WEBVTT - The Red Potion

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<v Speaker 1>Family Secrets as a production of I Heart Radio. I

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<v Speaker 1>grew up for the first fourteen years of my life

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<v Speaker 1>on a roughly eight hundred acre British style estate about

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<v Speaker 1>a half hour from Philadelphia. It was an extraordinarily beautiful

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<v Speaker 1>piece of land that had been pieced together by my

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<v Speaker 1>great grandfather in the years leading up to and immediately

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<v Speaker 1>after World War One. It had been farms before, so

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<v Speaker 1>there were old stone farmhouses dating back to the seventeen hundreds,

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<v Speaker 1>some of them in ruins, stone barns, rolling hills, pasture, cornfield, soybean.

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<v Speaker 1>There was a herd of three hundred Airshire cows, so

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<v Speaker 1>there was a functioning dairy farm. But basically it was

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<v Speaker 1>a sort of British style gentleman's estate, kind of plucked

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<v Speaker 1>from the pages of Jane Austen and Henry James and

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<v Speaker 1>floated across the Atlantic and plunked down in the suburbs

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<v Speaker 1>of Philadelphia. That's Jenny Scott, a longtime journalist for The

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<v Speaker 1>New York Times. Her recent book is the memoir The

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<v Speaker 1>Beneficiary Fortune, Misfortune and the Story of My Father. Often

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<v Speaker 1>we long to unlock the puzzle of our parents, but

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<v Speaker 1>most of us never do. We wonder we posit, we

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<v Speaker 1>have series, and when our parents are gone, there's a

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<v Speaker 1>tinge of regret that we didn't get to know them better,

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<v Speaker 1>that we didn't ask questions or dig deeper while we

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<v Speaker 1>still could. But Jenny's is a story ultimately of literally

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<v Speaker 1>unlocking a puzzle, the puzzle of her father, Robert Montgomery Scott.

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<v Speaker 1>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 1>that are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. I remember there

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<v Speaker 1>was a hill that my father took us to toboggan

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<v Speaker 1>on where he had clearly tobogganed as a child. There

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<v Speaker 1>was a a hollow tree that he had used as

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<v Speaker 1>a kind of fort, which was still, of course hollow

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<v Speaker 1>when we came along, and we were able to use

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<v Speaker 1>it in its slightly decaying state. But mostly it was

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<v Speaker 1>a deeply visceral experience of a wild piece of land

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<v Speaker 1>of extraordinary beauty. It was a degree of rootedness that

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<v Speaker 1>I now see it was kind of unusual in certainly

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<v Speaker 1>in suburban American life, maybe rural American life more so,

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<v Speaker 1>But I wasn't really conscious of that at the time.

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<v Speaker 1>I just experienced it the way a child would. As children,

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<v Speaker 1>we accept our lives as being normal. Whatever they are,

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<v Speaker 1>they're ours, especially back them in pre internet days, there

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<v Speaker 1>was simply no basis for comparison. But later, as a

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<v Speaker 1>young working journalist, Janni was acutely conscious of her family's

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<v Speaker 1>extreme privilege, and she would avoid telling her colleagues about

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<v Speaker 1>her childhood home. She would tell them she and her

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<v Speaker 1>siblings grew up on a farm in Pennsylvania. The estate

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<v Speaker 1>had a name, ar Drassm. This was just outside Philadelphia,

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<v Speaker 1>an area that had been developed in the late nineteenth

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<v Speaker 1>and early twentieth centuries with the wealth that was pouring

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<v Speaker 1>out of the city in its industrial heyday. But among

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<v Speaker 1>the big houses, Ardrassen stood out as an estate that

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<v Speaker 1>had remained in a family spanning one Gilded age to

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<v Speaker 1>the next. It had been built by Janni's father's grandparents,

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<v Speaker 1>his maternal grandparents, and generation after generation raised their families there.

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<v Speaker 1>The summer Jannie turned fourteen, her family moved away to London,

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<v Speaker 1>where her father had been offered a four year political appointment.

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<v Speaker 1>By the time they returned home, she was in college.

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<v Speaker 1>She never lived at Ardrassen again, though she would return

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<v Speaker 1>to it time and again in her mind. Describe your

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<v Speaker 1>mother for me. My mother, it was a very i

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<v Speaker 1>would say, beautiful, redheaded woman from Boston, from a different

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<v Speaker 1>part of the country, but sort of socially in sync

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<v Speaker 1>with the world of my father. In fact, they met

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<v Speaker 1>at a wedding at age eighteen. She was very musical.

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<v Speaker 1>She became ultimately a pianist, teaching and doing some performing,

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<v Speaker 1>not on a large scale, kind, relatively soft spoken, good

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<v Speaker 1>sense of humor, not highly certainly adept socially, but was

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<v Speaker 1>not a hugely gregarious person who loved to be in

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<v Speaker 1>at parties and that sort of thing, you know. A thoughtful,

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<v Speaker 1>well read, musical kind mother and your father. My father,

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<v Speaker 1>um was in some ways a much more seemingly more

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<v Speaker 1>outgoing person. He appeared to be very gregarious, He knew

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<v Speaker 1>a lot of people. I mean, he was out in

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<v Speaker 1>the world more than my mother because she was a

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<v Speaker 1>stay at home mother. For quite a while, my father

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<v Speaker 1>worked as a lawyer, and then when we went to London,

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<v Speaker 1>he worked for the Ambassador to the Court of St.

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<v Speaker 1>James from the United States for four years as in

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<v Speaker 1>special assistant. And then he came back and he became

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<v Speaker 1>increasingly involved in civic and cultural institutions in Philadelphia. He

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<v Speaker 1>ran the Academy of Music for seven years, and then

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<v Speaker 1>he was president and CEO of the Philadelphia Museum of

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<v Speaker 1>Art for fourteen years. So he had a very public

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<v Speaker 1>life as a sort of patrician figure in Philadelphia, a

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<v Speaker 1>kind of throwback to an old world which he sort

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<v Speaker 1>of played humorously. He dressed rather well in kind of

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<v Speaker 1>Saville Row suits after we'd been in London. And he

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<v Speaker 1>had a slightly British accent, which was partly just from

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<v Speaker 1>growing up in mainline Philadelphia and partly from and and

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<v Speaker 1>the specifics of his family which was very connected somewhat

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<v Speaker 1>to Britain, but also by living in England. So he

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<v Speaker 1>was a very colorful, well known figure compared to my mother,

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<v Speaker 1>who was more private and um less visible. He was funny,

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<v Speaker 1>extremely charming, you know, a person who seemed gave every

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<v Speaker 1>impression of kind of being born into a rather charmed

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<v Speaker 1>life and living it out just like that. In contrast

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<v Speaker 1>to his gregarious, extroverted personality. Robert Montgomery Scott was an

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<v Speaker 1>inveterate keeper of diaries journals. Jenny had always been aware

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<v Speaker 1>of these journals. They were simply a fact of life.

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<v Speaker 1>Her father always carried around a small loose leaf binder.

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<v Speaker 1>As a child, she never went looking for the diaries,

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<v Speaker 1>something that now surprises her given her repertorial instincts. After all,

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<v Speaker 1>her father was a bit of a mr she longed

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<v Speaker 1>to unlock. But then, in her twenties, at the end

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<v Speaker 1>of a long distance bike trip abroad with her father,

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<v Speaker 1>he turned to her, seemingly out of nowhere, and told

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<v Speaker 1>her that someday she would be the recipient of his journals,

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<v Speaker 1>that he would leave them for her when he died.

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<v Speaker 1>I was fascinated by my father from I think a

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<v Speaker 1>pretty young age. I admired him and um to some

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<v Speaker 1>extent emulated funny things about him, and I wanted his approval.

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<v Speaker 1>And he was somewhat enigmatic, a bit elusive. I don't

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<v Speaker 1>think I could have articulated that as a child, but

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<v Speaker 1>it was as though he were slightly out of reach. UM.

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<v Speaker 1>So the thought that he, out of the blue would

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<v Speaker 1>tell me that I could have his diaries when he died,

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<v Speaker 1>not at some point in the future, but when he died.

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<v Speaker 1>UM was stunning to me, and of course a source

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<v Speaker 1>of great interest. But I also didn't know how to

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<v Speaker 1>take it. And it's in the nature of my relationship

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<v Speaker 1>with my father that for some reason I couldn't interrogate

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<v Speaker 1>him at that moment as to why. So I said, well,

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<v Speaker 1>why me, and he said, you're the writer and just

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<v Speaker 1>tossed it off like that. The conversation ended, um, as

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<v Speaker 1>far as I remember, and I really never dared bring

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<v Speaker 1>it up again, because I was so enticed by the idea.

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<v Speaker 1>I didn't want to run any risks that there was

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<v Speaker 1>that he might withdraw the offer, change his mind. Um,

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<v Speaker 1>you know, that I might somehow seem to be eagerly

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<v Speaker 1>awaiting his demise. And another thing about Robert Montgomery Scott,

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<v Speaker 1>he liked to drink a lot. If someone had told

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<v Speaker 1>me that there were people who didn't drink, it would

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<v Speaker 1>be like saying that there were people who didn't use

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<v Speaker 1>soap um. It just was so common and every event,

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<v Speaker 1>and you know, every funeral involved repairing afterward to drink.

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<v Speaker 1>It was just ubiquitous. And of course it was a

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<v Speaker 1>time in American culture, particularly in that society, that men

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<v Speaker 1>would come home from work and have a bunch of

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<v Speaker 1>drinks and wine with dinner, and so it was just

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<v Speaker 1>a fact of life. Eventually, as a college student, Jenny

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<v Speaker 1>makes a decision not to drink, an unusual decision for

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<v Speaker 1>a college student who isn't in trouble with alcohol. She

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<v Speaker 1>had had a bad experience around freshman year when she

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<v Speaker 1>got very drunk. Can you imagine if every college freshman

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<v Speaker 1>who drank too much one time quit drinking, half the

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<v Speaker 1>bars in the world would probably have to shut down

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<v Speaker 1>for lack of business. I don't know why I stopped.

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<v Speaker 1>It wasn't precipitated by any kind of crisis. So I

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<v Speaker 1>like to think that somewhere in me, I would like

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<v Speaker 1>to believe that, somewhere in me, I sensed that in

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<v Speaker 1>my family, where drinking was very common. In my father's case,

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<v Speaker 1>I now know he was well long as an alcoholic

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<v Speaker 1>at that point, but it went back generations too. I'd

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<v Speaker 1>like to think that I somehow sensed that this was

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<v Speaker 1>a bad idea and had the good sense to just

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<v Speaker 1>make it all very clear for myself by ruling it out.

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<v Speaker 1>But I don't know that for sure that seems right,

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<v Speaker 1>because why else would a college girl that's without out

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<v Speaker 1>in a huge inciting incident beyond oh, I drank too

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<v Speaker 1>much one night, and I didn't like the way I felt.

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<v Speaker 1>I think the other factor was that I had become

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<v Speaker 1>aware that it was difficult to have conversations with my

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<v Speaker 1>father after you know, six o'clock, and it was maddening

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<v Speaker 1>to me. While he wasn't a nasty drunk, he would

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<v Speaker 1>sometimes say things that were, um inappropriate under the circumstances,

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<v Speaker 1>things that you might have confided to him, he might,

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<v Speaker 1>you know, say in the presence of somebody else. So

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<v Speaker 1>we became, i would say, much more conscious of this

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<v Speaker 1>and attempted to talk to him about it, um completely unsuccessfully.

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<v Speaker 1>A number of time is around the kitchen table after

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<v Speaker 1>dinner when we were all there, and invariably he would

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<v Speaker 1>talk circles around us. He seemed to make the case

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<v Speaker 1>that while he understood that he drank a lot and

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<v Speaker 1>he liked to drink, it was not out of control.

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<v Speaker 1>And thank you very much, and now I'm going off

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<v Speaker 1>to bed. Was your mother in those meetings, Yes, she was,

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<v Speaker 1>And I think she was in a difficult position because, uh,

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<v Speaker 1>my mother's posture with my father for a long time,

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<v Speaker 1>I think had been somewhat to sort of intermediate between

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<v Speaker 1>us and him. She wasn't an apologist for his drinking.

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<v Speaker 1>She clearly understood there was a problem. She was dealing

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<v Speaker 1>with it in her own way, which probably varied over time.

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<v Speaker 1>When I would come home from college and after that,

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<v Speaker 1>UM my father, for whatever reasons, that dynamics between us.

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<v Speaker 1>We would end up having bad arguments about often about

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<v Speaker 1>politics or something like that. And my mother told me

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<v Speaker 1>later that she had come to dread my coming home

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<v Speaker 1>during that period. So I think it began to play

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<v Speaker 1>out in our adult relationships with him in a way

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<v Speaker 1>that it had been submerged when we were children. As

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<v Speaker 1>a child, I thought my parents had a a good

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<v Speaker 1>marriage and that we were a happy family. As an

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<v Speaker 1>adolescent and as a young adult, it became more clear

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<v Speaker 1>to me that there was um tension in the household,

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<v Speaker 1>passive aggressive stuff. Never that I was conscious of knockdown,

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<v Speaker 1>drag out fights, but um just uh an uncomfortable quality

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<v Speaker 1>to some of the time that we spent together. I

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<v Speaker 1>now know that what they had in common was background

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<v Speaker 1>and that he came to feel I now know, although

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<v Speaker 1>I didn't know this then, that that that was an

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<v Speaker 1>insufficient basis for a happy marriage. It was no secret

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<v Speaker 1>from an early on my father. I guess you would

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<v Speaker 1>have said in that world liked women. We knew the

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<v Speaker 1>way children know that he was flirtatious, and whatever that

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<v Speaker 1>implied was not entirely clear. But the notion that he

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<v Speaker 1>was somehow um faithful to his marriage vows, that was

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<v Speaker 1>not a kind of given um. It was just something

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<v Speaker 1>we sensed in the way he interacted with people, and

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<v Speaker 1>and particularly with someone who we knew very well, who

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<v Speaker 1>was a friend of the family. The two families were close.

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<v Speaker 1>It became a kind of private joke between the children

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<v Speaker 1>of the two families that maybe the two families would merge.

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<v Speaker 1>But later, you know, when we were out of the house. Um,

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<v Speaker 1>I now know, and I guess I sensed it at

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<v Speaker 1>the time that there were other women too that he

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<v Speaker 1>was involved with. In fact, a moment when I was

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<v Speaker 1>just about to graduate from college and I went to

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<v Speaker 1>with a friend, my then boyfriend, to the island of

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<v Speaker 1>Nantucket where my parents had a house. Um, this is

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<v Speaker 1>during must have been in the late spring, and I

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<v Speaker 1>called my parents to say I'd like to go, and

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<v Speaker 1>my mother said, oh, you'll encounter your father there. He's

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<v Speaker 1>there with a friend, you know, go ahead. When we

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<v Speaker 1>got there, I called the house and he answered the

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<v Speaker 1>phone and he said, well, where are you? And I said, oh,

0:14:20.960 --> 0:14:22.920
<v Speaker 1>we just got off the ferry, and he said, I'm

0:14:22.960 --> 0:14:28.040
<v Speaker 1>not alone, and of course, you know, endlessly obedient said, oh,

0:14:28.080 --> 0:14:30.520
<v Speaker 1>don't worry, we'll we'll stay in a motel and and

0:14:30.560 --> 0:14:33.160
<v Speaker 1>he said no, no, um, come on, come on back.

0:14:33.160 --> 0:14:34.800
<v Speaker 1>And so we were going to go get some breakfast.

0:14:34.920 --> 0:14:37.360
<v Speaker 1>We go to get some breakfast, and all of a

0:14:37.400 --> 0:14:42.280
<v Speaker 1>sudden he emerges in the restaurant, red faced and very

0:14:42.280 --> 0:14:45.400
<v Speaker 1>bluntly says, her name is Linda. And we proceeded to

0:14:45.400 --> 0:14:49.920
<v Speaker 1>spend the weekend with my father and Linda. Did that

0:14:50.000 --> 0:14:52.240
<v Speaker 1>put you in a position of them keeping a secret

0:14:52.280 --> 0:14:57.360
<v Speaker 1>from your mother? I believe it did. Um. My father

0:14:57.480 --> 0:15:00.560
<v Speaker 1>never asked me to keep the secret from my mother,

0:15:01.080 --> 0:15:05.640
<v Speaker 1>but I don't know how I would have told her. Yes,

0:15:05.800 --> 0:15:12.520
<v Speaker 1>I became a colluder, an unwitting or unintentional colluder, uh

0:15:12.560 --> 0:15:19.240
<v Speaker 1>in my father's um complex extramarital life. But it isn't

0:15:19.280 --> 0:15:22.720
<v Speaker 1>only her father's affairs that require collusion. It's also his drinking.

0:15:23.600 --> 0:15:26.000
<v Speaker 1>I think one of the precipitating things that led us

0:15:26.240 --> 0:15:29.960
<v Speaker 1>to take the problem more seriously and get organized to

0:15:29.960 --> 0:15:32.160
<v Speaker 1>try and get him into treatment was that my brother

0:15:32.200 --> 0:15:35.080
<v Speaker 1>and I went on a trip with him, a biking

0:15:35.120 --> 0:15:38.280
<v Speaker 1>trip with him. I was in my very early thirties.

0:15:38.840 --> 0:15:41.040
<v Speaker 1>We went to New Zealand with him with a group

0:15:41.400 --> 0:15:44.880
<v Speaker 1>biking trip, and for two and a half weeks or

0:15:44.920 --> 0:15:48.080
<v Speaker 1>so we biked very hard, um long distances. It was

0:15:48.120 --> 0:15:51.160
<v Speaker 1>a fantastic trip. My father was great fun and he

0:15:51.240 --> 0:15:54.960
<v Speaker 1>took us and um we we loved the daytime part

0:15:55.480 --> 0:15:58.680
<v Speaker 1>enormously and New Zealand was of course spectacular. And then

0:15:58.720 --> 0:16:02.000
<v Speaker 1>at night he would drink heavily and get so drunk

0:16:02.040 --> 0:16:05.320
<v Speaker 1>that on like night number two or three, a complete

0:16:05.360 --> 0:16:08.400
<v Speaker 1>stranger on the trip came to us and said, why

0:16:08.440 --> 0:16:13.280
<v Speaker 1>haven't you helped him? It was a sort of shocking moment.

0:16:13.600 --> 0:16:17.920
<v Speaker 1>Um what could we say, Well, we've tried ineptly, um,

0:16:17.960 --> 0:16:21.320
<v Speaker 1>but I think we were kind of shamed into or

0:16:21.440 --> 0:16:26.880
<v Speaker 1>jolted into acting. So then we returned back to Pennsylvania

0:16:26.960 --> 0:16:30.040
<v Speaker 1>and we we both wrote him letters about what we'd

0:16:30.040 --> 0:16:33.000
<v Speaker 1>witnessed and how we felt about it, and how we

0:16:33.440 --> 0:16:36.480
<v Speaker 1>loved him and wanted him to take it seriously. And

0:16:36.560 --> 0:16:39.840
<v Speaker 1>in the letters responding to us, he particularly to my

0:16:39.960 --> 0:16:44.160
<v Speaker 1>brother who did drink uh, and he assumed my brother

0:16:44.240 --> 0:16:47.080
<v Speaker 1>would understand better than I would. I think he never

0:16:47.160 --> 0:16:49.720
<v Speaker 1>thought I could understand what he was talking about. He

0:16:49.800 --> 0:16:53.000
<v Speaker 1>explained how much he enjoyed drinking, how much of a

0:16:53.080 --> 0:16:55.480
<v Speaker 1>part of his life it was, And I also know

0:16:55.680 --> 0:16:57.480
<v Speaker 1>from other things that he said to other people that

0:16:57.520 --> 0:17:00.440
<v Speaker 1>he felt he was a total bore when he did drink,

0:17:00.760 --> 0:17:05.520
<v Speaker 1>and that it was somehow this sort of magic elixir

0:17:05.680 --> 0:17:09.720
<v Speaker 1>that made life tolerable. And now I never thought my

0:17:09.800 --> 0:17:13.320
<v Speaker 1>father's life would have been intolerable. But I also know

0:17:13.440 --> 0:17:15.399
<v Speaker 1>that at a very young age he had had a

0:17:15.520 --> 0:17:20.920
<v Speaker 1>dream um in which he dreamt of some red potion.

0:17:21.040 --> 0:17:22.720
<v Speaker 1>This was that, like I think he said, he was

0:17:22.760 --> 0:17:25.840
<v Speaker 1>like five years old, and it was a recurrent dream

0:17:25.880 --> 0:17:29.119
<v Speaker 1>of this sort of magic potion that made him feel

0:17:29.160 --> 0:17:34.000
<v Speaker 1>differently and behave differently. So whatever it was that made

0:17:34.080 --> 0:17:36.760
<v Speaker 1>him love it so much, it was very deep seated,

0:17:36.800 --> 0:17:39.080
<v Speaker 1>but we didn't understand at the time what that was.

0:17:40.160 --> 0:17:43.359
<v Speaker 1>So Jenny's father manages to white knuckle it for a while.

0:17:43.800 --> 0:17:47.600
<v Speaker 1>He goes for stretches of time without alcohol, including weddings

0:17:47.640 --> 0:17:50.639
<v Speaker 1>and large gatherings where he certainly would have been drinking,

0:17:51.359 --> 0:17:56.560
<v Speaker 1>but it doesn't last. Finally, at the two year mark um,

0:17:56.600 --> 0:17:58.480
<v Speaker 1>when it was clear that he was fully back to

0:17:58.560 --> 0:18:02.359
<v Speaker 1>drinking and we were not around. My mother had a

0:18:02.400 --> 0:18:05.080
<v Speaker 1>confrontation and with him and said, you know, I want

0:18:05.119 --> 0:18:07.640
<v Speaker 1>you to go back into treatment, and he walked out

0:18:07.640 --> 0:18:11.880
<v Speaker 1>of the house and never returned. After a brief stay

0:18:11.960 --> 0:18:14.280
<v Speaker 1>in a hotel, he decides to move back to our

0:18:14.359 --> 0:18:18.280
<v Speaker 1>dressing into a different house, what was called the Big House,

0:18:18.760 --> 0:18:22.200
<v Speaker 1>the one his grandparents had first built. The fifty room

0:18:22.240 --> 0:18:27.040
<v Speaker 1>house is at this point largely uninhabited. Jenny's cousin lives

0:18:27.040 --> 0:18:30.160
<v Speaker 1>on the second floor and is raising prize winning bull

0:18:30.320 --> 0:18:34.280
<v Speaker 1>terriers in a kennel on the lawn. Jenny's father decides

0:18:34.320 --> 0:18:36.639
<v Speaker 1>to move into what had been the nursery where his

0:18:36.720 --> 0:18:39.320
<v Speaker 1>mother had been raised, and turned the nursery into an

0:18:39.359 --> 0:18:43.080
<v Speaker 1>apartment for himself. He moved into the top floor of

0:18:43.119 --> 0:18:48.719
<v Speaker 1>that house and embarked upon rather remarkable restoration of the

0:18:48.760 --> 0:18:52.200
<v Speaker 1>top floor that then spread to the ground floor, and

0:18:52.600 --> 0:18:57.080
<v Speaker 1>over the next decade he restored every one of the

0:18:57.119 --> 0:19:01.520
<v Speaker 1>public rooms on the ground floor to men condition for

0:19:02.280 --> 0:19:05.679
<v Speaker 1>and including replacing the roof of the house for millions

0:19:05.720 --> 0:19:07.880
<v Speaker 1>of dollars. This was a house that he didn't own,

0:19:08.440 --> 0:19:11.639
<v Speaker 1>but the house also had for him all sorts of

0:19:11.680 --> 0:19:15.840
<v Speaker 1>emotional resonance, Having you know, known his grandparents and grown

0:19:15.920 --> 0:19:17.800
<v Speaker 1>up there and knowing what it meant to his mother,

0:19:18.000 --> 0:19:22.840
<v Speaker 1>and so the whole exercise was very, i would say,

0:19:22.880 --> 0:19:28.880
<v Speaker 1>emotionally complex. My father would have these fantastic Thanksgiving dinners

0:19:29.040 --> 0:19:31.800
<v Speaker 1>the day after Thanksgiving, not to interfere with anybody else's,

0:19:31.840 --> 0:19:35.320
<v Speaker 1>in which he would invite every family member and all

0:19:35.359 --> 0:19:37.840
<v Speaker 1>sorts of other people, and the cast would rise to

0:19:38.000 --> 0:19:41.879
<v Speaker 1>close to a hundred by the time that he finally died.

0:19:42.880 --> 0:19:46.280
<v Speaker 1>What do you think that was about those last years

0:19:46.880 --> 0:19:51.280
<v Speaker 1>in regard to both the restoration and your father wanting

0:19:51.400 --> 0:19:56.719
<v Speaker 1>to have these huge gatherings have everybody come to this

0:19:56.880 --> 0:20:03.160
<v Speaker 1>restored home. His parents had just died after very long lives,

0:20:03.200 --> 0:20:07.760
<v Speaker 1>his marriage just ended, and he had resigned or retired

0:20:08.160 --> 0:20:12.880
<v Speaker 1>from his his job, possibly under some pressure. Um so

0:20:13.600 --> 0:20:17.320
<v Speaker 1>everything had changed. He had grown up in this world

0:20:17.359 --> 0:20:20.280
<v Speaker 1>of big houses, some of which had fallen by the wayside.

0:20:20.320 --> 0:20:22.440
<v Speaker 1>One was a ruin where his father had grown up

0:20:22.440 --> 0:20:27.000
<v Speaker 1>in Landsdown, Pennsylvania. One had been a so called cottage

0:20:27.000 --> 0:20:29.520
<v Speaker 1>in bar Harbor in the period when bar Harbor was

0:20:29.600 --> 0:20:32.960
<v Speaker 1>sort of like Newport that ultimately had been torn down,

0:20:32.960 --> 0:20:36.639
<v Speaker 1>a place he'd gone every year as a child and ultimately,

0:20:36.720 --> 0:20:39.960
<v Speaker 1>the family couldn't unload it after the war, after the

0:20:40.000 --> 0:20:43.119
<v Speaker 1>depression and the war, and had to basically dismantle it.

0:20:43.920 --> 0:20:48.200
<v Speaker 1>So he'd seen this sort of grand life and he'd

0:20:48.200 --> 0:20:51.320
<v Speaker 1>seen its decay. I think he thought that if he

0:20:51.359 --> 0:20:54.639
<v Speaker 1>could make the house what had once been, because it

0:20:55.760 --> 0:21:00.000
<v Speaker 1>was really pretty much the only one of those huge

0:21:00.000 --> 0:21:03.400
<v Speaker 1>Bourbon Philadelphia Manson's that was still occupied by the original

0:21:03.440 --> 0:21:06.160
<v Speaker 1>family and had all the original stuff in it, if

0:21:06.160 --> 0:21:08.840
<v Speaker 1>he could make that into something a house, museum, or

0:21:08.920 --> 0:21:11.879
<v Speaker 1>something that could become somewhat self supporting, maybe some of

0:21:11.880 --> 0:21:14.199
<v Speaker 1>the land would be preserved too. So I think it

0:21:14.280 --> 0:21:18.240
<v Speaker 1>was an act of duty and loyalty and love and

0:21:18.440 --> 0:21:23.159
<v Speaker 1>also hope for preservation. And finally it fed something in

0:21:23.240 --> 0:21:26.080
<v Speaker 1>the way he had come to see himself, perhaps what

0:21:26.200 --> 0:21:28.919
<v Speaker 1>he had been bred even to do. And he was

0:21:29.600 --> 0:21:32.320
<v Speaker 1>constantly being written about in the restoration of the house

0:21:32.359 --> 0:21:34.639
<v Speaker 1>as sort of the lord of the manor, which he

0:21:34.760 --> 0:21:38.160
<v Speaker 1>was ironic about that, but he was willing to play

0:21:38.160 --> 0:21:43.600
<v Speaker 1>that role. It's ironic too, or or poetic maybe that

0:21:44.359 --> 0:21:49.760
<v Speaker 1>as he's creating this or attempting to preserve this, this

0:21:49.920 --> 0:21:56.879
<v Speaker 1>monument to history, he's also decaying himself. He is self destructing,

0:21:56.880 --> 0:21:59.960
<v Speaker 1>and doctors are saying to him, if you keep this up,

0:22:00.760 --> 0:22:04.320
<v Speaker 1>you're going to die. Yeah, and and he can't stop.

0:22:04.600 --> 0:22:08.760
<v Speaker 1>That's right, yeah about you know, just a few years

0:22:08.800 --> 0:22:13.359
<v Speaker 1>into this process, he clearly did not look well, and

0:22:14.240 --> 0:22:17.480
<v Speaker 1>we persuaded him to see a new doctor because his

0:22:17.920 --> 0:22:20.159
<v Speaker 1>longtime doctor had been telling him he was the picture

0:22:20.160 --> 0:22:24.280
<v Speaker 1>of health. One summer, the thing that sort of precipitated

0:22:24.320 --> 0:22:26.679
<v Speaker 1>this was seeing him on the beach and Nantucket with

0:22:26.800 --> 0:22:30.800
<v Speaker 1>his his belly distended. He was not a fat man,

0:22:31.240 --> 0:22:34.119
<v Speaker 1>but something had gone awry and it was like a

0:22:34.160 --> 0:22:38.560
<v Speaker 1>basketball And so he finally agreed to go to a

0:22:38.600 --> 0:22:43.880
<v Speaker 1>different doctor who had understood alcoholism and also understood the

0:22:43.880 --> 0:22:46.240
<v Speaker 1>world that my father was from, because he was somewhat

0:22:46.280 --> 0:22:50.639
<v Speaker 1>from it himself. And he diagnosed him very quickly as

0:22:50.680 --> 0:22:54.200
<v Speaker 1>having cirrhosis of the liver, and while he wasn't willing

0:22:54.240 --> 0:22:56.520
<v Speaker 1>to say how long he would last, he referred him

0:22:56.520 --> 0:22:58.800
<v Speaker 1>to a specialist who said, you've got two to four years,

0:22:59.320 --> 0:23:02.360
<v Speaker 1>so you can either stop where you can be dead

0:23:02.400 --> 0:23:06.480
<v Speaker 1>in two to four years. And he didn't stop. No,

0:23:06.640 --> 0:23:13.520
<v Speaker 1>he didn't, despite argumentation from me and others. He um

0:23:13.720 --> 0:23:15.800
<v Speaker 1>felt that at that point he no longer had a

0:23:15.880 --> 0:23:17.639
<v Speaker 1>job that he had to hold down, and he was

0:23:18.080 --> 0:23:22.600
<v Speaker 1>not married. He was living with a woman who apparently

0:23:22.760 --> 0:23:26.040
<v Speaker 1>tolerated it, and he said sort of felt like, you know,

0:23:26.160 --> 0:23:31.560
<v Speaker 1>I'm I'm in my um early seventies and I'll I'm

0:23:31.560 --> 0:23:35.879
<v Speaker 1>gonna do what i want. Now, people who know a

0:23:35.880 --> 0:23:38.359
<v Speaker 1>lot about alcoholism would say, well, that's not a choice.

0:23:38.520 --> 0:23:41.560
<v Speaker 1>It's you know, it's an illness, and that's he may

0:23:41.600 --> 0:23:43.679
<v Speaker 1>have phrased it that way, but it wasn't a choice.

0:23:48.680 --> 0:23:59.120
<v Speaker 1>We'll be right back. Janny's father dies at the age

0:23:59.119 --> 0:24:02.240
<v Speaker 1>of seventies six, and in the aftermath of his death,

0:24:02.760 --> 0:24:06.680
<v Speaker 1>Jenny looks around for his diaries. They aren't in his apartment,

0:24:07.240 --> 0:24:09.400
<v Speaker 1>and at this point, as a working journalist and mother

0:24:09.440 --> 0:24:12.120
<v Speaker 1>of young children, she's not in a position to really

0:24:12.119 --> 0:24:15.640
<v Speaker 1>go digging for them. It's been decades since his promise

0:24:15.680 --> 0:24:18.240
<v Speaker 1>on the bike trip that he would preserve safe and

0:24:18.359 --> 0:24:21.480
<v Speaker 1>leave them to her and only her, and of course

0:24:21.560 --> 0:24:25.000
<v Speaker 1>she's never forgotten, but now they're nowhere to be found.

0:24:25.960 --> 0:24:28.560
<v Speaker 1>She asks his girlfriend, who says she'll take a look.

0:24:29.040 --> 0:24:31.439
<v Speaker 1>A couple of weeks later, his girlfriend calls Janny and

0:24:31.480 --> 0:24:34.640
<v Speaker 1>says she found a few, but when Janny sees them.

0:24:34.920 --> 0:24:39.280
<v Speaker 1>They're not what she'd been looking for, just four slim volumes,

0:24:39.400 --> 0:24:41.480
<v Speaker 1>more like the kind of journal he kept on trips,

0:24:42.080 --> 0:24:45.360
<v Speaker 1>not revealing, not clues as to the mystery of her

0:24:45.359 --> 0:24:50.320
<v Speaker 1>father and his demons, not the real deal. Jenny wonders

0:24:50.359 --> 0:24:54.080
<v Speaker 1>if perhaps the lifetime of journals had been destroyed. But

0:24:54.200 --> 0:24:56.960
<v Speaker 1>then she happens to be in her mother's basement, the

0:24:57.000 --> 0:25:00.919
<v Speaker 1>house her father had left two decades earlier. At this point,

0:25:01.200 --> 0:25:04.199
<v Speaker 1>she isn't looking for anything. After all, her father wouldn't

0:25:04.200 --> 0:25:06.080
<v Speaker 1>have left his personal papers in the home of the

0:25:06.080 --> 0:25:08.960
<v Speaker 1>woman he had left twenty years earlier, would he have.

0:25:10.200 --> 0:25:11.760
<v Speaker 1>My mother said, you might want to just see if

0:25:11.760 --> 0:25:14.600
<v Speaker 1>there's anything. So my daughter, who was there, and I

0:25:14.640 --> 0:25:17.160
<v Speaker 1>started digging through the letters, and at the very bottom

0:25:17.240 --> 0:25:21.760
<v Speaker 1>we came upon this one single black volume, dating from

0:25:21.840 --> 0:25:24.720
<v Speaker 1>the nineteen fifties, when my father was in his mid twenties.

0:25:25.040 --> 0:25:29.120
<v Speaker 1>And I took it back to New York and read it,

0:25:29.200 --> 0:25:33.280
<v Speaker 1>and it was extraordinary and the most revelatory thing I'd

0:25:33.320 --> 0:25:35.960
<v Speaker 1>pretty much ever seen about my father, and certainly coming

0:25:36.000 --> 0:25:38.520
<v Speaker 1>from his own hand. And I realized I had to

0:25:38.720 --> 0:25:42.080
<v Speaker 1>go back and search my mother's entire house. So I

0:25:42.119 --> 0:25:44.440
<v Speaker 1>went back and did that, and in the pretty much

0:25:44.480 --> 0:25:47.399
<v Speaker 1>the last place I looked in this quite large house,

0:25:47.520 --> 0:25:51.040
<v Speaker 1>and in a walk in closet, a large walk in

0:25:51.080 --> 0:25:53.240
<v Speaker 1>closet in the back area of the third floor, I

0:25:53.280 --> 0:25:56.800
<v Speaker 1>noticed a wooden chest with a padlock on it that

0:25:56.840 --> 0:25:59.919
<v Speaker 1>I didn't recall ever having seen before, And it was

0:26:00.080 --> 0:26:02.520
<v Speaker 1>kind of boxed in with some cardboard boxes. And when

0:26:02.520 --> 0:26:05.600
<v Speaker 1>I approached it, I could see that the padlock had

0:26:05.640 --> 0:26:08.200
<v Speaker 1>been left at one digit off from the last four

0:26:08.240 --> 0:26:11.399
<v Speaker 1>digits of my parents phone number, the number they always

0:26:11.480 --> 0:26:14.639
<v Speaker 1>used for combination locks. So it's kind of apparent what

0:26:14.720 --> 0:26:18.040
<v Speaker 1>to do. I turned it the one notch and the

0:26:18.119 --> 0:26:21.920
<v Speaker 1>locks sprung open, and I hauled the chest out, and um.

0:26:21.960 --> 0:26:25.760
<v Speaker 1>There were forty years of diaries in identical black three

0:26:25.800 --> 0:26:31.240
<v Speaker 1>ring binders, all organized chronologically, seemingly waiting to be discovered.

0:26:32.280 --> 0:26:34.960
<v Speaker 1>The journals that Jenny's father meant to leave in her

0:26:35.000 --> 0:26:39.320
<v Speaker 1>care and then, perhaps ravaged by his alcoholism, forgot about,

0:26:40.040 --> 0:26:44.840
<v Speaker 1>are extraordinarily beautifully written, not just the command of language

0:26:44.840 --> 0:26:50.000
<v Speaker 1>and structure, but the deep, deep insight into himself, the thinking,

0:26:50.440 --> 0:26:54.639
<v Speaker 1>the feeling, just how well he knew himself and his circumstances.

0:26:55.920 --> 0:26:59.760
<v Speaker 1>He wrote, I am now twenty six years old. I

0:27:00.000 --> 0:27:02.639
<v Speaker 1>live in a beautiful formal house with grounds which I

0:27:02.680 --> 0:27:06.720
<v Speaker 1>cannot afford to keep on a decaying quasi baronial domain

0:27:06.840 --> 0:27:10.720
<v Speaker 1>of great beauty in an encroaching suburb. I am married

0:27:10.760 --> 0:27:13.040
<v Speaker 1>to a charming wife with whom I have little in

0:27:13.080 --> 0:27:18.199
<v Speaker 1>common but background. We live our background. This is no

0:27:18.280 --> 0:27:23.719
<v Speaker 1>way to live. Have truer words ever been spoken? We

0:27:23.840 --> 0:27:27.639
<v Speaker 1>live our background. We do this, that is, unless we

0:27:27.760 --> 0:27:31.560
<v Speaker 1>break free, or in the words of Carl Jung, until

0:27:31.680 --> 0:27:35.240
<v Speaker 1>you make the unconscious conscious. It will direct your life,

0:27:35.320 --> 0:27:40.199
<v Speaker 1>and you will call it fate. He describes there and

0:27:40.320 --> 0:27:46.040
<v Speaker 1>in many subsequent entries Um fluctuations in his moods that

0:27:46.200 --> 0:27:49.480
<v Speaker 1>date back to I think he said third grade, some

0:27:49.680 --> 0:27:55.560
<v Speaker 1>periods of depression a word used, although he also sometimes

0:27:55.640 --> 0:27:59.520
<v Speaker 1>used other words like you know, euphemisms for depression, and

0:27:59.600 --> 0:28:04.600
<v Speaker 1>also periods of elation and heightened creativity. Uh. And so

0:28:05.080 --> 0:28:08.560
<v Speaker 1>he tracks these moods, particularly in that period and in

0:28:08.560 --> 0:28:14.720
<v Speaker 1>his thirties, UM with a real attention to what what's happening.

0:28:15.160 --> 0:28:19.520
<v Speaker 1>At the same time, he made it clear from very

0:28:19.520 --> 0:28:21.800
<v Speaker 1>early on in his twenties that he was conscious that

0:28:21.840 --> 0:28:25.199
<v Speaker 1>he had a drinking problem and that he perceived it

0:28:25.240 --> 0:28:28.400
<v Speaker 1>to be a problem, and that he used the drinking

0:28:28.840 --> 0:28:33.399
<v Speaker 1>two I would say, mitigate the effects of what he

0:28:33.440 --> 0:28:37.720
<v Speaker 1>would refer to as the mood fluctuations. Um that somehow

0:28:37.800 --> 0:28:41.040
<v Speaker 1>the drinking enabled him to get through all sorts of things,

0:28:41.080 --> 0:28:45.680
<v Speaker 1>including social events, the very kinds of parties, and things

0:28:45.720 --> 0:28:47.960
<v Speaker 1>where he seemed to be so much in his element.

0:28:48.400 --> 0:28:55.719
<v Speaker 1>He found those intolerable without drinking. So there was the acute,

0:28:55.760 --> 0:29:00.200
<v Speaker 1>acute examination of his own sort of soul and mental state. Eight.

0:29:01.960 --> 0:29:05.560
<v Speaker 1>Jenny's father's recurring dream about the red potion he'd had

0:29:05.600 --> 0:29:09.480
<v Speaker 1>since he was a child a searing, painful example of

0:29:09.520 --> 0:29:12.520
<v Speaker 1>the ways that deep down we know our own demons.

0:29:13.000 --> 0:29:16.320
<v Speaker 1>We know them even though we can't speak them, and

0:29:16.360 --> 0:29:19.400
<v Speaker 1>so we keep some secret out of shame or simply

0:29:19.440 --> 0:29:22.280
<v Speaker 1>because we think we can't live without them. But eventually,

0:29:23.280 --> 0:29:25.800
<v Speaker 1>even if it couldn't be resolved or fixed within his lifetime,

0:29:26.320 --> 0:29:29.200
<v Speaker 1>Jenny now knows so much more of her father's inner world,

0:29:30.320 --> 0:29:33.760
<v Speaker 1>mainly what I came away with it from. It took

0:29:33.800 --> 0:29:39.080
<v Speaker 1>me months to read them. Um was this painful sense

0:29:39.320 --> 0:29:44.400
<v Speaker 1>of his awareness of his mental state, his struggle with it,

0:29:44.520 --> 0:29:47.480
<v Speaker 1>his consciousness about his drinking, and the way it led

0:29:47.560 --> 0:29:51.800
<v Speaker 1>him to basically lie to us about something that he

0:29:51.880 --> 0:29:58.800
<v Speaker 1>was wrestling with privately himself. So in in reading these journals,

0:29:58.840 --> 0:30:01.560
<v Speaker 1>and I mean to know your father in this different

0:30:01.600 --> 0:30:06.440
<v Speaker 1>way after his life, that self knowledge, you know, that

0:30:06.600 --> 0:30:13.480
<v Speaker 1>self deprecation, that awareness of his own struggle. Is that

0:30:13.600 --> 0:30:17.800
<v Speaker 1>something that you're glad that you know. I'm very glad

0:30:17.840 --> 0:30:23.000
<v Speaker 1>that I know this. I'm you know, trained as a journalist. Um,

0:30:23.040 --> 0:30:28.080
<v Speaker 1>So I pathologically curious. And he was a puzzle for

0:30:28.160 --> 0:30:31.400
<v Speaker 1>me from a very young age. And I don't begin

0:30:31.480 --> 0:30:34.920
<v Speaker 1>to think that I fully fathomed him or that I

0:30:35.040 --> 0:30:40.000
<v Speaker 1>understand him completely, but I definitely understand things from reading

0:30:40.000 --> 0:30:43.520
<v Speaker 1>that that I would never have have gotten before. And

0:30:43.840 --> 0:30:47.040
<v Speaker 1>the puzzle to me is why did he do it

0:30:47.080 --> 0:30:49.280
<v Speaker 1>in that way? Why did he tell me in my

0:30:49.320 --> 0:30:51.240
<v Speaker 1>twenties he wanted me to have the journals when he

0:30:51.320 --> 0:30:53.800
<v Speaker 1>was dead. Why did it have to be when he

0:30:53.880 --> 0:30:57.000
<v Speaker 1>was dead? Was he unwilling to have any kind of

0:30:57.040 --> 0:31:01.040
<v Speaker 1>conversation which would have been unavoidable while he was alive

0:31:01.120 --> 0:31:05.440
<v Speaker 1>on these topics? Um? Did he change his mind? When

0:31:05.480 --> 0:31:08.400
<v Speaker 1>did he put them up there under with the padlock?

0:31:08.600 --> 0:31:11.080
<v Speaker 1>Was it? Did he leave it obvious so that one

0:31:11.120 --> 0:31:13.120
<v Speaker 1>of us would open it? Or was it just that

0:31:13.120 --> 0:31:14.880
<v Speaker 1>that's the way he used to take the pages up

0:31:14.920 --> 0:31:17.800
<v Speaker 1>and he kind of left it in midstream. It's all

0:31:17.800 --> 0:31:22.080
<v Speaker 1>a kind of interesting, you know, posthumous puzzle for me

0:31:22.240 --> 0:31:28.200
<v Speaker 1>to try to understand what it means. Let's end with

0:31:28.280 --> 0:31:32.200
<v Speaker 1>Jenny reading just a bit from the Beneficiary, a moment

0:31:32.240 --> 0:31:35.320
<v Speaker 1>when the whole family is together visiting her father during

0:31:35.320 --> 0:31:38.280
<v Speaker 1>a stint at McClean Hospital on the outskirts of Boston.

0:31:43.280 --> 0:31:45.600
<v Speaker 1>The air that afternoon at McClean was loud with the

0:31:45.680 --> 0:31:49.360
<v Speaker 1>din of cicadas. The five of us embarked awkwardly on

0:31:49.400 --> 0:31:52.440
<v Speaker 1>a stroll along a path that wound through a wood

0:31:52.520 --> 0:31:55.800
<v Speaker 1>on the hospital grounds. We fell into the old order

0:31:55.840 --> 0:31:58.840
<v Speaker 1>of march, my father in the lead, my mother's scurrying

0:31:58.880 --> 0:32:01.680
<v Speaker 1>to keep pace, three of us dawdling at the rear.

0:32:02.600 --> 0:32:05.200
<v Speaker 1>At one point I caught up with my father to

0:32:05.280 --> 0:32:08.440
<v Speaker 1>break the silence. I asked what he'd been reading. I'd

0:32:08.480 --> 0:32:11.080
<v Speaker 1>sent him a package of magazines and books the morning

0:32:11.120 --> 0:32:14.960
<v Speaker 1>after we'd dropped him off a guilt offering. He had

0:32:15.000 --> 0:32:17.400
<v Speaker 1>been reading material put out by a A He said,

0:32:18.400 --> 0:32:20.920
<v Speaker 1>had he learned things about alcoholism that he hadn't known?

0:32:20.960 --> 0:32:26.120
<v Speaker 1>I asked, Oh, yes, he said, like what. He was quiet.

0:32:26.680 --> 0:32:29.400
<v Speaker 1>I glanced at him sideways, thinking he might be weighing

0:32:29.400 --> 0:32:34.240
<v Speaker 1>the choice between degrees of self revelation the duplicitousness and

0:32:34.280 --> 0:32:38.600
<v Speaker 1>deception involved. He answered, looking straight ahead. He left it

0:32:38.640 --> 0:32:51.200
<v Speaker 1>at that. I'd like to thank my guest Janny Scott,

0:32:51.400 --> 0:32:54.800
<v Speaker 1>for telling us her story here today. You can learn

0:32:54.880 --> 0:32:59.680
<v Speaker 1>more about Jenny's memoir That Beneficiary, Fortune, Misfortune, and the

0:32:59.720 --> 0:33:05.040
<v Speaker 1>Story of My Father by visiting Janny Scott dot com.

0:33:05.040 --> 0:33:08.600
<v Speaker 1>Family Secrets is an I Heart Media production. Dylan Fagan

0:33:08.720 --> 0:33:12.720
<v Speaker 1>is the supervising producer, and Julie Douglas and Bethan Macaluso

0:33:12.880 --> 0:33:16.640
<v Speaker 1>are executive producers. If you have a family secret you'd

0:33:16.640 --> 0:33:18.760
<v Speaker 1>like to share, you can get in touch with us

0:33:18.840 --> 0:33:22.880
<v Speaker 1>at listener mail at Family Secrets podcast dot com. You

0:33:22.920 --> 0:33:27.200
<v Speaker 1>can also find us on Instagram at Danny Ryder, Facebook

0:33:27.360 --> 0:33:31.160
<v Speaker 1>at Family Secrets Pod, and Twitter at fami Secrets Pod.

0:33:31.760 --> 0:33:51.160
<v Speaker 1>For more about my book Inheritance, visit Danny Shapiro dot com.

0:33:51.200 --> 0:33:53.520
<v Speaker 1>For more podcasts. For my Heart Radio, visit the I

0:33:53.640 --> 0:33:56.680
<v Speaker 1>Heart Radio app, Apple Podcast, or wherever you listen to

0:33:56.720 --> 0:33:57.560
<v Speaker 1>your favorite shows.