WEBVTT - "I'm Rick James, Bitch!": A Criminal Inspiration

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<v Speaker 1>Ridiculous crime. It's a production of iHeartRadio.

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<v Speaker 2>Hey Elizabeth, what are you doing?

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<v Speaker 3>I'm just hanging out.

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<v Speaker 2>So I got another question for you. Yeah, Hey, are

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<v Speaker 2>those new shoes?

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<v Speaker 3>No?

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<v Speaker 2>No, I got another question for you. You know it's ridiculous.

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<v Speaker 3>Yeah, I have an answer for that one. Okay, what now,

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<v Speaker 3>quick question before I get into it. Are you like

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<v Speaker 3>me where you don't show up empty handed when you

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<v Speaker 3>go to someone's house?

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<v Speaker 2>Oh yeah, yeah, yeah, guess.

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<v Speaker 3>And you have to bring like a hostess gift or

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<v Speaker 3>you know, or a host gift, depending on who you

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<v Speaker 3>know who you're visiting. But the thing is is that

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<v Speaker 3>sometimes it's hard to figure out what to bring. You know,

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<v Speaker 3>flowers is always good.

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<v Speaker 2>You can't go with the old standard of wine anymore

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<v Speaker 2>because not a lot of people drink as much people drink.

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<v Speaker 3>And sometimes people feel the obligation if they've already come

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<v Speaker 3>up with this meal, that they have a wine pairing,

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<v Speaker 3>and they feel the obligation to open. But I have

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<v Speaker 3>I have a solution for you, and it does involve wine.

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<v Speaker 2>Okay, I'm listening to.

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<v Speaker 3>You bring this very special wine and it's you stop it.

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<v Speaker 2>Why I walk right into every time? Go ahead?

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<v Speaker 3>It is called mayonnaise blanc and it comes from Helman's.

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<v Speaker 3>And if you're thinking like mayonnaise.

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<v Speaker 2>Wine, no, I'm not thinking anything right now.

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<v Speaker 3>What in the heck I mean that sounds like toilet

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<v Speaker 3>wine or pruno.

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<v Speaker 2>Like pretty much it sounds like something which yeah.

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<v Speaker 3>No, no zaren the good folks at Unilever North America.

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<v Speaker 4>Oh they came up with this.

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<v Speaker 3>It's actually it's actually really clever. It makes so yeah, yeah,

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<v Speaker 3>and mayonnaise. But what I love the most is just

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<v Speaker 3>how clever this is. So you show up and you

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<v Speaker 3>have this bottle of wine, yes, and it says zero

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<v Speaker 3>percent ABV so no alcohol by volume, one hundred percent

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<v Speaker 3>Mayo Mayonnaise Blanc nineteen fifteen.

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<v Speaker 2>You know, but you I supposed to believe this maynas

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<v Speaker 2>from nineteen fifteen or just like the house.

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<v Speaker 3>Ever since hel then my glasses on, I'm trying to

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<v Speaker 3>look at this picture, any of you. Yeah, so what

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<v Speaker 3>it is is what it is. What had happened was

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<v Speaker 3>you hand them this bottle and they're like, oh my wait,

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<v Speaker 3>mayonnaise wine. What's wrong with you? Before they can hit you.

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<v Speaker 2>Over the hease, they ask me to leave their house.

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<v Speaker 3>You demonstrate that the bottom of the bottle, unscrews worse

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<v Speaker 3>and come it comes out of it is a little

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<v Speaker 3>jar of mayonnaise. So that's how you gift mayonnaise. But

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<v Speaker 3>it comes in like the trojan horse of a wine bottle.

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<v Speaker 3>I think it's super cute. I think mayonnaise is great.

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<v Speaker 2>I would empty the mayonnaise jar out, fill that with like,

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<v Speaker 2>I don't know, something good, chocolate, wead honey, something, and

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<v Speaker 2>then put that in the mannaise.

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<v Speaker 3>Oh that's clever.

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<v Speaker 5>Right.

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<v Speaker 2>Then it's like, hey, look, you thought it was gonna

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<v Speaker 2>be crappy, no, wait to unscrew it. And they're like, oh,

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<v Speaker 2>even crappier.

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<v Speaker 4>Look I was.

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<v Speaker 3>Gonna make you some deviled eggs and they open it.

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<v Speaker 3>Oh it's just weird.

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<v Speaker 2>Yeah, just.

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<v Speaker 3>So a bunch of people sent this to us. It's

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<v Speaker 3>pretty incredible. I would love a bunch.

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<v Speaker 2>Of people did. Yeah, thank you, a bunch of people.

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<v Speaker 2>And I see what you think of it.

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<v Speaker 3>I'd love to get a jar, Elizabeth, let's get him.

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<v Speaker 3>I would love to get a jar of classic mayo

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<v Speaker 3>disguised as a fine line.

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<v Speaker 2>Okay, I'll keep that my holiday gift.

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<v Speaker 3>For youful twist on gifting. Yeah, it is so that is.

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<v Speaker 2>Twist on gifting.

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<v Speaker 3>Don't you want like a turkey with that other?

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<v Speaker 2>No? I don't even like manna.

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<v Speaker 5>Is you know that?

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<v Speaker 3>I'm sorry for your loss.

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<v Speaker 2>I learned that it makes a good grilled cheese sandwich.

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<v Speaker 2>You taught me that.

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<v Speaker 3>Yeah on the outside.

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<v Speaker 2>Yeah, that's that's what I'm about that life now hell yeah?

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<v Speaker 4>Oh good?

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<v Speaker 3>Good to rub on like a roast chicken, to roast it.

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<v Speaker 2>I think it's good for but like does people slather

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<v Speaker 2>it on?

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<v Speaker 6>Like?

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<v Speaker 2>Anyway? I'm not going to get into manage Elizabeth, And

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<v Speaker 2>I have a question for you, Yes, sir, Well it's

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<v Speaker 2>not about being ridiculous. Well it is, but you you

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<v Speaker 2>know the Okay, I think you watched this show? You do?

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<v Speaker 2>You must have?

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<v Speaker 3>Which one?

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<v Speaker 2>Elizabeth? I have four words for you. I'm Rick James bitch.

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<v Speaker 3>Oh yeah right.

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<v Speaker 2>Davis Chappelle made that quote famous, but it was Rick

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<v Speaker 2>James who.

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<v Speaker 4>Made it real.

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<v Speaker 3>Oh yeah yeah.

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<v Speaker 2>And for some folks, those same magic for words are

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<v Speaker 2>also their ticket to jail.

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<v Speaker 5>Oh.

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<v Speaker 2>This is Ridiculous Crime a podcast about absurd and outrageous capers,

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<v Speaker 2>heist and cons. It's always ninety nine percent murder free

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<v Speaker 2>and one hundred percent ridiculous. Oh yeah, it is Elizabeth

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<v Speaker 2>Rick James one of your people.

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<v Speaker 3>Is he agent of chaos?

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<v Speaker 7>Right?

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<v Speaker 3>See you were like, how was he problematic? But yeah,

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<v Speaker 3>a little.

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<v Speaker 2>There's obviously a very ugly chapter of his life. Oh yeah,

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<v Speaker 2>we're not going to get into that now, are we

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<v Speaker 2>going to pretend it didn't happen? Okay, which is why

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<v Speaker 2>I want to focus on the younger, more innocent, pre

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<v Speaker 2>mega fame Rick James. Yeah, yeah, he is criminally ridiculous.

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<v Speaker 3>Okay.

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<v Speaker 2>Obviously, you know, most folks younger than say, my parents

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<v Speaker 2>only really know Rick James from the Dave Chappelle's show, right,

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<v Speaker 2>And obviously the more you know the skits with Charlie

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<v Speaker 2>Murphy aka Murphy's brother. Now you know Charlie Murphy told

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<v Speaker 2>these Atlandis stories. I would be hanging out with Rick James,

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<v Speaker 2>and this is at the peak of Rick james fame

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<v Speaker 2>back in the early to mid eighties. And also, as

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<v Speaker 2>you know, Charlie Murphy incredible storyteller.

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<v Speaker 3>Like one of the best.

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<v Speaker 2>Oh my god, he has a natural inclination, but then

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<v Speaker 2>he also knows it, so he tries to reach for

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<v Speaker 2>fruits that he can barely touch himself. So it's like,

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<v Speaker 2>oh R. In his stories, he always makes Rick James

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<v Speaker 2>come alive, and his tales of you know, getting in

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<v Speaker 2>fights with him and like when you when your battle

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<v Speaker 2>and a man nicknamed super Freak, you know what's gonna

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<v Speaker 2>be interesting now. Also, even from the very first moment

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<v Speaker 2>of their friendship, when he first meets Rick James, Charlie Murphy,

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<v Speaker 2>he recounts seeing how Rick James had this bright, vibrating aura,

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<v Speaker 2>and Charlie Murphy said, and I quote, and here he

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<v Speaker 2>comes out of the room and I look at him

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<v Speaker 2>and I'm not I seen like an orange his aura

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<v Speaker 2>or whatever I've seen it, it was orange. I love

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<v Speaker 2>that this is not somebody who talks about him to

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<v Speaker 2>even say that, that means it's real all of a sudden, exactly,

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<v Speaker 2>It's like this confession he's got to tell you, man,

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<v Speaker 2>I wouldn't normally say this, so obviously this guy. He

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<v Speaker 2>also has one of my favorite lines in word Conjugations. Ever,

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<v Speaker 2>like he talks about okay, well, back to Charlie quote,

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<v Speaker 2>things escalated to the point that my man got too

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<v Speaker 2>familiar and I ended up having to whip his ass

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<v Speaker 2>because he would step across the line habitually he was

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<v Speaker 2>habitual line stepper. I love that habitual line stepper. I

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<v Speaker 2>mean that whole time as an habitual line stepper. I

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<v Speaker 2>finally saw myself. I was like, that's what it is.

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<v Speaker 3>You know that I've told you about how in my

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<v Speaker 3>family it's really not a gathering until I cross the

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<v Speaker 3>line in what I say and someone or many people go, oh,

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<v Speaker 3>line stepper. I know that.

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<v Speaker 2>I think that's what we have in common now. Of course,

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<v Speaker 2>obviously there's Dave Chappelle's whole impression of Rick James, which

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<v Speaker 2>I haven't even mentioned yet. Yeah, and that's what gave

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<v Speaker 2>us the most memorable line from the skit. I'm Rick James, bitch.

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<v Speaker 2>Enjoy yourself. I added that, but it's actually in the skit,

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<v Speaker 2>but he says a lot of other things anyway, Yeah,

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<v Speaker 2>the key is I'm Rick James bitch. Those four words.

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<v Speaker 2>And this this Rick James were talking about. As I

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<v Speaker 2>keep saying this was like, you know, this is a

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<v Speaker 2>post disco super freak, think Studio fifty four into the

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<v Speaker 2>seventies early eighties, Like, Elizabeth, what hold do you know

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<v Speaker 2>about Rick James and his pre fame days? Do you

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<v Speaker 2>know any of these stories you ever heard any of

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<v Speaker 2>these things about him? No, okay, here's a fun fact.

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<v Speaker 2>Stevie Wonder and Marvin Gay they gave him his name.

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<v Speaker 3>Oh really, not his mama.

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<v Speaker 2>No, no, Rick James is not his mama's given or

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<v Speaker 2>government name.

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<v Speaker 4>WHOA Yeah.

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<v Speaker 2>When he was coming up, Rick James was in Detroit,

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<v Speaker 2>home of Motown, and one night he meets Stevie Wonder

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<v Speaker 2>and Marvin Gay and they were already stars on the

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<v Speaker 2>Motown label and after seeing Rick James perform, they're impressed. Right,

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<v Speaker 2>So they're like, hey, man, what's your name?

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<v Speaker 5>Brother?

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<v Speaker 2>And he tells them my name is Rick, Ricky James, Matthews.

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<v Speaker 2>And Stevie Wonder's like, wait, wait, hold up, are you

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<v Speaker 2>planning on killing the president? Why do you have three names?

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<v Speaker 6>Right?

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<v Speaker 2>And Rick James like, no, no, I'm not planning on

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<v Speaker 2>becoming a presidential assassin. You got a problem with my name?

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<v Speaker 2>And Robbia guys like, yeah, brother, we do. That name

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<v Speaker 2>has no show business to it, right, So they think

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<v Speaker 2>for a moment and they're like, okay, Now, I don't

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<v Speaker 2>know which one of them actually came up with it,

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<v Speaker 2>but it's always been said that it was Stevie Wonder,

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<v Speaker 2>and Stevie Wonder, who's like, you know, I got it, brother,

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<v Speaker 2>you need to call yourself Ricky James. That's a show

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<v Speaker 2>biz name, right. Hearing that from Stevie Wonder, the former

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<v Speaker 2>Ricky James Matthew changed his name and didn't look back.

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<v Speaker 3>Hey, Stevie Wonder gives you that kind of advice, you

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<v Speaker 3>take it, you do it immediately.

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<v Speaker 2>Anything Stevie Wonder gives me, I'm keeping exactly pretty much.

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<v Speaker 2>That's smart rule, right Herpes, guys, I got I should

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<v Speaker 2>have some condossels. I knew you would test my theories.

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<v Speaker 2>Habitual linestepper. Now this is the kind of strange look

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<v Speaker 2>Rick James will continue to have in his life.

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<v Speaker 8>Right.

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<v Speaker 2>So, also, by the way, Ricky James Matthews still not

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<v Speaker 2>his government name.

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<v Speaker 4>Oh really that stage name correct.

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<v Speaker 2>Yes, because the reason he had that name was he

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<v Speaker 2>was on the lamb from the law. No. Oh yeah,

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<v Speaker 2>we'll get all into all of this, Elizabeth. So this

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<v Speaker 2>cat who would eventually become Rick James, he was born

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<v Speaker 2>James Ambrose Johnson Junior. I love that name. He first

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<v Speaker 2>dropped onto this scene in the world in Buffalo, New York,

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<v Speaker 2>nineteen forty eight. Just classic baby Boomer Man or you

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<v Speaker 2>know baby boomer Cat in his case.

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<v Speaker 3>Yeah.

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<v Speaker 2>Now, his father worked in the auto industry as a

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<v Speaker 2>factory worker. His mother show business hopeful. You know, back

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<v Speaker 2>in her day she was a dancer, and when Rick

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<v Speaker 2>James was a little boy, she was a cleaning lady. So,

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<v Speaker 2>as I said, show business hopeful.

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<v Speaker 3>She was one of those Buffalo gals.

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<v Speaker 2>Don't she come up so to get a little extra

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<v Speaker 2>coin in her purse. She was also a numbers runner

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<v Speaker 2>for the leading crime family in Buffalo. Love that that

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<v Speaker 2>was her night job. So this like lawlessness and show

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<v Speaker 2>business drive, they kind of get funneled into young Rick.

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<v Speaker 5>Yeah.

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<v Speaker 2>Now by the time he's a teenager, Rick James, he's

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<v Speaker 2>got himself a little band, right, they're playing around the

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<v Speaker 2>Buffalo area and across the border in Canada. And he

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<v Speaker 2>gets old enough, you know, about sixteen, you know, the

0:10:35.360 --> 0:10:38.560
<v Speaker 2>government starts eyeballing him to draft him into Vietnam War.

0:10:39.120 --> 0:10:41.640
<v Speaker 2>And you know he's like, oh, Joseph Forestall all that.

0:10:41.720 --> 0:10:43.840
<v Speaker 2>So Rick James is like, oh, I'll join the naval reserve,

0:10:43.960 --> 0:10:45.640
<v Speaker 2>you know, that way he can control he doesn't get

0:10:45.720 --> 0:10:48.360
<v Speaker 2>drafted into the army and shit Vietnam. He'll be on

0:10:48.400 --> 0:10:48.760
<v Speaker 2>the boat.

0:10:48.800 --> 0:10:48.960
<v Speaker 5>You know.

0:10:49.000 --> 0:10:51.480
<v Speaker 2>He's like, yeah, I can cook. What's going on right now?

0:10:51.760 --> 0:10:55.240
<v Speaker 2>His plan doesn't exactly work out, Elizabeth, because James Ambrose

0:10:55.280 --> 0:10:58.080
<v Speaker 2>Johnson Junior has to change his name to Ricky James

0:10:58.080 --> 0:11:00.400
<v Speaker 2>Matthews just to get out and be on the run.

0:11:00.440 --> 0:11:02.559
<v Speaker 2>He's like, you know what, this whole naval reserve thing.

0:11:02.600 --> 0:11:05.040
<v Speaker 2>He tries signing up, but it's not for him, right,

0:11:05.080 --> 0:11:07.560
<v Speaker 2>So he goes on the run from Select Services, but

0:11:07.640 --> 0:11:09.640
<v Speaker 2>his plans are full on draft division, right, So he

0:11:09.679 --> 0:11:12.640
<v Speaker 2>flees across the border to Canada because Detroit ain't enough.

0:11:13.120 --> 0:11:15.480
<v Speaker 2>And this is at this point, we're in nineteen sixty four.

0:11:15.679 --> 0:11:18.400
<v Speaker 2>As I said, the man is sixteen years old, maybe

0:11:18.480 --> 0:11:21.160
<v Speaker 2>seventeen if if the month is right now, he moves

0:11:21.160 --> 0:11:22.640
<v Speaker 2>by himself to Toronto.

0:11:23.000 --> 0:11:24.120
<v Speaker 3>Oh wow, yep.

0:11:24.160 --> 0:11:26.640
<v Speaker 2>Within days of crossing the border, he starts his new

0:11:26.679 --> 0:11:30.240
<v Speaker 2>life as a draft dodging musician, Ricky James Matthews, and

0:11:30.280 --> 0:11:34.240
<v Speaker 2>he meets another future famous musician. So the story goes,

0:11:34.240 --> 0:11:36.560
<v Speaker 2>he's outside his nightclub and I assume he had performed

0:11:36.559 --> 0:11:38.600
<v Speaker 2>that night, but I don't know for certain. Anyway, Ricky

0:11:38.640 --> 0:11:41.680
<v Speaker 2>James Matthews outside this club, he gets into it with

0:11:41.760 --> 0:11:44.120
<v Speaker 2>these three drunk dudes or are like just talking loud

0:11:44.120 --> 0:11:46.480
<v Speaker 2>because he dressed funny and he's up there in Canada

0:11:46.520 --> 0:11:47.959
<v Speaker 2>and they're like, yo, man, this a good show, but

0:11:48.000 --> 0:11:50.120
<v Speaker 2>why you're wearing that ladies at whatever? And this is

0:11:50.160 --> 0:11:52.640
<v Speaker 2>nineteen sixty four, So Rick James is an agent of

0:11:52.720 --> 0:11:54.720
<v Speaker 2>chaos and he's not afraid of people, so they didn't

0:11:54.720 --> 0:11:56.400
<v Speaker 2>matter if he was wearing a lady's wig or not.

0:11:56.679 --> 0:11:58.920
<v Speaker 2>He goes popping off. They get into it right now.

0:11:59.000 --> 0:12:01.560
<v Speaker 2>So there's a fight and these fights, you know, turned

0:12:01.600 --> 0:12:04.360
<v Speaker 2>to shouts. Shouts turned to shove. Shoves turned into actual punches.

0:12:04.400 --> 0:12:06.720
<v Speaker 2>They got a full on drunk fight, three against one.

0:12:07.160 --> 0:12:09.040
<v Speaker 2>He doesn't really stand that good of a chance. He

0:12:09.120 --> 0:12:12.040
<v Speaker 2>is still sixteen years old or seventeen. He gets his

0:12:12.080 --> 0:12:14.040
<v Speaker 2>ass kicked right, so he's knocked down. Things are looking

0:12:14.080 --> 0:12:17.520
<v Speaker 2>bad for old Ricky James Matthews. Three musicians come out

0:12:17.559 --> 0:12:19.280
<v Speaker 2>of the club. They see this kid down on the

0:12:19.280 --> 0:12:21.319
<v Speaker 2>ground about it get stomped out. They recognized he was

0:12:21.360 --> 0:12:23.439
<v Speaker 2>just inside playing. He's all right, so they run over

0:12:23.480 --> 0:12:26.000
<v Speaker 2>to help him. One of the men who reaches down

0:12:26.000 --> 0:12:28.199
<v Speaker 2>to help pick him up is Levon Helm.

0:12:28.679 --> 0:12:31.360
<v Speaker 3>No, yes, I did not know that I feel like,

0:12:31.400 --> 0:12:33.880
<v Speaker 3>did you do this as are what's ridiculous ones?

0:12:34.240 --> 0:12:35.679
<v Speaker 2>No, but you're getting close to one.

0:12:35.720 --> 0:12:37.839
<v Speaker 3>I did, Okay, yeah, yeah, there's something.

0:12:37.640 --> 0:12:38.880
<v Speaker 2>Percolating the memory.

0:12:39.440 --> 0:12:39.800
<v Speaker 5>Yeah.

0:12:39.800 --> 0:12:41.720
<v Speaker 2>So I like to imagine Rick James. He's looking up

0:12:41.720 --> 0:12:44.320
<v Speaker 2>and there's Levon Helm offering him a hand.

0:12:43.920 --> 0:12:47.080
<v Speaker 3>And that's like help God. Yeah.

0:12:47.080 --> 0:12:49.160
<v Speaker 2>So after helps Rick James up and he's like, Hey,

0:12:49.160 --> 0:12:51.679
<v Speaker 2>we're playing a gig tonight. You wonder you should come through, Right,

0:12:51.760 --> 0:12:54.080
<v Speaker 2>So Rick James he does indeed go with them to

0:12:54.240 --> 0:12:56.080
<v Speaker 2>their gig, and he even gets up on stage and

0:12:56.120 --> 0:13:00.000
<v Speaker 2>he performs with Ronnie Hawkins and Levon Helm. Yeah that's awesome. Right,

0:13:00.080 --> 0:13:02.959
<v Speaker 2>So that's his introduction to like the Toronto scene, right,

0:13:03.320 --> 0:13:05.959
<v Speaker 2>Ricky James, Matthews at this point he starts his own band, right,

0:13:06.000 --> 0:13:08.439
<v Speaker 2>so he's been own band is called the Minor Birds.

0:13:08.800 --> 0:13:11.840
<v Speaker 2>Their sound is rock. It's heavily influenced by the combined

0:13:11.920 --> 0:13:14.839
<v Speaker 2>new sounds of soul music but also folk music. They're

0:13:14.880 --> 0:13:15.920
<v Speaker 2>mixing and matching.

0:13:15.679 --> 0:13:16.880
<v Speaker 3>And making their own thing, right.

0:13:16.960 --> 0:13:17.760
<v Speaker 5>Yeah, this at this.

0:13:17.720 --> 0:13:19.280
<v Speaker 2>Point is like nineteen sixty five.

0:13:19.440 --> 0:13:19.760
<v Speaker 3>Okay.

0:13:19.880 --> 0:13:21.960
<v Speaker 2>By the next year, Ricky James and Matthews, he's got

0:13:22.000 --> 0:13:24.040
<v Speaker 2>this band sounded so good they are able to sign

0:13:24.120 --> 0:13:27.240
<v Speaker 2>a deal with Motown Records. Whoa, that's in sixty six.

0:13:27.280 --> 0:13:29.120
<v Speaker 2>If they signed the deal right now, this is what

0:13:29.240 --> 0:13:31.640
<v Speaker 2>brings him into the orbit of Stevie Wonder Marvin Gay.

0:13:31.679 --> 0:13:33.720
<v Speaker 2>And then they convince him to go from Ricky James

0:13:33.800 --> 0:13:36.360
<v Speaker 2>Matthews to Ricky James and then eventually the why he

0:13:36.440 --> 0:13:40.200
<v Speaker 2>gets dropped in Rick James. Right now, just before the

0:13:40.240 --> 0:13:43.679
<v Speaker 2>Minor Birds record their album on Motown Records, a band

0:13:43.720 --> 0:13:47.079
<v Speaker 2>member drops out. His replacement is, of course, another future

0:13:47.160 --> 0:13:51.440
<v Speaker 2>famous musicians. You want to guess who Elizabeth Hicky. Yes,

0:13:51.559 --> 0:13:52.760
<v Speaker 2>that's right, Neil Young.

0:13:53.000 --> 0:13:54.320
<v Speaker 3>Oh I love him so much.

0:13:54.200 --> 0:13:57.400
<v Speaker 2>So, accorded Neil Young's biographer, this cat Jimmy McDonough. The band,

0:13:57.520 --> 0:14:01.360
<v Speaker 2>the Minor Birds had a very distinctive, very mid sixties look.

0:14:01.840 --> 0:14:06.000
<v Speaker 2>And to picture Rick James Neil Young on stage. Oh yeah,

0:14:06.160 --> 0:14:09.600
<v Speaker 2>quote the Minor Birds in black leather jackets, yellow turtlenecks

0:14:09.600 --> 0:14:12.199
<v Speaker 2>and boots had quite a surreal scene going on.

0:14:12.400 --> 0:14:13.520
<v Speaker 5>I love so.

0:14:13.679 --> 0:14:16.520
<v Speaker 2>Not only were they bandmates, they were also flatmates. They

0:14:16.600 --> 0:14:20.800
<v Speaker 2>lived together in sixty six Young Neil Young, And that's funny,

0:14:20.800 --> 0:14:24.160
<v Speaker 2>Young Neil Young and Rick James. They share a small apartment. Like,

0:14:24.360 --> 0:14:27.120
<v Speaker 2>what was that like? Well, we do know from Neil

0:14:27.240 --> 0:14:29.640
<v Speaker 2>Young's perspective what it was like, because Neil Young once

0:14:29.720 --> 0:14:33.200
<v Speaker 2>told Howard Stern we did some wild things. It was

0:14:33.240 --> 0:14:35.560
<v Speaker 2>all very hazy to me. Now, I'm glad I made

0:14:35.600 --> 0:14:38.240
<v Speaker 2>it through that stage. It got a little dicey. There

0:14:38.280 --> 0:14:41.040
<v Speaker 2>were some drugs going on. I remember singing one song

0:14:41.120 --> 0:14:45.640
<v Speaker 2>for about a day and a half. That's more than

0:14:45.680 --> 0:14:49.040
<v Speaker 2>some drugs going on. Neil, that's all the drugs going on.

0:14:49.280 --> 0:14:50.120
<v Speaker 4>See you that half?

0:14:50.600 --> 0:14:53.480
<v Speaker 2>How many drugs were going on? Elizabeth. See I've told

0:14:53.520 --> 0:14:55.160
<v Speaker 2>you I can hang with psychedelics, and I had my

0:14:55.200 --> 0:14:57.080
<v Speaker 2>time in nearly every street drug you can name. But

0:14:57.160 --> 0:14:59.640
<v Speaker 2>you could not pay me to hang in this small

0:14:59.640 --> 0:15:01.920
<v Speaker 2>apartment with these two on some drugs.

0:15:02.000 --> 0:15:03.200
<v Speaker 3>Oh no, what were some drugs?

0:15:03.200 --> 0:15:05.200
<v Speaker 2>Oh, it's just basically what you would think of psychedelics,

0:15:05.280 --> 0:15:08.400
<v Speaker 2>random street drugs. And I'm you're talking to somebody who's

0:15:08.440 --> 0:15:10.280
<v Speaker 2>hung out with Terrence Howard in a small room and

0:15:10.320 --> 0:15:12.400
<v Speaker 2>he were smoking joints and that was enough. Like I

0:15:12.480 --> 0:15:16.400
<v Speaker 2>was redlining there anyway. Nineteen sixty six, Rick James Neil Young,

0:15:16.840 --> 0:15:18.960
<v Speaker 2>as I said, they have this band together, they're living together,

0:15:19.080 --> 0:15:21.400
<v Speaker 2>making a racket up in Toronto. Things are going well

0:15:21.400 --> 0:15:24.240
<v Speaker 2>for them. They put a single out on Columbia Records

0:15:24.600 --> 0:15:26.880
<v Speaker 2>that gets them deal with Motown. Now they just need

0:15:26.920 --> 0:15:29.720
<v Speaker 2>to record their debut album, and that, of course, is

0:15:29.760 --> 0:15:32.560
<v Speaker 2>when the bottom suddenly drops out, Otherwise it wouldn't be

0:15:32.560 --> 0:15:35.480
<v Speaker 2>an interesting story. The manager for the Miner Birds tells

0:15:35.520 --> 0:15:38.120
<v Speaker 2>the band, hey man about that advance we got from Motown.

0:15:38.160 --> 0:15:39.800
<v Speaker 2>They're like, what'd you do with They say, hey man's

0:15:39.880 --> 0:15:43.080
<v Speaker 2>about that money's gone, right. They have no money now

0:15:43.120 --> 0:15:45.160
<v Speaker 2>to record their album and they owe the money to

0:15:45.200 --> 0:15:47.920
<v Speaker 2>Motown because it's an advance against record sales and they

0:15:47.920 --> 0:15:50.400
<v Speaker 2>have no record to sell. They got two problems, right,

0:15:50.480 --> 0:15:53.640
<v Speaker 2>So rick James goes after the manager. Things get heated.

0:15:53.960 --> 0:15:57.720
<v Speaker 2>Manager gets fired, right, but the manager knows a dirty

0:15:57.720 --> 0:16:01.600
<v Speaker 2>little secret. He goes to Otown Records. He shares what

0:16:01.640 --> 0:16:03.880
<v Speaker 2>he knows with Motown Records, and Barry Gordy is like,

0:16:03.960 --> 0:16:08.560
<v Speaker 2>h mmmmmm because he this manager. He tells that Ricky James,

0:16:08.560 --> 0:16:11.680
<v Speaker 2>their new young star, is actually James Ambrose Johnson Jr.

0:16:11.800 --> 0:16:14.040
<v Speaker 2>And he's not from Canada and he's hiding out from

0:16:14.040 --> 0:16:16.000
<v Speaker 2>the Armed Forces because he went a wall from the

0:16:16.120 --> 0:16:20.440
<v Speaker 2>US Navy in wartime. So Motown is like, oh no, no, Son,

0:16:20.480 --> 0:16:22.160
<v Speaker 2>We're not about to play with the US government. We

0:16:22.200 --> 0:16:24.120
<v Speaker 2>got all sorts of tax issues we're trying to dodge,

0:16:24.560 --> 0:16:27.120
<v Speaker 2>so we don't need a draft dodger messing up a game.

0:16:27.240 --> 0:16:29.120
<v Speaker 2>So you haven't even recorded the album.

0:16:28.960 --> 0:16:30.720
<v Speaker 3>Yet, So yeah, I think that's the biggest.

0:16:31.080 --> 0:16:33.080
<v Speaker 2>So they tell Ricky James he needs to go do

0:16:33.160 --> 0:16:35.160
<v Speaker 2>what he needs to do with Uncle Sam and gets square,

0:16:35.200 --> 0:16:39.000
<v Speaker 2>and so Rick James contacts the FBI turns himself in

0:16:39.120 --> 0:16:40.440
<v Speaker 2>as a fugitive from the law.

0:16:40.600 --> 0:16:41.000
<v Speaker 5>No way.

0:16:41.080 --> 0:16:43.840
<v Speaker 2>At this point, Motown shelves the minor bird record that

0:16:43.880 --> 0:16:46.240
<v Speaker 2>they are, you know, like whatever, it's future tracks they

0:16:46.280 --> 0:16:49.120
<v Speaker 2>have recorded. They all get shelved. This leaves Rick James

0:16:49.120 --> 0:16:51.240
<v Speaker 2>and his bandmates totally in the lurks. They got nothing

0:16:51.240 --> 0:16:53.520
<v Speaker 2>to show for their time. So what did Neil Young do?

0:16:53.760 --> 0:16:56.920
<v Speaker 3>It drove him into the arms of Stephen Still's.

0:16:56.760 --> 0:17:00.120
<v Speaker 2>Practically Elizabeth Is. He and his fellow band mate Bruce Paul.

0:17:00.560 --> 0:17:02.560
<v Speaker 2>They decide to get the hell out of Toronto. They

0:17:02.640 --> 0:17:04.680
<v Speaker 2>head down to la they make the scene, they join

0:17:04.760 --> 0:17:06.680
<v Speaker 2>up in the Laurel Canyon scene we've talked about, and

0:17:06.680 --> 0:17:10.320
<v Speaker 2>they start a band called Buffalo Springfield. Meanwhile, Rick James

0:17:10.359 --> 0:17:14.040
<v Speaker 2>gets tried for draft evasion, convicted, sentenced to five months

0:17:14.080 --> 0:17:17.440
<v Speaker 2>hard labor for going a well from the US. Now

0:17:17.480 --> 0:17:20.320
<v Speaker 2>he is just eighteen years old, Oh my god, but

0:17:20.400 --> 0:17:22.639
<v Speaker 2>being stubborn, full of himself as only a Rick James

0:17:22.640 --> 0:17:24.720
<v Speaker 2>can be. With a month and a half of being

0:17:24.720 --> 0:17:26.840
<v Speaker 2>locked up in the Naval brig Rick James is like,

0:17:26.840 --> 0:17:29.680
<v Speaker 2>this ain't working for me, so he stages a prison breakout.

0:17:29.800 --> 0:17:34.960
<v Speaker 2>Good for him, He successfully escapes military imprisonment. He manages

0:17:35.000 --> 0:17:36.760
<v Speaker 2>to stay on the lamb for six months.

0:17:37.040 --> 0:17:37.280
<v Speaker 5>Wow.

0:17:37.440 --> 0:17:38.960
<v Speaker 2>Then he runs out of energy to stay on the

0:17:39.040 --> 0:17:41.760
<v Speaker 2>lamb and he turns himself back. So at this point,

0:17:41.840 --> 0:17:45.160
<v Speaker 2>Rick James is facing a court martial in five years

0:17:45.160 --> 0:17:48.040
<v Speaker 2>in military prison. He fights the case and he gets

0:17:48.080 --> 0:17:51.120
<v Speaker 2>his original sentence reinstated. He has to do the remaining

0:17:51.200 --> 0:17:55.480
<v Speaker 2>five months hard labor on a sentence. Finally, August sixty seven,

0:17:55.560 --> 0:17:57.439
<v Speaker 2>Rick James is a free man. He steps out of

0:17:57.480 --> 0:18:01.520
<v Speaker 2>Portsmouth Naval Prison, freeze in a big breath of that free, clean,

0:18:01.680 --> 0:18:04.359
<v Speaker 2>fresh air, this thing that tastes like freedom, right, and

0:18:04.440 --> 0:18:07.800
<v Speaker 2>he sides, I'm going back to Canada. I don't blame him, right,

0:18:07.920 --> 0:18:11.240
<v Speaker 2>And that's where he will also Elizabeth meet another future

0:18:11.359 --> 0:18:13.880
<v Speaker 2>famous musician who will change the course of his life

0:18:14.080 --> 0:18:16.000
<v Speaker 2>on his way to be coming Rick James.

0:18:16.040 --> 0:18:16.320
<v Speaker 3>Bitch.

0:18:16.520 --> 0:18:18.480
<v Speaker 2>Okay, let's take a break and listen to some ads

0:18:18.480 --> 0:18:20.200
<v Speaker 2>and then we'll be back into and too.

0:18:40.560 --> 0:18:44.480
<v Speaker 3>Okay, Elizabeth, alright, Saren, we're back, Yes, we are.

0:18:44.720 --> 0:18:47.880
<v Speaker 2>So Neil Young you love him? You love him right?

0:18:47.960 --> 0:18:51.800
<v Speaker 2>You know you know his nickname Stevie Wonder Marvin Gayeah

0:18:51.840 --> 0:18:56.920
<v Speaker 2>right here giving them too. Who is the next future

0:18:57.000 --> 0:19:00.520
<v Speaker 2>famous musician to change the course of young Rick james life.

0:19:00.560 --> 0:19:01.440
<v Speaker 3>That I don't know.

0:19:01.520 --> 0:19:04.200
<v Speaker 2>I'll give you a hint. Okay, he also loves drugs.

0:19:04.800 --> 0:19:06.359
<v Speaker 3>Well, that narrows it down.

0:19:06.440 --> 0:19:11.399
<v Speaker 2>His hair looks like he loves drugs. You won't guess it.

0:19:11.400 --> 0:19:12.520
<v Speaker 2>I don't think it's gonna be a tough one. I

0:19:12.520 --> 0:19:13.400
<v Speaker 2>didn't give you good hints.

0:19:13.720 --> 0:19:15.240
<v Speaker 3>Hair looks like he loves drugs.

0:19:15.240 --> 0:19:21.880
<v Speaker 2>Hendrix the Atomic dog himself, Oh that is you see.

0:19:22.119 --> 0:19:24.720
<v Speaker 2>After Rick James gets out of prison in sixty seven,

0:19:25.080 --> 0:19:27.640
<v Speaker 2>he does indeed go back to Toronto, and that's where

0:19:27.640 --> 0:19:29.560
<v Speaker 2>he becomes George Clinton's drug dealer.

0:19:31.920 --> 0:19:33.720
<v Speaker 4>Oh my god, that's a busy.

0:19:33.520 --> 0:19:35.560
<v Speaker 2>Job, right, You've got hours.

0:19:36.560 --> 0:19:39.800
<v Speaker 3>I saw George Clinton walking down the street in La

0:19:39.920 --> 0:19:42.920
<v Speaker 3>once and from behind it totally looks like a muppet.

0:19:42.960 --> 0:19:43.960
<v Speaker 2>Oh yeah, yeah, completely.

0:19:44.160 --> 0:19:44.880
<v Speaker 4>He's just had like.

0:19:44.880 --> 0:19:47.280
<v Speaker 3>Big coat and like, yeah, he's just popping along.

0:19:47.359 --> 0:19:49.640
<v Speaker 2>And also his hair, he had all his extensions in there.

0:19:50.480 --> 0:19:54.119
<v Speaker 3>Yeah, so he has ropy hair and yeah, it's incredible.

0:19:54.240 --> 0:19:57.840
<v Speaker 2>He's gone now though he's reduced that look. Anyway, back

0:19:57.880 --> 0:20:00.960
<v Speaker 2>then sixty seven, these two men naturally they hit it off.

0:20:01.000 --> 0:20:04.560
<v Speaker 2>They become friends, fellow drug abusers. Now, admittedly, I would

0:20:04.560 --> 0:20:06.199
<v Speaker 2>want to be in this small room as the two

0:20:06.240 --> 0:20:09.199
<v Speaker 2>of them got high ast maybe draft eyebrows. I think

0:20:09.280 --> 0:20:11.440
<v Speaker 2>I would want to be in that room. Yeah, yeah,

0:20:11.440 --> 0:20:12.720
<v Speaker 2>I think that'd be fun. I mean a little wild

0:20:12.760 --> 0:20:14.200
<v Speaker 2>for a lot of people. I think I can hang in.

0:20:14.520 --> 0:20:18.480
<v Speaker 2>I think they managed to record some songs together through

0:20:18.520 --> 0:20:20.640
<v Speaker 2>all of this, and but none of those songs ever

0:20:20.680 --> 0:20:21.520
<v Speaker 2>saw the light of day.

0:20:21.600 --> 0:20:22.600
<v Speaker 3>Oh really, yeah, same.

0:20:23.160 --> 0:20:26.040
<v Speaker 2>But the charms of Toronto could not hold Rick James.

0:20:26.040 --> 0:20:29.120
<v Speaker 2>Soon enough, he follows Neil Young down to Los Angeles

0:20:29.200 --> 0:20:31.840
<v Speaker 2>to seek his fame and fortune. In the scene, when

0:20:31.880 --> 0:20:33.600
<v Speaker 2>he gets to LA he hooks up with his old

0:20:33.600 --> 0:20:36.760
<v Speaker 2>friend Neil Young and Neil Young's new friends, and that's

0:20:36.800 --> 0:20:39.680
<v Speaker 2>how Rick James ends up crashing at Steven Steele's place.

0:20:40.240 --> 0:20:43.240
<v Speaker 3>I love Stephen Still the old tree.

0:20:43.119 --> 0:20:46.760
<v Speaker 2>Top flyer exactly now. While Rick James is there in

0:20:46.800 --> 0:20:49.440
<v Speaker 2>his first few days in LA He's staying on Steven

0:20:49.480 --> 0:20:52.760
<v Speaker 2>Still's couch. He's not alone in this apartment though, right

0:20:52.760 --> 0:20:54.960
<v Speaker 2>there's other people coming to it. Took a crash pad

0:20:55.000 --> 0:20:58.720
<v Speaker 2>almost now. Eventually, one morning, I could be an afternoon,

0:20:58.760 --> 0:21:01.600
<v Speaker 2>I don't know. He waked up and there's another future

0:21:01.680 --> 0:21:04.600
<v Speaker 2>famous young musician seated on the floor who looks to

0:21:04.640 --> 0:21:07.000
<v Speaker 2>be meditating. Do you want to take a guess who

0:21:07.000 --> 0:21:07.240
<v Speaker 2>he was?

0:21:07.240 --> 0:21:13.640
<v Speaker 3>Elizabeth, As Rick James colorfully remembered in his own autobiography, quote,

0:21:13.800 --> 0:21:15.720
<v Speaker 3>I woke to see a young dude sitting on the

0:21:15.760 --> 0:21:16.240
<v Speaker 3>floor in.

0:21:16.200 --> 0:21:21.000
<v Speaker 2>The lotus position. Stone doesn't nothing unusual about that, except

0:21:21.040 --> 0:21:24.480
<v Speaker 2>for the blood dripping from his wrists. What Elizabeth the

0:21:24.520 --> 0:21:31.639
<v Speaker 2>young man was Jim Morrison Lisa of the Blood, the

0:21:31.680 --> 0:21:36.280
<v Speaker 2>byronic poet Jim Morrison, right, his area is. As Rick

0:21:36.359 --> 0:21:40.040
<v Speaker 2>James recalls it, he was quote saying things like, isn't

0:21:40.080 --> 0:21:43.560
<v Speaker 2>the blood beautiful? Isn't that the deepest red you've ever seen?

0:21:44.640 --> 0:21:47.000
<v Speaker 3>Yeah, he's all looking.

0:21:46.760 --> 0:21:49.240
<v Speaker 2>At me.

0:21:49.760 --> 0:21:51.680
<v Speaker 4>At this point Richard Torture.

0:21:52.280 --> 0:21:55.040
<v Speaker 2>He's freaked out by this crazy white boy who's out

0:21:55.040 --> 0:21:58.720
<v Speaker 2>of his arms. Yeah, exactly Young you know that as well.

0:21:58.960 --> 0:22:01.320
<v Speaker 2>So Rick James goes up and he wakes Steven Stills

0:22:01.359 --> 0:22:02.679
<v Speaker 2>up right and he's like, man, come, you get your

0:22:02.680 --> 0:22:04.240
<v Speaker 2>friend bleeding on your view of couch.

0:22:04.880 --> 0:22:08.040
<v Speaker 3>So Steven Stills is like, for what it's worth.

0:22:09.840 --> 0:22:13.159
<v Speaker 2>Now he does come to. His first words are is

0:22:13.160 --> 0:22:15.000
<v Speaker 2>he doing it again again?

0:22:15.320 --> 0:22:15.879
<v Speaker 3>Yeah?

0:22:16.000 --> 0:22:17.679
<v Speaker 2>So he gets out of bed and he goes and

0:22:17.720 --> 0:22:20.960
<v Speaker 2>he bandages up Jim Morrison. Now, a little while later,

0:22:21.080 --> 0:22:23.200
<v Speaker 2>Rick James and Jim Morrison are at the Whiskey a

0:22:23.320 --> 0:22:26.520
<v Speaker 2>Go Go on Sunset Boulevard, the doors opening act for

0:22:26.720 --> 0:22:30.359
<v Speaker 2>Neil Young's band Buffalo Springfield. After the doors perform, and

0:22:30.400 --> 0:22:33.959
<v Speaker 2>you know Buffalo Springfield is ostensibly on stage, Jim Morrison

0:22:33.960 --> 0:22:36.680
<v Speaker 2>hooks up backstage with Rick James and he tricks Rick

0:22:36.760 --> 0:22:39.280
<v Speaker 2>James into dropping acid with him. And that's like Rick

0:22:39.320 --> 0:22:41.439
<v Speaker 2>James's introduction to like, hey man, this is like what

0:22:41.480 --> 0:22:42.160
<v Speaker 2>a real acid?

0:22:43.040 --> 0:22:46.960
<v Speaker 3>Rick James and Jim Morris.

0:22:48.359 --> 0:22:50.680
<v Speaker 2>That's like the plot of the best drug movie never made,

0:22:51.440 --> 0:22:55.800
<v Speaker 2>but you would never see. I would watch it. Around

0:22:55.840 --> 0:22:58.720
<v Speaker 2>this same time, Buffalo's Springfield. They break up, and Neil

0:22:58.760 --> 0:23:06.159
<v Speaker 2>Young joins a new group. That's right, Elizabeth, this supergroup Crosby, Stills.

0:23:05.280 --> 0:23:06.480
<v Speaker 3>And sometimes Young.

0:23:07.200 --> 0:23:11.480
<v Speaker 2>Now there's Rick James, really love exactly. Rick James was

0:23:11.520 --> 0:23:13.719
<v Speaker 2>hanging out with all of them. He's friends with all

0:23:13.760 --> 0:23:16.320
<v Speaker 2>of them. He's a qualified musician, and it's, you know,

0:23:16.400 --> 0:23:18.280
<v Speaker 2>kind of fun to imagine if you're me and you

0:23:18.359 --> 0:23:21.560
<v Speaker 2>and you're fans of chaos. But at this point, you know,

0:23:22.240 --> 0:23:25.760
<v Speaker 2>he almost was in Crosby, Stills, Nash and Young.

0:23:26.600 --> 0:23:27.920
<v Speaker 3>Rick James and James.

0:23:28.119 --> 0:23:30.240
<v Speaker 2>No not, he wouldn't have been a front name. He

0:23:30.240 --> 0:23:34.119
<v Speaker 2>would have been a backing musician, all the way front.

0:23:34.359 --> 0:23:36.760
<v Speaker 2>Rick James and Crosby still smash, and.

0:23:37.280 --> 0:23:42.760
<v Speaker 3>Crosby still smash. James and sometimes Young Neil can't always hang.

0:23:42.960 --> 0:23:45.400
<v Speaker 2>So it's his sixties were ending. Rick James has one

0:23:45.440 --> 0:23:48.280
<v Speaker 2>more brush with a future famous musician. Only this guy

0:23:48.320 --> 0:23:51.119
<v Speaker 2>wouldn't get famous for his music. Instead, he become famous

0:23:51.119 --> 0:23:52.920
<v Speaker 2>for his cult of thrill killers.

0:23:53.560 --> 0:23:54.840
<v Speaker 3>No WHOA.

0:23:54.960 --> 0:23:57.200
<v Speaker 2>The year was sixty nine and Rick James was still

0:23:57.200 --> 0:24:00.080
<v Speaker 2>in Hollywood, bouncing around the Laurel Canyon music scene, and

0:24:00.119 --> 0:24:02.439
<v Speaker 2>he was also getting along partying with the young stars

0:24:02.440 --> 0:24:04.760
<v Speaker 2>in Hollywood. Who had made their name on the silver screen.

0:24:05.160 --> 0:24:05.280
<v Speaker 7>Right.

0:24:05.359 --> 0:24:08.040
<v Speaker 2>So he was friends with one famous hairstylist, this guy

0:24:08.119 --> 0:24:11.280
<v Speaker 2>named Jay Sebring, and he was hopelessly in love with

0:24:11.320 --> 0:24:14.640
<v Speaker 2>one of his best friends, Sharon Tate. And one night

0:24:14.680 --> 0:24:17.479
<v Speaker 2>in sixty nine, j Seabring invited Rick James to come

0:24:17.520 --> 0:24:19.720
<v Speaker 2>over to his friend's house and party with them. But

0:24:19.840 --> 0:24:21.960
<v Speaker 2>being Rick James, he had party way too hard the

0:24:22.040 --> 0:24:23.560
<v Speaker 2>night before. He was hung over. He's like, man, I

0:24:23.560 --> 0:24:25.400
<v Speaker 2>can't come through there. Who over there?

0:24:25.520 --> 0:24:25.680
<v Speaker 6>Right?

0:24:25.800 --> 0:24:28.479
<v Speaker 2>So he chose to stay home and lay about. And

0:24:28.520 --> 0:24:31.520
<v Speaker 2>so later that same night, Charles Manson's followers showed up

0:24:31.520 --> 0:24:34.040
<v Speaker 2>at Charon Tate's home made bloody History, which would be

0:24:34.080 --> 0:24:36.080
<v Speaker 2>the one percent of the story. So we will skip

0:24:36.119 --> 0:24:37.160
<v Speaker 2>past that now.

0:24:37.240 --> 0:24:39.200
<v Speaker 4>The next Rick James was supposed to be there.

0:24:39.200 --> 0:24:40.480
<v Speaker 2>He was supposed to be there that night, so I

0:24:40.520 --> 0:24:41.960
<v Speaker 2>don't know if he would have fought them off or

0:24:42.080 --> 0:24:42.400
<v Speaker 2>just like.

0:24:42.440 --> 0:24:43.560
<v Speaker 4>Actually been a victims.

0:24:44.680 --> 0:24:47.960
<v Speaker 2>Rick going wild on people get down in my face

0:24:47.960 --> 0:24:51.720
<v Speaker 2>with that. The next day, Rick James he reads about

0:24:51.720 --> 0:24:54.159
<v Speaker 2>his near miss with history in the La Times and

0:24:54.200 --> 0:24:57.479
<v Speaker 2>he's like, oh man, and then moves on to now

0:24:57.520 --> 0:25:00.880
<v Speaker 2>I got one more pre famed Rick James ready for you, Elizabeth,

0:25:00.960 --> 0:25:03.040
<v Speaker 2>just because I love this one. Do you know who

0:25:03.080 --> 0:25:04.119
<v Speaker 2>Salvador Dhali is?

0:25:04.640 --> 0:25:05.200
<v Speaker 3>Yes, he too.

0:25:05.280 --> 0:25:07.960
<v Speaker 2>I thought you did now since you know who he

0:25:08.080 --> 0:25:10.680
<v Speaker 2>was and you also know how he was. Yeah, now

0:25:10.720 --> 0:25:13.280
<v Speaker 2>can you imagine him and Rick James hanging out?

0:25:13.600 --> 0:25:19.520
<v Speaker 3>Oh no, he Rick James is like this chaos magnet and.

0:25:22.359 --> 0:25:24.399
<v Speaker 4>In the society draw this.

0:25:25.840 --> 0:25:28.080
<v Speaker 2>So the story goes. The two men read a party

0:25:28.119 --> 0:25:31.000
<v Speaker 2>in Hawaii in the nineteen seventies. Now by this point,

0:25:31.080 --> 0:25:33.240
<v Speaker 2>Rick James is coming up, but he's not quite world

0:25:33.240 --> 0:25:36.800
<v Speaker 2>famous yet. Anyway, Salvador Dali is at this dinner party

0:25:37.040 --> 0:25:40.280
<v Speaker 2>in Hawaii and he's wonderfully charmed by Rick James, his

0:25:40.359 --> 0:25:43.359
<v Speaker 2>whole look, his vibe. Yeah, and the Spanish surrealist painter.

0:25:43.480 --> 0:25:46.040
<v Speaker 2>He's like, you know, he's transfixed. He's key staring at him.

0:25:46.080 --> 0:25:48.320
<v Speaker 2>He cannot take his eyes. Rick James like, yeah, appreciate it.

0:25:48.440 --> 0:25:51.400
<v Speaker 2>I enjoy it, you know, you know. Rick James, though,

0:25:51.640 --> 0:25:54.439
<v Speaker 2>eventually notices Salvador Dolly come even closer and he's like,

0:25:54.680 --> 0:25:58.879
<v Speaker 2>what's this about? And he explains to him that he says,

0:25:58.880 --> 0:26:01.840
<v Speaker 2>anti quote, I am mad about the way you look.

0:26:01.920 --> 0:26:04.239
<v Speaker 2>Please allow me to sketch you, all right? And Rick

0:26:04.320 --> 0:26:07.320
<v Speaker 2>James is like, okay, Rother, go for it. So he

0:26:07.440 --> 0:26:10.080
<v Speaker 2>just sits there and he lets Dolly adore him. He

0:26:10.080 --> 0:26:12.720
<v Speaker 2>whips out his materials, gets to sketching. He stares at

0:26:12.800 --> 0:26:14.359
<v Speaker 2>Rick James right until he gets it all right, and

0:26:14.359 --> 0:26:16.880
<v Speaker 2>he draws a little more. Twenty minutes later he's done.

0:26:17.000 --> 0:26:20.399
<v Speaker 2>Dolly hands Rick James the sketch. It's drawn on like

0:26:20.440 --> 0:26:23.080
<v Speaker 2>a napkin. Right, Rick James is, He's totally impressed. He

0:26:23.160 --> 0:26:26.240
<v Speaker 2>loves it. He's showing people he's got this rare momento. Yeah,

0:26:26.280 --> 0:26:28.840
<v Speaker 2>but it must not have made enough of an impression

0:26:28.880 --> 0:26:32.000
<v Speaker 2>on Rick James because the next morning he got up

0:26:32.000 --> 0:26:34.800
<v Speaker 2>and went swimming, never changed his short when he got

0:26:34.840 --> 0:26:38.080
<v Speaker 2>out of the water. The Salvador Dolly drawn napkin was

0:26:38.119 --> 0:26:38.920
<v Speaker 2>just a mess.

0:26:38.720 --> 0:26:42.160
<v Speaker 3>In his pocket.

0:26:42.280 --> 0:26:47.200
<v Speaker 2>Elizabet, Yes, exactly, and I'm sure Salvador Dolly would appreciate it.

0:26:48.440 --> 0:26:50.720
<v Speaker 2>Now we've reached the early eighties when Rick James really

0:26:50.800 --> 0:26:53.280
<v Speaker 2>is a worldwide famous person, right, and this is when

0:26:53.280 --> 0:26:55.720
<v Speaker 2>he's releasing a string of hits. Give it to Me Baby,

0:26:55.840 --> 0:26:56.480
<v Speaker 2>super Freak.

0:26:56.680 --> 0:26:56.960
<v Speaker 4>Sure.

0:26:57.040 --> 0:26:59.160
<v Speaker 2>Okay, Now that second song that's his big hit, that's

0:26:59.160 --> 0:27:01.120
<v Speaker 2>the one that set the old for how people think

0:27:01.160 --> 0:27:02.360
<v Speaker 2>of Rick James.

0:27:02.040 --> 0:27:02.920
<v Speaker 3>Super freak guy.

0:27:03.080 --> 0:27:03.320
<v Speaker 6>You know.

0:27:07.200 --> 0:27:08.639
<v Speaker 3>You don't pay to mother.

0:27:09.600 --> 0:27:12.440
<v Speaker 2>Now, following on the hit of that super freaky vibe,

0:27:12.840 --> 0:27:16.600
<v Speaker 2>Rick James becomes Rick James because at this point he's

0:27:16.600 --> 0:27:18.960
<v Speaker 2>been Rick James, but now he has turned loose on

0:27:19.040 --> 0:27:20.600
<v Speaker 2>the world. You know that.

0:27:20.640 --> 0:27:22.359
<v Speaker 3>I once met him really.

0:27:22.440 --> 0:27:24.440
<v Speaker 2>Oh yeah, I was at the Lenox Mall in Atlanta,

0:27:24.480 --> 0:27:26.240
<v Speaker 2>and I was a kid. I was like with my pop,

0:27:26.560 --> 0:27:30.440
<v Speaker 2>just the two of us exactly. So I go, he's

0:27:30.440 --> 0:27:33.199
<v Speaker 2>got the white coat and he's like, I was like,

0:27:33.200 --> 0:27:34.760
<v Speaker 2>that's Rick James. And he has me go over and

0:27:34.800 --> 0:27:36.800
<v Speaker 2>get an autograph. And we have the same name, so

0:27:36.840 --> 0:27:39.719
<v Speaker 2>really it's an autograph for him, but I swear your

0:27:39.760 --> 0:27:42.320
<v Speaker 2>father name, not Rick James. My father and I have

0:27:42.359 --> 0:27:44.040
<v Speaker 2>the same name, and so I got the autograph for

0:27:44.200 --> 0:27:46.360
<v Speaker 2>my father and had his name on it because that's

0:27:46.400 --> 0:27:49.160
<v Speaker 2>my name. So essentially he just used his son. He

0:27:49.280 --> 0:27:52.240
<v Speaker 2>you know, he just child labored me into getting him

0:27:52.240 --> 0:27:55.720
<v Speaker 2>a momento. Yeah. Anyway, but uh, Rick James, he does

0:27:55.760 --> 0:27:58.760
<v Speaker 2>have an aura. I gotta say, Charlie Murphy is range. No,

0:27:58.880 --> 0:28:01.359
<v Speaker 2>I mean it didn't. It moved, Elizabeth. It was like

0:28:01.359 --> 0:28:04.520
<v Speaker 2>a very depending on the white blue, it was very impressive. Yes,

0:28:04.600 --> 0:28:07.760
<v Speaker 2>but all right, Elizabeth where it was all right. I've

0:28:07.760 --> 0:28:09.239
<v Speaker 2>met a lot of celebrities though, so I don't mean

0:28:09.320 --> 0:28:12.400
<v Speaker 2>like brag about it. I just bumped into a crazy.

0:28:12.400 --> 0:28:15.600
<v Speaker 3>Really, you know, I have a very limited number of

0:28:15.640 --> 0:28:19.480
<v Speaker 3>celebrities I've met, very limited And you know, I saw

0:28:19.600 --> 0:28:23.359
<v Speaker 3>Tyne Daily once in real life from across the street,

0:28:24.200 --> 0:28:26.840
<v Speaker 3>and then that old George Clinton walking down the street.

0:28:27.760 --> 0:28:30.560
<v Speaker 2>And I think, you know, I had Gary Coleman once

0:28:30.640 --> 0:28:35.480
<v Speaker 2>cooked beef for me at a Korean restaurant. Wait, yeah,

0:28:35.600 --> 0:28:38.240
<v Speaker 2>you know the Korean barbecues are a stove on the

0:28:38.520 --> 0:28:41.160
<v Speaker 2>on your table. He's like standing on his seat cooking

0:28:41.160 --> 0:28:42.840
<v Speaker 2>the beef and he's like putting it on my plate.

0:28:43.040 --> 0:28:47.120
<v Speaker 2>I was tripping out. Now, I've seen, like I said,

0:28:47.160 --> 0:28:49.360
<v Speaker 2>a lot of celebrities had weird moments. None of them

0:28:49.360 --> 0:28:51.520
<v Speaker 2>were like Rick James in terms of just the presence.

0:28:51.560 --> 0:28:53.880
<v Speaker 2>It was incredible. Immediately I was a boy.

0:28:54.000 --> 0:28:56.600
<v Speaker 3>But have you seen Tyne Daily from across the street?

0:28:56.720 --> 0:28:59.520
<v Speaker 2>No, you got me there, I like, I've never experienced

0:28:59.560 --> 0:29:00.000
<v Speaker 2>the full time.

0:29:00.440 --> 0:29:01.040
<v Speaker 4>There you go.

0:29:01.400 --> 0:29:05.160
<v Speaker 2>Now the scenes when Charlie Murphy is talking about bent

0:29:05.240 --> 0:29:07.720
<v Speaker 2>in the Aura earlier, right, yeah, and then he also

0:29:07.880 --> 0:29:09.800
<v Speaker 2>has the times, like the talk about getting in fights.

0:29:09.800 --> 0:29:12.120
<v Speaker 2>You know, there's the whole thing about ruining the couch, right,

0:29:12.200 --> 0:29:15.240
<v Speaker 2>and then he has the very classic thing where it's like,

0:29:15.280 --> 0:29:17.240
<v Speaker 2>I'm Rick James bitch. Right, that's the line that he

0:29:17.280 --> 0:29:20.240
<v Speaker 2>says all the time that excuses all this bad behavior. Sure,

0:29:20.480 --> 0:29:23.080
<v Speaker 2>now that's what really seems to stick with people from

0:29:23.120 --> 0:29:27.600
<v Speaker 2>that skit, that attitude I'm Rick James bitch. Now this

0:29:27.680 --> 0:29:30.240
<v Speaker 2>brings us to the crimers. I promised you up top

0:29:30.240 --> 0:29:32.680
<v Speaker 2>of Rick James inspired criminals.

0:29:32.680 --> 0:29:35.640
<v Speaker 3>Well, and it's like that was like pre meme era,

0:29:36.240 --> 0:29:38.600
<v Speaker 3>and so that was like what people would just shout

0:29:38.680 --> 0:29:39.360
<v Speaker 3>for no reason.

0:29:39.640 --> 0:29:41.720
<v Speaker 2>Yes, that was essentially verbal means.

0:29:41.400 --> 0:29:44.680
<v Speaker 3>Frat boys in particular. Oh yeah, I loved that completely.

0:29:44.720 --> 0:29:50.080
<v Speaker 3>And then it kind of led into like theuzzier. So

0:29:50.120 --> 0:29:52.800
<v Speaker 3>it was like there were catchphrases that people would yell

0:29:53.120 --> 0:29:54.760
<v Speaker 3>for absolutely no reason.

0:29:55.800 --> 0:29:58.320
<v Speaker 2>Yes, totally, and also from random shows is one lines.

0:29:58.320 --> 0:30:00.920
<v Speaker 2>And then then you'd also get like your Lebowski's like

0:30:00.960 --> 0:30:03.520
<v Speaker 2>the weather just over and over. But yeah, this was

0:30:03.600 --> 0:30:05.560
<v Speaker 2>like something transcendent even amongst that.

0:30:05.440 --> 0:30:09.080
<v Speaker 3>Tradition apropos of nothing. Yeah, that's what I loved about it.

0:30:09.200 --> 0:30:13.800
<v Speaker 2>So other crimers, Yes, September nineteenth, twenty fifteen, just a

0:30:13.880 --> 0:30:17.320
<v Speaker 2>little after noon, two men walk into a bank in Indianapolis. Well,

0:30:17.360 --> 0:30:20.160
<v Speaker 2>technically it's a credit union, the indian Anna members credit

0:30:20.240 --> 0:30:23.560
<v Speaker 2>Union and quote. According to witnesses, two black males wearing

0:30:23.600 --> 0:30:26.240
<v Speaker 2>all black entered the bank armed with handguns. Both suspects

0:30:26.240 --> 0:30:29.800
<v Speaker 2>approached the Tayler counter and demanded money. The suspects fled

0:30:29.840 --> 0:30:33.200
<v Speaker 2>on foot in an unknown direction with an undisclosed amount

0:30:33.240 --> 0:30:37.880
<v Speaker 2>of money. Where's the Rick James and all this? A well,

0:30:37.960 --> 0:30:40.200
<v Speaker 2>they didn't mention what they looked like. Right now, the

0:30:40.280 --> 0:30:42.800
<v Speaker 2>suspects descriptions, the ones that are given by the cops

0:30:42.800 --> 0:30:46.200
<v Speaker 2>are straightforward. Suspect one black hat, long dark hair, sunglasses,

0:30:46.200 --> 0:30:49.840
<v Speaker 2>all black clothing five eight to five ten armed. Suspect two,

0:30:49.960 --> 0:30:52.640
<v Speaker 2>long hair, dreads, all black clothing five eight to five

0:30:52.720 --> 0:30:55.640
<v Speaker 2>ten armed. What they leave out is that the two

0:30:55.760 --> 0:30:58.960
<v Speaker 2>men redressed as Rick James and young blood priest the

0:30:59.200 --> 0:31:01.600
<v Speaker 2>Harlem Koch there the main character of the seventies black

0:31:01.640 --> 0:31:03.680
<v Speaker 2>sploitation flick Superfly.

0:31:03.480 --> 0:31:07.080
<v Speaker 3>Right yright right right, yeah, So imagine they didn't.

0:31:07.840 --> 0:31:10.640
<v Speaker 2>They left that out. They told why, I don't know

0:31:10.640 --> 0:31:13.360
<v Speaker 2>if they didn't recognize the characters they like. I no

0:31:13.440 --> 0:31:15.240
<v Speaker 2>one fella kind of resembles Rick James.

0:31:15.600 --> 0:31:17.360
<v Speaker 4>Fella, I don't know about the platform.

0:31:17.440 --> 0:31:21.160
<v Speaker 2>Shoot, oh you better believe yeah, like the coats, it's amazing. Now,

0:31:21.360 --> 0:31:23.720
<v Speaker 2>imagine you're Elizabeth are in a bank in Indianapolis in

0:31:23.760 --> 0:31:26.160
<v Speaker 2>twenty fifteen. All of a sudden, two seventies super pimps

0:31:26.240 --> 0:31:28.360
<v Speaker 2>come in and stick up the joint, right, Like, what

0:31:28.360 --> 0:31:30.440
<v Speaker 2>would you even think was happening? Would you think that

0:31:30.520 --> 0:31:32.160
<v Speaker 2>maybe maybe they're shooting a movie around?

0:31:32.360 --> 0:31:32.560
<v Speaker 3>Yeah?

0:31:32.600 --> 0:31:34.280
<v Speaker 4>Know, honestly that's what you would know.

0:31:34.320 --> 0:31:35.120
<v Speaker 2>Way this is real?

0:31:35.400 --> 0:31:37.800
<v Speaker 3>Yeah? Or just I don't know that. I'm like, have

0:31:37.920 --> 0:31:39.920
<v Speaker 3>I been hanging out with Rick James and now I'm

0:31:39.960 --> 0:31:41.680
<v Speaker 3>just hallucinating?

0:31:42.760 --> 0:31:43.480
<v Speaker 2>How I am?

0:31:43.520 --> 0:31:45.160
<v Speaker 4>I am? I Rick James?

0:31:46.000 --> 0:31:49.000
<v Speaker 2>Well, this robbery wasn't there first or their last? Oh

0:31:49.040 --> 0:31:51.920
<v Speaker 2>the super Freak and Superfly bank robbers. They went on

0:31:51.960 --> 0:31:56.040
<v Speaker 2>a spree. They started in September twenty fifteen. They first

0:31:56.120 --> 0:32:00.280
<v Speaker 2>hit the Advanced America check Cashing service in Indianapolis. Next

0:32:00.280 --> 0:32:02.840
<v Speaker 2>they hit the Indiana Members Credit Union. You can probably

0:32:02.880 --> 0:32:05.560
<v Speaker 2>hear they're hitting small chapters or small branches.

0:32:05.640 --> 0:32:07.720
<v Speaker 3>I imagine they're not grabbing a whole lot.

0:32:07.840 --> 0:32:09.600
<v Speaker 2>I don't know. They didn't get numbers. I said no,

0:32:09.920 --> 0:32:11.120
<v Speaker 2>the mounse were undisclosed.

0:32:11.160 --> 0:32:12.800
<v Speaker 3>It is so large they don't want anyone.

0:32:12.960 --> 0:32:14.560
<v Speaker 2>I think they're getting like rent because it seems like

0:32:14.600 --> 0:32:16.200
<v Speaker 2>they hit like in the middle of a month, and

0:32:16.200 --> 0:32:19.160
<v Speaker 2>then it's like in November nineteenth they hit a month later,

0:32:19.240 --> 0:32:22.440
<v Speaker 2>So yeah, November nineteenth, twenty fifteen, they hit another Indiana

0:32:22.520 --> 0:32:25.280
<v Speaker 2>Members Credit Union, this time in the neighboring town of Avon.

0:32:25.880 --> 0:32:28.680
<v Speaker 2>Nearly a month later, on December twelfth, once again middle

0:32:28.720 --> 0:32:31.320
<v Speaker 2>of the month, it's Rent Money twenty fifteen, Super Freak

0:32:31.320 --> 0:32:34.240
<v Speaker 2>and Superfly they hit again. They go into a branch

0:32:34.280 --> 0:32:38.080
<v Speaker 2>of the Indiana Members Credit Union in the town of Carmel, Indiana,

0:32:38.680 --> 0:32:42.120
<v Speaker 2>but this time Rick James's whole vibe of untouchability it

0:32:42.240 --> 0:32:44.520
<v Speaker 2>fails them and they have to flee. That leads to

0:32:44.560 --> 0:32:48.120
<v Speaker 2>a high speed chase that goes tearing through three counties.

0:32:48.400 --> 0:32:51.920
<v Speaker 2>Boone Hamilton Marion the getaway driver. He's good, but not

0:32:52.000 --> 0:32:54.480
<v Speaker 2>good enough because the death despite going over one hundred

0:32:54.520 --> 0:32:57.160
<v Speaker 2>miles an hour and running red lights, crossing oncoming traffic

0:32:57.160 --> 0:33:00.000
<v Speaker 2>the whole nine. In the end, Super Freak and super

0:33:00.040 --> 0:33:03.600
<v Speaker 2>Fly they get caught and busted. Five day trial, thirty

0:33:03.680 --> 0:33:06.480
<v Speaker 2>eight year old dupries Jet and thirty eight year old

0:33:06.600 --> 0:33:10.320
<v Speaker 2>Damien mckissic and thirty eight year old Earl Lee Walker

0:33:10.600 --> 0:33:13.440
<v Speaker 2>all found guilty.

0:33:12.840 --> 0:33:14.360
<v Speaker 3>I went to school together.

0:33:14.600 --> 0:33:16.920
<v Speaker 2>I'm guessing all exactly the exact same age, or there

0:33:16.920 --> 0:33:20.760
<v Speaker 2>are their cousins, many in the hood next to each other. Now,

0:33:20.960 --> 0:33:22.880
<v Speaker 2>what was what was it like for this gang known

0:33:22.920 --> 0:33:25.640
<v Speaker 2>in the press as the Rick James Robbers? Well, the

0:33:25.640 --> 0:33:28.200
<v Speaker 2>getaway driver you got six years, the super Freak and

0:33:28.240 --> 0:33:32.400
<v Speaker 2>Superfly bank robbers themselves, they each caught sentences of twenty

0:33:32.440 --> 0:33:37.960
<v Speaker 2>four years in prison. Four yes, right, do not play yep? Okay, Elizabeth,

0:33:38.000 --> 0:33:41.440
<v Speaker 2>Let's take another little break, and after these delightfully persuasive ads,

0:33:41.720 --> 0:33:44.600
<v Speaker 2>I'll be back for some more of who made I'm

0:33:44.680 --> 0:34:08.759
<v Speaker 2>Rick James bitch into a criminal mantra? We're back, Elizabeth,

0:34:08.960 --> 0:34:10.440
<v Speaker 2>We're back. You haven't found so far?

0:34:10.520 --> 0:34:11.799
<v Speaker 3>Oh my gosh, So I.

0:34:11.800 --> 0:34:14.640
<v Speaker 2>Got a little more Rick James inspired lunacy for this please.

0:34:14.800 --> 0:34:19.600
<v Speaker 2>This next story also takes place in twenty fifteen in Springfield, Massachusetts.

0:34:19.600 --> 0:34:22.320
<v Speaker 3>I was just a young girl then, I know, weren't

0:34:22.360 --> 0:34:26.880
<v Speaker 3>you just said, just out of kindergarten, barely.

0:34:26.520 --> 0:34:28.799
<v Speaker 2>Able to walk. There's around two fifty in the morning

0:34:28.840 --> 0:34:32.120
<v Speaker 2>when patrol officers on Eastern Avenue spot a Blue Infinity

0:34:32.200 --> 0:34:35.320
<v Speaker 2>rolling around right, that's like suspicious right away. The trouble

0:34:35.440 --> 0:34:37.680
<v Speaker 2>was the car had already been reported stolen, so the

0:34:37.719 --> 0:34:40.400
<v Speaker 2>cops give chase. They catch up to the blue Infinity.

0:34:40.640 --> 0:34:43.320
<v Speaker 2>Driver pulls over. When the cops approach and they speak

0:34:43.320 --> 0:34:45.919
<v Speaker 2>with the driver of the stolen Blue Infinity, he tells

0:34:45.960 --> 0:34:48.319
<v Speaker 2>the Springfield police that his name is wait for it,

0:34:48.840 --> 0:34:51.879
<v Speaker 2>Rick James. The police are like, well, mister James, can

0:34:51.960 --> 0:34:54.880
<v Speaker 2>we see your driver's license? The self appointed Rick James

0:34:54.880 --> 0:34:56.759
<v Speaker 2>tells the cops he doesn't have his lescens on him

0:34:56.800 --> 0:34:59.560
<v Speaker 2>at the moment. Officer Now, The cops are like, well,

0:34:59.560 --> 0:35:02.399
<v Speaker 2>mister James, would you politely and police kindly step out

0:35:02.400 --> 0:35:05.680
<v Speaker 2>of the car. Turns out this was definitely not Rick James,

0:35:05.680 --> 0:35:08.200
<v Speaker 2>because this is twenty fifteen and Rick James at this

0:35:08.200 --> 0:35:11.200
<v Speaker 2>point had been dead for eleven years, right and more

0:35:11.280 --> 0:35:13.600
<v Speaker 2>than that, the driver of this stolen car was actually

0:35:13.680 --> 0:35:17.880
<v Speaker 2>named Scott. Now, after the police finger printed Scott, they

0:35:17.920 --> 0:35:20.920
<v Speaker 2>found out that his full name was Scott Taylor of Springfield.

0:35:21.200 --> 0:35:22.800
<v Speaker 2>The thirty year old was charged.

0:35:22.560 --> 0:35:26.799
<v Speaker 8>With receiving his full name was like, hi, Scott, Taylor Springfield.

0:35:27.120 --> 0:35:31.760
<v Speaker 8>A nice he was receiving a stolen motor vehicle, driving

0:35:31.760 --> 0:35:33.800
<v Speaker 8>with a revoked license, giving a false name to a

0:35:33.800 --> 0:35:34.480
<v Speaker 8>police officer.

0:35:34.480 --> 0:35:38.160
<v Speaker 2>Outstanding warrants, the full slate. Nice little raption you got, now, Scott,

0:35:38.600 --> 0:35:40.799
<v Speaker 2>this brings us to the cherry on this Rick James

0:35:40.800 --> 0:35:43.680
<v Speaker 2>flavored pie. Elizabeth. I'm happy to report that this guy,

0:35:43.880 --> 0:35:48.960
<v Speaker 2>he's a Florida man and he's super freak a the

0:35:49.040 --> 0:35:51.879
<v Speaker 2>story goes, his name is Paul, but Paul Kidgik. He's

0:35:51.920 --> 0:35:54.319
<v Speaker 2>fifty years old, and he was at the Back Bar

0:35:54.480 --> 0:35:58.280
<v Speaker 2>and Lounge in Saint Petersburg, Florida, at around four am

0:35:58.800 --> 0:36:02.360
<v Speaker 2>on a Sunday morning, after a Saturday night out. Obviously,

0:36:02.920 --> 0:36:04.840
<v Speaker 2>he decided he'd had enough to drink and it was

0:36:04.880 --> 0:36:07.000
<v Speaker 2>time to go home, so he walked out and got

0:36:07.040 --> 0:36:09.960
<v Speaker 2>in his car to drive home. No, Luckily, there were

0:36:10.000 --> 0:36:12.680
<v Speaker 2>a few people, multiple people in the parking lot outside

0:36:12.680 --> 0:36:16.279
<v Speaker 2>this Florida bar, and they all saw how drunk this

0:36:16.360 --> 0:36:19.759
<v Speaker 2>dude kill Jack was. Yeah, and he was quote kept

0:36:19.760 --> 0:36:22.799
<v Speaker 2>from driving by multiple witnesses due to his level of intoxication.

0:36:22.920 --> 0:36:25.319
<v Speaker 2>Good for them, that was notable since this Florida man,

0:36:25.400 --> 0:36:28.280
<v Speaker 2>Elizabeth was six foot three and three hundred pounds an

0:36:28.440 --> 0:36:29.520
<v Speaker 2>easy person to persuade.

0:36:29.560 --> 0:36:30.200
<v Speaker 3>It doesn't matter.

0:36:30.320 --> 0:36:32.680
<v Speaker 2>Oh they should, I totally agree, But they had to

0:36:32.680 --> 0:36:35.560
<v Speaker 2>stand up and you know, get loud. Maybe who see

0:36:35.560 --> 0:36:37.520
<v Speaker 2>if someone though felt we should probably call the police.

0:36:37.520 --> 0:36:39.839
<v Speaker 2>And so they did. And the police arrived on the

0:36:39.840 --> 0:36:42.920
<v Speaker 2>scene at backbar in Saint Pete and they see this

0:36:43.040 --> 0:36:45.360
<v Speaker 2>drunk man who wants to drive home or whatever. And

0:36:45.400 --> 0:36:47.840
<v Speaker 2>the cops were like, buddy, let's just call you a taxi.

0:36:47.880 --> 0:36:50.000
<v Speaker 2>So they call a taxi for kill Jack. When the

0:36:50.040 --> 0:36:52.440
<v Speaker 2>cab arrives, the drunk Florida man gets in and the

0:36:52.520 --> 0:36:55.400
<v Speaker 2>drivers are like, Ferry may home or whatever. But he

0:36:55.440 --> 0:36:58.080
<v Speaker 2>doesn't make it, Elizabeth, Why why doesn't he make it?

0:36:58.560 --> 0:36:58.680
<v Speaker 6>Well?

0:36:58.760 --> 0:37:01.239
<v Speaker 2>Rather than me tell you about it, Elizabeth, I like

0:37:01.280 --> 0:37:04.080
<v Speaker 2>you to close your eyes, eyesac close. I like you

0:37:04.360 --> 0:37:08.239
<v Speaker 2>to picture it. It's late on a Saturday night, and

0:37:08.280 --> 0:37:10.880
<v Speaker 2>you are standing outside of the back bar and lounge

0:37:10.880 --> 0:37:13.600
<v Speaker 2>in the parking lot of a suburban style mall complex

0:37:13.600 --> 0:37:17.600
<v Speaker 2>in Saint Petersburg, Florida. At the moment, it's about four am.

0:37:17.680 --> 0:37:20.520
<v Speaker 2>So clearly you're not making the best life choices. But

0:37:20.560 --> 0:37:22.640
<v Speaker 2>there's a man here in the parking lot who's making

0:37:22.880 --> 0:37:25.480
<v Speaker 2>far worse life choices than you. He looks to be

0:37:25.520 --> 0:37:27.959
<v Speaker 2>about fifty years old and five sheets to the wind.

0:37:28.000 --> 0:37:30.680
<v Speaker 2>The man is drunk, and he's thrashing about like a

0:37:30.719 --> 0:37:34.160
<v Speaker 2>tranquilized elephant who refuses to go down. This is strange

0:37:34.200 --> 0:37:36.879
<v Speaker 2>since there are cops on the scene talking to him.

0:37:37.000 --> 0:37:39.160
<v Speaker 2>They've been talking with the drunk for quite some time now.

0:37:39.200 --> 0:37:41.640
<v Speaker 2>In fact, they're trying to get him into a taxi.

0:37:42.120 --> 0:37:45.440
<v Speaker 2>You're betting against the cops getting him in the back seat,

0:37:45.520 --> 0:37:48.319
<v Speaker 2>but they're stubborn, Elizabeth, and they managed to get him

0:37:48.320 --> 0:37:51.560
<v Speaker 2>in the back and shut the door. The cops turn

0:37:51.640 --> 0:37:53.839
<v Speaker 2>back to you in the small crowd standing near you.

0:37:54.200 --> 0:37:56.640
<v Speaker 2>The cops panami, ma, look like, get a load of

0:37:56.680 --> 0:38:00.080
<v Speaker 2>this guy. As the taxi pulls away, your attention fall

0:38:00.239 --> 0:38:03.040
<v Speaker 2>the car. Soon enough, the cops turn to look too,

0:38:03.520 --> 0:38:07.080
<v Speaker 2>because all of you can hear shouting and yelling coming

0:38:07.120 --> 0:38:09.200
<v Speaker 2>from inside the taxi. They're not even out of the

0:38:09.239 --> 0:38:12.000
<v Speaker 2>parking lot. But it's not just shouting and yelling. It

0:38:12.040 --> 0:38:14.840
<v Speaker 2>looks like, yep, the drunk in the back seat is

0:38:14.920 --> 0:38:18.720
<v Speaker 2>punching the cab driver in the face from the back seat.

0:38:18.800 --> 0:38:19.399
<v Speaker 3>Oh my god.

0:38:19.640 --> 0:38:22.160
<v Speaker 2>The taxi cabs breake, lights flash the car comes to

0:38:22.200 --> 0:38:24.840
<v Speaker 2>a screeching stuff. The back door bus open. The drunk

0:38:24.840 --> 0:38:28.680
<v Speaker 2>man hops out. His mood has now violently swung in

0:38:28.800 --> 0:38:32.840
<v Speaker 2>the opposite direction. He's now laughing and dancing in the

0:38:32.880 --> 0:38:35.600
<v Speaker 2>parking lot. The cops look at you and the crowd

0:38:35.640 --> 0:38:38.120
<v Speaker 2>again and they pantomime a new look that seems to say,

0:38:38.280 --> 0:38:39.520
<v Speaker 2>I guess we got to do something.

0:38:39.600 --> 0:38:40.000
<v Speaker 4>Huh.

0:38:40.480 --> 0:38:44.240
<v Speaker 2>The dancing drunk is now gleefully insulting anyone, and everyone

0:38:44.400 --> 0:38:46.520
<v Speaker 2>is watching him. He shouts in the direction of you

0:38:46.600 --> 0:38:49.520
<v Speaker 2>and the small crowd standing near you and the two cops.

0:38:49.680 --> 0:38:54.480
<v Speaker 2>He yells you you wait, and he follows that up

0:38:54.520 --> 0:38:58.760
<v Speaker 2>with I'm Rick James. Betch that cuts it. The cops

0:38:58.800 --> 0:39:00.960
<v Speaker 2>now have to rush the six but three three hundred

0:39:00.960 --> 0:39:03.319
<v Speaker 2>pound drunk man dancing around and doing his best Dave

0:39:03.400 --> 0:39:06.959
<v Speaker 2>Chappelle impression. You are not impressed with its accuracy. Neither

0:39:07.000 --> 0:39:10.280
<v Speaker 2>are the police, Elizabeth. They arrested drunk Kiljick for battery

0:39:10.320 --> 0:39:15.080
<v Speaker 2>and disorderly intoxication. And your cheap evenings entertainment is over.

0:39:15.200 --> 0:39:16.960
<v Speaker 2>So you asked the cab driver if you can get

0:39:16.960 --> 0:39:19.680
<v Speaker 2>a ride home. He looks at you like, are you kidding?

0:39:19.719 --> 0:39:20.399
<v Speaker 2>I'm going home?

0:39:21.440 --> 0:39:22.080
<v Speaker 4>I hope.

0:39:22.160 --> 0:39:24.520
<v Speaker 2>So this is what happens when you spend time in

0:39:24.560 --> 0:39:26.800
<v Speaker 2>the Tampa's eight Peenede area at four am.

0:39:28.320 --> 0:39:29.680
<v Speaker 3>Oh my god, Elizabeth.

0:39:29.760 --> 0:39:33.040
<v Speaker 2>This last Rick James inspired legal kerfuffle that I want

0:39:33.080 --> 0:39:36.000
<v Speaker 2>to tell you about brings this all full circle because

0:39:36.040 --> 0:39:38.760
<v Speaker 2>we've come back to Dave Chappelle and his famous Charlie

0:39:38.840 --> 0:39:41.759
<v Speaker 2>Murphy skits. In two thousand and four, the same year

0:39:41.760 --> 0:39:45.080
<v Speaker 2>that Rick James passed away, Dave Chappelle pulled his first

0:39:45.080 --> 0:39:48.080
<v Speaker 2>big disappearing act. Not all people know this, because what

0:39:48.200 --> 0:39:51.399
<v Speaker 2>works out like this. It was in two thousand and four,

0:39:51.520 --> 0:39:54.080
<v Speaker 2>in December he walked away from the Dave Chappelle Show

0:39:54.080 --> 0:39:56.080
<v Speaker 2>for the first time, but it was all quiet. Nobody

0:39:56.120 --> 0:39:58.160
<v Speaker 2>really heard about it. And then he walked away again

0:39:58.239 --> 0:40:00.080
<v Speaker 2>in two thousand and five, and that's when he very

0:40:00.120 --> 0:40:03.680
<v Speaker 2>famously went a wall. So before all of that, back

0:40:03.719 --> 0:40:07.600
<v Speaker 2>in June of two thousand and four, he was in Sacramento, California. Hey,

0:40:07.800 --> 0:40:11.240
<v Speaker 2>aka the Big Tomato, aka the Big Easy Chair, aka

0:40:11.320 --> 0:40:15.560
<v Speaker 2>the City that Always Sleeps Sacramento, and he was there

0:40:15.600 --> 0:40:18.040
<v Speaker 2>doing a stand up show. Now, he was at the

0:40:18.120 --> 0:40:20.520
<v Speaker 2>four thousand seat Memorial Auditory. I'm not sure if you're

0:40:20.520 --> 0:40:22.719
<v Speaker 2>familiar with them, so he was doing his act and

0:40:22.760 --> 0:40:26.240
<v Speaker 2>he gets irritated because the fans and Sacramento kept shouting

0:40:26.280 --> 0:40:32.439
<v Speaker 2>at him. I'm Rick James bitch os, Oh my god,

0:40:32.520 --> 0:40:34.239
<v Speaker 2>and that's fun. You're trying to do your job and

0:40:34.280 --> 0:40:37.080
<v Speaker 2>you've got Sacramento yokeles yelling punchlines at you from your

0:40:37.080 --> 0:40:39.040
<v Speaker 2>TV show. So David gets pissed at him, and he

0:40:39.080 --> 0:40:43.759
<v Speaker 2>tells these Sacramento yokels, you people are stupid. Good now,

0:40:43.880 --> 0:40:46.120
<v Speaker 2>as you know, Elizabeth, I grew up in Davis and

0:40:46.200 --> 0:40:49.319
<v Speaker 2>Mere twelve miles from Sacramento, so to hear the Dave

0:40:49.400 --> 0:40:53.240
<v Speaker 2>Chappelle called the stupid delights me in a very ugly

0:40:53.440 --> 0:40:57.440
<v Speaker 2>regional rivalry kind of way, so forgive me. But the

0:40:57.480 --> 0:41:00.359
<v Speaker 2>story goes like this, It's a Tuesday night show mid June,

0:41:00.520 --> 0:41:03.320
<v Speaker 2>should be fun for everyone. Dave Chappelle is about to

0:41:03.400 --> 0:41:05.760
<v Speaker 2>drop the third season of his show It's the hottest

0:41:05.760 --> 0:41:08.640
<v Speaker 2>thing in comedy. But his fans they just well, as

0:41:08.719 --> 0:41:11.200
<v Speaker 2>Dave put it, shut up and listen like you're supposed to.

0:41:12.080 --> 0:41:15.080
<v Speaker 2>At one point, Dave Chappelle tells the Sacramento crowd the

0:41:15.200 --> 0:41:19.560
<v Speaker 2>show is ruining my life. Oh god, he confesses to

0:41:19.600 --> 0:41:22.080
<v Speaker 2>the audience. That quote, stand up is the most important

0:41:22.120 --> 0:41:25.560
<v Speaker 2>thing I do is because I'm on TV. You make

0:41:25.600 --> 0:41:28.200
<v Speaker 2>it hard for me to do it. People can't distinguish

0:41:28.280 --> 0:41:31.160
<v Speaker 2>between what's real and fake. This ain't a TV show.

0:41:31.320 --> 0:41:34.760
<v Speaker 2>You're not watching Comedy Central. I'm real up here talking.

0:41:35.880 --> 0:41:38.400
<v Speaker 2>At that point, he gave the Sacramental crowd a lesson

0:41:38.440 --> 0:41:41.000
<v Speaker 2>on how stand up comedy works in case they unfamiliar

0:41:41.040 --> 0:41:43.839
<v Speaker 2>with the real structures and structures. And he said, and

0:41:43.920 --> 0:41:47.400
<v Speaker 2>I quote, I say something you mulled over and decide

0:41:47.440 --> 0:41:50.279
<v Speaker 2>whether you want to laugh or not, and then you

0:41:50.320 --> 0:41:53.319
<v Speaker 2>do or not. Then I say something else and you

0:41:53.360 --> 0:41:56.920
<v Speaker 2>think about it. It's worked well all across the country.

0:41:57.200 --> 0:42:00.000
<v Speaker 2>But you people and knowing them as I do, Elizabeth,

0:42:00.480 --> 0:42:03.560
<v Speaker 2>I bet when Dave paused here, someone actually shouted I'm

0:42:03.600 --> 0:42:06.960
<v Speaker 2>Rick Jags match. I'm just guessing that if he did,

0:42:07.120 --> 0:42:09.440
<v Speaker 2>they would have missed the insult that Dave was about

0:42:09.440 --> 0:42:12.319
<v Speaker 2>to drop. Because Dave made sure that they understood it.

0:42:12.360 --> 0:42:14.239
<v Speaker 2>And this one landed because he was talking to people

0:42:14.239 --> 0:42:17.319
<v Speaker 2>from Sacramento, so he sold them. Coming to Sacramento to

0:42:17.360 --> 0:42:20.719
<v Speaker 2>do comedy was probably quote a bad idea, like chocolate

0:42:20.760 --> 0:42:25.600
<v Speaker 2>covered fish not done. Insulting the Sacramento crowd. Dave Chappelle

0:42:25.640 --> 0:42:28.640
<v Speaker 2>next tells the same crowd why his TV show is

0:42:28.680 --> 0:42:31.640
<v Speaker 2>so funny. He said, and I quote, you know why

0:42:31.680 --> 0:42:35.399
<v Speaker 2>my show is good because the network officials say you're

0:42:35.440 --> 0:42:38.080
<v Speaker 2>not smart enough to get what I'm doing. And every

0:42:38.239 --> 0:42:41.320
<v Speaker 2>day I fight for you, I tell them how smart

0:42:41.400 --> 0:42:45.200
<v Speaker 2>you are. Turns out I was wrong. You people are stupid.

0:42:46.719 --> 0:42:49.359
<v Speaker 2>And again, knowing them as I do, Elizabeth, I would

0:42:49.440 --> 0:42:52.839
<v Speaker 2>bet cash money. Someone yelled back in the response.

0:42:52.880 --> 0:42:57.600
<v Speaker 3>Oh, Rick James Batch, this is what drove Dave Chappelle bo.

0:42:57.520 --> 0:43:01.520
<v Speaker 2>I'm telling you, Sacramento did it? I recognize this now.

0:43:02.440 --> 0:43:05.239
<v Speaker 2>At this point, Dave Chappelle tells his fans in Sacramento,

0:43:05.480 --> 0:43:08.640
<v Speaker 2>you guys are the worst listeners in the country. It's

0:43:08.680 --> 0:43:13.479
<v Speaker 2>like the silence of the Lambs without the silence. This, too,

0:43:13.600 --> 0:43:15.480
<v Speaker 2>is the power of Rick James. He can make a

0:43:15.520 --> 0:43:19.600
<v Speaker 2>whole cowtown lose his camp mind. Elizabeth, Please do remember

0:43:20.040 --> 0:43:24.080
<v Speaker 2>I'm Rick James bitch. Enjoy yourself. So what's our ridiculous

0:43:24.120 --> 0:43:24.799
<v Speaker 2>takeaway here?

0:43:25.560 --> 0:43:28.840
<v Speaker 4>Oh my goodness. I feel for Chappelle.

0:43:28.920 --> 0:43:31.839
<v Speaker 3>And that's that case of just you know, I think

0:43:31.880 --> 0:43:36.120
<v Speaker 3>any artist who hears those things repeated back to them constantly,

0:43:36.160 --> 0:43:36.480
<v Speaker 3>And I.

0:43:36.440 --> 0:43:39.240
<v Speaker 4>Wonder if Rick James heard super Freak all the time.

0:43:39.320 --> 0:43:44.120
<v Speaker 3>You know, it's it's annoying. I would imagine, Oh god.

0:43:44.840 --> 0:43:50.279
<v Speaker 3>But my takeaway, I think is that Rick James the

0:43:50.520 --> 0:43:51.960
<v Speaker 3>gift kept giving.

0:43:52.480 --> 0:43:55.239
<v Speaker 2>My takeaway, Elizabeth, thank you for asking me. It's ridiculous.

0:43:55.320 --> 0:43:59.160
<v Speaker 2>I'll share it with you. He's like our idea of

0:43:59.200 --> 0:44:03.120
<v Speaker 2>a pirate come to life, you know, like the recklessness,

0:44:03.239 --> 0:44:06.719
<v Speaker 2>the big Yeah. He really is. Like so now I'm

0:44:06.719 --> 0:44:08.440
<v Speaker 2>going to think of Rick James as a pirate.

0:44:09.840 --> 0:44:13.640
<v Speaker 3>His characterization by Chappelle of like holding a like a

0:44:13.680 --> 0:44:18.200
<v Speaker 3>gobb it gives that pirate aesthetic too, just to.

0:44:18.200 --> 0:44:20.279
<v Speaker 2>Something about him. So you in the move for a

0:44:20.320 --> 0:44:23.000
<v Speaker 2>talk back? Of course, I am all right producing. Could

0:44:23.000 --> 0:44:23.919
<v Speaker 2>you favor us with one?

0:44:26.400 --> 0:44:39.200
<v Speaker 7>Oh my god, I saren.

0:44:39.680 --> 0:44:43.680
<v Speaker 9>I had to pause the podcast, the latest one and

0:44:43.880 --> 0:44:46.279
<v Speaker 9>the name I can't pronounce it because you haven't said

0:44:46.280 --> 0:44:48.879
<v Speaker 9>it yet. I had to pose it when you said

0:44:48.880 --> 0:44:53.400
<v Speaker 9>the word serendipity, and you missed a huge opportunity to

0:44:53.520 --> 0:44:57.279
<v Speaker 9>call it serendipity.

0:44:57.440 --> 0:44:58.080
<v Speaker 3>How could you?

0:45:00.520 --> 0:45:03.640
<v Speaker 2>I did drop the ball, But I love that.

0:45:03.719 --> 0:45:06.600
<v Speaker 3>I'm listening to this now I'm going to pause it

0:45:07.120 --> 0:45:10.480
<v Speaker 3>and complain about something that maybe has or hasn't happened

0:45:10.800 --> 0:45:15.200
<v Speaker 3>now luckily it hadn't happen, but still serendipity.

0:45:16.160 --> 0:45:18.800
<v Speaker 2>You know, my mother uses that as a nickname, because

0:45:18.920 --> 0:45:25.200
<v Speaker 2>does she. She's dippy like that. Well, as always, we

0:45:25.239 --> 0:45:28.120
<v Speaker 2>appreciate y'all's talkback, so please keep them coming. Get the

0:45:28.160 --> 0:45:31.400
<v Speaker 2>iHeart app downloaded. You can leave yourself a talkback that

0:45:31.440 --> 0:45:33.520
<v Speaker 2>we will then possibly play here and you can hear

0:45:33.520 --> 0:45:36.400
<v Speaker 2>your own voice right here now. You can also, obviously,

0:45:36.480 --> 0:45:38.400
<v Speaker 2>you can catch us on the social media, so you

0:45:38.400 --> 0:45:40.320
<v Speaker 2>can just look up ridiculous Crime on most of social

0:45:40.320 --> 0:45:42.520
<v Speaker 2>media's except for that one with X. We have a

0:45:42.560 --> 0:45:46.480
<v Speaker 2>website ridiculous Crime dot com. We obviously also have an

0:45:46.480 --> 0:45:48.800
<v Speaker 2>email account because we mentioned it from time to time.

0:45:49.000 --> 0:45:52.239
<v Speaker 2>It's also a Ridiculous Crime at gmail dot com. So

0:45:52.560 --> 0:45:54.480
<v Speaker 2>hit us up and as always, please start the email,

0:45:54.520 --> 0:45:58.520
<v Speaker 2>dear producer d and as always, thank you for listening.

0:45:58.600 --> 0:46:05.920
<v Speaker 2>We will catch you next crime. Ridiculous Crime is hosted

0:46:05.960 --> 0:46:09.600
<v Speaker 2>by Elizabeth Dutton and Zaren Burnette, produced and edited by

0:46:09.600 --> 0:46:13.560
<v Speaker 2>the Rick to Our James Dave Coustin, and starring Annalise

0:46:13.680 --> 0:46:17.280
<v Speaker 2>Rutger as Judath. Research is by our resident miner birds

0:46:17.280 --> 0:46:20.640
<v Speaker 2>Brissa Brown, and Andrea song Sharpened Tear. Our theme song

0:46:20.719 --> 0:46:24.840
<v Speaker 2>is by Ricky James Matthews. Cosplayers Thomas Lee and Travis Dutty.

0:46:25.040 --> 0:46:28.920
<v Speaker 2>The host's wardrobe provided by Botany five hundred, guest Haron

0:46:28.960 --> 0:46:33.800
<v Speaker 2>makup by Sparkleshot and Mister Andrea. Executive producers are Ben

0:46:33.920 --> 0:46:36.920
<v Speaker 2>I Wanted to be Rick James Bitch Boland and Note

0:46:37.120 --> 0:46:39.120
<v Speaker 2>I Am Rick James Bitch.

0:46:39.000 --> 0:46:49.760
<v Speaker 6>Brown Reds Why Say It one More Times?

0:46:49.840 --> 0:46:50.160
<v Speaker 5>Crime?

0:46:51.239 --> 0:46:54.600
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio four More Podcasts.

0:46:54.719 --> 0:46:57.880
<v Speaker 1>My heart Radio visit the iHeartRadio app, Apple Podcasts, or

0:46:57.920 --> 0:46:59.720
<v Speaker 1>wherever you listen to your favorite shows.