WEBVTT - MC Eiht Reveals Why Special Ed Hated on NWA

0:00:00.240 --> 0:00:03.040
<v Speaker 1>Yeah, what's cracking? Y'all know what to do? Another episode

0:00:03.560 --> 0:00:04.760
<v Speaker 1>gangst the Chronicles.

0:00:04.800 --> 0:00:05.760
<v Speaker 2>You bitch.

0:00:08.080 --> 0:00:10.320
<v Speaker 1>With his boy big steal in the house. Well, let

0:00:10.320 --> 0:00:12.440
<v Speaker 1>you know what it do. Man, We back at y'all

0:00:12.440 --> 0:00:13.880
<v Speaker 1>one more time. What's cracking?

0:00:14.560 --> 0:00:16.840
<v Speaker 3>Man? Just killing Man? We got our special guest co

0:00:16.960 --> 0:00:20.520
<v Speaker 3>hosts in here banging out these top fifty gangster rap

0:00:20.520 --> 0:00:24.120
<v Speaker 3>albums of all time. My boy, hip hop journalist extraordinary

0:00:24.160 --> 0:00:28.600
<v Speaker 3>Soren Baker. Yes, yes, thanks to educate y'all a little bit. Y'all.

0:00:28.640 --> 0:00:31.120
<v Speaker 3>Young is out there. You know, it's been a lot

0:00:31.120 --> 0:00:33.080
<v Speaker 3>of positive feedback soor and since you've been on the

0:00:33.080 --> 0:00:34.839
<v Speaker 3>show with us, you know, doing your thing. But it's

0:00:34.920 --> 0:00:38.560
<v Speaker 3>somebody that asks, who is the white guy on there?

0:00:39.320 --> 0:00:41.240
<v Speaker 3>And I said, Man, he's just one of the greatest

0:00:41.280 --> 0:00:44.400
<v Speaker 3>minds in hip hop. You know, it's been chronicling hip

0:00:44.440 --> 0:00:47.200
<v Speaker 3>hop for the last how many years on almost thirty

0:00:47.240 --> 0:00:50.120
<v Speaker 3>now thirty years. Man, before some of y'all was even born.

0:00:50.920 --> 0:00:53.239
<v Speaker 3>He was putting it down. As an editor for The

0:00:53.280 --> 0:00:57.600
<v Speaker 3>Source magazine has written some of the most prolific articles

0:00:57.600 --> 0:01:00.760
<v Speaker 3>in hip hop. Man, not just the Source. Motherfucker's gonna

0:01:00.760 --> 0:01:03.320
<v Speaker 3>give a fuck about shit like that. They just like

0:01:03.400 --> 0:01:06.280
<v Speaker 3>who the fuck is the dude? Y'all got on there, man,

0:01:06.560 --> 0:01:10.640
<v Speaker 3>y'all flipp y'all got a hostole like motherfucking like you

0:01:10.680 --> 0:01:11.640
<v Speaker 3>put your.

0:01:11.319 --> 0:01:13.880
<v Speaker 1>Your coins in and click the dag and get this

0:01:14.120 --> 0:01:17.160
<v Speaker 1>prize in they like. So, you know, niggas don't be

0:01:17.200 --> 0:01:19.240
<v Speaker 1>giving the fuck, They just be curious at what to

0:01:19.319 --> 0:01:22.360
<v Speaker 1>be motherfucking commentators on what the hell?

0:01:22.640 --> 0:01:24.920
<v Speaker 3>Yeah, what's going on? But that's what it is though, swering.

0:01:25.040 --> 0:01:27.759
<v Speaker 3>We actually glad to have you here, brother, Thank you,

0:01:27.800 --> 0:01:32.399
<v Speaker 3>congratulations man for those If you haven't got it chet,

0:01:32.440 --> 0:01:35.680
<v Speaker 3>go out and get his new book with Juicy.

0:01:35.480 --> 0:01:38.399
<v Speaker 4>Jy Yeah, man, Chronicles of the Juice Man anywhere you

0:01:38.440 --> 0:01:39.480
<v Speaker 4>buy books, yep.

0:01:39.520 --> 0:01:41.480
<v Speaker 3>And he got a new album. This album, you know,

0:01:41.520 --> 0:01:43.000
<v Speaker 3>I don't know if it's really new now, but here

0:01:43.040 --> 0:01:45.560
<v Speaker 3>it's new his latest album. Make sure y'all will get

0:01:45.600 --> 0:01:48.560
<v Speaker 3>that Lessons Part two and we would get started with

0:01:48.600 --> 0:01:50.720
<v Speaker 3>the show. So to start things off, man, you know,

0:01:50.800 --> 0:01:54.440
<v Speaker 3>I had to I gotta mention this man special ed.

0:01:55.160 --> 0:01:57.240
<v Speaker 3>You know, my man went on Drink Champs and said

0:01:57.360 --> 0:02:04.560
<v Speaker 3>that n w A pretty much started the gay of society.

0:02:05.320 --> 0:02:07.960
<v Speaker 3>They're responsible for the breakdown of society. And you know

0:02:08.000 --> 0:02:10.120
<v Speaker 3>what's funny, about him saying that, man is that.

0:02:11.760 --> 0:02:13.880
<v Speaker 1>I gotta gotta get it right, man, because you know

0:02:13.960 --> 0:02:16.240
<v Speaker 1>he gonna cut back and say I didn't say the.

0:02:16.280 --> 0:02:18.240
<v Speaker 2>Breakdown of society much.

0:02:18.680 --> 0:02:21.520
<v Speaker 1>He said, what do he say? The appetite? They brought

0:02:21.560 --> 0:02:24.280
<v Speaker 1>the appetite of destruction for our youth.

0:02:24.840 --> 0:02:27.280
<v Speaker 3>Yeah, they brought destruction to our youth. And I didn't

0:02:27.320 --> 0:02:29.120
<v Speaker 3>have a problem with him choosing Wu Tang. I love

0:02:29.160 --> 0:02:32.280
<v Speaker 3>Wu tang Klan too. I'm a Wu Tang Klan fan,

0:02:32.320 --> 0:02:34.480
<v Speaker 3>but don't get a twisted Wu Tang Klan was spitting

0:02:34.520 --> 0:02:37.560
<v Speaker 3>gangster ship. But from East Coast perspective, Ray Kwan the

0:02:37.680 --> 0:02:39.680
<v Speaker 3>chef is talking about selling dope. While you think they

0:02:39.800 --> 0:02:41.799
<v Speaker 3>call him the chef, he ain't talking about the chef.

0:02:41.800 --> 0:02:45.680
<v Speaker 3>He ain't talking about He's chef because he's an excellent cook.

0:02:45.720 --> 0:02:47.280
<v Speaker 3>He's Ray Kuan the chef because he know how to

0:02:47.280 --> 0:02:50.320
<v Speaker 3>whip that work and that pir Rex Bull. He's the chef.

0:02:50.400 --> 0:02:51.040
<v Speaker 3>You know what I'm saying.

0:02:51.040 --> 0:02:57.799
<v Speaker 1>I don't know people understand the the demographics of what

0:02:57.960 --> 0:03:03.720
<v Speaker 1>hip hop was before or we jumped off the porch

0:03:05.480 --> 0:03:12.280
<v Speaker 1>with our contribution to hip hop. If you go back

0:03:12.320 --> 0:03:17.640
<v Speaker 1>as far as I go with hip hop, hip hop

0:03:17.840 --> 0:03:22.760
<v Speaker 1>was it was. It was fresh, it was new, it

0:03:22.880 --> 0:03:28.280
<v Speaker 1>was fun, you know, it was it was rock the

0:03:28.400 --> 0:03:29.760
<v Speaker 1>house type.

0:03:30.000 --> 0:03:33.679
<v Speaker 2>You know, let's you know, braggadocious.

0:03:34.080 --> 0:03:38.640
<v Speaker 1>You know they can hear me still, they got they

0:03:38.640 --> 0:03:41.960
<v Speaker 1>got hating engineered this ship. I'll be having your voice ups.

0:03:42.000 --> 0:03:45.000
<v Speaker 1>Want to put the show out. The motherfucking steal man,

0:03:45.240 --> 0:03:50.880
<v Speaker 1>this technical input ass steal But you know, motherfuckers didn't really.

0:03:54.000 --> 0:03:55.560
<v Speaker 3>It wasn't really too.

0:03:55.280 --> 0:04:00.280
<v Speaker 1>Much, I guess you want to say hardcore aspect, even

0:04:00.320 --> 0:04:03.360
<v Speaker 1>though you know we had records like you know, grand

0:04:03.440 --> 0:04:09.400
<v Speaker 1>Master Flash with the message who you know, spoke about

0:04:09.840 --> 0:04:15.800
<v Speaker 1>the oppression at that time, you know, drug pushers and

0:04:15.800 --> 0:04:18.719
<v Speaker 1>and you know, not being able to get a break

0:04:18.880 --> 0:04:22.800
<v Speaker 1>and you know all that type of stuff. If you

0:04:22.920 --> 0:04:25.680
<v Speaker 1>knew what was going on with black people in the

0:04:25.760 --> 0:04:30.880
<v Speaker 1>seventies and whatever, you saw movies like you know what

0:04:31.000 --> 0:04:34.440
<v Speaker 1>I did. You know, I saw movies like Warriors and

0:04:34.520 --> 0:04:41.640
<v Speaker 1>shit like that, you know, the Sonny Carson movie. I

0:04:41.680 --> 0:04:45.240
<v Speaker 1>saw movies like that growing up three the Hard Way

0:04:45.360 --> 0:04:49.040
<v Speaker 1>and a lot of black flicks, you know, which gave

0:04:49.200 --> 0:04:53.919
<v Speaker 1>the element of of of the underworld. You get me

0:04:54.480 --> 0:05:02.359
<v Speaker 1>before I heard a fucking rap record, right, My participation

0:05:02.520 --> 0:05:09.000
<v Speaker 1>in the gang banging came from growing up in poverty.

0:05:10.960 --> 0:05:16.680
<v Speaker 1>You know, everything was bright. You know my parents, you know,

0:05:17.680 --> 0:05:20.560
<v Speaker 1>father had a good job working at General Motors, and

0:05:21.640 --> 0:05:24.760
<v Speaker 1>I grew up in South you know, we had a

0:05:24.800 --> 0:05:29.280
<v Speaker 1>house and I want to say Lynnwood area. When I

0:05:29.320 --> 0:05:32.599
<v Speaker 1>was a kid, maybe about four years old. You know,

0:05:32.680 --> 0:05:36.680
<v Speaker 1>everything was great and you know, but once my parents

0:05:36.760 --> 0:05:40.440
<v Speaker 1>got divorced and we moved to Compton and I was

0:05:40.480 --> 0:05:47.200
<v Speaker 1>around six years old, shit changed drastically, you get me.

0:05:49.160 --> 0:05:55.680
<v Speaker 1>And still I heard no. I heard no there was

0:05:55.839 --> 0:06:00.800
<v Speaker 1>no fucking hip hop, you get me. I heard Teddy

0:06:00.839 --> 0:06:05.040
<v Speaker 1>Pendergrass and my auntie played Millie Jackson and Bobby Blue

0:06:05.040 --> 0:06:08.640
<v Speaker 1>Bland and shit like that. That's what I heard growing up.

0:06:09.080 --> 0:06:13.800
<v Speaker 1>And hear no fucking you know niggas, you know, talking

0:06:13.880 --> 0:06:18.040
<v Speaker 1>about the police and whatever. I saw that firsthand because

0:06:18.080 --> 0:06:21.720
<v Speaker 1>I grew up in a place called Spooktown and I

0:06:21.760 --> 0:06:24.839
<v Speaker 1>lived on Johnson Street where at one end of the

0:06:24.880 --> 0:06:28.120
<v Speaker 1>street they had the they had to set called the

0:06:28.200 --> 0:06:32.200
<v Speaker 1>CV seventies was a Mexican game, and then down the street,

0:06:32.279 --> 0:06:35.800
<v Speaker 1>you know, they had to homies from Spooktown crip gang.

0:06:37.279 --> 0:06:44.840
<v Speaker 1>That's why I saw my influences of street life as

0:06:45.160 --> 0:06:48.320
<v Speaker 1>you want as you want to say. None of them

0:06:48.400 --> 0:06:51.960
<v Speaker 1>niggas was down the street rapping about what was going on.

0:06:52.400 --> 0:06:56.479
<v Speaker 1>It was just front center center. Niggas came down the

0:06:56.520 --> 0:07:00.159
<v Speaker 1>block and did drybys. Ns was snatching us out to

0:07:00.200 --> 0:07:02.760
<v Speaker 1>bed at two in the morning, pulling us on the floor.

0:07:02.800 --> 0:07:07.599
<v Speaker 1>Because niggas coming down the block shooting. It had nothing

0:07:07.720 --> 0:07:11.880
<v Speaker 1>to do with what a nigga spoke on records.

0:07:11.880 --> 0:07:12.960
<v Speaker 5>It was pre existing.

0:07:13.320 --> 0:07:18.040
<v Speaker 1>As I got older, I saw the niggas down the block.

0:07:19.760 --> 0:07:25.240
<v Speaker 1>Now you coming from poverty, you know, black kid, You

0:07:25.280 --> 0:07:28.960
<v Speaker 1>know a lot of people ain't educated. Your chances for

0:07:29.160 --> 0:07:33.760
<v Speaker 1>successful life is real slim. It's what we thought. You

0:07:33.840 --> 0:07:39.160
<v Speaker 1>get me. Did I envision myself? I mean, I guess

0:07:39.240 --> 0:07:43.320
<v Speaker 1>as a child, you we all envisioned being You know,

0:07:43.520 --> 0:07:48.160
<v Speaker 1>I'm gonna be a policeman, a fireman, a sports player.

0:07:48.400 --> 0:07:50.000
<v Speaker 2>We all envision that the kids.

0:07:50.280 --> 0:07:53.280
<v Speaker 1>But as I'm growing up in a single household and

0:07:53.440 --> 0:07:56.760
<v Speaker 1>fucking spoop town with niggas is doing drive bys and

0:07:56.880 --> 0:08:02.679
<v Speaker 1>selling SHRM, I'm seeing that is my influence. That nigga

0:08:02.720 --> 0:08:06.120
<v Speaker 1>got a brand new car, He got motherfucking money up

0:08:06.160 --> 0:08:10.240
<v Speaker 1>the ass. It's all the fancy, nice rods. You know

0:08:10.280 --> 0:08:15.800
<v Speaker 1>what I'm saying, and them niggas is hard. That's my influence.

0:08:16.320 --> 0:08:23.480
<v Speaker 1>So it wasn't because I heard a song and the

0:08:23.560 --> 0:08:27.560
<v Speaker 1>nigga was saying, over here we hard, over here, we

0:08:27.560 --> 0:08:28.880
<v Speaker 1>wear red and blue.

0:08:29.440 --> 0:08:31.800
<v Speaker 2>Over here, we do drive bys.

0:08:32.520 --> 0:08:35.600
<v Speaker 1>No, it was what I saw and what I thought

0:08:36.200 --> 0:08:40.760
<v Speaker 1>was gonna make me successful as a nigga in the streets.

0:08:42.040 --> 0:08:45.359
<v Speaker 3>You get me. So that was my choice.

0:08:46.080 --> 0:08:49.800
<v Speaker 1>When no daddy in the crib and I'm seeing mom struggling,

0:08:50.240 --> 0:08:52.960
<v Speaker 1>and then my sister is dating the hood niggas and

0:08:53.000 --> 0:08:57.400
<v Speaker 1>they pulling up with bread and fan nigga, I'm being

0:08:57.400 --> 0:09:00.800
<v Speaker 1>one of them niggas. You know, fuck ituck what comes

0:09:00.840 --> 0:09:04.720
<v Speaker 1>with it? Yeah, I know, you know, fucking drive bys

0:09:04.840 --> 0:09:07.720
<v Speaker 1>and you might go to jail for serving and the

0:09:08.000 --> 0:09:11.800
<v Speaker 1>enemies and you know. But that was my influence. Now,

0:09:12.920 --> 0:09:18.360
<v Speaker 1>I listened to records, raps started coming along. It was

0:09:18.400 --> 0:09:22.920
<v Speaker 1>on East Coast, right, But I listened to motherfucking schooly D.

0:09:23.520 --> 0:09:25.959
<v Speaker 2>Schoolly D was some good shit.

0:09:27.960 --> 0:09:29.680
<v Speaker 3>But I was already banging.

0:09:30.559 --> 0:09:35.880
<v Speaker 1>Did that influence my my wanting to bang? What more?

0:09:36.760 --> 0:09:37.920
<v Speaker 3>I mean, you know what I'm saying.

0:09:37.960 --> 0:09:42.280
<v Speaker 1>No, it was it was like like my man prime say,

0:09:42.400 --> 0:09:44.720
<v Speaker 1>right now, when to give my theme music.

0:09:44.960 --> 0:09:45.560
<v Speaker 3>You feel me?

0:09:46.000 --> 0:09:48.080
<v Speaker 1>That was to us, that was just theme music to

0:09:48.160 --> 0:09:51.680
<v Speaker 1>go along with the daily life of what we was

0:09:51.840 --> 0:09:53.280
<v Speaker 1>already fucking doing.

0:09:53.960 --> 0:09:55.160
<v Speaker 2>Right, So.

0:09:58.920 --> 0:10:02.320
<v Speaker 1>You had these rappers, you know, like special Ed, and

0:10:02.400 --> 0:10:03.720
<v Speaker 1>I listened to special Ed.

0:10:04.520 --> 0:10:07.040
<v Speaker 3>I think everybody did. That's the disappointed part about what

0:10:07.120 --> 0:10:08.760
<v Speaker 3>he said. And I don't want.

0:10:08.640 --> 0:10:12.120
<v Speaker 1>To put too much on my nigga's shoulders, but I

0:10:12.200 --> 0:10:15.400
<v Speaker 1>listened to special Ed, you know, and how he had

0:10:15.440 --> 0:10:19.480
<v Speaker 1>it made and you know, the magnificent and you know,

0:10:19.640 --> 0:10:22.720
<v Speaker 1>we on the mission and you know all that. I

0:10:22.800 --> 0:10:26.560
<v Speaker 1>thought it was. I thought it was nice. Rap records cool,

0:10:27.160 --> 0:10:34.280
<v Speaker 1>But when I grabbed a microphone, I didn't see my

0:10:34.480 --> 0:10:40.079
<v Speaker 1>life as a party. I've always I've always felt that

0:10:40.240 --> 0:10:44.600
<v Speaker 1>when it came to writing records. I never saw my

0:10:44.800 --> 0:10:50.000
<v Speaker 1>life as a party, as something that was fun, because again,

0:10:50.960 --> 0:10:55.760
<v Speaker 1>I grew up in the hood, and even though it

0:10:55.840 --> 0:10:59.640
<v Speaker 1>was fascinating to a nigga or you know, I'm all in,

0:11:00.800 --> 0:11:04.679
<v Speaker 1>I still knew what that was that wasn't fun.

0:11:05.640 --> 0:11:08.600
<v Speaker 3>Well, you know what it was, man. When Nwa came out,

0:11:08.840 --> 0:11:12.120
<v Speaker 3>it was like a call to action against all the

0:11:12.160 --> 0:11:16.400
<v Speaker 3>systemic racism that had been happening because police had been

0:11:16.440 --> 0:11:19.360
<v Speaker 3>whooping black people's ass around the country for years and

0:11:19.440 --> 0:11:21.240
<v Speaker 3>nobody ever spoke on it. It was just kind of one

0:11:21.240 --> 0:11:23.120
<v Speaker 3>of those things. It was never on the news, It

0:11:23.160 --> 0:11:26.400
<v Speaker 3>was never this and that, but they highlighted that. And

0:11:26.440 --> 0:11:28.840
<v Speaker 3>it was in response to the poverty and the systemic

0:11:28.920 --> 0:11:31.520
<v Speaker 3>racism that was going on around the country or in

0:11:31.520 --> 0:11:36.120
<v Speaker 3>their particular neighborhoods. Now to say that that started to

0:11:36.160 --> 0:11:46.800
<v Speaker 3>decay of what was it exactly? Did? He said? Be it? Yeah?

0:11:46.880 --> 0:11:50.199
<v Speaker 3>You know, it was kind of like it caused destruction.

0:11:50.760 --> 0:11:52.640
<v Speaker 3>And to me what he said, the way I took

0:11:52.679 --> 0:11:55.400
<v Speaker 3>it was like almost I took offense to that because

0:11:55.480 --> 0:11:59.600
<v Speaker 3>he said that almost like, well, NWA destroyed hip hop,

0:12:00.600 --> 0:12:02.079
<v Speaker 3>And you got to look at it a certain way

0:12:02.120 --> 0:12:04.880
<v Speaker 3>because at that time he was signed the Profile records.

0:12:04.920 --> 0:12:08.120
<v Speaker 3>Who else was on Profile records at that time? DJ Quick,

0:12:08.240 --> 0:12:11.280
<v Speaker 3>second to None and especially it kind of went into

0:12:11.360 --> 0:12:12.280
<v Speaker 3>obscurity after that.

0:12:13.120 --> 0:12:16.040
<v Speaker 1>Well, I think that came a little down the line

0:12:16.120 --> 0:12:18.800
<v Speaker 1>a little bit a weak and second and None came along.

0:12:21.480 --> 0:12:26.280
<v Speaker 1>But again, like I said, if you compare, you know,

0:12:26.760 --> 0:12:30.120
<v Speaker 1>the the rap form of special and a lot of

0:12:30.200 --> 0:12:34.960
<v Speaker 1>dudes were were I call it Braggadocia's rap a lot

0:12:34.960 --> 0:12:37.920
<v Speaker 1>of dudes. You know, LLL did it a lot, but

0:12:38.080 --> 0:12:40.520
<v Speaker 1>that's what I had. I'm this, I'm not, you know,

0:12:40.600 --> 0:12:44.080
<v Speaker 1>and I get it. But then there were dudes like

0:12:44.520 --> 0:12:48.440
<v Speaker 1>to me when they first came out bdp uh listen

0:12:49.520 --> 0:12:52.679
<v Speaker 1>to Go Band, they were hood to me, schoolly D.

0:12:52.920 --> 0:12:55.920
<v Speaker 1>I listened to schooly D. I listened to dudes like

0:12:56.040 --> 0:12:59.880
<v Speaker 1>Steady B and Cool C. You know that reminded me

0:13:00.360 --> 0:13:04.000
<v Speaker 1>of block hustling, you know, dudes.

0:13:04.440 --> 0:13:07.120
<v Speaker 2>You know, it was all kind of stuff I listened to.

0:13:07.320 --> 0:13:09.480
<v Speaker 4>And that, to me, is the biggest point of all

0:13:09.520 --> 0:13:13.160
<v Speaker 4>of this, is that I thought the whole thing about

0:13:13.240 --> 0:13:16.160
<v Speaker 4>all of art and rap and all these different things

0:13:16.320 --> 0:13:20.079
<v Speaker 4>was to express your own opinion, your own perspective, your

0:13:20.120 --> 0:13:24.600
<v Speaker 4>own experience, your own thing, whether that's like you're naming

0:13:24.640 --> 0:13:27.400
<v Speaker 4>all these different artists. I thought that's what made to

0:13:27.520 --> 0:13:29.600
<v Speaker 4>me as a fan, getting into it and then wanting

0:13:29.640 --> 0:13:32.360
<v Speaker 4>to be part of the music industry and wanting to meet.

0:13:32.200 --> 0:13:33.040
<v Speaker 5>People like y'all.

0:13:33.240 --> 0:13:37.400
<v Speaker 4>Is like, it's because these were amazing stories, interesting stories.

0:13:37.440 --> 0:13:39.160
<v Speaker 4>I learned a lot from listening to rap, and it

0:13:39.200 --> 0:13:42.680
<v Speaker 4>was all these different perspectives that we didn't get from

0:13:43.600 --> 0:13:47.800
<v Speaker 4>the movies, from the news, from whatever, our school books,

0:13:47.840 --> 0:13:48.520
<v Speaker 4>whatever it was.

0:13:49.480 --> 0:13:52.560
<v Speaker 3>Let me ask you a question. Yes, you obviously being

0:13:53.559 --> 0:13:56.600
<v Speaker 3>a white man when you grew when you were growing

0:13:56.679 --> 0:13:59.520
<v Speaker 3>up back in Baltimore or Maryland.

0:14:00.000 --> 0:14:01.440
<v Speaker 2>Didn't grow in Baltimore, Maryland.

0:14:01.480 --> 0:14:03.520
<v Speaker 3>Oh, Maryland, I'm saying different from Baltimore.

0:14:03.640 --> 0:14:05.439
<v Speaker 4>I grew up right in between Baltimore and d C,

0:14:06.320 --> 0:14:08.320
<v Speaker 4>twenty miles from Baltimore, twenty miles from DC.

0:14:08.520 --> 0:14:12.600
<v Speaker 3>Okay, got you my bed. But did you feel like

0:14:12.679 --> 0:14:15.839
<v Speaker 3>those records kind of gave you a further insight into

0:14:15.920 --> 0:14:18.079
<v Speaker 3>the black light what was going on in the African

0:14:18.120 --> 0:14:19.120
<v Speaker 3>American communities.

0:14:19.600 --> 0:14:25.840
<v Speaker 4>Well, here's the interesting thing. In my neighborhood, I had

0:14:25.880 --> 0:14:28.680
<v Speaker 4>black neighbors, had a lot of We had a very

0:14:28.840 --> 0:14:34.400
<v Speaker 4>very diverse school and diverse area. So DC Baltimore, for

0:14:34.440 --> 0:14:38.040
<v Speaker 4>everybody knows, those are two chocolate cities for one. Then

0:14:38.080 --> 0:14:42.120
<v Speaker 4>beyond that, because of the government, people from all over

0:14:42.160 --> 0:14:45.960
<v Speaker 4>the world live in our areas. So we had Asian

0:14:46.000 --> 0:14:48.200
<v Speaker 4>people living there, We had Hispanic people living there, we

0:14:48.240 --> 0:14:50.560
<v Speaker 4>had people from Africa living there. We had people from

0:14:50.600 --> 0:14:54.520
<v Speaker 4>everywhere going to my school. We had people when you

0:14:54.560 --> 0:14:56.640
<v Speaker 4>would go to d C, you would see people you

0:14:56.680 --> 0:14:59.480
<v Speaker 4>wouldn't recognize, like, oh, who is that. I don't recognize

0:14:59.480 --> 0:15:02.840
<v Speaker 4>what that person it looks like. But beyond that, my

0:15:02.960 --> 0:15:06.680
<v Speaker 4>parents didn't raise me that way to look at different things.

0:15:06.680 --> 0:15:09.800
<v Speaker 4>But I had black friends. I had black neighbors, so

0:15:10.120 --> 0:15:10.760
<v Speaker 4>I would.

0:15:10.480 --> 0:15:11.680
<v Speaker 5>Go to stuff with them.

0:15:11.720 --> 0:15:14.840
<v Speaker 4>They would come to our house. It wasn't unusual. And

0:15:14.960 --> 0:15:18.840
<v Speaker 4>you black girlfriends, I did, so it was a funny story.

0:15:19.000 --> 0:15:22.240
<v Speaker 4>I remember, as an elementary school kid going to my

0:15:22.400 --> 0:15:27.720
<v Speaker 4>dad because my parents. I didn't understand what racism was

0:15:27.760 --> 0:15:29.440
<v Speaker 4>because my parents weren't like that.

0:15:29.920 --> 0:15:32.640
<v Speaker 5>I was blessed. A lot of people aren't like that.

0:15:32.840 --> 0:15:37.160
<v Speaker 4>But I realized in fifth or sixth grade that I

0:15:37.240 --> 0:15:40.160
<v Speaker 4>was attracted to black girls and the Asian girl that

0:15:40.240 --> 0:15:43.440
<v Speaker 4>was in all these different girls that weren't white. But

0:15:43.480 --> 0:15:45.200
<v Speaker 4>I was also attracted to the white girls. But I

0:15:45.200 --> 0:15:48.760
<v Speaker 4>remember I said to my dad. I said, Dad, because

0:15:48.800 --> 0:15:51.480
<v Speaker 4>I never heard anything bad. And I said, Dad, would

0:15:51.520 --> 0:15:53.960
<v Speaker 4>you be mad if I married a black girl one day?

0:15:54.440 --> 0:15:57.440
<v Speaker 4>And he said, as long as she's smart and she

0:15:57.520 --> 0:16:00.560
<v Speaker 4>looks good, I don't care what she is. There as

0:16:00.600 --> 0:16:03.160
<v Speaker 4>a little kid, my dad was already telling me, like, look,

0:16:04.040 --> 0:16:06.600
<v Speaker 4>let her be smart, let her be somebody you like.

0:16:07.280 --> 0:16:11.080
<v Speaker 4>It wasn't about her race or her religion or anything.

0:16:11.560 --> 0:16:15.160
<v Speaker 4>But on top of that, remember when I was growing up,

0:16:15.200 --> 0:16:18.160
<v Speaker 4>we had Marion Berry the mayor of DC in Baltimore.

0:16:18.200 --> 0:16:20.200
<v Speaker 4>At the time, we had a black may also mayor

0:16:20.200 --> 0:16:23.320
<v Speaker 4>of kirch Schmoke. A lot of my school teachers were

0:16:23.320 --> 0:16:26.040
<v Speaker 4>black women, a lot of my school teachers were black men,

0:16:26.400 --> 0:16:28.960
<v Speaker 4>a lot of my coaches were black men. So when

0:16:28.960 --> 0:16:34.240
<v Speaker 4>I was growing up, I was looking up to black

0:16:34.280 --> 0:16:38.560
<v Speaker 4>people not only from an entertainment perspective in music, but

0:16:38.680 --> 0:16:43.360
<v Speaker 4>as teachers, as educators, as government people, as people doing

0:16:43.400 --> 0:16:46.920
<v Speaker 4>all kinds of jobs. So it wasn't unusual for me

0:16:47.040 --> 0:16:50.520
<v Speaker 4>to see black men in a position of power like

0:16:50.560 --> 0:16:53.360
<v Speaker 4>Marion Barry or Kerch Smoke in Baltimore, and I'd be

0:16:53.360 --> 0:16:55.960
<v Speaker 4>going to these cities all the time to play basketball,

0:16:56.400 --> 0:16:59.720
<v Speaker 4>play soccer, do whatever I was doing, Go shopping for

0:16:59.760 --> 0:17:03.320
<v Speaker 4>rect go to concerts, you know, whatever I was doing.

0:17:03.520 --> 0:17:09.720
<v Speaker 4>So it was very different once I started traveling around

0:17:09.800 --> 0:17:12.880
<v Speaker 4>the country going to college and then starting to do

0:17:13.400 --> 0:17:16.320
<v Speaker 4>right journalistic stuff, that I realized where I grew up

0:17:16.440 --> 0:17:19.800
<v Speaker 4>was very unusual. And that was something that I think

0:17:19.960 --> 0:17:23.200
<v Speaker 4>is giving me a lot of perspective and has given

0:17:23.240 --> 0:17:27.240
<v Speaker 4>me a lot of insight because when I started hearing

0:17:27.359 --> 0:17:29.840
<v Speaker 4>the schooly D's and the Boogenel productions and the iced

0:17:29.880 --> 0:17:33.399
<v Speaker 4>teas and the NWA's on the early side of things,

0:17:34.600 --> 0:17:37.640
<v Speaker 4>those records and those songs were what I was reading

0:17:37.680 --> 0:17:39.920
<v Speaker 4>about the newspaper, what I would see when I would

0:17:39.920 --> 0:17:42.200
<v Speaker 4>going to DC or Baltimore, or what I would see

0:17:42.240 --> 0:17:45.760
<v Speaker 4>on the news. So it was just from a different perspective.

0:17:46.680 --> 0:17:49.680
<v Speaker 4>Schoolly D was the one. I never heard the dude

0:17:49.720 --> 0:17:54.240
<v Speaker 4>with the gun in the newspaper talk. They never interviewed him.

0:17:54.280 --> 0:17:57.160
<v Speaker 4>It was always this guilty dude. But schoolly D said,

0:17:57.200 --> 0:17:57.920
<v Speaker 4>I have the gun.

0:17:58.119 --> 0:18:00.960
<v Speaker 5>Karris won. My nine millimeter goes back. So now I'm.

0:18:00.840 --> 0:18:03.840
<v Speaker 4>Hearing it from these dudes and hearing it from their

0:18:03.840 --> 0:18:06.840
<v Speaker 4>perspective why they did, why they had a gun, Like

0:18:06.880 --> 0:18:09.679
<v Speaker 4>I have said a couple episodes ago schooly D on

0:18:09.720 --> 0:18:12.359
<v Speaker 4>Parkside five to two Parkside my place in hold the

0:18:12.359 --> 0:18:15.080
<v Speaker 4>PSK gangsters like the room, TV and a hand thirty

0:18:15.080 --> 0:18:16.760
<v Speaker 4>two ondred socks protecting on our turf.

0:18:16.560 --> 0:18:17.560
<v Speaker 5>Like it was four knocks.

0:18:18.240 --> 0:18:21.240
<v Speaker 4>He also says on a Saturday Night album on a

0:18:21.280 --> 0:18:23.560
<v Speaker 4>corner selling weed as my friend Mike, I can't say

0:18:23.600 --> 0:18:26.720
<v Speaker 4>that is wrong or that is right. I'm from Parkside

0:18:26.800 --> 0:18:31.320
<v Speaker 4>five to two, so even there, it's like all the

0:18:31.400 --> 0:18:34.360
<v Speaker 4>laws have changed with weed. But Schooley in eighty six

0:18:34.520 --> 0:18:37.640
<v Speaker 4>was saying, I'm not saying he's selling drugs is wrong

0:18:37.720 --> 0:18:37.960
<v Speaker 4>or right.

0:18:38.000 --> 0:18:39.160
<v Speaker 5>I'm just saying that's what he's doing.

0:18:39.200 --> 0:18:41.639
<v Speaker 3>That that was some hitless stuff to talk about you

0:18:41.680 --> 0:18:47.639
<v Speaker 3>selling weed in the record. Yeah.

0:18:48.280 --> 0:18:53.119
<v Speaker 1>Still, you grew up in Cleveland. Hm, you grew up

0:18:53.440 --> 0:18:56.239
<v Speaker 1>showing you grew up in Maryland. Yeah, I grew up

0:18:56.280 --> 0:19:05.440
<v Speaker 1>in Compton. We all, y'all grow up? Is you know,

0:19:05.720 --> 0:19:09.760
<v Speaker 1>young kids, you know what I'm saying, Saturday Morning cartoons

0:19:09.760 --> 0:19:16.840
<v Speaker 1>and all of that, What would you say as you

0:19:17.080 --> 0:19:21.879
<v Speaker 1>started growing up and witnessing and start to adapt in

0:19:22.680 --> 0:19:26.120
<v Speaker 1>and seeing shit, you know, as I like to call

0:19:26.240 --> 0:19:31.200
<v Speaker 1>the the underground scene. You know, because when you were

0:19:31.240 --> 0:19:34.159
<v Speaker 1>when you were a kid, your parents, if you have

0:19:34.320 --> 0:19:37.480
<v Speaker 1>those type of parents or whatever, good nature parents, whatever,

0:19:37.520 --> 0:19:39.840
<v Speaker 1>they try to shield you from a lot of shit. Right,

0:19:42.160 --> 0:19:44.879
<v Speaker 1>But let's just face it. We grow up and you know,

0:19:45.000 --> 0:19:48.159
<v Speaker 1>we see our first pussy, or we hear our first

0:19:48.200 --> 0:19:52.040
<v Speaker 1>cuss word, or you know, we see we see our

0:19:52.080 --> 0:19:54.879
<v Speaker 1>first set of titties or some shit like that. You

0:19:54.920 --> 0:20:02.800
<v Speaker 1>know what I'm saying. So we see these influences. We

0:20:02.920 --> 0:20:08.560
<v Speaker 1>know what we know, Like motherfuckers pick up a gun.

0:20:08.600 --> 0:20:13.639
<v Speaker 1>We've seen those scenarios. We've seen it throughout time. You

0:20:13.680 --> 0:20:17.200
<v Speaker 1>shoot the motherfucker, you kill him, you go to prison, right,

0:20:17.280 --> 0:20:20.159
<v Speaker 1>you go to court. Whatever, We've seen that as kids, whatever,

0:20:22.680 --> 0:20:24.320
<v Speaker 1>we were influenced.

0:20:23.680 --> 0:20:24.760
<v Speaker 3>By some shit.

0:20:25.359 --> 0:20:32.680
<v Speaker 1>Right, I watched Superman, I watched Batman as a kid.

0:20:33.680 --> 0:20:37.960
<v Speaker 1>Did I dress up in Halloween costumes? Superman or Batman?

0:20:38.200 --> 0:20:41.000
<v Speaker 1>You get me? But I knew I couldn't jump off

0:20:41.000 --> 0:20:45.040
<v Speaker 1>the roof and fucking fly right to jump off the building.

0:20:46.080 --> 0:20:49.280
<v Speaker 1>And there might have been some kids who weren't raised

0:20:49.359 --> 0:20:54.080
<v Speaker 1>properly who got up on the fucking roof and jumped off,

0:20:54.119 --> 0:20:58.160
<v Speaker 1>and like nigga, I could fly right. But I considered

0:20:58.200 --> 0:21:02.200
<v Speaker 1>myself to be a little edgy cadd with you know parents,

0:21:02.200 --> 0:21:06.320
<v Speaker 1>And even though I grew up in the hood, wasn't

0:21:06.320 --> 0:21:15.160
<v Speaker 1>no dummy. Right when I started selling dope, it wasn't

0:21:15.160 --> 0:21:18.920
<v Speaker 1>because a nigga told me to sell dope. You because

0:21:18.960 --> 0:21:21.679
<v Speaker 1>you did it because I thought I could make the

0:21:21.800 --> 0:21:25.840
<v Speaker 1>motherfucking money and I could get myself out of fucking

0:21:26.000 --> 0:21:32.520
<v Speaker 1>poverty type shit. Right when I started gang banging. It

0:21:32.720 --> 0:21:37.000
<v Speaker 1>wasn't because a nigga made me gang bang. I saw

0:21:38.000 --> 0:21:42.440
<v Speaker 1>that as unity for me for because as a as

0:21:42.480 --> 0:21:49.440
<v Speaker 1>a kid who didn't have that older brother or had

0:21:49.520 --> 0:21:53.080
<v Speaker 1>that older uncle or the uncles was what you know.

0:21:53.680 --> 0:21:55.960
<v Speaker 1>Niggas I go to school with and I started hanging

0:21:56.000 --> 0:21:59.879
<v Speaker 1>with as a kid, and I'm whatever. Whatever nigga entered

0:22:00.040 --> 0:22:03.480
<v Speaker 1>used me to the neighborhood. This is like my family

0:22:03.600 --> 0:22:06.199
<v Speaker 1>now you know, these is the homies i'mread. So that

0:22:06.359 --> 0:22:10.440
<v Speaker 1>was my influence. Like I said, so when rap records

0:22:10.480 --> 0:22:15.800
<v Speaker 1>came along, when I heard Ice t say six in

0:22:15.880 --> 0:22:20.439
<v Speaker 1>the morning, or I heard easy go to boys in

0:22:20.480 --> 0:22:22.960
<v Speaker 1>the hood was always hard.

0:22:23.920 --> 0:22:26.480
<v Speaker 2>I'm already one of the boys in the hood. It

0:22:26.800 --> 0:22:27.320
<v Speaker 2>feel me.

0:22:29.600 --> 0:22:33.480
<v Speaker 3>Now. My nigga said that.

0:22:36.080 --> 0:22:38.119
<v Speaker 1>You know how they do them with the questions n

0:22:38.280 --> 0:22:42.680
<v Speaker 1>Wa or Wu Tang or jay z or Biggie or

0:22:42.720 --> 0:22:42.960
<v Speaker 1>you know.

0:22:43.600 --> 0:22:45.160
<v Speaker 3>So they asked my nigga, you know.

0:22:46.880 --> 0:22:49.280
<v Speaker 1>N w A or Wu Tang and they say, he

0:22:49.400 --> 0:22:56.640
<v Speaker 1>choose Wu Tang because Wu Tang for the kids. Wu

0:22:56.720 --> 0:22:59.840
<v Speaker 1>Tang was was n w A in the New York

0:22:59.840 --> 0:23:05.520
<v Speaker 1>for on before the time of you know, because now

0:23:05.560 --> 0:23:09.000
<v Speaker 1>we got sets in in New York and We are

0:23:09.080 --> 0:23:12.679
<v Speaker 1>represented with bloods and crips in New York now, but

0:23:12.720 --> 0:23:15.240
<v Speaker 1>there was a time. You know, I've been going to

0:23:15.280 --> 0:23:20.320
<v Speaker 1>New York since what fucking eighty eight. I knew cruise

0:23:20.400 --> 0:23:23.159
<v Speaker 1>and clicks and niggas had they sections or whatever. I

0:23:23.320 --> 0:23:30.520
<v Speaker 1>never witnessed bloods or crips. But that's another story, Wu Tang,

0:23:31.240 --> 0:23:37.000
<v Speaker 1>you know, from from from a neighborhood Shylyn, Staten Island.

0:23:37.520 --> 0:23:41.320
<v Speaker 1>Niggas get down over here. It's been murders, it's it's

0:23:41.400 --> 0:23:45.600
<v Speaker 1>been drug deals. Wu Tang spoke this to you, they

0:23:45.720 --> 0:23:48.840
<v Speaker 1>told and it's reflected in their music. You know, they

0:23:49.480 --> 0:23:52.320
<v Speaker 1>clicked up. You know, we started off, you know, a

0:23:52.520 --> 0:23:57.040
<v Speaker 1>K shylin and you know, pointed, pointed the desert ego

0:23:57.119 --> 0:23:59.880
<v Speaker 1>that his mother's not and you know, so to say

0:23:59.920 --> 0:24:02.959
<v Speaker 1>that that's for the kids and ship just kind of confusing.

0:24:03.280 --> 0:24:05.280
<v Speaker 1>And then they say that n w A was for

0:24:05.320 --> 0:24:09.040
<v Speaker 1>the appetite and destruction of our youth because.

0:24:10.600 --> 0:24:13.120
<v Speaker 2>The music was what was was.

0:24:14.560 --> 0:24:18.080
<v Speaker 1>Let's face it, the music took off when when when

0:24:18.160 --> 0:24:22.120
<v Speaker 1>motherfuckers were able to hear a motherfucker go fuck and

0:24:22.160 --> 0:24:27.919
<v Speaker 1>shit and and and bitch and hole and nigga, my

0:24:27.920 --> 0:24:32.680
<v Speaker 1>my my strap and and fuck you and fuck the police.

0:24:33.280 --> 0:24:36.919
<v Speaker 1>It brought another element of of to the art as of.

0:24:37.840 --> 0:24:39.800
<v Speaker 5>Well, that's it's funny you say that eight.

0:24:39.720 --> 0:24:42.480
<v Speaker 3>Niggas didn't go out and go n w a man.

0:24:42.600 --> 0:24:45.720
<v Speaker 1>One of the niggas went out and get said, be

0:24:46.040 --> 0:24:50.480
<v Speaker 1>like me, join the gang. And and and a lot

0:24:50.520 --> 0:24:53.399
<v Speaker 1>of y'all don't even know this. We didn't even claim

0:24:53.560 --> 0:24:56.720
<v Speaker 1>gangs back when we put our records. You didn't hear

0:24:56.760 --> 0:25:00.399
<v Speaker 1>me go nigga, I'm from drag New and we wear Louis.

0:25:00.560 --> 0:25:03.440
<v Speaker 3>It's a fairly new thing, to be honest with you, exactly.

0:25:03.560 --> 0:25:05.840
<v Speaker 3>That's just probably happened over the past. I would say

0:25:05.840 --> 0:25:07.960
<v Speaker 3>probably Quick was one of the early ones to start

0:25:08.000 --> 0:25:10.480
<v Speaker 3>really kind of pronouncing where he was from.

0:25:10.720 --> 0:25:15.040
<v Speaker 4>Well, if you go back and look at the uh

0:25:15.240 --> 0:25:17.679
<v Speaker 4>Ryan Paige, Well, actually a we talked about this in

0:25:17.680 --> 0:25:22.360
<v Speaker 4>my book The History Gangster Rap. The dudes specifically didn't

0:25:22.400 --> 0:25:28.240
<v Speaker 4>want to advertise that exactly or not only safety reasons.

0:25:27.840 --> 0:25:29.040
<v Speaker 5>But also popularity.

0:25:29.280 --> 0:25:32.120
<v Speaker 4>So if you look all the early dudes that were

0:25:32.160 --> 0:25:36.480
<v Speaker 4>from sets wore neutral colors on their album covers in

0:25:36.520 --> 0:25:38.080
<v Speaker 4>the videos, or they wore black.

0:25:38.359 --> 0:25:39.280
<v Speaker 3>So I mean it's like.

0:25:39.960 --> 0:25:43.240
<v Speaker 1>I didn't want to alienate myself because first of all,

0:25:44.080 --> 0:25:52.480
<v Speaker 1>I I considered myself reporting for all street niggas.

0:25:52.720 --> 0:25:54.280
<v Speaker 3>I didn't give a fuck whether you.

0:25:54.440 --> 0:25:57.879
<v Speaker 1>Was a cript blood, if you was from the enemy

0:25:57.960 --> 0:26:01.719
<v Speaker 1>crip hood, or I didn't give it. That didn't I

0:26:01.800 --> 0:26:06.639
<v Speaker 1>wanted all niggas who were in my walk of life

0:26:07.040 --> 0:26:11.760
<v Speaker 1>to bang my music because I'm speaking on it don't

0:26:11.760 --> 0:26:14.480
<v Speaker 1>matter because we wear blue or you wear red. I

0:26:14.560 --> 0:26:17.600
<v Speaker 1>bet you this happened to one of y'all over there.

0:26:17.960 --> 0:26:19.919
<v Speaker 1>I bet you it happened to the home mee. I

0:26:19.960 --> 0:26:23.760
<v Speaker 1>bet bet so. It wasn't like I was trying to

0:26:23.800 --> 0:26:29.879
<v Speaker 1>tell kids across America, Oh do what we doing. You

0:26:30.040 --> 0:26:34.320
<v Speaker 1>get get in the six ' four and clean trag

0:26:34.480 --> 0:26:39.120
<v Speaker 1>new and shoot at your enemies and do all that shit.

0:26:39.280 --> 0:26:42.560
<v Speaker 1>Because if you listen to my records, I always told

0:26:42.600 --> 0:26:44.720
<v Speaker 1>you the consequence of banging.

0:26:44.600 --> 0:26:46.919
<v Speaker 5>And that, to me, is one of the keys to this.

0:26:47.240 --> 0:26:51.600
<v Speaker 1>I never told you that your life was going to

0:26:51.680 --> 0:26:54.960
<v Speaker 1>be lucrative and fun by being from the hood and

0:26:55.080 --> 0:26:58.359
<v Speaker 1>gang banging. I never told you that on records. I

0:26:58.560 --> 0:27:02.160
<v Speaker 1>told you what a life of niggas went through growing

0:27:02.280 --> 0:27:04.600
<v Speaker 1>up in my walk of life.

0:27:05.080 --> 0:27:08.440
<v Speaker 3>Because any further we're gonna take a quick break pay

0:27:08.480 --> 0:27:16.119
<v Speaker 3>some bills here and we're gonna come right back. So basically,

0:27:18.440 --> 0:27:23.600
<v Speaker 3>we never spoke on.

0:27:25.320 --> 0:27:26.440
<v Speaker 2>The fucking.

0:27:27.880 --> 0:27:30.359
<v Speaker 1>I guess you want to say the rewards of gang

0:27:30.520 --> 0:27:32.119
<v Speaker 1>banging or being from the hood.

0:27:32.280 --> 0:27:33.720
<v Speaker 3>It was always.

0:27:33.440 --> 0:27:35.639
<v Speaker 5>Look at growing up in the hood.

0:27:35.040 --> 0:27:35.320
<v Speaker 2>If you.

0:27:36.800 --> 0:27:40.160
<v Speaker 1>Break it down, growing up in the hood, I talk

0:27:40.280 --> 0:27:44.720
<v Speaker 1>about whatever minutes to society with straight up minutes. I

0:27:44.800 --> 0:27:51.520
<v Speaker 1>talk about the flip side of of neighborhood whatever. I

0:27:51.560 --> 0:27:59.280
<v Speaker 1>wrote songs like, I wrote songs like Nigga Struggling. I

0:27:59.320 --> 0:28:04.520
<v Speaker 1>wrote songs like the hood took me under. I wrote

0:28:04.640 --> 0:28:11.560
<v Speaker 1>songs that basically portrayed the gangster lifestyle, but it never

0:28:11.880 --> 0:28:16.040
<v Speaker 1>ended up because I don't give fuck how rich or

0:28:16.119 --> 0:28:20.000
<v Speaker 1>lucrative or you know, hood niggas is driving in Rose

0:28:20.119 --> 0:28:24.160
<v Speaker 1>Royce is now and Lamborghini's and shit, But a true

0:28:24.160 --> 0:28:28.760
<v Speaker 1>hood nigga, no, there's pitfalls behind. So it was never

0:28:29.080 --> 0:28:34.800
<v Speaker 1>a portrayed or exploited to the youth that this is

0:28:34.840 --> 0:28:36.560
<v Speaker 1>what you do, you get me.

0:28:38.480 --> 0:28:41.200
<v Speaker 4>And I think that's the big part that's missing. Because

0:28:41.640 --> 0:28:47.920
<v Speaker 4>schoolyde Iced t Nwa yourself quick, a lot of the

0:28:48.160 --> 0:28:53.560
<v Speaker 4>early most popular artists always broke down the pitfalls. Project

0:28:53.680 --> 0:28:56.960
<v Speaker 4>Pat came later he's another dude that was always talking

0:28:56.960 --> 0:29:00.800
<v Speaker 4>about you're gonna get incarcerated, You're gonna get shot. This

0:29:00.880 --> 0:29:04.640
<v Speaker 4>person look at colors iced Tea talking about, you know,

0:29:05.160 --> 0:29:07.760
<v Speaker 4>sister got tracks on an arm? What is that from

0:29:07.960 --> 0:29:11.320
<v Speaker 4>drug use? I mean, it's like everybody is breaking it

0:29:11.360 --> 0:29:12.720
<v Speaker 4>down in different ways.

0:29:13.680 --> 0:29:14.880
<v Speaker 5>You're getting gonna get jack.

0:29:15.280 --> 0:29:18.120
<v Speaker 3>And then there's another there's another thing.

0:29:18.200 --> 0:29:22.040
<v Speaker 1>I paid attention to when they asked him to question

0:29:23.320 --> 0:29:28.360
<v Speaker 1>and he reverted to saying something like so for real,

0:29:28.840 --> 0:29:31.600
<v Speaker 1>like this is what we're doing. Like when he when

0:29:31.680 --> 0:29:36.520
<v Speaker 1>he spoke on the fact that NWA was getting popular

0:29:36.880 --> 0:29:40.440
<v Speaker 1>and the music was you know, so he made a

0:29:40.520 --> 0:29:43.400
<v Speaker 1>comment like, so for real, this is what we're doing,

0:29:43.600 --> 0:29:48.160
<v Speaker 1>like to say, like, okay, we finna let hip hop

0:29:48.480 --> 0:29:49.080
<v Speaker 1>let this in.

0:29:49.480 --> 0:29:50.640
<v Speaker 3>This is what we're finna do.

0:29:51.080 --> 0:29:55.320
<v Speaker 1>So we finna let niggas start talking about driving in

0:29:55.800 --> 0:30:00.920
<v Speaker 1>old school cars and wearing khaki suits and saying bitching

0:30:01.080 --> 0:30:04.080
<v Speaker 1>ho and and fuck the pope. So that's what we're

0:30:04.080 --> 0:30:08.520
<v Speaker 1>finna do. Like, what do you mean that's my artistic expression?

0:30:09.120 --> 0:30:12.080
<v Speaker 1>That that's that's that's what I that's what I'm doing.

0:30:13.280 --> 0:30:15.240
<v Speaker 3>I'm gonna play what he said right here, real quick,

0:30:15.480 --> 0:30:18.440
<v Speaker 3>go ahead, I'm gonna play the comments see it. Especially

0:30:18.520 --> 0:30:20.200
<v Speaker 3>he even got a Jerry Curl. So we can't talk

0:30:20.480 --> 0:30:24.560
<v Speaker 3>about nobody Wu Tang who Tang is for the kids?

0:30:25.200 --> 0:30:25.360
<v Speaker 6>Now?

0:30:25.400 --> 0:30:28.160
<v Speaker 1>You know what besides that, man Wu Tang was dropping

0:30:28.240 --> 0:30:29.640
<v Speaker 1>knowledge and positivity.

0:30:30.280 --> 0:30:34.040
<v Speaker 3>You know, n w A brought the age of destruction,

0:30:35.120 --> 0:30:36.520
<v Speaker 3>Damn Jesus.

0:30:36.680 --> 0:30:39.840
<v Speaker 1>N w A brought the age of destruction to our

0:30:40.040 --> 0:30:41.520
<v Speaker 1>children and our culture.

0:30:42.480 --> 0:30:45.640
<v Speaker 3>Period. Hey, I respect all.

0:30:45.520 --> 0:30:49.160
<v Speaker 4>Of them as men, but as the art form, and

0:30:49.200 --> 0:30:50.880
<v Speaker 4>you want me to speak on the art pharm, I'm

0:30:50.880 --> 0:30:51.840
<v Speaker 4>gonna tell you what it is.

0:30:51.920 --> 0:30:56.000
<v Speaker 3>That's where it started. That's where the agenda started.

0:30:56.440 --> 0:30:58.800
<v Speaker 5>Well it didn't start there.

0:30:59.440 --> 0:31:02.720
<v Speaker 3>That was the third of the demise of his career, but.

0:31:02.720 --> 0:31:05.600
<v Speaker 4>It was in the But all those things were happening

0:31:05.640 --> 0:31:10.600
<v Speaker 4>in society for decades before Nwa, before Ice Cube it

0:31:10.640 --> 0:31:13.680
<v Speaker 4>wrote his first rap. He had nothing to do with

0:31:13.800 --> 0:31:16.520
<v Speaker 4>the creation of any of that that had been happening

0:31:16.680 --> 0:31:20.320
<v Speaker 4>in the United States of America for decades.

0:31:20.600 --> 0:31:24.760
<v Speaker 1>But then after that part what we just played, he

0:31:24.880 --> 0:31:29.160
<v Speaker 1>went on to say some shit like like for real,

0:31:29.400 --> 0:31:33.040
<v Speaker 1>this is what we're doing, like speaking on the music

0:31:33.240 --> 0:31:38.080
<v Speaker 1>that Nwa was that was getting popular, and just just.

0:31:40.080 --> 0:31:45.920
<v Speaker 2>He said, woo tang was for the kids, and.

0:31:45.800 --> 0:31:49.080
<v Speaker 1>Did he say like there was there was educational or

0:31:49.400 --> 0:31:54.480
<v Speaker 1>positive and uplifting my nigga, my nigga. Ray Kwan said,

0:31:54.480 --> 0:31:58.280
<v Speaker 1>he pointed a gun at his at a mother's knot.

0:31:59.520 --> 0:32:01.239
<v Speaker 2>They they.

0:32:02.520 --> 0:32:04.080
<v Speaker 3>It ain't no hate in the Wu Tang because we

0:32:04.160 --> 0:32:05.880
<v Speaker 3>all no, it's.

0:32:05.760 --> 0:32:08.920
<v Speaker 1>Not it's not even hating on Wu tang because they

0:32:08.960 --> 0:32:14.160
<v Speaker 1>were expressing. They were expressing the same ship, were growing

0:32:14.240 --> 0:32:17.600
<v Speaker 1>up in the projects, were living on Staten Island and

0:32:17.680 --> 0:32:22.120
<v Speaker 1>Shallen that's that's our spot and that's how we get down.

0:32:22.840 --> 0:32:26.600
<v Speaker 2>They words reflected where you know.

0:32:27.520 --> 0:32:30.360
<v Speaker 3>All things. The rep was, I'm sorry to cut you up, but.

0:32:30.280 --> 0:32:33.280
<v Speaker 1>You but you but but even not to cut you

0:32:33.400 --> 0:32:37.480
<v Speaker 1>but you hear When he said that, the expressions from

0:32:37.600 --> 0:32:41.280
<v Speaker 1>everyone in the room was like they sort of kind

0:32:41.280 --> 0:32:44.440
<v Speaker 1>of laughed at one point, like nikko, you for real?

0:32:45.040 --> 0:32:46.080
<v Speaker 3>Like whoa?

0:32:46.400 --> 0:32:50.000
<v Speaker 2>Like they didn't he listen what he said?

0:32:50.160 --> 0:32:53.680
<v Speaker 1>Like they destroyed the culture, the culture of what hip hop.

0:32:53.880 --> 0:32:55.960
<v Speaker 3>That's what he pretty much said. And because tried to

0:32:56.000 --> 0:32:57.480
<v Speaker 3>clean it up a little bit. He tried to clean

0:32:57.520 --> 0:32:59.240
<v Speaker 3>it up and dress it up. So when I want

0:32:59.240 --> 0:33:00.960
<v Speaker 3>to hear your takes you about to say something, I

0:33:00.960 --> 0:33:02.280
<v Speaker 3>know you say some profound.

0:33:02.720 --> 0:33:05.840
<v Speaker 4>My thing is this, when you listen to Cash rules

0:33:05.880 --> 0:33:09.640
<v Speaker 4>everything around me? Can it all be so simple? These

0:33:09.680 --> 0:33:15.840
<v Speaker 4>are not happy songs. They're very sad. It's gangster rap

0:33:15.920 --> 0:33:19.400
<v Speaker 4>from the East Coast perspective, but it's also well I'd

0:33:19.480 --> 0:33:22.640
<v Speaker 4>say it's more street reporting that type of stuff, because

0:33:22.640 --> 0:33:27.480
<v Speaker 4>it's not gangbanging reality rap, schouty rapids street reporting. But

0:33:27.520 --> 0:33:30.960
<v Speaker 4>my point is when they're when Ray Kwan and Inspector

0:33:31.000 --> 0:33:35.480
<v Speaker 4>Deck and all the in particular, when they're doing their verses,

0:33:36.280 --> 0:33:40.080
<v Speaker 4>they are not to Eight's point, they're not celebrating or

0:33:40.080 --> 0:33:43.760
<v Speaker 4>in the hood. They're talking about the struggle, the problems

0:33:43.760 --> 0:33:48.040
<v Speaker 4>today exactly the anger. And they're also doing it just

0:33:48.120 --> 0:33:51.080
<v Speaker 4>as mc A did, just as Ice Cube did in

0:33:51.120 --> 0:33:54.680
<v Speaker 4>their perspective, from the Staten Island perspective.

0:33:54.800 --> 0:33:57.480
<v Speaker 3>To me, all reality rap was was a bunch of

0:33:57.520 --> 0:34:01.840
<v Speaker 3>guys talking about their neighborhood from their now. I will admit,

0:34:02.160 --> 0:34:05.680
<v Speaker 3>during about ninety five ninety six, once record companies discovered

0:34:05.680 --> 0:34:08.680
<v Speaker 3>that gainst the rap was lucrative, you saw a bunch

0:34:08.680 --> 0:34:11.480
<v Speaker 3>of crazy groups start popping up. There were ultra violent

0:34:11.600 --> 0:34:14.440
<v Speaker 3>kind of like you know, but still entertainment.

0:34:14.640 --> 0:34:16.600
<v Speaker 1>But the thing is, I want to say my nigga

0:34:16.760 --> 0:34:19.439
<v Speaker 1>was high or something. Now that's what I was just say.

0:34:19.680 --> 0:34:22.160
<v Speaker 1>I would say it was high or something. What he thought.

0:34:22.440 --> 0:34:23.719
<v Speaker 3>They didn't think it through.

0:34:23.920 --> 0:34:27.000
<v Speaker 1>You did me because I just don't see how you

0:34:27.040 --> 0:34:29.320
<v Speaker 1>can even fix your mouth to say.

0:34:29.160 --> 0:34:34.800
<v Speaker 4>There's some shit. There's two things of this one. Rap

0:34:35.000 --> 0:34:39.120
<v Speaker 4>has a Rap did not start political. Rap started party

0:34:39.160 --> 0:34:43.680
<v Speaker 4>Braggadio Show, which is a big misconception. So people have

0:34:43.800 --> 0:34:46.839
<v Speaker 4>that in their mind, but it's not true. It was

0:34:47.400 --> 0:34:50.560
<v Speaker 4>the Routines and the Braggadio Show. It was Cold Crush,

0:34:51.040 --> 0:34:54.640
<v Speaker 4>it was Grandmaster Flashing and Fears five. It wasn't until

0:34:54.760 --> 0:34:59.480
<v Speaker 4>years later that the political commentary came into rap. So

0:34:59.600 --> 0:35:01.920
<v Speaker 4>first of a, well, let's make sure we understand that.

0:35:01.960 --> 0:35:06.360
<v Speaker 4>But then beyond that, when an eight and steel, you

0:35:06.360 --> 0:35:10.399
<v Speaker 4>guys both notice when there were pop rappers, people thought

0:35:10.440 --> 0:35:14.640
<v Speaker 4>they were whack no sound, It wasn't any good. They

0:35:14.840 --> 0:35:18.280
<v Speaker 4>liked some pop rap. So what I'm saying is every form,

0:35:18.440 --> 0:35:21.640
<v Speaker 4>every subgenre of rap, just like every other form of music,

0:35:21.840 --> 0:35:24.840
<v Speaker 4>there's gonna be good illustrations of it, there's gonna be bad,

0:35:25.400 --> 0:35:29.600
<v Speaker 4>whether that's critically or commercially. And sometimes those intersects, sometimes

0:35:29.680 --> 0:35:34.960
<v Speaker 4>they don't and and the problem is is, to me,

0:35:36.200 --> 0:35:40.399
<v Speaker 4>the several of the problems are Gangster rap was so

0:35:40.560 --> 0:35:44.040
<v Speaker 4>different and so powerful, which is why it became so popular.

0:35:45.239 --> 0:35:49.680
<v Speaker 4>Beyond that, just like with pop rap, with conscious rap,

0:35:49.960 --> 0:35:54.560
<v Speaker 4>with whatever other type of rap, backpack rap, some of

0:35:54.600 --> 0:35:56.440
<v Speaker 4>it got popular, some of it didn't. Some of the

0:35:56.520 --> 0:35:58.719
<v Speaker 4>artists were better, some of them weren't. When you have

0:35:58.800 --> 0:36:00.759
<v Speaker 4>a dude just saying in this be that I'm gonna

0:36:00.760 --> 0:36:03.919
<v Speaker 4>shoot up three thousand people, none of us are gonna

0:36:03.920 --> 0:36:06.719
<v Speaker 4>sit here and say that's as good as Ice Tea

0:36:07.160 --> 0:36:10.640
<v Speaker 4>or ice Cube or NWA. But that's with every type

0:36:10.640 --> 0:36:13.480
<v Speaker 4>of rap. That's what every type of music. And at

0:36:13.480 --> 0:36:15.920
<v Speaker 4>the end of the day, so on, it's entertainment. I

0:36:16.040 --> 0:36:19.840
<v Speaker 4>tell you this. I've never went to a movie and

0:36:19.920 --> 0:36:22.239
<v Speaker 4>saw a bunch of gratuitous violence and went outside and

0:36:22.280 --> 0:36:23.759
<v Speaker 4>just started shooting people in the parking lot.

0:36:23.840 --> 0:36:26.040
<v Speaker 3>No, I just thought it was a cool movie, right.

0:36:26.760 --> 0:36:29.279
<v Speaker 3>I've listened to albums that where they may have took.

0:36:29.360 --> 0:36:31.880
<v Speaker 3>You know, Ghetto Boys one of my favorite group. You know,

0:36:31.920 --> 0:36:33.279
<v Speaker 3>as soon as we if we ever get to this

0:36:33.360 --> 0:36:36.399
<v Speaker 3>list tonight, you know, Ghetto Boys one of my favorite group.

0:36:36.440 --> 0:36:38.120
<v Speaker 3>Shout out to my boy Willie d me and him

0:36:38.160 --> 0:36:39.680
<v Speaker 3>was on the phone all day to day talking about

0:36:39.680 --> 0:36:43.000
<v Speaker 3>some stuff we were about to start doing. But they had

0:36:43.040 --> 0:36:46.720
<v Speaker 3>some songs like assassins and stuff like that. I didn't

0:36:46.719 --> 0:36:49.440
<v Speaker 3>take that as thinking that Bushwick was running around Houston

0:36:50.480 --> 0:36:52.200
<v Speaker 3>a mind of a lunatic. I didn't take that the

0:36:52.239 --> 0:36:54.720
<v Speaker 3>scarface was really sitting in the room somewhere with candles

0:36:54.760 --> 0:36:58.040
<v Speaker 3>all around them, thinking of the people he murdered. You

0:36:58.040 --> 0:36:59.800
<v Speaker 3>know what I mean, he would be in prison. I

0:37:00.080 --> 0:37:03.200
<v Speaker 3>knew that I had. It's common sense, right, But I

0:37:03.239 --> 0:37:05.560
<v Speaker 3>think what gangster Rap did, and I keep saying this,

0:37:05.600 --> 0:37:08.839
<v Speaker 3>by me being the Midwest, it opened it really because

0:37:08.880 --> 0:37:11.040
<v Speaker 3>I knew stuff had been going on the hood. You remember,

0:37:11.280 --> 0:37:14.080
<v Speaker 3>you know, growing up in Cleveland. Before I left, I

0:37:14.120 --> 0:37:17.000
<v Speaker 3>saw cracks starting to come in, right, and I saw

0:37:17.120 --> 0:37:20.160
<v Speaker 3>guys that were my peers, guys of you know, either

0:37:20.520 --> 0:37:23.879
<v Speaker 3>class above me or couple classes above me. Next thing,

0:37:23.920 --> 0:37:26.680
<v Speaker 3>they riding down street and ninety eight Olds mobiles and

0:37:26.680 --> 0:37:28.439
<v Speaker 3>they can hardly be over the thing. And they got

0:37:28.440 --> 0:37:31.080
<v Speaker 3>the sounds, and you know, it's like everybody out there like, ooh,

0:37:31.480 --> 0:37:33.279
<v Speaker 3>you see Corey got a new you see, he got

0:37:33.320 --> 0:37:35.200
<v Speaker 3>a ninety eight olds more Bill the next thing, you know,

0:37:35.239 --> 0:37:37.560
<v Speaker 3>he ain't come to class no more, but he in

0:37:37.600 --> 0:37:39.320
<v Speaker 3>the parking lot after school and he got a not

0:37:39.440 --> 0:37:41.240
<v Speaker 3>full of money because he going to go buy everybody

0:37:41.280 --> 0:37:43.640
<v Speaker 3>Hamburgers at the spot. Meet me over here, we want

0:37:43.640 --> 0:37:48.880
<v Speaker 3>to go buy Hamburgers. So for a minute, that image,

0:37:48.920 --> 0:37:51.239
<v Speaker 3>I would replay that image in my mind and think, man,

0:37:51.360 --> 0:37:53.560
<v Speaker 3>I'm trying to do this football shit. Man, maybe y'all

0:37:53.560 --> 0:37:55.560
<v Speaker 3>need to stay here and get my hustle on. They

0:37:55.640 --> 0:37:57.520
<v Speaker 3>getting rich, I'm gonna miss out on something. You know,

0:37:58.280 --> 0:38:00.719
<v Speaker 3>I didn't know because when you're young, impressing it. But

0:38:00.840 --> 0:38:02.480
<v Speaker 3>right what I didn't know is that a lot of

0:38:02.480 --> 0:38:05.399
<v Speaker 3>those guys would wind up in prison, you know, eight

0:38:05.520 --> 0:38:09.920
<v Speaker 3>nine years later in some cases earlier. Right, But gangster

0:38:10.000 --> 0:38:11.600
<v Speaker 3>rap didn't make none of them dudes go out there

0:38:11.640 --> 0:38:14.279
<v Speaker 3>and sell dope. That was there. I remember when I

0:38:14.280 --> 0:38:16.799
<v Speaker 3>grew up, before we bought our house right on one hundred

0:38:16.840 --> 0:38:19.200
<v Speaker 3>and third, we lived in a street called Chester. There

0:38:19.200 --> 0:38:21.440
<v Speaker 3>was an apartment building in the back. You know how

0:38:21.520 --> 0:38:23.800
<v Speaker 3>they was soaring back that way. You got those apartments

0:38:23.800 --> 0:38:25.879
<v Speaker 3>and they got a thing under him. You would see

0:38:25.920 --> 0:38:28.239
<v Speaker 3>needles all outside. Because I remember my mom beating my

0:38:28.280 --> 0:38:30.800
<v Speaker 3>ass one day because I went outside with no shoes.

0:38:30.440 --> 0:38:32.279
<v Speaker 5>On because she didn't want you to step on.

0:38:32.320 --> 0:38:33.759
<v Speaker 3>She didn't want me to step on the needle. It

0:38:33.840 --> 0:38:36.880
<v Speaker 3>was the needles everywhere and gangst the wrap. What in existence?

0:38:36.920 --> 0:38:39.680
<v Speaker 3>We was listening to Bootsy callings and all that stuff.

0:38:39.680 --> 0:38:42.360
<v Speaker 3>It wasn't so what would we go out and blamed

0:38:42.400 --> 0:38:44.719
<v Speaker 3>Bootsy for the heroin epidemic that was going on in

0:38:44.760 --> 0:38:45.759
<v Speaker 3>Cleveland at that time?

0:38:46.000 --> 0:38:48.200
<v Speaker 5>Crack was predated gangster.

0:38:48.000 --> 0:38:51.600
<v Speaker 3>Rap exactly, That's what I'm saying. So specially it sounded

0:38:51.640 --> 0:38:53.799
<v Speaker 3>like he'd been sitting in the special leed class.

0:38:54.840 --> 0:38:57.120
<v Speaker 1>I don't think he'd been sitting in a special leg class.

0:38:57.120 --> 0:38:59.120
<v Speaker 1>I don't want digg him out that hard, you know

0:38:59.120 --> 0:39:04.920
<v Speaker 1>what I'm saying. I just feel like in some positions,

0:39:04.960 --> 0:39:08.239
<v Speaker 1>like I say, when he started rapping when he was seventeen,

0:39:10.360 --> 0:39:16.759
<v Speaker 1>like I said, his his his youth or how he

0:39:16.840 --> 0:39:21.440
<v Speaker 1>grew up was a reflection of what he wrote about.

0:39:21.640 --> 0:39:23.239
<v Speaker 1>I'm a I'm a i'm an MC.

0:39:23.920 --> 0:39:24.520
<v Speaker 3>You get me.

0:39:24.800 --> 0:39:27.319
<v Speaker 1>So I'm gonna rap about you know, being double old

0:39:27.400 --> 0:39:30.520
<v Speaker 1>fucking seven and shit like that and on missions and

0:39:31.400 --> 0:39:33.840
<v Speaker 1>I'm gonna just I'm gonna make feel good records.

0:39:33.960 --> 0:39:34.640
<v Speaker 3>You feel me.

0:39:36.840 --> 0:39:39.920
<v Speaker 1>Let my nigga grew up in in fucking the projects

0:39:39.920 --> 0:39:43.000
<v Speaker 1>in the Bronx and got his ass beat a couple

0:39:43.080 --> 0:39:46.719
<v Speaker 1>of times, and Mama was on crack, and you know,

0:39:46.960 --> 0:39:50.920
<v Speaker 1>Pops was in the pin for you know, hustling heroin

0:39:51.000 --> 0:39:53.680
<v Speaker 1>and shit like that. I'm pretty sure his story would

0:39:53.719 --> 0:39:58.560
<v Speaker 1>have been different. Uh, to be an artist, you know,

0:39:59.120 --> 0:40:04.800
<v Speaker 1>this game is kind of petition. It's not designated for whoever.

0:40:04.960 --> 0:40:07.719
<v Speaker 1>You know, you put our good music, motherfucker's gonna love it.

0:40:07.920 --> 0:40:10.239
<v Speaker 1>I mean shit, he had a gold fucking album when

0:40:10.239 --> 0:40:14.799
<v Speaker 1>he fucking dropped, you know, because that's what represented hip

0:40:14.800 --> 0:40:15.600
<v Speaker 1>hop at the time.

0:40:15.719 --> 0:40:18.160
<v Speaker 3>I still say HL kind of letting him off the hook.

0:40:18.239 --> 0:40:20.840
<v Speaker 3>I still say a lot of his words were based

0:40:20.880 --> 0:40:23.960
<v Speaker 3>on malice in his heart, whether it's and I say

0:40:24.680 --> 0:40:28.080
<v Speaker 3>hold on whether subconscious or conscious. Because the way he

0:40:28.160 --> 0:40:30.800
<v Speaker 3>said that, you could see he was just real deliberate, like, okay,

0:40:30.880 --> 0:40:32.680
<v Speaker 3>y'all really doing this right now, I'm gonna go in.

0:40:33.000 --> 0:40:36.080
<v Speaker 3>They ruined everything. He might as well came out and said, man,

0:40:36.160 --> 0:40:38.840
<v Speaker 3>my record sales slowed up after that. People stopped fucking

0:40:38.840 --> 0:40:40.640
<v Speaker 3>with me because they wanted to hear that shit over there.

0:40:40.880 --> 0:40:42.719
<v Speaker 3>And I was done. I was out. Of here.

0:40:43.960 --> 0:40:49.319
<v Speaker 1>I mean, that's true, but he's not gonna admit to that.

0:40:49.600 --> 0:40:52.080
<v Speaker 1>I'm not gonna turn around and admit to man, they

0:40:52.160 --> 0:40:56.200
<v Speaker 1>kind of killed my career. Instead of saying they killed

0:40:56.239 --> 0:41:00.160
<v Speaker 1>my career, I'm gonna say they destroyed the culture. You

0:41:00.160 --> 0:41:03.000
<v Speaker 1>get me. I'm not gonna say they killed my career

0:41:03.160 --> 0:41:07.920
<v Speaker 1>because shit, I'm nigga. I'm I'm special fucking head, specially so.

0:41:08.880 --> 0:41:14.600
<v Speaker 1>But what I'm gonna say is because my direction wasn't

0:41:14.719 --> 0:41:22.479
<v Speaker 1>that for the almighty pure hip hop? And again New

0:41:22.560 --> 0:41:26.160
<v Speaker 1>York is the mecca and the birth of hip hop.

0:41:26.600 --> 0:41:32.799
<v Speaker 1>So for him to be one of those four front niggas,

0:41:32.840 --> 0:41:35.640
<v Speaker 1>you know, he was one of the four fathers of

0:41:35.719 --> 0:41:38.719
<v Speaker 1>the beginning of hip hop. With as as the aspect

0:41:38.760 --> 0:41:42.839
<v Speaker 1>of how I look at it, nigga, you can ask

0:41:42.880 --> 0:41:45.040
<v Speaker 1>me about special Lad and I'd be like, Nigga, that

0:41:45.080 --> 0:41:50.279
<v Speaker 1>motherfucker nigga that everybody banged that all the time. It

0:41:50.320 --> 0:41:53.080
<v Speaker 1>was good music. I was a specially ad fan. I

0:41:53.160 --> 0:41:58.839
<v Speaker 1>still am a special fan. But after after getting introduced

0:41:58.880 --> 0:42:02.640
<v Speaker 1>to hip hop and me roam in the streets of

0:42:02.760 --> 0:42:08.480
<v Speaker 1>Campton and seeing my influence, to you more, I don't

0:42:08.520 --> 0:42:11.640
<v Speaker 1>bang no special d no more. I'm gonna go bang

0:42:11.719 --> 0:42:15.920
<v Speaker 1>me some BDP. I'm gonna go bang me some just ice.

0:42:16.760 --> 0:42:20.279
<v Speaker 1>I'm gonna go bang me some PSK from school e D.

0:42:20.800 --> 0:42:24.480
<v Speaker 1>I'm gonna go bang me some niggas that I feel

0:42:25.160 --> 0:42:31.080
<v Speaker 1>that is relevant soil my growing up in lifestyles. You

0:42:31.160 --> 0:42:35.280
<v Speaker 1>get me, so no disrespect. I'm not gonna turn AVERD.

0:42:35.360 --> 0:42:39.959
<v Speaker 1>Just like when hip hop started, I bang fucking tone Lok.

0:42:40.800 --> 0:42:44.040
<v Speaker 3>I played a little Young y C is actually the

0:42:44.080 --> 0:42:45.880
<v Speaker 3>first open crypt record.

0:42:46.760 --> 0:42:46.960
<v Speaker 1>You know what.

0:42:47.320 --> 0:42:49.239
<v Speaker 3>But but but his.

0:42:49.320 --> 0:42:58.560
<v Speaker 1>Popularity came from Wow, dang young C. You wanted you

0:42:59.120 --> 0:43:05.560
<v Speaker 1>I bang. It was exactly I banged that. But when

0:43:05.600 --> 0:43:11.400
<v Speaker 1>I got introduced to niggas who was walking my walk,

0:43:12.320 --> 0:43:15.200
<v Speaker 1>When I got introduced to a fucking nice tea or

0:43:15.239 --> 0:43:19.640
<v Speaker 1>the fucking dub C or fucking whatever, that's my music.

0:43:19.920 --> 0:43:22.560
<v Speaker 1>You get me not to say I didn't still bang

0:43:22.680 --> 0:43:25.759
<v Speaker 1>some of that other shit. I still banged me some

0:43:25.880 --> 0:43:30.080
<v Speaker 1>motherfucking Pete Rock and Coos Mooth or some tried call quest.

0:43:30.320 --> 0:43:34.480
<v Speaker 1>But when it was time for me to write my lyrics,

0:43:35.239 --> 0:43:38.879
<v Speaker 1>I'm finna tell you about nigga. Last night, Nigga, we

0:43:38.920 --> 0:43:43.800
<v Speaker 1>was coming home and niggas dumped on us. The homie

0:43:43.840 --> 0:43:46.719
<v Speaker 1>was at the burger stand getting him some food, and

0:43:46.760 --> 0:43:48.839
<v Speaker 1>then niggas came through and jacked him.

0:43:48.760 --> 0:43:49.840
<v Speaker 2>And laid him down.

0:43:51.000 --> 0:43:53.600
<v Speaker 1>You know, I'm gonna tell you about the bitch over

0:43:53.640 --> 0:43:57.040
<v Speaker 1>here who got three babies by three different niggas from

0:43:57.120 --> 0:43:59.920
<v Speaker 1>three different enemy hoods, and a nigga went to go

0:44:00.080 --> 0:44:02.080
<v Speaker 1>see his baby and he got smoked.

0:44:02.360 --> 0:44:03.000
<v Speaker 3>You get me.

0:44:03.400 --> 0:44:06.320
<v Speaker 1>I'm gonna tell you that because I'm a gang banging

0:44:06.400 --> 0:44:09.600
<v Speaker 1>nigga representing the hood. When I try to change my

0:44:09.719 --> 0:44:13.360
<v Speaker 1>motherfucking life and go get a job, ain't shit finna

0:44:13.480 --> 0:44:17.000
<v Speaker 1>work for me because I got a fucking record, and shit,

0:44:17.200 --> 0:44:19.040
<v Speaker 1>that's what I'm finna tell you about.

0:44:19.280 --> 0:44:21.879
<v Speaker 3>You gotta talk about that because those can't you were

0:44:21.920 --> 0:44:23.359
<v Speaker 3>a voice for the voiceless.

0:44:23.520 --> 0:44:28.520
<v Speaker 1>I can't tell you about hey man, that's hey. Life

0:44:28.560 --> 0:44:32.560
<v Speaker 1>is a party and today we popping bottles or and

0:44:32.600 --> 0:44:36.680
<v Speaker 1>not even at that time like whatever, like niggas rapped

0:44:36.719 --> 0:44:38.720
<v Speaker 1>about because there were records.

0:44:39.120 --> 0:44:39.719
<v Speaker 3>You get me.

0:44:40.080 --> 0:44:43.600
<v Speaker 1>Well, but nigga, I'm flenna tell you about what went

0:44:43.680 --> 0:44:46.320
<v Speaker 1>on and tried New Park last night and what happened

0:44:46.360 --> 0:44:49.400
<v Speaker 1>to niggas over here and who got killed and who

0:44:49.440 --> 0:44:53.040
<v Speaker 1>this and who I need to inform niggas because I

0:44:53.280 --> 0:44:54.480
<v Speaker 1>really just.

0:44:54.640 --> 0:44:56.880
<v Speaker 2>What I'm going through every day, Well, you fuck the

0:44:57.000 --> 0:44:57.520
<v Speaker 2>rap shit.

0:44:57.800 --> 0:45:00.919
<v Speaker 3>Well, before we go any further on, we go into

0:45:00.960 --> 0:45:03.560
<v Speaker 3>a break, but I was looking at the time we

0:45:03.640 --> 0:45:06.760
<v Speaker 3>better go into come back with those top fifty gangster

0:45:06.840 --> 0:45:09.080
<v Speaker 3>rap albums of all time, because I know you got to.

0:45:09.120 --> 0:45:11.239
<v Speaker 3>You got your list of nights on yep, so we

0:45:11.239 --> 0:45:17.680
<v Speaker 3>can continue on. We'll be right back. Okay, we're back

0:45:17.680 --> 0:45:21.279
<v Speaker 3>with more gangst the Chronicles. You know, we've been talking

0:45:21.280 --> 0:45:24.440
<v Speaker 3>about gangster rap for the pretty much the last forty

0:45:24.480 --> 0:45:27.359
<v Speaker 3>five minutes, right, I think it's time we get into

0:45:27.400 --> 0:45:30.520
<v Speaker 3>our list. So all right, you ready?

0:45:31.880 --> 0:45:32.279
<v Speaker 5>All right?

0:45:32.360 --> 0:45:34.839
<v Speaker 4>So here's from what are we doing from twenty to

0:45:34.880 --> 0:45:37.360
<v Speaker 4>ten or twenty to fifteen since we're.

0:45:38.000 --> 0:45:39.520
<v Speaker 2>Yeah, just do twenty to fifteen.

0:45:39.680 --> 0:45:41.600
<v Speaker 3>Just through twenty to fifteen a week, continue out and

0:45:41.680 --> 0:45:43.200
<v Speaker 3>I think I kind of want to close it out

0:45:43.239 --> 0:45:45.160
<v Speaker 3>next week or probably a week after.

0:45:45.360 --> 0:45:47.040
<v Speaker 5>From fifteen to one.

0:45:47.760 --> 0:45:50.640
<v Speaker 1>No, you go twenty to fifteen to night and then

0:45:51.360 --> 0:45:53.400
<v Speaker 1>fifteen to ten and then then we'll do another one

0:45:53.400 --> 0:45:55.200
<v Speaker 1>because I want to do something big for that top ten.

0:45:56.040 --> 0:46:00.480
<v Speaker 4>So to me, here's and obviously we're all gonna be

0:46:00.560 --> 0:46:03.279
<v Speaker 4>voting later and putting it in. But twenty I got

0:46:03.280 --> 0:46:06.919
<v Speaker 4>fifty cent give Richard die Trying. Nineteen, I got Mob

0:46:06.960 --> 0:46:11.799
<v Speaker 4>Deep Murder Music. Eighteen, I got Scarfaced The Diary. Seventeen,

0:46:11.920 --> 0:46:14.800
<v Speaker 4>I got iced t OG six.

0:46:14.760 --> 0:46:17.319
<v Speaker 3>Well, you got the Diary at number eighteen and get

0:46:17.400 --> 0:46:19.879
<v Speaker 3>rich of Die Trent Man, that's the cold list, man,

0:46:20.200 --> 0:46:20.800
<v Speaker 3>Just wait.

0:46:22.520 --> 0:46:27.840
<v Speaker 5>Seventeen. I got ice TG sixteen, I got Coolie Wrapped,

0:46:28.000 --> 0:46:31.800
<v Speaker 5>Polo Live and let Die fifteen. I got Uncle Sam's Curse.

0:46:33.200 --> 0:46:35.399
<v Speaker 3>I like that at fifteen. I like Uncle Sam's Curse

0:46:35.440 --> 0:46:40.400
<v Speaker 3>at number fifteen. This top teen is gonna be a

0:46:40.440 --> 0:46:42.280
<v Speaker 3>motherfucker dog hop fifteen.

0:46:42.320 --> 0:46:42.920
<v Speaker 5>It's crazy.

0:46:43.120 --> 0:46:45.240
<v Speaker 3>Yes, you know, you think about it, man, get Richard

0:46:45.320 --> 0:46:49.120
<v Speaker 3>die Trying. When fifty came with that first album, he

0:46:49.239 --> 0:46:53.080
<v Speaker 3>what did you think about it? I thought it was

0:46:55.280 --> 0:46:58.520
<v Speaker 3>a breath of fresh air from all the singy SONGI

0:46:58.600 --> 0:47:04.719
<v Speaker 3>shit that was going on. You know, we was in

0:47:04.760 --> 0:47:07.600
<v Speaker 3>that era. You know, we was in the era of

0:47:08.920 --> 0:47:15.600
<v Speaker 3>h baller terrific and flossiness and you know, G five

0:47:15.760 --> 0:47:20.800
<v Speaker 3>planes and wagons and you know, and you was either

0:47:21.080 --> 0:47:24.200
<v Speaker 3>you was either balling or you was you was in love.

0:47:24.800 --> 0:47:28.440
<v Speaker 3>You get me on rap records, that's all rap records.

0:47:28.640 --> 0:47:34.160
<v Speaker 3>Was back then between the that era. You know, my

0:47:34.280 --> 0:47:35.400
<v Speaker 3>man jah Ruh.

0:47:35.800 --> 0:47:40.960
<v Speaker 1>Had that had that run where everything was sing songy.

0:47:40.760 --> 0:47:43.520
<v Speaker 3>And I was coming with his though dogs I had.

0:47:43.440 --> 0:47:46.640
<v Speaker 1>Which was which was you know, no disrespect, but like

0:47:46.680 --> 0:47:51.719
<v Speaker 1>I said, that's what it was. You know, everything was

0:47:52.640 --> 0:47:56.239
<v Speaker 1>the party, you know, the party raps and you know

0:47:57.440 --> 0:48:01.520
<v Speaker 1>the women and the bikinis and the pares and well.

0:48:01.400 --> 0:48:03.480
<v Speaker 3>I would like to think in part what was going

0:48:03.520 --> 0:48:05.279
<v Speaker 3>on in New York at that time. Puffy had a

0:48:05.320 --> 0:48:07.839
<v Speaker 3>huge presence. Bad Boy Records had a huge presence, and

0:48:07.840 --> 0:48:11.120
<v Speaker 3>that's what they did because you look at Big even

0:48:11.160 --> 0:48:13.799
<v Speaker 3>though he was a reality rap rapper. To me, you know,

0:48:13.880 --> 0:48:16.960
<v Speaker 3>Biggie talked that street shit like a motherfucker, right. But

0:48:17.960 --> 0:48:20.000
<v Speaker 3>you know, with Puff, he was always gonna make the

0:48:20.040 --> 0:48:22.760
<v Speaker 3>hooks real grandiose and there's gonna be a lot of singing.

0:48:22.800 --> 0:48:24.719
<v Speaker 3>It was gonna be bridges in the songs and shit

0:48:24.880 --> 0:48:26.720
<v Speaker 3>like that. It was gonna be a lot of dancing

0:48:26.719 --> 0:48:30.319
<v Speaker 3>and siny suits. So it was a welcome departure from

0:48:30.360 --> 0:48:33.560
<v Speaker 3>that because fifty brought some of the same elements, but

0:48:33.719 --> 0:48:35.840
<v Speaker 3>he did it almost Nick g Way and when he

0:48:35.880 --> 0:48:37.640
<v Speaker 3>got with those boys from the West Coast, you know

0:48:37.680 --> 0:48:40.120
<v Speaker 3>when he got with Doctor Dre it was just on

0:48:40.120 --> 0:48:43.120
<v Speaker 3>another level because it was a lot of excitement generated

0:48:43.120 --> 0:48:43.920
<v Speaker 3>around that album.

0:48:44.239 --> 0:48:47.480
<v Speaker 1>Yeah, because that's like I said at the time, it

0:48:47.600 --> 0:48:51.040
<v Speaker 1>was the love making Champagne era.

0:48:51.200 --> 0:48:52.880
<v Speaker 3>I know you probably hated that shit, didn't you.

0:48:52.920 --> 0:48:53.919
<v Speaker 2>Hey, yeah, I did.

0:48:55.400 --> 0:49:00.799
<v Speaker 3>Y'all gotta understand some people. Eight is the Stephen King,

0:49:00.880 --> 0:49:04.719
<v Speaker 3>a fucking rep. He's everything dark and sinister. Not that

0:49:04.800 --> 0:49:06.520
<v Speaker 3>it's dark and sinister, but.

0:49:10.719 --> 0:49:13.839
<v Speaker 1>I'm not. I'm like my nigga Rokim Man. I ain't

0:49:13.880 --> 0:49:17.960
<v Speaker 1>no joke. Man, you feel me. And it's a time

0:49:18.000 --> 0:49:19.799
<v Speaker 1>and a place for all that. I mean, we have

0:49:19.920 --> 0:49:23.239
<v Speaker 1>all kinds of artists. You know, everything is you know,

0:49:23.480 --> 0:49:27.480
<v Speaker 1>lights and flash and you know, look at me, and

0:49:27.520 --> 0:49:30.160
<v Speaker 1>you know, look how many girls I can fuck, and

0:49:30.239 --> 0:49:33.759
<v Speaker 1>how much money I could spend, and how much champagne

0:49:33.800 --> 0:49:35.640
<v Speaker 1>and bottle popping and you know that.

0:49:35.840 --> 0:49:38.239
<v Speaker 3>She was popping doing that era. Man, did you ever

0:49:38.280 --> 0:49:40.160
<v Speaker 3>get an exec come to you and say, hey, man,

0:49:40.200 --> 0:49:41.920
<v Speaker 3>we want to get you some Timberland beats?

0:49:42.080 --> 0:49:43.319
<v Speaker 2>Well, yeah, he's from the.

0:49:43.280 --> 0:49:45.239
<v Speaker 3>For rail in them, and have you start doing some

0:49:45.280 --> 0:49:46.920
<v Speaker 3>other stuff. If I just saw you in the shiny

0:49:46.960 --> 0:49:47.560
<v Speaker 3>suit dog.

0:49:47.840 --> 0:49:50.279
<v Speaker 1>That I had to go through that era because like

0:49:50.320 --> 0:49:54.520
<v Speaker 1>I said, at the time, all the labels were trying

0:49:54.520 --> 0:50:00.759
<v Speaker 1>to back away from the reality situation sleep what was

0:50:00.800 --> 0:50:05.360
<v Speaker 1>going down, because you know over there with the we

0:50:05.400 --> 0:50:07.000
<v Speaker 1>used to fight. We used to and then we used

0:50:07.000 --> 0:50:09.560
<v Speaker 1>to fight like a motherfucker man. We used to fight

0:50:09.719 --> 0:50:13.120
<v Speaker 1>conventions and jack the rappers and all that. We used

0:50:13.160 --> 0:50:15.680
<v Speaker 1>to fight niggas and do all that ship because you know,

0:50:16.160 --> 0:50:20.080
<v Speaker 1>we was bringing our beefs and our element from back

0:50:20.120 --> 0:50:24.480
<v Speaker 1>home and you know, into the rap world because niggas

0:50:24.520 --> 0:50:26.120
<v Speaker 1>didn't understand that.

0:50:27.800 --> 0:50:28.439
<v Speaker 5>It was real.

0:50:28.480 --> 0:50:32.720
<v Speaker 1>I'm still from the streets music seminar.

0:50:32.520 --> 0:50:33.520
<v Speaker 2>All that type of ship.

0:50:33.960 --> 0:50:37.600
<v Speaker 1>So and then, like I said, when Iced Tea came

0:50:37.640 --> 0:50:40.880
<v Speaker 1>a cop killer, and then we had all the bit ship,

0:50:41.320 --> 0:50:43.759
<v Speaker 1>you know with with dog in them and the too

0:50:43.920 --> 0:50:47.200
<v Speaker 1>Short then we had all the gangster ship with eight

0:50:47.280 --> 0:50:49.000
<v Speaker 1>and the Quicks and all that ship.

0:50:50.520 --> 0:50:52.760
<v Speaker 5>And even though it wasn't gangster two Life Crew.

0:50:52.800 --> 0:50:56.640
<v Speaker 1>With what happened with with POC made labels start going,

0:50:56.680 --> 0:50:58.920
<v Speaker 1>we don't want to touch that ship. And then you

0:50:58.960 --> 0:51:02.359
<v Speaker 1>know sug was around here whooping niggas asses and all

0:51:02.440 --> 0:51:06.840
<v Speaker 1>that shit. So it made motherfuckers get scared. That's came

0:51:06.920 --> 0:51:10.960
<v Speaker 1>the era of security in the lobbies at record labels

0:51:11.000 --> 0:51:11.759
<v Speaker 1>and shit like.

0:51:11.719 --> 0:51:14.080
<v Speaker 3>Oh all that. It got shut down once death Ro

0:51:14.239 --> 0:51:16.200
<v Speaker 3>came because you know, I got my job with the

0:51:16.239 --> 0:51:18.560
<v Speaker 3>first publishing company. I was with minor music then, right,

0:51:19.280 --> 0:51:22.080
<v Speaker 3>And I remember they had sent me to Warner Brothers

0:51:22.360 --> 0:51:24.920
<v Speaker 3>to go we had some sync business, right, and I

0:51:25.080 --> 0:51:26.920
<v Speaker 3>was used to just building the building and going to

0:51:26.920 --> 0:51:28.799
<v Speaker 3>go see what I see. They said, no, we need

0:51:28.800 --> 0:51:31.520
<v Speaker 3>your ID. You gotta wait right here, the dude gotta

0:51:31.520 --> 0:51:34.600
<v Speaker 3>come you underside end. We need to see your driver's license.

0:51:34.640 --> 0:51:36.600
<v Speaker 3>And I was like, damn, what the hell is going on?

0:51:36.960 --> 0:51:40.399
<v Speaker 3>Priority in started a whole like like a bank vault. Yeah,

0:51:40.440 --> 0:51:42.480
<v Speaker 3>like a bank vault security, Like you not getting up

0:51:42.520 --> 0:51:46.640
<v Speaker 3>in this motherfucker without no appointment. So but yeah, it was.

0:51:46.719 --> 0:51:50.440
<v Speaker 1>It was that different time of labels trying to change

0:51:50.480 --> 0:51:53.560
<v Speaker 1>the format of hip hop, and you know, like I said,

0:51:53.600 --> 0:51:57.120
<v Speaker 1>that's the era we got introduced to a lot of

0:51:57.160 --> 0:52:01.920
<v Speaker 1>the flashy, puffy and you know, the jar rules and

0:52:01.960 --> 0:52:05.680
<v Speaker 1>all that. So when fifty dropped, you know, get Rich

0:52:05.719 --> 0:52:09.120
<v Speaker 1>of DoD Try and it was just refreshing, man, because

0:52:10.960 --> 0:52:13.480
<v Speaker 1>it was on some neighbor it was on some to me.

0:52:13.800 --> 0:52:15.719
<v Speaker 1>I considered it on some Street.

0:52:15.360 --> 0:52:18.759
<v Speaker 3>Ship against against them.

0:52:18.239 --> 0:52:20.880
<v Speaker 1>And to me, it kind of changed the format and

0:52:20.880 --> 0:52:24.040
<v Speaker 1>and and and unlocked the door, you know, because they

0:52:24.040 --> 0:52:27.480
<v Speaker 1>try to lock us out. But after that drop, it

0:52:27.640 --> 0:52:32.360
<v Speaker 1>kind of made the the sustaining of reality rap or

0:52:32.480 --> 0:52:36.320
<v Speaker 1>niggas basically who didn't want to party and dance. Favor

0:52:36.920 --> 0:52:39.239
<v Speaker 1>gave us the chance to come back because you know,

0:52:39.640 --> 0:52:44.840
<v Speaker 1>Snoop dropped and then you know, Dre and then came came,

0:52:45.000 --> 0:52:47.319
<v Speaker 1>and then you know, then we had the T I

0:52:47.480 --> 0:52:50.000
<v Speaker 1>S and then you know, all of it. So it

0:52:50.440 --> 0:52:53.480
<v Speaker 1>kind of gave us a lane again to you know,

0:52:53.600 --> 0:52:56.799
<v Speaker 1>get all get all our sustainability back.

0:52:57.840 --> 0:53:01.000
<v Speaker 3>Yeah, because I think during that time, Man and fifty

0:53:01.000 --> 0:53:03.400
<v Speaker 3>don't get the credit that he deserve oftentimes for that

0:53:03.480 --> 0:53:06.359
<v Speaker 3>album because it was a phenomenal album, and I think

0:53:06.400 --> 0:53:08.719
<v Speaker 3>people wanted to see him. He was got so big

0:53:08.840 --> 0:53:11.120
<v Speaker 3>where people actually wanted to see him lose after a while,

0:53:11.160 --> 0:53:11.760
<v Speaker 3>I think.

0:53:11.840 --> 0:53:15.319
<v Speaker 4>Yeah, but he had built himself up through the mixtapes

0:53:15.560 --> 0:53:17.520
<v Speaker 4>in the Street album so hard that.

0:53:18.320 --> 0:53:20.080
<v Speaker 3>He was under now boil. You couldn't stop him. It

0:53:20.120 --> 0:53:21.959
<v Speaker 3>wasn't no black ball, and the black ball and didn't

0:53:21.960 --> 0:53:26.040
<v Speaker 3>work on him because it was almost like him being

0:53:26.160 --> 0:53:30.800
<v Speaker 3>shot Lin credence to his whole career. You feel what

0:53:30.840 --> 0:53:32.920
<v Speaker 3>I'm saying. It was almost like him getting shot and

0:53:32.960 --> 0:53:35.520
<v Speaker 3>then him It was almost like the same shit with

0:53:35.560 --> 0:53:38.560
<v Speaker 3>pop like you know, you know, And after a while

0:53:38.600 --> 0:53:42.839
<v Speaker 3>it was like I used to hear motherfuckers talk like, man,

0:53:42.920 --> 0:53:44.839
<v Speaker 3>you know what if a rapper gets shot, to blow

0:53:44.920 --> 0:53:46.759
<v Speaker 3>up and I don't even think. Man, some of this show,

0:53:46.840 --> 0:53:49.960
<v Speaker 3>you start seeing people orchestrating fake shootings and shit like that,

0:53:50.040 --> 0:53:51.840
<v Speaker 3>you know what I'm saying. And that was part of

0:53:51.840 --> 0:53:53.839
<v Speaker 3>the reason why I got Mike job at that time,

0:53:53.920 --> 0:53:57.440
<v Speaker 3>because before I'd applied to a few labels and wouldn't

0:53:57.480 --> 0:53:59.680
<v Speaker 3>nobody get me. But then once people started running up

0:53:59.680 --> 0:54:01.640
<v Speaker 3>in the moment officers, I think they wanted brothers like

0:54:01.719 --> 0:54:03.880
<v Speaker 3>me up in there to try to stop people. And

0:54:03.960 --> 0:54:05.839
<v Speaker 3>I told them, I see, I'm not security. If y'all

0:54:05.880 --> 0:54:08.920
<v Speaker 3>want to hire security, y'all get that. Hey, norms, I'll

0:54:08.960 --> 0:54:10.960
<v Speaker 3>get those buzzes sometimes. Can you go see what these

0:54:10.960 --> 0:54:13.280
<v Speaker 3>guys want? I'm like, man, that's not my fucking department.

0:54:13.360 --> 0:54:14.719
<v Speaker 3>Y'all go see what he wants. He here for his

0:54:14.800 --> 0:54:15.279
<v Speaker 3>fucking chick.

0:54:16.520 --> 0:54:22.239
<v Speaker 1>Yeah, my I'm gonna go. I ain't got no list,

0:54:22.320 --> 0:54:25.640
<v Speaker 1>but I know my twenty to fifteen I'm gonna go

0:54:27.400 --> 0:54:38.719
<v Speaker 1>King t Actor Food album incredible. I'm gonna go. I'm

0:54:38.719 --> 0:54:45.480
<v Speaker 1>gonna go to the first East Siders album.

0:54:43.640 --> 0:54:48.080
<v Speaker 3>Deuces and Trades, the first first ones called east Siders. Okay,

0:54:48.120 --> 0:54:48.560
<v Speaker 3>that's hard.

0:54:48.800 --> 0:54:53.320
<v Speaker 1>I'm gonna go. I'm gonna go.

0:54:53.520 --> 0:54:54.600
<v Speaker 5>Beef is my favorite song.

0:54:54.600 --> 0:54:56.839
<v Speaker 1>I'm gonna go that. I'm gonna go to Jao What

0:54:56.880 --> 0:54:58.560
<v Speaker 1>You're Gonna Do album?

0:55:00.120 --> 0:55:01.280
<v Speaker 3>Man, I love that album.

0:55:01.320 --> 0:55:02.520
<v Speaker 5>It's a great album.

0:55:02.800 --> 0:55:06.120
<v Speaker 2>My favorite song on there is easy to Get in Jail.

0:55:06.120 --> 0:55:07.400
<v Speaker 3>It was hard thangs.

0:55:07.400 --> 0:55:13.080
<v Speaker 1>Man, I'm gonna go Above the Law the Living like

0:55:13.200 --> 0:55:14.360
<v Speaker 1>Hustler's album.

0:55:14.520 --> 0:55:15.160
<v Speaker 5>Phenomenal.

0:55:18.560 --> 0:55:25.640
<v Speaker 1>And then my fifteen I'm gonna go. I'm gonna go there.

0:55:25.719 --> 0:55:30.440
<v Speaker 1>I'm gonna go. I'm gonna go Scarface The World is

0:55:30.480 --> 0:55:31.239
<v Speaker 1>Yours man.

0:55:31.520 --> 0:55:34.000
<v Speaker 3>Really I like that man, Yeah, that's good. You went

0:55:34.040 --> 0:55:36.640
<v Speaker 3>back on Yeah. Yeah, people forget about that album.

0:55:36.680 --> 0:55:38.800
<v Speaker 4>Got a lot of scarface on here, a lot of

0:55:38.800 --> 0:55:40.440
<v Speaker 4>scarface coming up too.

0:55:41.080 --> 0:55:43.560
<v Speaker 3>I actually had that higher The World Is Yours. I

0:55:43.640 --> 0:55:46.239
<v Speaker 3>like that album. Yeah. He had that song on there

0:55:47.000 --> 0:55:49.279
<v Speaker 3>you feel Me, the one where even having a hook

0:55:49.320 --> 0:55:51.880
<v Speaker 3>on it a new day. You know what I'm saying.

0:55:51.960 --> 0:55:54.120
<v Speaker 3>You know, start off like that and all I gotta

0:55:54.160 --> 0:55:56.120
<v Speaker 3>do is thank God for my mother. That was a

0:55:56.160 --> 0:55:57.920
<v Speaker 3>hard song right there. That was dope right.

0:55:57.760 --> 0:56:01.000
<v Speaker 5>There, Faces one of the ever.

0:56:01.520 --> 0:56:05.680
<v Speaker 1>And I bangs that shit today and motherfucking I got it.

0:56:06.080 --> 0:56:09.239
<v Speaker 1>The other one higher though. My favorite cut though, that

0:56:09.400 --> 0:56:10.560
<v Speaker 1>Jesse James.

0:56:10.600 --> 0:56:14.240
<v Speaker 3>Man, Oh, Jesse James, that bum bum bump bump bump

0:56:14.360 --> 0:56:18.600
<v Speaker 3>bum bum bum bum. And that's when Mike Dean started

0:56:18.640 --> 0:56:20.759
<v Speaker 3>coming out there, because you know, Luk Jay has sent

0:56:20.920 --> 0:56:22.200
<v Speaker 3>Mike Dean out here to kind of.

0:56:22.160 --> 0:56:24.960
<v Speaker 1>Sit up under Dragon around this motherfucker started to do.

0:56:25.000 --> 0:56:28.839
<v Speaker 1>You Like Jesse James, that shit was cold. I mean

0:56:28.880 --> 0:56:31.160
<v Speaker 1>that motherfucker record right there is killer.

0:56:32.360 --> 0:56:39.319
<v Speaker 4>But that's the the beauty of Scarface is that, like

0:56:39.440 --> 0:56:43.640
<v Speaker 4>you eight to survive in the different errors, different production styles,

0:56:44.040 --> 0:56:47.680
<v Speaker 4>but be able to maintain who he was as an artist.

0:56:47.960 --> 0:56:50.840
<v Speaker 4>And like we even had early on deeply rooted. I

0:56:50.840 --> 0:56:54.680
<v Speaker 4>mean that's like a twenty fifteen album, yeah deep We

0:56:54.719 --> 0:56:58.600
<v Speaker 4>got albums that are spending like twenty plus years. So

0:57:00.040 --> 0:57:04.279
<v Speaker 4>it's a beautiful thing. It's Scarface. Those that know, I

0:57:04.280 --> 0:57:07.560
<v Speaker 4>think give Faced a lot of credit, but I think

0:57:07.560 --> 0:57:09.919
<v Speaker 4>he deserves more every time.

0:57:10.000 --> 0:57:12.320
<v Speaker 3>So you got so you would consider King T is

0:57:12.360 --> 0:57:17.320
<v Speaker 3>against the rapper. I always thought the LIX was like

0:57:17.360 --> 0:57:18.840
<v Speaker 3>a hip hop collective, like, oh.

0:57:18.800 --> 0:57:22.280
<v Speaker 2>Yeah, but the Lis is not. That's not King T.

0:57:22.560 --> 0:57:24.400
<v Speaker 2>King T is, that's his crew.

0:57:24.480 --> 0:57:29.160
<v Speaker 1>But yeah, but King T spoke of of hood themes

0:57:29.440 --> 0:57:34.120
<v Speaker 1>and he spoke a neighborhood an the licks. The Licks

0:57:34.320 --> 0:57:37.800
<v Speaker 1>was all about, like I say, uh, you have some

0:57:38.280 --> 0:57:44.400
<v Speaker 1>artists who are outside of what we call reality rap

0:57:45.320 --> 0:57:49.160
<v Speaker 1>niggas is just artists and they make songs in their

0:57:49.440 --> 0:57:54.160
<v Speaker 1>art form, you know, and that's like the alcoholics. That's

0:57:54.200 --> 0:57:58.120
<v Speaker 1>like fucking the souls of mischief to me. You know,

0:57:58.240 --> 0:58:02.840
<v Speaker 1>that's exactly league. You know, people have their own lanes

0:58:02.880 --> 0:58:03.760
<v Speaker 1>for their music.

0:58:03.960 --> 0:58:10.160
<v Speaker 5>And remember the Nuns. I always loved the Nuns. The Nuns.

0:58:10.240 --> 0:58:14.840
<v Speaker 3>I used to say that album got the rhymes and

0:58:14.840 --> 0:58:16.080
<v Speaker 3>beats that it was harder.

0:58:16.800 --> 0:58:20.240
<v Speaker 2>Remember the Militia Niga man that ship that all.

0:58:20.120 --> 0:58:25.920
<v Speaker 1>That shout out told.

0:58:24.960 --> 0:58:26.840
<v Speaker 5>There's a lot and that's the other thing.

0:58:27.000 --> 0:58:29.480
<v Speaker 1>But like I said, that's the that's the other side

0:58:29.480 --> 0:58:34.200
<v Speaker 1>of hip hop. You know, everybody is in you know, neighborhood.

0:58:34.440 --> 0:58:38.280
<v Speaker 1>You know artists, you know we have we have artists

0:58:38.320 --> 0:58:40.560
<v Speaker 1>that you know are different in.

0:58:40.640 --> 0:58:43.840
<v Speaker 3>Form, special ed you feel me. Ship.

0:58:44.560 --> 0:58:52.720
<v Speaker 1>Everybody doesn't. Everybody has not walked the life of underprivilege.

0:58:52.920 --> 0:58:56.120
<v Speaker 1>You know what I'm saying. You wouldn't expect that from

0:58:56.120 --> 0:59:00.880
<v Speaker 1>a motherfucker who grew up outside of you or or

0:59:00.960 --> 0:59:04.880
<v Speaker 1>across the tracks over here. Man, it's dark over there.

0:59:04.920 --> 0:59:09.360
<v Speaker 1>It's light, great schools, you know what I'm saying. Parents together,

0:59:09.960 --> 0:59:13.000
<v Speaker 1>motherfucking you know, clean up your room and mold the

0:59:13.040 --> 0:59:16.680
<v Speaker 1>front yard and walk the dog. It's motherfuckers who come

0:59:16.720 --> 0:59:20.240
<v Speaker 1>from that lifestyle. But it's motherfuckers who still come from

0:59:20.280 --> 0:59:23.320
<v Speaker 1>the projects and hard life and can't get a job

0:59:23.440 --> 0:59:27.000
<v Speaker 1>and got a record and gotta sell dope and niggas

0:59:27.000 --> 0:59:29.800
<v Speaker 1>talking about choices and shit, but you don't have them

0:59:30.360 --> 0:59:35.280
<v Speaker 1>feel me. So the music reflects where you come from.

0:59:35.440 --> 0:59:39.480
<v Speaker 6>This is what I say, absolutely absolutely all right, man,

0:59:39.520 --> 0:59:42.240
<v Speaker 6>you're gonna get you hard tesk. Okay, here I go.

0:59:42.280 --> 0:59:44.440
<v Speaker 6>You'll want to go from fifteen on up to ten. No,

0:59:44.560 --> 0:59:46.720
<v Speaker 6>we're going from twenty to fifteen, from.

0:59:46.640 --> 0:59:50.680
<v Speaker 3>Twenty to fifteen, Okay, jail feeling me? What you go do?

0:59:52.360 --> 0:59:57.520
<v Speaker 3>My deep murder music dove Ce and djil lettin Low Profile,

0:59:57.640 --> 1:00:00.720
<v Speaker 3>Low Profile, the Low Profile album mom Exist Weapons of

1:00:00.800 --> 1:00:03.000
<v Speaker 3>Mass Destruction that was against the Wrap album to me,

1:00:03.840 --> 1:00:10.160
<v Speaker 3>Notorious Big, Ready to Die fifty, get rich of that.

1:00:10.280 --> 1:00:14.560
<v Speaker 2>Trying weapons of mass destruction.

1:00:15.640 --> 1:00:17.880
<v Speaker 3>That was a good man. That's the one that. Don't

1:00:17.920 --> 1:00:19.640
<v Speaker 3>correct me if I'm wrong with that. They had some

1:00:19.720 --> 1:00:21.640
<v Speaker 3>bangs and I thought that was against the Wrap album.

1:00:21.640 --> 1:00:23.920
<v Speaker 3>To me, I would have said this. I would have

1:00:23.960 --> 1:00:26.680
<v Speaker 3>said the first record, the one would get your walk

1:00:26.960 --> 1:00:27.760
<v Speaker 3>get your walk on.

1:00:28.040 --> 1:00:28.880
<v Speaker 5>That's Restless.

1:00:29.120 --> 1:00:30.640
<v Speaker 3>Yes, I say Restless.

1:00:30.840 --> 1:00:31.920
<v Speaker 2>I like Restless.

1:00:33.000 --> 1:00:38.640
<v Speaker 4>Restless is well, Restless is my That is an amazing album.

1:00:38.680 --> 1:00:39.160
<v Speaker 2>Restless.

1:00:39.280 --> 1:00:40.479
<v Speaker 3>What I'm changing my picking.

1:00:40.560 --> 1:00:45.240
<v Speaker 1>I'm picking because yeah, get your walk on his wrestless, restless.

1:00:44.840 --> 1:00:46.240
<v Speaker 3>Guy, some shit confused.

1:00:46.360 --> 1:00:50.919
<v Speaker 2>Restless gotless and they got the motherfucking that.

1:00:50.840 --> 1:00:51.520
<v Speaker 3>Was gainst the Wrap.

1:00:51.560 --> 1:00:53.280
<v Speaker 4>To me, that ship was hard as he Get your

1:00:53.280 --> 1:00:55.480
<v Speaker 4>walk on, that's a battle cat did that and that.

1:00:55.720 --> 1:00:59.520
<v Speaker 1>To Nigga got the old no, let's get drunk and yeah,

1:00:59.560 --> 1:01:02.000
<v Speaker 1>that was my ship. That ship was just right there

1:01:02.040 --> 1:01:02.919
<v Speaker 1>with the with the rest.

1:01:03.240 --> 1:01:03.920
<v Speaker 3>I changed that.

1:01:06.240 --> 1:01:07.520
<v Speaker 2>Motherfuckers cracking.

1:01:07.840 --> 1:01:09.959
<v Speaker 3>That was a gangster rap album because when I heard

1:01:09.960 --> 1:01:12.000
<v Speaker 3>that album, I was going to Vegas with my wife.

1:01:12.160 --> 1:01:14.080
<v Speaker 2>Got the song on there with Nate Dog too.

1:01:15.160 --> 1:01:16.919
<v Speaker 5>There's a lot of and that was when we first

1:01:17.640 --> 1:01:18.280
<v Speaker 5>You remember that.

1:01:18.280 --> 1:01:21.800
<v Speaker 1>Was like the last phase of CDs, right, that was

1:01:21.840 --> 1:01:23.760
<v Speaker 1>like the findest little phase of the CDs.

1:01:23.840 --> 1:01:25.680
<v Speaker 3>Right, remember when CS is big. That was like in

1:01:25.720 --> 1:01:28.680
<v Speaker 3>that final phase of people putting on physical units, right

1:01:28.880 --> 1:01:30.720
<v Speaker 3>when people actually had to go out and sell records

1:01:30.720 --> 1:01:32.560
<v Speaker 3>with all all this fake ship that's going on now, right.

1:01:33.560 --> 1:01:36.880
<v Speaker 3>I remember I was going from here to Vegas and

1:01:36.920 --> 1:01:40.280
<v Speaker 3>I banged that motherfucking Wrestless album the whole time, just

1:01:40.320 --> 1:01:43.560
<v Speaker 3>kept bring it back because that beat was just so hard.

1:01:43.600 --> 1:01:46.479
<v Speaker 3>And I had, like, I just got a competition sound

1:01:46.520 --> 1:01:48.600
<v Speaker 3>system put in my truck. I had an expedition at

1:01:48.600 --> 1:01:51.240
<v Speaker 3>that time, right, that's when the expeditions was. I had

1:01:51.240 --> 1:01:53.960
<v Speaker 3>a navigator and I just got like a big sound

1:01:54.000 --> 1:01:57.160
<v Speaker 3>system put in there. And when that I could drink

1:01:57.160 --> 1:01:59.840
<v Speaker 3>a whole Hennessy fifth something. Call it the problem, but

1:01:59.840 --> 1:02:02.200
<v Speaker 3>I'm call it a gift. Just the way that was

1:02:02.280 --> 1:02:05.360
<v Speaker 3>hitting with the bump bump bump, I was like, dun

1:02:06.120 --> 1:02:07.800
<v Speaker 3>you was just jamming all the way. The thing that

1:02:07.840 --> 1:02:11.200
<v Speaker 3>shit was hard. Shout out to exhibit Exhibit is underrated

1:02:11.200 --> 1:02:15.640
<v Speaker 3>as fuck, man. I think they exhibit and all them cats, man,

1:02:15.680 --> 1:02:18.680
<v Speaker 3>we got a lot of underrated cats. Out of here. Man. Yeah,

1:02:19.360 --> 1:02:21.480
<v Speaker 3>there's no decided to go to get good music.

1:02:21.640 --> 1:02:26.600
<v Speaker 1>Man, see a lot of good music that came from

1:02:27.000 --> 1:02:30.280
<v Speaker 1>the element I guess of what we call reality rap

1:02:30.760 --> 1:02:34.240
<v Speaker 1>because it's not all about gangster shit because everybody wasn't

1:02:34.280 --> 1:02:38.720
<v Speaker 1>claiming the neighborhood. So I got a lot of dudes

1:02:38.880 --> 1:02:45.400
<v Speaker 1>who's underrated as far as you know, as far as

1:02:45.440 --> 1:02:48.280
<v Speaker 1>this this list goes, it's it's been a lot of

1:02:48.320 --> 1:02:54.600
<v Speaker 1>classic music that people have probably forgotten about, uh, And

1:02:54.640 --> 1:02:58.720
<v Speaker 1>I'm reminded every time, you know, we do this ship

1:02:59.560 --> 1:03:04.200
<v Speaker 1>about uh, the greatness and where hip hop came from. Absolutely,

1:03:04.400 --> 1:03:08.400
<v Speaker 1>I said I was a nigga listening to fucking I

1:03:08.520 --> 1:03:11.200
<v Speaker 1>was a nigga listening to fucking from cool g rap

1:03:11.280 --> 1:03:14.800
<v Speaker 1>to motherfucking mixed Master Spade. Man, I've and it's just

1:03:14.880 --> 1:03:17.960
<v Speaker 1>so much good music and take it all and it's.

1:03:17.880 --> 1:03:20.240
<v Speaker 3>Like yeah, and it's never ending. Like you know, we're

1:03:20.240 --> 1:03:22.520
<v Speaker 3>doing this listen to top fifty things. Again. These are

1:03:22.680 --> 1:03:26.360
<v Speaker 3>just our opinions, right, but we I say they're somewhat

1:03:26.400 --> 1:03:29.640
<v Speaker 3>subjective opinions. We're not up here just trying to force nothing.

1:03:29.680 --> 1:03:33.560
<v Speaker 3>We got a voted system and y'all let us know

1:03:33.600 --> 1:03:35.760
<v Speaker 3>what y'all think man in the comments, Man, y'all might

1:03:35.800 --> 1:03:37.520
<v Speaker 3>tell us all listens full of y'all might tell us

1:03:37.520 --> 1:03:38.080
<v Speaker 3>me full of shit.

1:03:38.120 --> 1:03:42.320
<v Speaker 2>I believe y'all were one more boss deeper.

1:03:42.720 --> 1:03:48.200
<v Speaker 1>Oh man, I forgot about that was hard man killed

1:03:48.240 --> 1:03:49.040
<v Speaker 1>her off the bag.

1:03:49.200 --> 1:03:51.919
<v Speaker 2>That shit about ten times all the way up here.

1:03:52.080 --> 1:03:52.320
<v Speaker 3>Bad.

1:03:52.640 --> 1:03:55.320
<v Speaker 1>I couldn't get enough of it, and we saying I

1:03:55.360 --> 1:03:58.440
<v Speaker 1>got the five scales of trying to get the watts,

1:03:58.480 --> 1:04:01.040
<v Speaker 1>but I'm stuck in ballwin here. She used to flow

1:04:01.200 --> 1:04:05.120
<v Speaker 1>like a mother and that sample was hard to the

1:04:05.440 --> 1:04:09.120
<v Speaker 1>first that that was my sample. Yeah, they sped it up, dud.

1:04:10.480 --> 1:04:13.960
<v Speaker 1>That's the hood took me up to remix, man, that

1:04:14.120 --> 1:04:16.200
<v Speaker 1>was all that man. Boss was my peoples.

1:04:16.240 --> 1:04:16.400
<v Speaker 2>Man.

1:04:16.440 --> 1:04:16.760
<v Speaker 3>I was in.

1:04:16.920 --> 1:04:20.080
<v Speaker 2>I'm in her video process of elimination.

1:04:20.360 --> 1:04:21.160
<v Speaker 3>Yeah.

1:04:21.280 --> 1:04:23.480
<v Speaker 1>They came to LA and shot the video and hit

1:04:23.600 --> 1:04:25.600
<v Speaker 1>me up. Niggas was always hitting me up to come

1:04:25.640 --> 1:04:26.400
<v Speaker 1>of getting a video.

1:04:26.440 --> 1:04:27.920
<v Speaker 3>Where is Boss still alive?

1:04:28.760 --> 1:04:30.800
<v Speaker 1>That's the time I heard Boss. She was in Detroit

1:04:30.880 --> 1:04:33.280
<v Speaker 1>on the radio. That was the last time I heard of.

1:04:33.240 --> 1:04:36.040
<v Speaker 5>Her, and I heard she was having some serious hot Yeah.

1:04:35.920 --> 1:04:38.160
<v Speaker 3>Because somebody is Because I heard she had got real sick,

1:04:38.240 --> 1:04:40.160
<v Speaker 3>so shot out the boss Man if anybody else did

1:04:40.240 --> 1:04:41.680
<v Speaker 3>know Boss, tell her to get at us. I would

1:04:41.680 --> 1:04:43.680
<v Speaker 3>love to have her on the show. Man on the show.

1:04:43.760 --> 1:04:45.280
<v Speaker 3>I would love to have Boss on the show.

1:04:45.480 --> 1:04:46.960
<v Speaker 5>And the crazy thing is.

1:04:48.440 --> 1:04:51.240
<v Speaker 4>When I got the album Boring Gangsters, and then I

1:04:51.320 --> 1:04:54.640
<v Speaker 4>was listening to it and reading the credits and like work.

1:04:54.800 --> 1:04:57.040
<v Speaker 4>She did a lot of stuff with Def Jeff, who's

1:04:57.120 --> 1:04:59.800
<v Speaker 4>also very underrated and underpre.

1:04:59.760 --> 1:05:03.800
<v Speaker 3>Dope a producer to as well as.

1:05:02.440 --> 1:05:06.840
<v Speaker 4>Incredible and Eric Sermons. She had a very very excellent

1:05:06.920 --> 1:05:11.480
<v Speaker 4>album and very unexpected, I guess would be another I.

1:05:11.440 --> 1:05:13.479
<v Speaker 3>Think what it was. I know some stuff that came

1:05:13.520 --> 1:05:15.680
<v Speaker 3>out about her, like a lot of other people that

1:05:16.240 --> 1:05:18.280
<v Speaker 3>oh she's not really against and no, I didn't give

1:05:18.320 --> 1:05:19.880
<v Speaker 3>a fuck. She made dope ass music.

1:05:20.160 --> 1:05:22.360
<v Speaker 5>Yeah, I moved. Her album is incredible.

1:05:23.280 --> 1:05:25.800
<v Speaker 3>I don't think Stephen King really out there you know, shopping,

1:05:26.360 --> 1:05:27.480
<v Speaker 3>you know what I'm saying. I don't think he really

1:05:27.560 --> 1:05:29.440
<v Speaker 3>no serial killer, nothing like that. I think he just

1:05:29.480 --> 1:05:31.200
<v Speaker 3>made really incredible horror movies.

1:05:31.280 --> 1:05:33.520
<v Speaker 5>Right, he'd have more bodies than about anybody.

1:05:33.800 --> 1:05:37.200
<v Speaker 3>Oh yeah, for sure. Man, Before we get out of here,

1:05:37.200 --> 1:05:40.120
<v Speaker 3>I'm gonna tell y'all again, just one more update. Man.

1:05:40.160 --> 1:05:44.000
<v Speaker 1>It said she had a major stroke and seizure in

1:05:44.080 --> 1:05:48.200
<v Speaker 1>twenty seventeen. Oh wow, And in twenty twenty one a

1:05:48.280 --> 1:05:54.400
<v Speaker 1>gofund me was set up to raise fifteen grand So ain't.

1:05:54.200 --> 1:05:56.800
<v Speaker 3>They just said how our hip hop artist man like

1:05:56.880 --> 1:05:59.960
<v Speaker 3>our people that was in the cultry, just get left hand.

1:06:00.120 --> 1:06:03.240
<v Speaker 3>But what i've what i've I think I'm a union.

1:06:03.400 --> 1:06:07.360
<v Speaker 3>I think I said this a couple of shows back.

1:06:09.560 --> 1:06:13.960
<v Speaker 3>It's crazy how you can go work for one of

1:06:14.000 --> 1:06:17.560
<v Speaker 3>these big major corporations right now, you know, just a

1:06:17.640 --> 1:06:22.200
<v Speaker 3>regular worker general motors or hospital or whatever. You get

1:06:22.240 --> 1:06:27.480
<v Speaker 3>medical right. You would think that when an artist signs

1:06:27.560 --> 1:06:31.400
<v Speaker 3>to a major label or whatever, that in their contract

1:06:31.440 --> 1:06:33.840
<v Speaker 3>they would stipulate they give me some of that fucking

1:06:34.040 --> 1:06:37.680
<v Speaker 3>Universal or Sony health insurance because they have self assurance

1:06:37.680 --> 1:06:39.440
<v Speaker 3>for the rest of the employees. The right.

1:06:39.480 --> 1:06:43.240
<v Speaker 1>You better you got them from the motherfucker mailing the

1:06:43.280 --> 1:06:46.560
<v Speaker 1>papers to the nigga, pushing the janitor ship, cleaning up

1:06:46.560 --> 1:06:47.160
<v Speaker 1>the offices.

1:06:47.280 --> 1:06:50.280
<v Speaker 3>You're really the motherfuckers, you know, providing the capital for

1:06:50.320 --> 1:06:54.600
<v Speaker 3>that business there. Why would why you know, one of

1:06:54.600 --> 1:06:56.760
<v Speaker 3>the most important employees. They should won't have you nice

1:06:56.800 --> 1:06:59.000
<v Speaker 3>and healthy? That's a good point, you should. We would,

1:06:59.120 --> 1:07:01.160
<v Speaker 3>we would have thought about that though. You give me

1:07:01.280 --> 1:07:03.560
<v Speaker 3>I heard products you had that written into his agreement

1:07:03.560 --> 1:07:05.800
<v Speaker 3>though for mob Deep, you know, the rest of Peace Pride,

1:07:05.960 --> 1:07:08.240
<v Speaker 3>because you know he had sick of Seale. He had

1:07:08.280 --> 1:07:11.000
<v Speaker 3>that written to they contract man, that they get health insurance.

1:07:11.280 --> 1:07:13.160
<v Speaker 3>It wouldn't be hard for them to do, though, Bro,

1:07:13.360 --> 1:07:14.720
<v Speaker 3>you got it for everybody.

1:07:14.240 --> 1:07:16.480
<v Speaker 1>Else in that mean But I guess you know as

1:07:16.520 --> 1:07:19.080
<v Speaker 1>a as a young motherfucker, and you know a lot

1:07:19.120 --> 1:07:22.920
<v Speaker 1>of us young signed on contracts and whatever. The last

1:07:22.920 --> 1:07:27.200
<v Speaker 1>thing you're thinking about is, yeah, man, throw in my contract. Nigga,

1:07:27.200 --> 1:07:32.000
<v Speaker 1>I get five years free health insurance and dental. Nigga,

1:07:32.000 --> 1:07:35.240
<v Speaker 1>you ain't thinking about that like your thing is, Nigga,

1:07:35.280 --> 1:07:37.160
<v Speaker 1>I need two fifty three hundred thousand.

1:07:37.360 --> 1:07:39.120
<v Speaker 3>I need a million right now? Do you pay for

1:07:39.120 --> 1:07:40.200
<v Speaker 3>your insurance? Rell?

1:07:40.280 --> 1:07:40.560
<v Speaker 5>Yeah?

1:07:41.000 --> 1:07:42.440
<v Speaker 3>So you gotta pay, and I'm pretty sure that the

1:07:42.560 --> 1:07:43.560
<v Speaker 3>premium is high as hell.

1:07:43.720 --> 1:07:46.160
<v Speaker 1>Yeah, so that would have been a hell of a

1:07:46.400 --> 1:07:51.200
<v Speaker 1>You get me in your contract. H Okay, don't even trip.

1:07:51.280 --> 1:07:53.440
<v Speaker 1>What y'all want to give me? Two fifty? Fuck that

1:07:53.560 --> 1:07:56.600
<v Speaker 1>two fifty. Give me two twenty five and I want

1:07:56.640 --> 1:07:59.880
<v Speaker 1>five year? How long is my contract? What y'all getting

1:08:00.240 --> 1:08:03.520
<v Speaker 1>five albums? Okay, for the next five to seven years.

1:08:03.600 --> 1:08:04.920
<v Speaker 1>I'm want free health.

1:08:04.640 --> 1:08:06.600
<v Speaker 3>Insurance because you know what, it allows you to do

1:08:06.640 --> 1:08:08.880
<v Speaker 3>what it allows you to actually get cobra an event

1:08:08.920 --> 1:08:11.280
<v Speaker 3>like let's say your you know, career ends or whatever.

1:08:11.760 --> 1:08:13.960
<v Speaker 3>You can take that insurance that give you now give

1:08:14.000 --> 1:08:16.519
<v Speaker 3>it a discounted rate of pretty much what they're paying

1:08:16.560 --> 1:08:18.559
<v Speaker 3>for it, and you can continue to pay that premium yourself,

1:08:18.560 --> 1:08:21.760
<v Speaker 3>which is gonna be a lot cheaper than if you

1:08:21.760 --> 1:08:23.360
<v Speaker 3>would have winn in and got that on your own.

1:08:24.280 --> 1:08:26.400
<v Speaker 1>I mean, because what I just made you ten million

1:08:26.479 --> 1:08:27.920
<v Speaker 1>fucking dollars, right, That's.

1:08:27.760 --> 1:08:32.559
<v Speaker 3>What I'm saying. They only gave you, yeah, yeah, percent

1:08:32.680 --> 1:08:35.559
<v Speaker 3>of it anyway, throwing some health insurance for them.

1:08:36.240 --> 1:08:38.320
<v Speaker 1>Like you said, y'all ain't finna give me when I'm

1:08:38.320 --> 1:08:40.760
<v Speaker 1>supposed to get You know what I'm saying, giving me,

1:08:40.960 --> 1:08:42.440
<v Speaker 1>y'all giving me it should.

1:08:42.240 --> 1:08:45.160
<v Speaker 3>Be fucked five years lifetime because they've already made it.

1:08:45.160 --> 1:08:46.840
<v Speaker 3>It's not gonna cost them nothing to do that.

1:08:47.080 --> 1:08:49.760
<v Speaker 5>Wow, a year after the contract's over.

1:08:50.160 --> 1:08:50.880
<v Speaker 2>Oh what dog?

1:08:51.200 --> 1:08:53.200
<v Speaker 1>Keep my ship for as long as you want to

1:08:53.280 --> 1:08:55.800
<v Speaker 1>keep making so you trying what you're finish, Hold my ship,

1:08:55.960 --> 1:08:58.840
<v Speaker 1>my publishing and all that shit for the next thirty years.

1:08:59.320 --> 1:09:02.240
<v Speaker 1>I can't own my ship for the next thirty years. Okay,

1:09:02.280 --> 1:09:04.000
<v Speaker 1>so far as long as it suld be. Because you're

1:09:04.040 --> 1:09:06.240
<v Speaker 1>technically you can argue that's a hell of a case.

1:09:06.280 --> 1:09:08.640
<v Speaker 1>You could argue that you're one of the I mean

1:09:09.640 --> 1:09:11.760
<v Speaker 1>of the business. Now you out there doing this and

1:09:11.880 --> 1:09:14.080
<v Speaker 1>that if you was a sales rep for him. Let's

1:09:14.120 --> 1:09:16.880
<v Speaker 1>say you were the highest earning sales rep for that company, right,

1:09:17.040 --> 1:09:19.640
<v Speaker 1>you so more CDs than the company anybody else, to

1:09:19.680 --> 1:09:22.040
<v Speaker 1>all the change stores and everybody, they gonna make sure

1:09:22.080 --> 1:09:24.800
<v Speaker 1>that motherfucker don't false center. I wonder if the I

1:09:24.840 --> 1:09:27.559
<v Speaker 1>wonder if the big time artists do that. I wonder

1:09:27.600 --> 1:09:30.760
<v Speaker 1>if the Beyonce's and the Taylor Swifts in the money.

1:09:30.439 --> 1:09:34.040
<v Speaker 3>They got so much motherfucker money, I'm pretty sure get it.

1:09:34.200 --> 1:09:37.639
<v Speaker 1>But still wouldn't you want them to fuck that bill?

1:09:37.880 --> 1:09:40.880
<v Speaker 1>Hell yeah, this shit, because let's think about it. Yeah,

1:09:40.960 --> 1:09:43.360
<v Speaker 1>I'm making a gang of money. But how much is

1:09:43.439 --> 1:09:44.040
<v Speaker 1>you making?

1:09:44.400 --> 1:09:44.599
<v Speaker 3>Right?

1:09:45.479 --> 1:09:46.799
<v Speaker 2>How much is you making?

1:09:46.960 --> 1:09:47.040
<v Speaker 3>So?

1:09:47.400 --> 1:09:51.439
<v Speaker 1>Yeah, I think on my new contract negotiations, I want

1:09:51.479 --> 1:09:53.639
<v Speaker 1>you to pay for the next five to ten years

1:09:53.640 --> 1:09:56.240
<v Speaker 1>of my health insurance. Take it out of whatever the

1:09:56.280 --> 1:09:57.639
<v Speaker 1>fuck you getting already.

1:09:57.760 --> 1:09:59.679
<v Speaker 3>Hell yeah. And on another note, I got a couple

1:09:59.720 --> 1:10:02.040
<v Speaker 3>of other thing things where we go, Let's keep the

1:10:02.080 --> 1:10:05.080
<v Speaker 3>homie crazy bowing up in prayers right now. Everybody know,

1:10:05.280 --> 1:10:07.400
<v Speaker 3>you know your part was a part of the Digital

1:10:07.400 --> 1:10:09.679
<v Speaker 3>Soap Bikes family for a long time and still family.

1:10:09.720 --> 1:10:13.040
<v Speaker 3>You know, that's hometown right there, Crazy, We're praying for you, man.

1:10:13.160 --> 1:10:16.240
<v Speaker 3>And Exhibit went in on specially.

1:10:17.560 --> 1:10:20.120
<v Speaker 5>M I didn't see what I saw.

1:10:20.320 --> 1:10:24.920
<v Speaker 1>I saw one of his comments, and I actually replied

1:10:24.960 --> 1:10:29.200
<v Speaker 1>to Exhibit on one of his comments, and I said

1:10:29.360 --> 1:10:34.680
<v Speaker 1>that not to go back on this ship, but I

1:10:34.840 --> 1:10:39.840
<v Speaker 1>said that this lifestyle wasn't for everyone.

1:10:40.720 --> 1:10:41.080
<v Speaker 3>Get me.

1:10:44.560 --> 1:10:48.479
<v Speaker 1>A lot of people can't understand, you know, because let's

1:10:48.520 --> 1:10:51.559
<v Speaker 1>face a niggas start game bang and was dumb, you know,

1:10:51.680 --> 1:10:54.080
<v Speaker 1>and some of them still do. And we got a

1:10:54.080 --> 1:10:56.080
<v Speaker 1>lot of that from when I was coming up and

1:10:56.880 --> 1:10:59.799
<v Speaker 1>when I first started coming in the Rap gang. Uh,

1:11:00.439 --> 1:11:03.559
<v Speaker 1>when we would venture out to different places and whatever.

1:11:03.760 --> 1:11:06.679
<v Speaker 1>People didn't understand the lifestyle of game banging.

1:11:06.760 --> 1:11:10.360
<v Speaker 3>Well, it's what Exhibit said though. He said, Man, that's

1:11:10.400 --> 1:11:12.360
<v Speaker 3>my family treat right there. I don't go out of

1:11:12.400 --> 1:11:15.200
<v Speaker 3>my way to discourage people from expressing their opinions about

1:11:15.280 --> 1:11:17.840
<v Speaker 3>hip hop, But fuck this shit special legs you out

1:11:17.880 --> 1:11:20.559
<v Speaker 3>of pocket, don't make it hard for yourself. We're still active, bro.

1:11:21.720 --> 1:11:25.400
<v Speaker 1>And I think that's the comment I replied to Like

1:11:25.479 --> 1:11:31.519
<v Speaker 1>I said, this lifestyle wasn't for everyone. This walk of

1:11:31.600 --> 1:11:34.640
<v Speaker 1>life isn't for everybody. It's hard for niggas to understand.

1:11:35.600 --> 1:11:40.479
<v Speaker 1>And then when you got a motherfucker who's in uh again,

1:11:40.520 --> 1:11:45.200
<v Speaker 1>it's competition, you get me, it's competition. And for a

1:11:45.280 --> 1:11:49.040
<v Speaker 1>nigga who feels like he is in a position to

1:11:49.120 --> 1:11:54.000
<v Speaker 1>where he should be recognized or respected or in a

1:11:54.000 --> 1:11:56.920
<v Speaker 1>bigger place, and then you get some niggas to come

1:11:56.960 --> 1:12:00.160
<v Speaker 1>along and slap you off your pedestal. And now we

1:12:00.200 --> 1:12:02.280
<v Speaker 1>don't even want to hear what you gotta say. These

1:12:02.360 --> 1:12:04.760
<v Speaker 1>niggas is kicking real shit that I want a mother,

1:12:05.000 --> 1:12:09.559
<v Speaker 1>I want to hear. So last it was, it was.

1:12:11.760 --> 1:12:14.200
<v Speaker 1>It was one of them scenarios where I don't think

1:12:14.200 --> 1:12:17.439
<v Speaker 1>a nigga thought before he spoke, you know what I'm saying.

1:12:18.200 --> 1:12:21.120
<v Speaker 1>You get put in front of these cameras and you

1:12:21.240 --> 1:12:24.280
<v Speaker 1>get asked questions. A lot of people aren't articulate, you know,

1:12:24.360 --> 1:12:28.400
<v Speaker 1>a lot of people aren't intelligent, you know, and a

1:12:28.439 --> 1:12:31.360
<v Speaker 1>lot of people in interviews they say shit that I'm

1:12:31.400 --> 1:12:34.439
<v Speaker 1>probably thinking they would go back and look upon and

1:12:34.479 --> 1:12:36.280
<v Speaker 1>be like, why the fuck did I say that? Or

1:12:36.320 --> 1:12:40.400
<v Speaker 1>put myself in that position on the last note of that.

1:12:40.520 --> 1:12:45.760
<v Speaker 1>You know, I've seen corrupting them and dazzing them. They

1:12:45.840 --> 1:12:49.840
<v Speaker 1>got on a little stream with Special LD, and you

1:12:49.880 --> 1:12:52.160
<v Speaker 1>know a lot of people were making the comment that

1:12:52.880 --> 1:12:56.080
<v Speaker 1>he was trying to backpedal because now.

1:12:55.880 --> 1:13:00.160
<v Speaker 2>It was I think he said that correct.

1:12:59.880 --> 1:13:00.400
<v Speaker 3>Was they were.

1:13:00.760 --> 1:13:05.439
<v Speaker 1>They were they were brainwashed by the record labels too

1:13:06.400 --> 1:13:10.680
<v Speaker 1>to portray this or to man that was easy and

1:13:10.720 --> 1:13:13.600
<v Speaker 1>I'm just up there making music. It wasn't, you know,

1:13:13.760 --> 1:13:16.600
<v Speaker 1>because I guess. I guess because he's been getting a

1:13:16.600 --> 1:13:19.720
<v Speaker 1>lot of flak. Now we're gonna put it on the

1:13:19.760 --> 1:13:25.800
<v Speaker 1>pressure of the record labels to push them to that narrative.

1:13:25.920 --> 1:13:28.040
<v Speaker 3>Well, one thing I want to say is that this

1:13:28.439 --> 1:13:30.960
<v Speaker 3>was America and that brother does have freedom of speak.

1:13:31.200 --> 1:13:31.559
<v Speaker 2>Definitely.

1:13:31.600 --> 1:13:34.600
<v Speaker 3>I don't think nobody mad at especially I'm not. I

1:13:34.600 --> 1:13:37.240
<v Speaker 3>don't think nobody, and shit, nobody. If somebody out there

1:13:37.280 --> 1:13:39.240
<v Speaker 3>thinking about putting their hands on that man and something,

1:13:39.560 --> 1:13:41.519
<v Speaker 3>I don't think it's that he has the right to

1:13:41.560 --> 1:13:43.040
<v Speaker 3>have his opinion. You know what, I mean, he has

1:13:43.040 --> 1:13:46.680
<v Speaker 3>the right to have an opinion. We're supposed to and.

1:13:46.720 --> 1:13:52.320
<v Speaker 1>Slap a nigga mode because of your opinions. It's just that, uh,

1:13:52.479 --> 1:13:59.640
<v Speaker 1>we feel a little insulted by saying that our foundation

1:13:59.760 --> 1:14:04.519
<v Speaker 1>of hip hop is the destruction of and for him

1:14:04.520 --> 1:14:08.840
<v Speaker 1>to direct it at saying like your youth, your youth

1:14:09.000 --> 1:14:11.439
<v Speaker 1>and the youth in the state of youth hip hop

1:14:11.520 --> 1:14:16.479
<v Speaker 1>and what's happening today is because Nwa was allowed to

1:14:16.560 --> 1:14:20.519
<v Speaker 1>say fuck the police, or Nwa was allowed to say

1:14:20.560 --> 1:14:23.880
<v Speaker 1>I'm straight out of Compton. You know, that's just fucking

1:14:23.960 --> 1:14:28.439
<v Speaker 1>ludicrous and it sounds dumb. And you know, some niggas

1:14:28.520 --> 1:14:33.960
<v Speaker 1>need to educate themselves a little more on the differences

1:14:34.120 --> 1:14:37.679
<v Speaker 1>of of hip hop, like you know what I'm saying,

1:14:38.120 --> 1:14:41.439
<v Speaker 1>Educate yourselves on the situations that a lot of us

1:14:41.479 --> 1:14:46.920
<v Speaker 1>West Coast artists had to climb through to even get

1:14:46.960 --> 1:14:49.400
<v Speaker 1>the respect that we get today as far as being

1:14:49.600 --> 1:14:51.559
<v Speaker 1>hip hop artist period, because they.

1:14:53.080 --> 1:14:54.560
<v Speaker 3>Didn't want to see in you give me.

1:14:55.120 --> 1:14:57.880
<v Speaker 4>The first time I ever remember hearing this shout out

1:14:57.920 --> 1:14:59.800
<v Speaker 4>to Willie D was on Do It Like a Geo,

1:15:00.080 --> 1:15:03.240
<v Speaker 4>which was nineteen eighty nine, when he said the East

1:15:03.240 --> 1:15:04.400
<v Speaker 4>coachs ain't playing my song.

1:15:04.439 --> 1:15:05.880
<v Speaker 5>I want to know what the hell's going on?

1:15:06.920 --> 1:15:09.920
<v Speaker 4>And it was bottom line is, in nineteen eighty nine,

1:15:10.640 --> 1:15:16.360
<v Speaker 4>it was already known that non New York rap was

1:15:17.000 --> 1:15:17.720
<v Speaker 4>look down upon.

1:15:17.840 --> 1:15:17.880
<v Speaker 5>It.

1:15:17.920 --> 1:15:20.599
<v Speaker 1>We ain't get no respect period. I mean I used

1:15:20.640 --> 1:15:23.160
<v Speaker 1>to hear you promo tours, and you know, Sony was

1:15:23.200 --> 1:15:25.439
<v Speaker 1>in New York. So every time it was time to

1:15:25.479 --> 1:15:28.479
<v Speaker 1>re up and do a new record, you had to

1:15:28.520 --> 1:15:32.400
<v Speaker 1>go to New York. And I thought, you know, I

1:15:32.479 --> 1:15:35.360
<v Speaker 1>thought it was really a waste of time going around

1:15:35.439 --> 1:15:38.280
<v Speaker 1>doing in stores and all of that, because I'd be like,

1:15:39.560 --> 1:15:43.800
<v Speaker 1>nobody's gonna buy music to drive by record in New York.

1:15:43.920 --> 1:15:46.439
<v Speaker 3>We're not New York artists. So line was around the

1:15:46.439 --> 1:15:48.200
<v Speaker 3>corner when you went up there, I thought it.

1:15:48.280 --> 1:15:51.840
<v Speaker 1>I mean, I sold records in New York, but it

1:15:51.880 --> 1:15:54.080
<v Speaker 1>was totally different than when you went.

1:15:53.960 --> 1:15:54.800
<v Speaker 3>To a Chicago.

1:15:55.400 --> 1:15:58.080
<v Speaker 1>Yeah, you go to warehouse in Chicago, it's three hundred

1:15:58.120 --> 1:16:00.639
<v Speaker 1>people out this music room. You go to the fucking

1:16:00.720 --> 1:16:04.040
<v Speaker 1>San Francisco up to Tower Records, it's a line around

1:16:04.120 --> 1:16:05.120
<v Speaker 1>the block in the corner.

1:16:05.120 --> 1:16:06.759
<v Speaker 2>It's a thousand people in line.

1:16:06.880 --> 1:16:08.360
<v Speaker 3>When we come strap dropped.

1:16:08.680 --> 1:16:15.400
<v Speaker 1>You go to Cleveland, Detroit, fucking Arizona. Every time you

1:16:15.479 --> 1:16:18.320
<v Speaker 1>get an inch store, it was a thousand people waiting.

1:16:18.800 --> 1:16:21.639
<v Speaker 3>West was a big market for you. Dog, West's huge

1:16:21.640 --> 1:16:23.400
<v Speaker 3>market because even to this day shot at the homely

1:16:23.439 --> 1:16:26.920
<v Speaker 3>Big Court. But he was telling me that, you know,

1:16:26.920 --> 1:16:28.920
<v Speaker 3>from the Holding Court podcast, right, he was telling me

1:16:28.920 --> 1:16:32.040
<v Speaker 3>he was like, Man, I bought eight CD man when

1:16:32.080 --> 1:16:34.360
<v Speaker 3>I was you know, a kid man, And I love

1:16:34.360 --> 1:16:36.559
<v Speaker 3>it because you know, he was asking about eight coming

1:16:36.600 --> 1:16:38.680
<v Speaker 3>on his show, right, and he was just telling me

1:16:38.720 --> 1:16:42.040
<v Speaker 3>how hoighly the high esteem that he held him up

1:16:42.080 --> 1:16:43.840
<v Speaker 3>there was, you know what I mean? And I try

1:16:43.880 --> 1:16:46.280
<v Speaker 3>to tell eight all the time because he ate is, mister,

1:16:46.400 --> 1:16:49.320
<v Speaker 3>I'm regular person, right, I'm like eight, You are never

1:16:49.479 --> 1:16:51.240
<v Speaker 3>just going to be a regular person. Some of these people,

1:16:51.280 --> 1:16:54.040
<v Speaker 3>these people grew up listening to you. Dog. Yeah, I

1:16:54.080 --> 1:16:56.880
<v Speaker 3>hate that shit, but it is. It was dought. They

1:16:56.920 --> 1:16:57.639
<v Speaker 3>love your ass.

1:16:57.680 --> 1:16:57.920
<v Speaker 6>Dog.

1:16:58.040 --> 1:17:00.240
<v Speaker 3>I hate that shit, but it is what it is. Man,

1:17:00.880 --> 1:17:04.200
<v Speaker 3>Take up with the fucking territory for sure. Man, Thank

1:17:04.240 --> 1:17:06.760
<v Speaker 3>you guys for tuning in this week, man, and we

1:17:06.920 --> 1:17:08.720
<v Speaker 3>out of here. Make sure y'all go follow us at

1:17:08.720 --> 1:17:11.400
<v Speaker 3>the Gangster Chronicles podcast where you at.

1:17:11.200 --> 1:17:13.679
<v Speaker 1>Eight at eight oh eight eight oh eight, Man, y'all

1:17:13.680 --> 1:17:16.519
<v Speaker 1>know what it is eight oh eight on Instagram Book

1:17:16.600 --> 1:17:17.799
<v Speaker 1>eight Time to jail.

1:17:18.200 --> 1:17:20.560
<v Speaker 5>And Sworn Baker at Sworn Baker.

1:17:20.479 --> 1:17:23.240
<v Speaker 3>And make sure y'all go check eight has a really

1:17:23.640 --> 1:17:27.000
<v Speaker 3>not eight. I'm sucking up. Someone has a really dope show,

1:17:28.200 --> 1:17:31.639
<v Speaker 3>Unique Access. I was trying to throw you alive as Access.

1:17:31.880 --> 1:17:33.200
<v Speaker 5>Check it out on YouTube.

1:17:32.840 --> 1:17:36.240
<v Speaker 3>On YouTube Man really dope interviews and videos Man with

1:17:36.320 --> 1:17:39.120
<v Speaker 3>guys from Yesteryear and the guys if today is really

1:17:39.160 --> 1:17:42.479
<v Speaker 3>well around it, man, go check it out, please do,

1:17:42.800 --> 1:17:44.080
<v Speaker 3>and we out of here. Jill