1 00:00:00,160 --> 00:00:02,880 Speaker 1: Cawen's Entertainment Report. He's on the Bread Show. 2 00:00:03,279 --> 00:00:05,840 Speaker 2: All right, we need to talk about this America's Next 3 00:00:05,880 --> 00:00:09,840 Speaker 2: Stop Model, Next Top Model documentary which I started over 4 00:00:09,880 --> 00:00:12,000 Speaker 2: the weekend. I did not finish, but I do have 5 00:00:12,039 --> 00:00:16,840 Speaker 2: some thoughts. And Kiki, you said something that I totally 6 00:00:16,920 --> 00:00:19,439 Speaker 2: agree with last week is that it was very smart 7 00:00:19,560 --> 00:00:21,439 Speaker 2: for miss Tyer Banks to be a part of this. 8 00:00:21,640 --> 00:00:26,000 Speaker 2: Oh yes, I think that anytime something controversial is coming 9 00:00:26,040 --> 00:00:29,040 Speaker 2: out about you or things that you did, it's better 10 00:00:29,120 --> 00:00:31,840 Speaker 2: if you're there to speak on it or else they 11 00:00:31,880 --> 00:00:35,720 Speaker 2: will fill in the blanks for you. Yes, And so 12 00:00:36,840 --> 00:00:40,199 Speaker 2: she actually wasn't initially supposed to even be involved with this. 13 00:00:40,320 --> 00:00:43,239 Speaker 2: In the beginning, Nigel Barker was talking about how he 14 00:00:43,320 --> 00:00:46,760 Speaker 2: and he got involved with the new documentary and he 15 00:00:46,800 --> 00:00:50,720 Speaker 2: basically said, what people don't realize is that this documentary series, 16 00:00:50,760 --> 00:00:54,320 Speaker 2: the whole thing started out of Miss Jay Alexander talking 17 00:00:54,320 --> 00:00:57,639 Speaker 2: about wanting to do a documentary on himself and his 18 00:00:57,800 --> 00:01:02,279 Speaker 2: life and Top Model, and he invited Ja Manuel to 19 00:01:02,280 --> 00:01:03,000 Speaker 2: be a part of it. 20 00:01:03,080 --> 00:01:04,440 Speaker 1: That's actually how it started. 21 00:01:04,800 --> 00:01:08,000 Speaker 2: Tyra and everything else everyone else had nothing to do 22 00:01:08,120 --> 00:01:11,520 Speaker 2: with it. So this started as something completely different. Now 23 00:01:11,560 --> 00:01:13,800 Speaker 2: what it has morphed into and yes, there's a lot 24 00:01:13,800 --> 00:01:17,600 Speaker 2: of controversial stuff, but it morphed into a docu series 25 00:01:17,600 --> 00:01:20,479 Speaker 2: where she's kind of like the narrator of the whole process. Now, Fred, 26 00:01:20,520 --> 00:01:23,520 Speaker 2: you asked me, would this be interesting to me? I 27 00:01:23,520 --> 00:01:25,880 Speaker 2: don't think so. If you didn't watch America's Next Top Model? 28 00:01:25,920 --> 00:01:27,039 Speaker 1: Okay, could I started it? 29 00:01:27,080 --> 00:01:28,720 Speaker 3: And I'm like, I don't really know. 30 00:01:29,080 --> 00:01:32,639 Speaker 2: Yeah, it was such a cultural time and I remember 31 00:01:32,680 --> 00:01:35,280 Speaker 2: watching it and what it is doing is unlocking a 32 00:01:35,319 --> 00:01:37,640 Speaker 2: ton of people and memories for me that I completely 33 00:01:37,680 --> 00:01:38,360 Speaker 2: forgot about. 34 00:01:38,520 --> 00:01:41,840 Speaker 1: Yes, but it's very interesting. Now. She starts out basically 35 00:01:41,920 --> 00:01:42,560 Speaker 1: talking about. 36 00:01:42,400 --> 00:01:46,039 Speaker 2: Her modeling career and you know, the racism that she 37 00:01:46,160 --> 00:01:49,640 Speaker 2: experienced in the modeling world, and then how she went 38 00:01:49,720 --> 00:01:52,600 Speaker 2: to every single TV network. They all turned this show 39 00:01:52,640 --> 00:01:55,080 Speaker 2: down except for one. And it was like the bottom 40 00:01:55,120 --> 00:01:58,880 Speaker 2: of the barrel. I think it was UPN Yeah, UPN yeah, 41 00:01:58,920 --> 00:02:02,080 Speaker 2: which is crazy. In this email, was running UPN And 42 00:02:02,160 --> 00:02:04,280 Speaker 2: basically she took a huge chance because when you're at 43 00:02:04,320 --> 00:02:06,080 Speaker 2: the bottom of the totem bowl, like what do you 44 00:02:06,120 --> 00:02:08,440 Speaker 2: have to lose? And so that in itself was crazy 45 00:02:08,440 --> 00:02:12,800 Speaker 2: because that whole show changed TV forever. And then she 46 00:02:12,880 --> 00:02:15,240 Speaker 2: also spoke about how she really wanted it to be 47 00:02:15,320 --> 00:02:18,519 Speaker 2: super realistic to what the modeling world was at the time, 48 00:02:18,600 --> 00:02:22,120 Speaker 2: so I could see where she was getting started and 49 00:02:22,200 --> 00:02:24,200 Speaker 2: why things were going the way that they were. Now, 50 00:02:24,240 --> 00:02:27,320 Speaker 2: I have not gotten to the crazy controversial parts of 51 00:02:27,400 --> 00:02:30,600 Speaker 2: when you know, girls were passing out from challenges, there 52 00:02:30,639 --> 00:02:33,120 Speaker 2: was health risks, she wasn't letting them eat, so I 53 00:02:33,120 --> 00:02:35,560 Speaker 2: have not gotten to that part, but I will say 54 00:02:36,160 --> 00:02:38,040 Speaker 2: I was ready to go in and be like really 55 00:02:38,120 --> 00:02:40,040 Speaker 2: upset with her, and I kind of see where it 56 00:02:40,080 --> 00:02:43,120 Speaker 2: all came together, and I have respect for her and 57 00:02:43,200 --> 00:02:45,240 Speaker 2: her drive as for. 58 00:02:45,280 --> 00:02:47,320 Speaker 1: What she created. So I do recommend it if you 59 00:02:47,360 --> 00:02:47,839 Speaker 1: watch the show. 60 00:02:47,880 --> 00:02:48,000 Speaker 3: Now. 61 00:02:48,000 --> 00:02:50,760 Speaker 2: Again, I haven't gotten to the controversial part, but that's 62 00:02:50,800 --> 00:02:53,000 Speaker 2: what I've gotten so far. I thought it was very interesting. 63 00:02:53,760 --> 00:02:57,320 Speaker 2: Speaking of things to watch, the movie Goat actually is 64 00:02:57,400 --> 00:02:59,600 Speaker 2: in the number one spot at the box office over 65 00:02:59,600 --> 00:03:03,079 Speaker 2: the weekend and taking the place from Wuthering Heights, which 66 00:03:03,120 --> 00:03:05,160 Speaker 2: I saw on Friday. Now, what I want to say 67 00:03:05,160 --> 00:03:07,600 Speaker 2: about Wuthering Heights is I loved it. I went with 68 00:03:07,639 --> 00:03:10,639 Speaker 2: my friend who I was hysterically crying. I look over 69 00:03:10,720 --> 00:03:11,720 Speaker 2: and she's cracking up. 70 00:03:11,960 --> 00:03:13,560 Speaker 1: So you maybe have. 71 00:03:13,639 --> 00:03:17,000 Speaker 2: To like those like long, drawn out, like unrec quoted 72 00:03:17,040 --> 00:03:21,040 Speaker 2: love stories. Because I'm literally sobbing and she's laughing and 73 00:03:21,080 --> 00:03:21,800 Speaker 2: she's like, it's. 74 00:03:21,720 --> 00:03:24,040 Speaker 1: A little slow, isn't I'm like, no, it's amazing. 75 00:03:24,080 --> 00:03:25,600 Speaker 2: So I thought it was amazing, but you kind of 76 00:03:25,600 --> 00:03:27,799 Speaker 2: have to want to swim in the deep bend. And also, 77 00:03:28,000 --> 00:03:32,920 Speaker 2: Bunny Xo's memoir Jellyroll's Wife is insanely amazing. I've not 78 00:03:32,960 --> 00:03:35,280 Speaker 2: been reading, I've been listening to it. She has been 79 00:03:35,320 --> 00:03:37,600 Speaker 2: through a lot. There's never a dull moment in that book. 80 00:03:37,640 --> 00:03:40,200 Speaker 2: So those are my recommendations if you want to catch 81 00:03:40,240 --> 00:03:42,440 Speaker 2: up on our show. I also recommend that please fret 82 00:03:42,480 --> 00:03:44,680 Speaker 2: show on demand on the free iHeartRadio. 83 00:03:44,800 --> 00:03:47,600 Speaker 3: I recommend that, yes, sir, I started watching that Elizabeth 84 00:03:47,600 --> 00:03:49,920 Speaker 3: Smart tuck. I've been starting and then stopping a lot 85 00:03:49,960 --> 00:03:52,720 Speaker 3: of stuff, lady, but not only is the Elizabeth Smart documentary, 86 00:03:52,720 --> 00:03:55,320 Speaker 3: for obvious reasons, very disturbing. 87 00:03:55,480 --> 00:03:56,120 Speaker 1: I loved it. 88 00:03:57,040 --> 00:04:01,920 Speaker 3: I thought it was slow moving so slowly, and it's 89 00:04:01,960 --> 00:04:04,160 Speaker 3: like in the recent movie slowly is because of like 90 00:04:04,240 --> 00:04:10,080 Speaker 3: these artistic angles and lighting and transitions, and I'm like, okay, enough, 91 00:04:10,240 --> 00:04:12,960 Speaker 3: like get to the story, Like I want to hear 92 00:04:13,000 --> 00:04:14,920 Speaker 3: what everyone has to say. But it's like, you know, 93 00:04:15,240 --> 00:04:17,600 Speaker 3: it'll be like ten seconds of her sister like sitting 94 00:04:17,640 --> 00:04:19,640 Speaker 3: there with their eyes closed in the dark, and I'm like. 95 00:04:20,680 --> 00:04:24,120 Speaker 4: Okay, yeah, it's dramatic for Sure's like all right, like 96 00:04:24,200 --> 00:04:27,359 Speaker 4: we don't need that, yeah, but it's it's it's the 97 00:04:27,400 --> 00:04:30,120 Speaker 4: fact that she's even like somewhat of a normal adult. 98 00:04:30,160 --> 00:04:31,720 Speaker 3: I don't even know if normal is the word, but 99 00:04:31,800 --> 00:04:34,160 Speaker 3: like somewhat well adjusted, and the way that she can 100 00:04:34,160 --> 00:04:37,400 Speaker 3: tell the story with composure considering what she went through 101 00:04:37,960 --> 00:04:39,560 Speaker 3: is just unbelievable to me. 102 00:04:39,640 --> 00:04:41,400 Speaker 1: That part is crazy. 103 00:04:41,480 --> 00:04:43,599 Speaker 2: Did you get to the part where like they were 104 00:04:43,600 --> 00:04:45,679 Speaker 2: almost caught like multiple times? 105 00:04:45,720 --> 00:04:46,840 Speaker 1: Like that was what was so. 106 00:04:46,880 --> 00:04:49,760 Speaker 2: Crazy to me, is like they had so many opportunities 107 00:04:49,839 --> 00:04:52,520 Speaker 2: to rescue her and she was obviously too scared, but 108 00:04:52,600 --> 00:04:54,640 Speaker 2: the fact that the story turned turned out well for 109 00:04:54,680 --> 00:04:57,480 Speaker 2: her that she eventually was but yeah, that was frustrating 110 00:04:57,520 --> 00:04:57,719 Speaker 2: for me. 111 00:04:57,760 --> 00:05:00,320 Speaker 3: But yeah, it's dramatic, but that's a crazy story. But yeah, 112 00:05:00,320 --> 00:05:02,160 Speaker 3: I just I'm just like okay, like I really want 113 00:05:02,200 --> 00:05:03,039 Speaker 3: to hear what these people have to. 114 00:05:03,040 --> 00:05:06,320 Speaker 2: Say, but like it's our attention span these days, I know, Okay, 115 00:05:06,560 --> 00:05:07,200 Speaker 2: like come. 116 00:05:07,040 --> 00:05:09,160 Speaker 3: On, you know, I feel like I feel like it's 117 00:05:09,200 --> 00:05:11,640 Speaker 3: two hours long, and it could be it could be 118 00:05:11,720 --> 00:05:13,919 Speaker 3: forty five minutes or an hour, and that's what drives 119 00:05:13,960 --> 00:05:14,359 Speaker 3: me nuts. 120 00:05:14,400 --> 00:05:16,240 Speaker 1: It's like right, like okay,