1:32:17.600 --> 1:32:21.280
<v Speaker 1>dated elements of it, but yeah, it's yeah, he was

1:32:21.320 --> 1:32:23.719
<v Speaker 1>so evil about that. And I feel like she because

1:32:23.720 --> 1:32:27.400
<v Speaker 1>that character never comes back. It doesn't come back around

1:32:27.439 --> 1:32:31.360
<v Speaker 1>in a satisfying way, but in the same way. I mean,

1:32:31.400 --> 1:32:33.040
<v Speaker 1>I love her. I like that scene. I think the

1:32:33.160 --> 1:32:34.880
<v Speaker 1>last thing that we were talking about, dad, that I

1:32:34.880 --> 1:32:38.519
<v Speaker 1>think is extra evil about Reg in that situation is

1:32:38.520 --> 1:32:41.799
<v Speaker 1>that she mentions in that scene that when her husband

1:32:41.840 --> 1:32:44.920
<v Speaker 1>found out that she had had sex with women, he

1:32:45.080 --> 1:32:47.839
<v Speaker 1>was so abusive to her that she was in the hospital.

1:32:47.880 --> 1:32:51.360
<v Speaker 1>And it's like, well, Reg clearly doesn't care about that, yeah,

1:32:51.400 --> 1:32:54.680
<v Speaker 1>because he then taunts her husband that he knows to

1:32:54.720 --> 1:32:58.479
<v Speaker 1>be abusive, and she says that like she's hiding out

1:32:58.520 --> 1:33:00.920
<v Speaker 1>from him, Like it's just sounds like she was in

1:33:00.920 --> 1:33:06.599
<v Speaker 1>this tremendously abusive relationship, which again I believe it like seems,

1:33:06.840 --> 1:33:10.200
<v Speaker 1>you know whatever, that that still happens. But the fact

1:33:10.280 --> 1:33:14.519
<v Speaker 1>that like our movie starting Hero then does that, I

1:33:14.520 --> 1:33:17.320
<v Speaker 1>feel like it did undercut the fact that the movie

1:33:17.360 --> 1:33:20.160
<v Speaker 1>went out of its way to say like that her

1:33:20.240 --> 1:33:22.720
<v Speaker 1>having a queer relationship. Not only was he up said

1:33:22.720 --> 1:33:26.679
<v Speaker 1>about being cheated on, but also this thing that felt

1:33:26.880 --> 1:33:28.439
<v Speaker 1>I don't know, I mean that I guess you can

1:33:28.880 --> 1:33:30.920
<v Speaker 1>tell us for the time, like there seemed like there

1:33:30.960 --> 1:33:34.640
<v Speaker 1>was talk among the men of just confusion and like

1:33:34.880 --> 1:33:38.559
<v Speaker 1>hateful confusion in handra hand and the whole team's case,

1:33:38.560 --> 1:33:41.640
<v Speaker 1>They're like, well, if my wife has a relationship with

1:33:41.680 --> 1:33:44.439
<v Speaker 1>a woman, then am I gay and I can't be gay?

1:33:44.560 --> 1:33:47.320
<v Speaker 1>And like just like stuff that makes no sense.

1:33:47.560 --> 1:33:51.080
<v Speaker 4>Yeah, that was a stretch. I think I don't know.

1:33:51.080 --> 1:33:54.680
<v Speaker 1>That that, you know, I was like people people believe that.

1:33:55.439 --> 1:33:59.200
<v Speaker 4>Yeah, I'm not sure that you know, but when I

1:33:59.240 --> 1:34:01.439
<v Speaker 4>was a kid, I don't really think that that is

1:34:01.479 --> 1:34:02.840
<v Speaker 4>what somebody thought.

1:34:03.520 --> 1:34:04.960
<v Speaker 1>Yeah, I was like it doesn't make any sense, but

1:34:05.040 --> 1:34:07.400
<v Speaker 1>it Yeah, okay, I was, I was curious about that,

1:34:07.479 --> 1:34:11.920
<v Speaker 1>but it Yeah, I mean just again, reg Reg sucks.

1:34:12.640 --> 1:34:14.680
<v Speaker 1>I love Paul Newman and I love Salad, but I

1:34:14.720 --> 1:34:19.240
<v Speaker 1>hate Reg And it is what it is. But I

1:34:19.280 --> 1:34:21.800
<v Speaker 1>did think that it was again, it's like this, this

1:34:21.920 --> 1:34:25.599
<v Speaker 1>movie feels like it's doing incremental stuff in this genre

1:34:26.479 --> 1:34:30.680
<v Speaker 1>that you don't see decades later. So I do appreciate that.

1:34:30.840 --> 1:34:35.920
<v Speaker 1>It's like there is a queer character who is like

1:34:36.400 --> 1:34:40.720
<v Speaker 1>open about it is cool, is performed in a way

1:34:40.760 --> 1:34:45.920
<v Speaker 1>that felt authentic and cool. But also the seventies element

1:34:46.040 --> 1:34:49.760
<v Speaker 1>of it is that they're immediately put in danger and

1:34:49.800 --> 1:34:51.200
<v Speaker 1>then never appear in the movie again.

1:34:51.560 --> 1:34:56.599
<v Speaker 2>So and you know, she's she's talking about her sexual

1:34:56.680 --> 1:34:59.280
<v Speaker 2>relationship with a woman, but the scene we're seeing on

1:34:59.439 --> 1:35:03.679
<v Speaker 2>screen is her in a sexual situation with a man,

1:35:03.880 --> 1:35:08.720
<v Speaker 2>because heaven forbid we see like queer romance or sexuality

1:35:08.840 --> 1:35:11.000
<v Speaker 2>actually on screen at that time.

1:35:11.120 --> 1:35:14.320
<v Speaker 1>Yeah. Sure, or And it's like I sort of chalked

1:35:14.320 --> 1:35:17.559
<v Speaker 1>that up more to like, well, how did people talk

1:35:17.560 --> 1:35:21.599
<v Speaker 1>about bisexuality in the seventies, did they know? How did

1:35:21.640 --> 1:35:24.519
<v Speaker 1>they have the tools? I just sort of assudent they did.

1:35:25.200 --> 1:35:29.720
<v Speaker 2>But also like the way that raunchy comedies of like

1:35:30.280 --> 1:35:33.920
<v Speaker 2>the nineties and two thousands would have, which.

1:35:33.720 --> 1:35:36.240
<v Speaker 1>I think are worse than this movie. Honest, they are.

1:35:36.560 --> 1:35:39.000
<v Speaker 2>They Yeah, and we've talked about I think I've like

1:35:39.040 --> 1:35:42.920
<v Speaker 2>speculated as to why, but the way that those movies

1:35:43.000 --> 1:35:48.960
<v Speaker 2>will have visibility of queer characters or of people of color,

1:35:49.040 --> 1:35:52.280
<v Speaker 2>but they're only there to then be like punching bags

1:35:52.880 --> 1:35:58.200
<v Speaker 2>to the main characters who are just saying horrible things

1:35:58.280 --> 1:36:03.240
<v Speaker 2>and like making jokes at their expense of like what

1:36:03.320 --> 1:36:07.040
<v Speaker 2>in whatever way they are marginalized, That's that's why they're there,

1:36:07.200 --> 1:36:09.679
<v Speaker 2>and it's so jokes can be made at their expense.

1:36:09.840 --> 1:36:12.759
<v Speaker 2>So and I felt the same way for Suzanne, like, yes,

1:36:12.840 --> 1:36:17.720
<v Speaker 2>she's a queer character who's talking openly about her queerness

1:36:18.000 --> 1:36:21.280
<v Speaker 2>to someone who seems receptive to it. But we learned

1:36:21.280 --> 1:36:24.280
<v Speaker 2>that that scene is only in the movie so that

1:36:24.640 --> 1:36:28.320
<v Speaker 2>this guy can use that as ammunition to win a

1:36:28.360 --> 1:36:32.840
<v Speaker 2>hockey game and then boast about it. He's like, yeah, team,

1:36:33.200 --> 1:36:37.679
<v Speaker 2>the reason we won is because I outed this woman

1:36:38.000 --> 1:36:39.680
<v Speaker 2>who has an abusive husband, and.

1:36:39.760 --> 1:36:43.439
<v Speaker 9>Anyone who had listened, yeah, that's I think that's like

1:36:43.479 --> 1:36:46.519
<v Speaker 9>that's a not that it justifies any kind of behavior,

1:36:46.520 --> 1:36:48.479
<v Speaker 9>but the fact that he does it a second time,

1:36:49.240 --> 1:36:52.360
<v Speaker 9>like he shouts it at her husband, which is putting

1:36:52.439 --> 1:36:54.680
<v Speaker 9>her in danger in one way, but then he does

1:36:54.720 --> 1:36:55.639
<v Speaker 9>it a second time.

1:36:55.560 --> 1:36:56.479
<v Speaker 1>Right after, and it's.

1:36:56.360 --> 1:36:58.160
<v Speaker 2>Like he's the worst.

1:36:59.040 --> 1:36:59.559
<v Speaker 1>Just so you doing.

1:37:01.720 --> 1:37:06.240
<v Speaker 2>I don't have much else to say except that their

1:37:06.439 --> 1:37:10.480
<v Speaker 2>their bus driver is wearing a helmet with a swastika

1:37:10.520 --> 1:37:11.000
<v Speaker 2>on it.

1:37:11.320 --> 1:37:12.400
<v Speaker 1>I noticed that as well.

1:37:12.520 --> 1:37:15.920
<v Speaker 4>I never never caught that the first several times I

1:37:16.000 --> 1:37:19.200
<v Speaker 4>watched the movie. You know, Walt Walt, who just goes

1:37:19.240 --> 1:37:21.840
<v Speaker 4>from Walt the bus driver and you know, he's another one.

1:37:21.960 --> 1:37:25.200
<v Speaker 4>He gets all swept and swept up in the you know,

1:37:25.479 --> 1:37:29.120
<v Speaker 4>chiefs mania and starts you know, hammer and the bus,

1:37:29.400 --> 1:37:32.160
<v Speaker 4>you know, to make it look meaner, and then the swastika,

1:37:32.760 --> 1:37:33.920
<v Speaker 4>you know, but that you're.

1:37:33.840 --> 1:37:37.360
<v Speaker 1>Just like, is that? Yeah? That that was a kind

1:37:37.360 --> 1:37:39.320
<v Speaker 1>of jump scare in the movie, and it's like if

1:37:39.360 --> 1:37:43.559
<v Speaker 1>it was. I think maybe the most generous reading of

1:37:43.600 --> 1:37:46.400
<v Speaker 1>that was like, oh, this team is getting more and

1:37:46.560 --> 1:37:50.240
<v Speaker 1>more evil, but we were like, there's so many there's

1:37:50.360 --> 1:37:52.720
<v Speaker 1>no world where that was necessary. No.

1:37:53.479 --> 1:37:59.320
<v Speaker 2>Yeah, there's also an indigenous player during the final game.

1:37:59.600 --> 1:38:01.439
<v Speaker 1>I want to talk about that. Yes, I mean I

1:38:01.479 --> 1:38:04.479
<v Speaker 1>know obviously you did get spread it up. Yes, which

1:38:04.520 --> 1:38:08.759
<v Speaker 1>in general, because the team in this movie are called

1:38:08.800 --> 1:38:12.519
<v Speaker 1>the Chiefs and there's a lot of and I think

1:38:12.560 --> 1:38:18.680
<v Speaker 1>that that's an ongoing conversation in sports, is it is

1:38:19.040 --> 1:38:24.840
<v Speaker 1>teams that are named and characterize Indigenous people as mascots,

1:38:25.000 --> 1:38:29.200
<v Speaker 1>and that's an ongoing conversation also in hockey specifically because

1:38:29.240 --> 1:38:32.559
<v Speaker 1>the Chicago Blackhawks. I mean that I know you know this,

1:38:33.080 --> 1:38:38.040
<v Speaker 1>you know this whole conversation of representing Indigenous people as

1:38:38.600 --> 1:38:42.479
<v Speaker 1>mascots and the issues and conversations that have taken place.

1:38:42.680 --> 1:38:46.240
<v Speaker 1>And also that team is still called the Chicago Blackhawks.

1:38:46.280 --> 1:38:50.200
<v Speaker 1>They did not make any changes after that conversation was had.

1:38:50.280 --> 1:38:53.040
<v Speaker 1>I was trying to happen in the mid twenty tens.

1:38:53.600 --> 1:38:57.679
<v Speaker 1>But so this team is named the Chiefs, and there

1:38:57.840 --> 1:39:01.960
<v Speaker 1>is a character in the.

1:39:03.400 --> 1:39:07.880
<v Speaker 2>On the Syracuse team, Yes, what is his Clarence swamp

1:39:07.920 --> 1:39:14.840
<v Speaker 2>Town aka Screaming Buffalo, who is played by a real

1:39:14.880 --> 1:39:20.440
<v Speaker 2>hockey player named Joe Nolan, who is First Nations.

1:39:21.360 --> 1:39:24.280
<v Speaker 1>I was worried that I was really worried that it

1:39:24.320 --> 1:39:25.360
<v Speaker 1>was a guy in brown.

1:39:25.360 --> 1:39:29.320
<v Speaker 2>A white guy. Yeah, but this is a real Indigenous person,

1:39:29.840 --> 1:39:34.400
<v Speaker 2>a real hockey player However, the way that the costuming

1:39:34.720 --> 1:39:38.200
<v Speaker 2>and the just characterization of that character is still relying

1:39:38.439 --> 1:39:47.800
<v Speaker 2>heavily on stereotypes of Indigenous and First Nations people. So whoops.

1:39:48.080 --> 1:39:51.320
<v Speaker 4>Yeah, that's a tough one, you know, I mean all

1:39:51.360 --> 1:39:54.320
<v Speaker 4>the way down to like I said earlier, there was

1:39:54.360 --> 1:39:56.320
<v Speaker 4>so much of the hockey parts of it are like,

1:39:57.800 --> 1:40:01.160
<v Speaker 4>you know, an exaggeration, you know, like almost like a caricature,

1:40:02.160 --> 1:40:05.040
<v Speaker 4>you know, of that scene. That's one of the things

1:40:05.080 --> 1:40:07.320
<v Speaker 4>in the in the mood, it's like that never would

1:40:07.400 --> 1:40:10.479
<v Speaker 4>be allowed, you know, he just he that's that's a

1:40:11.080 --> 1:40:13.000
<v Speaker 4>you know. And again it's you know, we've talked to

1:40:13.080 --> 1:40:15.200
<v Speaker 4>you know, if you could snip this guy out and

1:40:15.240 --> 1:40:18.360
<v Speaker 4>this guy out, it really changes thing. That was like,

1:40:18.520 --> 1:40:21.160
<v Speaker 4>all right, you've you've made your point. You know that

1:40:21.520 --> 1:40:26.120
<v Speaker 4>the Syracuse team is loaded up on rugged guys, right,

1:40:26.479 --> 1:40:29.599
<v Speaker 4>you know, to pay you back? You know, like how

1:40:29.600 --> 1:40:30.639
<v Speaker 4>many did you have to have?

1:40:30.760 --> 1:40:32.479
<v Speaker 1>Right? Well? And it's also like I don't think that

1:40:32.520 --> 1:40:36.080
<v Speaker 1>the solution to that is cutting out that character. It's

1:40:36.120 --> 1:40:40.360
<v Speaker 1>just presenting this real life First Nations hockey player in

1:40:40.400 --> 1:40:44.559
<v Speaker 1>a way that wasn't you know, inherently connected to the

1:40:44.640 --> 1:40:47.880
<v Speaker 1>fact that he was a First Nations player, Like I

1:40:48.200 --> 1:40:50.720
<v Speaker 1>don't know, I have no objection to like having a

1:40:50.960 --> 1:40:55.000
<v Speaker 1>cause because, like you've mentioned that, there's so many real

1:40:55.040 --> 1:40:58.000
<v Speaker 1>life hockey players that appear in this movie, and Joe

1:40:58.080 --> 1:41:00.960
<v Speaker 1>Nolan like played on a number of teams, including the

1:41:01.040 --> 1:41:05.160
<v Speaker 1>Johnstown Jets. He's from a hockey family. He is h

1:41:05.640 --> 1:41:10.280
<v Speaker 1>This is according to Hockey Legends dot com scholarly journal.

1:41:10.920 --> 1:41:15.720
<v Speaker 1>Yes exactly. He is Ojibwa. He is the uncle of

1:41:15.760 --> 1:41:19.559
<v Speaker 1>Buffalo Sabers coach Ted Nolan and great uncle of Jordan

1:41:19.640 --> 1:41:22.320
<v Speaker 1>Nolan of the La Kings. So he's like from a

1:41:22.560 --> 1:41:25.880
<v Speaker 1>like legacy hockey family. There's no issue with him being

1:41:25.880 --> 1:41:29.240
<v Speaker 1>in this movie. It's just like presenting him as not

1:41:29.479 --> 1:41:33.480
<v Speaker 1>inherently connected to his Like it's just like it's obviously

1:41:33.520 --> 1:41:36.519
<v Speaker 1>written by a white writer of the time, disrespectful and

1:41:36.640 --> 1:41:38.880
<v Speaker 1>just being like, well, this is his heritage, so this

1:41:38.920 --> 1:41:40.640
<v Speaker 1>is going to be the whole character, and we're going

1:41:40.720 --> 1:41:42.600
<v Speaker 1>to write it in the way like we're going to

1:41:42.680 --> 1:41:44.960
<v Speaker 1>write him for a white audience.

1:41:45.200 --> 1:41:47.680
<v Speaker 2>Yeah, the most trophy way possible.

1:41:48.160 --> 1:41:49.439
<v Speaker 1>And it would have been cool, Like it would been

1:41:49.479 --> 1:41:51.640
<v Speaker 1>cool if Joe Nolan was cast in a role that

1:41:51.840 --> 1:41:55.000
<v Speaker 1>was not that like was just like he could have

1:41:55.040 --> 1:41:57.360
<v Speaker 1>played a he could be a guy on that team,

1:41:57.680 --> 1:42:00.080
<v Speaker 1>but just it's obviously racist the way.

1:42:00.600 --> 1:42:04.080
<v Speaker 2>Right with more than fifteen seconds of screen time, you know.

1:42:05.600 --> 1:42:08.439
<v Speaker 1>I also this is like separate, but I learned about

1:42:08.439 --> 1:42:10.840
<v Speaker 1>it on my trip at the Hockey Hall of Fame,

1:42:11.000 --> 1:42:14.120
<v Speaker 1>so I wanted to mention it and we can link

1:42:14.160 --> 1:42:17.439
<v Speaker 1>it in the description of this episode. But just the

1:42:17.520 --> 1:42:21.400
<v Speaker 1>history of Native American and First Nations players within hockey,

1:42:21.479 --> 1:42:25.599
<v Speaker 1>there's a lot to be discussed and learned about where

1:42:25.640 --> 1:42:28.960
<v Speaker 1>there are still a number of I mean like, there

1:42:28.960 --> 1:42:33.280
<v Speaker 1>are a number of Native players in professional hockey today,

1:42:33.920 --> 1:42:38.400
<v Speaker 1>but there's also a history of hockey in reservation schools,

1:42:38.560 --> 1:42:41.519
<v Speaker 1>and hockey has a role in Canadian reservation schools. There's

1:42:41.520 --> 1:42:43.280
<v Speaker 1>been a lot written about it in the last couple

1:42:43.280 --> 1:42:47.240
<v Speaker 1>of years that I think is very relevant to what

1:42:47.240 --> 1:42:50.439
<v Speaker 1>we're talking about, very interesting, and especially when this Jo

1:42:50.520 --> 1:42:52.719
<v Speaker 1>Nolan character came up, it was like, oh, there's actually

1:42:52.800 --> 1:42:56.920
<v Speaker 1>a lot of troubling and like relevant Indigenous history within

1:42:57.160 --> 1:43:02.000
<v Speaker 1>hockey that if you're interested, we can link a piece

1:43:02.040 --> 1:43:04.720
<v Speaker 1>that I read below and I learned about it. I

1:43:04.760 --> 1:43:06.840
<v Speaker 1>don't know why I keep plugging the Hontey muse. I

1:43:06.840 --> 1:43:10.559
<v Speaker 1>thought it was really interesting and we'll link it.

1:43:10.800 --> 1:43:11.120
<v Speaker 6>Yes.

1:43:11.400 --> 1:43:14.920
<v Speaker 4>Indeed, ironically, I have never been to the Hockey Hall

1:43:14.960 --> 1:43:15.280
<v Speaker 4>of Fame.

1:43:15.520 --> 1:43:18.120
<v Speaker 1>I know, it's just like texting you pictures the whole time.

1:43:18.439 --> 1:43:19.439
<v Speaker 2>Where is it Toronto?

1:43:19.680 --> 1:43:22.320
<v Speaker 1>Yes, in Toronto, the Hockey Hall of Fame. I saw

1:43:22.360 --> 1:43:24.640
<v Speaker 1>the Stanley Cup from a healthy distance, and then I

1:43:24.640 --> 1:43:27.320
<v Speaker 1>did not pay ten dollars to have a picture taken

1:43:27.360 --> 1:43:27.920
<v Speaker 1>next to it.

1:43:28.400 --> 1:43:28.679
<v Speaker 2>Nice.

1:43:28.840 --> 1:43:30.599
<v Speaker 1>Nice, I took a picture of it from far away.

1:43:31.320 --> 1:43:35.640
<v Speaker 2>Does anyone have anything else they'd like to discuss?

1:43:36.160 --> 1:43:40.880
<v Speaker 4>Well, just because I did all the research on the

1:43:40.960 --> 1:43:42.840
<v Speaker 4>one of the interesting things, I mean, the people who

1:43:42.880 --> 1:43:46.160
<v Speaker 4>know this movie would be very frustrated. It was like,

1:43:46.200 --> 1:43:48.959
<v Speaker 4>how could you not talk about? You know? The interesting

1:43:49.360 --> 1:43:53.400
<v Speaker 4>things to me are that there really were Like so

1:43:53.439 --> 1:43:58.439
<v Speaker 4>the three Hansome brothers. There really were three brothers on

1:43:58.479 --> 1:44:03.240
<v Speaker 4>that Johnstown team. Their last name was Carlson. They were

1:44:03.280 --> 1:44:06.240
<v Speaker 4>all supposed to be in the movie. One of them

1:44:06.280 --> 1:44:09.840
<v Speaker 4>got called up to a better team, so they had

1:44:09.880 --> 1:44:13.880
<v Speaker 4>to replace him with somebody who looked similar. His last

1:44:13.920 --> 1:44:17.680
<v Speaker 4>name was Hanson, and that's that's how they named the

1:44:17.800 --> 1:44:20.599
<v Speaker 4>three the Hansons. But god, it just there's a there's

1:44:20.640 --> 1:44:24.280
<v Speaker 4>a lot of little interesting things there the one character

1:44:24.439 --> 1:44:29.360
<v Speaker 4>that he's like, I want to collect that bounty. Who

1:44:29.439 --> 1:44:32.360
<v Speaker 4>is another person that Regg Dunlop you know, manipulates because

1:44:32.360 --> 1:44:34.920
<v Speaker 4>he's you know, kind of like a peacenik and a

1:44:35.000 --> 1:44:37.240
<v Speaker 4>meditator and everything like that, And all of a sudden

1:44:37.320 --> 1:44:42.680
<v Speaker 4>he becomes Dave Killer Carlson. Well, Dave Killer Carlson was

1:44:42.720 --> 1:44:46.800
<v Speaker 4>a real player, and he replaced the Hanson that had

1:44:46.800 --> 1:44:50.080
<v Speaker 4>to leave. It's just there's a lot of funny things

1:44:50.120 --> 1:44:52.519
<v Speaker 4>in there. So he thought he was going to get

1:44:52.520 --> 1:44:55.680
<v Speaker 4>to play himself, but instead he had to be a

1:44:56.280 --> 1:44:59.680
<v Speaker 4>you know, become like a surrogate brother and be in

1:44:59.680 --> 1:45:03.880
<v Speaker 4>a movie where someone played him. My last favorite thing is,

1:45:05.000 --> 1:45:09.880
<v Speaker 4>you know, I'm no actor, but throughout the movie there

1:45:09.880 --> 1:45:13.760
<v Speaker 4>are references made to this player that everybody's fearful of,

1:45:13.840 --> 1:45:18.720
<v Speaker 4>you know, Ogie Oglethorpe. Right, Yes, Ogie finally shows up

1:45:18.760 --> 1:45:22.640
<v Speaker 4>in that last game, never says a word, scowling at

1:45:22.640 --> 1:45:26.280
<v Speaker 4>everybody in that scene, scowling and then fighting. That is

1:45:26.360 --> 1:45:30.080
<v Speaker 4>Ned Dowd, whose sister wrote the movie.

1:45:30.240 --> 1:45:32.040
<v Speaker 2>Oh okay, Nancy Dowd's brother.

1:45:32.360 --> 1:45:36.160
<v Speaker 4>Yes, so Ogie is you know, but I mean, I

1:45:36.280 --> 1:45:39.759
<v Speaker 4>just that scene just cracks me up. Just the skating

1:45:39.840 --> 1:45:42.000
<v Speaker 4>out with the you know, chewing the gum and looking

1:45:42.040 --> 1:45:45.560
<v Speaker 4>either ways. You know, but for for that on a

1:45:45.640 --> 1:45:48.720
<v Speaker 4>screen time, just you you know, to sell it, I'm like,

1:45:48.840 --> 1:45:50.559
<v Speaker 4>all right, nice job guy, you know.

1:45:50.800 --> 1:45:53.439
<v Speaker 1>Yeah, I mean I like I think that that's like

1:45:53.560 --> 1:45:56.839
<v Speaker 1>just the I don't know element of just like how

1:45:57.320 --> 1:46:00.400
<v Speaker 1>she did this sort of immersive approach to research and

1:46:00.479 --> 1:46:02.840
<v Speaker 1>then seemed to include a lot of people that she'd

1:46:02.840 --> 1:46:05.439
<v Speaker 1>come across or learned about in that research in the movie.

1:46:05.479 --> 1:46:08.560
<v Speaker 1>Like that's I just I don't know, I think that's cool.

1:46:08.400 --> 1:46:10.479
<v Speaker 4>You know, and you know, there are there are elements

1:46:10.479 --> 1:46:12.320
<v Speaker 4>of truth in the two and then I'll stop talking about.

1:46:12.520 --> 1:46:17.920
<v Speaker 4>You know, the Charlestown Chiefs slash Johnstown Jets that nineteen

1:46:18.000 --> 1:46:21.000
<v Speaker 4>seventy seven season that concluded so they could make the movie.

1:46:21.800 --> 1:46:24.200
<v Speaker 4>The Jets didn't go out of business, but their league folded.

1:46:24.560 --> 1:46:25.360
<v Speaker 1>Oh oh okay, you.

1:46:25.360 --> 1:46:28.080
<v Speaker 4>Know, so this this was a thing that was happening,

1:46:28.080 --> 1:46:30.080
<v Speaker 4>and that league had only been around for four years.

1:46:30.360 --> 1:46:32.599
<v Speaker 4>The other thing that's interesting is like, you know how

1:46:32.640 --> 1:46:35.679
<v Speaker 4>outrageous it was that, like, why would anybody a hockey

1:46:35.680 --> 1:46:39.120
<v Speaker 4>team in Florida? Well, you know, there are professional hockey

1:46:39.160 --> 1:46:41.240
<v Speaker 4>teams in Florida now and it's you know, it's gone

1:46:41.240 --> 1:46:43.080
<v Speaker 4>pretty well in a couple of the places.

1:46:43.080 --> 1:46:46.360
<v Speaker 1>So yeah, well, I guess that's the last thing I

1:46:46.400 --> 1:46:50.120
<v Speaker 1>wanted to say was that I appreciated that the movie

1:46:50.160 --> 1:46:52.680
<v Speaker 1>went out of its way to connect the struggle of

1:46:52.680 --> 1:46:55.760
<v Speaker 1>this hockey team to what was going on in their community,

1:46:56.240 --> 1:46:59.640
<v Speaker 1>and how like it was just like acknowledging I don't know,

1:46:59.640 --> 1:47:02.400
<v Speaker 1>I felt like because it was done off of this

1:47:02.520 --> 1:47:06.439
<v Speaker 1>very specific reporting in this region or this research I

1:47:06.439 --> 1:47:10.920
<v Speaker 1>guess in this region, it like does reflect the socioeconomic

1:47:10.960 --> 1:47:15.280
<v Speaker 1>problems in the Pittsburgh area in the late seventies and

1:47:15.320 --> 1:47:17.559
<v Speaker 1>connects it to this hockey team in a way that feels,

1:47:18.240 --> 1:47:20.200
<v Speaker 1>I don't know, like class conscious, in a way that

1:47:20.280 --> 1:47:23.679
<v Speaker 1>a lot of sports MOVI fees either aren't or feel

1:47:23.760 --> 1:47:27.920
<v Speaker 1>like overly sort of melodramatic about. It. Just felt like

1:47:27.960 --> 1:47:31.200
<v Speaker 1>it fit very cleanly into this world, and like not

1:47:31.320 --> 1:47:34.080
<v Speaker 1>only like it wasn't like the town and the team

1:47:34.479 --> 1:47:36.400
<v Speaker 1>because it was a minor league team. The team is

1:47:36.400 --> 1:47:38.080
<v Speaker 1>a part of the town and so they're all sort

1:47:38.120 --> 1:47:41.639
<v Speaker 1>of sharing the same kind of issues, right.

1:47:41.920 --> 1:47:46.479
<v Speaker 2>Yeah, that and we you know, we're talking about this earlier.

1:47:46.680 --> 1:47:50.760
<v Speaker 2>But how Reggie like does a bunch of you know,

1:47:50.800 --> 1:47:55.479
<v Speaker 2>it's like desperate times call for desperate measures, and under capitalism,

1:47:56.000 --> 1:48:00.120
<v Speaker 2>when you know your livelihood is being threatened, a lot

1:48:00.160 --> 1:48:03.000
<v Speaker 2>of people do have to act out of desperation and

1:48:03.400 --> 1:48:08.559
<v Speaker 2>do things that they would maybe not otherwise do to survive.

1:48:09.080 --> 1:48:13.160
<v Speaker 2>But and so and that manifests in Reggie as like

1:48:13.360 --> 1:48:17.720
<v Speaker 2>manipulating people in a way that's like extremely harmful. So

1:48:17.720 --> 1:48:21.200
<v Speaker 2>I guess my point is, like you can do things

1:48:21.240 --> 1:48:27.160
<v Speaker 2>out of desperation because capitalism is killing us all without

1:48:27.240 --> 1:48:31.320
<v Speaker 2>also being extremely homophobic and you know all the other

1:48:31.360 --> 1:48:34.000
<v Speaker 2>things that he does, Like it would be one thing

1:48:34.040 --> 1:48:37.000
<v Speaker 2>if all he did was just like lie to his

1:48:37.160 --> 1:48:41.800
<v Speaker 2>team and like plant that story in the sports writer

1:48:41.880 --> 1:48:45.559
<v Speaker 2>to be like I heard we were getting bought by Florida.

1:48:45.600 --> 1:48:48.760
<v Speaker 2>And if he tells his team this and his objective

1:48:48.840 --> 1:48:51.080
<v Speaker 2>is just to get morale up so that they can

1:48:51.160 --> 1:48:54.160
<v Speaker 2>win and like actually maybe have a shot, Like I

1:48:54.160 --> 1:48:56.880
<v Speaker 2>wouldn't have any problem with that really because it's like

1:48:56.920 --> 1:49:00.200
<v Speaker 2>a not a not a diabolical.

1:48:59.560 --> 1:49:01.320
<v Speaker 1>Lie, it's a victimless crime.

1:49:01.760 --> 1:49:05.880
<v Speaker 2>Yeah, But the fact that he's doing that, plus all

1:49:06.000 --> 1:49:12.479
<v Speaker 2>manner of like blackmailing, homophobia, outing people, all this stuff

1:49:12.560 --> 1:49:15.839
<v Speaker 2>like that's where I can't.

1:49:16.640 --> 1:49:19.439
<v Speaker 4>Yeah, so you're not just gonna call him over that

1:49:19.520 --> 1:49:27.200
<v Speaker 4>old rascal red chunk today.

1:49:27.320 --> 1:49:33.000
<v Speaker 1>So okay, let's get through it. I this movie does

1:49:34.400 --> 1:49:35.320
<v Speaker 1>it does well.

1:49:35.680 --> 1:49:38.400
<v Speaker 4>I was so surprised to hear yeah.

1:49:38.600 --> 1:49:40.640
<v Speaker 1>He kept checking with me to make sure that, and

1:49:40.680 --> 1:49:43.680
<v Speaker 1>he was like, wait, what so it doesn't Well, it's

1:49:43.720 --> 1:49:46.800
<v Speaker 1>a flawed metric. It doesn't. Just because it passes doesn't

1:49:46.800 --> 1:49:47.960
<v Speaker 1>mean it's a feminist movie.

1:49:49.240 --> 1:49:54.960
<v Speaker 2>Because Lily and Francine talk about Lily's hair and cheekbones.

1:49:54.560 --> 1:49:58.920
<v Speaker 3>And share and they mentioned share, and then there's the

1:49:58.960 --> 1:50:02.280
<v Speaker 3>other scene where it's Lily and then the two other

1:50:02.320 --> 1:50:05.280
<v Speaker 3>women who I don't think have names, So by that

1:50:05.880 --> 1:50:07.240
<v Speaker 3>caveat it would not pass.

1:50:07.320 --> 1:50:11.320
<v Speaker 2>But they are talking about drinking alcohol and.

1:50:11.200 --> 1:50:13.160
<v Speaker 1>They're talking about addiction problem. Yeah.

1:50:13.200 --> 1:50:18.000
<v Speaker 3>Like yeah, so so it's by the scants teeth.

1:50:18.120 --> 1:50:21.080
<v Speaker 1>But it does technically pass. And I feel like I

1:50:21.479 --> 1:50:23.960
<v Speaker 1>want to I want to hand it to this movie

1:50:24.000 --> 1:50:27.320
<v Speaker 1>as passing because of it feels like in many ways

1:50:27.320 --> 1:50:30.560
<v Speaker 1>the odds are stacked against any sports movie about a

1:50:30.640 --> 1:50:34.479
<v Speaker 1>men's demon passing. I was really surprised that it technically passes.

1:50:35.120 --> 1:50:36.920
<v Speaker 4>I mean, if I can. I mean, when I thought

1:50:36.920 --> 1:50:39.960
<v Speaker 4>about it in the you know, you know the theme

1:50:40.040 --> 1:50:42.760
<v Speaker 4>of your cast. I really just thought that this was

1:50:42.800 --> 1:50:46.479
<v Speaker 4>a movie that you know, crass and guys and thee

1:50:46.800 --> 1:50:50.600
<v Speaker 4>but that the women kind of like stuck up for

1:50:50.680 --> 1:50:54.800
<v Speaker 4>each other helped each other, didn't always. I mean, France

1:50:54.840 --> 1:50:57.599
<v Speaker 4>scene's great. I mean she tells them like right off

1:50:57.600 --> 1:50:59.280
<v Speaker 4>the bad one of their first scenes, like you know,

1:50:59.400 --> 1:51:03.200
<v Speaker 4>you're terrible coaches teams state you know. I mean, yeah,

1:51:03.320 --> 1:51:09.400
<v Speaker 4>she does it right, you know, so and and you know,

1:51:09.520 --> 1:51:12.080
<v Speaker 4>and I love, like I said, I love most of

1:51:12.080 --> 1:51:14.720
<v Speaker 4>the last scene. I still can't figure out, you know,

1:51:14.800 --> 1:51:20.040
<v Speaker 4>how Lily and Ned end up together. And I agree

1:51:20.040 --> 1:51:22.160
<v Speaker 4>with you caitle. And I thought that that the scene

1:51:22.160 --> 1:51:24.360
<v Speaker 4>with Franccene was going to empower her to really go

1:51:24.600 --> 1:51:28.120
<v Speaker 4>but you know, the fran scene, you know, goes her

1:51:28.160 --> 1:51:30.840
<v Speaker 4>own way. I mean it's just, you know, it's sort

1:51:30.840 --> 1:51:34.840
<v Speaker 4>of her own path because she you know, cuts through,

1:51:35.200 --> 1:51:37.439
<v Speaker 4>cuts through the parade and goes down the you know,

1:51:37.560 --> 1:51:40.479
<v Speaker 4>down the road by herself. I just thought it was,

1:51:41.040 --> 1:51:43.519
<v Speaker 4>you know, that that was an element to the movie

1:51:43.600 --> 1:51:47.360
<v Speaker 4>that shouldn't really you know, be overlooked for sure.

1:51:47.439 --> 1:51:50.160
<v Speaker 1>Yeah, I mean yeah, and I do think for especially

1:51:50.160 --> 1:51:53.360
<v Speaker 1>for its time and also for this genre even now

1:51:53.520 --> 1:51:57.639
<v Speaker 1>it is like unusual for women to be included. Also,

1:51:57.680 --> 1:52:01.320
<v Speaker 1>as much as I hate ned, he was in Twin Peaks,

1:52:01.640 --> 1:52:02.639
<v Speaker 1>so that's kind of fun.

1:52:03.120 --> 1:52:05.920
<v Speaker 4>He played hockey at the University of New Hampshire as.

1:52:05.800 --> 1:52:08.760
<v Speaker 1>Well, and we can't take that from them either, of course.

1:52:09.160 --> 1:52:11.360
<v Speaker 4>And it's big time hockey, oh is it?

1:52:11.720 --> 1:52:14.360
<v Speaker 1>Yes? See? Okay, now I'm nice. Sound like an asshole.

1:52:15.200 --> 1:52:19.519
<v Speaker 1>I didn't know that. This movie surprised me in ways

1:52:19.520 --> 1:52:20.439
<v Speaker 1>I wasn't expecting it to.

1:52:21.240 --> 1:52:22.759
<v Speaker 4>But but we should.

1:52:22.800 --> 1:52:24.840
<v Speaker 1>We should talk about the most important metric on the

1:52:24.840 --> 1:52:27.280
<v Speaker 1>face of the planet, which is our nipple scale.

1:52:27.360 --> 1:52:30.639
<v Speaker 2>Yes, a scale of zero to five nipples in which

1:52:30.680 --> 1:52:33.839
<v Speaker 2>we rate the movie. That's true, you heard.

1:52:34.080 --> 1:52:35.880
<v Speaker 1>Yes, we need to break it down zero to.

1:52:35.880 --> 1:52:40.920
<v Speaker 2>Five nipples, rating the movie based on examining it through

1:52:41.080 --> 1:52:46.400
<v Speaker 2>an intersectional feminist lens. Yeah, I'll give this movie one

1:52:47.240 --> 1:52:56.120
<v Speaker 2>nipple for it's a handful of female characters who, obviously

1:52:56.120 --> 1:52:58.080
<v Speaker 2>I wish the movie had done a lot more with

1:52:58.760 --> 1:53:03.400
<v Speaker 2>given more just real estate and the story to Susanne

1:53:03.400 --> 1:53:07.639
<v Speaker 2>only being there so that her situation could be used

1:53:07.720 --> 1:53:12.080
<v Speaker 2>as ammunition against her husband is obviously gross. But if

1:53:12.080 --> 1:53:15.439
<v Speaker 2>she had been a more meaningful character. So I guess

1:53:15.439 --> 1:53:18.280
<v Speaker 2>I'm giving it one nipple for the potential that the

1:53:18.320 --> 1:53:23.479
<v Speaker 2>movie mostly squandered. I do appreciate that Francine stands her

1:53:23.520 --> 1:53:28.120
<v Speaker 2>ground in not being willing to get back together with

1:53:28.240 --> 1:53:32.000
<v Speaker 2>her shitty husband. I agree that like most movies would

1:53:32.000 --> 1:53:35.559
<v Speaker 2>have like framed her as like the he's trying, he's trying,

1:53:35.640 --> 1:53:38.479
<v Speaker 2>and at the end he finally gets her back and

1:53:38.520 --> 1:53:42.960
<v Speaker 2>she's the other trophy he wins. But this movie doesn't

1:53:43.000 --> 1:53:48.360
<v Speaker 2>do that, and that does count for something. Wow, the

1:53:48.400 --> 1:53:54.000
<v Speaker 2>bar is so low, but everything else the movie does

1:53:54.040 --> 1:53:59.000
<v Speaker 2>as far as it's just like rampant homophobia, ablest slurs

1:53:59.080 --> 1:54:05.560
<v Speaker 2>are getting around casually, the treatment of the one indigenous

1:54:05.600 --> 1:54:09.200
<v Speaker 2>character that we see on screen, all that kind of stuff.

1:54:09.640 --> 1:54:13.920
<v Speaker 2>If anyone is looking for a movie that features mostly

1:54:14.080 --> 1:54:20.120
<v Speaker 2>men that is about men who are affected by a

1:54:20.160 --> 1:54:25.320
<v Speaker 2>steel mill closing, might I recommend The Full Monty because

1:54:25.320 --> 1:54:30.880
<v Speaker 2>it handles themes of toxic masculinity and things like that

1:54:30.960 --> 1:54:34.920
<v Speaker 2>in a much more thoughtful way. I would say, not

1:54:34.960 --> 1:54:39.320
<v Speaker 2>about hockey, though it is about men stripping, although wow,

1:54:39.400 --> 1:54:43.720
<v Speaker 2>similar ending because we go slapshot does end in a

1:54:43.800 --> 1:54:49.400
<v Speaker 2>strip tease. So anyway, I I'm glad. I guess that

1:54:49.600 --> 1:54:52.120
<v Speaker 2>this movie, at least for like Jamie yours and my

1:54:52.400 --> 1:54:56.320
<v Speaker 2>generation and younger generations, it is not something that most

1:54:56.320 --> 1:54:59.080
<v Speaker 2>people are super aware of. It has not like it

1:54:59.120 --> 1:55:02.160
<v Speaker 2>hasn't ended up. Is like this like piece of classic

1:55:02.240 --> 1:55:06.520
<v Speaker 2>Hollywood cinema that you must revisit. It's it doesn't have

1:55:06.640 --> 1:55:09.560
<v Speaker 2>much of a lasting legacy in that way.

1:55:09.720 --> 1:55:12.120
<v Speaker 1>Well, I mean except for hockey fans, where it's not

1:55:12.160 --> 1:55:14.640
<v Speaker 1>a massive leg like in a niche way. It has

1:55:14.680 --> 1:55:17.120
<v Speaker 1>a huge legacy in the general way, not as.

1:55:17.040 --> 1:55:22.560
<v Speaker 2>Much true true. Yeah, So one nipple and I will

1:55:22.640 --> 1:55:25.080
<v Speaker 2>give it to my favorite character, fran Scene.

1:55:25.880 --> 1:55:28.400
<v Speaker 1>I'm gonna give this movie to Nipples because it's my

1:55:28.440 --> 1:55:32.400
<v Speaker 1>birthday and I know, but I do think that like

1:55:33.120 --> 1:55:35.520
<v Speaker 1>I agree with I mean, we've talked about it at

1:55:35.600 --> 1:55:40.120
<v Speaker 1>length now where this movie is not generous in so

1:55:40.160 --> 1:55:44.040
<v Speaker 1>many ways. It is wildly homophobic the one native character

1:55:44.160 --> 1:55:47.560
<v Speaker 1>it represents, which is also I think that Joe Nolan

1:55:47.720 --> 1:55:50.440
<v Speaker 1>is the only non white character who really appears in

1:55:50.440 --> 1:55:54.000
<v Speaker 1>this movie meaningfully in any way. Yeah, which again is

1:55:54.400 --> 1:55:57.040
<v Speaker 1>not necessary, especially because of the region you're in. It, Like,

1:55:57.080 --> 1:55:59.880
<v Speaker 1>there's plenty of diversity to be found in this region.

1:56:00.080 --> 1:56:02.800
<v Speaker 1>I know that hockey is predominantly a white sport, but

1:56:02.840 --> 1:56:04.680
<v Speaker 1>it's a movie. You can do whatever the fuck you want.

1:56:05.360 --> 1:56:09.360
<v Speaker 1>But I do think that this movie is I don't know,

1:56:09.400 --> 1:56:13.600
<v Speaker 1>I mean a sports comedy in the seventies. Having women

1:56:13.680 --> 1:56:16.520
<v Speaker 1>included it at all feels kind of like a miracle

1:56:16.520 --> 1:56:19.600
<v Speaker 1>to me. And having a successful sports movie written by

1:56:19.680 --> 1:56:21.800
<v Speaker 1>a woman feels kind of like a miracle to me

1:56:21.920 --> 1:56:24.640
<v Speaker 1>for this era. And so I want.

1:56:24.440 --> 1:56:27.200
<v Speaker 2>To miracle another hockey movie.

1:56:27.680 --> 1:56:29.720
<v Speaker 1>Hate it, but that's like the exact kind of corny

1:56:29.760 --> 1:56:32.080
<v Speaker 1>ass movie I'm talking about where all the girls are

1:56:32.120 --> 1:56:35.160
<v Speaker 1>like you've got this baby, and you're like, oh my god. Like,

1:56:35.760 --> 1:56:39.680
<v Speaker 1>I do think that this movie has incredible fault. It's

1:56:39.680 --> 1:56:41.880
<v Speaker 1>like at the end because because we've talked about so

1:56:41.960 --> 1:56:45.400
<v Speaker 1>many broad comedies on this show, and all of the

1:56:45.440 --> 1:56:48.320
<v Speaker 1>swings are huge, and when they hit, they hit, and

1:56:48.320 --> 1:56:51.680
<v Speaker 1>when they're bad, they're awful. They're almost worse than you

1:56:51.680 --> 1:56:54.440
<v Speaker 1>can find in any genre, right, And I think the

1:56:54.520 --> 1:56:57.280
<v Speaker 1>same is true in horror or like any like broad

1:56:57.440 --> 1:57:00.520
<v Speaker 1>niche genre that tends to be true. And so this

1:57:00.560 --> 1:57:03.879
<v Speaker 1>movie is wildly dated. I understand why it is not popular.

1:57:03.960 --> 1:57:07.080
<v Speaker 1>We watched. I'm not even recommending it really. I just

1:57:07.160 --> 1:57:11.560
<v Speaker 1>was surprised by the fact that women were presented in

1:57:12.240 --> 1:57:14.600
<v Speaker 1>uh for the most part, in empathetic way, even though

1:57:14.600 --> 1:57:19.040
<v Speaker 1>I did not agree with how everyone everyone's arc was resolved.

1:57:19.600 --> 1:57:22.920
<v Speaker 1>So I'm gonna go too, and I'm gonna give one

1:57:23.040 --> 1:57:25.960
<v Speaker 1>freent scene because she rocks, and one to Lily because

1:57:26.000 --> 1:57:28.920
<v Speaker 1>she deserved better. And I hope that she you know,

1:57:29.320 --> 1:57:31.320
<v Speaker 1>divorced ned six months later or whatever.

1:57:31.520 --> 1:57:32.440
<v Speaker 2>Fingers crossed?

1:57:32.920 --> 1:57:34.680
<v Speaker 1>Dad, what would you give this movie?

1:57:35.200 --> 1:57:35.520
<v Speaker 4>Oh?

1:57:35.560 --> 1:57:39.840
<v Speaker 1>Based on his portrayal of women intersectionally.

1:57:39.400 --> 1:57:41.840
<v Speaker 4>Boy, I have to I have to do this. I'm

1:57:41.840 --> 1:57:43.480
<v Speaker 4>not I'm not trained. I'm not sure.

1:57:44.800 --> 1:57:46.520
<v Speaker 2>Whatever feels right in your heart.

1:57:46.760 --> 1:57:56.680
<v Speaker 4>Yes, I guess two just because too, because nipples. Well, no,

1:57:56.840 --> 1:57:59.920
<v Speaker 4>just because too. And I have to pick character.

1:58:00.480 --> 1:58:03.640
<v Speaker 2>You can do you can distribute them or you can

1:58:03.720 --> 1:58:05.360
<v Speaker 2>keep them, whatever you want to do.

1:58:05.600 --> 1:58:08.960
<v Speaker 4>I mean, I like, I don't know, I just like,

1:58:09.040 --> 1:58:12.000
<v Speaker 4>for inscene is A is a great character, you know,

1:58:12.120 --> 1:58:14.680
<v Speaker 4>I mean, I like that part of you know how

1:58:14.680 --> 1:58:16.920
<v Speaker 4>she's like. You know, I don't care if you you know,

1:58:17.040 --> 1:58:19.080
<v Speaker 4>I know you, you know, I know you as a person,

1:58:19.120 --> 1:58:21.280
<v Speaker 4>and you know you know you might be able to

1:58:21.320 --> 1:58:24.240
<v Speaker 4>fool everybody else, you know, but you can't fool me

1:58:24.280 --> 1:58:26.480
<v Speaker 4>anymore and goes to run a way and you know again,

1:58:26.520 --> 1:58:30.320
<v Speaker 4>missus missus Hanrahan. I never remember her first. I just

1:58:30.400 --> 1:58:34.160
<v Speaker 4>think that's a touching kind of a but that's that's

1:58:34.200 --> 1:58:38.520
<v Speaker 4>a you know, that's quite a scene with her, and

1:58:38.560 --> 1:58:42.720
<v Speaker 4>it's it's serious and funny, and I just really thought

1:58:42.760 --> 1:58:45.040
<v Speaker 4>that that was a you know, probably back in the

1:58:45.120 --> 1:58:47.920
<v Speaker 4>day it was like, oh, that's a gratuitous thing, you know,

1:58:48.320 --> 1:58:51.520
<v Speaker 4>like look at this thing, but you know, look looked

1:58:51.560 --> 1:58:54.320
<v Speaker 4>at now and her story and everything like that. I

1:58:54.360 --> 1:58:57.320
<v Speaker 4>think that's you know, I don't know what to say.

1:58:57.360 --> 1:58:59.120
<v Speaker 4>I can't say that I think that's great, but you

1:58:59.160 --> 1:59:02.000
<v Speaker 4>know it, I mean, it's just one that like sticks

1:59:02.480 --> 1:59:03.360
<v Speaker 4>with me anyway.

1:59:03.760 --> 1:59:05.240
<v Speaker 2>I know what you mean. It would be a fine

1:59:05.280 --> 1:59:10.160
<v Speaker 2>scene if the thing that happens after it didn't happen exactly.

1:59:09.800 --> 1:59:11.760
<v Speaker 1>Right, right. That's why it's like this movie is just

1:59:11.800 --> 1:59:14.480
<v Speaker 1>like frustrating in that way where you're like, wow, this

1:59:14.520 --> 1:59:17.560
<v Speaker 1>is representation or like a character you would not normally

1:59:17.560 --> 1:59:19.720
<v Speaker 1>see in a broad comedy, but then they're treated so

1:59:19.800 --> 1:59:22.880
<v Speaker 1>poorly that you're like, well, why why did you go

1:59:23.040 --> 1:59:26.240
<v Speaker 1>out of your way to do that? If you were

1:59:26.280 --> 1:59:28.520
<v Speaker 1>just going to treat them as a plot point and

1:59:28.560 --> 1:59:31.360
<v Speaker 1>never showed them again, which I think is also inherent

1:59:31.400 --> 1:59:34.040
<v Speaker 1>to this genre in the ways that I don't know.

1:59:34.080 --> 1:59:36.280
<v Speaker 1>I found it especially frustrating too, because it's like I

1:59:36.280 --> 1:59:40.640
<v Speaker 1>thought Suzanne was in the one scene she had was

1:59:40.960 --> 1:59:45.640
<v Speaker 1>presented with empathy and she was cool, and it was like, oh,

1:59:45.720 --> 1:59:47.920
<v Speaker 1>this is really and then like we were talking about,

1:59:48.080 --> 1:59:51.520
<v Speaker 1>like she's treated horrifically and we never get to see

1:59:51.560 --> 1:59:53.080
<v Speaker 1>her again. We don't know what happens to her, and

1:59:53.120 --> 1:59:54.880
<v Speaker 1>the movie doesn't really seem to have interest in it

1:59:54.920 --> 1:59:58.200
<v Speaker 1>because she was ultimately just a plot point to get

1:59:58.800 --> 2:00:00.480
<v Speaker 1>read to the next step.

2:00:00.600 --> 2:00:01.120
<v Speaker 2>Yeah.

2:00:01.160 --> 2:00:05.360
<v Speaker 1>So a complicated, a more complicated movie than I was expecting.

2:00:06.160 --> 2:00:07.880
<v Speaker 1>And I'm glad we talked about it.

2:00:08.160 --> 2:00:11.640
<v Speaker 2>Yes, indeed, and thanks for joining us, sad mister Mike.

2:00:11.920 --> 2:00:14.200
<v Speaker 4>Oh hey, thanks for having me along.

2:00:14.640 --> 2:00:17.640
<v Speaker 1>Happy to do it. Uh yeah, do you have anything

2:00:17.680 --> 2:00:18.440
<v Speaker 1>you want to plug?

2:00:18.920 --> 2:00:20.600
<v Speaker 2>Yeah? Where can people follow you on Twitter?

2:00:20.760 --> 2:00:23.200
<v Speaker 4>I don't have us. There's no need to follow me

2:00:23.240 --> 2:00:26.800
<v Speaker 4>on Twitter. My uh, my days are done. My days

2:00:26.800 --> 2:00:30.480
<v Speaker 4>of mouthing off and I just uh, you know, which,

2:00:30.520 --> 2:00:32.680
<v Speaker 4>I didn't do that much. I was not I was

2:00:32.680 --> 2:00:35.680
<v Speaker 4>not the King of the hot takes, and now I

2:00:35.680 --> 2:00:37.960
<v Speaker 4>am the king of the silent take. I'll just I'll

2:00:38.000 --> 2:00:41.840
<v Speaker 4>just read along with you all nice. Well, well you

2:00:41.840 --> 2:00:44.200
<v Speaker 4>know I could I could plug this, you know, this

2:00:44.200 --> 2:00:46.920
<v Speaker 4>this podcast a certain book about hot dogs. You know,

2:00:47.360 --> 2:00:48.560
<v Speaker 4>there's always something, but.

2:00:49.200 --> 2:00:53.440
<v Speaker 1>Simply just google book about hot dogs. Yeah all right,

2:00:53.480 --> 2:00:57.760
<v Speaker 1>Well well Dad, I really thank you for for coming

2:00:57.800 --> 2:00:58.320
<v Speaker 1>on the show.

2:00:58.880 --> 2:01:02.879
<v Speaker 4>And I really can believe you let us. You badgered

2:01:03.000 --> 2:01:04.000
<v Speaker 4>us into doing this.

2:01:04.840 --> 2:01:07.480
<v Speaker 1>I'm so glad we did though I don't know. It's

2:01:07.520 --> 2:01:10.320
<v Speaker 1>my birthday. I'm a dictator and I get to do

2:01:10.400 --> 2:01:11.200
<v Speaker 1>whatever I want.

2:01:11.320 --> 2:01:12.760
<v Speaker 2>Yeah, happy birthday, Jamie.

2:01:13.160 --> 2:01:14.680
<v Speaker 1>Thank you. This was a way to go.

2:01:14.920 --> 2:01:16.200
<v Speaker 4>Jam Happy birthday.

2:01:16.520 --> 2:01:21.600
<v Speaker 1>I remember he remembered it, and that's no I this

2:01:21.800 --> 2:01:24.680
<v Speaker 1>this episode was very special to me, both of you.

2:01:25.000 --> 2:01:27.840
<v Speaker 1>So thank you. I appreciate it, and I'm really glad

2:01:27.840 --> 2:01:31.080
<v Speaker 1>we got to do it. Love you, Jamie, love you too.

2:01:31.320 --> 2:01:32.800
<v Speaker 4>Way to go, Way to go team.

2:01:33.200 --> 2:01:33.600
<v Speaker 1>We did it.

2:01:33.800 --> 2:01:36.720
<v Speaker 2>We won, We won the championship game.

2:01:36.520 --> 2:01:39.880
<v Speaker 1>We won. We randomly did a strip tease and somehow

2:01:39.880 --> 2:01:41.400
<v Speaker 1>we want.

2:01:40.120 --> 2:01:44.120
<v Speaker 4>To there the best podcast in the Federal League.

2:01:44.440 --> 2:01:47.320
<v Speaker 1>Yeah. Yeah, we are kind of and I say this

2:01:47.360 --> 2:01:49.640
<v Speaker 1>with love, we are kind of a minor league podcast,

2:01:49.880 --> 2:01:53.800
<v Speaker 1>and yet our fan base is intense and they fill

2:01:53.880 --> 2:01:57.960
<v Speaker 1>the stand and we appreciate that we do because to

2:01:57.960 --> 2:02:00.600
<v Speaker 1>be a big podcast you have to talk about murder

2:02:00.640 --> 2:02:02.680
<v Speaker 1>in a dishonest way, and we don't do that. We

2:02:02.720 --> 2:02:04.480
<v Speaker 1>don't want to we do, or you have to be

2:02:04.560 --> 2:02:07.280
<v Speaker 1>like a fascist, so it's fine, or you have to

2:02:07.320 --> 2:02:10.520
<v Speaker 1>be I know a lot about sports and we don't.

2:02:10.600 --> 2:02:14.400
<v Speaker 2>We clearly demonstrated that today that we do not know.

2:02:14.760 --> 2:02:17.360
<v Speaker 1>Yeah, if there was any reason that now you know

2:02:17.440 --> 2:02:19.120
<v Speaker 1>both did you both did?

2:02:19.200 --> 2:02:19.480
<v Speaker 4>Great?

2:02:19.840 --> 2:02:24.040
<v Speaker 1>Thank you, thanks so much. You can find us on.

2:02:25.520 --> 2:02:29.400
<v Speaker 2>No we are nothing without the validation of men.

2:02:29.480 --> 2:02:31.560
<v Speaker 1>It's true of dad.

2:02:33.960 --> 2:02:35.160
<v Speaker 4>Oh no, it's so hard.

2:02:35.320 --> 2:02:40.320
<v Speaker 1>I only I only he's crying, he's crying. There. You

2:02:40.320 --> 2:02:43.520
<v Speaker 1>can find us online up at Bechdel Cast on Instagram

2:02:43.600 --> 2:02:46.640
<v Speaker 1>and Twitter. You can sign up for Patreon aka Patreon,

2:02:47.120 --> 2:02:50.280
<v Speaker 1>patreon dot com slash Bechdel Cast, where you get two

2:02:50.320 --> 2:02:54.920
<v Speaker 1>bonus episodes every month for mere five dollars and also

2:02:55.000 --> 2:02:57.880
<v Speaker 1>get access to about one hundred and fifty episodes of

2:02:57.960 --> 2:03:01.720
<v Speaker 1>back catalog on the Patreon. Wow and it's my birthday

2:03:01.720 --> 2:03:05.240
<v Speaker 1>over there this month too. We really value birthdays on

2:03:05.280 --> 2:03:08.480
<v Speaker 1>this podcast, so that's true, we'll be covering Little Shop

2:03:08.520 --> 2:03:11.960
<v Speaker 1>of Horrors and a second one that on the day

2:03:12.000 --> 2:03:14.800
<v Speaker 1>of this recording. I've not yet decided my second evil

2:03:14.880 --> 2:03:17.600
<v Speaker 1>pick for the Patreon, but oh I will think of

2:03:17.640 --> 2:03:20.560
<v Speaker 1>something and it will be annoying. So head over there

2:03:20.760 --> 2:03:21.000
<v Speaker 1>for that.

2:03:21.120 --> 2:03:23.880
<v Speaker 4>And Caitlin, when it comes happy birthday to YouTube, Thank

2:03:23.920 --> 2:03:24.760
<v Speaker 4>you so much.

2:03:25.480 --> 2:03:29.320
<v Speaker 2>It will be in about eight months.

2:03:29.240 --> 2:03:31.760
<v Speaker 4>Okay something like that, so just keep that in mind.

2:03:32.160 --> 2:03:34.240
<v Speaker 4>It's coming. I don't want to miss out my chance.

2:03:34.320 --> 2:03:37.800
<v Speaker 2>Thank you so much. And you can also get our

2:03:37.880 --> 2:03:41.760
<v Speaker 2>merch at teapublic dot com slash the Bechdel Cast for

2:03:42.280 --> 2:03:48.280
<v Speaker 2>our glorious items available for purchase at any time.

2:03:48.920 --> 2:03:52.560
<v Speaker 1>And with that, why don't we get on this local

2:03:52.720 --> 2:03:56.840
<v Speaker 1>parade float and lie about our wives leaving us.

2:03:57.440 --> 2:03:58.320
<v Speaker 2>Let's do it.

2:03:59.000 --> 2:04:00.160
<v Speaker 1>Bye bye, ay,