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Speaker 1: All right, welcome to job so forty. Have a a smoothie?

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Speaker 1: What was the score is called? Uh huh? It was

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Speaker 1: a a great American or man, I don't remember. All

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Speaker 1: the smoothies have cute names. Now alright, Episode forty sponsors

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Speaker 1: Blue Apron. Thanks to Blue Apron. With that, Blue Apron

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Speaker 1: would not be able to be here today. A lot

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Speaker 1: to talk about first. I always like to talk about music,

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Speaker 1: and it''s also stuff that maybe we didn't get to

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Speaker 1: on the show, or stuff that anything fit on the

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Speaker 1: show that we can put in. So we'll spend a

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Speaker 1: half hour just first talking about some new stuff. I

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Speaker 1: haven't heard the new Lord song yet, and maybe by

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Speaker 1: the time you hear this podcast that will be old.

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Speaker 1: But as of right now, I've not heard it. It's

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Speaker 1: called green Light. Let me hear this thing makeup in

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Speaker 1: somebody else's car. We ordered different drinks at the same bars.

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Speaker 1: Sounds like angry Casha, so far I know about what

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Speaker 1: you did and I want to scream the truth. She

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Speaker 1: thinks you love to beat you such a damn liar.

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Speaker 1: Those great bites they have big teeth. Well they bite

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Speaker 1: you that you said that you're wound. Always be in love,

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Speaker 1: but you're not in love no more? Did it frighten you?

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Speaker 1: How we kiss? For me? Todas in the light of

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Speaker 1: flo I'm a light of flow, but I hear so

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Speaker 1: out in my mind, brand new sound in my mind

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Speaker 1: on the eye be seeing you ever? Lord? Green Light? Okay,

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Speaker 1: just weird enough and just poppy enough to so work

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Speaker 1: as a Lord song. It has to be weird. If

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Speaker 1: it's not weird, that's her whole thing is being Remember

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Speaker 1: you remember when the first Lord song came out and

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Speaker 1: like changed everybody's life from it. Yeah? We I mean

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Speaker 1: we made a cover with Craig Campbell and it made

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Speaker 1: like juice boxes all across their stations were playing that.

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Speaker 1: I think it's on like iTunes too. It made like

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Speaker 1: iTunes but have But when Royals came out, that was

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Speaker 1: like the jam. I never worked this thing? Why is this?

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Speaker 1: I want to be here not working. Oh it's played

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Speaker 1: on bedroom right now. My bedroom's hearing Lord. All these

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Speaker 1: computers are connected? Are they no postcode? Ey? But every

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Speaker 1: songs like col Teeth break stopping in the back still

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Speaker 1: we don't care. We're driving cadillaction on the tree, but

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Speaker 1: everybody's like Christal may back Timmonds on your time piece,

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Speaker 1: chip plates, Tigers on the go at least we don't care.

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Speaker 1: We aren't caught up in your love affair, and we'll

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Speaker 1: never be right. Listen to the John Mayor a lot.

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Speaker 1: You don't even like John may Not really, you're too punk,

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Speaker 1: I guess. So. I was listening to Reliant Okay yesterday,

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Speaker 1: you know that is I figured you would. They were

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Speaker 1: on the radio. I was listened to alterna station. I

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Speaker 1: was like, Mike, you would love this. The John Mayor

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Speaker 1: Still feel like Your Man is such a good song.

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Speaker 1: I still feel like your man. I still feel like

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Speaker 1: your mad eyes, still eyes, still like your man. The

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Speaker 1: prettiest girl in the room. She wants me, I know

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Speaker 1: because she told me so. She says, come, O like

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Speaker 1: to get to know you, But I just don't think

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Speaker 1: I can, because I still feel like you made, just

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Speaker 1: like feeling like a man. Still feel like you made.

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Speaker 1: Still feels like your name. I still feel like y'all name.

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Speaker 1: It's not real. This is right here. I still keep

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Speaker 1: your shampoo in my shop in case you want to

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Speaker 1: wash your hand. And I know that you're probably found

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Speaker 1: yourself some m some way. That really can because as

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Speaker 1: long as it is, then I still feel like, come on, mind,

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Speaker 1: you're kind of like that a little bit. I think

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Speaker 1: it's about Katie Berry, guessing I'm oddly like upset about

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Speaker 1: Katie Perry and Orlando Bloom. Why. I don't know. I

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Speaker 1: never care about celebrity couple, like I have no craps.

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Speaker 1: And I was like, oh man, I was rooting for

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Speaker 1: those two, maybe because she dated John Mayor and it's

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Speaker 1: like eighteen degrees of separation and I'm like really reading

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Speaker 1: John liked it, like when the player goes to another team, Yeah,

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Speaker 1: you still kind of root for him. Yeah, even though

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Speaker 1: playing for the Padres. I'm like, you know, I said,

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Speaker 1: checking your stats every now and then, I hate to

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Speaker 1: see not playing so well. Um, I've hung out with

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Speaker 1: John may a few times. Would be like I don't

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Speaker 1: every single time it was so different, So I haven't

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Speaker 1: know it, like I don't like to meet people I

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Speaker 1: really like their art because I then I never feel

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Speaker 1: the same thing about it. And so I've had a

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Speaker 1: really great experience with him, a really terrible experience with him,

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Speaker 1: and then one that just was nothing. And they're not

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Speaker 1: just meeting greets like we've actually like had dinner or

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Speaker 1: so it's I just think he's an artist, and artists

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Speaker 1: are odd, and the more arts you are, the more

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Speaker 1: are audi are. So it's just an odd dude. I'm

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Speaker 1: an ad dude, and so it is. I mean, you

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Speaker 1: get too odd do it together. So but no, um, yeah,

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Speaker 1: I mean that's awesome. He was doing a character called

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Speaker 1: the Hawk. Are you familiar with Tony Clifton? Okay, So

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Speaker 1: Andy Coffin I was thirty years before his time comedically,

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Speaker 1: and he did a character called Tony Clifton that came

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Speaker 1: out and opened for him, so he would come out

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Speaker 1: and do this really awkward comedy. But before him, Tony

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Speaker 1: Clipton was an lounge singer that came out and insulted everyone,

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Speaker 1: and he dressed and put on an like a fat

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Speaker 1: like fat and mustache. It came out and smoke and

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Speaker 1: it was like, screw you. It's like a lounge jack.

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Speaker 1: And so John Marrett is doing a character called the

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Speaker 1: Hawk or it's like this big fat do with a

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Speaker 1: big long hair and beard, and he's like playing the

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Speaker 1: slashes the guitar. It's pretty funny, like I saw in

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Speaker 1: a club by Colbert last night. But Johnny is really

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Speaker 1: funny though, like because he has to have some kind

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Speaker 1: of in with Snapchat because he gets like all this stuff.

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Speaker 1: What you follow him like, he gets to do things

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Speaker 1: on snap Chat that I looked for the buttons and

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Speaker 1: I can't find alright, saw that I like that music, Um,

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Speaker 1: I gotta I thought that Charlie Washington thing was good

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Speaker 1: last week, by the way, A lot of people commenting

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Speaker 1: on that one way or the other. Those some of

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Speaker 1: some of the things that we do here. We talked

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Speaker 1: to artists. It's cool because you it gets really really

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Speaker 1: deep in non musical places and some of them go

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Speaker 1: really deep into musical plays. Some of them are just

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Speaker 1: fun hangouts. And Charlie one kind of went somewhere completely

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Speaker 1: off the music spectrum. It was like a life piece there.

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Speaker 1: Therapy fish Our next one to be with John Oates

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Speaker 1: from HALLINGD Notes that's crazy, really Yeah, John Oates and

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Speaker 1: Hall and Knows is gonna come in and we're gonna

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Speaker 1: talk about you know, his life and career is so long.

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Speaker 1: If that's so many songs, They're like, where do you start?

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Speaker 1: And I guess it's up to me, But where do

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Speaker 1: you You don't? I mean, we only have you know

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Speaker 1: what we have an hour and a half. Basically, But

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Speaker 1: what do you think The most popular Hall and Oates

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Speaker 1: song is um Probably you Make My Dreams Come True? Yeah,

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Speaker 1: number one. Number two is man Eater. Do you know

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Speaker 1: this one? I don't know if she's a man eater?

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Speaker 1: Watch up? Oh she goes. Watch You don't know the song.

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Speaker 1: This is before even my time, but this is if

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Speaker 1: you know music, you know music, career, the best board again,

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Speaker 1: a night leaning hung now things do seeing the him

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Speaker 1: before they got the rock and roll of fam. You

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Speaker 1: may check that wedding. She's sitting when you I think

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Speaker 1: when you hear the chorus, you'll know it. You can't

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Speaker 1: tip love we again? Oh she watch up, she'll shoot

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Speaker 1: you up. Here she goes. She's amazing in the rock

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Speaker 1: and roll family. There they are, Watch out more she'll

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Speaker 1: show up. You've heard that, right, Yeah, I've heard that

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Speaker 1: you probably? Do you know this one? Here a rich girl? Yeah,

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Speaker 1: you're gone, chi wash can play this radio show out

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Speaker 1: of anyway. You can relie on the old man's money,

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Speaker 1: you can relie no man's money. You's a bench girls smile.

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Speaker 1: I don't know that one. This is jam and these

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Speaker 1: are all old school, so I listen. These are the

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Speaker 1: classic rock another kid, baby you watch When I feel cold,

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Speaker 1: you warm me. And when I feel I can't come on,

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Speaker 1: you come mat oh me, it's you and me wherever, sir,

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Speaker 1: no smile. Okay, I bet you know this one. I

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Speaker 1: can't go today. Yeah, I know that one can. Yeah,

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Speaker 1: that's a good one too. I mean that they're the

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Speaker 1: biggest selling to do of all time. I believe I

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Speaker 1: kick off with that kickoff, that kickoff, that kickoff. That's good.

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Speaker 1: How about you won't know she's gone anyway? Oh you'll

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Speaker 1: know this one. I bet money you know this one

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Speaker 1: because your kiss, your kiss, there's all my list, because

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Speaker 1: your kisses all my list. This one the best. I

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Speaker 1: do it all time, all time. Yeah, I want to

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Speaker 1: be here. We're talking about nothing we thought we're gonna

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Speaker 1: talk about anyway. That's just some music and John Oates

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Speaker 1: will be in on the next time. Today's National Book

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Speaker 1: Day because it's I guess it's reading America across America week.

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Speaker 1: Um ye, your favorite books. I read a lot of biographies. Yeah,

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Speaker 1: me too. I mean really it's basically all already to

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Speaker 1: much to you. I made a list of give me

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Speaker 1: your favorite books. The best you get three? Okay, I

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Speaker 1: would go Adam Carol and not Taco Bill material. He

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Speaker 1: has so many yeah, and I've read so many of his,

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Speaker 1: but that's the one that's like pretty much just his

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Speaker 1: life and that was probably my favorite one of his

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Speaker 1: um I used I'm sorry modern Romance, so he did

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Speaker 1: like a big study of just dating in like modern

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Speaker 1: age and everything that is good and uh, you're a

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Speaker 1: book dude. Like that was one of the ones that

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Speaker 1: I read shot and it was awesome. Shut up, but

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Speaker 1: that My favorite book ever is Steve Martin's Born Standing

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Speaker 1: Up Again. Steve Martin can be born today and still

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Speaker 1: be awesome. Did you have you ever read that? Hadn't read?

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Speaker 1: It changed my life? I read the book. I was like, yeah,

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Speaker 1: there are no rules on being an entertainer. And that

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Speaker 1: book probably was the book for me that was like, Okay,

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Speaker 1: you're already on the ready. I was probably twenty red.

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Speaker 1: It was okay, you're already on the radio. But you

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Speaker 1: can do all you can do anything you want. There's nothing.

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Speaker 1: He started off working at Disney World as a kid,

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Speaker 1: learning magic tricks, and even when he was playing comedy shows,

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Speaker 1: he would go up in his comedy show. He would

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Speaker 1: play his banjo, he'd make balloon animals, he would just

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Speaker 1: do things. And it wasn't always punchline stuff. Everything wasn't

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Speaker 1: really cerebral, cutting edge comedy. It was just can we

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Speaker 1: all laugh together? And he would just do stuff, and

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Speaker 1: for me, it completely changed how I thought about just entertaining,

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Speaker 1: which is kind of how the Raging Idiots started, which

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Speaker 1: is like, I don't be a good singer. I could

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Speaker 1: be a good performer and surround myself with and with

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Speaker 1: great singers and just make a show like our our

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Speaker 1: Raging Idiot shows. They're a show. You're not gonna come

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Speaker 1: out and be blown away? How you probably will because

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Speaker 1: our singers are so good except for me, like they're

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Speaker 1: so good. There's but it's it's a it's a real

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Speaker 1: show show. Um. And then even with my stand up

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Speaker 1: stuff like I just got and try stuff. Sometimes sometimes

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Speaker 1: it involves knives, sometimes it involves uh helium, sometimes it

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Speaker 1: involves people. It does. So that book, that's Steve Martin

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Speaker 1: book Born Standing Up. That between that and Private Parts

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Speaker 1: from Howard Stern. God, I didn't even put that down,

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Speaker 1: but those books are those are the two books that

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Speaker 1: probably changed my life. Book wise because they kind of said, okay,

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Speaker 1: one you can do whatever you want. Steve Martin book

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Speaker 1: and how our Sernin book was like, Okay, everybody thinks

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Speaker 1: you're different, odd and they don't like you. Who cares?

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Speaker 1: Just go out and be better than everybody else, and

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Speaker 1: be better than them by just continuing to work. Just

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Speaker 1: put just work, and you're gonna get trouble and you're

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Speaker 1: gonna it's gonna suck sometimes, and but I just keep working.

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Speaker 1: And both of those books to me, oh man, those

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Speaker 1: are both life changes. I've read that both multiple times

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Speaker 1: now that I think about it, I think I've read

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Speaker 1: that Steve Martin book maybe eight times. I gets that, dude,

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Speaker 1: you love it? You would you love it? Um? All

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Speaker 1: the Four Agreements is really good. You ever read that? Now?

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Speaker 1: It's not a biography. The only two books that I

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Speaker 1: really love there aren't biographies are a DaVinci Cotuk aren't.

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Speaker 1: But Four Agreements is like it's small and it's like

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Speaker 1: these are the rules of life, and it's like from

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Speaker 1: old prophets. Not it's not religious at all. There's a

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Speaker 1: different religion and spiritual. You be spiritual, but the difference.

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Speaker 1: You can be Christian, but be Methodist and Catholic, you're both.

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Speaker 1: There are different kinds of religions. Whatever. You get the point.

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Speaker 1: It's not a religious book. It is a spiritual book,

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Speaker 1: and that it's really great and it's short and it's

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Speaker 1: like the four core agreements to try to be happy.

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Speaker 1: When I was like, don't don't take things personal like

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Speaker 1: in business never thinking's personal. And so it's a good one. Um,

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Speaker 1: you bread Outliers. I haven't read it, Okay, that's the

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Speaker 1: one I always that you have to read first. That

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Speaker 1: one will change how you Outliers is a book and

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Speaker 1: every chapter is about something different. But Malcolm Gladwell is

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Speaker 1: the guy who wrote it and also read blank that

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Speaker 1: he wrote. I hope it's in his name right, But

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Speaker 1: I'll give you an example of one of the chapters,

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Speaker 1: because the man, they're all different, they're all so good.

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Speaker 1: They there's one chapter and I haven't read it in

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Speaker 1: a few years, but talking about why there are more

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Speaker 1: plane crashes in Asian culture than American. If I'm getting

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Speaker 1: this right, because in that culture you're superior. You listen

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Speaker 1: to In Western if we have problem, we challenge it.

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Speaker 1: And if there's a problem with the plane and they're like, hey,

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Speaker 1: you need to go down, and you know you shouldn't

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Speaker 1: go down, and Western culture like, screw this, I'm not

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Speaker 1: going down. I'll hurt these people. In Eastern culture, it's like, Okay,

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Speaker 1: you told me to go down, and I'm gonna go down.

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Speaker 1: And because you told me to, it's really crazy and

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Speaker 1: that's why. And they use data. I probably botched. The

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Speaker 1: whole thing makes sense, Like they listen. They listen to

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Speaker 1: their boss more than we did, and so because of that,

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Speaker 1: their decisions that are made differently. Another one is kids

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Speaker 1: who were born in certain months are more successful because

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Speaker 1: where you rank. Like let's say you were born, like

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Speaker 1: in the school year, you're five years old and you're

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Speaker 1: one of the oldest kids in the fifth grade. And

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Speaker 1: when you're five and you're the oldest kid, you're developed

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Speaker 1: a lot more than the youngest kid in five in kindergarten. Okay,

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Speaker 1: so you're the oldest kindergartener versus the youngest kindergartener, you're

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Speaker 1: developed a lot more. And even that short amount of time.

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Speaker 1: So those kids that play sports are much more developed,

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Speaker 1: so they get put on all star teams early, so

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Speaker 1: they're already playing more than the other kids. So as

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Speaker 1: they're playing and getting there, they get to play more

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Speaker 1: and get better and better and better and better from

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Speaker 1: a very young age. Wow, that makes sense. So if

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Speaker 1: you're born I don't know how to school work, let's

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Speaker 1: just say you're born in July and you're the oldest

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Speaker 1: person in your class. You're already more physically developed, You're

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Speaker 1: more prone to be put on these special all star

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Speaker 1: teams at a young age. So you're getting even more

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Speaker 1: practice than the person who's not. So as you get

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Speaker 1: more practice, you get even better. And they broke down

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Speaker 1: like international soccer teams and like nine five percent them.

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Speaker 1: We're all born in this is the like month. It's

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Speaker 1: it's crazy. They talk about how Bill Gates it just

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Speaker 1: happened to be in one of the cities that had

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Speaker 1: a computer at that time of the earth, Like these

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Speaker 1: computers weren't everywhere, but where he lived, they happen to

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Speaker 1: have one, and he got to go to it and

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Speaker 1: he loved it and he's super smart, but had it.

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Speaker 1: There are certain circumstances to happen that allow that's crazy, dude,

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Speaker 1: And I probably bought the whole thing, but um, yeah,

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Speaker 1: it's a national book days. So those are four books

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Speaker 1: that I love. Blue Apron is awesome and they let

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Speaker 1: us do this this podcast here, and I have Blue

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Speaker 1: Apron right now. I'm a counter, haven't even up on

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Speaker 1: the box yet. Full of ingredients that you can make

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Speaker 1: meals at your house. You can do home cooked meals

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Speaker 1: and for lessan ten dollars per meal, Blue Apron deliver

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Speaker 1: seasonal recipes with preportion ingredients. You make these home cooked meals,

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Speaker 1: they get a cook for your wife, for your husband, whoever,

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Speaker 1: your boyfriend, your girlfriend, but they're gonna be like, wow,

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Speaker 1: you made this at home. You can even cooked together.

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Speaker 1: You want to get romantic cooking together. Blue Apron has

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Speaker 1: like a guy, it's basically for me. It's page it

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Speaker 1: tells me how to make the meal, so I wouldn't

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Speaker 1: have no idea, but it's got preportioned ingredients so I

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Speaker 1: don't buy too much. And you can make the meal

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Speaker 1: and it tells you how to do it, so it's

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Speaker 1: pretty much all there for you. You can check out

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Speaker 1: this week's menu and get your first three meals for

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Speaker 1: free with free shipping. Go to Blue Apron dot com

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Speaker 1: slash Bobby cast. You'll love how good it feels and

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Speaker 1: it tastes it's incredible home cooking meals with Blue Apron.

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Speaker 1: So I love Blue Apron, Blue Apron dot com slash

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Speaker 1: Bobby cast to get the three mills for free. If

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Speaker 1: you just want to try Blue Apron dot Com slash

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Speaker 1: Bobby Cast if you want to do that, and I

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Speaker 1: think you'll you'll like that. Um, the weird thing is

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Speaker 1: now Stergil Simpson and tweeted me and I was like, Hey,

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Speaker 1: I want to go on the show, and I couldn't.

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Speaker 1: My people couldn't find your requests. And I was like, okay,

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Speaker 1: there's no way for me to prove that your people

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Speaker 1: can't find my request also got on the air and

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Speaker 1: shout it out about twenty times, like hey, you're invited

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Speaker 1: on the show. And he lives here and has people

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Speaker 1: it but it got to him. But now that the

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Speaker 1: Grammys are over and he's needs he did first of all,

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Speaker 1: he doesn't need anything. He said everything independently, which I'm like,

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Speaker 1: why are you even worried about me? Like I'm just

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Speaker 1: an idiot on the radio, and you've been able to

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Speaker 1: do all this without radio, And kind of we come

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Speaker 1: from the same place, like we think that we both

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Speaker 1: think the system kind of sucks. And we're both changing

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Speaker 1: the system in our own way. And so I measiced

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Speaker 1: me and I was like, Hey, just come to the

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Speaker 1: podcast and we can talk about all your issues for

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Speaker 1: like an hour, because otherwise, you come on the radio show,

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Speaker 1: you spend in twelve minutes, you get cut up by

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Speaker 1: commercial breaks. It's not the same. And frankly, my audience

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Speaker 1: overall doesn't care. He has a very passionate audience. He

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Speaker 1: sells a lot of records, but my audience just in

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Speaker 1: general doesn't care about Stargill Simpson. Some do, but overall

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Speaker 1: they don't. They care about the Derk spent Ley is,

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Speaker 1: the Keith Urbans, they care about the uh, some of

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Speaker 1: the pop side. You know, it's just a pretty normal

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Speaker 1: person audience and somebody's gonna listen to go this bull crap.

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Speaker 1: I love. Yes, he has a very dedicated fan base.

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Speaker 1: Most people don't care about me, but the people that

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Speaker 1: listen and are a part of the show with us, like,

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Speaker 1: it's a pretty passionate group. Um So stargels more than

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Speaker 1: about it to come sit and talk and get all

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Speaker 1: of his grievances. I would love it, like wide open

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Speaker 1: mic for you, Stargell, he tweeted, tweet me away and

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Speaker 1: you know, I hope you come up. I hope you

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Speaker 1: accept it. And he was like, oh, you know, the

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Speaker 1: podcast freaking John Oates is coming up, Hall of Fame, Um,

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Speaker 1: Derek's is coming up. He's gonna we're gonna be a

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Speaker 1: big one with him, Like Marin's went up. She just

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Speaker 1: want to grab me too. You know, it's just like now,

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Speaker 1: it's just about the content. People find good stuff. So

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Speaker 1: oh he comes up like, I I'm not a big

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Speaker 1: fan of his music. I don't not like it. I

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Speaker 1: don't listen to it. It's not my thing. But I

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Speaker 1: love the fact that he went his own way and

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Speaker 1: did it his own way. I love it. I think

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Speaker 1: it's amazing. It's very similar to mc lemore. I mean,

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Speaker 1: there are a lot of these stories of artists who

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Speaker 1: was just like, you know, I'm just gonna do it,

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Speaker 1: be really good at it, and then people, hopefully people

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Speaker 1: gravitate to it, and they do and you build your

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Speaker 1: story and maclamore stories, I mean, it's very similar. These

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Speaker 1: are independent artists who didn't sign with the label. UM.

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Speaker 1: I hope that means that I hope staries what comes

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Speaker 1: up and does this. UM, But I don't feel like

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Speaker 1: it would do me justice to just put them on

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Speaker 1: the radio show and talk for eight minutes. And beside that,

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Speaker 1: I wouldn't put them for half an hour because nobody cares.

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Speaker 1: My listeners don't care. I have one job, and that's

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Speaker 1: to get ratings. And as awesome as I think he

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Speaker 1: is for what he's been able to do, I don't

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Speaker 1: really want to put such an inside conversation about why

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Speaker 1: he and I both think the system is broken on

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Speaker 1: the radio. I don't think it's a place for that.

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Speaker 1: That's why we even started doing this, so we can

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Speaker 1: come in and talk about music theory and why do

385
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Speaker 1: we think things suck, and what's good and what's not

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Speaker 1: in a big how do you get paid and who

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Speaker 1: does it? And how come this song didn't cry? And

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Speaker 1: so my whole thing with him was when he was

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Speaker 1: whining about not getting on the radio, nobody will play me,

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Speaker 1: and I would come on and be like, hey, dude,

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Speaker 1: you are gonna come up any time. You know we've

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Speaker 1: reached out to you. My old programmer, Michael Brian was

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Speaker 1: tried to reach out. I tried everybody try to reach out.

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Speaker 1: If you people didn't get the email, whatever, I can't

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Speaker 1: prove they did. It didn't. Um. I ran into Storge

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Speaker 1: the last night we talked for an hour and a

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Speaker 1: half proved probably we didn't. You know, it's one of

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Speaker 1: those things you can't you can't. So um, we'll just

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Speaker 1: take him in his word. But I still said many

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Speaker 1: times like hey, come up, and that gets around and

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Speaker 1: so um not on a point I was onto something there,

402
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Speaker 1: I was on something really good too, and I forgot it.

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Speaker 1: But I would love to have him in. I think

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00:23:44,359 --> 00:23:46,840
Speaker 1: it'd be a fun conversation. I think he wants to

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Speaker 1: come in and create a headline and go radio sucks.

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Speaker 1: But I think it would be weird for him. Is

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Speaker 1: if I went, I know, I agree, what what? Because

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Speaker 1: that's what got me in trouble for oh, this was

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Speaker 1: my point. He would go, Hey, radio of sucks. They

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Speaker 1: won't play me. I hate him. I don't even listen

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Speaker 1: to country music. And then you go because I can't

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Speaker 1: get on but I can't get on the radio, and ah,

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Speaker 1: and then would be this this whole thing like Sturgel

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Speaker 1: is awesome, but you can't get on the radio. The

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Speaker 1: radio sucks. For first, I don't care, I don't care.

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Speaker 1: Just give me the song if people want to listen

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Speaker 1: to it, because I'll talk in between it and try

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Speaker 1: to get ratings. Whatever song is big with people, I'll

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Speaker 1: play those that are put on a playlist for me,

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Speaker 1: and then a couple of them. I'll break myself if

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Speaker 1: I think it's a really good song. But I went

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Speaker 1: through the same thing where I was like radio PD suck.

423
00:24:29,640 --> 00:24:31,760
Speaker 1: Like my first two years, I was like radio is awful,

424
00:24:31,880 --> 00:24:34,119
Speaker 1: and I trying to realize. At the same time I

425
00:24:34,200 --> 00:24:35,399
Speaker 1: was saying this, I was also trying to get on

426
00:24:35,480 --> 00:24:38,280
Speaker 1: other stations like spread the show, and I'll be like,

427
00:24:38,400 --> 00:24:40,879
Speaker 1: why aren't as many sessions picking me up as possible? Well,

428
00:24:40,920 --> 00:24:45,359
Speaker 1: because I'm telling them they suck. That's just you can't

429
00:24:45,440 --> 00:24:47,400
Speaker 1: have your like they say your cake and needed too.

430
00:24:47,760 --> 00:24:50,280
Speaker 1: You can't go hey, radio, you suck, But why aren't

431
00:24:50,280 --> 00:24:55,440
Speaker 1: you playing me? Because we're not gonna be like, oh, Bobby,

432
00:24:55,520 --> 00:24:57,720
Speaker 1: you said we suck. I'd love to syndicate your show

433
00:24:57,800 --> 00:25:00,119
Speaker 1: onto my station. I saw how it works. I went

434
00:25:00,119 --> 00:25:02,080
Speaker 1: through it the really hard way too, because I was like,

435
00:25:02,200 --> 00:25:03,719
Speaker 1: this sucks. I hate the system. There are too many

436
00:25:03,720 --> 00:25:06,120
Speaker 1: people get number one songs. This is such a good

437
00:25:07,160 --> 00:25:11,159
Speaker 1: The same philosophical problem that he has. I do too,

438
00:25:11,280 --> 00:25:15,080
Speaker 1: just in a different way. But I chilled the f

439
00:25:15,240 --> 00:25:18,040
Speaker 1: out on the whole right. Just as a business move.

440
00:25:18,640 --> 00:25:21,000
Speaker 1: His business move is to be independent and it's worked

441
00:25:21,040 --> 00:25:23,160
Speaker 1: for him because that became his thing, like and needs

442
00:25:23,200 --> 00:25:25,760
Speaker 1: to keep doing that, Like, stay off my show because

443
00:25:26,000 --> 00:25:28,960
Speaker 1: then you're gonna come in and try to start a fight,

444
00:25:29,040 --> 00:25:30,360
Speaker 1: and I'm gonna agree with you. In the fight, I'm

445
00:25:30,400 --> 00:25:32,800
Speaker 1: gonna start punching myself too. It's like he punched me

446
00:25:32,840 --> 00:25:33,920
Speaker 1: in the face and I go, I agree, and I

447
00:25:34,000 --> 00:25:36,879
Speaker 1: punched myself too. That's just gonna be a weird thing.

448
00:25:36,960 --> 00:25:39,440
Speaker 1: And I don't think the listeners of the radio show

449
00:25:39,600 --> 00:25:41,920
Speaker 1: would care to here an inside conversation about the music

450
00:25:42,000 --> 00:25:45,760
Speaker 1: industry my personal opinion. Um, but I would love to

451
00:25:45,760 --> 00:25:47,800
Speaker 1: have him in here talk and everybody picks his podcast,

452
00:25:47,960 --> 00:25:51,240
Speaker 1: maybe on every website outlet. It would be all over

453
00:25:51,960 --> 00:25:54,560
Speaker 1: and then he could really put it out there. So

454
00:25:54,560 --> 00:25:56,160
Speaker 1: I'd love to have him on because I'm a super

455
00:25:56,240 --> 00:25:58,840
Speaker 1: big fan of what he does. But there are artists

456
00:25:58,840 --> 00:26:01,399
Speaker 1: who I literally like and not like their music. But

457
00:26:01,560 --> 00:26:03,480
Speaker 1: I'm not I don't even not like his music. I'm

458
00:26:03,480 --> 00:26:06,760
Speaker 1: just indifferent to it. Just like, Okay, I see how

459
00:26:06,800 --> 00:26:08,040
Speaker 1: people would love it, but for me, it's just not

460
00:26:08,160 --> 00:26:13,480
Speaker 1: for me. Like I love John Mayor, I liked that

461
00:26:13,600 --> 00:26:16,280
Speaker 1: new Garth song is good too, though surprise, it's hard

462
00:26:16,440 --> 00:26:21,000
Speaker 1: for these legendary artists to put out new music. I'm

463
00:26:21,040 --> 00:26:23,359
Speaker 1: gonna tell you why. The Garth thing he tried with

464
00:26:23,400 --> 00:26:25,760
Speaker 1: a new record, he didn't worked. Um year or so ago.

465
00:26:26,359 --> 00:26:28,200
Speaker 1: I got a new team put a new record. This

466
00:26:28,359 --> 00:26:30,800
Speaker 1: baby Let's Lay Down a dance song is now. It's

467
00:26:30,840 --> 00:26:32,639
Speaker 1: in top fifteen now, And the first time I heard it,

468
00:26:32,640 --> 00:26:34,440
Speaker 1: I was like, Okay, you know what. I don't know

469
00:26:34,480 --> 00:26:35,800
Speaker 1: if this is number one song, but this song is

470
00:26:35,800 --> 00:26:38,120
Speaker 1: actually good enough to like really give it a run

471
00:26:38,280 --> 00:26:40,480
Speaker 1: up the chart. And you can't understand. Garth to me

472
00:26:40,720 --> 00:26:42,959
Speaker 1: is the gredge country artists of all time. Like everybody

473
00:26:43,000 --> 00:26:45,560
Speaker 1: has their favorite in their opinions, if it's for us

474
00:26:45,720 --> 00:26:47,440
Speaker 1: living you know a lot of my friends, if they're

475
00:26:47,480 --> 00:26:51,240
Speaker 1: from Texas, it's George Straight or Garth. If they're older,

476
00:26:51,720 --> 00:26:55,000
Speaker 1: it's George Jones or Johnny Cash. For me, it's Garth Brooks.

477
00:26:55,080 --> 00:26:58,159
Speaker 1: The greatest concert I've ever been to too. What the

478
00:26:58,240 --> 00:27:01,600
Speaker 1: problem is when you're a legend and you come out

479
00:27:01,600 --> 00:27:05,000
Speaker 1: with new music, if it's totally crazy and different. People like,

480
00:27:05,840 --> 00:27:07,639
Speaker 1: you're a legend for a reason, why didn't you make

481
00:27:07,680 --> 00:27:09,680
Speaker 1: more music like that? But if your music sounds just

482
00:27:09,760 --> 00:27:11,600
Speaker 1: like your old stuff, like, oh well, he didn't move

483
00:27:11,840 --> 00:27:14,719
Speaker 1: ahead at all. He sounds like the same thing. What's

484
00:27:14,720 --> 00:27:16,120
Speaker 1: he trying to do? Put out a record the same

485
00:27:16,160 --> 00:27:20,080
Speaker 1: record he put out. You know, it's a really hard

486
00:27:20,119 --> 00:27:23,400
Speaker 1: place to come from, and so you have to kind

487
00:27:23,440 --> 00:27:26,320
Speaker 1: of put out a song in the middle, just a

488
00:27:26,440 --> 00:27:29,159
Speaker 1: little kind of new but still a little rudy. And

489
00:27:29,280 --> 00:27:31,640
Speaker 1: so it's hard to have a number one, big breakthrough

490
00:27:31,680 --> 00:27:35,000
Speaker 1: song with something that that has those two elements. It's

491
00:27:35,000 --> 00:27:39,680
Speaker 1: still somewhat so traditional and somewhat it's hard. And Garth

492
00:27:39,720 --> 00:27:43,760
Speaker 1: has been able to have so much success that before

493
00:27:43,760 --> 00:27:45,240
Speaker 1: I heard the song, I would have been like, I

494
00:27:45,359 --> 00:27:46,560
Speaker 1: don't know. I don't say how you can do it.

495
00:27:47,000 --> 00:27:48,159
Speaker 1: But then I heard the song, I was like, I

496
00:27:48,200 --> 00:27:50,080
Speaker 1: think this has got a shot, but it's very difficult.

497
00:27:50,119 --> 00:27:52,520
Speaker 1: And I was talking to Rascal Flats about this. Again.

498
00:27:53,960 --> 00:27:56,960
Speaker 1: They're a little like a generation younger than Garth in

499
00:27:57,000 --> 00:27:59,560
Speaker 1: the spectrum of music. But I was talking with him

500
00:27:59,600 --> 00:28:01,440
Speaker 1: and I was was like, hey, you know, congrat you

501
00:28:01,480 --> 00:28:03,920
Speaker 1: had the number one first first in a while. And

502
00:28:04,800 --> 00:28:06,520
Speaker 1: I know Gary the late singer a bit because we

503
00:28:06,520 --> 00:28:09,320
Speaker 1: should live four houses down from each other, and I

504
00:28:09,320 --> 00:28:10,760
Speaker 1: would see him at the gym, so we would have

505
00:28:10,920 --> 00:28:14,520
Speaker 1: actual human time, not I never have human time on purpose,

506
00:28:14,920 --> 00:28:16,560
Speaker 1: but we'd be in the same place, and since we'd

507
00:28:16,560 --> 00:28:18,080
Speaker 1: work at the radio show, we would talk a bit

508
00:28:18,200 --> 00:28:19,720
Speaker 1: and then we get to kind of be comfortable around

509
00:28:19,720 --> 00:28:22,040
Speaker 1: each other and talk. So that's a Gary. I mean, like, hey,

510
00:28:22,600 --> 00:28:24,640
Speaker 1: I saw him again and he played and then that's

511
00:28:24,640 --> 00:28:27,080
Speaker 1: why they played the rhyme and too, because I could

512
00:28:27,080 --> 00:28:29,560
Speaker 1: ask them easily to play a million dollar show without

513
00:28:29,600 --> 00:28:33,240
Speaker 1: feeling weird, and it's for Saint Jews. And so I

514
00:28:33,359 --> 00:28:34,840
Speaker 1: was like, when you put out a new single and

515
00:28:34,880 --> 00:28:37,679
Speaker 1: he goes, it's really hard because the song can be good,

516
00:28:37,720 --> 00:28:38,920
Speaker 1: but people are like, why would I want to play

517
00:28:38,920 --> 00:28:40,240
Speaker 1: with something new for your whennight. You have so many

518
00:28:40,360 --> 00:28:42,160
Speaker 1: great old songs that we can just play that we

519
00:28:42,200 --> 00:28:44,760
Speaker 1: know people already like like, why would I play some

520
00:28:44,800 --> 00:28:46,360
Speaker 1: new song from Rascal Flats? Why I can play God

521
00:28:46,360 --> 00:28:48,480
Speaker 1: Bless the Broken Road, where I could play Life is

522
00:28:48,520 --> 00:28:50,360
Speaker 1: a Highway. Why I could put whatever part of Rascal

523
00:28:50,400 --> 00:28:52,880
Speaker 1: Flats's career and he's like, that's difficult for us because

524
00:28:53,000 --> 00:28:55,120
Speaker 1: we don't even want new stuff from you, just we

525
00:28:55,200 --> 00:28:56,800
Speaker 1: like it. We love to play your old stuff still,

526
00:28:56,920 --> 00:28:59,240
Speaker 1: so why are you giving us new stuff? And so

527
00:28:59,400 --> 00:29:01,200
Speaker 1: for them to can have another number one recently was

528
00:29:01,280 --> 00:29:03,440
Speaker 1: crazy good and their new song is gonna do really

529
00:29:03,480 --> 00:29:07,440
Speaker 1: well too. The Shania thing is gonna be crazy weird. Again,

530
00:29:07,520 --> 00:29:10,280
Speaker 1: I don't see how it works. But I also thought

531
00:29:10,320 --> 00:29:11,600
Speaker 1: the same thing, like I don't see how the Guard

532
00:29:11,640 --> 00:29:13,480
Speaker 1: thing works. I'm not saying it's not I don't see

533
00:29:13,480 --> 00:29:15,000
Speaker 1: how it's going to work. I didn't see how the

534
00:29:15,040 --> 00:29:16,640
Speaker 1: Guard thing was gonna work until I heard the music

535
00:29:16,880 --> 00:29:18,440
Speaker 1: and I was like this I looked at today, I

536
00:29:18,480 --> 00:29:21,000
Speaker 1: was like, this has a shot, This has a real shot.

537
00:29:21,880 --> 00:29:24,080
Speaker 1: I also rooted for it because Garth is my favorite.

538
00:29:25,080 --> 00:29:27,720
Speaker 1: But the Chania thing is weird because she wants to

539
00:29:27,800 --> 00:29:31,400
Speaker 1: do everything completely different and get rid of you know,

540
00:29:31,480 --> 00:29:35,520
Speaker 1: her old producers, her ex husband, and she has to

541
00:29:35,680 --> 00:29:40,240
Speaker 1: ride everything, and she's already made the music and she's

542
00:29:40,240 --> 00:29:42,440
Speaker 1: gonna come out with stuff. And if it doesn't sound

543
00:29:42,520 --> 00:29:44,200
Speaker 1: like old Chenai, people can be like what the heck

544
00:29:44,360 --> 00:29:46,760
Speaker 1: is this? But if it sounds like old Schnaia, people

545
00:29:46,800 --> 00:29:49,480
Speaker 1: can be like, what the heck are you doing? It's tough.

546
00:29:50,280 --> 00:29:53,040
Speaker 1: It's a tough thing for someone to come back, and

547
00:29:53,160 --> 00:29:56,200
Speaker 1: I hope she does, Like I'm rooting for it to

548
00:29:56,240 --> 00:30:00,400
Speaker 1: be great. And I've heard a couple of songs and

549
00:30:00,480 --> 00:30:03,000
Speaker 1: I don't really have an opinion because I don't they

550
00:30:03,080 --> 00:30:05,760
Speaker 1: sound different. Yeah, I know, we're at thirty minutes. I

551
00:30:05,800 --> 00:30:08,840
Speaker 1: really don't care right now, Um they sound different. I

552
00:30:08,880 --> 00:30:10,840
Speaker 1: don't know. I'll tell you all of this suck. I

553
00:30:10,920 --> 00:30:13,160
Speaker 1: don't know. I heard them and I was like, I'm

554
00:30:13,200 --> 00:30:15,920
Speaker 1: kind of confused because the two I heard once onund

555
00:30:16,120 --> 00:30:18,720
Speaker 1: nothing like the other. And usually there's some sort of

556
00:30:18,920 --> 00:30:24,280
Speaker 1: sonic semblance, and there wasn't. But that could be cool.

557
00:30:24,280 --> 00:30:25,680
Speaker 1: There may be something in the middle. I don't know

558
00:30:25,840 --> 00:30:28,720
Speaker 1: that it's gonna be tough. It's gonna um anyway. So

559
00:30:28,800 --> 00:30:30,480
Speaker 1: there's that. Let me say, Oh, man, I got stufferent down.

560
00:30:30,560 --> 00:30:34,280
Speaker 1: Never got to the strict parents? Yeah, did that? President

561
00:30:34,360 --> 00:30:39,240
Speaker 1: not about saw a story about strict parents, And there's

562
00:30:39,280 --> 00:30:42,240
Speaker 1: a new study that shows it's bad to be strict

563
00:30:42,280 --> 00:30:45,400
Speaker 1: with kids. Very strict parents who are controlling are more

564
00:30:45,440 --> 00:30:48,080
Speaker 1: likely to raise children who are disrespectful and engage into

565
00:30:48,120 --> 00:30:52,000
Speaker 1: liquid behaviors. Such as stealing and being immature. So very

566
00:30:52,080 --> 00:30:55,960
Speaker 1: strict parents are are more likely to bad kids. I

567
00:30:56,120 --> 00:31:03,160
Speaker 1: had had no rules, none ever. I mean, I can't

568
00:31:03,200 --> 00:31:06,360
Speaker 1: think of a single rule. I had no bedtime, I

569
00:31:06,440 --> 00:31:10,040
Speaker 1: had no curfew. I also had no car or no

570
00:31:10,400 --> 00:31:13,120
Speaker 1: I mean, it was just a survive on your own.

571
00:31:15,680 --> 00:31:20,280
Speaker 1: And you know, I'm writing this new book and even

572
00:31:20,360 --> 00:31:22,840
Speaker 1: the Ted talk it's like what I used to think

573
00:31:23,840 --> 00:31:27,400
Speaker 1: sucked and I would feel sorry for myself because I

574
00:31:27,560 --> 00:31:30,160
Speaker 1: had really not a lot of support as a kid.

575
00:31:32,200 --> 00:31:34,640
Speaker 1: I now I learned a lot from that that is

576
00:31:34,680 --> 00:31:36,760
Speaker 1: still with me. And at times it's detrimental because I'm

577
00:31:36,840 --> 00:31:39,840
Speaker 1: such a just a dick and not mean to people,

578
00:31:39,920 --> 00:31:44,800
Speaker 1: but just so stubborn about things. And I think, but

579
00:31:45,160 --> 00:31:47,800
Speaker 1: I learned how to survive. And if I had, if

580
00:31:47,840 --> 00:31:50,280
Speaker 1: the world was ending, I'm telling you, if it's walking

581
00:31:50,360 --> 00:31:53,200
Speaker 1: down real life, come find me. I will lead us

582
00:31:53,480 --> 00:31:56,840
Speaker 1: to the promised Land. We will have the hilltop, We

583
00:31:57,000 --> 00:32:00,480
Speaker 1: will I kind of would do you ever hope the

584
00:32:00,560 --> 00:32:04,040
Speaker 1: end of the world happens during your lifetime? Me too, Like,

585
00:32:04,880 --> 00:32:06,520
Speaker 1: because we're on Earth for just a blink of an eye,

586
00:32:06,800 --> 00:32:09,600
Speaker 1: just a blink of millions of years. We think about

587
00:32:10,080 --> 00:32:12,400
Speaker 1: let's just say it's ten million years. Okay, it's longer

588
00:32:12,400 --> 00:32:13,800
Speaker 1: than that. That's all story of the day that they

589
00:32:13,880 --> 00:32:17,400
Speaker 1: found something. Let's say the Earth the Google how old

590
00:32:17,520 --> 00:32:19,360
Speaker 1: is Earth? And just see what it says, because I

591
00:32:19,920 --> 00:32:21,800
Speaker 1: don't want someone to hit me with some scientific stat

592
00:32:21,800 --> 00:32:25,880
Speaker 1: because it's gonna completely derail my thought. Four point five

593
00:32:25,920 --> 00:32:28,840
Speaker 1: billion years, billion years okay, four point Let's just say

594
00:32:28,880 --> 00:32:30,920
Speaker 1: it's one billion years old for sake of an argument

595
00:32:30,920 --> 00:32:32,520
Speaker 1: and for my head and my mouth in my head,

596
00:32:32,800 --> 00:32:37,720
Speaker 1: Earth there's one billion years old, okay. Now the no

597
00:32:37,760 --> 00:32:41,200
Speaker 1: one person lives to be seventy Okay, if you did

598
00:32:41,640 --> 00:32:46,360
Speaker 1: do one billion divided by seventy, I mean that's the

599
00:32:46,560 --> 00:32:51,360
Speaker 1: percentages of the time that we're on this planet and

600
00:32:51,440 --> 00:32:54,120
Speaker 1: the times that by four. There's gonna be some number

601
00:32:54,160 --> 00:32:55,240
Speaker 1: that pops up as you're gonna be like what, I

602
00:32:55,280 --> 00:32:58,480
Speaker 1: don't even know what this number is. It's basically a blink.

603
00:32:59,440 --> 00:33:02,640
Speaker 1: It's less stand up blink. If Earth were a date

604
00:33:02,880 --> 00:33:07,240
Speaker 1: one four hour cycle, our lifetime would be less than

605
00:33:07,320 --> 00:33:09,920
Speaker 1: one blink. So the odds at the end of the

606
00:33:10,000 --> 00:33:15,320
Speaker 1: world happens during our lifetime. It's like a powerball, and

607
00:33:15,440 --> 00:33:18,320
Speaker 1: how amazing would it be to hit the powerball, and yeah,

608
00:33:18,400 --> 00:33:21,200
Speaker 1: you'd be hungry and stuff and it sucks, but we

609
00:33:21,320 --> 00:33:23,760
Speaker 1: get to experience like and if you just suck, you

610
00:33:23,880 --> 00:33:26,080
Speaker 1: just die, Like if you're weak and whippy, you would

611
00:33:26,120 --> 00:33:27,760
Speaker 1: just die. We're all gonna die anyway. We're all gonna

612
00:33:27,800 --> 00:33:33,120
Speaker 1: die inside this stupid quick blink because I'm already at

613
00:33:33,120 --> 00:33:35,840
Speaker 1: thirty six years old, Like I remember being it seems

614
00:33:35,880 --> 00:33:39,160
Speaker 1: like yesterday, being twenty two and being this child prodigy

615
00:33:39,200 --> 00:33:41,480
Speaker 1: that got his own morning showing in a major market

616
00:33:41,480 --> 00:33:43,440
Speaker 1: and it was like, who is this guy? Where did

617
00:33:43,480 --> 00:33:46,840
Speaker 1: he just hill ability from Arkansas? I'm thirty six now

618
00:33:47,000 --> 00:33:49,600
Speaker 1: before I know it, I'm gonna be seventy and and

619
00:33:49,760 --> 00:33:51,720
Speaker 1: never and it's like boom, there it is. So I

620
00:33:51,760 --> 00:33:53,400
Speaker 1: would love in that time for the earth to have

621
00:33:53,560 --> 00:33:55,480
Speaker 1: something in me just have to fight to survive. That

622
00:33:55,520 --> 00:33:57,640
Speaker 1: would be um. I would like to fight like zombies

623
00:33:57,680 --> 00:34:00,320
Speaker 1: and all the weak people die and eventually some of

624
00:34:00,360 --> 00:34:02,680
Speaker 1: the strong due. But we're all gonna die anyway inside

625
00:34:02,720 --> 00:34:06,000
Speaker 1: that blank So why not make it freaking I would,

626
00:34:06,400 --> 00:34:09,200
Speaker 1: And I also want to like testing myself, and there's

627
00:34:09,200 --> 00:34:13,960
Speaker 1: no bigger test than the world in the now. If

628
00:34:14,000 --> 00:34:16,960
Speaker 1: you like, if the Walking Dead happened. I would love

629
00:34:17,000 --> 00:34:19,080
Speaker 1: for it to happen during my lifetime. It's funny you

630
00:34:19,120 --> 00:34:21,920
Speaker 1: do you would do? Most people be like, no, how

631
00:34:22,160 --> 00:34:25,560
Speaker 1: just what a thrill? That would be not fun, but

632
00:34:25,680 --> 00:34:28,719
Speaker 1: what a test. And how lucky you are to be

633
00:34:28,800 --> 00:34:31,440
Speaker 1: able to actually see the end of the civilization. We

634
00:34:31,520 --> 00:34:33,400
Speaker 1: didn't get to see the beginning. We won't get to

635
00:34:33,400 --> 00:34:35,160
Speaker 1: see the end. We're just right in the middle of

636
00:34:35,200 --> 00:34:37,000
Speaker 1: the worrio. We're just right in the middle of the cream,

637
00:34:37,080 --> 00:34:40,520
Speaker 1: like we got nothing. We're just saying a bunch of cream. Man,

638
00:34:40,560 --> 00:34:42,080
Speaker 1: What if we got to be on the outside of

639
00:34:42,120 --> 00:34:45,640
Speaker 1: the cookie? That would be crazy. Yeah, I'm fascinating with

640
00:34:45,640 --> 00:34:47,680
Speaker 1: the end of the world. Fascinated with time travel. I'm

641
00:34:47,680 --> 00:34:53,960
Speaker 1: fascinated with Yeah, like are there parallel universes? Are there

642
00:34:54,040 --> 00:34:56,480
Speaker 1: other planets? Yes, for sure there are other planets for

643
00:34:56,600 --> 00:34:59,400
Speaker 1: something on it living for us we don't even know.

644
00:35:00,880 --> 00:35:04,320
Speaker 1: We have no idea. They it's like every day we

645
00:35:04,400 --> 00:35:06,880
Speaker 1: find something new, do do you know? Want a light

646
00:35:06,960 --> 00:35:12,960
Speaker 1: eros it's how fast it takes, the speed of lot

647
00:35:13,120 --> 00:35:16,560
Speaker 1: and a I say things wrong a lot of times,

648
00:35:16,880 --> 00:35:20,279
Speaker 1: but a lot year is crazy because it's how far

649
00:35:20,480 --> 00:35:26,719
Speaker 1: light can go. Look of the definition astronomical distance equivalent

650
00:35:26,760 --> 00:35:29,120
Speaker 1: to the distance that light travels in one year. I

651
00:35:29,160 --> 00:35:32,600
Speaker 1: think how far light can go in a year, the

652
00:35:32,719 --> 00:35:34,759
Speaker 1: speed of light in a year. For a whole year,

653
00:35:34,880 --> 00:35:39,279
Speaker 1: light's going you and then after a year, that's one.

654
00:35:41,400 --> 00:35:43,920
Speaker 1: And there are these things that are probably a million

655
00:35:44,080 --> 00:35:48,760
Speaker 1: light years away. We have no idea. There's there's probably

656
00:35:48,880 --> 00:35:51,560
Speaker 1: earths that are so far less advanced than us, and

657
00:35:51,640 --> 00:35:54,400
Speaker 1: earths that are so far more advanced than us, and

658
00:35:54,560 --> 00:35:57,880
Speaker 1: we have no idea. There's probably I don't know, man,

659
00:35:57,920 --> 00:35:59,800
Speaker 1: that stuff. It's awesome and it freaks me out that

660
00:35:59,840 --> 00:36:02,239
Speaker 1: say time. But again, wouldn't it be crazy if we

661
00:36:02,280 --> 00:36:04,359
Speaker 1: got to be here when aliens came down? I got

662
00:36:04,480 --> 00:36:09,160
Speaker 1: rule into looking into like Parallel University's timelines all that stuff,

663
00:36:09,320 --> 00:36:12,560
Speaker 1: and I don't believe in it. But I definitely don't

664
00:36:12,600 --> 00:36:15,239
Speaker 1: not believe like you. I wouldn't start argue with you

665
00:36:15,320 --> 00:36:17,759
Speaker 1: that it for sure exists because I can't because I

666
00:36:17,840 --> 00:36:21,719
Speaker 1: don't know. But there's you're never going to convince me

667
00:36:21,760 --> 00:36:23,719
Speaker 1: that it doesn't. How are you gonna give it me

668
00:36:23,760 --> 00:36:28,360
Speaker 1: a dozen? You don't know the time travel apparently, that

669
00:36:28,440 --> 00:36:30,239
Speaker 1: that stuff, man, I think about I think about That's

670
00:36:30,239 --> 00:36:32,239
Speaker 1: all I think I'm dying all time too, not even

671
00:36:32,400 --> 00:36:35,200
Speaker 1: in a morbid way. But it's like, man, that stuff

672
00:36:35,320 --> 00:36:42,080
Speaker 1: is that that's the most fascinating concept is what's greater

673
00:36:42,239 --> 00:36:46,000
Speaker 1: than us? Period? What's greater than us physically? What's greater

674
00:36:46,080 --> 00:36:48,600
Speaker 1: than us? Spiritually? What's greater than us? In every way

675
00:36:49,040 --> 00:36:50,400
Speaker 1: there was? Someone can write a book and say they

676
00:36:50,400 --> 00:36:53,080
Speaker 1: went and walking into the light, and it's like the

677
00:36:53,120 --> 00:36:56,560
Speaker 1: stars with email thing you can't provely didn't. And I

678
00:36:56,600 --> 00:36:59,080
Speaker 1: think people you know, if someone want to pull pull

679
00:36:59,160 --> 00:37:01,560
Speaker 1: one on, they get sick, they go in the hospital,

680
00:37:01,600 --> 00:37:03,200
Speaker 1: they come back the other like, you know what I

681
00:37:04,120 --> 00:37:05,360
Speaker 1: did it, I walked to the light. They write a

682
00:37:05,360 --> 00:37:08,600
Speaker 1: book about it. You can't prove they didn't. There's nothing

683
00:37:08,719 --> 00:37:10,839
Speaker 1: you can do to prove that that person is lying.

684
00:37:11,560 --> 00:37:16,800
Speaker 1: Zero things can you do to go you're lying. So

685
00:37:17,440 --> 00:37:20,120
Speaker 1: just like the starting emails that his people never got,

686
00:37:20,280 --> 00:37:22,759
Speaker 1: I can't prove that they got him. I can't prove

687
00:37:22,880 --> 00:37:25,120
Speaker 1: that Jimmy Smith wrote a book about walking into the

688
00:37:25,239 --> 00:37:28,040
Speaker 1: light and meeting the Lord didn't or didn't meet the Lord?

689
00:37:29,440 --> 00:37:32,120
Speaker 1: Do I think that starts a got the emails? I

690
00:37:32,200 --> 00:37:36,160
Speaker 1: can't prove it. Nope. Same thing with I think you

691
00:37:36,239 --> 00:37:39,160
Speaker 1: walked into the light. Yeah, probably not Probably I'm chemical.

692
00:37:40,080 --> 00:37:41,960
Speaker 1: But can I prove it? No, I can't prove that

693
00:37:42,000 --> 00:37:43,920
Speaker 1: you didn't like, so I'm not gonna argue with you

694
00:37:43,920 --> 00:37:47,240
Speaker 1: that you didn't because you might have. It's so crazy

695
00:37:47,320 --> 00:37:51,279
Speaker 1: that I love knowing that I know less and less.

696
00:37:51,360 --> 00:37:53,960
Speaker 1: It thrills me to no, less and less, because like,

697
00:37:54,040 --> 00:37:56,239
Speaker 1: the more you learn, the more you realize you have

698
00:37:56,360 --> 00:37:59,960
Speaker 1: no freaking idea. The more knowledge and I try to read,

699
00:38:00,840 --> 00:38:02,680
Speaker 1: and it's hard for me because I try to consume

700
00:38:02,760 --> 00:38:04,680
Speaker 1: daily news. All of it is possible than I do

701
00:38:04,800 --> 00:38:07,200
Speaker 1: this show. I can just consume this news so I

702
00:38:07,200 --> 00:38:08,440
Speaker 1: can talk about it, but it comes up. I know

703
00:38:08,480 --> 00:38:10,320
Speaker 1: what to say and I know to have an opinion

704
00:38:10,400 --> 00:38:14,320
Speaker 1: on it, and sometimes it takes away from me learning

705
00:38:16,400 --> 00:38:20,800
Speaker 1: on a macro scale instead about micro scale. But I

706
00:38:21,080 --> 00:38:24,840
Speaker 1: love learning. And the more I learn, the more I

707
00:38:24,960 --> 00:38:29,440
Speaker 1: realized I'm really freaking dumb because I have no idea.

708
00:38:30,560 --> 00:38:33,719
Speaker 1: And again, the more the more I I fell my

709
00:38:33,760 --> 00:38:36,800
Speaker 1: head with the knowledge, the less smart I feel. And

710
00:38:36,880 --> 00:38:38,600
Speaker 1: that's that's that's a weird thing, because I'm like, I'm

711
00:38:38,600 --> 00:38:40,560
Speaker 1: about to read this book, but I learned all about

712
00:38:40,600 --> 00:38:43,920
Speaker 1: the cave. You know, do a little low Aristotle played

713
00:38:43,920 --> 00:38:48,000
Speaker 1: a little sore and then you're like, god, I just

714
00:38:48,080 --> 00:38:50,160
Speaker 1: read that. Now I have instead of two questions, I

715
00:38:50,239 --> 00:38:52,520
Speaker 1: have eleven. So let me try to address one of

716
00:38:52,560 --> 00:38:55,000
Speaker 1: these in one of your eleven. Now I have seventeen.

717
00:38:55,040 --> 00:38:58,280
Speaker 1: Regarding one of the I's just like, oh my god, whatever,

718
00:38:58,640 --> 00:39:02,080
Speaker 1: that's why. That's why I'm playing piano, so I can

719
00:39:02,120 --> 00:39:04,759
Speaker 1: focus on the little things as practicing piano to I'm

720
00:39:04,760 --> 00:39:07,200
Speaker 1: trying to learn how play piano just a little bit,

721
00:39:07,320 --> 00:39:10,760
Speaker 1: just enough to play cup songs and to know the basics.

722
00:39:11,520 --> 00:39:14,200
Speaker 1: And um, it's annoying because Lindsey and my girlfriend, is

723
00:39:14,239 --> 00:39:15,920
Speaker 1: good at it and she doesn't even try to be.

724
00:39:16,000 --> 00:39:19,520
Speaker 1: She's like, oh, I suck, but I had better. No

725
00:39:19,680 --> 00:39:21,120
Speaker 1: no no no no no no no no no no no.

726
00:39:21,719 --> 00:39:24,440
Speaker 1: And I'm like, ah when she goes I suck and

727
00:39:24,480 --> 00:39:28,800
Speaker 1: then just demolishes some song. But she plays music in

728
00:39:28,840 --> 00:39:30,600
Speaker 1: different way, like she's one of those weird people that

729
00:39:31,120 --> 00:39:36,080
Speaker 1: it's not just about learning muscle memory, like she feels

730
00:39:36,160 --> 00:39:38,879
Speaker 1: sees music in her head like turn directions and things.

731
00:39:39,400 --> 00:39:42,120
Speaker 1: She's one of those weird ones. And she plays, you know,

732
00:39:42,160 --> 00:39:45,120
Speaker 1: she plays the fiddle, and I mean it's like she's

733
00:39:45,160 --> 00:39:49,040
Speaker 1: like you know when Charlie came in, very very similar theory,

734
00:39:49,160 --> 00:39:54,200
Speaker 1: and yeah, theory, it's like the psychology of freaking music,

735
00:39:55,520 --> 00:39:57,759
Speaker 1: and so it's like, Okay, let me show you this.

736
00:39:57,880 --> 00:40:00,800
Speaker 1: I really suck, but let me like this on piano

737
00:40:02,360 --> 00:40:06,320
Speaker 1: bum bum what about I'm dung? Then she's pulling it

738
00:40:06,400 --> 00:40:09,960
Speaker 1: a gong like I know that's not very good, and

739
00:40:10,000 --> 00:40:14,160
Speaker 1: then I'm like clung clo. So I've been doing that.

740
00:40:14,280 --> 00:40:19,520
Speaker 1: It's been tough, but again, everybody that's good at something

741
00:40:19,560 --> 00:40:23,399
Speaker 1: at one time was a beginner. And I took piano

742
00:40:23,480 --> 00:40:25,320
Speaker 1: lessons for like six months and then I played on

743
00:40:25,360 --> 00:40:26,799
Speaker 1: TV a couple of times on my old TV show,

744
00:40:27,000 --> 00:40:31,279
Speaker 1: and then UM stopped and I don't know anything about it.

745
00:40:31,320 --> 00:40:33,840
Speaker 1: So it was like I didn't retain any of it.

746
00:40:34,239 --> 00:40:36,160
Speaker 1: But yeah, that'd be good. I'm already from Lindsay's music

747
00:40:36,200 --> 00:40:38,799
Speaker 1: to come out. That'd be cool. And it's not out yet,

748
00:40:38,880 --> 00:40:41,560
Speaker 1: and it's not my place to say when it's gonna

749
00:40:41,560 --> 00:40:42,919
Speaker 1: come out, But it also don't know when it's gonna

750
00:40:42,960 --> 00:40:45,080
Speaker 1: come out, so I guess it's my place to say

751
00:40:45,080 --> 00:40:46,520
Speaker 1: I have no idea when it's gonna come out, but

752
00:40:46,560 --> 00:40:48,040
Speaker 1: I've one of these songs she emailed me and we

753
00:40:48,080 --> 00:40:52,080
Speaker 1: played on the radio because I don't know why I

754
00:40:52,120 --> 00:40:56,160
Speaker 1: played it the first time because a little biographical. It's

755
00:40:56,200 --> 00:41:03,080
Speaker 1: called waiting on You. That is new love thing. Then

756
00:41:03,239 --> 00:41:16,759
Speaker 1: I kiss the slow dancing you got my heart being fast? Well,

757
00:41:16,920 --> 00:41:21,800
Speaker 1: this is going baby. I can't see every time you

758
00:41:21,920 --> 00:41:24,440
Speaker 1: leave me, I just want you don't like that though,

759
00:41:24,520 --> 00:41:29,640
Speaker 1: huh imagine, but you don't like that blue sound generally.

760
00:41:30,920 --> 00:41:33,279
Speaker 1: I respect for the guitar work like I'm really into

761
00:41:34,080 --> 00:41:47,239
Speaker 1: I think, yeah, waiting for the winds, got your bottle rocking? Wait,

762
00:41:47,880 --> 00:41:50,840
Speaker 1: it's like blues an old school country gets playing the

763
00:41:50,920 --> 00:41:56,600
Speaker 1: old that slide in there. You just like that grand

764
00:41:56,640 --> 00:41:59,879
Speaker 1: my mom my mom, I'm so winging my mo mom

765
00:42:00,040 --> 00:42:07,120
Speaker 1: my mom. You just have a different I like it.

766
00:42:07,160 --> 00:42:08,960
Speaker 1: I like to funk. It's like that John Mayer song

767
00:42:09,239 --> 00:42:11,840
Speaker 1: that go places like bunk. Even the guitar I'm not

768
00:42:15,880 --> 00:42:25,719
Speaker 1: why those four got amazing. It's called out waiting at

769
00:42:25,880 --> 00:42:28,000
Speaker 1: It's not out as of right now on whatever today

770
00:42:28,080 --> 00:42:46,000
Speaker 1: is not got your bot it wait no you anyway,

771
00:42:46,040 --> 00:42:48,400
Speaker 1: there's that. By the way, when we do the podcast

772
00:42:48,480 --> 00:42:50,080
Speaker 1: alone and the way don't have a guest the dog

773
00:42:50,320 --> 00:42:53,239
Speaker 1: Chilsen or with us and he has passed out in

774
00:42:53,320 --> 00:42:56,080
Speaker 1: the guest chair. Right now, I could not be anymore

775
00:42:56,120 --> 00:42:58,400
Speaker 1: asleep and just dead to the world as of right now.

776
00:42:59,640 --> 00:43:01,520
Speaker 1: A bunch of talking about it. I'm done. How long

777
00:43:01,560 --> 00:43:03,160
Speaker 1: we go? We try to go thirty minutes long? Was

778
00:43:03,200 --> 00:43:07,759
Speaker 1: this one close to three D? That whole philosophy thing, dude,

779
00:43:08,040 --> 00:43:10,239
Speaker 1: it changed my life. When I got to college and

780
00:43:10,280 --> 00:43:15,520
Speaker 1: started learning about philosophers, I was just like wow, Like really,

781
00:43:15,640 --> 00:43:20,520
Speaker 1: everybody kind of believe the same thing, just slightly changed

782
00:43:20,800 --> 00:43:24,960
Speaker 1: depending on where you like, the geography of where you are,

783
00:43:26,000 --> 00:43:31,560
Speaker 1: one little detail is different and that changes. Yeah, it's weird. Listen,

784
00:43:31,680 --> 00:43:34,560
Speaker 1: I just I know that I don't know crap man

785
00:43:35,560 --> 00:43:37,799
Speaker 1: except about music, and then I know it all. Then

786
00:43:37,880 --> 00:43:40,120
Speaker 1: I got it all down. Um, what we've learned from

787
00:43:40,160 --> 00:43:44,040
Speaker 1: this is um STARGI would love to have you. Invited

788
00:43:44,120 --> 00:43:45,920
Speaker 1: you up if you'd like to come up, and love

789
00:43:45,960 --> 00:43:47,200
Speaker 1: to have you. I'm a huge fan of how you

790
00:43:47,280 --> 00:43:49,319
Speaker 1: do things. I'm not gonna lie and be like I'm

791
00:43:49,360 --> 00:43:50,960
Speaker 1: a huge fan of music. I don't not like the music.

792
00:43:51,000 --> 00:43:53,319
Speaker 1: I just just know my thing, but I love how

793
00:43:53,400 --> 00:43:56,120
Speaker 1: you've done stuff. So you're more than welcome to come

794
00:43:56,200 --> 00:44:00,600
Speaker 1: up and I'll be a gracious host, and I hope

795
00:44:00,640 --> 00:44:03,440
Speaker 1: your gracious guest, and that would be cool, and you

796
00:44:03,480 --> 00:44:07,040
Speaker 1: can stop tweeting me. This is where it's gonna go.

797
00:44:07,120 --> 00:44:08,239
Speaker 1: I just don't feel like we could get what we

798
00:44:08,280 --> 00:44:09,920
Speaker 1: wanted to get accomplished in the amount of time I

799
00:44:09,920 --> 00:44:11,680
Speaker 1: could be able to do on the radio, So just

800
00:44:11,760 --> 00:44:14,120
Speaker 1: be a waste. And I can't have the ratings hit. Honestly,

801
00:44:14,600 --> 00:44:17,320
Speaker 1: we live in a week deweek culture society, and it's like,

802
00:44:17,320 --> 00:44:19,759
Speaker 1: I gotta keep the freaking ratings up. Mind anything you

803
00:44:19,800 --> 00:44:23,000
Speaker 1: want to add, what's on your mind? I think we're good, man?

804
00:44:23,120 --> 00:44:25,600
Speaker 1: Are you sure? I am. I'm gonna go and read

805
00:44:25,680 --> 00:44:27,680
Speaker 1: that book now? Which one good? Oh? They're all good?

806
00:44:27,719 --> 00:44:30,360
Speaker 1: Which one of all those? Uh? When you told me

807
00:44:30,400 --> 00:44:34,200
Speaker 1: about the Outliers? It's not a biography. But yeah, if

808
00:44:34,239 --> 00:44:35,759
Speaker 1: you read that and come back in a week or

809
00:44:35,800 --> 00:44:38,440
Speaker 1: two or three or how whatever, you'll be like, are

810
00:44:38,480 --> 00:44:40,600
Speaker 1: you being kidding me? I'm gonn start with that one.

811
00:44:40,800 --> 00:44:43,960
Speaker 1: If then the Steve Martin was fantastic? To what bandy? Right?

812
00:44:44,040 --> 00:44:45,719
Speaker 1: Right now? What was the last thing you listened to?

813
00:44:47,680 --> 00:44:51,000
Speaker 1: Is it a bunch of rules? Are bad? Why am

814
00:44:51,040 --> 00:44:55,279
Speaker 1: I grounded? Is that it is spelled the name j

815
00:44:55,640 --> 00:45:01,920
Speaker 1: O y c E. Yeah, Joyce and ma Her Joyce Manner.

816
00:45:02,600 --> 00:45:05,440
Speaker 1: Here's a song called Constant Headache. Yeh man, it hurts man,

817
00:45:06,239 --> 00:45:11,360
Speaker 1: Oh boy, that's what I thought it was that we

818
00:45:11,440 --> 00:45:19,120
Speaker 1: all have our own taste. I just want to be

819
00:45:19,440 --> 00:45:25,600
Speaker 1: likely wanting Tim. I'm predict that's who his voice sounds.

820
00:45:25,600 --> 00:45:27,920
Speaker 1: I haven't heard his voice, Okay, I'm predicting that dad's

821
00:45:27,920 --> 00:45:36,160
Speaker 1: got a wounded voice. Sounds like yeah, you come, and

822
00:45:36,360 --> 00:45:40,680
Speaker 1: so I had by the couch. You were talking so loud.

823
00:45:41,040 --> 00:45:43,800
Speaker 1: I kind of got it's got a time, but you

824
00:45:44,120 --> 00:45:46,160
Speaker 1: was drunkard and I want to hear the chorus. Cool,

825
00:45:46,280 --> 00:45:50,920
Speaker 1: it's so conscious and sweet, I know, feel so cool.

826
00:45:51,320 --> 00:46:09,879
Speaker 1: This guy's dandy ship. I'm a con another. So let's

827
00:46:09,920 --> 00:46:19,080
Speaker 1: get some type. Yeah, you're a pretty good funk boy dude. Yeah,

828
00:46:20,600 --> 00:46:23,400
Speaker 1: oh man, that's your style though, that's what you like.

829
00:46:24,040 --> 00:46:26,200
Speaker 1: Don't he might sound that good? Produced pcording this is

830
00:46:26,239 --> 00:46:29,000
Speaker 1: like terrible. It's pretty bad produced. Yeah, I don't think

831
00:46:29,000 --> 00:46:34,040
Speaker 1: the music is terrible. It's all subjective. I would. I'm

832
00:46:34,080 --> 00:46:37,640
Speaker 1: just saying, like the qualities telling we were doing here

833
00:46:37,640 --> 00:46:39,840
Speaker 1: on the Bobbycast. We record it into the microphones. But

834
00:46:39,960 --> 00:46:42,520
Speaker 1: that's also the appeal to it too. I would think, yeah,

835
00:46:42,560 --> 00:46:44,919
Speaker 1: a little fun. I guess yeah, like it's cheaply done,

836
00:46:45,520 --> 00:46:49,520
Speaker 1: a right cool as a rap. You're right, rap, little rap.

837
00:46:51,520 --> 00:46:53,640
Speaker 1: Thank you, Goodbye, so forty and the Bobbycast. Thanks to

838
00:46:53,680 --> 00:46:55,040
Speaker 1: the Blue Apron and be sure to check him out

839
00:46:55,239 --> 00:47:00,760
Speaker 1: Blue Apron dot com slash Bobby much unless he cancels,

840
00:47:00,760 --> 00:47:03,759
Speaker 1: will get sicker hates us uh. The next Bobby Cast

841
00:47:03,760 --> 00:47:08,480
Speaker 1: will feature one half of Hall of Oates John Oates,

842
00:47:08,719 --> 00:47:13,600
Speaker 1: rock and Roll Hall of Fame member, author, incredibly rich person.

843
00:47:14,320 --> 00:47:15,239
Speaker 1: All right, so you guys, thank you,