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Speaker 1: Does your wife keep track of what you ate?

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Speaker 2: Oh? No, no, no, no, no, she doesn't keep track

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Speaker 2: of what I do.

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Speaker 1: I don't mean like, I don't mean like keep track

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Speaker 1: of what you ate in terms of like, hey you're

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Speaker 1: eating too much. I mean like the good shit in

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Speaker 1: our house. She's watching like you had the last Eminem

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Speaker 1: packet that's mine.

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Speaker 3: Yeah, we do fight over Eminem's, the peanut kind. We

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Speaker 3: fight over candy a lot. My wife and I yo yo, uh.

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Speaker 3: We should talk about this because a lot of people

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Speaker 3: don't know. But it was Sinco de Mayo yesterday. Yes,

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Speaker 3: you were fasting, so you didn't participate in Cinco de Maya.

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Speaker 1: What did you do? What did you do?

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Speaker 4: So?

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Speaker 3: Casa Vega is one of my favorite Mexican restaurants in

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Speaker 3: the Sherman Oaks area right and you know, nobody can

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Speaker 3: go to restaurants right now. But they had a little

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Speaker 3: drive through going on where you can get you know,

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Speaker 3: tacos and and and beans and rice and you know

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Speaker 3: whatever was on the menu and maas and margarita's.

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Speaker 1: How do they give you the margarita? They brought it.

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Speaker 3: They put it in a half gallon pitcher that doesn't

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Speaker 3: not even a pitcher. It's like a half gallon, you know,

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Speaker 3: like you put milk in it. You know, you get

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Speaker 3: milk and it's a half gallon bottom jar whatever it is.

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Speaker 2: Yeah, they put it in that. Wow, and we got

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Speaker 2: three of them.

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Speaker 1: Oh my god, did you get hammer?

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Speaker 2: We only have one left.

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Speaker 1: You guys had a party over there.

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Speaker 2: We drank a gallon of margarita yesterday.

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Speaker 1: Oh my god, delish, I'm so jealous. I literally this

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Speaker 1: this this fast thing we're on. It's like all you

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Speaker 1: eat is this thin soup. It looks like it looks

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Speaker 1: like gruel, remember that thing that Oliver wanted more of.

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Speaker 1: That's what it looks like. Yeah, it looks like or

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Speaker 1: like what they what they'd slop on a pirate ship,

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Speaker 1: what they'd serve you for dinner. That's what it looks like.

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Speaker 4: Right.

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Speaker 2: They have like a little bit of celery and like

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Speaker 2: a little bit of carrot.

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Speaker 1: It looks like cartoonishly watered down soup. That's what we're

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Speaker 1: allowed to eat.

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Speaker 2: But it's it's white colored.

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Speaker 1: No, it's the color of whatever flavor they think it is.

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Speaker 1: It's like tomato is like tomato colored, but it's just

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Speaker 1: got little specs of crap in it.

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Speaker 2: Wow.

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Speaker 1: But just you wait, Donald, We're gonna you're gonna check

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Speaker 1: in when we record on Friday, and you're gonna you're

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Speaker 1: gonna say, wow, you look even thinner.

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Speaker 2: I want to I want to fast.

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Speaker 1: But I shall we sing? Should we sing?

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Speaker 2: Yeah? Sure? Why not?

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Speaker 1: I'd like to count in today because I realized I

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Speaker 1: haven't counted in a long time. I've been giving it

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Speaker 1: to you. I've been giving it to Bill Lawrence, our guests,

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Speaker 1: giving it to Judy as a present, and and I

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Speaker 1: just feel feeling left out.

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Speaker 2: Well, Zach, I want you to give it to me.

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Speaker 1: Go ahead, okay, Dan, hit it. I like a little

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Speaker 1: you know what, Wait before you hit it, Dan. You know,

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Speaker 1: I always thought it was so cool when DJs on

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Speaker 1: the radio do the thing they called talk up, like

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Speaker 1: they know exactly when the words come in and they

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Speaker 1: stop talking right at the I believe DJ is called

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Speaker 1: talking up a song right right, so they they I'm

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Speaker 1: sure they have it labeled somewhere, like the lyrics start

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Speaker 1: at five seconds in or something. And I always thought

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Speaker 1: it was so smooth. So I'd like to talk up

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Speaker 1: this song.

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Speaker 2: Go ahead, do it?

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Speaker 1: Okay, here we go. So I'm not gonna count in. Dan,

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Speaker 1: I'm just gonna talk it up. I'm nervous now, I'm nervous.

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Speaker 1: Now here we go, Welcome everybody to fake doctors, real friends.

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Speaker 1: We're so glad you're joining us. And here's a song

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Speaker 1: by Charlie Blooth.

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Speaker 2: Do here's some stories about show.

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Speaker 1: We made about a bunch of docs.

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Speaker 2: And said, here's the stories natural.

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Speaker 1: So gather around here, yether here Hey. Lots of talk

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Speaker 1: on the social media about you know what I mean?

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Speaker 2: And uh and you is it? Is it that bad?

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Speaker 1: No, it's it's just people just need to accept it.

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Speaker 1: It's part of your way of.

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Speaker 2: Speaking, it is part of mine.

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Speaker 1: I'm just concerned though about those who are doing it

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Speaker 1: as a drinking game, that that that we're gonna turn

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Speaker 1: people into alcoholics.

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Speaker 3: I'm up the I think we should keep the things,

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Speaker 3: but if you don't want to keep the things, we

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Speaker 3: could we could remove the dings.

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Speaker 1: And also, I heard, by the way, Dan, that you

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Speaker 1: missed some I saw on Twitter some people were like

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Speaker 1: that dings were hilarious, but you guys missed like four.

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Speaker 1: You know what I mean? Dan, what was the total

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Speaker 1: I mean of the ones you caught? What was the

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Speaker 1: total nine.

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Speaker 2: That's not a lot for an hour, dude.

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Speaker 1: Bye. By the way, that's when you were trying not

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Speaker 1: to say it, dude.

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Speaker 2: But but I was also it was me not it

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Speaker 2: was me using it as slang, though at that point

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Speaker 2: it wasn't me just saying, you know what I mean.

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Speaker 2: After everything I said, somebody brought to my attention that

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Speaker 2: you say, you know a lot. I'm just gonna put

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Speaker 2: it out there.

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Speaker 1: Really, I'm trying to shift the ship to me. Listen, listen,

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Speaker 1: I do I listen. We all have. We all if

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Speaker 1: you record someone for multiple hours, you're gonna hear some

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Speaker 1: of the things that they say when they speak. I'm

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Speaker 1: sure we all have our own tics. Yeah, I'm sure

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Speaker 1: you listening right now judging us, you probably have some

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Speaker 1: vocal go tos.

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Speaker 3: The ones that the ones that kind of get on

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Speaker 3: my nerves are like when people say I mean all

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Speaker 3: the time before they say anything.

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Speaker 2: I mean, it's like no, I.

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Speaker 1: Get it, or like, I mean, I hear you say

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Speaker 1: like a lot.

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Speaker 2: We all say like a lot.

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Speaker 1: I know, but the young folks really use like a lot.

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Speaker 2: Yeah. That that's the one that gets me.

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Speaker 1: I mean, I mean, I mean, I'm literally the wrong

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Speaker 1: use of literally is also a bit of a pet

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Speaker 1: peeve that's abused.

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Speaker 2: You literally don't like that.

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Speaker 1: I literally literally get annoyed when people overuse literally. Should

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Speaker 1: we get into the episode.

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Speaker 2: Donald, let's do it. I love it.

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Speaker 1: I'm just gonna jump right in and say, holy shit,

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Speaker 1: you are so good in this episode. I forgot how

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Speaker 1: Turk centric it was, so it is a Turk episode

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Speaker 1: it is. It's a very Turk episode.

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Speaker 2: Do some great moments.

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Speaker 1: I'm not just saying this because I love you so much,

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Speaker 1: but I do, But holy shit, you are so good

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Speaker 1: in this episode. And I multiple things. There's the there's

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Speaker 1: we could spend a whole episode of this podcast on

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Speaker 1: that gospel fantasy. We're gonna spend plenty of time on it,

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Speaker 1: don't get me wrong. But also you're you're dramatic acting

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Speaker 1: at the end when you're all upset, the scene with

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Speaker 1: you and Judy on the roof, you running to the park,

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Speaker 1: I just thought you did really really good work.

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Speaker 2: Oh you're a sweetheart, you know.

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Speaker 3: Thank you first of all. Second of all, this was

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Speaker 3: one of my This isn't necessarily one of my favorite episodes,

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Speaker 3: but there's so many really cool things that happened in

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Speaker 3: this episode that I got to be a part of.

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Speaker 3: One was obviously the gospel choir thing. That was a

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Speaker 3: lot of fun. One of my favorite movies of all

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Speaker 3: time is Coming to America too, And also Which Way

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Speaker 3: Is Up? And Which Way Is Up? Richard Pryor plays

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Speaker 3: a reverend in a church and in Coming to America.

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Speaker 3: Ursiney o' hall's portrayal of the reverend is amazing as well.

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Speaker 3: And so if any if I was doing anything in

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Speaker 3: that scene, I was stealing from the two of them,

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Speaker 3: because I just.

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Speaker 1: Get right to it.

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Speaker 2: Amazing, Let's get right to it.

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Speaker 1: You are so fucking funny in that and I well,

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Speaker 1: I watched it like multiple times just because that scene.

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Speaker 1: I think it's one of the I honestly, I know

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Speaker 1: we're just started this, but I think it's one of

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Speaker 1: the best fantasies in Scrubs history, solely because of your performance.

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Speaker 1: And I know that you're doing an homage to your

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Speaker 1: favorite one of our favorite movies, Coming to America, but

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Speaker 1: you really made it your own. I mean, I just

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Speaker 1: was dying laughing. The Jerry curl, the the swing into

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Speaker 1: the arms, the padding of the forehead. We gonna we're.

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Speaker 2: Gonna what you wanna, cut them open, and then we're

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Speaker 2: gonna stow them right back to get you.

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Speaker 1: I remember that day genuinely cracking up, and you were

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Speaker 1: just going for it, man. You were you were literally

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Speaker 1: sweating your ass on hot as and you were just being.

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Speaker 3: But I wasn't sweating my ass off. So you kind

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Speaker 3: of used literally in the way that you hate it. Okay,

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Speaker 3: because I was literally sweating, but my ass didn't fall off, right, Okay,

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Speaker 3: there it is.

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Speaker 2: There, it is.

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Speaker 1: It is. It is literally not possible in a literal

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Speaker 1: sense for someone's ass to be sweat off. I believe.

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Speaker 1: I believe that's true. Joelle, Please look that up.

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Speaker 2: I had a lot of fun doing that scene. Man.

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Speaker 3: The one of the great things was looking out into

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Speaker 3: the audience also and seeing, you know how background really

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Speaker 3: enjoyed themselves, and then also seeing familiar faces in the background.

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Speaker 2: Colonel Doctor for the first time is in this episode.

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Speaker 1: Wait, before you're jumping around, let's just stay focused on you.

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Speaker 1: We can't go to curl doctor Wells in the background.

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Speaker 1: I know, but yes, okay, sorry, but I didn't want

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Speaker 1: to go to curl doctor yet because it is his

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Speaker 1: first appearance in a Scrubs episode, he shows up in

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Speaker 1: the background of Sarah's scene first.

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Speaker 2: Also Neil Flynn in the background of this episode clapping.

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Speaker 1: Yes, that was funny, and what about me when I

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Speaker 1: get the spirit.

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Speaker 2: And then you catch in the Holy Ghost? Dude, that

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Speaker 2: freaked me out. The first time I ever saw that,

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Speaker 2: I'm gonna be in real life. My first time ever

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Speaker 2: seeing you. I saw listen. I went to church with

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Speaker 2: my babysitter. Was like a midnight mass type thing, and

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Speaker 2: we went to church and we saw, first of all,

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Speaker 2: people around.

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Speaker 3: Us are catching the spirit, right, catching the Holy Ghost,

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Speaker 3: and they're losing it. And I was like, all right,

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Speaker 3: I'm safe. I'm here with my babysitter.

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Speaker 2: I know she's not going to catch the Holy Spirit.

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Speaker 2: She catches the bad boy.

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Speaker 1: And I was like, yeah, So how did she start

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Speaker 1: acting like.

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Speaker 2: She just out of nowhere? She just started dancing right

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Speaker 2: like you did, like your character does, like JD does.

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Speaker 2: She started dancing and then she started praising God, which

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Speaker 2: is what you know as a youth when you don't

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Speaker 2: see stuff like that. Like, my grandmother was Piscopalian, so

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Speaker 2: we had to go to Piscopalian church and stuff like that.

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Speaker 2: And it wasn't like that, you know what I mean.

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Speaker 2: Even though it was all black, it wasn't a Baptist church,

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Speaker 2: you know what I mean. And when you go to

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Speaker 2: when you go to a Baptist church, you know they

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Speaker 2: put it in.

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Speaker 1: I'd love to do that.

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Speaker 2: By the way, Oh, it's amazing the choir.

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Speaker 1: I would love to have the experience of going to

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Speaker 1: a church like the one we're representing in the show.

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Speaker 1: I just think it would be amazing. I've never seen

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Speaker 1: that in real life, obviously, I've seen it on TV

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Speaker 1: and on video of people speaking in tongues and and

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Speaker 1: no judgments. I'm not whatever works for you, that's amazing.

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Speaker 1: I like you said, as a child, I was always like,

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Speaker 1: oh my God, what is what is happening? And it

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Speaker 1: was so shocking to see someone reacting like that.

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Speaker 2: To get touched by the spirit of God.

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Speaker 1: I like the idea that JD you know, got the

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Speaker 1: spirit when you were such a good minister, that it just.

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Speaker 2: Came to him, right, the music got into him and

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Speaker 2: and and.

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Speaker 1: I don't know, or I just improved that. I don't recall,

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Speaker 1: do you remember.

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Speaker 2: I don't know if it was scripted. I think I

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Speaker 2: think you might have improved it.

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Speaker 1: I think I just thought I said to Bill, like,

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Speaker 1: oh my god, I should get the spirit. I think

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Speaker 1: that's funny.

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Speaker 3: Yeah, amazing, amazing man, great scene the choir was.

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Speaker 1: The choir was amazing. Although they although we do we

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Speaker 1: do have two of them that that spike the lens

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Speaker 1: and wave at the camera around eight sixteen. I don't

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Speaker 1: know if you caught that they got They may have

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Speaker 1: caught the spirit too and the decided to wave to

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Speaker 1: the lens. But uh, but they were. They were amazing.

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Speaker 1: And by the way, am I mistaken or did you?

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Speaker 1: Or did you when you were just riffing. One of

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Speaker 1: the things that was you were so great when when

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Speaker 1: they would when you would be in your element and

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Speaker 1: they would just tell you to go whether that could

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Speaker 1: be the dance, the famous dance you did that that

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Speaker 1: that everyone always talks about, or or so many things,

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Speaker 1: but in this moment when you were just riffing and

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Speaker 1: being that preacher, I mean, you just got lost in

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Speaker 1: it and it was so amazing to watch you do that.

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Speaker 1: But I remember that when you can what's the name

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Speaker 1: of the song we sing in this song?

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Speaker 2: Remember the song?

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Speaker 1: And they kept it in and thought that was so funny.

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Speaker 2: It was supposed to be something like quah, let us

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Speaker 2: let us you know, uh let us uh bless the

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Speaker 2: congregation with the song you know, Christ the Lord right, right,

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Speaker 2: And I remember getting down back quile what's the name

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Speaker 2: of a song? Was second?

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Speaker 1: But you stated character. It was so funny. You know,

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Speaker 1: it was such a good lesson early on in Scrubs

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Speaker 1: that if we stayed in character, a lot of that

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Speaker 1: stuff could if it was funny, would stay in right.

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Speaker 1: And and that was a perfect example of you doing

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Speaker 1: that and Bill going in the edit room like, oh,

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Speaker 1: that's funny, that's staying yeah.

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Speaker 2: Yeah. So so this whole episode, it was written by

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Speaker 2: deb Ford Them.

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Speaker 3: Deb Ford Them that's right, who also wrote the musical episode, right.

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Speaker 1: Was the one of the main writers on the musical episode,

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Speaker 1: and I think actually participated in writing a lot of

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Speaker 1: lyrics for the famous musical episode, that's right. And Jeff

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Speaker 1: Melman was the director, And I just learned a little

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Speaker 1: trivia that he directed some of the sitcom you.

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Speaker 2: Did the xes, Yeah, I did, I did.

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Speaker 1: I do you not put two and two together?

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Speaker 2: I did not remember that?

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Speaker 1: Do you remember? Do you remember?

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Speaker 2: I do know? Jeff Melman has been now that you

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Speaker 2: have said that, Well.

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Speaker 1: He only directed one episode of Scrubs and it was

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Speaker 1: twenty years ago, so you're okay for not remembering that.

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Speaker 1: But I don't know if you put two and two together.

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Speaker 1: You also directed your sitcom The X.

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Speaker 3: I think we even talked about him directing an episode

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Speaker 3: of Scrubs when he directed the episode of Right the

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Speaker 3: Exes anyway.

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Speaker 1: Yeah, and Kristin Johnston, who you did The Exes with,

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Speaker 1: I bought her house. That's where I live.

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Speaker 2: Yeah.

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Speaker 3: Not only that, but you guys also did Twelfth Night together.

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Speaker 1: We did Twelfth Night together in Central Park at the

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Speaker 1: Della Court and you and that's when she said, Hey,

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Speaker 1: I want to move out of La I'm over it.

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Speaker 1: Do you have any interest? And I was just at

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Speaker 1: the time when I was starting to think about buying

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Speaker 1: my first house. And what's funny is that she was

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Speaker 1: quite an entertainer. She threw a lot of bashes at

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Speaker 1: the house, and so over the years when I've told

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Speaker 1: people that I bought the house from her, they're always like, ooh,

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Speaker 1: I've been so fucked up in that in your house.

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Speaker 2: Wow. Wow.

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Speaker 3: Well she's now sober and she's written a wonderful book

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Speaker 3: called Guts, which is out on the market right now.

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Speaker 3: And if you guys are listening and want a good

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Speaker 3: read in the voice of Kristin Johnson. She also does

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Speaker 3: the audiobook, check it out. It's very, very, very revealing

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Speaker 3: and she's very open about her addiction.

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Speaker 1: And yeah, you get and I've read the book and

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Speaker 1: it's amazing and you should get it. And when you're

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Speaker 1: hearing about some of her partying, just know it was

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Speaker 1: happening in my.

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Speaker 2: Yo. Somebody got mad, dude, you oh man, somebody got

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Speaker 2: mad that I ruined that joke or that not the joke,

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Speaker 2: the bit of trivia. I know.

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Speaker 1: On one of the last episodes, I said I was

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Speaker 1: gonna do a trivia for Donald involving the breakfast Club,

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Speaker 1: and he ruined it and some guy and some guy

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Speaker 1: wrote on Twitter I was legit excited for a bit

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Speaker 1: of trivia and Donald did indeed ruin it. We gotta

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Speaker 1: filter in some more trivia to this show. Absolutely, so okay,

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Speaker 1: dead forward, Jeff Melman, it's a great episode. I gotta say,

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Speaker 1: you know, they're not all this good. This was a

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00:14:52,120 --> 00:14:55,080
Speaker 1: darn good one. And first thing I wrote down was

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Speaker 1: Nurse Tisdale at thirty five seconds in Yes, which is

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Speaker 1: a oh mah to film Fast Times a Ridge on High. Now,

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00:15:02,680 --> 00:15:04,840
Speaker 1: some of you younger folk might not know that movie.

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Speaker 1: You should watch it because it's a seminal eighties film.

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Speaker 1: And I remember watching it at someone's house, far too

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Speaker 1: young to be watching it, Like I should not have

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Speaker 1: been watching that movie at the age I was, And

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Speaker 1: I remember feeling like, don't move because I don't want

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Speaker 1: any adult to notice that I'm here and I'm watching this,

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Speaker 1: and I probably shouldn't be watching Phoebe Kate's reveal her Bosoms. Yeah,

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Speaker 1: do you remember when you saw that?

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Speaker 3: I do remember when I saw that movie, And you know,

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Speaker 3: the one thing that stuck out from that movie for

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Speaker 3: me was Sean Penn totally awesome and his Jeff Spoccoli.

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Speaker 2: Yeah, a little bit of trivia for you. Do you

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Speaker 2: know who wrote that movie?

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Speaker 1: Yes, it was Amy Heckerling, No Cameron Crowe. Amy Heckerling

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Speaker 1: directed it, absolutely, okay, Amy Heckerling, who wrote and directed.

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Speaker 2: Clueless wrote and directed Clueless.

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Speaker 1: Yes, So it's six degrees of Donald Faison?

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Speaker 3: Is what your six degrees of Donald face? Forest Whitaker's

359
00:16:00,920 --> 00:16:03,640
Speaker 3: also in that movie. He directed, Waiting to Exhale, and

360
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Speaker 3: I was in it, and I remember going on the

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Speaker 3: audition for Waiting to Exhil at the same time I

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Speaker 3: was shooting Clueless, the movie, and I was, you know,

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Speaker 3: Forrest and I had a little conversation about his experience

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Speaker 3: with Amy and the reason why I got Waiting to

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Speaker 3: Xel because I'm sure there were a bunch of people

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Speaker 3: who auditioned for it. But Forrest told me, he was like,

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Speaker 3: you know, I went with you because you know you're

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Speaker 3: working with Amy, and Amy gave me my start and

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Speaker 3: there was something that was a form of nostalgia, and

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Speaker 3: for me, that's really cool.

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Speaker 2: So I got to be in Waiting Exhil with.

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Speaker 3: Whitney Houston and Labassett, Loretta, Divine, Lee, Liver Sean, I

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Speaker 3: got to oh Man, I got to meet several actors,

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Speaker 3: from Michael Beach to one of my favorite all time performers,

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Speaker 3: Gregory Hines.

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Speaker 1: That's what I've never seen the movie. I've got to

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Speaker 1: be artist with you.

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Speaker 2: But you've never seen Waiting Axcel.

379
00:16:49,960 --> 00:16:51,680
Speaker 1: No, But I'm gonna write it down because we're looking

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Speaker 1: for quarantine movies and I do love your work.

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Speaker 2: You should watch Wait in xhil. It's a lot of

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Speaker 2: fun if.

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Speaker 1: You have a good part in it. Or should I

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Speaker 1: need to just fast forward to your scenes.

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Speaker 3: No, you should watch the movie. The movie is actually

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Speaker 3: very entertaining. It's it's it's and the soundtrack is amazing.

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Speaker 3: By the way, Holy cow, babyface, you put your foot

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Speaker 3: in it when you made that one.

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Speaker 1: I don't know what that means.

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00:17:13,840 --> 00:17:15,359
Speaker 2: It just means he puts some, he puts some.

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Speaker 1: He did a good job.

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Speaker 2: He put a little stroozy on it, you know, baby face,

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00:17:19,840 --> 00:17:20,760
Speaker 2: he's still doing his thing.

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Speaker 1: Oh, I just haven't heard about him his name in

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Speaker 1: the public lexicon in a long time.

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Speaker 2: Anyway, we digressed, Let's get back here.

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Speaker 1: Sorry, we digress. Nurse Tisdale, she's coming down doing an

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Speaker 1: homage to Fast Times the Ridge on High. By the way,

399
00:17:34,040 --> 00:17:35,800
Speaker 1: if you haven't seen Fast Times the Ridge My High,

400
00:17:35,840 --> 00:17:39,360
Speaker 1: you should because it perfectly I think encapsulates a period

401
00:17:39,400 --> 00:17:43,240
Speaker 1: of time in the eighties, and and it's a really

402
00:17:43,240 --> 00:17:45,120
Speaker 1: really I mean it was written by Cameron Crow. I mean,

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00:17:45,200 --> 00:17:49,080
Speaker 1: it's a great movie. Fifty eight seconds Snoop, you know,

404
00:17:49,440 --> 00:17:51,960
Speaker 1: showing up Snoops in a lot of this episode. Snoop

405
00:17:51,960 --> 00:17:53,200
Speaker 1: dogg Interurn.

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Speaker 2: Snoop Dogg was in a lot of this show.

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Speaker 1: I know it's funny. If you guys start looking at

408
00:17:57,320 --> 00:17:58,080
Speaker 1: the background, you'll.

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Speaker 2: Say, not Snoop dog real, snoop Dogg, snoop Dogg.

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Speaker 1: I feel see if you guys look at if you

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Speaker 1: guys look at these episodes closely, you'll see that basically

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00:18:05,320 --> 00:18:08,159
Speaker 1: they're just they're just moving around the same twenty background folks.

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Speaker 1: And there's times where it's like there'll be one scene

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Speaker 1: and Snoops in the background, and then then we're upstairs

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00:18:13,440 --> 00:18:16,040
Speaker 1: and Snoops in the background. I'm like, guys, come.

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Speaker 3: On, well he worked a lot and then yeah, but

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Speaker 3: now we're starting to introduce new characters, so you'll see Colonel.

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Speaker 1: Yeah Doctor one fifty one a momentous moment. Colonel Doctor

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Speaker 1: first appearance in the background, as Bill told us on

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Speaker 1: the last episode, named because everyone thought he looked like

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00:18:33,560 --> 00:18:34,880
Speaker 1: Colonel Sanders.

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00:18:34,600 --> 00:18:36,440
Speaker 2: From the Kentucky Fried Chicken commercials.

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00:18:36,920 --> 00:18:39,159
Speaker 1: And is he still alive or did he pass I

424
00:18:39,240 --> 00:18:41,159
Speaker 1: believe he passed away. I believe way he was an

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Speaker 1: older fellow when we're doing this twenty years ago. By

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Speaker 1: the way, someone clarified for me on on the social

427
00:18:47,440 --> 00:18:51,719
Speaker 1: media interwebs that the Beard Fasse film I was trying

428
00:18:52,000 --> 00:18:55,360
Speaker 1: to remember was Girl with the Dragon tattoo. I knew

429
00:18:55,359 --> 00:18:56,160
Speaker 1: it was a Fincher move.

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Speaker 2: Was Fincher? You're right?

431
00:18:57,480 --> 00:18:59,360
Speaker 1: So I was right about it being Fincher. It's Girl

432
00:18:59,440 --> 00:19:02,840
Speaker 1: with the Dragon to Daniel Craig is on a plane

433
00:19:03,240 --> 00:19:07,320
Speaker 1: and the camera sort of just Dolly's past a close

434
00:19:07,440 --> 00:19:10,119
Speaker 1: up of Beard Fasce. So thank you for the for

435
00:19:10,280 --> 00:19:12,399
Speaker 1: the listener who helped me out with that.

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00:19:12,760 --> 00:19:15,000
Speaker 2: All right, we're gonna go to break, We'll be right back,

437
00:19:22,359 --> 00:19:23,160
Speaker 2: and we're back.

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Speaker 1: Hey listen. I occasionally Season one would go out partying

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00:19:28,680 --> 00:19:32,959
Speaker 1: with you during the week. Yes, I was occasionally, Yes,

440
00:19:33,119 --> 00:19:35,640
Speaker 1: I was feeling myself. I had never had a dollar

441
00:19:35,680 --> 00:19:36,560
Speaker 1: in my pocket, let.

442
00:19:36,560 --> 00:19:40,520
Speaker 2: Alone some hat television show, hit.

443
00:19:40,520 --> 00:19:43,600
Speaker 1: Television show, and you and I I can't. I mean,

444
00:19:43,640 --> 00:19:46,160
Speaker 1: it's forty five years old. You can't imagine you would

445
00:19:46,160 --> 00:19:48,240
Speaker 1: ever do this. But in our twenties we would occasionally

446
00:19:48,320 --> 00:19:50,320
Speaker 1: go out the nights of filming.

447
00:19:51,000 --> 00:19:54,080
Speaker 2: Occasionally, I remember we would say things like, all right, look,

448
00:19:54,440 --> 00:19:55,560
Speaker 2: just want to do one shot?

449
00:19:57,800 --> 00:20:00,520
Speaker 1: About just one? I'm sure everybody out there can relate

450
00:20:00,640 --> 00:20:02,840
Speaker 1: to your friend going, how about just one?

451
00:20:03,080 --> 00:20:05,359
Speaker 3: Yeah, we're gonna do one shot hard to beat you

452
00:20:06,040 --> 00:20:08,480
Speaker 3: hard six o'clock in the morning. If we're gone by midnight,

453
00:20:08,640 --> 00:20:10,639
Speaker 3: we could be home by one and we still have

454
00:20:10,720 --> 00:20:12,160
Speaker 3: a good five hours of sleep.

455
00:20:12,080 --> 00:20:14,720
Speaker 1: Right hard cut to like at six in the morning

456
00:20:14,760 --> 00:20:16,639
Speaker 1: when Orlando Jones is swimming.

457
00:20:16,680 --> 00:20:18,200
Speaker 2: Oh my god, it wasn't even six. It was like

458
00:20:18,240 --> 00:20:22,639
Speaker 2: four forty five, right, And it was the night you

459
00:20:22,760 --> 00:20:24,159
Speaker 2: had to be at work at six and.

460
00:20:24,200 --> 00:20:25,440
Speaker 1: I had to Did you have to go in or

461
00:20:25,480 --> 00:20:25,639
Speaker 1: just me?

462
00:20:25,680 --> 00:20:26,760
Speaker 2: You didn't have to go in, so I had to

463
00:20:26,800 --> 00:20:28,920
Speaker 2: go in, but I didn't have to be in until like, oh.

464
00:20:28,960 --> 00:20:30,960
Speaker 1: Man, this was this is this is if you looked

465
00:20:31,000 --> 00:20:33,920
Speaker 1: at a graph of me being irresponsible at work. This

466
00:20:34,119 --> 00:20:36,240
Speaker 1: was the high point because I think I was in

467
00:20:36,400 --> 00:20:40,240
Speaker 1: Orlando Jones's pool hammered at four forty five. Yeah, and

468
00:20:40,400 --> 00:20:43,239
Speaker 1: that day I had to shoot this Fonnsie fantasy at

469
00:20:43,320 --> 00:20:46,040
Speaker 1: three forty one that starts at three forty one. So

470
00:20:46,240 --> 00:20:49,359
Speaker 1: when you see that Fonsie thing, not only am I hungover,

471
00:20:49,720 --> 00:20:55,040
Speaker 1: I'm still buzzed, right right, I'm still buzzed from partying

472
00:20:55,080 --> 00:20:56,159
Speaker 1: with Orlando Jones.

473
00:20:56,600 --> 00:20:56,879
Speaker 5: Dude.

474
00:20:57,440 --> 00:20:59,920
Speaker 3: To this day, That's still one of the most epic nights.

475
00:21:00,280 --> 00:21:02,280
Speaker 3: I mean we've had some pretty epic nights, but well,

476
00:21:02,320 --> 00:21:04,919
Speaker 3: because he was so young and fresh in the game and.

477
00:21:04,960 --> 00:21:07,760
Speaker 1: I hadn't met that any stars, and I was just like,

478
00:21:07,840 --> 00:21:09,680
Speaker 1: I can't believe, are we going to Orlando Jones' house.

479
00:21:09,760 --> 00:21:12,119
Speaker 2: Yeah, he was fresh off of doing uh. He he

480
00:21:12,240 --> 00:21:15,119
Speaker 2: had he had already said goodbye to the seven up

481
00:21:15,160 --> 00:21:17,639
Speaker 2: commercials and now he had the movie that had just

482
00:21:17,720 --> 00:21:21,879
Speaker 2: come out with him and David Duchovny and Sean Williams

483
00:21:21,880 --> 00:21:24,560
Speaker 2: Scott called Evolution or something like that, and we were

484
00:21:24,640 --> 00:21:25,400
Speaker 2: all hanging out.

485
00:21:25,960 --> 00:21:27,960
Speaker 1: I don't know, but I was doing any Star. I

486
00:21:28,119 --> 00:21:30,240
Speaker 1: was excited. I was just excited. I felt like, I'm

487
00:21:30,280 --> 00:21:33,360
Speaker 1: living the Hollywood dream. I'm not waiting tables anymore. I'm

488
00:21:33,400 --> 00:21:35,720
Speaker 1: partying with Orlando Jones and Donald.

489
00:21:35,480 --> 00:21:38,399
Speaker 2: Fa and Dion and Deontae Gordon with.

490
00:21:40,160 --> 00:21:43,760
Speaker 1: And Deontay Gordon, Donald's Donald's stand and slash our friend

491
00:21:44,440 --> 00:21:46,479
Speaker 1: and uh. And then I went and did this fantasy.

492
00:21:46,720 --> 00:21:48,680
Speaker 1: So I was just watching it because I remember that

493
00:21:48,800 --> 00:21:51,199
Speaker 1: being in pain and it's it's a very funny fantasy.

494
00:21:51,280 --> 00:21:53,680
Speaker 1: So i'm i'm, i'm. I was grateful this many years later,

495
00:21:53,720 --> 00:21:55,600
Speaker 1: I did ruin a moment for the fans because that's

496
00:21:55,640 --> 00:21:56,280
Speaker 1: a funny fantasy.

497
00:21:56,400 --> 00:21:59,800
Speaker 2: It's hilarious. He's not gonna make it. Then you come

498
00:21:59,840 --> 00:22:02,400
Speaker 2: in the jew box.

499
00:22:02,560 --> 00:22:04,320
Speaker 1: Like for those of you who are too young to remember,

500
00:22:04,400 --> 00:22:07,600
Speaker 1: the fans who I'm spoofing here could pretty much had

501
00:22:07,680 --> 00:22:08,479
Speaker 1: magical powers.

502
00:22:08,560 --> 00:22:11,359
Speaker 2: I mean when it came to jukeboxes and women.

503
00:22:11,680 --> 00:22:14,080
Speaker 1: Yes, the fan maybe in the beginning he was just

504
00:22:14,200 --> 00:22:16,359
Speaker 1: juke boxing, but then like as I recall late in

505
00:22:16,440 --> 00:22:18,840
Speaker 1: later episodes of Happy Days, he would literally he could

506
00:22:18,920 --> 00:22:20,320
Speaker 1: like work magic because.

507
00:22:20,280 --> 00:22:22,320
Speaker 2: Snap and women out of nowhere would show up.

508
00:22:22,560 --> 00:22:25,320
Speaker 1: Yeah, Fonzie had to move out of Milwaukee because he

509
00:22:25,400 --> 00:22:28,119
Speaker 1: had dated every woman in Milwaukee. Is that recall that

510
00:22:28,240 --> 00:22:30,159
Speaker 1: was that was a subplot he had he had been

511
00:22:30,200 --> 00:22:32,280
Speaker 1: on a date with every single woman in Milwaukee and

512
00:22:32,320 --> 00:22:34,240
Speaker 1: he could, so he had to go out of city.

513
00:22:34,080 --> 00:22:34,879
Speaker 2: For that right on.

514
00:22:35,600 --> 00:22:38,359
Speaker 3: Such a funny scene though, such a funny scene. And

515
00:22:38,480 --> 00:22:40,920
Speaker 3: that's how you you know we all believe in miracles.

516
00:22:41,440 --> 00:22:43,760
Speaker 1: Well that's how that's what starts off your really cool

517
00:22:43,920 --> 00:22:47,040
Speaker 1: arc about testing your faith and and so was it

518
00:22:47,240 --> 00:22:49,840
Speaker 1: dropped from you? You mentioned earlier that it was was

519
00:22:49,920 --> 00:22:53,960
Speaker 1: your was churks religiousness dropped from here on out? Like

520
00:22:54,040 --> 00:22:56,120
Speaker 1: did it ever come up did you stop wearing that cross?

521
00:22:56,200 --> 00:22:59,080
Speaker 1: The cross by the way, you never see this cross

522
00:22:59,119 --> 00:23:00,800
Speaker 1: ever before, but in this so because you're supposed to

523
00:23:00,800 --> 00:23:02,640
Speaker 1: be religious, the crosses in every every shot.

524
00:23:02,920 --> 00:23:06,000
Speaker 3: Well, we shot it in another episode also, but the

525
00:23:06,119 --> 00:23:09,080
Speaker 3: cross is was it was after this you don't see

526
00:23:09,119 --> 00:23:12,639
Speaker 3: the cross anymore, I believe, And we don't talk about

527
00:23:12,800 --> 00:23:15,320
Speaker 3: Turk's faith really anymore, which.

528
00:23:15,240 --> 00:23:17,199
Speaker 1: Is bizarre because at the end of the episode your

529
00:23:17,240 --> 00:23:19,520
Speaker 1: faith is restored. I mean, you literally have a sign

530
00:23:19,640 --> 00:23:23,119
Speaker 1: from God. Did you go see a pregnant woman in

531
00:23:23,240 --> 00:23:23,600
Speaker 1: the park?

532
00:23:24,000 --> 00:23:24,119
Speaker 2: Right?

533
00:23:24,240 --> 00:23:24,280
Speaker 1: Like?

534
00:23:24,359 --> 00:23:25,920
Speaker 2: I just knew she was in the park?

535
00:23:26,040 --> 00:23:27,720
Speaker 1: Yeah, how did you just know? Did you even know?

536
00:23:27,920 --> 00:23:31,040
Speaker 1: Does Turke even know Sarah's storyline about her having a

537
00:23:31,160 --> 00:23:31,800
Speaker 1: pregnant woman?

538
00:23:31,880 --> 00:23:34,240
Speaker 3: I think the I think the whole hospital knows about

539
00:23:34,280 --> 00:23:38,080
Speaker 3: it because she's escaped and everybody's on the lookout.

540
00:23:38,280 --> 00:23:40,240
Speaker 1: Okay, so you're on the roof, by the way, how

541
00:23:40,280 --> 00:23:42,159
Speaker 1: funny is it the judy trying to cheer you up,

542
00:23:42,200 --> 00:23:44,399
Speaker 1: wants to bang on the roof of the hospital. I know,

543
00:23:44,680 --> 00:23:47,120
Speaker 1: I thought that was a funny plot line, Like, here, baby,

544
00:23:47,119 --> 00:23:49,720
Speaker 1: I'll cheer you up. Let's have sex on this gravelly

545
00:23:49,920 --> 00:23:50,800
Speaker 1: dirty rooftop.

546
00:23:51,359 --> 00:23:54,080
Speaker 2: Yeah, I look back at that. I look back at that,

547
00:23:54,160 --> 00:23:55,680
Speaker 2: and I'm like, Turk, what were you thinking?

548
00:23:56,080 --> 00:23:59,240
Speaker 1: I love, I love us, I love I'm wanting it

549
00:23:59,320 --> 00:24:01,760
Speaker 1: going be so gross And you're like, oh, what was

550
00:24:01,800 --> 00:24:11,280
Speaker 1: Turk thinking? I mean, like, I don't know. I think

551
00:24:11,359 --> 00:24:14,280
Speaker 1: having sex in like really awkward places is always so

552
00:24:14,480 --> 00:24:16,760
Speaker 1: like such a thing you only see in movies.

553
00:24:16,480 --> 00:24:19,080
Speaker 2: Like have you had sex and awkward places before?

554
00:24:19,320 --> 00:24:21,480
Speaker 1: Well, I'm not going to go too into my sex

555
00:24:21,600 --> 00:24:23,480
Speaker 1: life for everybody, but I do. I think I have

556
00:24:23,640 --> 00:24:26,240
Speaker 1: hooked up on the beach with with with someone and

557
00:24:26,359 --> 00:24:29,320
Speaker 1: thought this looks way better in the movies. There's like

558
00:24:29,480 --> 00:24:30,680
Speaker 1: sand in my creases.

559
00:24:31,080 --> 00:24:34,680
Speaker 2: Yeah, uh no, I have never had sex in really

560
00:24:34,720 --> 00:24:35,760
Speaker 2: any awkward.

561
00:24:35,480 --> 00:24:38,880
Speaker 1: There you go. We're giving the exclusive here on Fake

562
00:24:38,920 --> 00:24:41,520
Speaker 1: Doctor's Real Friends Donald Fai song never having sex in

563
00:24:41,600 --> 00:24:43,119
Speaker 1: an awkward place, like, I.

564
00:24:43,400 --> 00:24:45,359
Speaker 2: Know people that have done it in some crazy places.

565
00:24:45,400 --> 00:24:47,480
Speaker 1: I'm like, there's people who are into that. They're like

566
00:24:47,560 --> 00:24:49,919
Speaker 1: they like they think of it like notches on their belt, Like, well,

567
00:24:49,960 --> 00:24:52,720
Speaker 1: you're not gonna believe where we bang the hospital roof.

568
00:24:57,080 --> 00:24:58,560
Speaker 2: Yeah, Turk and Carl, aren't that couple?

569
00:24:58,760 --> 00:25:01,359
Speaker 1: What about those people who about having sex on an

570
00:25:01,359 --> 00:25:04,159
Speaker 1: airplane bathrooms? I always thought that would be humiliating to

571
00:25:05,400 --> 00:25:07,399
Speaker 1: come out of the bathroom and everyone's looking at you

572
00:25:07,600 --> 00:25:09,680
Speaker 1: and so obvious what you did.

573
00:25:10,440 --> 00:25:10,760
Speaker 2: It's not.

574
00:25:11,040 --> 00:25:14,600
Speaker 3: Well, the thing is not a lot of people have

575
00:25:14,720 --> 00:25:18,360
Speaker 3: the opportunity to have sex over a mile above the earth.

576
00:25:18,400 --> 00:25:20,600
Speaker 2: Right, And so I get the allure.

577
00:25:21,119 --> 00:25:22,160
Speaker 1: Yeah, you do get the allure.

578
00:25:22,359 --> 00:25:24,160
Speaker 2: Yeah, I get the allure, but I'm not really I'm

579
00:25:24,200 --> 00:25:26,600
Speaker 2: not jealous of it. Like you just said, I can't.

580
00:25:26,440 --> 00:25:28,359
Speaker 1: Picture you doing that. It doesn't sound like a very

581
00:25:28,440 --> 00:25:32,200
Speaker 1: Donald Faison thing to do. I mean, you never know,

582
00:25:33,119 --> 00:25:33,600
Speaker 1: so you might.

583
00:25:34,160 --> 00:25:35,760
Speaker 2: I mean if it's a private jet.

584
00:25:36,200 --> 00:25:38,920
Speaker 1: Oh, a private jet doesn't count. I'm talking about a

585
00:25:39,040 --> 00:25:40,280
Speaker 1: commercial airplane.

586
00:25:40,320 --> 00:25:42,200
Speaker 2: Like yeah, no, no, no, no, no, no no, especially

587
00:25:42,280 --> 00:25:44,840
Speaker 2: now after what we're going through right now with this

588
00:25:44,920 --> 00:25:45,800
Speaker 2: whole quarantine thing.

589
00:25:46,400 --> 00:25:48,640
Speaker 1: Before the quarantine, you would definitely bang in a bath.

590
00:25:48,800 --> 00:25:50,880
Speaker 3: Before the quarantine, I think a lot of people would

591
00:25:50,920 --> 00:25:52,920
Speaker 3: be like, yeah, that's a possibility. But now I think

592
00:25:53,000 --> 00:25:54,800
Speaker 3: after the quarantine thing, it's like there's a little too

593
00:25:54,880 --> 00:25:55,560
Speaker 3: much germs.

594
00:25:55,760 --> 00:25:58,280
Speaker 1: I can't picture Casey Cobb being like, there's.

595
00:25:58,160 --> 00:26:00,800
Speaker 3: No way, it's absolutely not. I would be like, babe,

596
00:26:00,880 --> 00:26:02,159
Speaker 3: let's do it, and she'd look at me like I

597
00:26:02,240 --> 00:26:05,280
Speaker 3: was stupid. Should come home, buddy, Come own buddy.

598
00:26:05,560 --> 00:26:08,200
Speaker 1: That's funny. All right, So the park's called Miller Park.

599
00:26:08,240 --> 00:26:13,880
Speaker 1: I couldn't help but think that might be for Krista Miller. Okay, right, yeah, sure,

600
00:26:14,040 --> 00:26:15,960
Speaker 1: the park's called Miller Park. I mean Bill said he's

601
00:26:16,000 --> 00:26:17,000
Speaker 1: not great at naming shit.

602
00:26:17,119 --> 00:26:19,320
Speaker 2: So speaking of Krista Miller, she's back.

603
00:26:19,640 --> 00:26:24,200
Speaker 1: She's back, and she looks beautiful and she's funny as shit.

604
00:26:24,440 --> 00:26:27,400
Speaker 1: And six thirty three is the first time I say

605
00:26:27,440 --> 00:26:31,040
Speaker 1: banana hammock? Now, what is a banana hammock? Is it

606
00:26:31,160 --> 00:26:35,600
Speaker 1: the thing that Rob that Rob Aka Todd wears the tiny.

607
00:26:35,440 --> 00:26:40,879
Speaker 3: Yes, yes, and and and it's called a banana hammock

608
00:26:40,960 --> 00:26:45,159
Speaker 3: because obviously it's like laying your banana and Hannah hammock.

609
00:26:45,600 --> 00:26:48,200
Speaker 1: Okay, now I guess there are people men that wear

610
00:26:48,280 --> 00:26:49,360
Speaker 1: these for real strippers.

611
00:26:50,880 --> 00:26:53,359
Speaker 3: Yeah, I mean I think if you're comfortable, if you

612
00:26:53,400 --> 00:26:57,440
Speaker 3: don't have problems with your thighs rubbing together, banana hammocks

613
00:26:57,440 --> 00:26:59,680
Speaker 3: are very comfortable.

614
00:27:00,040 --> 00:27:02,639
Speaker 1: Do you would could you ever consider? Would you ever consider?

615
00:27:02,720 --> 00:27:02,760
Speaker 6: No?

616
00:27:02,880 --> 00:27:05,240
Speaker 1: Because listen before you answer, if you knew you weren't

617
00:27:05,320 --> 00:27:08,199
Speaker 1: going to be photographed by a Papa Rozz so, by

618
00:27:08,200 --> 00:27:11,280
Speaker 1: the way, singular of paparazzi is Papa Rozzo. I don't know.

619
00:27:11,320 --> 00:27:13,159
Speaker 1: If you knew that, Okay, if you knew that you

620
00:27:13,240 --> 00:27:14,920
Speaker 1: weren't going to be photographed and it would just be

621
00:27:15,080 --> 00:27:18,280
Speaker 1: you on the beach and wherever Brazil, would you would

622
00:27:18,320 --> 00:27:19,120
Speaker 1: you rock one of those?

623
00:27:19,600 --> 00:27:22,280
Speaker 3: If I had no worry about anyone ever seeing me

624
00:27:22,600 --> 00:27:24,720
Speaker 3: in this, yeah, yeah, then why not go nude?

625
00:27:24,800 --> 00:27:24,919
Speaker 2: Right?

626
00:27:26,040 --> 00:27:27,560
Speaker 1: No, I'm talking about you're still on a beach, people

627
00:27:27,600 --> 00:27:29,000
Speaker 1: are like around.

628
00:27:29,040 --> 00:27:31,560
Speaker 3: No, then no, I would not rock one. If people

629
00:27:31,640 --> 00:27:34,479
Speaker 3: are around, then no, I would never rock one.

630
00:27:35,160 --> 00:27:36,920
Speaker 1: I sometimes think it would be fun to wear a

631
00:27:36,960 --> 00:27:40,479
Speaker 1: speedo like you know. Again, I don't want to wear

632
00:27:40,520 --> 00:27:43,000
Speaker 1: it and have people look at me and judge, you know,

633
00:27:43,440 --> 00:27:45,679
Speaker 1: everything going on. But I think I just think sometimes

634
00:27:45,680 --> 00:27:47,160
Speaker 1: when I see people wearing them, I go, I think

635
00:27:47,200 --> 00:27:50,160
Speaker 1: that might feel nice have a speedo on be out

636
00:27:50,200 --> 00:27:50,520
Speaker 1: and about.

637
00:27:50,640 --> 00:27:52,560
Speaker 2: Yeah. I don't, I don't know, I don't, I don't.

638
00:27:52,960 --> 00:27:56,119
Speaker 2: I'd prefer to. I have issues with like chafing with

639
00:27:56,280 --> 00:27:57,000
Speaker 2: my thighs.

640
00:27:56,800 --> 00:27:59,040
Speaker 1: And stuff like that because you don't have a thigh gap.

641
00:27:59,600 --> 00:28:02,600
Speaker 2: Yeah. No, I got quads and I got some thigh gap.

642
00:28:05,600 --> 00:28:08,640
Speaker 1: I think I might have a thigh gap. Let me see, Yeah,

643
00:28:08,640 --> 00:28:09,600
Speaker 1: I have a little thigh gap.

644
00:28:09,640 --> 00:28:14,400
Speaker 3: I don't have a thigh gap. Yea my inner thigh touch. Yeah,

645
00:28:14,480 --> 00:28:15,800
Speaker 3: they clap, they clap.

646
00:28:16,560 --> 00:28:17,160
Speaker 2: That's the worst.

647
00:28:17,200 --> 00:28:23,359
Speaker 3: Oh, you want to talk about feeling feeling running with

648
00:28:24,320 --> 00:28:27,920
Speaker 3: the chafe after a while and then having the burn

649
00:28:28,080 --> 00:28:29,000
Speaker 3: in between the.

650
00:28:29,040 --> 00:28:30,800
Speaker 1: Way you can't jog because of your thighs.

651
00:28:31,280 --> 00:28:33,639
Speaker 3: I can jog if I put on something like oppression shorts,

652
00:28:33,680 --> 00:28:35,600
Speaker 3: but I can't wear like. I can't wear tidy whities,

653
00:28:35,640 --> 00:28:38,080
Speaker 3: Like I don't wear tidy whities because even just walking

654
00:28:38,560 --> 00:28:39,880
Speaker 3: is an issue with tidy whities.

655
00:28:40,080 --> 00:28:42,720
Speaker 1: Yeah. I don't wear tighty whities anymore either, but I

656
00:28:43,040 --> 00:28:46,360
Speaker 1: used to be quite loyal to them. Yeah, the janitor

657
00:28:46,720 --> 00:28:49,680
Speaker 1: is for no reason that nine forty punched in the

658
00:28:49,720 --> 00:28:53,280
Speaker 1: balls by a little girl, and both the little girl

659
00:28:53,480 --> 00:28:59,480
Speaker 1: and the mom acknowledged the janitor. So Bill, since you

660
00:29:00,080 --> 00:29:03,600
Speaker 1: hold fast to the idea that the janitor only reacted

661
00:29:03,640 --> 00:29:05,800
Speaker 1: with JD in season one and may have been a

662
00:29:05,840 --> 00:29:09,960
Speaker 1: figment of his imagination, why is it that a little

663
00:29:10,000 --> 00:29:13,720
Speaker 1: girl randomly punches Neil in the balls and he reacts.

664
00:29:14,480 --> 00:29:18,640
Speaker 6: Yeah, when the janitor got hitting the balls by that girl,

665
00:29:19,280 --> 00:29:22,120
Speaker 6: like the nine and a half minute mark. You want

666
00:29:22,160 --> 00:29:26,200
Speaker 6: me to explain how the jan in there can only

667
00:29:26,440 --> 00:29:28,640
Speaker 6: interact with j D if this actually happened.

668
00:29:28,680 --> 00:29:29,120
Speaker 2: That's easy.

669
00:29:31,000 --> 00:29:37,400
Speaker 1: Five six, seven, eight, stop turn it off, fucking guy.

670
00:29:38,280 --> 00:29:43,280
Speaker 2: The old school PSA. Yes, great, hilarious, so funny, very funny,

671
00:29:43,360 --> 00:29:44,040
Speaker 2: and very clever.

672
00:29:44,640 --> 00:29:48,560
Speaker 1: Yeah, I mean really and just well executed. Kudos to

673
00:29:48,920 --> 00:29:52,200
Speaker 1: Jeff Melman, the director, and deb for writing it. I

674
00:29:52,240 --> 00:29:54,840
Speaker 1: thought that was just really clever, really well executed. Those

675
00:29:54,960 --> 00:29:59,160
Speaker 1: those sort of spoofing, those nineteen fifties you know, what

676
00:29:59,280 --> 00:30:01,080
Speaker 1: do you call them instructional videos?

677
00:30:01,320 --> 00:30:04,000
Speaker 3: Yes, But then afterwards, after the fantasy was over, we

678
00:30:04,080 --> 00:30:08,920
Speaker 3: did it again where the person who did the voiceover

679
00:30:09,000 --> 00:30:12,000
Speaker 3: for the fantasy is now in the room with you, right, and.

680
00:30:12,080 --> 00:30:14,560
Speaker 1: He brings up like communism as though he's still back

681
00:30:14,560 --> 00:30:15,640
Speaker 1: in the fifties.

682
00:30:15,560 --> 00:30:19,520
Speaker 3: Right, and then looks all he's looking off into the distance,

683
00:30:19,720 --> 00:30:21,960
Speaker 3: I guess, into nowhere, and then you look at him

684
00:30:22,000 --> 00:30:24,000
Speaker 3: to see what he's looking at, right, and then you

685
00:30:24,240 --> 00:30:25,120
Speaker 3: exit that direction.

686
00:30:25,280 --> 00:30:26,880
Speaker 1: I think he was trying to be one of those like,

687
00:30:27,440 --> 00:30:30,160
Speaker 1: you know, picture like a nineteen fifties announcer guy who's

688
00:30:30,200 --> 00:30:32,240
Speaker 1: like looking off into the distance, and thus we will

689
00:30:32,280 --> 00:30:35,360
Speaker 1: fight communism and so and then he's sort of frozen

690
00:30:35,480 --> 00:30:37,280
Speaker 1: like that. And then but it was sort of a

691
00:30:37,400 --> 00:30:39,280
Speaker 1: JD sort of head look. So then I kind of

692
00:30:39,320 --> 00:30:40,920
Speaker 1: did a look to him like are you doing my thing?

693
00:30:41,080 --> 00:30:42,920
Speaker 1: Or what are you looking at? And then I tried

694
00:30:42,920 --> 00:30:43,800
Speaker 1: to look where he was going.

695
00:30:44,240 --> 00:30:47,480
Speaker 2: But that's pulling out of a fantasy and still being yes,

696
00:30:47,560 --> 00:30:49,200
Speaker 2: you know another example.

697
00:30:48,920 --> 00:30:50,760
Speaker 1: Of that, that's not something that happened too often.

698
00:30:51,240 --> 00:30:53,400
Speaker 2: No, this is like and the second time it happened.

699
00:30:53,640 --> 00:30:56,640
Speaker 1: Well, we talked about the guy who was frozen after

700
00:30:56,880 --> 00:30:59,680
Speaker 1: at the orderly, who was frozen after everybody else was frozen.

701
00:31:00,000 --> 00:31:02,040
Speaker 1: It's not something I think Bill. I think he said

702
00:31:02,080 --> 00:31:04,400
Speaker 1: that he started phasing that out, but I thought it

703
00:31:04,480 --> 00:31:05,480
Speaker 1: was clever, very clever.

704
00:31:05,840 --> 00:31:12,440
Speaker 2: Same here. I, Well, I have a couple of things.

705
00:31:12,480 --> 00:31:13,320
Speaker 2: We shaved the baby.

706
00:31:13,600 --> 00:31:16,080
Speaker 1: Okay, I laughed out loud. I laughed out loud.

707
00:31:18,040 --> 00:31:21,640
Speaker 2: I shaved the baby, shaved in a haircut. Two bits.

708
00:31:21,840 --> 00:31:25,240
Speaker 1: Yeah, I laughed out loud. That was JD's j d's

709
00:31:25,920 --> 00:31:28,960
Speaker 1: improvisation for solving the problem. We shaved the baby. You

710
00:31:29,120 --> 00:31:34,880
Speaker 1: shaved the baby, yep, shaved the baby, shave and a haircut.

711
00:31:35,440 --> 00:31:41,720
Speaker 1: Long pause. Two bits. Bill told me early on that

712
00:31:41,960 --> 00:31:43,960
Speaker 1: one of the things he loved about Michael J. Fox

713
00:31:44,120 --> 00:31:47,760
Speaker 1: working on Spin City was that Michael J. And everybody,

714
00:31:48,040 --> 00:31:49,960
Speaker 1: when you think about this, when you hear this, you'll

715
00:31:50,000 --> 00:31:53,680
Speaker 1: think about family ties and some of the amazing timing

716
00:31:53,760 --> 00:31:57,640
Speaker 1: he had was that he knew how long he could

717
00:31:57,680 --> 00:32:00,920
Speaker 1: milk a pause before that punchline. Like Michael J. Fox

718
00:32:01,080 --> 00:32:04,280
Speaker 1: was fucking genius at you know, I'll just use this

719
00:32:04,320 --> 00:32:07,000
Speaker 1: as example, how long he could have the audience, especially

720
00:32:07,000 --> 00:32:09,560
Speaker 1: if the audience got ahead of it, right, he knew that.

721
00:32:09,680 --> 00:32:12,240
Speaker 1: You still, I mean, it's even better with a sitcom

722
00:32:12,320 --> 00:32:14,720
Speaker 1: live audience, but he knew that shave and a haircut

723
00:32:17,560 --> 00:32:20,120
Speaker 1: two bits, you know, like he could he could just

724
00:32:20,320 --> 00:32:23,680
Speaker 1: milk it even if the audience started on a sitcom

725
00:32:23,760 --> 00:32:26,400
Speaker 1: started giggling because they were ahead of it. He could

726
00:32:26,560 --> 00:32:28,960
Speaker 1: just milk that. And Bill said, and I think I

727
00:32:29,040 --> 00:32:31,400
Speaker 1: think that landed in my head in some of my

728
00:32:31,520 --> 00:32:34,120
Speaker 1: scrubs timings because I I wanted to impress him like

729
00:32:34,200 --> 00:32:37,720
Speaker 1: Michael J. Fox. But but I but I I always

730
00:32:37,760 --> 00:32:39,280
Speaker 1: think of that when you watch some of Michael J.

731
00:32:39,400 --> 00:32:42,080
Speaker 1: Fox's amazing timing, how how he could just he just

732
00:32:42,240 --> 00:32:44,320
Speaker 1: was a master of how long to hold it like

733
00:32:44,400 --> 00:32:46,240
Speaker 1: even let the audience get ahead of it. It's fine,

734
00:32:46,480 --> 00:32:49,320
Speaker 1: and then say, and it would be so much more gratifying.

735
00:32:48,960 --> 00:32:51,640
Speaker 2: Right, I mean, Michael J. Fox is you know, one

736
00:32:51,680 --> 00:32:53,640
Speaker 2: of our our best when it comes to.

737
00:32:54,280 --> 00:32:56,840
Speaker 1: Just mean Family Ties. Did you watch Family Ties?

738
00:32:57,000 --> 00:33:00,800
Speaker 2: Of course I watched Family Ties. He was amaze. And

739
00:33:00,880 --> 00:33:03,120
Speaker 2: also Back to the Future, you know, the first.

740
00:33:03,440 --> 00:33:04,960
Speaker 3: I talk about Back to the Future a lot because

741
00:33:04,960 --> 00:33:06,720
Speaker 3: it's one of my favorite movies, but the first Back

742
00:33:06,800 --> 00:33:09,320
Speaker 3: to the Future. I know there's some plot holes in

743
00:33:09,400 --> 00:33:12,240
Speaker 3: it that a lot of people can't get over, but

744
00:33:12,360 --> 00:33:14,640
Speaker 3: to me, that movie is almost flawless, you know what

745
00:33:14,720 --> 00:33:18,000
Speaker 3: I mean. As far as time travel stories are so

746
00:33:18,320 --> 00:33:20,520
Speaker 3: difficult to do, you know what I mean? And or

747
00:33:21,160 --> 00:33:22,880
Speaker 3: I shouldn't say it difficult to do. I should say

748
00:33:22,880 --> 00:33:25,200
Speaker 3: they're just doing a time travel story.

749
00:33:25,720 --> 00:33:28,680
Speaker 2: It's been done so many times before, so you have

750
00:33:28,760 --> 00:33:31,880
Speaker 2: to be pretty creative to make it feel like, oh

751
00:33:32,000 --> 00:33:35,520
Speaker 2: this is you know, people say another time travel story.

752
00:33:35,720 --> 00:33:39,480
Speaker 2: But if it's as good as Back to the Future was,

753
00:33:40,360 --> 00:33:43,200
Speaker 2: you accept it and you're willing to go on the ride.

754
00:33:43,280 --> 00:33:45,960
Speaker 2: Otherwise it's like some cheese shit, and you you know,

755
00:33:46,160 --> 00:33:48,600
Speaker 2: theory gets in the way of a lot of stuff.

756
00:33:48,720 --> 00:33:53,240
Speaker 2: And I it's just one of those movies that you know,

757
00:33:53,320 --> 00:33:56,160
Speaker 2: you make a it's just it's in my opinion, this one.

758
00:33:56,240 --> 00:33:57,000
Speaker 2: It's a perfect movie.

759
00:33:57,160 --> 00:33:59,200
Speaker 1: And wasn't it amazing that a movie could turn off

760
00:33:59,320 --> 00:34:02,640
Speaker 1: that good good? And it was a film that they

761
00:34:02,720 --> 00:34:05,240
Speaker 1: started over because they recast the lead.

762
00:34:05,680 --> 00:34:08,279
Speaker 2: Right yeah, well yeah, yeah, yeah, I mean.

763
00:34:08,200 --> 00:34:10,200
Speaker 1: You mentioned this, you mentioned this before. But for those

764
00:34:10,200 --> 00:34:11,759
Speaker 1: of you who didn't hear that or didn't know it

765
00:34:11,920 --> 00:34:14,399
Speaker 1: was originally Eric Stoltz, I don't know how long they shot.

766
00:34:14,480 --> 00:34:15,920
Speaker 1: You read the book, do you remember.

767
00:34:15,719 --> 00:34:17,839
Speaker 2: It shot half of the movie. So they shot all

768
00:34:17,880 --> 00:34:18,040
Speaker 2: of the.

769
00:34:18,200 --> 00:34:21,320
Speaker 1: Stuff that credible. They shot half of the fucking movie.

770
00:34:21,480 --> 00:34:23,960
Speaker 3: Yes, so they shot everything in the fifties. But they

771
00:34:24,040 --> 00:34:26,360
Speaker 3: talk about they talk about the movie like, you know,

772
00:34:26,600 --> 00:34:28,880
Speaker 3: Michael J. Fox is very athletic.

773
00:34:29,040 --> 00:34:30,280
Speaker 1: What's the name of this book? Do you remember?

774
00:34:30,320 --> 00:34:32,480
Speaker 2: For people don't remember it? The dude tweeted it.

775
00:34:34,320 --> 00:34:36,600
Speaker 3: But they shot half the movie and they said, you know,

776
00:34:36,680 --> 00:34:39,920
Speaker 3: Michael J. Fox is very athletic. But they said Eric

777
00:34:40,000 --> 00:34:42,719
Speaker 3: Stoltz on a skateboard was magic. He just seemed way

778
00:34:42,800 --> 00:34:43,840
Speaker 3: more at home on.

779
00:34:43,920 --> 00:34:45,600
Speaker 2: A skateboard than it was a skateboarder.

780
00:34:45,640 --> 00:34:48,440
Speaker 3: Yeah, right, than Michael j Fox did, and you know

781
00:34:48,560 --> 00:34:51,560
Speaker 3: the rock and roll side of things. They say in

782
00:34:51,640 --> 00:34:54,080
Speaker 3: the book, you know, Eric Stoltz had that, you know,

783
00:34:54,239 --> 00:34:58,880
Speaker 3: has that very much grund rock appeal to him, you

784
00:34:58,960 --> 00:34:59,359
Speaker 3: know what I mean.

785
00:35:00,160 --> 00:35:02,840
Speaker 2: J Fox, as you know he is, he is what

786
00:35:02,960 --> 00:35:03,160
Speaker 2: he is.

787
00:35:03,239 --> 00:35:06,279
Speaker 3: He's you know you when you look at him, you're

788
00:35:06,280 --> 00:35:10,480
Speaker 3: not like, yo, that dude is just listens to rockall

789
00:35:10,600 --> 00:35:12,160
Speaker 3: even if he does, you know what I mean, he

790
00:35:12,239 --> 00:35:14,359
Speaker 3: doesn't have that look to him.

791
00:35:14,520 --> 00:35:17,319
Speaker 2: And they said, Eric did. It just didn't work out.

792
00:35:17,920 --> 00:35:20,040
Speaker 1: Yeah, I mean, how humbling can you imagine your I mean,

793
00:35:20,120 --> 00:35:22,480
Speaker 1: thank god Eric Stults went on to have this incredible

794
00:35:22,520 --> 00:35:25,160
Speaker 1: career and holy shit, and mask if you haven't got

795
00:35:25,200 --> 00:35:25,920
Speaker 1: that mask.

796
00:35:26,000 --> 00:35:26,640
Speaker 2: And that's the thing.

797
00:35:26,800 --> 00:35:28,439
Speaker 3: So they talk about that in the book. The reason

798
00:35:28,480 --> 00:35:30,200
Speaker 3: why he was put in the movie was because he

799
00:35:30,280 --> 00:35:32,520
Speaker 3: had masks, the mask coming out, you know what I mean,

800
00:35:32,800 --> 00:35:35,600
Speaker 3: And so they were banking on him getting nominated for

801
00:35:35,640 --> 00:35:38,320
Speaker 3: an Academy Award for that movie, but then being in

802
00:35:38,400 --> 00:35:42,000
Speaker 3: this blockbuster action adventure time travel movie.

803
00:35:42,520 --> 00:35:44,400
Speaker 2: The name of the book is Back to the Future.

804
00:35:45,000 --> 00:35:49,200
Speaker 1: I click on The Ultimate Visual History. Yes, Back to

805
00:35:49,280 --> 00:35:54,279
Speaker 1: the Future, The Ultimate Visual History by Michael Klasterin Yeah,

806
00:35:54,920 --> 00:35:57,400
Speaker 1: so if you're a fan of the movie, like as

807
00:35:57,480 --> 00:35:59,279
Speaker 1: much as Donald is, you might want to check that

808
00:35:59,360 --> 00:36:02,600
Speaker 1: out because it sounds fascinating. I'm always fascinating these production

809
00:36:02,719 --> 00:36:06,520
Speaker 1: stories where someone's recast or they start over. I mean,

810
00:36:06,560 --> 00:36:08,440
Speaker 1: I don't know if it's true, so don't hold me

811
00:36:08,440 --> 00:36:10,400
Speaker 1: to this, but I heard that American Beauty, which is

812
00:36:10,440 --> 00:36:12,800
Speaker 1: one of my favorite movies, they shot like, not not

813
00:36:12,880 --> 00:36:14,479
Speaker 1: as much as this, but they shot like a week

814
00:36:14,560 --> 00:36:20,520
Speaker 1: of and and and the director said, uh, to the producers,

815
00:36:20,640 --> 00:36:22,640
Speaker 1: I I didn't get the tone quite right. You know,

816
00:36:22,719 --> 00:36:25,440
Speaker 1: the tone of American Beauty is so specific and and

817
00:36:26,320 --> 00:36:28,399
Speaker 1: as the as the rumor I heard goes, he said,

818
00:36:28,480 --> 00:36:30,080
Speaker 1: I I just didn't quite nail it. I need to

819
00:36:30,200 --> 00:36:31,880
Speaker 1: I need to scrap that week and start over. And

820
00:36:32,120 --> 00:36:36,120
Speaker 1: and the DreamWorks producers, including Spielberg and the other fellas,

821
00:36:36,200 --> 00:36:36,640
Speaker 1: let him do it.

822
00:36:36,840 --> 00:36:39,279
Speaker 2: That's interesting because Spielberg's very much involved in Back to

823
00:36:39,320 --> 00:36:40,160
Speaker 2: the Futures.

824
00:36:40,160 --> 00:36:42,879
Speaker 1: So maybe he's the kind of producer that if you're little,

825
00:36:42,960 --> 00:36:45,080
Speaker 1: let's say with Sam mende Sorry Sam Mendy's first film,

826
00:36:45,480 --> 00:36:47,600
Speaker 1: and I love American Beauty, please see that if you haven't.

827
00:36:47,840 --> 00:36:50,279
Speaker 1: But I I again, it might be Hollywood lore, but

828
00:36:50,320 --> 00:36:52,520
Speaker 1: I heard that that that they they sort of started

829
00:36:52,560 --> 00:36:54,759
Speaker 1: over again on that one. So these stories were were

830
00:36:54,840 --> 00:36:57,840
Speaker 1: some movie is so incredible, it has such an impact.

831
00:36:58,040 --> 00:37:01,440
Speaker 1: And then there's there's something that hap happened where they RecA.

832
00:37:01,280 --> 00:37:03,560
Speaker 3: What happens all the time some you know, some Star

833
00:37:03,600 --> 00:37:05,040
Speaker 3: Wars movie. They did that with some of the Star

834
00:37:05,080 --> 00:37:08,120
Speaker 3: Wars movies, like Rogue one. Apparently there's a whole you know,

835
00:37:08,640 --> 00:37:11,920
Speaker 3: they shot almost all of Rogue one and went back

836
00:37:11,960 --> 00:37:15,839
Speaker 3: and reshot a lot of the stuff in it. Really, yeah,

837
00:37:16,320 --> 00:37:18,280
Speaker 3: same thing with the same thing with Solo.

838
00:37:18,440 --> 00:37:19,279
Speaker 2: Remember, you know, of.

839
00:37:19,360 --> 00:37:22,840
Speaker 1: Course that's changing, that's changing the directors. That's that's even crazy.

840
00:37:22,920 --> 00:37:25,319
Speaker 2: Yeah, but there's a whole cut. There's a whole movie,

841
00:37:25,400 --> 00:37:28,719
Speaker 2: according to Lore, Yeah, there's a whole movie that they

842
00:37:28,880 --> 00:37:31,800
Speaker 2: made that you can actually take all of the special

843
00:37:31,840 --> 00:37:34,320
Speaker 2: effects and all of the things that they did in

844
00:37:34,960 --> 00:37:38,480
Speaker 2: the actual Solo movie and you can put it into

845
00:37:38,640 --> 00:37:41,680
Speaker 2: what they shot and it's a completely different movie. But

846
00:37:41,760 --> 00:37:42,480
Speaker 2: it's still all fits.

847
00:37:42,680 --> 00:37:44,680
Speaker 1: What do you think happened? They were obviously my guess

848
00:37:44,800 --> 00:37:47,759
Speaker 1: is they were just doing their hilarious improv comedic thing.

849
00:37:47,960 --> 00:37:50,640
Speaker 1: And then Kathleen Kennedy that's her name, did she just

850
00:37:50,760 --> 00:37:53,200
Speaker 1: not like that style. She's saying, that's not Star Wars.

851
00:37:53,600 --> 00:37:54,560
Speaker 2: No, I don't know if it was her.

852
00:37:54,680 --> 00:37:56,960
Speaker 3: I don't know if it was I don't know if

853
00:37:57,000 --> 00:37:59,400
Speaker 3: it was the writer of the movie who's gone on

854
00:37:59,480 --> 00:38:01,120
Speaker 3: to write some incredible.

855
00:38:00,640 --> 00:38:03,480
Speaker 1: Movies, Jonathan Kasden.

856
00:38:03,760 --> 00:38:07,200
Speaker 2: Jonathan, but his dad wrote Raiders Are the Lost Dark Ye.

857
00:38:07,360 --> 00:38:09,719
Speaker 3: Lawrence Kasten, Yeah, he wrote rais of the Lost Dark

858
00:38:09,760 --> 00:38:12,239
Speaker 3: The Empire strikes Back, and they both teamed up to

859
00:38:12,280 --> 00:38:12,759
Speaker 3: write solo.

860
00:38:12,800 --> 00:38:14,680
Speaker 2: I don't know what happened. I'd love to know that story.

861
00:38:15,200 --> 00:38:16,520
Speaker 3: We could reach out to them and they want to

862
00:38:16,520 --> 00:38:18,880
Speaker 3: be on the podcast, and right here they want.

863
00:38:18,680 --> 00:38:20,359
Speaker 1: To I don't think about I don't think even if

864
00:38:20,400 --> 00:38:22,360
Speaker 1: we were to get christ and Phil on the podcast,

865
00:38:22,440 --> 00:38:24,359
Speaker 1: I don't think they're gonna out their whole song.

866
00:38:25,320 --> 00:38:28,560
Speaker 2: Let's ask Jonathan Kasen and Lawrence Caston. They'll never do it.

867
00:38:28,840 --> 00:38:30,640
Speaker 2: I don't think how cool would it be if I

868
00:38:30,680 --> 00:38:32,520
Speaker 2: could go and cut to and then they said it.

869
00:38:38,280 --> 00:38:41,040
Speaker 1: You know, as the podcast gets bigger and bigger, maybe

870
00:38:41,080 --> 00:38:43,400
Speaker 1: we'll be able to get like really fancy guests like

871
00:38:43,560 --> 00:38:45,120
Speaker 1: and now Lawrence Kusten.

872
00:38:48,280 --> 00:38:48,440
Speaker 2: Yeah.

873
00:38:48,440 --> 00:38:49,960
Speaker 1: I always wondered what happened with that, because I don't

874
00:38:49,960 --> 00:38:52,600
Speaker 1: know why you'd hire Kristen phil If not to do

875
00:38:52,800 --> 00:38:56,160
Speaker 1: what they do so well, which was to make it funny.

876
00:38:56,160 --> 00:38:58,440
Speaker 1: And it seems to me not as someone who's just

877
00:38:58,560 --> 00:39:00,680
Speaker 1: dialed into the Star Wars universe as you. But when

878
00:39:00,719 --> 00:39:03,000
Speaker 1: I think of Han Solo, I think, oh, let's give

879
00:39:03,080 --> 00:39:06,040
Speaker 1: him some jokes, Let's have him be quippie and funny,

880
00:39:06,080 --> 00:39:08,000
Speaker 1: and it seemed like a perfect marriage.

881
00:39:08,040 --> 00:39:10,480
Speaker 3: But it would be a real interesting it'd be very

882
00:39:10,560 --> 00:39:13,440
Speaker 3: interesting to see that, you know that side. And I

883
00:39:13,520 --> 00:39:14,719
Speaker 3: love Solo, you know what I mean. There are a

884
00:39:14,719 --> 00:39:17,360
Speaker 3: lot of people out there that really like that movie,

885
00:39:17,680 --> 00:39:20,439
Speaker 3: and I'm one of those people. It's a fun Star

886
00:39:20,520 --> 00:39:21,120
Speaker 3: Wars movie.

887
00:39:21,400 --> 00:39:23,160
Speaker 1: So then Ron Howard came in.

888
00:39:23,800 --> 00:39:27,000
Speaker 2: And you know, he's an amazing director himself, right, you.

889
00:39:27,040 --> 00:39:29,080
Speaker 1: Know, it's one of my favorite Ron Howard movies is

890
00:39:29,160 --> 00:39:30,239
Speaker 1: Parenthood the movie if you.

891
00:39:30,280 --> 00:39:32,120
Speaker 2: Have great cast.

892
00:39:32,440 --> 00:39:35,919
Speaker 1: Great movie went on to make a very popular TV

893
00:39:36,040 --> 00:39:38,080
Speaker 1: show starring my doppelganger, Dad Sheppard.

894
00:39:38,320 --> 00:39:39,000
Speaker 2: I'm gonna say.

895
00:39:38,880 --> 00:39:41,920
Speaker 3: Something right now, that movie has one of my favorite actors.

896
00:39:41,960 --> 00:39:43,600
Speaker 3: I am a huge fan of Rick moranis.

897
00:39:43,800 --> 00:39:45,800
Speaker 1: Yeah, Moran's been He's amazing.

898
00:39:46,080 --> 00:39:48,360
Speaker 2: Yeah, he's on his way. I guess he's he's agreed

899
00:39:48,440 --> 00:39:49,560
Speaker 2: to do another project.

900
00:39:49,560 --> 00:39:51,120
Speaker 1: I don't know what it is, but he's honey shrunk

901
00:39:51,160 --> 00:39:52,440
Speaker 1: the kids. Maybe he's coming back for that.

902
00:39:52,840 --> 00:39:53,920
Speaker 2: That would be so awesome.

903
00:39:54,360 --> 00:39:56,600
Speaker 1: I know they're redoing that with Josh Gadd and I

904
00:39:56,719 --> 00:40:00,640
Speaker 1: think that he might be joining him. O. Well's nodding

905
00:40:00,719 --> 00:40:00,880
Speaker 1: so that.

906
00:40:01,239 --> 00:40:01,919
Speaker 2: Yeah.

907
00:40:02,160 --> 00:40:04,520
Speaker 5: Rick Morana's tragically lost his wife at the height of

908
00:40:04,560 --> 00:40:06,279
Speaker 5: his career, so he quit to raise his.

909
00:40:06,440 --> 00:40:09,799
Speaker 2: Children, and now his children are grown and he's coming back.

910
00:40:10,239 --> 00:40:11,000
Speaker 5: So excited.

911
00:40:11,200 --> 00:40:13,879
Speaker 1: God, he's so talented. I'm so I'm so happy he's

912
00:40:13,920 --> 00:40:15,920
Speaker 1: coming back. He's a funny, funny man.

913
00:40:16,719 --> 00:40:18,279
Speaker 2: All right, let's get back to the show.

914
00:40:18,440 --> 00:40:19,279
Speaker 1: Let's get back to the show.

915
00:40:19,360 --> 00:40:22,160
Speaker 2: Donald one of my favorite fantasies. Uh, and I still

916
00:40:22,280 --> 00:40:26,080
Speaker 2: use it to this day. I ain't buying it. Trying

917
00:40:26,120 --> 00:40:29,200
Speaker 2: to sell somebody the book on the kid getting hit,

918
00:40:29,280 --> 00:40:34,919
Speaker 2: the baby with prenatal lice. Yeah, and Christa says. Jordan says,

919
00:40:35,040 --> 00:40:36,279
Speaker 2: I'm buying it at the time.

920
00:40:37,960 --> 00:40:39,560
Speaker 1: That's funny. And you passed something that I want to

921
00:40:39,560 --> 00:40:41,640
Speaker 1: say still about shaving the baby's head. That was funny.

922
00:40:41,719 --> 00:40:44,720
Speaker 1: Oh when when Johnny's mad that I didn't correctly tape

923
00:40:44,800 --> 00:40:46,400
Speaker 1: over the and by the way, for those of you young,

924
00:40:46,480 --> 00:40:49,000
Speaker 1: that's that's a VHS recorder. So there used to be

925
00:40:49,080 --> 00:40:53,520
Speaker 1: these giant tapes called VHS tapes. But I was laughing

926
00:40:53,560 --> 00:40:56,000
Speaker 1: and when Johnny's yelling at me because I fucked up

927
00:40:56,040 --> 00:40:59,600
Speaker 1: the tape and I go, I was there. I could,

928
00:40:59,719 --> 00:41:04,000
Speaker 1: you know, jot down some of my feelings and impressions.

929
00:41:05,000 --> 00:41:08,960
Speaker 1: It's very and I could. I could jot down some

930
00:41:09,120 --> 00:41:13,480
Speaker 1: of my feelings and impressions, like I was gonna what

931
00:41:13,560 --> 00:41:15,359
Speaker 1: am I gonna do? Like right down like and then

932
00:41:15,560 --> 00:41:22,080
Speaker 1: the head emerge. Let's talk about Johnny c McGinley as

933
00:41:22,120 --> 00:41:23,440
Speaker 1: the Grinch. That was really funny.

934
00:41:23,480 --> 00:41:27,960
Speaker 2: He nailed that, Yes he did. And the words that

935
00:41:28,040 --> 00:41:31,120
Speaker 2: he's saying are those words from doctor.

936
00:41:31,600 --> 00:41:34,160
Speaker 1: I think they're supposed to be doctor Seussie, but they're

937
00:41:34,160 --> 00:41:34,759
Speaker 1: not real suits.

938
00:41:34,800 --> 00:41:36,120
Speaker 2: But they're not real words.

939
00:41:36,400 --> 00:41:38,000
Speaker 1: Yeah. But they did a great job on his hair

940
00:41:38,040 --> 00:41:39,800
Speaker 1: and makeup. I thought he looked really cool and he was.

941
00:41:40,040 --> 00:41:40,879
Speaker 1: It was funny looking.

942
00:41:40,920 --> 00:41:42,719
Speaker 2: I wonder how long he was in hair and makeup for.

943
00:41:42,960 --> 00:41:44,960
Speaker 1: I could I could tell from from being on the

944
00:41:45,000 --> 00:41:46,680
Speaker 1: show that was hours and hours and hours.

945
00:41:47,040 --> 00:41:49,439
Speaker 2: He had hair like green hair glued to his face

946
00:41:49,480 --> 00:41:49,840
Speaker 2: and stuff.

947
00:41:49,960 --> 00:41:53,359
Speaker 1: Yeah, sinner man by Nina Simone, which is they really

948
00:41:53,520 --> 00:41:55,040
Speaker 1: must have rolled out the bucks for it to pay

949
00:41:55,080 --> 00:41:58,080
Speaker 1: for Nina Simone on this episode, as you run to

950
00:41:58,200 --> 00:41:59,520
Speaker 1: the Tamiller Park.

951
00:41:59,520 --> 00:42:02,319
Speaker 3: Miller Park, you know, that was what I was talking

952
00:42:02,360 --> 00:42:05,279
Speaker 3: about when we were talking about the platform shoes, and

953
00:42:06,239 --> 00:42:09,640
Speaker 3: they made Deontaey do all of the things that you

954
00:42:09,840 --> 00:42:13,480
Speaker 3: saw me do in that episode in like twelve inch

955
00:42:13,520 --> 00:42:14,200
Speaker 3: platform shoes.

956
00:42:14,200 --> 00:42:17,600
Speaker 2: However much shorter he is than me, but eight inch whatever.

957
00:42:17,840 --> 00:42:19,640
Speaker 1: Why are you running? Why are you running like a

958
00:42:19,760 --> 00:42:22,160
Speaker 1: cartoon character? Do you notice that? It's like this really

959
00:42:22,280 --> 00:42:25,200
Speaker 1: dramatic moment, and then you're taking corners. You know when

960
00:42:25,280 --> 00:42:27,520
Speaker 1: cartoon people run, they're like skin at the corners and

961
00:42:27,560 --> 00:42:29,560
Speaker 1: they have to like they have to like catch up tea.

962
00:42:30,160 --> 00:42:31,000
Speaker 1: You're doing that shit.

963
00:42:32,440 --> 00:42:36,320
Speaker 2: It's all. It all comes from Michael J. Fox Man speaking.

964
00:42:36,440 --> 00:42:39,040
Speaker 2: We spoke about him earlier. It really is true, man, Mike.

965
00:42:39,480 --> 00:42:39,880
Speaker 2: Michael J.

966
00:42:40,080 --> 00:42:43,160
Speaker 3: Fox had some of the best running moments in the

967
00:42:43,320 --> 00:42:47,000
Speaker 3: history of running in teen Wolf when he's running through

968
00:42:47,040 --> 00:42:49,879
Speaker 3: the halls and the guy's mopping and he's like it's

969
00:42:49,920 --> 00:42:53,200
Speaker 3: slippery that way, and Mike runs through and then slides

970
00:42:53,360 --> 00:42:55,600
Speaker 3: all the way through camera right the way through the

971
00:42:55,680 --> 00:42:58,920
Speaker 3: hallway and then comes running back. But as he's coming back,

972
00:42:58,960 --> 00:43:01,120
Speaker 3: he's trying to keep his balance on this slippery floor.

973
00:43:01,320 --> 00:43:04,320
Speaker 1: So you're saying that moment you're running, and this was inspiring.

974
00:43:04,000 --> 00:43:07,040
Speaker 2: Everything everything I you know, everything I've done.

975
00:43:07,520 --> 00:43:10,640
Speaker 1: Everything I do, I do it for you, I do

976
00:43:10,800 --> 00:43:11,880
Speaker 1: it for Michael J.

977
00:43:12,040 --> 00:43:12,200
Speaker 5: Fox.

978
00:43:12,440 --> 00:43:15,120
Speaker 3: Well, no, but every there's a you know, whether it's

979
00:43:15,120 --> 00:43:18,800
Speaker 3: a run or a walk, or you know, a facial expression.

980
00:43:19,560 --> 00:43:21,759
Speaker 3: A lot of these come from my favorite actors, So

981
00:43:21,920 --> 00:43:26,520
Speaker 3: like Harrison Ford, Denzel Washington, Sidney Potier, Michael J. Fox,

982
00:43:26,680 --> 00:43:31,080
Speaker 3: Rick Moranis, Robin Williams, Bill Murray. You know, all of

983
00:43:31,120 --> 00:43:33,880
Speaker 3: these people did something that I saw and I was like,

984
00:43:33,960 --> 00:43:36,319
Speaker 3: I'm gonna I'm gonna try and.

985
00:43:36,680 --> 00:43:39,480
Speaker 1: Wrote I wrote down in nineteen eighteen. Turk runs like

986
00:43:39,520 --> 00:43:41,000
Speaker 1: a cartoon character, right.

987
00:43:41,160 --> 00:43:44,520
Speaker 2: That all came from me trying to run like Michael J. Fox. Yeah.

988
00:43:44,640 --> 00:43:47,240
Speaker 1: So Turk gets a sign. He's on the roof again,

989
00:43:47,640 --> 00:43:49,680
Speaker 1: right on the roof again. Yeah, And you're just up

990
00:43:49,719 --> 00:43:51,960
Speaker 1: there having a moment and you have a come to

991
00:43:52,080 --> 00:43:54,960
Speaker 1: Jesus moment if you will, that there's a pregnant woman

992
00:43:55,000 --> 00:43:58,160
Speaker 1: about to give birth in the park, and you run

993
00:43:58,560 --> 00:44:01,360
Speaker 1: and you run like a cartoon character to Nina Simone's

994
00:44:01,520 --> 00:44:06,000
Speaker 1: Cinnerman beautiful song, and then you run to the park

995
00:44:06,120 --> 00:44:08,480
Speaker 1: and you deliver a baby. Now, Churk probably hasn't delivered

996
00:44:08,520 --> 00:44:09,120
Speaker 1: that many babies.

997
00:44:09,440 --> 00:44:11,600
Speaker 2: Oh he's a surgeon, I imagine.

998
00:44:11,120 --> 00:44:13,640
Speaker 1: But he's not. Yeah, he's probably done a fair amount.

999
00:44:14,280 --> 00:44:15,839
Speaker 2: I imagine that he's he's not a ghino.

1000
00:44:15,960 --> 00:44:18,960
Speaker 1: But I know I want to go to some of Joel.

1001
00:44:19,040 --> 00:44:21,560
Speaker 1: The speaking of guinos, we're jumping around, but in the

1002
00:44:21,640 --> 00:44:24,640
Speaker 1: very beginning of the episode, Kelso is is being sexist

1003
00:44:24,920 --> 00:44:27,080
Speaker 1: and saying to Sarah that she's going to become a

1004
00:44:27,800 --> 00:44:31,120
Speaker 1: guy of collegers obgyn and then Joel found this thing.

1005
00:44:31,200 --> 00:44:34,560
Speaker 1: According to an article by the American Medical Association the

1006
00:44:34,640 --> 00:44:39,960
Speaker 1: Breakdown of Specialties dominated by women in twenty nineteen, eighty

1007
00:44:40,080 --> 00:44:45,759
Speaker 1: three point four percent of obgyns are women. Wow, and

1008
00:44:46,080 --> 00:44:49,719
Speaker 1: seventy two percent of pediatricians are women. Am I reading

1009
00:44:49,760 --> 00:44:54,800
Speaker 1: that right, Joel? What I thought was writ well, I

1010
00:44:54,920 --> 00:44:58,040
Speaker 1: mean I was offended by Kelso. I was like, fuck

1011
00:44:58,120 --> 00:45:02,040
Speaker 1: this guy, and then Joel handed me and uh, you know,

1012
00:45:02,239 --> 00:45:05,759
Speaker 1: I guess, but I understand that, like I I was

1013
00:45:05,800 --> 00:45:07,640
Speaker 1: your was your have your O B G Y n

1014
00:45:07,680 --> 00:45:09,560
Speaker 1: has been been female or male?

1015
00:45:10,160 --> 00:45:10,279
Speaker 5: Uh?

1016
00:45:10,760 --> 00:45:11,879
Speaker 2: First one was a guy.

1017
00:45:12,280 --> 00:45:17,280
Speaker 1: I was asking Donald, Joel, but please god, Joel.

1018
00:45:19,120 --> 00:45:20,320
Speaker 2: This questions like for his wife.

1019
00:45:22,719 --> 00:45:25,440
Speaker 1: Oh my god, I'm laughing so hard. Joel got so

1020
00:45:25,640 --> 00:45:30,840
Speaker 1: lost in the episode. She started answering, you're totally wait, Joel. Sorry,

1021
00:45:30,880 --> 00:45:33,000
Speaker 1: I want I want you to answer. Don't get me wrong,

1022
00:45:33,080 --> 00:45:35,000
Speaker 1: but but you go first, then and then we'll call

1023
00:45:35,040 --> 00:45:37,840
Speaker 1: on Donald. Donald has had eleven thousand children, so I

1024
00:45:37,920 --> 00:45:39,920
Speaker 1: wanted to know what go for you, Joel.

1025
00:45:40,080 --> 00:45:42,960
Speaker 5: Have your O B G Y n's been uh mostly

1026
00:45:43,560 --> 00:45:45,440
Speaker 5: mostly three women, one guy?

1027
00:45:45,600 --> 00:45:49,480
Speaker 1: How about you? Donald? Casey's is a male m HM

1028
00:45:50,120 --> 00:45:52,200
Speaker 1: and you and and your other other baby mamas? Do

1029
00:45:52,239 --> 00:45:54,880
Speaker 1: you remember you don't remember? It's okay not to remember.

1030
00:45:55,040 --> 00:45:55,359
Speaker 2: I don't.

1031
00:45:55,680 --> 00:45:57,680
Speaker 1: I feel like if I was giving birth and I

1032
00:45:57,719 --> 00:45:59,960
Speaker 1: had a vagina, i'd want a woman. But maybe maybe

1033
00:46:00,080 --> 00:46:02,920
Speaker 1: that's ridiculous to say. I just what's my gut respect?

1034
00:46:02,920 --> 00:46:04,960
Speaker 3: Okay, Well, here's a here's here's a good survey. We

1035
00:46:05,000 --> 00:46:07,239
Speaker 3: should we should do, and we won't and we won't

1036
00:46:07,400 --> 00:46:11,879
Speaker 3: use uh that as an example. Let's use massaging as

1037
00:46:11,920 --> 00:46:14,880
Speaker 3: an example. Okay, yeah, yeah, because that's pretty intimate and

1038
00:46:15,000 --> 00:46:15,640
Speaker 3: it's harmless.

1039
00:46:15,680 --> 00:46:17,160
Speaker 1: And what do you get a man or a woman?

1040
00:46:18,000 --> 00:46:19,080
Speaker 2: Exactly? What do you get a man?

1041
00:46:19,160 --> 00:46:20,000
Speaker 1: I always get a woman.

1042
00:46:20,360 --> 00:46:24,680
Speaker 2: Same here, Joelle, strongest hands, who has the strongest hands?

1043
00:46:25,000 --> 00:46:26,560
Speaker 1: So that's what you say.

1044
00:46:26,600 --> 00:46:28,479
Speaker 2: You say, you say who's got the best hands.

1045
00:46:28,600 --> 00:46:30,840
Speaker 1: So when they say manner of female, male or female,

1046
00:46:30,880 --> 00:46:31,919
Speaker 1: you say strongest hands.

1047
00:46:32,040 --> 00:46:33,560
Speaker 2: Absolutely. Oh the end.

1048
00:46:33,640 --> 00:46:36,240
Speaker 1: I thought it was funny that Sarah was you're holding

1049
00:46:36,360 --> 00:46:38,719
Speaker 1: Judy like in front of you, but Sarah's holding me

1050
00:46:38,960 --> 00:46:41,160
Speaker 1: in front of her, right in front of the Christmas tree.

1051
00:46:41,400 --> 00:46:45,520
Speaker 3: Yes, yes, I also there was one other part that

1052
00:46:45,600 --> 00:46:49,239
Speaker 3: we should talk about, and that's uh, when Cox and

1053
00:46:49,320 --> 00:46:52,440
Speaker 3: Jordan are fighting each other about the haircut, shaving and

1054
00:46:52,480 --> 00:46:54,440
Speaker 3: everything like that, and then you jump in the middle

1055
00:46:54,760 --> 00:46:59,440
Speaker 3: and then they automatically turn on j D. And that's

1056
00:46:59,480 --> 00:47:02,080
Speaker 3: a lesson that I've learned at a that I learned

1057
00:47:02,080 --> 00:47:05,640
Speaker 3: at a young age. I guess JD was never you know,

1058
00:47:05,719 --> 00:47:08,319
Speaker 3: I didn't have friends that had brothers or sisters or.

1059
00:47:08,320 --> 00:47:11,120
Speaker 2: Anything like that. But never get involved when a couple

1060
00:47:11,239 --> 00:47:15,320
Speaker 2: is fighting. You stay out of it unless they invite

1061
00:47:15,400 --> 00:47:18,319
Speaker 2: you into the argument. Stay away because that thing will

1062
00:47:18,360 --> 00:47:19,399
Speaker 2: turn on you so quick.

1063
00:47:19,920 --> 00:47:21,719
Speaker 1: It's hard sometimes because you want to weigh in but

1064
00:47:21,800 --> 00:47:22,200
Speaker 1: you can't.

1065
00:47:22,320 --> 00:47:22,799
Speaker 2: But you can't.

1066
00:47:22,800 --> 00:47:24,279
Speaker 3: You got to keep it to yourself. You got to

1067
00:47:24,320 --> 00:47:26,880
Speaker 3: keep it to yourself. I had friends growing up, the

1068
00:47:27,000 --> 00:47:29,279
Speaker 3: Rogers brothers, there was four of them, right, and they

1069
00:47:29,320 --> 00:47:31,840
Speaker 3: would you know, when they fought, they would fight viciously,

1070
00:47:32,360 --> 00:47:34,960
Speaker 3: punching and grabbing and choking, and you know, they would

1071
00:47:34,960 --> 00:47:37,239
Speaker 3: beat each other up and you'd be like, you guys,

1072
00:47:37,280 --> 00:47:39,640
Speaker 3: are brothers, stop it, and you'd get in the middle

1073
00:47:39,680 --> 00:47:42,600
Speaker 3: of it, and then their anger all of a sudden

1074
00:47:42,719 --> 00:47:45,560
Speaker 3: went from them wanting to kick each other's ass to

1075
00:47:45,680 --> 00:47:48,839
Speaker 3: now them kicking your ass. And two on one ain't fun, dude,

1076
00:47:48,920 --> 00:47:50,839
Speaker 3: or three on one, four on one ain't fun, man,

1077
00:47:51,280 --> 00:47:52,000
Speaker 3: and it would.

1078
00:47:51,840 --> 00:47:55,080
Speaker 2: Be it would be I would So when JD did

1079
00:47:55,160 --> 00:47:59,440
Speaker 2: that to Jordan and Cox, I was like, that's the

1080
00:47:59,520 --> 00:48:02,160
Speaker 2: dumb that's that's a rookie mistake. That's the dumbest move ever.

1081
00:48:02,320 --> 00:48:04,879
Speaker 2: Never get involved in couples arguing.

1082
00:48:04,960 --> 00:48:08,600
Speaker 1: Right right, Well, I I definitely try and stay out,

1083
00:48:08,640 --> 00:48:11,120
Speaker 1: But in your head you're thinking, like you're you're judging,

1084
00:48:11,160 --> 00:48:13,239
Speaker 1: and you're saying, like, but aren't you also happy when

1085
00:48:13,239 --> 00:48:14,759
Speaker 1: you're out in public and you see a couple fighting

1086
00:48:14,800 --> 00:48:15,960
Speaker 1: and you're like, yes, it's not me.

1087
00:48:16,480 --> 00:48:20,600
Speaker 3: Yeah, absolutely absolutely. That's the one thing that my wife

1088
00:48:20,640 --> 00:48:23,560
Speaker 3: and I try not to do. It's always like to wait,

1089
00:48:23,640 --> 00:48:25,279
Speaker 3: wait till we get home, wait till week.

1090
00:48:25,320 --> 00:48:26,879
Speaker 1: Oh really you do the wait we get home.

1091
00:48:27,120 --> 00:48:28,360
Speaker 2: I don't do that. That's what she does to me.

1092
00:48:28,840 --> 00:48:32,680
Speaker 1: Really, we can talk when we get home, right, and

1093
00:48:33,400 --> 00:48:33,959
Speaker 1: I know, right.

1094
00:48:33,880 --> 00:48:35,279
Speaker 2: There and there, I'm not going to I'm not going

1095
00:48:35,320 --> 00:48:37,000
Speaker 2: to sleep tonight worse.

1096
00:48:37,120 --> 00:48:38,560
Speaker 1: And then you have to drive home and just like

1097
00:48:38,680 --> 00:48:39,760
Speaker 1: in silence.

1098
00:48:39,600 --> 00:48:43,400
Speaker 3: Yeah, and then you walk in and it's on. And

1099
00:48:43,880 --> 00:48:46,040
Speaker 3: my wife's the type of person that's like, I don't

1100
00:48:46,120 --> 00:48:46,960
Speaker 3: like going to ben mad.

1101
00:48:47,440 --> 00:48:48,680
Speaker 1: Well, at least she has it out, you know. I

1102
00:48:49,120 --> 00:48:51,000
Speaker 1: think that's way better to have it out, even if

1103
00:48:51,040 --> 00:48:53,719
Speaker 1: it's like impassioned, rather than just sitting on it.

1104
00:48:53,840 --> 00:48:54,279
Speaker 2: I hate that.

1105
00:48:54,680 --> 00:48:57,799
Speaker 1: And I don't think you should go to sleep mad either.

1106
00:48:57,840 --> 00:49:00,880
Speaker 1: I think that's a good a good habit to have.

1107
00:49:01,080 --> 00:49:01,239
Speaker 2: Try.

1108
00:49:01,280 --> 00:49:03,680
Speaker 3: And dude, I've been I've been damn near sleeping where

1109
00:49:03,680 --> 00:49:07,000
Speaker 3: I'm just in uh, where I'm passed out, my eyes

1110
00:49:07,040 --> 00:49:10,520
Speaker 3: are closed, and I'm just agreeing now right, just so.

1111
00:49:10,560 --> 00:49:12,640
Speaker 1: I could go to sleep the path of least resistance.

1112
00:49:12,920 --> 00:49:14,520
Speaker 2: And she'll be like, so, what did I say, and

1113
00:49:14,560 --> 00:49:19,200
Speaker 2: I'll be like, oh gosh, there you go, say you

1114
00:49:19,280 --> 00:49:20,520
Speaker 2: are listen. I was listening.

1115
00:49:23,120 --> 00:49:25,400
Speaker 1: Don't go to been angry everybody. That's a lesson here

1116
00:49:25,640 --> 00:49:27,320
Speaker 1: from fake Doctor's real friends.

1117
00:49:27,920 --> 00:49:30,640
Speaker 2: Oh one last thing I forgotten. Let's ask Bill about this.

1118
00:49:30,760 --> 00:49:33,000
Speaker 1: Also, go ahead, before you're gonna get two, you're gonna

1119
00:49:33,000 --> 00:49:33,759
Speaker 1: get Bill too this week.

1120
00:49:33,760 --> 00:49:36,359
Speaker 3: Okay, go Aheadah, okay, So there was an alternate ending

1121
00:49:36,400 --> 00:49:41,120
Speaker 3: to this episode, right, but that's it's so dark, so dark.

1122
00:49:41,360 --> 00:49:43,000
Speaker 2: It was so dark to end the Christmas episode.

1123
00:49:43,000 --> 00:49:44,399
Speaker 1: I wasn't even bring it up because we were being

1124
00:49:44,480 --> 00:49:46,359
Speaker 1: so giddy and it's a bit it's a bit dark,

1125
00:49:46,480 --> 00:49:47,279
Speaker 1: but okay, go for it.

1126
00:49:47,640 --> 00:49:49,600
Speaker 2: Yeah, there was a dark ending to this episode, and

1127
00:49:49,600 --> 00:49:50,000
Speaker 2: I'm sure.

1128
00:49:49,920 --> 00:49:51,560
Speaker 1: That I don't think it was it was it an ending,

1129
00:49:51,680 --> 00:49:53,879
Speaker 1: or it was a subplot that was woven through.

1130
00:49:54,120 --> 00:49:55,600
Speaker 3: I think it was a subplot. It might have been

1131
00:49:55,920 --> 00:49:58,239
Speaker 3: let's ask Bill Bill. I know at the end of

1132
00:49:58,360 --> 00:50:02,440
Speaker 3: this episode, there was a moment between Jordan and Uh.

1133
00:50:02,719 --> 00:50:05,239
Speaker 3: We almost forgot about the call. There was a moment

1134
00:50:05,360 --> 00:50:10,680
Speaker 3: with Jordan and Uh and Uh and Cox where they

1135
00:50:10,719 --> 00:50:13,000
Speaker 3: said something different when they were looking at the baby.

1136
00:50:13,280 --> 00:50:15,040
Speaker 3: When they finally went to visit the baby.

1137
00:50:15,480 --> 00:50:18,239
Speaker 1: And there was no there was a subplot. Do you

1138
00:50:18,280 --> 00:50:19,359
Speaker 1: want me to tell you what it is and then

1139
00:50:19,400 --> 00:50:21,800
Speaker 1: have Bill talk about it. Sure, there was a subplot

1140
00:50:21,840 --> 00:50:23,720
Speaker 1: that they when they were together, had lost a child,

1141
00:50:25,080 --> 00:50:29,239
Speaker 1: and so that was some of the dramatic undertones of

1142
00:50:29,920 --> 00:50:33,680
Speaker 1: of them and dealing with their friends having a new baby.

1143
00:50:34,040 --> 00:50:35,320
Speaker 2: And I that's why they didn't want to go to

1144
00:50:35,360 --> 00:50:36,480
Speaker 2: the room, right.

1145
00:50:36,560 --> 00:50:39,600
Speaker 1: And I believe or the or the nursery where you

1146
00:50:39,680 --> 00:50:42,600
Speaker 1: see kids, and I believe that Bill had an argument

1147
00:50:42,719 --> 00:50:47,000
Speaker 1: with the network about cutting that out. So Bill tell

1148
00:50:47,080 --> 00:50:50,719
Speaker 1: us about that and what your struggle with the network was, please, you.

1149
00:50:50,760 --> 00:50:51,360
Speaker 2: Know, it's interesting.

1150
00:50:51,400 --> 00:50:54,239
Speaker 6: I don't remember specifically the struggle with the Jordan Cox

1151
00:50:54,320 --> 00:50:57,360
Speaker 6: losing a baby thing. But the one thing that we

1152
00:50:57,440 --> 00:51:01,719
Speaker 6: were always dealing with early on in Scrubbs was that

1153
00:51:01,840 --> 00:51:06,960
Speaker 6: we would pitch the network stories that weren't specifically comedies,

1154
00:51:07,719 --> 00:51:10,600
Speaker 6: you know, and it didn't sound like, Hey, three patients

1155
00:51:10,640 --> 00:51:11,800
Speaker 6: come in and one of the three of them is

1156
00:51:11,840 --> 00:51:14,759
Speaker 6: gonna die, but they all three die. Hey, doctor Cox

1157
00:51:14,880 --> 00:51:16,640
Speaker 6: used to be married to someone, they lost a baby.

1158
00:51:17,160 --> 00:51:20,920
Speaker 6: Hey we're gonna introduce a super big movie star guest

1159
00:51:20,920 --> 00:51:23,520
Speaker 6: star who seems really funny in jovial, but he's gonna

1160
00:51:23,560 --> 00:51:25,680
Speaker 6: have leukemia and then come back next year and die

1161
00:51:25,760 --> 00:51:28,360
Speaker 6: from it. So we always met resistance.

1162
00:51:29,160 --> 00:51:29,799
Speaker 1: Thank you, Bill.

1163
00:51:30,280 --> 00:51:31,000
Speaker 2: Let's take a break.

1164
00:51:31,080 --> 00:51:41,960
Speaker 1: We'll be right back after these fine words. Now, Joelle,

1165
00:51:42,120 --> 00:51:45,520
Speaker 1: I believe we have a caller or two.

1166
00:51:46,040 --> 00:51:48,359
Speaker 4: Hi, guys, how are you doing? Brian good?

1167
00:51:48,400 --> 00:51:48,680
Speaker 5: How are you?

1168
00:51:48,880 --> 00:51:49,240
Speaker 2: Brian?

1169
00:51:49,360 --> 00:51:53,600
Speaker 1: O'mallly, Oh my god, Brian, you got to record that somehow.

1170
00:51:54,400 --> 00:51:56,040
Speaker 4: I am recording it actually, And you.

1171
00:51:56,040 --> 00:51:58,240
Speaker 1: Know what, Brian, that can be your your new ringtone.

1172
00:51:58,320 --> 00:51:59,279
Speaker 1: Donald giving you an.

1173
00:51:59,160 --> 00:52:00,239
Speaker 2: Oprah no.

1174
00:52:02,000 --> 00:52:06,880
Speaker 4: And what that is definitely gonnapp speaking of.

1175
00:52:06,960 --> 00:52:09,839
Speaker 1: Ringtones, I digress for a moment. The good people at

1176
00:52:09,840 --> 00:52:14,120
Speaker 1: iHeart are putting together the ability for for folks to

1177
00:52:14,320 --> 00:52:17,520
Speaker 1: have our theme song be your ringtone. We're working on

1178
00:52:17,640 --> 00:52:19,880
Speaker 1: it and that's in the works because I've been getting

1179
00:52:19,880 --> 00:52:21,960
Speaker 1: a lot of love on the social media for our

1180
00:52:22,000 --> 00:52:26,800
Speaker 1: theme song, especially Wilder's version, and Wilder's version.

1181
00:52:26,640 --> 00:52:28,560
Speaker 2: Will not be that's not going to be available.

1182
00:52:28,640 --> 00:52:31,239
Speaker 1: Wilder's version will not be available for ringtone, although I

1183
00:52:31,360 --> 00:52:33,000
Speaker 1: did hear a lot of people say that should be

1184
00:52:33,040 --> 00:52:35,719
Speaker 1: the new version forget your version, but those people are wrong,

1185
00:52:36,520 --> 00:52:37,319
Speaker 1: but pretty much right.

1186
00:52:37,360 --> 00:52:38,160
Speaker 2: What you drinking man?

1187
00:52:38,520 --> 00:52:42,320
Speaker 1: What are you drinking? Brian? Uh, this is beer? Okay?

1188
00:52:42,360 --> 00:52:43,440
Speaker 2: What kind of beer you got there?

1189
00:52:43,960 --> 00:52:47,000
Speaker 4: It's like a hazy I p a juicy eight percent.

1190
00:52:47,320 --> 00:52:48,400
Speaker 4: I like stuff that's strong.

1191
00:52:48,800 --> 00:52:52,560
Speaker 2: Okay, Well I got myself a little margarita. Awesome?

1192
00:52:53,040 --> 00:52:54,800
Speaker 4: Is that just like lime juice? Tequila?

1193
00:52:55,239 --> 00:52:58,000
Speaker 2: I don't know what they use. It's Casa Vega in

1194
00:52:58,120 --> 00:52:59,200
Speaker 2: my neighborhood that they.

1195
00:53:00,040 --> 00:53:01,920
Speaker 1: You're still drinking out of your your gallons there?

1196
00:53:02,120 --> 00:53:02,879
Speaker 2: We have so many.

1197
00:53:03,360 --> 00:53:06,120
Speaker 1: Yeah, that's awesome. Hi, guys, where do you live in?

1198
00:53:06,200 --> 00:53:09,479
Speaker 1: What's happening in? Brian introduced your your girlfriend wife? Friend?

1199
00:53:10,239 --> 00:53:14,399
Speaker 4: This is my partner. This is doctor Ellen, a grey doc,

1200
00:53:14,760 --> 00:53:17,879
Speaker 4: Hi doc, and uh, we live in Evanston. Illin.

1201
00:53:18,120 --> 00:53:21,440
Speaker 5: Oh, I went to Northwestern right, Yeah, so we we

1202
00:53:22,160 --> 00:53:25,160
Speaker 5: we both worked here actually too. She works at a

1203
00:53:25,239 --> 00:53:28,319
Speaker 5: hospital here and I own a small business on Central Street,

1204
00:53:28,360 --> 00:53:29,640
Speaker 5: you know, right down from the stadium.

1205
00:53:31,040 --> 00:53:34,480
Speaker 4: And so yeah, we just we do that and Ellen

1206
00:53:34,680 --> 00:53:39,920
Speaker 4: is uh eight and yeah, almost nine months pregnant and finish.

1207
00:53:40,800 --> 00:53:41,480
Speaker 1: Congratulations.

1208
00:53:41,520 --> 00:53:43,000
Speaker 2: Congratulations. Do you guys know what you're having?

1209
00:53:43,840 --> 00:53:44,200
Speaker 4: A boy?

1210
00:53:44,760 --> 00:53:47,560
Speaker 2: Nice person, but yeah, a person.

1211
00:53:48,480 --> 00:53:50,200
Speaker 1: Congratulations guys. That's cool.

1212
00:53:50,840 --> 00:53:51,640
Speaker 2: Way to go, guys.

1213
00:53:52,080 --> 00:53:56,040
Speaker 5: Yeah, so we're you know, it's definitely, uh, anxiety causing

1214
00:53:56,239 --> 00:53:59,080
Speaker 5: you know, I we neither of us have had kids before.

1215
00:53:59,840 --> 00:54:00,800
Speaker 4: I used to be a teacher.

1216
00:54:01,520 --> 00:54:03,000
Speaker 5: But it's not quite the same when you know you

1217
00:54:03,040 --> 00:54:04,880
Speaker 5: can send them home at like three o'clock and just

1218
00:54:04,920 --> 00:54:07,400
Speaker 5: be front of them. So now it's like they're here

1219
00:54:07,440 --> 00:54:07,759
Speaker 5: for good.

1220
00:54:08,000 --> 00:54:09,960
Speaker 2: Okay, But Brian, I'm gonna give you a little.

1221
00:54:09,719 --> 00:54:12,839
Speaker 1: Bit of you're talking to the right man, Brian Donald kids.

1222
00:54:13,160 --> 00:54:16,480
Speaker 3: Okay, that's what I heard, right, Yeah, something like that.

1223
00:54:16,880 --> 00:54:18,800
Speaker 3: He doesn't even remember something like that.

1224
00:54:19,200 --> 00:54:21,680
Speaker 2: Right, that's a great that's a great story. How many

1225
00:54:21,760 --> 00:54:22,200
Speaker 2: kids you got?

1226
00:54:22,400 --> 00:54:25,719
Speaker 1: Something like nine thing sixth that I know about.

1227
00:54:26,719 --> 00:54:30,880
Speaker 2: So the first year, Brian, there's not much you can do,

1228
00:54:32,320 --> 00:54:37,280
Speaker 2: that's the honest to goodness truth, except be supportive. Change diapers.

1229
00:54:38,120 --> 00:54:39,720
Speaker 2: But there's not much you can do cause the baby.

1230
00:54:39,719 --> 00:54:42,080
Speaker 1: You can can't you say, honey, can I get you anything?

1231
00:54:42,160 --> 00:54:45,520
Speaker 3: Absolutely better say that you have to, right, Yeah, that's

1232
00:54:45,600 --> 00:54:48,360
Speaker 3: being supportive. So there's not much you can do the

1233
00:54:48,440 --> 00:54:51,960
Speaker 3: first year. It's after that where you are you are

1234
00:54:52,080 --> 00:54:54,879
Speaker 3: hands on and in it to win it or she's

1235
00:54:54,920 --> 00:54:55,480
Speaker 3: gonna leave you.

1236
00:54:56,400 --> 00:54:59,399
Speaker 1: Yeah, yes, yeah, Brian, write that down.

1237
00:55:00,080 --> 00:55:03,480
Speaker 5: Yes, yes, she is basically keeping us comfortable so I'm

1238
00:55:03,520 --> 00:55:05,239
Speaker 5: not gonna play with that at all.

1239
00:55:06,040 --> 00:55:08,319
Speaker 1: Right, Well, I'm so. I'm so happy for you. That's

1240
00:55:08,360 --> 00:55:09,480
Speaker 1: exciting and thank you.

1241
00:55:09,800 --> 00:55:10,640
Speaker 2: And what do you do?

1242
00:55:10,680 --> 00:55:13,120
Speaker 1: You have any names in mind, like Zach or Donald.

1243
00:55:14,719 --> 00:55:16,840
Speaker 4: Yeah, I wanted Jennifer Dylan or something like that.

1244
00:55:16,920 --> 00:55:18,680
Speaker 1: That will work.

1245
00:55:19,600 --> 00:55:20,160
Speaker 4: It's a boy.

1246
00:55:20,600 --> 00:55:24,280
Speaker 1: So we went with we're gonna even Gabriel and calm.

1247
00:55:24,360 --> 00:55:27,080
Speaker 2: Gabe, beautiful, I love it, beautiful.

1248
00:55:26,680 --> 00:55:28,640
Speaker 1: Beautiful name Gabe.

1249
00:55:28,760 --> 00:55:29,560
Speaker 4: Finn O'Malley.

1250
00:55:29,960 --> 00:55:31,080
Speaker 1: Oh, Finn's a good name.

1251
00:55:31,000 --> 00:55:34,600
Speaker 2: Too, now, Finn from Star Wars or just Finn.

1252
00:55:34,480 --> 00:55:37,960
Speaker 1: Because everything is Star Wars. Donald sometimes it can be.

1253
00:55:38,120 --> 00:55:41,040
Speaker 5: I couldn't, honestly, I was thinking more Huck Finn from

1254
00:55:41,080 --> 00:55:42,720
Speaker 5: Mark Twain to be okay.

1255
00:55:42,360 --> 00:55:45,200
Speaker 1: Well, yeah, there's that Fin to way more literary Donald.

1256
00:55:45,280 --> 00:55:47,840
Speaker 1: Come on, there's that all right, Brian, go ahead with

1257
00:55:47,920 --> 00:55:50,080
Speaker 1: your question for the legendary Donald.

1258
00:55:50,560 --> 00:55:52,239
Speaker 4: And it's for both of you.

1259
00:55:52,400 --> 00:55:56,520
Speaker 5: Yeah, answer, It definitely relates to what we were talking about.

1260
00:55:56,560 --> 00:56:00,600
Speaker 5: But I was curious of which character between you and

1261
00:56:00,760 --> 00:56:04,080
Speaker 5: Donald and maybe doctor Cox, do you think was like

1262
00:56:04,160 --> 00:56:07,440
Speaker 5: the best dad overall? And then kind of a follow up,

1263
00:56:07,440 --> 00:56:09,120
Speaker 5: but like, what do you think their kids would be

1264
00:56:09,239 --> 00:56:11,520
Speaker 5: like now? Like fifteen twenty years later.

1265
00:56:12,160 --> 00:56:15,200
Speaker 1: Wow, Wow, good question. Well, I do think both characters

1266
00:56:15,239 --> 00:56:20,200
Speaker 1: were very excited about their children. And I think we

1267
00:56:20,280 --> 00:56:22,680
Speaker 1: saw from a flash forward as I recall that don't

1268
00:56:22,719 --> 00:56:23,719
Speaker 1: they end up getting married?

1269
00:56:24,000 --> 00:56:25,440
Speaker 2: They do and we lose it.

1270
00:56:25,840 --> 00:56:28,719
Speaker 4: Oh that was, like, I think it's the saddest episode.

1271
00:56:28,840 --> 00:56:29,120
Speaker 2: I think.

1272
00:56:29,160 --> 00:56:32,960
Speaker 1: I faintd as I recall I did this, I wiped

1273
00:56:33,000 --> 00:56:36,800
Speaker 1: my I fanned my eyes and fainted. Yeah, that's a

1274
00:56:36,880 --> 00:56:40,360
Speaker 1: gift I see all the time. I don't know. I

1275
00:56:40,400 --> 00:56:43,439
Speaker 1: think we'd be great parents, because you know, we're both

1276
00:56:43,560 --> 00:56:48,520
Speaker 1: characters were again not afraid of showing emotion, not afraid

1277
00:56:48,560 --> 00:56:52,640
Speaker 1: of being affectionate. My father was very a very affectionate

1278
00:56:52,719 --> 00:56:56,080
Speaker 1: man and gave me hugs and kissed me and and

1279
00:56:57,440 --> 00:57:01,480
Speaker 1: and I always thought that that was and I love

1280
00:57:01,560 --> 00:57:04,160
Speaker 1: that he did that. And I think that both Turk

1281
00:57:04,160 --> 00:57:06,759
Speaker 1: and j D would be very involved. They're the kind

1282
00:57:06,800 --> 00:57:09,360
Speaker 1: of fathers that would want to be all over it.

1283
00:57:09,440 --> 00:57:11,200
Speaker 1: Not one of those people's like, all right, you to

1284
00:57:11,280 --> 00:57:14,799
Speaker 1: the woman, you handle it. I'll i'll coach sports one day.

1285
00:57:16,080 --> 00:57:18,280
Speaker 1: That was that was not my experience.

1286
00:57:19,320 --> 00:57:23,720
Speaker 2: What I think. And j D co parented too, you

1287
00:57:23,800 --> 00:57:24,200
Speaker 2: know what I mean.

1288
00:57:24,240 --> 00:57:26,920
Speaker 3: I think they helped each other out as far as

1289
00:57:27,800 --> 00:57:30,560
Speaker 3: raising their kids went. You know, they say it takes

1290
00:57:30,600 --> 00:57:34,240
Speaker 3: a village to raise a child, and I think their

1291
00:57:34,320 --> 00:57:37,520
Speaker 3: little village. I think the hospital or you know, wherever

1292
00:57:38,280 --> 00:57:43,000
Speaker 3: they wound up when the show ended. I believe they

1293
00:57:43,120 --> 00:57:46,280
Speaker 3: still lived in the same proximity of each other. I

1294
00:57:46,400 --> 00:57:50,240
Speaker 3: think there it was a communal raising of the children,

1295
00:57:50,480 --> 00:57:54,720
Speaker 3: even even Uh, I think yeah, I think j D

1296
00:57:55,720 --> 00:57:56,440
Speaker 3: Uh and Uh.

1297
00:57:56,640 --> 00:58:00,920
Speaker 2: What was what was Elizabeth Banks character's name, Kim? Was

1298
00:58:00,960 --> 00:58:01,320
Speaker 2: it Kim?

1299
00:58:01,720 --> 00:58:01,919
Speaker 1: Kim?

1300
00:58:02,720 --> 00:58:03,560
Speaker 2: You didn't know, Zach.

1301
00:58:06,040 --> 00:58:08,439
Speaker 1: I was waiting for Brian. I was waiting for Brian.

1302
00:58:08,520 --> 00:58:11,200
Speaker 1: I was I was like, I was like this, I

1303
00:58:11,280 --> 00:58:12,960
Speaker 1: was like about to say it. I was like pretending

1304
00:58:13,000 --> 00:58:15,600
Speaker 1: that my mouth was opening, and then Brian said, Kim.

1305
00:58:15,520 --> 00:58:17,360
Speaker 4: Donald, I was waiting for Zach.

1306
00:58:17,480 --> 00:58:19,520
Speaker 1: Sorry, So my baby mama, my baby mama.

1307
00:58:19,680 --> 00:58:19,800
Speaker 2: Right.

1308
00:58:19,920 --> 00:58:22,240
Speaker 3: So I think both kids, the one that he that

1309
00:58:22,360 --> 00:58:24,160
Speaker 3: JD had with Kim and the one that he had

1310
00:58:24,200 --> 00:58:27,920
Speaker 3: with Elliott Uh, and then Turk's kids as well.

1311
00:58:27,960 --> 00:58:30,760
Speaker 2: I think they they were raised together and they grew

1312
00:58:30,880 --> 00:58:31,280
Speaker 2: up together.

1313
00:58:32,080 --> 00:58:33,760
Speaker 5: I think in one of the episode, you try to like,

1314
00:58:34,000 --> 00:58:35,600
Speaker 5: I think they got you were trying to set them

1315
00:58:35,680 --> 00:58:36,160
Speaker 5: up right.

1316
00:58:36,120 --> 00:58:37,880
Speaker 4: Like it was one of the series finales.

1317
00:58:38,080 --> 00:58:40,320
Speaker 2: Maybe that we were trying to set the kids up.

1318
00:58:40,880 --> 00:58:45,400
Speaker 4: Yeah, weren't they like they met or something and they remember.

1319
00:58:45,720 --> 00:58:48,040
Speaker 1: I remember I remember doing an episode in the park.

1320
00:58:47,880 --> 00:58:53,600
Speaker 3: Where Gloquist dolls like, dum, of course, do you have

1321
00:58:53,640 --> 00:58:54,200
Speaker 3: another question?

1322
00:58:55,360 --> 00:58:57,200
Speaker 4: I mean one of my other questions was just, you know,

1323
00:58:57,320 --> 00:58:59,200
Speaker 4: advice for being a dad. But you you kind of

1324
00:58:59,360 --> 00:59:00,160
Speaker 4: already covered that.

1325
00:59:00,440 --> 00:59:03,400
Speaker 3: You got this, dude, you got. I mean, it's listen,

1326
00:59:03,520 --> 00:59:05,160
Speaker 3: my advice, and I'm gonna be honest with you. My

1327
00:59:05,240 --> 00:59:07,400
Speaker 3: advice ain't shit. I'm gonna keep it one hundred with you.

1328
00:59:07,400 --> 00:59:08,160
Speaker 4: You know.

1329
00:59:08,360 --> 00:59:12,440
Speaker 3: It's it's how you two decide to do the thing,

1330
00:59:12,640 --> 00:59:14,680
Speaker 3: you know what I mean. My advice I can all

1331
00:59:14,720 --> 00:59:17,280
Speaker 3: I can say is just just show as much love

1332
00:59:17,640 --> 00:59:19,200
Speaker 3: as you can to your boy.

1333
00:59:19,800 --> 00:59:20,720
Speaker 2: That's so important.

1334
00:59:20,880 --> 00:59:22,000
Speaker 4: I like what Zach was saying too.

1335
00:59:22,040 --> 00:59:23,480
Speaker 5: I mean, I mean and Ellen were joking, but I

1336
00:59:23,560 --> 00:59:25,960
Speaker 5: was like, I think, like the fact that JD was

1337
00:59:26,000 --> 00:59:29,160
Speaker 5: a sensy, you know, like being sensitive is like an

1338
00:59:29,200 --> 00:59:32,960
Speaker 5: important thing to impart in kids early, especially boys I

1339
00:59:33,000 --> 00:59:35,520
Speaker 5: think nowadays, And so I think that's one of our

1340
00:59:35,760 --> 00:59:37,800
Speaker 5: you know, our big focuses for him.

1341
00:59:37,720 --> 00:59:39,600
Speaker 1: And and just let them be whoever they are.

1342
00:59:39,720 --> 00:59:39,840
Speaker 4: You know.

1343
00:59:39,840 --> 00:59:41,760
Speaker 1: A testament to my father was he wasn't. He was

1344
00:59:41,800 --> 00:59:44,160
Speaker 1: so into sports, my dad, but he wasn't trying to

1345
00:59:44,240 --> 00:59:45,040
Speaker 1: make me a job.

1346
00:59:45,120 --> 00:59:45,520
Speaker 2: He wasn't.

1347
00:59:46,080 --> 00:59:48,200
Speaker 1: Unfortunately, he was also into theater, which which is what

1348
00:59:48,320 --> 00:59:51,520
Speaker 1: I took to. But but I mean, just like my advice.

1349
00:59:51,520 --> 00:59:53,120
Speaker 1: And again, I have no kids, so don't listen to me.

1350
00:59:53,200 --> 00:59:55,680
Speaker 1: I have dogs, and I can highly recommend great training.

1351
00:59:55,880 --> 00:59:59,200
Speaker 2: Uh try that, but with the kid.

1352
00:59:59,520 --> 01:00:02,040
Speaker 1: Yeah, that's what I always say to Donald when I

1353
01:00:02,120 --> 01:00:03,480
Speaker 1: when I say to when I'm with Donald and his

1354
01:00:03,560 --> 01:00:04,960
Speaker 1: kids are misbehaving, I'm like, why don't you just put

1355
01:00:05,000 --> 01:00:05,400
Speaker 1: him in the crate?

1356
01:00:05,440 --> 01:00:05,640
Speaker 2: Dude?

1357
01:00:05,640 --> 01:00:06,840
Speaker 1: That works great for my puppy.

1358
01:00:07,160 --> 01:00:08,560
Speaker 3: My daughter looked at me and she was like, you're

1359
01:00:08,560 --> 01:00:13,200
Speaker 3: gonna put me in the Crate's right now?

1360
01:00:13,280 --> 01:00:15,920
Speaker 2: She's like, but I'm not a dog, But I mean,

1361
01:00:16,120 --> 01:00:16,600
Speaker 2: just let them.

1362
01:00:16,840 --> 01:00:18,320
Speaker 1: One of the things I one of the things I

1363
01:00:19,040 --> 01:00:21,440
Speaker 1: really cherished about my relationship with my father was that

1364
01:00:21,560 --> 01:00:25,040
Speaker 1: he was so accepting of whoever his kids were. And

1365
01:00:25,160 --> 01:00:28,160
Speaker 1: I you know, you're obviously it's nature nurture. You're going

1366
01:00:28,240 --> 01:00:29,880
Speaker 1: to be shaping a part of who they are, of

1367
01:00:30,000 --> 01:00:32,920
Speaker 1: course too, but but let them show you who they are.

1368
01:00:33,040 --> 01:00:35,240
Speaker 1: And then and then and then celebrate that and let

1369
01:00:35,360 --> 01:00:38,840
Speaker 1: that flourish. Again. That's coming from someone with no children,

1370
01:00:38,880 --> 01:00:40,840
Speaker 1: but it is coming from someone who who had a

1371
01:00:40,880 --> 01:00:43,400
Speaker 1: great dad and and and and was really appreciative that

1372
01:00:43,520 --> 01:00:43,760
Speaker 1: he was.

1373
01:00:43,840 --> 01:00:46,440
Speaker 4: Like that, Well, can I ask one more things sort

1374
01:00:46,480 --> 01:00:49,080
Speaker 4: of related? But did you guys you know I didn't

1375
01:00:49,120 --> 01:00:51,040
Speaker 4: like look up biographies. Do you guys have siblings?

1376
01:00:51,520 --> 01:00:53,880
Speaker 2: Yes? I have several siblings.

1377
01:00:53,960 --> 01:00:57,960
Speaker 3: I have four brothers, two that I grew up with

1378
01:00:58,360 --> 01:01:01,240
Speaker 3: and two that I I did not grow up with.

1379
01:01:01,600 --> 01:01:04,200
Speaker 3: But we were a big family. I think that's why

1380
01:01:04,240 --> 01:01:06,320
Speaker 3: I have such a big family. Now I feel like

1381
01:01:06,360 --> 01:01:07,080
Speaker 3: it's the more, the.

1382
01:01:07,160 --> 01:01:09,240
Speaker 2: Merrier I have.

1383
01:01:09,920 --> 01:01:14,439
Speaker 1: I have two, I have three. Sorry, let me start again.

1384
01:01:14,960 --> 01:01:17,640
Speaker 1: I had four children total in my family, and I'm sorry,

1385
01:01:17,720 --> 01:01:19,560
Speaker 1: I'm struggling with this. Just to be honest, I lost

1386
01:01:19,600 --> 01:01:21,560
Speaker 1: my sister two years ago, so I'm like literally trying.

1387
01:01:22,240 --> 01:01:25,280
Speaker 1: It's okay, but I'm trying to answer this question honestly,

1388
01:01:25,440 --> 01:01:27,600
Speaker 1: and it's like I'm having to recount. There were four

1389
01:01:27,680 --> 01:01:29,560
Speaker 1: children in my family, and then my parents got divorced

1390
01:01:29,600 --> 01:01:33,480
Speaker 1: and remarried and I gained three stepsisters, so two stepsisters

1391
01:01:33,560 --> 01:01:35,800
Speaker 1: on one side, one step sister on the other side,

1392
01:01:36,080 --> 01:01:40,640
Speaker 1: so we were a huge family and and yeah, so

1393
01:01:40,720 --> 01:01:43,439
Speaker 1: I also think I should have more So sorry, sorry guys,

1394
01:01:43,440 --> 01:01:45,080
Speaker 1: but you're gonna have to have more kids so they can.

1395
01:01:45,360 --> 01:01:46,920
Speaker 5: Well that's what I was thinking, because we only have

1396
01:01:47,000 --> 01:01:49,960
Speaker 5: the one, and that's probably gonna be it, so, you know,

1397
01:01:50,160 --> 01:01:52,720
Speaker 5: the whole only child, especially nowadays when I don't even

1398
01:01:52,800 --> 01:01:55,520
Speaker 5: know when he'll be able to hang out with other kids,

1399
01:01:55,680 --> 01:01:56,920
Speaker 5: you know, or if he'll be able to go to

1400
01:01:57,000 --> 01:01:58,680
Speaker 5: preschool or stuff like that daycare.

1401
01:01:59,080 --> 01:02:01,600
Speaker 1: Right, I think you got it some years before. You

1402
01:02:01,840 --> 01:02:04,520
Speaker 1: be worried about that, so you'll believe.

1403
01:02:04,280 --> 01:02:09,240
Speaker 3: Vaccines or will be infended and we can all go

1404
01:02:09,440 --> 01:02:13,320
Speaker 3: back to a new normal, right sometime within a year

1405
01:02:13,520 --> 01:02:13,760
Speaker 3: or two.

1406
01:02:14,400 --> 01:02:17,520
Speaker 1: Yeah, that would be awesome. Is the keg still open

1407
01:02:17,600 --> 01:02:21,720
Speaker 1: in Evanston? The bar? No, that's where we used to

1408
01:02:21,800 --> 01:02:23,720
Speaker 1: go and try and sneak in with our fake id's.

1409
01:02:24,680 --> 01:02:28,320
Speaker 4: Yeah, we're like, that's probably why they close type place.

1410
01:02:28,640 --> 01:02:31,760
Speaker 4: The name of your place, it's called Beer on Central.

1411
01:02:32,120 --> 01:02:33,600
Speaker 4: It's not very inventive because.

1412
01:02:33,440 --> 01:02:35,360
Speaker 1: I want us to do an ad for right now,

1413
01:02:35,400 --> 01:02:37,160
Speaker 1: We're gonna do an ad for it. Donald, But I'm

1414
01:02:37,200 --> 01:02:39,080
Speaker 1: in Evanston, Illinois, and I want a beer. You know

1415
01:02:39,160 --> 01:02:39,480
Speaker 1: where I go?

1416
01:02:39,760 --> 01:02:40,640
Speaker 2: Where do you go, Zach?

1417
01:02:40,760 --> 01:02:42,360
Speaker 1: I go to Beer on Central?

1418
01:02:42,800 --> 01:02:43,680
Speaker 2: Beer on Central?

1419
01:02:43,920 --> 01:02:44,080
Speaker 5: Oh?

1420
01:02:44,160 --> 01:02:46,360
Speaker 1: Yes, Oh it's a place and it's in Evanston. And

1421
01:02:46,440 --> 01:02:48,960
Speaker 1: if you're gonna buy beer, it's the best place to

1422
01:02:49,000 --> 01:02:50,880
Speaker 1: buy beer. It's called beer on Central.

1423
01:02:51,280 --> 01:02:52,240
Speaker 2: Is it on Central?

1424
01:02:52,440 --> 01:02:54,480
Speaker 1: It's on Central. It's called beer on Central.

1425
01:02:54,840 --> 01:02:55,200
Speaker 2: Awesome.

1426
01:02:55,400 --> 01:02:58,040
Speaker 1: And you know a lot of Northwestern students are always

1427
01:02:58,080 --> 01:03:00,200
Speaker 1: looking for a place to buy beer. Yeah. Do you

1428
01:03:00,280 --> 01:03:01,760
Speaker 1: tell Keggs Brian?

1429
01:03:02,400 --> 01:03:04,080
Speaker 4: We don't, but I mean after this, I can.

1430
01:03:04,360 --> 01:03:07,040
Speaker 1: Yes, Brian is gonna change his whole business model to

1431
01:03:07,120 --> 01:03:08,440
Speaker 1: offer kegs to all you.

1432
01:03:08,520 --> 01:03:10,040
Speaker 4: Can advertisement, I'll do that.

1433
01:03:10,280 --> 01:03:12,800
Speaker 1: Yes, this is worth millions of dollars in free advertising.

1434
01:03:12,920 --> 01:03:13,880
Speaker 4: Yeah no, this is insane.

1435
01:03:14,200 --> 01:03:16,480
Speaker 1: So Donald Central Beer on Central.

1436
01:03:16,680 --> 01:03:19,520
Speaker 3: The next time I'm in Evanston, Illinois, I am going

1437
01:03:19,560 --> 01:03:22,000
Speaker 3: to check out Beer on Central.

1438
01:03:22,200 --> 01:03:22,400
Speaker 2: Yeah.

1439
01:03:22,440 --> 01:03:24,040
Speaker 1: And you know what, Donald, You know what, Donald, I

1440
01:03:24,120 --> 01:03:27,800
Speaker 1: might even just go to Evanston to buy beer from

1441
01:03:27,880 --> 01:03:28,760
Speaker 1: Beer on Central.

1442
01:03:29,680 --> 01:03:31,720
Speaker 2: You know what, if you do, just tell him, Brian

1443
01:03:31,800 --> 01:03:33,000
Speaker 2: O'Malley Senia.

1444
01:03:32,920 --> 01:03:37,880
Speaker 1: I will Brian, what's a beer that you are the.

1445
01:03:37,920 --> 01:03:38,400
Speaker 2: Only one there?

1446
01:03:38,440 --> 01:03:40,680
Speaker 4: So like Brian now doing everything.

1447
01:03:40,840 --> 01:03:43,600
Speaker 1: Brian for those of people who are listening, who like

1448
01:03:44,040 --> 01:03:48,160
Speaker 1: who like beer? Can you recommend one of your micro

1449
01:03:48,320 --> 01:03:51,320
Speaker 1: brewer or fancy beers that people should try that you

1450
01:03:51,440 --> 01:03:52,640
Speaker 1: highly recommend.

1451
01:03:53,520 --> 01:03:54,080
Speaker 4: You know, right now?

1452
01:03:54,200 --> 01:03:56,440
Speaker 5: Like what's really popular is, like I was drinking earlier,

1453
01:03:56,520 --> 01:03:59,280
Speaker 5: these like hazy I pas there tend to be like

1454
01:03:59,400 --> 01:04:02,920
Speaker 5: kind of strong, very juicy, not bitter, very popular. This

1455
01:04:03,040 --> 01:04:05,880
Speaker 5: one's from Saint Eron. They're great, hot butcher. There's a

1456
01:04:05,920 --> 01:04:07,280
Speaker 5: bunch of really cool ones in the city.

1457
01:04:07,840 --> 01:04:10,800
Speaker 1: So so Saint amazing. So Saint Aaron is the brand

1458
01:04:11,320 --> 01:04:11,600
Speaker 1: this one.

1459
01:04:11,760 --> 01:04:13,440
Speaker 4: Yeah, that's what I'm having now is a Saint Aaron.

1460
01:04:13,600 --> 01:04:15,080
Speaker 1: Can I get that anywhere? Can I get that in

1461
01:04:15,160 --> 01:04:16,040
Speaker 1: Los Angeles? No?

1462
01:04:16,480 --> 01:04:19,000
Speaker 4: Like right now, we only do local stuff, oh much,

1463
01:04:19,400 --> 01:04:20,000
Speaker 4: only doing.

1464
01:04:20,400 --> 01:04:21,960
Speaker 1: That's even cool. One of the other things I like

1465
01:04:22,000 --> 01:04:25,880
Speaker 1: about beer on Central Donald it's all it's all local beer.

1466
01:04:26,360 --> 01:04:29,240
Speaker 2: Oh you're talking about beer on Central. Yeah.

1467
01:04:29,280 --> 01:04:31,120
Speaker 1: One of the things that one of my favorite things

1468
01:04:31,120 --> 01:04:34,520
Speaker 1: about beer on Central in Evanston, Illinois is that it's

1469
01:04:34,640 --> 01:04:37,920
Speaker 1: all all stocked with local breweries.

1470
01:04:39,280 --> 01:04:40,440
Speaker 2: That sounds delicious.

1471
01:04:40,640 --> 01:04:42,120
Speaker 1: I like, I p a a lot by the way,

1472
01:04:42,400 --> 01:04:44,320
Speaker 1: and this is gonna sound really lame in Hollywood, but

1473
01:04:44,400 --> 01:04:48,120
Speaker 1: I'm gluten free and there are some really good gluten

1474
01:04:48,280 --> 01:04:51,600
Speaker 1: free ip A beers. Yeah, we have some too. There's

1475
01:04:51,640 --> 01:04:54,800
Speaker 1: one called Omission. I'll give a shout out too. And

1476
01:04:54,920 --> 01:04:59,800
Speaker 1: there's one I think called Gutenberger, not Steve Gutenberg. Glutenberg Glutenberg, yeah,

1477
01:05:00,080 --> 01:05:02,439
Speaker 1: Gluten in the title. So there you go. I'm giving

1478
01:05:02,480 --> 01:05:04,200
Speaker 1: those beers a shout out, and they should advertise with

1479
01:05:04,280 --> 01:05:06,640
Speaker 1: us because we're getting such a wonderful advertisement to beer.

1480
01:05:07,040 --> 01:05:09,160
Speaker 4: You guys, out of box, you know, give me an address.

1481
01:05:11,000 --> 01:05:15,959
Speaker 2: I'm not giving you my address, give me a box.

1482
01:05:16,040 --> 01:05:16,400
Speaker 5: I know.

1483
01:05:16,520 --> 01:05:18,520
Speaker 1: We don't want to take your your wares. We don't

1484
01:05:18,520 --> 01:05:20,000
Speaker 1: want to take your weares. We want you to you

1485
01:05:20,120 --> 01:05:22,080
Speaker 1: need to make that money for this baby.

1486
01:05:22,160 --> 01:05:28,840
Speaker 2: That's right. So that being said, if you're ever in Evanston, Illinois,

1487
01:05:30,480 --> 01:05:34,160
Speaker 2: the place to go for a great local beer, Beer

1488
01:05:34,280 --> 01:05:35,040
Speaker 2: on Central.

1489
01:05:34,760 --> 01:05:38,280
Speaker 1: Beer on Central, everybody Beer on Central, and uh listen, guys,

1490
01:05:38,320 --> 01:05:40,680
Speaker 1: thanks for coming on, thanks for the good questions, thanks

1491
01:05:40,720 --> 01:05:43,520
Speaker 1: for telling us about beer on Central, and how fun

1492
01:05:43,560 --> 01:05:46,240
Speaker 1: in Emman's Illinois I spent I spent four years there

1493
01:05:46,600 --> 01:05:48,560
Speaker 1: and had a great time. Although it's too fucking cold

1494
01:05:48,640 --> 01:05:49,600
Speaker 1: for human beings.

1495
01:05:50,240 --> 01:05:53,880
Speaker 2: Ladies and gentlemen, big round of applause for Brian o'milly

1496
01:05:56,880 --> 01:05:58,760
Speaker 2: and beer on Central.

1497
01:06:00,000 --> 01:06:02,120
Speaker 1: Wow, you give you get beer on Central? The Oprah treatment?

1498
01:06:02,280 --> 01:06:04,800
Speaker 2: Yeah, why not? What's your partner again?

1499
01:06:05,560 --> 01:06:06,360
Speaker 4: Ellen agreed?

1500
01:06:06,400 --> 01:06:09,800
Speaker 2: Doctor and doctor Ellen agreed.

1501
01:06:11,160 --> 01:06:14,080
Speaker 1: Thank you. You're blowing out the mixer here, Donald, I'm

1502
01:06:14,120 --> 01:06:18,520
Speaker 1: not Oprah Oprah Oprah Oprah doesn't go that loud. Sure

1503
01:06:18,600 --> 01:06:21,840
Speaker 1: she well, she has the mixer at the Oprah shows

1504
01:06:21,880 --> 01:06:24,880
Speaker 1: like here she goes, and he's fucking ready. She's about

1505
01:06:24,960 --> 01:06:25,320
Speaker 1: to do it.

1506
01:06:26,800 --> 01:06:27,880
Speaker 2: And over the button.

1507
01:06:28,160 --> 01:06:29,640
Speaker 1: You can just see the mixer in the back of

1508
01:06:29,680 --> 01:06:31,920
Speaker 1: the Oprah show going, oh ship, she's gonna yell. And

1509
01:06:35,280 --> 01:06:37,240
Speaker 1: I hope Dan does that when you're when you're saying

1510
01:06:37,280 --> 01:06:39,520
Speaker 1: a load of guests, all right, bye, guys, thank.

1511
01:06:39,400 --> 01:06:44,280
Speaker 2: You so much here, thank you so much. Healthy congratulations, thanks.

1512
01:06:44,360 --> 01:06:44,720
Speaker 1: Thank you?

1513
01:06:45,200 --> 01:06:45,400
Speaker 2: Wow?

1514
01:06:45,560 --> 01:06:49,680
Speaker 1: Donald? What what? Nice folks? Donald? And and I gotta

1515
01:06:49,720 --> 01:06:53,640
Speaker 1: tell you, I'm gonna I'm gonna. I'm gonna I'm gonna

1516
01:06:53,640 --> 01:06:55,160
Speaker 1: frequent beer on Central.

1517
01:06:55,320 --> 01:06:57,000
Speaker 2: Next time you're in Evanston, Illinois.

1518
01:06:57,000 --> 01:06:58,960
Speaker 1: Do you drink beer? You don't only drink beer anymore,

1519
01:06:59,040 --> 01:06:59,160
Speaker 1: do you.

1520
01:06:59,320 --> 01:07:02,680
Speaker 2: I'm a huge drinker. I just you know, it's fine.

1521
01:07:03,160 --> 01:07:05,959
Speaker 2: I find yeah, I find that it's a little heavy

1522
01:07:06,040 --> 01:07:07,160
Speaker 2: for me. That's the only thing.

1523
01:07:07,240 --> 01:07:08,880
Speaker 1: It just feels like ship when you're working out and

1524
01:07:08,920 --> 01:07:10,360
Speaker 1: trying to stay thin and then you go have a

1525
01:07:10,480 --> 01:07:12,760
Speaker 1: fucking big ass thick beer and you're like, I might

1526
01:07:12,760 --> 01:07:14,200
Speaker 1: as well have a milkshake.

1527
01:07:14,240 --> 01:07:17,520
Speaker 2: Right, I like hard liquor. Yeah, I know, I like, Oh,

1528
01:07:17,640 --> 01:07:22,440
Speaker 2: I know, you're an asshole. Well no, I I you know.

1529
01:07:22,680 --> 01:07:26,000
Speaker 3: I it was single de Mayo yesterday, so and the

1530
01:07:26,120 --> 01:07:27,600
Speaker 3: last time I had to kill it was the last

1531
01:07:27,640 --> 01:07:29,760
Speaker 3: thing that I had in the in the in the cupboard.

1532
01:07:30,200 --> 01:07:32,600
Speaker 3: But but I truly like, I like a good bourbon

1533
01:07:32,840 --> 01:07:33,280
Speaker 3: or Scotch.

1534
01:07:33,800 --> 01:07:37,480
Speaker 1: What about Corvassier? No, what is what is Corvassier?

1535
01:07:38,120 --> 01:07:40,280
Speaker 2: I don't it's a it's a drink. It's a it's

1536
01:07:40,320 --> 01:07:41,880
Speaker 2: a it's a brown liquor.

1537
01:07:42,960 --> 01:07:46,439
Speaker 1: You know, for a while I was at Corvossier. She's looking.

1538
01:07:46,600 --> 01:07:48,840
Speaker 2: I was a Hennessy drinker for a while, you know,

1539
01:07:49,200 --> 01:07:52,880
Speaker 2: or ian J. I liked ian J back in the day.

1540
01:07:54,080 --> 01:07:55,520
Speaker 1: I don't know what any of these drinks are.

1541
01:07:55,640 --> 01:07:56,600
Speaker 2: You don't know what Hennessy is.

1542
01:07:56,760 --> 01:07:58,520
Speaker 1: I've heard of Hennessy, but I don't think I've ever tried.

1543
01:07:58,560 --> 01:08:00,680
Speaker 3: I don't know what You've had an incredible hulk before

1544
01:08:00,720 --> 01:08:02,120
Speaker 3: and you don't know what hennessy is. Do you remember

1545
01:08:02,160 --> 01:08:02,880
Speaker 3: the incredible Hulk?

1546
01:08:02,920 --> 01:08:05,320
Speaker 1: Oh, we used to play poker and you would make

1547
01:08:05,440 --> 01:08:08,000
Speaker 1: a Oh it's konyak, she says. We used to play

1548
01:08:08,800 --> 01:08:11,479
Speaker 1: poker and you would make a drink called the Hulk.

1549
01:08:11,920 --> 01:08:13,320
Speaker 1: Was that a real drink or you made it up?

1550
01:08:13,520 --> 01:08:14,240
Speaker 2: I didn't make that up.

1551
01:08:14,560 --> 01:08:19,360
Speaker 3: But when you mixed Tennessee and not alas a but hypnotic,

1552
01:08:20,000 --> 01:08:23,960
Speaker 3: hennessy and hypnotic mixed together sounds horrible. Oh, but it

1553
01:08:24,000 --> 01:08:28,200
Speaker 3: would turn Hulk green and you'd only need one. It

1554
01:08:28,360 --> 01:08:30,720
Speaker 3: was so sweet, right, But you'd only need one to

1555
01:08:30,840 --> 01:08:33,639
Speaker 3: knock you on your ass. And we would play poker

1556
01:08:34,080 --> 01:08:37,240
Speaker 3: and the crew would come over, you know, Calvin would

1557
01:08:37,240 --> 01:08:40,000
Speaker 3: come over, Ethan would come over. You would come over,

1558
01:08:40,760 --> 01:08:44,959
Speaker 3: and we'd drink that all night and freaking be hammered

1559
01:08:45,200 --> 01:08:47,240
Speaker 3: until like four o'clock, five o'clock in the morning.

1560
01:08:47,320 --> 01:08:49,719
Speaker 1: Yeah, playing poker. Have you ever had a cement mixer?

1561
01:08:51,000 --> 01:08:51,680
Speaker 2: What the heck is that?

1562
01:08:52,000 --> 01:08:55,240
Speaker 1: It's fucking nasty. It's two different things. You guys can

1563
01:08:55,320 --> 01:08:57,200
Speaker 1: google it if you want to puke. I remember doing

1564
01:08:57,240 --> 01:09:01,120
Speaker 1: this on my twenty first birthday and I puked. But

1565
01:09:01,280 --> 01:09:04,439
Speaker 1: it's two different alcohols you put in your mouth and

1566
01:09:04,800 --> 01:09:07,800
Speaker 1: they solidify when they react with each other, and it

1567
01:09:07,920 --> 01:09:10,320
Speaker 1: feels like a cementy oatmeal thing.

1568
01:09:10,600 --> 01:09:11,320
Speaker 2: That's disgusting.

1569
01:09:11,400 --> 01:09:14,519
Speaker 1: It's so gross. Is it's the kind of thing that

1570
01:09:14,560 --> 01:09:16,880
Speaker 1: college kids do shots of, like Jaegermeister, do you ever

1571
01:09:16,960 --> 01:09:19,760
Speaker 1: do shots at Yegermeister. Yeah, I'm proud to say that

1572
01:09:20,080 --> 01:09:22,280
Speaker 1: at forty five years old, I can't drink like that anymore,

1573
01:09:22,320 --> 01:09:24,320
Speaker 1: nor do I want to hangover is like four days.

1574
01:09:24,800 --> 01:09:27,400
Speaker 2: Yeah, you know, I've learned a little thing.

1575
01:09:27,680 --> 01:09:29,800
Speaker 1: You remember we did that thing in Scrubs. Yeah, pd,

1576
01:09:29,960 --> 01:09:31,960
Speaker 1: like we did that thing in Scrubs that it's become

1577
01:09:32,120 --> 01:09:34,200
Speaker 1: so relevant in my life. I don't know what episode

1578
01:09:34,200 --> 01:09:37,599
Speaker 1: it was, but we went around the table of all

1579
01:09:37,680 --> 01:09:43,000
Speaker 1: the different ages. Who is the was Mandy the many

1580
01:09:43,760 --> 01:09:46,800
Speaker 1: many more? And then Sarah and then Judy and then

1581
01:09:46,880 --> 01:09:50,360
Speaker 1: Krista and they were all hungover, and the camera went

1582
01:09:50,439 --> 01:09:53,479
Speaker 1: around and showed all the different levels of how a

1583
01:09:53,560 --> 01:09:55,000
Speaker 1: hangover affects different ages.

1584
01:09:55,280 --> 01:09:56,519
Speaker 2: Yes, yeah, And then by.

1585
01:09:56,439 --> 01:09:58,360
Speaker 1: The time it got to Christa, she had sunglasses on

1586
01:09:58,439 --> 01:09:59,480
Speaker 1: and was asleep.

1587
01:09:59,200 --> 01:10:02,400
Speaker 2: And just blacked out. Yeah, with a smile on her face.

1588
01:10:02,479 --> 01:10:04,519
Speaker 1: I think of that fantasy over not fantasy. I think

1589
01:10:04,560 --> 01:10:07,599
Speaker 1: of that moment all the time, because man, a hangover

1590
01:10:07,640 --> 01:10:09,800
Speaker 1: at forty five is not a hangover at twenty five.

1591
01:10:10,400 --> 01:10:10,920
Speaker 2: No, it's not.

1592
01:10:11,600 --> 01:10:15,679
Speaker 1: Listen, I miss you, do you? It's always so nice

1593
01:10:15,680 --> 01:10:16,519
Speaker 1: to touch base with you.

1594
01:10:17,680 --> 01:10:18,560
Speaker 2: Do you really miss me?

1595
01:10:19,000 --> 01:10:19,280
Speaker 6: What you do?

1596
01:10:19,479 --> 01:10:19,760
Speaker 2: Man? I?

1597
01:10:19,920 --> 01:10:22,479
Speaker 1: I I. If the world were open, I'd have you over.

1598
01:10:23,240 --> 01:10:25,640
Speaker 1: We'd sit by the pool, we'd have we'd have a Margarita.

1599
01:10:25,880 --> 01:10:28,080
Speaker 2: I would I bring my picture of Margarita to do you.

1600
01:10:28,120 --> 01:10:31,080
Speaker 1: Bring your picture over. I'm supposed to write today, but

1601
01:10:31,479 --> 01:10:33,760
Speaker 1: I would. I would scrap writing and just join you

1602
01:10:33,880 --> 01:10:36,120
Speaker 1: by the pool for Margarita's. That's what would happen today.

1603
01:10:36,560 --> 01:10:38,120
Speaker 2: You're working right now, huh I am.

1604
01:10:38,160 --> 01:10:39,720
Speaker 1: I'm writing. Look you want to see, I'll show you.

1605
01:10:39,920 --> 01:10:42,479
Speaker 1: Look at this. This is just showing the shitting fucking around.

1606
01:10:42,600 --> 01:10:43,639
Speaker 1: This is the first draft.

1607
01:10:44,240 --> 01:10:47,120
Speaker 2: Wow, you're for real about it. He just pulled out

1608
01:10:47,479 --> 01:10:48,800
Speaker 2: a two finger.

1609
01:10:49,000 --> 01:10:51,559
Speaker 1: That's about an inch of Yeah, it's way too long

1610
01:10:51,680 --> 01:10:55,040
Speaker 1: right now. A typical screen a typical screenplay for those

1611
01:10:55,080 --> 01:10:57,960
Speaker 1: of you not in the know, is roughly one hundred

1612
01:10:57,960 --> 01:11:02,599
Speaker 1: and twenty pages, because they say roughly a script works

1613
01:11:02,640 --> 01:11:04,439
Speaker 1: out to a page a minute, and you don't want

1614
01:11:04,520 --> 01:11:06,840
Speaker 1: your movie typically to exceed one hundred and twenty minutes,

1615
01:11:07,760 --> 01:11:10,320
Speaker 1: and this first draft is one hundred and forty four pages,

1616
01:11:10,360 --> 01:11:13,759
Speaker 1: so there'll be lots of cutting to occur. But it's happening. Donald.

1617
01:11:13,800 --> 01:11:16,560
Speaker 1: The wheels are turning good for you. Yeah, for you.

1618
01:11:16,800 --> 01:11:18,360
Speaker 1: Aren't you gonna ask what you usually ask when I

1619
01:11:18,400 --> 01:11:19,560
Speaker 1: write a screenplay.

1620
01:11:19,400 --> 01:11:20,519
Speaker 2: And any black people in it?

1621
01:11:21,400 --> 01:11:23,479
Speaker 1: There are black people in it, and there might even

1622
01:11:23,520 --> 01:11:24,160
Speaker 1: be a part for you.

1623
01:11:24,960 --> 01:11:26,640
Speaker 2: A good part, or you're just gonna throw me a

1624
01:11:26,640 --> 01:11:27,160
Speaker 2: little bone.

1625
01:11:27,280 --> 01:11:31,400
Speaker 1: You'll probably have to audition. When I gave Donald my

1626
01:11:31,479 --> 01:11:34,280
Speaker 1: first draft of Gardens Date, he said, are.

1627
01:11:34,240 --> 01:11:35,800
Speaker 2: You said to me, I really want you to read

1628
01:11:35,880 --> 01:11:37,400
Speaker 2: my script. I really want you to.

1629
01:11:37,360 --> 01:11:39,599
Speaker 1: Maybe it was my first screenplay. He was my new

1630
01:11:39,640 --> 01:11:42,280
Speaker 1: best friend, and I said, I'd really like you to

1631
01:11:42,360 --> 01:11:44,439
Speaker 1: read this. And he said, are there any black people

1632
01:11:44,479 --> 01:11:48,160
Speaker 1: in it? And I said, there's there's one or two.

1633
01:11:48,360 --> 01:11:51,479
Speaker 1: One you're not right for because he's uh, he's an

1634
01:11:51,479 --> 01:11:55,640
Speaker 1: African man that's been adopted by Natalie Portman's family, and

1635
01:11:55,880 --> 01:11:57,880
Speaker 1: the other is is being.

1636
01:11:58,320 --> 01:12:01,240
Speaker 2: Played At the time, you had given the part to

1637
01:12:01,360 --> 01:12:02,960
Speaker 2: most Death, is what you said to me?

1638
01:12:03,439 --> 01:12:06,400
Speaker 1: No, I didn't, Yeah you did. Really that method it

1639
01:12:06,439 --> 01:12:07,640
Speaker 1: was method It was always method man.

1640
01:12:07,760 --> 01:12:09,400
Speaker 3: It was okay, so then it was method man at

1641
01:12:09,439 --> 01:12:11,880
Speaker 3: the time you said, you said yeah, and then the

1642
01:12:11,960 --> 01:12:13,639
Speaker 3: other part I gave to method Man.

1643
01:12:13,960 --> 01:12:15,320
Speaker 2: Yeah. And I knew right then and there that I

1644
01:12:15,320 --> 01:12:16,320
Speaker 2: would never read that script.

1645
01:12:16,600 --> 01:12:19,240
Speaker 1: And so Donald Donald in protest because I had given

1646
01:12:19,320 --> 01:12:24,559
Speaker 1: the role to method Man, never read the script.

1647
01:12:25,320 --> 01:12:28,160
Speaker 3: It's a great movie, though, Thank you, thanks very very

1648
01:12:28,560 --> 01:12:29,439
Speaker 3: very well received.

1649
01:12:29,479 --> 01:12:31,400
Speaker 1: Also, thank you, and and you're in you know, I

1650
01:12:32,040 --> 01:12:35,080
Speaker 1: could thank you. Oh Dan's giving thumbs up and Donald,

1651
01:12:35,280 --> 01:12:37,920
Speaker 1: I didn't make the same mistake twice, and I made

1652
01:12:37,920 --> 01:12:39,240
Speaker 1: sure to put you in Wish I Was Here.

1653
01:12:39,920 --> 01:12:42,640
Speaker 2: Yeah, And I was very happy to be in that

1654
01:12:42,760 --> 01:12:44,840
Speaker 2: movie as well. Great movie. Mandy Patamkin, Holy cow.

1655
01:12:45,360 --> 01:12:46,880
Speaker 1: Yeah. And you were very funny in that movie.

1656
01:12:46,960 --> 01:12:50,200
Speaker 3: You only had Mandy Patimkin. Let's let's get Mandy pa Timpkin,

1657
01:12:50,360 --> 01:12:55,280
Speaker 3: Josh Gadd Holy cow. Yeah, Kate Hudson, Holy cow.

1658
01:12:55,479 --> 01:12:58,840
Speaker 1: Yeah. There's some great performance performance funny and in the movie.

1659
01:12:59,040 --> 01:13:00,479
Speaker 1: Let's give a shout out to the film Wish I

1660
01:13:00,600 --> 01:13:02,920
Speaker 1: Was Here, which you can you can see. I think

1661
01:13:02,960 --> 01:13:04,679
Speaker 1: it's on Netflix, you know how I know it's on Netflix,

1662
01:13:04,680 --> 01:13:07,439
Speaker 1: at least in the United States. Is Joey King, who

1663
01:13:07,600 --> 01:13:10,280
Speaker 1: plays my daughter, has become so fairy king, holy cow,

1664
01:13:10,680 --> 01:13:13,040
Speaker 1: Joey King steals the movie and has become so famous

1665
01:13:13,120 --> 01:13:17,280
Speaker 1: that Netflix has redone the poster, so it's just Joey

1666
01:13:17,400 --> 01:13:22,080
Speaker 1: King's face. Even if you don't watch the movie, do

1667
01:13:22,200 --> 01:13:24,000
Speaker 1: me a favor and go to your Netflix and look

1668
01:13:24,040 --> 01:13:25,519
Speaker 1: up Wish I was here, and you will see it's

1669
01:13:25,520 --> 01:13:28,760
Speaker 1: a picture of Joey King's head because she has become

1670
01:13:28,840 --> 01:13:31,600
Speaker 1: such a big star, and particularly on Netflix with with

1671
01:13:31,960 --> 01:13:34,120
Speaker 1: with Kissing Booth, which was like one of their most

1672
01:13:34,240 --> 01:13:36,679
Speaker 1: watched movies ever. And I just thought it was funny

1673
01:13:36,680 --> 01:13:39,360
Speaker 1: that Netflix was like, no, we don't need Kate Hudson,

1674
01:13:39,439 --> 01:13:41,400
Speaker 1: Zach Braff, Josh Godden, many Potanka on the poster. Just

1675
01:13:41,479 --> 01:13:44,719
Speaker 1: a shot of Joey's head, but much deserved.

1676
01:13:44,760 --> 01:13:46,559
Speaker 2: She's a superstar, that she has a superstar.

1677
01:13:46,880 --> 01:13:49,880
Speaker 1: Thank you so much for listening to Fake Doctor's Real Friends.

1678
01:13:50,200 --> 01:13:52,360
Speaker 1: I'm your co host, Zach Braff, along with my friend

1679
01:13:52,439 --> 01:13:54,680
Speaker 1: Donald Faison, here to make you laugh, Here to make

1680
01:13:54,680 --> 01:13:56,800
Speaker 1: a smile with a touch of nostalgia.

1681
01:13:56,960 --> 01:14:04,600
Speaker 3: About sure we made about a bunch of talks and

1682
01:14:04,720 --> 01:14:05,439
Speaker 3: nurses and.

1683
01:14:05,640 --> 01:14:09,920
Speaker 1: The janitor who learned I said he's a story next

1684
01:14:10,040 --> 01:14:13,320
Speaker 1: all should know so Gau