WEBVTT - Quendela Tarantina

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<v Speaker 1>She's better known for the things that she does on

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<v Speaker 1>the mattress. Whoa, And then she changed the lyrics to

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<v Speaker 1>he was a moth to the flame. She was holding

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<v Speaker 1>the mattress whoa.

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<v Speaker 2>Oh that's cool.

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<v Speaker 1>Yeah, but I like the slutshame version better.

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<v Speaker 2>She's sheen a me, no mate, not my mate?

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<v Speaker 3>Yo yoo?

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<v Speaker 2>No, what is your child?

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<v Speaker 1>I am a shocker?

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<v Speaker 2>You know what's going down? Before like.

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<v Speaker 1>Round. I saw this clip on Twitter the other day.

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<v Speaker 1>Sorry X no, we're not calling at that, We're going

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<v Speaker 1>And it was when Riverdale ended and someone was like,

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<v Speaker 1>I'm going to miss the show, and it was a

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<v Speaker 1>clip of one of the moms going up to one

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<v Speaker 1>of the other moms and being like, I heard your

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<v Speaker 1>daughter was getting slut shamed at school. That's what happens

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<v Speaker 1>when sluts get shamed, which I thought was very funny.

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<v Speaker 2>Riverdale is amazing, honestly, I mean just a small just

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<v Speaker 2>a small aside. I watched many seasons of Riverdale. I

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<v Speaker 2>don't know if the Virgins know this about me. I

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<v Speaker 2>became very obsessed. I think up until season four, right

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<v Speaker 2>around the time where Archie gets sent to like penitentiary

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<v Speaker 2>prison and like plays basketball with all of his prisonmates,

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<v Speaker 2>and I think.

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<v Speaker 1>That does any gay stuff happen?

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<v Speaker 2>Yeah, yeah, I think that the one gay guy on

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<v Speaker 2>the show has like is like in a kind of

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<v Speaker 2>grinder relationship at this point. And I'm pretty sure.

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<v Speaker 1>No, but no gay stuff happens with Archie in prison.

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<v Speaker 2>I don't think. No, not with Archie. No, not with Archie.

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<v Speaker 2>Well that's the thing is, like I know, maybe one

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<v Speaker 2>of them gets like yeah, I don't know, no, but

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<v Speaker 2>Archie's never gay. And when the show ended and I

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<v Speaker 2>haven't been keeping up, it's apparently gone.

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<v Speaker 3>Off off the off, the off the rails, like like

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<v Speaker 3>it's now just multiple universes horror fantasy, like everybody fucking everybody.

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<v Speaker 2>And in the final episode they revealed that the four

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<v Speaker 2>of them Betty Juughhead, Archie and Ica and Camilla Mendez

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<v Speaker 2>Ken does are We're in a quad relationship, which is

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<v Speaker 2>essentially a poly foursome. And that is so disrespectful, so

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<v Speaker 2>disrespectful to goad us with a polyphor way and not

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<v Speaker 2>show us Jughead taking it up the bum bum like sorry,

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<v Speaker 2>like that is rude. I needed someone.

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<v Speaker 1>Yeah, does it make you mad enough to want to

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<v Speaker 1>kill someone?

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<v Speaker 2>Yes? Oh yeah, I forgot we're here to talk about

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<v Speaker 2>so anyways, once again there's an adderall shortage.

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<v Speaker 1>Right, don't worry. I will be your adderall.

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<v Speaker 2>Yeah, you'll be my adderall be on adderall.

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<v Speaker 1>So we are here today to talk about the two

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<v Speaker 1>thousand and three film Kill Bill and sequel kill Bill two,

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<v Speaker 1>directed by Quentin Tarantino, starring Uma Thurman, Fox and Lucy Lou. Yes,

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<v Speaker 1>we recently. Well, I watched the first movie a couple

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<v Speaker 1>weeks ago, and then Fran and I watched part two

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<v Speaker 1>last week. And I hadn't seen Kill Bill in over

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<v Speaker 1>a decade.

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<v Speaker 2>Yeah.

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<v Speaker 1>And let me tell you, when these movies came out,

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<v Speaker 1>I made them my whole personality.

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<v Speaker 2>Yeah. I also I had cousins that were obsessed with them,

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<v Speaker 2>that were like film people, and so I become obsessed

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<v Speaker 2>with them kind of tangentially. Yeah, I I what do

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<v Speaker 2>you What did you latch onto about them? Well?

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<v Speaker 1>I think the Well, okay, let's be real. First of all,

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<v Speaker 1>it's all about kill Bill one. Yeah, all of the

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<v Speaker 1>iconic visuals, lines, sequences are all in the first movie,

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<v Speaker 1>and the second movie feels like a very long coda

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<v Speaker 1>in many ways. There are good moments, but it's all

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<v Speaker 1>about the first movie. It's about the yellow jumpsuit. It's

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<v Speaker 1>about the anime scene. It's about it's about a tear

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<v Speaker 1>the fucking bitch apart. It's about Nikiya Niki so good.

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<v Speaker 1>I love that Vivica a Fox. Let's have us a

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<v Speaker 1>knife fight. Yeah, it's about fucking when she cuts the

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<v Speaker 1>arm off that bitch. It's about the band in the restaurant.

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<v Speaker 2>Oh my god, it's about that the lucy luccene in

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<v Speaker 2>the boardroom. Oh yeah, the guy. Now, it's the fucking time.

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<v Speaker 1>It's about silly coccade Asian girl likes to play with Samurai.

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<v Speaker 2>So yes, okay, So here's the thing. I I feel like, Okay, no,

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<v Speaker 2>Quentin Tarantino, But unfortunately these films are like we're are

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<v Speaker 2>like cinematic invention and like totally genius on the format level.

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<v Speaker 2>A lot of the time.

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<v Speaker 1>He put his whole.

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<v Speaker 2>Into that, And like, we hate Quentin Tarantino, but we're

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<v Speaker 2>not going to deny the fact that these are good

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<v Speaker 2>fucking films.

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<v Speaker 1>Yeah, even all the lingering shots of feet. Yeah, and

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<v Speaker 1>I think that wiggle wiggle you're big.

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<v Speaker 2>You know that, quin No, not let me not go there.

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<v Speaker 4>Oh you know, oh god, he's big, big, Okay.

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<v Speaker 2>I I think it's lovely that the films are called

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<v Speaker 2>Volume one and Volume two, because obviously, in American cinema

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<v Speaker 2>we treat everything as like a sequel, a sequel, a sequel,

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<v Speaker 2>it's a reboot, and it's like no, in actuality, these

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<v Speaker 2>two films are one film, and I personally, when I

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<v Speaker 2>watch them, like, I view them as one film and

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<v Speaker 2>Volume two is a just as you said, like a

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<v Speaker 2>denu mat to the rest of the story, and therefore

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<v Speaker 2>is kind of boring it.

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<v Speaker 1>Honestly, like it makes me wonder should it just have

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<v Speaker 1>been edited in order of the kills or But because

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<v Speaker 1>the thing is, the end of the first film is perfect, perfect,

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<v Speaker 1>and the climax and the ending with Lucy Lou is

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<v Speaker 1>the way that first movie should end. But it's not

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<v Speaker 1>the end of the story. That's actually that's her first kill.

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<v Speaker 2>Yeah, so, well she kills Vivica.

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<v Speaker 1>No, I think she's already killed Lucy when she kills

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<v Speaker 1>Vivica a fox?

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<v Speaker 2>What hold on?

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<v Speaker 1>Let me let me pull up I think, so, let

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<v Speaker 1>me pull up her kills kill bill kill list. Yeah,

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<v Speaker 1>Oren is shee is number one, So it's Oren Vernita

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<v Speaker 1>bud Elle and Bill got it, so that would have Yeah,

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<v Speaker 1>you can't start the movies with her killing Oren, because

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<v Speaker 1>that is the most exciting part of both films.

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<v Speaker 2>These are based on a comic book.

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<v Speaker 1>Right, No, no, no, They're based on a character that Quentin

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<v Speaker 1>Tarantino and Uma Thurman created together because you know, they

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<v Speaker 1>had worked together on pulp fiction. They were great friends,

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<v Speaker 1>and they sort of conceptualized this idea of the bride

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<v Speaker 1>together and made these movies.

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<v Speaker 2>Oh, that's so cool, it's so cool. It's how films

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<v Speaker 2>should be made. It makes me so mad at that

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<v Speaker 2>Quentin Tarantino is such a piece of shit. But honestly, well, okay,

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<v Speaker 2>I don't want to go right into the negative. But

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<v Speaker 2>we already talked about how much we love these films.

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<v Speaker 1>So well, let's talk more about the why they gripped

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<v Speaker 1>us the way. Yeah they did when we were teenagers,

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<v Speaker 1>because I don't think I had like we've talked before

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<v Speaker 1>about how there were certain movies or pop culture experiences

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<v Speaker 1>that I had as a teenager that like opened me

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<v Speaker 1>up to a specific side of pop culture, and like,

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<v Speaker 1>you know, like I talked about how Garden State was

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<v Speaker 1>really my introduction to indie movies and like that kind

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<v Speaker 1>of like quieter, character driven story. And I do think

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<v Speaker 1>for kill Bill, this was the first time I saw

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<v Speaker 1>a film that was like like an outeur film, you know,

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<v Speaker 1>like yeah, and also something that was so referential of

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<v Speaker 1>an entire genre that I had never experienced before, which is,

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<v Speaker 1>you know, like westerns and Mars Samurai movies and revenge

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<v Speaker 1>films and martial arts movies. And it was the first

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<v Speaker 1>time that I understood that filmmakers like existed in conversation

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<v Speaker 1>with the movies that came before them. Yeah.

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<v Speaker 2>Yeah. It was also probably the first kind of utter

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<v Speaker 2>film I ever saw, too, And I think that I

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<v Speaker 2>felt like I was inspired to be a filmmaker because

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<v Speaker 2>of in part Kill Bill, Wow Yeah and kill Bill,

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<v Speaker 2>and also like Mulan Bruge, like Baslerman honestly, but like

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<v Speaker 2>just like I just remember two maximalists Bosler you know me.

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<v Speaker 2>I love maximalism. And the thing that I think really

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<v Speaker 2>sticks to me about Kill Bill still to this day,

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<v Speaker 2>as we just rewatched volume two and you just watch

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<v Speaker 2>volume one, is that the visual language of the film

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<v Speaker 2>is still so strong it stands on its own. Most

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<v Speaker 2>of it is not derivative of anything. It's just like

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<v Speaker 2>fully his art.

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<v Speaker 1>Obviously, it's like I mean, it's derivative, but in a

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<v Speaker 1>in a way reference full of reverence. Yes, obviously he

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<v Speaker 1>has lots of reverence for Westerns and lots of reverence

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<v Speaker 1>for these kind of like Eastern like martial arts movies,

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<v Speaker 1>which you know, there's a whole other kind of like

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<v Speaker 1>nuanced problema to conversation have about that that we're not

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<v Speaker 1>going to have here on this podcast. But yeah, I

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<v Speaker 1>just like I was so struck by the specificity. And

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<v Speaker 1>I you know me, I like movies about revenge. I

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<v Speaker 1>like movies about women. I like movies that are violent,

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<v Speaker 1>and this has all of all of those things. It

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<v Speaker 1>has everything. It has all these hot cunty women killing

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<v Speaker 1>each other with swords, with swords with swords. Like there's

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<v Speaker 1>so few guns used in this movie, which is something

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<v Speaker 1>I really appreciate. Like obviously at the beginning there's a gun,

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<v Speaker 1>but like it is so like all of these ideas

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<v Speaker 1>about sort of like honor and revenge, and like there's

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<v Speaker 1>no there's no morality placed on the bride aka Beatrix

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<v Speaker 1>Kiddo for wanting her revenge, Like we we support her

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<v Speaker 1>and I do think, said her killing spree.

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<v Speaker 2>Yeah.

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<v Speaker 1>This is at a time when there was sort of

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<v Speaker 1>a moralistic like view grafted onto mainstream media that we

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<v Speaker 1>should be watching good people do like triumph over.

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<v Speaker 2>Bad, especially women. Like yeah, oh like if if there's

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<v Speaker 2>a woman character, she's not allowed to be bad or

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<v Speaker 2>or a killer at all.

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<v Speaker 1>Yeah. And I loved that this character was a mother

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<v Speaker 1>and was also like the most dangerous assassin in the world.

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<v Speaker 2>It's so cool if only she had broken out her

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<v Speaker 2>southern drawl that she brings into red wine and royal. Yeah. No,

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<v Speaker 2>I really I love these movies. I feel like Go

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<v Speaker 2>Go is my gender, Like I feel like I feel

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<v Speaker 2>like there's something about.

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<v Speaker 1>The Halloween costume for you go Go Ubari.

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<v Speaker 2>It would I just like any sort of hard femme,

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<v Speaker 2>Like there's something about the evil femme that I've always

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<v Speaker 2>been attracted to, whether it's like Mole the Scent, or

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<v Speaker 2>like Beatrix or Lucy Lou. Honestly, like these are I

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<v Speaker 2>don't know. I just I'm addicted to stories like that,

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<v Speaker 2>and it feels so basic sometimes because now we're seeing

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<v Speaker 2>this twenty twenties kind of girl bossification of villains, which

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<v Speaker 2>with things like I care a lot, which you very

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<v Speaker 2>just you and I very much so disagree about. But

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<v Speaker 2>like you know, the girl bossification of villains is like

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<v Speaker 2>a very it's like they're treating it like it's new again.

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<v Speaker 2>And Quan Tarantino, Quan Tarantina, what's like doing this a

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<v Speaker 2>long time ago? Yeah, and like doing it without I

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<v Speaker 2>mean I can't I can't say that I was aware

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<v Speaker 2>of the media narrative around it at the time and

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<v Speaker 2>like what they talked about, but there's not there doesn't

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<v Speaker 2>seem to be any big ideas about feminism in these films. Yeah,

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<v Speaker 2>it's really they are the type of violent revenge stories

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<v Speaker 2>that had existed for decades, just with women placed in

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<v Speaker 2>the lead roles and very little conversation about that.

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<v Speaker 1>Like there were there were not a lot of moments

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<v Speaker 1>in these movies where men were like devaluing or second

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<v Speaker 1>guessing these women because they were women, like they were

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<v Speaker 1>they were killers, yea, And like that was just presented

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<v Speaker 1>in sort of a very matter of fact way that

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<v Speaker 1>I think was pretty progressive for the time, but like

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<v Speaker 1>didn't maybe we didn't try to like pat itself on

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<v Speaker 1>the back for it.

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<v Speaker 2>Yeah. And yeah, and also just like on top of

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<v Speaker 2>the like the effortlessness of it all that you're kind

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<v Speaker 2>of describing. On top of that, there's this thing that

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<v Speaker 2>I just tend to love in movies. It's the thing

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<v Speaker 2>that'll make me remember a movie is when a director

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<v Speaker 2>understands how fucking weird they are and they figure out

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<v Speaker 2>how to lean into it and that and that like

0:13:49.600 --> 0:13:54.120
<v Speaker 2>kill Bill, these are weird movies, like really weird movies

0:13:54.160 --> 0:13:56.640
<v Speaker 2>that do things that you are like, wait, what's happening

0:13:56.679 --> 0:13:59.080
<v Speaker 2>sometimes if you're seeing it for the first time. And

0:13:59.120 --> 0:14:01.680
<v Speaker 2>that's why, you know, I kind of loved Barbie or

0:14:01.720 --> 0:14:03.480
<v Speaker 2>loved like everything everwhere all at once, or like when

0:14:03.480 --> 0:14:06.240
<v Speaker 2>these movie when movies like this triumph, I'm always just

0:14:06.320 --> 0:14:11.280
<v Speaker 2>like I love that a weird movie got somewhere, because

0:14:11.920 --> 0:14:14.640
<v Speaker 2>these days, the only movies that are successful are the

0:14:14.640 --> 0:14:18.319
<v Speaker 2>ones that are following formulas like I mean, we're gonna

0:14:18.320 --> 0:14:19.960
<v Speaker 2>talk about Marvel again, but you know what I mean.

0:14:20.080 --> 0:14:23.400
<v Speaker 1>Like and kill Bill was at the time was unlike

0:14:24.000 --> 0:14:25.800
<v Speaker 1>anything that existed, and it.

0:14:25.760 --> 0:14:29.400
<v Speaker 2>Was outside of obviously Western movies and like martial arts no, but.

0:14:29.360 --> 0:14:31.880
<v Speaker 1>I mean movies that like mainstream films that were getting

0:14:32.040 --> 0:14:34.840
<v Speaker 1>not a time and it was a huge hit like

0:14:35.000 --> 0:14:38.120
<v Speaker 1>it Kill Bill dominated culture. I didn't even know that,

0:14:38.240 --> 0:14:41.200
<v Speaker 1>and it was a huge success that had a thirty

0:14:41.200 --> 0:14:44.040
<v Speaker 1>million dollar budget and the it made one hundred and

0:14:44.080 --> 0:14:47.040
<v Speaker 1>eighty million dollars at the box office, so it was

0:14:47.080 --> 0:14:52.240
<v Speaker 1>a huge hit and it was Tarantino's like biggest hit

0:14:52.280 --> 0:14:55.720
<v Speaker 1>at the time. And I just remember like the references

0:14:56.160 --> 0:14:59.280
<v Speaker 1>of it were everywhere because the the imagery of it

0:14:59.320 --> 0:15:04.520
<v Speaker 1>is so iconic that I think it really permeated culture

0:15:04.560 --> 0:15:08.120
<v Speaker 1>at the time, and they were like I was just

0:15:08.320 --> 0:15:12.359
<v Speaker 1>obsessed with it, Like I wanted a Samurai sword.

0:15:13.720 --> 0:15:14.280
<v Speaker 2>Obviously.

0:15:14.320 --> 0:15:17.240
<v Speaker 1>I wanted those like yellow Acex she was wearing. I

0:15:17.240 --> 0:15:21.080
<v Speaker 1>actually did recently, but did their only Zuca tigers, and

0:15:21.120 --> 0:15:22.960
<v Speaker 1>I did recently buy a pair of Oh yeah you.

0:15:22.920 --> 0:15:26.360
<v Speaker 2>Did, and now I want them to I do feel

0:15:26.400 --> 0:15:31.080
<v Speaker 2>like the movie, the Kill Bill movies did move me

0:15:31.160 --> 0:15:34.640
<v Speaker 2>to go watch every subsequent Quentin Tarantino film, and I

0:15:34.640 --> 0:15:36.720
<v Speaker 2>also watched pulp Fiction, which I thought was a little boring.

0:15:36.840 --> 0:15:38.480
<v Speaker 2>I have not seen the most recent one he did

0:15:38.520 --> 0:15:40.320
<v Speaker 2>another Western recently that I haven't seen.

0:15:40.880 --> 0:15:43.360
<v Speaker 1>Well, I've the only movies of his I've seen are

0:15:43.400 --> 0:15:46.720
<v Speaker 1>The Kill Bills, Pulp Fiction, and Once upon a Time

0:15:46.720 --> 0:15:49.680
<v Speaker 1>in Hollywood. I've never seen Jackie Brown. I've never seen

0:15:50.160 --> 0:15:51.840
<v Speaker 1>Reservoir Dogs.

0:15:52.440 --> 0:15:54.600
<v Speaker 2>I thought he just produced that. I don't remember.

0:15:54.800 --> 0:15:57.160
<v Speaker 1>Yeah, I'm not. I can't say that. I'm like a

0:15:57.240 --> 0:16:01.760
<v Speaker 1>huge fan of him, but these movies I am a

0:16:01.760 --> 0:16:04.920
<v Speaker 1>fan of. Has he been canceled in any way?

0:16:05.160 --> 0:16:07.280
<v Speaker 2>No? No, I mean not effectively. No. There are a

0:16:07.320 --> 0:16:09.840
<v Speaker 2>bunch of women that came forward to talk about the

0:16:09.880 --> 0:16:13.800
<v Speaker 2>ways they were maybe not treated correctly on set. But

0:16:13.840 --> 0:16:16.000
<v Speaker 2>I think the fact that like Lupita has been silent,

0:16:16.080 --> 0:16:19.520
<v Speaker 2>and that like Margaret Robbie was like weirdly defensive. She's like, no, no, no,

0:16:19.560 --> 0:16:21.640
<v Speaker 2>I love being in movies where I only have five lines.

0:16:21.680 --> 0:16:23.640
<v Speaker 2>It's like great, Like this is like so amazing.

0:16:23.720 --> 0:16:26.800
<v Speaker 1>It's like, oh yeah, because she said nothing once upon

0:16:26.840 --> 0:16:27.160
<v Speaker 1>a time.

0:16:27.280 --> 0:16:32.080
<v Speaker 2>Noting anyways, it's infuriating. But no, I don't think he's

0:16:32.080 --> 0:16:34.240
<v Speaker 2>been effectively canceled. And it's kind of wild because he

0:16:34.360 --> 0:16:37.960
<v Speaker 2>really is a textbook abuser. And if you have seen

0:16:38.280 --> 0:16:41.000
<v Speaker 2>literally any any interview with him, or if you've ever

0:16:41.040 --> 0:16:43.880
<v Speaker 2>heard Fiona Apple talk about dating him, we all know

0:16:43.960 --> 0:16:44.720
<v Speaker 2>he's a bad person.

0:16:44.920 --> 0:16:48.040
<v Speaker 1>Yeah, and he also is sorry, horrendously.

0:16:47.520 --> 0:16:52.120
<v Speaker 2>Ugly, horrendously ugly can we say that, thank you, but.

0:16:52.760 --> 0:16:56.920
<v Speaker 1>You know, he may he put his whole pussy, he

0:16:57.080 --> 0:17:01.480
<v Speaker 1>put his whole terranuzzy into at the very least kill

0:17:01.480 --> 0:17:06.720
<v Speaker 1>Bill one, like kill Bill two, Kill Bill two feels

0:17:07.240 --> 0:17:10.480
<v Speaker 1>the fact that there's two of them feels a bit masturbatory,

0:17:11.000 --> 0:17:14.800
<v Speaker 1>oh and like indulgent. And I do think and I

0:17:14.840 --> 0:17:19.919
<v Speaker 1>even remember as a teenager leaving the second movie, and

0:17:19.960 --> 0:17:23.320
<v Speaker 1>it might have been the first time like as a

0:17:23.680 --> 0:17:26.439
<v Speaker 1>like as like consciously as a young adult that I

0:17:26.520 --> 0:17:31.359
<v Speaker 1>experienced like the disappointment of thinking that a piece of

0:17:31.480 --> 0:17:34.960
<v Speaker 1>art was bad rather than just like I didn't like it.

0:17:35.000 --> 0:17:37.719
<v Speaker 1>I think I left it being like, oh, that's not

0:17:37.880 --> 0:17:42.159
<v Speaker 1>as good as it could have been, and helped me

0:17:42.280 --> 0:17:45.119
<v Speaker 1>sort of like in building my like taste when it

0:17:45.160 --> 0:17:48.840
<v Speaker 1>came to art. But yeah, I just remember like thinking

0:17:48.840 --> 0:17:52.040
<v Speaker 1>it was really like unnecessary.

0:17:52.320 --> 0:17:54.439
<v Speaker 2>Yeah, we were talking about it when we were watching it.

0:17:54.480 --> 0:17:57.280
<v Speaker 2>And you know, if I'm thinking about the two of

0:17:57.320 --> 0:17:59.560
<v Speaker 2>these movies as one film, which is kind of how

0:17:59.600 --> 0:18:03.399
<v Speaker 2>I see that, I feel like only the last half

0:18:03.440 --> 0:18:05.680
<v Speaker 2>of Volume two was when I was just like, all right,

0:18:05.720 --> 0:18:07.879
<v Speaker 2>this is about as good as like the last thirty

0:18:07.880 --> 0:18:09.600
<v Speaker 2>minutes of the Lord of the Rings trilogy which I

0:18:09.600 --> 0:18:11.560
<v Speaker 2>think is extremely boring and unnecessary.

0:18:11.760 --> 0:18:15.200
<v Speaker 1>The last thirty minutes of Kilbill two is like all talking. Yes,

0:18:15.359 --> 0:18:18.560
<v Speaker 1>it's so allot Beatrix and Bill talking.

0:18:18.359 --> 0:18:21.440
<v Speaker 2>And masturbatory is exactly the word. And these are these

0:18:21.440 --> 0:18:23.680
<v Speaker 2>are the parts of the films where I'm just like, Okay,

0:18:23.720 --> 0:18:25.720
<v Speaker 2>this was like during an era of movies where they

0:18:25.800 --> 0:18:28.639
<v Speaker 2>let white men do literally anything they want with this script.

0:18:28.640 --> 0:18:31.800
<v Speaker 2>And it's like these and then the male characters will

0:18:31.880 --> 0:18:34.200
<v Speaker 2>just talk and talk and talk and talk, and there's

0:18:34.240 --> 0:18:36.679
<v Speaker 2>always just a girl like sitting there like listening for

0:18:36.760 --> 0:18:40.240
<v Speaker 2>like no reason, not saying anything. It's like, okay, Quentin Tarantino, Like,

0:18:40.280 --> 0:18:42.000
<v Speaker 2>these are the parts where it's just like we we

0:18:42.280 --> 0:18:44.159
<v Speaker 2>we get it, we get it, we get it. But

0:18:44.720 --> 0:18:46.600
<v Speaker 2>I still loved Volume two. Well.

0:18:46.760 --> 0:18:50.600
<v Speaker 1>The fight with Daryl Hannah is the best part of

0:18:50.640 --> 0:18:53.320
<v Speaker 1>the movie. And when she snatches her eye out at

0:18:53.320 --> 0:18:57.320
<v Speaker 1>the end, Wow, and Daryl Hannah screaming like after she's

0:18:57.359 --> 0:19:02.600
<v Speaker 1>been pluck. Yeah, so good. And what Daryl Hannah is incredible?

0:19:02.640 --> 0:19:08.200
<v Speaker 1>She an icon, She's so hot and I her. I

0:19:08.240 --> 0:19:10.320
<v Speaker 1>was obsessed with her boots while we were watching the movie.

0:19:10.320 --> 0:19:14.760
<v Speaker 1>And I really need a county pair of black pointy toe.

0:19:14.840 --> 0:19:17.600
<v Speaker 2>You were on essence, Like as soon as those boots,

0:19:17.880 --> 0:19:20.680
<v Speaker 2>I was like, yeah, I was sitting there watching the movie,

0:19:20.720 --> 0:19:26.360
<v Speaker 2>like searching the essenil rest in peace, And.

0:19:26.359 --> 0:19:29.119
<v Speaker 1>I still have not found a good pair of County

0:19:30.880 --> 0:19:34.160
<v Speaker 1>l from kill Bill boots. But you know, I will

0:19:34.840 --> 0:19:42.920
<v Speaker 1>keep looking. Who of all of the people on the

0:19:43.000 --> 0:19:45.040
<v Speaker 1>kill list, on the kill list, who would you most

0:19:45.400 --> 0:19:48.400
<v Speaker 1>want to fight or who would you be the most

0:19:48.400 --> 0:19:49.160
<v Speaker 1>afraid to fight.

0:19:49.560 --> 0:19:51.919
<v Speaker 2>I would be most afraid to fight Lucy Lou. I

0:19:51.960 --> 0:19:57.920
<v Speaker 2>would want to fight Bud. Yeah, he was like I

0:19:58.840 --> 0:20:01.240
<v Speaker 2>thought that when he buried her the in volume two,

0:20:01.359 --> 0:20:03.960
<v Speaker 2>Like I just vividly remember that scene as a child

0:20:03.960 --> 0:20:08.560
<v Speaker 2>in how Like it's very viscerally horrifying.

0:20:08.680 --> 0:20:12.120
<v Speaker 1>Yeah, the sound design is so really scary suffocating.

0:20:12.200 --> 0:20:15.399
<v Speaker 2>Yeah, really scary. And yeah, so him, I think is

0:20:15.440 --> 0:20:18.000
<v Speaker 2>like he has like the most deserved revenge, Like I

0:20:18.000 --> 0:20:20.800
<v Speaker 2>would love to kill also just a man, of course,

0:20:21.240 --> 0:20:21.760
<v Speaker 2>what about you?

0:20:22.520 --> 0:20:24.960
<v Speaker 1>I think I would also be the most scared to

0:20:24.960 --> 0:20:29.320
<v Speaker 1>fight o Renihie just because she's sickening and she also

0:20:29.359 --> 0:20:32.040
<v Speaker 1>has the most sort of infrastructure.

0:20:31.320 --> 0:20:34.440
<v Speaker 2>Around her protecting her to kill eighty eight people? Wait,

0:20:34.920 --> 0:20:37.000
<v Speaker 2>is it the crazy eighty eight the crazy idea? You

0:20:37.000 --> 0:20:38.400
<v Speaker 2>have to kill eighty eight people before.

0:20:38.200 --> 0:20:40.399
<v Speaker 1>And then who would I want to fight the most.

0:20:40.800 --> 0:20:44.520
<v Speaker 1>I'm not necessarily saying like who who I think needs

0:20:44.560 --> 0:20:47.080
<v Speaker 1>to die the most? But I would want to fight

0:20:47.920 --> 0:20:51.600
<v Speaker 1>Vernita Green Vic Fox the most because that is like,

0:20:51.640 --> 0:20:54.040
<v Speaker 1>there's a reason why that's the first fight in the movie,

0:20:54.040 --> 0:20:57.040
<v Speaker 1>because it sets the tone so perfectly.

0:20:57.240 --> 0:20:59.280
<v Speaker 2>Yes, and I love And the thing that I love

0:20:59.320 --> 0:21:01.520
<v Speaker 2>about the tone throughout the film is this kind of

0:21:01.600 --> 0:21:07.879
<v Speaker 2>like blistering violence, shock, horror, high sticks and then pause, joke,

0:21:08.200 --> 0:21:11.120
<v Speaker 2>let's talk normal. It's funny that we're talking normal. We're

0:21:11.119 --> 0:21:14.040
<v Speaker 2>actually just average people. We just also kill each other sometimes.

0:21:14.080 --> 0:21:18.200
<v Speaker 2>Like it's so I just love that dissonance and the language.

0:21:19.000 --> 0:21:21.760
<v Speaker 1>Yeah, the language, and like the monologuing, the way that

0:21:21.800 --> 0:21:25.159
<v Speaker 1>people say things is so specific and like, yes, there

0:21:25.160 --> 0:21:28.320
<v Speaker 1>are some very dark stuff that happens that's intercut with

0:21:28.400 --> 0:21:30.640
<v Speaker 1>things that are very funny, like when you find out

0:21:30.680 --> 0:21:33.440
<v Speaker 1>that the nurse of the hospital has been charging men

0:21:33.560 --> 0:21:37.280
<v Speaker 1>to rape for years, but.

0:21:37.240 --> 0:21:40.240
<v Speaker 2>Then the revenge becomes so much sweeter satisfying.

0:21:40.320 --> 0:21:42.880
<v Speaker 1>Well, she when she kills both of them.

0:21:42.800 --> 0:21:44.520
<v Speaker 2>And she's like, your.

0:21:44.480 --> 0:21:48.560
<v Speaker 1>Name's Buck right, and you like to fuck right? And

0:21:48.600 --> 0:21:51.240
<v Speaker 1>then kills him it's so satisfying.

0:21:51.440 --> 0:21:55.399
<v Speaker 2>God it is. I love revenge fantasies. Revenge fantasy should

0:21:55.480 --> 0:21:58.679
<v Speaker 2>be a mainstream genre. That is like busting the summer

0:21:58.760 --> 0:21:59.679
<v Speaker 2>box offices.

0:22:00.520 --> 0:22:03.680
<v Speaker 1>Also, without kill Bill, we would never have gotten the

0:22:03.720 --> 0:22:05.600
<v Speaker 1>pussy Wagon and the telephone music video.

0:22:05.720 --> 0:22:07.919
<v Speaker 2>Oh my god, I forgot.

0:22:07.760 --> 0:22:10.840
<v Speaker 1>And just for that, Tarantino deserves to have his ass.

0:22:10.840 --> 0:22:15.840
<v Speaker 1>Ha no one lick, one lick, one lick, not by me,

0:22:16.080 --> 0:22:16.800
<v Speaker 1>but by someone.

0:22:16.920 --> 0:22:20.359
<v Speaker 2>No, no, no, He's had his ass like plenty of times.

0:22:20.520 --> 0:22:24.080
<v Speaker 1>It's true, I am, but he's never cleaned it.

0:22:24.240 --> 0:22:27.600
<v Speaker 2>He's never cleaned it. No, I mean, Fionda Apple probably

0:22:27.600 --> 0:22:30.879
<v Speaker 2>hasn't eaten his hass. I think she loves herself a

0:22:30.880 --> 0:22:36.880
<v Speaker 2>little too much. Do you think Tarantina Apple has eaten

0:22:37.280 --> 0:22:38.160
<v Speaker 2>Tarantina's ass?

0:22:38.320 --> 0:22:39.919
<v Speaker 1>Unfortunately? Unfortunately?

0:22:39.920 --> 0:22:40.760
<v Speaker 2>I do think.

0:23:05.080 --> 0:23:08.000
<v Speaker 1>If you were on a revenge quest, what would be

0:23:08.040 --> 0:23:09.000
<v Speaker 1>your weapon of choice?

0:23:09.680 --> 0:23:15.480
<v Speaker 2>Well, it's hard to not pick samurai sword. I would

0:23:15.560 --> 0:23:20.320
<v Speaker 2>think maybe two twin swords would be pretty dope.

0:23:20.720 --> 0:23:24.760
<v Speaker 1>Very like I'm playing right now has two swords. I

0:23:24.760 --> 0:23:26.000
<v Speaker 1>would love twin steel s.

0:23:26.440 --> 0:23:30.280
<v Speaker 2>Yeah, oh, silver steel for humans, got it, didn't I

0:23:30.359 --> 0:23:32.520
<v Speaker 2>didn't know that Now I know I would definitely do

0:23:32.560 --> 0:23:36.879
<v Speaker 2>twin swords, and my revenge fantasy would be against maybe

0:23:37.240 --> 0:23:42.359
<v Speaker 2>a esthetician who botched a gender firming a piece of

0:23:42.880 --> 0:23:43.159
<v Speaker 2>for me.

0:23:43.760 --> 0:23:46.440
<v Speaker 1>Sorry, I don't mean to last because it's a joke,

0:23:46.560 --> 0:23:47.159
<v Speaker 1>but it's not.

0:23:47.600 --> 0:23:49.960
<v Speaker 2>Here's the thing, Okay, let's talk about this. I have

0:23:50.560 --> 0:23:55.000
<v Speaker 2>multiple nemesy. You do multiple, and I will not be

0:23:55.119 --> 0:23:58.520
<v Speaker 2>naming them on this podcast. And because I really don't

0:23:58.560 --> 0:24:02.040
<v Speaker 2>have that many, but I have tried and true people

0:24:02.160 --> 0:24:04.160
<v Speaker 2>that if I saw them on the street, my face

0:24:04.160 --> 0:24:08.520
<v Speaker 2>would turn red. And and who are those people?

0:24:08.680 --> 0:24:09.080
<v Speaker 3>For? You?

0:24:09.359 --> 0:24:09.720
<v Speaker 1>Can? You?

0:24:09.800 --> 0:24:12.720
<v Speaker 2>Can you think of anybody? Actually? I think we saw

0:24:12.760 --> 0:24:13.200
<v Speaker 2>one on.

0:24:13.680 --> 0:24:18.280
<v Speaker 1>Well, no, I have who Oh yes, I wouldn't call

0:24:18.359 --> 0:24:19.000
<v Speaker 1>him an nemesis.

0:24:19.000 --> 0:24:20.160
<v Speaker 2>He kind of hime.

0:24:20.240 --> 0:24:22.840
<v Speaker 1>Yeah, but no, someone else called him an nemesis. He's

0:24:22.840 --> 0:24:24.480
<v Speaker 1>not really my nemesis. That gives him a little too

0:24:24.560 --> 0:24:24.880
<v Speaker 1>much power.

0:24:24.960 --> 0:24:26.440
<v Speaker 2>Okay, okay, I had.

0:24:26.240 --> 0:24:32.000
<v Speaker 1>An nemesis who died, but I had I've had no

0:24:32.119 --> 0:24:33.159
<v Speaker 1>part in his death.

0:24:33.880 --> 0:24:36.120
<v Speaker 2>Oh I don't even know who this guy is. Yeah,

0:24:36.160 --> 0:24:36.919
<v Speaker 2>well we could cut it.

0:24:36.960 --> 0:24:41.800
<v Speaker 1>But my nemesis was oh my anyway, God. So if

0:24:41.920 --> 0:24:44.040
<v Speaker 1>I was going to go on a revenge spree, my

0:24:44.160 --> 0:24:46.800
<v Speaker 1>weapon of choice, I think i'd want to do daggers

0:24:48.240 --> 0:24:52.439
<v Speaker 1>because I did throw. I am like I don't have

0:24:52.440 --> 0:24:55.520
<v Speaker 1>good eye coordination. But on a vacationion recently, we were

0:24:55.520 --> 0:24:57.720
<v Speaker 1>playing darts and I was pretty good at it. So

0:24:57.840 --> 0:25:01.520
<v Speaker 1>I like daggers because you can throw them. But then

0:25:01.560 --> 0:25:05.480
<v Speaker 1>they're also for close up combat and it feels very

0:25:05.520 --> 0:25:07.760
<v Speaker 1>personal when you stab someone with a dagger.

0:25:07.960 --> 0:25:10.560
<v Speaker 2>Yeah, it does. You want to be right there seeing

0:25:10.640 --> 0:25:15.480
<v Speaker 2>their eye color, smelling their their glossier, you perfume.

0:25:16.600 --> 0:25:18.639
<v Speaker 1>I don't think I would be I don't think I

0:25:18.640 --> 0:25:22.240
<v Speaker 1>would have a gun, but I would be very skilled

0:25:22.400 --> 0:25:23.800
<v Speaker 1>in martial arts.

0:25:23.880 --> 0:25:27.639
<v Speaker 2>I would love to be martial artist. I would also

0:25:27.680 --> 0:25:28.520
<v Speaker 2>love a bow and arrow.

0:25:29.200 --> 0:25:30.080
<v Speaker 1>What about a crossbow?

0:25:31.240 --> 0:25:32.600
<v Speaker 2>No, I would want a bow an arrow, I would

0:25:32.600 --> 0:25:35.879
<v Speaker 2>I would want my full like Catnus Legols fantasy. I

0:25:35.920 --> 0:25:39.240
<v Speaker 2>think crossbow is too militant.

0:25:39.440 --> 0:25:40.800
<v Speaker 1>Oh maybe I'll have an axe.

0:25:40.840 --> 0:25:43.840
<v Speaker 2>I don't want anything that resembles give me. Oh, an

0:25:43.840 --> 0:25:44.480
<v Speaker 2>axe would be.

0:25:45.080 --> 0:25:48.560
<v Speaker 1>What would your okay so Beatrix Kiddo the bride, her

0:25:48.720 --> 0:25:51.520
<v Speaker 1>iconic look is the yellow track suit. What would your

0:25:51.960 --> 0:25:53.720
<v Speaker 1>iconic revenge fantasy look?

0:25:53.800 --> 0:25:59.320
<v Speaker 2>Bem, do you have an answer for this? I'm thinking

0:25:59.359 --> 0:26:07.040
<v Speaker 2>Schiparelli he had to toe gold armor SCHEPERELLI yeah, I

0:26:07.040 --> 0:26:09.680
<v Speaker 2>think it's got I think it's got to be black leather,

0:26:09.920 --> 0:26:15.000
<v Speaker 2>like classic black leather, a really cunty boot, like a

0:26:15.080 --> 0:26:18.439
<v Speaker 2>long braid hanging down, because you know, you can't be

0:26:18.480 --> 0:26:20.240
<v Speaker 2>fighting with your hair in your face. Yeah, it's got

0:26:20.240 --> 0:26:22.320
<v Speaker 2>to be giving. Mortal Kombat, it's got to give. It

0:26:22.440 --> 0:26:25.320
<v Speaker 2>be giving like street fodder, Frighter, it's got to be giving.

0:26:25.720 --> 0:26:29.919
<v Speaker 2>Finish them, yeah, yeah, them, you know, finish them, them,

0:26:30.160 --> 0:26:32.800
<v Speaker 2>Finish they them, finish Zezer.

0:26:34.000 --> 0:26:43.840
<v Speaker 1>Finish folks. Would you feel comfortable with civilians dying in

0:26:43.880 --> 0:26:46.040
<v Speaker 1>the line of fire in your quest for vengeance?

0:26:46.359 --> 0:26:48.680
<v Speaker 2>If it was my fault, that would be pretty I would.

0:26:48.680 --> 0:26:54.000
<v Speaker 2>I would probably have a existential crisis in okay. But

0:26:54.000 --> 0:26:56.640
<v Speaker 2>but but if it was someone else's fault, I don't

0:26:56.640 --> 0:26:59.520
<v Speaker 2>think I would. I would really hold on to that.

0:27:00.040 --> 0:27:04.679
<v Speaker 1>Would you kill someone whose child was upstairs, like the

0:27:05.680 --> 0:27:08.960
<v Speaker 1>to Bernita Green, and then would you tell the child

0:27:09.040 --> 0:27:10.760
<v Speaker 1>that they could come seek vengeance from you?

0:27:10.960 --> 0:27:12.800
<v Speaker 2>I thought that was very fair and balanced of her.

0:27:12.920 --> 0:27:15.280
<v Speaker 2>And you know, just like, listen, if you're still mad

0:27:15.280 --> 0:27:16.639
<v Speaker 2>about this, you can come find mommy.

0:27:16.680 --> 0:27:18.560
<v Speaker 1>If you're still pressed, if you're so salty and.

0:27:18.520 --> 0:27:20.000
<v Speaker 2>Can come, well, tell your mommy.

0:27:20.080 --> 0:27:22.600
<v Speaker 1>And you know, Quentin Tarantino always said that he wanted

0:27:22.640 --> 0:27:26.000
<v Speaker 1>to make a sequel years in the future, but I

0:27:26.040 --> 0:27:29.440
<v Speaker 1>feel like recently he said something that like that's probably

0:27:29.440 --> 0:27:32.959
<v Speaker 1>never gonna happen, really, which is such a Bummercuse.

0:27:32.480 --> 0:27:36.000
<v Speaker 2>Yeah, Vivica's daughter like for volume three and volume four.

0:27:36.119 --> 0:27:39.760
<v Speaker 2>That means it's an entirely new protagonist. And then Uma

0:27:39.800 --> 0:27:43.159
<v Speaker 2>Thurman gets to be the big bad like that's fucking sick.

0:27:43.640 --> 0:27:45.080
<v Speaker 2>That would be so oh my god.

0:27:44.960 --> 0:27:47.480
<v Speaker 1>And then and then we could have Uma Thurman's daughter

0:27:48.040 --> 0:27:48.919
<v Speaker 1>get all grown up.

0:27:49.040 --> 0:27:51.879
<v Speaker 2>I'm sorry, I'm sorry. I know we cast India and everything,

0:27:51.880 --> 0:27:55.800
<v Speaker 2>but Zindia would be would be so good and oh

0:27:55.800 --> 0:27:58.800
<v Speaker 2>my god, wait wait wait total aside. Yes, I was

0:27:58.840 --> 0:28:01.240
<v Speaker 2>supposed to talk about this and chit chat I did

0:28:01.280 --> 0:28:04.919
<v Speaker 2>see The Greatest Showman. We need to talk about this

0:28:04.960 --> 0:28:07.399
<v Speaker 2>in our next chit chat virgins. Don't worry, we'll talk

0:28:07.400 --> 0:28:10.320
<v Speaker 2>about it. No no, no, not a full episode. But

0:28:10.359 --> 0:28:15.440
<v Speaker 2>I have to tell you you loved it, No, I

0:28:15.440 --> 0:28:18.680
<v Speaker 2>I love I thought that it was a near perfect,

0:28:20.359 --> 0:28:24.919
<v Speaker 2>perfectly constructed film that is not really for me, that

0:28:25.000 --> 0:28:29.760
<v Speaker 2>had excellent music and brilliant twists, and was well acted.

0:28:30.280 --> 0:28:32.639
<v Speaker 2>It's just not really for me, but the music is

0:28:32.680 --> 0:28:36.400
<v Speaker 2>so good. Anyways, I bring this up, right, I bring

0:28:36.440 --> 0:28:40.720
<v Speaker 2>this up because in a future episode we'll talk about

0:28:40.720 --> 0:28:42.880
<v Speaker 2>my many takeaways. But the biggest one of the one

0:28:42.880 --> 0:28:45.160
<v Speaker 2>of the bigger takeaways that I took away was was

0:28:45.640 --> 0:28:51.280
<v Speaker 2>first and foremost, Zendaia needs to be in a good movie,

0:28:52.040 --> 0:28:57.000
<v Speaker 2>and she needs to be in a good musical. Like

0:28:57.320 --> 0:29:01.040
<v Speaker 2>Greatest Showman is great, but it's not a good musical

0:29:01.160 --> 0:29:03.440
<v Speaker 2>or a good movie for Zendaea.

0:29:03.680 --> 0:29:06.080
<v Speaker 1>Kill Bill three the musical, That's what I'm saying, Kill

0:29:06.120 --> 0:29:09.880
<v Speaker 1>Bell three the musical, Gil three the Musical Star but

0:29:09.920 --> 0:29:11.280
<v Speaker 1>it's not directed by Quentin Taranty.

0:29:11.320 --> 0:29:13.080
<v Speaker 2>No, no, no, Well that's that. That's the other problem

0:29:13.120 --> 0:29:15.080
<v Speaker 2>is that those movies couldn't be made because he would

0:29:15.080 --> 0:29:16.640
<v Speaker 2>have his reckoning immediately.

0:29:16.880 --> 0:29:22.520
<v Speaker 1>Yeah yeah yeah, Kill Bill three the Musical directed by

0:29:22.720 --> 0:29:23.880
<v Speaker 1>Karen Kusama.

0:29:23.960 --> 0:29:27.000
<v Speaker 2>He I feel like Quentin Tarantino high key made a

0:29:27.040 --> 0:29:29.400
<v Speaker 2>whole ass other film that no one talked about. It

0:29:29.480 --> 0:29:31.480
<v Speaker 2>was another Western that no one talked about. Wasn't it

0:29:31.480 --> 0:29:33.800
<v Speaker 2>called like the Hateful Eight? It was after Django and Chained,

0:29:33.840 --> 0:29:35.920
<v Speaker 2>Like when did Hateful Eight come out? I don't know,

0:29:36.120 --> 0:29:38.000
<v Speaker 2>That's what I'm saying I think he's like fully making

0:29:38.040 --> 0:29:39.560
<v Speaker 2>movies that no one talks about.

0:29:39.440 --> 0:29:41.320
<v Speaker 1>Entry like Inglorious Bastards.

0:29:41.520 --> 0:29:43.360
<v Speaker 2>Yes, that was actually really funny.

0:29:43.480 --> 0:29:44.160
<v Speaker 1>I didn't see it.

0:29:44.320 --> 0:29:47.240
<v Speaker 2>Yeah, I thought that was like a successful Quentin Tarantino

0:29:47.320 --> 0:29:51.600
<v Speaker 2>project because he's not trying to write for black people,

0:29:52.280 --> 0:29:54.800
<v Speaker 2>which is like really hard. It's hard to hear the

0:29:54.840 --> 0:29:57.040
<v Speaker 2>script sometimes on some of these other movies.

0:29:57.520 --> 0:30:00.560
<v Speaker 1>The thing that sucks about Quentin Tarantino is obviously he's

0:30:00.840 --> 0:30:03.560
<v Speaker 1>like probably a bad person. And you know, I'm not

0:30:03.560 --> 0:30:07.240
<v Speaker 1>the kind of person who like measures my the things

0:30:07.280 --> 0:30:10.000
<v Speaker 1>I like or alters the things I like based on

0:30:10.040 --> 0:30:14.120
<v Speaker 1>other people who like them. But the worst men in

0:30:14.160 --> 0:30:19.520
<v Speaker 1>the world love Quentin Tarantino, yep, and so and that

0:30:19.880 --> 0:30:21.880
<v Speaker 1>is I don't like the intersection.

0:30:21.920 --> 0:30:24.280
<v Speaker 2>I don't like being among the worst men I know.

0:30:25.720 --> 0:30:28.480
<v Speaker 1>So that's why I'm glad that of his movies, the

0:30:28.520 --> 0:30:32.040
<v Speaker 1>ones I love are the girly ones, you know. And

0:30:32.120 --> 0:30:35.840
<v Speaker 1>I'm sure that all the fucking horrible dudes out there

0:30:35.840 --> 0:30:38.240
<v Speaker 1>who love Tarantino don't love Kill Bill.

0:30:38.640 --> 0:30:41.680
<v Speaker 2>Well, they probably like pulp fiction more, yeah, like which

0:30:41.720 --> 0:30:43.920
<v Speaker 2>is sorry, a kind of boring movie, But they probably

0:30:43.960 --> 0:30:48.720
<v Speaker 2>love reservoir dogs. The masturbatory man talking thing that is

0:30:48.880 --> 0:30:51.960
<v Speaker 2>all pulp fiction, like talk doc talk talk talk talk talk.

0:30:52.040 --> 0:30:54.280
<v Speaker 2>Oh my god. I mean it's funny because a lot

0:30:54.320 --> 0:30:57.040
<v Speaker 2>of times, like the things that I love about Tarantino

0:30:57.120 --> 0:30:59.080
<v Speaker 2>are also the things that I hate, because it is

0:30:59.200 --> 0:31:02.280
<v Speaker 2>kind of lovely that at this time, like movies had

0:31:02.360 --> 0:31:05.440
<v Speaker 2>looser reins and could be much longer, and dialogue could

0:31:05.440 --> 0:31:09.440
<v Speaker 2>be longer because people's attention deafit sits and attention spans

0:31:09.480 --> 0:31:13.960
<v Speaker 2>hadn't been like mortally, I don't know, wounded wounded by

0:31:14.120 --> 0:31:19.680
<v Speaker 2>iPhones and the internet. But anyways, Quentin Tarantino haven't comeback.

0:31:19.960 --> 0:31:24.440
<v Speaker 1>I'm just kidding. Just if Quentin Tarantino came out as trans.

0:31:25.000 --> 0:31:29.680
<v Speaker 2>Well, then I'm plugged in Mama, like move over which house?

0:31:30.600 --> 0:31:35.440
<v Speaker 2>This is a new tour we women, oh one hundred percent.

0:31:35.560 --> 0:31:37.120
<v Speaker 2>But the thing is, it has to be a trans name,

0:31:37.200 --> 0:31:41.000
<v Speaker 2>and therefore, what if it's just Tina, Well, like Quentin Tarantina.

0:31:42.520 --> 0:31:46.240
<v Speaker 2>Tarantina is really funny. Well, I was thinking of Q names,

0:31:46.280 --> 0:31:48.520
<v Speaker 2>and I'm thinking about just like trans names in general,

0:31:48.880 --> 0:31:53.160
<v Speaker 2>and how if he sorry, if she is trans, then

0:31:53.360 --> 0:31:55.680
<v Speaker 2>she has to for her name pick a Greek goddess,

0:31:55.840 --> 0:32:05.280
<v Speaker 2>a planet or an herb three joins or no, or

0:32:05.320 --> 0:32:08.880
<v Speaker 2>a literary character or a literary character. So her name

0:32:08.920 --> 0:32:14.840
<v Speaker 2>could be Quarrel, professor Quarrel, her ce names, her name

0:32:14.920 --> 0:32:23.440
<v Speaker 2>could be, her name could be are there any other Quendola?

0:32:28.920 --> 0:32:32.680
<v Speaker 2>There are no planets? Or Greek god, Queen Queen, Queen

0:32:33.280 --> 0:32:37.720
<v Speaker 2>Queen Tarantina. Well, okay, do you want to hear something hilarious?

0:32:38.680 --> 0:32:39.240
<v Speaker 1>Is so?

0:32:39.480 --> 0:32:41.960
<v Speaker 2>I obviously like my If you don't know my dead

0:32:42.040 --> 0:32:43.800
<v Speaker 2>name by now, you should be able to figure it

0:32:43.840 --> 0:32:47.000
<v Speaker 2>out by my social media handle. I have been thinking

0:32:47.040 --> 0:32:49.880
<v Speaker 2>about trying to figure out how to change my socially

0:32:50.080 --> 0:32:56.160
<v Speaker 2>social media handled to Frans Skuishka. I would never because

0:32:56.200 --> 0:32:58.320
<v Speaker 2>it's actually just two on the nose and two gimmicky.

0:32:58.640 --> 0:33:01.880
<v Speaker 2>But like he should be, she should be named.

0:33:03.640 --> 0:33:03.880
<v Speaker 3>Fuck.

0:33:04.280 --> 0:33:10.040
<v Speaker 2>I give miss Gendering Quina Gwendola Tarantina.

0:33:10.880 --> 0:33:11.520
<v Speaker 1>Gwendola.

0:33:12.000 --> 0:33:17.160
<v Speaker 2>Gwendola's really funny. Gwendola Tarantina is actually her new name.

0:33:37.880 --> 0:33:39.160
<v Speaker 1>Do you have a foot fetish?

0:33:40.400 --> 0:33:43.000
<v Speaker 2>No, I don't have a foot fetish, but I will

0:33:43.320 --> 0:33:47.560
<v Speaker 2>absolutely suck a clean foot if it's in my face,

0:33:47.760 --> 0:33:49.960
<v Speaker 2>I will, and I will do it without being asked.

0:33:50.480 --> 0:33:52.640
<v Speaker 1>You do you like having your toes suck.

0:33:52.840 --> 0:33:55.640
<v Speaker 2>Oh yeah, sometimes it's a little too, it's a little

0:33:55.760 --> 0:33:59.320
<v Speaker 2>less sexual and a little more ticklish. But I'm never

0:33:59.400 --> 0:34:01.400
<v Speaker 2>gonna say no, what about you? This is a really

0:34:01.440 --> 0:34:01.920
<v Speaker 2>great prompt.

0:34:01.960 --> 0:34:05.920
<v Speaker 1>But I don't have a foot fetish. But I do

0:34:06.080 --> 0:34:08.400
<v Speaker 1>have sort of a go to move, which is that

0:34:08.680 --> 0:34:12.920
<v Speaker 1>if I'm like laying down and someone is between my legs,

0:34:13.960 --> 0:34:16.880
<v Speaker 1>so to speak, doing something, I will almost oh and

0:34:17.000 --> 0:34:22.120
<v Speaker 1>if this person has a dick, I will almost always

0:34:22.719 --> 0:34:26.719
<v Speaker 1>reach my foot down, if not both feet to sort

0:34:26.760 --> 0:34:30.640
<v Speaker 1>of dig in. Give a foot job. Give either with

0:34:30.760 --> 0:34:33.839
<v Speaker 1>one foot sort of teasingly, or both feet and press

0:34:33.920 --> 0:34:35.800
<v Speaker 1>them together and create a little channel.

0:34:36.239 --> 0:34:41.160
<v Speaker 2>I've definitely given the suggestion of a foot job before,

0:34:41.480 --> 0:34:45.840
<v Speaker 2>but it but the feet, definitely. I think that feet

0:34:45.920 --> 0:34:49.319
<v Speaker 2>should be insects. And I think that if you are

0:34:49.440 --> 0:34:53.040
<v Speaker 2>deterred by feet or just body parts in general, like

0:34:53.840 --> 0:34:55.759
<v Speaker 2>I mean, just wash it, Just wash the foot and

0:34:55.840 --> 0:34:56.040
<v Speaker 2>eat it.

0:34:56.160 --> 0:34:58.160
<v Speaker 1>I just sometimes feel insecure about my feet because I

0:34:58.200 --> 0:34:59.440
<v Speaker 1>get I get callouses.

0:34:59.560 --> 0:35:05.520
<v Speaker 2>Well, my foot are tore up, Mama, I'm having foot issues.

0:35:05.800 --> 0:35:09.200
<v Speaker 2>I have like bunyans, I have calluses, and because of

0:35:09.360 --> 0:35:11.440
<v Speaker 2>all the foot where I use their.

0:35:12.560 --> 0:35:14.160
<v Speaker 1>Scars, you gotta wiggle your big toe.

0:35:14.239 --> 0:35:15.600
<v Speaker 2>I got to wiggle my big toe. No, I have

0:35:15.680 --> 0:35:17.520
<v Speaker 2>to get one of those like full foot masts that

0:35:17.760 --> 0:35:20.160
<v Speaker 2>like like we're fish like eat off the top three

0:35:20.400 --> 0:35:21.640
<v Speaker 2>like layers of my skin.

0:35:21.840 --> 0:35:24.120
<v Speaker 1>That is terrifying to me. Do you think I could

0:35:24.120 --> 0:35:24.279
<v Speaker 1>do it?

0:35:24.480 --> 0:35:26.480
<v Speaker 2>Is that actually? Does that actually work? Ers that like

0:35:26.520 --> 0:35:31.120
<v Speaker 2>a fad a fad? Okay, then I'm going because my

0:35:31.200 --> 0:35:33.239
<v Speaker 2>feet are I mean, you've seen my feet.

0:35:33.480 --> 0:35:36.200
<v Speaker 1>I got a pedicure last weekend and they did not

0:35:36.400 --> 0:35:39.400
<v Speaker 1>go hard enough on my calluses. Oh oh, I gotta be,

0:35:39.640 --> 0:35:40.120
<v Speaker 1>I gotta be.

0:35:40.239 --> 0:35:42.800
<v Speaker 2>I gotta put like a leather belt between my teeth

0:35:42.880 --> 0:35:45.279
<v Speaker 2>and grip it. That's how I want to feel when

0:35:45.320 --> 0:35:47.320
<v Speaker 2>my Bunyan's when you're when when the lady at the

0:35:47.360 --> 0:35:51.040
<v Speaker 2>pedicurist is going at my and my calluses.

0:35:51.080 --> 0:35:53.319
<v Speaker 1>Yeah, I want to lose at least two layers of skin.

0:35:53.480 --> 0:35:57.240
<v Speaker 2>Yeah. I want to be like holding onto a scream

0:35:58.080 --> 0:35:59.000
<v Speaker 2>and not screaming.

0:35:59.239 --> 0:35:59.960
<v Speaker 1>You want to be scrump.

0:36:00.160 --> 0:36:09.279
<v Speaker 2>I want to be Gwendola Tarantina. There's no cure. We

0:36:09.360 --> 0:36:12.880
<v Speaker 2>are force yeah, Quentin Tarantino. I'm sure it's not the

0:36:12.920 --> 0:36:15.200
<v Speaker 2>first time we're force beming everybody. It's like the Iggy

0:36:15.239 --> 0:36:19.080
<v Speaker 2>Azalea music video. Oh when Quentin Tarantino gives huge chaser vibes,

0:36:19.560 --> 0:36:24.359
<v Speaker 2>Oh my god, Well that's a little disrespectful to chasers. Honestly, Uh,

0:36:24.640 --> 0:36:27.520
<v Speaker 2>chasers don't deserve respect. Chasers don't deserve respect. But like

0:36:27.640 --> 0:36:31.480
<v Speaker 2>I'm saying, like even chasers have more humanity than Quentin Tarantino.

0:36:32.320 --> 0:36:33.800
<v Speaker 1>Well, that's why she's gonna transition.

0:36:37.280 --> 0:36:41.840
<v Speaker 2>I have previously told a story wherein I was sleeping

0:36:41.920 --> 0:36:44.000
<v Speaker 2>with someone who had a boyfriend. This is maybe the

0:36:44.680 --> 0:36:46.840
<v Speaker 2>fourth or fifth time I've been the other woman, and

0:36:47.440 --> 0:36:53.840
<v Speaker 2>I told the boyfriend's best friend that he was cheating

0:36:53.920 --> 0:36:57.560
<v Speaker 2>on him in an uberpool because we randomly were in

0:36:57.560 --> 0:37:02.560
<v Speaker 2>an uberpool together. That was pretty evil. But I love

0:37:02.640 --> 0:37:06.800
<v Speaker 2>revenge where they never know it was me, right, I

0:37:06.880 --> 0:37:07.120
<v Speaker 2>love it.

0:37:07.239 --> 0:37:09.319
<v Speaker 1>I want her to note tell Sircy, I want her

0:37:09.320 --> 0:37:11.759
<v Speaker 1>to notice me. I guess I got revenge because my

0:37:11.840 --> 0:37:12.680
<v Speaker 1>nemesis died.

0:37:12.960 --> 0:37:14.200
<v Speaker 2>Your nemesis died.

0:37:15.120 --> 0:37:16.360
<v Speaker 1>Although I had no hand in it.

0:37:22.600 --> 0:37:31.760
<v Speaker 2>I just schew my I the rather Oh no, i'm singing.

0:37:32.840 --> 0:37:34.759
<v Speaker 1>I thought you were singing this is a song.

0:37:35.280 --> 0:37:37.960
<v Speaker 2>I am No. I'm just saying I always complain about

0:37:37.960 --> 0:37:39.480
<v Speaker 2>you singing, and here I am singing.

0:37:39.320 --> 0:37:41.080
<v Speaker 1>Oh well, I'm gonna get my revenge on you.

0:37:41.200 --> 0:37:44.719
<v Speaker 2>Yeah, hypocrisy who we know several people who we would

0:37:44.800 --> 0:37:46.320
<v Speaker 2>like to get mutual revenge on.

0:37:46.400 --> 0:37:52.160
<v Speaker 1>I think yeah, oh yeah, oh yeah. Also, if there's

0:37:52.200 --> 0:37:56.319
<v Speaker 1>anyone out there who I have wronged and wants revenge on.

0:37:56.480 --> 0:38:00.359
<v Speaker 2>Me, like, go for it. In the words of Lanay

0:38:00.680 --> 0:38:05.120
<v Speaker 2>pull Up, pull Up, pull Up, I will absolutely gladly

0:38:05.200 --> 0:38:07.319
<v Speaker 2>fight you or also talk it out. I would love

0:38:07.360 --> 0:38:09.320
<v Speaker 2>to talk it out. And I'm serious, Like, if you

0:38:09.360 --> 0:38:11.360
<v Speaker 2>have a problem with me, I'm not aware of it

0:38:11.480 --> 0:38:14.120
<v Speaker 2>because I don't really read the Internet and I don't

0:38:14.160 --> 0:38:17.760
<v Speaker 2>read criticisms of me slash. They honestly don't even Sometimes

0:38:17.800 --> 0:38:19.920
<v Speaker 2>I'll be talking to someone and we'll get into a

0:38:19.920 --> 0:38:22.680
<v Speaker 2>conversation about social media and people will be like, yeah, well,

0:38:22.719 --> 0:38:24.920
<v Speaker 2>I mean, like your gms are crazy, like people hate you,

0:38:25.280 --> 0:38:28.719
<v Speaker 2>and I'm like do they? I'm like do they? But

0:38:28.800 --> 0:38:30.000
<v Speaker 2>like I don't know because I don't read that.

0:38:30.760 --> 0:38:34.920
<v Speaker 1>Literally, I'm that's you're so lucky, Like people have to

0:38:35.760 --> 0:38:42.080
<v Speaker 1>move in the world. And now a clip from our

0:38:42.160 --> 0:38:45.759
<v Speaker 1>Patreon Become a patron at patreon dot com slash like

0:38:45.800 --> 0:38:48.279
<v Speaker 1>a Virgin for weekly bonus episodes and.

0:38:48.320 --> 0:38:54.520
<v Speaker 2>More Selling the OC. Yes, that's where we're starting today.

0:38:54.640 --> 0:38:57.880
<v Speaker 1>Yeah, so we have both recently consumed the new second

0:38:57.960 --> 0:38:59.399
<v Speaker 1>season of Selling the OC.

0:38:59.600 --> 0:39:01.320
<v Speaker 2>I watch it, you watch I watch all of it.

0:39:01.800 --> 0:39:03.120
<v Speaker 2>It's I mean, you can watch all of it in

0:39:03.280 --> 0:39:04.000
<v Speaker 2>a single sitting.

0:39:04.600 --> 0:39:09.320
<v Speaker 1>It's I'm going to say something that I don't know

0:39:09.719 --> 0:39:12.680
<v Speaker 1>what if you will agree with it? Okay, I think

0:39:12.760 --> 0:39:19.520
<v Speaker 1>it has dethroned Selling Sunset. Wait, I think in I

0:39:19.600 --> 0:39:23.520
<v Speaker 1>think agree Selling Sunset as it currently is is not

0:39:23.719 --> 0:39:27.839
<v Speaker 1>as good as selling the OC. I agree it must

0:39:27.880 --> 0:39:30.200
<v Speaker 1>be acknowledged of course that selling Sunset at one point

0:39:30.520 --> 0:39:34.320
<v Speaker 1>was like God, to your television is the blueprint. But

0:39:34.560 --> 0:39:37.360
<v Speaker 1>now to me, the quality has dipped so low that

0:39:37.480 --> 0:39:39.520
<v Speaker 1>actually the bar to de throne it was pretty low.

0:39:39.719 --> 0:39:43.440
<v Speaker 1>I think what I identified as the issue is that,

0:39:45.080 --> 0:39:48.080
<v Speaker 1>so selling the OC doesn't have the kind of star

0:39:48.400 --> 0:39:51.920
<v Speaker 1>power that selling Sunset does because selling Sunset has all

0:39:51.960 --> 0:39:56.279
<v Speaker 1>of these people who have become like cultural icons race, right,

0:39:56.760 --> 0:40:00.400
<v Speaker 1>So selling Sunset has that star power, But selling OC

0:40:01.000 --> 0:40:06.600
<v Speaker 1>has such a such a captivating and cohesive ensemble people

0:40:07.960 --> 0:40:12.080
<v Speaker 1>of star power, yes, who are all interacting in a

0:40:12.360 --> 0:40:17.320
<v Speaker 1>very actually tight plot line that is about kind of

0:40:17.520 --> 0:40:21.960
<v Speaker 1>one major thing which is like reputation and ethics and.

0:40:23.080 --> 0:40:25.800
<v Speaker 2>Like purity or the interpretation of it.

0:40:26.239 --> 0:40:30.759
<v Speaker 1>Yes, and and you know the sanctity of marriage, and

0:40:31.239 --> 0:40:34.239
<v Speaker 1>it must be said like based just on that being

0:40:34.360 --> 0:40:38.879
<v Speaker 1>the storyline, it is very obvious that selling the OC

0:40:39.160 --> 0:40:41.960
<v Speaker 1>is incredibly conservative.

0:40:41.920 --> 0:40:46.320
<v Speaker 2>And OC like Orange County, like those the people that

0:40:46.440 --> 0:40:48.480
<v Speaker 2>live there, they want us all dead and like.

0:40:48.760 --> 0:40:54.160
<v Speaker 1>And like Alexandra Jarvis is like like vocally like Trump supporter.

0:40:54.600 --> 0:40:57.160
<v Speaker 2>Having full full neo Nazi.

0:40:57.120 --> 0:41:02.520
<v Speaker 1>Rose Rose, like Robert F. Kenney Junior a lot.

0:41:03.080 --> 0:41:06.640
<v Speaker 2>So Rose is giving, like like she used to be

0:41:06.719 --> 0:41:07.600
<v Speaker 2>in rooms with Epstein.

0:41:08.920 --> 0:41:11.800
<v Speaker 1>Rose is giving. She used to kill small animals for

0:41:11.920 --> 0:41:15.640
<v Speaker 1>fun when she was a child. And that's why she's

0:41:15.719 --> 0:41:21.280
<v Speaker 1>low key. My favorite character Rose because she is psychotic.

0:41:21.760 --> 0:41:24.200
<v Speaker 2>She's so weird and she has no expression in her

0:41:24.280 --> 0:41:25.120
<v Speaker 2>eyes at all.

0:41:25.239 --> 0:41:26.120
<v Speaker 1>Oh totally dead.

0:41:26.239 --> 0:41:30.719
<v Speaker 2>And she is always wearing the craziest most bimbo outfit.

0:41:30.560 --> 0:41:33.839
<v Speaker 1>Crazy like she literally shows up to like the time

0:41:33.880 --> 0:41:36.000
<v Speaker 1>they went on the boat, she was wearing lingerie as

0:41:36.000 --> 0:41:38.160
<v Speaker 1>a bathing suit. Then later that night for dinner she

0:41:38.320 --> 0:41:41.279
<v Speaker 1>just wore a bra. And she's also worn just a

0:41:41.360 --> 0:41:44.280
<v Speaker 1>broad to like showing wait wait, wait, the yellow outfit

0:41:44.480 --> 0:41:47.680
<v Speaker 1>that she wore to the office. I have to find it.

0:41:48.000 --> 0:41:52.080
<v Speaker 1>Alex Rose yellow outfits so crazy?

0:41:52.320 --> 0:41:55.359
<v Speaker 2>Oh right, her name is Alex Rose, not Rose. It's

0:41:55.440 --> 0:42:02.479
<v Speaker 2>so weird. And Jarvis Jarvis and Rose Jarvis. This Jesus Christ, Wait,

0:42:02.560 --> 0:42:06.360
<v Speaker 2>what is this weird saggy panty? Like it looks like honestly,

0:42:06.480 --> 0:42:09.680
<v Speaker 2>like she's wearing a tablecloth. No, what it looks like

0:42:09.960 --> 0:42:11.439
<v Speaker 2>is like it's a body suit.

0:42:11.520 --> 0:42:14.719
<v Speaker 1>And she didn't snap the buttons in the middle, just

0:42:14.960 --> 0:42:16.640
<v Speaker 1>let these.

0:42:16.640 --> 0:42:17.839
<v Speaker 2>She was like, Oh, I just wanted to be as

0:42:17.840 --> 0:42:21.080
<v Speaker 2>short as possible. But she's all unhinged.

0:42:21.160 --> 0:42:26.160
<v Speaker 1>She's crazy. And I do respect Jarvis for this season

0:42:26.320 --> 0:42:30.080
<v Speaker 1>being like, I need a storyline, so what I'm going

0:42:30.120 --> 0:42:32.440
<v Speaker 1>to do is break up with my work bestie, my

0:42:32.520 --> 0:42:35.279
<v Speaker 1>work wife. And that was very smart of her. I

0:42:35.520 --> 0:42:38.719
<v Speaker 1>do have to say, for some reason, Okay, I know

0:42:38.800 --> 0:42:41.200
<v Speaker 1>a lot of people don't like Alex Hall, and I

0:42:41.280 --> 0:42:46.120
<v Speaker 1>will agree that I don't think she's like compelling. I

0:42:46.160 --> 0:42:49.719
<v Speaker 1>don't think she's like as compelling as a protagonist of

0:42:49.800 --> 0:42:52.560
<v Speaker 1>the show as she could be. But for some reason,

0:42:53.160 --> 0:42:56.040
<v Speaker 1>I got weirdly invested in the whole thing with her

0:42:56.120 --> 0:43:04.200
<v Speaker 1>and Tyler when they kissed him, when they kissed. I

0:43:04.600 --> 0:43:08.480
<v Speaker 1>screamed into my pillow. Oh, because I was like, finally,

0:43:09.120 --> 0:43:12.239
<v Speaker 1>and I like want them to be together, even though

0:43:12.280 --> 0:43:15.719
<v Speaker 1>I know they're both bad people, Like he's he's disgusting.

0:43:16.000 --> 0:43:18.200
<v Speaker 2>He well, okay, here's the thing, is like I actually

0:43:18.280 --> 0:43:21.560
<v Speaker 2>don't so hot. I don't think he's hot. He's like

0:43:21.680 --> 0:43:24.760
<v Speaker 2>kind of so hot. I don't find introverts hot. Really,

0:43:24.920 --> 0:43:25.920
<v Speaker 2>it's hard for me.

0:43:26.160 --> 0:43:28.040
<v Speaker 1>He's so tall. And then when he shut up to

0:43:28.120 --> 0:43:29.800
<v Speaker 1>that party in his underwear and you could see his

0:43:30.200 --> 0:43:31.200
<v Speaker 1>huge talk.

0:43:31.200 --> 0:43:35.319
<v Speaker 2>Go unattractive to me, the most disgusting boxer briefs I've

0:43:35.320 --> 0:43:37.160
<v Speaker 2>ever seen in my life. Love that you're not even

0:43:37.160 --> 0:43:40.560
<v Speaker 2>gonna spring for like some savage fentie. You fucking ugly?

0:43:40.800 --> 0:43:43.080
<v Speaker 2>I could not. Sorry, I know he's not actually ugly,

0:43:43.400 --> 0:43:46.279
<v Speaker 2>but I'm infuriated because I actually don't think he's like

0:43:46.760 --> 0:43:48.880
<v Speaker 2>I'm okay, of course I'm.

0:43:48.760 --> 0:43:53.479
<v Speaker 1>Team Britney Snow let it be said. But he's ex wife.

0:43:53.719 --> 0:43:55.440
<v Speaker 1>Oh my god, yeah.

0:43:55.560 --> 0:43:59.400
<v Speaker 2>Right, okay, okay, so Tyler being the kind of like

0:43:59.640 --> 0:44:02.680
<v Speaker 2>you know, golden goose of a divorcee that everyone is

0:44:02.760 --> 0:44:05.239
<v Speaker 2>now trying to gnaw on. It is literally everyone in

0:44:05.320 --> 0:44:08.120
<v Speaker 2>that office, Yes, is actually amazing, it's great TV, and

0:44:08.360 --> 0:44:10.600
<v Speaker 2>both seasons of the show have now been about how

0:44:10.840 --> 0:44:13.600
<v Speaker 2>everyone wants to fuck him, is fucking him, or could

0:44:13.640 --> 0:44:15.759
<v Speaker 2>be fucked and the fact that he is actually kind

0:44:15.840 --> 0:44:19.640
<v Speaker 2>of like I do believe he is actually really introverted

0:44:19.680 --> 0:44:22.520
<v Speaker 2>and is actually really bad at receiving all of this attention.

0:44:22.920 --> 0:44:25.120
<v Speaker 2>That doesn't make him any less of like a scummy man,

0:44:25.440 --> 0:44:29.200
<v Speaker 2>but I do think he's like wildly ill equipped for

0:44:29.440 --> 0:44:31.840
<v Speaker 2>the position he's been put in, funny enough, so that

0:44:31.960 --> 0:44:34.320
<v Speaker 2>does make it all the more interesting. Selling the OSI

0:44:34.440 --> 0:44:39.640
<v Speaker 2>and Selling Sunset both have this like really really painful production,

0:44:40.920 --> 0:44:44.440
<v Speaker 2>like this forced production of a scene, Like every single

0:44:44.600 --> 0:44:46.800
<v Speaker 2>scene is so so scripted.

0:44:46.680 --> 0:44:47.439
<v Speaker 1>But it is so good.

0:44:47.680 --> 0:44:49.759
<v Speaker 2>It is it's good because you know that if you

0:44:49.920 --> 0:44:52.319
<v Speaker 2>tried to make them improvise, it would be worse because

0:44:52.320 --> 0:44:54.640
<v Speaker 2>they're not smart enough to improvise.

0:44:54.320 --> 0:44:58.360
<v Speaker 1>But it is like they are. I do feel I

0:44:58.480 --> 0:45:00.880
<v Speaker 1>have always felt with both of these franchises, and like

0:45:01.120 --> 0:45:05.000
<v Speaker 1>reality TV in general, like we are getting such a

0:45:05.239 --> 0:45:08.000
<v Speaker 1>filtered version of the story, and I think we're selling

0:45:08.040 --> 0:45:13.279
<v Speaker 1>the OC specifically, like they decided what the season was

0:45:13.360 --> 0:45:15.839
<v Speaker 1>going to be about and like worked backwards from there.

0:45:16.200 --> 0:45:18.680
<v Speaker 1>So I always feel like what they're talking about is like,

0:45:20.320 --> 0:45:24.759
<v Speaker 1>the emotion is real and the tension is real, it's

0:45:24.920 --> 0:45:28.720
<v Speaker 1>just the specifics that are being either exaggerated or straight

0:45:28.800 --> 0:45:31.800
<v Speaker 1>up lied about. Yeah, Like, I don't think that was

0:45:31.920 --> 0:45:34.520
<v Speaker 1>the first time that Hall and Tyler.

0:45:34.960 --> 0:45:39.640
<v Speaker 2>No fucking way unless there are motherfucking pilgrims, like please,

0:45:39.800 --> 0:45:42.719
<v Speaker 2>there's I mean, if they if that actually was their

0:45:42.800 --> 0:45:47.960
<v Speaker 2>first kiss, I would be so concerned for the state

0:45:48.040 --> 0:45:51.000
<v Speaker 2>of heterosexuality, like I am there already there is actually

0:45:51.160 --> 0:45:55.960
<v Speaker 2>no there's there's heterosexual people would be I mean, I'm

0:45:56.000 --> 0:45:58.600
<v Speaker 2>grateful that heterosexual people don't fuck like baggats, but if

0:45:58.640 --> 0:46:02.319
<v Speaker 2>they did, society would collapse, but also that everyone would

0:46:02.360 --> 0:46:03.000
<v Speaker 2>be so much happier.