WEBVTT - Jordin Sparks

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<v Speaker 1>Money. We are thank take val. We are the authority

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<v Speaker 1>on all things and ladies and gentleman. My name is

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<v Speaker 1>Tank and this it's the RB Money Podcast, the authority

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<v Speaker 1>on all things R and B. Yes it is. Some

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<v Speaker 1>people just make it happy. Spirit is good, beautiful inside

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<v Speaker 1>and out. When they walk in the room, it's electric. Yeah,

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<v Speaker 1>what's another word for it? Spark A spark? Yes, you know,

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<v Speaker 1>the detail is immense in terms of who and what

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<v Speaker 1>this young lady is. I would just say incredible. I

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<v Speaker 1>just want to stop there and introduced spark. Yeah. Yeah,

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<v Speaker 1>but definitely has to be one of the best intros

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<v Speaker 1>I've ever had. Intros. I'm good, I'm really good. How

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<v Speaker 1>are you guys, I'm awesome. I want to I want

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<v Speaker 1>to start this. I want to start this pod by

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<v Speaker 1>by telling a story. Okay, okay, Um, you're a you're

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<v Speaker 1>a very popular singer. Extremely thank you, and sometimes that

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<v Speaker 1>can be confused with pop as if you aren't urban, right, Okay, yeah,

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<v Speaker 1>once you coming to a club in knowledge, you're just

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<v Speaker 1>chilling your business. We hosted you know our people down

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<v Speaker 1>to knowls. You know who you are? Ye look at

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<v Speaker 1>you and I say, if the largest laces on your

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<v Speaker 1>heart to come on up on this stage, you know,

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<v Speaker 1>just hang out with us. You ain't gotta sing, You

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<v Speaker 1>ain't gotta you ain't. There was a lot of festivities.

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<v Speaker 1>There was a lot of festivities going on, and Joan,

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<v Speaker 1>you proceeded to walk on this stage, you know, in

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<v Speaker 1>your in your shy dashful kind of way. You use

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<v Speaker 1>your shy dashful really not you're you're you're dope at

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<v Speaker 1>it right. No, it's not me, it's you. Oh God.

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<v Speaker 1>And you know, a lot of us had grabbed the

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<v Speaker 1>microphones and sang, you know, and sang our hearts out,

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<v Speaker 1>and we had who we had all night? Who? Yeah?

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<v Speaker 1>And you came on that stage and you started singing,

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<v Speaker 1>and everybody in that love Casino, whatever that room was

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<v Speaker 1>that we was in, said what they start without fut

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<v Speaker 1>They started out on yeah moment she got that, And

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<v Speaker 1>I'm like this, good, Oh you ain't you ain't my

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<v Speaker 1>dog and everything my dog do. The whole thing you

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<v Speaker 1>were just you are just an incredible talent, no matter

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<v Speaker 1>the room, no matter the setting, no matter the demographic,

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<v Speaker 1>the gift gonna show up, the gift, thank you. It's

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<v Speaker 1>just it's just is what it is. So I just

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<v Speaker 1>wanted to. That's what we wanted to give you, you know,

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<v Speaker 1>the respect and the love and the flowers that go

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<v Speaker 1>along with it. Any room, don't get it twisted. Get

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<v Speaker 1>a twisted old Martin Luther the Cave or suns that

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<v Speaker 1>plus or Rodeo, you gonna go crazy. Thank you. I

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<v Speaker 1>really appreciate that I received that because it's it's definitely

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<v Speaker 1>a gift. It really is a gift. I was born

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<v Speaker 1>with it. There's nobody in my family that really sings

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<v Speaker 1>like me. Yet we might have some you know, my nieces,

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<v Speaker 1>my my nieces and djamily. I mean, we have musical

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<v Speaker 1>people in my family. So like my uncle was in

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<v Speaker 1>a band and my nana played piano. Everybody played piano.

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<v Speaker 1>My grandpa played the organ, like, so we have musical talent.

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<v Speaker 1>My dad said he was in choir, but I've never

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<v Speaker 1>heard him singing seriously enough to like be able to. Yeah,

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<v Speaker 1>but music is well loved in my family, for sure,

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<v Speaker 1>But nobody somebody was just getting choir because girls a day. Yeah, yeah,

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<v Speaker 1>I'll set them talking to my son. I know why

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<v Speaker 1>you got inquired. I'm like you, I got it a

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<v Speaker 1>lot for it a choir. We'll talk about it. So

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<v Speaker 1>so let's go back to that. Let's go back to

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<v Speaker 1>the to the beginning to where you know you have

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<v Speaker 1>this musical family. Um, but then but then there's you

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<v Speaker 1>and everyone's looking at you like, well, where did that

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<v Speaker 1>come from? Yeah? I mean I knew at seven that

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<v Speaker 1>music and singing was what I wanted to do. I

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<v Speaker 1>knew in seven. Yeah, yeah, I knew at seven. And

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<v Speaker 1>I that was also because I started realizing that when

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<v Speaker 1>I would sing, people would be like, oh my gosh,

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<v Speaker 1>like that's really good. But I realized that it wasn't

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<v Speaker 1>in the way that it was towards little kids when

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<v Speaker 1>you kind of, you know, you you encourage them all

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<v Speaker 1>the time, you know, just because um, but they really

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<v Speaker 1>were meaning what they were saying, like yes, You're voice

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<v Speaker 1>is really good. And I was like, oh okay, yeah,

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<v Speaker 1>and I loved doing it. So I just started singing.

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<v Speaker 1>And then American Idol came on. I watched Kelly Clarkson win,

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<v Speaker 1>and I got I just was so excited. I watched

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<v Speaker 1>her and I just remember looking at my mom saying,

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<v Speaker 1>I want to do that, not necessarily idle, because I

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<v Speaker 1>had no one knew it was going to be around

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<v Speaker 1>for as long as it's been around, but I just

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<v Speaker 1>the emotion she was she was singing, she was she

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<v Speaker 1>was choked up and she was singing and everybody watching

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<v Speaker 1>her was just looking at her with awe and the

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<v Speaker 1>Prioro Technicus going and people were clapping, and I just

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<v Speaker 1>loved the emotion and how charged it was being on

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<v Speaker 1>stage and the ability to sing a song and to

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<v Speaker 1>change somebody like that. And I knew that that's what

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<v Speaker 1>I wanted to do, and so at I think I

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<v Speaker 1>was eleven or twelve, and I was like, I want

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<v Speaker 1>to do that, mom, And she goes, Okay, well, if

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<v Speaker 1>that's what you want to do, i'll help you get there.

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<v Speaker 1>But you have to do your side of it. You know,

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<v Speaker 1>it's going to be a lot of work. But it

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<v Speaker 1>wasn't like work to me. I couldn't wait to get

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<v Speaker 1>out of school so I could sing, you know what

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<v Speaker 1>I mean? So, UM did all that? I grew up

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<v Speaker 1>in church singing in church. Yeah, I sang in church. Um.

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<v Speaker 1>I wasn't able to join the choir um in the

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<v Speaker 1>big church, but I could sing the solo and have

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<v Speaker 1>the choir back me. So that was wait what Yeah?

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<v Speaker 1>It was well, because you couldn't there was a certain age,

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<v Speaker 1>I couldn't be in it because I was too young.

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<v Speaker 1>So I was singing in the big church at like twelve,

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<v Speaker 1>but I couldn't be in the choir. I was in

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<v Speaker 1>high school worship though I was doing like junior high

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<v Speaker 1>in high school worship as well, so it was like

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<v Speaker 1>I couldn't sing the solo, but you were too young. Christmas,

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<v Speaker 1>it was Christmas and Easter. You know, Jesus born on

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<v Speaker 1>this day, so they let you rock. Yeah, So I

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<v Speaker 1>rocked it. I brought the house down. And then guys,

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<v Speaker 1>we have a special guest for you guys right here

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<v Speaker 1>high students. Yeah, but it was fun, I know, but no,

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<v Speaker 1>just a little special guest. But it was where are

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<v Speaker 1>you at this time? I was in Arizona, Arizona. Grew

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<v Speaker 1>up in Glendale, Arizona, and so I went to that

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<v Speaker 1>church and then I did that for a while, and

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<v Speaker 1>I did local stuff. There was this place called Mister

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<v Speaker 1>Lucky's that was a country western bar, and they had

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<v Speaker 1>a family fish fry Friday. Sorry it's hard to say, um,

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<v Speaker 1>but they had a competition there every Friday for the kids.

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<v Speaker 1>So everybody would calm families and their kids, and um,

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<v Speaker 1>I would compete in this competition and I won. I

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<v Speaker 1>came back the next week and I won, and I

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<v Speaker 1>came back the next week and I won. And I

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<v Speaker 1>came back the next week and they were like, all right,

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<v Speaker 1>so were you one of those people that would acts

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<v Speaker 1>of frised after you in the third? They were really good, Gus,

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<v Speaker 1>there were kids. You never knew. It was different. I

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<v Speaker 1>guess I was the only person who kept but there

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<v Speaker 1>were different There were different were different people. So well

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<v Speaker 1>they did was They tould me aside and they said, okay,

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<v Speaker 1>look it's it's not fair. Um, so what we what

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<v Speaker 1>we're going to do instead is you can sing with

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<v Speaker 1>the house band. Yeah. And so you're born and raised

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<v Speaker 1>in Arizona. So was your dad did? He played for

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<v Speaker 1>the Cardinals. He was that why you were there. He

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<v Speaker 1>played for the Giants. So my parents met in Phoenix. Um,

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<v Speaker 1>they both went to Arizona State University. That's when my

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<v Speaker 1>dad went to college. He was drafted out of there

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<v Speaker 1>in nineteen ninety two to the Giants. And so during

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<v Speaker 1>the season we would move to New Jersey and the

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<v Speaker 1>off season we'd come back to Phoenix. And when he retired,

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<v Speaker 1>we came back to Phoenix. So Arizona was really my

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<v Speaker 1>main constant, whereas I love New Jersey and I love

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<v Speaker 1>the Tri State area, but I was always changing schools.

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<v Speaker 1>I was always the new kid. I was, you know,

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<v Speaker 1>I was always trying to do something new. I couldn't

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<v Speaker 1>really like plant any roots there, but Arizona, I went

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<v Speaker 1>back to the same school, I saw the same friends,

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<v Speaker 1>my family was there. So um that t work, but

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<v Speaker 1>I definitely think that helped prepare me for what I

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<v Speaker 1>do now. That's why I was going to ask you

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<v Speaker 1>just to move around and new friends, new schools. Yeah,

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<v Speaker 1>because we people don't realize in this business, there's so

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<v Speaker 1>many people that are coming and going at all times.

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<v Speaker 1>There's even if you're at a label, still people coming

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<v Speaker 1>and going. It's it's not it's not like that. It's

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<v Speaker 1>very rare that you find someone who's been at the

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<v Speaker 1>same job for thirty years in the music business. They

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<v Speaker 1>may be you know, they may be still being a

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<v Speaker 1>music business, but there'll be at different companies. It might

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<v Speaker 1>you know, it just moves around, and I think sometimes

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<v Speaker 1>that's that's a little difficult for people to deal with

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<v Speaker 1>who haven't experienced that, especially before they get into the

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<v Speaker 1>music business. You know, so for you as a kid,

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<v Speaker 1>you know you're moving around, you know you're changing schools,

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<v Speaker 1>you gotta make new friends. It's kind of preparing you

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<v Speaker 1>for what's coming in a sense. Yeah. No, I definitely

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<v Speaker 1>think that it helped me m just because you walk

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<v Speaker 1>into different rooms all the time and you never knew

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<v Speaker 1>who's gonna be in there, and you never know what's

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<v Speaker 1>going to come out of going into that certain room,

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<v Speaker 1>whether it's a meeting or it's a gallo, or it's

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<v Speaker 1>an event or it's a party. You know, every time

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<v Speaker 1>you go in there's somebody that you don't know. Um,

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<v Speaker 1>and so you have to have kind of this ability

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<v Speaker 1>to not necessarily kind of be a chameleon but not

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<v Speaker 1>changing who you are, but being able to like, oh okay,

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<v Speaker 1>I can I can rock with this room. Oh okay,

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<v Speaker 1>I can rock with this one too. And I think

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<v Speaker 1>that's it's a special gift and talent as in and

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<v Speaker 1>of itself to be able to do that, because it

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<v Speaker 1>can be really hard, like you said, if you're not

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<v Speaker 1>used to constantly seeing new faces and new people and

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<v Speaker 1>doing things like that. And also with my dad being

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<v Speaker 1>who he was, you know, he was in the spotlight

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<v Speaker 1>and we were kind of on the outside. Yeah, we

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<v Speaker 1>were on the outside. So for me, I got to

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<v Speaker 1>watch him interact with his fans. I saw how he

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<v Speaker 1>did his interviews. I you know, saw how people loved him.

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<v Speaker 1>My dad has this special ability to just make you

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<v Speaker 1>feel like you've been best friends, like yeah, yeah, you

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<v Speaker 1>guys would get along really well, you guys would really

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<v Speaker 1>get along, but um yeah. And so I watched him

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<v Speaker 1>do that, and I he made everybody feel so special,

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<v Speaker 1>and that's what I want to do whenever I have

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<v Speaker 1>an interaction with my fans. Sometimes I don't want to

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<v Speaker 1>do it, but I do it anyway because it takes

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<v Speaker 1>much longer to say no and explain why you don't

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<v Speaker 1>want to take the picture and la da da da,

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<v Speaker 1>instead of just being like okay and just just just

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<v Speaker 1>to look at it. Yeah, I mean like it. It

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<v Speaker 1>takes two seconds. Most of the time. There are those

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<v Speaker 1>moments where people want to start sharing their stories and stuff,

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<v Speaker 1>which is fine if I have the time. I love

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<v Speaker 1>to listen and you know whatever it is, um, but

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<v Speaker 1>I never want to be that person who they're like,

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<v Speaker 1>don't meet your idol, so your favorite people, you know.

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<v Speaker 1>So I'm I'm always thinking about that I do have

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<v Speaker 1>my moments though. If I'm sitting down and eating, I'm like,

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<v Speaker 1>I will politely be like, well, after I'm done eating,

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<v Speaker 1>I would love to take a picture with you. And

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<v Speaker 1>their response is up to them at that point, so

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<v Speaker 1>I can go either way. Yeah, I had it either way.

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<v Speaker 1>We just kind of thinking into that picture. Well, it

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<v Speaker 1>was two pieces. First, I was gonna say, I knew

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<v Speaker 1>you would. I knew you probably were able to see

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<v Speaker 1>things at a different level because of your father being

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<v Speaker 1>at the pinnacle of a thing, you know what, he's

0:13:11.679 --> 0:13:15.280
<v Speaker 1>in professional sports, know, so those rooms for him, it's

0:13:15.440 --> 0:13:17.719
<v Speaker 1>real rooms. You're in those rooms, so you're able to

0:13:17.760 --> 0:13:21.720
<v Speaker 1>see that move around and understand those movements. But going

0:13:21.760 --> 0:13:26.760
<v Speaker 1>back to the sitting down eating food, I'm just I'm

0:13:26.800 --> 0:13:32.360
<v Speaker 1>just wondering, Yes, if in twenty twenty three, if people

0:13:32.440 --> 0:13:39.079
<v Speaker 1>haven't figured out don't do that. No, I think it's

0:13:39.120 --> 0:13:45.720
<v Speaker 1>worse now, to be honest, I'm eating. I think it's

0:13:45.920 --> 0:13:51.000
<v Speaker 1>more so instead of respecting your time, they're thinking about

0:13:51.000 --> 0:13:54.400
<v Speaker 1>the time they have, like can I wait for this

0:13:54.520 --> 0:13:59.040
<v Speaker 1>person to finish? Which is you know, which is their

0:13:59.040 --> 0:14:01.920
<v Speaker 1>own selfishness? Right? That's you know, because anything when you're

0:14:01.960 --> 0:14:04.960
<v Speaker 1>when you're getting into someone's space. That's your own selfishness.

0:14:05.280 --> 0:14:08.560
<v Speaker 1>But I think in the mind, it's like, all right,

0:14:09.120 --> 0:14:19.560
<v Speaker 1>this nigga eating slow to desert, you know, and you know,

0:14:19.640 --> 0:14:22.480
<v Speaker 1>and it's one of those things where people feel like,

0:14:22.520 --> 0:14:25.800
<v Speaker 1>I may never run across this person again. This is

0:14:25.840 --> 0:14:29.280
<v Speaker 1>my opportunity. Let's see if it's if it's that right,

0:14:29.360 --> 0:14:31.680
<v Speaker 1>if it's that thing where you may never get this

0:14:31.760 --> 0:14:36.960
<v Speaker 1>opportunity again. Don't like that, don't right, right, because I'm

0:14:37.000 --> 0:14:40.720
<v Speaker 1>okay with when you finish eating or get a second. Yeah, yeah,

0:14:41.040 --> 0:14:43.960
<v Speaker 1>my wife, My wife would love to I said, I

0:14:43.960 --> 0:14:48.160
<v Speaker 1>got you, I got you. I love to eat. You

0:14:48.200 --> 0:14:51.400
<v Speaker 1>know what I'm saying, like I love food, Yes, yes,

0:14:52.160 --> 0:14:56.320
<v Speaker 1>speaks to me. Yeah, Like and I'm having I'm having

0:14:56.360 --> 0:14:59.240
<v Speaker 1>an intimate moment when I have a meal like this

0:14:59.360 --> 0:15:03.920
<v Speaker 1>is not it's not regular. Yes, the relationship you are

0:15:04.040 --> 0:15:21.360
<v Speaker 1>interrupting snacks is talking snags that I love that. Ye.

0:15:22.160 --> 0:15:25.160
<v Speaker 1>Here we go. Um, So I just had to touch

0:15:25.160 --> 0:15:28.280
<v Speaker 1>on because I just think that you know, it's like

0:15:28.320 --> 0:15:31.280
<v Speaker 1>you said, you may never When you're in a position

0:15:31.280 --> 0:15:35.080
<v Speaker 1>where you may never be in that space again, you

0:15:35.080 --> 0:15:38.240
<v Speaker 1>want to make the most of that space. You do

0:15:38.400 --> 0:15:42.680
<v Speaker 1>want to Yeah, I get it, okay, I had somebody.

0:15:42.720 --> 0:15:46.240
<v Speaker 1>I literally was sitting I was sitting down eating by myself,

0:15:46.360 --> 0:15:48.560
<v Speaker 1>and I was like in a little booth situation, and

0:15:48.640 --> 0:15:51.840
<v Speaker 1>somebody just slid in right next to me and started talking,

0:15:52.160 --> 0:15:54.960
<v Speaker 1>and I was like, that was your plus one. Literally,

0:15:55.880 --> 0:15:59.000
<v Speaker 1>I was just like hi, I didn't know what to say.

0:15:59.040 --> 0:16:00.960
<v Speaker 1>I was in such shocked like I'm normally though, like

0:16:01.200 --> 0:16:03.000
<v Speaker 1>you know, at the table right there, but no, this

0:16:03.040 --> 0:16:05.280
<v Speaker 1>person just slid right in started talking like we had

0:16:05.280 --> 0:16:07.960
<v Speaker 1>known each other for years. And I was like, I

0:16:08.240 --> 0:16:10.080
<v Speaker 1>literally I did not know what to do in that moment.

0:16:10.080 --> 0:16:12.000
<v Speaker 1>I don't even remember what I did. And then there

0:16:12.040 --> 0:16:14.600
<v Speaker 1>was another time I was with my mom and her

0:16:14.600 --> 0:16:17.520
<v Speaker 1>best friends essentially like my mom number two, and we

0:16:17.520 --> 0:16:19.720
<v Speaker 1>were out sitting. It was just me and the girls,

0:16:19.840 --> 0:16:24.840
<v Speaker 1>and this lovely lady pulled up her chair and just

0:16:24.880 --> 0:16:28.880
<v Speaker 1>sat down and started chatting with us and like reaching

0:16:28.920 --> 0:16:33.360
<v Speaker 1>over and like she got yeah, and we were like

0:16:33.920 --> 0:16:37.680
<v Speaker 1>excuse me, and I exactly, and I couldn't say anything

0:16:37.720 --> 0:16:43.920
<v Speaker 1>because I was like exactly, but she had an attitude

0:16:43.920 --> 0:16:46.360
<v Speaker 1>When we asked her to leave, she got an attitude

0:16:46.360 --> 0:16:48.200
<v Speaker 1>because we were like, we don't know you, and you

0:16:48.200 --> 0:16:51.200
<v Speaker 1>don't know us, like you don't just people forget. They

0:16:51.280 --> 0:16:53.520
<v Speaker 1>just forget, you know, with babies and celebrities, people just

0:16:53.760 --> 0:16:57.280
<v Speaker 1>they just forget. It's I think it's another layer deeper

0:16:57.280 --> 0:17:03.240
<v Speaker 1>than that, because some people feel like they really know

0:17:03.360 --> 0:17:08.879
<v Speaker 1>you yeah yeah, and they don't know how to act

0:17:08.920 --> 0:17:12.600
<v Speaker 1>outside of that. They see you, they've read about you,

0:17:12.760 --> 0:17:16.520
<v Speaker 1>they've listened to you, like oh shit, what and they

0:17:16.560 --> 0:17:19.760
<v Speaker 1>just and they just jump right in yeah, like because

0:17:20.200 --> 0:17:24.600
<v Speaker 1>I'm I've done that before where I think I know people.

0:17:24.880 --> 0:17:26.600
<v Speaker 1>Are you done it to people too? I've done it

0:17:26.640 --> 0:17:28.800
<v Speaker 1>to people too, because I'm like a fan of people.

0:17:28.880 --> 0:17:35.640
<v Speaker 1>You know, Oh shit, I already known man, you man,

0:17:35.680 --> 0:17:37.520
<v Speaker 1>you man, what's up with you? Baby? Like what were

0:17:37.520 --> 0:17:43.639
<v Speaker 1>you doing? We kill training that dam And I'll be

0:17:43.760 --> 0:17:49.359
<v Speaker 1>thinking I know him and I don't. I've never because

0:17:49.440 --> 0:17:52.399
<v Speaker 1>I've never thought I know because I got like a

0:17:52.440 --> 0:17:55.320
<v Speaker 1>photographic memory like it. So like I'll be scrolling on

0:17:55.359 --> 0:17:57.640
<v Speaker 1>the ground or whatever, like you know what I'm saying.

0:17:57.640 --> 0:18:00.199
<v Speaker 1>Like sometimes you go down a rabbit hole and just

0:18:00.240 --> 0:18:04.119
<v Speaker 1>dive in. Oh yeah, and I'm really locked in and

0:18:04.160 --> 0:18:08.920
<v Speaker 1>I'll see a person I saw this, this, this, this, Hey,

0:18:09.160 --> 0:18:11.440
<v Speaker 1>how's your kids doing? And I compect myself at home.

0:18:11.480 --> 0:18:13.439
<v Speaker 1>You know what, say you got your basketball right like you,

0:18:13.720 --> 0:18:15.960
<v Speaker 1>I got a guy, you know what, I really show

0:18:16.000 --> 0:18:18.879
<v Speaker 1>what I'm like. So but it's a little bit different

0:18:18.920 --> 0:18:21.240
<v Speaker 1>because you get you get a little grace because you

0:18:21.280 --> 0:18:23.520
<v Speaker 1>were also in the same I get a little great

0:18:23.600 --> 0:18:25.720
<v Speaker 1>but I'm still kind of doing it. Get a little

0:18:25.760 --> 0:18:29.119
<v Speaker 1>bit again. I understand the mindset of seeing somebody that

0:18:29.240 --> 0:18:33.240
<v Speaker 1>you really think, you know, you know me and him.

0:18:33.480 --> 0:18:35.919
<v Speaker 1>It's always funny with us because he's doing that and

0:18:35.960 --> 0:18:38.960
<v Speaker 1>I'm like, you don't know him, You're just in the back.

0:18:39.640 --> 0:18:41.679
<v Speaker 1>But the funny thing is, I know they know who

0:18:41.760 --> 0:18:43.520
<v Speaker 1>he is that whole day, but we're like being a

0:18:43.520 --> 0:18:50.000
<v Speaker 1>basketball game. But oh, you know, that's chief or we'll

0:18:50.000 --> 0:18:53.359
<v Speaker 1>walk away and Jay bad, who's that? I don't know?

0:18:54.840 --> 0:18:56.840
<v Speaker 1>Oh I do that a lot. I don't mean to,

0:18:57.000 --> 0:18:58.800
<v Speaker 1>but I do that a lot too. He just he

0:18:58.920 --> 0:19:06.800
<v Speaker 1>just looked like somebody yeah, and that's just like, yeah,

0:19:08.240 --> 0:19:09.800
<v Speaker 1>that happened the other day and we were driving. I

0:19:09.880 --> 0:19:11.600
<v Speaker 1>don't know, I was talking to this person and he goes,

0:19:11.600 --> 0:19:16.080
<v Speaker 1>who was that? I said, I don't know, I don't remember.

0:19:17.119 --> 0:19:19.160
<v Speaker 1>I can't hide it on my face. So they always

0:19:19.640 --> 0:19:24.720
<v Speaker 1>you don't remember me? I don't. We meet a lot

0:19:24.760 --> 0:19:26.920
<v Speaker 1>of people. It's really hard at this I don't feel

0:19:26.960 --> 0:19:29.080
<v Speaker 1>as embarrassed as I used to when people would say that,

0:19:29.080 --> 0:19:30.439
<v Speaker 1>like you don't really remember me, and I'd be like,

0:19:30.440 --> 0:19:33.000
<v Speaker 1>you know what, honest thing, I don't. I'm so sorry.

0:19:33.040 --> 0:19:36.560
<v Speaker 1>I gotta get better of that because I just like

0:19:37.960 --> 0:19:40.680
<v Speaker 1>saying I remember faces. I might not know exactly where

0:19:40.680 --> 0:19:44.200
<v Speaker 1>we met, but I'll be like, you got you got

0:19:44.200 --> 0:19:49.120
<v Speaker 1>a mom, right, Mom, don't you can somewhere you get

0:19:50.600 --> 0:20:05.199
<v Speaker 1>you like basketball? Right? Yeah, you got the outfit. I

0:20:05.240 --> 0:20:08.040
<v Speaker 1>did all those kind of competition things leading up to Idol,

0:20:08.040 --> 0:20:12.680
<v Speaker 1>and then I auditioned and my auditioned here in Pasadena

0:20:12.880 --> 0:20:15.119
<v Speaker 1>and I was up at two am. I was in

0:20:15.200 --> 0:20:18.440
<v Speaker 1>line with everybody. Everybody's singing for hours before we even

0:20:18.480 --> 0:20:20.520
<v Speaker 1>get let in. And it was at the Rose Bowls.

0:20:20.520 --> 0:20:24.119
<v Speaker 1>There's like fifteen thousand people that are there. And I

0:20:24.200 --> 0:20:26.679
<v Speaker 1>go in and I auditioned. There were four of us

0:20:26.680 --> 0:20:28.720
<v Speaker 1>in a row, and it's like we stepped forward, step back,

0:20:28.720 --> 0:20:32.199
<v Speaker 1>step forward, step back, and I sang my song and

0:20:32.280 --> 0:20:35.520
<v Speaker 1>she was like, Okay, well it's not gonna this is

0:20:35.560 --> 0:20:37.240
<v Speaker 1>the end of the road for you guys, blah blah

0:20:37.240 --> 0:20:39.760
<v Speaker 1>and I was like, oh, okay, well, is there any

0:20:39.800 --> 0:20:42.159
<v Speaker 1>like advice you can give me? We're not allowed to

0:20:42.160 --> 0:20:44.760
<v Speaker 1>give advice. And I was like, okay, she wasn't. She

0:20:44.880 --> 0:20:48.000
<v Speaker 1>was a kind of a judge. She it was. So

0:20:48.160 --> 0:20:50.760
<v Speaker 1>the way they do it, I guess I can say

0:20:50.800 --> 0:20:52.639
<v Speaker 1>this now Kispence Long. But the way they do it

0:20:52.680 --> 0:20:55.920
<v Speaker 1>is you auditioned in the stadiums. They have a whole

0:20:55.960 --> 0:20:57.959
<v Speaker 1>bunch of tents set up at the bottom on the

0:20:58.000 --> 0:21:01.600
<v Speaker 1>field and it's like four two a table, so you

0:21:01.680 --> 0:21:06.639
<v Speaker 1>have okay, if there's I don't know, there's two a table,

0:21:06.680 --> 0:21:09.080
<v Speaker 1>so you've got you've got ten of those and then

0:21:09.080 --> 0:21:10.960
<v Speaker 1>four people. So you got forty people auditioning and they

0:21:11.000 --> 0:21:13.040
<v Speaker 1>all stand up one one at a time, and there's

0:21:13.080 --> 0:21:15.160
<v Speaker 1>like either one or two people sitting at the table

0:21:15.640 --> 0:21:18.960
<v Speaker 1>and they're involved with the show in some way, so

0:21:19.160 --> 0:21:22.800
<v Speaker 1>they may be an EP, or they may be somebody

0:21:22.920 --> 0:21:26.080
<v Speaker 1>around the back or somebody like that, because Simon Randan

0:21:26.080 --> 0:21:27.920
<v Speaker 1>and Paula we're not going to sit there fifteen thousand people,

0:21:27.920 --> 0:21:31.479
<v Speaker 1>but let's just be um. So that's like the first

0:21:31.560 --> 0:21:35.680
<v Speaker 1>round that they kind of go through, and then there's

0:21:35.720 --> 0:21:37.720
<v Speaker 1>another one and then another one, and then you get

0:21:37.760 --> 0:21:42.160
<v Speaker 1>to the judges. So is pretty much what she told

0:21:42.200 --> 0:21:45.000
<v Speaker 1>you exactly. She was like, we're good, thanks, and I

0:21:45.040 --> 0:21:49.240
<v Speaker 1>was like okay, um, And I remember people throwing tantrums

0:21:49.240 --> 0:21:51.480
<v Speaker 1>on the ground actually, like when I was walking out,

0:21:51.520 --> 0:21:54.600
<v Speaker 1>because they would cut off your wristband. And for some people,

0:21:55.040 --> 0:21:57.320
<v Speaker 1>twenty eight was the age limit. They that was it,

0:21:57.400 --> 0:22:00.680
<v Speaker 1>like they could never audition again. And so you could

0:22:00.680 --> 0:22:03.720
<v Speaker 1>audition up until twenty eight. Yeah, as many times as

0:22:03.760 --> 0:22:07.520
<v Speaker 1>you want. Um, it depends on how far. I think.

0:22:07.520 --> 0:22:09.760
<v Speaker 1>If you get to the top ten, you can't audition again.

0:22:09.800 --> 0:22:13.720
<v Speaker 1>But top ten and under or before that, I think

0:22:13.720 --> 0:22:19.800
<v Speaker 1>you can say no, no, no, no, I'm about to

0:22:19.800 --> 0:22:26.480
<v Speaker 1>say it. Somebody's getting bad keep calling you. But yeah,

0:22:26.920 --> 0:22:30.399
<v Speaker 1>so I went back home. I did a localized version

0:22:30.480 --> 0:22:33.560
<v Speaker 1>of American Idol called Arizona Idol. All the Fox affiliates

0:22:33.560 --> 0:22:35.320
<v Speaker 1>at the time, we're doing that because Fox was a

0:22:35.359 --> 0:22:39.520
<v Speaker 1>sponsor of the show at the time, And um, I

0:22:39.520 --> 0:22:43.360
<v Speaker 1>won that, and the prize for that was being sent

0:22:43.400 --> 0:22:46.600
<v Speaker 1>to the next nearest audition city, and so I won

0:22:46.720 --> 0:22:49.760
<v Speaker 1>a ticket to Seattle the same season and that's where

0:22:49.760 --> 0:22:55.520
<v Speaker 1>I made it. And yeah, there as so you go

0:22:55.920 --> 0:23:01.240
<v Speaker 1>to this one and don't make the cut, go back home,

0:23:02.880 --> 0:23:09.600
<v Speaker 1>same program, win it, and then go to Seattle and

0:23:09.720 --> 0:23:15.399
<v Speaker 1>get it cracking. Yeah who, I mean, maybe you don't know,

0:23:15.560 --> 0:23:18.479
<v Speaker 1>but who is the person I'm trying to see? If

0:23:18.480 --> 0:23:23.040
<v Speaker 1>she read, if she ran into the hayter too? Yeah,

0:23:23.600 --> 0:23:26.760
<v Speaker 1>did you have your stare? No? I remember, I remember,

0:23:27.000 --> 0:23:30.280
<v Speaker 1>I remember. I know exactly what this person looks like,

0:23:30.359 --> 0:23:32.119
<v Speaker 1>I know their name, I know the whole thing. But

0:23:32.200 --> 0:23:34.280
<v Speaker 1>when I got back to the show, they were not there.

0:23:35.520 --> 0:23:39.959
<v Speaker 1>So that tells you there's that. I don't know if

0:23:39.960 --> 0:23:43.520
<v Speaker 1>that had anything to do with me or not. So

0:23:44.160 --> 0:23:47.160
<v Speaker 1>you let her go, but it's okay, we're gonna let

0:23:47.200 --> 0:23:49.679
<v Speaker 1>you go. Maybe that could have been how it went.

0:23:49.880 --> 0:23:55.760
<v Speaker 1>That's that's the story from R and B Money. Everybody

0:23:55.800 --> 0:23:58.119
<v Speaker 1>has to have their villain story, sure, and that was

0:23:58.520 --> 0:24:01.919
<v Speaker 1>your villain story. I I definitely think it taught me

0:24:01.960 --> 0:24:06.840
<v Speaker 1>a lot in perseverance though, truly, because like and especially

0:24:06.840 --> 0:24:09.239
<v Speaker 1>in this industry, well, yeah, we get told no all

0:24:09.280 --> 0:24:12.120
<v Speaker 1>the time. We get told no all the time, every day.

0:24:12.240 --> 0:24:14.639
<v Speaker 1>It's not just before you make it, it's while you

0:24:14.680 --> 0:24:17.480
<v Speaker 1>make it, when you make it, as you keep making it,

0:24:17.520 --> 0:24:20.080
<v Speaker 1>like you're always told no. And I think that was

0:24:20.119 --> 0:24:24.080
<v Speaker 1>a really big lesson for me, although I wasn't thinking

0:24:24.080 --> 0:24:26.239
<v Speaker 1>about it at the time. I just was like, I'm

0:24:26.240 --> 0:24:28.240
<v Speaker 1>not going to stop singing. I'm just gonna keep singing.

0:24:28.320 --> 0:24:30.520
<v Speaker 1>And I was like, I can audition again because I

0:24:30.560 --> 0:24:32.359
<v Speaker 1>was the youngest you could be at the time. I

0:24:32.400 --> 0:24:34.720
<v Speaker 1>was like, I was just audition again next year, onwards

0:24:34.800 --> 0:24:37.040
<v Speaker 1>and forwards, you know, to doing the other things, and

0:24:38.000 --> 0:24:40.879
<v Speaker 1>you know, doing that led me to being able to

0:24:40.920 --> 0:24:43.240
<v Speaker 1>make it back because if I didn't, I would have

0:24:43.359 --> 0:24:45.800
<v Speaker 1>never won that competition. I would have never gone to Seattle,

0:24:45.880 --> 0:24:47.560
<v Speaker 1>I would have never gotten the ticket, and I would

0:24:47.600 --> 0:24:49.240
<v Speaker 1>have never made it on the show. Do you feel

0:24:49.280 --> 0:24:51.919
<v Speaker 1>like it kicks you into overdrive to a certain degree

0:24:52.040 --> 0:24:53.600
<v Speaker 1>or you was just like this is what it is.

0:24:53.680 --> 0:24:56.080
<v Speaker 1>Or do you feel like did you have those like

0:24:56.119 --> 0:24:57.800
<v Speaker 1>I said at that villain moment? Were you like, you

0:24:57.840 --> 0:25:00.840
<v Speaker 1>know what, I'm gonna see you again, I'll see you again.

0:25:01.160 --> 0:25:05.440
<v Speaker 1>I thought that when after we left, because I figured

0:25:05.480 --> 0:25:08.399
<v Speaker 1>that that person would be around here if I auditioned again.

0:25:08.880 --> 0:25:11.760
<v Speaker 1>Um So I did walk into the building after I

0:25:11.800 --> 0:25:13.399
<v Speaker 1>made it, thinking that that person is going to be

0:25:13.400 --> 0:25:21.560
<v Speaker 1>around and they weren't there, and I secretly was like, okay,

0:25:21.600 --> 0:25:24.000
<v Speaker 1>but I think that you know that ultimately speaks to

0:25:25.840 --> 0:25:29.159
<v Speaker 1>just you know, the next generation of people who are

0:25:29.160 --> 0:25:31.920
<v Speaker 1>coming up, who really want to do this. Yeah, yeah,

0:25:31.960 --> 0:25:33.879
<v Speaker 1>you know what I mean, Like you gotta keep pushing,

0:25:33.880 --> 0:25:36.480
<v Speaker 1>you gotta keep chopping. I keep pushing. Yeah. And there's

0:25:36.560 --> 0:25:38.760
<v Speaker 1>always if a door is closed, there's always a window.

0:25:38.840 --> 0:25:41.600
<v Speaker 1>There's a sliding glass door, there's a basement, there's a chimney.

0:25:41.760 --> 0:25:44.520
<v Speaker 1>Jay always says this, you only need one yes, Yeah,

0:25:44.680 --> 0:25:49.280
<v Speaker 1>you need and more. Now that yes is more available

0:25:49.280 --> 0:25:52.000
<v Speaker 1>than it's ever been. When you started. That wasn't That

0:25:52.119 --> 0:25:54.440
<v Speaker 1>wasn't the case. You couldn't just go make some content

0:25:54.560 --> 0:25:58.480
<v Speaker 1>get cracking. You literally had to wait on the next

0:25:58.560 --> 0:26:00.879
<v Speaker 1>thing to a different city to it. You know what

0:26:00.880 --> 0:26:03.679
<v Speaker 1>I mean. Now it's like I don't. I don't. I

0:26:03.720 --> 0:26:07.720
<v Speaker 1>honestly don't understand talented people that don't get cracking now

0:26:08.560 --> 0:26:11.080
<v Speaker 1>in some capacity, for sure, you know what I mean,

0:26:11.119 --> 0:26:15.040
<v Speaker 1>because you just don't have any hustle, right because now

0:26:15.320 --> 0:26:18.360
<v Speaker 1>literally you can wake up in your room and say, Okay,

0:26:18.680 --> 0:26:21.600
<v Speaker 1>can I make in this room to look like something?

0:26:21.920 --> 0:26:24.040
<v Speaker 1>And how can I sing such and such a song

0:26:24.400 --> 0:26:26.119
<v Speaker 1>or singing my own song that I just gonna make

0:26:26.160 --> 0:26:28.560
<v Speaker 1>people pay attention to me. Yeah, Okay, that one didn't go.

0:26:29.040 --> 0:26:33.160
<v Speaker 1>You know what, I'm gonna do one thousand more, yes,

0:26:33.440 --> 0:26:36.639
<v Speaker 1>and hopefully somebody will see me. And it's like, you

0:26:36.680 --> 0:26:40.400
<v Speaker 1>can cheat. You can do the analytic on the songs

0:26:41.040 --> 0:26:44.359
<v Speaker 1>that get the most traction when you sing in a

0:26:44.400 --> 0:26:47.520
<v Speaker 1>certain city, a certain time, but a certain time in

0:26:47.680 --> 0:26:53.240
<v Speaker 1>which day. Yeah, yeah, the data is incredible. We're doing

0:26:53.280 --> 0:26:56.000
<v Speaker 1>that now, Like even you have to you have to

0:26:56.119 --> 0:26:58.760
<v Speaker 1>roll with the times. Even though sometimes I feel a

0:26:58.800 --> 0:27:03.200
<v Speaker 1>little left behind. I'm like, what is that? What? Wait?

0:27:03.240 --> 0:27:08.240
<v Speaker 1>I'm ah, what, But I do think there's You're right,

0:27:08.320 --> 0:27:10.800
<v Speaker 1>there's so much opportunity for people. And that's how I

0:27:10.840 --> 0:27:14.680
<v Speaker 1>felt at the time as well, not necessarily because of

0:27:14.720 --> 0:27:17.600
<v Speaker 1>the times, because it was different, but there were thirty

0:27:17.600 --> 0:27:22.520
<v Speaker 1>five million people watching us twice a week every week

0:27:22.680 --> 0:27:24.960
<v Speaker 1>while I was on the show, and so my whole

0:27:25.000 --> 0:27:28.560
<v Speaker 1>mindset was, Okay, I want I want to win. Obviously,

0:27:28.600 --> 0:27:31.440
<v Speaker 1>I want to win, so many variables have to line

0:27:31.520 --> 0:27:33.440
<v Speaker 1>up for that to happen. But if I can get

0:27:33.480 --> 0:27:36.880
<v Speaker 1>to the top ten, you know, I'll be on live

0:27:36.960 --> 0:27:39.159
<v Speaker 1>television in front of thirty five million people. If I

0:27:39.200 --> 0:27:44.200
<v Speaker 1>get tenth, I'm still winning, how am I? And that's

0:27:44.240 --> 0:27:45.560
<v Speaker 1>my mindset because I know there are a lot of

0:27:45.560 --> 0:27:47.800
<v Speaker 1>people that didn't really have the greatest experience with the show.

0:27:47.840 --> 0:27:50.480
<v Speaker 1>Everybody's got a different perspective. I had a great time

0:27:50.480 --> 0:27:52.439
<v Speaker 1>with the show. But that's what I always looked at.

0:27:52.480 --> 0:27:55.200
<v Speaker 1>I was like, you can't be mad if you're not.

0:27:56.040 --> 0:27:57.840
<v Speaker 1>You have all these people who know you now, and

0:27:57.960 --> 0:28:01.280
<v Speaker 1>if nothing's happening, you have to look at like what

0:28:01.320 --> 0:28:03.240
<v Speaker 1>are you doing? Take that? Yeah, you can take that

0:28:03.800 --> 0:28:06.320
<v Speaker 1>for sure. Last was half full. Yeah, and you can

0:28:06.359 --> 0:28:08.719
<v Speaker 1>have a whole career. You could tour, you can do

0:28:08.800 --> 0:28:14.720
<v Speaker 1>everything with those that many eyes. And now it's exemplified, exemplified.

0:28:14.840 --> 0:28:17.960
<v Speaker 1>Wait a minute, No, that's a church word. Amplified, thank you.

0:28:19.760 --> 0:28:22.880
<v Speaker 1>It is amplified a million times that it was. Then

0:28:23.200 --> 0:28:25.360
<v Speaker 1>because you can do a TikTok and you can have

0:28:25.840 --> 0:28:29.000
<v Speaker 1>a million views in an hour. Yeah, Like it's just insane.

0:28:29.080 --> 0:28:31.560
<v Speaker 1>What are your nerves? Like, what do you mean on

0:28:31.640 --> 0:28:34.479
<v Speaker 1>the show thirty How do you think it's thirty five

0:28:34.520 --> 0:28:38.720
<v Speaker 1>million people? Yes, but I was excited for that. I

0:28:39.360 --> 0:28:41.640
<v Speaker 1>wanted you were ready, Yeah, I wanted that. She was

0:28:41.680 --> 0:28:47.080
<v Speaker 1>already hammed up, she was already it's just thirty five.

0:28:50.520 --> 0:28:53.760
<v Speaker 1>I was still nervous, Like it was still like, you know,

0:28:53.880 --> 0:28:56.200
<v Speaker 1>nerve racking to go out there, but at the same time,

0:28:56.240 --> 0:28:58.200
<v Speaker 1>it was more the waiting and the lead up to

0:28:58.280 --> 0:29:00.480
<v Speaker 1>getting on the stage, because once I on the stage,

0:29:00.520 --> 0:29:03.080
<v Speaker 1>that's where everything makes sense to me. Everything everything goes

0:29:03.120 --> 0:29:06.719
<v Speaker 1>like this. So that part is fine. I get nervous

0:29:06.760 --> 0:29:09.480
<v Speaker 1>before and I'll start I get really shaky after I

0:29:09.480 --> 0:29:12.680
<v Speaker 1>get off stage, but when I'm on stage, nothing insot me.

0:29:12.680 --> 0:29:18.000
<v Speaker 1>When I'm on the just Idol in general, yeah, it

0:29:18.040 --> 0:29:20.320
<v Speaker 1>was a lot. There was definitely a lot. I feel

0:29:20.320 --> 0:29:23.440
<v Speaker 1>like American Idol was the boot camp that everybody pretty

0:29:23.520 --> 0:29:25.880
<v Speaker 1>much needs to go through for the industry and also

0:29:25.920 --> 0:29:30.920
<v Speaker 1>for media training as well. So the schedule typically on

0:29:31.000 --> 0:29:32.520
<v Speaker 1>my season, because I don't know what it is now,

0:29:32.560 --> 0:29:34.719
<v Speaker 1>I'm sure it's even crazier, but for my season, it

0:29:34.840 --> 0:29:38.160
<v Speaker 1>was Monday, we woke up and we recorded the full

0:29:38.240 --> 0:29:40.120
<v Speaker 1>length version of the song we were going to sing

0:29:40.320 --> 0:29:43.360
<v Speaker 1>on Tuesday, because that was the first year that they

0:29:43.400 --> 0:29:46.160
<v Speaker 1>put the singles on iTunes that of what we sang

0:29:46.200 --> 0:29:48.520
<v Speaker 1>on the show. So Monday we would wake up and

0:29:48.560 --> 0:29:52.880
<v Speaker 1>do that, and then it was rehearsal and possibly getting

0:29:53.320 --> 0:29:56.680
<v Speaker 1>close and a little bit of like downtime because the

0:29:56.680 --> 0:29:59.560
<v Speaker 1>show was on Tuesday. Tuesday was show day. You wake

0:29:59.640 --> 0:30:02.320
<v Speaker 1>up at five am, go there, everybody gets ready, you

0:30:02.360 --> 0:30:04.640
<v Speaker 1>do a full dress rehearsal. Then you do a full

0:30:05.240 --> 0:30:09.440
<v Speaker 1>live show. Wednesday, do the same thing again and then

0:30:09.440 --> 0:30:11.360
<v Speaker 1>there's a live show. But then somebody gets kicked off,

0:30:11.400 --> 0:30:14.560
<v Speaker 1>until you're all emotional. Thursday, you're still emotional because your

0:30:14.600 --> 0:30:17.280
<v Speaker 1>friend just got kicked off. Thursday, it's first come, first

0:30:17.280 --> 0:30:20.320
<v Speaker 1>served for the new theme of the week, and then

0:30:20.360 --> 0:30:23.280
<v Speaker 1>you have to pick the songs and it's whoever gets

0:30:23.320 --> 0:30:27.600
<v Speaker 1>them in emailed in to the person gets first, first come,

0:30:27.600 --> 0:30:30.320
<v Speaker 1>first serve. UM. So I would take like five songs

0:30:30.320 --> 0:30:32.200
<v Speaker 1>and I'd be like, but I want all of these

0:30:32.280 --> 0:30:34.080
<v Speaker 1>and these are my options, and that's what I would

0:30:34.080 --> 0:30:37.880
<v Speaker 1>go for. UM. I had twice. There were two weeks

0:30:37.920 --> 0:30:39.920
<v Speaker 1>where somebody asked me for the song that I wanted

0:30:39.960 --> 0:30:45.120
<v Speaker 1>to sing and I was like, okay, okay, you can

0:30:45.160 --> 0:30:51.120
<v Speaker 1>have it, so yeah, yes, but they were like, please,

0:30:51.120 --> 0:30:52.720
<v Speaker 1>I don't know any other song whatever they said, and

0:30:52.760 --> 0:30:54.360
<v Speaker 1>I was like, all right, cool, I can I can

0:30:54.880 --> 0:30:57.920
<v Speaker 1>sing another one, no problem. UM. So we did that

0:30:58.000 --> 0:31:01.240
<v Speaker 1>and then a Friday would be the same, be shopping,

0:31:01.280 --> 0:31:03.760
<v Speaker 1>trying to figure out what we're wearing all of that stuff,

0:31:04.080 --> 0:31:07.959
<v Speaker 1>and then Saturday was, yeah, they would take us, so

0:31:08.000 --> 0:31:10.320
<v Speaker 1>you can kind of now you're starting to find your

0:31:10.320 --> 0:31:13.680
<v Speaker 1>own style too. Yes, yes, you're trying to like figure

0:31:13.680 --> 0:31:16.440
<v Speaker 1>out everything because now they have style lists that like

0:31:17.680 --> 0:31:21.480
<v Speaker 1>that will constantly be around you early early on. We

0:31:21.520 --> 0:31:24.320
<v Speaker 1>didn't get that until Top twelve. So everything you saw

0:31:24.680 --> 0:31:26.800
<v Speaker 1>up until Top twelve was just what we had in

0:31:26.800 --> 0:31:30.720
<v Speaker 1>our suitcases, you know, just what we had, and so

0:31:31.080 --> 0:31:33.520
<v Speaker 1>they had the person there helping us, but we ultimately

0:31:33.520 --> 0:31:36.239
<v Speaker 1>had to pick everything because they didn't want anybody to

0:31:36.240 --> 0:31:38.560
<v Speaker 1>be able to come back and say, well, they told

0:31:38.560 --> 0:31:40.440
<v Speaker 1>me to do this, they told me to sing that.

0:31:40.520 --> 0:31:43.600
<v Speaker 1>All of the decisions definitely fell back on us, which

0:31:43.640 --> 0:31:49.480
<v Speaker 1>makes sense. And then Saturday was the the mentor shoot,

0:31:49.840 --> 0:31:53.440
<v Speaker 1>so they would have, like Top twelve, we had Diana Ross,

0:31:53.920 --> 0:31:56.960
<v Speaker 1>so I know, it was incredible. We had Diana Ross

0:31:57.160 --> 0:32:01.160
<v Speaker 1>and she the shoot is basically all day because we're

0:32:01.560 --> 0:32:04.360
<v Speaker 1>on their schedule and their time, so sometimes we would

0:32:04.360 --> 0:32:07.800
<v Speaker 1>start right on time. Sometimes people's flights would be delayed

0:32:07.880 --> 0:32:09.880
<v Speaker 1>or different things like that, we'd still had to just

0:32:10.000 --> 0:32:13.120
<v Speaker 1>be in the spot that whole hurry up and wait situation.

0:32:13.280 --> 0:32:16.600
<v Speaker 1>So we did that all Saturday, which was kind of exhausting,

0:32:16.600 --> 0:32:19.400
<v Speaker 1>and then on Sunday. Ford was a sponsor of the show,

0:32:19.440 --> 0:32:22.440
<v Speaker 1>so we would shoot a car commercial for Ford on

0:32:22.480 --> 0:32:26.000
<v Speaker 1>Sundays and then Monday we wake up and do the song,

0:32:26.120 --> 0:32:30.520
<v Speaker 1>Tuesday do the show. Yeah, so you learn real quick

0:32:30.680 --> 0:32:35.160
<v Speaker 1>like and that was all here. So it also was

0:32:35.560 --> 0:32:39.440
<v Speaker 1>a change to have to do that like that everywhere else.

0:32:39.440 --> 0:32:41.160
<v Speaker 1>And that was once you got into the top twelve

0:32:41.760 --> 0:32:44.240
<v Speaker 1>top Yeah. Top twelve was when we had the mentors

0:32:44.280 --> 0:32:46.680
<v Speaker 1>and we started the Ford shoots and the whole thing. Yeah,

0:32:48.320 --> 0:32:52.800
<v Speaker 1>win does when does a business start? Because at a

0:32:53.600 --> 0:32:58.720
<v Speaker 1>certain top what that they top ten, top ten, they

0:32:58.720 --> 0:33:03.440
<v Speaker 1>signed everybody right m top ten. They basically it was

0:33:03.480 --> 0:33:05.160
<v Speaker 1>they put us in a room and said here's this

0:33:05.240 --> 0:33:07.760
<v Speaker 1>is the lawyer he told us about like bullet points

0:33:08.200 --> 0:33:10.000
<v Speaker 1>and then they were like, you need to sign this

0:33:10.120 --> 0:33:13.280
<v Speaker 1>or you can't continue in the competition. And do you

0:33:13.600 --> 0:33:17.880
<v Speaker 1>and does anyone have a lawyer present? No? One not

0:33:17.920 --> 0:33:20.920
<v Speaker 1>at that time though, so you literally I didn't know

0:33:20.960 --> 0:33:23.240
<v Speaker 1>any different and I don't think any I don't think

0:33:23.280 --> 0:33:28.040
<v Speaker 1>any anybody else, honestly, don't think at that point you

0:33:28.120 --> 0:33:33.720
<v Speaker 1>have a choice. No, No, no no, you don't. But it's

0:33:33.720 --> 0:33:37.600
<v Speaker 1>not so with there people that were in that room

0:33:37.600 --> 0:33:40.080
<v Speaker 1>with you that were like I can't sign that. Was

0:33:40.120 --> 0:33:43.120
<v Speaker 1>there was there anyone that was just like, I'm not signing.

0:33:43.760 --> 0:33:47.600
<v Speaker 1>I don't remember really, it's kind of vague, but I

0:33:47.640 --> 0:33:50.840
<v Speaker 1>do remember feeling like all of us felt a little

0:33:50.880 --> 0:33:54.280
<v Speaker 1>weird signing it, but then knowing that we could potentially

0:33:54.280 --> 0:33:59.040
<v Speaker 1>be off the Yeah, potentially. No, it's like you either

0:33:59.040 --> 0:34:02.440
<v Speaker 1>sign it or no. And so it was like, oh,

0:34:02.480 --> 0:34:04.600
<v Speaker 1>they put you in the situation to really be like

0:34:04.640 --> 0:34:09.400
<v Speaker 1>this could this could change my entire life exactly, This

0:34:09.440 --> 0:34:13.319
<v Speaker 1>could change my entire life, um, And so we signed it.

0:34:13.360 --> 0:34:20.520
<v Speaker 1>But yeah, all of us signed it, so that under directs.

0:34:24.840 --> 0:34:27.960
<v Speaker 1>If I wish, I would have know, but but it wasn't.

0:34:28.040 --> 0:34:32.680
<v Speaker 1>It wasn't too I mean, because I won, it definitely

0:34:32.920 --> 0:34:35.480
<v Speaker 1>benefited me. It was different, UM. And there were two

0:34:35.800 --> 0:34:38.040
<v Speaker 1>two different contracts because it was the label contract and

0:34:38.080 --> 0:34:40.960
<v Speaker 1>that I was signed with nineteen Entertaining as well, So

0:34:41.000 --> 0:34:45.000
<v Speaker 1>there was like this dual thing happening. UM. But basically

0:34:45.000 --> 0:34:49.360
<v Speaker 1>they had the option to manage the top ten UM,

0:34:49.800 --> 0:34:51.480
<v Speaker 1>but it was up to them they could or they

0:34:51.480 --> 0:34:57.520
<v Speaker 1>had a management production DIP DIP dip dip dip, Yes,

0:34:58.080 --> 0:35:03.560
<v Speaker 1>lock it up literally, yes, But okay, so we also

0:35:03.640 --> 0:35:06.480
<v Speaker 1>like to give the other side. We always like to

0:35:06.480 --> 0:35:10.160
<v Speaker 1>give the other side and have a true understanding of

0:35:10.320 --> 0:35:13.360
<v Speaker 1>the business and with people walking when people walk into

0:35:14.920 --> 0:35:21.800
<v Speaker 1>knowingly and unknowingly. Yes, but then give you know, the balance,

0:35:23.520 --> 0:35:30.480
<v Speaker 1>because this is also a show that it's supplying everything

0:35:30.640 --> 0:35:33.680
<v Speaker 1>you need to become successful in the music. Yes, they're

0:35:33.680 --> 0:35:39.080
<v Speaker 1>supplying everything everything. There is no manager, there is no agency,

0:35:39.280 --> 0:35:44.200
<v Speaker 1>there is no producer, there's nothing else attached to you

0:35:45.440 --> 0:35:50.120
<v Speaker 1>as the artist but American Idol, and they're building every

0:35:50.239 --> 0:35:55.160
<v Speaker 1>single thing that will be a part of you. Yeah,

0:35:55.520 --> 0:35:57.880
<v Speaker 1>so you know it sounds crazy, like you know, we

0:35:58.160 --> 0:36:00.239
<v Speaker 1>make jokes about it like, oh my god, they got

0:36:00.239 --> 0:36:03.600
<v Speaker 1>they got everything. But they're supplying everything as well. Yeah,

0:36:04.120 --> 0:36:05.680
<v Speaker 1>you know, they're giving you a platform. They're put you

0:36:05.719 --> 0:36:09.160
<v Speaker 1>in front of thirty five million people weekly. I signed

0:36:09.160 --> 0:36:15.200
<v Speaker 1>the track twice seventy million. I wasn't nobody in front

0:36:15.200 --> 0:36:18.680
<v Speaker 1>of nobody. I just signed it. They signed this champ.

0:36:19.320 --> 0:36:21.760
<v Speaker 1>I hope we do something. I hope we do something

0:36:28.239 --> 0:36:33.799
<v Speaker 1>to no. So you know, I also want to point

0:36:33.800 --> 0:36:36.480
<v Speaker 1>that out. Yeah, obviously, you know that's a tough spot

0:36:36.520 --> 0:36:39.279
<v Speaker 1>to be in for a creative and for an artist

0:36:39.800 --> 0:36:43.319
<v Speaker 1>to to where it's literally like sign it or get on,

0:36:44.000 --> 0:36:48.920
<v Speaker 1>I get about it here. That's tough, yes, but that

0:36:49.040 --> 0:36:53.080
<v Speaker 1>opportunity in itself, you have to start weighing it out

0:36:53.120 --> 0:36:56.640
<v Speaker 1>of Okay, what else could I do that could put

0:36:56.640 --> 0:36:59.880
<v Speaker 1>me in this position? At the time, there wasn't anything

0:37:00.080 --> 0:37:03.800
<v Speaker 1>like that. There was I mean, still isn't really anything

0:37:03.880 --> 0:37:06.520
<v Speaker 1>like that that that sets you up that way, right,

0:37:06.840 --> 0:37:13.560
<v Speaker 1>I mean, I'm still Look, it's it'll be sixteen years, yeah,

0:37:13.600 --> 0:37:16.160
<v Speaker 1>sixteen years since I won. That was in two thousand

0:37:16.160 --> 0:37:21.520
<v Speaker 1>and seven, and I still and I'm like, I still

0:37:21.600 --> 0:37:26.400
<v Speaker 1>have there are people I feel like, I feel like

0:37:28.080 --> 0:37:30.239
<v Speaker 1>but I still have people that come up to me

0:37:30.280 --> 0:37:34.080
<v Speaker 1>and they remember like specific performances that I did. I

0:37:34.120 --> 0:37:36.520
<v Speaker 1>still have people come up to me that are just

0:37:36.560 --> 0:37:39.920
<v Speaker 1>like we toured. We like there were people that followed

0:37:40.000 --> 0:37:42.960
<v Speaker 1>us on tour, Like I saw the same people like

0:37:43.120 --> 0:37:46.120
<v Speaker 1>every day on tour. They would drive and follow you.

0:37:46.480 --> 0:37:50.279
<v Speaker 1>Super fans exactly, yeah, and like and all of us

0:37:50.400 --> 0:37:54.120
<v Speaker 1>in the top ten had our own fans like that.

0:37:54.200 --> 0:37:57.200
<v Speaker 1>We all had our own fan bases. And I don't

0:37:57.239 --> 0:38:01.160
<v Speaker 1>know if there's anything I mean, I guess you get.

0:38:01.360 --> 0:38:03.040
<v Speaker 1>It's just a different type of fan base with like

0:38:03.080 --> 0:38:06.120
<v Speaker 1>TikTok and stuff like that. I feel like with Idol

0:38:06.520 --> 0:38:08.440
<v Speaker 1>because people really did get to know me. They got

0:38:08.480 --> 0:38:12.000
<v Speaker 1>to know me every single week, and then they they voted,

0:38:12.520 --> 0:38:15.800
<v Speaker 1>they had to we were invested. It was it was

0:38:15.880 --> 0:38:20.680
<v Speaker 1>calling numbers. Yes, so that's how they made that break too, though,

0:38:21.160 --> 0:38:24.040
<v Speaker 1>six six Idol zero six. I will never forget. I

0:38:24.080 --> 0:38:27.640
<v Speaker 1>will never forget. My audition number was prison number right now,

0:38:28.280 --> 0:38:31.160
<v Speaker 1>the same thing, zero zero six. All the numbers, you know,

0:38:31.200 --> 0:38:34.879
<v Speaker 1>ain't nothing but a number. We got six bring them in. Um.

0:38:34.920 --> 0:38:37.600
<v Speaker 1>But yeah, so it was it was, it was really

0:38:38.280 --> 0:38:42.160
<v Speaker 1>it was just really a time, truly, it really was.

0:38:42.239 --> 0:38:45.880
<v Speaker 1>And my season I think season six and season seven

0:38:45.880 --> 0:38:49.960
<v Speaker 1>were the peak of the show then, um, and it

0:38:50.120 --> 0:38:52.640
<v Speaker 1>just was it was nun you won what season did

0:38:52.680 --> 0:38:57.239
<v Speaker 1>you win? Season six? Yeah? So you were six number six,

0:38:57.360 --> 0:39:01.520
<v Speaker 1>number six one season six? Yeah, how here you go

0:39:01.640 --> 0:39:07.400
<v Speaker 1>these numbers? Yeah? Yes, and I was sixteen. Addition, oh

0:39:07.520 --> 0:39:17.760
<v Speaker 1>my god, oh my god. Listen, Lebron thirty eight thirty

0:39:17.800 --> 0:39:23.600
<v Speaker 1>six points to surpass Kareem scored thirty eight thirty eight

0:39:23.680 --> 0:39:28.120
<v Speaker 1>years after Kareem. This is what's happening right here. The

0:39:28.239 --> 0:39:33.239
<v Speaker 1>real six guy re six. Thank you so much. So

0:39:33.280 --> 0:39:39.160
<v Speaker 1>I'm playing Roulette number one, sixteen and six, Yes, yes,

0:39:39.520 --> 0:39:42.760
<v Speaker 1>my new number. And we're yelling, Jordan Spark, were yelling,

0:39:43.080 --> 0:39:50.319
<v Speaker 1>go ahead, spend it, Joe Hey, hopefully I'll give you

0:39:50.320 --> 0:39:53.759
<v Speaker 1>a little bit of luck. Listen, definitely want that w

0:40:02.160 --> 0:40:06.160
<v Speaker 1>No Air, Yes, because No Air obviously was a record

0:40:06.400 --> 0:40:09.080
<v Speaker 1>that you know, we were very familiar with because it

0:40:09.160 --> 0:40:10.920
<v Speaker 1>came out of a house that we were part of

0:40:10.960 --> 0:40:15.120
<v Speaker 1>helping and we're part of and building with. You know,

0:40:15.160 --> 0:40:20.520
<v Speaker 1>all the amazing writers and producers that were there and

0:40:21.160 --> 0:40:30.760
<v Speaker 1>that record. James from Leroy, James from Shout Out to You, James,

0:40:31.360 --> 0:40:35.960
<v Speaker 1>my dog. My dog used to walk around the building

0:40:36.040 --> 0:40:40.560
<v Speaker 1>with a backpack with his imaginary friend in it named boo. Oh.

0:40:40.640 --> 0:40:45.759
<v Speaker 1>He still does he still has the backpack you already know. Yeah,

0:40:46.000 --> 0:40:49.480
<v Speaker 1>this is this is this is early early, no records placed,

0:40:49.520 --> 0:40:53.840
<v Speaker 1>No I mean just pure gift, pure talent. When I

0:40:53.960 --> 0:40:57.880
<v Speaker 1>heard that record, shout out Bluetooth, shout out Damon, shout

0:40:57.880 --> 0:41:02.120
<v Speaker 1>out Harvey, like shout out the guys. Like. When I

0:41:02.200 --> 0:41:06.960
<v Speaker 1>heard that record, I was like, this is different. How

0:41:07.160 --> 0:41:12.920
<v Speaker 1>post to Brieven, No Air, No air. No, No, Like

0:41:13.000 --> 0:41:17.839
<v Speaker 1>that record was really really special and hearing you on

0:41:17.920 --> 0:41:22.640
<v Speaker 1>that song was like, oh it's this is a matchmate

0:41:22.719 --> 0:41:26.480
<v Speaker 1>in heaven. Literally that record was so special when it

0:41:26.560 --> 0:41:30.800
<v Speaker 1>came at such a great time for you, and putting

0:41:30.880 --> 0:41:35.640
<v Speaker 1>Chris on the record was just like, Okay, this is this,

0:41:35.640 --> 0:41:39.279
<v Speaker 1>this doesn't matter, but this doesn't make any sense, like

0:41:39.320 --> 0:41:43.000
<v Speaker 1>this is just and it just like it was. I

0:41:43.040 --> 0:41:46.279
<v Speaker 1>think that record had all of the elements. Yeah you

0:41:46.280 --> 0:41:49.759
<v Speaker 1>know what I mean of you as a as a

0:41:49.840 --> 0:41:53.520
<v Speaker 1>pure singer, but also um as a but as a

0:41:53.520 --> 0:41:57.600
<v Speaker 1>teenager too, as a teenager, but also as a big singer. Yeah. Yeah,

0:41:57.640 --> 0:42:00.799
<v Speaker 1>it was a power record record. You gave us the

0:42:01.360 --> 0:42:03.799
<v Speaker 1>you gave us the technical like I really do this,

0:42:03.880 --> 0:42:06.120
<v Speaker 1>you know, all through the verses and all through the things,

0:42:06.160 --> 0:42:08.360
<v Speaker 1>and like no, no, I'm really good at this. You

0:42:08.400 --> 0:42:12.960
<v Speaker 1>know you heard it too. But then you went to

0:42:13.440 --> 0:42:16.480
<v Speaker 1>but you know, I've also sang in front of thirty

0:42:16.520 --> 0:42:27.880
<v Speaker 1>five million people. Always always a man yeah people, Oh

0:42:27.920 --> 0:42:32.280
<v Speaker 1>you okay, got it? But you did. I'm ready, I'm ready,

0:42:32.400 --> 0:42:35.400
<v Speaker 1>I'm ready. It was definitely a moment and it was

0:42:35.440 --> 0:42:39.560
<v Speaker 1>like it was like I'm a I'm a live performer.

0:42:40.200 --> 0:42:43.319
<v Speaker 1>That's my thing. You know what I'm saying, nothing like it.

0:42:43.440 --> 0:42:49.240
<v Speaker 1>I'm always like, how is that gonna translate live? Because

0:42:49.320 --> 0:42:53.280
<v Speaker 1>that is a lot of information on that damn record

0:42:53.840 --> 0:42:58.120
<v Speaker 1>that I've seen a lot of singers who are good

0:42:58.160 --> 0:43:04.240
<v Speaker 1>singers try to recreate, you know, they're outstanding on record

0:43:04.320 --> 0:43:09.200
<v Speaker 1>moments and crash and burn. Not because they're not good singers.

0:43:09.719 --> 0:43:12.880
<v Speaker 1>It's just that when you're recording a record, it's different

0:43:12.920 --> 0:43:16.799
<v Speaker 1>than performing a record. Yeah, you get rest time, you

0:43:16.840 --> 0:43:20.720
<v Speaker 1>get water in between. Hey man, take a five minute,

0:43:21.760 --> 0:43:24.400
<v Speaker 1>Take a five minutes. We're gonna get some lunch. Just

0:43:24.440 --> 0:43:27.120
<v Speaker 1>we'll get back to it. I'm you know what, we're tired.

0:43:27.160 --> 0:43:32.560
<v Speaker 1>Tomorrow's today. You get all that. But again, going back

0:43:32.600 --> 0:43:39.719
<v Speaker 1>to New Orleans, like in your in your chest bear

0:43:39.920 --> 0:43:52.880
<v Speaker 1>flat footed, yea, probably actually top to bottom. That's really disrespectful.

0:43:54.600 --> 0:44:00.719
<v Speaker 1>Love it, Yes, I love disrespect you know obviously, I'm

0:44:00.719 --> 0:44:07.080
<v Speaker 1>always somewhere in the corner. I'm like, I was my

0:44:07.160 --> 0:44:09.120
<v Speaker 1>hands got off sweaty. I was like, oh my god,

0:44:09.120 --> 0:44:13.560
<v Speaker 1>he put me on the spocket cooking you just I mean,

0:44:14.000 --> 0:44:16.520
<v Speaker 1>so how big? How big was that record? Or is

0:44:16.560 --> 0:44:20.080
<v Speaker 1>that record? Because we speak in the present, as my

0:44:20.120 --> 0:44:26.440
<v Speaker 1>brother Rico love how big, big is that record. It

0:44:26.560 --> 0:44:30.440
<v Speaker 1>is UM in two thousand and while it is the present,

0:44:30.520 --> 0:44:34.600
<v Speaker 1>but in two thousand and eight it was. It was

0:44:34.680 --> 0:44:37.600
<v Speaker 1>so close to being It should have been the number

0:44:37.640 --> 0:44:41.759
<v Speaker 1>one song of the year by two hundred spins two

0:44:42.280 --> 0:44:44.560
<v Speaker 1>who bought them, other two hundred who bought them two hundred.

0:44:44.600 --> 0:44:46.960
<v Speaker 1>You know, we're gonna talk about who beat you, whatever, whatever, whatever.

0:44:48.880 --> 0:44:51.040
<v Speaker 1>The song that came in front of me was massive

0:44:51.160 --> 0:44:55.280
<v Speaker 1>as well, UM, which was Bleeding Love by Leona Lewis,

0:44:56.080 --> 0:44:59.640
<v Speaker 1>who also was it was the winner of X Factor

0:45:00.280 --> 0:45:02.279
<v Speaker 1>the same year I was the winner of Idol, So

0:45:02.280 --> 0:45:04.200
<v Speaker 1>it was really crazy how all that worked. Yeah, shout

0:45:04.200 --> 0:45:07.520
<v Speaker 1>out to Leona. I love her. UM. But that song

0:45:08.480 --> 0:45:11.680
<v Speaker 1>is definitely my biggest song to date, and it is.

0:45:11.920 --> 0:45:16.839
<v Speaker 1>It just passed the four million Like UM singles come

0:45:16.840 --> 0:45:22.800
<v Speaker 1>on four million singless, but the streams streams is probably

0:45:24.120 --> 0:45:28.640
<v Speaker 1>somewhere else. Yeah, it's I know the video is at

0:45:28.920 --> 0:45:33.279
<v Speaker 1>like three hundred million. I think a little bit over that,

0:45:33.400 --> 0:45:35.600
<v Speaker 1>but it's like the numbers are huge, Like I look

0:45:35.680 --> 0:45:37.439
<v Speaker 1>at it and I'm like, I can't even believe that,

0:45:37.480 --> 0:45:39.840
<v Speaker 1>Like this is the stuff that I've done. But that song,

0:45:40.600 --> 0:45:45.719
<v Speaker 1>like it's a living song. You know it like it.

0:45:45.160 --> 0:45:48.120
<v Speaker 1>It took on a whole life of its own without

0:45:48.239 --> 0:45:50.640
<v Speaker 1>Chris and I performing it or doing any promo for it.

0:45:50.640 --> 0:45:52.640
<v Speaker 1>We did it one time in two thousand and eight,

0:45:52.719 --> 0:45:56.160
<v Speaker 1>and we just performed it again last year in August

0:45:56.600 --> 0:45:58.399
<v Speaker 1>for the first time you have since I have only

0:45:58.400 --> 0:46:03.439
<v Speaker 1>performed it twice twice ever ever, So the first time

0:46:03.560 --> 0:46:05.680
<v Speaker 1>is where is that on? Item was on American Idol

0:46:06.000 --> 0:46:08.279
<v Speaker 1>during the promo week right before it came out, we

0:46:08.440 --> 0:46:13.560
<v Speaker 1>performed it on stage. And then fast forward, I got

0:46:13.600 --> 0:46:16.560
<v Speaker 1>to perform it with him at his his last concert

0:46:16.560 --> 0:46:19.399
<v Speaker 1>of his Under the Influence tour fourteen years in August. Yeah,

0:46:20.680 --> 0:46:26.719
<v Speaker 1>it was awesome. It was so good. I was so

0:46:26.760 --> 0:46:30.560
<v Speaker 1>happy that it happened. It was It was crazy getting there.

0:46:30.600 --> 0:46:33.560
<v Speaker 1>Shout out to Dana because he called everybody and like

0:46:33.719 --> 0:46:35.399
<v Speaker 1>tried to We tried to make it work and figure

0:46:35.440 --> 0:46:38.759
<v Speaker 1>it out. And he he does this thing at the

0:46:38.880 --> 0:46:41.200
<v Speaker 1>end where he puts up all his like classics that

0:46:41.239 --> 0:46:43.600
<v Speaker 1>everybody knows and loves, and then he has the audience,

0:46:43.760 --> 0:46:46.000
<v Speaker 1>you know, clap and whichever one they clap for the most,

0:46:46.080 --> 0:46:49.200
<v Speaker 1>he'll sing. Because it was his last show, I think

0:46:49.239 --> 0:46:51.640
<v Speaker 1>he just was like, I'm gonna do everything. So he

0:46:51.680 --> 0:46:53.200
<v Speaker 1>was singing all of them, and I was like, Okay,

0:46:53.280 --> 0:46:55.239
<v Speaker 1>I don't know if this is going to happen or not.

0:46:55.760 --> 0:46:58.080
<v Speaker 1>And so I walked down there and I was like, okay,

0:46:59.000 --> 0:47:01.839
<v Speaker 1>I have of my in ears and I just need

0:47:01.840 --> 0:47:06.839
<v Speaker 1>to I brought what Okay, I brought them with me.

0:47:07.280 --> 0:47:14.640
<v Speaker 1>Stay ready, so you don't have to get rid of Okay, yeah,

0:47:14.760 --> 0:47:19.080
<v Speaker 1>I don't have but if I did, you feel me

0:47:19.239 --> 0:47:22.640
<v Speaker 1>go ahead. Yeah. So I was like, I have my ears,

0:47:22.840 --> 0:47:24.560
<v Speaker 1>give me a pack on the microphone, and I will

0:47:24.640 --> 0:47:28.080
<v Speaker 1>just wait and if he calls out the song, I'm here,

0:47:28.360 --> 0:47:30.920
<v Speaker 1>like I'm ready to do it. And so I'm standing

0:47:30.960 --> 0:47:32.400
<v Speaker 1>there like, oh, I don't know if it's going to

0:47:32.440 --> 0:47:35.040
<v Speaker 1>happen or not. We'll see. Because the LA show he

0:47:35.080 --> 0:47:38.200
<v Speaker 1>didn't do No Air and so um I was not.

0:47:38.320 --> 0:47:40.439
<v Speaker 1>I wasn't there at that show, but I was heard

0:47:40.440 --> 0:47:42.200
<v Speaker 1>from people who went, all my friends who went, but

0:47:42.360 --> 0:47:44.080
<v Speaker 1>they didn't do this. He didn't do the song because

0:47:44.080 --> 0:47:47.200
<v Speaker 1>the audience wanted something else. And so I was like, Okay,

0:47:47.200 --> 0:47:49.440
<v Speaker 1>this might happen, this might not. And so they you know,

0:47:49.440 --> 0:47:51.640
<v Speaker 1>there's somebody on the side in his ears and say, hey,

0:47:51.920 --> 0:47:55.920
<v Speaker 1>Chris Jordan's here. He turned us out what and he

0:47:56.000 --> 0:47:57.960
<v Speaker 1>looked at me and I was like, oh good, he's

0:47:57.960 --> 0:48:01.560
<v Speaker 1>happy to see me now, like you had to crash

0:48:01.560 --> 0:48:05.399
<v Speaker 1>your stage right because I was like, this could I think?

0:48:05.440 --> 0:48:07.319
<v Speaker 1>I think this will be good. And he lit up

0:48:07.360 --> 0:48:09.200
<v Speaker 1>and he was so excited. I ran up there and

0:48:09.280 --> 0:48:11.080
<v Speaker 1>it was such a cool moment, like to be able

0:48:11.120 --> 0:48:13.680
<v Speaker 1>to sing that, and especially because you know, when we

0:48:13.719 --> 0:48:16.680
<v Speaker 1>recorded the song, we were kids. We were seventeen years old,

0:48:17.320 --> 0:48:20.279
<v Speaker 1>and I didn't know anything about like that kind of love,

0:48:20.360 --> 0:48:22.280
<v Speaker 1>like a relationship kind of love. So I was singing

0:48:22.320 --> 0:48:26.960
<v Speaker 1>from the perspective of losing like my friends or my family. Yeah. Um.

0:48:27.000 --> 0:48:30.760
<v Speaker 1>And so to go from then to now we have kids,

0:48:31.520 --> 0:48:35.560
<v Speaker 1>got kids or all they're like, yeah, there's there. It

0:48:35.640 --> 0:48:37.800
<v Speaker 1>was different and it was different to sing from that space.

0:48:37.800 --> 0:48:39.080
<v Speaker 1>So I hope we get to do it again. I

0:48:39.120 --> 0:48:41.560
<v Speaker 1>would love to do that again. But yeah, that was

0:48:41.560 --> 0:48:46.920
<v Speaker 1>a really cool moment. I've heard new music. Okay, snap,

0:48:47.480 --> 0:49:00.160
<v Speaker 1>I've heard new music. Oh yeah, yeah, that's right, that's right. Um,

0:49:00.400 --> 0:49:02.920
<v Speaker 1>I heard new music. When when are we going to

0:49:03.000 --> 0:49:11.440
<v Speaker 1>get the goods music? So literally the last two weeks

0:49:11.440 --> 0:49:14.600
<v Speaker 1>have been trying to figure out which songs are going

0:49:14.640 --> 0:49:17.359
<v Speaker 1>to make the album. You saw the list. The list

0:49:17.480 --> 0:49:19.960
<v Speaker 1>is extensive and very long. It's now up to one

0:49:21.080 --> 0:49:27.080
<v Speaker 1>sixty three sixty three. I want to take people on

0:49:27.120 --> 0:49:29.560
<v Speaker 1>an experience, you know, like I want to be able

0:49:29.640 --> 0:49:31.799
<v Speaker 1>to sing the type of music that I want to sing,

0:49:31.800 --> 0:49:34.800
<v Speaker 1>and they all might be different, because you heard there's

0:49:35.239 --> 0:49:36.680
<v Speaker 1>pieces of everything I r and be over here. I

0:49:36.680 --> 0:49:38.840
<v Speaker 1>got pop over here, I got singer, songwriter, I have acoustic,

0:49:38.880 --> 0:49:41.359
<v Speaker 1>I have ballads of a piano ballad, power anthems like

0:49:41.800 --> 0:49:44.319
<v Speaker 1>I have all of them, and that's all a part

0:49:44.360 --> 0:49:46.960
<v Speaker 1>of me as well. So, um, we're in the process

0:49:47.080 --> 0:49:49.279
<v Speaker 1>of picking all of the songs for the album so

0:49:49.320 --> 0:49:52.840
<v Speaker 1>it can come out by May Come Home. May is

0:49:52.880 --> 0:49:57.280
<v Speaker 1>the goal. May is the goal. Um, I gotta shoot

0:49:57.280 --> 0:49:58.759
<v Speaker 1>the movie in the middle of all this, so we'll

0:49:58.800 --> 0:50:02.439
<v Speaker 1>figure it out. But um, that is the goal for that,

0:50:02.560 --> 0:50:13.480
<v Speaker 1>and we're trying to also correlate it with a tequila launch. Um. Okay, yes,

0:50:14.120 --> 0:50:22.719
<v Speaker 1>tequila ain't tequila man, Tequila man in the body, that's

0:50:22.760 --> 0:50:28.560
<v Speaker 1>what they call me mad Tequila. No, they don't do.

0:50:30.400 --> 0:50:34.799
<v Speaker 1>Can't give the name of it yet, but um, is

0:50:34.800 --> 0:50:39.279
<v Speaker 1>it gonna be tequila mane. That would be a good one, though.

0:50:40.040 --> 0:50:46.640
<v Speaker 1>You should do that, I should do that. However, we

0:50:46.640 --> 0:50:52.719
<v Speaker 1>can do it. Go ahead, don't nobody still so right?

0:50:53.040 --> 0:50:55.000
<v Speaker 1>I'm working on a bunch of different things, you know,

0:50:55.800 --> 0:50:59.719
<v Speaker 1>I think for all of us it's almost like a

0:51:00.160 --> 0:51:02.080
<v Speaker 1>not a trigger phrase, but I feel like people say

0:51:02.120 --> 0:51:05.360
<v Speaker 1>it a lot now, but generational wealth. Really trying to

0:51:06.920 --> 0:51:09.520
<v Speaker 1>Now that I'm able to do so many things now,

0:51:09.520 --> 0:51:10.800
<v Speaker 1>I have to figure out what things are going to

0:51:10.840 --> 0:51:12.840
<v Speaker 1>be the most beneficial for me and for my family,

0:51:12.920 --> 0:51:17.239
<v Speaker 1>so that my ceiling is my son's floor. You've given

0:51:17.280 --> 0:51:20.080
<v Speaker 1>us so many bars and so much life today. Oh

0:51:20.080 --> 0:51:23.239
<v Speaker 1>thanks you guys too. I love I love seeing you guys.

0:51:24.880 --> 0:51:39.200
<v Speaker 1>Where are we going? Come on, man, be talented? Tequila Maine, Yeah,

0:51:39.400 --> 0:51:56.600
<v Speaker 1>Tequila Maine. Jordan. Top five, you're top five, take it

0:51:56.640 --> 0:52:05.000
<v Speaker 1>back back to the top. Okay, you're top five? R

0:52:05.120 --> 0:52:14.239
<v Speaker 1>and D, R and B saves. Who are you called

0:52:14.400 --> 0:52:21.480
<v Speaker 1>nut juice? Who are you called nut Juiceall your top

0:52:21.800 --> 0:52:41.960
<v Speaker 1>top deep dive? I don't bosto, Bye bye you top

0:52:42.960 --> 0:52:51.439
<v Speaker 1>fin with the breadth of the end. Whoa He learned

0:52:51.480 --> 0:52:55.480
<v Speaker 1>that at his IDOL audition. He did listen all we

0:52:55.480 --> 0:53:00.359
<v Speaker 1>can't give you any advice? Can you? Cain't got nothing

0:53:00.360 --> 0:53:06.080
<v Speaker 1>for you, Okay, top five. I wrote it down on

0:53:06.080 --> 0:53:08.120
<v Speaker 1>my phone because I just wanted to be I have

0:53:08.239 --> 0:53:13.480
<v Speaker 1>more than five unfortunately, Um Whitney Houston kick it off,

0:53:13.520 --> 0:53:17.839
<v Speaker 1>definitely kick off, kick it off, Mariah Carey. Those two

0:53:17.880 --> 0:53:20.160
<v Speaker 1>women I listened to my entire life growing up, and

0:53:20.200 --> 0:53:22.480
<v Speaker 1>when you hear the new music, you definitely can hear

0:53:22.480 --> 0:53:27.040
<v Speaker 1>the influence from them. Um. I know this is three people,

0:53:27.160 --> 0:53:31.520
<v Speaker 1>but Boys to Men four collectively as a group one

0:53:31.680 --> 0:53:34.280
<v Speaker 1>oh four you righte, you rite you right? Four four

0:53:34.680 --> 0:53:38.400
<v Speaker 1>four you right? But boys Boys to Men is definitely

0:53:38.520 --> 0:53:47.000
<v Speaker 1>up there. Michael Jackson, Smokey Robinson, an usher, m I

0:53:47.040 --> 0:53:49.320
<v Speaker 1>gotta throws in there. I know it's more than five

0:53:49.080 --> 0:54:00.920
<v Speaker 1>two three four group. Okay, now that that's a lot.

0:54:02.680 --> 0:54:04.520
<v Speaker 1>That's a lot. Although I have the same for my

0:54:04.600 --> 0:54:07.839
<v Speaker 1>top rby song. So get ready, you know, let's get

0:54:07.840 --> 0:54:10.520
<v Speaker 1>to it, because I feel like, let's go, come on,

0:54:11.640 --> 0:54:16.760
<v Speaker 1>okay ready. Um Earth song is one of my favorite

0:54:16.760 --> 0:54:20.120
<v Speaker 1>songs by Michael, just the emotion, the feeling and everything.

0:54:20.160 --> 0:54:25.120
<v Speaker 1>Man in the Mirror obviously Dirty Diana my faves three

0:54:25.280 --> 0:54:28.040
<v Speaker 1>songs in one that was three of Michael's because he's

0:54:28.080 --> 0:54:30.200
<v Speaker 1>the king. So I just felt like I can put

0:54:30.200 --> 0:54:38.160
<v Speaker 1>all this we belong together. I carry love that song.

0:54:38.320 --> 0:54:40.160
<v Speaker 1>It came out at such a pivotal time in my life,

0:54:40.160 --> 0:54:46.480
<v Speaker 1>like like core memories to that song. Um water runs dry? Yeah,

0:54:46.719 --> 0:54:48.400
<v Speaker 1>I love that song. My dad used to sing it

0:54:48.440 --> 0:54:51.040
<v Speaker 1>around the house like so, I just I remember him

0:54:51.080 --> 0:54:53.239
<v Speaker 1>singing it, remember listening to it? Could he sing it?

0:54:53.440 --> 0:54:56.120
<v Speaker 1>Could he sing it? I mean he was joking around

0:54:56.200 --> 0:54:59.360
<v Speaker 1>when you sing it, and he would always sing it

0:54:59.360 --> 0:55:04.120
<v Speaker 1>to my mom, he like, don't do it, joding like

0:55:04.640 --> 0:55:09.879
<v Speaker 1>exactly that was, And then um, I want to dance

0:55:09.880 --> 0:55:14.360
<v Speaker 1>with somebody. I feel like that was such a pivotal

0:55:14.400 --> 0:55:16.960
<v Speaker 1>song because it brought so much of the pop elements

0:55:17.000 --> 0:55:19.800
<v Speaker 1>into her huge voice, and I feel like that really

0:55:19.840 --> 0:55:22.200
<v Speaker 1>helped pave the way for a lot of like what

0:55:22.200 --> 0:55:25.680
<v Speaker 1>we're doing now, and especially someone like me who loves

0:55:25.719 --> 0:55:29.880
<v Speaker 1>both sides of it, you know, um and then burn

0:55:30.960 --> 0:55:37.080
<v Speaker 1>uh sure, And the last one is it's not five,

0:55:37.160 --> 0:55:40.600
<v Speaker 1>but the last one is you Actually your cover of

0:55:41.400 --> 0:55:44.240
<v Speaker 1>I Can't Make You Love Me is one of my

0:55:44.320 --> 0:55:51.040
<v Speaker 1>favorite songs. You sing that song. Yeah, I don't even

0:55:51.080 --> 0:55:54.279
<v Speaker 1>know what to even say. You using that song so beautifully,

0:55:54.360 --> 0:55:57.200
<v Speaker 1>like he's on our playlist. Look he got tears in

0:55:57.200 --> 0:56:06.400
<v Speaker 1>his eyes. Oh sorry, No, it's a great it's a

0:56:06.400 --> 0:56:08.560
<v Speaker 1>great song. We had it on our playlist, like, we

0:56:08.640 --> 0:56:10.440
<v Speaker 1>played it all the time. It's one of my favorites.

0:56:10.520 --> 0:56:13.040
<v Speaker 1>So I had to put you in shout out to

0:56:13.360 --> 0:56:16.160
<v Speaker 1>shout out to Craig count Man. I had to Craig

0:56:16.239 --> 0:56:19.880
<v Speaker 1>count who said, take you know, you should, you should

0:56:19.960 --> 0:56:22.399
<v Speaker 1>visit this song, you should visit just a little visit.

0:56:22.480 --> 0:56:24.600
<v Speaker 1>And I knew it. I knew the song and no

0:56:24.680 --> 0:56:27.359
<v Speaker 1>idea what the song was. Really. I've known that song

0:56:27.400 --> 0:56:29.320
<v Speaker 1>for a really long time. So when I found your version,

0:56:29.360 --> 0:56:32.439
<v Speaker 1>I was like, Bonnie Raid is my favorite version. Yeah,

0:56:32.800 --> 0:56:37.760
<v Speaker 1>her version, it's so beautiful. It's just it's it. It's

0:56:37.880 --> 0:56:41.760
<v Speaker 1>the song. Yeah, it's what the song was meant to be. Yeah,

0:56:41.800 --> 0:56:44.680
<v Speaker 1>And we all kind of do our best at you know,

0:56:44.920 --> 0:56:48.600
<v Speaker 1>trying to capture that, you know, capture that, you know

0:56:48.640 --> 0:56:51.719
<v Speaker 1>what I'm saying, like like ten remakes of that. I

0:56:51.760 --> 0:56:53.200
<v Speaker 1>was trying to figure out how to have my own

0:56:53.280 --> 0:56:55.440
<v Speaker 1>moment with it. But every time I sing it live,

0:56:56.320 --> 0:56:59.480
<v Speaker 1>I always revert back to her version. It's hard. I

0:56:59.560 --> 0:57:03.200
<v Speaker 1>never seen my version of the song. I just like saying, Gods,

0:57:03.239 --> 0:57:08.400
<v Speaker 1>people they think it's tanks, so they kind of do

0:57:08.520 --> 0:57:11.720
<v Speaker 1>think it's my song when you're down in the delta,

0:57:11.040 --> 0:57:17.480
<v Speaker 1>down you down to delta? Yeah, yeah, wrote produce everything.

0:57:17.680 --> 0:57:21.400
<v Speaker 1>I'm like, great, I never heard of right, Like, you

0:57:21.480 --> 0:57:28.919
<v Speaker 1>know what, don't worry about it. It's me, that's yeah.

0:57:28.920 --> 0:57:31.120
<v Speaker 1>So sorry. I know I have a hard time getting

0:57:31.160 --> 0:57:33.600
<v Speaker 1>anything down to under five. So it's it's fine, it's fun.

0:57:33.640 --> 0:57:37.840
<v Speaker 1>It's just why I'm having such a hard time choosing.

0:57:38.960 --> 0:57:42.200
<v Speaker 1>It's so hard to get it under so hard. You

0:57:42.280 --> 0:57:48.200
<v Speaker 1>really awesome? Okay, Um, we're gonna build a voltron here. Okay, okay,

0:57:49.360 --> 0:57:53.800
<v Speaker 1>A perfect in your world, the perfect singer. Oh okay,

0:57:53.880 --> 0:57:56.600
<v Speaker 1>you know what I'm saying. We want to know who

0:57:56.600 --> 0:57:58.880
<v Speaker 1>are you going to get the vocal from? Who are

0:57:58.880 --> 0:58:02.440
<v Speaker 1>you going to get the performance style from, the styling

0:58:03.240 --> 0:58:08.520
<v Speaker 1>and the passion of that artist. Yeah, let's get into it.

0:58:09.120 --> 0:58:13.760
<v Speaker 1>Who are you going to get the vocal from? Only one?

0:58:16.200 --> 0:58:22.040
<v Speaker 1>Probably Whitney. Definitely Whitney, I mean definitely Whitney Houston. Yeah,

0:58:22.160 --> 0:58:27.040
<v Speaker 1>so vocals from Whitney, okay. And performance style, performance style,

0:58:30.000 --> 0:58:34.680
<v Speaker 1>Michael definitely Michael's. I mean he could just walk out

0:58:34.720 --> 0:58:36.640
<v Speaker 1>onto the stage and it was commanded. You know what.

0:58:36.680 --> 0:58:39.640
<v Speaker 1>I mean presence was just different. Yeah. Yeah, his presence

0:58:39.720 --> 0:58:43.040
<v Speaker 1>was everything it was. It was like it was like

0:58:43.080 --> 0:58:48.840
<v Speaker 1>he was nice but he was mean. Yeah, Spad, you

0:58:48.960 --> 0:58:56.080
<v Speaker 1>know that was great. He had this, he had this.

0:58:57.680 --> 0:59:02.720
<v Speaker 1>I'm about the fuck shit U up ye stance look

0:59:03.160 --> 0:59:08.760
<v Speaker 1>respect respectfully, no, dad, well disrespectful you know what I'm saying.

0:59:09.440 --> 0:59:13.280
<v Speaker 1>But he had it on him. Yeah yeah, Like I

0:59:13.360 --> 0:59:16.800
<v Speaker 1>know he's not a gang member. There's pictures, but I

0:59:16.840 --> 0:59:24.080
<v Speaker 1>feel I feel like there might have been jumped in.

0:59:24.200 --> 0:59:28.360
<v Speaker 1>I feel like I got a couple of chrip hommers. Man,

0:59:28.400 --> 0:59:30.520
<v Speaker 1>they think they think Michael was part of the claiming.

0:59:31.520 --> 0:59:33.720
<v Speaker 1>Now we put my con We put him on like

0:59:34.080 --> 0:59:37.480
<v Speaker 1>but you're twenty three, bro, Yeah, we put him on.

0:59:38.920 --> 0:59:46.160
<v Speaker 1>Um case we have vocal presence, performance style, styling, styling

0:59:46.720 --> 0:59:53.160
<v Speaker 1>hut that. I mean honestly, if I could dress the

0:59:53.200 --> 0:59:55.600
<v Speaker 1>way that Chris dresses, I would, so I would say

0:59:55.640 --> 1:00:00.680
<v Speaker 1>Chris Brown styling. I think, yeah, everything flying, even built

1:00:00.720 --> 1:00:05.000
<v Speaker 1>a house that's a closet next to his house. I

1:00:05.080 --> 1:00:08.720
<v Speaker 1>try not to. I try not to take tank thing

1:00:08.880 --> 1:00:12.040
<v Speaker 1>dealing because I can figure some of those stealing or

1:00:12.040 --> 1:00:13.640
<v Speaker 1>he don't really stick. It's Chris, give it to him.

1:00:13.640 --> 1:00:15.800
<v Speaker 1>But I call it stealing. It's kind of still yeah,

1:00:16.320 --> 1:00:21.280
<v Speaker 1>borrow it and didn't ask for I put it off

1:00:21.320 --> 1:00:24.680
<v Speaker 1>like man, Chris Show, that's the way to do. This

1:00:24.760 --> 1:00:28.680
<v Speaker 1>is crazy. Got a scent on the clothes, and I

1:00:28.720 --> 1:00:30.640
<v Speaker 1>would pick up with the tag still on the man.

1:00:30.680 --> 1:00:32.600
<v Speaker 1>This is crazy. I know you can't wear this no more.

1:00:32.640 --> 1:00:38.840
<v Speaker 1>I ain't watch it. That's crazy. You should let dollars jacket.

1:00:38.920 --> 1:00:43.440
<v Speaker 1>What you're gonna do, I'm not. Don't let you take

1:00:43.560 --> 1:00:46.520
<v Speaker 1>a hold. He gave me. He gave me a yre

1:00:46.560 --> 1:00:49.360
<v Speaker 1>cell jacket, a fir yre cell jacket that has gotten

1:00:50.280 --> 1:00:55.560
<v Speaker 1>a video two. Let's go. I would do the same

1:00:55.680 --> 1:01:00.880
<v Speaker 1>thing to another finger. I was groping up a woman's like,

1:01:00.880 --> 1:01:09.320
<v Speaker 1>like like how Jordan doing together? Okay, all right? Passion

1:01:10.120 --> 1:01:13.120
<v Speaker 1>the heart of the artists. The fine will be out

1:01:13.160 --> 1:01:16.480
<v Speaker 1>there sweating. Well, I mean, I don't know if it's sweating,

1:01:16.560 --> 1:01:19.040
<v Speaker 1>but I feel like, because he's had such a long

1:01:19.240 --> 1:01:21.760
<v Speaker 1>career and has written so much, I would say, smoky,

1:01:22.600 --> 1:01:26.640
<v Speaker 1>smokey Robinson's passion. I don't think smokey sweaty. Don't he

1:01:26.720 --> 1:01:29.760
<v Speaker 1>too fea, He's not gonna sweat. I mean he you know,

1:01:30.640 --> 1:01:32.480
<v Speaker 1>he gonna sing about some gang bang but he ain't

1:01:32.480 --> 1:01:40.240
<v Speaker 1>going man doing that dope, smoking nuts, smoking nuts, smoke

1:01:42.400 --> 1:01:50.400
<v Speaker 1>doing that wrong. That's a thing. I'm not gonna let

1:01:50.440 --> 1:01:55.840
<v Speaker 1>you do that. Kang bang. That's a gang bang king banging.

1:01:58.360 --> 1:02:03.000
<v Speaker 1>He's still out there doing it, cooking was fries them.

1:02:03.080 --> 1:02:10.240
<v Speaker 1>It's all lives smoking me. Sorry that it's come to this.

1:02:12.160 --> 1:02:14.720
<v Speaker 1>This was a respectable thing that I was saying. But

1:02:14.960 --> 1:02:21.760
<v Speaker 1>you know, smokey fashion, no smoke's cold. I can say

1:02:21.880 --> 1:02:24.320
<v Speaker 1>nothing bad. But that's that's an amazing vultry. That's that's

1:02:24.320 --> 1:02:39.560
<v Speaker 1>an amazing, amazing Okay, we really are you really singing? Now?

1:02:47.440 --> 1:02:49.840
<v Speaker 1>See where she went? M you see where she went.

1:02:51.000 --> 1:02:56.520
<v Speaker 1>I heard it. I ain't saying no nick names, no

1:02:58.400 --> 1:03:03.880
<v Speaker 1>name when you was was weird, but you did don't

1:03:03.880 --> 1:03:19.000
<v Speaker 1>say she said he here? Okay that you should definitely

1:03:19.240 --> 1:03:22.919
<v Speaker 1>like record that. Keep that used that. Don't anybody take

1:03:23.000 --> 1:03:28.880
<v Speaker 1>that it takes don't take it. That was great. That

1:03:29.120 --> 1:03:33.800
<v Speaker 1>was great. Okay, enough, blow your head out. Oh my god,

1:03:34.520 --> 1:03:36.360
<v Speaker 1>I have to deal with this guy. Man tell her

1:03:36.440 --> 1:03:41.600
<v Speaker 1>Jo laughs all day. So, yes, you heard the intro.

1:03:42.560 --> 1:03:45.680
<v Speaker 1>You know what's coming. You watch the show. Huh huh, Okay,

1:03:45.720 --> 1:03:51.360
<v Speaker 1>she getting to the phone, pull this out because this story. Okay, right,

1:03:51.760 --> 1:03:58.400
<v Speaker 1>oh yeah, gloss of this up. Let me set this

1:03:58.520 --> 1:04:00.880
<v Speaker 1>up before you know what I'm saying. So why you

1:04:00.960 --> 1:04:05.560
<v Speaker 1>said U, I'm gonna telling people what it is. Yeah, yeah,

1:04:06.280 --> 1:04:14.240
<v Speaker 1>go on, yes us all the life down okay, yeah,

1:04:14.520 --> 1:04:17.120
<v Speaker 1>so you know this is where you tell us a

1:04:17.200 --> 1:04:21.760
<v Speaker 1>story Funnier fucked up and the travels of Jordan's Sparks huh,

1:04:21.880 --> 1:04:25.480
<v Speaker 1>the Spark herself, the Sparks huh. You know somebody you

1:04:25.560 --> 1:04:27.880
<v Speaker 1>might have had to knock the spark out of Come on,

1:04:28.240 --> 1:04:31.720
<v Speaker 1>if you know, if you wanted to, they could have

1:04:31.760 --> 1:04:34.280
<v Speaker 1>got it. They could have got it, could have got it.

1:04:34.360 --> 1:04:35.920
<v Speaker 1>You know what. Maybe you're an American idol, so you

1:04:35.960 --> 1:04:38.720
<v Speaker 1>know you have to move a certain one. Chill, you know,

1:04:38.840 --> 1:04:44.600
<v Speaker 1>but people for that. Oh yeah, yeah, we're bringing the

1:04:44.720 --> 1:04:49.520
<v Speaker 1>mask back out. We're bringing the mask back out. Yeah trying.

1:04:49.600 --> 1:04:51.360
<v Speaker 1>Rube still ain't brought my mask, but you know what,

1:04:51.520 --> 1:04:57.720
<v Speaker 1>it's coming at some point. Funnier fucked up, funnier fucked up? Okay,

1:04:58.120 --> 1:05:02.040
<v Speaker 1>are funny and fucked up? The only rule in the

1:05:02.200 --> 1:05:05.640
<v Speaker 1>name of the game. I ain't saying no name. Yeah,

1:05:05.760 --> 1:05:08.600
<v Speaker 1>I ain't saying no names. Okay, Jordan Sparks I just

1:05:08.720 --> 1:05:12.280
<v Speaker 1>gave no ghosts. I ain't saying no names, neither one. Okay,

1:05:14.080 --> 1:05:16.520
<v Speaker 1>so he already knows where I'm going, which is funny. Okay.

1:05:18.240 --> 1:05:24.320
<v Speaker 1>So I had a session with this person, and um,

1:05:25.880 --> 1:05:28.000
<v Speaker 1>I had. I was really excited for this session. I

1:05:28.080 --> 1:05:31.000
<v Speaker 1>had known who this person was. I was a fan

1:05:31.080 --> 1:05:33.280
<v Speaker 1>of one of the songs they put out, and um,

1:05:33.440 --> 1:05:36.240
<v Speaker 1>so I was really looking forward to it. And this

1:05:36.640 --> 1:05:40.440
<v Speaker 1>person comes in and you know, he walks in. I

1:05:40.760 --> 1:05:42.800
<v Speaker 1>first of all, I meet him the day before our session.

1:05:42.880 --> 1:05:44.720
<v Speaker 1>He stopped by one of my sessions. He came in,

1:05:45.080 --> 1:05:50.240
<v Speaker 1>super nice, super cool, um decked out in all different

1:05:50.760 --> 1:05:54.680
<v Speaker 1>types of designer names everywhere. They were all different, lots

1:05:54.720 --> 1:05:56.960
<v Speaker 1>of diamonds and jewelry. And I was like, oh, okay,

1:05:57.680 --> 1:06:01.120
<v Speaker 1>um cool do you He looked right. I was like cool.

1:06:01.280 --> 1:06:03.960
<v Speaker 1>So we chopped it up. We talked for a little while.

1:06:04.080 --> 1:06:05.680
<v Speaker 1>He was really nice. I was. Then I was really

1:06:05.720 --> 1:06:08.400
<v Speaker 1>excited for the session. The next day. Next day comes

1:06:09.280 --> 1:06:13.920
<v Speaker 1>time for the session, he's not there waiting for Like, okay,

1:06:14.040 --> 1:06:16.160
<v Speaker 1>it's la maybe traffic. We live kind of out in

1:06:16.160 --> 1:06:18.320
<v Speaker 1>the cut, So like, all right, give him like twenty minutes.

1:06:18.320 --> 1:06:23.280
<v Speaker 1>It's still not there. Keep going, what is that. Keep

1:06:23.400 --> 1:06:28.760
<v Speaker 1>going and try and wait around. He's still not there.

1:06:29.360 --> 1:06:32.480
<v Speaker 1>So at this point, it's like two hours past start time,

1:06:33.400 --> 1:06:38.080
<v Speaker 1>and he finally walks in the door, and I was like, oh, hi,

1:06:38.400 --> 1:06:41.320
<v Speaker 1>like glad you came, Like how you doing? And I'm

1:06:41.400 --> 1:06:45.080
<v Speaker 1>usually really good at giving people grace, right like the entertainment.

1:06:45.120 --> 1:06:48.280
<v Speaker 1>We're busy, some things can happen, somethings go late, whatever.

1:06:49.200 --> 1:06:52.440
<v Speaker 1>So he comes. Two hours later, this gentleman comes and

1:06:52.640 --> 1:06:56.440
<v Speaker 1>I was like, Okay, cool, no worries, let's get this

1:06:56.520 --> 1:07:00.840
<v Speaker 1>song done so we have the music up. Also, he

1:07:01.000 --> 1:07:04.400
<v Speaker 1>walked in with two other people. I had no idea

1:07:04.400 --> 1:07:07.520
<v Speaker 1>who these people were. Now, my space, which you've seen,

1:07:07.720 --> 1:07:10.160
<v Speaker 1>is at my house, yes, and so he brings these

1:07:10.200 --> 1:07:13.840
<v Speaker 1>two people to my house without telling me or letting

1:07:13.840 --> 1:07:16.240
<v Speaker 1>me know or even asking. That was the first thing

1:07:16.280 --> 1:07:18.600
<v Speaker 1>that I caught where I was like, that doesn't really

1:07:18.680 --> 1:07:21.440
<v Speaker 1>sit well with me. So he comes in, he has

1:07:21.440 --> 1:07:24.400
<v Speaker 1>the two people come in, and then we're trying to

1:07:24.520 --> 1:07:26.160
<v Speaker 1>write and I'm trying to do all this stuff, and

1:07:26.280 --> 1:07:28.560
<v Speaker 1>he has one phone here and one phone here, and

1:07:28.680 --> 1:07:31.640
<v Speaker 1>on both phones he's looking at himself and I was like,

1:07:32.760 --> 1:07:35.640
<v Speaker 1>what is happening? And so he's like looking at himself.

1:07:35.640 --> 1:07:37.160
<v Speaker 1>He's talking about all the things that he's doing and

1:07:37.280 --> 1:07:39.439
<v Speaker 1>everything that he's done while he's been in town, and blah,

1:07:39.480 --> 1:07:41.960
<v Speaker 1>bah blah. And he pulls up a performance that he

1:07:42.120 --> 1:07:44.800
<v Speaker 1>did and you know, we all watch it. It was

1:07:45.080 --> 1:07:48.840
<v Speaker 1>it was great, and he was very impressed with himself

1:07:48.920 --> 1:07:51.760
<v Speaker 1>and what he did and nobody can do this, nobody's

1:07:51.800 --> 1:07:53.400
<v Speaker 1>doing it like this. And I was like, oh, okay,

1:07:54.920 --> 1:07:59.400
<v Speaker 1>and so okay, so he's just doing that and that

1:07:59.640 --> 1:08:01.560
<v Speaker 1>was cool cool. He was proud of what he did.

1:08:01.840 --> 1:08:04.000
<v Speaker 1>Got it, watched it. I come out of the booth,

1:08:04.360 --> 1:08:09.640
<v Speaker 1>he's replaying it. He's playing it again, and I was like, okay, okay,

1:08:09.880 --> 1:08:12.640
<v Speaker 1>this is I don't know what to do in this situation,

1:08:12.680 --> 1:08:14.680
<v Speaker 1>because I was just like, we gotta get this session done.

1:08:15.120 --> 1:08:17.960
<v Speaker 1>And so we're writing and then all of a sudden,

1:08:18.000 --> 1:08:22.240
<v Speaker 1>the two gentlemen that he brought with him start inputting,

1:08:22.800 --> 1:08:26.680
<v Speaker 1>trying to write, and I'm confused, like, this is not

1:08:27.000 --> 1:08:29.160
<v Speaker 1>what we discussed. It was supposed to be myself and

1:08:29.280 --> 1:08:32.200
<v Speaker 1>you and the other writer that I had, I think

1:08:32.240 --> 1:08:35.640
<v Speaker 1>at the time. And they started and I'm like, I

1:08:35.720 --> 1:08:38.400
<v Speaker 1>don't know these people. I don't even know if they weren't.

1:08:38.760 --> 1:08:40.320
<v Speaker 1>I was like, I've never seen these people before. I

1:08:40.360 --> 1:08:42.000
<v Speaker 1>don't know if they're in the industry. And he didn't

1:08:42.040 --> 1:08:44.400
<v Speaker 1>say they were. He didn't really say what they were doing.

1:08:44.520 --> 1:08:50.280
<v Speaker 1>So they start trying to record, and then they start

1:08:50.320 --> 1:08:52.320
<v Speaker 1>trying to write. I'm sorry, they start trying to write.

1:08:52.320 --> 1:08:54.120
<v Speaker 1>And so then I go over to my engineer at

1:08:54.120 --> 1:08:56.479
<v Speaker 1>the time and I look at my phone and I

1:08:56.520 --> 1:08:57.960
<v Speaker 1>see the time, and I'm just like, I have two

1:08:58.040 --> 1:09:01.160
<v Speaker 1>more hours. I just have to just power through these

1:09:01.280 --> 1:09:03.080
<v Speaker 1>last two hours because the session was going to end

1:09:03.120 --> 1:09:09.000
<v Speaker 1>at a certain time. And we keep going and I

1:09:10.080 --> 1:09:12.400
<v Speaker 1>am like, okay, do you want to lay this part down? Like,

1:09:12.560 --> 1:09:14.400
<v Speaker 1>because we were supposed to be doing a song together.

1:09:14.439 --> 1:09:15.320
<v Speaker 1>And I was like, do you want to lay this

1:09:15.400 --> 1:09:19.960
<v Speaker 1>part down? And he goes, well, the way my time

1:09:20.040 --> 1:09:21.599
<v Speaker 1>is set up, I can't go in there right now.

1:09:22.000 --> 1:09:23.760
<v Speaker 1>And I was like, it'll take you two, like two

1:09:23.840 --> 1:09:27.280
<v Speaker 1>seconds to do it, and he says that and I

1:09:27.320 --> 1:09:29.120
<v Speaker 1>go fine, So I go into the booth. I lay

1:09:29.120 --> 1:09:31.400
<v Speaker 1>it down in ten seconds. I come out and he's

1:09:31.439 --> 1:09:35.360
<v Speaker 1>gathering all of his stuff to leave, and I was

1:09:35.479 --> 1:09:40.160
<v Speaker 1>like so and he was like, well, yeah, I'm gonna go.

1:09:40.600 --> 1:09:43.000
<v Speaker 1>I'm kind of I'm kind of hungry and go get

1:09:43.040 --> 1:09:48.479
<v Speaker 1>some food. And I was like, okay, no problem, thank

1:09:48.520 --> 1:09:51.680
<v Speaker 1>you for coming, see you later. And he left and

1:09:51.840 --> 1:09:58.360
<v Speaker 1>I saged the entire the entire studio. I saged every corner.

1:09:58.439 --> 1:10:01.439
<v Speaker 1>I threw saw over the the door, like the little way,

1:10:01.560 --> 1:10:03.439
<v Speaker 1>and I did the booth too, and I never let

1:10:03.439 --> 1:10:05.240
<v Speaker 1>anybody smoke in there, but I put my stage all

1:10:05.280 --> 1:10:08.240
<v Speaker 1>over the booth. I was like, no, his energy was

1:10:08.320 --> 1:10:11.240
<v Speaker 1>just it was not and I haven't dealt with a

1:10:11.320 --> 1:10:13.599
<v Speaker 1>lot of people like that, Like usually my sessions are

1:10:13.640 --> 1:10:16.040
<v Speaker 1>really cool because it's it's fun. We're supposed to be

1:10:16.080 --> 1:10:18.519
<v Speaker 1>having a good time, you know. He made it all

1:10:18.560 --> 1:10:22.360
<v Speaker 1>about him and himself, and I just was like, we

1:10:22.479 --> 1:10:26.320
<v Speaker 1>will never do this again. Like I'm good. So fast

1:10:26.360 --> 1:10:31.760
<v Speaker 1>forward two weeks we go down to Atlanta and we're

1:10:31.800 --> 1:10:35.800
<v Speaker 1>doing more sessions and Dana is like, hey, so, so

1:10:36.040 --> 1:10:39.040
<v Speaker 1>and so wants to get back in and I was like, no,

1:10:39.280 --> 1:10:42.519
<v Speaker 1>I'm good. He goes, but who knows it might be

1:10:42.680 --> 1:10:47.040
<v Speaker 1>blah blah blah. I'm like, okay, sure, yeah, he said,

1:10:47.080 --> 1:10:50.280
<v Speaker 1>grace and I was like all right, so, but the

1:10:50.360 --> 1:10:51.960
<v Speaker 1>whole time, in the back of my head, I'm like,

1:10:52.120 --> 1:10:54.320
<v Speaker 1>this is gonna be some bs like he's gonna pull

1:10:54.360 --> 1:10:57.000
<v Speaker 1>some heats and gonna pull some shit. So we're sitting

1:10:57.040 --> 1:11:01.519
<v Speaker 1>there again. He shows up two hours late, and I'm like, okay,

1:11:01.920 --> 1:11:05.960
<v Speaker 1>this is just so he finally gets there because we

1:11:06.040 --> 1:11:07.439
<v Speaker 1>were already going to be in the session, so we

1:11:07.479 --> 1:11:11.240
<v Speaker 1>started working anyway. So he shows up, same same thing,

1:11:11.400 --> 1:11:16.200
<v Speaker 1>Hey how are you doing? No, like nothing acknowledging what

1:11:16.360 --> 1:11:21.120
<v Speaker 1>happened before, and so I was like, okay, which I understand. Cool.

1:11:22.160 --> 1:11:24.759
<v Speaker 1>So he comes in. He brings somebody with him again,

1:11:25.040 --> 1:11:29.240
<v Speaker 1>but it's his girlfriend or girl at whoever. So wasn't

1:11:29.280 --> 1:11:32.080
<v Speaker 1>her fault that she's just along for the ride. She

1:11:32.120 --> 1:11:34.200
<v Speaker 1>doesn't know, so I don't whole anything gets her. I'm

1:11:34.200 --> 1:11:37.280
<v Speaker 1>still like this dude, didn't ask. Again, he's just bringing

1:11:37.360 --> 1:11:39.360
<v Speaker 1>people to the session. Like I have closed sessions. My

1:11:39.439 --> 1:11:43.200
<v Speaker 1>sessions aren't just anybody can come like yeah, I just

1:11:43.360 --> 1:11:47.120
<v Speaker 1>I have done those, but for the most part it's closed.

1:11:47.160 --> 1:11:49.120
<v Speaker 1>It's whoever's supposed to be there and myself and the

1:11:49.240 --> 1:11:53.120
<v Speaker 1>engineer and then we're good unless the producer comes. So

1:11:53.360 --> 1:11:55.280
<v Speaker 1>he comes in and he's like doing all this stuff.

1:11:55.320 --> 1:11:58.479
<v Speaker 1>And he goes in and lays down one melody and

1:11:59.560 --> 1:12:02.040
<v Speaker 1>then I'm sitting trying to pick out all the pieces,

1:12:02.120 --> 1:12:04.320
<v Speaker 1>so we lay at the melodies for those who don't

1:12:04.360 --> 1:12:07.519
<v Speaker 1>know somehow, sometimes how I work is I go in,

1:12:07.560 --> 1:12:09.200
<v Speaker 1>I laid on a whole bunch of melody ideas. Then

1:12:09.200 --> 1:12:11.840
<v Speaker 1>I come out and then I pick and the puzzle

1:12:11.880 --> 1:12:13.679
<v Speaker 1>piece and figure out how to make the song sound

1:12:13.720 --> 1:12:17.160
<v Speaker 1>the best way. So I'm doing that. We've got like

1:12:18.160 --> 1:12:20.840
<v Speaker 1>his one take, but I've done like five different takes

1:12:20.960 --> 1:12:23.599
<v Speaker 1>of melodies. So I'm going through them all and I'm

1:12:23.640 --> 1:12:25.280
<v Speaker 1>looking back and I'm like, hey, does this sound good

1:12:25.320 --> 1:12:27.800
<v Speaker 1>to you? And he looks over he's watching the TV,

1:12:28.680 --> 1:12:30.519
<v Speaker 1>not paying attention, and I'm like does this sound good?

1:12:30.520 --> 1:12:34.400
<v Speaker 1>And goes, yeah, yeah, whatever whatever you decide with the hand,

1:12:34.600 --> 1:12:40.800
<v Speaker 1>And I was like the hand. I was like, okay,

1:12:41.960 --> 1:12:46.320
<v Speaker 1>So we finally get it. We finally get I finally

1:12:46.439 --> 1:12:50.040
<v Speaker 1>get the melody takes together. I go sit down. I'm like, okay,

1:12:50.120 --> 1:12:52.720
<v Speaker 1>let's write. Are you ready to write? He's like yeah, cool,

1:12:52.840 --> 1:12:55.360
<v Speaker 1>So then we like sit down for maybe two minutes.

1:12:55.439 --> 1:12:58.240
<v Speaker 1>It's literally two minutes. Here he goes I'm hungry, and

1:12:58.320 --> 1:13:00.280
<v Speaker 1>I'm like, okay, well we can order some postma. It's like,

1:13:00.920 --> 1:13:03.160
<v Speaker 1>you know, let's order some food and we can we

1:13:03.200 --> 1:13:04.560
<v Speaker 1>can eat when it gets here. And he's like, you

1:13:04.600 --> 1:13:09.920
<v Speaker 1>know what, I'm gonna go eat with my dad. He's here.

1:13:09.960 --> 1:13:11.880
<v Speaker 1>He just called me and says he wants to have dinner,

1:13:11.960 --> 1:13:18.719
<v Speaker 1>so I'm gonna go. And I was like, okay, okay,

1:13:19.320 --> 1:13:21.880
<v Speaker 1>go ahead and do that. You go ahead and do that.

1:13:22.120 --> 1:13:25.200
<v Speaker 1>And I was so mad. I will never work with

1:13:25.280 --> 1:13:28.160
<v Speaker 1>that person again ever, never, ever, ever will I ever?

1:13:28.720 --> 1:13:31.519
<v Speaker 1>Ye didn't finish the song. So I finished the song.

1:13:32.640 --> 1:13:35.040
<v Speaker 1>It's a great it's a great song. I wrote the song,

1:13:35.479 --> 1:13:39.400
<v Speaker 1>I did the melodies together. I don't know, I have

1:13:39.479 --> 1:13:42.960
<v Speaker 1>no idea, and I hope, I hope, yeah, I hope

1:13:42.960 --> 1:13:45.519
<v Speaker 1>it doesn't happen to anybody else. But I can't say

1:13:45.600 --> 1:13:49.200
<v Speaker 1>that it won't just because he is very This person

1:13:49.360 --> 1:13:53.200
<v Speaker 1>is very much into themselves and only themselves. I could

1:13:53.320 --> 1:13:57.519
<v Speaker 1>understand if it was if I was coming into his session. Okay,

1:13:57.600 --> 1:14:01.720
<v Speaker 1>I want to go eat now, Okay, what exactly he

1:14:01.880 --> 1:14:05.800
<v Speaker 1>knocked on my door, not not the other way around.

1:14:05.840 --> 1:14:09.760
<v Speaker 1>So that was that was last year or a little

1:14:09.760 --> 1:14:12.160
<v Speaker 1>bit early last year, and I just was like, I'm good.

1:14:12.280 --> 1:14:14.439
<v Speaker 1>So the lesson here is when people show you who

1:14:14.520 --> 1:14:18.759
<v Speaker 1>they are believe them, and when they show you their colors,

1:14:18.920 --> 1:14:22.400
<v Speaker 1>don't try and repaint those colors because it'll just turn

1:14:22.520 --> 1:14:27.320
<v Speaker 1>to brown. Shit. Don't do it. Don't do it, do

1:14:27.520 --> 1:14:29.840
<v Speaker 1>not do it. Real shit. Yeah you know you mixed

1:14:29.840 --> 1:14:33.400
<v Speaker 1>all the paint colors and it's just turned brown. Yeah. Yeah. No.

1:14:33.600 --> 1:14:37.600
<v Speaker 1>I And I'm I'm you know me, you remember you

1:14:37.680 --> 1:14:40.240
<v Speaker 1>see me. I'm very I'm usually very good with being

1:14:40.280 --> 1:14:42.160
<v Speaker 1>able to give people grace and dealing with stuff. And

1:14:42.320 --> 1:14:48.320
<v Speaker 1>I was pissed off. I was so mad. But the

1:14:48.439 --> 1:14:53.720
<v Speaker 1>song that I wrote was really good together because this

1:14:53.880 --> 1:14:56.240
<v Speaker 1>is what you you've been preparing for, you've been you

1:14:56.320 --> 1:14:58.360
<v Speaker 1>can deal with because some people just get thrown off.

1:14:58.439 --> 1:15:00.479
<v Speaker 1>Now the session is messed up. Now you don't find

1:15:00.520 --> 1:15:02.600
<v Speaker 1>it out we fight? Oh no, no, no, no, you

1:15:02.680 --> 1:15:05.000
<v Speaker 1>know definitely not that. No. I was like, okay, well,

1:15:05.000 --> 1:15:06.680
<v Speaker 1>if you're gonna mess this up for me, I'm going

1:15:06.720 --> 1:15:08.320
<v Speaker 1>to figure out a way to finish it, you know,

1:15:08.320 --> 1:15:10.880
<v Speaker 1>because you're not gonna mess up my I came out

1:15:10.880 --> 1:15:16.040
<v Speaker 1>here for a reason. And now you understand, budgets exactly

1:15:16.360 --> 1:15:22.320
<v Speaker 1>exactly like you wasted my time money okay exactly, but yeah,

1:15:22.400 --> 1:15:24.960
<v Speaker 1>that was that's my no name story. I wish I could,

1:15:25.040 --> 1:15:28.800
<v Speaker 1>but I won't. I won't do that. I'll let other

1:15:28.880 --> 1:15:32.760
<v Speaker 1>people discover that good one to know who acted an

1:15:32.960 --> 1:15:35.000
<v Speaker 1>ass or you might work with him one day and

1:15:35.120 --> 1:15:37.800
<v Speaker 1>find out yourself. You might mess around to find out.

1:15:39.479 --> 1:15:43.920
<v Speaker 1>I'll bring my people with me, right, George, were so

1:15:44.040 --> 1:15:46.120
<v Speaker 1>she could to tell you at the door? No, no, no,

1:15:46.240 --> 1:15:50.120
<v Speaker 1>no no, you can't do not pass go, do not

1:15:50.160 --> 1:15:53.360
<v Speaker 1>collect two hundred dollars, do not write a melody. Thank you, San,

1:15:54.640 --> 1:15:57.880
<v Speaker 1>You're awesome. Thanks. I love saying with you. Guys. This

1:15:58.000 --> 1:16:02.920
<v Speaker 1>has been great. Yeah, yeah, you're super awesome. You're super fun. Um.

1:16:04.400 --> 1:16:06.880
<v Speaker 1>I can't imagine anybody anywhere would have a bad thing

1:16:06.920 --> 1:16:11.040
<v Speaker 1>to say about you, And I think that that's the

1:16:11.120 --> 1:16:14.360
<v Speaker 1>intangible man, just just you know, being a great person,

1:16:14.560 --> 1:16:17.120
<v Speaker 1>a person that people want to be around, a person

1:16:17.200 --> 1:16:19.880
<v Speaker 1>that people just you know, want to cheer for, want

1:16:19.880 --> 1:16:24.559
<v Speaker 1>to see when you and you have the gifts. So, yes,

1:16:24.640 --> 1:16:30.920
<v Speaker 1>you're cheating, cheating, you're cheating. Shout out to your family.

1:16:31.439 --> 1:16:33.240
<v Speaker 1>Of course, your loved one is in the building. The

1:16:33.360 --> 1:16:37.360
<v Speaker 1>baby's awesome. Um, I just I just think you're we're

1:16:37.439 --> 1:16:40.400
<v Speaker 1>blessed to have you. Thank you. You know, I'm saying

1:16:41.600 --> 1:16:44.240
<v Speaker 1>whatever you need from us. Thank you always. What we're

1:16:44.240 --> 1:16:46.880
<v Speaker 1>gonna do, this song happen, We're gonna do once you

1:16:47.040 --> 1:16:51.800
<v Speaker 1>once you naril down your one six, you figure out

1:16:51.880 --> 1:16:54.719
<v Speaker 1>one you need, you know. But see that's the hard part. Sorry,

1:16:54.720 --> 1:16:57.920
<v Speaker 1>I know we're done, But that's the part. That's the

1:16:58.040 --> 1:16:59.880
<v Speaker 1>hard part is trying to narrow it down but also

1:17:00.120 --> 1:17:02.400
<v Speaker 1>still being creative in the process. Like, we're not going

1:17:02.439 --> 1:17:04.920
<v Speaker 1>to stop doing sessions, So then can I give you

1:17:04.960 --> 1:17:11.479
<v Speaker 1>some advice? Yes? Stop? Okay works for me. I'm tired

1:17:12.160 --> 1:17:19.720
<v Speaker 1>because sixty Yeah, you have twenty albums. I do I

1:17:19.840 --> 1:17:22.680
<v Speaker 1>do that. If you just if you, if we're just

1:17:22.800 --> 1:17:26.880
<v Speaker 1>talking landscape in terms of streaming and content and all

1:17:26.920 --> 1:17:29.800
<v Speaker 1>the day, all of this music must see the light

1:17:29.840 --> 1:17:33.360
<v Speaker 1>of day. I want that. I want that, all of

1:17:33.400 --> 1:17:36.719
<v Speaker 1>it must see the album week. You know what I'm saying.

1:17:36.840 --> 1:17:42.200
<v Speaker 1>So album every two weeks, So you're not once a month. Stop,

1:17:42.320 --> 1:17:44.559
<v Speaker 1>you got enough once a month for sure. Dive into

1:17:45.680 --> 1:17:49.720
<v Speaker 1>dive into what this body of work represents, you know

1:17:49.760 --> 1:17:52.439
<v Speaker 1>what I mean? Like me, I always like to. I

1:17:52.600 --> 1:17:56.040
<v Speaker 1>like to I like to build the theme first sure,

1:17:56.439 --> 1:18:01.800
<v Speaker 1>and then put compiled everything that fits into that thing.

1:18:02.320 --> 1:18:04.920
<v Speaker 1>So I get this, I get to narrow down really

1:18:05.000 --> 1:18:09.599
<v Speaker 1>really fast. Great records too, they just don't fit into

1:18:09.720 --> 1:18:12.519
<v Speaker 1>the theme. Yeah, you know what I mean. And then

1:18:13.360 --> 1:18:18.439
<v Speaker 1>and they give us something. Please, it's coming, It's coming.

1:18:18.479 --> 1:18:21.760
<v Speaker 1>I want to I'm I'm excited, but no, what what

1:18:21.880 --> 1:18:23.760
<v Speaker 1>else has been cool is I've in the last like

1:18:23.920 --> 1:18:25.519
<v Speaker 1>six months, I've put out more songs than I have

1:18:25.560 --> 1:18:27.360
<v Speaker 1>in the last couple of years. So I'm proud of myself.

1:18:27.920 --> 1:18:29.920
<v Speaker 1>So I'm very proud of myself. So my fans are

1:18:29.960 --> 1:18:34.320
<v Speaker 1>definitely getting They're getting fed. I guess the phrase they're

1:18:34.320 --> 1:18:37.320
<v Speaker 1>definitely getting fed. People are being fed. Yes, they are

1:18:39.120 --> 1:18:41.920
<v Speaker 1>breaking that, breaking that bread. Okay, I'm turning those seven

1:18:42.000 --> 1:18:45.720
<v Speaker 1>loaves and I'm feeding all the five thousands. I'm like,

1:18:45.840 --> 1:18:50.360
<v Speaker 1>I like when Jesus turned water into into something alcoholic. Man,

1:18:50.720 --> 1:18:53.280
<v Speaker 1>I love him to keep the man. Thank you guys

1:18:53.320 --> 1:18:58.840
<v Speaker 1>so much money. I'm turning sparks. I'm taking day Valentine.

1:18:59.160 --> 1:19:12.160
<v Speaker 1>We'll see you next. That was great for using that.

1:19:16.280 --> 1:19:18.040
<v Speaker 1>R and B Money is a production of the Black

1:19:18.080 --> 1:19:22.840
<v Speaker 1>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:19:22.960 --> 1:19:26.800
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:19:26.840 --> 1:19:30.679
<v Speaker 1>favorite shows. Don't forget to subscribe to and rate our show,

1:19:31.040 --> 1:19:33.639
<v Speaker 1>and you can connect with us on social media at

1:19:33.760 --> 1:19:37.920
<v Speaker 1>Jay Valentine and at the Real Tank. For the extended episode,

1:19:38.080 --> 1:19:42.280
<v Speaker 1>subscribe to YouTube, dot com, forward, slash r, and b

1:19:42.400 --> 1:19:42.679
<v Speaker 1>money