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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club Morning, everybody in Steve j Envy just hilarious,

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Speaker 2: charlamage the guy.

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Speaker 3: We are the Breakfast Club. You got a special guest

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Speaker 3: in the building.

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Speaker 2: Yes, indeed, Malcolm made actor Michael.

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Speaker 4: How you feel about bless Man, I'm here with you, yes, sir, Yeah,

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Speaker 4: actor and writer, Yes, ma'am.

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Speaker 5: Yeah. So look, so I'm a jump straight into it.

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Speaker 6: So how much hate did you receive the last season

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Speaker 6: of Power because you was acting up?

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Speaker 7: Oh?

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Speaker 4: Your man's just pressed me in the room.

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Speaker 8: Yeah.

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Speaker 4: Bro came in there and was like, hey, man, so

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Speaker 4: like I funk with you, but like, I don't funk

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Speaker 4: with you.

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Speaker 7: People don't see the role this.

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Speaker 5: We take it serious.

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Speaker 4: I mean I take it as a compliment. I told

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Speaker 4: him in the room. I was like, hey, Bro, it

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Speaker 4: just means that you really you know, I'm doing my job.

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Speaker 4: I'm doing my work, so I appreciate it. Yeah, but

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Speaker 4: I'm I don't even drink, Bro, Like, what is this?

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Speaker 4: I'm a sober diggie, Like, what is it? I don't

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Speaker 4: be knowing with your restrictions, know I and all that?

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Speaker 3: Do People pressure though? When you're in the public, like

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Speaker 3: really upset with your rule.

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Speaker 4: Niggas don't really you know what they do press me?

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Speaker 4: It's you know who press me, not the men. The

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Speaker 4: women are the ones who are like yo, I can't

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Speaker 4: like like, I can't believe you.

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Speaker 3: Would do us like that.

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Speaker 1: You are embarrassing us, like Aunties is like take it personal.

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Speaker 1: So it's but it's love though I love it.

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Speaker 4: I was in the mirt parking that happened to me,

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Speaker 4: like a woman with her baby and the stroller pulled

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Speaker 4: up on me, like pull like you're setting a bad

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Speaker 4: example for the family.

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Speaker 8: What are you talking me?

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Speaker 1: What you talking about everybody?

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Speaker 4: But I realized that all the and I think all

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Speaker 4: the Power Universe men have to understand it's like you

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Speaker 4: belong to Black women want you in the Power Universe.

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Speaker 8: It's just what it is.

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Speaker 7: Will break that down a little bit more.

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Speaker 4: You know, everything in the culture to me is at

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Speaker 4: route black women. Honestly, Like if you just diged, whether

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Speaker 4: it's Drake, whether it's Paramour, whether it it don't matter

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Speaker 4: what it is, it don't shake unless they say it

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Speaker 4: go so like I feel like because this show is

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Speaker 4: pretty much a modernized.

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Speaker 7: Black soap opera. Uh huh.

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Speaker 4: And in all the best ways. Then that means that,

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Speaker 4: like you know who our main component and who our

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Speaker 4: main advocate, and therefore you gotta honor that. You know

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Speaker 4: what I'm saying, Like you got to accept it. You

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Speaker 4: in a relationship that you has to be in and

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Speaker 4: you gotta.

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Speaker 8: Be okay with that.

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Speaker 7: How hard did you get that character out of you? Want?

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Speaker 1: You not?

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Speaker 4: Like taping is a decompression is necessary? I feel like

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Speaker 4: for me, I you know, channeling is a thing, but

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Speaker 4: you gotta. You gotta know who you are. Like once

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Speaker 4: you know your north start, you can always get back home.

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Speaker 4: That's so it takes time, but you just gotta I

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Speaker 4: don't get confused. Some people get confused, Like it's not

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Speaker 4: like two back of juice and those ship like that,

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Speaker 4: Like I know who I am?

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Speaker 7: What do you do to compress?

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Speaker 8: Really?

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Speaker 4: My Grandma everything, bro, Like I stay on it. Like

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Speaker 4: Grandma call every day every Sunday. We have like a

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Speaker 4: prayer called me her and my best friend rightn we

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Speaker 4: be going on like we read scriptures and and then

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Speaker 4: I call my peoples every day. My homies remind me

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Speaker 4: who I am every day. All of y'all, I'm sure

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Speaker 4: are the centrifugal force of your family, right, So you

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Speaker 4: can't be forgetting who you are because they gonna remind

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Speaker 4: you very quickly every time, Hey, look we got these,

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Speaker 4: we got Look your cousin's birthday. You got to go

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Speaker 4: to this graduation. I don't care where or who dj

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Speaker 4: MV Charlotte, Maine, jes Select. I don't give a fuck.

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Speaker 3: I'm Rashawn, Sir Rashawn.

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Speaker 4: With them, though it's tough for me. You know, you

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Speaker 4: know that hood, text, you know that family. You know,

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Speaker 4: maybe this is trauma. Don't start listening. But I feel

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Speaker 4: like a triggered I let you know, don't do it

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Speaker 4: because because whether I fuck with them or not, I

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Speaker 4: done did a whole lot of ship that my family

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Speaker 4: deemed inappropriate. I don't been to jail all that, shot

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Speaker 4: stabbed all that, and they raised me pretty right. So

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Speaker 4: I feel victim to my environment. And none of them

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Speaker 4: ever abandoned me. So I can't abandon them even if

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Speaker 4: they being annoying, or they fall a short, or they

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Speaker 4: do something that's even egregious. I can fuck with you

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Speaker 4: from it, like not fuck with you from a distance,

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Speaker 4: but I still got Like if you call and you

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Speaker 4: need that there's friends I don't talk to, but it's love.

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Speaker 8: So you family.

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Speaker 4: I don't have to like you, but if you need me,

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Speaker 4: I'll be there. We ain't gonna speak. I beat the

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Speaker 4: dig up while I'm there and won't talk to you,

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Speaker 4: but you're gonna be safe because that's duty to me.

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Speaker 4: That's what manhood is, which is probably really fucked up

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Speaker 4: in toxic, but that's how I feel.

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Speaker 7: But what about when you get them called like, hey man,

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Speaker 7: let me get five thousand n til next Friday. Mind

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Speaker 7: you ain't never made five grand.

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Speaker 1: Like, oh worse than that.

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Speaker 4: You get through five thousand, it'd be like, hey, you

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Speaker 4: got a hundred bands.

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Speaker 1: Were on the radio, is gonna start?

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Speaker 5: Let me get because.

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Speaker 4: You know the misconception to see everybody forgets that y'all

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Speaker 4: get bag money. That's crazy and they think that we

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Speaker 4: got the money.

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Speaker 5: Oh yeah, yeah, please say.

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Speaker 8: Is are a big thing?

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Speaker 3: Yes every morning?

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Speaker 4: Oh man, yeah, I don't go out y'all, but yeah,

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Speaker 4: like we they think that were rich, Like man, we not.

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Speaker 8: Most actors are actually not rich.

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Speaker 4: Actually, my homeboy Matt Hinton, who's a stylist for like, uh,

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Speaker 4: Rocky Ice Rocky in that and you really cool dude.

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Speaker 4: He told me not to say nothing stupid when I

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Speaker 4: got on here. But one of the things that he

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Speaker 4: said to me the other day, we were shopping and

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Speaker 4: I was going getting ready for CAN and I usually

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Speaker 4: dress and slides and a T shirt wherever I go

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Speaker 4: because I don't really give a fuck, but you know,

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Speaker 4: put that ship on because I'm going to Can. And

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Speaker 4: he was like, hey, man, I thought you were broke.

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Speaker 4: Actors are broke. I was like, Nikka, you mean like

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Speaker 4: because I'm frugal, I don't have money, Like no, I'm

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Speaker 4: just responsible. I'm just not out here doing shit. But

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Speaker 4: he thought I was broke, and he's right. Most actors

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Speaker 4: are broke like we. That's why the strike was important.

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Speaker 4: The livable wage for acting and writing is horrendous. Less

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Speaker 4: than one percent of us work, less than one per

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Speaker 4: percent of us make more than fifty thousand. And you know,

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Speaker 4: in any place this apports city, Los Angeles, New York,

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Speaker 4: anywhere where the hub is, you can't live off that.

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Speaker 8: So I'm blessed.

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Speaker 4: Man, I'm fortunate, and I've been blessed enough to be

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Speaker 4: just kind of like frugal niggas.

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Speaker 2: So now you said you earn cans where you on

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Speaker 2: the same red carpet as that security guard pushing people

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Speaker 2: out the way?

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Speaker 4: Did they better be glad I wasn't on that car. Yeah, because,

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Speaker 4: like I said, I don't play be honest.

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Speaker 2: Did you see that though, how disrespectful she was to

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Speaker 2: celebrities just trying to take pictures.

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Speaker 4: French people are rude, bro straight up, and I'll say

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Speaker 4: it today they ruled now.

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Speaker 7: Their beautiful relaxed.

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Speaker 4: I ain't saying that they bad people, because like, hey, look,

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Speaker 4: New York people are rude, but they have a big heart.

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Speaker 4: They don't want to give you the directions, but they

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Speaker 4: give you directions and it's gonna say to me, heyo,

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Speaker 4: you got to go up the fucking third what the

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Speaker 4: You don't know what look uptown uptown, but they're gonna

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Speaker 4: show you.

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Speaker 8: But they're just saying really roughly.

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Speaker 4: French people are a little more insidious with they with

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Speaker 4: their discrimination and all that. Yeah, I have experienced that.

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Speaker 4: I can't lie and look, I love can I love

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Speaker 4: the organization and all that.

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Speaker 8: But but had had I.

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Speaker 4: Been on that carpet, it would have been a little

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Speaker 4: different situation. So I'm glad I wasn't there.

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Speaker 5: Actually, we would have been asking you.

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Speaker 1: Other questions wouldn't even been no ques, like what are

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Speaker 1: we talking about?

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Speaker 7: Bro?

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Speaker 4: Like, man, they did that to her, they did that

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Speaker 4: to another woman of color.

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Speaker 8: Like they like.

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Speaker 4: But they're in a tough position because they're trying to

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Speaker 4: move people and some of them don't even understand.

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Speaker 8: They're not connected to the culture. They don't know that Kelly.

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Speaker 4: Is to us beyond they're all the same, you know,

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Speaker 4: like it could have been shelling that muff were not

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Speaker 4: we're not playing behind them, but they don't really. They're like,

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Speaker 4: but they have this weird rule where they can't touch you,

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Speaker 4: but they got to move you. And and Kelly's taking

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Speaker 4: her pictures because she is a star and she is

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Speaker 4: on the carpet and she's right, she got boundaries.

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Speaker 7: They was like move.

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Speaker 1: Like it was worse.

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Speaker 2: Kelly wasn't even that bad as bad as the other one.

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Speaker 2: They picked up her dress and she got to like,

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Speaker 2: don't touch my touch my dress like it was nasty.

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Speaker 8: It's pretty bad.

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Speaker 4: But it's a weird situation for everybody because what you're

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Speaker 4: going to like they're under pressure from the camp people

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Speaker 4: who don't give a fox or they're security, but at

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Speaker 4: some point you just don't touch nobody. Bro, Like if

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Speaker 4: somebody like I'm not moving, but then you need to

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Speaker 4: just you gotta take your l take your a. It's okay,

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Speaker 4: we can all our egos ain't in this. It's just

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Speaker 4: fucking pictures.

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Speaker 2: I want to go back from the start for people

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Speaker 2: that don't know who Malcolm is is, how did you

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Speaker 2: get started in the entertainment industry as far as acting

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Speaker 2: and writing?

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Speaker 3: How did you get started? What made you start loving

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Speaker 3: this game?

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Speaker 4: I think it was damn every time I feel like

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Speaker 4: Charlamagne is just trump like he's just gonna trauma trigger

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Speaker 4: me every time because because I talked to you know,

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Speaker 4: when my pops was around heavily in my life when

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Speaker 4: I was younger and my mom's was still like you know,

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Speaker 4: like it was like a family thing, like you know,

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Speaker 4: going to Blockbuster for all those who are old enough

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Speaker 4: to remember Blockbuster Hollywood videos, going to drive in theaters

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Speaker 4: like it was communal, it was familiar, and it's a

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Speaker 4: time before everything kind of went left in my life,

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Speaker 4: before there was like street violence, before my pops had

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Speaker 4: to figure it out and did for a second before

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Speaker 4: things changed. And that's the thing I think that like

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Speaker 4: connected me to movies because you could go anywhere. You

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Speaker 4: could be with your family have a good time, and

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Speaker 4: you could be in the South of France watching James

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Speaker 4: Bond or watching you know, you know, Mobeta Blues. I

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Speaker 4: could experience New York in a certain time period. I

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Speaker 4: could like it was. It was a beautiful place and

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Speaker 4: where black men and women were kings and queens in

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Speaker 4: my household on television and on film, and I don't

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Speaker 4: have I didn't have that experience where they were like,

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Speaker 4: we're not represented.

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Speaker 1: I ain't had that shit.

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Speaker 4: My house was full of black art, black music, black

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Speaker 4: so it was a place of comfort and I think

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Speaker 4: I fell in love with storytelling as a means of

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Speaker 4: transportation and empathy. And from that point, since I was

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Speaker 4: a kid, I was like five six, I was like,

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Speaker 4: this what I want to do. I don't know what

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Speaker 4: this shit is, but I want to do it. And

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Speaker 4: my mom was like, that's what we're doing, you know.

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Speaker 8: So it's dope.

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Speaker 7: Yeah, that is interesting about that era, right cause I

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Speaker 7: always say the same thing. I'm like, Yo, the conversations

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Speaker 7: that we have now by not having representation on TV

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Speaker 7: or not having positive we didn't grow up with that

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Speaker 7: and the nineties had everything you could want. That's a

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Speaker 7: black nuclear family. There was lawyers, there was doctors, there

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Speaker 7: was radio personalities, like there was everything covered on college.

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Speaker 1: And ship bro like even the movies.

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Speaker 4: Yeah, like, and it was cross like, it was cross

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Speaker 4: pollination of entertainment. Like you could see Denzel's poster in

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Speaker 4: Whitley's dorm.

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Speaker 1: Room on the Different World.

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Speaker 4: Before he was Denzel to the world, he was always

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Speaker 4: Denzel to us. And I think that kind of ethnocentrism

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Speaker 4: gets lost in the conversation because we we we always

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Speaker 4: admire in the other side. We always admiring what everybody

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Speaker 4: else got, which I'm not gonna get on on my

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Speaker 4: on my black panther, But you.

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Speaker 3: Just said something that we forgot about.

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Speaker 2: I forgot about the importance of Blockbuster, right, Yeah, because

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Speaker 2: Friday night, my parents used to get off work. We

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Speaker 2: used to go to Blockbuster and they would let me

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Speaker 2: pick a movie and then they would pick a movie

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Speaker 2: and then we would watch it as a family like

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Speaker 2: that was our thing.

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Speaker 3: And then when Blockbuster got video games.

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Speaker 8: Oh we were crazy.

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Speaker 3: I used to be able to get one video game

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Speaker 3: for oh man, that.

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Speaker 1: Was that was the thing.

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Speaker 4: And then when your card, and when your mama or

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Speaker 4: your daddy forgot to play the bill on the card,

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Speaker 4: you have to start going to the library or switch

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Speaker 4: and use your cousin name.

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Speaker 1: It was a whole situation.

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Speaker 4: So like man, I used to love and everybody would go,

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Speaker 4: like you, what movie you watch night? Or like man,

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Speaker 4: I hope they ain't rent Men in Black two out

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Speaker 4: or whatever. It was a beautiful thing that I miss community.

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Speaker 4: I miss us being together. I love when we commune.

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Speaker 4: And that's why I kind of love things like this

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Speaker 4: and institutions like this and Stars and the shows that

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Speaker 4: I'm wanting them too, and because they bring us home,

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Speaker 4: they bring us together to watch them going into something.

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Speaker 6: Where you ever concerned about them killing lou Off the

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Speaker 6: last season?

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Speaker 5: Did you think that they were?

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Speaker 1: I don't give it.

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Speaker 4: No, Like I'm less bro, like I won already, Like

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Speaker 4: I know, you know, it's so crazy people ask me that,

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Speaker 4: were you ever worried about dying? I'm like, bro, I

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Speaker 4: got niggas dying, and really I don't care about them.

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Speaker 4: I appreciate and love the fact that I got the

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Speaker 4: ability to experience the crew I have. Pa Tina Miller

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Speaker 4: is a genius, you know, London. Brown is amazing, Makay

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Speaker 4: is brilliant, like I love you know, Haley kill my

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Speaker 4: whole cast and crew sas Chapin the writer Courtney for

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Speaker 4: incepting it.

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Speaker 8: All of it is.

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Speaker 4: We have the coolest cool Like we don't have no egos,

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Speaker 4: we have no problems, we don't argue, ain't no mess y'all,

304
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Speaker 4: don't see us outside. London sometimes talks too much because

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Speaker 4: he's London and he's a comedian, and.

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Speaker 5: I was gonna say he'd be staging on the commedity.

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Speaker 8: He's a comedian.

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Speaker 4: It's not the same thing. But like, other than that,

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Speaker 4: like we don't get no mess.

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Speaker 1: We're gonna be outside.

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Speaker 8: We be boring.

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Speaker 1: That's why people don't really we bored as fuck.

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Speaker 4: We come home, do our work and all that. So

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Speaker 4: I've been blessed to have a great work environment, to

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Speaker 4: make a little bit of change doing something I love

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Speaker 4: and do something interesting and different. If they killed me tomorrow,

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00:11:26,360 --> 00:11:28,120
Speaker 4: I told Sasha, like, bro, just let me know, so

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Speaker 4: I can, you know.

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Speaker 1: Shake around with the mortgage. But other than that, I'm good, Bro.

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Speaker 1: I had a great time. It was beautiful, We had

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Speaker 1: a great run.

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Speaker 7: How involved his fifty and everything.

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Speaker 4: Early on he was he was very much so involved,

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Speaker 4: and then I think later on he got you know,

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Speaker 4: like you set it up, you set up a business,

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Speaker 4: and then you go do your shit, you know what

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Speaker 4: I mean, put the paint on the walls, make sure

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Speaker 4: ain't nobody's stealing from you.

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Speaker 1: And then you're like, oh no, it's a good crew,

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Speaker 1: good workers, but your you know, business, and walk off

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Speaker 1: like yeah, fifty to fifty cool.

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Speaker 4: You know he'd be doing this thing. I think he'd

333
00:11:56,120 --> 00:11:59,080
Speaker 4: be playing favorites though. Yeah, he played favorites, but he

334
00:11:59,080 --> 00:12:01,000
Speaker 4: don't know that. Man do no wrong. In my eyes,

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Speaker 4: I don't give what he do.

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Speaker 7: Honestly, you're saying that because you don't think you're one

337
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Speaker 7: of his favorites.

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Speaker 4: Is basically I think that his favorites are based on

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00:12:10,760 --> 00:12:12,960
Speaker 4: like a marketing matrix that he runs in his head.

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Speaker 4: I don't know if it's like people he would actually

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Speaker 4: hang out with in real life.

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Speaker 1: I don't know.

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00:12:16,520 --> 00:12:18,280
Speaker 4: I can't say for that, but I do know that

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00:12:18,360 --> 00:12:21,680
Speaker 4: he positions things so brilliantly. You know, if you're in

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Speaker 4: the running, it's because you're making the most money at

346
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Speaker 4: the table, or you are aligned with what he's doing.

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00:12:26,080 --> 00:12:28,200
Speaker 4: So that's what's going to get his attention, which makes

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00:12:28,200 --> 00:12:30,720
Speaker 4: perfect sense for marketing for your product. But I know

349
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Speaker 4: that for me, I don't care whether he there or not.

350
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Speaker 4: His presence has always felt like he nigga changed my life.

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00:12:36,440 --> 00:12:38,839
Speaker 4: I don't give what you're doing save me.

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Speaker 5: Like in terms of shows, like everything art he be.

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Speaker 4: Giving people money and ship like fifty is actually the nicest,

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Speaker 4: sweetest dude ever. And when he be talking to the cancer,

355
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Speaker 4: I don't know what that meanstrological sign.

356
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Speaker 8: Ye okay, so both y'allless.

357
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Speaker 7: People the cancers of crabs. The exterior is hard, interior

358
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Speaker 7: it's soft.

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Speaker 3: People don't know that about it.

360
00:13:03,600 --> 00:13:04,120
Speaker 8: It's goind of Nope.

361
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Speaker 3: Actually people don't know that about him.

362
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Speaker 2: All the stuff that he does, the money that he

363
00:13:07,920 --> 00:13:09,800
Speaker 2: gives and how he helps people that they don't know

364
00:13:09,920 --> 00:13:12,520
Speaker 2: that part of fifty cent. They only see the cross

365
00:13:12,520 --> 00:13:13,760
Speaker 2: the fifty cent he going at you.

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Speaker 4: And it's funny because he don't know that he like

367
00:13:16,559 --> 00:13:19,840
Speaker 4: he he purposely chooses to be delusional about his own fame,

368
00:13:20,080 --> 00:13:22,000
Speaker 4: Like he be roasting the shit online and people think

369
00:13:22,000 --> 00:13:24,200
Speaker 4: he's like dead serious. And I remember asking him, like, bro,

370
00:13:24,240 --> 00:13:26,360
Speaker 4: why you be going up on people? Like, bro, you

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00:13:26,360 --> 00:13:29,240
Speaker 4: you know you realized fifty I don't know why people chipping, like,

372
00:13:29,280 --> 00:13:31,880
Speaker 4: you know, we friends, we making fun of each other,

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Speaker 4: like what's the problem, And I'm like, because you're fucking

374
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Speaker 4: fifty cent.

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Speaker 5: And there's a certain level that he takes into people.

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Speaker 1: People in the right. Yeah, like that's crazy, but he

377
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Speaker 1: just I kind of like it.

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00:13:44,760 --> 00:13:46,920
Speaker 7: Though. It's funny when you say that, you know, you're

379
00:13:47,120 --> 00:13:48,840
Speaker 7: I forgot how you're worried it. But the was the

380
00:13:48,880 --> 00:13:53,120
Speaker 7: marketing marketing matrix? Marketing matrix? Is it? Because like you're

381
00:13:53,160 --> 00:13:55,280
Speaker 7: not in the club, so you know, you can't have

382
00:13:55,360 --> 00:13:56,240
Speaker 7: his liquor.

383
00:13:56,280 --> 00:13:57,079
Speaker 8: I don't know about that.

384
00:13:57,679 --> 00:14:00,000
Speaker 4: I just think that whoever hot and popping and whoever

385
00:14:00,040 --> 00:14:02,040
Speaker 4: he's invested the most time and energy in, they gonna

386
00:14:02,080 --> 00:14:04,480
Speaker 4: get to be where they at with it. And that's

387
00:14:04,520 --> 00:14:06,440
Speaker 4: fine by me because that's how it should be. I

388
00:14:06,480 --> 00:14:08,800
Speaker 4: also think that like that doesn't really have anything to

389
00:14:08,840 --> 00:14:10,760
Speaker 4: do with like who you are as a person. I

390
00:14:10,760 --> 00:14:12,360
Speaker 4: think that has everything to do with what you bring

391
00:14:12,400 --> 00:14:15,840
Speaker 4: to the tape, which once again, fifty is very business oriented,

392
00:14:15,880 --> 00:14:17,719
Speaker 4: so that makes perfect sense. But of course we all

393
00:14:17,760 --> 00:14:21,040
Speaker 4: want to hang out with fifty cent, Like everybody want

394
00:14:21,040 --> 00:14:22,880
Speaker 4: to hang out fifty fifties fun. He's a fun guy.

395
00:14:22,960 --> 00:14:26,200
Speaker 4: He's still in the club at age whatever, and it's

396
00:14:26,200 --> 00:14:28,800
Speaker 4: still lick. So we all enjoy that. But at the

397
00:14:28,840 --> 00:14:30,960
Speaker 4: same time, I don't envy or be jealous of his

398
00:14:31,000 --> 00:14:33,400
Speaker 4: relationships with people. The people been around for years and

399
00:14:33,600 --> 00:14:35,720
Speaker 4: been with him doing all types of stuff. You just

400
00:14:35,720 --> 00:14:38,880
Speaker 4: be glad when he comes through, like, hey man, fifth Folk,

401
00:14:38,920 --> 00:14:39,760
Speaker 4: glad you showed up. Bro.

402
00:14:40,040 --> 00:14:40,920
Speaker 8: You don't have to even do that.

403
00:14:41,000 --> 00:14:42,960
Speaker 7: Does it motivate you, like when you're shooting, like I

404
00:14:42,960 --> 00:14:44,960
Speaker 7: think you'll in production for Raisin Cannon for not.

405
00:14:45,080 --> 00:14:48,280
Speaker 6: Right, Yeah, five on it?

406
00:14:48,360 --> 00:14:52,240
Speaker 7: Yeah? You know, So does it motivate you? Like, yeah,

407
00:14:52,840 --> 00:14:54,520
Speaker 7: I'm gonna keep doing my You're gonna have to come

408
00:14:54,600 --> 00:14:55,480
Speaker 7: up with me Fifth.

409
00:14:55,440 --> 00:14:57,920
Speaker 4: Well, well, I wasn't talking about my personal relationship. Fifty

410
00:14:57,960 --> 00:14:59,480
Speaker 4: then called me and told me, eight, if you stop

411
00:14:59,560 --> 00:15:02,360
Speaker 4: running around, excuse me. Fifty then told me, hey, look, bro,

412
00:15:02,720 --> 00:15:04,720
Speaker 4: I know that you're out here moving different. I got

413
00:15:04,760 --> 00:15:06,440
Speaker 4: you. You don't got to worry about that. I'll put you

414
00:15:06,480 --> 00:15:08,280
Speaker 4: with people, So I don't. I can't say that me

415
00:15:08,320 --> 00:15:09,680
Speaker 4: and fifty don't have a relationship.

416
00:15:09,800 --> 00:15:11,240
Speaker 7: Hold on out because you were speaking nigga. But then

417
00:15:11,240 --> 00:15:13,840
Speaker 7: you stop yourself missing because I.

418
00:15:13,800 --> 00:15:14,960
Speaker 1: Remember mad in my head like.

419
00:15:16,480 --> 00:15:20,880
Speaker 7: Viral did I run around that burner? Sounded like saying

420
00:15:21,000 --> 00:15:23,080
Speaker 7: stop run around to burn and get real secure. I'm saying.

421
00:15:23,600 --> 00:15:26,080
Speaker 4: He was like, I'll give you fifties, like whatever you need,

422
00:15:26,120 --> 00:15:27,800
Speaker 4: I'll make sure you have it. Brother, And he called

423
00:15:27,840 --> 00:15:29,680
Speaker 4: me directly, and if I need him, I can call

424
00:15:29,760 --> 00:15:31,200
Speaker 4: him and reach out and he'll text back and all that.

425
00:15:31,280 --> 00:15:33,320
Speaker 1: So I can't say that I don't have a personal relationship.

426
00:15:33,680 --> 00:15:36,120
Speaker 4: I just know that certain people he got a lot

427
00:15:36,120 --> 00:15:38,200
Speaker 4: of people to service, and certain people under the umbrella

428
00:15:38,240 --> 00:15:41,160
Speaker 4: of both power music or whatever sometimes feel a little neglected,

429
00:15:41,200 --> 00:15:43,720
Speaker 4: and I'm just telling them it's not personal. You can't

430
00:15:43,760 --> 00:15:46,479
Speaker 4: take it personal with you. But my relationship fine.

431
00:15:48,760 --> 00:15:51,320
Speaker 6: Do you watch any of the other shows Power Universe?

432
00:15:51,760 --> 00:15:56,760
Speaker 6: I try, okay, because it's a bunch of damn shows.

433
00:15:57,040 --> 00:16:00,120
Speaker 1: Yes, and then for me and then you're not much.

434
00:16:00,240 --> 00:16:03,360
Speaker 6: If you're not only doing you're not only doing that show,

435
00:16:03,360 --> 00:16:05,240
Speaker 6: you're doing other things as well. But I asked that

436
00:16:05,320 --> 00:16:09,200
Speaker 6: because a lot of times I see people like saying

437
00:16:09,560 --> 00:16:13,400
Speaker 6: Monita Hada or Raquet, like who is the more of

438
00:16:13,440 --> 00:16:14,000
Speaker 6: a badass?

439
00:16:14,000 --> 00:16:14,680
Speaker 5: Who would you pick?

440
00:16:17,080 --> 00:16:19,120
Speaker 4: That's not fair because you know you're not gonna wrote.

441
00:16:19,200 --> 00:16:20,880
Speaker 4: First of all, you're not gonna let me do what

442
00:16:20,960 --> 00:16:21,760
Speaker 4: fifty be doing.

443
00:16:22,200 --> 00:16:22,960
Speaker 1: I'm not doing that.

444
00:16:23,320 --> 00:16:26,600
Speaker 4: You're not letting me put two black women against. What

445
00:16:26,680 --> 00:16:29,200
Speaker 4: I will say is I'm a I'm a person who

446
00:16:29,200 --> 00:16:33,160
Speaker 4: grew up in a very what they call it, tribalist environment.

447
00:16:33,240 --> 00:16:35,960
Speaker 4: So you know I'm rocking with gang and can't nobody

448
00:16:36,000 --> 00:16:39,640
Speaker 4: fuck with Patina on television, not just against power and

449
00:16:39,680 --> 00:16:41,440
Speaker 4: this and that. Like, No, I don't care if it

450
00:16:41,520 --> 00:16:43,880
Speaker 4: was what's that white boy move show that's really good

451
00:16:43,960 --> 00:16:48,800
Speaker 4: Jason Bacmon show, Ozark, Oh, just as good Ozarks. I

452
00:16:48,800 --> 00:16:50,960
Speaker 4: don't give fuck if it's Ozark. I don't care if

453
00:16:50,960 --> 00:16:55,360
Speaker 4: it's Martin Scorsese's movie. Nobody, even though Lily Gladstone is amazing,

454
00:16:56,040 --> 00:16:58,560
Speaker 4: Patina Miller's top tier period, don't matter.

455
00:16:58,640 --> 00:16:59,160
Speaker 8: She heard.

456
00:16:59,440 --> 00:17:02,200
Speaker 4: She needs to be acknowledged for it, with the awards

457
00:17:02,240 --> 00:17:04,520
Speaker 4: and all the things. He deserves it, so does everybody

458
00:17:04,520 --> 00:17:06,200
Speaker 4: else on the cast. So you're not gonna get me

459
00:17:06,320 --> 00:17:09,520
Speaker 4: like that. Look love Mary, love love Anti, but we're

460
00:17:09,520 --> 00:17:10,159
Speaker 4: not playing behind it.

461
00:17:10,480 --> 00:17:12,320
Speaker 7: Why didn't they be fronting on the Stars shows? Though?

462
00:17:12,359 --> 00:17:14,680
Speaker 7: When it comes to like the awards and denominations and

463
00:17:14,720 --> 00:17:15,280
Speaker 7: stuff like that.

464
00:17:17,119 --> 00:17:17,800
Speaker 8: I pleaded the fifth.

465
00:17:17,800 --> 00:17:18,960
Speaker 1: I'm just here so I don't get.

466
00:17:18,800 --> 00:17:23,040
Speaker 7: Fine, it's the network.

467
00:17:23,200 --> 00:17:24,840
Speaker 4: I plead the fifth. I'm just here so I don't

468
00:17:24,840 --> 00:17:27,119
Speaker 4: get fine, damn, And.

469
00:17:27,119 --> 00:17:27,919
Speaker 8: I say it like that.

470
00:17:28,200 --> 00:17:30,720
Speaker 4: Love Stars, Love everything they've done for me. I can't

471
00:17:30,760 --> 00:17:33,280
Speaker 4: speak on anything that ain't in my purview. Learning to

472
00:17:33,280 --> 00:17:35,600
Speaker 4: shut the fuck up sometimes.

473
00:17:35,720 --> 00:17:38,240
Speaker 7: Because Stars has you know, some of the best programming

474
00:17:38,280 --> 00:17:40,119
Speaker 7: on television, don't even like to call it black, some

475
00:17:40,160 --> 00:17:40,879
Speaker 7: of the best programs.

476
00:17:40,880 --> 00:17:42,359
Speaker 1: Outlander was one of my favorite shows.

477
00:17:42,880 --> 00:17:44,680
Speaker 7: God that's your herte American Gods.

478
00:17:44,800 --> 00:17:45,960
Speaker 1: American Gods was mazing.

479
00:17:46,200 --> 00:17:48,400
Speaker 7: I read the book before I saw the show Gaming

480
00:17:49,040 --> 00:17:51,040
Speaker 7: Gaming Fan Why I was a fan of that book

481
00:17:51,080 --> 00:17:52,639
Speaker 7: because I don't know why. I guess it was the

482
00:17:52,680 --> 00:17:54,320
Speaker 7: title and then when I, you know, just looked at

483
00:17:54,359 --> 00:17:57,359
Speaker 7: it and I was like, oh, new Gods versus. So

484
00:17:57,400 --> 00:17:58,879
Speaker 7: I just ended up reading it. I'm like, oh, this

485
00:17:58,960 --> 00:17:59,240
Speaker 7: is dope.

486
00:17:59,280 --> 00:18:00,800
Speaker 4: I mean, Neil Gaming been putting it down. He's been

487
00:18:00,840 --> 00:18:02,320
Speaker 4: one of my favorite ritis for all times. So like, yeah,

488
00:18:02,359 --> 00:18:06,080
Speaker 4: when they adapted that pretty well, even what's his name from?

489
00:18:06,320 --> 00:18:08,600
Speaker 4: You remember double Take or whatever what it was. It

490
00:18:08,640 --> 00:18:11,840
Speaker 4: was the Eddie Griffin movie with Malcolm Malcolm uh with

491
00:18:11,920 --> 00:18:16,639
Speaker 4: the other dude, He's like, really Jamal warned Eddie Griffin

492
00:18:16,640 --> 00:18:19,000
Speaker 4: had a movie where it was like called double Take

493
00:18:19,080 --> 00:18:20,520
Speaker 4: or some Ship, and it was with this one dude

494
00:18:20,520 --> 00:18:22,280
Speaker 4: who's a really good actor but we never remember his

495
00:18:22,320 --> 00:18:24,119
Speaker 4: name as fucked up because he's really great. And he

496
00:18:24,160 --> 00:18:26,400
Speaker 4: had a scene in American Guys where he went crazy.

497
00:18:26,640 --> 00:18:28,160
Speaker 4: He was talking like to the slaves.

498
00:18:27,800 --> 00:18:28,200
Speaker 8: On the boat.

499
00:18:28,800 --> 00:18:35,000
Speaker 4: Oh, Orlando, niggas amazing Orlando.

500
00:18:35,200 --> 00:18:36,159
Speaker 8: He you were a legend.

501
00:18:36,160 --> 00:18:39,439
Speaker 1: Bro, Hey, bro, you be stepping on ship like I

502
00:18:39,480 --> 00:18:40,200
Speaker 1: need to learn my name.

503
00:18:42,720 --> 00:18:46,440
Speaker 7: I know he's executive produced the movie that it's called

504
00:18:46,600 --> 00:18:48,640
Speaker 7: eighty eight. It's actually on Stars.

505
00:18:48,680 --> 00:18:51,760
Speaker 4: That's hard you are that scene he did in American

506
00:18:51,760 --> 00:18:53,800
Speaker 4: Guys where he went crazy talking to the slaves and

507
00:18:53,800 --> 00:18:57,119
Speaker 4: all that and was discussing all the hell yeah that man,

508
00:18:57,520 --> 00:19:00,680
Speaker 4: that boy. But yes, Stars produces great program I can't

509
00:19:00,680 --> 00:19:03,640
Speaker 4: speak towards their campaigns with our culture or the awards

510
00:19:03,640 --> 00:19:04,880
Speaker 4: with Emmys and the BAC.

511
00:19:05,160 --> 00:19:05,560
Speaker 1: I don't know.

512
00:19:05,960 --> 00:19:09,040
Speaker 4: All I know is, you know, I wish that whatever

513
00:19:09,160 --> 00:19:11,199
Speaker 4: needs God, whatever's broken, let him fix it.

514
00:19:11,400 --> 00:19:12,879
Speaker 8: That's all I can say because I ain't gonna talk

515
00:19:12,920 --> 00:19:13,520
Speaker 8: too much about that.

516
00:19:14,119 --> 00:19:16,080
Speaker 7: Do you talk to the writing team about where you

517
00:19:16,119 --> 00:19:17,440
Speaker 7: want the character loo to go?

518
00:19:17,760 --> 00:19:21,240
Speaker 4: Are you just like, you know, I think Sasha is

519
00:19:21,280 --> 00:19:22,960
Speaker 4: good about letting us have input, but you let that

520
00:19:23,000 --> 00:19:25,080
Speaker 4: man cook. If it ain't broke, don't fix it. We

521
00:19:25,160 --> 00:19:26,879
Speaker 4: let that man cook, and he just basically because you

522
00:19:26,920 --> 00:19:30,520
Speaker 4: think I would have chose to be an alcoholic.

523
00:19:30,400 --> 00:19:35,119
Speaker 1: And feeling bad out of no way like that. But

524
00:19:35,160 --> 00:19:36,800
Speaker 1: you know, people take that shit serious and I gotta

525
00:19:36,840 --> 00:19:37,160
Speaker 1: go home.

526
00:19:37,200 --> 00:19:40,920
Speaker 7: And that's I keep hearing that from actors and actresses

527
00:19:40,960 --> 00:19:43,120
Speaker 7: nowadays and bugging me out. The first person I ever

528
00:19:43,119 --> 00:19:45,080
Speaker 7: heard say that was Making Good a couple of years ago,

529
00:19:45,320 --> 00:19:47,600
Speaker 7: and she was saying how she got to watch the

530
00:19:47,680 --> 00:19:52,080
Speaker 7: role she played now because people think that's actually you thatand.

531
00:19:51,520 --> 00:19:52,800
Speaker 8: Well, there's two things. There's two things.

532
00:19:52,840 --> 00:19:54,960
Speaker 4: We know how human beings are bro like, it's all marketing,

533
00:19:55,000 --> 00:19:56,480
Speaker 4: even in your personal life. You know, if you dress

534
00:19:56,560 --> 00:19:58,399
Speaker 4: nice at school, you become the person who's the nigga

535
00:19:58,400 --> 00:19:59,800
Speaker 4: the dress nice at school, and now you got to

536
00:19:59,840 --> 00:20:02,040
Speaker 4: keep that up. Like if you a nigga addressed bummy

537
00:20:02,080 --> 00:20:03,880
Speaker 4: and you're just nice once, everybody gonna be like, oh

538
00:20:03,920 --> 00:20:07,480
Speaker 4: ship Like. People's perceptions are manipulated and marketing is a

539
00:20:07,480 --> 00:20:09,600
Speaker 4: big deal. So like, if you want to be seen

540
00:20:09,600 --> 00:20:13,720
Speaker 4: as a leader, you can't keep playing somebody that's not. Yeah,

541
00:20:13,880 --> 00:20:16,000
Speaker 4: you know, people really don't look at Don Cheetah and

542
00:20:16,080 --> 00:20:18,560
Speaker 4: Jeffrey Wright and all the in g and Carlo Esposito

543
00:20:18,800 --> 00:20:21,760
Speaker 4: like they're leading men, but they have all of the

544
00:20:21,800 --> 00:20:24,760
Speaker 4: same tool sets that that god the Denzel has.

545
00:20:25,119 --> 00:20:30,400
Speaker 6: I always say, man, what's his name? Pregnancy brain? Pregnancy brain?

546
00:20:30,440 --> 00:20:31,120
Speaker 5: What is his name?

547
00:20:31,840 --> 00:20:33,879
Speaker 3: What's love got to do with it?

548
00:20:33,920 --> 00:20:37,520
Speaker 5: I turner, what frisch burn?

549
00:20:37,600 --> 00:20:39,000
Speaker 6: Until he was movie and then I was like, Okay,

550
00:20:39,040 --> 00:20:40,960
Speaker 6: now he's rubbing me up the right way.

551
00:20:40,880 --> 00:20:41,679
Speaker 8: Because you hated him.

552
00:20:42,119 --> 00:20:44,320
Speaker 5: Yeah, but he did, so that's how great he did.

553
00:20:44,480 --> 00:20:46,000
Speaker 1: We was kids and we had and I was scared

554
00:20:46,000 --> 00:20:46,760
Speaker 1: of him, like, why.

555
00:20:46,680 --> 00:20:47,760
Speaker 5: Is he being up like that?

556
00:20:48,280 --> 00:20:49,720
Speaker 1: You know you like boys?

557
00:20:49,760 --> 00:20:59,200
Speaker 6: And yeah, I guess I've sayen that later. Yeah and yeah,

558
00:20:59,240 --> 00:21:01,600
Speaker 6: oh yeah him angel bad. I said, where parents again?

559
00:21:01,680 --> 00:21:03,000
Speaker 6: And boys in the hood because he was the mom

560
00:21:03,080 --> 00:21:05,640
Speaker 6: he was in there. But yeah, but you're right, it's

561
00:21:05,720 --> 00:21:08,679
Speaker 6: very implement influential, and marketing can be a bitch.

562
00:21:08,720 --> 00:21:11,560
Speaker 4: It is because my girl Raven was like, hey, I

563
00:21:11,640 --> 00:21:13,840
Speaker 4: seen him as ike at ten. I ain't stop hating

564
00:21:13,840 --> 00:21:16,240
Speaker 4: that man since and I was like that man them

565
00:21:16,320 --> 00:21:19,520
Speaker 4: been in Apocalypse now at seventeen years old with Francis Sport.

566
00:21:19,520 --> 00:21:22,240
Speaker 4: Coppola also that you could sit here and not want

567
00:21:22,240 --> 00:21:24,440
Speaker 4: to go watch him because he played the role too good.

568
00:21:24,440 --> 00:21:26,320
Speaker 4: And once I've seen that, I was like, oh, like,

569
00:21:26,359 --> 00:21:28,320
Speaker 4: you got to position yourself. You got to make sure

570
00:21:28,320 --> 00:21:30,760
Speaker 4: you're doing certain things. And so next time y'all see me,

571
00:21:30,800 --> 00:21:32,720
Speaker 4: I'll probably have on a suit. And then I ain't

572
00:21:32,720 --> 00:21:33,720
Speaker 4: gonna be selling no drugs.

573
00:21:33,720 --> 00:21:36,560
Speaker 7: I'll tell you, like, psychologically, how do you check yourself?

574
00:21:36,560 --> 00:21:39,400
Speaker 7: You just out in the box? Might you drunk? Rat? Oh?

575
00:21:39,440 --> 00:21:40,119
Speaker 7: My ego not it.

576
00:21:40,160 --> 00:21:42,760
Speaker 4: I'm not fucking my ego ain't in this. Like my

577
00:21:42,880 --> 00:21:44,680
Speaker 4: ego not in this. Like I lived a real life

578
00:21:44,680 --> 00:21:47,080
Speaker 4: where real shit happen, where niggas getting convicted and bailing

579
00:21:47,800 --> 00:21:51,040
Speaker 4: Jay dotsonsume green dots and jpas and real life shit.

580
00:21:51,400 --> 00:21:54,240
Speaker 4: So like, I'll just be happy people are excited about

581
00:21:54,240 --> 00:21:55,600
Speaker 4: the show. As long as you don't touch me or

582
00:21:55,640 --> 00:21:56,359
Speaker 4: disrespect somebody.

583
00:21:56,440 --> 00:21:56,679
Speaker 8: I'm with.

584
00:21:56,720 --> 00:21:57,320
Speaker 1: We all good.

585
00:21:57,720 --> 00:21:59,440
Speaker 8: Do you think live out your fantasy? Bro?

586
00:21:59,520 --> 00:22:04,160
Speaker 4: Just don't touch nobody. I'm Kelly, don't touch me. Touch

587
00:22:04,520 --> 00:22:05,399
Speaker 4: I got boundaries.

588
00:22:05,440 --> 00:22:07,400
Speaker 1: But other than that, my nig do your shit because

589
00:22:07,400 --> 00:22:07,960
Speaker 1: it's just love.

590
00:22:08,000 --> 00:22:10,400
Speaker 4: You just confused a little bit, like your life probably, yeah,

591
00:22:10,440 --> 00:22:12,680
Speaker 4: way harder than mine right now, Like I know how

592
00:22:12,720 --> 00:22:14,720
Speaker 4: it goes. This is what you got, we hear. Matter

593
00:22:14,720 --> 00:22:16,520
Speaker 4: of fact, I might laugh with you, like, hey man,

594
00:22:16,560 --> 00:22:17,119
Speaker 4: it was tough.

595
00:22:18,160 --> 00:22:18,879
Speaker 8: I didn't choose this.

596
00:22:19,440 --> 00:22:22,120
Speaker 6: You know, a lot of people relate to that character though,

597
00:22:22,160 --> 00:22:25,439
Speaker 6: like that's the character, Lou, that's all real shit, like

598
00:22:25,520 --> 00:22:26,960
Speaker 6: it is, a lot of people do relate to it,

599
00:22:27,000 --> 00:22:29,080
Speaker 6: and you play it so well. Another show i'm a

600
00:22:29,080 --> 00:22:31,080
Speaker 6: fan of is Them Both Season one?

601
00:22:31,119 --> 00:22:31,439
Speaker 5: Answer?

602
00:22:31,480 --> 00:22:35,160
Speaker 6: Now, you play in one as Calvin. Yeah, yeah, I

603
00:22:35,200 --> 00:22:37,400
Speaker 6: love that. A lot of people didn't catch that, but

604
00:22:37,720 --> 00:22:40,639
Speaker 6: I caught it and I just loved it, like you

605
00:22:40,680 --> 00:22:42,760
Speaker 6: know how you can switch because you obviously have ranged.

606
00:22:43,040 --> 00:22:44,560
Speaker 5: And then season two came out.

607
00:22:44,920 --> 00:22:49,119
Speaker 6: I thought you were so creative as a writer for that.

608
00:22:49,160 --> 00:22:52,439
Speaker 6: It was so many pieces on them to the scare.

609
00:22:53,160 --> 00:22:54,560
Speaker 6: How did you tap into that?

610
00:22:54,800 --> 00:22:56,200
Speaker 4: Well, first of all, it's a team of six people

611
00:22:56,240 --> 00:22:58,120
Speaker 4: in one room coming up with one idea, so that helps.

612
00:22:58,200 --> 00:22:59,800
Speaker 4: So I'm not going to act like I'm just you know,

613
00:23:00,119 --> 00:23:03,960
Speaker 4: and little Marvin being ahead of the ship. Oh, my god,

614
00:23:03,960 --> 00:23:06,480
Speaker 4: Little Marvin is amazing. Yeah, and I say that to

615
00:23:06,480 --> 00:23:08,239
Speaker 4: say and I'm like, you know, and I'm gonna keep

616
00:23:08,280 --> 00:23:10,679
Speaker 4: doing this with Luke because I'm wonder the people that

617
00:23:10,720 --> 00:23:12,640
Speaker 4: when I'm wrong, I'm wrong just as loud as I

618
00:23:12,680 --> 00:23:14,639
Speaker 4: was when I was right, and I gotta be honest

619
00:23:14,680 --> 00:23:15,280
Speaker 4: if I fuck up.

620
00:23:15,720 --> 00:23:17,480
Speaker 8: I did not believe in Luke in this role.

621
00:23:17,840 --> 00:23:18,240
Speaker 1: I did not.

622
00:23:18,440 --> 00:23:20,800
Speaker 4: I did not believe in that man. I argued with

623
00:23:20,920 --> 00:23:22,840
Speaker 4: Tony Saltzman, who's the second in the room, and Little

624
00:23:22,840 --> 00:23:24,920
Speaker 4: Marvin about like that's the choice we going because the

625
00:23:25,000 --> 00:23:28,560
Speaker 4: character description looked nothing like him. The character description looked

626
00:23:28,560 --> 00:23:31,679
Speaker 4: more like a young Forced Whittaker. Literally, it had nothing

627
00:23:31,720 --> 00:23:34,840
Speaker 4: in Luke is handsome, he got ass, what the fuck

628
00:23:34,880 --> 00:23:35,280
Speaker 4: he gonna do?

629
00:23:35,440 --> 00:23:37,480
Speaker 7: Like you know what I mean, Like Kendrick, I hate

630
00:23:37,480 --> 00:23:38,000
Speaker 7: the Waiting.

631
00:23:40,280 --> 00:23:42,639
Speaker 4: As a person because you know, Luke was in an

632
00:23:42,720 --> 00:23:44,159
Speaker 4: R and B group when we was kids, when he

633
00:23:44,200 --> 00:23:46,000
Speaker 4: was teenagers, and he was singing his ass off. So like,

634
00:23:46,040 --> 00:23:47,800
Speaker 4: I've always been a fan of Luke's but I just

635
00:23:47,960 --> 00:23:50,480
Speaker 4: never was like, you know, I'm like, I don't think

636
00:23:50,520 --> 00:23:53,280
Speaker 4: he can do this, And so I fought like a

637
00:23:53,280 --> 00:23:55,119
Speaker 4: little bit I was bumping up against shit. When they

638
00:23:55,119 --> 00:23:56,679
Speaker 4: was like, we're not shooting in La was shoot at Land.

639
00:23:56,680 --> 00:23:57,479
Speaker 8: I'm like, Oh, this is bullshit.

640
00:23:57,520 --> 00:23:59,400
Speaker 1: Then they're like, also we're asking Luke James.

641
00:23:59,400 --> 00:24:03,240
Speaker 4: I'm like, I got me who y'all after all this

642
00:24:03,320 --> 00:24:05,000
Speaker 4: work we didn't put in to build this story and

643
00:24:05,440 --> 00:24:08,720
Speaker 4: how it was. Because if somebody, one actor can ruin

644
00:24:08,800 --> 00:24:10,600
Speaker 4: all of the story, it don't matter how good it is.

645
00:24:10,680 --> 00:24:11,920
Speaker 4: Y'all got to get up there and say the words.

646
00:24:12,000 --> 00:24:13,040
Speaker 8: So I was.

647
00:24:13,280 --> 00:24:16,920
Speaker 4: I am humbled and appreciative to be wrong. Being wrong

648
00:24:16,960 --> 00:24:19,800
Speaker 4: it's a fun thing sometimes that ship beautiful as fuck

649
00:24:19,880 --> 00:24:22,440
Speaker 4: because I was so wrong that man is was. He

650
00:24:22,480 --> 00:24:24,480
Speaker 4: did his stuff, he put his foot in it, he

651
00:24:24,520 --> 00:24:26,280
Speaker 4: stepped all over it. And I'm so glad that we

652
00:24:26,320 --> 00:24:28,919
Speaker 4: had people like Little Marvin with vision and Tony Saltsman

653
00:24:29,000 --> 00:24:30,919
Speaker 4: with vision, and the casting directors and a team of

654
00:24:30,920 --> 00:24:33,119
Speaker 4: writers who are able to you know, we can disagree,

655
00:24:33,280 --> 00:24:35,280
Speaker 4: have differensive opinion and still get a great product.

656
00:24:35,640 --> 00:24:38,520
Speaker 7: I respect that because that's not hate, that's not ego driven,

657
00:24:38,600 --> 00:24:41,080
Speaker 7: that's man like, we've created this great product. I wanted

658
00:24:41,119 --> 00:24:43,919
Speaker 7: to continue to be good. I don't think that's the

659
00:24:43,960 --> 00:24:46,560
Speaker 7: person for it, but you you want to be wrong.

660
00:24:46,640 --> 00:24:48,199
Speaker 4: I want to be want to be wrong, And I

661
00:24:48,359 --> 00:24:50,600
Speaker 4: was did you speak a look about it?

662
00:24:50,840 --> 00:24:51,800
Speaker 1: No, I haven't had a chance to.

663
00:24:52,119 --> 00:24:55,359
Speaker 4: We've seen him on here Be the first time he

664
00:24:55,400 --> 00:25:00,119
Speaker 4: sees it and bro you that nigga? You Heimmothy who

665
00:25:00,200 --> 00:25:03,720
Speaker 4: Timothy James Chapter three and five. That's you cause you

666
00:25:03,680 --> 00:25:04,240
Speaker 4: got to get people.

667
00:25:04,280 --> 00:25:04,639
Speaker 8: They flowers.

668
00:25:04,680 --> 00:25:06,239
Speaker 4: We don't see each other, we don't run into each other.

669
00:25:06,359 --> 00:25:07,600
Speaker 4: And then I went back and looked at some of

670
00:25:07,600 --> 00:25:09,000
Speaker 4: the stuff he did on the shot because I don't

671
00:25:09,000 --> 00:25:10,800
Speaker 4: watch the show. Yeah, and I was like, oh, this

672
00:25:10,880 --> 00:25:13,119
Speaker 4: last season he was really sensitive and really vulnerable and

673
00:25:13,160 --> 00:25:16,160
Speaker 4: playing some weird like doing some things that I appreciate

674
00:25:16,200 --> 00:25:18,119
Speaker 4: as an artist because me, I talk shit, but not

675
00:25:18,160 --> 00:25:20,000
Speaker 4: about the person. Just like when you said, somebody come

676
00:25:20,040 --> 00:25:21,399
Speaker 4: up to me be like your role and like, I

677
00:25:21,400 --> 00:25:23,720
Speaker 4: can't believe you did ABNC. I don't take things personal.

678
00:25:24,000 --> 00:25:26,680
Speaker 4: So when I critique something, it's literally because I'm worried

679
00:25:26,680 --> 00:25:29,080
Speaker 4: about the story, the art, giving our people quality so

680
00:25:29,080 --> 00:25:31,359
Speaker 4: that they can empathize with situations they never would have

681
00:25:31,359 --> 00:25:33,640
Speaker 4: empathized with, so they can go places they never would

682
00:25:33,720 --> 00:25:37,440
Speaker 4: otherwise win because you gotta dispect, like filmmaking and storytelling

683
00:25:37,520 --> 00:25:40,200
Speaker 4: is meant for one thing. It's an empathy machine. It's

684
00:25:40,200 --> 00:25:43,760
Speaker 4: supposed to make it so that you dispel disbelief so

685
00:25:43,800 --> 00:25:45,639
Speaker 4: that you can really believe what's happening, so you can

686
00:25:45,680 --> 00:25:47,760
Speaker 4: have a real human experience and expand your mind, your

687
00:25:47,760 --> 00:25:50,520
Speaker 4: spiritual heart. So I take this shit for real because

688
00:25:50,560 --> 00:25:53,360
Speaker 4: it saved my fucking life, just like Kanye Well's first

689
00:25:53,400 --> 00:25:56,000
Speaker 4: album saved my life, just like watching Malcolm X save

690
00:25:56,080 --> 00:25:59,320
Speaker 4: my fucking life, just like why certain things change your life,

691
00:25:58,760 --> 00:26:03,679
Speaker 4: the unexplainable lightness of being, like these movies. And so

692
00:26:03,760 --> 00:26:06,800
Speaker 4: when somebody say an actor, I don't. Yeah, there's personality there,

693
00:26:06,800 --> 00:26:08,360
Speaker 4: people who are fun that we like to watch. They're

694
00:26:08,400 --> 00:26:10,600
Speaker 4: great to watch their entertainment. But then there's niggas that

695
00:26:10,680 --> 00:26:13,480
Speaker 4: make you feel your soul and I don't.

696
00:26:13,240 --> 00:26:13,840
Speaker 1: Play with that.

697
00:26:14,240 --> 00:26:15,919
Speaker 4: So it wasn't because I didn't think Luke was a

698
00:26:15,920 --> 00:26:18,480
Speaker 4: good actor or talented. It's because, bro, this is precious.

699
00:26:18,680 --> 00:26:21,080
Speaker 4: I need you to caretaking guide this real. And he

700
00:26:21,160 --> 00:26:21,560
Speaker 4: did that.

701
00:26:21,520 --> 00:26:24,399
Speaker 6: Ship and that was a very complex role. When I

702
00:26:24,440 --> 00:26:27,000
Speaker 6: first when I when I seen him too, and then

703
00:26:27,040 --> 00:26:27,639
Speaker 6: I was like.

704
00:26:27,600 --> 00:26:30,800
Speaker 5: How the fuck is Luke James gonna be right? Miss

705
00:26:30,800 --> 00:26:31,320
Speaker 5: the games?

706
00:26:31,480 --> 00:26:34,160
Speaker 1: Like and what why he made himself ugly. I don't

707
00:26:34,160 --> 00:26:34,760
Speaker 1: know how he did that.

708
00:26:34,880 --> 00:26:36,480
Speaker 5: I don't either day.

709
00:26:36,920 --> 00:26:38,760
Speaker 6: And it was amazing because in the in the show,

710
00:26:38,760 --> 00:26:42,000
Speaker 6: I don't want to ruin it totally, but he couldn't remember.

711
00:26:42,040 --> 00:26:43,359
Speaker 5: He was trying to be an actor.

712
00:26:43,760 --> 00:26:48,760
Speaker 6: And the way it unfolded was he really couldn't get

713
00:26:48,760 --> 00:26:50,800
Speaker 6: the hood thing down, but he was trying.

714
00:26:50,840 --> 00:26:52,240
Speaker 5: Like when he spooked the girl.

715
00:26:53,160 --> 00:26:53,600
Speaker 7: It was crazy.

716
00:26:53,800 --> 00:26:55,960
Speaker 4: It was crazy with stock and shout out to the

717
00:26:56,000 --> 00:26:57,520
Speaker 4: team bro. Shout out to the whole gang game too,

718
00:26:57,560 --> 00:26:59,840
Speaker 4: they went crazy. I love him niggas they are we

719
00:26:59,880 --> 00:27:01,000
Speaker 4: are deserve our flowers.

720
00:27:01,119 --> 00:27:03,760
Speaker 6: Yeah, and even what you said, going back to when

721
00:27:03,760 --> 00:27:07,000
Speaker 6: you said one one character can like mess up the story.

722
00:27:07,040 --> 00:27:09,120
Speaker 6: I ain't gonna lie. And this is my brother man.

723
00:27:09,480 --> 00:27:10,920
Speaker 6: When I first saw youm on, I said, what the

724
00:27:10,920 --> 00:27:12,640
Speaker 6: fuck is he doing? Playing with somebody play?

725
00:27:13,520 --> 00:27:15,159
Speaker 1: He felt like somebody that right, you know?

726
00:27:15,640 --> 00:27:18,679
Speaker 6: But as I'm watchingthing like oh ship, like this is

727
00:27:18,720 --> 00:27:23,040
Speaker 6: a star study cast for this And shout out to Deborah, Deborah,

728
00:27:23,840 --> 00:27:25,520
Speaker 6: she is amazing.

729
00:27:25,960 --> 00:27:26,960
Speaker 5: Season one and season two.

730
00:27:26,960 --> 00:27:29,000
Speaker 6: I didn't know how y'all was gonna do it. But

731
00:27:29,880 --> 00:27:32,880
Speaker 6: I ain't even gonna tell you how to watch season one.

732
00:27:33,200 --> 00:27:35,240
Speaker 5: In season two. You your penmanship is amazing.

733
00:27:35,240 --> 00:27:36,720
Speaker 4: I just want to give you to be a part

734
00:27:36,760 --> 00:27:39,000
Speaker 4: of team. It's number two on Amazon, so like we

735
00:27:39,200 --> 00:27:41,320
Speaker 4: amazing our things. So shout out to the gang. Shout

736
00:27:41,320 --> 00:27:44,159
Speaker 4: out to dev deb another unhyped ted. I don't know

737
00:27:44,200 --> 00:27:45,760
Speaker 4: how that woman does what she does. And don't nobody

738
00:27:45,840 --> 00:27:47,080
Speaker 4: say nothing. It's crazy to me.

739
00:27:47,640 --> 00:27:49,280
Speaker 1: I'll be like, what are you right do?

740
00:27:49,960 --> 00:27:50,160
Speaker 7: Yeah?

741
00:27:50,240 --> 00:27:51,879
Speaker 4: Y'all wrote a movie recently that I'm trying to get

742
00:27:51,920 --> 00:27:52,480
Speaker 4: made right now.

743
00:27:53,000 --> 00:27:55,040
Speaker 5: Is that Covers Covers?

744
00:27:55,080 --> 00:27:56,680
Speaker 4: That was a can that was like the short version

745
00:27:56,680 --> 00:27:58,360
Speaker 4: of a larger film that I did. They got into

746
00:27:58,359 --> 00:28:01,600
Speaker 4: the camp okay, wow to come, which was a blessing.

747
00:28:01,720 --> 00:28:01,879
Speaker 7: You know.

748
00:28:02,160 --> 00:28:03,840
Speaker 8: The next one's gonna go crazy. It's called Program.

749
00:28:03,880 --> 00:28:05,719
Speaker 1: I'm doing meetings on it right now, raising money. It's

750
00:28:05,720 --> 00:28:06,680
Speaker 1: gonna be. It's gonna be thinking.

751
00:28:06,680 --> 00:28:11,119
Speaker 7: I'm a directed, nice, lucrative, but acting or writing.

752
00:28:13,119 --> 00:28:13,639
Speaker 8: Depends.

753
00:28:13,760 --> 00:28:17,280
Speaker 4: Now it's now it's almost equivalent. But like because my

754
00:28:17,520 --> 00:28:19,440
Speaker 4: quotes is pretty high as a writer because wrote, oh

755
00:28:19,520 --> 00:28:23,480
Speaker 4: I'm on your ass, I'm on your ass you, I'm

756
00:28:23,480 --> 00:28:30,880
Speaker 4: comfortable with my masculinity. Where's your book at? Anybody notice?

757
00:28:30,960 --> 00:28:32,600
Speaker 4: Know what how I get down? Shout out to everybody

758
00:28:32,600 --> 00:28:35,879
Speaker 4: else's preferences. First time we came on, Remember I came out,

759
00:28:35,920 --> 00:28:37,320
Speaker 4: I was like where Charlemagne at I was on some

760
00:28:37,440 --> 00:28:39,320
Speaker 4: I was on bumpers because I lost my with my godfather.

761
00:28:39,360 --> 00:28:40,760
Speaker 1: At the time, I was pissed because.

762
00:28:40,520 --> 00:28:43,800
Speaker 4: You had made a Dunkey of the motherfucking Day for

763
00:28:43,840 --> 00:28:44,680
Speaker 4: New Jack City Too.

764
00:28:45,360 --> 00:28:46,880
Speaker 3: Yep, and you thought it was.

765
00:28:46,840 --> 00:28:48,880
Speaker 4: A reboot because everybody was saying it was a reboot,

766
00:28:48,920 --> 00:28:50,120
Speaker 4: so you made it Donkey of the Day. But I

767
00:28:50,160 --> 00:28:52,200
Speaker 4: was trying to tell everybody, It's not a fucking reboot.

768
00:28:52,240 --> 00:28:52,960
Speaker 8: It was a sequel.

769
00:28:53,760 --> 00:28:55,600
Speaker 1: It was a sequel, yes, not a rebel.

770
00:28:55,680 --> 00:28:56,440
Speaker 8: It was a sequel.

771
00:28:56,480 --> 00:28:57,360
Speaker 7: What was the premise?

772
00:28:57,760 --> 00:29:00,840
Speaker 4: Okay, so well I ain't gonna saying, you know, but

773
00:29:00,880 --> 00:29:02,080
Speaker 4: my quote was really high for that.

774
00:29:02,080 --> 00:29:02,720
Speaker 8: That was the point.

775
00:29:02,880 --> 00:29:06,920
Speaker 4: But New York City Too is basically like years later,

776
00:29:07,200 --> 00:29:09,200
Speaker 4: what happened with the people who were still alive?

777
00:29:09,240 --> 00:29:09,840
Speaker 8: How about that?

778
00:29:10,120 --> 00:29:12,240
Speaker 4: And I wanted in die in it, and I wanted

779
00:29:12,800 --> 00:29:15,120
Speaker 4: David Washington in it. And you could imagine who those

780
00:29:15,200 --> 00:29:17,680
Speaker 4: characters would be playing, these sons or daughters of and

781
00:29:17,680 --> 00:29:19,239
Speaker 4: they were supposed to be on some like you know,

782
00:29:20,240 --> 00:29:23,440
Speaker 4: on some like, uh, what's that movie with Leonardo DiCaprio,

783
00:29:23,520 --> 00:29:25,320
Speaker 4: Mad Damon and all them people where they was like

784
00:29:25,560 --> 00:29:26,120
Speaker 4: going at it.

785
00:29:26,160 --> 00:29:29,080
Speaker 5: Oh and Jack Nicholson wasn't in the party.

786
00:29:29,320 --> 00:29:30,840
Speaker 4: It was supposed to be more like that, you know,

787
00:29:30,880 --> 00:29:32,280
Speaker 4: because that's what I wanted it to be. So it

788
00:29:32,320 --> 00:29:34,200
Speaker 4: was more like that. But like when you gave me

789
00:29:34,280 --> 00:29:36,440
Speaker 4: Dunky of Today, bro so pissed because I was like, nigga,

790
00:29:36,480 --> 00:29:38,280
Speaker 4: it's not even true, like it's a it's a sequel,

791
00:29:38,320 --> 00:29:39,680
Speaker 4: it's not a reboot.

792
00:29:39,400 --> 00:29:41,560
Speaker 7: I remember that. I do remember now the story. I

793
00:29:41,560 --> 00:29:44,720
Speaker 7: remember one of y'all saying, Yo, that dude, Michaelman up here.

794
00:29:45,760 --> 00:29:49,160
Speaker 4: Look looking for you, because like, you know, your word

795
00:29:49,240 --> 00:29:51,240
Speaker 4: really mattered, like you say, ship, people really be taking

796
00:29:51,240 --> 00:29:53,560
Speaker 4: that man. But yeah, my quote got really high after

797
00:29:53,600 --> 00:29:56,080
Speaker 4: writing that movie, and so now my quote's pretty good.

798
00:29:56,840 --> 00:29:58,960
Speaker 4: But you know, it's not like it's not like you

799
00:29:59,000 --> 00:29:59,760
Speaker 4: take that home, you.

800
00:29:59,760 --> 00:30:02,160
Speaker 8: Keep most of it, You split that shit up, your manager,

801
00:30:01,720 --> 00:30:03,120
Speaker 8: your taxes.

802
00:30:02,800 --> 00:30:04,200
Speaker 4: All that like it don't really it get chopped down

803
00:30:04,240 --> 00:30:07,040
Speaker 4: pretty heavy and acting in two different states. I get

804
00:30:07,080 --> 00:30:08,800
Speaker 4: heavy with the taxes too, So it's not what it

805
00:30:08,800 --> 00:30:10,880
Speaker 4: looked like. But I've been blessed enough to put it

806
00:30:10,880 --> 00:30:11,480
Speaker 4: all together.

807
00:30:11,280 --> 00:30:11,760
Speaker 1: And it looked good.

808
00:30:12,160 --> 00:30:13,200
Speaker 7: What happened to that script?

809
00:30:13,560 --> 00:30:15,760
Speaker 8: Well, somebody gotta make.

810
00:30:15,720 --> 00:30:17,680
Speaker 7: It, because you don't throw scripts away, you.

811
00:30:17,640 --> 00:30:19,520
Speaker 4: Just they still have it, they still have the IPI

812
00:30:19,560 --> 00:30:21,680
Speaker 4: I hope they choose the direction I went in. I mean,

813
00:30:21,720 --> 00:30:23,040
Speaker 4: it's tough because you go on with an idea and

814
00:30:23,080 --> 00:30:24,400
Speaker 4: you got to listen to everybody and shift in and

815
00:30:24,440 --> 00:30:26,600
Speaker 4: shape it. That's the thing about writing on assignment rather

816
00:30:26,640 --> 00:30:28,880
Speaker 4: than writing on spec. When you write on spec, you

817
00:30:28,880 --> 00:30:31,120
Speaker 4: know you're your own boss. You're just creating. But when

818
00:30:31,120 --> 00:30:33,000
Speaker 4: you write on assignment, you listen to somebody else and

819
00:30:33,040 --> 00:30:35,400
Speaker 4: building a house. And I had a good time with

820
00:30:35,520 --> 00:30:38,280
Speaker 4: Sheila Walcott, who's now a VP of Warner brother She's amazing.

821
00:30:38,960 --> 00:30:41,440
Speaker 4: And then you know it was it was dope. It

822
00:30:41,520 --> 00:30:43,720
Speaker 4: was really dope. And Nija Queik Candol who now is

823
00:30:43,760 --> 00:30:46,720
Speaker 4: at Netflix as ahead those people, like I said, Black Women,

824
00:30:46,720 --> 00:30:48,800
Speaker 4: gave me my first real shot. I was twenty three.

825
00:30:48,920 --> 00:30:50,760
Speaker 4: They gave me my shot at writing the studio movie

826
00:30:50,880 --> 00:30:53,120
Speaker 4: about Mike Brown. That was the first one. And then

827
00:30:53,160 --> 00:30:55,239
Speaker 4: I did New Jack City two and those quotes got

828
00:30:55,280 --> 00:30:57,280
Speaker 4: it high. So I can't say that one is more

829
00:30:57,360 --> 00:30:58,880
Speaker 4: lucrative than the other, because if I write a TV

830
00:30:58,920 --> 00:31:00,800
Speaker 4: show with Terroal McRaney, which I'm doing right now.

831
00:31:01,600 --> 00:31:03,200
Speaker 1: That's gonna mm hmmm.

832
00:31:03,320 --> 00:31:05,720
Speaker 4: That's a lot of money if I'm just But if

833
00:31:05,720 --> 00:31:08,960
Speaker 4: I'm booked the lead of a movie or a show

834
00:31:09,040 --> 00:31:12,360
Speaker 4: after this, it's gonna be pretty nice. Yeah, Bok's pretty high,

835
00:31:12,360 --> 00:31:14,360
Speaker 4: so it's uh, it can't be very little.

836
00:31:14,400 --> 00:31:19,280
Speaker 7: Now. I understand the slides everywhere basketball show, that's writing.

837
00:31:19,360 --> 00:31:22,480
Speaker 7: That's writer or time. I don't have time for nothing else.

838
00:31:23,000 --> 00:31:26,840
Speaker 7: They be locked away writing, they be comfortable writing. They

839
00:31:26,880 --> 00:31:28,560
Speaker 7: come out for coffee, but also.

840
00:31:28,440 --> 00:31:29,680
Speaker 1: From lam from South Central.

841
00:31:29,720 --> 00:31:31,800
Speaker 4: So like, you know, like if I could all wear

842
00:31:31,840 --> 00:31:33,560
Speaker 4: diggies and the T shirt everywhere, I really don't give

843
00:31:33,560 --> 00:31:36,240
Speaker 4: a fuck. I just really love fashion. I love when

844
00:31:36,240 --> 00:31:38,480
Speaker 4: people put threads together and how we look. I enjoy it.

845
00:31:38,560 --> 00:31:40,160
Speaker 6: But to put that ship on, it's like a costume

846
00:31:40,160 --> 00:31:42,840
Speaker 6: every day. I'm like, every day, it's so much work.

847
00:31:42,960 --> 00:31:44,560
Speaker 8: I know, huh, you're looking at the new balances, you

848
00:31:45,120 --> 00:31:45,640
Speaker 8: know what I'm saying.

849
00:31:45,680 --> 00:31:49,280
Speaker 2: Just started the show dressing to the tea every day,

850
00:31:49,360 --> 00:31:51,160
Speaker 2: and Charlemagne and I said it's gonna last about a

851
00:31:51,200 --> 00:31:51,600
Speaker 2: month too.

852
00:31:51,920 --> 00:31:54,320
Speaker 3: We said three months. It lasted thirty days.

853
00:31:54,600 --> 00:31:57,640
Speaker 6: Yea sweat, Thank you and then I'm also pregnant to you,

854
00:31:57,960 --> 00:32:03,280
Speaker 6: like you know, as soon as I dropped dropped the sweat.

855
00:32:03,560 --> 00:32:04,680
Speaker 5: I like to be cute.

856
00:32:04,680 --> 00:32:06,000
Speaker 6: But after way you wake up, you'd be like, I

857
00:32:06,040 --> 00:32:08,640
Speaker 6: don't got time. I gotta do radio at six. I

858
00:32:08,640 --> 00:32:10,120
Speaker 6: gotta get up at four every morning.

859
00:32:10,640 --> 00:32:11,520
Speaker 5: That's not you know.

860
00:32:11,640 --> 00:32:13,360
Speaker 1: That black, that's black people.

861
00:32:13,360 --> 00:32:15,000
Speaker 4: We didn't did that to ourselves. You know, we be

862
00:32:15,080 --> 00:32:16,640
Speaker 4: on each other so bad you can't wear it. You

863
00:32:16,640 --> 00:32:18,200
Speaker 4: feel like you can't get caught in the same outfit,

864
00:32:18,280 --> 00:32:20,800
Speaker 4: the same Yeah, you feeling bad for the kids? They

865
00:32:20,880 --> 00:32:23,040
Speaker 4: be coming up, pulling up in Rose Roys trucks for prom.

866
00:32:23,080 --> 00:32:24,800
Speaker 4: I'm like, what in the fuck have we done?

867
00:32:24,880 --> 00:32:27,040
Speaker 7: Yeah, I won't say I feel like the kids. At

868
00:32:27,120 --> 00:32:30,040
Speaker 7: least my daughter school, she's in high school. Kids be

869
00:32:30,080 --> 00:32:36,920
Speaker 7: comfortable Slidesma pants, Gama pants, my kids love. I'm even

870
00:32:36,960 --> 00:32:38,560
Speaker 7: saying to her, like, yo, y'all ain't like how we

871
00:32:38,600 --> 00:32:39,680
Speaker 7: grew up. Every day was a fast.

872
00:32:39,800 --> 00:32:40,800
Speaker 1: Yeah, we have to go for real.

873
00:32:40,840 --> 00:32:42,600
Speaker 7: But I like the fact that it's not that they're

874
00:32:42,640 --> 00:32:43,240
Speaker 7: not superficial.

875
00:32:43,400 --> 00:32:45,280
Speaker 1: Look, I was poor. I went to public l a U.

876
00:32:45,320 --> 00:32:47,120
Speaker 4: S D. School and I wore the same black Allen

877
00:32:47,200 --> 00:32:49,600
Speaker 4: Iverson's every day, and I had to learn how to fight.

878
00:32:50,040 --> 00:32:50,880
Speaker 1: That's how it was.

879
00:32:51,120 --> 00:32:53,760
Speaker 4: And then when that's you know, so it's but it's

880
00:32:53,760 --> 00:32:55,560
Speaker 4: funny because now I'm a grown man and I still

881
00:32:55,640 --> 00:32:57,240
Speaker 4: kind of feel that, like I got to put it

882
00:32:57,280 --> 00:32:59,200
Speaker 4: on fresh and and I and it's kind of like

883
00:32:59,200 --> 00:33:01,200
Speaker 4: I gotta liberate my so from that like free to guys.

884
00:33:01,400 --> 00:33:01,600
Speaker 8: You know.

885
00:33:01,680 --> 00:33:04,360
Speaker 4: My boy on TikTok says that a lot. You know,

886
00:33:04,480 --> 00:33:06,240
Speaker 4: He's like, you got a free to guys. And it's

887
00:33:06,240 --> 00:33:09,200
Speaker 4: funny because I really feel that when I'm like if

888
00:33:09,240 --> 00:33:10,440
Speaker 4: I want to put it on, I'm and put it on.

889
00:33:10,480 --> 00:33:11,960
Speaker 4: If I feel like not, I feel like not because

890
00:33:11,960 --> 00:33:12,800
Speaker 4: it's like it's it's.

891
00:33:12,600 --> 00:33:14,480
Speaker 8: In you, not on you. Like I'm me, I'm a

892
00:33:14,520 --> 00:33:15,200
Speaker 8: win regardless.

893
00:33:15,600 --> 00:33:18,600
Speaker 5: Charl that's his what third time winning T shirt? And

894
00:33:18,800 --> 00:33:19,840
Speaker 5: he just.

895
00:33:19,480 --> 00:33:24,680
Speaker 2: Crazy, this is the second time.

896
00:33:25,560 --> 00:33:27,520
Speaker 5: It's a grain one that you wore to day.

897
00:33:29,320 --> 00:33:30,360
Speaker 1: Out for two days in a row.

898
00:33:30,400 --> 00:33:30,959
Speaker 3: So like it.

899
00:33:31,040 --> 00:33:33,320
Speaker 7: If I like it and it's comfortable, I'm putting it on.

900
00:33:33,360 --> 00:33:34,600
Speaker 7: He'd be going to different interviews.

901
00:33:34,600 --> 00:33:36,040
Speaker 5: I'm like, damn, you're gonna be in that picture. You know,

902
00:33:36,080 --> 00:33:38,120
Speaker 5: You're going to be in this outfit for like all

903
00:33:38,120 --> 00:33:38,720
Speaker 5: over the place.

904
00:33:38,760 --> 00:33:39,480
Speaker 7: I don't care me.

905
00:33:39,920 --> 00:33:41,720
Speaker 4: It's like it's like being athletes. Like we all know

906
00:33:41,760 --> 00:33:44,040
Speaker 4: you have money. We saw the content, but it's like

907
00:33:44,800 --> 00:33:48,880
Speaker 4: I saw money part. We saw the cont we saw it.

908
00:33:48,880 --> 00:33:51,400
Speaker 4: It was public, you publicized it. You'll like talking about

909
00:33:51,440 --> 00:33:51,840
Speaker 4: your money.

910
00:33:51,840 --> 00:33:55,160
Speaker 7: I've never done that. I've never talked about my money.

911
00:33:55,200 --> 00:33:57,280
Speaker 4: Now other people talk about it for you don't know

912
00:33:57,320 --> 00:34:00,920
Speaker 4: what about it, even playing.

913
00:34:00,920 --> 00:34:01,880
Speaker 8: I don't know what you're talking about.

914
00:34:01,920 --> 00:34:04,600
Speaker 1: I ain't got no money, baby.

915
00:34:05,960 --> 00:34:08,840
Speaker 6: But the last question I had for you is do

916
00:34:08,880 --> 00:34:10,879
Speaker 6: you still do music? Because I know you put out

917
00:34:10,880 --> 00:34:12,800
Speaker 6: Street Journal Volume one last year.

918
00:34:12,880 --> 00:34:14,960
Speaker 4: But yeah, and I wrote on Brent's album. I wrote

919
00:34:14,960 --> 00:34:17,440
Speaker 4: on Joey's album like I work with my friends. I

920
00:34:17,440 --> 00:34:19,399
Speaker 4: got some music coming right now, some music with Joey,

921
00:34:19,480 --> 00:34:22,719
Speaker 4: some music with my mina. Wally to sen say, oh,

922
00:34:22,760 --> 00:34:24,680
Speaker 4: my non profit, I want to mention that. Yeah, I

923
00:34:24,680 --> 00:34:26,680
Speaker 4: got a nonprofit call Seel of the Marie Foundation. We're

924
00:34:26,680 --> 00:34:28,520
Speaker 4: doing to give back to my neighborhood, in the same

925
00:34:28,520 --> 00:34:30,120
Speaker 4: neighborhood I told you about when I first came here

926
00:34:30,200 --> 00:34:30,800
Speaker 4: in Jungles.

927
00:34:30,920 --> 00:34:33,160
Speaker 8: You're doing that in late August for the kids.

928
00:34:33,200 --> 00:34:35,799
Speaker 7: That's not no play play place to come out of brother, No, none,

929
00:34:35,840 --> 00:34:39,439
Speaker 7: at all. Jungle is no joking anything about la It's home.

930
00:34:39,600 --> 00:34:41,239
Speaker 4: It's for me, So I just want to get back

931
00:34:41,239 --> 00:34:42,879
Speaker 4: to him, so like, yeah, so the music has helped

932
00:34:42,920 --> 00:34:44,800
Speaker 4: me with that because the music is kind of connected

933
00:34:44,840 --> 00:34:46,920
Speaker 4: to my neighborhood a lot. So that music coming. I'm

934
00:34:46,920 --> 00:34:48,839
Speaker 4: gonna go crazy when it's time. But I like to

935
00:34:48,960 --> 00:34:50,720
Speaker 4: give everybody things and pieces.

936
00:34:50,920 --> 00:34:53,719
Speaker 7: Yeah, correct me if I'm wrong. The jungle is where

937
00:34:54,440 --> 00:34:58,640
Speaker 7: then went train today. Yeah yeah, yeah, yeah, wow, And

938
00:34:58,640 --> 00:35:01,799
Speaker 7: that's what it's really like that like that, It's it's

939
00:35:01,800 --> 00:35:03,920
Speaker 7: even more interesting now I'm miss home, you know.

940
00:35:04,000 --> 00:35:06,120
Speaker 4: But it's funny because gentrification is such a weird thing

941
00:35:06,480 --> 00:35:08,560
Speaker 4: because now we got like white girls, white people on

942
00:35:08,600 --> 00:35:11,960
Speaker 4: the like white girls drogging through the hood and jungle bruh,

943
00:35:12,120 --> 00:35:13,480
Speaker 4: and the home we be at the part we was

944
00:35:13,480 --> 00:35:15,080
Speaker 4: at the park, which I should be, but I was

945
00:35:15,080 --> 00:35:17,000
Speaker 4: at the park with the home and they was like,

946
00:35:17,040 --> 00:35:19,120
Speaker 4: and I was like, who's this running like that?

947
00:35:19,239 --> 00:35:20,720
Speaker 1: Sarah she go to usc blood.

948
00:35:20,719 --> 00:35:24,040
Speaker 5: I'm like, what do you mean?

949
00:35:27,080 --> 00:35:33,920
Speaker 1: I'm just kidding.

950
00:35:36,000 --> 00:35:38,120
Speaker 4: But it's the only reason I don't like it is

951
00:35:38,120 --> 00:35:40,759
Speaker 4: because they're gonna be displaced to the Inland Empire and

952
00:35:40,760 --> 00:35:42,759
Speaker 4: they're not gonna have, like the resources don't change. We

953
00:35:42,800 --> 00:35:44,279
Speaker 4: just get brought out, we get changes. This happening to

954
00:35:44,640 --> 00:35:46,680
Speaker 4: you know, the people I care about, with everybody, and

955
00:35:46,760 --> 00:35:48,959
Speaker 4: I hate seeing it. I'm not you know, I don't.

956
00:35:49,520 --> 00:35:51,200
Speaker 4: I don't really hate white people like that. I just

957
00:35:51,200 --> 00:35:52,280
Speaker 4: don't like when they do ship.

958
00:35:53,880 --> 00:35:55,879
Speaker 7: Because you know what happens to us, Yes, right, when

959
00:35:55,920 --> 00:35:58,440
Speaker 7: that happens. When it happens to us, we get pushed out.

960
00:35:59,280 --> 00:36:00,600
Speaker 4: You don't have no we don't don't have no job

961
00:36:00,600 --> 00:36:02,920
Speaker 4: skill set training like you know, they take all that

962
00:36:02,920 --> 00:36:04,560
Speaker 4: shit out the schools, they don't teach us, they don't

963
00:36:04,640 --> 00:36:06,760
Speaker 4: update and be like, hey, look the new blue collar

964
00:36:07,239 --> 00:36:10,600
Speaker 4: working trade skills is AI Like, they don't.

965
00:36:10,640 --> 00:36:11,319
Speaker 1: Switch it out.

966
00:36:11,480 --> 00:36:13,680
Speaker 4: Everything's so late, so we're not gonna be able to

967
00:36:13,719 --> 00:36:15,640
Speaker 4: sustain anyway. And then, of course, you know, the gap

968
00:36:15,680 --> 00:36:18,760
Speaker 4: between the minimum wage and to be able to afford

969
00:36:18,800 --> 00:36:21,000
Speaker 4: the American dream now was more gilded than it's been

970
00:36:21,040 --> 00:36:22,800
Speaker 4: since the twenties and thirties, which, by the way, my

971
00:36:22,800 --> 00:36:24,640
Speaker 4: grandma grew up in so she's able to tell me like,

972
00:36:24,760 --> 00:36:27,080
Speaker 4: shit crazy, and I just really it breaks my heart.

973
00:36:27,239 --> 00:36:30,160
Speaker 4: And like if I have made, if I like winning,

974
00:36:30,200 --> 00:36:32,360
Speaker 4: if I get to like the level of Kendrick conjective

975
00:36:32,400 --> 00:36:34,239
Speaker 4: niggas words all that money, I would have bought my

976
00:36:34,280 --> 00:36:36,719
Speaker 4: block easy, and I'll make sure people have some sustainable

977
00:36:36,800 --> 00:36:38,799
Speaker 4: like teachings to grow so that they could play back

978
00:36:38,840 --> 00:36:40,880
Speaker 4: to interest and have a percent ownership of what we have.

979
00:36:41,280 --> 00:36:42,799
Speaker 4: I feel like equity is a big deal and we

980
00:36:42,920 --> 00:36:44,799
Speaker 4: just don't care. We just be getting pushed out and

981
00:36:44,840 --> 00:36:46,879
Speaker 4: niggas be leaving, and I get it because we.

982
00:36:46,880 --> 00:36:48,040
Speaker 8: Be killing our own people.

983
00:36:48,440 --> 00:36:50,719
Speaker 4: It's a fun It's a fucked up world because like,

984
00:36:50,760 --> 00:36:52,600
Speaker 4: look what happened in it when you try to stay sure,

985
00:36:52,680 --> 00:36:55,440
Speaker 4: you know, like it's always that and I just I

986
00:36:55,480 --> 00:36:58,359
Speaker 4: want so much more for us, absolutely, I really do. Man,

987
00:36:58,360 --> 00:37:00,040
Speaker 4: it really be breaking my heart, so I stand sof.

988
00:37:00,160 --> 00:37:03,640
Speaker 6: Yeah you know what, speaking of hearts, I have to

989
00:37:03,680 --> 00:37:04,799
Speaker 6: ask you this before you go.

990
00:37:04,880 --> 00:37:06,120
Speaker 5: I know I said that was the last question.

991
00:37:06,160 --> 00:37:06,759
Speaker 1: I know I have to.

992
00:37:10,960 --> 00:37:12,799
Speaker 5: Okay, So what's going on with you and Gail Bean?

993
00:37:13,239 --> 00:37:13,759
Speaker 8: That's my heart?

994
00:37:13,760 --> 00:37:16,279
Speaker 1: Man, I love her, that my personal life.

995
00:37:16,480 --> 00:37:19,120
Speaker 4: I know you don't like, I ain't gonna like ourness,

996
00:37:19,120 --> 00:37:20,000
Speaker 4: our business, but I love her.

997
00:37:20,239 --> 00:37:21,400
Speaker 8: That's what I'm always love her.

998
00:37:21,400 --> 00:37:21,480
Speaker 7: Like.

999
00:37:21,640 --> 00:37:23,640
Speaker 5: Yeah, that's all you guys are.

1000
00:37:23,600 --> 00:37:24,760
Speaker 8: Gonna do a rom com together.

1001
00:37:25,239 --> 00:37:26,520
Speaker 7: That's dope.

1002
00:37:26,920 --> 00:37:28,439
Speaker 8: That's that's what's gonna be next.

1003
00:37:28,600 --> 00:37:30,600
Speaker 5: That's super dope. So shout out to Gail Bean and

1004
00:37:30,640 --> 00:37:33,439
Speaker 5: Malcolm's dog. Yeah, love the life.

1005
00:37:33,480 --> 00:37:35,759
Speaker 2: All right, Well, we appreciate you joining. I was surprised you,

1006
00:37:35,800 --> 00:37:37,840
Speaker 2: being from Cali, that you went with Drake over Kendrick.

1007
00:37:37,880 --> 00:37:38,920
Speaker 3: But you know, I didn't.

1008
00:37:38,680 --> 00:37:43,359
Speaker 4: Say that you didn't play with my top. We were

1009
00:37:43,400 --> 00:37:47,480
Speaker 4: talking about the level of home this summer. You got

1010
00:37:47,520 --> 00:37:50,319
Speaker 4: meybody way.

1011
00:37:50,360 --> 00:37:52,839
Speaker 7: There's only one right answer to that situation, the things

1012
00:37:52,880 --> 00:37:54,880
Speaker 7: that's subjective that ain't want to The right answer is this.

1013
00:37:55,000 --> 00:37:57,640
Speaker 8: Aubrey has done great for music. Kendrick is for the

1014
00:37:57,680 --> 00:37:58,440
Speaker 8: people coaches.

1015
00:37:58,640 --> 00:38:00,600
Speaker 4: Yeah, when the last time Aubrey was standing for Mike

1016
00:38:00,640 --> 00:38:01,520
Speaker 4: Brown and all them people.

1017
00:38:01,560 --> 00:38:02,040
Speaker 8: I love him.

1018
00:38:02,120 --> 00:38:04,239
Speaker 4: He does great for us, He all that, But like

1019
00:38:04,320 --> 00:38:05,520
Speaker 4: it's Kate niggas gang.

1020
00:38:05,920 --> 00:38:07,279
Speaker 1: Yeah, I'm mad that you.

1021
00:38:07,400 --> 00:38:09,040
Speaker 4: I hope y'all figure it out. That ain't my business.

1022
00:38:09,040 --> 00:38:10,759
Speaker 4: But if I have to, like, if you force me

1023
00:38:10,800 --> 00:38:13,919
Speaker 4: on the side, I don't have a choice. Yeah, riding

1024
00:38:14,000 --> 00:38:18,360
Speaker 4: with Canada, it just don't make no sense. Record it

1025
00:38:18,400 --> 00:38:20,360
Speaker 4: stayed on records, and I don't think we'll go past that.

1026
00:38:20,440 --> 00:38:22,520
Speaker 4: I think that's smart enough. I prayed, Well, you know,

1027
00:38:22,520 --> 00:38:25,360
Speaker 4: people's egos get into I just pray to everybody. Everybody

1028
00:38:25,480 --> 00:38:28,040
Speaker 4: figured that shou out be cool. Yeah, it's all weird,

1029
00:38:28,160 --> 00:38:32,680
Speaker 4: like because Kendrick went crazy on Marmon's room, the.

1030
00:38:32,040 --> 00:38:34,360
Speaker 1: Like he went on that first tour. He did the

1031
00:38:34,440 --> 00:38:35,080
Speaker 1: heart and all that.

1032
00:38:35,160 --> 00:38:37,480
Speaker 4: That ship was beautiful and dope, like, y'all cut that

1033
00:38:37,520 --> 00:38:40,520
Speaker 4: ship out. We damn near forty on his tripping love y'all.

1034
00:38:41,000 --> 00:38:42,120
Speaker 4: And if it's like that, then.

1035
00:38:43,160 --> 00:38:45,920
Speaker 7: But it gave the West Coast. It gave the West

1036
00:38:45,920 --> 00:38:48,799
Speaker 7: Coast and anthem it hasn't had in a long long time.

1037
00:38:48,840 --> 00:38:51,880
Speaker 8: And a super slapper. I was.

1038
00:38:52,160 --> 00:38:53,920
Speaker 1: I was in cann going up to that ship and

1039
00:38:54,360 --> 00:38:54,880
Speaker 1: that it was.

1040
00:38:55,400 --> 00:38:56,640
Speaker 8: We was were.

1041
00:38:58,840 --> 00:39:04,000
Speaker 1: Y'all, Hey, shout out, shout out to that man. It

1042
00:39:04,120 --> 00:39:04,759
Speaker 1: was aggressive.

1043
00:39:04,800 --> 00:39:05,200
Speaker 7: I love it.

1044
00:39:07,640 --> 00:39:09,320
Speaker 8: The best dish records, it's a fact.

1045
00:39:09,880 --> 00:39:12,319
Speaker 7: Not even close with best best disc records ever of

1046
00:39:12,360 --> 00:39:15,080
Speaker 7: all time. Come out of the West Coast park hit

1047
00:39:15,120 --> 00:39:17,160
Speaker 7: him up the energy.

1048
00:39:17,239 --> 00:39:19,920
Speaker 4: It's the passion. We really disrespectful. We don't like your

1049
00:39:19,960 --> 00:39:24,080
Speaker 4: niggas respectfully, we just don't. Everybody else's communal. Everybody wants

1050
00:39:24,080 --> 00:39:25,680
Speaker 4: to hang out kids. You don't hang out with nobody

1051
00:39:25,719 --> 00:39:27,320
Speaker 4: just push ups on the park. Now, you playing with

1052
00:39:27,360 --> 00:39:31,440
Speaker 4: a man, leave alone, Leave me alone. Leave anybody from

1053
00:39:31,440 --> 00:39:32,560
Speaker 4: south central l A alone.

1054
00:39:32,640 --> 00:39:33,480
Speaker 1: Leave us alone.

1055
00:39:33,800 --> 00:39:37,120
Speaker 4: Just be nice and leave us. Just please, thank you

1056
00:39:37,120 --> 00:39:37,920
Speaker 4: guys for having us.

1057
00:39:39,080 --> 00:39:40,359
Speaker 3: It's the Breakfast Club. Good morning.

1058
00:39:40,760 --> 00:39:44,000
Speaker 7: Wake that ass up in the morning. The Breakfast Club.