WEBVTT - Jenna Ushkowitz & Kevin McHale

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<v Speaker 1>And what was it called? And you know she clearly

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<v Speaker 1>knows it is going to What is n l T

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<v Speaker 1>stand for? That's my next question, stand for n not

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<v Speaker 1>like them? Not like them? Yeah, okay, yep. All boy

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<v Speaker 1>band names are good. That's the thing about boy bands.

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<v Speaker 1>They all make sense and they're all good. Hi. My

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<v Speaker 1>name is Jenna and I'm Kevin, and we are best friends.

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<v Speaker 1>Give me a break. Hello everybody, it's me Brian Baumgartner here,

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<v Speaker 1>and welcome back to another episode of Off the Beat.

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<v Speaker 1>Today we have not one, No, we have two amazing guests,

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<v Speaker 1>a threesome if you will. Kevin McHale and Jenna Ushkowitz

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<v Speaker 1>will join me today. I am so excited to talk

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<v Speaker 1>to them. They are both old friends of mine. You

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<v Speaker 1>might know them from their time on Glee as Artie

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<v Speaker 1>and Tina because correct me if I'm wrong here. But

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<v Speaker 1>it is just one of those shows that everyone knows,

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<v Speaker 1>whether it's for the crazy storylines, the incredible cast, or

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<v Speaker 1>well that it came from genius Ryan Murphy. If you

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<v Speaker 1>can dream it, it happened on Glee. I'm excited to

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<v Speaker 1>jump right in here. We talk about their origins. Kevin's

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<v Speaker 1>boy band, Jenna's Broadway career and how their friendship has

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<v Speaker 1>led them to their new Rewatch podcast, and that's what

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<v Speaker 1>you really missed. And most of all, you're gonna hear

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<v Speaker 1>all about Kevin's role on the office. That's right. As

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<v Speaker 1>a Kevin on the office myself, I think we just well,

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<v Speaker 1>we just get each other. This is a fun one.

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<v Speaker 1>Let's bring them on, Kevin and Jenna, everybody. Bubble and Squeak.

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<v Speaker 1>I love it. Bubble and squeak on Bubble and Squeaker

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<v Speaker 1>cookie every month, left over from the nut before. What's

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<v Speaker 1>up you guys? How are you? I mean, it's been

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<v Speaker 1>so long four years eighty four years. Wow, great to

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<v Speaker 1>see both of you. You too immediately brings back memories. Good, yeah,

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<v Speaker 1>really good ones. Um some of them we can't tell,

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<v Speaker 1>but many, many good ones. So this is my first

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<v Speaker 1>threesome by the way it is. It's usually one on

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<v Speaker 1>one here, but we're going we're going threesome today more

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<v Speaker 1>than Mary. So I'm going to spend most of the

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<v Speaker 1>time talking about when you guys were reborn, when you

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<v Speaker 1>were reborn, meeting the day the two of you met

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<v Speaker 1>and started working together. But I did want to go

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<v Speaker 1>back a little bit briefly individually. I guess ladies first, Jenna,

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<v Speaker 1>your childhood, when did you start becoming interested in the arts? Well, um,

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<v Speaker 1>I was always interested in the arts, I think, but

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<v Speaker 1>I was put into the business when I was three.

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<v Speaker 1>So I was doing commercials and print ads from three on.

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<v Speaker 1>And my first commercial was like the Toys r US commercial,

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<v Speaker 1>and then I started doing Sesame Street. And then right

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<v Speaker 1>around the age of nine, I auditioned for my first

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<v Speaker 1>Broadway musical. And I had done school plays and things

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<v Speaker 1>like that before, and I had done, you know, some commercials,

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<v Speaker 1>but like, this is a totally different caliber of work.

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<v Speaker 1>So I auditioned for The King and I um revival

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<v Speaker 1>with lou Diamond Phillips and Donna Murphy, and um, somehow

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<v Speaker 1>I booked it. There were fifteen kids, and somehow I

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<v Speaker 1>booked it. You did a number of shows on Broadway

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<v Speaker 1>when you were very young, including Spring Awakening. Now was

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<v Speaker 1>your future uh CO star involved at that time or no? Yes? Yes,

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<v Speaker 1>so Lee was in the original LeeAnne Groff both were

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<v Speaker 1>in the original cast of Spring Awakening, obviously, and then

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<v Speaker 1>I joined at the tail end of their run and

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<v Speaker 1>into the new cast. So basically I got a taste

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<v Speaker 1>of both casts of Spring Awakening. But yes, I was

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<v Speaker 1>there and Leah and I. Leo was on Broadway doing

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<v Speaker 1>le Miss when I was doing The King, and I

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<v Speaker 1>as well, so we had known each other since that time. Really, yes,

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<v Speaker 1>a little young a zette. She went with her friends.

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<v Speaker 1>She was old. It feels, you know, to feel appropriate

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<v Speaker 1>for her character to be like I played because at

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<v Speaker 1>the ripe age of eight. Wow, so you were on Broadway.

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<v Speaker 1>Did you grow up in New York? Yeah, I grew

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<v Speaker 1>up on Long Island, so I was very close to this,

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<v Speaker 1>a straight shot to the city, if you will, right,

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<v Speaker 1>And this was I mean, when you're three and you're

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<v Speaker 1>put into things, this is not a choice, This is

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<v Speaker 1>not a pass. Yet by the time you're nine, are

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<v Speaker 1>you full? You're full? I am, I am in, I

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<v Speaker 1>am locked and loaded. Um. Honestly, it was like the

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<v Speaker 1>Broadway camaraderie and family experience of doing a show um

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<v Speaker 1>of that size. It was like fifty two cast members

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<v Speaker 1>or something crazy like that. I was in love. I

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<v Speaker 1>was the My parents will tell you I was the

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<v Speaker 1>one first one at the theater and the last one out.

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<v Speaker 1>They'd be like, where is Jenna? Please? Let because they

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<v Speaker 1>didn't let the parents backstage, so they waited at the

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<v Speaker 1>stage door. For me, it was a three hour show,

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<v Speaker 1>and they'd be like, can can she please come out

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<v Speaker 1>and leave? They wouldn't let them backstage. Is brilliant, It

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<v Speaker 1>is brilliant, brilliant that normal. And they can because we

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<v Speaker 1>have wranglers a backstage that are hired to take care

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<v Speaker 1>of us. So when the wranglers bring us to the door, okay,

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<v Speaker 1>and they're like, keep these crazy stage parents away. Now.

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<v Speaker 1>I haven't talked to anybody about this. I've talked to

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<v Speaker 1>plenty of people who did see it or but not

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<v Speaker 1>now are you are you schooling at this time as well? Well?

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<v Speaker 1>So during rehearsals, during the six week rehearsal I was doing, Um,

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<v Speaker 1>we were home schooled, were tutored on set basic set. Yeah.

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<v Speaker 1>I was nine, I was in fourth grade, and so

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<v Speaker 1>I would go to school and then I would go

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<v Speaker 1>do the show, except for Wednesdays when they let me

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<v Speaker 1>my parents let me take off because I had a matinee.

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<v Speaker 1>Were you were you doing all of them? Yeah? Time

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<v Speaker 1>you didn't have a double cast. No, it's it's I

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<v Speaker 1>think it's like six or seven that you can do it. Um,

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<v Speaker 1>you can do the full show. So I was doing

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<v Speaker 1>the full eight shows. My parents were driving me back

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<v Speaker 1>and forth every day, and then I would go to

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<v Speaker 1>school and then they picked me up and we drove

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<v Speaker 1>to the city. Wow. Yeah that is insane. It's pretty

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<v Speaker 1>feel so bad for your parents. Yeah, I know. I

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<v Speaker 1>mean I was doing not to make this about me,

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<v Speaker 1>but I was doing the eight shows a week thing

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<v Speaker 1>as well. But when I was fully able to drive

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<v Speaker 1>myself or get myself somewhere, I wasn't reliant on I

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<v Speaker 1>mean that's significant. Yes, yeah, it's hard because a lot

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<v Speaker 1>of parents kids were like, I want to do that,

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<v Speaker 1>and a lot of parents would ask my parents like

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<v Speaker 1>how do you do it? And my dad was able

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<v Speaker 1>to work out of the offices when cell phones were

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<v Speaker 1>just starting to like be a thing and um pagers.

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<v Speaker 1>Remember if I would get a call back, my agent

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<v Speaker 1>would page my dad and then we have to call

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<v Speaker 1>them back. But like, you know, it was just one

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<v Speaker 1>of those times where my my mom had stopped working

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<v Speaker 1>when she had my brother and me and so like

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<v Speaker 1>or when they adopted me. But like when you know,

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<v Speaker 1>she was able to take me up to the auditions

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<v Speaker 1>and my dad would wait in the car circle around

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<v Speaker 1>or double park and like work while he was doing that.

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<v Speaker 1>So it was a real commitment from both parties. Someone

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<v Speaker 1>I just talked to brought something up to me. I've

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<v Speaker 1>never thought of it this way before. This was his theory.

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<v Speaker 1>Our education system is set up in a flawed manner

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<v Speaker 1>in that we go to school with people exactly our

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<v Speaker 1>same age, like within a twelve month period of time.

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<v Speaker 1>And he talked to me about the arts in the theater.

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<v Speaker 1>You are socially and in some ways in terms of

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<v Speaker 1>even your real education, if you're doing set school or whatever,

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<v Speaker 1>you have the experience and the perspective of people with

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<v Speaker 1>such a wide range. And isn't that a much more

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<v Speaker 1>natural way actually of being educated and growing up? Did

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<v Speaker 1>you start to feel that and you were doing shows?

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<v Speaker 1>I agree. I think that's an interesting point. It's um

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<v Speaker 1>being surrounded by kids where I was somewhat they're elder

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<v Speaker 1>and then also kids that were a little bit older

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<v Speaker 1>than me. Um, but also being around adults, like being

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<v Speaker 1>around cast members that kind of took us under their wing,

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<v Speaker 1>that played our mothers that we're probably in their early

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<v Speaker 1>twenties at that point, you know, mid twenties dancers and

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<v Speaker 1>like I felt like I got I got a lot

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<v Speaker 1>more world experience than the kids around me, and that

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<v Speaker 1>I was going back to school with every day, and

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<v Speaker 1>I felt like just my my world experience was bigger

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<v Speaker 1>and more expansive. And I absolutely agree with you. I

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<v Speaker 1>think it is a fascinating idea. And my husband was

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<v Speaker 1>in education, he would love this, um but it's it's

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<v Speaker 1>it's definitely something that I attest to. The groundedness that

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<v Speaker 1>I learned at a young age, the humilia I learned

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<v Speaker 1>at at a young age, the discipline I learned at

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<v Speaker 1>that point. So I am a pent on board with that,

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<v Speaker 1>and I think about that for like my daughter, like

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<v Speaker 1>what what can I share with her through the arts

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<v Speaker 1>or through these experiences that I had being around adults

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<v Speaker 1>at a younger age more than like kids my own age.

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<v Speaker 1>And I think like being around you know, of course

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<v Speaker 1>we go to school with the kids because you're supposed

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<v Speaker 1>to be in this developmental age where everything is everybody

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<v Speaker 1>is developing at the same time. But that's not it.

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<v Speaker 1>That's not it either, Like babies don't develop at the

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<v Speaker 1>same time. You're one baby is you know, rolland and

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<v Speaker 1>one baby isn't like it's not. It's the standardized testing

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<v Speaker 1>bullshit that we you know, we have in our you know,

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<v Speaker 1>us education system that's quite flawed. So right, No, but

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<v Speaker 1>even what you say, like even just the valuable experience

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<v Speaker 1>of dealing with kids who are younger. They're not teaching

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<v Speaker 1>you algebra, but they're certainly teaching you, you know, and

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<v Speaker 1>you're showing you the world like things right exactly, and

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<v Speaker 1>and social interactions and yes, as you said, people who

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<v Speaker 1>are older as well, and even adults who well, maybe

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<v Speaker 1>sometimes they're not teaching you the right things to do,

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<v Speaker 1>but at least you learn through failure and bad experience. Um. Fascinating.

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<v Speaker 1>Kevin High, not Hot, not New York, but Texas you

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<v Speaker 1>were born and raised. Talk to me a little bit

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<v Speaker 1>about your introduction into the arts and at what age

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<v Speaker 1>did you realize this is what you wanted to do.

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<v Speaker 1>I don't really have a memory with me not being

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<v Speaker 1>interested in the arts. I didn't realize until much later, though,

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<v Speaker 1>that it was something that I could pursue as more

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<v Speaker 1>than just a hobby or an interest. I don't know

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<v Speaker 1>if it was just being from Texas or that I

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<v Speaker 1>was just a little slow or something, but I was,

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<v Speaker 1>like you know famous people do that like this is

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<v Speaker 1>I. I I wanted to be a meteorologist or an architect.

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<v Speaker 1>That was my plan. But I was always I was

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<v Speaker 1>obsessed with MTV and music was my thing. Like I

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<v Speaker 1>would always sing around the house. I would watch music

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<v Speaker 1>videos and study. I would like I would learn all

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<v Speaker 1>the dances, all the choreography, mimic their movements and how

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<v Speaker 1>they performed. And I had I was the youngest of four.

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<v Speaker 1>I am the youngest of four and we're all very

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<v Speaker 1>spread out. So I also had a really um great

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<v Speaker 1>education and diversity of music because all of my siblings

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<v Speaker 1>listening to different things. And so I would go to

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<v Speaker 1>school and I would know these artists that no going

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<v Speaker 1>to sort of what you were just talking about, Jenna,

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<v Speaker 1>Education about being around people different ages. I had this

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<v Speaker 1>breadth of musical knowledge that no one else my age did,

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<v Speaker 1>and I valued that really early on. But then my

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<v Speaker 1>sister became an agent in Texas. She's sixteen years older

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<v Speaker 1>than me. She became an acting agent, and I remember

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<v Speaker 1>she was telling me they're auditioning for this movie. It

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<v Speaker 1>was a sequel two, a movie that I had loved,

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<v Speaker 1>and I was like, I want audition for it. What

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<v Speaker 1>was the movie. It was they're making a sequel to

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<v Speaker 1>Little Rascals. I don't think it ever got made, um,

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<v Speaker 1>because they saw me like, you know, let's not even bother.

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<v Speaker 1>This is five now, what do you mean a sequel?

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<v Speaker 1>So the Little Rascals that came out when we were kids,

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<v Speaker 1>and like in the nineties that Little Rascals. There was

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<v Speaker 1>the reboot of the Little Rascals. Yeah, not o g.

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<v Speaker 1>Little Rascal was like, like I was a huge fan

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<v Speaker 1>of just got a facelift, he's got a lot of

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<v Speaker 1>work done. Yeah, I look very good when you met me.

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<v Speaker 1>I definitely was not seventeen um, And so I forced her.

0:14:32.920 --> 0:14:34.880
<v Speaker 1>She was not like a children's agent either. She was,

0:14:35.440 --> 0:14:39.560
<v Speaker 1>you know, an adult agent, and she I somehow wore

0:14:39.600 --> 0:14:42.680
<v Speaker 1>her down and that they let me audition and then

0:14:42.720 --> 0:14:48.080
<v Speaker 1>her agency signed me, you know, nepotism and ever then

0:14:48.080 --> 0:14:51.520
<v Speaker 1>I started doing commercials in Dallas and things, and starting

0:14:51.560 --> 0:14:55.880
<v Speaker 1>singing lessons and dance lessons, and then she sort of

0:14:55.920 --> 0:14:58.520
<v Speaker 1>suggested to my parents that, you know, maybe take me

0:14:58.560 --> 0:15:01.640
<v Speaker 1>out to l A to try it. And we came

0:15:01.640 --> 0:15:03.800
<v Speaker 1>out to l A. I think it was thirteen the

0:15:03.840 --> 0:15:09.880
<v Speaker 1>first time. Okay, what year is this? Uh? Where was

0:15:09.920 --> 0:15:13.920
<v Speaker 1>I born. It was probably like two thou three. You

0:15:14.000 --> 0:15:18.400
<v Speaker 1>were born on June. Yeah, so I think we started

0:15:18.400 --> 0:15:20.360
<v Speaker 1>coming out here like two thousand two or two dozen three.

0:15:20.600 --> 0:15:23.360
<v Speaker 1>I just remember we drove to l A from Dallas,

0:15:23.400 --> 0:15:26.280
<v Speaker 1>and when we drove back entering Dallas, I started to

0:15:26.320 --> 0:15:30.600
<v Speaker 1>cry because I didn't want to be there, and I

0:15:30.760 --> 0:15:33.520
<v Speaker 1>just felt so at home in l A and that

0:15:33.680 --> 0:15:37.200
<v Speaker 1>everything felt artistic. You know. Going back to middle school

0:15:37.240 --> 0:15:41.320
<v Speaker 1>in Texas, it was just football and I didn't do

0:15:41.320 --> 0:15:44.680
<v Speaker 1>anything extracurricular at school. Everything was outside of it. In

0:15:45.000 --> 0:15:47.960
<v Speaker 1>l A. Everyone was already doing that. And so because

0:15:47.960 --> 0:15:50.040
<v Speaker 1>I was the youngest, my parents and I we moved

0:15:50.040 --> 0:15:53.920
<v Speaker 1>out here sort of with the opposite mindset of stage parents,

0:15:54.200 --> 0:15:55.800
<v Speaker 1>where they were like, we want to get the hell

0:15:55.800 --> 0:15:58.040
<v Speaker 1>out of Texas. You want to get the hell out

0:15:58.040 --> 0:16:00.040
<v Speaker 1>of Texas. So it was just I'm gonna go to

0:16:00.160 --> 0:16:04.120
<v Speaker 1>high school and l A and see what happens. And

0:16:04.160 --> 0:16:05.960
<v Speaker 1>I go on auditions, but if it happens, it happens,

0:16:05.960 --> 0:16:08.720
<v Speaker 1>and if it doesn't, it doesn't, and then you know,

0:16:08.760 --> 0:16:12.480
<v Speaker 1>I got into a boy band and things. That's where

0:16:12.520 --> 0:16:14.080
<v Speaker 1>we're going next. But I just I don't want to

0:16:14.080 --> 0:16:17.640
<v Speaker 1>make this awkward you would have been three to seven

0:16:17.680 --> 0:16:20.840
<v Speaker 1>years old. Were you aware of me? I went to

0:16:20.960 --> 0:16:24.000
<v Speaker 1>SMU in Dallas. Were you aware of my you know,

0:16:24.800 --> 0:16:26.840
<v Speaker 1>my prowess. I don't know what the word is. I'm

0:16:26.880 --> 0:16:30.440
<v Speaker 1>looking for everybody. Did you feel the energy of me

0:16:30.920 --> 0:16:34.400
<v Speaker 1>and for those few years? Yeah, maybe that's why you

0:16:34.520 --> 0:16:37.440
<v Speaker 1>cried later on because I had left already. Yeah, it's

0:16:37.520 --> 0:16:39.920
<v Speaker 1>well he's not here, so what's the point. What is

0:16:39.920 --> 0:16:43.840
<v Speaker 1>the point? Um? Yes, I was there for four years.

0:16:44.240 --> 0:16:48.120
<v Speaker 1>SMME has turned out some greats. SMU has turned out

0:16:48.160 --> 0:16:55.280
<v Speaker 1>some grades right now? Me? Um No, Cathy Bates, Cathy Bates.

0:16:55.400 --> 0:17:00.400
<v Speaker 1>Of course we're garson. I think that's right. Some grades. Okay,

0:17:00.400 --> 0:17:03.760
<v Speaker 1>boy band? So you go, Now do you leave school?

0:17:04.000 --> 0:17:06.120
<v Speaker 1>You can't leave school. You have to still be going

0:17:06.160 --> 0:17:09.119
<v Speaker 1>to school a thirteen, you have to. So you you

0:17:09.160 --> 0:17:11.800
<v Speaker 1>go to school out in California. We end up moving

0:17:11.800 --> 0:17:14.439
<v Speaker 1>to calif When when I was okay, it took a

0:17:14.440 --> 0:17:16.120
<v Speaker 1>couple of years to decide, like what are we going

0:17:16.160 --> 0:17:19.639
<v Speaker 1>to do? My brother, closest an age to me, you know,

0:17:19.720 --> 0:17:21.879
<v Speaker 1>went to college and so we're like, okay, well now

0:17:21.920 --> 0:17:24.560
<v Speaker 1>I'm basically an only child. What do you guys want

0:17:24.560 --> 0:17:28.600
<v Speaker 1>to do? Ever since my dad lost his job in

0:17:28.600 --> 0:17:32.240
<v Speaker 1>two thousand one, so he was sort of popping around,

0:17:32.359 --> 0:17:34.400
<v Speaker 1>you know, when all that sort of like telecom thing

0:17:34.400 --> 0:17:37.960
<v Speaker 1>he did sort of busted a little bit, and so

0:17:38.000 --> 0:17:40.480
<v Speaker 1>everyone's looking for a change. I was obsessive boy bands,

0:17:40.520 --> 0:17:43.920
<v Speaker 1>obsessive pop music, and there was a random audition. Um.

0:17:43.920 --> 0:17:46.119
<v Speaker 1>I had a dance agent at the time, which is

0:17:46.240 --> 0:17:50.280
<v Speaker 1>hilarious in hindsight because I'm not a dance agent. Yeah,

0:17:50.800 --> 0:17:55.360
<v Speaker 1>I didn't know those existed. Was to be a band artist,

0:17:55.920 --> 0:17:58.399
<v Speaker 1>I don't think it was. I didn't think it was.

0:17:58.840 --> 0:18:01.760
<v Speaker 1>Like again, boy bands like Instinct, Bactory boys were sort

0:18:01.800 --> 0:18:04.119
<v Speaker 1>of like done. The craze was over. So I was

0:18:04.160 --> 0:18:08.600
<v Speaker 1>like I missed the boat. And then someone held auditions

0:18:09.200 --> 0:18:12.439
<v Speaker 1>and I showed up and got it, and then was

0:18:12.520 --> 0:18:16.359
<v Speaker 1>in a boy band from like fourteen until nineteen basically,

0:18:16.720 --> 0:18:22.760
<v Speaker 1>and what was it called and general? You know, she

0:18:22.960 --> 0:18:25.440
<v Speaker 1>clearly knows it is going to What is n LT

0:18:25.680 --> 0:18:28.440
<v Speaker 1>stand for? That's my next question. Does it stand for Ken?

0:18:29.040 --> 0:18:35.520
<v Speaker 1>Not like Them? Not like them? Yea, m hmm, okay, yep.

0:18:36.320 --> 0:18:38.680
<v Speaker 1>All boy band names are good. That's the thing about

0:18:38.680 --> 0:18:42.400
<v Speaker 1>boy bands. They all make sense and they're all good.

0:18:43.240 --> 0:18:47.240
<v Speaker 1>So okay, there's so much to want Packer. Well, your

0:18:47.280 --> 0:18:50.520
<v Speaker 1>friend here is doing Broadway musicals. You're in a boy band.

0:18:50.640 --> 0:18:52.840
<v Speaker 1>You love it though you always wanted to be in

0:18:52.840 --> 0:18:55.520
<v Speaker 1>a boy band. We're loving boys. This is a dream

0:18:55.560 --> 0:18:59.040
<v Speaker 1>for you, and you're in it for four or five years. Now,

0:18:59.040 --> 0:19:02.680
<v Speaker 1>are you touring? We did. We eventually did a little

0:19:02.680 --> 0:19:05.240
<v Speaker 1>touring when we were young. There wasn't that much going

0:19:05.320 --> 0:19:10.239
<v Speaker 1>nowhere like internationally. It was just the Usum, yeah, a

0:19:10.240 --> 0:19:12.960
<v Speaker 1>lot of that. We did two tours. The first tour

0:19:14.040 --> 0:19:16.280
<v Speaker 1>we were in one eight hundred Cruise America r V.

0:19:17.280 --> 0:19:21.800
<v Speaker 1>Following around we opened up for the Pussycat Dolls. So yeah,

0:19:21.840 --> 0:19:25.919
<v Speaker 1>I've heard. I want to be very very clear, I

0:19:25.960 --> 0:19:28.600
<v Speaker 1>am not making fun of Albuquerque. Okay, I want to.

0:19:28.600 --> 0:19:31.440
<v Speaker 1>I want that on the record here before anything, before anything.

0:19:32.680 --> 0:19:36.440
<v Speaker 1>It's not New York City Broadway hashtag love Albuquerque. I

0:19:36.560 --> 0:19:39.800
<v Speaker 1>was more saying, are you are you going to Paris

0:19:40.640 --> 0:19:43.600
<v Speaker 1>or Mexico City or are we going to Albuquerque? Okay? Now,

0:19:44.000 --> 0:19:47.560
<v Speaker 1>it was definitely very local. One Cruise America tells the

0:19:47.600 --> 0:19:52.720
<v Speaker 1>story there, um okay. And then the second tour was

0:19:52.760 --> 0:19:56.120
<v Speaker 1>what the second we had no we had proper tour

0:19:56.160 --> 0:20:00.480
<v Speaker 1>buses and at that point, A couple of are people

0:20:00.520 --> 0:20:02.400
<v Speaker 1>had ideas to put boy bands together. So we went

0:20:02.400 --> 0:20:05.119
<v Speaker 1>on like a boy band tour the house of blues

0:20:05.200 --> 0:20:11.200
<v Speaker 1>all around America. Yeah, it wasn't very successful. I think

0:20:11.320 --> 0:20:16.320
<v Speaker 1>are there across there used to be a lot there was.

0:20:16.359 --> 0:20:19.440
<v Speaker 1>It was a time there were pop ups too. Yeah,

0:20:19.440 --> 0:20:22.280
<v Speaker 1>it was before they all started closing. But yeah, we

0:20:22.320 --> 0:20:25.160
<v Speaker 1>went all over the place. That was a while. And

0:20:26.080 --> 0:20:29.760
<v Speaker 1>I relate to what Jenna was saying about being around

0:20:29.800 --> 0:20:33.040
<v Speaker 1>older people in that time because we were the youngest

0:20:33.040 --> 0:20:37.480
<v Speaker 1>people around. The music business is way I don't know

0:20:37.480 --> 0:20:40.919
<v Speaker 1>if I can cuss, but crappier you want. It's shittier

0:20:41.080 --> 0:20:45.760
<v Speaker 1>than the acting business. There's no equity, there's no sag

0:20:45.880 --> 0:20:49.600
<v Speaker 1>or after a it's just every man for themselves. And

0:20:50.680 --> 0:20:52.720
<v Speaker 1>my parents are all of our parents and that at

0:20:52.720 --> 0:20:54.960
<v Speaker 1>that time. We're all very aware of that and very protective.

0:20:55.000 --> 0:20:57.320
<v Speaker 1>So they did a good job with that. But it's

0:20:57.359 --> 0:21:01.200
<v Speaker 1>just like deals are bad, everyone's screwing you over. We had,

0:21:01.280 --> 0:21:03.520
<v Speaker 1>you know, we'd go to New York audition for record labels,

0:21:03.640 --> 0:21:07.600
<v Speaker 1>and so we had to learn as fifteen sixteen year

0:21:07.600 --> 0:21:10.600
<v Speaker 1>olds how to be around these people and how to

0:21:10.880 --> 0:21:15.359
<v Speaker 1>operate professionally. And be a performer. And in high school

0:21:15.400 --> 0:21:18.479
<v Speaker 1>then I was during the daytime going to class, at

0:21:18.560 --> 0:21:21.560
<v Speaker 1>nighttime going to the recording studio, going we got signed

0:21:21.560 --> 0:21:24.639
<v Speaker 1>to Geffen, which was under Interscope, and so I remember

0:21:24.720 --> 0:21:27.359
<v Speaker 1>there was a party we went and I met Stevie

0:21:27.440 --> 0:21:29.600
<v Speaker 1>Nicks and Mary J. Blige. And then the next day

0:21:29.640 --> 0:21:32.000
<v Speaker 1>going to school and no one has any idea that

0:21:32.119 --> 0:21:35.000
<v Speaker 1>this is like what I'm doing at nighttime. That's crazy,

0:21:35.200 --> 0:21:36.960
<v Speaker 1>But it was a very good. It was a really

0:21:36.960 --> 0:21:40.520
<v Speaker 1>good education, especially with Glee coming because I did the

0:21:40.520 --> 0:21:44.320
<v Speaker 1>touring and did the dance rehearsals, like recording studio, all

0:21:44.359 --> 0:22:07.760
<v Speaker 1>of that. Don't don't take my tease, Damn. Are you

0:22:07.840 --> 0:22:11.879
<v Speaker 1>a fan of Broadway musicals as a boy band member?

0:22:11.920 --> 0:22:18.240
<v Speaker 1>Are you disdainful or dismissive or uninterested of that? I

0:22:18.280 --> 0:22:22.760
<v Speaker 1>was probably mostly uninterested, uninterested. I grew up. My mom

0:22:22.800 --> 0:22:25.680
<v Speaker 1>took me to every touring show that came through Dallas.

0:22:26.160 --> 0:22:29.920
<v Speaker 1>I was obsessed with fan of the opera as a kid. Yeah,

0:22:29.920 --> 0:22:32.840
<v Speaker 1>I'd put on shows in my living room. But besides that,

0:22:32.920 --> 0:22:36.080
<v Speaker 1>I didn't nessarily have an interest um in keeping up

0:22:36.080 --> 0:22:39.399
<v Speaker 1>with it what was happening on Broadway. I didn't really

0:22:39.480 --> 0:22:41.600
<v Speaker 1>know that world. Yeah, there was not so much more

0:22:41.640 --> 0:22:45.000
<v Speaker 1>of an indifference, I guess for the musical theater. Okay.

0:22:45.600 --> 0:22:49.560
<v Speaker 1>And now the same token, Jenna, as you're someone who's

0:22:49.600 --> 0:22:53.119
<v Speaker 1>performing on Broadway. Now are you a fan of boy

0:22:53.160 --> 0:22:56.480
<v Speaker 1>bands at this time? Are you? Are you? Yeah? I

0:22:56.520 --> 0:23:00.320
<v Speaker 1>didn't know an LT. I didn't do I did no

0:23:00.480 --> 0:23:06.080
<v Speaker 1>Dream Street, okay, And I did know obviously in sinking

0:23:06.119 --> 0:23:11.240
<v Speaker 1>back try boys? Who are they? No? I was kidding, Okay,

0:23:11.000 --> 0:23:13.359
<v Speaker 1>So I wasn't big. I was able. Oh so you

0:23:13.400 --> 0:23:18.160
<v Speaker 1>were a fan? Okay, definitely. It wasn't what I expected

0:23:18.160 --> 0:23:21.040
<v Speaker 1>you to say, but actually both of you said when

0:23:21.080 --> 0:23:28.560
<v Speaker 1>I didn't, which is why we asked the questions. I know.

0:23:28.720 --> 0:23:32.159
<v Speaker 1>That's that's really interesting. So before we get to you, guys,

0:23:32.200 --> 0:23:38.480
<v Speaker 1>is meeting you guys the time you guys met Kevin,

0:23:38.640 --> 0:23:43.840
<v Speaker 1>I actually met you before. Jenna, you were a very

0:23:43.880 --> 0:23:48.159
<v Speaker 1>significant guest star on the Office when you were seventeen

0:23:48.280 --> 0:23:51.639
<v Speaker 1>ish years of age. How was that experience for you

0:23:52.280 --> 0:23:55.800
<v Speaker 1>the delivery boy I believe it was your title pizza

0:23:55.880 --> 0:24:00.280
<v Speaker 1>delivery boy from Alfredo's. What was that experience to like

0:24:00.400 --> 0:24:02.399
<v Speaker 1>for you? And how much experience did you have at

0:24:02.440 --> 0:24:04.960
<v Speaker 1>that time in film and television. It sounds like not

0:24:05.040 --> 0:24:07.280
<v Speaker 1>a lot, not a lot. It was I think my

0:24:07.760 --> 0:24:11.320
<v Speaker 1>second guest star thing ever. The other one was Zoe

0:24:11.400 --> 0:24:15.560
<v Speaker 1>one on one on Nickelodeon. And yeah, it was a

0:24:15.720 --> 0:24:19.920
<v Speaker 1>really really big thing for me. The audition process was

0:24:20.000 --> 0:24:23.719
<v Speaker 1>unlike anything I'd ever experienced, where the callbacks we were

0:24:23.720 --> 0:24:25.640
<v Speaker 1>in the room with Steve and he came in and

0:24:25.840 --> 0:24:28.480
<v Speaker 1>read with us. You know, Steve Correll. I'll just say,

0:24:28.520 --> 0:24:36.040
<v Speaker 1>Steve Um. I was dying. I was so terrified. Really

0:24:36.080 --> 0:24:38.880
<v Speaker 1>were you? Were you a fan of the show. Oh, yeah,

0:24:39.160 --> 0:24:41.040
<v Speaker 1>I was. And I was a fan of the the

0:24:41.160 --> 0:24:45.359
<v Speaker 1>UK version, like I was all about it. And Alison Jones,

0:24:45.359 --> 0:24:50.120
<v Speaker 1>the casting director, is probably the only reason why I've

0:24:50.160 --> 0:24:54.320
<v Speaker 1>had any sort of career because she, when no one

0:24:54.320 --> 0:24:58.840
<v Speaker 1>else did, kept giving me chances on everything. So I

0:24:58.880 --> 0:25:01.879
<v Speaker 1>got really close and super bad she and then she

0:25:02.000 --> 0:25:04.159
<v Speaker 1>just you know, as if you get on TV and

0:25:04.200 --> 0:25:07.000
<v Speaker 1>you become semi recognizable, you get to skip a couple

0:25:07.080 --> 0:25:08.879
<v Speaker 1>rounds of auditioning and you just get brought into the

0:25:08.920 --> 0:25:11.640
<v Speaker 1>later rounds. I didn't have any reason to get brought

0:25:11.680 --> 0:25:14.840
<v Speaker 1>into automatically too later rounds for things. She just started

0:25:14.840 --> 0:25:17.479
<v Speaker 1>doing that for me because somehow she believed in me,

0:25:17.520 --> 0:25:21.120
<v Speaker 1>and it I really took that to heart and made

0:25:21.119 --> 0:25:22.840
<v Speaker 1>me feel better when I would go into these rooms

0:25:22.840 --> 0:25:25.720
<v Speaker 1>that she would bring me into. But yeah, I went

0:25:25.760 --> 0:25:28.879
<v Speaker 1>in an auditioned with Steve and got it and I

0:25:29.000 --> 0:25:33.320
<v Speaker 1>screamed and was freaking out. And then all of you

0:25:33.560 --> 0:25:43.160
<v Speaker 1>were just so so awful, no so nice. I mean

0:25:43.240 --> 0:25:46.600
<v Speaker 1>I was. I was so intimidated obviously coming in there.

0:25:47.200 --> 0:25:49.800
<v Speaker 1>It's like, these are these professional adults and they're all

0:25:49.840 --> 0:25:53.160
<v Speaker 1>talented and funny, and I felt like, you know, severe

0:25:53.160 --> 0:25:56.879
<v Speaker 1>case of imposter syndrome. And everyone went out of their

0:25:56.880 --> 0:26:00.760
<v Speaker 1>way to make me feel comfortable, to make me feel

0:26:00.800 --> 0:26:02.600
<v Speaker 1>like I deserve to be there, every one of you,

0:26:03.440 --> 0:26:06.920
<v Speaker 1>and um, it was just really really great. And also

0:26:07.080 --> 0:26:12.320
<v Speaker 1>what a great gig you guys had, because I mean, Jennet,

0:26:12.440 --> 0:26:16.040
<v Speaker 1>those sets were pre lit, like, oh my god, the

0:26:16.080 --> 0:26:19.000
<v Speaker 1>way they could set up something so quickly. They were

0:26:19.040 --> 0:26:21.440
<v Speaker 1>on their own, they had their own stage. Oh god,

0:26:21.480 --> 0:26:23.639
<v Speaker 1>it was the dream. So you ruined it for anything

0:26:23.680 --> 0:26:27.760
<v Speaker 1>else because I feel like you also gotten still. Oh,

0:26:27.880 --> 0:26:31.159
<v Speaker 1>I get recognized so often from that one episode, and

0:26:31.160 --> 0:26:34.160
<v Speaker 1>it's it's absolutely I don't know how you go anywhere

0:26:34.280 --> 0:26:37.720
<v Speaker 1>because I was in one episode and you still do.

0:26:37.920 --> 0:26:41.600
<v Speaker 1>I can't, by the way, but you still do. Oh yeah,

0:26:41.800 --> 0:26:46.320
<v Speaker 1>oh yeah, that's a lot crazy because I went back

0:26:46.359 --> 0:26:50.440
<v Speaker 1>and looked at those pictures and you do look quite different. Yeah,

0:26:50.480 --> 0:26:53.920
<v Speaker 1>I mean you are older, let's be clear. So am I.

0:26:53.920 --> 0:26:56.639
<v Speaker 1>I guess that's how time works. I'll explain it to

0:26:56.640 --> 0:27:01.240
<v Speaker 1>you later. Wow, well that is very very interesting. Yeah,

0:27:01.280 --> 0:27:03.440
<v Speaker 1>I would I don't know that I would have thought

0:27:03.560 --> 0:27:08.320
<v Speaker 1>that with with everything that's coming after. Still, so you guys,

0:27:08.480 --> 0:27:12.280
<v Speaker 1>just say the least you have a very diverse training

0:27:12.320 --> 0:27:15.359
<v Speaker 1>and backgrounds. Talk to me about Glee. How did the

0:27:15.400 --> 0:27:19.240
<v Speaker 1>opportunities come up for both of you? Um? Were these

0:27:19.320 --> 0:27:26.480
<v Speaker 1>just auditions first off? Yes? Regular? Okay? And what did

0:27:26.520 --> 0:27:28.959
<v Speaker 1>you have to do? Obviously? Did you have to dance

0:27:29.080 --> 0:27:33.919
<v Speaker 1>as well as sing as well? As you? Did? Not know?

0:27:34.280 --> 0:27:36.560
<v Speaker 1>And they realized that was probably a mistake later on,

0:27:36.680 --> 0:27:40.040
<v Speaker 1>how to bring in some people who could dance, like

0:27:40.119 --> 0:27:43.960
<v Speaker 1>nobody can dance, not one, not even everybody can sing

0:27:43.600 --> 0:27:48.800
<v Speaker 1>that we um. No, I was in the Spring. I

0:27:48.840 --> 0:27:50.399
<v Speaker 1>was in Spring Awakening. At the time. It was the

0:27:50.480 --> 0:27:53.520
<v Speaker 1>same casting director Jim Carnahan in New York who cast

0:27:53.520 --> 0:27:56.720
<v Speaker 1>Spring Awakening was also casting the New York side of Glee,

0:27:57.200 --> 0:27:59.840
<v Speaker 1>and so we had it was all a buzz in

0:28:00.080 --> 0:28:02.639
<v Speaker 1>theater and they were like, Oh, there's this new musical

0:28:02.680 --> 0:28:06.040
<v Speaker 1>theater TV show that's coming out, and everybody got brought

0:28:06.080 --> 0:28:09.000
<v Speaker 1>in for it because the pilot also was like some

0:28:09.040 --> 0:28:11.919
<v Speaker 1>of these characters like Argentina were pretty non specific, and

0:28:11.960 --> 0:28:14.679
<v Speaker 1>so I went in and um, everybody went in and

0:28:14.720 --> 0:28:16.680
<v Speaker 1>we didn't have to sing for our first audition because

0:28:16.680 --> 0:28:18.280
<v Speaker 1>they were like, I guess you're on Broadway. I guess

0:28:18.280 --> 0:28:20.480
<v Speaker 1>you can sing. So I didn't have to sing in

0:28:20.560 --> 0:28:23.119
<v Speaker 1>my first call. Um, I just went on PA and

0:28:23.160 --> 0:28:26.440
<v Speaker 1>just read, just read lines like any other show. Yeah. Yeah,

0:28:26.560 --> 0:28:31.840
<v Speaker 1>And literally Tina's only line was a stutter and she said, uh,

0:28:31.880 --> 0:28:35.760
<v Speaker 1>and that's it. That was my entire audition first Underson, God,

0:28:35.880 --> 0:28:38.880
<v Speaker 1>that's all you did. They didn't give you anything else.

0:28:40.760 --> 0:28:44.760
<v Speaker 1>That that's it. That was it. Wow. I'm not going

0:28:44.800 --> 0:28:46.560
<v Speaker 1>to say anything bad but that they've got to be

0:28:46.600 --> 0:28:50.440
<v Speaker 1>more creative than that. This is poor people, Okay, Yeah,

0:28:50.480 --> 0:28:54.320
<v Speaker 1>I mean literally, by a weird stutter on one day,

0:28:54.480 --> 0:28:57.440
<v Speaker 1>your entire life could be changed. Sliding Doors. Check out

0:28:57.480 --> 0:29:02.600
<v Speaker 1>the movie, So Kevin, what about you? Well know you're

0:29:02.640 --> 0:29:04.800
<v Speaker 1>in a boy band. That's right, does that mean that

0:29:04.840 --> 0:29:06.600
<v Speaker 1>they knew that you could sing or did you have

0:29:06.680 --> 0:29:08.960
<v Speaker 1>to sing? They sure did not know I could say,

0:29:09.800 --> 0:29:12.440
<v Speaker 1>so we had to sing, you'd prepare a song. I

0:29:12.520 --> 0:29:15.880
<v Speaker 1>read the script before. I remember I brought two friends

0:29:15.880 --> 0:29:18.320
<v Speaker 1>with me. I was like, Oh, this show shoots in

0:29:18.320 --> 0:29:21.960
<v Speaker 1>New York. I don't know why I thought that. Um, yeah,

0:29:22.080 --> 0:29:24.440
<v Speaker 1>I don't know why. I hadn't probably mixed up with

0:29:24.480 --> 0:29:27.160
<v Speaker 1>something else. And I went in an audition and it

0:29:27.200 --> 0:29:29.320
<v Speaker 1>wasn't an audition room. It was in Robert Rick, who

0:29:29.320 --> 0:29:32.720
<v Speaker 1>casted its like in his office, and I just sat

0:29:32.760 --> 0:29:34.719
<v Speaker 1>on the other side of the desk from him, and

0:29:34.760 --> 0:29:36.280
<v Speaker 1>it was one of those places where the walls are

0:29:36.280 --> 0:29:38.880
<v Speaker 1>really thin, so you can hear what everybody is doing.

0:29:40.760 --> 0:29:43.320
<v Speaker 1>Is this what you're talking about? Yeah, Oh my god,

0:29:43.360 --> 0:29:48.120
<v Speaker 1>those walls are really thin there, and so so awkward. Yeah,

0:29:48.920 --> 0:29:51.200
<v Speaker 1>it's just awkward on a good day when there's no

0:29:51.280 --> 0:30:00.080
<v Speaker 1>singing singing. And that's how I felt, because I a

0:30:00.800 --> 0:30:04.880
<v Speaker 1>one have terrible nerves auditioning, hate auditioning, and then having

0:30:04.920 --> 0:30:07.240
<v Speaker 1>to sing. Like the first thing to like go when

0:30:07.280 --> 0:30:09.680
<v Speaker 1>you get nervous is your voice, Like vocal cords just

0:30:09.840 --> 0:30:12.480
<v Speaker 1>freeze up and then you can hear what everybody's doing.

0:30:13.080 --> 0:30:16.240
<v Speaker 1>It's just so embarrassing, mortifying. So I went in there.

0:30:17.240 --> 0:30:21.200
<v Speaker 1>I sang let it be. I've never heard of it.

0:30:21.520 --> 0:30:25.880
<v Speaker 1>Let it be. It's a new song the artists. I

0:30:26.040 --> 0:30:29.000
<v Speaker 1>intentionally only prepared like a verse and a chorus because

0:30:29.000 --> 0:30:31.240
<v Speaker 1>the song is so slow, so I was like, I'm

0:30:31.240 --> 0:30:32.720
<v Speaker 1>not going to board them to death. Let me just

0:30:33.160 --> 0:30:35.080
<v Speaker 1>do this. Then I get to the end of the

0:30:35.160 --> 0:30:41.000
<v Speaker 1>chorus and Robert goes like, keep going, keep crying. I'm like,

0:30:41.480 --> 0:30:43.600
<v Speaker 1>I'm a fake fan. I don't know the second verson this,

0:30:45.640 --> 0:30:48.280
<v Speaker 1>and so I don't know what I did. I think

0:30:48.360 --> 0:30:51.320
<v Speaker 1>I sort of stumbled through saying singing this verse verse

0:30:51.360 --> 0:30:54.440
<v Speaker 1>again and then went into the chorse again because I

0:30:54.480 --> 0:30:58.440
<v Speaker 1>knew that um. And then I did the scenes and

0:30:58.480 --> 0:31:01.080
<v Speaker 1>then immediately which also never happen, and he's like, okay,

0:31:01.120 --> 0:31:03.400
<v Speaker 1>so when you come back and started talking about the

0:31:03.400 --> 0:31:07.880
<v Speaker 1>next audition, I was like, what's nice? Okay, great? And

0:31:07.920 --> 0:31:10.800
<v Speaker 1>then I went back two days later to Ryan's office

0:31:10.840 --> 0:31:14.640
<v Speaker 1>at Paramount, and it was it went from being at

0:31:14.720 --> 0:31:18.680
<v Speaker 1>Robert's desk too a boardroom. Basically, it was a full

0:31:18.720 --> 0:31:23.880
<v Speaker 1>table of fifteen people, right, you know, in this gigantic room.

0:31:23.920 --> 0:31:26.880
<v Speaker 1>Brad Ellis, who ended up being on the show and

0:31:26.920 --> 0:31:29.800
<v Speaker 1>playing the piano. He was there. We went early to

0:31:29.800 --> 0:31:32.959
<v Speaker 1>practice our songs with him, and I prepared two songs

0:31:33.000 --> 0:31:36.240
<v Speaker 1>this time, ended up still doing Let It Be. And Yeah,

0:31:36.240 --> 0:31:39.959
<v Speaker 1>it was a full crazy I learned the words. I

0:31:40.000 --> 0:31:45.400
<v Speaker 1>was prepared this time. Yeah, I and again I was

0:31:45.520 --> 0:31:47.840
<v Speaker 1>So it wasn't that I was just I don't think

0:31:47.840 --> 0:31:51.120
<v Speaker 1>I was good at playing the character. I was just

0:31:51.280 --> 0:31:56.080
<v Speaker 1>so nervous that that's what already became. Because I did

0:31:56.080 --> 0:31:59.680
<v Speaker 1>the song. The nerves were already and then I literally

0:31:59.800 --> 0:32:02.920
<v Speaker 1>ran in out of the room and that was it,

0:32:03.280 --> 0:32:05.400
<v Speaker 1>Like I think Ian Brennan, who was runing the creators

0:32:05.400 --> 0:32:07.480
<v Speaker 1>of the show, later he told me he was like, yeah,

0:32:07.520 --> 0:32:10.080
<v Speaker 1>we knew from that immediately we wanted you, but I

0:32:10.080 --> 0:32:11.920
<v Speaker 1>had to wait seven weeks of test because they hadn't

0:32:11.920 --> 0:32:16.200
<v Speaker 1>found anybody else yet. Oh my god. Wow. Then I

0:32:16.200 --> 0:32:19.680
<v Speaker 1>met Jen and I met in l A on the test. Yeah, okay,

0:32:19.920 --> 0:32:24.680
<v Speaker 1>so before we get there. Apparently you just love name

0:32:24.760 --> 0:32:29.520
<v Speaker 1>dropping single first names of famous people. So Steve, for now,

0:32:29.560 --> 0:32:33.640
<v Speaker 1>it's Ryan. Ryan Murphy is who he's talking about, the

0:32:33.720 --> 0:32:39.520
<v Speaker 1>creator of Glee and many other shows. It's as hard

0:32:39.560 --> 0:32:42.720
<v Speaker 1>when you know so many famous people. Brian just call

0:32:42.800 --> 0:32:46.040
<v Speaker 1>me be from now. Well, I was just talking to

0:32:46.120 --> 0:32:51.360
<v Speaker 1>be Um Yeah, and it's not Beyonce. What Oh yeah,

0:32:51.440 --> 0:32:56.080
<v Speaker 1>I guess did she take it first? Impressions are too

0:32:56.120 --> 0:32:59.600
<v Speaker 1>soon at that point, you're you're nervous around a board

0:32:59.600 --> 0:33:04.840
<v Speaker 1>table of of Ryan Murphy and co. Yeah. I don't.

0:33:04.960 --> 0:33:07.560
<v Speaker 1>I just sort of looked like the Last Supper to me,

0:33:08.960 --> 0:33:11.040
<v Speaker 1>where it was a lot of people. I didn't really

0:33:11.040 --> 0:33:14.440
<v Speaker 1>know much about Ryan, I know who he is in

0:33:14.440 --> 0:33:19.000
<v Speaker 1>that in that famous it was it was like it

0:33:19.040 --> 0:33:23.800
<v Speaker 1>did look like the Last Suffer. Okay, stop, that's crazy. Yeah, okay,

0:33:23.840 --> 0:33:27.600
<v Speaker 1>So you guys test and you meet friendly right away.

0:33:27.640 --> 0:33:32.320
<v Speaker 1>Do you remember meeting each other at the test later on? Yeah,

0:33:32.400 --> 0:33:36.240
<v Speaker 1>we weren't necessarily. I think we were all nervous talking.

0:33:36.360 --> 0:33:38.640
<v Speaker 1>It's one of those things. It's also weird because you're

0:33:38.680 --> 0:33:41.120
<v Speaker 1>in the room with the person you're testing against. Right.

0:33:41.720 --> 0:33:45.280
<v Speaker 1>So there was Chris Colefir, who was testing against himself

0:33:45.280 --> 0:33:48.760
<v Speaker 1>basically for Kurt Hummel, and then there was um Me

0:33:49.160 --> 0:33:52.480
<v Speaker 1>and another girl who tested for Tina, both from New York.

0:33:52.960 --> 0:33:57.320
<v Speaker 1>And then there was Kevin and another person from New

0:33:57.400 --> 0:34:00.560
<v Speaker 1>York also testing for Artie so there are five of

0:34:00.640 --> 0:34:03.160
<v Speaker 1>us in the room. We all arrive. This is our

0:34:03.200 --> 0:34:08.359
<v Speaker 1>first network test ever, all of us for the studio test.

0:34:08.520 --> 0:34:10.759
<v Speaker 1>So we're sitting there in silence, like this is the

0:34:10.840 --> 0:34:13.040
<v Speaker 1>weirdest thing ever. And they're like, and by the way,

0:34:13.080 --> 0:34:16.120
<v Speaker 1>you can't leave until everybody finishes their auditions. You're like,

0:34:16.160 --> 0:34:19.759
<v Speaker 1>what is this jail? And so like it was really weird. Um,

0:34:20.160 --> 0:34:23.160
<v Speaker 1>And then we're all sitting there pretty silently. I had

0:34:23.239 --> 0:34:25.440
<v Speaker 1>just literally flown in on a red eye from a

0:34:25.480 --> 0:34:27.319
<v Speaker 1>show the night before. So I had flown in on

0:34:27.320 --> 0:34:29.240
<v Speaker 1>a red eye. They put me up at the Innercontinental.

0:34:29.280 --> 0:34:30.959
<v Speaker 1>They let me shower, and then I had to walk

0:34:31.000 --> 0:34:34.440
<v Speaker 1>my ass to Fox and get in that room. And

0:34:34.480 --> 0:34:36.759
<v Speaker 1>we're sitting there and all of a sudden you hear like, oh,

0:34:36.800 --> 0:34:40.040
<v Speaker 1>gust of wind, and like Ryan Murphy walks in and

0:34:40.080 --> 0:34:43.120
<v Speaker 1>he's like, hey, guys, are you nervous? Don't be nervous.

0:34:43.239 --> 0:34:46.120
<v Speaker 1>We just want you to be. I feel happy and excited.

0:34:46.120 --> 0:34:48.560
<v Speaker 1>We're nervous as you are. And then like walks away

0:34:48.600 --> 0:34:53.399
<v Speaker 1>and you're like, okay, um, that didn't help. It's in

0:34:53.400 --> 0:34:55.960
<v Speaker 1>and in some weird way it did. He like broke

0:34:56.080 --> 0:34:57.400
<v Speaker 1>the ice a little bit and then we all I

0:34:57.480 --> 0:34:59.399
<v Speaker 1>kind of smiled and laughed at each other and that

0:34:59.480 --> 0:35:02.560
<v Speaker 1>was that is that? Yeah, acknowledging the elephant in the room,

0:35:02.600 --> 0:35:08.480
<v Speaker 1>like this is a good luck so weird, it is

0:35:08.520 --> 0:35:11.400
<v Speaker 1>a weird situation. Anytime I tell I don't even know

0:35:11.440 --> 0:35:13.960
<v Speaker 1>if I've talked about it on this anytime I tell

0:35:13.960 --> 0:35:17.960
<v Speaker 1>people who are not in our industry about that experience,

0:35:18.040 --> 0:35:22.799
<v Speaker 1>which is essentially, you have prenegotiated your life away for

0:35:22.880 --> 0:35:27.040
<v Speaker 1>seven years. Sorry, you have pre negotiated your life away

0:35:27.520 --> 0:35:34.040
<v Speaker 1>potentially for seven years, and it's done as long as

0:35:34.120 --> 0:35:40.040
<v Speaker 1>they signed. Basically, you've signed it away, right, done right,

0:35:40.160 --> 0:35:42.440
<v Speaker 1>They're just hanging on to that piece of paper. And

0:35:42.480 --> 0:35:46.200
<v Speaker 1>if not, you have literally put yourself through a torture

0:35:46.239 --> 0:35:49.000
<v Speaker 1>for no reason. Yeah, you know how much money you'll

0:35:49.040 --> 0:35:53.560
<v Speaker 1>be making. You And for us, we signed included touring

0:35:53.920 --> 0:36:00.600
<v Speaker 1>and albums, merchandizing, really and we were nobody's so we

0:36:00.640 --> 0:36:03.839
<v Speaker 1>had no I no concept. They're like, are you sure

0:36:03.960 --> 0:36:06.480
<v Speaker 1>you want to sign this? I'm like, are you joking?

0:36:06.600 --> 0:36:10.760
<v Speaker 1>Of course I'm going to sign this. You know, prenegotiated

0:36:10.800 --> 0:36:15.839
<v Speaker 1>your tour rights and merchandise because high school musical had

0:36:15.880 --> 0:36:20.560
<v Speaker 1>happened a couple of years before, and they weren't their

0:36:20.600 --> 0:36:24.560
<v Speaker 1>first tour, they weren't locked into a deal, and so

0:36:24.680 --> 0:36:27.160
<v Speaker 1>High School Musical ended up. Those kids made a lot

0:36:27.320 --> 0:36:30.440
<v Speaker 1>of money on tour well, and Fox also had American Idol,

0:36:30.480 --> 0:36:34.160
<v Speaker 1>which they had also like some experience in this like

0:36:34.640 --> 0:36:39.960
<v Speaker 1>this realm, So it was like three sixty Yeah, wow,

0:36:58.040 --> 0:37:02.439
<v Speaker 1>spoiler alert, you both get it. How many years were

0:37:02.440 --> 0:37:05.840
<v Speaker 1>you working together? Six? I mean it was seven years,

0:37:05.880 --> 0:37:09.000
<v Speaker 1>but six seasons because we how we shot it. Yeah,

0:37:09.520 --> 0:37:11.839
<v Speaker 1>six and a half years for a long time, and

0:37:12.040 --> 0:37:16.440
<v Speaker 1>you the two of you close from the beginning or

0:37:16.480 --> 0:37:20.200
<v Speaker 1>was this a relationship that needed time to cook. Close

0:37:20.239 --> 0:37:24.720
<v Speaker 1>from the beginning? Yeah, immediately we were close. There was Chris,

0:37:24.880 --> 0:37:28.680
<v Speaker 1>me Amber and Kevin had been brought together to start

0:37:28.719 --> 0:37:32.960
<v Speaker 1>rehearsing some of the music very early on. We were

0:37:32.960 --> 0:37:35.040
<v Speaker 1>brought out to shoot the pilot, but we were brought out.

0:37:35.160 --> 0:37:37.719
<v Speaker 1>I was brought out from New York weeks before to

0:37:37.880 --> 0:37:40.520
<v Speaker 1>rehearse for the pilot. So it's not like a normal

0:37:40.560 --> 0:37:42.640
<v Speaker 1>TV show where you, you know, have a table read

0:37:42.680 --> 0:37:44.040
<v Speaker 1>and then you show up on the day and you

0:37:44.040 --> 0:37:46.880
<v Speaker 1>start shooting like the pilot. It was like weeks of

0:37:46.880 --> 0:37:51.840
<v Speaker 1>rehearsal before we started this show. So like, don't stop believing.

0:37:52.000 --> 0:37:55.200
<v Speaker 1>There were like five different versions of this song that

0:37:55.280 --> 0:37:57.800
<v Speaker 1>we had rehearsed, and every time Ryan would come in

0:37:57.840 --> 0:38:06.560
<v Speaker 1>and be like not right, and then me and um, yeah.

0:38:06.680 --> 0:38:08.959
<v Speaker 1>And you know, Chris and I had come from Chris

0:38:09.000 --> 0:38:12.080
<v Speaker 1>came from Clovis, California. He like, he drove down and

0:38:12.200 --> 0:38:14.520
<v Speaker 1>stayed in l A. And I had flown out from

0:38:14.560 --> 0:38:16.759
<v Speaker 1>New York. And so we we spent a lot of

0:38:16.760 --> 0:38:19.520
<v Speaker 1>time together, the four of us, because we didn't have

0:38:19.520 --> 0:38:22.080
<v Speaker 1>a lot of friends or anybody in l A. We

0:38:22.080 --> 0:38:26.000
<v Speaker 1>were here solely for Glee. Okay, by the way, I

0:38:26.040 --> 0:38:30.920
<v Speaker 1>have heard stories from some of your crew, how do

0:38:31.000 --> 0:38:34.279
<v Speaker 1>you get these musical numbers done in the number of

0:38:34.360 --> 0:38:37.279
<v Speaker 1>days you have to shoot? We did? How is this achieved?

0:38:37.920 --> 0:38:41.720
<v Speaker 1>Just blood and sweat and tears. The show was always

0:38:41.760 --> 0:38:45.080
<v Speaker 1>scheduled to I mean, our show was normally scheduled to

0:38:45.320 --> 0:38:48.440
<v Speaker 1>shoot for eight days, That's right. I think maybe we

0:38:48.520 --> 0:38:51.279
<v Speaker 1>made eight days a handful of times. Never in those

0:38:51.320 --> 0:38:56.600
<v Speaker 1>six years, I think realistically what ten? Probably ten? Yeah, probably,

0:38:57.080 --> 0:39:00.080
<v Speaker 1>so we would start doubling up on episodes. But the

0:39:00.360 --> 0:39:05.080
<v Speaker 1>musical numbers they had to basically any time the you

0:39:05.120 --> 0:39:09.240
<v Speaker 1>know quotes, the adults Matt Morrison or Jane Lynch anytime

0:39:09.320 --> 0:39:12.439
<v Speaker 1>they were filming, and then we weren't with them. We

0:39:12.440 --> 0:39:18.080
<v Speaker 1>were in dance rehearsal or the recording studio. Like sometimes,

0:39:18.080 --> 0:39:20.480
<v Speaker 1>you know, your lunch break involves you getting in a

0:39:20.520 --> 0:39:22.640
<v Speaker 1>car and eating all the way to the recording studio,

0:39:23.080 --> 0:39:25.160
<v Speaker 1>putting down a song for a half hour, turning around

0:39:25.160 --> 0:39:27.839
<v Speaker 1>and getting back into touch ups to go back to set.

0:39:28.560 --> 0:39:32.000
<v Speaker 1>So it was intent they didn't you didn't have a

0:39:32.080 --> 0:39:37.600
<v Speaker 1>recording studio on you that would have really actually helped,

0:39:37.800 --> 0:39:42.600
<v Speaker 1>but very expensive. They're very expensive, and we didn't spend

0:39:42.640 --> 0:39:44.520
<v Speaker 1>a ton of time at their recording studio. You'd be

0:39:44.600 --> 0:39:47.040
<v Speaker 1>pretty unless you were doing like a you know, a

0:39:47.080 --> 0:39:49.480
<v Speaker 1>massive solo song like you were, you were in and

0:39:49.520 --> 0:39:52.359
<v Speaker 1>out pretty the beginning. You spent more time there was,

0:39:52.480 --> 0:39:55.760
<v Speaker 1>for some reason, more time. So as it got going,

0:39:56.280 --> 0:39:59.040
<v Speaker 1>we would later on as the years and by that's

0:39:59.040 --> 0:40:00.920
<v Speaker 1>when we'd have like those very quick lunch break turn

0:40:00.960 --> 0:40:04.280
<v Speaker 1>around things. But the first thirteen episodes of the first season,

0:40:05.120 --> 0:40:07.120
<v Speaker 1>we were sometimes in the recording studio for like half

0:40:07.120 --> 0:40:10.680
<v Speaker 1>a day because everyone was still figuring out the formula

0:40:10.880 --> 0:40:13.839
<v Speaker 1>was right. Yeah, So you know, once we got through

0:40:13.880 --> 0:40:16.799
<v Speaker 1>that then there were demo singers who were doing each

0:40:16.800 --> 0:40:18.760
<v Speaker 1>of our parts, and all that was planned out before

0:40:18.800 --> 0:40:20.560
<v Speaker 1>we ever entered, so we were just going in and

0:40:20.600 --> 0:40:24.640
<v Speaker 1>copying somebody to save time. But those early days, Adamanders

0:40:24.640 --> 0:40:26.799
<v Speaker 1>who was the music producer, and yeah, Ryan would be

0:40:26.800 --> 0:40:28.360
<v Speaker 1>there and they're figuring out our voices, what can our

0:40:28.440 --> 0:40:31.319
<v Speaker 1>voices do, who sounds best together? That sort of thing.

0:40:31.680 --> 0:40:35.839
<v Speaker 1>So the musical numbers essentially like logistically as you as

0:40:35.880 --> 0:40:39.560
<v Speaker 1>we got into them, they they built the stage to

0:40:39.760 --> 0:40:44.800
<v Speaker 1>scale from the stages we shot on the auditorium that

0:40:44.840 --> 0:40:47.000
<v Speaker 1>we shot on in Long Beach, because the first season

0:40:47.040 --> 0:40:49.239
<v Speaker 1>we were driving back and forth the Long Beach in

0:40:49.320 --> 0:40:53.040
<v Speaker 1>order to do musical numbers and we were exhausted. And

0:40:53.120 --> 0:40:55.880
<v Speaker 1>so was the second season or back now yeah, it

0:40:55.960 --> 0:40:58.279
<v Speaker 1>was no. They had finished it like four or five

0:40:58.320 --> 0:41:02.080
<v Speaker 1>episodes into season two. They built us the stages, thank god,

0:41:02.800 --> 0:41:08.000
<v Speaker 1>the auditorium, and essentially, as guest directors would come in

0:41:08.320 --> 0:41:11.600
<v Speaker 1>new ones that weren't returning, they would have to kind

0:41:11.640 --> 0:41:14.360
<v Speaker 1>of learn the formula of how to get this done.

0:41:14.440 --> 0:41:16.880
<v Speaker 1>And it was very much like a pain by numbers

0:41:16.920 --> 0:41:20.200
<v Speaker 1>at that point, like camera new you go, you start

0:41:20.239 --> 0:41:23.120
<v Speaker 1>from the back, you get the crane. If you want it,

0:41:23.719 --> 0:41:25.840
<v Speaker 1>you move up. You get the two on the side,

0:41:25.960 --> 0:41:28.200
<v Speaker 1>We get the dolly, we get the steady, we bring

0:41:28.200 --> 0:41:30.919
<v Speaker 1>the steadicam on stage. You turn it around, you get

0:41:30.960 --> 0:41:33.640
<v Speaker 1>their reactions, you get behind our legs and our feet,

0:41:33.960 --> 0:41:36.799
<v Speaker 1>and then you're out and it. It essentially started to

0:41:36.880 --> 0:41:40.520
<v Speaker 1>take like a seven eight hour day scene to do

0:41:40.560 --> 0:41:43.759
<v Speaker 1>a musical number versus Don't Stop. That took like a

0:41:43.840 --> 0:41:47.040
<v Speaker 1>day and a half. Yeah, I remember. The goal was

0:41:47.040 --> 0:41:49.240
<v Speaker 1>always a try to finish one of those big musical

0:41:49.320 --> 0:41:52.439
<v Speaker 1>numbers by lunch, but we'd always have to come back

0:41:52.440 --> 0:41:58.120
<v Speaker 1>and do turn Around. Yeah, turn around or something like that. Yeah. Wow. Um,

0:41:58.960 --> 0:42:01.400
<v Speaker 1>there's a lot of but there's a lot of talk

0:42:01.440 --> 0:42:05.760
<v Speaker 1>on Reddit. What would you say is the craziest Glee

0:42:06.160 --> 0:42:13.800
<v Speaker 1>storyline of all time? Kevin as an STD Yeah to

0:42:13.920 --> 0:42:19.040
<v Speaker 1>me talking about STDs um um, the you know, I

0:42:19.160 --> 0:42:21.799
<v Speaker 1>have to say, I mean in the very beginning, like

0:42:21.840 --> 0:42:25.880
<v Speaker 1>the hysterical pregnancy was pretty crazy, like that was that

0:42:25.960 --> 0:42:28.719
<v Speaker 1>was a wild story. And then plotting to steal a

0:42:28.760 --> 0:42:33.359
<v Speaker 1>student's baby, like you know, that happened immediately, like there

0:42:33.440 --> 0:42:37.280
<v Speaker 1>was no time. That's just part of Glee. That's just baked,

0:42:37.280 --> 0:42:39.879
<v Speaker 1>baked in this is a pretty wild one. What about

0:42:40.040 --> 0:42:42.560
<v Speaker 1>Quinn getting in a car accident that was going to

0:42:42.600 --> 0:42:45.120
<v Speaker 1>be my second one and then being in a wheelchair

0:42:45.200 --> 0:42:47.520
<v Speaker 1>for a while, so like her and already got some

0:42:47.560 --> 0:42:51.359
<v Speaker 1>time together and then she magically healed and was okay,

0:42:51.560 --> 0:42:55.560
<v Speaker 1>and I'm saying I'm still standing, which was very uncomfortable

0:42:55.600 --> 0:42:58.440
<v Speaker 1>and cringe e. That was a really weird one. That

0:42:58.520 --> 0:43:03.399
<v Speaker 1>was that was weird. Um, I have I have a quiz. Well,

0:43:03.440 --> 0:43:06.560
<v Speaker 1>we're going to fail, so we're definitely gonna fail Glee Pilot.

0:43:06.640 --> 0:43:11.279
<v Speaker 1>Addition to Truth and a Lie, actually pilot, we know,

0:43:11.520 --> 0:43:15.839
<v Speaker 1>I think all right? To Truths and a Lie. Number one,

0:43:16.160 --> 0:43:23.240
<v Speaker 1>Emma's parents were Ginger supremacists. To fail Will Schuster belly

0:43:23.360 --> 0:43:28.040
<v Speaker 1>danced in the library. Three there was a school riot

0:43:28.160 --> 0:43:32.040
<v Speaker 1>about a tater top band in the cafeteria. To truth

0:43:32.200 --> 0:43:36.279
<v Speaker 1>and a lie. What's the lie? I think? I have

0:43:36.320 --> 0:43:40.160
<v Speaker 1>a guess, Jenna, do you have a guess? I'll think

0:43:40.320 --> 0:43:44.360
<v Speaker 1>The second one, um belly dancing. The belly dancing was

0:43:46.280 --> 0:43:50.400
<v Speaker 1>you're saying the belly dancing never happened? Yeah, sorry, that

0:43:50.480 --> 0:43:57.759
<v Speaker 1>wasn't just in my imagination? Correct, you win really embarrassed? No,

0:43:57.920 --> 0:44:00.960
<v Speaker 1>it wouldn't have been I would fail many many A quizzes,

0:44:01.080 --> 0:44:04.280
<v Speaker 1>but that was fun. I gotta bring that back. Great

0:44:04.360 --> 0:44:07.640
<v Speaker 1>job producers coming up with that one. I like the

0:44:07.719 --> 0:44:13.000
<v Speaker 1>looks on your faces, your care and shock. Um, you

0:44:13.040 --> 0:44:17.799
<v Speaker 1>guys are going back. You're going back to school. It's right,

0:44:17.840 --> 0:44:23.399
<v Speaker 1>there was a transition. We're massochists. We are listen, listen

0:44:23.400 --> 0:44:26.240
<v Speaker 1>now I do this. Uh, you're going back to school

0:44:26.520 --> 0:44:31.880
<v Speaker 1>and that's what you really missed. New podcast. Are you

0:44:31.920 --> 0:44:36.160
<v Speaker 1>having fun? You're back together, So that's good, which is great.

0:44:36.160 --> 0:44:39.600
<v Speaker 1>It's always great. It's easy with each other, you know. Yeah,

0:44:40.239 --> 0:44:43.040
<v Speaker 1>now we are, We're enjoying it. We're enjoying the podcast.

0:44:43.080 --> 0:44:46.800
<v Speaker 1>Obviously we've done this before, so it's um an interesting idea,

0:44:46.960 --> 0:44:52.080
<v Speaker 1>but we're grateful to be reimagining and rebranding. And this

0:44:52.160 --> 0:44:54.600
<v Speaker 1>take is a bit more intentional and a bit more

0:44:54.640 --> 0:44:58.200
<v Speaker 1>honest and raw and open about people's experiences on the show.

0:44:58.239 --> 0:45:00.680
<v Speaker 1>And you know, we're just kind of taking a deeper dive.

0:45:00.880 --> 0:45:05.440
<v Speaker 1>So it's definitely, yes, we are enjoying ourselves. And you're

0:45:05.480 --> 0:45:12.239
<v Speaker 1>you're doing a benefit. I understand raising fund and awareness. Well,

0:45:12.360 --> 0:45:13.759
<v Speaker 1>you had a cast mate, do you want to talk

0:45:13.800 --> 0:45:18.160
<v Speaker 1>about Nya Rivera a little bit yeah, cast mate Nay Rivera,

0:45:18.480 --> 0:45:21.279
<v Speaker 1>who passed away a couple of years ago. She was

0:45:21.320 --> 0:45:24.520
<v Speaker 1>a big supporter of Alexandria House, which is an incredible

0:45:24.760 --> 0:45:27.720
<v Speaker 1>um local l a organization that helps women and children

0:45:27.760 --> 0:45:31.719
<v Speaker 1>who are in need of transitional housing. And after she

0:45:31.760 --> 0:45:35.680
<v Speaker 1>passed away, we you know, we're looking for anything to

0:45:35.800 --> 0:45:39.600
<v Speaker 1>do to do good and also sort of honor her

0:45:39.640 --> 0:45:42.800
<v Speaker 1>memory amongst us, you know, her co workers and friends.

0:45:43.000 --> 0:45:46.680
<v Speaker 1>And she used to throw these crazy, amazing Christmas parties

0:45:47.040 --> 0:45:50.960
<v Speaker 1>called Snicks because her nickname was Snacks and they were

0:45:51.080 --> 0:45:57.120
<v Speaker 1>like extravagant she did every year. After all the crew

0:45:57.160 --> 0:45:59.880
<v Speaker 1>and cast like carol ers at the front, there was

0:46:00.080 --> 0:46:02.680
<v Speaker 1>Sandy's lay, There was like the DJ was in a

0:46:02.760 --> 0:46:07.840
<v Speaker 1>tower at one point, like they made it dance studio

0:46:07.960 --> 0:46:11.200
<v Speaker 1>of the dance floor like it was. She I was like,

0:46:11.400 --> 0:46:15.840
<v Speaker 1>when did who negotiated your contract? Because truly, I think

0:46:16.040 --> 0:46:20.000
<v Speaker 1>I'm gonna spend this much more. I was like, why nobody?

0:46:20.000 --> 0:46:23.800
<v Speaker 1>She loved hosting a part. Okay, so snakes Moss was

0:46:24.280 --> 0:46:28.319
<v Speaker 1>an annual event, and so we thought, what better way

0:46:28.400 --> 0:46:32.160
<v Speaker 1>than for the Holidays to raise funds for Alexandria House,

0:46:32.440 --> 0:46:35.759
<v Speaker 1>keep nives memory alive and keep snick Smiths alive. UM

0:46:36.040 --> 0:46:39.479
<v Speaker 1>and so yeah, yeah, it's and it's it's their third

0:46:39.520 --> 0:46:41.560
<v Speaker 1>which I can't believe we're already at our third. Snick

0:46:41.600 --> 0:46:44.360
<v Speaker 1>smith and this year, you know, I heard has been

0:46:44.400 --> 0:46:47.600
<v Speaker 1>incredibly generous to allow us to use their theater in

0:46:47.719 --> 0:46:51.200
<v Speaker 1>Burbank and we are doing our first in person event

0:46:51.280 --> 0:46:54.120
<v Speaker 1>in Los Angeles on December six and then December eighth,

0:46:54.160 --> 0:46:56.200
<v Speaker 1>where it's going to be live stream for those who

0:46:56.239 --> 0:46:58.879
<v Speaker 1>can't make it, UM and all the live streamers who

0:46:58.920 --> 0:47:01.480
<v Speaker 1>have been there with us over zoom the last couple

0:47:01.520 --> 0:47:04.760
<v Speaker 1>of years as well. Like this is really a grassroots operation,

0:47:04.880 --> 0:47:07.600
<v Speaker 1>is what we call it. There's no donation that is

0:47:07.640 --> 0:47:10.720
<v Speaker 1>too small. UM. I think the first year we raised

0:47:11.040 --> 0:47:14.240
<v Speaker 1>over a hundred thousand dollars and the average donation amount

0:47:14.280 --> 0:47:18.239
<v Speaker 1>was probably ten dollars, so it was pretty UM. That's incredible. Yeah,

0:47:18.400 --> 0:47:22.120
<v Speaker 1>pretty mind blowing. So we're really excited about it. December

0:47:22.360 --> 0:47:27.239
<v Speaker 1>the six, seven o'clock the I Heart Theater there in

0:47:27.840 --> 0:47:34.680
<v Speaker 1>what is Johnny Carson used to say, beautiful downtown Burbank. Um. Congratulations,

0:47:34.719 --> 0:47:38.520
<v Speaker 1>thanks you guys for doing that. I'm excited for you.

0:47:38.680 --> 0:47:42.719
<v Speaker 1>Everyone's talking about the podcast. Congratulations on that I'm glad

0:47:42.760 --> 0:47:46.279
<v Speaker 1>you guys are back together and doing it's really it's

0:47:46.320 --> 0:47:49.600
<v Speaker 1>really fun and it's great to see both of you again.

0:47:49.840 --> 0:47:53.479
<v Speaker 1>Let's do it. Let's do it more often. Yeah, for sure.

0:47:53.760 --> 0:47:55.440
<v Speaker 1>Thanks for having us, So we should have you know,

0:47:55.640 --> 0:47:58.360
<v Speaker 1>there was an episode of the Office where they referenced

0:47:58.440 --> 0:48:01.200
<v Speaker 1>my character on Glee. Yeah, maybe we need to have

0:48:01.239 --> 0:48:03.000
<v Speaker 1>you come on to our show and we can talk

0:48:03.040 --> 0:48:06.840
<v Speaker 1>about that episode. Now he's crossed over. Is that the

0:48:06.960 --> 0:48:09.640
<v Speaker 1>viewing party where we have a blue viewing party? Yeah?

0:48:10.080 --> 0:48:13.920
<v Speaker 1>I love it. Yeah, it was really meta and I

0:48:14.000 --> 0:48:18.480
<v Speaker 1>loved it and I appreciated it. All I can remember

0:48:18.560 --> 0:48:22.520
<v Speaker 1>right now is I think that's where I ate pigs

0:48:22.520 --> 0:48:26.200
<v Speaker 1>and a blanket and a blanket. Yeah, that sounds familiar

0:48:26.239 --> 0:48:28.760
<v Speaker 1>to me. Yeah, and you know, and thank you again.

0:48:29.080 --> 0:48:31.319
<v Speaker 1>Like you you were also so great to me when

0:48:31.360 --> 0:48:34.520
<v Speaker 1>I was on that show, and it really helped me

0:48:34.760 --> 0:48:37.600
<v Speaker 1>and informed me how when I became a regular on

0:48:37.640 --> 0:48:41.040
<v Speaker 1>a show too, hopefully be you know, a fraction as

0:48:41.440 --> 0:48:44.200
<v Speaker 1>accommodating and welcoming as you guys were to meet so well,

0:48:44.280 --> 0:48:47.239
<v Speaker 1>thanks for that. No, and you know, I could make

0:48:47.239 --> 0:48:49.480
<v Speaker 1>a joke right now, but I but I won't because

0:48:49.520 --> 0:48:52.680
<v Speaker 1>I think it's no, no, because I think, honest to God, look,

0:48:53.040 --> 0:48:56.759
<v Speaker 1>we were we were a cast of grown ups, if

0:48:56.760 --> 0:48:58.520
<v Speaker 1>you will. And I guess what I mean by that

0:48:58.640 --> 0:49:02.520
<v Speaker 1>is so many of us had failed pilots or had

0:49:02.560 --> 0:49:06.360
<v Speaker 1>been in the theater, and so everybody felt grateful and

0:49:06.440 --> 0:49:09.160
<v Speaker 1>lucky to be there, and a lot of us had

0:49:09.200 --> 0:49:11.240
<v Speaker 1>been on the other side of it and knew how

0:49:11.400 --> 0:49:14.440
<v Speaker 1>that felt. And it's like, I know, this is what

0:49:14.440 --> 0:49:17.719
<v Speaker 1>I always says. It takes just as much energy to

0:49:17.760 --> 0:49:20.359
<v Speaker 1>be nice as it does to be an asshole, So

0:49:20.680 --> 0:49:25.320
<v Speaker 1>why not choose that? And ultimately it's a better work environment, right,

0:49:25.400 --> 0:49:29.479
<v Speaker 1>So thank you for saying that. Congrats you guys, thank

0:49:29.520 --> 0:49:32.640
<v Speaker 1>you for doing this Nick Smith stuff. And uh, happy

0:49:32.680 --> 0:49:36.799
<v Speaker 1>holidays you too. See you in the new year. Thank you.

0:49:36.960 --> 0:49:52.560
<v Speaker 1>Thanks Jenna Kevin, thank you so much for joining me today.

0:49:52.600 --> 0:49:57.040
<v Speaker 1>It was great catching up. You're awesome. I can't wait

0:49:57.640 --> 0:50:00.319
<v Speaker 1>to listen to your new podcast. And thank you for

0:50:00.440 --> 0:50:07.520
<v Speaker 1>keeping the snick s Mus spirit alive Mary snicks Mus Everyone, listeners,

0:50:07.560 --> 0:50:09.480
<v Speaker 1>I hope you enjoyed the episode. I'm gonna see you

0:50:09.520 --> 0:50:13.440
<v Speaker 1>next week for another interview on Off the Beat. It's

0:50:13.440 --> 0:50:16.040
<v Speaker 1>going to be a good one. More stories, more laughs,

0:50:16.280 --> 0:50:19.400
<v Speaker 1>more of everything. I'll catch you. Then we're coming into

0:50:19.400 --> 0:50:33.880
<v Speaker 1>the holiday season. Who could it be? Maybe Santa Off.

0:50:33.880 --> 0:50:37.880
<v Speaker 1>The Beat is hosted and executive produced by me Brian Baumgartner,

0:50:38.160 --> 0:50:43.320
<v Speaker 1>alongside our executive producer Langley. Our senior producer is Diego Tapia.

0:50:43.520 --> 0:50:47.200
<v Speaker 1>Our producers are Liz Hayes, Hannah Harris, and Emily Carr.

0:50:47.480 --> 0:50:51.360
<v Speaker 1>Our talent producer is Ryan Papa Zachary, and our intern

0:50:51.640 --> 0:50:55.799
<v Speaker 1>is Sammy Cats. Our theme song Bubble and Squeak, performed

0:50:55.840 --> 0:51:00.120
<v Speaker 1>by the one and only Creed Bratton M