WEBVTT - Episode 3: Planet Haileywood

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<v Speaker 1>This is an I heart original. It's and Tom Blanchard

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<v Speaker 1>is sitting down with his wife to eat at a

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<v Speaker 1>new restaurant in the sleepy town of Hailey, Idaho. Hailey

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<v Speaker 1>is a part of the Wood River Valley where Tom

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<v Speaker 1>is a county commissioner, and he's eager to check out

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<v Speaker 1>a big attraction in one of the area's smallest towns.

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<v Speaker 1>It's packed, and everywhere Tom looks he sees something extravagant,

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<v Speaker 1>amazing expensive hardwood furniture tables that have African daisies and

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<v Speaker 1>tiger lilies erupting from vases, hand painted ostrojegs that line shelves.

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<v Speaker 1>There are even palm trees. In Idaho. Grand openings of anything,

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<v Speaker 1>especially a two story restaurant slash bar, are few and

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<v Speaker 1>far between. And Haley, it's a former mining community with

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<v Speaker 1>the kind of straightforward, no frills attitude that comes along

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<v Speaker 1>with it. Some people in Haley aren't even sure a

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<v Speaker 1>restaurant this nice belongs here. It's not that they don't

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<v Speaker 1>like it, it's just that it's fancy. Locals don't have

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<v Speaker 1>a lot of use for fancy. Tom's like that fancy

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<v Speaker 1>is okay, but he can do without it. And he's

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<v Speaker 1>not phased by much, but even he's surprised by what

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<v Speaker 1>happens when he looks up from his menu to see

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<v Speaker 1>who's looking back at him. The server is Bruce Willis.

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<v Speaker 1>He was our server. Um My wife and I ate

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<v Speaker 1>at the mint one night and he was our server

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<v Speaker 1>because he he would go down there and he would

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<v Speaker 1>end up waiting on tables and you know, talking to

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<v Speaker 1>people or you know, serving at the bar. Bruce Willis

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<v Speaker 1>smiles as he jots down their order. Well, if you've

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<v Speaker 1>seen his movies, you know he doesn't smile so much

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<v Speaker 1>as he smirks. That's part of the Bruce Willis image.

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<v Speaker 1>Never a complete smile, more of a half grin without

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<v Speaker 1>showing many teeth, something that says, you know, I'm charming.

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<v Speaker 1>I know I'm charming, and we're both pretty amused by it.

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<v Speaker 1>The smirk that's made hundreds of millions of dollars at

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<v Speaker 1>the box office in films like Die Hard, Twelve Monkeys,

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<v Speaker 1>and Pulp Fiction. He even made that talking baby movie

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<v Speaker 1>Look Who's Talking, a success that spawned two sequels, though

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<v Speaker 1>Willis sat out the third movie when the dog started talking.

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<v Speaker 1>Willis was the voice of Mikey the Baby, a constantly

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<v Speaker 1>smirking baby. The point being Bruce Willis in was one

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<v Speaker 1>of the biggest movie stars on the planet, an action

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<v Speaker 1>hero whose everyman qualities helped balance out these superhuman characters

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<v Speaker 1>played by Bazooka tootors like Schwarzenegger and Stallone. An actor

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<v Speaker 1>who was highly respected for dramatic turns in movies like

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<v Speaker 1>as a tortured Vietnam veteran in In Country and opposite

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<v Speaker 1>Paul Newman in Nobody's Fool. A mega watt star, making

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<v Speaker 1>tens of millions of dollars almost every time he appeared

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<v Speaker 1>on screen. And yet here he is in Haley, serving

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<v Speaker 1>Tom Blanchard and several other tables their appetizers. And it's

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<v Speaker 1>not because Bruce Willis had fallen on hard times. It's

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<v Speaker 1>because Bruce Willis owns the restaurant known as The Mint.

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<v Speaker 1>In fact, he now owns several businesses along Haley's main street,

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<v Speaker 1>in addition to a private residence just on the edge

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<v Speaker 1>of town. That's why residents started calling their home something

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<v Speaker 1>besides Haley. They started referring to it as Haleywood. But

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<v Speaker 1>some people couldn't shake the feeling Willis didn't want a

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<v Speaker 1>town so much as a movie set, one where Willis

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<v Speaker 1>was the director. And if Haley was a movie set

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<v Speaker 1>and Willis was the director and the star, didn't that

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<v Speaker 1>make the locals well? Extras for I Heart Radio This

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<v Speaker 1>is Haleywood, and I heart original podcast, I'm Your Host

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<v Speaker 1>Danis Schwartz, and this is Episode three Planet Haley Wood.

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<v Speaker 1>In the nineties, Bruce Willis wasn't just a movie star.

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<v Speaker 1>He was also a businessman involved in one of the

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<v Speaker 1>trendiest business moves an actor could pull off, becoming the

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<v Speaker 1>face of a slightly corny theme restaurant. It's easy to

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<v Speaker 1>see the appeal. Kenny Rogers Roasters, a chicken spot, Michael

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<v Speaker 1>Jordan's steakhouse eminem recently opened to storefronts in Detroit named

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<v Speaker 1>Mom Spaghetti. And there's Mark Wahlberg's Wallburgers, which he operates

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<v Speaker 1>with his brothers. These are kind of self aware in

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<v Speaker 1>their kitchen appeal, sometimes earnest, sometimes bombastic. But during the

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<v Speaker 1>nineties heyday, the theme restaurant was serious business, and no

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<v Speaker 1>theme restaurant was bigger than Planet Hollywood in tourist friendly

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<v Speaker 1>cities like New York, Los Angeles at Disney World, even

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<v Speaker 1>all the way to Moscow. These monuments to Hollywood glamour

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<v Speaker 1>and stardom popped up and enticed patrons with an aesthetic

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<v Speaker 1>that worshiped the movies. Picture a t g I Fridays

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<v Speaker 1>with movie memorabilia, with movie flair, a place to eat

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<v Speaker 1>fried chicken coated and capt'n crunch cereal while seated underneath

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<v Speaker 1>Rocky balboas boxing trunks or John mcclean's dirty undershirt. Movies

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<v Speaker 1>and movie stars hadn't been shrunk down to streaming services yet.

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<v Speaker 1>Movies were still an event, and eating a burger while

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<v Speaker 1>staring at a glass case with Jason Vorhees hockey mask

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<v Speaker 1>staring down at customers was a draw. But the real

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<v Speaker 1>secret sauce was the endorsement from major movie stars who

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<v Speaker 1>came out for Planet Hollywood grand openings like they were

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<v Speaker 1>movie premiers. Why simple, Plan It Hollywood was a turnkey

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<v Speaker 1>operation for celebrities who wanted to flex their business acumen

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<v Speaker 1>in exchange for publicity. Stars would get shares in the company,

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<v Speaker 1>and the more they promoted, the more money they'd make.

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<v Speaker 1>That was the idea anyway. Planet Hollywood was the brainchild

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<v Speaker 1>of Brian Kessner and Keith Barrish to film producers who

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<v Speaker 1>decided to take the template of hard Rock Cafe and

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<v Speaker 1>apply it to movies. They teamed with Robert Earle, who

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<v Speaker 1>was then CEO of Hard Rock International and who knew

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<v Speaker 1>the novelty eatery business well. They thought about calling it

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<v Speaker 1>Cafe Hollywood before settling on Planet Hollywood, and because they

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<v Speaker 1>wanted it to be an international brand, they needed actors

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<v Speaker 1>who had international appeal. The first two names on a list,

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<v Speaker 1>Arnold Schwartzenegger and Bruce Willis Demi Moore joined in, making

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<v Speaker 1>Willis and More the power couple of the theme restaurant industry.

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<v Speaker 1>Soon Sylvester Stallone joined them. For Stallone, it was an

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<v Speaker 1>interesting foreshadowing of movies imitating life. The sixth installment of

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<v Speaker 1>the Rocky franchise in two thousand and six featured Stallone's

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<v Speaker 1>character opening a restaurant called Adrian's. In the film, Rocky

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<v Speaker 1>used his celebrity to draw business, just as Stallone and

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<v Speaker 1>the others had done I R L. Back in the nineties.

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<v Speaker 1>The first Planet Hollywood opened in Manhattan in serving up,

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<v Speaker 1>among other things, mixed drinks named die Harder's. It had

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<v Speaker 1>palm trees and plenty of star power, all of the

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<v Speaker 1>other franchise openings did too. George Looney, Wesley Snipes, Luke Perry,

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<v Speaker 1>Eddie Murphy, a who's who of nineties faces were usually there.

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<v Speaker 1>Willis and the others regularly attended, drawing thousands of adoring

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<v Speaker 1>fans and tons of media. In some of the high

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<v Speaker 1>profile locations, like in Los Angeles, there seemed to be

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<v Speaker 1>a vague notion that any regular Joe might walk into

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<v Speaker 1>the restaurant and see Arnold or Bruce or Demi sipping

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<v Speaker 1>a drink. This rarely happened, but it was part of

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<v Speaker 1>the appeal. Willis had to say in the franchises liquor selection,

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<v Speaker 1>using his expertise from his bartending days in New York,

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<v Speaker 1>while Arnold contributed his mother's strutal recipe Burger's nachos, blaring

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<v Speaker 1>music quote before they were stars, high school photos on

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<v Speaker 1>the place mats. It was a perfect restaurant for the

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<v Speaker 1>celebrity obsessed tabloid culture of the nineties. If a patron

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<v Speaker 1>ponied up for a Planet Hollywood Express card, they could

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<v Speaker 1>even get some of that special treatment usually afforded to

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<v Speaker 1>the Hollywood elite, jumping the lines to be seated more

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<v Speaker 1>quickly and those lines could get pretty long. The chain

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<v Speaker 1>was serving up seven hundred and fifty thousand people every

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<v Speaker 1>year at restaurants in thirty one countries. Planet Hollywood became

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<v Speaker 1>a brand advertised in movie theaters. Going to a Planet

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<v Speaker 1>Hollywood became a right of vacationers everywhere, a stop you

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<v Speaker 1>needed to make to bring home a souvenir for family members,

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<v Speaker 1>a denim shirt, a polo shirt, a fossil watch. It

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<v Speaker 1>even had a tie in board game. The Bomber Jackets

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<v Speaker 1>with the Planet Hollywood logo sported by Willis and the others,

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<v Speaker 1>were a kind of uniform, like they were part of

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<v Speaker 1>a winning varsity team in the sport of making money.

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<v Speaker 1>Customers could buy them too, for three d and twenty

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<v Speaker 1>five dollars. But at openings, Willis could contribute something the

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<v Speaker 1>others couldn't, a stage presence. Civilians weren't allowed inside the

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<v Speaker 1>star studded v I P gatherings, of course, so Willis

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<v Speaker 1>would bring the party outside where fans were standing expectantly. Opening.

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<v Speaker 1>After opening, Willis and his band the Accelerators would jam,

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<v Speaker 1>giving audiences a full course of his charisma. Arnold and

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<v Speaker 1>Sly could merely wave and smile Willis's most memorable opening

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<v Speaker 1>came at the debut of A Planet Hollywood in San Diego.

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<v Speaker 1>On stage with his band, he was joined by Anna

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<v Speaker 1>Nicole Smith, the pin up of the moment thanks to

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<v Speaker 1>our appearances in Playboy and as a model for guests jeans.

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<v Speaker 1>Smith was looking to shock the crowd, and she did

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<v Speaker 1>by taking out one of her breasts and waving it

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<v Speaker 1>around without any prompting or provocation from Willis. She then

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<v Speaker 1>unbuttoned his shirt and either licked his chest or pretended

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<v Speaker 1>to lick his chest, depending on which version you'd like

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<v Speaker 1>to believe. But here's the problem with being trendy. Trends,

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<v Speaker 1>by their nature, don't last very long. While the openings

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<v Speaker 1>were splashy and exciting, pretty soon people realized that Arnold

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<v Speaker 1>wasn't going to just show up and offered to split

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<v Speaker 1>a milkshake. The food was no different than your average Applebee's,

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<v Speaker 1>and the struggling aspiring actors working as waiters weren't worth

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<v Speaker 1>repeated trips. Planet Hollywood went public in and tried to

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<v Speaker 1>keep growing, but the public's appetite for cereal encrusted chicken

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<v Speaker 1>fingers and terminator jackets mounted on walls had reached its peak,

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<v Speaker 1>celebrities began moving away from the premiers. Locations closed, two

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<v Speaker 1>bankruptcies followed. There are still some Planet Hollywood's in business today,

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<v Speaker 1>but few movie stars celebrating their grand openings. It was

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<v Speaker 1>fun while it lasted, and the experience was invaluable for

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<v Speaker 1>Willis and more. It showed them how they could monetize

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<v Speaker 1>their celebrity in the service industry. But opening a Planet

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<v Speaker 1>Hollywood franchise in Haley was out of the question. It

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<v Speaker 1>was too big, too well to Hollywood Haley. It was

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<v Speaker 1>supposed to be the escape from all that. As Planet

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<v Speaker 1>Hollywood was starting to spin out of orbit, Willis decided

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<v Speaker 1>to do his own version of a theme restaurant in Haley.

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<v Speaker 1>But it wouldn't be restricted to just one building. It

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<v Speaker 1>would be places where, yeah, maybe you would see Bruce

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<v Speaker 1>Willis hanging out. Bruce Willis's arrival in Haley solved a

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<v Speaker 1>very big problem facing the catch him Sun Valley Chamber

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<v Speaker 1>of Commerce. Here's Wendy Jake what I was a director

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<v Speaker 1>of the Sun Valley Catching Chamber of Commerce. At that time.

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<v Speaker 1>The town was pretty sleepy, storefronts boarded up just in

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<v Speaker 1>the main area. Older buildings the hospital was converted to

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<v Speaker 1>a city hall and a library. The County building is

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<v Speaker 1>a block over. It's an old, wonderful brick building from

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<v Speaker 1>the late eighteen hundreds. When the silver mining boom was

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<v Speaker 1>taking place, the host mistress and the mayor and other

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<v Speaker 1>people and Haley were talking about doing a video to

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<v Speaker 1>promote downtown Haley because things had kind of gone awry,

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<v Speaker 1>wasn't it wasn't really very much of a viable town

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<v Speaker 1>that we're empty storefronts. And then all of a sudden

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<v Speaker 1>we got Bruce Willis of redevelopment, and we didn't really

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<v Speaker 1>need a video after that. Suddenly there was another boom,

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<v Speaker 1>not a silver mining boom, a Bruce Willis boom. There

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<v Speaker 1>were jackhammers and forklifts and rubble, the good kind of

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<v Speaker 1>rubble that told you something was changing, Something was being

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<v Speaker 1>torn down so something better could go up in its place.

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<v Speaker 1>A transformation was underway. It was a Tuesday hours on

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<v Speaker 1>dead line. I was in a big hurry getting the

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<v Speaker 1>paper finished. Wayne and Dair, editor of the Wood River Journal,

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<v Speaker 1>and somebody came into my office, you know, to get

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<v Speaker 1>your camera and go out into the alley, and Bruce

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<v Speaker 1>Willis has carried two by fours over his shoulder. That

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<v Speaker 1>to helped the construction workers and h he said, yeah,

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<v Speaker 1>you could probably sell a picture like that to the

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<v Speaker 1>National Enquirer for our fifty dollars. I mean, I would

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<v Speaker 1>like to have fifty dollars as much as anybody. But

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<v Speaker 1>becoming a paparazzi was not, uh, in my wheelhouse at all.

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<v Speaker 1>But that's sounded exactly like something he would do, just literally,

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<v Speaker 1>you know, pitching in and helping to get the job

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<v Speaker 1>done and being pretty comfortable doing it. Willis was busy

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<v Speaker 1>renovating the Mint as a bar in a former mining town.

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<v Speaker 1>It was dilapidated, dark. He tore down an little bar

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<v Speaker 1>and built what he called them in and he spent

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<v Speaker 1>a couple of million bucks at least on renovating it.

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<v Speaker 1>Did a beautiful job, made it into a bar and

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<v Speaker 1>at a stage that's former Hailey resident and attorney leash Lender.

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<v Speaker 1>Of course it was. I mean, it's it's stuck out

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<v Speaker 1>like a sore thumb, because it's the kind of thing

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<v Speaker 1>you would see in a major city. Everything else is uh,

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<v Speaker 1>you know, almost tie up your horse outside. So it

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<v Speaker 1>was it was different, that's for sure, but it was

0:17:41.040 --> 0:17:49.720
<v Speaker 1>beautifully done, the dark corners were gone, The surly drinkers

0:17:49.800 --> 0:17:54.560
<v Speaker 1>were effectively evicted, forced to find another watering hole to Bruton.

0:17:55.520 --> 0:17:59.240
<v Speaker 1>Lunch wasn't of the liquid variety, but freshly caught Idaho

0:17:59.280 --> 0:18:03.560
<v Speaker 1>trout were burghers. It was affordable to a lunch bill

0:18:03.640 --> 0:18:07.439
<v Speaker 1>for two might come to about twenty dollars. Suddenly the

0:18:07.480 --> 0:18:11.560
<v Speaker 1>Mint was a shiny new establishment where the slenders and

0:18:11.720 --> 0:18:14.840
<v Speaker 1>other locals were sitting down to grab a meal. And

0:18:14.960 --> 0:18:18.280
<v Speaker 1>while there wouldn't be memorabilia that was very much a

0:18:18.400 --> 0:18:23.000
<v Speaker 1>Planet Hollywood approach, patrons would still know who was bankrolling

0:18:23.040 --> 0:18:26.840
<v Speaker 1>the venture. Above the dining area was a giant photo

0:18:27.080 --> 0:18:30.920
<v Speaker 1>of Bruce Willis as a baby, not the look Who's

0:18:30.960 --> 0:18:36.400
<v Speaker 1>talking baby, his actual baby photo. I think that the

0:18:36.400 --> 0:18:39.760
<v Speaker 1>major impression of everybody was that's going to be a

0:18:39.800 --> 0:18:44.919
<v Speaker 1>real addition to our little main street, and we welcome

0:18:44.960 --> 0:18:47.800
<v Speaker 1>the money. You see when you leave Haley, you go

0:18:47.920 --> 0:18:50.800
<v Speaker 1>ten miles north, you get in to catch him in

0:18:50.880 --> 0:18:53.800
<v Speaker 1>sun Valley, and it's a working man's town. When you

0:18:53.880 --> 0:18:58.280
<v Speaker 1>come south and leave catch him. Hayley was not the

0:18:58.359 --> 0:19:01.800
<v Speaker 1>place where the people that had money of it was

0:19:01.920 --> 0:19:06.159
<v Speaker 1>purely a working class, working class people. In fact, I

0:19:06.200 --> 0:19:09.600
<v Speaker 1>think Bruce was probably one of the first ones of

0:19:09.640 --> 0:19:17.320
<v Speaker 1>that type of society that actually built Dollar. There was more,

0:19:17.680 --> 0:19:20.800
<v Speaker 1>much more to the Mint, not just a place to eat,

0:19:20.960 --> 0:19:23.840
<v Speaker 1>but a place for Bruce Willis to be Bruce Willis

0:19:24.200 --> 0:19:27.360
<v Speaker 1>in a way that felt comfortable to him, and we'll

0:19:27.359 --> 0:19:30.080
<v Speaker 1>get to that. But he wasn't done with Main Street.

0:19:31.400 --> 0:19:35.720
<v Speaker 1>Next came the E. G. Willis Building, named after Willis's grandfather.

0:19:37.359 --> 0:19:41.040
<v Speaker 1>It was a combination retail and office space with a

0:19:41.119 --> 0:19:45.840
<v Speaker 1>variety of specialty shops like jewelers and furniture stores. We

0:19:45.880 --> 0:19:49.240
<v Speaker 1>mentioned this before in relation to Willis's dust up with

0:19:49.320 --> 0:19:52.199
<v Speaker 1>the Wood River Journal, but there was more to it.

0:19:53.560 --> 0:19:56.080
<v Speaker 1>On the street level of the E. G. Willis Building

0:19:56.320 --> 0:19:59.760
<v Speaker 1>was Shorties, a Bruce Willis project that paid homage to

0:19:59.840 --> 0:20:03.840
<v Speaker 1>the diners of the nineteen fifties. Willis had named the

0:20:03.920 --> 0:20:10.280
<v Speaker 1>joint after his dog, red leather booths, shiny chrome tabletop jukeboxes.

0:20:11.520 --> 0:20:15.160
<v Speaker 1>Haley already had a breakfast hang out that the locals liked,

0:20:15.359 --> 0:20:19.600
<v Speaker 1>but well, it wasn't exactly what Bruce Willis wanted. It

0:20:19.720 --> 0:20:23.639
<v Speaker 1>wasn't open late enough, so he built something he liked better,

0:20:24.080 --> 0:20:27.960
<v Speaker 1>a place that served eggs but also served hummus anytime,

0:20:28.200 --> 0:20:31.680
<v Speaker 1>day or night. That was kind of what Bruce Willis did.

0:20:32.160 --> 0:20:34.840
<v Speaker 1>If he saw something in Haley that he felt could

0:20:34.840 --> 0:20:37.720
<v Speaker 1>be approved upon, he'd do it. If he thought it

0:20:37.800 --> 0:20:41.240
<v Speaker 1>was missing something, he'd built it. There was a pulse,

0:20:41.560 --> 0:20:47.080
<v Speaker 1>a Bruce nous to Haley that was becoming palpable. Here's

0:20:47.080 --> 0:20:51.199
<v Speaker 1>Wendy Jake Wet. I think people in Sun Valley and

0:20:51.320 --> 0:20:55.439
<v Speaker 1>Catchen looked at this change in Haley as kind of

0:20:55.480 --> 0:20:57.600
<v Speaker 1>an opportunity, kind of like a place where it would

0:20:57.600 --> 0:21:00.240
<v Speaker 1>be a little bit more authentic. It wouldn't be they

0:21:00.280 --> 0:21:05.840
<v Speaker 1>might perceive as as a glitsey resort seeing versus something

0:21:05.880 --> 0:21:07.920
<v Speaker 1>that was more authentic. But look at this. It also

0:21:08.000 --> 0:21:13.800
<v Speaker 1>had this Bruce Willis amenity to it. The Bruce Willis amenity.

0:21:14.080 --> 0:21:18.000
<v Speaker 1>The mint and shorties had his aesthetic, his love of

0:21:18.040 --> 0:21:22.000
<v Speaker 1>a bygone era resurrected in the form of pies, under

0:21:22.080 --> 0:21:27.000
<v Speaker 1>glass and tabletop jukeboxes. He was having fun sculpting the town.

0:21:27.560 --> 0:21:30.840
<v Speaker 1>The same ambition he had demonstrated pursuing an acting career

0:21:31.320 --> 0:21:39.479
<v Speaker 1>was making things happen in Haley. Sometimes little things cropped up,

0:21:39.920 --> 0:21:43.439
<v Speaker 1>little signs that Bruce might have been getting frustrated with

0:21:43.720 --> 0:21:48.960
<v Speaker 1>small town bureaucracy, things like permits and zoning, things that

0:21:49.000 --> 0:21:51.880
<v Speaker 1>he never had to deal with that planet Hollywood were

0:21:51.920 --> 0:21:55.919
<v Speaker 1>proving to be a nuisance. After all, Haley was flourishing,

0:21:56.080 --> 0:21:59.080
<v Speaker 1>and he was investing in it, and someone in that

0:21:59.119 --> 0:22:04.800
<v Speaker 1>position might expect a little cooperation. Once Hailey took issue

0:22:04.840 --> 0:22:07.720
<v Speaker 1>with the fact that Willis didn't have the required number

0:22:07.760 --> 0:22:11.000
<v Speaker 1>of parking spaces for the E. G. Willis Building, he

0:22:11.160 --> 0:22:14.400
<v Speaker 1>was ten spaces short. He could have paid a fee

0:22:14.440 --> 0:22:17.400
<v Speaker 1>of twenty five thousand dollars to cover the infraction and

0:22:17.520 --> 0:22:22.280
<v Speaker 1>kept doing business without the spaces. Instead, Demi Moore bought

0:22:22.320 --> 0:22:26.280
<v Speaker 1>a shuttered drug store across the street. It was listed

0:22:26.440 --> 0:22:31.440
<v Speaker 1>for six hundred and seventy five dollars. Willis got his parking.

0:22:32.240 --> 0:22:38.639
<v Speaker 1>The building itself remained vacant. To some, the town began

0:22:38.760 --> 0:22:41.919
<v Speaker 1>taking on the feel of a Hollywood back lot. You

0:22:41.960 --> 0:22:44.679
<v Speaker 1>know about back lots. They are built by studios for

0:22:44.800 --> 0:22:49.040
<v Speaker 1>shooting movies and have replica storefronts that sometimes lead nowhere.

0:22:49.600 --> 0:22:52.359
<v Speaker 1>You just walk through a door and come out the

0:22:52.359 --> 0:22:57.960
<v Speaker 1>other side of the unfinished face of the building. After

0:22:58.080 --> 0:23:01.879
<v Speaker 1>the Mint Shorties and the G. Willis Building, there was

0:23:01.960 --> 0:23:06.200
<v Speaker 1>more Willis zoned in on the one place any movie

0:23:06.240 --> 0:23:10.080
<v Speaker 1>star rearranging a small hometown would need. A worn down

0:23:10.119 --> 0:23:15.200
<v Speaker 1>building known as the Liberty Theater. It was a place

0:23:15.280 --> 0:23:19.479
<v Speaker 1>that once proudly presented movies, not a multiplex, but a

0:23:19.600 --> 0:23:25.240
<v Speaker 1>single screen theater open since it was old school, The

0:23:25.280 --> 0:23:28.800
<v Speaker 1>original owner was a barber during the day and prospected

0:23:28.800 --> 0:23:32.760
<v Speaker 1>for gold on the weekends. Like the Mint, the theater

0:23:32.880 --> 0:23:36.280
<v Speaker 1>needed a lot of care, which the current owners couldn't provide.

0:23:36.800 --> 0:23:39.800
<v Speaker 1>Willis bought it and restored it to its former Art

0:23:39.840 --> 0:23:43.680
<v Speaker 1>Deco glory without stripping it of its small town charms.

0:23:44.119 --> 0:23:46.879
<v Speaker 1>He put a lot of money into an old theater.

0:23:47.000 --> 0:23:50.840
<v Speaker 1>They're got it out, putting in a new seeding the

0:23:50.840 --> 0:23:55.800
<v Speaker 1>new stage. It was first class. Inside. The ornate lobby

0:23:56.000 --> 0:24:01.400
<v Speaker 1>was full of gold accents. Bolivian rosewood panels lined the walls.

0:24:01.440 --> 0:24:06.159
<v Speaker 1>A huge chandelier loomed overhead. The theater itself had beautiful

0:24:06.240 --> 0:24:10.400
<v Speaker 1>gold curtains and brand new chairs that reclined. Even better,

0:24:10.720 --> 0:24:14.800
<v Speaker 1>the balcony had love seats that reclined. Tickets were still

0:24:14.840 --> 0:24:19.040
<v Speaker 1>four dollars four dollars, and beer was still served in

0:24:19.040 --> 0:24:24.600
<v Speaker 1>the balcony. A blazing red marquee lit up Haley's night sky.

0:24:24.800 --> 0:24:29.720
<v Speaker 1>Bulbs encircling the titles of the films now playing. For

0:24:29.800 --> 0:24:33.639
<v Speaker 1>Willis and for Haley, it was the ideal amalgamation of

0:24:33.680 --> 0:24:37.320
<v Speaker 1>the old and the new, a historical landmark in town,

0:24:37.480 --> 0:24:42.560
<v Speaker 1>updated with care that preserved Haley's culture. Anyone stepping inside

0:24:42.600 --> 0:24:47.240
<v Speaker 1>the Liberty had one word for it, beautiful. I think

0:24:47.280 --> 0:24:51.960
<v Speaker 1>that was a huge hit and one of Bruce Willis's dreams.

0:24:52.200 --> 0:24:55.280
<v Speaker 1>One he spoke aloud in a rare moment of candor

0:24:55.359 --> 0:24:58.399
<v Speaker 1>with the press, was that he could one day host

0:24:58.440 --> 0:25:00.480
<v Speaker 1>the premiere of one of his fail elms in a

0:25:00.560 --> 0:25:04.040
<v Speaker 1>movie theater he owned. Even though Willis had left a

0:25:04.040 --> 0:25:07.320
<v Speaker 1>lot of Planet Hollywood behind, it turned out he wanted

0:25:07.359 --> 0:25:11.639
<v Speaker 1>to keep one more element, the sonic boom of a

0:25:11.760 --> 0:25:28.719
<v Speaker 1>major celebrity event. In the same year Bruce Willis started

0:25:28.800 --> 0:25:32.840
<v Speaker 1>reshaping Haley, he decided he could control just how much

0:25:32.880 --> 0:25:37.760
<v Speaker 1>Hollywood he wanted in the town. Willis was set to

0:25:37.840 --> 0:25:41.919
<v Speaker 1>star in Twelve Monkeys, a science fiction film directed by

0:25:42.080 --> 0:25:45.840
<v Speaker 1>Terry Gilliam of Monty Python fame and co starring a

0:25:46.000 --> 0:25:51.520
<v Speaker 1>rapidly ascending actor named Brad Pitt. It was a surreal

0:25:51.640 --> 0:25:55.280
<v Speaker 1>story about a man named James Cole played by Willis.

0:25:55.640 --> 0:25:58.680
<v Speaker 1>Who travels back in time to stop a deadly virus

0:25:58.760 --> 0:26:01.920
<v Speaker 1>from taking the world by storm. When he arrives in

0:26:02.000 --> 0:26:05.000
<v Speaker 1>our present or close to it, he sent to a

0:26:05.040 --> 0:26:09.040
<v Speaker 1>mental institution. No one believes Cole is from the future

0:26:09.320 --> 0:26:12.879
<v Speaker 1>or that he belongs there. He's an odd man out.

0:26:20.480 --> 0:26:23.680
<v Speaker 1>Instead of traveling back to Los Angeles for a premiere,

0:26:24.200 --> 0:26:27.080
<v Speaker 1>Willis saw no reason why he couldn't spend a lot

0:26:27.119 --> 0:26:30.040
<v Speaker 1>of his money and a lot of the studios money,

0:26:30.640 --> 0:26:35.360
<v Speaker 1>bringing the premiere to Haley. He flew his co stars

0:26:35.400 --> 0:26:38.400
<v Speaker 1>into Haley on a private jet and then shuttled them

0:26:38.440 --> 0:26:42.720
<v Speaker 1>to Main Street and limousines. Jean Claude van Dam was there,

0:26:43.000 --> 0:26:47.200
<v Speaker 1>and so was hotel mogul Steve Wynn. It had all

0:26:47.240 --> 0:26:51.119
<v Speaker 1>the trappings of the glitzy debuts you saw in Los Angeles.

0:26:52.119 --> 0:26:56.879
<v Speaker 1>At the premiere, Willis was ecstatic. He welcomed both locals

0:26:57.000 --> 0:27:00.760
<v Speaker 1>and big stars at the door, ushering them in, screaming

0:27:00.760 --> 0:27:03.479
<v Speaker 1>that all the candy was free, all the baby ruths

0:27:03.560 --> 0:27:06.680
<v Speaker 1>you could eat at a Bruce Willis premiere. You didn't

0:27:06.720 --> 0:27:09.879
<v Speaker 1>have to pay for concessions. But if the goal of

0:27:09.920 --> 0:27:13.359
<v Speaker 1>a movie premiere is to draw attention to your film,

0:27:13.480 --> 0:27:18.720
<v Speaker 1>why do it in Idaho, here's leash Slender. You're starting

0:27:18.720 --> 0:27:21.399
<v Speaker 1>to get way west. By the time you get to

0:27:23.040 --> 0:27:28.639
<v Speaker 1>uh You're not on the edges of Denver or another

0:27:28.720 --> 0:27:33.400
<v Speaker 1>metropolitan area. So there wasn't a big area to draw from.

0:27:33.440 --> 0:27:37.919
<v Speaker 1>If you put on a premiere or an act of

0:27:37.960 --> 0:27:42.080
<v Speaker 1>a certain type, there's only so many people that are

0:27:42.080 --> 0:27:46.399
<v Speaker 1>going to come because it's just that remote. Did a

0:27:46.400 --> 0:27:48.480
<v Speaker 1>lot of people come from out of town? Do is it? No?

0:27:49.760 --> 0:27:52.760
<v Speaker 1>Not at all. In fact, most people didn't even know

0:27:52.800 --> 0:27:58.240
<v Speaker 1>whatever happened. And maybe that's just how Willis liked it.

0:27:58.240 --> 0:28:01.280
<v Speaker 1>It was more like a private party. It was sort

0:28:01.280 --> 0:28:06.040
<v Speaker 1>of Bruce saying, Okay, I'm here, this is me, this

0:28:06.119 --> 0:28:10.840
<v Speaker 1>is where I'm from, this is my life, and I've

0:28:10.880 --> 0:28:12.720
<v Speaker 1>got this movie. I want you to see about it

0:28:13.000 --> 0:28:15.200
<v Speaker 1>because I do a good job in this and from

0:28:15.240 --> 0:28:17.200
<v Speaker 1>what I have heard, I haven't seen one of his movies,

0:28:17.560 --> 0:28:19.960
<v Speaker 1>but from what I hear, i'm the younger people. They

0:28:19.960 --> 0:28:25.680
<v Speaker 1>think he's terrific. Of course, not every movie Bruce Willis

0:28:25.680 --> 0:28:29.360
<v Speaker 1>premiered and Haley was a crowd pleaser. The next year,

0:28:29.480 --> 0:28:34.080
<v Speaker 1>the gangster drama Last Man Standing got a similar Haley treatment,

0:28:34.680 --> 0:28:37.840
<v Speaker 1>but it didn't strike a chord with critics or viewers.

0:28:38.480 --> 0:28:41.840
<v Speaker 1>It was a lean, spare movie that shaved off most

0:28:41.880 --> 0:28:45.600
<v Speaker 1>of Willis's wise guy charms, which was probably a mistake.

0:28:48.880 --> 0:28:52.120
<v Speaker 1>The same year, Willis and Moore opened The Liberty for

0:28:52.160 --> 0:28:55.880
<v Speaker 1>the premiere of Strip Tease, an erotic drama in which

0:28:55.920 --> 0:28:58.920
<v Speaker 1>More started as a woman who begins stripping to earn

0:28:58.960 --> 0:29:03.120
<v Speaker 1>money enough to regain custody of her young daughter. Then

0:29:03.200 --> 0:29:06.920
<v Speaker 1>she gets embroiled in a political scandal, as strippers do.

0:29:08.480 --> 0:29:11.280
<v Speaker 1>Hollywood saw the movie as having the potential to be

0:29:11.360 --> 0:29:16.840
<v Speaker 1>another basic, instinct allured sexy thriller that pushes boundaries without

0:29:16.920 --> 0:29:21.360
<v Speaker 1>crossing them. Entertainment Weekly said it would quote reveal more

0:29:21.440 --> 0:29:25.960
<v Speaker 1>skin than a year's worth of Victoria's secret catalogs. The

0:29:26.040 --> 0:29:29.520
<v Speaker 1>poster was singled out by the Motion Picture Association of

0:29:29.560 --> 0:29:33.720
<v Speaker 1>America as being too revealing, with More naked in the

0:29:33.760 --> 0:29:39.240
<v Speaker 1>shadow and cross lagged into suggestive oppose, but the role

0:29:39.320 --> 0:29:43.840
<v Speaker 1>was important to More. Bruce and Demi's seven year old daughter, Rumor,

0:29:44.320 --> 0:29:47.200
<v Speaker 1>even appeared in the film as more as on screen daughter,

0:29:47.840 --> 0:29:51.400
<v Speaker 1>and the real headline, more than any erotic imagery, was

0:29:51.440 --> 0:29:54.880
<v Speaker 1>that Demi earned a record twelve point five million dollar

0:29:55.000 --> 0:29:59.800
<v Speaker 1>salary for an actress. No one, not Julia Roberts, not

0:30:00.000 --> 0:30:03.480
<v Speaker 1>harrold Strape, not Sandra Bullock, had ever made as much.

0:30:04.720 --> 0:30:09.560
<v Speaker 1>But while Willis and male actors were congratulated for big salaries,

0:30:10.240 --> 0:30:14.320
<v Speaker 1>Moore was met with resentment. Some in the press dubbed

0:30:14.320 --> 0:30:20.040
<v Speaker 1>her gimme Moore. It was a peculiar double standard. But

0:30:20.120 --> 0:30:23.920
<v Speaker 1>aside from the premiere in Haley, Demi wasn't seen as

0:30:23.960 --> 0:30:28.240
<v Speaker 1>often as Willis. She kept a much lower profile. She

0:30:28.280 --> 0:30:32.720
<v Speaker 1>would rarely, rarely show up anywhere where she could be seen.

0:30:39.200 --> 0:30:43.280
<v Speaker 1>Haley provided the same sort of escape from the cloying press,

0:30:43.400 --> 0:30:47.200
<v Speaker 1>the double standards, the judgmental public, for more as it

0:30:47.240 --> 0:30:51.440
<v Speaker 1>did for Willis. Striptease would be Moore's only film that

0:30:51.520 --> 0:30:59.360
<v Speaker 1>premiered in Haley. In his premieres, Willis pulled off what

0:30:59.520 --> 0:31:03.240
<v Speaker 1>most act there's only dream of, tight trating the precise

0:31:03.400 --> 0:31:09.480
<v Speaker 1>level of celebrity, just enough to enjoy, not so much

0:31:09.560 --> 0:31:15.120
<v Speaker 1>as to be overbearing. While his movies didn't premiere in

0:31:15.240 --> 0:31:19.600
<v Speaker 1>his literal backyard, it was close, and when his famous

0:31:19.600 --> 0:31:23.160
<v Speaker 1>friends left and the carpet was rolled up, Haley could

0:31:23.160 --> 0:31:26.800
<v Speaker 1>go back to being the nondescript town Willis had fallen

0:31:26.840 --> 0:31:30.440
<v Speaker 1>in love with It was just a brief intermission, just

0:31:30.560 --> 0:31:34.120
<v Speaker 1>a little measured dose of fame, a little hit, and

0:31:34.200 --> 0:31:38.080
<v Speaker 1>it was all in his control. There were times when

0:31:38.120 --> 0:31:41.280
<v Speaker 1>Bruce Willis wanted to be noticed, and there were times

0:31:41.280 --> 0:31:44.880
<v Speaker 1>when he didn't. And when he didn't, it wasn't enough

0:31:44.920 --> 0:31:47.720
<v Speaker 1>for him. It simply to retreat into the background or

0:31:47.800 --> 0:31:53.320
<v Speaker 1>stick close to home. Any uninvited attention was met with, well,

0:31:53.400 --> 0:31:59.160
<v Speaker 1>let's call it resistance. Locals would sometimes hear vague warnings

0:31:59.160 --> 0:32:03.120
<v Speaker 1>floating through the year. Don't talk about Bruce Willis, don't

0:32:03.120 --> 0:32:07.040
<v Speaker 1>photograph Bruce Willis. Just ignore the movie star with the

0:32:07.200 --> 0:32:10.640
<v Speaker 1>giant baby photo in the restaurant. If he wanted to,

0:32:10.760 --> 0:32:13.280
<v Speaker 1>he could have just become a member of the local community.

0:32:13.320 --> 0:32:17.000
<v Speaker 1>And but that wasn't Bruce Willis. And I can understand,

0:32:18.480 --> 0:32:24.400
<v Speaker 1>looking at the temperature range that he ran in in

0:32:24.560 --> 0:32:29.480
<v Speaker 1>his career, his movies, etcetera. This is high wire stuff.

0:32:29.800 --> 0:32:32.760
<v Speaker 1>I don't think he's ready to sit down and uh

0:32:33.120 --> 0:32:37.480
<v Speaker 1>do flapjacks at the Alliance Club softball game every summer.

0:32:38.720 --> 0:32:42.840
<v Speaker 1>If it worked, if it all worked, Haleywood could become

0:32:43.160 --> 0:32:46.560
<v Speaker 1>Bruce Bell a place that had everything arranged in a

0:32:46.600 --> 0:32:50.200
<v Speaker 1>way that made it a custom fit a bespoke town,

0:32:50.800 --> 0:32:54.720
<v Speaker 1>tailored to order. The pieces were all in place. Now

0:32:54.840 --> 0:32:57.840
<v Speaker 1>Haley was going to see what their new benefactor planned

0:32:57.880 --> 0:33:01.960
<v Speaker 1>to do with their main street or his new main

0:33:02.080 --> 0:33:11.600
<v Speaker 1>street next time on Haleywood, The Mint it wasn't just

0:33:11.680 --> 0:33:14.800
<v Speaker 1>a place to eat under the gaze of Willis's baby photo.

0:33:15.640 --> 0:33:19.600
<v Speaker 1>It also acts as nightclub, a stage for Bruce Willis's band,

0:33:19.760 --> 0:33:22.480
<v Speaker 1>and one of the few places in Haley where you

0:33:22.560 --> 0:33:25.080
<v Speaker 1>might just get your ass kicked. It was a group

0:33:25.120 --> 0:33:28.160
<v Speaker 1>of them, and I remember going to my car and uh,

0:33:28.720 --> 0:33:31.280
<v Speaker 1>and I had my concealed weapons permitting everything Victin and

0:33:31.520 --> 0:33:34.800
<v Speaker 1>I just put my pistol in my pants and someone

0:33:34.840 --> 0:33:39.160
<v Speaker 1>called the cops. Right. Haleywood is hosted by Dana Schwartz.

0:33:39.680 --> 0:33:43.800
<v Speaker 1>This show is written by Jake Rawson, Editing, sound design

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<v Speaker 1>and mixing by me Josh Fisher, Additional editing by Mary

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<v Speaker 1>do Original music by Natasha Jacobs, mixing by Jeremy Thal,

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<v Speaker 1>Research and fact checking by Jake Rawson, Austin Thompson and

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<v Speaker 1>Marissa Brown. Show logo by Lucy Quintinia. Our senior producer

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<v Speaker 1>is Ryan Murdoch and our executive producer is Jason English.

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<v Speaker 1>Special thanks to the people of Hailey, Idaho and all

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<v Speaker 1>those who've shared their stories. Haileywood is a production of

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<v Speaker 1>I Heart Radio Until Next Time.