WEBVTT - Ep28 Ali Afshar

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<v Speaker 1>All right, welcome back to another episode.

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<v Speaker 2>I'm so King and I'm Amelia Hartford.

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<v Speaker 3>And today we have a very special guest that Amelia

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<v Speaker 3>knows really well.

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<v Speaker 2>Yeah. Ali was the first producer to really give me

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<v Speaker 2>an opportunity in one of his films. But he doesn't

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<v Speaker 2>just come from the film background. He's actually a racing

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<v Speaker 2>driver and he managed a team where he piloted what

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<v Speaker 2>was and I think still is today the world's fastest.

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<v Speaker 1>Subaru, world's fastest.

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<v Speaker 2>It's funny. By the time this podcast comes out, I'm

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<v Speaker 2>actually taking over and I'll be piloting that car in

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<v Speaker 2>various races this year.

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<v Speaker 3>Wow, so you will be driving the fastest Suparu.

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<v Speaker 1>Yeah, in the world.

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<v Speaker 3>For those who can't experience going a million miles per

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<v Speaker 3>hour in a SUPERU, you can watch some of Ellie's movies.

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<v Speaker 1>Yeah, for instance, what movie were you in?

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<v Speaker 2>I was in California Christmas, the sequel to the first.

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<v Speaker 2>I was in Hollywood Christmas. That's a more. And Hollywood Christmas.

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<v Speaker 1>Wait, California Christmas, Hollywood Christmas.

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<v Speaker 2>California Christmas, the sequel Hollywood Christmas, And that's a more.

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<v Speaker 1>What about Los Angeles Christmas?

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<v Speaker 2>That's next. We'll pitch that one to him. I think,

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<v Speaker 2>you know, this is another beautiful story of coming to

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<v Speaker 2>America having nothing and really building a successful career for yourself.

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<v Speaker 2>This year, he joined the board of Warner Brothers Diversity Program.

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<v Speaker 2>He's spearheading a push for broader inclusivity and filmmaking at

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<v Speaker 2>Warner Brothers. He's a very successful producer. I believe twenty

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<v Speaker 2>four films now. He started as an actor, start as

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<v Speaker 2>an actor, went to racing cars, and then went back

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<v Speaker 2>to producing.

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<v Speaker 3>With no further ado. Ali Afshar, So you guys met

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<v Speaker 3>each other on the film.

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<v Speaker 2>So we met through an old manager of mine. Was like,

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<v Speaker 2>I know of a producer who does He's like a

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<v Speaker 2>car guy, but he also does these cool movies, like

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<v Speaker 2>let me make an introduction. I was like, okay, Rad

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<v Speaker 2>I had seen a history about Sue brus and at

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<v Speaker 2>the time I was building Sue Brews too, and we

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<v Speaker 2>got connected through him and Ali and I hit it

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<v Speaker 2>off and we've kind of been friends. He's been a

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<v Speaker 2>mentor to me and we've been He's put me in

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<v Speaker 2>a couple of his films. When we were talking last

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<v Speaker 2>actually I told you, after nine years of being in

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<v Speaker 2>LA I got my first role, and it was in

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<v Speaker 2>one of Ali's films.

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<v Speaker 1>Which film is that?

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<v Speaker 2>That was that some More was the first one, but

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<v Speaker 2>California Christmas ended up coming out first.

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<v Speaker 1>California Christmas.

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<v Speaker 3>Yeah, okay, you do it. Seems like Ali, you're doing

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<v Speaker 3>several Christmas theme movies.

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<v Speaker 1>Huh yeah, yeah recently since twenty twenty. We took a

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<v Speaker 1>risk and we did our first. Warner Brothers had asked

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<v Speaker 1>us to do a Christmas movie, so we did one

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<v Speaker 1>in COVID. I think were the first movie to shoot

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<v Speaker 1>in California during COVID. It was May of twenty twenty,

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<v Speaker 1>and they licensed it to Netflix and it went bonkers.

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<v Speaker 1>It became the number one movie in the world for

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<v Speaker 1>two weeks straight. It's called The California Christmas and Emilia.

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<v Speaker 1>We did this that met Amelia yet, so when we

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<v Speaker 1>did the sequel, California Christmas City Lights, we got Amelia

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<v Speaker 1>to do it, and it's just turned into like they

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<v Speaker 1>ordered a handful, then HBO Max ordered a handful. And

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<v Speaker 1>even though we come from a race car action sports

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<v Speaker 1>kind of underdog diversity background movies for our first like

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<v Speaker 1>twenty movies last six or seven and including the when

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<v Speaker 1>we start this week, Oh Christmas, going from an Iranian

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<v Speaker 1>kid that isn't even Christian, didn't even celebrate Christmas.

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<v Speaker 3>So people underestimate these Christmas films because they're very big

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<v Speaker 3>deal it almost they have like a following like horror

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<v Speaker 3>fans almost, right, Yeah.

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<v Speaker 1>And arsh are pretty cool because like they're elevated. They're

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<v Speaker 1>not like the Hallmark Lifetime. They're HBO Max there. You know,

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<v Speaker 1>there's a little bit of nudity, a little bit of sexuality,

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<v Speaker 1>a little bit of language, a little bit of you know,

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<v Speaker 1>it's not just a cookie cutter what you see on

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<v Speaker 1>the cheesy stuff. It's like a little more Nicholas Sparksy

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<v Speaker 1>if you know who that is a little more notebook

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<v Speaker 1>then a little Christmas. But it's yeah, I mean like

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<v Speaker 1>our guys, we have a star that's been in a

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<v Speaker 1>bunch of Josh Swicker, like he takes his shirt off

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<v Speaker 1>and every middle aged woman and you know, Iowa was like,

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<v Speaker 1>you know, everybody that dreams of that life where they

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<v Speaker 1>didn't have yet it works. So we're a little more

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<v Speaker 1>we're PG. Thirteen R than straight G. And they're not

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<v Speaker 1>really like faith based or anything. They're just like happened

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<v Speaker 1>to be around Christmas.

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<v Speaker 2>But they're still good like feel good movies.

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<v Speaker 1>Totally. Yeah, all our movies are feel good. Yeah, even

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<v Speaker 1>our action ones. Our motto was like shedd a tear,

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<v Speaker 1>but lead with a smile. Even the Ride, the one

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<v Speaker 1>that Chris was in, Luntris was in, or American Wrestler,

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<v Speaker 1>the one about My Life. They're all like heartfelt underdog

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<v Speaker 1>kind of diversity happened by storytelling our first five movies

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<v Speaker 1>that female leads too, Middle Eastern leads, two black leads

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<v Speaker 1>in the following four. And it was well before it

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<v Speaker 1>was like a box to check like it is now,

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<v Speaker 1>you know, La two three years it's been like you

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<v Speaker 1>have to shoot diversity, you have to be inclusive. It's

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<v Speaker 1>like we just did it because it was a better

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<v Speaker 1>underdog story and it just happened to be. Whether it

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<v Speaker 1>was I don't know. I mean, female still falls under that,

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<v Speaker 1>you know, underrepresented, but it's kind of just a cool

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<v Speaker 1>thing that we are kind of like ahead of the

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<v Speaker 1>curve by happenstance. How did you get into the producing

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<v Speaker 1>side of things? For me, I acted quite a bit.

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<v Speaker 1>I loved acting, and I had to take a break

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<v Speaker 1>when I went racing for Super of America for seven years.

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<v Speaker 1>We were traveling and touring and doing like sixty events

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<v Speaker 1>a year or so. I didn't have a chance to act,

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<v Speaker 1>but I missed it. So when I said, you know what,

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<v Speaker 1>I want to go back, and when I went back

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<v Speaker 1>to acting, funny enough, my first audition back was a

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<v Speaker 1>Warner Brothers movie that I booked a little part in it.

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<v Speaker 1>But for a minute, we worked with Aston Martin and

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<v Speaker 1>we built these supercharger intercooler systems for Aston Martin's. We

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<v Speaker 1>called them the ESX Supervantages. And a guy bought one

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<v Speaker 1>and he said, Hey, I didn't know you're an actor.

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<v Speaker 1>If you ever want to make a movie, you know.

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<v Speaker 1>I'm like, you're a banker, Like I don't need a

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<v Speaker 1>fucking home loan. He's like, no, you're more on him

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<v Speaker 1>a film financier. I was like what. Three months later

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<v Speaker 1>we made our first movie called Born to Race, which

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<v Speaker 1>is what Emilia loved and used to quote it when

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<v Speaker 1>we first met.

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<v Speaker 2>Ironically, before actually meeting Ali, in my YouTube videos, I

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<v Speaker 2>had been quoting this movie and go figure it as

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<v Speaker 2>one of his. And I was in such shock when

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<v Speaker 2>when we put two and two together that I was

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<v Speaker 2>pulling up old videos and be like ce see and

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<v Speaker 2>I was I was, Oh, I don't recognize the car

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<v Speaker 2>from from the rear and he walks around the front.

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<v Speaker 2>Now I know this car because it's always in the

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<v Speaker 2>review mirror.

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<v Speaker 1>That's cool. Yes, that was our first movie and we

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<v Speaker 1>just kind of like was like, oh, this is easy.

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<v Speaker 1>So because I owned the race team, so I was

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<v Speaker 1>able to like know how to put together pieces and

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<v Speaker 1>people and materials from all over the world to make

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<v Speaker 1>the cars faster. And we did a tour and it

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<v Speaker 1>was entertainment. It wasn't just racing, you know. We had

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<v Speaker 1>rigs and you know, like logistics and visuals and just

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<v Speaker 1>the whole nine yards. So I kind of learned how

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<v Speaker 1>to produce something by owning the race team for you know,

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<v Speaker 1>years and running that, so I knew how to put

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<v Speaker 1>people together. Yeah, the Super of America race Team. Can

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<v Speaker 1>you give me the origin story of how you ended

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<v Speaker 1>up owning a race team? Well? Yeah, sure, I mean

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<v Speaker 1>I was that boring you guys. I loved street racing,

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<v Speaker 1>always was street racing. Had My first car was a

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<v Speaker 1>sixty seven Camaro. It went thirteen ninety and I thought

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<v Speaker 1>that was fucking fast. I was like, oh, hey, Hey, hey,

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<v Speaker 1>not that long ago, but yeah, I wasn't born yet. Yeah,

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<v Speaker 1>so that that car got me in a lot of trouble.

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<v Speaker 1>I used to street race. I got arrested a whole

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<v Speaker 1>bunch with that car. And then I got into like

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<v Speaker 1>turbo BUI Grand Nationals and started learning a little bit

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<v Speaker 1>about fueling, like fuel injection was new. Then you're like, oh,

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<v Speaker 1>no more carburetors, fuel injected turbos. Fucking what the fuck

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<v Speaker 1>the turbo It's weird shit. But we started going really fast.

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<v Speaker 1>We started building like ten second cars with the Buicks.

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<v Speaker 1>And then when the WX came out, the Super Divres

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<v Speaker 1>came out in America as a two thousand and two model,

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<v Speaker 1>but it was a two thousand and two thousand and one.

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<v Speaker 1>I bought one, actually bought an automatic wagon. I don't

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<v Speaker 1>know if you know that My first two was an

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<v Speaker 1>automatic wagon. Couldn't get it to work right. I used

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<v Speaker 1>to have like a little aquarium valve controller for the boost.

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<v Speaker 1>We tied it into the Illinois to control the boosts, like,

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<v Speaker 1>you know, just to control the air to the waistgate.

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<v Speaker 1>But then I got a stick, and with that stick,

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<v Speaker 1>I started running really really fast. I got like guys

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<v Speaker 1>in Australia. I bought a mode from them and I

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<v Speaker 1>had these European tuners come in and because nobody had

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<v Speaker 1>done supers at that time and it was still kind

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<v Speaker 1>of new, but it was in the whole vibe. It

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<v Speaker 1>was literally you guys helping us because it was right

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<v Speaker 1>in that whole fast and furious wave. So when I

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<v Speaker 1>got that opportunity that I talked to you off a

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<v Speaker 1>minute ago, where like they asked me to bring the

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<v Speaker 1>car to a show and the people were driving it

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<v Speaker 1>at the local Suber dealer here, and one of them

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<v Speaker 1>that was driving it really slowly and mellow, and I

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<v Speaker 1>was kind of making fun of him, ended up being

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<v Speaker 1>Tom Dall, the CEO of Super of America, and had

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<v Speaker 1>it invited us to lunch in New Jersey A few

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<v Speaker 1>weeks later. We go out there and and you were

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<v Speaker 1>in LA. Then I moved to LA from early California.

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<v Speaker 2>I feel like you're glossing over the fact that you

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<v Speaker 2>had the world's fastest Super.

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<v Speaker 1>Yeah, I think we still don't.

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<v Speaker 2>I think so I haven't heard of a faster time.

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<v Speaker 3>I never heard of Super was going even ten seconds.

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<v Speaker 3>I didn't even though they were part of the lot of.

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<v Speaker 2>People don't spend the money on those motors.

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<v Speaker 3>Yeah, well why Supero like you there were all these

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<v Speaker 3>other cars. You went from g body to a super Aro.

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<v Speaker 1>Well I went, I went. It was just because, like

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<v Speaker 1>you know it turbo charge, intercoled, and they were all

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<v Speaker 1>wheel drive and they were fun. And my company ESX

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<v Speaker 1>used to stand for Easy Street Motorsports and I used

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<v Speaker 1>to like building street cars cars you could actually drive.

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<v Speaker 1>So having that symmetrical all wheel drive, low boxer engine,

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<v Speaker 1>flat motor, low weight, I was like, Oh, this is

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<v Speaker 1>gonna be a killer street car. It'll launch really good.

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<v Speaker 1>So that's how we got into it. But for drag

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<v Speaker 1>racing you want to be rear, real drive ultimately, but

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<v Speaker 1>we were building nine seconds, Like I have a nine

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<v Speaker 1>second STI I could drive here, you know. So like

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<v Speaker 1>it was, I built it in O five, it's still

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<v Speaker 1>the same car, hasn't changed. So we were running nines

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<v Speaker 1>back We actually ran an eight ninety in it back

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<v Speaker 1>then in two thousand and six, I think, So that

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<v Speaker 1>was what started it. Plus all the other people that

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<v Speaker 1>were already done. There was like Christian Rado was racing

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<v Speaker 1>for Totis Scion. You had costume forget the name is

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<v Speaker 1>Mazda was the Bergenholtz brothers. There was another kid for

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<v Speaker 1>Chevrolet that did the Cobalt. So all the brands were

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<v Speaker 1>kind of taken, and I just became the Subaru guy.

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<v Speaker 1>You know, we just became suber really, you know, Tom

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<v Speaker 1>Doll and the executives over there really took us under

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<v Speaker 1>their wing, and we made our own line of cars.

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<v Speaker 1>We built. We still build them, like we build like

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<v Speaker 1>thirty or forty batches of Y SXSTI, the little Alley

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<v Speaker 1>After signature series four dealers, you know, like kind of

0:10:18.800 --> 0:10:21.120
<v Speaker 1>like a like a saline Mustang or like a roush Mustagers.

0:10:21.400 --> 0:10:24.040
<v Speaker 2>And people listening might recognize those cars because they were

0:10:24.080 --> 0:10:25.280
<v Speaker 2>red with white stripes.

0:10:25.679 --> 0:10:29.520
<v Speaker 1>Yeah, because I'm like Iranian in America drag racing a

0:10:29.559 --> 0:10:33.040
<v Speaker 1>Japanese rally car. It's the fucking most Smorgasborg Benetton thing

0:10:33.080 --> 0:10:35.240
<v Speaker 1>you've ever heard. Yeah, So I took classic. I love

0:10:35.280 --> 0:10:37.800
<v Speaker 1>American styling, so I'm like, what's more American than a

0:10:37.840 --> 0:10:39.640
<v Speaker 1>red car with two white stripes? And they didn't even

0:10:39.679 --> 0:10:41.920
<v Speaker 1>come red. We took them. We completely painted it. This

0:10:41.960 --> 0:10:45.160
<v Speaker 1>is before wrapping. We painted them, laid two white stripes

0:10:45.160 --> 0:10:47.280
<v Speaker 1>on them, and they're the most expensive subrews ever sold

0:10:47.280 --> 0:10:49.280
<v Speaker 1>off a super showroom. Still we just built a batch

0:10:49.320 --> 0:10:51.760
<v Speaker 1>like two years ago. How much? How much with eighty grand?

0:10:52.000 --> 0:10:55.040
<v Speaker 1>Seventy five grand for a super sicker price for one

0:10:55.040 --> 0:10:58.280
<v Speaker 1>of those cars before the forty two, right, thirty eight

0:10:58.280 --> 0:10:58.880
<v Speaker 1>to forty.

0:10:58.679 --> 0:11:01.560
<v Speaker 2>Two for which stand to you? Don't I don't know

0:11:01.600 --> 0:11:03.880
<v Speaker 2>anymore to be so, yeah about that.

0:11:03.760 --> 0:11:06.520
<v Speaker 1>Ballpark, Yeah, in the high thirties, low forties, maybe creeping

0:11:06.559 --> 0:11:08.160
<v Speaker 1>in the mid forties, for get one with like sunroof

0:11:08.200 --> 0:11:11.680
<v Speaker 1>and every bell and whistle. Maybe mid forties. Yeah, well, yeah,

0:11:11.840 --> 0:11:14.760
<v Speaker 1>is there a big car culture in Iran? I don't know.

0:11:15.000 --> 0:11:16.679
<v Speaker 1>I don't. I think so, but I don't haven't. And

0:11:16.800 --> 0:11:18.559
<v Speaker 1>when we left, we can't go back, you know. I've

0:11:18.600 --> 0:11:20.080
<v Speaker 1>never been back. Like, if I go back, I'll go

0:11:20.120 --> 0:11:21.720
<v Speaker 1>straight to jail. I put my foot on the ground.

0:11:21.720 --> 0:11:24.440
<v Speaker 1>It's not a good thing for me. So I've never

0:11:24.480 --> 0:11:26.240
<v Speaker 1>been back. Yeah, I don't think I'll ever go back,

0:11:26.240 --> 0:11:28.880
<v Speaker 1>not under this regime. It's a little touchy, right, Yeah,

0:11:28.880 --> 0:11:30.520
<v Speaker 1>I played like gay roles. I mean, I'm not gay,

0:11:30.520 --> 0:11:32.680
<v Speaker 1>but I played gay roles. My American rest of movies

0:11:32.760 --> 0:11:34.920
<v Speaker 1>speaks really badly of that regime.

0:11:35.320 --> 0:11:38.520
<v Speaker 3>Well, right, so the fact that you played a gay

0:11:38.679 --> 0:11:41.480
<v Speaker 3>role here, Yeah, you'll go to jail.

0:11:41.559 --> 0:11:44.040
<v Speaker 1>Yeah, they'll kill you hereon if they tell you if

0:11:44.040 --> 0:11:46.960
<v Speaker 1>you go out and Iran say you're gay, they'd kill you. Wow. Yeah,

0:11:46.960 --> 0:11:48.520
<v Speaker 1>And I'm not even gay, but I'm just saying, you know,

0:11:49.440 --> 0:11:52.400
<v Speaker 1>to of terrorist movies. I've acted in a dozen terrorist movies,

0:11:52.600 --> 0:11:56.320
<v Speaker 1>and you made some Christmas movies and now I make

0:11:56.400 --> 0:11:59.000
<v Speaker 1>Christmas movies exactly. Yeah.

0:11:59.040 --> 0:12:01.200
<v Speaker 2>Well, so how did you go so then from world

0:12:01.280 --> 0:12:05.199
<v Speaker 2>spouse to subrew selling all these SX cars at the dealers,

0:12:05.520 --> 0:12:08.640
<v Speaker 2>to then financing your first film.

0:12:09.000 --> 0:12:10.959
<v Speaker 1>Well, it was that. It was that my buddy Jared,

0:12:11.040 --> 0:12:12.840
<v Speaker 1>the film financier that we got, that bought one of

0:12:12.840 --> 0:12:16.240
<v Speaker 1>our ESX Superchargers things Aston Martin's, and he said, you

0:12:16.240 --> 0:12:17.920
<v Speaker 1>want to make a movie, introduced me to a couple

0:12:17.920 --> 0:12:20.240
<v Speaker 1>of producers, and that was I made Born a Race,

0:12:20.280 --> 0:12:22.840
<v Speaker 1>and then we did a sequel to it, which isn't

0:12:22.880 --> 0:12:25.640
<v Speaker 1>They're good? We did Borner Race Fast Track. It was

0:12:25.679 --> 0:12:28.520
<v Speaker 1>about road racing, weird Tita and then and that kind

0:12:28.520 --> 0:12:30.200
<v Speaker 1>of like I got the bug. And then from then

0:12:30.320 --> 0:12:33.200
<v Speaker 1>I just knew like I had met a gentleman, you know,

0:12:33.280 --> 0:12:37.640
<v Speaker 1>Lucas Oil. So Forrest Lucas of Lucas Oil actually saw

0:12:37.679 --> 0:12:39.680
<v Speaker 1>the first one, liked it, got involved in the second

0:12:39.720 --> 0:12:43.520
<v Speaker 1>one is a product integration. The finale of the second

0:12:43.520 --> 0:12:46.120
<v Speaker 1>movie is the Lucas Oil Cup. It's like this race

0:12:46.160 --> 0:12:48.800
<v Speaker 1>thing we did. And then he wanted to get into

0:12:48.840 --> 0:12:52.559
<v Speaker 1>the business. So we created a hybrid ESX entertainment slash

0:12:52.640 --> 0:12:55.320
<v Speaker 1>Forest Films for him and we made a dozen films

0:12:55.360 --> 0:12:58.360
<v Speaker 1>with him, and one of them was American Wrestler. They

0:12:58.760 --> 0:13:01.600
<v Speaker 1>got attention of Warner Brothers and got us to the

0:13:01.640 --> 0:13:03.959
<v Speaker 1>lot and that was the first movie they distributed from

0:13:04.000 --> 0:13:08.760
<v Speaker 1>us back in twenty seventeen. So since then, in twenty nineteen,

0:13:09.120 --> 0:13:11.120
<v Speaker 1>you know, then we started doing our own movies directly

0:13:11.160 --> 0:13:13.959
<v Speaker 1>with Warner with Netflix, with HBO Max, So it's kind

0:13:13.960 --> 0:13:16.439
<v Speaker 1>of evolved and a lot of movies in like, you know,

0:13:16.720 --> 0:13:17.440
<v Speaker 1>seven eight years.

0:13:17.520 --> 0:13:20.120
<v Speaker 3>Yeah, but I want to hear because you started he

0:13:20.200 --> 0:13:24.800
<v Speaker 3>started as an actor. So from college? What did you

0:13:24.840 --> 0:13:26.360
<v Speaker 3>major in college? Did you drama?

0:13:26.400 --> 0:13:32.920
<v Speaker 1>Major? Irani in biology? Biology? So medical was the original road.

0:13:33.600 --> 0:13:35.640
<v Speaker 1>And then how did so you were in Northridge, then

0:13:35.800 --> 0:13:38.440
<v Speaker 1>you're already in La So how did you decide to

0:13:38.440 --> 0:13:42.199
<v Speaker 1>go into acting? So my brother did, did a stunt,

0:13:42.360 --> 0:13:44.320
<v Speaker 1>started doing stunts in movies and do a little bit

0:13:44.360 --> 0:13:46.760
<v Speaker 1>of acting. And he got me. He said, hey, come

0:13:46.800 --> 0:13:49.920
<v Speaker 1>do this meeting with me. And we went and we

0:13:49.960 --> 0:13:53.280
<v Speaker 1>met this little agent like C minus agent, but the

0:13:53.320 --> 0:13:55.200
<v Speaker 1>guy like me. I was young, you know, like young

0:13:55.280 --> 0:13:57.040
<v Speaker 1>kids are easier to get roles. And he put me

0:13:57.080 --> 0:13:59.320
<v Speaker 1>out there and it was my first job. As my

0:13:59.320 --> 0:14:02.240
<v Speaker 1>second audition, I booked a roll on Saved by the Belt,

0:14:02.240 --> 0:14:04.719
<v Speaker 1>the New One, the New Class, and I was like,

0:14:05.080 --> 0:14:07.280
<v Speaker 1>this is great because I wasn't like a drama nerd.

0:14:07.320 --> 0:14:09.360
<v Speaker 1>I was in some like kid in school doing plays

0:14:09.360 --> 0:14:10.680
<v Speaker 1>and shit. I used to make fun of those others.

0:14:10.720 --> 0:14:12.400
<v Speaker 1>I was a racer. It was a wrestler racer. I

0:14:12.440 --> 0:14:14.600
<v Speaker 1>was more on the jock side, you know. But I

0:14:14.640 --> 0:14:16.439
<v Speaker 1>was like, this is fun. And I got bit by

0:14:16.440 --> 0:14:18.760
<v Speaker 1>that bug and I just started acting. And I did like,

0:14:18.840 --> 0:14:21.360
<v Speaker 1>you know, two three dozen TV shows and movies, a

0:14:21.400 --> 0:14:23.640
<v Speaker 1>lot of guest stars and top A show. It never

0:14:23.640 --> 0:14:25.280
<v Speaker 1>got a recurring I never got to that level, but

0:14:25.320 --> 0:14:27.720
<v Speaker 1>I did, like you know, sorry, I never got a regular,

0:14:27.720 --> 0:14:29.880
<v Speaker 1>but I did like six seven episodes of Jag, and

0:14:29.920 --> 0:14:31.520
<v Speaker 1>I did a couple of leads in movies like Chuck

0:14:31.600 --> 0:14:33.680
<v Speaker 1>Norris is like the bad guy, and it was fun.

0:14:33.920 --> 0:14:36.040
<v Speaker 1>But then right when I was ready to kind of

0:14:36.040 --> 0:14:38.720
<v Speaker 1>make that next step, the racing thing hit so big,

0:14:39.080 --> 0:14:40.920
<v Speaker 1>so I kind of said, oh, man, you know made

0:14:40.920 --> 0:14:43.600
<v Speaker 1>millions of dollars racing, so I couldn't have turned it down,

0:14:43.640 --> 0:14:46.360
<v Speaker 1>So you know, I do. I did miss it, but

0:14:46.400 --> 0:14:48.680
<v Speaker 1>you know, went from racing and acting and racing and

0:14:48.720 --> 0:14:51.640
<v Speaker 1>then now added you know, producing to it because kind

0:14:51.680 --> 0:14:53.400
<v Speaker 1>of all fit together, you know what I mean. But

0:14:53.440 --> 0:14:55.520
<v Speaker 1>it wasn't never by design, Like I never went to

0:14:55.560 --> 0:14:57.600
<v Speaker 1>school to be like, oh, I'm gonna do this, or

0:14:57.640 --> 0:14:59.440
<v Speaker 1>my parents, I mean, they didn't even know my mom

0:14:59.480 --> 0:15:01.880
<v Speaker 1>had termin cancer my whole life. Like when I was three,

0:15:01.880 --> 0:15:03.640
<v Speaker 1>they said she had six months to live, and she

0:15:03.680 --> 0:15:05.480
<v Speaker 1>made it till I was fifteen, so she made it

0:15:05.480 --> 0:15:08.400
<v Speaker 1>for twelve years. But like they didn't know what class

0:15:08.440 --> 0:15:09.800
<v Speaker 1>I was. It, they didn't know at school, so it

0:15:09.840 --> 0:15:12.040
<v Speaker 1>wasn't like study this. It was more more out of

0:15:12.080 --> 0:15:14.360
<v Speaker 1>like necessity, you know. And then when when she died,

0:15:14.400 --> 0:15:16.800
<v Speaker 1>my dad went to Iran. He got stuck in Iran.

0:15:17.080 --> 0:15:19.880
<v Speaker 1>They wouldn't let him out, so we actually lost our house.

0:15:19.920 --> 0:15:22.120
<v Speaker 1>We were homeless for a minute. We were like stealing

0:15:22.160 --> 0:15:25.720
<v Speaker 1>food from the Vaughns in Woodland Hills, literally, you know.

0:15:26.040 --> 0:15:28.000
<v Speaker 1>So it was just, oh, you can go to a

0:15:28.080 --> 0:15:29.720
<v Speaker 1>junk yard. You can go to pickI Parts in sun

0:15:29.800 --> 0:15:32.560
<v Speaker 1>Lindon and grab some parts and take this buick and

0:15:32.600 --> 0:15:34.480
<v Speaker 1>fix it up and then sell it and make five grand,

0:15:34.520 --> 0:15:36.480
<v Speaker 1>make three grand. And on the side you could race

0:15:36.560 --> 0:15:39.920
<v Speaker 1>the you know, the gypsies, the or the B and

0:15:40.000 --> 0:15:42.160
<v Speaker 1>D racing guys, and you know, and win another five

0:15:42.240 --> 0:15:43.680
<v Speaker 1>hundred or lose five hundred, you know what I mean.

0:15:43.680 --> 0:15:45.800
<v Speaker 1>We probably lost more than we didca. Nobody told me

0:15:45.840 --> 0:15:48.440
<v Speaker 1>about traction. They just burned out. Everywhere had this big block.

0:15:48.480 --> 0:15:49.960
<v Speaker 1>We had sixty nine olds four four two. It was

0:15:49.960 --> 0:15:51.840
<v Speaker 1>a big four to fifty five, a big block. Oh dude,

0:15:51.840 --> 0:15:53.600
<v Speaker 1>just burned out. Nobody told us. Put it on slakes.

0:15:53.800 --> 0:15:55.880
<v Speaker 1>You would run like high levens with like bad tires

0:15:55.920 --> 0:15:57.960
<v Speaker 1>and it would run like ten fifties on slakes. Well,

0:15:58.080 --> 0:16:00.360
<v Speaker 1>finally we did it. We're like, that's why we're because

0:16:00.520 --> 0:16:02.560
<v Speaker 1>you know, you're like nineteen twenty. You don't know yet,

0:16:02.600 --> 0:16:05.160
<v Speaker 1>you know, So anyway, say I'm going off on a tangent.

0:16:05.200 --> 0:16:06.840
<v Speaker 1>So that's kind of how it. That's kind of how

0:16:06.840 --> 0:16:10.600
<v Speaker 1>It came from like just necessity and then the racing. Oh,

0:16:10.680 --> 0:16:12.240
<v Speaker 1>people are going to be paying me to build their

0:16:12.240 --> 0:16:13.560
<v Speaker 1>cars because we used to have a shop and we

0:16:13.560 --> 0:16:15.600
<v Speaker 1>had a dynam and we'd build up superrews. Then we

0:16:15.640 --> 0:16:17.680
<v Speaker 1>built those our own line of suber Rus and the

0:16:17.720 --> 0:16:20.560
<v Speaker 1>racing became really big with subru and just kind of

0:16:20.600 --> 0:16:23.040
<v Speaker 1>you know, I still own like twenty thirty cars now

0:16:23.080 --> 0:16:25.680
<v Speaker 1>and just have fun with wide range of cars and

0:16:25.920 --> 0:16:28.080
<v Speaker 1>I'm excited to go back out. You know, I tried

0:16:28.120 --> 0:16:29.800
<v Speaker 1>my race suit on. Its fit, but man, is it

0:16:29.840 --> 0:16:33.000
<v Speaker 1>tight this covid weight. Like you know, I was like,

0:16:33.480 --> 0:16:35.640
<v Speaker 1>because I'm going to be like inhaling the whole time,

0:16:35.800 --> 0:16:37.280
<v Speaker 1>you know, because I don't want to get a two piece.

0:16:37.280 --> 0:16:38.960
<v Speaker 1>I don't want to have the say, a dad suit.

0:16:40.040 --> 0:16:41.440
<v Speaker 1>I don't want a two piece. I still have like

0:16:41.440 --> 0:16:42.440
<v Speaker 1>a one piece. Like I'm cool.

0:16:42.480 --> 0:16:42.760
<v Speaker 2>And you know.

0:16:57.920 --> 0:17:01.640
<v Speaker 3>Your first movie, Born to Race was our obviously car centric.

0:17:02.080 --> 0:17:03.120
<v Speaker 3>Well what's that film about.

0:17:03.440 --> 0:17:05.600
<v Speaker 1>That film's about a young kid. It's basically a super

0:17:05.720 --> 0:17:09.840
<v Speaker 1>commercial super commercial. So it's a young kid that gets

0:17:09.840 --> 0:17:13.080
<v Speaker 1>in trouble street racing and loses his sponsorship and gets

0:17:13.119 --> 0:17:15.440
<v Speaker 1>sent to live with his dad in this small town

0:17:15.800 --> 0:17:18.159
<v Speaker 1>that's all domestic driven. So the bad guy has a

0:17:18.200 --> 0:17:19.720
<v Speaker 1>brand you at that time as a brand you O

0:17:19.920 --> 0:17:22.240
<v Speaker 1>five Mustang, you know, with a five site with a

0:17:22.240 --> 0:17:26.200
<v Speaker 1>five zero Mustang. So it was import versus domestic, big

0:17:26.240 --> 0:17:29.680
<v Speaker 1>city kid, small town and you know, kind of like

0:17:29.720 --> 0:17:33.359
<v Speaker 1>it's stick your fun typical love store love story intertwined,

0:17:33.359 --> 0:17:35.800
<v Speaker 1>but it's about you know, David versus Goliath. And the

0:17:35.880 --> 0:17:38.200
<v Speaker 1>kid ends up going to a real NHR e race

0:17:38.200 --> 0:17:40.199
<v Speaker 1>because we got Nharry to sponsor the movie, which was

0:17:40.240 --> 0:17:43.159
<v Speaker 1>another task by itself. So he gets trouble street racing

0:17:43.200 --> 0:17:45.240
<v Speaker 1>even with the dad, but then the dad's a mechanics

0:17:45.280 --> 0:17:46.880
<v Speaker 1>so he helps him and they go to a real

0:17:46.960 --> 0:17:49.320
<v Speaker 1>the NHR High School Drags, which I actually won in

0:17:49.400 --> 0:17:51.320
<v Speaker 1>ninety one when I because there is such thing as

0:17:51.320 --> 0:17:53.919
<v Speaker 1>an NHI High School Drag. So he goes there, does

0:17:53.960 --> 0:17:56.520
<v Speaker 1>it legitimately and safely, and ends up winning in the

0:17:56.760 --> 0:17:58.480
<v Speaker 1>and if you I'm ruined it for people that haven't

0:17:58.520 --> 0:18:00.520
<v Speaker 1>seen it. But there's a big crash at the end

0:18:00.560 --> 0:18:03.119
<v Speaker 1>and the kid gets out of his car and pulls

0:18:03.160 --> 0:18:05.359
<v Speaker 1>the bad kid out of the Mustang and saves his

0:18:05.400 --> 0:18:07.400
<v Speaker 1>life and it explodes, so he kind of like it's

0:18:07.480 --> 0:18:10.359
<v Speaker 1>kind of a cool ending about these two guys coming together.

0:18:10.480 --> 0:18:12.320
<v Speaker 3>You know, how do I why do I not know

0:18:12.400 --> 0:18:14.959
<v Speaker 3>this movie?

0:18:15.160 --> 0:18:15.400
<v Speaker 1>No?

0:18:15.280 --> 0:18:15.320
<v Speaker 2>No.

0:18:15.440 --> 0:18:17.840
<v Speaker 1>Twelve, ten twelve something.

0:18:17.600 --> 0:18:18.760
<v Speaker 2>Like that around that time. Yeah.

0:18:18.840 --> 0:18:20.520
<v Speaker 1>Yeah, it was our first one. It's called Born Race.

0:18:20.640 --> 0:18:22.560
<v Speaker 1>It became kind of a cult hit. It was number

0:18:22.600 --> 0:18:25.359
<v Speaker 1>one movie on Netflix for on the action adventure series,

0:18:25.480 --> 0:18:28.560
<v Speaker 1>is number one on for for car action and for

0:18:28.680 --> 0:18:30.879
<v Speaker 1>car films, and that then car culture. This movie. So

0:18:31.040 --> 0:18:33.760
<v Speaker 1>it's quarter mile, it's about quarter miles. It's about street racing,

0:18:35.200 --> 0:18:40.200
<v Speaker 1>but it's high school. Yeah, so yeah, it's June. I mean, listen, Amelia,

0:18:40.200 --> 0:18:43.800
<v Speaker 1>I watched it, that movie right, Yeah, but the whole

0:18:43.800 --> 0:18:46.680
<v Speaker 1>movie we did for like eight hunder Grand, No, eight

0:18:46.760 --> 0:18:51.200
<v Speaker 1>under Grand. Yeah, and I got pet Boys, Subaru, Grant

0:18:51.240 --> 0:18:54.800
<v Speaker 1>steering wheels for Rea Holly. Everybody sponsored it. What did

0:18:54.880 --> 0:18:58.600
<v Speaker 1>you do money before eight Undergrad? I didn't know any better.

0:18:59.440 --> 0:19:01.360
<v Speaker 1>It's like, not tell story.

0:19:01.119 --> 0:19:02.560
<v Speaker 2>Where you got people to show up to the race.

0:19:02.720 --> 0:19:04.800
<v Speaker 1>Yes, I'm not drinking the Hollywood kool aid, just doing

0:19:04.840 --> 0:19:07.360
<v Speaker 1>it your own way. We posted on it was Facebook.

0:19:07.359 --> 0:19:09.320
<v Speaker 1>There was no Instagram, man at that time. We actually

0:19:09.440 --> 0:19:12.080
<v Speaker 1>posted on Facebook, and I think my Space was dead

0:19:12.080 --> 0:19:14.680
<v Speaker 1>by then. But like we went online and just posted say, hey, guys,

0:19:14.880 --> 0:19:17.239
<v Speaker 1>come out, bring your car to the street races and

0:19:17.280 --> 0:19:19.320
<v Speaker 1>the main races at California Speedway when they still had

0:19:19.320 --> 0:19:21.679
<v Speaker 1>the drag strip, and we'll give you food. Be in

0:19:21.680 --> 0:19:23.840
<v Speaker 1>the movie. And that was it. Like four hundred cars

0:19:23.880 --> 0:19:24.280
<v Speaker 1>showed up.

0:19:24.640 --> 0:19:26.879
<v Speaker 2>Did you have a fear at any point at that

0:19:27.040 --> 0:19:28.720
<v Speaker 2>time that you weren't going to make them back the

0:19:28.720 --> 0:19:31.640
<v Speaker 2>money your first film, taking out such a mass.

0:19:31.480 --> 0:19:34.240
<v Speaker 1>Was like the second producer that one. I wasn't the

0:19:34.280 --> 0:19:36.280
<v Speaker 1>first producer, so it was really wasn't on my back,

0:19:36.320 --> 0:19:39.280
<v Speaker 1>and I did it for free. Actually cost me thirty

0:19:39.280 --> 0:19:41.840
<v Speaker 1>grands because we used my buddy sixty nine Chavelle, tanked

0:19:41.840 --> 0:19:43.560
<v Speaker 1>his motor and training. I had the rebuils monor in

0:19:43.560 --> 0:19:45.280
<v Speaker 1>training for I got him a new one because they

0:19:45.320 --> 0:19:47.080
<v Speaker 1>were doing the burnout in the water box in reverse

0:19:48.160 --> 0:19:51.119
<v Speaker 1>dead in reverse, so almost smoking. I'm like, what are

0:19:51.119 --> 0:19:52.879
<v Speaker 1>you doing with the fucks? So we brew up his

0:19:52.920 --> 0:19:55.080
<v Speaker 1>motor and training. He's a nice guy. So it actually

0:19:55.119 --> 0:19:57.399
<v Speaker 1>cost me money. And I didn't get paid for that

0:19:57.440 --> 0:19:59.240
<v Speaker 1>one because it's more like a learning experience for me.

0:19:59.480 --> 0:20:01.399
<v Speaker 1>So I'll do for free, and I brought money to

0:20:01.480 --> 0:20:03.520
<v Speaker 1>the movie. I brought free money, couple hundred thousand free

0:20:03.520 --> 0:20:05.520
<v Speaker 1>money to the movie. So for me, that was like

0:20:05.560 --> 0:20:07.760
<v Speaker 1>my acting school. That was like my producing school. So

0:20:07.840 --> 0:20:09.360
<v Speaker 1>I wasn't worried about it because it wasn't.

0:20:09.160 --> 0:20:11.200
<v Speaker 2>A strier than college tuition. Thirty five.

0:20:11.520 --> 0:20:12.560
<v Speaker 1>Yeah, it was a good little movie.

0:20:12.600 --> 0:20:15.360
<v Speaker 3>As you know, if you were to give a young

0:20:15.480 --> 0:20:18.040
<v Speaker 3>version of your self advice, right, I wanted to come

0:20:18.080 --> 0:20:19.240
<v Speaker 3>to town and be.

0:20:19.520 --> 0:20:21.800
<v Speaker 1>That's how the manager sold. She goes, you know your dad,

0:20:22.040 --> 0:20:24.159
<v Speaker 1>your mom passed away fifteen, her dad passed away fifteen.

0:20:24.200 --> 0:20:26.320
<v Speaker 1>You love acting, you love cars. She's like the twenty

0:20:26.400 --> 0:20:28.320
<v Speaker 1>year younger version of you're trying to do you. Yeah,

0:20:28.320 --> 0:20:29.719
<v Speaker 1>that's how I meant her. That's how I was like, oh,

0:20:29.800 --> 0:20:31.880
<v Speaker 1>get fine. Yeah, and then she's coolest.

0:20:31.960 --> 0:20:34.560
<v Speaker 3>I was like, yeah, because talent's important and it'll keep

0:20:34.560 --> 0:20:36.280
<v Speaker 3>you there. But you know, that's not the only thing

0:20:36.320 --> 0:20:39.160
<v Speaker 3>that is important to become successful in talent. I mean

0:20:39.320 --> 0:20:41.760
<v Speaker 3>you started acting without even knowing that you wanted to

0:20:41.800 --> 0:20:45.560
<v Speaker 3>be an actor. What traits do you think you possessed

0:20:45.600 --> 0:20:48.159
<v Speaker 3>that allowed you to get to where you are today?

0:20:48.560 --> 0:20:51.840
<v Speaker 1>As you would know, wrestling, getting your ass kicked in

0:20:51.880 --> 0:20:55.320
<v Speaker 1>life physically, and you know, like when you're an immigrant,

0:20:55.760 --> 0:20:58.600
<v Speaker 1>a bad immigrant. In the American's eyes, you're getting bullied

0:20:58.640 --> 0:21:01.600
<v Speaker 1>the fuck out of it because they're your country's holding hostages.

0:21:01.640 --> 0:21:03.600
<v Speaker 1>At the time you moved here. It's like the worst

0:21:03.600 --> 0:21:05.439
<v Speaker 1>thing you are is be fucking your onion with and

0:21:05.440 --> 0:21:07.240
<v Speaker 1>then all the terrorists in the nine elevens and shit,

0:21:07.240 --> 0:21:09.959
<v Speaker 1>they've always happened since having your mom die at a

0:21:09.960 --> 0:21:13.280
<v Speaker 1>young age, knowing how short life is, living in high

0:21:13.280 --> 0:21:15.679
<v Speaker 1>school with different friends, being homeless, I think it's the

0:21:15.760 --> 0:21:20.760
<v Speaker 1>hardships that immigrant and paired with hardships just gives you

0:21:20.800 --> 0:21:23.760
<v Speaker 1>a different fight. And then, like my wrestling coach said,

0:21:23.800 --> 0:21:26.040
<v Speaker 1>like he said, listen, if you can wrestle and you

0:21:26.080 --> 0:21:28.520
<v Speaker 1>put your heart in it, win or lose, this will

0:21:28.520 --> 0:21:30.119
<v Speaker 1>be the best thing for your life because you can

0:21:30.160 --> 0:21:32.240
<v Speaker 1>go through anything. Because wrestling, as you know, is so

0:21:32.359 --> 0:21:35.720
<v Speaker 1>fucking hard. It's not fun. Nobody has fun wrestling. It's

0:21:35.720 --> 0:21:37.720
<v Speaker 1>like you just getting your asking the whole time. Even

0:21:37.920 --> 0:21:39.840
<v Speaker 1>when you win, you're bleeding and tired, you know what

0:21:39.880 --> 0:21:44.920
<v Speaker 1>I mean. So it was just like, tough circumstances give

0:21:45.000 --> 0:21:47.160
<v Speaker 1>you a different kind of fight and a different kind

0:21:47.240 --> 0:21:50.040
<v Speaker 1>of awareness that I think Unfortunately a lot of my

0:21:50.040 --> 0:21:52.679
<v Speaker 1>American friends, they take it for granted. They take like

0:21:52.960 --> 0:21:55.280
<v Speaker 1>the kind of bash America and bash the left or

0:21:55.320 --> 0:21:58.000
<v Speaker 1>bash the right. I'm like, are you kidding? I can

0:21:58.040 --> 0:21:59.760
<v Speaker 1>walk down the street and say hello to her and

0:21:59.760 --> 0:22:01.720
<v Speaker 1>give her hugging a kiss and I'm not gonna get

0:22:02.119 --> 0:22:04.520
<v Speaker 1>put in jail. She's not gonna get killed like the.

0:22:04.960 --> 0:22:06.600
<v Speaker 2>Kiss you guys.

0:22:06.760 --> 0:22:10.439
<v Speaker 1>Just so, I think it's that. I think it's just

0:22:10.520 --> 0:22:15.320
<v Speaker 1>like having those fucked up circumstances and then surviving it

0:22:15.400 --> 0:22:18.080
<v Speaker 1>and learning how to be you know, getting through it

0:22:18.520 --> 0:22:21.040
<v Speaker 1>more specifically with I think that does it just open

0:22:21.080 --> 0:22:25.240
<v Speaker 1>your eyes to be aware of your surroundings, as Forrest

0:22:25.240 --> 0:22:27.320
<v Speaker 1>taught me, as Tom Dahl taught me. The all gave

0:22:27.359 --> 0:22:30.359
<v Speaker 1>me different lessons. All these big CEOs and multi you know,

0:22:30.400 --> 0:22:33.000
<v Speaker 1>self made billionaire guys like I learned from them. So

0:22:33.040 --> 0:22:34.480
<v Speaker 1>I soak it in. I'm like, how did you do it?

0:22:34.480 --> 0:22:36.240
<v Speaker 1>I literally asked them, how did you do it? You know?

0:22:36.640 --> 0:22:39.760
<v Speaker 1>And it's like, be kind, be honest, work hard, which

0:22:39.800 --> 0:22:42.679
<v Speaker 1>is kind of cheesy, but then just be aware of

0:22:42.680 --> 0:22:46.760
<v Speaker 1>what other people want, not not just selflessly in a

0:22:47.200 --> 0:22:49.240
<v Speaker 1>way that could help everybody, you know, super wanted to

0:22:49.240 --> 0:22:51.920
<v Speaker 1>get into this fast and furious world. We literally called

0:22:51.920 --> 0:22:54.280
<v Speaker 1>it the fast and furious world to such a big

0:22:54.359 --> 0:22:58.399
<v Speaker 1>genre and lifestyle, and you know the Ride movie with

0:22:58.480 --> 0:23:01.359
<v Speaker 1>Chris it's the bike life. Life is getting big, you know,

0:23:01.400 --> 0:23:03.159
<v Speaker 1>so like that was a whole bike life thing. So

0:23:03.200 --> 0:23:05.879
<v Speaker 1>like trying to just like kind of being aware of

0:23:05.880 --> 0:23:08.760
<v Speaker 1>what your surroundings are, what people want, what brands want,

0:23:08.840 --> 0:23:11.440
<v Speaker 1>what high net worth people want, what the business wants,

0:23:11.480 --> 0:23:13.840
<v Speaker 1>and putting it all together, you know what I mean.

0:23:14.200 --> 0:23:15.600
<v Speaker 1>I don't know if that's helpful for ating kids.

0:23:15.640 --> 0:23:17.920
<v Speaker 2>There are people think correct, Yeah, no, I think that's

0:23:17.960 --> 0:23:21.400
<v Speaker 2>super helpful, and I will second to losing a parent

0:23:21.480 --> 0:23:23.560
<v Speaker 2>at a young age. I feel like it does give

0:23:23.600 --> 0:23:27.400
<v Speaker 2>you kind of a drive in a way because at

0:23:27.440 --> 0:23:29.800
<v Speaker 2>a young age, at least for me, I realized that

0:23:29.880 --> 0:23:31.399
<v Speaker 2>I was on my own and I would have to

0:23:31.440 --> 0:23:33.280
<v Speaker 2>create my own future because it wasn't something that was

0:23:33.320 --> 0:23:36.560
<v Speaker 2>going to be handed to me. So I do think

0:23:36.600 --> 0:23:39.359
<v Speaker 2>that there's in a lot of stories where I meet

0:23:39.400 --> 0:23:41.600
<v Speaker 2>people who are highly driven, and in a way I

0:23:41.640 --> 0:23:43.680
<v Speaker 2>would say that you know, you lost your dacause you

0:23:43.680 --> 0:23:46.919
<v Speaker 2>didn't have a relationship with them too. That that, you know,

0:23:47.240 --> 0:23:50.200
<v Speaker 2>is a common trait that I see in people who

0:23:50.440 --> 0:23:54.680
<v Speaker 2>are highly motivated work very hard and also care about

0:23:54.680 --> 0:23:58.520
<v Speaker 2>self help and bettering their future and helping others at

0:23:58.520 --> 0:23:59.000
<v Speaker 2>the same time.

0:23:59.240 --> 0:24:02.840
<v Speaker 1>Yeah, and also I mean when you don't have parents,

0:24:02.880 --> 0:24:04.160
<v Speaker 1>you gotta survive.

0:24:04.600 --> 0:24:04.800
<v Speaker 2>Yeah.

0:24:04.840 --> 0:24:06.600
<v Speaker 1>A lot of it is like you got to you

0:24:06.680 --> 0:24:09.040
<v Speaker 1>got to hustle, like you know, fight or flight. Yeah.

0:24:09.080 --> 0:24:11.800
<v Speaker 3>When you say you know, be you know, be aware

0:24:11.840 --> 0:24:14.320
<v Speaker 3>of your surroundings and be aware of the people around

0:24:14.359 --> 0:24:16.399
<v Speaker 3>you and what they like, it's like part of that

0:24:16.560 --> 0:24:19.600
<v Speaker 3>is like a survival instinct. Yeah, because you know you're alone,

0:24:19.640 --> 0:24:21.960
<v Speaker 3>like you don't have somebody to go home to that

0:24:22.200 --> 0:24:24.960
<v Speaker 3>you know, there's no insurance, like, it's just you.

0:24:25.119 --> 0:24:27.560
<v Speaker 1>Plan being Yeah, well that's why. And you go like,

0:24:27.640 --> 0:24:30.320
<v Speaker 1>wait a minute, I can make ten dollars by selling this.

0:24:31.160 --> 0:24:32.600
<v Speaker 1>I used to go to drug yards and buy cars,

0:24:32.640 --> 0:24:34.080
<v Speaker 1>fix them up and sell them. That was great. But

0:24:34.080 --> 0:24:35.119
<v Speaker 1>then you're like, wait a minute, you can make a

0:24:35.119 --> 0:24:37.239
<v Speaker 1>little bit more by fixing hot rods, or oh now

0:24:37.280 --> 0:24:39.199
<v Speaker 1>you can go actually race and make more money. And

0:24:39.200 --> 0:24:41.320
<v Speaker 1>then oh wait, you can out make make movies. And

0:24:41.359 --> 0:24:43.280
<v Speaker 1>it's not just about the money. It's ay, I love

0:24:43.359 --> 0:24:45.639
<v Speaker 1>doing that stuff as well, but but it was it

0:24:45.680 --> 0:24:49.080
<v Speaker 1>was a way of like valuing the money and the

0:24:49.080 --> 0:24:51.880
<v Speaker 1>opportunities where I hate to say it, but a lot

0:24:51.880 --> 0:24:54.000
<v Speaker 1>of the you know, like a lot of my American

0:24:54.040 --> 0:24:56.280
<v Speaker 1>friends don't they take it for granted. It's just they're

0:24:56.280 --> 0:24:57.720
<v Speaker 1>born with it. I don't want to say it's like that,

0:24:57.880 --> 0:24:59.800
<v Speaker 1>you know whatever. I'm not woke like that, so I

0:24:59.800 --> 0:25:03.159
<v Speaker 1>don't use the right terminologies, but it's like it's you know,

0:25:03.200 --> 0:25:05.879
<v Speaker 1>they just like they don't put in that extra effort.

0:25:06.080 --> 0:25:08.120
<v Speaker 1>You know. They always yell at me like, oh, you're

0:25:08.160 --> 0:25:10.879
<v Speaker 1>rushing or you're doing things too fat am I? You

0:25:10.920 --> 0:25:13.000
<v Speaker 1>know what I mean, Like, let's put it solid ten

0:25:13.040 --> 0:25:15.400
<v Speaker 1>hours in today and see what happens. Let's not put

0:25:15.440 --> 0:25:17.919
<v Speaker 1>six in and just wait. You know, just because it's

0:25:17.960 --> 0:25:20.440
<v Speaker 1>Sunday doesn't mean we can't do something, you know what

0:25:20.520 --> 0:25:23.240
<v Speaker 1>I mean, Like why who made these rules? You know?

0:25:23.640 --> 0:25:25.639
<v Speaker 1>And it gets you to be aware of like you know,

0:25:25.680 --> 0:25:27.680
<v Speaker 1>stay up through the night, you know, and also racing

0:25:27.680 --> 0:25:30.399
<v Speaker 1>when you're racing. We were up many nights through the

0:25:30.480 --> 0:25:32.200
<v Speaker 1>night getting the car ready for the race. The next

0:25:32.200 --> 0:25:34.200
<v Speaker 1>morning it was raining in English Town, New Jersey, and

0:25:34.240 --> 0:25:37.080
<v Speaker 1>the rain they're replacing motors because our tarp thing broke.

0:25:37.280 --> 0:25:39.960
<v Speaker 1>Is like when you do that, it's kind of same

0:25:40.000 --> 0:25:42.840
<v Speaker 1>with wrestling, like that last ten seconds of the third

0:25:42.880 --> 0:25:44.720
<v Speaker 1>round when you can't even breathe anymore, you feel like

0:25:44.760 --> 0:25:47.320
<v Speaker 1>you're gonna throw up, and you still throw that duck

0:25:47.440 --> 0:25:49.560
<v Speaker 1>under or the fireman's carry or whatever. You guys are

0:25:49.600 --> 0:25:51.160
<v Speaker 1>big guys. You didn't throw those Those are two heavy

0:25:51.280 --> 0:25:53.159
<v Speaker 1>but double leg, you know what I mean, or some

0:25:53.280 --> 0:25:53.720
<v Speaker 1>kind of throw.

0:25:54.040 --> 0:25:56.760
<v Speaker 2>It's also cool to see like what you're capable as

0:25:56.760 --> 0:25:58.760
<v Speaker 2>a human being of doing. So Like in the moment

0:25:58.800 --> 0:26:01.320
<v Speaker 2>you may be like, oh, it's my hands are bleeding

0:26:01.440 --> 0:26:04.199
<v Speaker 2>from you know, turning wrenches trying to get this car

0:26:04.240 --> 0:26:06.240
<v Speaker 2>ready for tomorrow. And in the moment you're like, oh,

0:26:06.359 --> 0:26:08.520
<v Speaker 2>I can't, Why am I doing this? And the next

0:26:08.600 --> 0:26:10.159
<v Speaker 2>day you're like, I'm so glad I did this. That

0:26:10.240 --> 0:26:12.080
<v Speaker 2>was so cool. Now I know I can do it,

0:26:12.680 --> 0:26:14.520
<v Speaker 2>and just constantly pushing yourself.

0:26:14.240 --> 0:26:16.720
<v Speaker 1>Totally totally yeah. And in the moment it's actually afterwards

0:26:16.760 --> 0:26:19.560
<v Speaker 1>the words winner lose. It's like you feel good that

0:26:19.640 --> 0:26:20.000
<v Speaker 1>you did it.

0:26:20.040 --> 0:26:22.359
<v Speaker 3>You know, you think building cars has helped you be

0:26:22.440 --> 0:26:25.160
<v Speaker 3>a good producer, help your producing.

0:26:25.640 --> 0:26:27.919
<v Speaker 1>It's a good question. I mean, it's kind of funny

0:26:27.920 --> 0:26:30.239
<v Speaker 1>because people always ask me, like, how did you get

0:26:30.240 --> 0:26:33.080
<v Speaker 1>into building cars? And I'm a big remote control car fan,

0:26:33.520 --> 0:26:36.239
<v Speaker 1>so I grew up put building the RC cars, you know,

0:26:36.280 --> 0:26:38.320
<v Speaker 1>like those old t MEA kids, those Japanese kids. You

0:26:38.359 --> 0:26:40.440
<v Speaker 1>can't you have put them together. So I have like

0:26:40.560 --> 0:26:42.000
<v Speaker 1>hundreds of them still, I have them from the eighties.

0:26:42.000 --> 0:26:44.359
<v Speaker 1>I have a whole collection, and like those help me

0:26:44.400 --> 0:26:47.400
<v Speaker 1>build the car. And then the car. It does help

0:26:47.440 --> 0:26:51.000
<v Speaker 1>you put pieces together because it's all mechanical. You put

0:26:51.040 --> 0:26:53.000
<v Speaker 1>the engine together, you put the rings in the right way,

0:26:53.000 --> 0:26:54.280
<v Speaker 1>you put the bear, and you put the crank, and

0:26:54.280 --> 0:26:58.159
<v Speaker 1>you tighten it to this amount, and you add you

0:27:00.160 --> 0:27:02.400
<v Speaker 1>had the fuel, you had gas, you had air. It's

0:27:02.400 --> 0:27:03.800
<v Speaker 1>gonna work, you know what I mean, Like whatever you

0:27:03.880 --> 0:27:07.159
<v Speaker 1>use nitrous fuel, air, Yeah, you put it fire to

0:27:07.200 --> 0:27:08.359
<v Speaker 1>it and it's going to work. And the movie is

0:27:08.440 --> 0:27:10.800
<v Speaker 1>kind of movie business is actually easier than cars. There's

0:27:10.840 --> 0:27:12.600
<v Speaker 1>a lot of shipping cars because you're not there trying

0:27:12.600 --> 0:27:15.480
<v Speaker 1>to make the camera roll quicker than ever, you know,

0:27:15.520 --> 0:27:17.880
<v Speaker 1>And our movies aren't like crazy stunt driven like your

0:27:17.880 --> 0:27:20.159
<v Speaker 1>guys are VFX stuff. So we're not like Jim Cameron

0:27:20.200 --> 0:27:23.280
<v Speaker 1>trying to reinvent a way to see blue people floating

0:27:23.280 --> 0:27:25.320
<v Speaker 1>in water. We're just doing We do a lot of

0:27:25.359 --> 0:27:28.399
<v Speaker 1>practical action. You know, when we're racing, we're actually racing

0:27:28.680 --> 0:27:31.480
<v Speaker 1>flipping cars. We're really flipping and we'll throw some VFX in,

0:27:31.560 --> 0:27:34.520
<v Speaker 1>like you know, fires and explosions and stuff. But so

0:27:34.800 --> 0:27:38.080
<v Speaker 1>for me, the building the cars and running the race

0:27:38.119 --> 0:27:41.080
<v Speaker 1>team and the personalities. Talk about producing, it's all about

0:27:41.080 --> 0:27:43.879
<v Speaker 1>the personalities that MIPI fuck. It's like you got eighty people.

0:27:43.920 --> 0:27:47.320
<v Speaker 1>They all are different people, different walks of life, and

0:27:47.960 --> 0:27:50.119
<v Speaker 1>that's the tough one. Is like to get every from

0:27:50.160 --> 0:27:53.960
<v Speaker 1>the star to the craft service guy to not hurt themselves,

0:27:54.000 --> 0:27:57.159
<v Speaker 1>be safe, get along. And my biggest thing to this

0:27:57.240 --> 0:28:00.280
<v Speaker 1>set is like the stickers, like no drama whenever old

0:28:00.320 --> 0:28:03.440
<v Speaker 1>ages used to do that is we're just fucking making

0:28:03.520 --> 0:28:06.000
<v Speaker 1>a movie. Guys. No one's crying ass cancer. It's like

0:28:06.000 --> 0:28:08.439
<v Speaker 1>you probably heard me say that. It's like relax, just

0:28:08.480 --> 0:28:10.359
<v Speaker 1>making a movie. It should be fun. Everybody takes it

0:28:10.359 --> 0:28:12.439
<v Speaker 1>a little too seriously, Like no, dude, it's like you

0:28:12.480 --> 0:28:14.840
<v Speaker 1>know when your parents die at fifteen, or you know,

0:28:15.000 --> 0:28:17.760
<v Speaker 1>challenges you've had, those are challenges. This is no challenge

0:28:17.760 --> 0:28:19.239
<v Speaker 1>at all, you know what I mean? Like, this is

0:28:19.400 --> 0:28:22.000
<v Speaker 1>so what we'll lose an hour? You're the fuck I

0:28:22.000 --> 0:28:24.439
<v Speaker 1>think that that also helped, you know, but knowing how

0:28:24.480 --> 0:28:26.879
<v Speaker 1>things work is always good too, like knowing what it is,

0:28:26.920 --> 0:28:29.360
<v Speaker 1>like knowing how this microphone records to that hard drive

0:28:29.400 --> 0:28:32.000
<v Speaker 1>and how it's gonna get edited. Like if you know,

0:28:32.280 --> 0:28:34.240
<v Speaker 1>then whoever you hire to do it, you know what

0:28:34.320 --> 0:28:37.160
<v Speaker 1>to tell. You're not just some suit coming in saying

0:28:37.160 --> 0:28:38.840
<v Speaker 1>do this when you actually don't know how it works,

0:28:38.880 --> 0:28:40.200
<v Speaker 1>you know what I mean. The guy's like, well, the

0:28:40.280 --> 0:28:42.440
<v Speaker 1>data stream isn't that quick. I can't upload it that

0:28:42.560 --> 0:28:45.360
<v Speaker 1>fast thing, you know what I mean. So mechanics definitely

0:28:45.440 --> 0:28:47.720
<v Speaker 1>help with that stuff. Plus for me, it's the adrenaline

0:28:47.760 --> 0:28:49.800
<v Speaker 1>of racing, Like I love going fast, Like I've never

0:28:49.800 --> 0:28:52.880
<v Speaker 1>been drunk in my life, don't do drugs, kind of

0:28:52.920 --> 0:28:54.640
<v Speaker 1>like a nerd in that aspect, you know. I've got

0:28:54.640 --> 0:28:56.360
<v Speaker 1>in trouble with the police, but it's always street racing.

0:28:56.440 --> 0:28:58.720
<v Speaker 1>So that for me is my high, you know. And

0:28:58.760 --> 0:29:00.680
<v Speaker 1>I have I mean the car I have now is lucky.

0:29:00.760 --> 0:29:02.840
<v Speaker 1>When I drove here, I'm lucky if it has seven horsepower,

0:29:02.960 --> 0:29:04.040
<v Speaker 1>you know, But then I have cars I have two

0:29:04.040 --> 0:29:07.080
<v Speaker 1>thousand horse power. So like cars, the freedom they represent,

0:29:07.240 --> 0:29:12.160
<v Speaker 1>the fresh air, the speed, the adrenaline just being able to,

0:29:12.240 --> 0:29:14.040
<v Speaker 1>you know, go out and do it. And I also

0:29:14.120 --> 0:29:16.120
<v Speaker 1>love the aesthetics of like old cars, to have a

0:29:16.120 --> 0:29:19.440
<v Speaker 1>big classic car. Fan of the looks of that stuff.

0:29:19.560 --> 0:29:23.120
<v Speaker 1>Me too. Yeah, what's your favorite? The sixty eight fastback

0:29:23.240 --> 0:29:26.000
<v Speaker 1>Mustang is my favorite? Sixty eight. I love the sixty six.

0:29:26.280 --> 0:29:28.760
<v Speaker 1>You like the lights's going in in the back. I

0:29:28.840 --> 0:29:30.239
<v Speaker 1>like the lights coming out a little bit.

0:29:30.400 --> 0:29:33.000
<v Speaker 3>I like it because it's it was in the bullet Yeah.

0:29:33.720 --> 0:29:35.640
<v Speaker 3>I like that forest green color.

0:29:35.760 --> 0:29:38.920
<v Speaker 1>That's a bad color. Yeah, but I'll never buy it

0:29:39.000 --> 0:29:41.720
<v Speaker 1>because I like to dream. Oh you don't. You don't

0:29:41.720 --> 0:29:42.400
<v Speaker 1>want to have it? Yeah.

0:29:42.400 --> 0:29:45.880
<v Speaker 3>I like to go on Facebook marketplace and offer up.

0:29:46.000 --> 0:29:48.400
<v Speaker 3>And when Craigslist was the thing, yeah, I would go

0:29:48.480 --> 0:29:50.920
<v Speaker 3>and search for these cars and then I would actually

0:29:50.920 --> 0:29:54.120
<v Speaker 3>go visit the owners and you know and yeah, kick

0:29:54.200 --> 0:29:56.000
<v Speaker 3>the tires. And you didn't want to buy it, though,

0:29:56.040 --> 0:29:57.160
<v Speaker 3>are you? Because then it's over?

0:29:57.560 --> 0:29:58.120
<v Speaker 1>That's true.

0:29:58.200 --> 0:30:00.760
<v Speaker 3>You know, it's like because you can. They're not that

0:30:01.000 --> 0:30:03.280
<v Speaker 3>ex I mean, they're expensive, but you can. I mean

0:30:03.320 --> 0:30:05.880
<v Speaker 3>at one time I was I was saying something and

0:30:05.960 --> 0:30:08.360
<v Speaker 3>when the economy wasn't that great, they were like fully

0:30:08.400 --> 0:30:12.200
<v Speaker 3>rebuilt restored. One was like forty forty five grand you

0:30:12.200 --> 0:30:14.840
<v Speaker 3>could daily drive that. I thought about it, and I

0:30:14.880 --> 0:30:17.400
<v Speaker 3>was like, you know, I really like the pursuit.

0:30:17.000 --> 0:30:17.600
<v Speaker 1>Of the hunt.

0:30:18.200 --> 0:30:21.360
<v Speaker 3>And I love going out and meeting these owners that

0:30:21.440 --> 0:30:24.560
<v Speaker 3>put their heart into it and hearing the origin story

0:30:24.640 --> 0:30:27.440
<v Speaker 3>of why they have this car and then like like

0:30:27.480 --> 0:30:29.200
<v Speaker 3>to go home and then do it again.

0:30:30.400 --> 0:30:30.680
<v Speaker 1>Over.

0:30:32.200 --> 0:30:33.400
<v Speaker 2>It's weird, you know.

0:30:33.480 --> 0:30:36.720
<v Speaker 1>It's like you have the cars, you know, I own

0:30:36.760 --> 0:30:38.280
<v Speaker 1>to any cars, same thing. You're like, oh, what you

0:30:38.280 --> 0:30:40.400
<v Speaker 1>get it is? It does put the fire out? Don't

0:30:40.560 --> 0:30:41.680
<v Speaker 1>enough time to drive them all? Yeah?

0:30:41.720 --> 0:30:43.840
<v Speaker 3>I mean, and as I get older, like I love

0:30:44.200 --> 0:30:47.280
<v Speaker 3>like restoring these cars, like I have this Hachiroku, this

0:30:47.320 --> 0:30:51.479
<v Speaker 3>Toyota Corolla yea. And for about four months it was

0:30:51.520 --> 0:30:55.640
<v Speaker 3>this like night and day obsession, right, and then meeting

0:30:55.680 --> 0:30:58.200
<v Speaker 3>people in the community that helped me find these like

0:30:58.280 --> 0:31:00.880
<v Speaker 3>rare parts and then you know, they come over and

0:31:00.920 --> 0:31:03.000
<v Speaker 3>they'd like to help me create a wire harness for

0:31:03.120 --> 0:31:06.160
<v Speaker 3>the park lights and stuff. And and I love this

0:31:06.280 --> 0:31:09.080
<v Speaker 3>interaction and that that whole process of bringing this car

0:31:09.160 --> 0:31:10.880
<v Speaker 3>back to life. And as soon as it was done,

0:31:11.920 --> 0:31:13.160
<v Speaker 3>I've never driven it again.

0:31:13.400 --> 0:31:15.000
<v Speaker 1>You know what I thought of It's interesting that you

0:31:15.040 --> 0:31:16.560
<v Speaker 1>say that is lately and I haven't shared this with

0:31:16.640 --> 0:31:18.600
<v Speaker 1>you yet because I have so many cars now, you know,

0:31:18.640 --> 0:31:21.120
<v Speaker 1>I'm like, I think I want to give them away.

0:31:21.760 --> 0:31:24.120
<v Speaker 1>I want to be like you've always loved these bucks,

0:31:24.120 --> 0:31:26.440
<v Speaker 1>this buicks for you, like my good friends, my family,

0:31:26.560 --> 0:31:28.800
<v Speaker 1>just like give them to people because giving feels nice.

0:31:29.120 --> 0:31:32.440
<v Speaker 3>Well, I mean, Amelia and I we could We'll always

0:31:32.440 --> 0:31:40.760
<v Speaker 3>stick a car, never know. Yeah, yeah, you have her

0:31:40.880 --> 0:31:42.840
<v Speaker 3>numbers all exactly.

0:31:59.240 --> 0:32:03.240
<v Speaker 2>How many cars trucks included do you have now?

0:32:03.680 --> 0:32:04.120
<v Speaker 1>Thirty?

0:32:04.520 --> 0:32:06.960
<v Speaker 2>I remember? Was it even a year ago that you

0:32:07.000 --> 0:32:08.840
<v Speaker 2>sold your entire fleet and was like, I've doumb a

0:32:08.880 --> 0:32:10.080
<v Speaker 2>car as I'm not buying anymore.

0:32:10.320 --> 0:32:13.320
<v Speaker 1>And a year later, years two years ago? Right was it?

0:32:13.800 --> 0:32:16.760
<v Speaker 2>It was just before filming Hollywood Christmas.

0:32:17.000 --> 0:32:19.040
<v Speaker 1>You're right? Yeah. I had a buddy of the mine

0:32:19.040 --> 0:32:21.160
<v Speaker 1>actually had a dealership here. It's a very cool dealership.

0:32:21.160 --> 0:32:24.040
<v Speaker 1>It's called Motor Cars LA. It's right by off Librea

0:32:24.080 --> 0:32:27.479
<v Speaker 1>and like Santa Monica area. Okay, he needed inventory. He's

0:32:27.480 --> 0:32:28.920
<v Speaker 1>a good friend of mine. He used to work at

0:32:29.440 --> 0:32:32.880
<v Speaker 1>Aston martin the factory, and he bought I had eighteen

0:32:32.920 --> 0:32:35.000
<v Speaker 1>at that time. He bought eighteen cars in one shot,

0:32:35.200 --> 0:32:37.320
<v Speaker 1>and I was gonna see, Okay, what a cool life experiment.

0:32:37.360 --> 0:32:39.520
<v Speaker 1>I must see how long I can go without a car.

0:32:39.520 --> 0:32:40.440
<v Speaker 2>And a year litterious.

0:32:40.480 --> 0:32:42.440
<v Speaker 1>I made it three weeks. I made it three weeks.

0:32:42.520 --> 0:32:45.760
<v Speaker 1>I was like, like ubering places because I've never not

0:32:45.840 --> 0:32:47.720
<v Speaker 1>had a car since I've been sixteen that the cars

0:32:47.720 --> 0:32:49.680
<v Speaker 1>are like a big part of my life. So I

0:32:49.720 --> 0:32:52.200
<v Speaker 1>was like, how long can I go? No cars? No motorcycles?

0:32:52.200 --> 0:32:54.120
<v Speaker 1>He bought them all, So I was like, Okay, let

0:32:54.160 --> 0:32:56.200
<v Speaker 1>me see how what what do you buy them all for?

0:32:56.200 --> 0:32:59.560
<v Speaker 1>For his inventory to sell? Oh, Fay had this place

0:32:59.600 --> 0:33:02.440
<v Speaker 1>called motor Cars La. Making a commercial on your site

0:33:02.480 --> 0:33:05.360
<v Speaker 1>right now for him? He should pay your Yeah, it's

0:33:05.400 --> 0:33:08.400
<v Speaker 1>right there off Libria. It's really cool. He's got cool cars, classics,

0:33:08.440 --> 0:33:12.320
<v Speaker 1>new cars, old cars, million dollar, multimillion dollar, Ford whatever

0:33:12.400 --> 0:33:16.000
<v Speaker 1>leads you called GT forty and Yeah. So he bought

0:33:16.000 --> 0:33:17.760
<v Speaker 1>them all, but it's just is it interesting for me?

0:33:17.800 --> 0:33:20.240
<v Speaker 1>It was like, huh, let's clear your house. I mean

0:33:20.280 --> 0:33:23.840
<v Speaker 1>at Aston Martin fifty five Chevy smoking the bandit trans

0:33:23.880 --> 0:33:27.320
<v Speaker 1>am An XJR one hundred Jaguar. I just bought another

0:33:27.360 --> 0:33:29.080
<v Speaker 1>one I found in Florida. I bought one back that

0:33:29.160 --> 0:33:30.840
<v Speaker 1>only made five hundred of those in two thousand and two.

0:33:30.840 --> 0:33:32.600
<v Speaker 1>I always liked one the ugliest fuck. I don't know

0:33:32.680 --> 0:33:35.880
<v Speaker 1>I like it. But my sue brew brat my race cars.

0:33:35.880 --> 0:33:36.600
<v Speaker 1>He bought everything.

0:33:37.000 --> 0:33:41.800
<v Speaker 3>Do you think your your experience as a actor. I

0:33:41.800 --> 0:33:43.600
<v Speaker 3>don't know what kind of parts you were going at for,

0:33:44.040 --> 0:33:47.520
<v Speaker 3>you know, but as a you know, Iranian immigrants, right,

0:33:47.920 --> 0:33:50.640
<v Speaker 3>did you have challenges in terms of the type of

0:33:50.720 --> 0:33:52.400
<v Speaker 3>roles that you were initially offered.

0:33:52.600 --> 0:33:54.680
<v Speaker 1>I mean the first it was all first First it

0:33:54.800 --> 0:33:56.640
<v Speaker 1>was young, you could do anything. But then after a

0:33:56.640 --> 0:33:58.560
<v Speaker 1>few years, when you're hitting your twenties, it was like

0:33:58.600 --> 0:34:01.120
<v Speaker 1>you're literally Middle Eastern. No, I'm doing Sanji of the

0:34:01.160 --> 0:34:03.600
<v Speaker 1>Indian food delivery guy in a couple episodes of King

0:34:03.640 --> 0:34:06.480
<v Speaker 1>of Queens. I was doing you know, the JAG and

0:34:06.640 --> 0:34:09.800
<v Speaker 1>NCIS episodes, Old Terrorists, Bad Guys, the lead in the

0:34:09.880 --> 0:34:14.680
<v Speaker 1>Chuck Norris movie Bad Guy. It's some Spanish roles because

0:34:14.719 --> 0:34:16.560
<v Speaker 1>back then it was like you just look at it

0:34:16.600 --> 0:34:18.680
<v Speaker 1>wasn't so specific. Now it's like you better be fucking

0:34:18.760 --> 0:34:21.960
<v Speaker 1>this part of Afghanistan and speaking or doing that's it like,

0:34:22.200 --> 0:34:24.880
<v Speaker 1>it's not Middle Eastern anymore. It's very specific because it's

0:34:24.920 --> 0:34:26.920
<v Speaker 1>so touchy now. But so those were like kind of

0:34:26.920 --> 0:34:28.239
<v Speaker 1>a lot of roles. But I did play a lot

0:34:28.239 --> 0:34:30.560
<v Speaker 1>of like I mean, Harris and Three Kings, this and that.

0:34:30.640 --> 0:34:32.440
<v Speaker 1>But I also did like, you know, he's just got

0:34:32.480 --> 0:34:34.480
<v Speaker 1>that into a big rom com. I played my first

0:34:34.520 --> 0:34:37.360
<v Speaker 1>gay role. It was very memorable scenes. It's funny, but

0:34:37.600 --> 0:34:39.880
<v Speaker 1>you know, for me, when nine to eleven hit, I

0:34:39.960 --> 0:34:43.080
<v Speaker 1>was kind of like Supero's golden child and I was like,

0:34:43.160 --> 0:34:46.760
<v Speaker 1>oh shit, like I can't be seen like in movies

0:34:48.400 --> 0:34:51.360
<v Speaker 1>and also have Super given us you know, big contracts,

0:34:51.400 --> 0:34:53.720
<v Speaker 1>and I'm there like fastest super in the world, racing

0:34:53.719 --> 0:34:56.400
<v Speaker 1>on a televised you know, those series were televised, like

0:34:56.400 --> 0:35:00.279
<v Speaker 1>the NHR series was televised, So I stopped doing those. Actually, Argo,

0:35:00.360 --> 0:35:02.120
<v Speaker 1>I booked a role in Argo. I met with Ben

0:35:02.200 --> 0:35:04.040
<v Speaker 1>Affleck and all of them and booked a role, good role,

0:35:04.120 --> 0:35:06.359
<v Speaker 1>but not the main bad guy, but the second bad guy.

0:35:06.640 --> 0:35:08.279
<v Speaker 1>Then I read the script because I didn't give me

0:35:08.320 --> 0:35:09.839
<v Speaker 1>a script yet, and we went through all the chem

0:35:09.840 --> 0:35:13.399
<v Speaker 1>tests and everything. They hired me, and then I read

0:35:13.400 --> 0:35:16.040
<v Speaker 1>the script like, oh no, like this is like horrible,

0:35:16.080 --> 0:35:18.840
<v Speaker 1>and my dad's an Iran and my buddy at CIA

0:35:18.920 --> 0:35:20.880
<v Speaker 1>that was kind of a side pocket wrapping me. He's

0:35:20.960 --> 0:35:23.720
<v Speaker 1>like not worth it. His last movie. Ben's last movie

0:35:23.760 --> 0:35:27.600
<v Speaker 1>was a Jilly or Gilly. It was like at a tank,

0:35:27.640 --> 0:35:29.759
<v Speaker 1>so don't worry about it. It goes to windf and

0:35:29.800 --> 0:35:32.680
<v Speaker 1>it goes and wins in Oscar. Yeah, and they didn't.

0:35:32.760 --> 0:35:35.440
<v Speaker 1>Funny story with that is sat the procting company didn't

0:35:35.440 --> 0:35:37.600
<v Speaker 1>tell SAG that I turned it down because I went

0:35:37.640 --> 0:35:39.279
<v Speaker 1>through a lot of the rounds like I'd filled out

0:35:39.320 --> 0:35:41.560
<v Speaker 1>my paperwork because I didn't have the script yet, So

0:35:41.800 --> 0:35:44.120
<v Speaker 1>they didn't tell SAG that I dropped out. So I

0:35:44.120 --> 0:35:46.520
<v Speaker 1>got a screen Actor's Guild Award for Best Cast, and

0:35:47.400 --> 0:35:49.640
<v Speaker 1>I got a plack and like le thing because they

0:35:49.680 --> 0:35:51.719
<v Speaker 1>still thought I was part of the ensemble, so for

0:35:51.760 --> 0:35:54.040
<v Speaker 1>best Cast, because it won movie the Best Cast a

0:35:54.040 --> 0:35:58.000
<v Speaker 1>couple of awards. Yeah. So after that, the racing hit

0:35:58.160 --> 0:35:59.560
<v Speaker 1>and I was like, I'm not doing any more terror

0:35:59.560 --> 0:36:01.600
<v Speaker 1>st roles. And I really haven't done any since since

0:36:02.160 --> 0:36:04.480
<v Speaker 1>nine to eleven. I don't need to anymore.

0:36:04.520 --> 0:36:04.719
<v Speaker 2>I think.

0:36:04.719 --> 0:36:06.400
<v Speaker 1>I was like, maybe, kid, I'd still do it. But

0:36:06.680 --> 0:36:08.160
<v Speaker 1>I get to make these cool movies and I've been

0:36:08.200 --> 0:36:10.239
<v Speaker 1>like Bennett's War, I was like the third lead. It's

0:36:10.239 --> 0:36:15.759
<v Speaker 1>a motorcycle racing movie. Really cool. Netflix American wrestler second lead.

0:36:15.840 --> 0:36:17.080
<v Speaker 1>I've never been the lead. They that I never been

0:36:17.200 --> 0:36:18.759
<v Speaker 1>number one in one of our own movies. I did

0:36:18.760 --> 0:36:21.480
<v Speaker 1>one called Damn Foreigners for I got cast to that

0:36:21.520 --> 0:36:23.839
<v Speaker 1>as the number one position. But I've done a lot of,

0:36:23.880 --> 0:36:25.640
<v Speaker 1>like you know, in the top fives for our movies,

0:36:25.719 --> 0:36:28.200
<v Speaker 1>maybe half of our movies. I think California Christmas, I'm

0:36:28.200 --> 0:36:32.399
<v Speaker 1>the butler. You're agreeing that, Yeah, yeah, California Christmas, I'm

0:36:32.440 --> 0:36:34.240
<v Speaker 1>their butler. Like it's funny.

0:36:34.600 --> 0:36:38.160
<v Speaker 3>Do you think your experience as an actor and the

0:36:38.239 --> 0:36:41.400
<v Speaker 3>type of roles you were casting gives you a certain

0:36:41.440 --> 0:36:45.120
<v Speaker 3>perspective as a producer on what you create in terms

0:36:45.120 --> 0:36:46.840
<v Speaker 3>of story and diverse casting?

0:36:47.400 --> 0:36:49.399
<v Speaker 1>Yeah, I mean totally. Yeah. I mean having so many

0:36:49.440 --> 0:36:52.040
<v Speaker 1>hours on set on that side of the camera, knowing

0:36:52.239 --> 0:36:54.640
<v Speaker 1>I can I definitely help with casting. Actually work used

0:36:54.640 --> 0:36:56.960
<v Speaker 1>to working casting. I used to intern for Nan Dutton

0:36:57.000 --> 0:36:59.200
<v Speaker 1>that did like Nash Bridges and stuff. We used to

0:36:59.200 --> 0:37:01.000
<v Speaker 1>work for her for free just to learn about casting.

0:37:01.080 --> 0:37:04.560
<v Speaker 1>So totally knowing the actors, knowing who's good who's bad.

0:37:04.800 --> 0:37:06.239
<v Speaker 1>They can just tell like that, they just look. You

0:37:06.280 --> 0:37:07.960
<v Speaker 1>can see in two seconds, like who's got it, who

0:37:08.000 --> 0:37:09.759
<v Speaker 1>doesn't have it? Whether they're off book or on book

0:37:09.840 --> 0:37:11.880
<v Speaker 1>or missing the mark, you still know they're good. You know,

0:37:11.920 --> 0:37:14.200
<v Speaker 1>they just made the bad decision. So those are good

0:37:14.400 --> 0:37:16.640
<v Speaker 1>making people comfortable on set, you know what I mean.

0:37:16.800 --> 0:37:19.680
<v Speaker 1>Even our mutual friend Chris. It was great to work

0:37:19.719 --> 0:37:21.279
<v Speaker 1>with him, you know what I mean, because he's a

0:37:21.280 --> 0:37:23.880
<v Speaker 1>good actor and we would like it was cool to

0:37:23.880 --> 0:37:27.200
<v Speaker 1>work with artists, like whether it's like John Voyd or

0:37:27.239 --> 0:37:30.160
<v Speaker 1>you know, or crossovers, not crossovers because like Trace Atkins

0:37:30.200 --> 0:37:31.879
<v Speaker 1>is an actor, now, Chris is an actor. Now these

0:37:31.880 --> 0:37:33.839
<v Speaker 1>guys are been acting for But what makes a good

0:37:33.840 --> 0:37:37.680
<v Speaker 1>actor to you? I mean, I don't know what makes it.

0:37:37.760 --> 0:37:39.440
<v Speaker 1>I just know what it is. Well what is it?

0:37:39.480 --> 0:37:41.600
<v Speaker 1>I mean just the truth? For me, like just just

0:37:41.640 --> 0:37:45.000
<v Speaker 1>being like not acting. Believability, yeah, I mean for me

0:37:45.200 --> 0:37:46.920
<v Speaker 1>is like you know, when you're watching that person, you

0:37:46.960 --> 0:37:49.800
<v Speaker 1>know in two seconds, if they're believable, if they're honest,

0:37:49.840 --> 0:37:52.759
<v Speaker 1>if they're true, if they're actually going there, they're just

0:37:52.760 --> 0:37:55.040
<v Speaker 1>not phoning it in, you know. So I just think like,

0:37:55.120 --> 0:37:58.880
<v Speaker 1>you know, being real, being genuine, being there, present, reacting,

0:37:59.120 --> 0:38:02.239
<v Speaker 1>not acting, listening what you do between the lines. A

0:38:02.239 --> 0:38:04.200
<v Speaker 1>lot of people new actors are just all waiting for

0:38:04.239 --> 0:38:06.280
<v Speaker 1>their line to come, like you know the joke everybody

0:38:06.320 --> 0:38:08.360
<v Speaker 1>hears Will Smith or everybody sees Will Smith and like

0:38:08.520 --> 0:38:10.680
<v Speaker 1>Fresh Prince where he's like mouthing the other person's life.

0:38:10.760 --> 0:38:13.600
<v Speaker 2>Yeah, I read his book and he talks about doing that.

0:38:13.719 --> 0:38:15.879
<v Speaker 1>Yeah, it's so funny. But so, you know, but when

0:38:15.880 --> 0:38:17.400
<v Speaker 1>it's cool when you see new ones, and it's really

0:38:17.440 --> 0:38:19.359
<v Speaker 1>cool when you see new people, like we have a

0:38:19.400 --> 0:38:22.160
<v Speaker 1>friend that we met. There was a new actress that

0:38:22.239 --> 0:38:24.320
<v Speaker 1>we gave her a chance, and I think that Riley's

0:38:24.320 --> 0:38:27.239
<v Speaker 1>her first lead was with us, right, Riley, I think so,

0:38:27.320 --> 0:38:29.960
<v Speaker 1>And she's amazing. She's worth like three four movies now

0:38:30.000 --> 0:38:32.200
<v Speaker 1>for other people as well. It's really cool to find

0:38:32.239 --> 0:38:35.120
<v Speaker 1>new talent, like even George from American Wrestler, the kid

0:38:35.120 --> 0:38:38.160
<v Speaker 1>that played me, and we auditioned like two hundred people

0:38:38.480 --> 0:38:40.480
<v Speaker 1>and we ended up hiring a Greek kid because we

0:38:40.480 --> 0:38:43.440
<v Speaker 1>couldn't find any Iranian kid to play me ally an

0:38:43.440 --> 0:38:45.399
<v Speaker 1>American wrestler. So this guy was like he's a little

0:38:45.400 --> 0:38:47.359
<v Speaker 1>bit taller and better looking than me. So I was like, well, fine,

0:38:47.360 --> 0:38:49.920
<v Speaker 1>we'll hire it. But it was like, you know, you

0:38:49.960 --> 0:38:53.320
<v Speaker 1>just like that raw energy and they're just not acting

0:38:53.400 --> 0:38:54.880
<v Speaker 1>for the Graham, you know what I mean. They're not

0:38:54.920 --> 0:38:56.960
<v Speaker 1>trying to just book a job to say I booked

0:38:56.960 --> 0:39:00.279
<v Speaker 1>the job. They're like just real, genuinely enjoy it, like

0:39:00.360 --> 0:39:02.879
<v Speaker 1>wearing that other skin. But you know, that skin, in

0:39:02.880 --> 0:39:06.000
<v Speaker 1>my opinion, can't be unless you're daniel Lewis or some badass.

0:39:06.239 --> 0:39:08.160
<v Speaker 1>That skin can't be too far from your skin, you

0:39:08.200 --> 0:39:09.319
<v Speaker 1>know what I mean. It's got to kind of be

0:39:09.480 --> 0:39:11.640
<v Speaker 1>your it's your skin in a different light, you know

0:39:11.680 --> 0:39:15.280
<v Speaker 1>what I mean, unless you're some real method you're calling Farreller's,

0:39:15.280 --> 0:39:18.120
<v Speaker 1>you know, or calling further any calling, just pick it,

0:39:18.200 --> 0:39:20.719
<v Speaker 1>calling him, you know. But yeah, so that's that's what

0:39:20.800 --> 0:39:22.400
<v Speaker 1>I think, you know, and also doing it so long

0:39:22.440 --> 0:39:24.439
<v Speaker 1>you just can just tell, you know, you just watch

0:39:24.440 --> 0:39:26.520
<v Speaker 1>people's taps or watching them in person, and it's all

0:39:26.600 --> 0:39:29.279
<v Speaker 1>zooms now. So it's all like watching and you know,

0:39:29.840 --> 0:39:32.360
<v Speaker 1>it's the lean in factor, Like if you're ever watching

0:39:32.400 --> 0:39:34.759
<v Speaker 1>something and like an audition or something and you're like

0:39:36.000 --> 0:39:39.720
<v Speaker 1>lean in slowly, Okay, that person works. And I actually

0:39:39.719 --> 0:39:41.719
<v Speaker 1>do that with our own producers and directors. I watch

0:39:41.800 --> 0:39:44.040
<v Speaker 1>them and see how they're reacting, you know, expose them.

0:39:44.040 --> 0:39:47.080
<v Speaker 1>They're like that's the difference, you know, it's kind of weird.

0:39:47.120 --> 0:39:49.759
<v Speaker 1>But yeah, it's no real formula in my opinion. But again,

0:39:49.760 --> 0:39:51.239
<v Speaker 1>I probably don't even do it right. We just do

0:39:51.320 --> 0:39:53.719
<v Speaker 1>what we do. Literally, we do what we do. We're

0:39:53.719 --> 0:39:56.360
<v Speaker 1>like the odd ball. We came up with an idea,

0:39:56.400 --> 0:39:58.520
<v Speaker 1>wrote the script, made the movie with Riley, our friends

0:39:58.560 --> 0:40:00.000
<v Speaker 1>starring in it in like three weeks.

0:40:00.040 --> 0:40:02.360
<v Speaker 2>Shout out Riley, Yeah, shout out Riley.

0:40:02.280 --> 0:40:04.719
<v Speaker 1>Danish the star. Yeah, just I don't know, I kind

0:40:04.719 --> 0:40:09.600
<v Speaker 1>of We don't do the traditional find the filmmaker, get descripted,

0:40:09.920 --> 0:40:12.600
<v Speaker 1>find the talent, kiss ass, kiss ass, this agent then

0:40:13.120 --> 0:40:15.000
<v Speaker 1>like that live's too short. You want to be in

0:40:15.040 --> 0:40:17.040
<v Speaker 1>a movie, you got the money, you have the idea

0:40:17.160 --> 0:40:19.520
<v Speaker 1>is good? Do we think it's good? Fix it, shoot it?

0:40:20.280 --> 0:40:21.799
<v Speaker 1>And so we also do like three or four movies

0:40:21.840 --> 0:40:24.320
<v Speaker 1>a year, five movies a year sometimes, but they're small,

0:40:24.360 --> 0:40:26.720
<v Speaker 1>you know, they're not like they're not fast and furious

0:40:26.840 --> 0:40:31.399
<v Speaker 1>heavy though. Were they like around five five mil? Under fives? Yeah,

0:40:31.440 --> 0:40:34.080
<v Speaker 1>threty five? How many? How many days of production are

0:40:34.080 --> 0:40:35.520
<v Speaker 1>you in them for a film? Any we're up from

0:40:35.560 --> 0:40:37.320
<v Speaker 1>like the light side if there's not a lot of

0:40:37.320 --> 0:40:39.759
<v Speaker 1>stuff sixteen seventeen on the high side twenty two to

0:40:39.760 --> 0:40:42.960
<v Speaker 1>twenty five four weeks pretty fast, yeah, very fast.

0:40:43.040 --> 0:40:46.160
<v Speaker 3>Yeah, So you need a pretty good director, like a

0:40:46.200 --> 0:40:48.799
<v Speaker 3>person that can kind of lead the team. So what

0:40:48.840 --> 0:40:50.920
<v Speaker 3>do you look for in because you say that you

0:40:50.960 --> 0:40:53.520
<v Speaker 3>work with like two three directors and you're really too.

0:40:53.600 --> 0:40:56.520
<v Speaker 1>Yeah, they're my friend. We used to street race together earlier. Yeah.

0:40:56.680 --> 0:40:59.160
<v Speaker 1>His first job with me was doing a public service

0:40:59.200 --> 0:41:01.279
<v Speaker 1>announcement because I got arrested for the fifth time and

0:41:01.280 --> 0:41:04.120
<v Speaker 1>they judge said you need to make a public service announcement.

0:41:04.480 --> 0:41:06.799
<v Speaker 1>It was like part of my punishment. So I was like,

0:41:06.800 --> 0:41:09.040
<v Speaker 1>I'm alifshar don't street race. That was the first thing

0:41:09.040 --> 0:41:11.319
<v Speaker 1>we did because he made his first movie called The

0:41:11.400 --> 0:41:14.240
<v Speaker 1>Last Race. It was a little short at like glen Oaks.

0:41:14.080 --> 0:41:16.200
<v Speaker 1>That's a place that used the street race here kind

0:41:16.200 --> 0:41:18.600
<v Speaker 1>of by where my shop was. So we met that way,

0:41:18.680 --> 0:41:21.719
<v Speaker 1>became friends and he and his friend his name is

0:41:21.719 --> 0:41:24.439
<v Speaker 1>Alex Ornardovello. He's directed a bunch of our movies. Movies

0:41:24.440 --> 0:41:27.319
<v Speaker 1>you've been in, right, Yeah. I think being talented and

0:41:27.360 --> 0:41:29.319
<v Speaker 1>being good at what you do is good. I don't

0:41:29.320 --> 0:41:31.480
<v Speaker 1>know who I heard it from, was it DeNiro or somebody,

0:41:31.680 --> 0:41:35.000
<v Speaker 1>But also being a good person equally it counts for

0:41:35.040 --> 0:41:37.160
<v Speaker 1>me because you can teach people what to do. So

0:41:37.239 --> 0:41:40.400
<v Speaker 1>we're not like, director, do your thing. We're like, let's

0:41:40.400 --> 0:41:43.320
<v Speaker 1>do our thing. So our producers, our writers, our directors,

0:41:43.400 --> 0:41:46.600
<v Speaker 1>we all could contribute where nobody has ego, like I'm

0:41:46.640 --> 0:41:48.319
<v Speaker 1>probably the biggest asshole there is and I'm not even

0:41:48.320 --> 0:41:50.560
<v Speaker 1>an asshole. But we'll all put our heads together. So

0:41:50.640 --> 0:41:53.360
<v Speaker 1>let's say you don't understand this acting thing, I'll step in,

0:41:53.520 --> 0:41:56.080
<v Speaker 1>or Christino step in, or we need a little more

0:41:56.080 --> 0:41:58.000
<v Speaker 1>stunt thing, We'll bring like a stunt guy will help

0:41:58.080 --> 0:42:00.280
<v Speaker 1>us with how this car action works and stuff. So

0:42:00.280 --> 0:42:04.080
<v Speaker 1>so for us, a loyalty, a friendship, a work ethic

0:42:04.719 --> 0:42:06.640
<v Speaker 1>really works. Obviously, you need to know what lens to

0:42:06.719 --> 0:42:08.719
<v Speaker 1>use and how to get coverage and put a good

0:42:08.800 --> 0:42:11.560
<v Speaker 1>You know, our editor works hand in hand like day one,

0:42:11.600 --> 0:42:13.520
<v Speaker 1>the editors looking at the footage making sure we're not

0:42:13.560 --> 0:42:16.720
<v Speaker 1>missing stuff. We've really had one editor for all o movies,

0:42:16.920 --> 0:42:19.279
<v Speaker 1>one composer all our movies. It's like almost like a

0:42:19.320 --> 0:42:21.440
<v Speaker 1>TV show. We just go to movie to movie. It's

0:42:21.480 --> 0:42:23.719
<v Speaker 1>the same. Eighty percent of the crew is the same

0:42:23.800 --> 0:42:27.840
<v Speaker 1>crew from sound to DPR Rubin Steinberg or DP is

0:42:27.880 --> 0:42:30.680
<v Speaker 1>direct DPEAT. I think every movie except the two or

0:42:30.680 --> 0:42:34.960
<v Speaker 1>three Sean ones, right, Brad Rushing did those two. So yeah,

0:42:35.120 --> 0:42:36.439
<v Speaker 1>just like kind of like, I don't know, I'm probably

0:42:36.480 --> 0:42:38.920
<v Speaker 1>not doing it the best way because I think when

0:42:38.920 --> 0:42:40.600
<v Speaker 1>you talk to the big boys, they like, you know,

0:42:41.000 --> 0:42:43.480
<v Speaker 1>this guy's talented and this type of storytelling. And I'm

0:42:43.560 --> 0:42:46.120
<v Speaker 1>kind of like, I think we can do anything. I'm

0:42:46.160 --> 0:42:48.080
<v Speaker 1>going to do our first four movie now, even on

0:42:48.160 --> 0:42:48.840
<v Speaker 1>the big ones.

0:42:48.960 --> 0:42:52.480
<v Speaker 3>Like I think that style of like the a tour director,

0:42:52.800 --> 0:42:56.280
<v Speaker 3>like having yielding all power and every decision, I don't

0:42:56.320 --> 0:42:59.719
<v Speaker 3>necessarily think that happens anymore because I haven't worked with

0:43:00.200 --> 0:43:01.560
<v Speaker 3>type of structure in a.

0:43:01.560 --> 0:43:02.480
<v Speaker 1>Long long time.

0:43:02.600 --> 0:43:05.360
<v Speaker 3>Yeah, I mean it doesn't work like that anymore, especially

0:43:05.440 --> 0:43:07.640
<v Speaker 3>because of the budgets or so the studios are coming in.

0:43:07.760 --> 0:43:10.560
<v Speaker 3>Yet it's very in many ways, it's just a bigger

0:43:10.680 --> 0:43:12.560
<v Speaker 3>version of your system, you know.

0:43:12.880 --> 0:43:14.560
<v Speaker 1>But we use the same people. That's the thing where

0:43:14.560 --> 0:43:16.160
<v Speaker 1>I get, like the studios kind of come to me

0:43:16.200 --> 0:43:17.239
<v Speaker 1>and be like, well, who are you going to get

0:43:17.239 --> 0:43:19.040
<v Speaker 1>to do this? You can't have your same people, And

0:43:19.040 --> 0:43:21.400
<v Speaker 1>I'm like why not? Yeah, you know, they want the

0:43:21.480 --> 0:43:24.560
<v Speaker 1>new Hottest Sun Dance winner, the short film, and I'm

0:43:24.600 --> 0:43:26.480
<v Speaker 1>like I kind of owe it to these guys that

0:43:26.520 --> 0:43:29.440
<v Speaker 1>have been busting us for me for the last ten years.

0:43:29.719 --> 0:43:31.239
<v Speaker 1>Like we're going to do it our way. It's a

0:43:31.280 --> 0:43:35.919
<v Speaker 1>little more Tyler Perry method than big Hollywood method. Right.

0:43:36.000 --> 0:43:38.719
<v Speaker 2>Well, it's yeah, you're on your twenty fourth movie now,

0:43:38.800 --> 0:43:40.600
<v Speaker 2>so and serious and something.

0:43:41.000 --> 0:43:43.040
<v Speaker 1>The series goes good, hopefully we'll you know, make a

0:43:43.040 --> 0:43:45.200
<v Speaker 1>whole budget'll put you in series. I mean, you've worked

0:43:45.200 --> 0:43:48.680
<v Speaker 1>with Ali and his directors, right, so what makes a

0:43:48.680 --> 0:43:49.360
<v Speaker 1>good director?

0:43:49.600 --> 0:43:52.520
<v Speaker 2>You know, when you and I first sat down and talked,

0:43:52.600 --> 0:43:54.719
<v Speaker 2>you were asking me if I'd ever had a bad

0:43:54.760 --> 0:43:57.959
<v Speaker 2>experience with the director, and I couldn't say I ever had,

0:43:58.040 --> 0:44:01.520
<v Speaker 2>because you know, my experience has been working with his team,

0:44:01.560 --> 0:44:06.520
<v Speaker 2>so which I'm so incredibly thankful for because everyone is

0:44:06.560 --> 0:44:09.680
<v Speaker 2>just so great. It's very family oriented and even Neil

0:44:09.719 --> 0:44:11.719
<v Speaker 2>on GT he was such a joy to work with.

0:44:11.800 --> 0:44:14.440
<v Speaker 2>So I feel very fortunate in that space that I

0:44:14.480 --> 0:44:19.480
<v Speaker 2>haven't had a bad directing experience to compare to. But

0:44:20.280 --> 0:44:23.520
<v Speaker 2>I would say what has made it great is having

0:44:23.560 --> 0:44:27.000
<v Speaker 2>people directors wanting to hear what you're bringing to the table.

0:44:27.040 --> 0:44:29.799
<v Speaker 2>It's more collaborative, They're open to trying new things. It's

0:44:30.200 --> 0:44:32.760
<v Speaker 2>you know, a room of patients and a room where

0:44:33.520 --> 0:44:35.520
<v Speaker 2>it's a safe space. So if you want to try something,

0:44:35.840 --> 0:44:37.319
<v Speaker 2>you know, no one's going to get mad at you

0:44:37.440 --> 0:44:41.560
<v Speaker 2>or say you're you're ruining something or braiding you. Everyone's

0:44:41.680 --> 0:44:44.320
<v Speaker 2>kind of like, you know, everyone's see everyone else succeed

0:44:44.360 --> 0:44:47.600
<v Speaker 2>and it's a really good safe space with positive energy.

0:44:48.080 --> 0:44:50.240
<v Speaker 2>And that's why I feel, I mean, I feel very lucky.

0:44:50.239 --> 0:44:53.440
<v Speaker 2>So my again, my experiences with directors thus far has

0:44:53.440 --> 0:44:54.120
<v Speaker 2>been really good.

0:44:54.920 --> 0:44:56.919
<v Speaker 1>And we're lucky to have her too, because, like she said,

0:44:57.160 --> 0:44:59.960
<v Speaker 1>it's irreflective, you know, it's a mirror because she comes

0:45:00.160 --> 0:45:01.960
<v Speaker 1>with a certain confidence in the desire and she's only

0:45:01.960 --> 0:45:03.600
<v Speaker 1>been acting for like a year, you know, already booked

0:45:03.640 --> 0:45:05.919
<v Speaker 1>like three, four or five movies already two or three

0:45:05.920 --> 0:45:07.359
<v Speaker 1>with us, you know, and the GT and all these

0:45:07.360 --> 0:45:09.800
<v Speaker 1>other ones. So like when you have somebody so eager

0:45:10.040 --> 0:45:12.440
<v Speaker 1>willing to put the work in, you know, because there's

0:45:12.480 --> 0:45:14.120
<v Speaker 1>other people that like say stuff and you're like, okay,

0:45:14.920 --> 0:45:16.440
<v Speaker 1>try that take for you, go ahead, but it's not

0:45:16.480 --> 0:45:18.120
<v Speaker 1>going to work. But then you get other friends they're like, hey,

0:45:18.200 --> 0:45:20.280
<v Speaker 1>can you do this? Can you do that? And people

0:45:20.320 --> 0:45:23.400
<v Speaker 1>like Emelia just make it like I like that Discovery

0:45:23.400 --> 0:45:24.960
<v Speaker 1>you know, like you like looking at the cars and

0:45:25.040 --> 0:45:27.799
<v Speaker 1>like not getting them. I like finding new talent, Like

0:45:27.920 --> 0:45:30.080
<v Speaker 1>I find I've found people and like literally on the

0:45:30.120 --> 0:45:32.360
<v Speaker 1>street that have been in our movies, waiters that have

0:45:32.440 --> 0:45:34.680
<v Speaker 1>been like come to be in this movie. Like we

0:45:34.760 --> 0:45:36.920
<v Speaker 1>I like doing that. So, you know, having another a

0:45:36.960 --> 0:45:39.319
<v Speaker 1>girl that's kind of on my trajectory, you know, like

0:45:39.400 --> 0:45:41.880
<v Speaker 1>car racing wants to get into movies, you know, cars

0:45:41.920 --> 0:45:44.400
<v Speaker 1>and that. You know, I'm kind of shoeing her a

0:45:44.400 --> 0:45:45.960
<v Speaker 1>little bit back more to the car sided a little

0:45:46.000 --> 0:45:48.680
<v Speaker 1>bit for the for the racing stuff, you know, but

0:45:49.080 --> 0:45:50.600
<v Speaker 1>because you know, back when I was a kid, like

0:45:50.760 --> 0:45:53.160
<v Speaker 1>there was no social media. We had to win to

0:45:53.200 --> 0:45:54.960
<v Speaker 1>get on the magazine cover, to get on the TV show.

0:45:54.960 --> 0:45:57.000
<v Speaker 1>It wasn't you know. I wish. I almost wish I

0:45:57.000 --> 0:45:59.520
<v Speaker 1>could trade places where now I could do these crazy

0:45:59.600 --> 0:46:03.720
<v Speaker 1>car and just do fun you know, like like everything

0:46:03.880 --> 0:46:07.920
<v Speaker 1>like Rob and His Ridiculousness show and like the you know,

0:46:08.080 --> 0:46:10.759
<v Speaker 1>Travis went off and did his Nitro Circus stuff and

0:46:11.120 --> 0:46:15.480
<v Speaker 1>with Ken Block, Arrest the Soul and like and you know,

0:46:15.560 --> 0:46:18.439
<v Speaker 1>like all this cool stuff. It wasn't about winning. I'm

0:46:18.480 --> 0:46:21.040
<v Speaker 1>just always about winning because that's what at my time

0:46:21.080 --> 0:46:23.000
<v Speaker 1>you had to race the win. It wasn't like it

0:46:23.040 --> 0:46:26.759
<v Speaker 1>wasn't about followers or views or subscribers. So I kind

0:46:26.760 --> 0:46:28.680
<v Speaker 1>of missed that boat. I kind of feel like, oh man,

0:46:28.680 --> 0:46:30.839
<v Speaker 1>I wish it was like twenty years ago. How would

0:46:30.840 --> 0:46:32.239
<v Speaker 1>I do it now? You know what I mean? It'd

0:46:32.280 --> 0:46:35.000
<v Speaker 1>be cool, you know, but hopefully with you, you know,

0:46:35.040 --> 0:46:39.239
<v Speaker 1>we'll combine the two, you know, we'll win. That's the front. Yeah.

0:46:39.320 --> 0:46:41.480
<v Speaker 2>I feel like we'd also be doing a disservice to

0:46:41.600 --> 0:46:44.640
<v Speaker 2>not mention everything you're doing with Warner Brothers on the

0:46:44.680 --> 0:46:47.960
<v Speaker 2>diversity side of things. So yeah, yeah, yeah, congratulations to that.

0:46:48.239 --> 0:46:50.440
<v Speaker 1>Thanks you were doing. Want me to say about.

0:46:50.239 --> 0:46:52.160
<v Speaker 2>It, sure, if you want to talk about it.

0:46:52.160 --> 0:46:55.000
<v Speaker 1>It's one hundred anniversary for Warner Brothers this year, and

0:46:55.040 --> 0:46:58.160
<v Speaker 1>they're doing this cool diversity initiative where they're given six

0:46:58.280 --> 0:47:03.480
<v Speaker 1>underrepresented communities and they're gonna be making remakes of iconic

0:47:03.760 --> 0:47:06.319
<v Speaker 1>Warner movies but a short form like twenty minutes. They're

0:47:06.320 --> 0:47:08.400
<v Speaker 1>going to be making short films. They're gonna get a

0:47:08.440 --> 0:47:10.120
<v Speaker 1>little bit of a budget, but they're going to make

0:47:10.160 --> 0:47:13.239
<v Speaker 1>these cool like the Old School Rebel Was Out of

0:47:13.280 --> 0:47:15.759
<v Speaker 1>Causes and those kind of movies. But it's through their lens.

0:47:16.080 --> 0:47:18.720
<v Speaker 1>When you see the films that are coming out, shows

0:47:18.719 --> 0:47:20.960
<v Speaker 1>that are coming out, do you feel like inclusion and

0:47:21.040 --> 0:47:24.000
<v Speaker 1>diversity has gotten better since you started as an actor.

0:47:24.680 --> 0:47:26.400
<v Speaker 1>I think it's gotten better, but I think it's a

0:47:26.400 --> 0:47:30.400
<v Speaker 1>little too checklisting now, you know what I mean, Like

0:47:30.520 --> 0:47:32.320
<v Speaker 1>you have to, like, I think the worst thing to

0:47:32.320 --> 0:47:34.280
<v Speaker 1>do right now, it'd be like a good looking American person,

0:47:34.560 --> 0:47:36.399
<v Speaker 1>like you're never gonna work, you know what I mean.

0:47:36.440 --> 0:47:39.000
<v Speaker 1>I think it's I think the pendulum has swung pretty

0:47:39.000 --> 0:47:41.560
<v Speaker 1>good in the right direction, but I think it's like

0:47:42.640 --> 0:47:44.600
<v Speaker 1>I guess it's needed. So I take that back, so

0:47:44.600 --> 0:47:46.640
<v Speaker 1>I don't want to get every real flared up, but like,

0:47:46.640 --> 0:47:48.040
<v Speaker 1>I think it's definitely going in the right direction. You

0:47:48.080 --> 0:47:50.520
<v Speaker 1>can now you see more real people on TV. You

0:47:50.600 --> 0:47:53.640
<v Speaker 1>see a lot more different colors and stuff. You know,

0:47:53.719 --> 0:47:55.799
<v Speaker 1>we have a gentleman. I think we hired in this one.

0:47:55.840 --> 0:47:58.719
<v Speaker 1>We're working out the deal with the stagent today. The

0:47:58.760 --> 0:48:00.479
<v Speaker 1>movie we're doing now that's in a wheel it's gonna

0:48:00.480 --> 0:48:02.400
<v Speaker 1>be our first actor in a wheelchair. And it was

0:48:02.440 --> 0:48:04.239
<v Speaker 1>just like it kind of just makes sense, like hey, this,

0:48:04.520 --> 0:48:06.520
<v Speaker 1>why not you know, this is a cool opportunity to

0:48:06.560 --> 0:48:08.400
<v Speaker 1>do it. But it wasn't like, oh, we need to

0:48:08.400 --> 0:48:10.759
<v Speaker 1>have somebody wheelchair write a role for it. You know,

0:48:10.880 --> 0:48:13.560
<v Speaker 1>the diversity I think could follow the story. But if

0:48:13.600 --> 0:48:15.960
<v Speaker 1>you can get you know, diverse stories coming out from

0:48:16.000 --> 0:48:20.120
<v Speaker 1>those people writing, whoever's writing and creating these stories can

0:48:20.600 --> 0:48:22.560
<v Speaker 1>be you know, we have a couple of Iranian projects

0:48:22.640 --> 0:48:24.359
<v Speaker 1>in the in the pipeline. Talked about one of them

0:48:24.360 --> 0:48:27.440
<v Speaker 1>this morning. It's really nice called American Wings, even though

0:48:27.440 --> 0:48:30.120
<v Speaker 1>it's about an Iranian wrestler again kind of like ours.

0:48:30.520 --> 0:48:35.239
<v Speaker 1>But you know, if more and more people are exposed

0:48:35.280 --> 0:48:37.440
<v Speaker 1>to it, because I mean the Hollywood started with like

0:48:37.480 --> 0:48:39.560
<v Speaker 1>you know, all the big studios were like white Jewish

0:48:39.640 --> 0:48:42.759
<v Speaker 1>American men opened the Wall of Disney, Warner Brothers, They're

0:48:42.800 --> 0:48:45.000
<v Speaker 1>all you know, they all did that. So that's who

0:48:45.040 --> 0:48:48.560
<v Speaker 1>started it. So for all of us other ethnicities to

0:48:48.560 --> 0:48:49.840
<v Speaker 1>get and it's going to take time, it's going to

0:48:49.920 --> 0:48:53.040
<v Speaker 1>take this push. It's going to take you know, us

0:48:53.080 --> 0:48:56.760
<v Speaker 1>telling better stories, just like in the real world, blending

0:48:56.760 --> 0:48:59.160
<v Speaker 1>into the population. You know, what do you think Amelia

0:48:59.400 --> 0:49:03.480
<v Speaker 1>as a white yeah, white American woman, do you agree

0:49:03.640 --> 0:49:05.319
<v Speaker 1>with Ellie? Like, how do you see it?

0:49:05.400 --> 0:49:11.080
<v Speaker 2>I don't think there's enough diversity. I you know, even

0:49:11.120 --> 0:49:13.560
<v Speaker 2>as simple as just being a you know, woman in

0:49:13.600 --> 0:49:16.759
<v Speaker 2>a male dominated space. I felt like there's times where

0:49:16.800 --> 0:49:19.000
<v Speaker 2>I needed to see that representation in order to know

0:49:19.040 --> 0:49:22.200
<v Speaker 2>I could do something. And I feel like with film

0:49:22.200 --> 0:49:25.040
<v Speaker 2>and television, you're telling these stories that you know children

0:49:25.080 --> 0:49:27.279
<v Speaker 2>are looking up to, and you know, they may not

0:49:27.480 --> 0:49:29.839
<v Speaker 2>know that this is possible for them to do if

0:49:29.840 --> 0:49:34.880
<v Speaker 2>they're constantly just seeing the same race leading these films.

0:49:34.880 --> 0:49:39.560
<v Speaker 2>So I feel like it's very important to have that representation. Yeah,

0:49:39.600 --> 0:49:41.560
<v Speaker 2>I mean, if you think about films twenty years ago

0:49:41.360 --> 0:49:43.359
<v Speaker 2>to what you see on TV today, I think it's

0:49:43.360 --> 0:49:44.879
<v Speaker 2>awesome the direction that things are going.

0:49:45.040 --> 0:49:47.680
<v Speaker 1>That's cool. I feel like we covered so much.

0:49:48.000 --> 0:49:50.080
<v Speaker 2>I'd ask about advice, but you kind of asked that,

0:49:50.320 --> 0:49:52.759
<v Speaker 2>asking him as he was younger, what would he tell

0:49:52.840 --> 0:49:54.960
<v Speaker 2>himself today? Yeah, or vice versa.

0:49:55.120 --> 0:49:55.840
<v Speaker 1>Nothing matters.

0:49:56.280 --> 0:49:57.680
<v Speaker 2>Everything matters matters.

0:49:58.040 --> 0:50:00.399
<v Speaker 1>So you're gonna be a flash. Just take the risk, good,

0:50:00.480 --> 0:50:02.759
<v Speaker 1>do your best, and you just do it, dude, Like

0:50:02.840 --> 0:50:05.439
<v Speaker 1>not everything that you think is gonna matter not gonna matter,

0:50:05.800 --> 0:50:07.040
<v Speaker 1>you know what I mean. Don't be a dick and

0:50:07.080 --> 0:50:09.960
<v Speaker 1>don't you know, keep your morals and ethics clean. But

0:50:10.120 --> 0:50:12.239
<v Speaker 1>it really doesn't matter shit to bother at you ten

0:50:12.320 --> 0:50:15.000
<v Speaker 1>years ago that broke your heart. Then you don't even

0:50:15.000 --> 0:50:17.359
<v Speaker 1>think about now, you know what I mean. It's like

0:50:17.440 --> 0:50:18.840
<v Speaker 1>you might think about the girl because I was a

0:50:18.880 --> 0:50:21.880
<v Speaker 1>positive you know. Just have good experiences, be kind and

0:50:22.080 --> 0:50:25.240
<v Speaker 1>like just do it like no if time is limited,

0:50:25.320 --> 0:50:26.840
<v Speaker 1>any minute, anything can happen.

0:50:26.960 --> 0:50:29.680
<v Speaker 2>Yeah. People remember the way you made them feel, not

0:50:30.120 --> 0:50:30.840
<v Speaker 2>what was said.

0:50:30.680 --> 0:50:32.520
<v Speaker 1>To them or what was given to them or yeah,

0:50:32.520 --> 0:50:33.880
<v Speaker 1>what you look like. Yeah, it's just how you made

0:50:33.880 --> 0:50:36.920
<v Speaker 1>it feel. How old are you forty nine, forty nine? Yeah,

0:50:37.760 --> 0:50:40.799
<v Speaker 1>same age, you're forty nine, fifty. I'm a little older

0:50:40.800 --> 0:50:44.080
<v Speaker 1>than When did you turn fifty? April? Oh so you're

0:50:44.120 --> 0:50:46.160
<v Speaker 1>you're born in seventy two. I'm seventy three. Yeah, I

0:50:46.200 --> 0:50:50.160
<v Speaker 1>turned fifty this year. Yeah, April? What April eighth? In areas,

0:50:50.160 --> 0:50:52.960
<v Speaker 1>of course, you're a good guy. Gemini Aris, we get

0:50:52.960 --> 0:50:55.120
<v Speaker 1>in law. You believe in that stuff? Kind of yeah,

0:50:55.239 --> 0:50:55.839
<v Speaker 1>do you yeah?

0:50:55.960 --> 0:50:57.000
<v Speaker 2>Do you no?

0:50:57.320 --> 0:50:59.680
<v Speaker 1>Yeah? I get along with a lot of It's kind

0:50:59.680 --> 0:51:02.240
<v Speaker 1>of funny, like a lot of my girlfriends have been aries.

0:51:02.239 --> 0:51:04.600
<v Speaker 1>You're Geminis. A lot of my friends, My boss is,

0:51:04.719 --> 0:51:08.080
<v Speaker 1>my mom, my favorite cousins all Aris, they're all aries.

0:51:08.160 --> 0:51:10.719
<v Speaker 3>But it's funny with the horoscope stuff is that it's

0:51:10.719 --> 0:51:16.120
<v Speaker 3>so it leans towards positive like affirmation stuff, but no

0:51:16.160 --> 0:51:17.759
<v Speaker 3>one would ever go back to it. It's like, hey,

0:51:17.800 --> 0:51:20.600
<v Speaker 3>you're a aries, Like, oh it says you're an asshole.

0:51:20.880 --> 0:51:22.959
<v Speaker 3>You're like you're a piece of shit?

0:51:23.560 --> 0:51:28.120
<v Speaker 1>Mind? Does that's just that twins? No, it's a twins.

0:51:28.160 --> 0:51:30.920
<v Speaker 1>You're like, oh, you're a Gemini. You're like dual personality.

0:51:30.960 --> 0:51:33.319
<v Speaker 1>I'm like, yeah, mine is good and better, so like

0:51:33.480 --> 0:51:36.600
<v Speaker 1>instead of good and bad, but Gemini gets to bad scorpios.

0:51:36.600 --> 0:51:42.080
<v Speaker 1>My oldest brother literally textbook out there, fight mohawk tattoo

0:51:42.160 --> 0:51:43.640
<v Speaker 1>is crazy, you know what I mean.

0:51:43.760 --> 0:51:45.879
<v Speaker 3>Like, but then I can bring a I can show you,

0:51:45.920 --> 0:51:47.480
<v Speaker 3>I can line up twenty aries.

0:51:47.480 --> 0:51:49.520
<v Speaker 1>Thats exact same.

0:51:50.640 --> 0:51:52.680
<v Speaker 2>I'm not big on it, but I do feel like

0:51:52.719 --> 0:51:55.920
<v Speaker 2>there's personality traits. I don't know a lot of all

0:51:55.920 --> 0:51:58.719
<v Speaker 2>the signs, but I'm a Leo. When I meet another Leo,

0:51:58.760 --> 0:51:59.960
<v Speaker 2>I'm like, oh, I could kind of see it.

0:52:00.760 --> 0:52:02.239
<v Speaker 1>I think it's just so fun too. It's just like,

0:52:02.360 --> 0:52:04.279
<v Speaker 1>what's a Leo? What's the trade of Leo?

0:52:04.520 --> 0:52:08.279
<v Speaker 2>I got strong, go get her, maybe a little stubborn.

0:52:08.640 --> 0:52:14.759
<v Speaker 1>But that's yeah, that's every single like.

0:52:15.400 --> 0:52:16.880
<v Speaker 2>A fire or an air sign.

0:52:17.280 --> 0:52:20.600
<v Speaker 1>I don't. I don't have no idea I would. My

0:52:20.640 --> 0:52:24.320
<v Speaker 1>wife would call me fire. Yeah, okay, nice stubborn.

0:52:24.360 --> 0:52:28.880
<v Speaker 2>Leo's are firesides too, so stubborn, like she would say, stubborn,

0:52:29.719 --> 0:52:31.120
<v Speaker 2>really stubborn, hard to get.

0:52:30.960 --> 0:52:36.080
<v Speaker 3>Along way right, It seems so when I read the

0:52:36.080 --> 0:52:41.279
<v Speaker 3>other side areas like gentle, like collaborative, that's me creative exactly.

0:52:41.640 --> 0:52:45.000
<v Speaker 3>But then you can go like aries lazy, selfish, that's

0:52:45.080 --> 0:52:47.920
<v Speaker 3>me too. Depends on the day you catch me, you

0:52:48.000 --> 0:52:50.560
<v Speaker 3>know what I mean. Like if I'm hungry, like that's.

0:52:51.080 --> 0:52:54.759
<v Speaker 1>That's funny, if anyone's hungry that yeah, yeah, how do

0:52:54.800 --> 0:52:56.560
<v Speaker 1>you feel about it? But how do you feel about

0:52:56.560 --> 0:53:01.200
<v Speaker 1>like Jackie Chan's roll, remember well, yeah, well I was

0:53:01.200 --> 0:53:04.000
<v Speaker 1>a kid when chill is all black, can't see out.

0:53:04.120 --> 0:53:06.560
<v Speaker 1>It's all like trying to get so so racist, like

0:53:06.640 --> 0:53:08.640
<v Speaker 1>you can't do that now we were talking about trying

0:53:08.640 --> 0:53:11.440
<v Speaker 1>to do Canniball run again. Yeah you know, remember like

0:53:11.520 --> 0:53:13.359
<v Speaker 1>it was meant to be sure or super or something, right,

0:53:13.360 --> 0:53:16.320
<v Speaker 1>I think it was black. You couldn't see out the window,

0:53:16.360 --> 0:53:19.800
<v Speaker 1>and it was old like like just lights and flashing

0:53:19.800 --> 0:53:22.440
<v Speaker 1>funds because they're trying to say, like the Japanese were

0:53:22.440 --> 0:53:25.040
<v Speaker 1>so you know, technology driven. It was like you know,

0:53:25.239 --> 0:53:27.759
<v Speaker 1>and like Jamie Farr that was on mash you know,

0:53:27.960 --> 0:53:30.680
<v Speaker 1>he's the Arab guy with oil erab. You like, this

0:53:30.800 --> 0:53:33.879
<v Speaker 1>is so fucking like staneodtypical. You can't get away.

0:53:33.920 --> 0:53:36.120
<v Speaker 2>I've gone back to watch some commercials I grew up on,

0:53:36.200 --> 0:53:38.160
<v Speaker 2>and that's crazy the stuff that they used to say.

0:53:38.280 --> 0:53:39.440
<v Speaker 1>They do that anymore.

0:53:39.480 --> 0:53:43.160
<v Speaker 3>Yeah, Melbrooks movies. It's interesting that you even bring up

0:53:43.200 --> 0:53:46.680
<v Speaker 3>Jackie Chan. I was talking to somebody about what Jackie

0:53:46.760 --> 0:53:52.960
<v Speaker 3>Chan represents for Asian Americans and to me growing up

0:53:52.960 --> 0:53:56.480
<v Speaker 3>with Jackie Channer knowing Jackie Chan, he represents somebody that

0:53:56.680 --> 0:54:01.640
<v Speaker 3>is an icon from the action foo genre, right, and

0:54:01.719 --> 0:54:05.080
<v Speaker 3>what he represents right in his homeland, right, But in

0:54:05.160 --> 0:54:10.160
<v Speaker 3>America he's almost the N word for us, because yeah,

0:54:10.520 --> 0:54:13.520
<v Speaker 3>you can't call me a chink or goog or you know,

0:54:13.680 --> 0:54:15.040
<v Speaker 3>or some slope now.

0:54:15.080 --> 0:54:16.439
<v Speaker 1>But you can call me Jackie Chan.

0:54:16.960 --> 0:54:21.000
<v Speaker 3>And so it's interesting the racist or these people that

0:54:21.120 --> 0:54:25.040
<v Speaker 3>want to put someone like me down, they yeah, and

0:54:25.120 --> 0:54:26.520
<v Speaker 3>I go, what do you think that's funny?

0:54:26.560 --> 0:54:29.520
<v Speaker 1>You think that's okay for you to do that? As

0:54:30.160 --> 0:54:30.680
<v Speaker 1>I look at.

0:54:30.560 --> 0:54:34.160
<v Speaker 3>Them, and I'm like, what, why would you take something

0:54:34.239 --> 0:54:38.680
<v Speaker 3>so positive? But then they they don't laugh with Jackie Chan.

0:54:38.719 --> 0:54:40.920
<v Speaker 3>They laugh at him, and I'm going, why why are

0:54:40.960 --> 0:54:45.879
<v Speaker 3>you laughing at him? What is it funny that about him? Yeah,

0:54:47.440 --> 0:54:50.000
<v Speaker 3>but that's that's where the seed, like you actually bring

0:54:50.080 --> 0:54:52.440
<v Speaker 3>that up. It's like I always wondered, like, why do

0:54:52.560 --> 0:54:55.520
<v Speaker 3>people think Jackie Chan is a joke?

0:54:55.960 --> 0:54:59.640
<v Speaker 1>Because that's what he accept He did that. Yeah, it's true, right, Well,

0:54:59.640 --> 0:55:01.920
<v Speaker 1>I only he had experience. He wanted to come to

0:55:01.960 --> 0:55:05.760
<v Speaker 1>America like Bruce Lena. Nobody goes Bruce Lena jokey way

0:55:06.680 --> 0:55:09.520
<v Speaker 1>because it was the first of you. But I think

0:55:09.520 --> 0:55:12.279
<v Speaker 1>it's I think if Bruce Lee was alive, maybe they would. Yeah,

0:55:12.320 --> 0:55:17.279
<v Speaker 1>you're right, Yeah, it's interesting. Right So anyway, Okay, you're good.

0:55:17.320 --> 0:55:20.200
<v Speaker 1>All right, we're good. Thanks for coming on, Sally,