WEBVTT - BRETT YOUNG: "Weekends Look A Little Different These Days"

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<v Speaker 1>It's February already, that's deep winter in many parts of

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<v Speaker 1>the country. A season of steaming hot bowls of soup,

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<v Speaker 1>of tea kettles, singing on the stove, a season of

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<v Speaker 1>thick books and thicker socks of paper, snowflake making, puzzle

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<v Speaker 1>assembling on the dining table, of all things warm and wonderful.

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<v Speaker 1>So it's no surprise that for centuries it's also been

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<v Speaker 1>the season of love. And the star of that love

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<v Speaker 1>show is Valentine's Day, appearing one day only February. And

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<v Speaker 1>what a show it is, with all the fanfare, the

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<v Speaker 1>biggest Broadway production. The stage is set with flowers and

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<v Speaker 1>hearts and cards and chocolates. Oh how I loved the

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<v Speaker 1>Valentine's exchanges during my school days. Okay, I admit I

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<v Speaker 1>thought it was all about me because of my birthday,

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<v Speaker 1>which is the next day, and so I thought Valentine's

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<v Speaker 1>was all about me. While Valentine's Day is also often

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<v Speaker 1>associated with romantic dinners for two and someone on bended

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<v Speaker 1>knee holding a sparkly diamond and a big question mark

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<v Speaker 1>floating over their head, for me, for my family, it's

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<v Speaker 1>been years of heart shaped pancakes for breakfast. I make

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<v Speaker 1>red pancakes every Valentine's Day for my kids. Heart shaped sandwiches.

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<v Speaker 1>I have a heart shaped cookie cutter that I use

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<v Speaker 1>on sandwiches and I put them in brown paper bags

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<v Speaker 1>decorated with more hearts. And a family dinner that often

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<v Speaker 1>comes with mashed potatoes dyed red, served under paper streamers.

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<v Speaker 1>I put crape paper streamers over the dining table with

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<v Speaker 1>lots of hugs and giggles for my kids. Romantic love

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<v Speaker 1>is wonderful. It is It's a cause for celebration, but

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<v Speaker 1>it is often fleeting, even if you are in a

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<v Speaker 1>long term, committed, loving relationship. Those those giddy butterflies they

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<v Speaker 1>fly away after the first few months, and then you

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<v Speaker 1>get down to the real hard work, the truth of love.

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<v Speaker 1>Today's guest on love Someone seems to have come around

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<v Speaker 1>to the very same conclusion. He's young, he's talented, he

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<v Speaker 1>is so so darn good looking, and it is essence

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<v Speaker 1>he's a family man, and that is coming through loud

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<v Speaker 1>and clear in his music, which has both fans and

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<v Speaker 1>the music industry looking up, lending in the air, and

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<v Speaker 1>taking notice. This hit maker is only one of four

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<v Speaker 1>artists in the modern era to have their first seven

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<v Speaker 1>singles go number one on country air Check media base.

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<v Speaker 1>He is not seven consecutive gold and platinum certified number

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<v Speaker 1>one hits, including In Case You didn't Know, Mercy, Sleep

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<v Speaker 1>Without You, Like I Loved You, Here to Night, Catch,

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<v Speaker 1>and my favorite so far, Lady. He is racked up

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<v Speaker 1>over six point two billion global streams. Here with Me today,

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<v Speaker 1>celebrating Valentine's Day, celebrating love, celebrating family is the very talented,

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<v Speaker 1>very handsome Brett Young. We're gonna get caught up on

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<v Speaker 1>everything going on in his world, including his recent album

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<v Speaker 1>Weekends Look a Little Different These Days. Right after I

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<v Speaker 1>share a little love with one of my podcast sponsors.

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<v Speaker 1>I love Mercy Ship's spirit, and I'm so happy to

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<v Speaker 1>share all the good they do in the world, providing

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<v Speaker 1>free surgeries to suffering people who lack access to medical care. Today,

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<v Speaker 1>I ask you to think about the last time you

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<v Speaker 1>felt really good about doing something for another. Now imagine

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<v Speaker 1>feeling like that every day you can. When you support

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<v Speaker 1>the work of Mercy Ships, you're helping to transform people's lives.

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<v Speaker 1>Visit Mercy ships dot org to learn the many ways

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<v Speaker 1>you can be a part of the great work that

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<v Speaker 1>they're doing Mercy Ships dot Org. Brett Young, welcome to

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<v Speaker 1>love someone with the Lilah. I'm so glad you decided

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<v Speaker 1>to take a little time out of your schedule to

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<v Speaker 1>chat with us, because you're pretty busy. It's my pleasure. No,

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<v Speaker 1>I'm I'm not busy. My kids are like already grown

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<v Speaker 1>and um, right, how many of you gotten diapers right now?

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<v Speaker 1>Both of them have. My youngest is six months today

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<v Speaker 1>and then my oldest is Presley is just over two years.

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<v Speaker 1>So I've got two little baby girls barely under two

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<v Speaker 1>years old, and uh, and they're both in diverse but

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<v Speaker 1>Presley is potty training right now, which is um exciting

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<v Speaker 1>is the wrong word, but it does get a little exciting.

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<v Speaker 1>Sometimes it does get exciting, and it'll be cheesier on

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<v Speaker 1>Mama and you once that happens, that's right. But during

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<v Speaker 1>the process of it, it's it's it can be challenging

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<v Speaker 1>and exciting. So uh, I sent your song lady to

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<v Speaker 1>my niece, not realizing she was ahead of me, and

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<v Speaker 1>I've already heard it a thousand times because she has

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<v Speaker 1>a four month old baby girl with her husband Nick,

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<v Speaker 1>and they are like one of the cutest couples in

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<v Speaker 1>the whole wide world. And she's a cry baby like me.

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<v Speaker 1>And so I said, when Nick comes home from work today,

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<v Speaker 1>when he comes to the door, I just want you

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<v Speaker 1>to hand Addie Dean to him. This is my dedication

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<v Speaker 1>to you guys. And then I said, but you've got

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<v Speaker 1>to text me before he gets home so I can

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<v Speaker 1>like know in my heart that this is happening. And

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<v Speaker 1>so I called her after she texted me. I gave

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<v Speaker 1>her like five minutes and she was still a hot mess,

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<v Speaker 1>you know, just completely blubber face that you're out there

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<v Speaker 1>using me to make people cry. I am, I am,

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<v Speaker 1>And it was wonderful. It worked beautifully. So so did

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<v Speaker 1>you write Lady with your first baby girl or number two? Yeah?

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<v Speaker 1>That was for my first one for Pressley. We we

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<v Speaker 1>were only I think five months pregnant when I wrote

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<v Speaker 1>that song. And I think that the reason the song

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<v Speaker 1>turned out the way it did was because I didn't

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<v Speaker 1>know what it was like to be a parent yet.

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<v Speaker 1>I was kind of only uh anticipating and experiencing the

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<v Speaker 1>things that like scare you about that chapter of your

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<v Speaker 1>life when you know nothing about it yet. And so

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<v Speaker 1>the reason that song is is so much more about

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<v Speaker 1>my wife than it is my daughter. It's kind of

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<v Speaker 1>like a letter to my daughter about her mom is

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<v Speaker 1>because the only thing I knew about that process is

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<v Speaker 1>that I was fortunate to have my wife because she

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<v Speaker 1>was gonna have to do it all because I was

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<v Speaker 1>not going to be capable, and so, um yeah, it was.

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<v Speaker 1>It was. It was my my letter to my first daughter,

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<v Speaker 1>basically saying, I'm probably gonna screw this up, but don't

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<v Speaker 1>worry because Mom will be there. And have you have you,

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<v Speaker 1>like made any major blunders that mom had to correct?

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<v Speaker 1>I mean that would be a better question for her.

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<v Speaker 1>I don't think so if I If I did, she

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<v Speaker 1>fixed it when I wasn't looking good answer. I think

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<v Speaker 1>the biggest thing for me is like identifying roles um

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<v Speaker 1>as parents, and I think that you of it is

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<v Speaker 1>is both of your job, but then there are there's

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<v Speaker 1>this five percent where where roles come in. At least

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<v Speaker 1>that's how it's been in our house. And um, your

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<v Speaker 1>your marriage is very different than the ones I was in.

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<v Speaker 1>I just got to tell you, if you think it's

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<v Speaker 1>shared very different, I say that, but I'm being like

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<v Speaker 1>very gracious to myself because then I get on a

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<v Speaker 1>tour bus and leave for like every weekend. So yeah, yeah,

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<v Speaker 1>let's be honest, it's more like five. I mean, if

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<v Speaker 1>you're gone on weekends, if you're touring and you're on

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<v Speaker 1>the tour and you you've got rehearsals and the baby

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<v Speaker 1>still has to be nursed and changed. Yeah, I guess

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<v Speaker 1>that's what I'm saying. I got really good at dishes

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<v Speaker 1>and taking out the trash. It's really like, you know,

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<v Speaker 1>very good at the things that should have been good

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<v Speaker 1>at anyway. So there's that. But I'm not scared of

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<v Speaker 1>a diaper though, either. I'm gonna give myself a little

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<v Speaker 1>credit there. I know some dads that are like, I'm

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<v Speaker 1>not touching that. I mean, you made it. If you

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<v Speaker 1>made this child and they're making this, you made this.

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<v Speaker 1>Yeah you mad. Yeah, it's your job too. Biggest change

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<v Speaker 1>in your heart since since you said I do. I mean,

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<v Speaker 1>your music just like took a one eight you just

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<v Speaker 1>like you went all in in the relationship and the

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<v Speaker 1>you know, if your life is truly reflected in your music,

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<v Speaker 1>you did that. You did a U turn in the

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<v Speaker 1>middle of the street, in the middle of the freeway.

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<v Speaker 1>You did a U turn. Yeah, I mean I mean,

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<v Speaker 1>if you really track down from album one to you

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<v Speaker 1>know what, we're finishing album three right now. Um, even

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<v Speaker 1>the breakup songs were about my wife. We just we

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<v Speaker 1>we had a little bit of a time trying to

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<v Speaker 1>get to where we needed to be. We weren't always

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<v Speaker 1>on the same page, and so, um it was always

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<v Speaker 1>her for me. It was just that we weren't. I

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<v Speaker 1>was a little bit older and I was I wanted

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<v Speaker 1>to settle down before she did. And um, that's why

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<v Speaker 1>you got breakup songs about my wife and then love

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<v Speaker 1>songs about my wife on the next record. Um. I

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<v Speaker 1>think the biggest change for me was no, I don't

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<v Speaker 1>care what anybody says. Nobody likes chasing. Everybody always says

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<v Speaker 1>I like to chase. They're lying. That's a single person

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<v Speaker 1>that's young, that's really saying that I'm not ready to

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<v Speaker 1>settle down yet. If you're ready to settle down, the

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<v Speaker 1>chase is obnoxious and so UM, I think the biggest

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<v Speaker 1>thing for me was just the security that comes with

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<v Speaker 1>you know, when we finally got back together, Taylor and

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<v Speaker 1>I just said, hey, we're not interested in dating each

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<v Speaker 1>other for a third time around. If we're getting back

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<v Speaker 1>together this is it, we're getting married, we're starting a family,

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<v Speaker 1>like this is it. And the security that came with that. Um,

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<v Speaker 1>I think, you know, brought a confidence that I hadn't

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<v Speaker 1>really had in my relationship. But I think that carries

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<v Speaker 1>over into your professional life and your personal life with

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<v Speaker 1>other relationships with people too, and so, UM, I just

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<v Speaker 1>I just really appreciate the security that came with knowing

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<v Speaker 1>that we're doing this, we're committed to this, and I

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<v Speaker 1>don't have to wonder about if this is the one

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<v Speaker 1>or if this is gonna work out anymore. Well, it

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<v Speaker 1>sounds like you always knew this was the one that

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<v Speaker 1>just took her a little wild cat. Yeah, but she

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<v Speaker 1>doesn't like when I say I told you so, so

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<v Speaker 1>I try to keep that out of them. Okay, got it,

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<v Speaker 1>You are awesome. So are you're kind of glad now

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<v Speaker 1>you hurt your elbow all those years ago? Yeah? I

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<v Speaker 1>mean that's a bitter sweet conversation because you know, I

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<v Speaker 1>started playing baseball when I was four, and that injury

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<v Speaker 1>happened when I was twenty two years old. And in

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<v Speaker 1>California there's no weather restrictions, so you play year round,

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<v Speaker 1>So you know, for eighteen years of my life and

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<v Speaker 1>the part of your life that is most formidable. It's

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<v Speaker 1>like it was. It was everything for me, So I

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<v Speaker 1>do miss it. Um it wasn't fun. But if I

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<v Speaker 1>had a chance to go back and not get injured

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<v Speaker 1>and have baseball instead of music, I'd pick music. So

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<v Speaker 1>and I would have never met my wife. Um, I moved.

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<v Speaker 1>I moved to Arizona for an opportunity to write songs

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<v Speaker 1>with a guy that had a publishing deal out there,

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<v Speaker 1>and that's where she was going to school. So my

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<v Speaker 1>life wouldn't be anything like it is right now, and

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<v Speaker 1>so I wouldn't trade it for the world. Um. So

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<v Speaker 1>short answer is absolutely, I'm glad that the elbow injury happened.

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<v Speaker 1>But there's a little part of me that watches baseball

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<v Speaker 1>all season long, going, you know, critiquing people and going,

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<v Speaker 1>I could do it better. You know, I still have

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<v Speaker 1>that in me. So there's a part of me that's

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<v Speaker 1>a little bit nostalgic. But I wouldn't trade it for

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<v Speaker 1>the world. Um. Can I make a suggestion, Yes, please.

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<v Speaker 1>I I think maybe the Lord's going to have your

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<v Speaker 1>coach and your your daughter's baseball teams very open to

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<v Speaker 1>that one thing that I want for my girls is

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<v Speaker 1>that I don't want to decide for them one way

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<v Speaker 1>or the other. I don't want to discourage them from

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<v Speaker 1>something or push them into something. UM. I want to

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<v Speaker 1>kind of sit back and see what makes them happy

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<v Speaker 1>and then whatever that is, I don't care. But I

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<v Speaker 1>want to be a part of it. And so if

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<v Speaker 1>my you know, I play guitar, but if my daughter

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<v Speaker 1>decides that piano is her thing, I'm taking lessons with her,

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<v Speaker 1>you know, whatever it is. If they're passionate, UM, that's

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<v Speaker 1>the that's the road I want to go down with them.

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<v Speaker 1>And if it ends up being a coach, awesome, I'm

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<v Speaker 1>in good for you, Good for you. So when I

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<v Speaker 1>started listening to the words of Weekends, Um, I was

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<v Speaker 1>so I felt like I knew you, like you were

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<v Speaker 1>one of my kids, or you were my little brother.

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<v Speaker 1>You know, I felt like I was on that journey

0:12:42.000 --> 0:12:46.080
<v Speaker 1>with you. You have a wonderful way of bringing people

0:12:46.160 --> 0:12:48.760
<v Speaker 1>into the story when you sing. Do you know? Do

0:12:48.800 --> 0:12:51.199
<v Speaker 1>you know that? Do you? Are you aware of your

0:12:51.280 --> 0:12:55.720
<v Speaker 1>gift of you tell stories through your lyrics and through

0:12:55.760 --> 0:12:59.360
<v Speaker 1>your music. I appreciate that. That's a that's um, that's

0:12:59.640 --> 0:13:03.360
<v Speaker 1>a very nice compliment that that is my goal as

0:13:03.360 --> 0:13:06.440
<v Speaker 1>a songwriter first and then also as a performer. I've

0:13:06.480 --> 0:13:09.760
<v Speaker 1>never been able to reconcile with the fact that I

0:13:09.840 --> 0:13:13.800
<v Speaker 1>might be asking an audience to connect with me on

0:13:13.840 --> 0:13:19.280
<v Speaker 1>a song if I'm not visibly emotionally connected to it.

0:13:19.320 --> 0:13:21.679
<v Speaker 1>And so it starts with the writing of the song.

0:13:21.800 --> 0:13:23.240
<v Speaker 1>I mean, if it's not if there's any part of

0:13:23.240 --> 0:13:26.400
<v Speaker 1>it that's not honest and authentic to me, it feels

0:13:26.400 --> 0:13:28.320
<v Speaker 1>like a line and you're not going to hear that song.

0:13:28.679 --> 0:13:32.960
<v Speaker 1>So everything that I put out is as raw and

0:13:33.040 --> 0:13:36.400
<v Speaker 1>vulnerable as I can make it, only because it's the

0:13:36.480 --> 0:13:38.720
<v Speaker 1>only way that I can feel justified asking people to

0:13:38.760 --> 0:13:41.679
<v Speaker 1>care about my music, um, and come out and spend

0:13:41.679 --> 0:13:44.040
<v Speaker 1>their money in their time being at a show or

0:13:44.160 --> 0:13:47.040
<v Speaker 1>or sitting in their car and listening to my record. So, um,

0:13:47.080 --> 0:13:49.120
<v Speaker 1>that is one of the best compliments you can give,

0:13:49.200 --> 0:13:53.280
<v Speaker 1>because that's my primary goal. Before you know the song

0:13:53.360 --> 0:13:58.000
<v Speaker 1>is even crafted well, it certainly comes shining through when

0:13:58.000 --> 0:14:00.440
<v Speaker 1>I when I'm on the air at night. That's that's

0:14:00.480 --> 0:14:04.080
<v Speaker 1>my goal, is to invite people into the relationship and

0:14:04.120 --> 0:14:07.480
<v Speaker 1>into this story that I weave together. Um, and I

0:14:07.559 --> 0:14:11.160
<v Speaker 1>love music. I love music. My father was a musician.

0:14:11.200 --> 0:14:13.280
<v Speaker 1>He played the guitar and he had a little country

0:14:13.320 --> 0:14:16.520
<v Speaker 1>western band and we were raised on music. My mom

0:14:16.600 --> 0:14:18.680
<v Speaker 1>had a record player. We had a record player in

0:14:18.679 --> 0:14:20.800
<v Speaker 1>our living room. I think that they got up from

0:14:20.880 --> 0:14:25.320
<v Speaker 1>Costco and it, you know, forty fives and albums, and

0:14:26.080 --> 0:14:29.640
<v Speaker 1>all of my siblings got the gift of music except

0:14:29.720 --> 0:14:33.520
<v Speaker 1>for me, and I have a three note range and

0:14:33.560 --> 0:14:39.320
<v Speaker 1>they're not even very good notes. But I love music.

0:14:39.480 --> 0:14:41.960
<v Speaker 1>And the thing that I love most about country music

0:14:42.560 --> 0:14:46.280
<v Speaker 1>is in country music you can turn a phrase and

0:14:46.400 --> 0:14:49.960
<v Speaker 1>you can you can use an expression or a hook

0:14:50.480 --> 0:14:52.960
<v Speaker 1>that you just get you know what I mean, you

0:14:53.040 --> 0:14:57.400
<v Speaker 1>just get it. And all of your songs that I

0:14:57.480 --> 0:15:01.000
<v Speaker 1>have ever listened to, I felt I was on that

0:15:01.080 --> 0:15:04.360
<v Speaker 1>journey with you, like I knew you, like we were friends,

0:15:04.360 --> 0:15:06.880
<v Speaker 1>even though I had never met you before today. I

0:15:06.920 --> 0:15:10.760
<v Speaker 1>love that. I love that. I agree. I think, um,

0:15:10.800 --> 0:15:13.920
<v Speaker 1>you know, growing up in southern California, especially at the time,

0:15:14.000 --> 0:15:16.720
<v Speaker 1>you know, when I found I found country music in

0:15:18.560 --> 0:15:22.080
<v Speaker 1>a song called Don't Take the Girl Tim McGraw and

0:15:22.080 --> 0:15:25.040
<v Speaker 1>and uh at the time, I mean in southern California,

0:15:25.080 --> 0:15:27.680
<v Speaker 1>we were all surfing and listening to Blink One, you know,

0:15:27.720 --> 0:15:30.920
<v Speaker 1>like it was all punk rock and and you know,

0:15:31.560 --> 0:15:34.080
<v Speaker 1>beach days and the whole thing. And I found country

0:15:34.200 --> 0:15:38.120
<v Speaker 1>and nobody not only did nobody else listen to country,

0:15:38.120 --> 0:15:39.600
<v Speaker 1>they all thought I was crazy for listening to the

0:15:39.640 --> 0:15:42.880
<v Speaker 1>country music in southern California in the early nineties. And um,

0:15:43.600 --> 0:15:45.920
<v Speaker 1>the thing that made me fall in love was the storytelling.

0:15:46.600 --> 0:15:49.000
<v Speaker 1>I think you have an opportunity to bring people in

0:15:49.480 --> 0:15:52.680
<v Speaker 1>to make them feel like, you know, not just that

0:15:52.760 --> 0:15:55.440
<v Speaker 1>they were there and experienced that story with you, but

0:15:55.480 --> 0:15:58.160
<v Speaker 1>like you said, like they know you. You almost feel

0:15:58.200 --> 0:16:00.800
<v Speaker 1>like you always say that part of our job is

0:16:00.840 --> 0:16:02.760
<v Speaker 1>to pull the curtain back a little bit more every

0:16:02.760 --> 0:16:05.720
<v Speaker 1>time we put something out. You know, there's there's this

0:16:06.040 --> 0:16:08.400
<v Speaker 1>there's this professional side of us, which is our music

0:16:08.480 --> 0:16:11.520
<v Speaker 1>and our songwriting. But I think that with every new project,

0:16:11.600 --> 0:16:13.320
<v Speaker 1>you gotta pull the curtain back a little bit more,

0:16:13.720 --> 0:16:15.760
<v Speaker 1>even with social media. That's part of what I try

0:16:15.800 --> 0:16:18.440
<v Speaker 1>to do is, um, I don't want to exploit my

0:16:18.560 --> 0:16:21.120
<v Speaker 1>children or my family. But at the same time, that's

0:16:22.240 --> 0:16:25.120
<v Speaker 1>you're hearing a record called Weekends look a little different

0:16:25.160 --> 0:16:27.280
<v Speaker 1>these days about my family, But then I'm going to

0:16:27.400 --> 0:16:30.040
<v Speaker 1>hide them from you. That doesn't make sense to me,

0:16:30.080 --> 0:16:32.440
<v Speaker 1>and so I feel like my responsibility to people that

0:16:32.440 --> 0:16:34.400
<v Speaker 1>are going to invest themselves in me and my career

0:16:34.800 --> 0:16:36.720
<v Speaker 1>is to give them a little bit more than just

0:16:36.800 --> 0:16:39.760
<v Speaker 1>the song. You need to understand why this song exists

0:16:39.880 --> 0:16:41.920
<v Speaker 1>so that you could feel like we have something in common.

0:16:41.920 --> 0:16:43.960
<v Speaker 1>And so I love that that comes across for you.

0:16:44.280 --> 0:16:47.040
<v Speaker 1>Oh boy, does it come across loud and clear. You

0:16:47.080 --> 0:16:51.760
<v Speaker 1>are very talented, very talented at being who you are,

0:16:52.320 --> 0:16:55.640
<v Speaker 1>because I think you know, I've been in this business

0:16:55.720 --> 0:16:58.960
<v Speaker 1>for a long time. I've been on the air since

0:16:59.000 --> 0:17:02.840
<v Speaker 1>I was a teenager, and I think a lot of

0:17:02.920 --> 0:17:08.560
<v Speaker 1>artists get really jaded or really um caught up in

0:17:08.640 --> 0:17:11.560
<v Speaker 1>the business of it and the hype, and they forget

0:17:11.560 --> 0:17:13.520
<v Speaker 1>that they put their pants on one leg at a time,

0:17:14.000 --> 0:17:16.560
<v Speaker 1>and that if you have a baby, if the baby

0:17:16.600 --> 0:17:18.879
<v Speaker 1>makes a dirty diaper, it's your dirty diaper, you know.

0:17:18.960 --> 0:17:22.720
<v Speaker 1>And they they're all about image and posing on a

0:17:22.760 --> 0:17:28.360
<v Speaker 1>red carpet and and wearing expensive clothes and sticking out

0:17:28.400 --> 0:17:31.240
<v Speaker 1>their lips or their jawline or their hips or whatever

0:17:31.280 --> 0:17:33.679
<v Speaker 1>it is. I don't, I don't. I don't know that

0:17:33.760 --> 0:17:36.640
<v Speaker 1>this is the case, but I wonder sometimes how many

0:17:36.680 --> 0:17:40.720
<v Speaker 1>people are kind of hiding behind their celebrity or their

0:17:40.760 --> 0:17:45.080
<v Speaker 1>position rather than being rather than allowing themselves to be

0:17:45.240 --> 0:17:47.600
<v Speaker 1>who they are. And I hope that's not the case

0:17:47.680 --> 0:17:49.800
<v Speaker 1>for for too many, but I think I think you're

0:17:49.800 --> 0:17:52.679
<v Speaker 1>seeing a lot of it right now. And and I

0:17:52.720 --> 0:17:54.560
<v Speaker 1>just I couldn't do this if that was if I

0:17:54.600 --> 0:17:57.200
<v Speaker 1>needed to be that way. Oh I'm glad you don't

0:17:57.200 --> 0:17:58.880
<v Speaker 1>need to be that way. And I'm glad you're doing

0:17:58.920 --> 0:18:03.679
<v Speaker 1>this because your music blesses a lot of people. And so,

0:18:03.680 --> 0:18:06.240
<v Speaker 1>so you were you were in California, you were riding

0:18:06.240 --> 0:18:09.000
<v Speaker 1>the waves, you were a beach bomb, planned baseball, and

0:18:09.080 --> 0:18:13.320
<v Speaker 1>you heard, uh country music. Were your folks like, did

0:18:13.320 --> 0:18:17.000
<v Speaker 1>they like country music? Or was this all you? I

0:18:17.000 --> 0:18:18.919
<v Speaker 1>feel like the way you're setting up this question that

0:18:18.960 --> 0:18:20.560
<v Speaker 1>you might have already heard the story, but if you

0:18:20.600 --> 0:18:26.040
<v Speaker 1>have not, Um, I have a sister that's eight years

0:18:26.040 --> 0:18:30.080
<v Speaker 1>older than me, and uh, rather than let us fight

0:18:30.119 --> 0:18:35.480
<v Speaker 1>over who got shotgun, front seat just rotated every other time. So, UM,

0:18:35.520 --> 0:18:37.480
<v Speaker 1>it doesn't work in my family. You know how many

0:18:37.520 --> 0:18:41.679
<v Speaker 1>kids are my I'm almost pretty good at kind of

0:18:41.680 --> 0:18:45.720
<v Speaker 1>the soft parenting distraction game. Um. And so we didn't

0:18:45.760 --> 0:18:48.679
<v Speaker 1>really question that, but my sister didn't like it. She

0:18:48.800 --> 0:18:52.240
<v Speaker 1>just didn't say no, So what she would do is

0:18:52.320 --> 0:18:54.080
<v Speaker 1>every time I got the front seat, she would just

0:18:54.160 --> 0:18:56.200
<v Speaker 1>kick the back of my seat for the entire ride

0:18:56.480 --> 0:19:00.439
<v Speaker 1>to ruin my experience getting the front seats. And so

0:19:01.000 --> 0:19:04.960
<v Speaker 1>your sister extremely successful too, because I think that personality,

0:19:05.520 --> 0:19:07.800
<v Speaker 1>nothing's going to stop her from getting what she wants.

0:19:08.119 --> 0:19:09.919
<v Speaker 1>My sister is one of my favorite people in the

0:19:09.920 --> 0:19:12.240
<v Speaker 1>whole world. She didn't go into into the music business.

0:19:12.280 --> 0:19:17.360
<v Speaker 1>But but yes, she's incredible. And also, um, we clearly

0:19:17.440 --> 0:19:21.320
<v Speaker 1>share genetics because that's probably if the roles were reversed

0:19:21.320 --> 0:19:22.800
<v Speaker 1>and I was the older sibling, is probably what I

0:19:22.800 --> 0:19:24.760
<v Speaker 1>would do. In fact, I think I do it to

0:19:24.800 --> 0:19:29.080
<v Speaker 1>my two year old now sometimes I'm telling you, um,

0:19:29.119 --> 0:19:31.439
<v Speaker 1>but but the only thing I knew, And this is

0:19:31.440 --> 0:19:33.080
<v Speaker 1>the funny. This is the funny thing about the story.

0:19:33.160 --> 0:19:36.639
<v Speaker 1>My sister loves country music now, but at the time

0:19:36.760 --> 0:19:40.159
<v Speaker 1>she despised country music because she was young and it

0:19:40.200 --> 0:19:43.360
<v Speaker 1>wasn't cool yet. Um, she had like life size posters

0:19:43.359 --> 0:19:45.040
<v Speaker 1>of L L Cool J and Boys two Men on

0:19:45.080 --> 0:19:48.919
<v Speaker 1>the wall, so country wasn't her thing. So she's kicking

0:19:48.920 --> 0:19:52.600
<v Speaker 1>my seat, trying to ruin my front seat experience. So

0:19:52.680 --> 0:19:56.320
<v Speaker 1>I'm cranking the local. We had one local country music station.

0:19:56.520 --> 0:19:59.479
<v Speaker 1>At the time, I'm cranking it just to ruin her

0:19:59.520 --> 0:20:03.280
<v Speaker 1>back seat experience, you know. And uh and one day,

0:20:04.840 --> 0:20:08.520
<v Speaker 1>Johnny's daddy was taking him fishing, and I was like,

0:20:09.400 --> 0:20:11.320
<v Speaker 1>sounds interesting. And by the end of it, I'm like

0:20:11.359 --> 0:20:15.000
<v Speaker 1>an eight year old crying, you know, old whatever I

0:20:15.080 --> 0:20:17.440
<v Speaker 1>was at the time. And uh, I just I went

0:20:18.160 --> 0:20:20.960
<v Speaker 1>from from loving that song to realizing why I loved

0:20:20.960 --> 0:20:23.400
<v Speaker 1>that song, which was the storytelling and country music and

0:20:23.800 --> 0:20:26.600
<v Speaker 1>was done for me at that point. Well, I I

0:20:26.840 --> 0:20:30.680
<v Speaker 1>came from a long line of country music lovers, both

0:20:30.680 --> 0:20:34.679
<v Speaker 1>sides of my family, both my parents families loved country music.

0:20:35.160 --> 0:20:37.640
<v Speaker 1>And I used to go stay with my Grandma Mac

0:20:37.720 --> 0:20:41.239
<v Speaker 1>my mom Spokes. I'd spend every minute I could at

0:20:41.240 --> 0:20:43.720
<v Speaker 1>their farm because I loved the farm and I loved

0:20:44.400 --> 0:20:48.399
<v Speaker 1>animals and horses and cows and chickens. And they had

0:20:48.800 --> 0:20:52.520
<v Speaker 1>eight track tapes, you know, the old eight track tape

0:20:52.520 --> 0:20:56.600
<v Speaker 1>player in the living room, and they had Anne Murray

0:20:56.640 --> 0:21:01.199
<v Speaker 1>and Charlie Pride and they the whole stack, and I

0:21:01.200 --> 0:21:04.320
<v Speaker 1>would play, you know, play them over and over and

0:21:04.400 --> 0:21:07.520
<v Speaker 1>over and over and over. For the same reason I

0:21:07.600 --> 0:21:10.959
<v Speaker 1>love the stories I love I love the way that

0:21:11.600 --> 0:21:15.560
<v Speaker 1>country music unlike any other genre pulls you. It's a movie,

0:21:15.840 --> 0:21:18.240
<v Speaker 1>It's an entire movie in like three and a half

0:21:18.240 --> 0:21:21.480
<v Speaker 1>four minutes, if you just took a country. In fact,

0:21:21.520 --> 0:21:23.879
<v Speaker 1>I think Dolly did this with her songs. Took the

0:21:23.880 --> 0:21:27.400
<v Speaker 1>songs and made movies out of, you know, the lyrics

0:21:27.520 --> 0:21:30.760
<v Speaker 1>of the songs. And I loved the movie and the

0:21:30.800 --> 0:21:33.359
<v Speaker 1>pictures and the stories that you're sharing with us and

0:21:33.359 --> 0:21:37.800
<v Speaker 1>bringing everybody into with you. Thank you. So I always say,

0:21:37.840 --> 0:21:40.600
<v Speaker 1>like if the athlete and me still gets to go

0:21:40.640 --> 0:21:43.560
<v Speaker 1>to work, it's the part where I enjoy the challenge

0:21:43.560 --> 0:21:47.320
<v Speaker 1>of fitting, like you said, a movie or or or

0:21:47.359 --> 0:21:49.639
<v Speaker 1>an entire story inside of three or three and a

0:21:49.680 --> 0:21:52.760
<v Speaker 1>half minutes. I love that challenge. That's that the athlete

0:21:52.760 --> 0:21:55.000
<v Speaker 1>of me comes out. When I realized I have a

0:21:55.040 --> 0:21:57.000
<v Speaker 1>song on my second record called Ticket to l A,

0:21:57.400 --> 0:22:00.720
<v Speaker 1>which you know, it wasn't a radio single, but I

0:22:00.800 --> 0:22:02.800
<v Speaker 1>knew when we came up with the idea for the

0:22:02.840 --> 0:22:05.440
<v Speaker 1>song that it was impossible to fit in three and

0:22:05.480 --> 0:22:07.679
<v Speaker 1>a half minutes. That's what made me want to write it,

0:22:07.720 --> 0:22:11.160
<v Speaker 1>and we did it. I love that challenge because I think,

0:22:12.080 --> 0:22:14.680
<v Speaker 1>you know, there's a there's a skill set that sets

0:22:14.680 --> 0:22:18.400
<v Speaker 1>you apart in that if you can take what would

0:22:18.440 --> 0:22:20.960
<v Speaker 1>have been, you know, a two week read if it

0:22:21.040 --> 0:22:22.760
<v Speaker 1>was a book, or a two hour watch if it

0:22:22.800 --> 0:22:25.520
<v Speaker 1>was a movie, and put it all in three minutes,

0:22:26.080 --> 0:22:29.240
<v Speaker 1>that's that That gets my that gets my juices flowing.

0:22:29.840 --> 0:22:33.280
<v Speaker 1>So is there anything you want your listeners my listeners

0:22:33.320 --> 0:22:36.359
<v Speaker 1>are listeners to know about this album more anya of

0:22:36.440 --> 0:22:38.800
<v Speaker 1>the singles, like, is there anything that stands out to

0:22:38.840 --> 0:22:41.800
<v Speaker 1>you that you want to share? You know? I think

0:22:41.800 --> 0:22:46.000
<v Speaker 1>that the where I'm at right now, the the interesting

0:22:46.040 --> 0:22:49.560
<v Speaker 1>thing for me is that I'm having to teach myself

0:22:49.640 --> 0:22:53.240
<v Speaker 1>to write about more than just what I'm experiencing in

0:22:53.280 --> 0:22:56.760
<v Speaker 1>my current life. Up until this point, up until this record,

0:22:57.160 --> 0:22:59.800
<v Speaker 1>I've just written what I was going through because that's

0:22:59.800 --> 0:23:03.359
<v Speaker 1>the easiest way to be authentic. You know, you're feeling

0:23:03.359 --> 0:23:07.200
<v Speaker 1>it right now, it bleeds onto the page. UM. And No,

0:23:07.560 --> 0:23:11.320
<v Speaker 1>I don't think any human emotion is unique. We all

0:23:11.320 --> 0:23:13.520
<v Speaker 1>have our different versions of them, but that everybody can

0:23:13.560 --> 0:23:16.640
<v Speaker 1>relate if you're just being honest, you know. I try

0:23:16.680 --> 0:23:18.640
<v Speaker 1>to write songs where people go like, yeah, I've been there,

0:23:18.840 --> 0:23:22.159
<v Speaker 1>I feel that I know that. Um. And this time

0:23:23.240 --> 0:23:26.280
<v Speaker 1>I'm married with two beautiful babies, and you know, the

0:23:26.680 --> 0:23:30.760
<v Speaker 1>breakup song is not I can. I can draw from

0:23:30.880 --> 0:23:34.200
<v Speaker 1>past experience, but that that wouldn't You'd have basically a

0:23:34.280 --> 0:23:37.520
<v Speaker 1>lullabys record or a love song record if I just

0:23:37.560 --> 0:23:40.560
<v Speaker 1>wrote what I'm feeling right now. And so the fun

0:23:40.680 --> 0:23:44.919
<v Speaker 1>challenge was to I like that idea, a lullabys record

0:23:45.600 --> 0:23:49.320
<v Speaker 1>like that Brett young sings your children to sleep. It

0:23:49.359 --> 0:23:51.320
<v Speaker 1>sounds creepy when you say it, like, no, no, no,

0:23:51.480 --> 0:23:55.720
<v Speaker 1>it doesn't. I have my oldest is older than you, um,

0:23:55.760 --> 0:23:58.600
<v Speaker 1>not a biological child and adopted child. But my youngest

0:23:58.680 --> 0:24:01.560
<v Speaker 1>is fibe. So I'm still trying to come up with

0:24:01.600 --> 0:24:06.160
<v Speaker 1>the lullabies every night. Um, I just ordered Wow Christian

0:24:06.200 --> 0:24:08.720
<v Speaker 1>praise songs, you know the Wow albums that came out.

0:24:09.000 --> 0:24:11.640
<v Speaker 1>I just ordered a bunch of those CDs to put

0:24:11.640 --> 0:24:13.960
<v Speaker 1>in the bows to put next to his bed at night,

0:24:15.040 --> 0:24:19.160
<v Speaker 1>because I'm running out of lullabies here, I I. It does,

0:24:19.400 --> 0:24:22.600
<v Speaker 1>It actually does, except sometimes he gets a little carried

0:24:22.600 --> 0:24:24.800
<v Speaker 1>away with some of the more tempo you know, when

0:24:24.840 --> 0:24:28.400
<v Speaker 1>he's bouncing on his bed, but you're dancing on the bed.

0:24:28.480 --> 0:24:32.520
<v Speaker 1>You're dancing on the bed. Yeah yeah, yeah, But I'm

0:24:32.560 --> 0:24:35.119
<v Speaker 1>thinking lullabies might not be a bad idea. Just just

0:24:35.160 --> 0:24:37.760
<v Speaker 1>hold on to that thought. Okay, yeah, I won't. I

0:24:37.760 --> 0:24:42.040
<v Speaker 1>won't completely abandon it quite yet. And here's here's something

0:24:42.080 --> 0:24:46.000
<v Speaker 1>I wanted to say, going back to an earlier comment, Um,

0:24:46.119 --> 0:24:50.399
<v Speaker 1>none of your stories are my stories. When I listened

0:24:50.440 --> 0:24:53.639
<v Speaker 1>to your songs, they're not my story. I got married

0:24:54.040 --> 0:24:56.439
<v Speaker 1>the first time when I was young. I knew I

0:24:56.480 --> 0:24:59.159
<v Speaker 1>wanted kids from the time I was like, from the

0:24:59.200 --> 0:25:01.879
<v Speaker 1>time my sister was born, I knew I wanted kids.

0:25:02.000 --> 0:25:04.280
<v Speaker 1>I wanted her to be my kid. I wanted to

0:25:04.320 --> 0:25:06.480
<v Speaker 1>parent her. I wanted to parent my little brother. It's

0:25:06.480 --> 0:25:10.200
<v Speaker 1>all I ever really wanted to do. And so listening

0:25:10.240 --> 0:25:13.760
<v Speaker 1>to your songs, they're not my story at all, and

0:25:13.840 --> 0:25:16.959
<v Speaker 1>yet you bring me into it and I'm walking the

0:25:17.000 --> 0:25:22.000
<v Speaker 1>path with you. I think that that's the goal. Is

0:25:23.000 --> 0:25:25.040
<v Speaker 1>like I said before, I can't be an authentic so

0:25:25.160 --> 0:25:30.000
<v Speaker 1>I can't dumbed down the story. So it's everybody's story.

0:25:30.160 --> 0:25:32.080
<v Speaker 1>I have to tell it the way it was for me,

0:25:32.640 --> 0:25:34.520
<v Speaker 1>but also in a way that you feel like you

0:25:34.560 --> 0:25:37.200
<v Speaker 1>were there with me, if that makes sense, And that's

0:25:37.200 --> 0:25:39.600
<v Speaker 1>how it becomes your story and not just my story.

0:25:39.840 --> 0:25:43.399
<v Speaker 1>And we don't always nail it, you know, Like, um,

0:25:43.440 --> 0:25:45.080
<v Speaker 1>I have a song on my first record called you

0:25:45.119 --> 0:25:48.080
<v Speaker 1>Went Here to Kiss Me, And I mean there are

0:25:48.080 --> 0:25:49.920
<v Speaker 1>other people that are broken up on New Year's Eve,

0:25:50.040 --> 0:25:52.760
<v Speaker 1>but other than that, I mean it was specific. All

0:25:52.800 --> 0:25:55.240
<v Speaker 1>the way down to Southwest was charging five dollars for

0:25:55.280 --> 0:25:57.240
<v Speaker 1>cocktails on that flight. I mean, it's in the song.

0:25:57.560 --> 0:25:59.639
<v Speaker 1>It was like so specific. I had to tell it

0:25:59.680 --> 0:26:02.080
<v Speaker 1>exact actually the way it was because I just and

0:26:02.119 --> 0:26:04.000
<v Speaker 1>that was about my wife. I mean, we broke up

0:26:04.000 --> 0:26:06.160
<v Speaker 1>on New Year's Eve, were now married with two children.

0:26:06.520 --> 0:26:09.159
<v Speaker 1>It was I felt it so hard I had to

0:26:09.160 --> 0:26:11.639
<v Speaker 1>tell it the way that it was. So sometimes you

0:26:11.680 --> 0:26:14.720
<v Speaker 1>can't do that, but I think the job really is

0:26:14.760 --> 0:26:19.520
<v Speaker 1>to be authentically you, as honest as possible, but still

0:26:19.560 --> 0:26:21.840
<v Speaker 1>make people feel like they saw it with you. You know,

0:26:22.080 --> 0:26:23.560
<v Speaker 1>when you hear a story and you close your eyes,

0:26:23.600 --> 0:26:25.639
<v Speaker 1>you can see it happen. That's what a song should do.

0:26:26.160 --> 0:26:28.840
<v Speaker 1>You see the music video by listening to the song.

0:26:28.960 --> 0:26:31.360
<v Speaker 1>That's how I feel. Years do that when I when

0:26:31.400 --> 0:26:34.919
<v Speaker 1>I listened to Weekends, I see the clothes on the floor,

0:26:35.119 --> 0:26:38.119
<v Speaker 1>I see the you know, the baby in the crib.

0:26:38.720 --> 0:26:42.199
<v Speaker 1>I'm there with you. You're painting the picture beautifully in yourself.

0:26:42.200 --> 0:26:47.280
<v Speaker 1>I'm so glad you you are very very talented young man.

0:26:47.560 --> 0:26:50.160
<v Speaker 1>Thank you so much. It's it's it's such a blessing

0:26:50.200 --> 0:26:53.560
<v Speaker 1>to get to call this a career. I feel lucky

0:26:53.600 --> 0:26:56.520
<v Speaker 1>every single day. I played an event last night, charity

0:26:56.520 --> 0:27:00.520
<v Speaker 1>event at the Bluebird Cafe, and uh, every time I

0:27:00.560 --> 0:27:02.640
<v Speaker 1>walk in there, I can't believe I get to sing there,

0:27:03.080 --> 0:27:05.520
<v Speaker 1>let alone, you know, make a career out of something

0:27:05.560 --> 0:27:07.840
<v Speaker 1>that brings me back to that room on a regular basis.

0:27:07.840 --> 0:27:11.600
<v Speaker 1>And so um, it's it's a blessing. And uh, you know,

0:27:11.720 --> 0:27:14.720
<v Speaker 1>I kicked myself every once in a while when I forget,

0:27:14.920 --> 0:27:16.840
<v Speaker 1>you know, anything in life ends up feeling like a

0:27:16.920 --> 0:27:19.359
<v Speaker 1>job every once in a while. And that's okay, but

0:27:19.600 --> 0:27:22.080
<v Speaker 1>you gotta snap yourself back into reality and remember how

0:27:22.119 --> 0:27:24.159
<v Speaker 1>lucky you already get to do something like this for

0:27:24.200 --> 0:27:28.199
<v Speaker 1>a career. And so I'm very lucky. The ancillary stuff

0:27:28.280 --> 0:27:31.440
<v Speaker 1>with my job can get to me, you know, the

0:27:31.440 --> 0:27:33.560
<v Speaker 1>the stuff that you have to do, the business stuff.

0:27:33.560 --> 0:27:36.040
<v Speaker 1>But thank god I have people like Dianna who's the

0:27:36.040 --> 0:27:39.240
<v Speaker 1>podcast producer and the social media director and you know,

0:27:39.320 --> 0:27:42.600
<v Speaker 1>answers my listener letters sometimes and Craig who's my business

0:27:42.640 --> 0:27:45.600
<v Speaker 1>partner and a team of producers, including my daughter Lenka,

0:27:45.640 --> 0:27:51.160
<v Speaker 1>who are fabulously talented, incredibly wonderful people. Ryan my engineer,

0:27:51.280 --> 0:27:54.679
<v Speaker 1>who make sure everything is running and working. So I

0:27:54.720 --> 0:27:57.680
<v Speaker 1>don't he dumbs it down for me because I am

0:27:57.720 --> 0:28:01.720
<v Speaker 1>so bad with technology, Like I can't even wear a watch.

0:28:02.359 --> 0:28:07.240
<v Speaker 1>I'm so bad with technology. Um, but the actual thing

0:28:07.320 --> 0:28:09.680
<v Speaker 1>that I do on the air or talking to you

0:28:09.880 --> 0:28:14.240
<v Speaker 1>or you know, doing the podcast, doing my show, I

0:28:14.280 --> 0:28:18.720
<v Speaker 1>am so incredibly blessed that I get to do this

0:28:19.760 --> 0:28:24.639
<v Speaker 1>and that God has provided this did every day, every

0:28:24.680 --> 0:28:27.000
<v Speaker 1>stinking day, I'm more in love with my life than

0:28:27.040 --> 0:28:30.080
<v Speaker 1>I was the day before. And I feel that from

0:28:30.119 --> 0:28:32.480
<v Speaker 1>your music when I listen to it that you are

0:28:32.560 --> 0:28:34.840
<v Speaker 1>in love with the life that God has given you

0:28:35.880 --> 0:28:38.320
<v Speaker 1>every single day and on day on day. Is when

0:28:38.360 --> 0:28:41.720
<v Speaker 1>I'm not feeling it. Like I said, I put myself

0:28:41.720 --> 0:28:44.360
<v Speaker 1>in check and remind myself of all the blessings. I

0:28:44.360 --> 0:28:46.920
<v Speaker 1>look at my girls, I look at my wife, look

0:28:46.960 --> 0:28:49.600
<v Speaker 1>at my life, and I've seen pictures of your wife.

0:28:49.640 --> 0:28:52.520
<v Speaker 1>By the way, Yeah, I'll kick my coverage a little

0:28:52.560 --> 0:28:58.240
<v Speaker 1>bit there, huh. Yeah, dude, Now you understand why I

0:28:58.320 --> 0:29:00.600
<v Speaker 1>was willing to go through three breakups and keep fighting

0:29:01.680 --> 0:29:05.560
<v Speaker 1>figures she is. She is better than me in every

0:29:05.560 --> 0:29:09.480
<v Speaker 1>single way, and I'm I'm I'm so fortunate, all of it,

0:29:09.720 --> 0:29:12.800
<v Speaker 1>the whole life. It's but but you're right at the

0:29:12.880 --> 0:29:14.840
<v Speaker 1>end of the day, when I walk on stage, or

0:29:14.880 --> 0:29:17.560
<v Speaker 1>when you you know, start an interview or whatever it

0:29:17.600 --> 0:29:20.720
<v Speaker 1>is that you love the most. For me, it's really songwriting,

0:29:20.760 --> 0:29:23.600
<v Speaker 1>to be honest. Getting into a room to songwrite. All

0:29:23.680 --> 0:29:25.400
<v Speaker 1>the rest of the stuff around it is just noise.

0:29:25.480 --> 0:29:27.360
<v Speaker 1>But you have to do it, and that stuff feels

0:29:27.360 --> 0:29:29.960
<v Speaker 1>like work. But when I walk on stage, the adrenaline

0:29:30.040 --> 0:29:32.120
<v Speaker 1>I get back from the people in the audience, I

0:29:32.120 --> 0:29:35.480
<v Speaker 1>feel like a superhero. I can't believe that I'm that's work.

0:29:35.960 --> 0:29:38.920
<v Speaker 1>It's incredible. So um And then I go home to

0:29:38.920 --> 0:29:41.320
<v Speaker 1>my beautiful wife and my beautiful girls, and I'm just

0:29:41.920 --> 0:29:44.280
<v Speaker 1>I know that I'm that I'm lucky, and I'm blessed

0:29:44.280 --> 0:29:47.160
<v Speaker 1>and I'm fortunate, and uh, every like you said, every

0:29:47.240 --> 0:29:49.600
<v Speaker 1>day is better than the last one I've been to.

0:29:49.680 --> 0:29:52.800
<v Speaker 1>I don't know how many Elton John concerts, and I

0:29:52.880 --> 0:29:56.840
<v Speaker 1>go because I love seeing him on stage. It's like

0:29:57.400 --> 0:30:00.680
<v Speaker 1>every ounce of energy that his audience is putting out

0:30:00.760 --> 0:30:07.200
<v Speaker 1>he is consuming, like he's it's feeding him. And and

0:30:07.400 --> 0:30:10.400
<v Speaker 1>the guy plays forever. You know, at two hour concert

0:30:10.400 --> 0:30:13.200
<v Speaker 1>has turned into a four hour show, and you can

0:30:13.200 --> 0:30:16.040
<v Speaker 1>tell he doesn't want to finish, he doesn't want to

0:30:16.080 --> 0:30:19.600
<v Speaker 1>go off the stage. Um Billy Joel was the same

0:30:19.600 --> 0:30:22.640
<v Speaker 1>way every time I would see him in concert. And

0:30:22.640 --> 0:30:25.000
<v Speaker 1>Andy they say the same thing, that they are so

0:30:25.120 --> 0:30:30.400
<v Speaker 1>fortunate that that's that's their work. Yeah, I mean I

0:30:30.400 --> 0:30:33.200
<v Speaker 1>feel the same way. Brett Young is one of country

0:30:33.280 --> 0:30:36.680
<v Speaker 1>music's rising stars. Well I don't know how much further

0:30:36.760 --> 0:30:39.840
<v Speaker 1>he could rise, since you know all those number one hits.

0:30:40.320 --> 0:30:43.960
<v Speaker 1>His music is deeply influenced by the love of his family,

0:30:44.120 --> 0:30:49.640
<v Speaker 1>his friends, and infused with emotions and kindness. I'm grateful

0:30:49.640 --> 0:30:52.400
<v Speaker 1>to him for spending time with us today, and to

0:30:52.480 --> 0:30:58.040
<v Speaker 1>my podcast sponsors who make these heart to heart conversations possible. Hi,

0:30:58.160 --> 0:31:01.360
<v Speaker 1>it's Delilah. If you have been listening to my voice

0:31:01.520 --> 0:31:04.800
<v Speaker 1>on the radio four years, then you know that I

0:31:04.840 --> 0:31:09.400
<v Speaker 1>have been around on the radio four years. Off the radio,

0:31:09.640 --> 0:31:12.520
<v Speaker 1>I'm taking care of my kids, taking care of my dogs,

0:31:13.040 --> 0:31:16.760
<v Speaker 1>riding my horses, growing plants in my gardens. And you

0:31:16.800 --> 0:31:21.560
<v Speaker 1>know what it hurts. It does my hands hurt, my

0:31:21.680 --> 0:31:26.000
<v Speaker 1>back hurts, my knees, hurt. But when I started taking

0:31:26.240 --> 0:31:31.880
<v Speaker 1>Omega x L, I noticed a difference within the first month.

0:31:32.480 --> 0:31:36.480
<v Speaker 1>Omega x L, when taken every day, gives me relief

0:31:36.560 --> 0:31:40.720
<v Speaker 1>in my hands and my joints like nothing else. If

0:31:40.800 --> 0:31:46.160
<v Speaker 1>you suffer from pain associated with inflammation, I urge you

0:31:46.280 --> 0:31:50.880
<v Speaker 1>to try Omega x L. When you try Omega x L,

0:31:51.120 --> 0:31:55.080
<v Speaker 1>you will see a difference in the quality of your life.

0:31:55.080 --> 0:31:57.960
<v Speaker 1>You'll see a difference in your joints. I even see

0:31:58.000 --> 0:32:00.880
<v Speaker 1>a difference in the way my skin feels and the

0:32:01.000 --> 0:32:04.280
<v Speaker 1>way my hair grows. I killed you not. My hair

0:32:04.400 --> 0:32:09.600
<v Speaker 1>grows more rapidly when I take my Omega Excel every day.

0:32:09.600 --> 0:32:13.320
<v Speaker 1>In fact, if I forget to take my Omega XL

0:32:13.440 --> 0:32:16.840
<v Speaker 1>for a few weeks, oh boy, do I notice a difference.

0:32:17.280 --> 0:32:21.640
<v Speaker 1>Omega x L dot com forward slash love to place

0:32:21.720 --> 0:32:26.640
<v Speaker 1>your order and to discover all the wonderful goodness of

0:32:26.640 --> 0:32:30.880
<v Speaker 1>Omega XL. Okay. Favorite venue Do you have a favorite

0:32:30.960 --> 0:32:37.240
<v Speaker 1>venue you played? Um like large market venue? Um any

0:32:37.320 --> 0:32:40.200
<v Speaker 1>ven you large, small, doesn't matter. Just favorite venue. Do

0:32:40.200 --> 0:32:42.440
<v Speaker 1>you have a favorite place that you love? You just

0:32:42.600 --> 0:32:45.200
<v Speaker 1>love going there and playing the acoustics or the energy

0:32:45.320 --> 0:32:48.520
<v Speaker 1>or the people or whatever. Uh it might surprise you,

0:32:48.600 --> 0:32:50.640
<v Speaker 1>and you may have not heard of it, but I

0:32:50.680 --> 0:32:53.440
<v Speaker 1>would still any day of the week, I would go back,

0:32:53.480 --> 0:32:55.880
<v Speaker 1>just me and my guitar to the Hotel Cafe in

0:32:56.440 --> 0:32:59.840
<v Speaker 1>Los Angeles and play for ninety people sitting down, have

0:33:00.120 --> 0:33:02.960
<v Speaker 1>dinner that came there not knowing who was even coming,

0:33:02.960 --> 0:33:05.520
<v Speaker 1>because they knew they were going to enjoy it. Um

0:33:05.760 --> 0:33:08.600
<v Speaker 1>have dinner, listened to six artists they've never heard of,

0:33:09.200 --> 0:33:12.040
<v Speaker 1>and be Pin Drop Silent. It's the closest thing to

0:33:12.120 --> 0:33:14.800
<v Speaker 1>the environment at the Bluebird Cafe in Nashville that I've

0:33:14.800 --> 0:33:17.120
<v Speaker 1>ever seen, and it's where I first started cutting my

0:33:17.120 --> 0:33:19.920
<v Speaker 1>teeth trying out my songs in front of people. So

0:33:20.640 --> 0:33:23.080
<v Speaker 1>I love playing arenas, I love playing amphitheaters. I love

0:33:23.160 --> 0:33:25.520
<v Speaker 1>my band because I love that I finally get to

0:33:25.600 --> 0:33:29.600
<v Speaker 1>make the live shows sound like the record. But any

0:33:29.680 --> 0:33:30.920
<v Speaker 1>day of the week, if I could go and play

0:33:30.960 --> 0:33:34.400
<v Speaker 1>for a hundred Pin Drop Silent fans at the Hotel Cafe,

0:33:34.720 --> 0:33:39.480
<v Speaker 1>that's where I'd be awesome. Okay, favorite song that you

0:33:39.600 --> 0:33:43.560
<v Speaker 1>haven't written or recorded. You can't say please don't take

0:33:43.600 --> 0:33:45.280
<v Speaker 1>the girl. We already talked about it. We already cried

0:33:45.320 --> 0:33:48.400
<v Speaker 1>through that one. You know what, there's actually there's actually

0:33:48.400 --> 0:33:50.640
<v Speaker 1>a song that just came out at country radio and

0:33:50.680 --> 0:33:52.760
<v Speaker 1>I heard a cool story about it. Cody Johnson just

0:33:52.800 --> 0:33:55.160
<v Speaker 1>recorded it and put it out, but I heard that

0:33:55.200 --> 0:33:59.320
<v Speaker 1>it's eight years old and uh, publisher over at Big

0:33:59.360 --> 0:34:02.040
<v Speaker 1>Machine where I I've found it again eight years later,

0:34:02.760 --> 0:34:04.720
<v Speaker 1>and I love the message. It's called until you Can't,

0:34:05.360 --> 0:34:09.120
<v Speaker 1>and it's basically about you know that time runs out

0:34:09.160 --> 0:34:11.120
<v Speaker 1>on all your opportunities in life. You can always hug

0:34:11.200 --> 0:34:14.080
<v Speaker 1>the people that you that you love until you can't. UM,

0:34:14.160 --> 0:34:16.960
<v Speaker 1>And it's it's so well written, and it's such a

0:34:16.960 --> 0:34:19.960
<v Speaker 1>powerful message, and it's brand new. It's it's gonna be

0:34:20.000 --> 0:34:22.000
<v Speaker 1>a really big song if it's not already. I mean

0:34:22.000 --> 0:34:24.520
<v Speaker 1>it's it's climbing the charts pretty quick. But I love

0:34:24.560 --> 0:34:28.000
<v Speaker 1>the message and I love the way it's written and told. Okay,

0:34:28.120 --> 0:34:32.640
<v Speaker 1>favorite old, old old song like going back Back My

0:34:32.680 --> 0:34:37.000
<v Speaker 1>parents are their song since they got back together. My

0:34:37.000 --> 0:34:40.080
<v Speaker 1>parents have a really cool story. They dated in high school, uh,

0:34:40.080 --> 0:34:44.680
<v Speaker 1>and then ten years later reconnected and UM. Their song

0:34:44.760 --> 0:34:47.360
<v Speaker 1>has always been a b J. Thomas hooked on a feeling.

0:34:48.160 --> 0:34:50.920
<v Speaker 1>How sweet is that? I love that song so good.

0:34:51.520 --> 0:34:53.760
<v Speaker 1>I used to play that on the air all the time.

0:34:54.120 --> 0:34:57.520
<v Speaker 1>All the time. So, uh, anything else you want to

0:34:57.560 --> 0:35:02.640
<v Speaker 1>tell our listeners about your tour or how to find you? Yeah,

0:35:02.680 --> 0:35:05.200
<v Speaker 1>everything from the socials to the website is just Brett

0:35:05.239 --> 0:35:08.239
<v Speaker 1>Young music, all one word. And uh, we have a

0:35:08.239 --> 0:35:10.960
<v Speaker 1>single out right now that if you do enjoy a

0:35:10.960 --> 0:35:13.080
<v Speaker 1>good cry sitting in your driveway after a long day

0:35:13.120 --> 0:35:16.120
<v Speaker 1>at work, this is the right song for you. But

0:35:16.120 --> 0:35:18.399
<v Speaker 1>but nonetheless, there's plenty of love songs and a little

0:35:18.400 --> 0:35:20.640
<v Speaker 1>bit for everybody. Okay, which one? Which one are we

0:35:20.640 --> 0:35:24.600
<v Speaker 1>going to cry over? Uh? It's called You Didn't. It's

0:35:24.600 --> 0:35:31.319
<v Speaker 1>a breakup song. It's from the male perspective, basically not

0:35:31.360 --> 0:35:34.759
<v Speaker 1>wanting her to feel bad about leaving. And I think

0:35:34.760 --> 0:35:38.279
<v Speaker 1>everybody can relate to at least wishing they could be

0:35:38.360 --> 0:35:40.839
<v Speaker 1>understanding when their hearts being broken. And that's what this

0:35:40.920 --> 0:35:44.600
<v Speaker 1>is about. Yeah, I never I never had that experience.

0:35:45.719 --> 0:35:49.239
<v Speaker 1>I didn't either. I didn't either, I said wishing, Yeah, no,

0:35:49.520 --> 0:35:52.560
<v Speaker 1>and and and why not? I always say I never

0:35:52.640 --> 0:35:55.200
<v Speaker 1>let go of anything that didn't have claw marks all

0:35:55.280 --> 0:36:02.560
<v Speaker 1>over it. No, no, no, no, no, you can can.

0:36:02.640 --> 0:36:05.960
<v Speaker 1>I can relate to that very much. Well, thank you

0:36:06.160 --> 0:36:09.120
<v Speaker 1>Brett Young for spending time with us today and for

0:36:09.239 --> 0:36:15.160
<v Speaker 1>being a pure Brett Young. We will be listening for you,

0:36:15.280 --> 0:36:18.319
<v Speaker 1>we will be checking out your tour schedule and just

0:36:18.400 --> 0:36:21.360
<v Speaker 1>wishing you the best. Thank you so much. It was

0:36:21.400 --> 0:36:24.960
<v Speaker 1>a pleasure. I can't think of a better soundtrack to

0:36:25.040 --> 0:36:30.040
<v Speaker 1>your Valentine's Day celebration than Brett Young's latest eight song collection,

0:36:30.440 --> 0:36:34.240
<v Speaker 1>Weekends Look a Little Different These Days. It earned instant

0:36:34.280 --> 0:36:36.959
<v Speaker 1>praise upon release, with tracks that speak to so many

0:36:36.960 --> 0:36:41.239
<v Speaker 1>different stages of life and relationships. A stripped down version

0:36:41.280 --> 0:36:44.640
<v Speaker 1>called Weekends Look a Little Acoustic These Days is also

0:36:44.719 --> 0:36:48.080
<v Speaker 1>out now. The sweet lyrics of his hit song Lady,

0:36:48.200 --> 0:36:50.480
<v Speaker 1>which had me sobbing the first time I listened to it,

0:36:51.000 --> 0:36:55.480
<v Speaker 1>inspired a children's book called Love You Little Lady that

0:36:55.560 --> 0:36:58.880
<v Speaker 1>would make a darling gift for parents of any little girl.

0:36:59.440 --> 0:37:03.239
<v Speaker 1>And Brett even had a successful lifestyle brand, Is There

0:37:03.280 --> 0:37:07.359
<v Speaker 1>Anything This Man Can't Do called Callieville, sold exclusively at

0:37:07.400 --> 0:37:11.520
<v Speaker 1>Cole's this Valentine's Day. If you have a romantic someone

0:37:11.560 --> 0:37:14.239
<v Speaker 1>to celebrate with, fantastic good for you. If you don't,

0:37:14.280 --> 0:37:17.600
<v Speaker 1>don't despair, Do not get sad. If you're not coupled

0:37:17.600 --> 0:37:22.440
<v Speaker 1>in a relationship, Love is everywhere and can be celebrated

0:37:22.480 --> 0:37:25.440
<v Speaker 1>in a myriad of ways celebrate it with your family,

0:37:25.480 --> 0:37:29.600
<v Speaker 1>your community, or you do something for someone else and

0:37:29.640 --> 0:37:33.320
<v Speaker 1>then wrap up the day doing something kind for yourself

0:37:33.600 --> 0:37:38.320
<v Speaker 1>because you are deserving of love. You are loved, don't

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<v Speaker 1>forget that. And Oh exciting news, I'm launching a new

0:37:43.760 --> 0:37:49.880
<v Speaker 1>daily podcast on Monday, February four, Valentine's Day. It's called

0:37:50.000 --> 0:37:53.280
<v Speaker 1>Hey It's Delilah. It's a ten of fifteen minute podcast

0:37:53.360 --> 0:37:56.200
<v Speaker 1>that will drop Monday through Friday and contain some of

0:37:56.239 --> 0:37:59.959
<v Speaker 1>my favorite radio moments I think are worth bringing more

0:38:00.040 --> 0:38:04.520
<v Speaker 1>attention to listener calls, Delilah, dilemma's thoughts that I want

0:38:04.560 --> 0:38:08.080
<v Speaker 1>to share with you. So look for Hey It's Delilah

0:38:08.080 --> 0:38:12.080
<v Speaker 1>on your podcast platform and subscribe. You can listen in

0:38:12.160 --> 0:38:14.760
<v Speaker 1>on your way to work, on your way home, or midday,

0:38:14.920 --> 0:38:17.759
<v Speaker 1>whenever you feel like you need a little emotional hug.

0:38:18.280 --> 0:38:22.040
<v Speaker 1>Hey It's Delilah will be there for you. Thank you

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<v Speaker 1>for joining me on Love Someone