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Speaker 1: Well, we are the authorities things R and ladies and gentlemen.

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Speaker 1: This is the R B Money Podcast. I'm Tank, this

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Speaker 1: is Mr Ja Valentine. Were the authorities on R and

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Speaker 1: B music and in the building to day. We got

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Speaker 1: a friend, we got a brother, a philanthropist, a leader

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Speaker 1: in the community. We got problem in the creative visage.

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Speaker 1: Come on to build them. Man, Man, I feel this

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Speaker 1: is smooth man. As much of a rapper as you are.

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Speaker 1: Your vibe is R and B. Oh totally you are focused. Yeah, totally.

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Speaker 1: R and B guy on the prize, Yeah, I think

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Speaker 1: you know what. Just to be totally honest with you,

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Speaker 1: the blues and the jazz and the R and B

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Speaker 1: fellers have always been the ones that I finally hung

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Speaker 1: the most away during my career, just because yeah, it's

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Speaker 1: just more playerism on this side. And the rap guys

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Speaker 1: they rap about ship and then it don't be all

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Speaker 1: the way through, you know. They do songs like the

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Speaker 1: police and call the police on you. They do songs

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Speaker 1: like bitches and ship but holdes tricks. We're sharing everything

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Speaker 1: and then we happen to do the same one. Just

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Speaker 1: get the crime. I don't understand. It's like a weird

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Speaker 1: place going R and B. It's just like, hey man,

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Speaker 1: this is what it is. I say, what it is? Now?

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Speaker 1: They don't touch this. This is we're doing. It's a toe,

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Speaker 1: just a wave. I love I love her, I love

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Speaker 1: her her, But come on, it's just always been that.

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Speaker 1: And then you know, it's damn fooling through this ship.

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Speaker 1: You know, just always been like, you know what, let

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Speaker 1: me just stay where, I'm welcome right to me. Using

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Speaker 1: since we're there, what is it about? What is it

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Speaker 1: about wraps? When it comes to it being authentic or

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Speaker 1: from a place that guys who are not authentic and

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Speaker 1: from a place seem to be able to get away with.

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Speaker 1: What are the things that they get away? Why are

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Speaker 1: they allowed to in a sense, have we allowed it

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Speaker 1: to just be entertainment for them? Um? I think? I

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Speaker 1: mean bullshit? Alwaysselves like being extra, being over over over over.

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Speaker 1: So you'll have some guy that will probably think that,

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Speaker 1: you know, they may do things like well you know,

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Speaker 1: I really believe this, but then the labels throwing gasoline

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Speaker 1: on it, the managers and then women and the homies

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Speaker 1: are throwing no, you gotta turn it up like you

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Speaker 1: can shoot. Okay, I shot one person but now making

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Speaker 1: it was like a seven, so they take that in

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Speaker 1: the times order everything before and then it actually works,

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Speaker 1: and then the fame comes and then you have to

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Speaker 1: be that seven and you forget that, Wait a minute,

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Speaker 1: I was just doing this to get popping. You actually

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Speaker 1: started believing the character that's created by the circle around you.

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Speaker 1: People get lost in the circus and you forget that

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Speaker 1: we're coming to look at the clowns, not be the clowns,

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Speaker 1: and you're just getting lost. But do you feel like

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Speaker 1: that's just entertainment altogether? Right? Like if you meet Marilyn Manson,

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Speaker 1: he gotta be Marilyn Manson, right or not? I'm asking

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Speaker 1: it depends, It depends. It depends on what what Marilyn

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Speaker 1: Manson is selling, right Like me, I've understood that that's

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Speaker 1: what he was on right, right, But if you see

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Speaker 1: him and catch him out, he that's what he looks

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Speaker 1: like when he's just doing what he's doing, like regularly.

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Speaker 1: Like I saw him coming out of studio with Gucci

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Speaker 1: man full ready whopped like I was right, I'm like, yeah,

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Speaker 1: that's cool. You know what I'm saying. It's like, so

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Speaker 1: if you you I think I think they I think

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Speaker 1: I don't know. I think it's for black people and

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Speaker 1: white people is different. White people can actually create the

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Speaker 1: character and becoming Black people are getting the character created,

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Speaker 1: and then it's like they're fighting with if I'm really

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Speaker 1: it or if I'm not, and it's just not it's

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Speaker 1: just weird power struggle that come with being famous and

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Speaker 1: not doing it the way you wanted to do it,

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Speaker 1: if that makes any sense, not being a hundred percent

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Speaker 1: authentic to what your brand and your mission is and

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Speaker 1: all the time, Like when I met you, right, it

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Speaker 1: was around the Molly Wood time, and I left that

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Speaker 1: studio feeling like this nigga everything rapping about, right, because

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Speaker 1: I was off of all kind of ship. Turned out

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Speaker 1: a lot of fun at time, but I was just

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Speaker 1: like and and that's the thing where I believe in

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Speaker 1: the entertainment side of it, right, But I personally do

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Speaker 1: appreciate when I meet somebody that's about their craft, right,

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Speaker 1: if they kind of live in that space of like

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Speaker 1: when when you meet a player, he all about the

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Speaker 1: players ship and he's very player in real life, or

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Speaker 1: if it's a nigg about you know, beating niggers up,

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Speaker 1: popping his pistol, you meet him like, oh I feel

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Speaker 1: the worl like I get it, like it makes sense.

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Speaker 1: Like when I met fifty cent but I hung out

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Speaker 1: with I was like, oh, fifty with all he with

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Speaker 1: all of it. I think he got a little knife ony.

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Speaker 1: You don't got me like that. You know what I'm saying.

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Speaker 1: You got me like that? Huh Okay, I appreciate it.

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Speaker 1: That's the same way all the time. Yeah, I feel

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Speaker 1: the same. The scary selling point isn't it's scary or

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Speaker 1: detrimental in a sense to like because music is so

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Speaker 1: influential and so powerful in terms of people wanting to

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Speaker 1: be something or sing a thing that is successful and

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Speaker 1: wanting to even if it's whatever it is, emulate the success.

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Speaker 1: That's the tough part of it because if you're truly

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Speaker 1: being yourself, you're not doing it to be emulated, and

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Speaker 1: that's where the trouble ares. Like I feel like he's

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Speaker 1: being himself. Of Course, when I was doing Mollywood stuff,

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Speaker 1: I was just being myself. I didn't think I was

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Speaker 1: like I'm about to change this and we're gonna have

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Speaker 1: me to do it. That wasn't the play. I'm just

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Speaker 1: talking about my day. So it is like it's a

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Speaker 1: their line because me, just me personally, I got lost

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Speaker 1: in it because the music was getting hot as fuck,

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Speaker 1: but I wasn't that no more. I had stopped doing

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Speaker 1: this ship maybe a year or two before anybody even knew.

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Speaker 1: But it was like this character got big, he got big.

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Speaker 1: I was having people like it was weird things where

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Speaker 1: like the crowd is cracking, but I have some young

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Speaker 1: dagger walk up to my man and I just took

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Speaker 1: eight of them trying to get like you. I'm like, whoa,

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Speaker 1: what do you mean that's not what no, no, no, no, no,

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Speaker 1: we're not doing that's after I handle my man. I

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Speaker 1: hand niggas walked up to me, hand me. Hand niggas

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Speaker 1: come up to me like, man, I made three million

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Speaker 1: dollars that ship dropped nick ship boom, and I'm like, man, yeah,

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Speaker 1: that's what's up. But that means it's a gaggas high

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Speaker 1: out of here tripping, you know what I'm saying. So

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Speaker 1: that's where I'm thinking about the effect, right because it's

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Speaker 1: like yeah, like okay, yeah, I'm monetizing and I'm having

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Speaker 1: and I'm really just telling my truth. So it's a weird,

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Speaker 1: a weird line. But it's like Okay, well, what are

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Speaker 1: you really here to do this? Mike is a motherfucker.

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Speaker 1: Guess we're using this for good. The people evil yourself.

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Speaker 1: It's hard to tell people, and that's only a hip hop. Yeah,

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Speaker 1: it's hardly hip hop. It's hard to tell guys not

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Speaker 1: to tell their story, right, you know what I'm saying.

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Speaker 1: That's like impossible to tell, you know, to tell in

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Speaker 1: our tist how to paint what colors to you is

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Speaker 1: because that story read is imprinted on his gift. You

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Speaker 1: know what I'm saying, Like whatever he went through, um,

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Speaker 1: that's that's that was nourishing to what he's now projecting,

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Speaker 1: you know what I'm saying. So it's like it's hard

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Speaker 1: to tell a guy like, man, you shouldn't told the

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Speaker 1: gun and you shouldn't sell the be ship when you've

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Speaker 1: when you've told it the gun and sold the ship.

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Speaker 1: But so got him there. So it's like so it's

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Speaker 1: like it's almost like, should guys be looking to grow

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Speaker 1: out of it jay Z? But it's very hard to

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Speaker 1: grow out of it. And it's in my opinion right

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Speaker 1: and jay Z is a different story because jay Z

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Speaker 1: was always a progressive rapper and he also came in

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Speaker 1: the game as a grown man. Jay Z didn't catch

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Speaker 1: didn't catch his wave until seven years old. He's talking

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Speaker 1: about some of these kids who coming in a seventeen

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Speaker 1: eighteen my house may be still in a mama house,

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Speaker 1: are in the group whatever it is, and they're rapping

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Speaker 1: about street rap. So and what we do know about

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Speaker 1: the street is that the streets don't really grow. Right,

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Speaker 1: we can all go back to wherever we're from and

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Speaker 1: find the same ship going on that was going on

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Speaker 1: there when we left. Right. So for jay Z, when

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Speaker 1: I say being a progressive rapper, he was always rapping

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Speaker 1: about business. And if the business at that time was

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Speaker 1: the dope game, that's still a business. There's no yeah,

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Speaker 1: there's no real business. And robbed the nigga shot up

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Speaker 1: a couple of niggas. Are you know this bitch, and

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Speaker 1: blah blah blah. There's no real progression in that. Because

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Speaker 1: now when this nigga starts rapping about being married, he

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Speaker 1: actually looks soft. When jay Z says what's better than

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Speaker 1: one billion? There two, which is still the same thing

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Speaker 1: about being married, it sounds but when you got the

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Speaker 1: dog gass nigga like, yeah, but I love her. What

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Speaker 1: are you talking? I can't love nobody, right, That's a

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Speaker 1: very hard space to live in, especially when your finance

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Speaker 1: depends on it. That's the pial, right, that's the pial,

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Speaker 1: you know what I'm saying, And like like, that's when

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Speaker 1: it gets tricky. And that's where this lost thing happened,

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Speaker 1: where you know, I know artists that went through it

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Speaker 1: and and just I'm figuring out ship, like just figuring

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Speaker 1: it out, like whoa. And I'm watching a lot of

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Speaker 1: my my peers, like you know what I'm saying, And

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Speaker 1: I'm watching like Quo through the growing pains like that

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Speaker 1: got lost in the bag chase. Do you get what

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Speaker 1: I'm saying. You start looking at the let's let's just

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Speaker 1: use the word analytics, since it's a good word. You

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Speaker 1: look at the analytic and you see what people are

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Speaker 1: buying into and sometimes you don't. You can't manage your

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Speaker 1: way out of it, because this is what this is

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Speaker 1: the cell, this is the you know what I'm saying,

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Speaker 1: I got I got eighty nine percent right here. You know,

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Speaker 1: when I post these other things, I'm you know what

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Speaker 1: I'm saying, I get two percent over what I'm saying.

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Speaker 1: The fall off is real. But when I do this ship,

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Speaker 1: I'm at eighty nine percent. Yeah, you can become a

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Speaker 1: slave to that. You can become a slave to it. Yeah,

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Speaker 1: you know what I'm saying. I think you know what

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Speaker 1: and this is this is funny. I'm having one of

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Speaker 1: the moments. But that's probably why they always want to

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Speaker 1: remember the time, Like you let us handle the books

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Speaker 1: and then you do the talent. You're the talent. All

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Speaker 1: of us have went through that time. That's problem. That's

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Speaker 1: the part is probably why because as an artist, you

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Speaker 1: still want to please no matter what nigga say. It's

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Speaker 1: about you want your joint to come on in the room,

199
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Speaker 1: light up. You want people, you want your ship, and

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Speaker 1: it's nothing wrong with that. You shouldn't want to be

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Speaker 1: booboo like I don't give a funk with nobody talking

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Speaker 1: about you're not gonna ever sell me that. But that's

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Speaker 1: the ones that we're the ones that understand both sides.

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Speaker 1: You have to understand being a consumer and a motherfucking seller,

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Speaker 1: you know what I'm saying. I feel like as a producer,

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Speaker 1: you get that, so you can teeter the line. It's

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Speaker 1: probably one you do better than the other, but you

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Speaker 1: understand both sides as a writer and a producer, which

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Speaker 1: most people don't know. Right, you are right, right, right.

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Speaker 1: A lot of people didn't know, like your big records

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Speaker 1: you produced. Yeah, yeah, you know what I'm saying, Like

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Speaker 1: people didn't know that, you know, I mean, people didn't

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Speaker 1: know that problem was a producer on like what you

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Speaker 1: know what I'm saying, like like these records you like,

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Speaker 1: I'm actually win the studio and see you making beats. Yeah,

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Speaker 1: you know what I'm saying. But but aside from being

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Speaker 1: a beat maker a producer, were you really in there?

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Speaker 1: I mean turning things up, turning the knobs down. Okay, listen,

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Speaker 1: this vocal ain't right. We gotta shift this. We need

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Speaker 1: to put this on top of here. We need this

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Speaker 1: type of you know what I mean, plug in on there,

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Speaker 1: like that's full production, you know what I'm saying. So

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Speaker 1: being in that space, like it was crazy. Man. When

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Speaker 1: I first met you, I was like, Yo, this guy

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Speaker 1: really is a Swiss army knife. Like this guy really

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Speaker 1: a Swiss army knife. But I always wondered, right, and

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Speaker 1: I feel like knowing you all these years now, I've

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Speaker 1: kind of gotten my answer. I always wondered if it

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Speaker 1: was going to be enough for you? What do you mean?

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Speaker 1: Like right, Oh yeah, I always wanted that from the

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Speaker 1: from the day I met you. You know what's crazy.

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Speaker 1: The crazy thing is, like you know, y'all know, I

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Speaker 1: was in the studio a lot. I'm twelve fourteen hour

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Speaker 1: a day studio guy man, and it's like wow to

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Speaker 1: stick my head out and say, wait a minute, a

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Speaker 1: bunch of sig You get what I'm saying. And it

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Speaker 1: all works the same way. You know, if you understand production,

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Speaker 1: you understand writing, you know how to sell records, and

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Speaker 1: you know how to make hits. If I want to

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Speaker 1: sell it, I know not to send the vocal to

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Speaker 1: make it real loud may get sucked up. It probably

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Speaker 1: not even sound in the ask. I'm not given put

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Speaker 1: them all. Make it so they can know what they've done.

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Speaker 1: It that and then you know the ones like I'm

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Speaker 1: on this one because they're gonna hear the difference when

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Speaker 1: I sent it back. Yeah, yeah, I'm saying something. Learning

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Speaker 1: when to do that has what sticking my head out

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Speaker 1: has done, you know what I'm saying Like, And I

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Speaker 1: wouldn't have never known I wanted more than music because

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Speaker 1: the thing is that's what shocking to mean that you

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Speaker 1: said I never thought about nothing else than like, man,

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Speaker 1: I just like doing music, Like I just want to

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Speaker 1: sit in here and do the music. Maybe I'm just

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Speaker 1: trying to escape other ship, or maybe I know that

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Speaker 1: this can change something. I just I don't know. Whatever

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Speaker 1: it was. It was like if I got down time,

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Speaker 1: if I'm gonna be sitting somewhere, I'd rather sit think

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Speaker 1: where I got all my weapons, unless I'm sitting at

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Speaker 1: the house or with the kids. Man ship and I

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Speaker 1: can bring them, I can bring them. I can bring

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Speaker 1: it here. So you mean I can I can play

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Speaker 1: here here. Creative ship. Yeah, but it's other ships. You

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Speaker 1: gotta learn to control all that because that's like it's

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Speaker 1: get dangerous. It's just a bunch of lights going everywhere.

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Speaker 1: It's like, then I'm not getting personal ship handled. Are

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Speaker 1: I might be too when I go outside the personal

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Speaker 1: I'm so personal that I'm not getting here. It's just

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Speaker 1: finding that balance. It's what the nig had to even

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Speaker 1: reach to reach that. So it's crazy that you saw that.

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Speaker 1: I was just like just trying to so fine, you

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Speaker 1: know what I'm saying. Whatever they could do, like we

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Speaker 1: was always just figuring out something we you know, we

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Speaker 1: did we just wrong. We did the wrong, like one

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Speaker 1: wrong thing and we just didn't like the car before

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Speaker 1: we didn't want wrong, which wasn't even that wrong, but

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Speaker 1: we did some we did the wrong thing and just

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Speaker 1: like I didn't like the way it felt like that,

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Speaker 1: you know what I'm saying, Like that type of wrong.

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Speaker 1: So like let's just hustle here and there. But yeah, yeah,

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Speaker 1: I get it, just start bumping in ship. But you're

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Speaker 1: taking that now, putting it to the studio off of

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Speaker 1: one conversation with the homies and and then like um,

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Speaker 1: the first two I was, I did myself. But then

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Speaker 1: the one that paid, the homey that paid for the

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Speaker 1: first guy to go, he was like, man, I should

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Speaker 1: I what you if you want to go out? So

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Speaker 1: he started putting it on it. You know, he's trying

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Speaker 1: to seeing what I'm doing. And we all were homs anyway,

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Speaker 1: Like he actually got a job, you know, doing it

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Speaker 1: like that, so it ain't really shipped to him. So

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Speaker 1: kept going, bro, We'll just start just learning how to

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Speaker 1: work that ship. So from that point at twenty, when

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Speaker 1: does it happen where you like, oh, ship that made

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Speaker 1: some money somewhere somebody's offering me some real bread or

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Speaker 1: I get that first radios being like when does it happen?

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Speaker 1: From twenty like, how long until you get that breakthrough?

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Speaker 1: Looking back now, relatively early, relatively early, within a three

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Speaker 1: year span, ship we have figured out a program to

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Speaker 1: where the like funking the studio, but let's get the equipment.

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Speaker 1: You know, I got with ed my boy, we get

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Speaker 1: to doing it. He had he had a little he

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Speaker 1: had an idea it was the right entertainment if he

303
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Speaker 1: was a little This was the first situation. He just

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Speaker 1: wanted me to come be a producer for his entertainment thing.

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Speaker 1: And it was like, well, look I learned ad that's brother.

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Speaker 1: The fact that yeah, I'm like, I actually learned how

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Speaker 1: to recourse. I'm recording them and I'm just rapping that

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Speaker 1: night because they were like, man, you weak. You know

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Speaker 1: what I'm saying them like, really was rapping. So I

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Speaker 1: would do my ship at night, just practicing. But then

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Speaker 1: I'm like, man, let's get pro to. Let's go let's

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Speaker 1: just get an MPC. Let's go do this. You know

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Speaker 1: that time home girls are put your set ont it was,

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Speaker 1: you know, the different time. You know, and the other hustle.

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Speaker 1: We're doing it. It's happening. The girl that's coming through,

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Speaker 1: like no, I got this weekend. Let's just go in there.

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Speaker 1: It's happening. Let's just come in. You love them, you know,

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Speaker 1: like I mean, do you know what? You know what?

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Speaker 1: Let's let's let's let's go get it, hold on, get it. Listen,

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Speaker 1: they like they are appreciated, ladies, You are appreciate. That's

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Speaker 1: how I survived for a minute when I first came

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Speaker 1: to l Let's shout out to you know what I mean,

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Speaker 1: to the to the you feel that, to car Bob,

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Speaker 1: don't take care of me. Let's shout out to them.

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Speaker 1: Come on, come on like us. They know women saying

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Speaker 1: it first. Absolutely, they believe nothing is niggers. They take

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Speaker 1: nothing that takes some actual winning for nothing that's built

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Speaker 1: without a woman. Oh nothing, nobody. I think, how I

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Speaker 1: go tell yourself that that's going on? And I would

330
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Speaker 1: get that ship and it wouldn't know like any of that,

331
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Speaker 1: you couldn't google it. So it's just like I just

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Speaker 1: gotta just go through trialing there. Like the first beat

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Speaker 1: I made on the NFC, I literally went through other

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Speaker 1: people's songs and chopped sound and chopped Ship getting them

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Speaker 1: all right, So we're working at Motherfucker. I'm learning. Once

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Speaker 1: I learned how to do that, it was like, all right,

337
00:18:46,000 --> 00:18:50,520
Speaker 1: I can record myself. Um, nobody was doing that at

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Speaker 1: that time. It was just like I'm in the closet

339
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Speaker 1: going crazy. Niggas was the word was spreading in the hood,

340
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Speaker 1: like Niggas like nig over there we put together and

341
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Speaker 1: you're not giving it to DJs or nothing yet. Man,

342
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Speaker 1: we're going straight to the streets. We went it stepped,

343
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Speaker 1: they diviudged the skin where it's like, look, we got

344
00:19:07,320 --> 00:19:10,399
Speaker 1: some initial funding. Niggas had all put our money together.

345
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Speaker 1: It was like, let's get the mixtape. Let's go buy

346
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Speaker 1: this mini. We sell this mini. We can all make

347
00:19:16,760 --> 00:19:20,840
Speaker 1: at least we can at least make twelve twelve thousand

348
00:19:20,920 --> 00:19:23,000
Speaker 1: a month or something. We could all piece up and

349
00:19:23,080 --> 00:19:27,399
Speaker 1: half that while we're doing this. So Ship make the music.

350
00:19:27,440 --> 00:19:30,359
Speaker 1: I would probably engineer for niggas while niggas wasn't recording.

351
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Speaker 1: We got it. We got our own studio at this

352
00:19:32,160 --> 00:19:36,280
Speaker 1: time doing that. They selling CDs all day. Ship, We're

353
00:19:36,320 --> 00:19:39,480
Speaker 1: so like thirteen thousands of Motherfucker's hand to hand and

354
00:19:40,359 --> 00:19:43,119
Speaker 1: it really got to the radio, like, Yo, are you

355
00:19:43,240 --> 00:19:46,000
Speaker 1: going to where you going by? Problem? Yeah? That's problem

356
00:19:46,760 --> 00:19:50,320
Speaker 1: there because at that time I end up getting better

357
00:19:50,400 --> 00:19:52,520
Speaker 1: than them because I just was in it so much,

358
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Speaker 1: not because they weren't good. It was just I'm in

359
00:19:54,320 --> 00:19:59,159
Speaker 1: the gym, right. So ship got a call from Yoyo

360
00:19:59,800 --> 00:20:02,360
Speaker 1: I of nowhere. You know what I'm saying, like we're

361
00:20:02,359 --> 00:20:09,560
Speaker 1: playing that song person, Yeah, songs called I'm a problem.

362
00:20:09,800 --> 00:20:12,399
Speaker 1: That ship came on and it was like, whoa, that's

363
00:20:12,400 --> 00:20:16,680
Speaker 1: all We're running around. We think it's cracking and going nuts.

364
00:20:17,320 --> 00:20:19,120
Speaker 1: It's going crazy. I'm like, okay, we did we all

365
00:20:19,200 --> 00:20:22,720
Speaker 1: it's going on. It's like, okay, that ain't enough, though,

366
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Speaker 1: we gotta come on to another joint. I think now

367
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Speaker 1: I'm like the only nigger out here that could really

368
00:20:29,920 --> 00:20:33,480
Speaker 1: get them spikes because they seeing my team in the

369
00:20:33,600 --> 00:20:38,000
Speaker 1: streets and I'm everywhere were it's like physically in the streets.

370
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Speaker 1: So m l A. But then during that time though,

371
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Speaker 1: from that time when we started with the NPC to

372
00:20:45,640 --> 00:20:49,840
Speaker 1: that Terris Martin stumbles in my house through a drummer

373
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Speaker 1: that we know, I know terrorist from us me getting

374
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Speaker 1: that MPC and I know how to really work it.

375
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Speaker 1: And so my boy Robert, who was a drummer, it's

376
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Speaker 1: I mean, I got the snigger man Snigger he played

377
00:20:59,400 --> 00:21:01,600
Speaker 1: for Snoop Dogg. This time, Sloop is the only thing,

378
00:21:01,720 --> 00:21:05,000
Speaker 1: you know what I'm saying in the world. He's like

379
00:21:05,200 --> 00:21:06,640
Speaker 1: on tour, he for to come on, He's gonna show

380
00:21:06,680 --> 00:21:09,760
Speaker 1: you how to work it. I'm like, all right, man,

381
00:21:09,840 --> 00:21:12,360
Speaker 1: he bring that nick in the walk in I never

382
00:21:12,560 --> 00:21:15,400
Speaker 1: forget this and then walk and said it was kiss

383
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Speaker 1: up y'all. So he's being his Snoop, but it's yeah,

384
00:21:21,560 --> 00:21:25,080
Speaker 1: he like you got an MPC around going there, nigga.

385
00:21:25,920 --> 00:21:29,199
Speaker 1: He always been that, you know, everything made. It was like, men,

386
00:21:29,240 --> 00:21:31,919
Speaker 1: you can have that, my nigger, and then left, they

387
00:21:31,920 --> 00:21:34,160
Speaker 1: can get that you a beat and then left. I said,

388
00:21:34,240 --> 00:21:38,000
Speaker 1: this motherfucker thing, no way, I'm about three course. So

389
00:21:38,240 --> 00:21:40,239
Speaker 1: I did the songs that I got the CD. Burn like, man,

390
00:21:40,320 --> 00:21:42,760
Speaker 1: get that back to him. Yeah, he hear me, like

391
00:21:43,560 --> 00:21:45,159
Speaker 1: I didn't you know how hard on the kiss I'm

392
00:21:45,200 --> 00:21:47,720
Speaker 1: on a CD at this time? Nigger? It was like

393
00:21:47,840 --> 00:21:51,680
Speaker 1: it got to him back you hard, and I'm like,

394
00:21:52,320 --> 00:21:54,520
Speaker 1: I just never see nothing like that. I don't around

395
00:21:54,920 --> 00:22:22,240
Speaker 1: to show you. I wouldn't play. Yeah, two thousand one.

396
00:22:25,320 --> 00:22:29,119
Speaker 1: That's how I know tears. Wow. Uh we have been

397
00:22:29,200 --> 00:22:33,080
Speaker 1: locked at the hip every every day sent that shouldn't crazy,

398
00:22:33,280 --> 00:22:35,280
Speaker 1: and then here's this fifteen hundred comes from him. So

399
00:22:35,320 --> 00:22:39,760
Speaker 1: I mean, laurens, I mean they know, we all just

400
00:22:40,040 --> 00:22:42,920
Speaker 1: we've been through that time. Everybody was just grinding. So

401
00:22:43,040 --> 00:22:46,280
Speaker 1: you saw the same people and the Tea has started

402
00:22:46,320 --> 00:22:49,320
Speaker 1: becoming who he was. So respond to the other story

403
00:22:49,400 --> 00:22:52,800
Speaker 1: where where in the streets working Now I'm starting to

404
00:22:52,920 --> 00:22:55,000
Speaker 1: Tea like, man, come through, snoop, let me come through.

405
00:22:55,080 --> 00:22:58,640
Speaker 1: I can get I can get. Beats all the corrupt

406
00:22:58,720 --> 00:23:00,600
Speaker 1: grabbed me. He seen me in the sto udio. He like,

407
00:23:01,080 --> 00:23:04,719
Speaker 1: what's up with you? I'm like, I justin't have been

408
00:23:04,760 --> 00:23:06,880
Speaker 1: in the ship like this, just not. I'm like, man,

409
00:23:07,640 --> 00:23:10,639
Speaker 1: just because its levels the studio that was the studio.

410
00:23:10,720 --> 00:23:12,560
Speaker 1: That's the other things. A lot a lot of nicks

411
00:23:12,560 --> 00:23:14,320
Speaker 1: to be out here telling their girlfriend's day in the studio.

412
00:23:14,520 --> 00:23:23,879
Speaker 1: Bro ain't quarte studio. But we had the studio studio

413
00:23:24,520 --> 00:23:30,560
Speaker 1: like yeah, yeah, it's like the studio with the board

414
00:23:30,680 --> 00:23:33,240
Speaker 1: is going like this and ship yeah all that, and

415
00:23:33,400 --> 00:23:37,040
Speaker 1: then bad luck had got signed over there right before that.

416
00:23:37,280 --> 00:23:41,719
Speaker 1: Western Union level is my guy from that seven year thing,

417
00:23:41,840 --> 00:23:43,879
Speaker 1: like that thing, so we all knew each other, so

418
00:23:44,240 --> 00:23:47,240
Speaker 1: it was familiar faces and corrupt to the lightnings to me.

419
00:23:47,320 --> 00:23:49,640
Speaker 1: So we were just He's like throwing me on ship

420
00:23:49,680 --> 00:23:53,160
Speaker 1: and I'll just be rapping. I'm like, I'm I'm just like, damn,

421
00:23:53,160 --> 00:23:56,119
Speaker 1: I get to do this with him, yea. Why I

422
00:23:56,200 --> 00:23:58,520
Speaker 1: started spreading around the thing and ship. I had a

423
00:23:58,600 --> 00:24:02,320
Speaker 1: chance to do some real work and Nigga had one

424
00:24:02,359 --> 00:24:04,159
Speaker 1: shot and they just sent the right joint in and

425
00:24:04,200 --> 00:24:06,800
Speaker 1: then I got the gig. For six months, I'm around

426
00:24:07,200 --> 00:24:10,560
Speaker 1: the whole West coast. That ship just was like boom

427
00:24:10,600 --> 00:24:15,399
Speaker 1: boom boom. Looking back at it during the time, it

428
00:24:15,480 --> 00:24:18,520
Speaker 1: was like, goddamn, I'm trying. I'm sleeping on couches, my

429
00:24:18,560 --> 00:24:23,480
Speaker 1: homelessening what you know, I'm getting a good ship. That's

430
00:24:23,520 --> 00:24:27,359
Speaker 1: the thing. But that's the thing, man, That's that's what

431
00:24:27,520 --> 00:24:29,639
Speaker 1: we love to talk about. To the process. Yeah, I

432
00:24:29,720 --> 00:24:31,600
Speaker 1: got to talk about the process. How Nigga slept on

433
00:24:31,640 --> 00:24:33,560
Speaker 1: the floor and Nigga slept on the couch. Bro Like

434
00:24:33,880 --> 00:24:36,920
Speaker 1: Nigga couldn't leave the studio to go because I'm leaving

435
00:24:36,960 --> 00:24:40,200
Speaker 1: out months and gaps on the corrupt hang was a

436
00:24:40,320 --> 00:24:44,080
Speaker 1: six month guy, and he was grooming me because that's

437
00:24:44,119 --> 00:24:46,600
Speaker 1: his big homies. So he ain't just gonna lett nobody around, snoop.

438
00:24:47,119 --> 00:24:49,520
Speaker 1: I'm seeing now looking back at I'm watching what they

439
00:24:49,640 --> 00:24:51,680
Speaker 1: you know what I'm saying. They groom me. I started

440
00:24:51,760 --> 00:24:53,920
Speaker 1: just getting gang. I don't do that, don't do that,

441
00:24:54,720 --> 00:24:57,160
Speaker 1: don't do this. Who whoa. It started early. They started

442
00:24:57,280 --> 00:25:00,520
Speaker 1: sharpening in my nods and then etiquette, give me giving

443
00:25:00,560 --> 00:25:05,400
Speaker 1: me real etiquette. I'm not sitting around like I'm sitting

444
00:25:05,400 --> 00:25:07,399
Speaker 1: around the treue. This is the n w A tree, bro,

445
00:25:07,760 --> 00:25:10,720
Speaker 1: this is where it begins. That's crazy. So I'm in

446
00:25:10,920 --> 00:25:17,119
Speaker 1: college and Dog and Dogs such a real one and

447
00:25:17,240 --> 00:25:19,600
Speaker 1: Tears had its own licens, like right now, you know

448
00:25:19,680 --> 00:25:22,480
Speaker 1: y'all need to pay this time. If you need to eat,

449
00:25:22,520 --> 00:25:24,400
Speaker 1: come up here. It's like, I call it the last

450
00:25:24,440 --> 00:25:31,080
Speaker 1: of the big budget record. Remember now all of that.

451
00:25:31,119 --> 00:25:37,520
Speaker 1: I'm talking about everything budget whatever, everything Dog said. And

452
00:25:37,600 --> 00:25:40,280
Speaker 1: he had five of the motherfucker's roll And I'm like this, Nick,

453
00:25:41,040 --> 00:25:47,280
Speaker 1: five budgets, five studios rolling at once. Looking back at it,

454
00:25:47,359 --> 00:25:52,240
Speaker 1: I'm like that he was doing it right, was able

455
00:25:52,280 --> 00:25:56,280
Speaker 1: to make some money. Ye g ship, that's what I'll

456
00:25:56,320 --> 00:26:01,239
Speaker 1: be on. That's why they get it. The reason why

457
00:26:01,320 --> 00:26:12,680
Speaker 1: Snoop is who he is. Come ontle swig and I

458
00:26:12,680 --> 00:26:16,160
Speaker 1: don't give me all up m a little bit on there.

459
00:26:16,200 --> 00:26:18,960
Speaker 1: And that's that's the reason why guys like Snoop or

460
00:26:19,000 --> 00:26:22,879
Speaker 1: who they are, right man, because he gave and he

461
00:26:22,960 --> 00:26:28,120
Speaker 1: gave so many opportunities. He had. He had me tears

462
00:26:28,400 --> 00:26:33,280
Speaker 1: quick at our Encore and Niger had Teddy Riley at

463
00:26:33,400 --> 00:26:37,640
Speaker 1: fucking uh the joint off one of the motherfucker's he had.

464
00:26:38,240 --> 00:26:41,920
Speaker 1: He had, you know, all his squad and another one

465
00:26:42,640 --> 00:26:45,560
Speaker 1: and he had like some eclectic version where he had like, motherfucker,

466
00:26:45,720 --> 00:26:48,359
Speaker 1: he had like the real big people come through, but

467
00:26:48,440 --> 00:26:51,120
Speaker 1: he had them all going at once because he's working

468
00:26:51,160 --> 00:26:55,280
Speaker 1: on the shoulder and ship like that. Nigga eight months,

469
00:26:55,359 --> 00:27:04,879
Speaker 1: don't nigga straight. Nigga brote everybody. Every contact I have

470
00:27:05,119 --> 00:27:09,840
Speaker 1: now was through that six months, everybody, everybody. I was

471
00:27:09,920 --> 00:27:12,200
Speaker 1: just just a guy in the corner and just remembering.

472
00:27:13,119 --> 00:27:16,560
Speaker 1: All right, So tell me about function. You got to function.

473
00:27:16,640 --> 00:27:18,960
Speaker 1: You go straight to function. That's a big let's go,

474
00:27:19,240 --> 00:27:26,120
Speaker 1: let's go. That's your ship. You know, that's not trying

475
00:27:26,119 --> 00:27:28,560
Speaker 1: to function at all times all the time. Time that's

476
00:27:28,600 --> 00:27:33,480
Speaker 1: why he wanted to talk about this. That's what who

477
00:27:33,520 --> 00:27:40,720
Speaker 1: we knew, like, I see what's going on the radio, bitch,

478
00:27:45,400 --> 00:27:55,720
Speaker 1: why you know what? Do you know what? The funny

479
00:27:55,800 --> 00:27:58,320
Speaker 1: thing all that attitude got developed from that story of

480
00:27:58,400 --> 00:28:00,720
Speaker 1: that one, because it was a lot of start having

481
00:28:00,760 --> 00:28:04,560
Speaker 1: that was just like, man, fuck everything. Yeah, I'm gonna

482
00:28:04,640 --> 00:28:07,840
Speaker 1: say I've been a little too nice and so it's

483
00:28:07,880 --> 00:28:10,080
Speaker 1: not coming out in the music. Was like, nah, because

484
00:28:10,119 --> 00:28:12,840
Speaker 1: this is what this is going down because I'm not

485
00:28:12,920 --> 00:28:15,040
Speaker 1: really gonna be playing like that. I'm not doing no

486
00:28:15,160 --> 00:28:17,560
Speaker 1: plan with no niggas, not doing me and my squad.

487
00:28:17,640 --> 00:28:20,560
Speaker 1: We go like this, this is our way of thinking.

488
00:28:20,600 --> 00:28:22,800
Speaker 1: It may sound wild, it may sound and you might

489
00:28:22,880 --> 00:28:25,639
Speaker 1: not work with it. You do this is how it

490
00:28:25,720 --> 00:28:29,879
Speaker 1: goes into this into this island, and it's cool if

491
00:28:29,920 --> 00:28:34,719
Speaker 1: you don't agree. We're not. We wasn't trying to recruit. Man,

492
00:28:34,760 --> 00:28:38,240
Speaker 1: ain't nobody listen, We're not. It's not nah. I just

493
00:28:38,320 --> 00:28:41,560
Speaker 1: had to get that out what I'm saying, to make

494
00:28:41,640 --> 00:28:44,320
Speaker 1: sure to make sure we got some of that, and

495
00:28:44,400 --> 00:28:46,920
Speaker 1: that was a That was an forty record, but it

496
00:28:47,080 --> 00:28:51,840
Speaker 1: felt very Diamond Lane, right. It felt like it felt

497
00:28:51,880 --> 00:28:57,760
Speaker 1: like in Diamond Lane and I know Forty, that's my

498
00:28:58,040 --> 00:29:00,440
Speaker 1: that's my big dog. I know he did that purposely,

499
00:29:01,040 --> 00:29:05,000
Speaker 1: right because Forty is a guy who appreciates, right. He's

500
00:29:05,200 --> 00:29:08,720
Speaker 1: he appreciates when somebody got a gift and he lets

501
00:29:08,760 --> 00:29:10,640
Speaker 1: his shine like Forty is never a guy that steps

502
00:29:10,640 --> 00:29:12,959
Speaker 1: in front of people try to He's like, oh oh

503
00:29:13,360 --> 00:29:15,240
Speaker 1: he got he got something I need to funk with.

504
00:29:16,040 --> 00:29:18,160
Speaker 1: So he's not going to bring you in and try

505
00:29:18,200 --> 00:29:22,600
Speaker 1: to change who you are. It's amazing he's he's he's

506
00:29:22,640 --> 00:29:29,720
Speaker 1: so underrated and the boss talk that because the real

507
00:29:29,840 --> 00:29:33,560
Speaker 1: fate is let's even just take that record at that time.

508
00:29:33,680 --> 00:29:38,440
Speaker 1: There's no like Big bay l a record at all.

509
00:29:40,240 --> 00:29:45,480
Speaker 1: He is him and his prospects, well he see me

510
00:29:45,800 --> 00:29:51,200
Speaker 1: y g Sue made of this single. That means you

511
00:29:51,240 --> 00:29:55,080
Speaker 1: put the bag behind none of us signing him. You

512
00:29:55,160 --> 00:30:00,080
Speaker 1: know they don't do that at a boss and ever

513
00:30:00,200 --> 00:30:03,440
Speaker 1: do that and then surrounded us like I'm on the hook.

514
00:30:03,560 --> 00:30:05,720
Speaker 1: So I got to stay along for the whole the

515
00:30:05,800 --> 00:30:08,960
Speaker 1: remix and everything surrounded us and put us in the

516
00:30:09,240 --> 00:30:12,040
Speaker 1: spot to get a chance to when we did one

517
00:30:12,120 --> 00:30:15,719
Speaker 1: or six in part like three weeks after it came out,

518
00:30:15,760 --> 00:30:19,040
Speaker 1: and we was what nig we went straight to TV.

519
00:30:19,160 --> 00:30:22,880
Speaker 1: It was no games. It was that ship was like

520
00:30:23,080 --> 00:30:26,400
Speaker 1: now that record the rocket ship that was legal starts right, yep,

521
00:30:32,200 --> 00:30:35,800
Speaker 1: was the up was in the swig House and the up.

522
00:30:36,480 --> 00:30:39,080
Speaker 1: I'm okay, I'm sorry, I know we skipped some steps

523
00:30:40,560 --> 00:30:43,920
Speaker 1: that I just had to get there. But yeah, Jake,

524
00:30:44,880 --> 00:30:48,000
Speaker 1: because from from from the Snoop days and what you're

525
00:30:48,040 --> 00:30:51,680
Speaker 1: doing there and which is your version of college or

526
00:30:51,720 --> 00:30:55,480
Speaker 1: even getting your masters in a sense, right, because for

527
00:30:55,520 --> 00:30:57,120
Speaker 1: a lot of us who didn't go to college, like

528
00:30:57,240 --> 00:31:01,040
Speaker 1: myself when I came here, this was this was my

529
00:31:01,120 --> 00:31:04,400
Speaker 1: schooling right as an adult. I learned some things as

530
00:31:04,400 --> 00:31:06,200
Speaker 1: a kid in the business, but as an adult you

531
00:31:06,280 --> 00:31:08,520
Speaker 1: deal with a different You deal with it direct. And

532
00:31:09,120 --> 00:31:11,800
Speaker 1: I always use that same analogy right of it being

533
00:31:13,320 --> 00:31:16,840
Speaker 1: college would be in my ba, my master's, my doctorate,

534
00:31:17,000 --> 00:31:19,680
Speaker 1: whatever you want to call it. Ship. Right as you

535
00:31:19,800 --> 00:31:25,239
Speaker 1: go from your schooling, you know Snoop corrupt all your

536
00:31:25,280 --> 00:31:30,480
Speaker 1: guys there and move into diamond Lane with birds, bad

537
00:31:30,640 --> 00:31:33,480
Speaker 1: luck all the things that you guys are creating over there.

538
00:31:34,040 --> 00:31:39,520
Speaker 1: Mm hmm. Where the fuck are When the fuck did

539
00:31:39,600 --> 00:31:44,560
Speaker 1: y'all say we're gonna take this masterpiece? How you do that? There?

540
00:31:46,640 --> 00:31:49,920
Speaker 1: And turn this ship all the way up, because I

541
00:31:50,000 --> 00:31:51,360
Speaker 1: will say this, and I don't know if I told

542
00:31:51,400 --> 00:31:56,760
Speaker 1: you this back then. That was actually my favorite masterpiece

543
00:31:56,840 --> 00:32:00,840
Speaker 1: song of all time. And young Bleep and Young Bleed

544
00:32:01,960 --> 00:32:07,760
Speaker 1: cannot forget Young bleeed um and m hmm. When I

545
00:32:08,000 --> 00:32:10,959
Speaker 1: first heard that record, I was like, oh my god,

546
00:32:12,080 --> 00:32:16,720
Speaker 1: why hasn't someone done this sooner? When you have that

547
00:32:16,880 --> 00:32:22,280
Speaker 1: moment where you're like this nigga, I was like, so

548
00:32:22,360 --> 00:32:25,640
Speaker 1: you gotta you gotta explain that process. You gotta. I mean, like,

549
00:32:26,040 --> 00:32:28,560
Speaker 1: I know it's a masterpiece story. Come come on, man,

550
00:32:28,600 --> 00:32:31,520
Speaker 1: I got it. I got it here out here on

551
00:32:31,640 --> 00:32:33,960
Speaker 1: that east side man, east side of Loss Angeles. Like

552
00:32:34,120 --> 00:32:36,520
Speaker 1: all the Project Niggas when I was in high school

553
00:32:36,560 --> 00:32:40,160
Speaker 1: was playing master p all they was playing. They all

554
00:32:40,320 --> 00:32:42,840
Speaker 1: they were on that way early. All of the Wasatch

555
00:32:42,960 --> 00:32:45,720
Speaker 1: Niggas was on the Project, all of the nigs. So

556
00:32:46,520 --> 00:32:49,400
Speaker 1: we went to Centennio together, so we were here, I

557
00:32:49,440 --> 00:32:51,240
Speaker 1: would hear that ship they'd be playing it, so so

558
00:32:51,600 --> 00:32:54,200
Speaker 1: I would tell Centennio is a Compton and wat school, No,

559
00:32:54,560 --> 00:32:57,080
Speaker 1: just it's right down the streets from Projects. So like

560
00:32:57,360 --> 00:33:00,360
Speaker 1: at that time, the Gamebank she was a super high.

561
00:33:00,800 --> 00:33:04,280
Speaker 1: So that was the Blood School Centennio, and they were

562
00:33:04,280 --> 00:33:06,600
Speaker 1: actually closer the lot, but that's you know, it's a

563
00:33:06,640 --> 00:33:08,800
Speaker 1: crypt school. So it's more so like I don't know

564
00:33:08,840 --> 00:33:10,480
Speaker 1: if you want to go down. It was just it

565
00:33:10,640 --> 00:33:12,920
Speaker 1: was different then, like you couldn't wear the blue shoes

566
00:33:12,920 --> 00:33:15,480
Speaker 1: string and all that. Like now anybody tripping off the

567
00:33:15,520 --> 00:33:17,200
Speaker 1: colors and nothing. But then it was a little different.

568
00:33:17,280 --> 00:33:20,160
Speaker 1: So you you wanted to go with your FOXX, right.

569
00:33:21,000 --> 00:33:23,480
Speaker 1: So but they put me up on a lot of

570
00:33:23,560 --> 00:33:25,760
Speaker 1: that ship. I swear, I swear to Nicko and the

571
00:33:25,800 --> 00:33:29,480
Speaker 1: boy us so me and you know, bad luck. He's

572
00:33:29,520 --> 00:33:34,360
Speaker 1: from Watson, so he's heavily influenced. First time we ever

573
00:33:34,640 --> 00:33:37,880
Speaker 1: do the Molly is Halloween. We're in the car and

574
00:33:37,960 --> 00:33:40,560
Speaker 1: we're going far ast fun. Y'all decided to do a

575
00:33:40,680 --> 00:33:43,720
Speaker 1: Molly on Halloween. Let me tell you how this whatever

576
00:33:44,480 --> 00:33:47,680
Speaker 1: we do know what it was. We uh, we're going

577
00:33:47,800 --> 00:33:51,680
Speaker 1: to We're going to Bird's Cousins and Shake Cotton and

578
00:33:51,840 --> 00:33:57,719
Speaker 1: James Cotton. Yeah, Cotton man, Let's come on, man, check

579
00:33:57,720 --> 00:34:00,400
Speaker 1: out my boy document dramas all right now to So

580
00:34:00,920 --> 00:34:03,240
Speaker 1: we're headed to one of their parties. But that ship

581
00:34:03,360 --> 00:34:06,520
Speaker 1: far as the motherfucker's so um holie with he coming like,

582
00:34:06,600 --> 00:34:09,560
Speaker 1: hey man, I got the ships moy this ship. It's like, like,

583
00:34:09,600 --> 00:34:13,000
Speaker 1: what it is, Molly, It's called Molly or something, you know.

584
00:34:13,200 --> 00:34:16,320
Speaker 1: So he's like, take put on your tongue. I like,

585
00:34:16,480 --> 00:34:18,560
Speaker 1: what the fund is? We? You know? I done? He

586
00:34:18,680 --> 00:34:20,440
Speaker 1: feels and ship and all that, but I'm like, what

587
00:34:20,600 --> 00:34:23,120
Speaker 1: is it? That's funny time, I'm telling you cool. So

588
00:34:23,280 --> 00:34:25,319
Speaker 1: we take it and even think it's had just got

589
00:34:25,400 --> 00:34:28,439
Speaker 1: some fast like fast cars with health cash it or something.

590
00:34:28,800 --> 00:34:32,520
Speaker 1: So we're actually flying too, like Santa Clarita. We're me

591
00:34:32,640 --> 00:34:34,640
Speaker 1: and look we're shitting there there my fucking hit us,

592
00:34:34,719 --> 00:34:39,000
Speaker 1: Like whoa that? Molly was like, oh, we just started

593
00:34:39,040 --> 00:34:42,080
Speaker 1: talking about ships, like remember that's how you do that thing,

594
00:34:42,200 --> 00:34:44,440
Speaker 1: and they're gonna flip that. Like hell, we'll get back

595
00:34:44,440 --> 00:34:46,520
Speaker 1: to three and ain't gonna flip. That's gonna be hard.

596
00:34:46,920 --> 00:34:49,240
Speaker 1: So we talked about that. We're talking about all these things.

597
00:34:50,239 --> 00:34:53,600
Speaker 1: We get back and so the next day I'm like,

598
00:34:53,880 --> 00:34:58,719
Speaker 1: Nigga flipped out, you do it there ship. He's like, man,

599
00:34:59,160 --> 00:35:02,719
Speaker 1: just keep talking about that one thing, Nigga. We never

600
00:35:02,880 --> 00:35:04,960
Speaker 1: did it. And one day I was like, I can't

601
00:35:05,000 --> 00:35:08,680
Speaker 1: remember that conversation. Start playing that ship and start learning

602
00:35:08,719 --> 00:35:12,960
Speaker 1: how to play. Start playing there. I made me was

603
00:35:13,040 --> 00:35:16,080
Speaker 1: ten in the morning, so you replayed it, Yeah, played it,

604
00:35:17,040 --> 00:35:19,239
Speaker 1: made made the drums for him and then and by

605
00:35:19,320 --> 00:35:23,080
Speaker 1: myself ten in the morning. Nigga, I must have fucking

606
00:35:23,120 --> 00:35:26,680
Speaker 1: did the hook. You know, I don't write, so I'm

607
00:35:26,719 --> 00:35:28,520
Speaker 1: sitting there, I'm just coming up with it. I'm like

608
00:35:28,719 --> 00:35:32,840
Speaker 1: this hard the second vision I call it up. I'm like, Nigga,

609
00:35:32,880 --> 00:35:35,719
Speaker 1: if you don't get up here in thirty minutes, I'm

610
00:35:35,760 --> 00:35:40,000
Speaker 1: about to do this. He was like, what playing it?

611
00:35:40,120 --> 00:35:42,400
Speaker 1: He was like, Nigga, I'm on the way, don't do that.

612
00:35:42,520 --> 00:35:45,160
Speaker 1: I'm like, I'm telling you got thirty minutes because I

613
00:35:45,239 --> 00:35:47,040
Speaker 1: got it off. I'm ready to go get this ship up.

614
00:35:47,440 --> 00:35:50,560
Speaker 1: That niggag walked in and Nigga came from where we

615
00:35:50,719 --> 00:35:54,080
Speaker 1: came from later, so they're I didn't like the lead

616
00:35:54,160 --> 00:35:57,040
Speaker 1: I had, so I went and talk to jay Nor, like, man,

617
00:35:57,080 --> 00:35:58,799
Speaker 1: you got a better version of this, So he went

618
00:35:58,880 --> 00:36:01,840
Speaker 1: and found one that was closer the ship. We swapped

619
00:36:01,880 --> 00:36:07,239
Speaker 1: it out hard. Yeah, nobody. It was just me and

620
00:36:07,320 --> 00:36:08,800
Speaker 1: him playing it though we wouldn't have none of the

621
00:36:08,880 --> 00:36:11,719
Speaker 1: homies here, like none of them, so we had a

622
00:36:11,800 --> 00:36:14,040
Speaker 1: show a solid like one of the little shows. You're

623
00:36:14,040 --> 00:36:16,399
Speaker 1: gonna get some money. Like I'm not really cracking yet,

624
00:36:16,440 --> 00:36:21,320
Speaker 1: but they function. Money's cool. So nobody is like raining

625
00:36:21,680 --> 00:36:24,960
Speaker 1: and nobody comes to the thing. But we're on the molly.

626
00:36:25,120 --> 00:36:27,759
Speaker 1: We all. I'm like, the performed the ship because we

627
00:36:27,840 --> 00:36:32,240
Speaker 1: just like fifty niggas with us. Yeah, I know, yeah

628
00:36:32,320 --> 00:36:37,239
Speaker 1: that time. It's different times me and the tank we

629
00:36:37,440 --> 00:36:42,520
Speaker 1: pull up, you know, but have you issue. I've never

630
00:36:42,840 --> 00:36:46,239
Speaker 1: There's not been never, no, no, whoever noticed. So this

631
00:36:46,360 --> 00:36:50,840
Speaker 1: is a different fifty niggo. We hid nigger. We just

632
00:36:51,160 --> 00:36:52,920
Speaker 1: like turning new ship off and we just start doing

633
00:36:52,920 --> 00:36:56,160
Speaker 1: it for the homies. The niggas was like, what's this mind?

634
00:36:56,280 --> 00:36:58,200
Speaker 1: Was three people in the crap, We're just doing it.

635
00:36:58,400 --> 00:37:04,600
Speaker 1: Those people like what is this song? And we did it.

636
00:37:04,719 --> 00:37:06,560
Speaker 1: We just stopped performing for them and so it's time

637
00:37:06,640 --> 00:37:08,520
Speaker 1: to get off because we didn't even have to really before,

638
00:37:08,719 --> 00:37:13,319
Speaker 1: but were like, oh yeah, this hard. So that's how

639
00:37:13,360 --> 00:37:16,359
Speaker 1: it happened. That was the first time. Yeah, the first

640
00:37:16,400 --> 00:37:20,000
Speaker 1: time we blasted. That's one of the conversations on that

641
00:37:20,120 --> 00:37:24,000
Speaker 1: our draw. Yeah, I would like to say awesome talk

642
00:37:24,040 --> 00:37:28,520
Speaker 1: about it. I'm in that video. Yeah, yeah, yeah, you know,

643
00:37:28,600 --> 00:37:31,920
Speaker 1: I don't show up like that. If you look at

644
00:37:31,960 --> 00:37:36,960
Speaker 1: that video, a lot of loving. Yeah, I just came out.

645
00:37:37,160 --> 00:37:41,720
Speaker 1: What I will say is that y'all brought the city

646
00:37:41,760 --> 00:37:45,239
Speaker 1: together of l A right and in the in in

647
00:37:45,360 --> 00:37:49,600
Speaker 1: the bay, like we supported y'all heavily because we never

648
00:37:49,800 --> 00:37:51,480
Speaker 1: felt like and you know, this whole l A and

649
00:37:51,560 --> 00:37:55,800
Speaker 1: they things sometimes get tricky where guys feel like, you know,

650
00:37:55,920 --> 00:37:59,000
Speaker 1: the sound is uh, they took that all the l

651
00:37:59,040 --> 00:38:01,480
Speaker 1: A niggas took that on. Baby niggas took this and this,

652
00:38:01,600 --> 00:38:03,480
Speaker 1: They all niggas on this, and it's like we don't

653
00:38:03,520 --> 00:38:08,160
Speaker 1: never truly come together. I felt like when you came along,

654
00:38:09,560 --> 00:38:12,440
Speaker 1: y'all brought a lot of us together, right because because

655
00:38:12,480 --> 00:38:16,879
Speaker 1: you was working with love, ran Sue Pilo myself, Um,

656
00:38:17,200 --> 00:38:19,840
Speaker 1: you was working with us so heavy and then and

657
00:38:20,000 --> 00:38:22,719
Speaker 1: we showed the love the same way and with EFFORTY

658
00:38:23,000 --> 00:38:25,719
Speaker 1: grabbed you putting it putting on that huge record. I

659
00:38:25,800 --> 00:38:28,600
Speaker 1: really y'all giving him this huge record and being part

660
00:38:28,640 --> 00:38:32,239
Speaker 1: of it like that it created something different. Man. I

661
00:38:32,400 --> 00:38:35,520
Speaker 1: was honestly, man, that was Bird's vision the whole time.

662
00:38:35,600 --> 00:38:40,400
Speaker 1: He's like, man, let's just all be cool. And I

663
00:38:40,880 --> 00:38:44,359
Speaker 1: think it may maybe rub some people the wrong way

664
00:38:44,680 --> 00:38:47,360
Speaker 1: because you know it maybe was against what you know,

665
00:38:47,480 --> 00:38:51,200
Speaker 1: maybe they we wasn't going against normal the way we

666
00:38:51,320 --> 00:38:53,680
Speaker 1: do anything in that business, you know what I'm saying.

667
00:38:54,280 --> 00:38:56,480
Speaker 1: And they can't be looked at as they can be

668
00:38:56,560 --> 00:38:58,520
Speaker 1: looked at as what they think they're better than are

669
00:38:58,560 --> 00:39:01,960
Speaker 1: they are. They're gonna try to rewrite this or they're

670
00:39:01,960 --> 00:39:05,279
Speaker 1: gonna make it. Whatever it was. The whole point was

671
00:39:05,440 --> 00:39:10,320
Speaker 1: just like, naw, fuck them's us because when we get together,

672
00:39:12,120 --> 00:39:17,000
Speaker 1: we when not like we. The problem with California is

673
00:39:17,080 --> 00:39:20,600
Speaker 1: this right here. They think it can only be one king.

674
00:39:21,719 --> 00:39:25,399
Speaker 1: That's always been the problem with California. They don't say

675
00:39:25,560 --> 00:39:31,520
Speaker 1: kings out here, and it stops to growth. No, like me,

676
00:39:32,160 --> 00:39:34,560
Speaker 1: when I say I get cracking, like I become the

677
00:39:34,640 --> 00:39:37,719
Speaker 1: guy out here, I don't say Now I'm not doing

678
00:39:37,760 --> 00:39:41,120
Speaker 1: records with niggas. I'm like, send all that ship, let's

679
00:39:41,239 --> 00:39:43,160
Speaker 1: run it up while we got somebody to give a

680
00:39:43,280 --> 00:39:46,120
Speaker 1: funk about, because they'll swap us out in a minute.

681
00:39:46,520 --> 00:39:48,719
Speaker 1: Now you get hot, Now you get hot. You need

682
00:39:48,800 --> 00:39:50,960
Speaker 1: one here, you got one. It's actually a very Southern

683
00:39:51,000 --> 00:39:53,839
Speaker 1: way of thinking, and it's why they've done what they've

684
00:39:53,920 --> 00:39:57,319
Speaker 1: done and yeah, my roots is from Louisiana. I guess

685
00:39:57,320 --> 00:40:00,640
Speaker 1: I don't know, and I'm around some good guy that

686
00:40:01,200 --> 00:40:04,040
Speaker 1: it may look like it's a different way, but really

687
00:40:04,080 --> 00:40:06,440
Speaker 1: think about it and just go look at what's in

688
00:40:06,480 --> 00:40:09,560
Speaker 1: the paint, the black and white, the numbers is when

689
00:40:09,640 --> 00:40:12,040
Speaker 1: I when I start going with Diamond and start going,

690
00:40:12,280 --> 00:40:15,759
Speaker 1: we said we yeah, we got a club. Now y'all

691
00:40:15,760 --> 00:40:17,919
Speaker 1: pulling up? How many y'all got with y'all? Yeah, they're

692
00:40:18,040 --> 00:40:25,960
Speaker 1: good now when they get him here here because we

693
00:40:26,200 --> 00:40:31,120
Speaker 1: look cool, right, fuck them, I'm saying. So that's that's

694
00:40:31,200 --> 00:40:33,359
Speaker 1: why I think the bay rocks with us so heavy,

695
00:40:33,360 --> 00:40:37,480
Speaker 1: because that's how y'all move to a certain extent, it's

696
00:40:37,520 --> 00:40:40,359
Speaker 1: better than that. Yeah, but I think it's better because

697
00:40:40,440 --> 00:40:43,880
Speaker 1: we don't have back then. We don't have the color.

698
00:40:44,880 --> 00:40:47,800
Speaker 1: I don't have the gag bang ship right, which is

699
00:40:48,320 --> 00:40:50,760
Speaker 1: is to be respected, right. But I need to stop.

700
00:40:50,880 --> 00:40:52,719
Speaker 1: We need I need to stop that ship. Though. Man,

701
00:40:52,760 --> 00:40:54,799
Speaker 1: I've been I've been really like trying to say something

702
00:40:54,840 --> 00:40:56,960
Speaker 1: different to my homies and all of them from all

703
00:40:57,080 --> 00:41:03,640
Speaker 1: levels to executives, the streets, whatever we're doing. Man, that

704
00:41:03,719 --> 00:41:07,680
Speaker 1: ship is for that. Don't give me the rules. I

705
00:41:07,760 --> 00:41:11,000
Speaker 1: didn't I didn't subscribe to that, so that don't come here,

706
00:41:11,360 --> 00:41:13,520
Speaker 1: Like I've been really spreading that around the nigga's brod,

707
00:41:13,719 --> 00:41:15,719
Speaker 1: I'm in the music business. I don't deal cracked, so

708
00:41:15,840 --> 00:41:19,879
Speaker 1: don't whisper around me. Well, this is not that deep.

709
00:41:20,920 --> 00:41:24,400
Speaker 1: We're selling intellectual property. Bro, I don't understand why everybody

710
00:41:24,480 --> 00:41:28,880
Speaker 1: is so discreet and and so we're like, bro, no,

711
00:41:29,480 --> 00:41:34,080
Speaker 1: I don't like everything. I got kids and ship that's deep.

712
00:41:34,440 --> 00:41:36,120
Speaker 1: Like I got you know, a village of women that

713
00:41:36,200 --> 00:41:38,799
Speaker 1: I have to like make sure they're okay. That's deep.

714
00:41:39,440 --> 00:41:42,120
Speaker 1: They've tried to make this that. Not that I don't

715
00:41:42,160 --> 00:41:44,160
Speaker 1: respect that, but if I want to get into that,

716
00:41:44,320 --> 00:41:46,560
Speaker 1: let me go over there and get put on. And

717
00:41:46,680 --> 00:41:49,920
Speaker 1: those are the rules. No, nigga, we're not dealing crack here.

718
00:41:50,000 --> 00:41:52,560
Speaker 1: Shouldn't be this deep, bro, this should be real deep

719
00:41:52,880 --> 00:41:54,800
Speaker 1: all the time. So I've been kind of trying to

720
00:41:54,880 --> 00:41:57,239
Speaker 1: like and I'm not trying to it's not tougher then

721
00:41:57,320 --> 00:41:58,880
Speaker 1: this is not any of that. This is more so

722
00:41:59,120 --> 00:42:02,120
Speaker 1: like not really want it gets to chill out because

723
00:42:02,160 --> 00:42:05,000
Speaker 1: if we do it, if we do it the way

724
00:42:05,160 --> 00:42:08,600
Speaker 1: that that I'm that I'm talking about, we probably can

725
00:42:08,680 --> 00:42:11,560
Speaker 1: all make money instead of niggas just watching niggas get

726
00:42:11,640 --> 00:42:16,040
Speaker 1: popping and hoping they reached down. Why that's not. I

727
00:42:16,080 --> 00:42:19,440
Speaker 1: don't like shopping by myself. That that's not that. I'm like,

728
00:42:19,520 --> 00:42:22,640
Speaker 1: well that's not. That doesn't make sense. No, I don't

729
00:42:22,680 --> 00:42:26,200
Speaker 1: come from that. So now I think people get it

730
00:42:26,320 --> 00:42:28,440
Speaker 1: now that everybody's went through this year of having to

731
00:42:28,560 --> 00:42:32,000
Speaker 1: really go against their labels and find out how much

732
00:42:32,040 --> 00:42:36,840
Speaker 1: the streams is and have to go really you have

733
00:42:36,920 --> 00:42:39,040
Speaker 1: to get back just back in the in the grarded

734
00:42:39,160 --> 00:42:42,279
Speaker 1: things and really do for yourself. The labels making you

735
00:42:42,320 --> 00:42:44,800
Speaker 1: gonna shoot your own videos that they're they're making you

736
00:42:44,960 --> 00:42:46,799
Speaker 1: figure it away and then if you get it right,

737
00:42:46,920 --> 00:42:49,640
Speaker 1: this it is in that, and I'm watching people struggle

738
00:42:49,719 --> 00:42:52,239
Speaker 1: with it. To me, I don't know no other way.

739
00:42:52,320 --> 00:42:54,240
Speaker 1: So that's why I'm like, I don't understand the problem.

740
00:42:54,360 --> 00:42:57,360
Speaker 1: No that I'm comfortable. This is no. This is what

741
00:42:57,600 --> 00:43:01,719
Speaker 1: independent is. This is what really goes like y'all been

742
00:43:01,760 --> 00:43:04,440
Speaker 1: able to have been spoon fed, but it also goes

743
00:43:04,480 --> 00:43:08,840
Speaker 1: to a level of professionalism too and understanding everything that

744
00:43:08,960 --> 00:43:11,160
Speaker 1: you do. Know. I don't even think it's you don't

745
00:43:11,320 --> 00:43:14,000
Speaker 1: you're not, you're not. I think that's kind of like

746
00:43:14,120 --> 00:43:19,239
Speaker 1: because you're not missing on any level of your infrastructure.

747
00:43:20,280 --> 00:43:23,160
Speaker 1: And so when when the guys that can't survive in

748
00:43:23,280 --> 00:43:26,920
Speaker 1: this type of space, they are missing on a certain

749
00:43:27,040 --> 00:43:30,160
Speaker 1: level of their infrastructure that they just don't understand. I wish,

750
00:43:30,200 --> 00:43:32,239
Speaker 1: you know, I can say, hey, man, like try it,

751
00:43:32,280 --> 00:43:34,440
Speaker 1: this wire, this is and that. But just that hasn't

752
00:43:34,600 --> 00:43:36,200
Speaker 1: That's not been the way it's been out here. You

753
00:43:36,239 --> 00:43:38,440
Speaker 1: know what I'm saying. I just won't. I just want

754
00:43:38,480 --> 00:43:41,800
Speaker 1: people to like, look, don't be nervous, don't be nervous.

755
00:43:42,080 --> 00:43:47,799
Speaker 1: Don't because man, I know, but I told y'all we've

756
00:43:47,840 --> 00:43:50,040
Speaker 1: been saying this for a long you know, rt be money.

757
00:43:50,480 --> 00:43:55,240
Speaker 1: Your life changed when you say hello, nigga, we changed

758
00:43:55,280 --> 00:43:59,960
Speaker 1: it like that. Hey, I don't like you. They don't

759
00:44:00,120 --> 00:44:04,440
Speaker 1: you knowing that they said, Hey, it's funny because because

760
00:44:04,840 --> 00:44:07,960
Speaker 1: because uh me and Jay we had a lawyer at

761
00:44:08,000 --> 00:44:13,000
Speaker 1: the time at the time, and so we because it's

762
00:44:13,040 --> 00:44:17,279
Speaker 1: the O G lawyer O G like Errol Smith representation

763
00:44:17,400 --> 00:44:22,520
Speaker 1: o G type, like he big money. So we like, well,

764
00:44:22,600 --> 00:44:24,640
Speaker 1: you know, we tell him, we say, well, look, this

765
00:44:24,719 --> 00:44:26,239
Speaker 1: is the new deal we want to do, and this

766
00:44:26,440 --> 00:44:29,120
Speaker 1: is what we want. And he said, why are they

767
00:44:29,160 --> 00:44:34,440
Speaker 1: gonna give you that sh shoot me the go to gunfight,

768
00:44:34,840 --> 00:44:42,800
Speaker 1: all right, this is the guy that god. He said,

769
00:44:43,200 --> 00:44:45,080
Speaker 1: why are they gonna give you that? Like with this place,

770
00:44:45,080 --> 00:44:48,879
Speaker 1: Why are they gonna give you that? And I said

771
00:44:50,640 --> 00:44:55,759
Speaker 1: he thought JA was a little punky little. I said,

772
00:44:56,239 --> 00:45:01,520
Speaker 1: because we're gonna ask him. He said, all right, whatever, okay,

773
00:45:01,560 --> 00:45:07,200
Speaker 1: all right, you're the one. He called up two days

774
00:45:07,280 --> 00:45:09,239
Speaker 1: later he said, I don't know what you said that

775
00:45:09,280 --> 00:45:11,880
Speaker 1: those people up there, man, but they're gonna give you everything.

776
00:45:12,560 --> 00:45:42,360
Speaker 1: And uh was zone O, motherfucker blesten. Man, it feels

777
00:45:42,440 --> 00:45:48,160
Speaker 1: good more your shoulder. But the benefit of betting on yourself, man,

778
00:45:49,360 --> 00:45:52,400
Speaker 1: on yourself. We are bro, we are blessed. We are

779
00:45:52,480 --> 00:45:57,200
Speaker 1: blessed to be able to create somebody air man. Let's

780
00:45:57,320 --> 00:45:59,560
Speaker 1: let's not let's let's don't even I don't even know

781
00:45:59,680 --> 00:46:03,759
Speaker 1: how it feels. That's just a I hate to not

782
00:46:03,920 --> 00:46:07,480
Speaker 1: be able to grab a gift, right And and we

783
00:46:07,719 --> 00:46:11,600
Speaker 1: really don't take the time to appreciate that that time

784
00:46:12,800 --> 00:46:17,359
Speaker 1: last to literally wake up and be like, oh yeah,

785
00:46:17,680 --> 00:46:20,560
Speaker 1: it is like that know that and that and that's

786
00:46:21,760 --> 00:46:23,719
Speaker 1: there's people go up. There's people out here going through

787
00:46:23,800 --> 00:46:26,640
Speaker 1: some fucked up times. Called me in the morning with

788
00:46:26,760 --> 00:46:29,520
Speaker 1: like the thirty things he didn't picked out of the sky,

789
00:46:29,920 --> 00:46:36,400
Speaker 1: like hey man, and then and then and so just

790
00:46:36,880 --> 00:46:39,719
Speaker 1: so just imagine though, like that's that's your reality, right.

791
00:46:40,320 --> 00:46:43,840
Speaker 1: So to the outside man, they're like, man, well I

792
00:46:43,960 --> 00:46:48,040
Speaker 1: gotta go flip this frod. Yeah, you know, I gotta

793
00:46:48,120 --> 00:46:51,200
Speaker 1: go listen to that guy listen and that. So when

794
00:46:51,200 --> 00:46:52,920
Speaker 1: I like, when I get to like, yeah, man, the

795
00:46:53,000 --> 00:46:55,640
Speaker 1: touring's down, and a man just like, man, this real

796
00:46:55,800 --> 00:46:59,279
Speaker 1: ship happens. So that's another reason why we are not

797
00:46:59,360 --> 00:47:04,359
Speaker 1: selling act. This ain't stop. I don't care what they

798
00:47:04,440 --> 00:47:07,200
Speaker 1: taught us. No, it don't have to go nothing like that.

799
00:47:08,000 --> 00:47:10,439
Speaker 1: If we started company and we say, let thirty thirty

800
00:47:10,520 --> 00:47:12,879
Speaker 1: thirty and we're gonna find t werena five for lawyer,

801
00:47:12,880 --> 00:47:14,680
Speaker 1: we're gonna have five, We're ready to sell. We could

802
00:47:14,719 --> 00:47:19,000
Speaker 1: do that right right. See, it's not that deep. It's

803
00:47:19,080 --> 00:47:21,280
Speaker 1: never gonna be that deep till we started making Indeed,

804
00:47:21,440 --> 00:47:30,000
Speaker 1: So this transition right from producer rapper uh two now

805
00:47:33,200 --> 00:47:38,560
Speaker 1: coffee you know, I mean hold on, got it, got

806
00:47:38,640 --> 00:47:43,239
Speaker 1: the bad and I mean ground coffee breakfast blends. Yeah,

807
00:47:43,360 --> 00:47:47,680
Speaker 1: that's great. Hour the originally got a CBD as well. Yeah,

808
00:47:47,920 --> 00:47:49,879
Speaker 1: so this don't got nothing in it because I thought

809
00:47:49,880 --> 00:47:51,479
Speaker 1: I was gonna tweak off this. No, you're not gonna

810
00:47:51,800 --> 00:47:54,480
Speaker 1: You're not gonna tweak at all. That's what that is.

811
00:47:54,640 --> 00:47:56,799
Speaker 1: It's just another way to get it from the looking

812
00:47:56,800 --> 00:47:58,840
Speaker 1: for the tweet. Now I gave you that bag, I

813
00:47:59,400 --> 00:48:02,879
Speaker 1: gave you another for the best weed in the town.

814
00:48:03,320 --> 00:48:05,360
Speaker 1: But no, no, no, So what puts you in the

815
00:48:05,440 --> 00:48:10,120
Speaker 1: space to say, Man, you know what a new coffee? Uh?

816
00:48:10,280 --> 00:48:14,520
Speaker 1: The music? I right, the music, the music I was doing,

817
00:48:14,880 --> 00:48:17,719
Speaker 1: but I had changed like the whole way out in

818
00:48:17,920 --> 00:48:20,640
Speaker 1: my process. Instead of recording the night, only recorded in

819
00:48:20,680 --> 00:48:22,560
Speaker 1: the morning. So in the morning, this is what I

820
00:48:22,680 --> 00:48:24,759
Speaker 1: noticed I was doing. I was smoking weed, have a

821
00:48:24,800 --> 00:48:27,120
Speaker 1: cup of coffee. I made it where I'm gonna wake

822
00:48:27,200 --> 00:48:28,680
Speaker 1: up and do this and then from this time this time.

823
00:48:28,680 --> 00:48:31,680
Speaker 1: I'm gonna do this because I wanted to do all

824
00:48:31,800 --> 00:48:36,640
Speaker 1: these things, but I knew my I lacked organizations. So

825
00:48:36,880 --> 00:48:38,799
Speaker 1: I said, fucking I'm just gonna really write me out

826
00:48:38,800 --> 00:48:41,600
Speaker 1: of schedule. I'm gonna work on my music this time

827
00:48:41,640 --> 00:48:43,719
Speaker 1: and work on this from this time, and record from

828
00:48:43,760 --> 00:48:47,040
Speaker 1: this time and this time. So during that process, I'm like, man,

829
00:48:47,080 --> 00:48:49,000
Speaker 1: what am I gonna call this? Because it was just

830
00:48:49,200 --> 00:48:51,400
Speaker 1: different for me to style of music. I was waking

831
00:48:51,480 --> 00:48:53,440
Speaker 1: up and just talking about the first thing I was

832
00:48:53,520 --> 00:48:55,880
Speaker 1: thinking about as just as opposed to being at night.

833
00:48:56,000 --> 00:48:58,520
Speaker 1: I hadn't been loaded all day, and it just was

834
00:48:58,600 --> 00:49:01,880
Speaker 1: a different thing. But I felt this different balance, you

835
00:49:01,920 --> 00:49:04,520
Speaker 1: know what I'm saying. My life was just changing. I'm like, ship,

836
00:49:04,640 --> 00:49:06,320
Speaker 1: Let's call the ship Coffee because it's gonna be the

837
00:49:06,400 --> 00:49:07,840
Speaker 1: name of the albums. It was more so like, let

838
00:49:07,880 --> 00:49:09,600
Speaker 1: me figure out a way that I can keep a

839
00:49:09,719 --> 00:49:12,279
Speaker 1: three month income coming off an independent sale. It was

840
00:49:12,360 --> 00:49:14,759
Speaker 1: a math play, honestly, and I was like, I know

841
00:49:14,840 --> 00:49:16,840
Speaker 1: what I generate streams, this, this, and that. I know

842
00:49:16,960 --> 00:49:18,719
Speaker 1: this can't go like this boom boom boom. I can

843
00:49:18,760 --> 00:49:21,640
Speaker 1: set up a few of these throughout the year. Really,

844
00:49:21,680 --> 00:49:23,960
Speaker 1: That's how I started. So I started liking the Ship

845
00:49:24,080 --> 00:49:26,400
Speaker 1: and I had I'm like, I'm doing the music and

846
00:49:26,480 --> 00:49:28,960
Speaker 1: I'm like, okay, cushion, orange juice. I'm like, man, what

847
00:49:29,200 --> 00:49:31,640
Speaker 1: what what I wonder? Why is it where it started?

848
00:49:31,760 --> 00:49:34,719
Speaker 1: Orange us coming been cracking. I'm like, well, fuck it,

849
00:49:35,520 --> 00:49:37,160
Speaker 1: let me at a coffee. I want to make sure

850
00:49:37,160 --> 00:49:39,399
Speaker 1: I have some merch, make sure I have some things

851
00:49:39,440 --> 00:49:42,200
Speaker 1: to go with this that you know, just build it out.

852
00:49:43,320 --> 00:49:45,719
Speaker 1: And that's when the brand shout started. It was like,

853
00:49:45,800 --> 00:49:47,600
Speaker 1: well Ship, what kind of coffee could I do? You

854
00:49:47,680 --> 00:49:49,320
Speaker 1: went down the rabbit. I was like, well Ship, I

855
00:49:49,360 --> 00:49:51,800
Speaker 1: don't want to do weed coffee. That could be different.

856
00:49:51,960 --> 00:49:54,720
Speaker 1: There's some homework on that legal Ship was weird. CVD

857
00:49:54,840 --> 00:49:58,200
Speaker 1: coffee was untouched. Nobody was there. So it was like,

858
00:49:58,280 --> 00:50:01,520
Speaker 1: well Ship, I could put to spin on coffee. I'm new,

859
00:50:01,560 --> 00:50:04,399
Speaker 1: I'm I'm a new face. Nobody over is even over

860
00:50:04,520 --> 00:50:07,200
Speaker 1: here in this all little artists are doing different kind

861
00:50:07,239 --> 00:50:10,239
Speaker 1: of drinks, like, well Ship, let me just figure out

862
00:50:10,239 --> 00:50:12,320
Speaker 1: how to do it. And then went through the process

863
00:50:12,360 --> 00:50:16,040
Speaker 1: of learning started and Ship got the bags in front

864
00:50:16,080 --> 00:50:18,239
Speaker 1: of us. But that was during the process. It was

865
00:50:18,320 --> 00:50:20,359
Speaker 1: more so just stemming off of trying to build off

866
00:50:20,400 --> 00:50:23,080
Speaker 1: of the music. Yeah, what I'm saying because I think

867
00:50:23,120 --> 00:50:25,480
Speaker 1: that's the that's the biggest thing too with with music, right,

868
00:50:25,520 --> 00:50:28,359
Speaker 1: I tell people at this point, the music is free

869
00:50:29,000 --> 00:50:31,560
Speaker 1: to a certain degree. Right, We're gonna make our money

870
00:50:31,600 --> 00:50:33,960
Speaker 1: off streams. They chopped that Ship off what they chopped off,

871
00:50:34,440 --> 00:50:37,160
Speaker 1: But it's about being able to use the music, which

872
00:50:37,239 --> 00:50:41,200
Speaker 1: is the cool actually sell everything else. And it's always

873
00:50:41,239 --> 00:50:43,479
Speaker 1: been just merched. Right. Everybody's like I'm gonna tell the teacher,

874
00:50:43,480 --> 00:50:45,640
Speaker 1: I'm telling hoodie, which is all good because people want

875
00:50:45,640 --> 00:50:47,960
Speaker 1: to represent that, But what about these other things that

876
00:50:48,040 --> 00:50:50,879
Speaker 1: we can sell, like this coffee right, like this has

877
00:50:50,880 --> 00:50:54,919
Speaker 1: a price point right no matter what. People to drink

878
00:50:54,920 --> 00:50:57,040
Speaker 1: coffee that love coffee. They may not even know who

879
00:50:57,120 --> 00:51:00,200
Speaker 1: problem the rapper is, but they just like somebody else

880
00:51:00,239 --> 00:51:02,840
Speaker 1: who did no problem to rapper was drinking it. It

881
00:51:02,960 --> 00:51:06,399
Speaker 1: was like, men, you should try this. Yeah, we wanted,

882
00:51:06,440 --> 00:51:08,759
Speaker 1: we definitely want the brand to not I wasn't even

883
00:51:08,800 --> 00:51:10,759
Speaker 1: telling people at first. It was more so I just

884
00:51:10,800 --> 00:51:13,320
Speaker 1: wanted to stand along, like I like the name to

885
00:51:13,640 --> 00:51:17,280
Speaker 1: kind of speak for it, but theah man, like I wouldn't.

886
00:51:17,280 --> 00:51:19,960
Speaker 1: I really looked back that, like I went through this

887
00:51:20,080 --> 00:51:22,360
Speaker 1: rebrand thing just mentally in my life and I was

888
00:51:22,440 --> 00:51:24,680
Speaker 1: just changing, and I looked at like instead of looking

889
00:51:24,719 --> 00:51:27,120
Speaker 1: at all the wrong ship that we probably did, Like,

890
00:51:27,239 --> 00:51:29,279
Speaker 1: what did I like about the money would run? I

891
00:51:29,360 --> 00:51:31,440
Speaker 1: was like, well, the smart thing a product got created

892
00:51:32,480 --> 00:51:34,880
Speaker 1: may have not been legal. The trap got moment and

893
00:51:35,040 --> 00:51:38,520
Speaker 1: made millions of dollars for somebody, somebody right right right.

894
00:51:39,040 --> 00:51:41,640
Speaker 1: It was something that was already there, but we didn't

895
00:51:41,640 --> 00:51:46,200
Speaker 1: know what it sounded like. Coffee is there, weed is here.

896
00:51:46,600 --> 00:51:49,439
Speaker 1: We don't know what them together sound like. Well, let's

897
00:51:49,480 --> 00:51:52,160
Speaker 1: create the sound of it. Let's create the universe. Illo

898
00:51:52,239 --> 00:51:56,520
Speaker 1: how we did with and you're generally are genuinely part

899
00:51:56,560 --> 00:51:59,560
Speaker 1: of that. Yeah. Yeah, I get up in the morning.

900
00:51:59,640 --> 00:52:01,840
Speaker 1: I was want to start about meeting all these new people,

901
00:52:02,080 --> 00:52:05,080
Speaker 1: like just you know, they noticed that I was smelling

902
00:52:05,120 --> 00:52:10,560
Speaker 1: like weed. Thought, so, you know, my yoke alone the legs,

903
00:52:12,160 --> 00:52:16,759
Speaker 1: And I'm like, man, ship, see what I'm doing. You know,

904
00:52:17,600 --> 00:52:20,680
Speaker 1: I met so many people just having my I remember

905
00:52:20,680 --> 00:52:24,000
Speaker 1: I don't some high socks that a ween leaf on

906
00:52:24,160 --> 00:52:27,080
Speaker 1: it on all the all the guys came over to

907
00:52:27,200 --> 00:52:31,239
Speaker 1: me like sure love those socks. Man, you'd be surprised.

908
00:52:31,239 --> 00:52:33,400
Speaker 1: So I'm like, wait a minute. It's like a secret society.

909
00:52:34,719 --> 00:52:37,719
Speaker 1: It's not so secret anymore. But I'm like and then

910
00:52:37,800 --> 00:52:42,160
Speaker 1: I noticed, like I'm seeing the same people every day

911
00:52:42,320 --> 00:52:45,520
Speaker 1: like here. I'm like, but they all look hella comfortable.

912
00:52:47,360 --> 00:52:49,800
Speaker 1: They look comfortable. They look like they just said that

913
00:52:49,880 --> 00:52:52,040
Speaker 1: they want to be here. It's not like I need

914
00:52:52,120 --> 00:52:53,560
Speaker 1: to get here to start my day. You can tell

915
00:52:53,640 --> 00:52:57,640
Speaker 1: them ones, No, they're sitting there you know, Capital conversation.

916
00:52:57,680 --> 00:53:01,520
Speaker 1: It's just and then I start seeing the world and

917
00:53:01,600 --> 00:53:03,160
Speaker 1: I went on tour for the first time and I

918
00:53:03,160 --> 00:53:07,680
Speaker 1: actually really saw Amsterdam. Was like, whoa, this is real.

919
00:53:08,160 --> 00:53:12,719
Speaker 1: That that was last year right around this time. That

920
00:53:12,800 --> 00:53:13,920
Speaker 1: was the first time. I want to aswer that that

921
00:53:14,000 --> 00:53:17,960
Speaker 1: was my first time overseas. What exhibit Yeah yeah, I

922
00:53:17,960 --> 00:53:21,239
Speaker 1: remember that, yeah yeah, right before it closed up. I

923
00:53:21,320 --> 00:53:24,640
Speaker 1: got to see it one good time. Oh man, it

924
00:53:24,760 --> 00:53:28,279
Speaker 1: was great, bro, it was it was he was and

925
00:53:28,360 --> 00:53:30,360
Speaker 1: he was in the space right, he's in He's in

926
00:53:30,400 --> 00:53:33,080
Speaker 1: the space, the CBD cannabis space. Right, he's in the case.

927
00:53:33,120 --> 00:53:36,080
Speaker 1: He's he's in the boy He's Yeah, he's in the cannabis.

928
00:53:37,080 --> 00:53:40,480
Speaker 1: You got a chance to really see it up close

929
00:53:41,040 --> 00:53:43,440
Speaker 1: from a professional and a professional like yeah, we all

930
00:53:43,520 --> 00:53:48,520
Speaker 1: seen at the houses, meaning like even with the show

931
00:53:49,239 --> 00:53:54,480
Speaker 1: m a professional. Yeah, he trying to rock you for

932
00:53:54,680 --> 00:53:57,080
Speaker 1: who you are, little nigga, the big nigga in my show.

933
00:53:57,200 --> 00:54:00,680
Speaker 1: I'm I'm sipping yeah. And then just watch it go

934
00:54:01,600 --> 00:54:03,960
Speaker 1: and to just to know that, like oh, breakfast, the

935
00:54:04,000 --> 00:54:06,680
Speaker 1: whole ship I had, you know, I all my tours

936
00:54:07,239 --> 00:54:10,560
Speaker 1: I funded, so it was different. You know, I had

937
00:54:10,600 --> 00:54:12,520
Speaker 1: to pay style as we had to make sure my folks.

938
00:54:12,800 --> 00:54:16,760
Speaker 1: I'm security too. It's like it's just different. I actually

939
00:54:16,840 --> 00:54:19,759
Speaker 1: just got to just come and just experience tour at

940
00:54:19,800 --> 00:54:23,839
Speaker 1: a high level because he's not going nowhere. Were no book,

941
00:54:23,880 --> 00:54:25,279
Speaker 1: We're not doing it, so I got to see it

942
00:54:25,440 --> 00:54:30,520
Speaker 1: fly right, like, oh yeah, fuss with this. I'm like, okay,

943
00:54:30,680 --> 00:54:32,680
Speaker 1: But I had no idea that the shift I was

944
00:54:32,800 --> 00:54:35,320
Speaker 1: rapping about was sitting over here. I had heard that.

945
00:54:35,920 --> 00:54:38,879
Speaker 1: I didn't see this the people. I got to sit

946
00:54:38,960 --> 00:54:41,080
Speaker 1: out there and turn it on because I had done

947
00:54:41,120 --> 00:54:43,360
Speaker 1: all the music by there and just sit there and

948
00:54:43,480 --> 00:54:47,840
Speaker 1: smoke and the water by ILF. Oh yeah, I'm not

949
00:54:47,960 --> 00:54:50,239
Speaker 1: even talking. I'm not even talking to that. I don't

950
00:54:50,239 --> 00:54:52,000
Speaker 1: even know what's going on. This is crazy to me.

951
00:54:52,080 --> 00:54:55,600
Speaker 1: I'm like, how did I I didn't even It's like,

952
00:54:55,640 --> 00:54:57,839
Speaker 1: oh ship, and I'm like, oh, this is called green door,

953
00:54:58,040 --> 00:55:00,120
Speaker 1: green hours. Oh this is problem already setting U to

954
00:55:00,160 --> 00:55:02,640
Speaker 1: play when I get back, Like, I'm gonna make these coffees.

955
00:55:02,640 --> 00:55:08,359
Speaker 1: I'm waiting for him. Who straight like that? So how

956
00:55:08,440 --> 00:55:11,640
Speaker 1: has that business been for you? We are the coffee

957
00:55:11,719 --> 00:55:15,600
Speaker 1: man is fucked up right now? Yeah? Man, that ship

958
00:55:16,520 --> 00:55:19,920
Speaker 1: if we had had so many issues banking issues, bro,

959
00:55:20,040 --> 00:55:23,520
Speaker 1: Like they really try to keep us out of that

960
00:55:23,800 --> 00:55:29,040
Speaker 1: business man. Yeah that like not marijuana. I'm not even

961
00:55:29,080 --> 00:55:32,319
Speaker 1: talking about that. Just that ship making so much money, bro,

962
00:55:32,440 --> 00:55:35,279
Speaker 1: they're trying to no, no, so your banking gotta be

963
00:55:35,520 --> 00:55:38,080
Speaker 1: just right in anytime, and that like they try to

964
00:55:38,120 --> 00:55:42,759
Speaker 1: act treat it like his weeding's not. And then you know,

965
00:55:44,320 --> 00:55:46,279
Speaker 1: black man, you know, I got black people calling and

966
00:55:46,600 --> 00:55:49,360
Speaker 1: just when I send black people in this company, and

967
00:55:50,360 --> 00:55:53,800
Speaker 1: before all of the racial stuff got big, like you know,

968
00:55:53,920 --> 00:55:56,319
Speaker 1: after that, they was trying to fix the ship faster.

969
00:55:57,680 --> 00:55:59,840
Speaker 1: But before that, oh well, we had to took like

970
00:55:59,880 --> 00:56:02,319
Speaker 1: as it took like about eight months to a year

971
00:56:02,400 --> 00:56:04,440
Speaker 1: to even get a bank to pick us up. So

972
00:56:05,480 --> 00:56:07,360
Speaker 1: I was man shout out to Chase inform the man

973
00:56:07,400 --> 00:56:09,719
Speaker 1: he got the shop to role in the merd Park.

974
00:56:10,160 --> 00:56:12,600
Speaker 1: It was really like I gotta busting him out of there.

975
00:56:13,719 --> 00:56:16,120
Speaker 1: But it made it where this is the exclusive black

976
00:56:16,520 --> 00:56:19,839
Speaker 1: coffee shop now out here. So that's the only they

977
00:56:19,920 --> 00:56:22,160
Speaker 1: sold out. But he was like, man, we need some

978
00:56:22,200 --> 00:56:26,040
Speaker 1: more to keep coming, like ship all right, bring some

979
00:56:26,120 --> 00:56:27,799
Speaker 1: more here. So I was able to like really put

980
00:56:27,880 --> 00:56:31,400
Speaker 1: him in cash after it's just like white. It was

981
00:56:31,480 --> 00:56:34,080
Speaker 1: like a mix tape. It's like it's like ship out

982
00:56:34,120 --> 00:56:41,200
Speaker 1: of done. Before the principals, I was right hold and

983
00:56:41,280 --> 00:56:43,640
Speaker 1: then the ship and I'm like, man ship, you know what,

984
00:56:44,680 --> 00:56:47,440
Speaker 1: I'm gonna shoot videos that just lets it's running in.

985
00:56:48,440 --> 00:56:51,719
Speaker 1: Let's go. So then we were able to get the

986
00:56:51,800 --> 00:56:56,160
Speaker 1: bang and then was gone. I wasn't ready no more.

987
00:56:56,440 --> 00:56:58,879
Speaker 1: I saved something for the months though, I'm gonna give

988
00:56:58,920 --> 00:57:02,040
Speaker 1: them out like twenty four free bags and this first shipment.

989
00:57:02,480 --> 00:57:05,240
Speaker 1: I appreciate being one of the guys. Yeah, yeah, I appreciate.

990
00:57:05,320 --> 00:57:07,360
Speaker 1: You know. You gave me a mug and I know

991
00:57:07,440 --> 00:57:10,239
Speaker 1: you gotta smoke on the mug. You don't even I

992
00:57:10,320 --> 00:57:11,960
Speaker 1: just I just want no, don't know, I don't. I'm

993
00:57:11,960 --> 00:57:15,960
Speaker 1: gonna try. So that means I'm gonna leave you and

994
00:57:16,120 --> 00:57:18,640
Speaker 1: need a couple of couple of buds. Yeah, definitely, you

995
00:57:18,680 --> 00:57:20,480
Speaker 1: know what, and I'll make sure you know what. I

996
00:57:20,640 --> 00:57:23,160
Speaker 1: make sure Steve set you up a real nice back

997
00:57:23,240 --> 00:57:25,880
Speaker 1: to Yeah, you know, start a kid and support my guy.

998
00:57:26,000 --> 00:57:30,360
Speaker 1: Put it on the ground. Bro. Let's tell you it's

999
00:57:30,400 --> 00:57:32,040
Speaker 1: kind of like this. You might bump and just some

1000
00:57:32,120 --> 00:57:35,840
Speaker 1: real use, some real fly people coming in and out there.

1001
00:57:35,920 --> 00:57:39,360
Speaker 1: Because I know I didn't notice many people smoked weed

1002
00:57:39,400 --> 00:57:42,200
Speaker 1: and drunk coffee. Man in a different level of places.

1003
00:57:42,560 --> 00:57:47,040
Speaker 1: Yeah yeah, man, Well we don't want to keep you long. Brother, Um,

1004
00:57:47,280 --> 00:57:51,480
Speaker 1: you know your family more than you're welcome, consuc come on,

1005
00:57:51,800 --> 00:57:54,520
Speaker 1: but we gotta you know. Valentine has a segment that

1006
00:57:54,560 --> 00:57:58,080
Speaker 1: he likes to ye shown that you know something you

1007
00:57:58,160 --> 00:58:00,840
Speaker 1: just want before you do this, you got to really

1008
00:58:00,880 --> 00:58:03,040
Speaker 1: be a part of this got a great part of

1009
00:58:03,080 --> 00:58:05,520
Speaker 1: this show. Man. It's called I ain't saying on that

1010
00:58:05,880 --> 00:58:09,000
Speaker 1: no names right and the story can need to be

1011
00:58:09,200 --> 00:58:14,120
Speaker 1: funny or funked up? Are both right? And you tell

1012
00:58:14,200 --> 00:58:19,200
Speaker 1: your story. You tell your story without saying the names,

1013
00:58:19,240 --> 00:58:21,320
Speaker 1: but you give enough information to where people was like,

1014
00:58:21,400 --> 00:58:25,200
Speaker 1: okay that such and such from the such and such

1015
00:58:25,800 --> 00:58:36,320
Speaker 1: from the such such? Do you feel you feel? Man,

1016
00:58:38,360 --> 00:58:40,440
Speaker 1: dude this I know you got a lot of I

1017
00:58:40,520 --> 00:58:44,920
Speaker 1: know you got a nah, it's just I need a

1018
00:58:44,960 --> 00:58:47,720
Speaker 1: good one though. Now I'm just saying it's like I

1019
00:58:47,800 --> 00:58:53,240
Speaker 1: don't know names. Well, okay, that's what I give you

1020
00:58:53,360 --> 00:58:55,920
Speaker 1: because I can't give you like nobody naming the way.

1021
00:58:58,640 --> 00:59:00,720
Speaker 1: So it's got to be like a on one experience

1022
00:59:00,800 --> 00:59:03,200
Speaker 1: there because we could be can I give the other

1023
00:59:03,200 --> 00:59:08,120
Speaker 1: people's no I ain't saying no name. You can give

1024
00:59:08,160 --> 00:59:15,920
Speaker 1: their gender. You know, you know Becky with the good hair,

1025
00:59:16,960 --> 00:59:19,000
Speaker 1: you know what I mean, my nigga with the Lord

1026
00:59:19,120 --> 00:59:27,920
Speaker 1: Jesus part. Little fun that was gonna go almost dropped it.

1027
00:59:28,000 --> 00:59:36,600
Speaker 1: I'm gonna take it fun. I'm gonna take it's gonna fun. Damn.

1028
00:59:37,400 --> 00:59:39,680
Speaker 1: Come on, dude, you got me sit there flying down

1029
00:59:39,880 --> 00:59:48,760
Speaker 1: this a holiday went that uh okay, before it was on,

1030
00:59:49,240 --> 00:59:51,560
Speaker 1: but it was like a little bit on, but it was,

1031
00:59:51,960 --> 00:59:59,880
Speaker 1: it was on, but it wasn't on. Uh sure, lady

1032
01:00:00,040 --> 01:00:04,360
Speaker 1: m she uh not from out here. She was out here.

1033
01:00:04,440 --> 01:00:06,520
Speaker 1: You know, I'm moving around trying to get herself started

1034
01:00:06,600 --> 01:00:12,600
Speaker 1: or whatever. And you know, somehow we end up, you know,

1035
01:00:12,760 --> 01:00:16,120
Speaker 1: talking or whatever, and then I end up going over

1036
01:00:16,200 --> 01:00:19,280
Speaker 1: to our place and she's spoken in the language or whatever,

1037
01:00:19,440 --> 01:00:22,760
Speaker 1: but like, why don't you ever talk like that that

1038
01:00:23,160 --> 01:00:28,400
Speaker 1: we have different conversations, and then I end up you know,

1039
01:00:29,440 --> 01:00:31,800
Speaker 1: we we we can't. We got intimate, you know what

1040
01:00:31,840 --> 01:00:40,000
Speaker 1: I'm saying. Yeah, um, And I didn't know at the

1041
01:00:40,120 --> 01:00:43,439
Speaker 1: time that she was probably with one or the other

1042
01:00:44,600 --> 01:00:46,920
Speaker 1: one of us, and like a little thing that was

1043
01:00:46,960 --> 01:00:52,120
Speaker 1: blowing up out here. And I think that's why me

1044
01:00:52,320 --> 01:00:56,960
Speaker 1: and somebody else. I didn't get along, and I'll just

1045
01:00:57,080 --> 01:01:00,800
Speaker 1: get stopped. There is I tell anyone is that it did?

1046
01:01:00,840 --> 01:01:05,160
Speaker 1: I do it right? I'm trying to y'all want to know.

1047
01:01:05,280 --> 01:01:08,080
Speaker 1: It's your story. You get it, I get it. I

1048
01:01:08,520 --> 01:01:10,520
Speaker 1: think I'm playing it too safe. You definitely play this.

1049
01:01:10,640 --> 01:01:12,680
Speaker 1: I don't want to. I don't know. You're definitely playing

1050
01:01:12,720 --> 01:01:15,240
Speaker 1: it safe. But I know what it is. It goes

1051
01:01:15,280 --> 01:01:19,120
Speaker 1: back to our initial conversation about some of the things

1052
01:01:19,240 --> 01:01:21,960
Speaker 1: that's different in WRAP than they are in R and B.

1053
01:01:23,400 --> 01:01:28,880
Speaker 1: That's why I'll be trying to sing with y'all. Listen

1054
01:01:30,120 --> 01:01:31,880
Speaker 1: and you listen. You write that R and B two

1055
01:01:32,280 --> 01:01:37,240
Speaker 1: definitely right there are made me come to Lampline people.

1056
01:01:37,680 --> 01:01:40,960
Speaker 1: People don't know this. It's a fun fact. The only

1057
01:01:41,160 --> 01:01:44,480
Speaker 1: feature on the t G T definitely the fourth member

1058
01:01:44,520 --> 01:01:46,920
Speaker 1: of tv T for sure. You're just gonna kick me

1059
01:01:46,960 --> 01:01:50,000
Speaker 1: off the group. Okay, cool, bro, I'm actually I'm listening.

1060
01:01:50,160 --> 01:01:57,479
Speaker 1: I wasn't there right right like you, I'm I'm lazy bone.

1061
01:01:57,720 --> 01:01:59,720
Speaker 1: What's the one that when I was in jail? Yeah,

1062
01:01:59,760 --> 01:02:06,600
Speaker 1: but like he's the silhouette on the um, crazy wishing, flesh, flesh,

1063
01:02:06,680 --> 01:02:13,680
Speaker 1: flash flash boned. T G t he's because we're going,

1064
01:02:14,320 --> 01:02:24,680
Speaker 1: because we're going. Uh. Yes, Steve Lobel, he's the glue

1065
01:02:25,800 --> 01:02:31,120
Speaker 1: together together. I see Steve every night. What the fuck

1066
01:02:31,880 --> 01:02:35,800
Speaker 1: running around trying to find him niggers. He'll be trying

1067
01:02:35,840 --> 01:02:39,720
Speaker 1: to find him niggers. Steve was everywhere a good guy,

1068
01:02:40,080 --> 01:02:44,880
Speaker 1: good guy. We're working, were working again, I've been you know. Um,

1069
01:02:45,640 --> 01:02:47,720
Speaker 1: I'm still I don't care. I still want. I want

1070
01:02:47,720 --> 01:02:52,480
Speaker 1: to get the grou back together. But you know, flesh

1071
01:02:52,560 --> 01:02:56,600
Speaker 1: wants to put I want to see the five R

1072
01:02:57,040 --> 01:03:03,160
Speaker 1: man get back like all that he fights. Don't think

1073
01:03:03,280 --> 01:03:05,440
Speaker 1: that fight for for fun. I'm not going to don't

1074
01:03:05,480 --> 01:03:10,960
Speaker 1: need to fight for fun to sway his judge. He

1075
01:03:11,520 --> 01:03:15,480
Speaker 1: is what he thinks. Okay, is exactly. But listen, it's

1076
01:03:15,520 --> 01:03:17,160
Speaker 1: a new way. You know, we can just send the

1077
01:03:17,280 --> 01:03:19,320
Speaker 1: vocals and put it together. You know you don't have

1078
01:03:19,400 --> 01:03:26,040
Speaker 1: to sing all the same. Listen because you know what, man, Listen,

1079
01:03:26,120 --> 01:03:30,360
Speaker 1: you know what man, I was there, Okay, it was

1080
01:03:30,960 --> 01:03:34,120
Speaker 1: man great and listen, I get it. Man. I know

1081
01:03:34,440 --> 01:03:36,160
Speaker 1: everybody want to swing. They dick and all that. Man,

1082
01:03:36,240 --> 01:03:40,280
Speaker 1: put that sh up, everybody, just everybody. I'm like me,

1083
01:03:40,600 --> 01:03:45,240
Speaker 1: bro im myself. I'm not talking to you. I'm just

1084
01:03:45,760 --> 01:03:47,400
Speaker 1: in general, I have to humble myself in a lot

1085
01:03:47,400 --> 01:03:49,920
Speaker 1: of situations. I know I did a lot of things wrong.

1086
01:03:50,280 --> 01:03:53,280
Speaker 1: How the types of honors for that, But doesn't mean

1087
01:03:53,320 --> 01:03:57,120
Speaker 1: you destroyed nothing. You just grow and learned. As long

1088
01:03:57,200 --> 01:04:03,480
Speaker 1: as everybody is willing to own on on their moment

1089
01:04:03,560 --> 01:04:07,560
Speaker 1: of ego you know what I'm saying, and and be

1090
01:04:07,720 --> 01:04:11,560
Speaker 1: willing to like you said, stop swinging long enough to

1091
01:04:11,680 --> 01:04:14,600
Speaker 1: make something historical happiness. I get it. It's a big,

1092
01:04:14,680 --> 01:04:22,080
Speaker 1: big business, man, I understand. Man. Let's just listen it. Listen,

1093
01:04:22,160 --> 01:04:24,440
Speaker 1: bro were singing song. Niggas got real kids. I know

1094
01:04:24,600 --> 01:04:26,920
Speaker 1: nig's got baby mamas and all of that ship. We

1095
01:04:27,040 --> 01:04:32,439
Speaker 1: gotta get listening on some man ship. We gotta start, man, Man,

1096
01:04:32,960 --> 01:04:36,680
Speaker 1: we gotta start showing better. We gotta do better. Better. Man.

1097
01:04:37,920 --> 01:04:40,520
Speaker 1: I saw another reason why that music for me works now,

1098
01:04:40,560 --> 01:04:42,800
Speaker 1: because it's like I feel like, let me tell you why,

1099
01:04:43,440 --> 01:04:45,400
Speaker 1: instead of like, man, I think you should do this,

1100
01:04:45,560 --> 01:04:48,240
Speaker 1: let me let me just fucking I'll hang myself. Yeah,

1101
01:04:48,320 --> 01:04:49,840
Speaker 1: this didn't go right for me. Won't you try it

1102
01:04:49,920 --> 01:04:52,400
Speaker 1: this way? I did this this way because damn, and

1103
01:04:52,680 --> 01:04:55,800
Speaker 1: I slipped through it like this. Blah blah, blah. But

1104
01:04:55,960 --> 01:04:58,840
Speaker 1: at the end of the day, bro, it's just it's

1105
01:04:58,880 --> 01:05:04,040
Speaker 1: not just deep. But we get paid to to be art. Man,

1106
01:05:04,240 --> 01:05:06,560
Speaker 1: nigg has better chill out, man, I know Nigga's got

1107
01:05:06,640 --> 01:05:08,800
Speaker 1: I'll see this world has shown and this bigger things

1108
01:05:08,840 --> 01:05:13,640
Speaker 1: going on. Sure we'll look y'all. Man, this is Jesus.

1109
01:05:13,720 --> 01:05:15,720
Speaker 1: This has been the Army Money podcast. Man, we didn't

1110
01:05:15,880 --> 01:05:21,120
Speaker 1: this and turned into to a real vibe. Don't spot spot.

1111
01:05:21,240 --> 01:05:23,040
Speaker 1: I'm a second hand. You know what I'm saying. On

1112
01:05:23,160 --> 01:05:25,360
Speaker 1: that second hand, we get on me. You know what

1113
01:05:25,360 --> 01:05:26,800
Speaker 1: I'm saying. Put it out So I didn't want to

1114
01:05:26,800 --> 01:05:29,080
Speaker 1: smoke at all like that. Oh it's cool, you know,

1115
01:05:31,080 --> 01:05:36,680
Speaker 1: feel pretty good about myself this ship. Thank you all

1116
01:05:36,720 --> 01:05:39,280
Speaker 1: for tuning in. Man, this is the arm By Money podcast.

1117
01:05:39,360 --> 01:05:42,360
Speaker 1: And thank this is Mr Valentine. We had the authorities

1118
01:05:42,400 --> 01:05:44,000
Speaker 1: on R and B. And this is our brother, this

1119
01:05:44,200 --> 01:05:47,040
Speaker 1: is our loved one. Um, this is gifted. This is

1120
01:05:47,160 --> 01:05:51,120
Speaker 1: the problem. Man. We thank you man having me Man, Man,

1121
01:05:51,360 --> 01:06:00,400
Speaker 1: yeah yeah, Man, and let your brother money. M H

1122
01:06:02,000 --> 01:06:03,960
Speaker 1: R and B Money is a production of the Black

1123
01:06:04,040 --> 01:06:07,600
Speaker 1: Effect podcast Network. For more podcasts from I Heart Radio,

1124
01:06:08,120 --> 01:06:11,240
Speaker 1: visit the ir heart Radio app, Apple podcast, or wherever

1125
01:06:11,320 --> 01:06:14,240
Speaker 1: you're listening to your favorite shows, don't forget to subscribe

1126
01:06:14,280 --> 01:06:17,160
Speaker 1: to and rate our show, and you can connect with

1127
01:06:17,280 --> 01:06:20,400
Speaker 1: us on social media via at R and B Money

1128
01:06:20,480 --> 01:06:23,920
Speaker 1: podcast or at The Real Tank or at j Valentine