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Speaker 3: Wake that ass up in the morning.

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Speaker 4: Breakfast Club Morning, everybody.

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Speaker 1: It's the j Envy, just hilarious, charlamage the guy. We

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Speaker 1: are the Breakfast Club law La Rosa feeling and for

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Speaker 1: Jess and we got a special guest in.

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Speaker 4: The building, future man in New York City.

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Speaker 3: That's right, Joey cra done man. Do say that. Man,

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Speaker 3: I'm out the way you was.

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Speaker 5: Da was on the stage the rallies.

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Speaker 3: Yeah, but I would never I'm not a politican. I

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Speaker 3: would never be a politician. Hit me out.

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Speaker 6: You are though, naturally Joe, Yeah, but a politician and

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Speaker 6: hip hop.

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Speaker 3: No, a politician politician. I can't do it. Trust me. Guys.

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Speaker 4: Your speech was great though that people love you Joe

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Speaker 4: on both sides. But Pennsylvania, you know, it.

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Speaker 3: Hits me all the time. L's wife Simone be like, yo,

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Speaker 3: you gotta run for mayor. You gotta run for mayor.

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Speaker 3: Joe'll be like, Yo, you crazy. I'm not. I got

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Speaker 3: nothing to do with that.

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Speaker 4: Sometimes people see things in you that you don't see

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Speaker 4: in yourself.

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Speaker 3: You have to just fight for the people no matter what.

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Speaker 3: And that's it. I don't want I don't want to

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Speaker 3: be in politics like that. Matter of fact, I might

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Speaker 3: take three years off of politics right now.

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Speaker 1: How are you feeling? How are you doing, Joe? I'm

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Speaker 1: good man. You know, it's a little tough. You know,

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Speaker 1: we've been dealing with a.

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Speaker 3: Lot of deaths lately and some you know, sometimes that

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Speaker 3: get to me. But I've been dealing with this so

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Speaker 3: much in my life that I think I've been real strong,

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Speaker 3: you know what I'm saying. So you know, all our

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Speaker 3: friends have been passing from Clark Cam to fat Man

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Speaker 3: school Chubby Baby, to my man Percy to my brother

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Speaker 3: last week. It's just it's you know, it's on. Are

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Speaker 3: you dealing with devil working?

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Speaker 2: Are you dealing with it?

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Speaker 3: How are you good? I'm good, I'm good. I'm strong man.

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Speaker 3: I'm stronger than I thought I would be, you know

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Speaker 3: what I'm saying. But you know, it's hard when you

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Speaker 3: got to tell your mom's you know, her favorite son

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Speaker 3: died and I got to fly to Miami to tell

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Speaker 3: all that tell his son. It's really hard, bro. I'm

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Speaker 3: gonna be honest, How do.

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Speaker 2: You know your favorite mom? Like your mom's favorite son.

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Speaker 3: How you gonna lie? Is what it is. We knew

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Speaker 3: that my whole life. Like you know what I'm saying,

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Speaker 3: that's a favorite son. You know what I'm saying. And

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Speaker 3: my mom's went up to the casket. So my mom,

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Speaker 3: she's a cancer survived. So she talks with the machine

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Speaker 3: and the things she was saying to my brother before

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Speaker 3: we bury, it was crazy. She was like, you know,

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Speaker 3: you come back to life. I would want to be

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Speaker 3: your mother again. Like it was just crazy. It was crazy,

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Speaker 3: but you know, we keep it moving. We got to

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Speaker 3: I'm coming out on Friday. The world changed on me.

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Speaker 3: I'm so proud of that work, you know what I'm.

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Speaker 6: Saying, So proud of how has the world changed for you?

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Speaker 3: You see what's going on. It's like I'm the last

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Speaker 3: one gentrified them see you know my music gangster. My

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Speaker 3: daughter be like, yo, dad, look at what you're saying.

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Speaker 3: I'm like, yo, I'm not gonna buy a new ice

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Speaker 3: Cube album. And he gonna talk about your grandfather like

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Speaker 3: I want to hear him spit gangster, you know what

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Speaker 3: I'm saying. So my music is ungentrified. It's like raw,

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Speaker 3: it's gangst is dope. You know what I'm saying. We

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Speaker 3: got something for everybody. And so you know the world

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Speaker 3: has changed every which way you could think about it.

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Speaker 3: This ain't the same world we grew up in it.

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Speaker 3: You know what I'm saying this is, this is a

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Speaker 3: real tough time. It's a tough time.

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Speaker 4: That is Fat Joe changed.

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Speaker 3: Fat Joe's changed. Where I stick to whatever it's normal,

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Speaker 3: my circle gets smaller and smaller and smaller. And uh,

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Speaker 3: you know, unfortunately, sometimes people we love, we catch them

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Speaker 3: doing things they ain't supposed to do. So we got

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Speaker 3: to get them up out the way. And that's hard

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Speaker 3: to being the boss. Pays the cost to be the boss.

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Speaker 3: This is hard being the leader, being a boss when

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Speaker 3: you gotta regulate everything and the way we move we

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Speaker 3: move by loyalty and moral white so we cleanse all

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Speaker 3: that out the way. It's it's sad, hey, guys. Financially,

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Speaker 3: I'm doing fantastic.

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Speaker 4: Because we know, we know.

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Speaker 3: I'm doing just fine.

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Speaker 2: With God with the new project.

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Speaker 1: You know, besides, the Paradise Joint is very street m

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Speaker 1: Now did you did you want to keep it that way?

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Speaker 2: Because you could have talked about a lot of things

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Speaker 2: that you're going through.

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Speaker 1: Like you've you were on the road for Kamala, You've

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Speaker 1: got your own show.

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Speaker 4: You Dick Clark New Year's Eve Special.

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Speaker 3: Yeah, but still, man, I want you know, I am

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Speaker 3: who I am musically. You know what I'm saying, and

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Speaker 3: it's entertainment and I like to make that type of music.

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Speaker 3: You know what I'm saying, and so of course I

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Speaker 3: like to talk my ship. You know what I'm saying,

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Speaker 3: and so that's what it's always been for me. So

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Speaker 3: I don't want to change up for nothing. I want

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Speaker 3: you to get it and be like either you like yeah,

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Speaker 3: crack or you like, damn, he's still talking crazy. You know,

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Speaker 3: it's it's a vice versa. I remember the last project

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Speaker 3: I put out with Dre Nasa hit me Up and

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Speaker 3: was like, damn, first bar you talking about the coke.

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Speaker 3: I'm like, yo, Cause you know, it's just because your

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Speaker 3: status in society and all that, it starts making you

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Speaker 3: question how you making your music. I grew up on

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Speaker 3: real pure hip hop, street hip hop, gangster culture. I

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Speaker 3: always say I was Young Jeezy before Young Jeezy, and

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Speaker 3: so I'm gonna talk my talk regardless. You know what

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Speaker 3: I'm saying, and so I don't like to let you

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Speaker 3: know my family status or who I am now affect

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Speaker 3: the purity of my music. I wanted to sound like

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Speaker 3: Joey from nineteen ninety three, Joey from nineteen ninety five,

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Speaker 3: Joey from two thousand, two thousand and four. I can't otherwise,

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Speaker 3: I can't do it if you want me to sit

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Speaker 3: up here and preach to you and be like, yo,

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Speaker 3: this dad, Calvin Lillers should have won. And that's not

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Speaker 3: what I'm doing.

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Speaker 6: And you love violence. I was watching an old Breakfast

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Speaker 6: Club interview and you.

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Speaker 4: The way you said, that's what it is. He said,

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Speaker 4: I love violence.

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Speaker 3: I used to love. Now I got security, grified answer.

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Speaker 3: Now I got security.

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Speaker 7: Smart answer though, I said that. But so you said

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Speaker 7: that you're the last ungentrified rapper. But when you answer

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Speaker 7: questions like that, that's a great smart but gentrified answered,

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Speaker 7: and that's where it should be.

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Speaker 3: So why not gentrified answer? It's a I don't want

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Speaker 3: to go to jail answer.

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Speaker 7: It's a smart answer. Yes, why but why so in

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Speaker 7: the music right? Like why what's wrong with like the

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Speaker 7: rappers that are after you? What's wrong with them being

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Speaker 7: the gentrified artist, or like what is a gentrified artist?

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Speaker 3: Then? Well meaning that you know, like they asking me

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Speaker 3: right now, like your jaw as many routes you could

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Speaker 3: have went, why is your album so hard? That's who

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Speaker 3: I am and I'm not going to change. And so

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Speaker 3: a lot of other artists. You know what I'm saying,

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Speaker 3: they changed when they definitely when they get to my

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Speaker 3: age or they from my era, their music sound different,

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Speaker 3: or they're talking about they used to have the bubble

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Speaker 3: goose in front of the story and queens this. I'm

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Speaker 3: not used to nothing. I'm popping right now, so I'm

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Speaker 3: talking that ship right now. We were popping right now

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Speaker 3: and that's and it's a hard job. Let me tell

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Speaker 3: you something. Stay popping all the way to you out

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Speaker 3: of here. That's the goal. You know, we don't you

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Speaker 3: know what Jada said, We don't want to hear about

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Speaker 3: them old niggas that had it be the same old

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Speaker 3: niggas that radic like, we don't want to hear about

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Speaker 3: you used to be popping. You had to fly this

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Speaker 3: this that you know, I'm not with that. I want

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Speaker 3: to do this till it's over. You know what I'm saying,

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Speaker 3: be fly, pull up and sables and Louis ship and

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Speaker 3: just every time you see me. You know what I'm saying.

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Speaker 3: You know, even on a bummy damn flying everybody. You

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Speaker 3: know what I'm saying.

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Speaker 4: But you say you don't like violence, Joe, But every

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Speaker 4: we hear violence yester year, but no we hear what's

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Speaker 4: the boxer name?

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Speaker 3: Plant? Because you know I can tell you the truth

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Speaker 3: because he skipped out on the truth. Okay, okay, I'm

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Speaker 3: not to be played with, So let's let's be clear.

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Speaker 3: I don't love violence and this and that. Just don't

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Speaker 3: I feel like, yo, bro, don't you know, like what's

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Speaker 3: the problem? Like, don't well you don't believe the stories?

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Speaker 3: Don't you know what's gonna happen to you? Respect me.

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Speaker 3: I'm an eld o G. I'm walking through mine in

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Speaker 3: my business. He come up on me because he want

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Speaker 3: to fight Edgar Blanka. He's like, yo, man. He was

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Speaker 3: talking crazy and jumping like almost like he wants to

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Speaker 3: swing this world attention virule all that stuff. You know,

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Speaker 3: As far as I'm concerned, he had he had a

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Speaker 3: camera dude with him and it just didn't go his way.

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Speaker 3: You know what I'm saying, because I let him know.

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Speaker 3: I said, yo, bro, I can't tell you. He said,

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Speaker 3: tell him because he was jumping up and down like

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Speaker 3: he was ready to hook off. And I was like,

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Speaker 3: your bro, you you h you will be eliminated if

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Speaker 3: you punch me. You're gone, bro, like this ain't fighting,

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Speaker 3: not like you're gone like this ain't like and he

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Speaker 3: stopped like he because it's very rare somebody tells you

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Speaker 3: something in another way like that like in human life

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Speaker 3: when you tell somebody, yo, my man, do you know

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Speaker 3: what this is? He was like, oh wow, the troll

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Speaker 3: is over, like you know what I'm saying. I was

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Speaker 3: with my wife, I was with my daughter. He was

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Speaker 3: very disrespectful this guy. I understand his boxing and all that,

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Speaker 3: but he came at me and he was he was

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Speaker 3: going like by acting like he.

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Speaker 4: I'm like, yo, bro, like he was about to spa.

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Speaker 3: You ain't Joe. You're not punching that Joe. You got

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Speaker 3: some sort of a wish witch hunting like you. It's

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Speaker 3: gonna be bad, bro. Because I'm one of them guys.

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Speaker 3: I can't deal with it. Not now. I'm all putting

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Speaker 3: a lot of work in the game. I'm well respected.

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Speaker 3: I can't do it disrespectful, not of any you know.

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Speaker 3: I guess now you could diss me on Twitter. You

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Speaker 3: can dis me on social media, you know, because they

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00:11:25,880 --> 00:11:27,800
Speaker 3: dissed me every day. I don't know. Do they dish

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Speaker 3: you every day?

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Speaker 4: I don't look.

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Speaker 3: Every day.

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Speaker 5: Yeah, I'm like every other day.

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Speaker 3: Oh no, no, just me every day. If I want

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Speaker 3: to feel horrible, I'll just throw on X, your mother

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Speaker 3: do this and that. I'm like, oh wow, you know

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Speaker 3: what I'm saying. The only thing that does for me

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Speaker 3: is let me know that that because you know, I'm

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Speaker 3: a legend. You know, people celebrate me in a different way,

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00:11:53,880 --> 00:11:57,840
Speaker 3: iconic this, this, that, and so if you stay in

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Speaker 3: that lane, you wouldn't realize that the dangers on the

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Speaker 3: other side of the door. But the ex lets me know,

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Speaker 3: Oh there's people who think this way. We gotta be careful,

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Speaker 3: we gotta watch what we do, because you know, people

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Speaker 3: tell you enough. You gotta believe what they're saying. So

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Speaker 3: you be like, all right, cool, I see it. You

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Speaker 3: know what I'm saying. I see what it is. But

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Speaker 3: other than that, I get nothing but love to sound.

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Speaker 5: Think I've ever really heard somebody just playing with you

249
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Speaker 5: like that, And.

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Speaker 3: You know, that guy played with me. That's why I

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Speaker 3: have to stop him. There's a way to make a

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Speaker 3: guy do the electric buggy real quick. Like. Boy was like, Yo,

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Speaker 3: this this, I said, Bro. He looked at me. His

254
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Speaker 3: whole face dropped. He's like, oh, he never been told

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Speaker 3: what I told him. And my daughter said, in real life, Dad,

256
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Speaker 3: in real life, you talk to him like that in

257
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Speaker 3: real life, I said, Man, he was. He was acting

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Speaker 3: like he was gonna punch me in my face in

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Speaker 3: front of all these people. We can't, we can't go

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Speaker 3: for that.

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Speaker 4: He said, you told him how to feel having to

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Speaker 4: get off the ground.

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Speaker 3: Three He got knocked out three times. Why are you

264
00:12:56,040 --> 00:12:59,040
Speaker 3: talking to me crazy? You just got knocked out three times?

265
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Speaker 3: What are you talking about? Yeah, what are you talking about?

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Speaker 8: You?

267
00:13:04,679 --> 00:13:05,520
Speaker 3: You want to smoke.

268
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Speaker 5: But that's a part of their like the new age

269
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Speaker 5: of things.

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Speaker 7: Like you said, there's a cameras he's recording, and you

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00:13:11,360 --> 00:13:13,839
Speaker 7: resonate with so many different generations because of the stuff

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Speaker 7: that you do.

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Speaker 5: No, I'm with it, But how do you I guess

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Speaker 5: how do you?

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Speaker 7: It doesn't happen a lot, But in preparing to deal

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Speaker 7: with that stuff, like, how do you prepare to deal

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Speaker 7: with that because.

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Speaker 3: You just don't really go out much.

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Speaker 5: Okay, because you know what I do.

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Speaker 3: As I sit in my couch, I mind my business.

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Speaker 3: I have security former police officers. Like, we're not going

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Speaker 3: to trouble. We're not getting it, no type deal with them.

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Speaker 3: Don't deal with me, you know what I'm saying. But

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Speaker 3: me personally, I never get approached like that or played

285
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Speaker 3: with like that. You know, this guy get it. It

286
00:13:47,120 --> 00:13:49,240
Speaker 3: was boxing and he wants to go viral whatever the

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Speaker 3: case may be. You're not going viral. Even if you

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00:13:51,800 --> 00:13:55,480
Speaker 3: miss swinging on me. There's repercussions for that. I just

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Speaker 3: want to respect that former godfather had when I was

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Speaker 3: coming up. Certain guys we knew not to play with.

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Speaker 3: We just ain't playing with them. Yo. This guy's with

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Speaker 3: his wife, his family. Don't play with him like you

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00:14:08,840 --> 00:14:10,800
Speaker 3: want to play with him. Nah.

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Speaker 1: Now you mentioned you with your daughter? Yes, how is

295
00:14:13,480 --> 00:14:16,040
Speaker 1: fat joe as a fault? You just asked me that behind.

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Speaker 2: Behind the sees and the reason.

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00:14:17,200 --> 00:14:19,920
Speaker 3: I am the greatest father on earth.

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Speaker 1: But now your daughter's getting to the age where she's

299
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Speaker 1: in college and she's going to start dating.

300
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Speaker 3: She's dating. I follow.

301
00:14:25,840 --> 00:14:29,360
Speaker 1: How is Joey Kracks as a father with a dating daughter.

302
00:14:29,400 --> 00:14:32,120
Speaker 3: I love this guy. Actually, I like him. I would

303
00:14:32,160 --> 00:14:33,880
Speaker 3: have loved him if he was at dating my mother.

304
00:14:35,320 --> 00:14:40,680
Speaker 3: Beautiful guy. His family comes from a great family, and

305
00:14:40,760 --> 00:14:42,680
Speaker 3: we love the kid they grew up. We got pictures

306
00:14:42,680 --> 00:14:45,480
Speaker 3: of them two years old, were on vacation with the family,

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00:14:45,560 --> 00:14:48,440
Speaker 3: and he I noticed in all them pictures he's standing

308
00:14:48,480 --> 00:14:52,120
Speaker 3: next to as the whole time. He's in every pick,

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Speaker 3: like two years old, three years old, four years old.

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Speaker 3: I'm like, yo, it's a beautiful guy. You know what

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00:14:57,560 --> 00:15:00,640
Speaker 3: I'm saying. You know, I got mad love for him.

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00:15:00,680 --> 00:15:03,640
Speaker 3: But with my daughter, I'm really hands on, you know

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Speaker 3: what I'm saying. And people say that divorce doesn't affect families,

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Speaker 3: but to me, it really does. No matter. You can

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00:15:12,800 --> 00:15:16,080
Speaker 3: lie and feel better if you want. But you know,

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00:15:16,160 --> 00:15:19,680
Speaker 3: a dad present, you know what I'm saying, takes it

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Speaker 3: a long way. And we got we gotta teach our

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Speaker 3: daughters how to respect themselves and know that a man

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00:15:25,920 --> 00:15:28,520
Speaker 3: gotta respect you. So I give my daughter everything so

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Speaker 3: she could know whoever come up behind me he got

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Speaker 3: to do even better than that, or he got to

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Speaker 3: respect the culture of whatever it is going on. And

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Speaker 3: you know, I'm just from that school of if I

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Speaker 3: got it, we all got it, you know what I'm saying.

325
00:15:42,800 --> 00:15:46,120
Speaker 3: So she's living a little house on the prairie. You

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00:15:46,200 --> 00:15:48,560
Speaker 3: know what I'm saying. Now you see you follow on this.

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00:15:49,000 --> 00:15:51,720
Speaker 3: That's get crazy to me. That's crazy.

328
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Speaker 5: Always on the fashion blogs, always on this girl car.

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Speaker 3: And my wife. Boy. Let me tell you something. These

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Speaker 3: people run it up.

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Speaker 5: That's what.

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00:16:03,200 --> 00:16:03,600
Speaker 3: I'm trying.

333
00:16:04,040 --> 00:16:05,000
Speaker 4: I'm trying to stream.

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00:16:06,440 --> 00:16:10,160
Speaker 3: I'm trying to stream account We call him doctor deaf.

335
00:16:10,440 --> 00:16:12,880
Speaker 5: Sh the every detail be hit.

336
00:16:13,880 --> 00:16:18,680
Speaker 3: Wow, I call him doctor deaf. Nobody like to deal

337
00:16:18,680 --> 00:16:21,800
Speaker 3: with the account who love it? Like who loved when

338
00:16:21,800 --> 00:16:24,960
Speaker 3: it's tax time you sit down. I want to know

339
00:16:25,000 --> 00:16:27,920
Speaker 3: the great American that loves it to sit down. And

340
00:16:28,880 --> 00:16:32,760
Speaker 3: these accountants they're like they're numb. Like you know, if

341
00:16:32,800 --> 00:16:35,640
Speaker 3: you go to a doctor, doctor to yo, you're sick.

342
00:16:35,680 --> 00:16:38,480
Speaker 3: We gotta fight for your life. He does twenty surgeries

343
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Speaker 3: a day. He talks to you like none with no compassion.

344
00:16:41,960 --> 00:16:45,840
Speaker 3: Accountants talk to you with no compassion, like hey this

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00:16:45,880 --> 00:16:46,360
Speaker 3: is the number.

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Speaker 8: No.

347
00:16:46,600 --> 00:16:48,520
Speaker 3: But I have to go to the jungles and shout

348
00:16:49,600 --> 00:16:54,560
Speaker 3: almost got shot. Well, they want their half Joa. You

349
00:16:54,920 --> 00:16:56,320
Speaker 3: always know you have a partner.

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Speaker 1: He's like, no the play shaking, nor ask about doghouse

351
00:17:05,080 --> 00:17:07,280
Speaker 1: right now. In the doghouse, you say, gotta put them

352
00:17:07,280 --> 00:17:09,320
Speaker 1: in the doghouse. I know, but I want to reverse.

353
00:17:09,320 --> 00:17:11,600
Speaker 1: That's the last time You've been in the doghouse.

354
00:17:12,200 --> 00:17:16,000
Speaker 3: Many a time, many a time. It's like, you know,

355
00:17:16,200 --> 00:17:20,760
Speaker 3: sometimes you know what's wold is? Well? I live in

356
00:17:20,800 --> 00:17:24,919
Speaker 3: the projects right and it was a two bedroom, but

357
00:17:25,000 --> 00:17:28,920
Speaker 3: the smallest bedrooms. We were stuck in the apartment five

358
00:17:29,640 --> 00:17:31,840
Speaker 3: now that I know. And my ceilings is so big,

359
00:17:31,880 --> 00:17:35,160
Speaker 3: the house is so big. We was in each other's face.

360
00:17:35,200 --> 00:17:37,119
Speaker 3: There was times I wouldn't talk to my father for

361
00:17:37,200 --> 00:17:41,000
Speaker 3: three four months and walking around the house could eat

362
00:17:41,040 --> 00:17:43,520
Speaker 3: my food dish because you know, my father was tough,

363
00:17:44,760 --> 00:17:47,359
Speaker 3: and you know, the worst thing you could do is

364
00:17:47,400 --> 00:17:51,280
Speaker 3: break communication, whether it's your kids, whether it's your wife.

365
00:17:51,320 --> 00:17:53,480
Speaker 3: And you know, she'll walk around for three months not

366
00:17:53,640 --> 00:17:56,960
Speaker 3: talking to me, like I'm like, oh man, something got

367
00:17:56,960 --> 00:17:58,600
Speaker 3: to give, you know what I'm saying. Then I gotta

368
00:17:58,640 --> 00:18:01,000
Speaker 3: go talk to all. You know, I know how to

369
00:18:01,040 --> 00:18:04,480
Speaker 3: do this. That's where the politics come in. I gotta

370
00:18:04,520 --> 00:18:07,240
Speaker 3: talk to Terrell, I gotta talk to Lauren riding girl.

371
00:18:07,359 --> 00:18:10,520
Speaker 3: You know, all her influential friends and be like, Yo,

372
00:18:10,640 --> 00:18:15,240
Speaker 3: this is this is terrible. I'm getting played here. That's

373
00:18:15,240 --> 00:18:18,720
Speaker 3: why you got to put him in the doghouse. That's

374
00:18:18,720 --> 00:18:23,480
Speaker 3: an ungentrified songied ain't nobody talking about the dog house.

375
00:18:23,520 --> 00:18:26,160
Speaker 3: You know your man, Chris Rock it's his favorite song.

376
00:18:26,240 --> 00:18:28,600
Speaker 3: But of course he lost forty million in the divorce.

377
00:18:29,440 --> 00:18:32,560
Speaker 3: Anybody who took that l like that. They want to

378
00:18:32,560 --> 00:18:37,040
Speaker 3: put him in the doghouse. That's the doghouse. It's probably

379
00:18:37,040 --> 00:18:39,280
Speaker 3: my favorite song on the album. That's Crazy.

380
00:18:39,359 --> 00:18:40,880
Speaker 4: You got Chris on the album. You and Chris got

381
00:18:41,200 --> 00:18:42,400
Speaker 4: a real close relationship.

382
00:18:42,600 --> 00:18:44,840
Speaker 3: Yeah, we cool. We see each other at the games.

383
00:18:44,880 --> 00:18:47,119
Speaker 3: We big nick fans. I was like, yo, bro, I

384
00:18:47,200 --> 00:18:53,400
Speaker 3: need you. We were at NAS's fiftieth birthday party and

385
00:18:53,480 --> 00:18:57,320
Speaker 3: his speech was so incredible. I said, Yo, Chris Man,

386
00:18:57,600 --> 00:19:01,280
Speaker 3: I never heard nobody say what you shit? I said,

387
00:19:01,320 --> 00:19:03,320
Speaker 3: I need you to say that on my album. He's

388
00:19:03,400 --> 00:19:08,399
Speaker 3: like he pulled up uber, walked in there, did whatever

389
00:19:08,440 --> 00:19:11,199
Speaker 3: he had to do. Then he just left like in

390
00:19:11,240 --> 00:19:13,919
Speaker 3: the uber like like a normal guy. I don't know

391
00:19:13,960 --> 00:19:17,960
Speaker 3: how to do that. Everything gotta be you know.

392
00:19:18,960 --> 00:19:22,960
Speaker 6: Yeah, Now did you feel when the dude from the

393
00:19:23,040 --> 00:19:27,600
Speaker 6: Dodgers Herendez blamed your performance for the reason the Yankees

394
00:19:27,640 --> 00:19:28,480
Speaker 6: lost the World Series.

395
00:19:29,520 --> 00:19:31,040
Speaker 2: They did you dirty with the mics. Man.

396
00:19:31,119 --> 00:19:37,560
Speaker 3: You know I'm not I'm not uh premeditated enough, right,

397
00:19:37,680 --> 00:19:41,960
Speaker 3: So somebody like a jay Z would have thought about

398
00:19:42,200 --> 00:19:45,399
Speaker 3: what if we lose? I never thought that. I'm like, yo'

399
00:19:45,520 --> 00:19:49,240
Speaker 3: It's Yankee Stadium, my favorite team, my whole life. I'm

400
00:19:49,280 --> 00:19:52,679
Speaker 3: coming out there this this dad. I'm represented justice the

401
00:19:52,720 --> 00:19:56,120
Speaker 3: Puerto Ricans the night before Trump, so i came out

402
00:19:56,119 --> 00:20:01,120
Speaker 3: there talking about Puerto Rico. So I'm like, it's uh right.

403
00:20:01,880 --> 00:20:04,480
Speaker 3: Then they lose and now you are Fat Joe, You're

404
00:20:04,560 --> 00:20:06,439
Speaker 3: the Jinks, You're the day. I'm like, yo, bro, they

405
00:20:06,520 --> 00:20:09,560
Speaker 3: was down to like, but the guy just me. I'm

406
00:20:09,600 --> 00:20:11,280
Speaker 3: cool with it, you know what I'm saying. I'm cool

407
00:20:11,280 --> 00:20:13,520
Speaker 3: with a guy you know that's his choice or what.

408
00:20:13,680 --> 00:20:16,320
Speaker 3: I didn't know it was so personal, Like it could

409
00:20:16,320 --> 00:20:19,280
Speaker 3: have been the Dodgers, it could have been the Blue Jays,

410
00:20:19,320 --> 00:20:22,080
Speaker 3: it could have been anybody that we was just you know,

411
00:20:22,119 --> 00:20:25,760
Speaker 3: I was celebrating the World Series. They you know la

412
00:20:25,880 --> 00:20:29,399
Speaker 3: sometimes they really take it La New York. You know

413
00:20:29,400 --> 00:20:30,800
Speaker 3: what I'm saying, I ain't look at it like that.

414
00:20:30,880 --> 00:20:33,480
Speaker 3: I was happy when I've seen ice Cube come out

415
00:20:33,520 --> 00:20:35,199
Speaker 3: there and kill that, you know what I'm saying. And

416
00:20:35,280 --> 00:20:37,639
Speaker 3: I loved it. I loved the whole experience about it.

417
00:20:37,680 --> 00:20:40,119
Speaker 3: So hip this and me it don't mean nothing to me,

418
00:20:40,200 --> 00:20:41,800
Speaker 3: you know what I'm saying. I get dissed all the time.

419
00:20:41,800 --> 00:20:43,960
Speaker 2: Would you perform at yeaga CEM many times?

420
00:20:44,280 --> 00:20:48,560
Speaker 3: But the audio practice three times where the music was

421
00:20:48,640 --> 00:20:52,520
Speaker 3: perfectly fine. I pray, first of all, Jesse Collins did it.

422
00:20:53,680 --> 00:20:57,359
Speaker 3: Not only Jesse Collins did it. The guy don't want

423
00:20:57,400 --> 00:20:59,760
Speaker 3: to disrespect him, the guy who plays the instruments with

424
00:20:59,840 --> 00:21:06,000
Speaker 3: the here not quest the other guy he does everything.

425
00:21:06,080 --> 00:21:09,760
Speaker 3: He's the biggest I'm sorry for disrespecting you. You might

426
00:21:09,800 --> 00:21:12,399
Speaker 3: have to chop it up. The guy who plays the

427
00:21:12,480 --> 00:21:16,560
Speaker 3: instruments for everybody, right, So I had the two best

428
00:21:16,560 --> 00:21:19,800
Speaker 3: guys in the world. So we went through the rehearsal

429
00:21:20,720 --> 00:21:23,440
Speaker 3: and it was perfectly fine. And so when it came

430
00:21:23,520 --> 00:21:26,000
Speaker 3: on it was a delay in my in my in

431
00:21:26,040 --> 00:21:28,960
Speaker 3: my ear thing, and I'm trying to catch it. They

432
00:21:29,040 --> 00:21:30,000
Speaker 3: did me. They did you?

433
00:21:30,080 --> 00:21:31,920
Speaker 5: Did you know?

434
00:21:32,000 --> 00:21:35,359
Speaker 3: You're like I'm telling you, I was there. This is

435
00:21:35,440 --> 00:21:38,800
Speaker 3: Jesse Collins. So by the way, you're there from the

436
00:21:38,920 --> 00:21:40,879
Speaker 3: morning to the night. They don't even allow you to

437
00:21:40,920 --> 00:21:44,200
Speaker 3: go home when you deal with Jesse Collins and your kidnapp.

438
00:21:44,800 --> 00:21:47,080
Speaker 3: So we went over that three times and it was

439
00:21:47,240 --> 00:21:50,240
Speaker 3: perfectly fine. And then when the actual thing comes on,

440
00:21:50,800 --> 00:21:54,120
Speaker 3: it's a delay. You know, I perform every night. It's

441
00:21:54,160 --> 00:21:56,359
Speaker 3: never a delay. It's not going to be a delay

442
00:21:56,359 --> 00:21:59,040
Speaker 3: on the Dick Clark Special New Year's Eve. I don't

443
00:21:59,080 --> 00:22:01,880
Speaker 3: know what happened. It was delay. I'm not making excuses.

444
00:22:02,240 --> 00:22:05,840
Speaker 3: I performed those same three songs every single day. It's

445
00:22:05,880 --> 00:22:08,040
Speaker 3: not my fault. The thing was delayed. I don't know

446
00:22:08,040 --> 00:22:10,520
Speaker 3: what to tell you. I still I still enjoyed it.

447
00:22:10,560 --> 00:22:11,800
Speaker 5: Would go and do it again.

448
00:22:12,119 --> 00:22:15,680
Speaker 3: Of course, Yo, listen, I grew up in the Bronx

449
00:22:16,400 --> 00:22:21,359
Speaker 3: and it's you look young, So this would sound like

450
00:22:21,400 --> 00:22:25,440
Speaker 3: a cap but if you google, the Bronx looked like Ukraine,

451
00:22:25,520 --> 00:22:27,600
Speaker 3: like people blew up the buildings. I don't know. I'm

452
00:22:27,600 --> 00:22:30,399
Speaker 3: not responsible for it. But where I grew up, the

453
00:22:30,440 --> 00:22:33,920
Speaker 3: whole Bronx was flatline. I don't I'm telling you the truth.

454
00:22:33,960 --> 00:22:39,760
Speaker 3: It looked bombs right. We played on rubble, we didn't

455
00:22:39,760 --> 00:22:43,640
Speaker 3: play in parks. We played on buildings that were broken, right,

456
00:22:44,040 --> 00:22:46,919
Speaker 3: bandoned buildings. Like I say, the biggest gang in the

457
00:22:46,960 --> 00:22:50,000
Speaker 3: Bronx was the stray Dogs. First thing in the morning.

458
00:22:50,040 --> 00:22:53,280
Speaker 3: That running straight dogs is out there, and boy, you

459
00:22:53,359 --> 00:22:57,200
Speaker 3: better stay away from the stray Dogs. Right. So the

460
00:22:57,240 --> 00:23:00,200
Speaker 3: only inspiration I had growing up, I was I'm five

461
00:23:00,240 --> 00:23:03,080
Speaker 3: minutes away from Yankee Stadium. Was the Yankee Stadium. They

462
00:23:03,080 --> 00:23:05,760
Speaker 3: had the light when they had a night game. You know,

463
00:23:05,840 --> 00:23:08,800
Speaker 3: we would go over there. You know, the Yankees mean

464
00:23:08,880 --> 00:23:10,679
Speaker 3: everything to be you know what I'm saying. So to

465
00:23:10,720 --> 00:23:13,520
Speaker 3: be tapped, and I believe I deserved it. Thank you

466
00:23:13,560 --> 00:23:16,320
Speaker 3: for sticking up for me. But I believe I deserve

467
00:23:16,400 --> 00:23:20,879
Speaker 3: to perform there. Yo, this this that, how about? They

468
00:23:20,920 --> 00:23:24,400
Speaker 3: were picking some names from New York that with no disrespect.

469
00:23:25,560 --> 00:23:27,960
Speaker 3: There was white guys looking at me and Yankee Stadium

470
00:23:28,040 --> 00:23:32,640
Speaker 3: like who's that? And I got anthems. I'm pretty much

471
00:23:32,640 --> 00:23:37,320
Speaker 3: a superstar. I do Dick Clark, I do stadiums. They

472
00:23:37,320 --> 00:23:40,760
Speaker 3: were looking at me like they were waiting for don't

473
00:23:40,760 --> 00:23:44,280
Speaker 3: go messing with Cotton Night Joe, Cotton Nijoe and special

474
00:23:44,320 --> 00:23:45,000
Speaker 3: crowd out.

475
00:23:44,840 --> 00:23:48,480
Speaker 4: There but anonymous with New York. If you get one of.

476
00:23:48,440 --> 00:23:51,679
Speaker 3: These underground rappers, YO, throw this guy like he was

477
00:23:51,760 --> 00:23:52,919
Speaker 3: not gonna do that.

478
00:23:53,000 --> 00:23:53,400
Speaker 5: Underground.

479
00:23:55,119 --> 00:23:57,280
Speaker 3: They was naming everybody. I didn't hear a lot of people.

480
00:23:57,560 --> 00:23:58,520
Speaker 4: I only really hurt Foy.

481
00:23:58,600 --> 00:24:02,120
Speaker 6: It was either Joe, fifty kids, the whole. I thought,

482
00:24:01,920 --> 00:24:02,680
Speaker 6: don't you know the names?

483
00:24:02,680 --> 00:24:03,040
Speaker 4: I heard?

484
00:24:03,440 --> 00:24:05,280
Speaker 3: Well, those are big names. That's not what I was

485
00:24:05,280 --> 00:24:08,720
Speaker 3: talking about. Maybe I'm too much into the underground blocks.

486
00:24:08,720 --> 00:24:09,520
Speaker 4: Oh yeah, I didn't see that.

487
00:24:10,240 --> 00:24:12,960
Speaker 3: Yeah, they was naming you know, some underground guys. I'm like, yo,

488
00:24:13,000 --> 00:24:15,640
Speaker 3: them boys would have been lost in this water. I'm

489
00:24:15,680 --> 00:24:20,000
Speaker 3: not talking about fifty old war Jady Kiss.

490
00:24:20,240 --> 00:24:22,800
Speaker 6: But it was an honor, especially with La having Cube.

491
00:24:22,800 --> 00:24:26,080
Speaker 6: You gotta have a New York staple. Who's they got Cube?

492
00:24:26,160 --> 00:24:28,280
Speaker 4: So they need a New York staple from the Bronx.

493
00:24:28,359 --> 00:24:29,960
Speaker 3: Only day was a good day.

494
00:24:31,720 --> 00:24:34,159
Speaker 1: It's one of the best, and it's a crystal when

495
00:24:34,200 --> 00:24:35,720
Speaker 1: it came on to that's that made me so mad.

496
00:24:35,760 --> 00:24:42,040
Speaker 3: It's once again, whether you want to call a cap

497
00:24:42,160 --> 00:24:46,320
Speaker 3: or not. I was there all day. I rehearsed three

498
00:24:46,400 --> 00:24:50,000
Speaker 3: times that day, and when I went out there to perform,

499
00:24:50,080 --> 00:24:52,320
Speaker 3: it was a delay on the joint. It's crazy. I

500
00:24:52,359 --> 00:24:54,760
Speaker 3: don't know what to tell you. I don't get nervous.

501
00:24:55,880 --> 00:24:57,200
Speaker 1: I want to go back to the album they don't

502
00:24:57,200 --> 00:25:01,160
Speaker 1: love you, They don't love you. Nobody Uh, it says,

503
00:25:01,359 --> 00:25:01,720
Speaker 1: what is it?

504
00:25:02,200 --> 00:25:02,320
Speaker 8: Uh?

505
00:25:02,480 --> 00:25:04,879
Speaker 1: Nobody wins when the family feuds. Don't ask me no

506
00:25:04,960 --> 00:25:06,240
Speaker 1: questions about remy path?

507
00:25:06,359 --> 00:25:08,400
Speaker 3: You heard it? Why you asking me question? How many time?

508
00:25:08,400 --> 00:25:09,440
Speaker 2: And I'm not asking you about that?

509
00:25:09,760 --> 00:25:12,680
Speaker 1: I just wonder how many times have people asked you

510
00:25:12,720 --> 00:25:14,320
Speaker 1: about that? When you had to put that in the song?

511
00:25:17,840 --> 00:25:20,400
Speaker 3: A lot? You know what I'm saying Behind the scenes,

512
00:25:20,520 --> 00:25:23,600
Speaker 3: family friends, this, this, that, and I don't I can't

513
00:25:23,600 --> 00:25:26,960
Speaker 3: tell you. Don't ask no questions about redmend path poos

514
00:25:27,040 --> 00:25:29,200
Speaker 3: is real. Plus, I don't know nothing.

515
00:25:29,480 --> 00:25:31,320
Speaker 5: You don't know nothing because you don't ask no.

516
00:25:31,400 --> 00:25:35,760
Speaker 3: I just don't know nothing. I don't know what to

517
00:25:35,800 --> 00:25:38,480
Speaker 3: tell you. Is Halloween, the whole family comes to my house.

518
00:25:39,480 --> 00:25:42,359
Speaker 3: That's my god daughter. She runs my house. So she

519
00:25:42,480 --> 00:25:47,000
Speaker 3: comes in my god daughter. You see, this is why

520
00:25:47,000 --> 00:25:48,639
Speaker 3: I'm trying to tell you. When you deal with kids

521
00:25:48,640 --> 00:25:52,560
Speaker 3: with love, they know they're love Like there's nothing she

522
00:25:52,640 --> 00:25:55,720
Speaker 3: can't do. She just gets up, she runs the whole

523
00:25:55,720 --> 00:25:58,160
Speaker 3: house and then she comes to my room. In my room,

524
00:25:58,800 --> 00:26:02,359
Speaker 3: I have more pictures of hard than anybody, So I

525
00:26:02,440 --> 00:26:05,040
Speaker 3: got like four pictures of us. So she brings her

526
00:26:05,080 --> 00:26:06,840
Speaker 3: cousin to the house and she's like, yo, yeah, come here,

527
00:26:06,840 --> 00:26:09,399
Speaker 3: give me look. Look, Papa, I've got my fock. You know.

528
00:26:10,560 --> 00:26:13,440
Speaker 3: Her cousins like, you need another one. I think five

529
00:26:13,560 --> 00:26:18,240
Speaker 3: is better. These kids are funny. So according to me,

530
00:26:19,800 --> 00:26:21,359
Speaker 3: we're good. You know what I'm saying.

531
00:26:21,800 --> 00:26:24,680
Speaker 6: I don't know when you talk about the world changing, right,

532
00:26:24,720 --> 00:26:27,760
Speaker 6: Like the metrics for what's successful have changed too.

533
00:26:27,800 --> 00:26:28,960
Speaker 4: Like it's just not the same.

534
00:26:29,040 --> 00:26:32,080
Speaker 6: Like, ain't no ten times platinum, It's no, it's noneing

535
00:26:32,160 --> 00:26:32,440
Speaker 6: that happens.

536
00:26:32,440 --> 00:26:33,640
Speaker 4: So what's considered this.

537
00:26:33,640 --> 00:26:36,520
Speaker 3: Music out of love? If it does great, it does great.

538
00:26:36,800 --> 00:26:40,560
Speaker 3: I always make money through streaming. And you got to

539
00:26:40,640 --> 00:26:43,159
Speaker 3: understand this ain't the first week thing. Back in the

540
00:26:43,240 --> 00:26:44,960
Speaker 3: days were like you sell the first week and they

541
00:26:44,960 --> 00:26:47,800
Speaker 3: project what you make. It's gonna be making money for

542
00:26:47,840 --> 00:26:50,600
Speaker 3: twenty thirty years when people pick it up. See the

543
00:26:50,600 --> 00:26:53,200
Speaker 3: way the streaming works is if you listen to the album,

544
00:26:53,320 --> 00:26:55,880
Speaker 3: he listens, he listens, she listens. Enough of us listen

545
00:26:55,960 --> 00:27:00,600
Speaker 3: that goes as a sale. So we're not selling physical

546
00:27:00,600 --> 00:27:03,080
Speaker 3: copies where people got to stand outside. Online you just

547
00:27:03,240 --> 00:27:09,080
Speaker 3: downloaded on your phone and it's just it keeps making

548
00:27:09,119 --> 00:27:11,600
Speaker 3: money forever, you know what I'm saying, And I wanted

549
00:27:11,680 --> 00:27:15,080
Speaker 3: content out there, tell you the truth. I thought about

550
00:27:15,080 --> 00:27:19,800
Speaker 3: this question. I retired from hip hop. There's no lie.

551
00:27:19,920 --> 00:27:24,640
Speaker 3: I was doing shows, TV, whatever, And when Killer Mike

552
00:27:24,720 --> 00:27:28,480
Speaker 3: won that Grammy changed. The next day, I was in

553
00:27:28,560 --> 00:27:30,920
Speaker 3: the studio with Dre. I was like, Yo, it's like

554
00:27:31,040 --> 00:27:33,359
Speaker 3: Dre Killer Mike. You heard his album. He was like, yo,

555
00:27:33,400 --> 00:27:35,720
Speaker 3: I got a joined on there. I'm like, Yo, let's

556
00:27:35,760 --> 00:27:38,800
Speaker 3: get in the studio. They finally giving them out to

557
00:27:38,880 --> 00:27:42,160
Speaker 3: the right people, and so I was like, Yo, let's

558
00:27:42,160 --> 00:27:44,280
Speaker 3: get in the studio, let's work, let's make this album.

559
00:27:44,320 --> 00:27:46,639
Speaker 3: So if it wasn't for Killer Mike, I'd have been

560
00:27:46,680 --> 00:27:48,480
Speaker 3: all the way retired, you know what I'm saying. And

561
00:27:48,520 --> 00:27:51,160
Speaker 3: I remember getting a call and not like I get

562
00:27:51,200 --> 00:27:52,959
Speaker 3: a call every day, but I got a call from

563
00:27:53,040 --> 00:27:57,520
Speaker 3: Eminem convincing me not to retire. When I retired, Joe,

564
00:27:57,560 --> 00:28:00,199
Speaker 3: you one of the last ones. Laugh you don't. I

565
00:28:00,240 --> 00:28:01,840
Speaker 3: was like, yo, man, I'm mad of here with this.

566
00:28:02,280 --> 00:28:06,480
Speaker 3: But when Killer Mike Wonder Grammy, I said, oh see.

567
00:28:06,720 --> 00:28:09,040
Speaker 3: I never looked at people jealousy. I always looked at

568
00:28:09,040 --> 00:28:12,200
Speaker 3: his inspiration. When somebody get something I said, Oh, wow,

569
00:28:12,240 --> 00:28:15,359
Speaker 3: we could get that. Somebody get a fly house called this.

570
00:28:15,520 --> 00:28:18,399
Speaker 3: I'm like, oh, we could get that. The people getting

571
00:28:18,640 --> 00:28:20,320
Speaker 3: we could get that. You know what I'm saying, It

572
00:28:20,359 --> 00:28:24,800
Speaker 3: ain't at this point. It ain't like no amount of

573
00:28:24,840 --> 00:28:28,439
Speaker 3: money that we can't get. What I'm saying, look at

574
00:28:28,440 --> 00:28:30,760
Speaker 3: these guys you got on the wall. But Martin Lawrence,

575
00:28:31,440 --> 00:28:35,200
Speaker 3: Will Smith, who's that lane the waif you up there?

576
00:28:35,280 --> 00:28:37,640
Speaker 3: You know they're all rich. You're up there too, Hey, Yeah,

577
00:28:37,640 --> 00:28:40,920
Speaker 3: I'm up there somewhere. I'm I'm in.

578
00:28:40,880 --> 00:28:44,600
Speaker 6: The section eight, sir, got damn Max up there, Big Daddy,

579
00:28:45,120 --> 00:28:49,160
Speaker 6: Charlie Murphy, Jennifer Lewis, Nori Eastern Rady right there.

580
00:28:49,600 --> 00:28:50,640
Speaker 3: Who's the woman right now?

581
00:28:50,760 --> 00:28:54,640
Speaker 4: Maxine Waters that.

582
00:28:53,480 --> 00:28:58,840
Speaker 3: Jennifer Lewis, Okay, God bless right there? Yeah of course, yeah,

583
00:28:58,880 --> 00:28:59,720
Speaker 3: they all got money.

584
00:28:59,760 --> 00:28:59,920
Speaker 6: Man.

585
00:29:00,080 --> 00:29:01,240
Speaker 3: You know what I'm saying. I want to be on

586
00:29:01,320 --> 00:29:03,320
Speaker 3: that type of wall right there. You know what I'm saying.

587
00:29:04,080 --> 00:29:06,600
Speaker 6: Remember when you said that Drake and Kendrick beef was

588
00:29:06,640 --> 00:29:08,400
Speaker 6: over because Kendrick was taking too long.

589
00:29:08,680 --> 00:29:16,560
Speaker 3: Yeah, I thought it was over all right. Remember you

590
00:29:16,600 --> 00:29:20,960
Speaker 3: said that sometimes people act like my voice ain't powerful.

591
00:29:21,040 --> 00:29:23,680
Speaker 3: If I'm going to be conspiracy Joe. He threw that

592
00:29:23,720 --> 00:29:26,200
Speaker 3: record out right after Fat Joe said that next day.

593
00:29:26,240 --> 00:29:31,040
Speaker 3: That's oh, Fat Joe think it's over, it's on. I

594
00:29:31,080 --> 00:29:31,520
Speaker 3: don't know.

595
00:29:31,840 --> 00:29:33,240
Speaker 6: I didn't think it was old. I just said Kendrick

596
00:29:33,320 --> 00:29:35,240
Speaker 6: was on the clock. I felt the same. I'm like, da,

597
00:29:35,280 --> 00:29:35,920
Speaker 6: it's thinking a while.

598
00:29:35,880 --> 00:29:37,719
Speaker 3: I was taking a while, but we didn't know. He

599
00:29:37,760 --> 00:29:41,480
Speaker 3: was making Chapter thirty six, the thirty six Chambers of

600
00:29:41,520 --> 00:29:43,640
Speaker 3: Woo Tang.

601
00:29:43,920 --> 00:29:46,440
Speaker 7: Still getting dragged for that song. He heard, so Kendrick heard,

602
00:29:46,480 --> 00:29:48,880
Speaker 7: you had to drop the song. Now, Drake still getting dragged.

603
00:29:49,680 --> 00:29:51,400
Speaker 3: I don't know if he look.

604
00:29:52,840 --> 00:29:54,720
Speaker 6: It's crazy because he took a long time, but he

605
00:29:55,040 --> 00:29:57,240
Speaker 6: finished it in a week. Kendrick finished it in like

606
00:29:57,240 --> 00:29:57,800
Speaker 6: four days.

607
00:29:58,080 --> 00:30:04,440
Speaker 3: Listen, guys, Uh, you know hip hop we've been battling forever.

608
00:30:04,960 --> 00:30:07,640
Speaker 3: You know what I'm saying, Somebody I win, somebody gotta lose.

609
00:30:08,480 --> 00:30:12,600
Speaker 3: And uh, you know, with me, you know, maybe because

610
00:30:12,640 --> 00:30:15,360
Speaker 3: I'm older, I measured this a whole different way. And

611
00:30:15,360 --> 00:30:19,760
Speaker 3: this is terrible because this ain't good culturally. But you know,

612
00:30:19,840 --> 00:30:23,000
Speaker 3: from where I stand, you know what I'm saying. You

613
00:30:23,040 --> 00:30:25,320
Speaker 3: know they're both good. That's all I can That's all

614
00:30:25,360 --> 00:30:27,200
Speaker 3: I can say. You know what I'm saying. They both good,

615
00:30:27,680 --> 00:30:31,120
Speaker 3: they're both wealthy. At this point, they're both doing great.

616
00:30:31,920 --> 00:30:34,880
Speaker 3: And I don't know if I don't want to say, yo,

617
00:30:34,920 --> 00:30:37,960
Speaker 3: they're moving on because then in chapter thirty six, might

618
00:30:38,320 --> 00:30:41,280
Speaker 3: sixty six might come up. I don't know, but I

619
00:30:41,480 --> 00:30:46,959
Speaker 3: know you got laws. If I don't have no comment

620
00:30:47,000 --> 00:30:48,800
Speaker 3: on that, you know what I'm saying that.

621
00:30:49,880 --> 00:30:51,400
Speaker 5: You've been standing by that. No comment?

622
00:30:51,640 --> 00:30:51,840
Speaker 4: Huh?

623
00:30:51,920 --> 00:30:53,200
Speaker 5: I said, you've been this the second time I heard

624
00:30:53,240 --> 00:30:53,520
Speaker 5: you say it.

625
00:30:53,600 --> 00:30:56,360
Speaker 3: No comment because I really don't have a comment because,

626
00:30:56,800 --> 00:31:00,440
Speaker 3: like I said, I'm morally right, I'm loyalty. You know

627
00:31:00,480 --> 00:31:03,160
Speaker 3: what I'm saying. I just you know, I got no

628
00:31:03,320 --> 00:31:06,480
Speaker 3: comment that. You know what I'm saying that ain't you

629
00:31:06,480 --> 00:31:10,680
Speaker 3: know what I'm saying. What do you think about the lawsuit?

630
00:31:11,720 --> 00:31:13,600
Speaker 5: I thought that the timing was horrible for Drake.

631
00:31:13,960 --> 00:31:17,680
Speaker 7: I thought that the timing made him look like I said,

632
00:31:17,920 --> 00:31:22,640
Speaker 7: I thought that. I thought that I like that. I'm

633
00:31:22,640 --> 00:31:25,680
Speaker 7: just telling you, girl, I thought that I understood though

634
00:31:25,720 --> 00:31:27,840
Speaker 7: the business side of it. If that conversation is true,

635
00:31:27,880 --> 00:31:28,920
Speaker 7: there's arguments that it's not.

636
00:31:29,120 --> 00:31:30,680
Speaker 3: What do you think about the lawsuit?

637
00:31:30,720 --> 00:31:32,120
Speaker 2: I think it was bad timing.

638
00:31:32,840 --> 00:31:34,880
Speaker 3: You think bad time. Peo would have did it on

639
00:31:34,920 --> 00:31:36,640
Speaker 3: a great time.

640
00:31:38,080 --> 00:31:38,880
Speaker 2: It would have been good timing.

641
00:31:38,960 --> 00:31:41,280
Speaker 1: But not after he just released his album and everybody's

642
00:31:41,280 --> 00:31:43,600
Speaker 1: talking about the super Bowl. He's there talking about it

643
00:31:43,640 --> 00:31:45,920
Speaker 1: too much, and anything he does, he could say, it's

644
00:31:45,960 --> 00:31:48,400
Speaker 1: not towards Kendrick is against UMG. People are gonna put

645
00:31:48,440 --> 00:31:51,000
Speaker 1: it towards Kendrick. It's gonna make him look crazy. I

646
00:31:51,000 --> 00:31:53,120
Speaker 1: think if he wanted to do it, I think do

647
00:31:53,160 --> 00:31:55,240
Speaker 1: it later on. And I think he needs to come

648
00:31:55,240 --> 00:31:57,920
Speaker 1: back with an album. He's rapping like, no singing, no

649
00:31:58,080 --> 00:32:01,360
Speaker 1: album with party, just rap everything he feels put in

650
00:32:01,400 --> 00:32:01,920
Speaker 1: his lyrics.

651
00:32:02,480 --> 00:32:04,000
Speaker 7: I think you should just check no because I feel

652
00:32:04,000 --> 00:32:07,040
Speaker 7: like retirement. No, not retirement, not retirement. Chill, just like

653
00:32:07,120 --> 00:32:09,680
Speaker 7: give it a beat, because I feel like I like Drake.

654
00:32:09,800 --> 00:32:11,760
Speaker 7: But I think timing is always it's going to be

655
00:32:11,760 --> 00:32:13,160
Speaker 7: horrible for him for a little bit. Let us get

656
00:32:13,160 --> 00:32:14,000
Speaker 7: through the super Bowl.

657
00:32:14,960 --> 00:32:16,000
Speaker 4: And he still gets busy.

658
00:32:16,080 --> 00:32:18,000
Speaker 5: I'm just he's Drake.

659
00:32:18,120 --> 00:32:21,520
Speaker 6: No. I mean, I think whenever you're a multi billion

660
00:32:21,560 --> 00:32:23,960
Speaker 6: dollar entity, you're going to have a problem with somebody

661
00:32:24,040 --> 00:32:26,560
Speaker 6: labeling you a pedophile or some type of sexual offender.

662
00:32:26,600 --> 00:32:28,000
Speaker 4: So I don't have no problem with that.

663
00:32:28,360 --> 00:32:31,840
Speaker 6: But the problem I have is him challenging a system

664
00:32:31,880 --> 00:32:35,400
Speaker 6: that he's benefited from, Like all of those performers enhancing drugs,

665
00:32:35,400 --> 00:32:39,320
Speaker 6: the label gave the song or whatever, drake, you benefited

666
00:32:39,400 --> 00:32:42,600
Speaker 6: from that your whole career. So that's the issue I got.

667
00:32:43,160 --> 00:32:44,600
Speaker 6: It's like you're telling on yourself. You cut your own

668
00:32:44,640 --> 00:32:45,680
Speaker 6: legs off money, you.

669
00:32:45,640 --> 00:32:47,920
Speaker 5: Turned it on us. Now it's your turn, no.

670
00:32:47,760 --> 00:32:53,320
Speaker 3: I said. I What I'm saying to you is sometimes

671
00:32:53,360 --> 00:32:56,800
Speaker 3: the artist see what happens with record labels. Let me

672
00:32:56,840 --> 00:32:59,840
Speaker 3: just tell generically what happens with major record labels. To

673
00:32:59,880 --> 00:33:03,160
Speaker 3: be honest with you, because I'm independent fifteen sixteen years.

674
00:33:03,640 --> 00:33:07,040
Speaker 3: Is a lot of times these artists don't know how

675
00:33:07,080 --> 00:33:09,400
Speaker 3: these records are getting played. A lot of they don't

676
00:33:09,440 --> 00:33:12,560
Speaker 3: know the workings. They don't even want to do an interview,

677
00:33:13,520 --> 00:33:16,440
Speaker 3: they don't know what's going on. So they don't know

678
00:33:16,520 --> 00:33:19,480
Speaker 3: how these records are getting promoted. They don't know what's

679
00:33:19,520 --> 00:33:21,640
Speaker 3: being done to make you the hottest in the world.

680
00:33:21,640 --> 00:33:26,400
Speaker 3: But you know, that's why I can't give no comment

681
00:33:26,480 --> 00:33:28,400
Speaker 3: because to me, a rap battle is a rap battle.

682
00:33:28,480 --> 00:33:30,360
Speaker 3: You move on, you know what I'm saying.

683
00:33:30,440 --> 00:33:32,640
Speaker 6: So anything should be able to go in a rap

684
00:33:32,680 --> 00:33:34,800
Speaker 6: battle for the thing has been able to go.

685
00:33:34,920 --> 00:33:37,600
Speaker 3: Yes, Fat Joe has been a fat fucked elephant in

686
00:33:37,640 --> 00:33:41,400
Speaker 3: the room. My wife on the Discover, my dad, Like,

687
00:33:41,720 --> 00:33:44,920
Speaker 3: you know, the hip hop is it's terrible once they

688
00:33:45,280 --> 00:33:47,360
Speaker 3: once you, once you go in to yard. I think

689
00:33:47,480 --> 00:33:49,560
Speaker 3: j Cole knew this. I think he just said, oh,

690
00:33:49,600 --> 00:33:53,160
Speaker 3: this is too nasty for my liking. Let me just

691
00:33:53,240 --> 00:33:58,120
Speaker 3: bow gracefully. And you know, it depends like who wants

692
00:33:58,160 --> 00:34:02,440
Speaker 3: fifty cent on the ass fifty on you. It's a

693
00:34:02,560 --> 00:34:08,480
Speaker 3: terrible day, y'all. Yoh, Like I dealt with that for

694
00:34:08,560 --> 00:34:09,560
Speaker 3: seven years.

695
00:34:09,360 --> 00:34:10,319
Speaker 4: But y'all made it look good.

696
00:34:10,320 --> 00:34:12,960
Speaker 6: One of my favorite moments of the MTV Awards when

697
00:34:12,960 --> 00:34:14,600
Speaker 6: you went on stage and you was like, I feel

698
00:34:14,640 --> 00:34:17,880
Speaker 6: so comfortable here all the police, all of the police

699
00:34:17,880 --> 00:34:19,919
Speaker 6: security court unit.

700
00:34:20,320 --> 00:34:21,160
Speaker 4: That was fantastic.

701
00:34:21,520 --> 00:34:24,799
Speaker 3: H Yeah. The jails rang off with that. I was

702
00:34:24,800 --> 00:34:27,840
Speaker 3: bagging the jails, you know what I'm saying. But you know,

703
00:34:28,000 --> 00:34:30,560
Speaker 3: thank god, you know. But at the end of the day,

704
00:34:30,560 --> 00:34:34,839
Speaker 3: we're talking about two brothers that are wealthy. I really

705
00:34:34,920 --> 00:34:38,960
Speaker 3: want to say, they're not rich guys that're wealthy. They

706
00:34:39,080 --> 00:34:43,640
Speaker 3: loved their families. We love them both as artists. There's

707
00:34:43,680 --> 00:34:47,799
Speaker 3: no question about that and maybe you know everybody moves on.

708
00:34:47,880 --> 00:34:49,560
Speaker 3: I don't know, it's not my business. Last time I

709
00:34:49,560 --> 00:34:52,520
Speaker 3: said that, the guy dropped thirty six changerses.

710
00:34:52,680 --> 00:34:54,600
Speaker 6: You know, when people say things like yo, you think

711
00:34:54,719 --> 00:34:57,600
Speaker 6: Drake and Kendrick would ever be cool, I'm like, well,

712
00:34:58,200 --> 00:34:59,480
Speaker 6: fifty and Joe a cool.

713
00:35:00,239 --> 00:35:01,640
Speaker 4: They can be cool.

714
00:35:01,840 --> 00:35:07,000
Speaker 3: It can be cool when time dies down. Time, when

715
00:35:07,040 --> 00:35:09,200
Speaker 3: time dies down, they could be cool. They could get

716
00:35:09,239 --> 00:35:12,560
Speaker 3: money together. Who knows what the future. We don't know

717
00:35:12,600 --> 00:35:15,800
Speaker 3: about the future. But the world changed on me, you

718
00:35:15,800 --> 00:35:20,279
Speaker 3: know what I'm saying. So the future is not the

719
00:35:20,320 --> 00:35:23,200
Speaker 3: more the world changes on you, Joe. The older you get,

720
00:35:23,560 --> 00:35:24,920
Speaker 3: the more death happens around you.

721
00:35:24,920 --> 00:35:26,239
Speaker 6: Do you ever feel like you want to reach out

722
00:35:26,280 --> 00:35:28,720
Speaker 6: to like old homies and like buried the hatchet?

723
00:35:29,200 --> 00:35:34,560
Speaker 3: No, and so them niggas away from me far I

724
00:35:34,640 --> 00:35:37,440
Speaker 3: need them away from me. Man, You know you know

725
00:35:37,600 --> 00:35:40,880
Speaker 3: my thing is And it's crazy because I you know,

726
00:35:40,960 --> 00:35:45,319
Speaker 3: I looked at this one interview I did recently, right,

727
00:35:45,880 --> 00:35:47,759
Speaker 3: So just like you looked at you know, when I

728
00:35:47,800 --> 00:35:50,879
Speaker 3: go somewhere, I look at the old interviews I did here.

729
00:35:51,400 --> 00:35:53,200
Speaker 3: If I'm going on math, how I look at the

730
00:35:53,280 --> 00:35:55,680
Speaker 3: old interview I did with the more drink champs or whatever.

731
00:35:56,239 --> 00:35:59,040
Speaker 3: So I looked at one interview where I was just saying,

732
00:36:01,000 --> 00:36:04,279
Speaker 3: we really stick by morals and lowy you to you

733
00:36:04,320 --> 00:36:07,600
Speaker 3: all the way down to my mother. Bro. Swear to god,

734
00:36:08,520 --> 00:36:11,960
Speaker 3: you know we did. My brother. My brother was Kingpin, right,

735
00:36:12,239 --> 00:36:14,120
Speaker 3: he was the boss. I was number two. When we

736
00:36:14,120 --> 00:36:19,800
Speaker 3: was in the streets into his funeral. The whole back

737
00:36:20,760 --> 00:36:25,640
Speaker 3: was either former or Kingpins. Now, the whole back anybody

738
00:36:25,680 --> 00:36:28,960
Speaker 3: you ever heard the name of in the streets driving

739
00:36:29,040 --> 00:36:32,319
Speaker 3: Lamborghinis and dish and throwing the biggest the whole back.

740
00:36:33,040 --> 00:36:35,120
Speaker 3: You can't be a rat and get them people to

741
00:36:35,120 --> 00:36:38,239
Speaker 3: come to your funeral. You can't be a sucker. You

742
00:36:38,320 --> 00:36:41,760
Speaker 3: can't be illmoral, you can't be not living by the cold,

743
00:36:42,480 --> 00:36:47,840
Speaker 3: you know. So my thing is we choose it. Listen,

744
00:36:48,160 --> 00:36:53,160
Speaker 3: breakfast club is a great concept and it wins. You

745
00:36:53,280 --> 00:36:56,040
Speaker 3: might go solo and it don't work. You might say, yo,

746
00:36:56,040 --> 00:36:59,480
Speaker 3: I'm the star, I'm Lauren Hill, I'm this. You might

747
00:36:59,480 --> 00:37:01,799
Speaker 3: go solo or don't. You might go solo or don't work.

748
00:37:01,920 --> 00:37:04,839
Speaker 3: We love you all together. So every now and then

749
00:37:04,880 --> 00:37:08,719
Speaker 3: you got people who want to be ex communicados. You know,

750
00:37:08,800 --> 00:37:10,480
Speaker 3: they want to be like they think they could do it,

751
00:37:10,480 --> 00:37:12,640
Speaker 3: and then once they do it and you step over

752
00:37:12,680 --> 00:37:16,560
Speaker 3: here and you do it with disrespect, can't come back.

753
00:37:17,480 --> 00:37:20,080
Speaker 3: That's how we work. And guess what, the guys who stood,

754
00:37:20,200 --> 00:37:24,520
Speaker 3: they're all rich. In fact, they're filthy rich, these people,

755
00:37:25,280 --> 00:37:28,359
Speaker 3: these guys, everybody who stood is rich. Everybody's just you know,

756
00:37:28,800 --> 00:37:35,680
Speaker 3: if it's about monetary, everybody's good. It's just about you

757
00:37:35,800 --> 00:37:38,200
Speaker 3: chose the wrong path. And once you choose the wrong path,

758
00:37:38,280 --> 00:37:42,919
Speaker 3: you can't come back. It's sorry for you. Sometimes when

759
00:37:42,920 --> 00:37:46,680
Speaker 3: somebody does something stupid. We like, man, you went there

760
00:37:47,560 --> 00:37:50,919
Speaker 3: like you know me. You know, when you got fat

761
00:37:51,000 --> 00:37:53,480
Speaker 3: Joe loving you, there's nothing he won't do for you,

762
00:37:54,160 --> 00:37:57,440
Speaker 3: And so you know, to lose that. On this earth,

763
00:37:57,840 --> 00:38:04,960
Speaker 3: it's so many fake people, fake friends, are disloy you people.

764
00:38:05,280 --> 00:38:09,400
Speaker 3: I won't disrespect none of my team for money. I

765
00:38:09,440 --> 00:38:12,279
Speaker 3: won't disrespect my man's wife. I want this, I won't

766
00:38:12,320 --> 00:38:14,959
Speaker 3: do none of that. Like when you got a guy

767
00:38:15,040 --> 00:38:18,080
Speaker 3: like that who's solid with you and you go the

768
00:38:18,200 --> 00:38:22,080
Speaker 3: other way, it's like it tells a lot about you. Now.

769
00:38:22,120 --> 00:38:23,640
Speaker 1: They said that the world changed on me as the

770
00:38:23,640 --> 00:38:25,920
Speaker 1: album that comes out this Friday. And when you talk

771
00:38:25,960 --> 00:38:27,800
Speaker 1: about the world changing what are the things in the

772
00:38:27,840 --> 00:38:30,000
Speaker 1: world that you're like, I just there's no way, there's

773
00:38:30,040 --> 00:38:31,760
Speaker 1: no morals, there's no none of that.

774
00:38:31,800 --> 00:38:32,640
Speaker 2: The things that you just.

775
00:38:32,600 --> 00:38:37,759
Speaker 3: Said, that's hard to say with a title like that.

776
00:38:44,520 --> 00:38:46,800
Speaker 3: How are you Latino? And you vote for Donald Trump?

777
00:38:48,360 --> 00:38:53,600
Speaker 3: When they say Puerto Rico's a dump or garbage trash this. See.

778
00:38:53,600 --> 00:38:57,000
Speaker 3: The thing about Puerto Ricans is they do it to me,

779
00:38:57,560 --> 00:38:59,759
Speaker 3: like to me, and if you ask me, I think

780
00:38:59,800 --> 00:39:02,399
Speaker 3: I'm king of the English speaking Puerto Ricans. I tell

781
00:39:02,440 --> 00:39:06,360
Speaker 3: you the truth. And every time I go my nephew,

782
00:39:06,360 --> 00:39:08,440
Speaker 3: he was born in Puerto Rico, he says, Yo. When

783
00:39:08,480 --> 00:39:11,120
Speaker 3: I go over there and go vacation or something, he says, yo,

784
00:39:11,160 --> 00:39:15,000
Speaker 3: you went to my island. You went to my island,

785
00:39:14,360 --> 00:39:17,719
Speaker 3: my island. Every Puerto Rican that girl right there tell

786
00:39:17,719 --> 00:39:21,200
Speaker 3: you my island. They really think they own something over there, right,

787
00:39:22,160 --> 00:39:26,479
Speaker 3: And the man disrespect your island and you talk about

788
00:39:26,520 --> 00:39:28,440
Speaker 3: that's your president, this and this and that, and you

789
00:39:28,480 --> 00:39:31,360
Speaker 3: go vote for him. It's disgusting. The world changed on me.

790
00:39:31,360 --> 00:39:35,320
Speaker 3: Where's your morals? Where's your pride? That was the conversation

791
00:39:35,440 --> 00:39:37,239
Speaker 3: I had. That's all I could say. You know what

792
00:39:37,280 --> 00:39:39,640
Speaker 3: I'm saying, And it's just so many different I don't

793
00:39:39,640 --> 00:39:41,640
Speaker 3: want to take it political, but it's just so many

794
00:39:41,680 --> 00:39:44,480
Speaker 3: ways that this world is changing it. I just don't

795
00:39:44,600 --> 00:39:47,399
Speaker 3: understand it, you know what I'm saying. Sometimes things happen

796
00:39:47,480 --> 00:39:51,160
Speaker 3: in this world where there's a horse and buggy, like

797
00:39:51,239 --> 00:39:53,400
Speaker 3: I feel like the horse and buggy just got turned

798
00:39:53,400 --> 00:39:57,040
Speaker 3: into the car, or the dow phone became a self.

799
00:39:57,120 --> 00:40:00,279
Speaker 3: I don't I'm confused. So I sit back and I'd

800
00:40:00,320 --> 00:40:03,160
Speaker 3: be like, damn, this everything weird right now, you know

801
00:40:03,200 --> 00:40:05,680
Speaker 3: what I'm saying. So what I do is I just

802
00:40:05,760 --> 00:40:09,400
Speaker 3: try to stay to the number. You know, the the

803
00:40:09,520 --> 00:40:18,040
Speaker 3: mayor is indicted, police commissioners, and one day like this,

804
00:40:18,040 --> 00:40:18,440
Speaker 3: this is.

805
00:40:18,400 --> 00:40:20,720
Speaker 4: Not crazy to you, just like an episode of power.

806
00:40:22,200 --> 00:40:24,759
Speaker 7: Question to you though, because as like a person that

807
00:40:24,880 --> 00:40:27,000
Speaker 7: like really feels like your your family and.

808
00:40:27,280 --> 00:40:29,680
Speaker 3: Shout out the mayor. I stand by the mayor gas.

809
00:40:29,480 --> 00:40:31,680
Speaker 5: Your family in Puerto Rico. That's like, this is my island,

810
00:40:31,719 --> 00:40:31,960
Speaker 5: right and.

811
00:40:33,480 --> 00:40:37,319
Speaker 3: Here your friend if you went to vacation tomorrow to

812
00:40:37,320 --> 00:40:40,240
Speaker 3: Puerto rican your best friend to be like my island

813
00:40:40,880 --> 00:40:43,319
Speaker 3: all right, well, your island is garbage according to these

814
00:40:43,320 --> 00:40:44,640
Speaker 3: guys that you just voted for.

815
00:40:44,800 --> 00:40:46,560
Speaker 7: My question to you is though, right, like, not even

816
00:40:46,680 --> 00:40:48,360
Speaker 7: just with like people that are Puerto Rican, but just

817
00:40:48,360 --> 00:40:49,839
Speaker 7: people in general that are from where you're from.

818
00:40:50,120 --> 00:40:50,759
Speaker 5: What you went through.

819
00:40:51,000 --> 00:40:53,319
Speaker 7: You said you are like your hip hop politician, You're

820
00:40:53,320 --> 00:40:56,080
Speaker 7: for the people. You were working on lowering the marijuana

821
00:40:56,120 --> 00:40:59,560
Speaker 7: penalties with Kamala's team. You wouldn't go across the island

822
00:40:59,600 --> 00:41:01,799
Speaker 7: work with you on that because your people need that.

823
00:41:04,880 --> 00:41:07,720
Speaker 3: I personally think I will never work with Donald Trump,

824
00:41:07,920 --> 00:41:11,040
Speaker 3: just me. I don't care what the glory is, what

825
00:41:11,080 --> 00:41:13,120
Speaker 3: the thing is. I don't care. You know, I've been

826
00:41:13,120 --> 00:41:18,160
Speaker 3: fighting for healthcare price transparency, going to Washington for years,

827
00:41:18,200 --> 00:41:20,040
Speaker 3: this this that if he passed the law, I don't

828
00:41:20,040 --> 00:41:22,360
Speaker 3: even think I could stand behind him and just be like, Okay,

829
00:41:22,440 --> 00:41:24,279
Speaker 3: he passed the law. I've been fighting for it for

830
00:41:24,320 --> 00:41:27,879
Speaker 3: ten years. Just my personal opinion is what it is.

831
00:41:28,200 --> 00:41:28,880
Speaker 3: You know what I'm saying.

832
00:41:29,520 --> 00:41:33,080
Speaker 1: Why do you fight for the healthcare so strong? Is

833
00:41:33,120 --> 00:41:35,359
Speaker 1: it a family member that went through something because you've

834
00:41:35,360 --> 00:41:35,680
Speaker 1: been on.

835
00:41:35,640 --> 00:41:36,759
Speaker 2: It for a long time.

836
00:41:38,920 --> 00:41:41,719
Speaker 3: Man, let me tell you something, man, it's a lot

837
00:41:41,760 --> 00:41:47,399
Speaker 3: of families out there hurting getting denied health coverage, don't

838
00:41:47,440 --> 00:41:49,320
Speaker 3: know what they paying. You know, when you see people

839
00:41:49,400 --> 00:41:51,319
Speaker 3: limping across the street. They know they got to go

840
00:41:51,360 --> 00:41:53,120
Speaker 3: to the doctor. They scared to go in there and

841
00:41:53,160 --> 00:41:56,400
Speaker 3: get the bill right. And so many people, you know,

842
00:41:56,440 --> 00:41:59,759
Speaker 3: you got people who paid insurance for ten twenty years

843
00:41:59,800 --> 00:42:03,680
Speaker 3: and they get denied the coverage, you know, And so

844
00:42:04,120 --> 00:42:07,279
Speaker 3: this is where you see this this dynamics. So it's

845
00:42:07,320 --> 00:42:13,200
Speaker 3: over one hundred million Americans that are in healthcare debt.

846
00:42:13,400 --> 00:42:16,440
Speaker 3: And so you know, according to the census, ain't but

847
00:42:16,480 --> 00:42:19,239
Speaker 3: three hundred million Americans, so one out of every three

848
00:42:19,280 --> 00:42:23,560
Speaker 3: people owes money to the hospitals. And these guys are

849
00:42:23,640 --> 00:42:27,040
Speaker 3: just running it up. You know, I do not condone

850
00:42:27,520 --> 00:42:30,279
Speaker 3: the man getting killed the other day. That's not what

851
00:42:30,320 --> 00:42:33,120
Speaker 3: I'm saying. Guys is saying. You know, I'm not with nobody,

852
00:42:33,960 --> 00:42:36,600
Speaker 3: but you know a lot of people hurting out there,

853
00:42:36,640 --> 00:42:39,200
Speaker 3: you know what I'm saying, And so you know that's

854
00:42:39,239 --> 00:42:41,239
Speaker 3: why I talk and behalf for that. But just so

855
00:42:41,360 --> 00:42:44,240
Speaker 3: that you know, if the man come right now, pass

856
00:42:44,320 --> 00:42:48,720
Speaker 3: the law, I'm not standing behind him. I'm not even

857
00:42:48,760 --> 00:42:51,279
Speaker 3: if that's what I really want. I've been fighting for

858
00:42:51,320 --> 00:42:54,680
Speaker 3: that for five six years, going to you know, not

859
00:42:54,800 --> 00:42:55,279
Speaker 3: doing that.

860
00:42:55,440 --> 00:42:57,360
Speaker 6: You know what I'm saying you when you go in

861
00:42:57,360 --> 00:43:00,000
Speaker 6: the studio now, and you do albums like the world change.

862
00:43:01,000 --> 00:43:02,200
Speaker 4: What do you What do you take from?

863
00:43:02,760 --> 00:43:05,759
Speaker 3: I just stay I'm the best. Let's just talk about that, skillful.

864
00:43:05,800 --> 00:43:09,720
Speaker 3: I'm the best, so you could do whatever you want

865
00:43:10,000 --> 00:43:13,520
Speaker 3: everybody quietly. You listen to my album, you listen to

866
00:43:13,560 --> 00:43:19,560
Speaker 3: anybody else album, you just see who's the best. And

867
00:43:19,640 --> 00:43:21,600
Speaker 3: so what I say is, I'm alive. Give me my

868
00:43:21,680 --> 00:43:26,320
Speaker 3: flowers now while I gotta die. Why the game gotta die?

869
00:43:27,120 --> 00:43:30,160
Speaker 3: Why Uncle Luke gotta die? Why didn't it tell him

870
00:43:30,160 --> 00:43:32,960
Speaker 3: the truth? You know what I'm saying. Guys ain't moving

871
00:43:33,000 --> 00:43:35,759
Speaker 3: like we moving like, stop acting like that. You know

872
00:43:35,800 --> 00:43:37,239
Speaker 3: what I'm saying. But you don't want to give it

873
00:43:37,360 --> 00:43:40,560
Speaker 3: up like you know. So I just feel like I'm

874
00:43:40,600 --> 00:43:43,920
Speaker 3: the best. Like I'm being honest with you, I'm I'm

875
00:43:44,000 --> 00:43:48,399
Speaker 3: so proud of this album. I feel like I'm the best.

876
00:43:48,680 --> 00:43:51,000
Speaker 3: And there was a one time there was I got

877
00:43:51,000 --> 00:43:54,520
Speaker 3: that for you. Whenever I'm with Remy, I feeling in

878
00:43:54,560 --> 00:43:57,560
Speaker 3: the studio when me and Remy work together, he's there,

879
00:43:58,360 --> 00:44:02,120
Speaker 3: you know. Other than that, I take everybody in the

880
00:44:02,160 --> 00:44:04,640
Speaker 3: studio with me. I take care of rest, I take

881
00:44:04,800 --> 00:44:08,840
Speaker 3: rock Camp, I take out cast, I take Pat Boblo

882
00:44:09,440 --> 00:44:12,480
Speaker 3: I take everybody in the studio with me, Rick Ross,

883
00:44:12,520 --> 00:44:14,759
Speaker 3: I take everybody in the studio with me, and it's

884
00:44:14,800 --> 00:44:20,840
Speaker 3: so much knowledge here. You know of music that you know.

885
00:44:21,200 --> 00:44:23,680
Speaker 3: I going there and I start creating. I start hitting

886
00:44:23,680 --> 00:44:26,360
Speaker 3: different flows, I start picking different kinds of music and

887
00:44:26,400 --> 00:44:29,080
Speaker 3: every you know I'm the best, Go get it.

888
00:44:29,440 --> 00:44:31,000
Speaker 6: I want to ask you about NOAs too, because you

889
00:44:31,040 --> 00:44:33,279
Speaker 6: said you said Killer Mike inspired you when you want

890
00:44:33,320 --> 00:44:33,719
Speaker 6: to grab me?

891
00:44:34,120 --> 00:44:34,279
Speaker 3: NA?

892
00:44:34,320 --> 00:44:37,240
Speaker 4: Did inspire you when he won one? What was it? Magic?

893
00:44:37,440 --> 00:44:38,280
Speaker 4: Who wanted the magic?

894
00:44:38,719 --> 00:44:41,399
Speaker 3: That's a crazy Uh that's a crazy question. But yeah,

895
00:44:41,440 --> 00:44:41,920
Speaker 3: I guess so.

896
00:44:42,200 --> 00:44:45,680
Speaker 4: But because you won one later in his career.

897
00:44:46,200 --> 00:44:55,480
Speaker 3: Yeah yeah, I mean, but you guys are crazy. Uh.

898
00:44:55,719 --> 00:45:01,799
Speaker 3: You know naza Is Hillmatic NAS should have had twenty Grammys.

899
00:45:02,520 --> 00:45:04,760
Speaker 3: It should have been just stopped and said yo, lifetime

900
00:45:04,800 --> 00:45:09,000
Speaker 3: achievement and ward nots like because the album NAS one with,

901
00:45:11,600 --> 00:45:14,200
Speaker 3: we don't compare that to Illmatic and steal Madic or

902
00:45:14,200 --> 00:45:17,040
Speaker 3: nothing like that. He should have been wonted, you know

903
00:45:17,080 --> 00:45:18,600
Speaker 3: what I'm saying. So when they gave it to him,

904
00:45:18,640 --> 00:45:21,560
Speaker 3: it was almost like we were fronting on this guy

905
00:45:21,600 --> 00:45:25,080
Speaker 3: for twenty years, you know what I'm saying. So you know,

906
00:45:25,920 --> 00:45:28,879
Speaker 3: and so you know, I felt he should have had

907
00:45:29,120 --> 00:45:32,520
Speaker 3: twenty Grammys. It's crazy when you when you know the

908
00:45:32,560 --> 00:45:37,319
Speaker 3: Grammys is crazy too. Anyway, that's a whole nother that's

909
00:45:37,360 --> 00:45:40,479
Speaker 3: a whole nother thing. So it's like, you know, thank

910
00:45:40,560 --> 00:45:42,920
Speaker 3: god they starting to embrace hip hop culture. You know,

911
00:45:43,000 --> 00:45:47,120
Speaker 3: Pete Rock and Comic got nominated. A bunch of guys

912
00:45:47,120 --> 00:45:51,680
Speaker 3: got nominated. I actually loved that album. But you know,

913
00:45:53,200 --> 00:45:54,279
Speaker 3: you know, they catching up.

914
00:45:54,960 --> 00:45:57,319
Speaker 2: You know what I'm saying now, you mentioned Remy, Right,

915
00:45:57,320 --> 00:46:00,799
Speaker 2: she's on the US record When is Remy gonna get

916
00:46:00,800 --> 00:46:01,520
Speaker 2: back in the studio?

917
00:46:01,600 --> 00:46:03,600
Speaker 3: And she got a whole album. I don't know if

918
00:46:03,640 --> 00:46:06,040
Speaker 3: it was for her to say it, but she ready

919
00:46:06,120 --> 00:46:06,839
Speaker 3: ready right?

920
00:46:06,880 --> 00:46:08,680
Speaker 1: And how did you get Remy from? Because usually Remy

921
00:46:08,680 --> 00:46:10,799
Speaker 1: Deebo's you and gets on every record that she wants.

922
00:46:10,880 --> 00:46:11,040
Speaker 3: Right.

923
00:46:11,360 --> 00:46:13,200
Speaker 2: And I've seen her when I seen I seen that

924
00:46:13,239 --> 00:46:14,160
Speaker 2: the Giants game.

925
00:46:14,160 --> 00:46:16,000
Speaker 1: I didn't know she was a Philadelphia Eagles fans, by

926
00:46:16,000 --> 00:46:17,960
Speaker 1: the way, but I didn't know that, but she is.

927
00:46:18,160 --> 00:46:19,600
Speaker 2: And I had to sit next to her the whole game,

928
00:46:19,680 --> 00:46:22,680
Speaker 2: which was a problem. But anyway, but it.

929
00:46:22,760 --> 00:46:24,839
Speaker 4: Was like where's your pride where?

930
00:46:27,760 --> 00:46:30,200
Speaker 1: But sitting next to what it seemed like she loves

931
00:46:30,400 --> 00:46:32,960
Speaker 1: motherhood so much. We sat there for two hours talking

932
00:46:32,960 --> 00:46:35,520
Speaker 1: about our kids. I was like, damn, I don't know

933
00:46:35,520 --> 00:46:37,120
Speaker 1: if Remy wants to do any more record.

934
00:46:37,160 --> 00:46:39,680
Speaker 3: She what time is it still early?

935
00:46:39,800 --> 00:46:39,920
Speaker 8: Right?

936
00:46:40,640 --> 00:46:43,160
Speaker 3: Doing? The girl here right now, getting up school, picking

937
00:46:43,160 --> 00:46:45,120
Speaker 3: out the alp and my god, daughter's all getting with

938
00:46:45,160 --> 00:46:48,640
Speaker 3: her what she want to wear. She played like beautician

939
00:46:48,719 --> 00:46:50,800
Speaker 3: with her. You know what I'm saying, shout out a

940
00:46:50,800 --> 00:46:52,960
Speaker 3: little linnie too, so they get ready to go to

941
00:46:53,000 --> 00:46:57,680
Speaker 3: school like she's a real real mother, hands on.

942
00:46:58,040 --> 00:47:01,040
Speaker 2: Like trunk or treat mother like like decorating the trunk.

943
00:47:02,160 --> 00:47:05,400
Speaker 3: My thing is, you know. I had told her since

944
00:47:05,400 --> 00:47:07,319
Speaker 3: the baby was born. I was like, yo, you know,

945
00:47:07,480 --> 00:47:10,759
Speaker 3: get a nanny so that the baby you can move

946
00:47:11,120 --> 00:47:14,480
Speaker 3: like you're a rap superstar. And she refused, and I

947
00:47:14,560 --> 00:47:17,319
Speaker 3: kept every time she every time, bro, let's sit down,

948
00:47:17,360 --> 00:47:20,440
Speaker 3: let's talk. I'm like, I write it down and be

949
00:47:20,520 --> 00:47:24,040
Speaker 3: like nanny with a circle. She'd be like, nah, nah,

950
00:47:24,200 --> 00:47:27,120
Speaker 3: nah nah, I'm not leaving my daughter with nobody. And

951
00:47:27,160 --> 00:47:32,200
Speaker 3: then if you ain't family, like family, family, family, she

952
00:47:32,239 --> 00:47:35,359
Speaker 3: ain't leaving that girl with nobody. And so I'm like, yo,

953
00:47:35,440 --> 00:47:37,239
Speaker 3: this is what the rich people do. This is how

954
00:47:37,239 --> 00:47:40,319
Speaker 3: you get rich and get a nanny go. She's like, nah,

955
00:47:40,960 --> 00:47:44,319
Speaker 3: you know, I'm with my daughter, so nah, I love it.

956
00:47:44,560 --> 00:47:46,680
Speaker 3: You know what I'm saying. I love it. She's a

957
00:47:46,760 --> 00:47:47,839
Speaker 3: real mother, hands on.

958
00:47:48,680 --> 00:47:50,680
Speaker 7: But the music is gonna be just chilling to the

959
00:47:50,760 --> 00:47:52,640
Speaker 7: nanny happens because she can't move around.

960
00:47:52,800 --> 00:47:56,520
Speaker 3: She got music. She remy ma is locked and loaded,

961
00:47:56,600 --> 00:47:59,600
Speaker 3: ready to go, video shot, all type of stuff.

962
00:48:00,000 --> 00:48:00,399
Speaker 5: That's the way.

963
00:48:01,120 --> 00:48:04,240
Speaker 3: Yeah, you got to ask her, you know what I'm saying.

964
00:48:04,320 --> 00:48:07,080
Speaker 3: She's like, she's ready. She got a whole album ready

965
00:48:07,120 --> 00:48:09,560
Speaker 3: to go, you know what I'm saying. So it's on

966
00:48:09,680 --> 00:48:12,520
Speaker 3: her when she start dropping music and it's fire.

967
00:48:12,800 --> 00:48:14,920
Speaker 1: When you released it with the out of Control record, right,

968
00:48:15,760 --> 00:48:19,200
Speaker 1: remue spitting crazy on that.

969
00:48:18,040 --> 00:48:19,680
Speaker 2: That's not on this album. Was that on her album?

970
00:48:19,719 --> 00:48:21,000
Speaker 2: Or that was just just a feed there?

971
00:48:21,160 --> 00:48:25,560
Speaker 3: That was just a joint on on the album. And

972
00:48:25,600 --> 00:48:28,640
Speaker 3: then I was like, you know what, you know, if

973
00:48:28,719 --> 00:48:31,920
Speaker 3: I have my weight, well, Paradise it's number ten rhythmic

974
00:48:32,080 --> 00:48:35,520
Speaker 3: record in the United States. Right now, I dropped another

975
00:48:35,560 --> 00:48:38,080
Speaker 3: single with Babyface number one most added records, so we

976
00:48:38,200 --> 00:48:41,759
Speaker 3: actually move it, right, I got you, huh? I got you,

977
00:48:42,440 --> 00:48:46,839
Speaker 3: Babyface to live in legend right, but my thing is right.

978
00:48:46,960 --> 00:48:49,279
Speaker 3: If I could take that off the album, I would too,

979
00:48:50,200 --> 00:48:52,200
Speaker 3: because I just want you to hear a whole new

980
00:48:52,239 --> 00:48:56,040
Speaker 3: fresh shot. That's how I feel. I want everybody to

981
00:48:56,120 --> 00:48:58,560
Speaker 3: hear a whole new fresh album something they ain't here.

982
00:48:58,640 --> 00:49:00,960
Speaker 3: When they get it, they're like, WHOA, because I remember,

983
00:49:03,440 --> 00:49:06,680
Speaker 3: you know, I'm a CD cassette tape. You know, I

984
00:49:06,719 --> 00:49:09,800
Speaker 3: remember listening to ell Mannekin the cassette for the first time.

985
00:49:11,239 --> 00:49:13,680
Speaker 3: You know, I'm one of those. So when I made music,

986
00:49:14,280 --> 00:49:17,719
Speaker 3: I'm thinking hip hop heads. Well, they'll be older now,

987
00:49:17,760 --> 00:49:21,120
Speaker 3: but they sit in the car, they're about to drive

988
00:49:21,239 --> 00:49:24,120
Speaker 3: somewhere and they throw that music on. Well now they'll

989
00:49:24,160 --> 00:49:27,000
Speaker 3: stream it, but I want them to hear it brand new.

990
00:49:27,040 --> 00:49:29,319
Speaker 3: This is the intro, This is this, This is the

991
00:49:29,400 --> 00:49:32,200
Speaker 3: that they're always spitting you, always talking about this. The

992
00:49:32,239 --> 00:49:37,560
Speaker 3: girls got everything they want, The guys got everything they want, bars, beats,

993
00:49:37,880 --> 00:49:39,520
Speaker 3: you know what I'm saying. Shout out to cooland Dre,

994
00:49:39,680 --> 00:49:42,160
Speaker 3: Shout out the Street Runner, Shout out to Don Cannon,

995
00:49:43,160 --> 00:49:45,759
Speaker 3: everybody that worked on the album. You know, I got

996
00:49:45,760 --> 00:49:47,879
Speaker 3: a crazy white boy on the album, Tug of War.

997
00:49:48,600 --> 00:49:51,400
Speaker 3: You know, he from UK, He from the projects in

998
00:49:51,440 --> 00:49:55,879
Speaker 3: the UK outside with him, No, I love him a record, yes,

999
00:49:56,040 --> 00:49:58,160
Speaker 3: So I see him on Instagram all the time. I

1000
00:49:58,200 --> 00:49:59,440
Speaker 3: hit him up and was like, Yo, I want to

1001
00:49:59,440 --> 00:50:01,920
Speaker 3: put you on that album. We got tied down on

1002
00:50:01,960 --> 00:50:04,799
Speaker 3: the album Babyface, Red Me Tone Sunshine.

1003
00:50:05,280 --> 00:50:07,280
Speaker 4: Would you sign new artists? Now?

1004
00:50:09,080 --> 00:50:17,879
Speaker 3: I'm done. It's just a lot, right, first of all,

1005
00:50:20,440 --> 00:50:26,440
Speaker 3: chances of an artist now or any time being loyal

1006
00:50:27,040 --> 00:50:30,960
Speaker 3: or close to none, And so you take somebody, all right,

1007
00:50:31,000 --> 00:50:34,800
Speaker 3: So God gives you don't know, if you know my story,

1008
00:50:34,800 --> 00:50:38,440
Speaker 3: I'm from the projects for real, from the real projects,

1009
00:50:38,719 --> 00:50:40,600
Speaker 3: sleeping on the floor because we ain't have a c

1010
00:50:40,880 --> 00:50:43,160
Speaker 3: it was too hot outside and the summer, sleep on

1011
00:50:43,160 --> 00:50:45,080
Speaker 3: the floor. If I got through, I wiped my ass

1012
00:50:45,120 --> 00:50:50,759
Speaker 3: when newspaper, I'm from there, right, So to have a miracle,

1013
00:50:51,480 --> 00:50:55,520
Speaker 3: God say you're blessed. We're gonna give you a chance. Look,

1014
00:50:55,640 --> 00:50:59,279
Speaker 3: you're famous, now, you got money, and you say, you

1015
00:50:59,360 --> 00:51:03,799
Speaker 3: know what, I'm gonna bring some people with me. I'm

1016
00:51:03,800 --> 00:51:05,600
Speaker 3: gonna bring some people out the hood with me, and

1017
00:51:05,640 --> 00:51:09,120
Speaker 3: I'm gonna give them an opportunity. These guys got nothing,

1018
00:51:10,480 --> 00:51:13,880
Speaker 3: they have no way of getting to death. Jam anybody,

1019
00:51:14,120 --> 00:51:16,400
Speaker 3: you give them a chance, then they become millionaires and

1020
00:51:16,440 --> 00:51:19,880
Speaker 3: they turn the immediately the cannons get like this. It

1021
00:51:20,000 --> 00:51:23,160
Speaker 3: goes from yo, lawyer, this for life, this this DoD

1022
00:51:23,160 --> 00:51:26,080
Speaker 3: and the cannons go at you and they said, you know,

1023
00:51:26,120 --> 00:51:29,120
Speaker 3: I'm a boss. Now, I don't want to be signed

1024
00:51:29,160 --> 00:51:31,839
Speaker 3: to you. I don't want to this this. I'm not

1025
00:51:31,880 --> 00:51:37,360
Speaker 3: talking about my experience. I'm talking about everybody's experience, and

1026
00:51:37,480 --> 00:51:40,160
Speaker 3: hip hop for me had left for bad taste. That's

1027
00:51:40,160 --> 00:51:42,080
Speaker 3: why I always say I could have signed Rick Ross,

1028
00:51:42,080 --> 00:51:44,600
Speaker 3: I could have signed pit Bull, I could have signed

1029
00:51:44,640 --> 00:51:46,200
Speaker 3: them in them. I could have. It was just at

1030
00:51:46,239 --> 00:51:47,799
Speaker 3: a time where I was just like, Yo, you know what,

1031
00:51:48,800 --> 00:51:52,239
Speaker 3: just do you? And I'm a hit maker, which is

1032
00:51:52,320 --> 00:51:54,960
Speaker 3: hard to do. You know what I'm saying. I watch

1033
00:51:55,600 --> 00:51:59,560
Speaker 3: Mogus give hits away to artists that turned around and

1034
00:51:59,640 --> 00:52:02,160
Speaker 3: return fires said, Yo, you never did nothing for me.

1035
00:52:02,239 --> 00:52:04,600
Speaker 3: You you ain't thising this. So it's like, yo, you

1036
00:52:04,640 --> 00:52:07,319
Speaker 3: know you think I'm dealing with that at this day

1037
00:52:07,360 --> 00:52:11,440
Speaker 3: and age. I'm not dealing with that now. If somebody,

1038
00:52:11,560 --> 00:52:14,880
Speaker 3: let's say Steve Stown't if somebody came with the super

1039
00:52:14,960 --> 00:52:17,160
Speaker 3: bag and said, yo, you could run this, I might

1040
00:52:17,239 --> 00:52:19,360
Speaker 3: run it. You know what I'm saying, you know, I

1041
00:52:19,440 --> 00:52:21,560
Speaker 3: never turned down a good bag, you know what I'm saying,

1042
00:52:21,600 --> 00:52:26,040
Speaker 3: That's what just what it's all about. But artists, no way.

1043
00:52:26,280 --> 00:52:27,960
Speaker 7: This is just crazy because when even with your album

1044
00:52:27,960 --> 00:52:29,719
Speaker 7: title the world changed on me, and hear you say that.

1045
00:52:29,800 --> 00:52:32,200
Speaker 7: When I listen to your interviews, you always tell stories

1046
00:52:32,200 --> 00:52:34,680
Speaker 7: of times were like y'all had like the clicks like

1047
00:52:34,800 --> 00:52:37,360
Speaker 7: IRV gotty, like fifty cent gu and it like it

1048
00:52:37,360 --> 00:52:40,440
Speaker 7: seemed like everybody was together. But there is times that

1049
00:52:40,480 --> 00:52:41,839
Speaker 7: makes you be like, I don't even want to bring

1050
00:52:41,840 --> 00:52:43,319
Speaker 7: people with me because there was a lot of other

1051
00:52:43,320 --> 00:52:44,120
Speaker 7: stuff happening too.

1052
00:52:44,680 --> 00:52:48,319
Speaker 3: Well, I'm just telling you my experience. Yeah, when you

1053
00:52:48,360 --> 00:52:51,440
Speaker 3: look at somebody you took from nothing and they become

1054
00:52:51,480 --> 00:52:55,080
Speaker 3: a millionaire and they popping and they talking crazy about you.

1055
00:52:56,480 --> 00:53:01,320
Speaker 3: She betrayal just the thinking were talking about mental health

1056
00:53:01,920 --> 00:53:06,480
Speaker 3: or betrayal from the smallest to the biggest. It's the

1057
00:53:06,520 --> 00:53:09,319
Speaker 3: worst feeling in the world, betrayal. And so when you

1058
00:53:09,360 --> 00:53:12,200
Speaker 3: give people the opportunity to become millionaires and you never

1059
00:53:12,239 --> 00:53:14,359
Speaker 3: did nothing for me, you just this that. I'm like, man,

1060
00:53:14,360 --> 00:53:18,200
Speaker 3: you couldn't even wash my shoes. You couldn't You couldn't

1061
00:53:18,320 --> 00:53:21,479
Speaker 3: wash my socks. You know what I'm saying. You can't

1062
00:53:21,480 --> 00:53:24,200
Speaker 3: wear my shoes, you can't wash my sock. You serious?

1063
00:53:24,800 --> 00:53:28,359
Speaker 3: This and then and that happens in the hip hop game.

1064
00:53:28,400 --> 00:53:31,080
Speaker 3: I don't want to feel that no more. So I'm like,

1065
00:53:31,120 --> 00:53:33,800
Speaker 3: you know, I'm good, let me just work, you know.

1066
00:53:33,880 --> 00:53:39,600
Speaker 4: And also, you got your heart broke before Joe devastated.

1067
00:53:40,440 --> 00:53:43,239
Speaker 3: A couple of times when you sit there and you're

1068
00:53:43,280 --> 00:53:46,920
Speaker 3: just like, wow, they made moves like that, and you

1069
00:53:46,960 --> 00:53:49,920
Speaker 3: know when when my whole thing is based on loyalty,

1070
00:53:50,080 --> 00:53:55,720
Speaker 3: My whole thing is based on you know, we better together,

1071
00:53:56,320 --> 00:54:00,800
Speaker 3: were stronger together, you know, and then you defect that

1072
00:54:00,960 --> 00:54:04,160
Speaker 3: they defected. This that shit is horrible to me. I'll

1073
00:54:04,200 --> 00:54:07,000
Speaker 3: tell you what hurts me. And I've seen it a

1074
00:54:07,000 --> 00:54:09,799
Speaker 3: million times in hip hop. Just it's just the way

1075
00:54:09,840 --> 00:54:14,640
Speaker 3: it is so for me to invest it. So a

1076
00:54:14,760 --> 00:54:19,080
Speaker 3: big pun, big punt, all right. So Fat Joe is

1077
00:54:19,520 --> 00:54:21,440
Speaker 3: I can't explain it to you now with who the

1078
00:54:21,520 --> 00:54:29,319
Speaker 3: young guys are, right, But you see French Montana put

1079
00:54:29,320 --> 00:54:35,160
Speaker 3: out a record Gangster Show. Then he made another move

1080
00:54:35,200 --> 00:54:38,719
Speaker 3: and put out Pop that with Drake Rick Ross this,

1081
00:54:39,000 --> 00:54:44,120
Speaker 3: so you see the evolution, right, So Fat Joe is

1082
00:54:44,719 --> 00:54:47,720
Speaker 3: on that projection as a rapper, one of the first

1083
00:54:47,800 --> 00:54:51,239
Speaker 3: Latino rappers that was going right. So I put out

1084
00:54:51,239 --> 00:54:53,719
Speaker 3: one album. I met Big One the last day of

1085
00:54:53,800 --> 00:54:56,120
Speaker 3: my second album. I put him on the album. Immediately

1086
00:54:56,960 --> 00:55:00,359
Speaker 3: I stopped my career. I was at my pop. I

1087
00:55:00,400 --> 00:55:04,799
Speaker 3: had the who shot you? Who think you think you

1088
00:55:04,960 --> 00:55:08,040
Speaker 3: talking to? With Foxy Brown and the Loud When I

1089
00:55:08,200 --> 00:55:13,120
Speaker 3: was on my projection turn Around Meat. This guy was

1090
00:55:13,160 --> 00:55:16,080
Speaker 3: blown away and said, let me stop my career.

1091
00:55:16,200 --> 00:55:17,759
Speaker 2: What do you mean pun for people that don't in.

1092
00:55:17,719 --> 00:55:21,920
Speaker 3: The bow dagga outside the bowdigga around my projects? See nobody.

1093
00:55:22,120 --> 00:55:24,799
Speaker 3: The world changed on me too at that time, Like

1094
00:55:24,880 --> 00:55:27,000
Speaker 3: nobody told me, Yo, You're a rap star now. So

1095
00:55:27,040 --> 00:55:29,480
Speaker 3: I'm stealing the projects every day, hanging out with them,

1096
00:55:29,520 --> 00:55:31,880
Speaker 3: thinking this is all I know. Right. So I live

1097
00:55:31,920 --> 00:55:35,440
Speaker 3: in Jersey Edgewater, but I'm coming to project every day.

1098
00:55:35,600 --> 00:55:37,040
Speaker 3: So I meet him at the boadiggas.

1099
00:55:37,080 --> 00:55:38,920
Speaker 2: So is he big pun? At the time?

1100
00:55:39,120 --> 00:55:44,880
Speaker 3: He's a big pun. He ain't super big pun. He

1101
00:55:44,920 --> 00:55:47,359
Speaker 3: ain't the chicken Big Mac, but you know.

1102
00:55:48,160 --> 00:55:49,120
Speaker 2: The chicken.

1103
00:55:50,280 --> 00:55:52,640
Speaker 4: Chicken Big Mac is crazy. That's made yo.

1104
00:55:52,760 --> 00:55:56,640
Speaker 3: The chicken big You tasted one? No, oh my god,

1105
00:55:57,360 --> 00:56:01,000
Speaker 3: Big Mac is legend out here, man, Yo, you better

1106
00:56:01,120 --> 00:56:04,600
Speaker 3: try the chicken big ho.

1107
00:56:06,200 --> 00:56:06,359
Speaker 8: Yo.

1108
00:56:06,520 --> 00:56:09,799
Speaker 3: When you try the chicken big Mac better. I know

1109
00:56:09,880 --> 00:56:12,040
Speaker 3: I am, but somebody put me. We went to the

1110
00:56:12,040 --> 00:56:14,000
Speaker 3: store one day. I said, y'all want to be fat,

1111
00:56:14,440 --> 00:56:17,279
Speaker 3: so I get a guy one hundred dollars buy some

1112
00:56:17,520 --> 00:56:21,719
Speaker 3: unhealthy stuff, and they came back with that chicken Big Mac.

1113
00:56:25,000 --> 00:56:29,160
Speaker 3: I started eating my fingers, like, oh my god, this

1114
00:56:29,320 --> 00:56:33,719
Speaker 3: is illegal, yo, the chicken big Man. No, it's illegal,

1115
00:56:33,880 --> 00:56:36,920
Speaker 3: by the way, So I go. So in any case,

1116
00:56:39,000 --> 00:56:41,760
Speaker 3: we get with Steve Rifkin, my mentor. We signed Punt,

1117
00:56:42,719 --> 00:56:46,960
Speaker 3: and I use every juice of my projection on his album.

1118
00:56:47,000 --> 00:56:50,840
Speaker 3: You gotta understand they didn't even know him. So I

1119
00:56:50,880 --> 00:56:54,920
Speaker 3: gotta get why Cliff after he sold thirty million records

1120
00:56:54,960 --> 00:56:57,360
Speaker 3: with the Foojis to get and do it soon with

1121
00:56:57,440 --> 00:57:01,720
Speaker 3: Big Punt Classic Joe, the singer who had just sold

1122
00:57:01,840 --> 00:57:05,840
Speaker 3: six hundred thousand records first week. I gotta go to

1123
00:57:05,920 --> 00:57:09,080
Speaker 3: kit Darn Madsen Berr say I have an artist. I'm like, yo,

1124
00:57:09,560 --> 00:57:13,879
Speaker 3: you barely blew up like you an artist, and Joe

1125
00:57:13,920 --> 00:57:19,400
Speaker 3: shows up. So you use all these elements to help

1126
00:57:19,480 --> 00:57:24,720
Speaker 3: somebody else. Then they blow up and then you know,

1127
00:57:24,880 --> 00:57:26,880
Speaker 3: even though me and punk we never had an argument

1128
00:57:26,920 --> 00:57:28,600
Speaker 3: in our life. But you know, you see where that

1129
00:57:28,680 --> 00:57:32,200
Speaker 3: went after that? Were you just like you know what

1130
00:57:32,200 --> 00:57:35,320
Speaker 3: I'm saying, And did you see something you created, something

1131
00:57:35,400 --> 00:57:41,800
Speaker 3: you did something you did that you can't really maneuver

1132
00:57:41,880 --> 00:57:45,200
Speaker 3: the right way fat your own big pun stuff. It

1133
00:57:45,240 --> 00:57:50,920
Speaker 3: would have been already already movies out, episode, TV episodes, this, this, that,

1134
00:57:51,000 --> 00:57:54,240
Speaker 3: it would have been all lot if everything was right

1135
00:57:54,240 --> 00:57:56,200
Speaker 3: in the blessing. So that's part of like, you know

1136
00:57:56,280 --> 00:57:58,720
Speaker 3: what I'm saying. You look at that, you go, this

1137
00:57:58,880 --> 00:58:01,360
Speaker 3: is crazy. You know what I'm saying to me, I

1138
00:58:01,440 --> 00:58:03,200
Speaker 3: just stick to myself, work hard.

1139
00:58:03,320 --> 00:58:06,320
Speaker 6: You got a phenomenal track record though, let me because

1140
00:58:06,360 --> 00:58:07,600
Speaker 6: without pun you don't get rimy.

1141
00:58:07,680 --> 00:58:10,040
Speaker 4: You got the calids, the cool and Dre's Like you know,

1142
00:58:10,080 --> 00:58:10,560
Speaker 4: you got to.

1143
00:58:10,600 --> 00:58:15,080
Speaker 6: Know I got the track yeah, Tony Sunshine, Like I

1144
00:58:15,160 --> 00:58:16,680
Speaker 6: think Tony's phenomenal, you know.

1145
00:58:16,880 --> 00:58:18,959
Speaker 3: Yeah, Tony shuit have Blue. You know, he's the He's

1146
00:58:19,000 --> 00:58:22,920
Speaker 3: the only one. He's the only one that you know,

1147
00:58:23,440 --> 00:58:25,320
Speaker 3: I feel like I let down, Like even though I

1148
00:58:25,400 --> 00:58:30,040
Speaker 3: had Kelly writing the music, t Payne, these guys are

1149
00:58:30,040 --> 00:58:33,080
Speaker 3: the biggest songwriters in the world. It's just I don't

1150
00:58:33,120 --> 00:58:37,200
Speaker 3: think the world was ready to hear Tony at that time.

1151
00:58:37,280 --> 00:58:40,920
Speaker 3: You know, I'm a Spanish kid doing black music. It

1152
00:58:40,960 --> 00:58:43,200
Speaker 3: had been now, he'd have been disgusted. But he's still fly,

1153
00:58:43,720 --> 00:58:45,840
Speaker 3: and he's with us, and he's lawyer and he will

1154
00:58:45,880 --> 00:58:49,560
Speaker 3: always be with us. So that means whenever you see

1155
00:58:49,640 --> 00:58:52,240
Speaker 3: how big Joe's going and how big he's going, just

1156
00:58:52,400 --> 00:58:56,160
Speaker 3: no Tony Sunshine smiling too, you know what I mean?

1157
00:58:56,200 --> 00:58:59,600
Speaker 3: He with us, He he looks amazing. He's fly to

1158
00:58:59,680 --> 00:59:02,160
Speaker 3: death every day. You know, we've been to so many

1159
00:59:02,200 --> 00:59:04,640
Speaker 3: funerals now, I think that's the new club lift, because

1160
00:59:04,680 --> 00:59:07,600
Speaker 3: don't come in with a new fur every funeral room. Look,

1161
00:59:07,680 --> 00:59:10,280
Speaker 3: I'm like, yo, you're styling in the funerals, like what

1162
00:59:10,400 --> 00:59:12,720
Speaker 3: you're doing out here? Like you know, tone crazy, but

1163
00:59:12,800 --> 00:59:13,480
Speaker 3: I love tone.

1164
00:59:13,840 --> 00:59:14,240
Speaker 5: I got.

1165
00:59:14,400 --> 00:59:17,919
Speaker 7: I got two questions for you, Big pun. You said

1166
00:59:17,960 --> 00:59:19,760
Speaker 7: if you had own everything, there would have been stuff out.

1167
00:59:19,760 --> 00:59:21,520
Speaker 7: I know that was like a long dispute. It's all

1168
00:59:21,520 --> 00:59:24,160
Speaker 7: done now, but that's not ever. There's no way that

1169
00:59:24,280 --> 00:59:25,640
Speaker 7: stuff is going to happen. We're going to see any

1170
00:59:25,640 --> 00:59:27,040
Speaker 7: of that ever. Still at this.

1171
00:59:27,000 --> 00:59:31,160
Speaker 3: Point, I don't think so. I don't think so, you know,

1172
00:59:31,200 --> 00:59:34,720
Speaker 3: because sometimes it's almost like you and the you're dealing

1173
00:59:34,760 --> 00:59:37,200
Speaker 3: with a guy. No matter how much you love the guy,

1174
00:59:37,640 --> 00:59:39,920
Speaker 3: he hurts you so so bad that you know there's

1175
00:59:39,960 --> 00:59:43,040
Speaker 3: always that element that if you open that door, you'll

1176
00:59:43,040 --> 00:59:45,960
Speaker 3: get hurt again. And so once you got that closure,

1177
00:59:46,040 --> 00:59:49,120
Speaker 3: you just like, I'm good, I'm alright, got you and.

1178
00:59:50,680 --> 00:59:51,520
Speaker 5: Have you talked to everybody?

1179
00:59:52,000 --> 00:59:54,240
Speaker 3: Nah? But I love IRV and I think about IRV

1180
00:59:54,280 --> 00:59:58,240
Speaker 3: and I pray for IRV every day because when we

1181
00:59:58,280 --> 01:00:00,560
Speaker 3: talk about loyalty and morals, you know, the guy to

1182
01:00:00,680 --> 01:00:03,040
Speaker 3: Camby when you know it was a time I really

1183
01:00:03,080 --> 01:00:06,080
Speaker 3: needed him. So I super love IRV. I'm actually a

1184
01:00:06,120 --> 01:00:11,640
Speaker 3: business partner with Chris in the basketball app and so

1185
01:00:11,880 --> 01:00:13,760
Speaker 3: we've been you know, he gets me to all these

1186
01:00:15,000 --> 01:00:18,480
Speaker 3: hood games, you know, because Chris got he's so passionate

1187
01:00:18,520 --> 01:00:23,360
Speaker 3: about street uh street ball, so that clash TV. You know,

1188
01:00:23,400 --> 01:00:27,080
Speaker 3: with partners, you know, and with IRV, I never ever

1189
01:00:27,240 --> 01:00:30,080
Speaker 3: once again. And I know I sound like a sucker

1190
01:00:30,120 --> 01:00:33,160
Speaker 3: every time his name comes up, because I do because

1191
01:00:33,200 --> 01:00:35,160
Speaker 3: I look at the interviews and I'd be like, damn, Joe,

1192
01:00:35,160 --> 01:00:37,600
Speaker 3: You're like a sucker when it comes to this guy.

1193
01:00:37,720 --> 01:00:41,480
Speaker 3: But it's just I love him so much, but I

1194
01:00:41,680 --> 01:00:46,200
Speaker 3: really meant no harm and take anything away from him.

1195
01:00:46,640 --> 01:00:49,320
Speaker 3: I was just defending the girl that I consider my sister,

1196
01:00:49,400 --> 01:00:52,600
Speaker 3: that I call my sister every day to this day.

1197
01:00:52,720 --> 01:00:55,680
Speaker 3: She hits me up every day. You know. The baby's beautiful,

1198
01:00:55,720 --> 01:00:58,680
Speaker 3: this and this and that. So it is what it is.

1199
01:00:59,400 --> 01:01:01,960
Speaker 7: The third question, what's that? Because they were saying that

1200
01:01:02,400 --> 01:01:03,360
Speaker 7: is having another baby.

1201
01:01:04,280 --> 01:01:04,920
Speaker 5: Is that happening?

1202
01:01:07,080 --> 01:01:12,040
Speaker 3: Ah, I don't think so, but I wouldn't put it

1203
01:01:12,080 --> 01:01:14,240
Speaker 3: past it. That's the problem. I think I got lied

1204
01:01:14,280 --> 01:01:17,720
Speaker 3: to when I heard the information. Like you, I went

1205
01:01:17,720 --> 01:01:19,640
Speaker 3: straight to the first time. I don't know if I'm

1206
01:01:19,640 --> 01:01:22,240
Speaker 3: being lied to. You might think I got a big

1207
01:01:22,280 --> 01:01:24,720
Speaker 3: mouth and I'll say something, you know what I mean.

1208
01:01:27,080 --> 01:01:30,040
Speaker 3: You want to know what's going on. I got the

1209
01:01:30,200 --> 01:01:34,200
Speaker 3: breaking news. I don't have the breaking news, so what

1210
01:01:35,000 --> 01:01:37,480
Speaker 3: you know when they at I don't know if I

1211
01:01:37,480 --> 01:01:38,520
Speaker 3: got the correct answer.

1212
01:01:39,080 --> 01:01:40,280
Speaker 2: We do season two of Joe Brow.

1213
01:01:43,680 --> 01:01:47,720
Speaker 3: Yes, yes, yes, yes, yes, we're doing it. We started

1214
01:01:47,720 --> 01:01:53,280
Speaker 3: getting like I think March shooting probably February March, and

1215
01:01:53,360 --> 01:01:57,080
Speaker 3: you know, TV, you know it's a serious thing. That's like,

1216
01:01:57,280 --> 01:01:59,440
Speaker 3: you know, you got to shout out to stars for

1217
01:01:59,520 --> 01:02:03,280
Speaker 3: supporting division, but you know, we gotta you know, you know,

1218
01:02:03,360 --> 01:02:08,760
Speaker 3: I like, I love what we did. Everything we do

1219
01:02:08,960 --> 01:02:11,600
Speaker 3: is positive, everything's uplifting the people. When you could take

1220
01:02:11,600 --> 01:02:13,920
Speaker 3: a guy like call It who came for nothing and

1221
01:02:14,000 --> 01:02:16,080
Speaker 3: do an interview in front of a G six five

1222
01:02:16,160 --> 01:02:19,920
Speaker 3: hundred to show little brown and black kids that everything's possible.

1223
01:02:19,920 --> 01:02:23,320
Speaker 3: When I see you stunt, I don't get jealous. I'm

1224
01:02:23,360 --> 01:02:26,720
Speaker 3: not that guy. I see young kids from Queens and

1225
01:02:26,800 --> 01:02:29,400
Speaker 3: all over the country seeing that you got it and

1226
01:02:29,440 --> 01:02:34,400
Speaker 3: they could get it. That's what this whole show is about, inspiration.

1227
01:02:34,560 --> 01:02:36,360
Speaker 3: So every now and then, you know, you gotta you know,

1228
01:02:36,400 --> 01:02:38,280
Speaker 3: these are different type of people, so you gotta pull

1229
01:02:38,320 --> 01:02:42,040
Speaker 3: them to the side like no, we're doing that, We're

1230
01:02:42,080 --> 01:02:45,920
Speaker 3: doing this like this, you know, and thank god they

1231
01:02:46,000 --> 01:02:49,480
Speaker 3: let me do it. But everything's about positivity. But you know,

1232
01:02:49,560 --> 01:02:53,880
Speaker 3: this next season, I'm fighting to put you know, everybody

1233
01:02:53,880 --> 01:02:58,400
Speaker 3: we got on there zyicons, Mary j Blind, met the Man.

1234
01:02:58,840 --> 01:03:00,200
Speaker 8: So but.

1235
01:03:04,240 --> 01:03:07,120
Speaker 3: I want to bring a little bit more Treeter icons

1236
01:03:07,680 --> 01:03:09,720
Speaker 3: on the show. You know what I'm saying, Like, you

1237
01:03:09,760 --> 01:03:13,200
Speaker 3: know when you get with TV said, I'm not not

1238
01:03:13,280 --> 01:03:15,200
Speaker 3: like that, but when you when you when you when

1239
01:03:15,200 --> 01:03:18,320
Speaker 3: you you know, when you bring you know, I want

1240
01:03:18,400 --> 01:03:20,960
Speaker 3: young dog on my show. I want you know, I

1241
01:03:20,960 --> 01:03:23,520
Speaker 3: want you know, I want to talk that, you know

1242
01:03:23,560 --> 01:03:25,880
Speaker 3: what I'm saying. And then it's like when you did

1243
01:03:25,960 --> 01:03:30,560
Speaker 3: with TV, It's like, yeah, they be like I didn't

1244
01:03:30,600 --> 01:03:31,000
Speaker 3: know that.

1245
01:03:31,000 --> 01:03:32,280
Speaker 5: That's kind of what you was doing. You had that

1246
01:03:32,280 --> 01:03:33,960
Speaker 5: show where they had to come down into like that.

1247
01:03:33,920 --> 01:03:37,120
Speaker 3: Look look like yeah, yeah, yeah, that's Coca Vision. That's

1248
01:03:37,120 --> 01:03:39,560
Speaker 3: all title is free too. That's why I had six

1249
01:03:39,760 --> 01:03:42,280
Speaker 3: nine that time. You know what I'm saying. All I

1250
01:03:42,320 --> 01:03:44,600
Speaker 3: had everybody, but you could talk freely and do whatever.

1251
01:03:44,680 --> 01:03:47,040
Speaker 3: You know. TV is a different type of thing. But

1252
01:03:48,720 --> 01:03:52,920
Speaker 3: so far I've stood to everything I always said I

1253
01:03:52,920 --> 01:03:58,320
Speaker 3: would do. The TV show is Mavic Lebron, Fat, Joe,

1254
01:03:58,920 --> 01:04:01,680
Speaker 3: Black and Brown. I have a series coming out with

1255
01:04:01,720 --> 01:04:05,760
Speaker 3: the Terrrero Brothers, Dominican Julie and Jesse and Kenya Bearris

1256
01:04:05,880 --> 01:04:09,560
Speaker 3: Black and Brown. I went to Hollywood and most people

1257
01:04:09,680 --> 01:04:12,040
Speaker 3: let them, people do what they want with them. I

1258
01:04:12,080 --> 01:04:12,720
Speaker 3: can't do that.

1259
01:04:12,920 --> 01:04:14,520
Speaker 4: That's the one based off your book. Uh, that's the

1260
01:04:14,520 --> 01:04:15,439
Speaker 4: one based off your book.

1261
01:04:15,880 --> 01:04:19,000
Speaker 3: Yeah, you're the one based book. So but my thing

1262
01:04:19,160 --> 01:04:21,920
Speaker 3: is I stand by why I say, and I go

1263
01:04:21,960 --> 01:04:23,520
Speaker 3: out there and I do it, and you know me

1264
01:04:24,080 --> 01:04:27,480
Speaker 3: I've been praised and I've been let down, and all

1265
01:04:27,520 --> 01:04:29,600
Speaker 3: I know how to do is to keep moving, moving

1266
01:04:29,640 --> 01:04:33,000
Speaker 3: forward and keep going for the prize and going for

1267
01:04:33,040 --> 01:04:34,920
Speaker 3: the legacy. And we're pretty good at that.

1268
01:04:35,000 --> 01:04:39,080
Speaker 2: That's Quesson for me, the most influential rapper in hip

1269
01:04:39,080 --> 01:04:41,200
Speaker 2: hop history. Who is that?

1270
01:04:41,360 --> 01:04:42,440
Speaker 3: Why you asking me that?

1271
01:04:42,680 --> 01:04:44,400
Speaker 2: Oh, I'll tell you, I.

1272
01:04:44,880 --> 01:04:46,760
Speaker 3: Tell you, I tell you who. I think. I think

1273
01:04:46,760 --> 01:04:52,960
Speaker 3: it's Biggie Small's over lll over lf wow, because there's

1274
01:04:53,840 --> 01:04:58,520
Speaker 3: there's nobody like b I G. I mean, he changed

1275
01:04:58,520 --> 01:05:02,880
Speaker 3: the whole game. He turned this game, and like you

1276
01:05:03,000 --> 01:05:06,000
Speaker 3: had to be there and v to go to his shows,

1277
01:05:06,040 --> 01:05:09,600
Speaker 3: and the picket signs was outside and people were like,

1278
01:05:10,000 --> 01:05:12,200
Speaker 3: you know it was around that bad boy time. It was.

1279
01:05:12,280 --> 01:05:16,400
Speaker 3: It was an experience that I've never experienced before. Now

1280
01:05:16,440 --> 01:05:23,000
Speaker 3: my idol is cool, JH. Is he correct? Yes, he's correct.

1281
01:05:24,320 --> 01:05:25,920
Speaker 3: I think he should have just told me and let

1282
01:05:25,960 --> 01:05:29,600
Speaker 3: me say it, because that's what they mad at. They

1283
01:05:29,680 --> 01:05:31,240
Speaker 3: mad at when you say it yourself.

1284
01:05:31,400 --> 01:05:37,720
Speaker 2: But I think he's changed the game. And every day.

1285
01:05:38,600 --> 01:05:42,880
Speaker 3: Talking about my idol, you're talking about the wrong guy.

1286
01:05:43,240 --> 01:05:45,160
Speaker 3: I don't disagree with you. I think he is the

1287
01:05:45,200 --> 01:05:47,320
Speaker 3: most important rapper in the thing. But now if you

1288
01:05:47,480 --> 01:05:53,600
Speaker 3: asking me personally like we always love it, you're talking

1289
01:05:53,640 --> 01:05:56,880
Speaker 3: to the wrong Guyma sucker for J So, I know

1290
01:05:56,960 --> 01:06:02,280
Speaker 3: what you're talking about. But as a whole of hip hop,

1291
01:06:03,240 --> 01:06:05,600
Speaker 3: I never seen nothing like B I G. I'm just

1292
01:06:05,640 --> 01:06:06,200
Speaker 3: gonna keep.

1293
01:06:06,120 --> 01:06:08,280
Speaker 6: It real with that album, with y'all that music, with

1294
01:06:08,400 --> 01:06:09,560
Speaker 6: that music that you're in big.

1295
01:06:09,680 --> 01:06:12,360
Speaker 3: I don't know, man, I don't. I don't know. Nowadays

1296
01:06:12,400 --> 01:06:14,400
Speaker 3: they say it's cap. I don't know what to tell you. Man.

1297
01:06:15,320 --> 01:06:18,280
Speaker 3: All I know is I say shit, and all my

1298
01:06:18,320 --> 01:06:19,000
Speaker 3: shit is real.

1299
01:06:20,000 --> 01:06:20,800
Speaker 4: Who got the music?

1300
01:06:21,200 --> 01:06:23,880
Speaker 3: I don't know it never coming out? But when I

1301
01:06:23,920 --> 01:06:26,720
Speaker 3: say shit is real, I don't care who who whatever?

1302
01:06:27,400 --> 01:06:29,360
Speaker 3: You know what I'm saying, and I'm so What people

1303
01:06:29,440 --> 01:06:36,080
Speaker 3: got to understand is that I'm so accomplished. I have anthems,

1304
01:06:36,520 --> 01:06:39,840
Speaker 3: I have money, I'm a superstar. I have a great family,

1305
01:06:40,000 --> 01:06:41,640
Speaker 3: I have a disc I got whatever I want, I

1306
01:06:41,680 --> 01:06:45,800
Speaker 3: got a team. I ain't got the cap. When I talk,

1307
01:06:46,480 --> 01:06:50,000
Speaker 3: I mean it, and it's it'd be. You know, there's

1308
01:06:50,040 --> 01:06:53,000
Speaker 3: always something that's certified. I told a story on a

1309
01:06:53,040 --> 01:06:55,120
Speaker 3: million dollar away from games of It. But I don't

1310
01:06:55,120 --> 01:06:57,800
Speaker 3: even know if there's stylists to just say, cap cap cap,

1311
01:06:58,160 --> 01:07:01,120
Speaker 3: So I told the story simple something like that. That

1312
01:07:01,280 --> 01:07:03,760
Speaker 3: was many years ago. I told him My first show

1313
01:07:03,840 --> 01:07:07,360
Speaker 3: was in Camden, New Jersey. Kobe Cobe booked me for

1314
01:07:07,400 --> 01:07:11,480
Speaker 3: the show Flow Joe, I'm so poor. He puts me

1315
01:07:11,520 --> 01:07:15,520
Speaker 3: in a nice hotel. I stay Friday, Saturday, and Sunday.

1316
01:07:15,760 --> 01:07:18,280
Speaker 3: He had to come knock on the door and say, Yo,

1317
01:07:19,720 --> 01:07:22,280
Speaker 3: you don't live here, Joe, you gotta go. I'm like, yo,

1318
01:07:22,360 --> 01:07:26,880
Speaker 3: but these guys got toilet paper, they got nice TV

1319
01:07:27,080 --> 01:07:30,600
Speaker 3: with color like I don't want to leave, right, but

1320
01:07:30,680 --> 01:07:33,600
Speaker 3: I had to go. And so they put the clip

1321
01:07:33,680 --> 01:07:35,840
Speaker 3: up and I'm just seeing a hundred cap cap cap

1322
01:07:35,880 --> 01:07:39,960
Speaker 3: cap cap cap cap Kobe Kobe cole goes on his

1323
01:07:40,040 --> 01:07:45,000
Speaker 3: Instagram true story bom. It's the craziest thing. If I

1324
01:07:45,040 --> 01:07:47,720
Speaker 3: tell you that I'm the guy who walchestrated bone in

1325
01:07:47,800 --> 01:07:52,120
Speaker 3: Biggie Biggie, Bone in Biggie, I did it somebody he'll

1326
01:07:52,160 --> 01:07:54,640
Speaker 3: come cold side when I tell you stuff that you

1327
01:07:54,800 --> 01:07:58,400
Speaker 3: just can't possibly believe. If I tell you that Tupac

1328
01:07:58,560 --> 01:08:00,840
Speaker 3: was having trouble in the New Year York City jail,

1329
01:08:00,880 --> 01:08:03,680
Speaker 3: this Tupac should call, by the way to me. The

1330
01:08:03,720 --> 01:08:08,120
Speaker 3: realist rapper ever in the history of rap music. But

1331
01:08:08,240 --> 01:08:10,640
Speaker 3: he had a problem, and he called Fat Joe. I'm

1332
01:08:10,720 --> 01:08:13,720
Speaker 3: sorry it really happened. But I did not tell everybody

1333
01:08:13,760 --> 01:08:17,120
Speaker 3: think I tell every story. I did not tell a story.

1334
01:08:17,160 --> 01:08:19,760
Speaker 3: I got a story to tell, right, So I did

1335
01:08:19,800 --> 01:08:27,720
Speaker 3: not tell his story. And and moves out from the outsiders.

1336
01:08:27,760 --> 01:08:30,800
Speaker 3: One day he's getting interviewed and he's like, yo, Fat

1337
01:08:30,840 --> 01:08:32,519
Speaker 3: Joe never tells this story. But let me tell you

1338
01:08:32,600 --> 01:08:35,920
Speaker 3: what Tupac told me. He had problems. Fat Joe sent

1339
01:08:36,000 --> 01:08:38,760
Speaker 3: the Puerto Ricans that held him down. He was you know,

1340
01:08:39,400 --> 01:08:42,120
Speaker 3: everything I say is backed up. So this is a

1341
01:08:42,160 --> 01:08:46,639
Speaker 3: girl that I promised never to say this story, right,

1342
01:08:46,960 --> 01:08:50,840
Speaker 3: but him maybe, like three of my friends know, right.

1343
01:08:52,080 --> 01:08:56,320
Speaker 3: And so when I was a kid, I was ten

1344
01:08:56,400 --> 01:09:00,439
Speaker 3: years old. I'm just I'm gonna give you a real cap. Right,

1345
01:09:01,479 --> 01:09:04,160
Speaker 3: I'm ten years old. I'm in the house, minding my

1346
01:09:04,200 --> 01:09:07,040
Speaker 3: business in the projects, and I'm making some food. I

1347
01:09:07,040 --> 01:09:08,760
Speaker 3: don't know why. I don't know how to cook. So

1348
01:09:08,840 --> 01:09:13,000
Speaker 3: I got a machete. I hear a girl scream. I

1349
01:09:13,080 --> 01:09:15,679
Speaker 3: opened the door, and it's a girl I know from

1350
01:09:15,680 --> 01:09:19,040
Speaker 3: my building. She got a she's Jehovah witness. She has

1351
01:09:19,080 --> 01:09:23,040
Speaker 3: a dress on. She's covering up private parts like a movie.

1352
01:09:23,120 --> 01:09:26,400
Speaker 3: The apples, the oranges is on the floor, the bread,

1353
01:09:26,960 --> 01:09:30,639
Speaker 3: and it's a dude standing over it, like seven feet tall,

1354
01:09:30,680 --> 01:09:32,760
Speaker 3: fresh out of jail. He had a tank top, not

1355
01:09:32,800 --> 01:09:37,679
Speaker 3: even cut up shirt, cockies or something. I run down

1356
01:09:37,760 --> 01:09:41,240
Speaker 3: on the guy. I give it to him ten years old.

1357
01:09:42,640 --> 01:09:44,639
Speaker 3: Now I know, if you're a coward, you don't believe

1358
01:09:44,680 --> 01:09:46,760
Speaker 3: this story, you don't understand it. You might have called

1359
01:09:46,920 --> 01:09:49,840
Speaker 3: nine one one screamed, no, I gave it to him

1360
01:09:49,840 --> 01:09:52,559
Speaker 3: ten years old. Just a fat, little chubby kid. He

1361
01:09:52,680 --> 01:09:56,400
Speaker 3: runs around the corner. And in my projects, both sides

1362
01:09:56,479 --> 01:10:01,000
Speaker 3: have stairways to go down. He wasn't from there because

1363
01:10:01,040 --> 01:10:03,719
Speaker 3: he overran it, so now he's stuck in the corner

1364
01:10:04,080 --> 01:10:10,000
Speaker 3: holding his arm. I hit him on the other side. Oh,

1365
01:10:10,040 --> 01:10:13,040
Speaker 3: this guy's like he's a grown man, seven feet tall.

1366
01:10:13,320 --> 01:10:16,479
Speaker 3: He realizes, Oh, this is just a fat little kid tendents.

1367
01:10:16,800 --> 01:10:20,840
Speaker 3: He jumps at me. I jump, scared to death all

1368
01:10:20,880 --> 01:10:23,479
Speaker 3: the way back. He runs down the stairs, Thank god.

1369
01:10:24,200 --> 01:10:26,360
Speaker 3: But when I come back around, this girl was the

1370
01:10:26,360 --> 01:10:31,840
Speaker 3: most decent girl probably in my whole project. Right. She

1371
01:10:31,880 --> 01:10:34,160
Speaker 3: begged me because you know, she her family was so

1372
01:10:34,320 --> 01:10:37,599
Speaker 3: strict to not tell a story. So I never told

1373
01:10:37,640 --> 01:10:39,599
Speaker 3: a story. I was gonna tell a story in my book.

1374
01:10:40,120 --> 01:10:44,840
Speaker 3: But at my brother's funeral, she shows up. I haven't

1375
01:10:44,880 --> 01:10:47,400
Speaker 3: seen that in thirty years. And in the middle of

1376
01:10:48,000 --> 01:10:49,880
Speaker 3: I'm Rich, in the middle of the funerals, she says,

1377
01:10:49,960 --> 01:10:55,200
Speaker 3: Joey saved my life. He saved my life. A guy

1378
01:10:55,320 --> 01:10:57,760
Speaker 3: was trying to rape me. This that Joey came out

1379
01:10:57,800 --> 01:11:02,320
Speaker 3: with the machetey my life. Now, I'll be like, sometimes

1380
01:11:02,320 --> 01:11:04,320
Speaker 3: I say stories that I think I'm capping.

1381
01:11:04,720 --> 01:11:06,400
Speaker 6: No, I believe the story. I just think when you

1382
01:11:06,439 --> 01:11:08,559
Speaker 6: say he's seven feet tall, I'm like, okay, this.

1383
01:11:08,479 --> 01:11:14,840
Speaker 3: Guy's let me tell you. There's a distinctive look if

1384
01:11:14,840 --> 01:11:16,840
Speaker 3: you're from the hood of a guy who just came

1385
01:11:16,880 --> 01:11:19,439
Speaker 3: out of jail, and always he just came out of jail.

1386
01:11:19,479 --> 01:11:23,559
Speaker 3: I don't know his story. He was fresh, first day

1387
01:11:23,560 --> 01:11:29,280
Speaker 3: out of jail. Probably he look he's raping the girl immediately, right.

1388
01:11:29,760 --> 01:11:32,439
Speaker 3: So when I hear it, I'm like, I got to

1389
01:11:32,479 --> 01:11:37,479
Speaker 3: stop her. I'm like, yo, Rich, this story, Yo, I

1390
01:11:37,640 --> 01:11:43,519
Speaker 3: told you. But I never told a story because she

1391
01:11:43,640 --> 01:11:45,640
Speaker 3: asked me not to tell a sir, I put it

1392
01:11:45,640 --> 01:11:46,280
Speaker 3: in my book.

1393
01:11:46,600 --> 01:11:48,400
Speaker 4: Book is a classic by the way, no, no, no.

1394
01:11:48,439 --> 01:11:51,120
Speaker 3: I put it in my book at Shah he ain't read.

1395
01:11:51,600 --> 01:11:53,360
Speaker 3: And last minute I said, you know what, because I

1396
01:11:53,400 --> 01:11:56,320
Speaker 3: haven't seen her in thirty some years and forty years,

1397
01:11:56,320 --> 01:11:59,000
Speaker 3: I said, you know what, she might be alive with

1398
01:11:59,080 --> 01:12:02,479
Speaker 3: a family and I'm violate, So I took it out

1399
01:12:02,520 --> 01:12:08,200
Speaker 3: the book. She comes in the funeral, Miss Ruby Joey

1400
01:12:08,280 --> 01:12:13,800
Speaker 3: saved my life. I said, huh, she's taking And then

1401
01:12:13,840 --> 01:12:16,240
Speaker 3: the guys from my building, because you know, my whole

1402
01:12:16,240 --> 01:12:20,160
Speaker 3: projects was with me at the funeral. A. J. Mark Lowe,

1403
01:12:20,160 --> 01:12:24,439
Speaker 3: thank everybody round Themcdonald everybody who came out, the whole hood.

1404
01:12:25,400 --> 01:12:28,040
Speaker 3: They're like, y'all, we ain't never hear this story. They

1405
01:12:28,120 --> 01:12:30,000
Speaker 3: from my building. They was like, yo, we never heard it.

1406
01:12:30,040 --> 01:12:30,479
Speaker 3: I was like.

1407
01:12:32,600 --> 01:12:43,000
Speaker 8: Machete, So yeah, your other life.

1408
01:12:43,840 --> 01:12:46,000
Speaker 3: Let's not start that because I got a little beef.

1409
01:12:46,600 --> 01:12:49,000
Speaker 3: Uh in the beef with my crew because I said

1410
01:12:49,040 --> 01:12:54,400
Speaker 3: on the interview that our trade yay yo, people were

1411
01:12:54,479 --> 01:12:55,680
Speaker 3: in their feelings.

1412
01:12:56,080 --> 01:12:57,200
Speaker 4: You know what did you mean by that?

1413
01:12:57,520 --> 01:13:01,439
Speaker 3: Because he was Richard every time that I don't mean it.

1414
01:13:01,520 --> 01:13:02,960
Speaker 4: I don't mean to take it back.

1415
01:13:03,240 --> 01:13:05,960
Speaker 3: I took you back, but you know, rich the most

1416
01:13:06,000 --> 01:13:09,680
Speaker 3: lowy you but you know I was just trying to

1417
01:13:09,720 --> 01:13:18,960
Speaker 3: explain how that guy is to his man nine train Rich.

1418
01:13:19,000 --> 01:13:22,640
Speaker 3: You know rich guy. You know Rich got all the

1419
01:13:22,720 --> 01:13:25,680
Speaker 3: secrets everything, you know saying Rich something else. You know

1420
01:13:25,720 --> 01:13:28,000
Speaker 3: what I'm saying. You don't give me credit for nothing,

1421
01:13:28,040 --> 01:13:32,760
Speaker 3: but you know, well the album is when we talked

1422
01:13:32,760 --> 01:13:34,720
Speaker 3: about Rich play, I feel like with jay Z and

1423
01:13:35,120 --> 01:13:37,240
Speaker 3: New York. He says, I made you hot, Old g

1424
01:13:37,479 --> 01:13:39,400
Speaker 3: Wan Like, I'm like, you're rich, I made you hi.

1425
01:13:39,479 --> 01:13:42,320
Speaker 3: He's like, I've been the man.

1426
01:13:42,439 --> 01:13:46,520
Speaker 2: You know, Rich know everybody and everything that goes on. Everything.

1427
01:13:46,680 --> 01:13:50,240
Speaker 3: Listen, what Rich is is a legend, not only in

1428
01:13:50,240 --> 01:13:53,160
Speaker 3: the streets in New York, but in Miami. He saved

1429
01:13:53,200 --> 01:13:56,120
Speaker 3: so many kids. How many players you sent to the

1430
01:13:56,240 --> 01:13:57,600
Speaker 3: NFL coaching.

1431
01:13:59,200 --> 01:13:59,479
Speaker 4: Twelve.

1432
01:13:59,600 --> 01:14:06,120
Speaker 3: I'm in Miami because a rich player. He coached the

1433
01:14:06,160 --> 01:14:11,080
Speaker 3: whole hood. One day he calls me. He's like, mother,

1434
01:14:11,880 --> 01:14:15,519
Speaker 3: he's flipping. I'm in like Vegas at the show. He's like,

1435
01:14:15,920 --> 01:14:17,920
Speaker 3: I'm going to your house now. I said, what happened?

1436
01:14:17,960 --> 01:14:20,880
Speaker 3: He said, Ryan is throwing the party. The whole hood

1437
01:14:21,000 --> 01:14:24,040
Speaker 3: is in your house, the whole football team. I'm like, what,

1438
01:14:24,720 --> 01:14:28,400
Speaker 3: everybody's headed to your house, the whole county, city, he

1439
01:14:28,439 --> 01:14:31,240
Speaker 3: gets over there, they all running jumping over the coach Rich.

1440
01:14:31,320 --> 01:14:33,880
Speaker 3: They jumping over the gate, running out my house. You

1441
01:14:33,920 --> 01:14:35,680
Speaker 3: know what I'm saying, So Rich is really you know,

1442
01:14:36,880 --> 01:14:41,479
Speaker 3: you know, you come on this earth once, right, and

1443
01:14:41,520 --> 01:14:45,599
Speaker 3: it ain't Yeah, it's cool to dress, fly, have fly stuff.

1444
01:14:45,920 --> 01:14:48,519
Speaker 3: It's about how you help the people. And so what

1445
01:14:48,560 --> 01:14:50,960
Speaker 3: I love the most about Rich is that he changed.

1446
01:14:51,000 --> 01:14:53,800
Speaker 3: These people live there in the NFL, they still call

1447
01:14:53,880 --> 01:14:57,920
Speaker 3: them coach Rich. This this that now, same thing with us.

1448
01:14:58,360 --> 01:15:03,240
Speaker 3: We just constantly helping people. You would not believe how

1449
01:15:03,280 --> 01:15:08,920
Speaker 3: many people we help every day or every week. Every day,

1450
01:15:09,000 --> 01:15:11,920
Speaker 3: they got a funeral every day. Somebody's house gets burnt

1451
01:15:11,960 --> 01:15:15,360
Speaker 3: down every day. This this, this is for some reason,

1452
01:15:15,360 --> 01:15:17,720
Speaker 3: they know how to find me. Yo Joe. You know

1453
01:15:17,800 --> 01:15:21,080
Speaker 3: miss such and such she passed away. I'm not exist.

1454
01:15:21,840 --> 01:15:24,320
Speaker 3: I might have paid one hundred funerals, maybe even more

1455
01:15:24,320 --> 01:15:26,800
Speaker 3: in my hood. And so we do this all the time.

1456
01:15:26,880 --> 01:15:31,400
Speaker 3: You know, Thanksgiving we get five thousand families groceries. We're

1457
01:15:31,439 --> 01:15:33,759
Speaker 3: not giving them a turkey. What's good is a turkey?

1458
01:15:33,800 --> 01:15:36,360
Speaker 3: If you ain't got the mash, you ain't got the rice,

1459
01:15:36,400 --> 01:15:38,599
Speaker 3: you ain't got the mac and cheese, you ain't got

1460
01:15:38,640 --> 01:15:41,720
Speaker 3: the produce. No, we give everything. You know, shout out

1461
01:15:41,720 --> 01:15:46,000
Speaker 3: the Crisdell's shop, right, everybody go yad And so you know,

1462
01:15:46,200 --> 01:15:49,120
Speaker 3: we just constantly give back to our community. And I

1463
01:15:49,200 --> 01:15:52,200
Speaker 3: love rich for that. And anybody who does that in

1464
01:15:52,280 --> 01:15:56,240
Speaker 3: the smallest to the biggest scale, that's what. Uh. It

1465
01:15:56,320 --> 01:16:00,559
Speaker 3: gets you the less, the least likes. But it's quality

1466
01:16:00,640 --> 01:16:03,880
Speaker 3: over quantity. But when I see that, that's what touches

1467
01:16:03,960 --> 01:16:07,200
Speaker 3: my heart. That's what motivates me. When I see Queen

1468
01:16:07,280 --> 01:16:09,439
Speaker 3: the hall im giving out toys to all them kids.

1469
01:16:09,680 --> 01:16:11,400
Speaker 3: By the way, if you don't know, I know, I know.

1470
01:16:12,479 --> 01:16:15,479
Speaker 3: I'm saying. I see Jim Jones doing coat drives, by

1471
01:16:15,520 --> 01:16:18,200
Speaker 3: the way, Jim, If you don't know, I know. And

1472
01:16:18,240 --> 01:16:20,800
Speaker 3: I watch everybody a big you out in.

1473
01:16:22,160 --> 01:16:25,960
Speaker 2: What's big U from concordat all?

1474
01:16:26,040 --> 01:16:27,680
Speaker 3: Right, we ain't got to say the gang. We need

1475
01:16:27,760 --> 01:16:30,920
Speaker 3: to say the hood. Oh that's the name of it.

1476
01:16:31,200 --> 01:16:35,760
Speaker 3: Rolling sixties and constantly giving stuff back. Anybody who's giving out,

1477
01:16:35,960 --> 01:16:39,800
Speaker 3: who's giving back to the people. I'm watching you. I

1478
01:16:39,840 --> 01:16:43,240
Speaker 3: love it, you know you. And guess what, I ain't

1479
01:16:43,240 --> 01:16:46,639
Speaker 3: the only one watching you. People who think like minded,

1480
01:16:46,920 --> 01:16:49,320
Speaker 3: they're watching you. When we gave two million dollars to

1481
01:16:49,360 --> 01:16:53,400
Speaker 3: the African Muslims in the Bronx. Seventeen of them died

1482
01:16:53,439 --> 01:16:58,040
Speaker 3: in the fire. We raised two million dollars. Homeboy from Twitter, Jack,

1483
01:16:58,360 --> 01:17:01,600
Speaker 3: I don't know who the hell Jack? Kids hit me

1484
01:17:01,680 --> 01:17:05,200
Speaker 3: up yo, Jack. Jack wants to throw nare. I'm like,

1485
01:17:05,200 --> 01:17:07,240
Speaker 3: who the hell is Jack? They're like, you know the

1486
01:17:07,280 --> 01:17:11,439
Speaker 3: guy who owns Twitter, he gave a big check. There's

1487
01:17:11,479 --> 01:17:13,800
Speaker 3: people like minded. The love when you're giving back to

1488
01:17:13,840 --> 01:17:16,519
Speaker 3: the community. I mean, what's it about if you didn't

1489
01:17:16,520 --> 01:17:17,960
Speaker 3: show at the end of the day, If you don't

1490
01:17:18,000 --> 01:17:20,439
Speaker 3: get back to your hood, you don't change lives, you

1491
01:17:20,520 --> 01:17:22,759
Speaker 3: don't motivate people, you don't inspire people.

1492
01:17:24,080 --> 01:17:26,000
Speaker 7: I was at the Wasted, I was at the Gumbo

1493
01:17:26,040 --> 01:17:27,519
Speaker 7: wedding and mel I don't know if you remember this.

1494
01:17:27,560 --> 01:17:30,360
Speaker 7: Melbourne introduced me to you and she talked to me

1495
01:17:30,439 --> 01:17:32,479
Speaker 7: for thirty minutes about that with you guys.

1496
01:17:32,479 --> 01:17:33,439
Speaker 5: She was like, I don't know if you know.

1497
01:17:33,520 --> 01:17:35,679
Speaker 7: I know you work in media and you do the stories,

1498
01:17:35,680 --> 01:17:36,960
Speaker 7: but this is what you should be talking about. And

1499
01:17:37,000 --> 01:17:39,439
Speaker 7: all she talked about was what you guys do, and like,

1500
01:17:39,479 --> 01:17:40,760
Speaker 7: you know, cause she does a lot of stuff too,

1501
01:17:40,800 --> 01:17:43,519
Speaker 7: and she yeah, I can call him, no problem, He's

1502
01:17:43,560 --> 01:17:45,560
Speaker 7: always around like anything. I need both of them. And

1503
01:17:45,560 --> 01:17:47,559
Speaker 7: I was like, Oh, that's like fire because you hear

1504
01:17:47,600 --> 01:17:50,200
Speaker 7: it and like the clicks with like the big stuff,

1505
01:17:50,200 --> 01:17:51,600
Speaker 7: but you don't hear it like the way she was

1506
01:17:51,600 --> 01:17:52,880
Speaker 7: telling me. I was like, Oh, that's dope.

1507
01:17:52,880 --> 01:17:55,320
Speaker 2: Like he's really rich, always into that Fiene.

1508
01:17:55,400 --> 01:18:01,599
Speaker 3: We available for the community at all time, black brown,

1509
01:18:01,680 --> 01:18:03,519
Speaker 3: if you're white and you Paul will feed you to

1510
01:18:03,760 --> 01:18:06,439
Speaker 3: We'll do whatever. We don't care you know what I'm saying.

1511
01:18:06,520 --> 01:18:10,360
Speaker 3: So you know this is a non discriminational. We hand

1512
01:18:10,400 --> 01:18:11,560
Speaker 3: it out to everybody.

1513
01:18:11,920 --> 01:18:13,680
Speaker 6: Let's play something up the album so joke and keep

1514
01:18:13,720 --> 01:18:15,400
Speaker 6: getting this money so you can keep helping the community.

1515
01:18:15,479 --> 01:18:19,719
Speaker 3: Please stream you might as well just play the baby

1516
01:18:19,760 --> 01:18:22,679
Speaker 3: fat Yeah, I got you do it and you could

1517
01:18:22,680 --> 01:18:24,720
Speaker 3: throw to us if you can sneak another one in.

1518
01:18:24,800 --> 01:18:27,040
Speaker 4: God bat you.

1519
01:18:27,200 --> 01:18:29,240
Speaker 1: The album comes out this Friday, make sure you get it,

1520
01:18:29,360 --> 01:18:32,320
Speaker 1: and it's the Breakfast Club, Good Morning, wake that ass up.

1521
01:18:32,800 --> 01:18:33,360
Speaker 2: In the morning.

1522
01:18:33,680 --> 01:18:34,519
Speaker 3: Breakfast Club.