WEBVTT - QLS Classic: Lenny Kravitz (Part 1)

0:00:00.400 --> 0:00:03.000
<v Speaker 1>Quest Love Suprema contain languages some of our listeners may

0:00:03.000 --> 0:00:11.320
<v Speaker 1>find offensive. Listener discretion is advised. Supremo sub Frema roll

0:00:11.480 --> 0:00:18.640
<v Speaker 1>call sub prima Suprema roll call sub prima sub prima

0:00:18.840 --> 0:00:25.320
<v Speaker 1>roll call Suprema Deep Were you Romeo Blue Fans? Yeah,

0:00:25.680 --> 0:00:30.240
<v Speaker 1>Dick the scene. Yeah matter. Girl in Toronto named Juliette

0:00:30.280 --> 0:00:39.479
<v Speaker 1>Green Subrema roll call Subrema sub prima roll call. My

0:00:39.560 --> 0:00:43.800
<v Speaker 1>name is Fonte and I'm a winner. Check out my

0:00:43.880 --> 0:00:57.240
<v Speaker 1>new hairstyle from my man's centner God Suma road call Sugar. Yeah,

0:00:57.400 --> 0:01:02.640
<v Speaker 1>I'm your fantasy. Yeah sure guy, Yeah, I taste so sweet.

0:01:09.959 --> 0:01:15.000
<v Speaker 1>Bring my road unpaid Bill, Yeah, so much to do? Yeah,

0:01:15.240 --> 0:01:23.520
<v Speaker 1>shout out to Lenny Kravitz. Yeah, my second favorite jew.

0:01:27.520 --> 0:01:31.400
<v Speaker 1>There's only one thing on which to focus. Yeah, boss

0:01:31.400 --> 0:01:34.319
<v Speaker 1>Bill wants to know. Yeah, why did everybody hate circuits?

0:01:34.560 --> 0:01:46.199
<v Speaker 1>Roll car? Road Car? It's like, yes, so fresh, so clean.

0:01:47.040 --> 0:01:55.160
<v Speaker 1>Lenny Kravitz is here. Oh yeah, and I'm black velveteen R.

0:01:59.560 --> 0:02:02.880
<v Speaker 1>My name is Lenny. Yeah, I just woke up. Yeah,

0:02:03.200 --> 0:02:05.920
<v Speaker 1>it's gonna be really hard to get me to spoke

0:02:06.080 --> 0:02:27.840
<v Speaker 1>up Roma roll Wait, I gotta say something real quick. Uh,

0:02:28.040 --> 0:02:32.240
<v Speaker 1>Ladies and gentlemen, let it just let it be known that, yeah,

0:02:32.840 --> 0:02:39.880
<v Speaker 1>was not dressed like this door Mike Burbiglia. She didn't

0:02:39.919 --> 0:02:43.560
<v Speaker 1>have that gold velvet on. No, not for she has

0:02:43.600 --> 0:02:50.280
<v Speaker 1>gold velvet and she gold velvet. Team. I'm going out laterally. Okay,

0:02:50.360 --> 0:02:51.639
<v Speaker 1>this is for all my ladies. That was day was

0:02:51.680 --> 0:02:54.560
<v Speaker 1>where I was sitting. Okay, there you go. Yeah, girl

0:02:54.639 --> 0:02:57.200
<v Speaker 1>was sitting out tonight. Yeah. I was gonna say, they

0:02:57.400 --> 0:03:02.960
<v Speaker 1>got to come out every once and again every it is.

0:03:03.040 --> 0:03:12.959
<v Speaker 1>It's atrees l and gentleman, welcome to another episode of course,

0:03:13.040 --> 0:03:18.079
<v Speaker 1>Love Supreme. Uh. Actually, you know what I oh our

0:03:18.360 --> 0:03:25.120
<v Speaker 1>guest today and apology because I never truly give him

0:03:25.280 --> 0:03:30.880
<v Speaker 1>enough credit for his his influence and his artistry, and

0:03:32.320 --> 0:03:36.040
<v Speaker 1>I believe that he has truly kept the the concept

0:03:36.920 --> 0:03:41.680
<v Speaker 1>of what they once called in the eighties retroneuvo. I

0:03:41.680 --> 0:03:47.200
<v Speaker 1>think Nelson George's coin that term retroneuvo slash instant vintage

0:03:47.840 --> 0:03:56.440
<v Speaker 1>vibes alive long before the Daptone Empire or the cats

0:03:56.480 --> 0:03:59.320
<v Speaker 1>that La cast from break Astro or you know anyone

0:03:59.400 --> 0:04:04.240
<v Speaker 1>that's built empires off of keeping vintage vibes a lot

0:04:04.440 --> 0:04:09.040
<v Speaker 1>Mark Rosson yea, yeah, yeah, every everyone you know this

0:04:09.080 --> 0:04:13.160
<v Speaker 1>man was first so influential, without no doubt, even at

0:04:13.200 --> 0:04:16.440
<v Speaker 1>this day and age, he's probably still the coolest dude

0:04:16.440 --> 0:04:19.240
<v Speaker 1>to walk on the planet. Some thirty years after his debut,

0:04:20.120 --> 0:04:23.279
<v Speaker 1>UH Let Love Rule UH came into our lives and

0:04:23.360 --> 0:04:27.640
<v Speaker 1>we want to welcome thank you, brother Leonard. Wait, what's

0:04:27.640 --> 0:04:32.840
<v Speaker 1>your middle names? Albert Leonard Albert Kravit. That's what he

0:04:32.880 --> 0:04:39.560
<v Speaker 1>look I got his uncle name that tea Leonard Albert Kravice.

0:04:39.680 --> 0:04:43.320
<v Speaker 1>So to to Bill and Steve. Yes, Now do you

0:04:43.400 --> 0:04:50.320
<v Speaker 1>feel that the playing fields even, it's like a little

0:04:50.320 --> 0:04:56.400
<v Speaker 1>more even? This is a very balanced that's right. You

0:04:56.440 --> 0:05:04.120
<v Speaker 1>know the host is neutual. So I'm just saying your hands,

0:05:05.200 --> 0:05:08.000
<v Speaker 1>but I mean I'm neutral. I'm just saying that, you know,

0:05:08.040 --> 0:05:12.320
<v Speaker 1>we these two rarely. This is the most words they've

0:05:12.360 --> 0:05:20.720
<v Speaker 1>spoken in like twelve combined episode totally. Anyway, n How

0:05:20.880 --> 0:05:23.240
<v Speaker 1>how are you doing, Pale? I'm good man. I'm gonna

0:05:23.240 --> 0:05:25.320
<v Speaker 1>try and be as professional as possible on that. Like,

0:05:25.360 --> 0:05:28.400
<v Speaker 1>I don't know you, So I want to explain my

0:05:28.480 --> 0:05:32.560
<v Speaker 1>road call real quick, because that was a mess. First

0:05:32.560 --> 0:05:37.680
<v Speaker 1>of all, your your timing was like that that was me.

0:05:38.440 --> 0:05:40.120
<v Speaker 1>I feel like you did that on purpose though, no No,

0:05:40.200 --> 0:05:42.840
<v Speaker 1>I was trying to sink sugar your song and I

0:05:42.920 --> 0:05:47.760
<v Speaker 1>sucked it all up. Okay, so that's that coming in

0:05:47.880 --> 0:05:51.440
<v Speaker 1>later and fix that. No, we can't. We can't fix

0:05:51.520 --> 0:05:55.040
<v Speaker 1>any road calls. But sorry, Yeah that's bad. So how's

0:05:55.080 --> 0:05:58.640
<v Speaker 1>it going, man? It's going really well. Man. I feel

0:05:59.440 --> 0:06:04.159
<v Speaker 1>I feel rate creatively. UM, I just had an amazing

0:06:04.520 --> 0:06:10.159
<v Speaker 1>time making this record, raised vibration, and I feel like

0:06:10.160 --> 0:06:14.760
<v Speaker 1>I'm where I'm supposed to be, which, like you said,

0:06:14.800 --> 0:06:20.359
<v Speaker 1>after thirty years, it feels really good too. I feel

0:06:20.440 --> 0:06:25.800
<v Speaker 1>like you're still being completely authentic to yourself, and that

0:06:26.000 --> 0:06:31.400
<v Speaker 1>you're still excited to make music. UM, having amazing experiences

0:06:31.440 --> 0:06:36.200
<v Speaker 1>like like the first ones were, you know. Um, so

0:06:36.279 --> 0:06:39.600
<v Speaker 1>you're saying there was a time period in which you

0:06:39.640 --> 0:06:41.800
<v Speaker 1>didn't know if you were coming or going or or

0:06:42.160 --> 0:06:49.960
<v Speaker 1>well right before making this album, Um, because I've done

0:06:50.000 --> 0:06:52.680
<v Speaker 1>so much and I've gone too many places musically, I

0:06:52.720 --> 0:06:57.640
<v Speaker 1>really wasn't sure who I was at that moment, what

0:06:57.800 --> 0:07:01.159
<v Speaker 1>I had to say, where I was going stylistically with

0:07:01.200 --> 0:07:07.479
<v Speaker 1>the music. Um. A lot of people were giving opinions, UM,

0:07:07.520 --> 0:07:10.920
<v Speaker 1>which is good about what they thought I should be doing,

0:07:11.160 --> 0:07:14.400
<v Speaker 1>and UM, try this, try that work with this one.

0:07:14.560 --> 0:07:17.080
<v Speaker 1>Do this. You never worked with the producer, you know,

0:07:17.080 --> 0:07:22.520
<v Speaker 1>you always do everything yourself, you know, ah, and and

0:07:22.640 --> 0:07:27.920
<v Speaker 1>so and and this whole thing about remaining relevant, which

0:07:28.680 --> 0:07:31.600
<v Speaker 1>I learned a lot about because it really doesn't mean anything.

0:07:32.360 --> 0:07:36.280
<v Speaker 1>Uh well to me, Um, being relevant is being true

0:07:36.280 --> 0:07:40.760
<v Speaker 1>to who you are at any given time. Um, And

0:07:40.800 --> 0:07:42.440
<v Speaker 1>what was I gonna go do? I was gonna go

0:07:42.480 --> 0:07:45.360
<v Speaker 1>make a trap record, you know, like not that I

0:07:45.360 --> 0:07:46.720
<v Speaker 1>don't dig it, but you know what I'm saying, like

0:07:47.520 --> 0:07:50.920
<v Speaker 1>try to be that guy, like okay, let me go,

0:07:51.040 --> 0:08:00.280
<v Speaker 1>let me go be hip, and so you know you could, right, So, Um,

0:08:01.440 --> 0:08:05.320
<v Speaker 1>it's weird. So you're saying that that you were met

0:08:05.360 --> 0:08:09.080
<v Speaker 1>with quasi indifference about Strut because you played No, I

0:08:09.120 --> 0:08:10.840
<v Speaker 1>had not to do it. Strut like that was gone.

0:08:11.960 --> 0:08:14.200
<v Speaker 1>It was after that, was after the tour, after the

0:08:14.200 --> 0:08:16.160
<v Speaker 1>whole thing, And I knew I was going to make

0:08:16.200 --> 0:08:18.000
<v Speaker 1>a record, and I had no idea what I was

0:08:18.000 --> 0:08:22.200
<v Speaker 1>going to do. And so after trying this, trying that,

0:08:22.280 --> 0:08:25.800
<v Speaker 1>doing this, doing that, listening to everybody writing all these

0:08:25.840 --> 0:08:31.200
<v Speaker 1>tunes and that I was trying to write, um they

0:08:31.200 --> 0:08:35.000
<v Speaker 1>were okay, um, but I wasn't feeling it like that.

0:08:36.000 --> 0:08:39.800
<v Speaker 1>And so I just got really quiet, closed the studio door,

0:08:40.640 --> 0:08:44.680
<v Speaker 1>went back to just live an island life, being quiet

0:08:44.760 --> 0:08:46.960
<v Speaker 1>and just being out in nature. And I woke up

0:08:47.760 --> 0:08:49.920
<v Speaker 1>one morning, like four in the morning with a song

0:08:50.000 --> 0:08:53.280
<v Speaker 1>in my head Randy the studio started putting it down,

0:08:54.280 --> 0:08:58.160
<v Speaker 1>and the floodgates just opened. You know. I had to

0:08:58.400 --> 0:09:00.800
<v Speaker 1>I had I had to wait. I had to wait

0:09:00.880 --> 0:09:03.680
<v Speaker 1>to receive what it is that I was being given.

0:09:03.880 --> 0:09:11.880
<v Speaker 1>So when you're in your your island and the Bahamas, uh,

0:09:12.080 --> 0:09:13.839
<v Speaker 1>is there a pressure like every morning that you wake

0:09:13.960 --> 0:09:16.640
<v Speaker 1>up when you're like, Okay, where's my inspiration coming from?

0:09:16.679 --> 0:09:22.320
<v Speaker 1>Because usually when people live and beautiful isolated places like that,

0:09:23.240 --> 0:09:27.640
<v Speaker 1>usually the purposes is to connect with the land and

0:09:27.800 --> 0:09:30.960
<v Speaker 1>receive ideas absolutely and just live. So I'm not on

0:09:30.960 --> 0:09:34.040
<v Speaker 1>the schedule. I'm not you know, like I have to

0:09:34.040 --> 0:09:36.440
<v Speaker 1>go in every day or I just wait until I

0:09:36.440 --> 0:09:39.240
<v Speaker 1>feel it. And once I feel it, and once these

0:09:39.320 --> 0:09:42.319
<v Speaker 1>dreams start and the music starts coming out, then it

0:09:42.440 --> 0:09:45.040
<v Speaker 1>just keeps coming and then I'm just in there like

0:09:45.160 --> 0:09:50.040
<v Speaker 1>for months, just working. You know. Yeah, So where were

0:09:50.080 --> 0:09:53.480
<v Speaker 1>you born? I was born in bed stuy Brooklyn Troop

0:09:53.559 --> 0:09:59.679
<v Speaker 1>and Coski Hoscot Troop Avenue three. I used to live.

0:10:03.480 --> 0:10:07.360
<v Speaker 1>It was me j Mike Tyson. You know that crew

0:10:09.640 --> 0:10:15.079
<v Speaker 1>you were in the Marcy Project, the same neighborhood. Okay,

0:10:15.240 --> 0:10:20.040
<v Speaker 1>I see, Um in general, Well, I mean i've I've

0:10:20.080 --> 0:10:23.360
<v Speaker 1>I've seen interviews before where just like you know, you

0:10:23.400 --> 0:10:26.040
<v Speaker 1>were in two Worlds, Black and well you know, yeah,

0:10:26.040 --> 0:10:31.439
<v Speaker 1>album was also called a Black and White World. So, um,

0:10:31.480 --> 0:10:34.160
<v Speaker 1>but what was I mean to be a child in

0:10:34.200 --> 0:10:42.760
<v Speaker 1>the sixties in Brooklyn? Uh? Was this a well received idea?

0:10:43.280 --> 0:10:47.960
<v Speaker 1>Especially you've been before, born before. I don't know what

0:10:48.040 --> 0:10:51.280
<v Speaker 1>you're I'm not trying to fish for your age. You

0:10:51.360 --> 0:10:54.560
<v Speaker 1>look like twenty years ago because you still you had

0:10:54.559 --> 0:10:58.000
<v Speaker 1>the hair style from when you first started. Really, but

0:10:58.040 --> 0:10:59.680
<v Speaker 1>I know there was a six and the third digit

0:10:59.760 --> 0:11:01.800
<v Speaker 1>of your birth year. So I'm just trying to figure

0:11:01.800 --> 0:11:04.040
<v Speaker 1>out in terms. I mean, I really caught the seventies.

0:11:04.080 --> 0:11:06.240
<v Speaker 1>I really caught the early seventies by the time I

0:11:06.280 --> 0:11:11.480
<v Speaker 1>was really we're late sixties two. But um, I mean

0:11:11.480 --> 0:11:16.400
<v Speaker 1>the first things I was hearing was Jackson five. Okay,

0:11:16.600 --> 0:11:21.840
<v Speaker 1>so seventies. So how how what was your childhood like

0:11:24.240 --> 0:11:28.079
<v Speaker 1>the Yeah, my mom at the time was doing theater.

0:11:28.240 --> 0:11:31.000
<v Speaker 1>She was in a theater company called the Negro Ensemble.

0:11:31.080 --> 0:11:36.280
<v Speaker 1>Company and where so many of our great African American

0:11:36.360 --> 0:11:41.040
<v Speaker 1>actors and actresses come from. Um, so she was doing that.

0:11:41.200 --> 0:11:45.079
<v Speaker 1>She was a secretary by day at NBC over Rockefeller Plaza.

0:11:45.640 --> 0:11:50.040
<v Speaker 1>Oh yeah, I grew up in that building and uh

0:11:50.440 --> 0:11:52.360
<v Speaker 1>yeah she she was a secretary for this guy named

0:11:52.480 --> 0:11:56.960
<v Speaker 1>Ed Stanley. I forget what his position was. My dad

0:11:57.080 --> 0:12:00.880
<v Speaker 1>was a producer. He started out as a page became

0:12:00.920 --> 0:12:04.439
<v Speaker 1>a producer. They met there. They met at thirty Rock.

0:12:04.520 --> 0:12:07.000
<v Speaker 1>They met at thirty Rock. Damn, so you're a thirty

0:12:07.040 --> 0:12:10.920
<v Speaker 1>rock baby, Yes, they met. They met at thirty Rock.

0:12:11.800 --> 0:12:14.360
<v Speaker 1>Uh did he ever say how how I wanted they

0:12:14.360 --> 0:12:20.680
<v Speaker 1>caught her? But that feels disrespectful? Yes, how did he

0:12:20.720 --> 0:12:26.160
<v Speaker 1>catch your eyes? He was very much into the arts,

0:12:26.760 --> 0:12:31.240
<v Speaker 1>very much into music, very much into jazz. Um Like,

0:12:31.360 --> 0:12:34.960
<v Speaker 1>he produced the Paganini show that was on there, and

0:12:35.360 --> 0:12:38.559
<v Speaker 1>he was working with all these jazz musicians, hanging around

0:12:38.559 --> 0:12:41.920
<v Speaker 1>with Louis Armstrong and all these folks, okay, and going

0:12:41.960 --> 0:12:44.120
<v Speaker 1>to the theater. And he was that. He was that cat.

0:12:45.000 --> 0:12:49.000
<v Speaker 1>And you know, he was kind of smooth, he was

0:12:49.080 --> 0:12:53.160
<v Speaker 1>kind of he has he has some swagger. He was Ukrainian,

0:12:53.320 --> 0:12:58.160
<v Speaker 1>you know, Russian jew. Uh Now, Ukraine gets specific. Before

0:12:58.160 --> 0:13:01.120
<v Speaker 1>it was all Russia. Um, and he went after my

0:13:01.160 --> 0:13:06.680
<v Speaker 1>mom and they were dating and and uh and uh yeah,

0:13:06.840 --> 0:13:10.120
<v Speaker 1>then they got married. Russian Jews don't for their swagger.

0:13:10.200 --> 0:13:13.160
<v Speaker 1>Shout out to Russian you know what I'm saying. All

0:13:13.200 --> 0:13:20.720
<v Speaker 1>of us are yeah annotations now. And my mom was older,

0:13:20.840 --> 0:13:25.000
<v Speaker 1>she was like in her no, but I mean she

0:13:25.160 --> 0:13:32.040
<v Speaker 1>was like later thirties and um or late thirties almost.

0:13:32.120 --> 0:13:35.120
<v Speaker 1>I remember when they met. Yeah, my mom hadn't been married.

0:13:35.760 --> 0:13:39.439
<v Speaker 1>My mom was like she was holding out, so waiting

0:13:39.480 --> 0:13:42.160
<v Speaker 1>for a real you know, waiting for a Russian Jew,

0:13:42.280 --> 0:13:50.120
<v Speaker 1>right man, get on your mind. And they were. They

0:13:50.160 --> 0:13:53.760
<v Speaker 1>were very friendly. You know who Bobby Short is. Yeah,

0:13:53.840 --> 0:13:55.640
<v Speaker 1>Bobby Bobby shut you usuld sing at the Cafe car.

0:13:55.960 --> 0:13:58.800
<v Speaker 1>I haven't like New York. There you go. That's my ship.

0:13:59.160 --> 0:14:02.920
<v Speaker 1>He's he's he's a brother who sang like Rogers and

0:14:03.040 --> 0:14:08.840
<v Speaker 1>Heart and in Ellington and Cole Porter and Cafe Society singing.

0:14:09.040 --> 0:14:11.520
<v Speaker 1>He wasn't that well, he's probably too young. I'm like,

0:14:12.360 --> 0:14:19.000
<v Speaker 1>he sang that, but my father is a child. Oh

0:14:19.040 --> 0:14:22.240
<v Speaker 1>that's him. He sang that. Charlie. Yeah. I think it

0:14:22.240 --> 0:14:24.880
<v Speaker 1>was Lauren Hutton running around. He was a child, and

0:14:24.920 --> 0:14:28.320
<v Speaker 1>she was anyway, they were, they were. They were all

0:14:28.520 --> 0:14:32.880
<v Speaker 1>like a crew, and you grew up around Bobby Short. Yeah.

0:14:33.720 --> 0:14:37.040
<v Speaker 1>Used to drive Bobby home after the gigs. When I

0:14:37.040 --> 0:14:39.760
<v Speaker 1>got older, used to wait because I used to always

0:14:39.800 --> 0:14:42.240
<v Speaker 1>go back like when I like when I was a kid.

0:14:42.760 --> 0:14:44.480
<v Speaker 1>I was going there since I was five years old.

0:14:45.480 --> 0:14:49.480
<v Speaker 1>And then when I got older, you know, I still

0:14:49.600 --> 0:14:51.560
<v Speaker 1>went love anytime I was in New York, I went

0:14:51.560 --> 0:14:53.840
<v Speaker 1>to see Bobby and I would go to the second

0:14:53.880 --> 0:14:56.600
<v Speaker 1>show and I'd drive him home. But anyway, the point

0:14:56.680 --> 0:15:00.480
<v Speaker 1>was where you have I'm sure you have. You have

0:15:01.000 --> 0:15:04.400
<v Speaker 1>for the longest I've known you, all of your your life.

0:15:04.400 --> 0:15:07.640
<v Speaker 1>Foot notes. Oh, by the way that it's a mind

0:15:07.640 --> 0:15:10.040
<v Speaker 1>blowing ship. I'm gonna skip a little bit ahead, but

0:15:10.080 --> 0:15:16.760
<v Speaker 1>you're you're Sherman Hemsley. Story of the first time you

0:15:17.080 --> 0:15:24.000
<v Speaker 1>smoke weed? Whatever? Yeah, was with Sherman people people, I've

0:15:24.040 --> 0:15:26.960
<v Speaker 1>heard stories. You know. He was so different from his character.

0:15:28.280 --> 0:15:30.840
<v Speaker 1>Used it had like an acid, I tried to explain.

0:15:31.120 --> 0:15:34.920
<v Speaker 1>He used to drive in He had this silver Cadillac

0:15:35.520 --> 0:15:40.120
<v Speaker 1>uh Seville, the box one first, and he had this

0:15:40.120 --> 0:15:43.480
<v Speaker 1>this this Mexican brother named Ralph had a big old

0:15:43.520 --> 0:15:46.200
<v Speaker 1>Curly Afro used to drive him and that car would

0:15:46.240 --> 0:15:48.280
<v Speaker 1>pull on the lot. All you can see it was

0:15:48.280 --> 0:15:51.480
<v Speaker 1>like teaching chong. All you can see was smoke and

0:15:52.160 --> 0:15:56.160
<v Speaker 1>he was either jamming yes or the Grateful Dead Santana

0:15:58.720 --> 0:16:02.120
<v Speaker 1>I tried. Okay, So the members of Gentle Giant manage.

0:16:03.120 --> 0:16:05.240
<v Speaker 1>All right, which member of Heart is not married to

0:16:05.760 --> 0:16:12.080
<v Speaker 1>what's his name from walling Stone Heart? Nancy? You mean, yeah, alright,

0:16:12.080 --> 0:16:14.600
<v Speaker 1>so which one Anne is married to? Cameron Crowe? Right,

0:16:14.720 --> 0:16:22.560
<v Speaker 1>I believe ye? So yes, So Nancy, her managers are

0:16:22.600 --> 0:16:26.240
<v Speaker 1>members of Gentle Giant. And at the time when she

0:16:26.320 --> 0:16:31.800
<v Speaker 1>came on the Tonight Show, and uh, she really didn't

0:16:31.800 --> 0:16:35.240
<v Speaker 1>know who Gentle Giant was. And so she's just happened

0:16:35.240 --> 0:16:37.080
<v Speaker 1>to mention like, yeah, my management, you know, they used

0:16:37.080 --> 0:16:38.640
<v Speaker 1>to be a band together. Now they're you know, they're

0:16:38.680 --> 0:16:41.040
<v Speaker 1>management and something like that. D're and something some giants

0:16:41.120 --> 0:16:44.120
<v Speaker 1>something something gentle or gentle Giants. She said, yeah, what

0:16:44.200 --> 0:16:47.880
<v Speaker 1>you heard? Those guys and we lost our collective minds

0:16:48.040 --> 0:16:52.600
<v Speaker 1>because we're a lot of us are from the school

0:16:52.600 --> 0:16:55.800
<v Speaker 1>with Jay Dilla, and he samples a lot of like

0:16:55.960 --> 0:16:58.840
<v Speaker 1>prog rock and art rock stuff and got us into

0:16:59.520 --> 0:17:03.280
<v Speaker 1>all that stuff. So early. Yes, that was Sherman stuff man, right,

0:17:03.560 --> 0:17:08.520
<v Speaker 1>And so Sherman used to always play like you know,

0:17:08.600 --> 0:17:11.120
<v Speaker 1>like when you listen to the radio on a black sitcom,

0:17:11.440 --> 0:17:15.080
<v Speaker 1>you're supposed to like rerun. Used to always dance with Teddy,

0:17:16.280 --> 0:17:20.159
<v Speaker 1>what's happening, what's happening? Get up? Get never noticed that.

0:17:20.160 --> 0:17:22.639
<v Speaker 1>I never noticed that. Anytime we run dance, it's like

0:17:22.800 --> 0:17:28.040
<v Speaker 1>the fake version, the fake version, and just like yeah,

0:17:28.200 --> 0:17:31.119
<v Speaker 1>and then the and then a good times. It was

0:17:31.240 --> 0:17:35.400
<v Speaker 1>Jimmy Horne's uh let's do it, listen, let's dance as

0:17:35.560 --> 0:17:40.840
<v Speaker 1>the floor anyway. But Sherman Hemsley, whenever he's jamming, it's

0:17:41.080 --> 0:17:47.800
<v Speaker 1>like g it's like something seven nineteen. That was his thing, man.

0:17:48.000 --> 0:17:50.240
<v Speaker 1>And you know you always saw him in that VP

0:17:50.400 --> 0:17:52.200
<v Speaker 1>suit with the gray hair. You know they put that

0:17:52.280 --> 0:17:54.400
<v Speaker 1>gray hair, and he he didn't have gray hair then.

0:17:55.119 --> 0:17:58.920
<v Speaker 1>And he'd be wearing some tattered blue jeans flares with

0:17:59.440 --> 0:18:03.520
<v Speaker 1>with the with the yes tidy t shirt and and

0:18:03.760 --> 0:18:05.760
<v Speaker 1>he'd be smoking some good but in that dress from

0:18:06.720 --> 0:18:10.080
<v Speaker 1>straight up hippie. And I'm like, you know eleven, and

0:18:10.320 --> 0:18:12.320
<v Speaker 1>uh my mom was watching me, like what you're doing

0:18:12.359 --> 0:18:19.960
<v Speaker 1>going up in Sherman's room. So yeah, So are you

0:18:20.119 --> 0:18:23.920
<v Speaker 1>saying that he was your your hippie shaman or your

0:18:24.920 --> 0:18:28.680
<v Speaker 1>he was he was that cat on the set. You know,

0:18:29.800 --> 0:18:36.280
<v Speaker 1>I'm gonna be just like it's crazy. Yeah, it's azing, alright,

0:18:36.560 --> 0:18:42.000
<v Speaker 1>So back to your chos talking about by short. So

0:18:42.200 --> 0:18:45.719
<v Speaker 1>my mom said to Bobby side, that's my dad's name,

0:18:45.800 --> 0:18:55.199
<v Speaker 1>side right or Irving? Yeah, middle names, Saul. I mean

0:18:55.200 --> 0:19:01.200
<v Speaker 1>it's as Jewish as it gets. Some more Saul saw Kravitz.

0:19:01.200 --> 0:19:05.119
<v Speaker 1>It was my rabbi's name. And uh, my mom said, sigh,

0:19:05.400 --> 0:19:09.600
<v Speaker 1>asked me to marry him. So Bobby looked at her

0:19:09.600 --> 0:19:11.320
<v Speaker 1>and said, she said, what do you think I should do?

0:19:12.080 --> 0:19:22.040
<v Speaker 1>He said, I don't see nobody else asking nice. But

0:19:22.840 --> 0:19:24.320
<v Speaker 1>well he got a point, and I guess the same thing.

0:19:24.600 --> 0:19:26.639
<v Speaker 1>It's kind of crazy because my mom was all that,

0:19:27.920 --> 0:19:32.080
<v Speaker 1>you know. But anyway, they got together and I'm sitting here.

0:19:33.160 --> 0:19:37.480
<v Speaker 1>Was she the fashion queen that she was on TV? Amazing? Yeah?

0:19:37.720 --> 0:19:43.840
<v Speaker 1>She was? She was that lady from the yeah oh yeah. Side. Note,

0:19:44.160 --> 0:19:49.159
<v Speaker 1>this is weird to tell you like three million people. No, no, no,

0:19:49.240 --> 0:19:51.240
<v Speaker 1>I try to tell you last time as a surprise,

0:19:51.400 --> 0:19:58.560
<v Speaker 1>but you gotta have you ever met Apollonia Coterio y no,

0:19:58.720 --> 0:20:01.360
<v Speaker 1>we spoke because she has told you for me. Yeah,

0:20:01.400 --> 0:20:07.240
<v Speaker 1>she had the pictures for me. She toldever, No, she's

0:20:07.280 --> 0:20:09.280
<v Speaker 1>got the pictures. Do you remember the episode when the

0:20:09.400 --> 0:20:15.160
<v Speaker 1>Jefferson shot uh in Hawaii? Yeah, the whole week? Yeah. Yeah,

0:20:15.560 --> 0:20:20.000
<v Speaker 1>So apparently she took like a bunch of polaroids and

0:20:20.119 --> 0:20:24.280
<v Speaker 1>had photo books but left it behind, and uh, Apollonia

0:20:24.359 --> 0:20:27.919
<v Speaker 1>just happened to be scrounging through like, you know, vintage

0:20:27.920 --> 0:20:32.720
<v Speaker 1>stores or whatever, and saw found my mom's pictures but

0:20:32.840 --> 0:20:35.800
<v Speaker 1>in att yeah, at some sort of like five and

0:20:35.880 --> 0:20:39.960
<v Speaker 1>dime thrift store things. So she yo, what any of

0:20:40.040 --> 0:20:43.720
<v Speaker 1>her clothes still around? Not for enohing. I just wonder, Zoe,

0:20:52.200 --> 0:20:54.000
<v Speaker 1>you get that joint tailor you cut it off a half.

0:20:54.080 --> 0:20:56.760
<v Speaker 1>I assume that your mom was like five eleven at least,

0:20:56.840 --> 0:21:00.879
<v Speaker 1>like yeah, yeah, that means it's not okay. There's a

0:21:00.920 --> 0:21:03.080
<v Speaker 1>couple of pieces of it always got like and they

0:21:03.080 --> 0:21:04.959
<v Speaker 1>should be in a museum somewhere, not for nothing too.

0:21:04.960 --> 0:21:06.560
<v Speaker 1>If they can't, f Zoe, they should be a museum.

0:21:07.560 --> 0:21:09.320
<v Speaker 1>They should have be in the Msonian in d City.

0:21:09.600 --> 0:21:13.800
<v Speaker 1>I think we're all everyone's looking everyone's looking at me.

0:21:14.000 --> 0:21:26.000
<v Speaker 1>What I'm sorry? I am a lack anyway, I didn't

0:21:26.000 --> 0:21:30.440
<v Speaker 1>you really think I didn't know Zoe that small? Small too,

0:21:30.480 --> 0:21:33.920
<v Speaker 1>but I let some things out. No, but I mean, dude,

0:21:35.119 --> 0:21:37.560
<v Speaker 1>like trust me. So he used to sleep on his couch.

0:21:38.320 --> 0:21:40.399
<v Speaker 1>I remember that he had a long time in Philly,

0:21:41.240 --> 0:21:44.720
<v Speaker 1>was in band and whatnot. For real, Lenny and Zoe,

0:21:44.800 --> 0:21:47.760
<v Speaker 1>you are single hand? Did we responsible for all of

0:21:47.920 --> 0:21:51.159
<v Speaker 1>the French toast jokes? Y'all got with the oils that

0:21:51.200 --> 0:21:55.120
<v Speaker 1>I know, like coconut oil. For my two years, Zoe

0:21:55.200 --> 0:21:59.280
<v Speaker 1>wouldn't tell me the vanilla oil that she uses. There's

0:21:59.280 --> 0:22:01.920
<v Speaker 1>a vanilla, now, there's a vanilla. But then at your house,

0:22:02.800 --> 0:22:06.720
<v Speaker 1>you know, okay, another tea in my moment, you know,

0:22:06.880 --> 0:22:08.920
<v Speaker 1>like when when you're wait, what do you say? Said

0:22:09.080 --> 0:22:12.560
<v Speaker 1>she smell like you? Because you know she was first okay,

0:22:12.640 --> 0:22:18.280
<v Speaker 1>got it? She wouldn't tell me. I hoped was first vanilla.

0:22:20.440 --> 0:22:25.600
<v Speaker 1>I got serious, and then no, and then uh, she

0:22:25.680 --> 0:22:28.720
<v Speaker 1>would never tell me. And then uh I went to

0:22:29.560 --> 0:22:32.720
<v Speaker 1>that cookout at your spot in Miami and in the

0:22:32.880 --> 0:22:38.359
<v Speaker 1>bathroom I saw the bottle there, that's right, and you

0:22:38.520 --> 0:22:44.960
<v Speaker 1>started using it well, But then but then I went

0:22:45.800 --> 0:22:48.920
<v Speaker 1>this dude smelled like a vanilla cake. I remember, But

0:22:49.040 --> 0:22:52.000
<v Speaker 1>you still you're not spraying yourself with poopo re right,

0:22:52.000 --> 0:22:55.840
<v Speaker 1>because it was alright, but like these little were the

0:22:55.960 --> 0:23:00.320
<v Speaker 1>silver bottles, bottles, they were these little bottles, right, they

0:23:00.400 --> 0:23:04.399
<v Speaker 1>came from France, right exactly. Yeah, but she left it

0:23:04.440 --> 0:23:05.840
<v Speaker 1>there so I took a photo of it and then

0:23:06.000 --> 0:23:11.360
<v Speaker 1>I ordered like forty two gallons of it it at Costco.

0:23:11.480 --> 0:23:16.880
<v Speaker 1>Sack legit mad at me for like Jack and her

0:23:16.960 --> 0:23:20.080
<v Speaker 1>swag like that was her thing, right, Yeah, she got

0:23:20.160 --> 0:23:23.880
<v Speaker 1>mad at me, so she stopped using it. But could

0:23:23.920 --> 0:23:26.520
<v Speaker 1>be girls and all that stuff, like like you know,

0:23:26.600 --> 0:23:28.400
<v Speaker 1>I had a girlfriend in Paris that used to wear

0:23:28.440 --> 0:23:31.240
<v Speaker 1>it and she was a little girl. She she loved

0:23:31.280 --> 0:23:36.080
<v Speaker 1>that oil. That that's where that oil Worksbusters, I'm sorry,

0:23:36.359 --> 0:23:42.879
<v Speaker 1>this is just rock that oil smell good today. Second

0:23:42.880 --> 0:23:45.119
<v Speaker 1>of all, do you have like a favorite smell thing

0:23:45.240 --> 0:23:47.240
<v Speaker 1>or do you just rocking straight? Lenny? I'm just because

0:23:47.240 --> 0:23:49.840
<v Speaker 1>we were talking about smells. I just wanted to yeah

0:23:49.840 --> 0:23:53.880
<v Speaker 1>you personally, yeah, straight, n it's straight, Len a lot

0:23:53.920 --> 0:23:57.920
<v Speaker 1>of a lot of the time saying we're talking about No,

0:23:58.080 --> 0:24:00.320
<v Speaker 1>we were talking about the oils. So anyway, can we

0:24:00.920 --> 0:24:08.439
<v Speaker 1>we went from French toast anyway, man, let me get

0:24:08.480 --> 0:24:12.680
<v Speaker 1>to music. At least. So wait, do you have any

0:24:12.800 --> 0:24:14.760
<v Speaker 1>siblings or you the only child? I have two half

0:24:14.800 --> 0:24:19.919
<v Speaker 1>sisters from my dad's first marriage. Okay, where are they?

0:24:20.680 --> 0:24:32.480
<v Speaker 1>They sing? It's like speed dating tonight. Are they older sisters? Right? Yes?

0:24:32.880 --> 0:24:35.879
<v Speaker 1>Just you need that in your life, older than me,

0:24:37.960 --> 0:24:40.720
<v Speaker 1>older beautiful Jewish women. Okay, I need them in my life.

0:24:44.280 --> 0:24:47.680
<v Speaker 1>So how did you get interested in music? It was

0:24:47.760 --> 0:24:53.399
<v Speaker 1>all around me? I uh okay. First concerts. First concert

0:24:53.440 --> 0:24:57.359
<v Speaker 1>was Jackson five Master Square Garden with the Commodore's opening

0:24:58.000 --> 0:25:00.520
<v Speaker 1>before they were called the Commodore's they had. I remember

0:25:00.560 --> 0:25:02.000
<v Speaker 1>talking to Lionel about it. He's like, we didn't even

0:25:02.000 --> 0:25:03.960
<v Speaker 1>have a name. Then they had some other name. They

0:25:04.000 --> 0:25:07.320
<v Speaker 1>were going under Saw James at the Apollo when I

0:25:07.400 --> 0:25:11.840
<v Speaker 1>was like six, Saw then started going. You know. I

0:25:11.880 --> 0:25:16.680
<v Speaker 1>saw Duke Ellington at the Rainbow Room. Um. I used

0:25:16.680 --> 0:25:19.080
<v Speaker 1>to hang with him because my parents were close with him.

0:25:19.760 --> 0:25:21.879
<v Speaker 1>I remember being at a sound check sitting on his

0:25:22.000 --> 0:25:25.480
<v Speaker 1>lap while he played. It was actually that was my

0:25:26.080 --> 0:25:33.160
<v Speaker 1>fifth birthday, um, because they played Happy Birthday to me. Whoay,

0:25:36.800 --> 0:25:42.920
<v Speaker 1>so Miles, all that stuff, Lionel Hampton, Sara Van, you know,

0:25:43.280 --> 0:25:46.960
<v Speaker 1>going to the opera, going to the ballet, going to

0:25:47.040 --> 0:25:50.240
<v Speaker 1>Shakespeare in the Park, going to off Broadway and you know,

0:25:50.359 --> 0:25:53.280
<v Speaker 1>Black Theater and Broadway. So all this stuff was around me.

0:25:53.359 --> 0:25:55.880
<v Speaker 1>My parents used to take me out with them, which

0:25:55.960 --> 0:25:59.840
<v Speaker 1>was really cool, whenever I could go, whenever they saw fit.

0:26:00.080 --> 0:26:02.639
<v Speaker 1>Took me to parties, they took me to clubs, they

0:26:02.720 --> 0:26:04.480
<v Speaker 1>took me to go see stuff. So I saw these

0:26:04.640 --> 0:26:08.160
<v Speaker 1>people before I was ten years old. I'd seen like everybody,

0:26:09.119 --> 0:26:11.240
<v Speaker 1>one of the few kids allowed in the studio before

0:26:12.000 --> 0:26:18.280
<v Speaker 1>that that I didn't make. I I don't have any

0:26:18.280 --> 0:26:23.080
<v Speaker 1>pictures like with Liza Minnelli. And but were you usually

0:26:23.119 --> 0:26:25.600
<v Speaker 1>the loan child in those situations where there's like maybe

0:26:25.640 --> 0:26:27.200
<v Speaker 1>a couple of other kids and you might see no

0:26:27.880 --> 0:26:37.800
<v Speaker 1>excuse me, So when did you discover that you had

0:26:37.800 --> 0:26:43.600
<v Speaker 1>a voice? Not until well, okay, so when I was eleven,

0:26:43.640 --> 0:26:45.960
<v Speaker 1>when my mom got the Jeffersons, we moved to l

0:26:46.040 --> 0:26:52.640
<v Speaker 1>a And yeah, I'm sorry, the building actually Drummer Trivia,

0:26:53.080 --> 0:26:56.920
<v Speaker 1>the building that's on I forget eighty something in third

0:26:58.440 --> 0:27:01.359
<v Speaker 1>Grady Tate lived in that building. What and he was

0:27:01.400 --> 0:27:03.919
<v Speaker 1>a friend of ours. So before the Jefferson's we used

0:27:03.960 --> 0:27:05.840
<v Speaker 1>to go over. In fact, Grady Tait gave me my

0:27:05.920 --> 0:27:09.280
<v Speaker 1>first drumsticks and drum pad. Yeah, gave me my first

0:27:09.320 --> 0:27:13.240
<v Speaker 1>little Remo drum pad with a little gray rim. Yeah,

0:27:13.440 --> 0:27:15.600
<v Speaker 1>he gave me my first sticks and pad. But he

0:27:15.720 --> 0:27:18.280
<v Speaker 1>used to live in that building that was the Jefferson's building.

0:27:19.240 --> 0:27:22.160
<v Speaker 1>Everyone's like Grady Tate about to say just help help,

0:27:22.200 --> 0:27:29.159
<v Speaker 1>they help the baby. He's noted jazz, you know, God, studio,

0:27:29.359 --> 0:27:32.840
<v Speaker 1>drummer everything. If you remember, see, I'm bringing up stuff,

0:27:35.480 --> 0:27:38.840
<v Speaker 1>remember schoolhouse, frock that stuff. There was a song called

0:27:38.920 --> 0:27:43.560
<v Speaker 1>Naughty Number nine. Naughty Number nine was gratty tap. Yeah,

0:27:43.600 --> 0:27:48.119
<v Speaker 1>he's also yeah got he also sing. I asked questions

0:27:48.160 --> 0:27:50.720
<v Speaker 1>for me, but I also asked for the people because

0:27:50.720 --> 0:27:55.840
<v Speaker 1>I asked the question. I wonder why too, because Mike

0:27:55.880 --> 0:28:03.000
<v Speaker 1>were big Leia didn't you were like twelve hoodies. I

0:28:03.040 --> 0:28:06.800
<v Speaker 1>don't know what you're talking about anyway, so to my voice.

0:28:07.160 --> 0:28:09.520
<v Speaker 1>So we moved to l A, which was a culture

0:28:09.560 --> 0:28:11.720
<v Speaker 1>shock because I was getting ready to go into the

0:28:11.760 --> 0:28:14.400
<v Speaker 1>sixth grade and now I'm in Santa Monica and it's

0:28:14.440 --> 0:28:16.160
<v Speaker 1>like no one on the street, and I'm like, where

0:28:16.160 --> 0:28:19.359
<v Speaker 1>the hell am I Little white kids with blonde hair

0:28:19.400 --> 0:28:23.280
<v Speaker 1>on skateboards going by at it and it was very

0:28:23.320 --> 0:28:25.719
<v Speaker 1>new to me anyway, she wanted to keep me off

0:28:25.760 --> 0:28:27.280
<v Speaker 1>the street because she was going to be very busy

0:28:28.000 --> 0:28:31.760
<v Speaker 1>doing this, doing this show. So there was a boys

0:28:31.840 --> 0:28:35.600
<v Speaker 1>choir that a friend of her son was in called

0:28:35.640 --> 0:28:38.080
<v Speaker 1>the California Boys Choir, and that boys choir at the

0:28:38.120 --> 0:28:41.760
<v Speaker 1>time was the second rated boys choir in the world,

0:28:41.840 --> 0:28:44.360
<v Speaker 1>next to the Vienna Boys Choir. So my mom had

0:28:44.400 --> 0:28:46.880
<v Speaker 1>me audition. She shot, I'll be great, would keep me

0:28:46.920 --> 0:28:49.960
<v Speaker 1>off the street. I learned about music and anyway, I

0:28:50.040 --> 0:28:53.520
<v Speaker 1>ended up auditioning, not really understanding what was going on,

0:28:54.480 --> 0:28:58.080
<v Speaker 1>got in, got trained, and then graduated into the concert

0:28:58.200 --> 0:29:01.200
<v Speaker 1>choir and then ended up but my first concert was

0:29:01.640 --> 0:29:05.680
<v Speaker 1>Hollywood Bowl opening night of the season, Maller third Symphony

0:29:05.840 --> 0:29:10.600
<v Speaker 1>l a Philharmonic Um. I ended up singing on albums

0:29:10.640 --> 0:29:15.360
<v Speaker 1>with zuber Mada and the first record expected my first

0:29:15.360 --> 0:29:19.400
<v Speaker 1>studio session was doing the Maller third, the same one

0:29:20.080 --> 0:29:23.600
<v Speaker 1>but with m zuber Mada. So I sag. I had

0:29:23.640 --> 0:29:27.360
<v Speaker 1>this classical career. So I had this classical voice, and

0:29:27.440 --> 0:29:30.840
<v Speaker 1>then my voice changed. When I was like fifteen, left

0:29:30.880 --> 0:29:34.240
<v Speaker 1>the choir and then went to high school and I

0:29:34.360 --> 0:29:39.600
<v Speaker 1>was just really playing guitar, bass and drums always yeah,

0:29:40.280 --> 0:29:44.480
<v Speaker 1>but I didn't want to be the singer, and I

0:29:44.640 --> 0:29:46.560
<v Speaker 1>just didn't I wanted to be I just want to

0:29:46.600 --> 0:29:49.120
<v Speaker 1>be the guitar player or the bass player, the drummer.

0:29:49.160 --> 0:29:52.680
<v Speaker 1>I wanted to be just chilling on the side, you

0:29:52.720 --> 0:29:55.440
<v Speaker 1>know who, guy in the glasses. And then I ended

0:29:55.480 --> 0:29:58.720
<v Speaker 1>up in a band, and then something happened with the

0:29:58.800 --> 0:30:00.360
<v Speaker 1>singer and they all looking at me, and then I

0:30:00.520 --> 0:30:03.080
<v Speaker 1>ended up being the singer. And I was very insecure

0:30:03.080 --> 0:30:08.840
<v Speaker 1>about it, for it wasn't then of the band wave. Yeah,

0:30:09.440 --> 0:30:12.000
<v Speaker 1>what what period was this? Oh? This is like uh,

0:30:12.640 --> 0:30:17.360
<v Speaker 1>this is like eighty really so it's like Rick James

0:30:17.520 --> 0:30:25.840
<v Speaker 1>Jackson's Prince, you know, Cameo, you know black Beard? Yes, yeah,

0:30:26.720 --> 0:30:31.200
<v Speaker 1>Scorns sent two keyboard players, drums, get two guitars, bass,

0:30:31.320 --> 0:30:33.600
<v Speaker 1>you know the whole thing. Anyone notable in the group.

0:30:35.400 --> 0:30:37.920
<v Speaker 1>Did you ever get in the studio with him? We

0:30:38.040 --> 0:30:41.360
<v Speaker 1>did some demos, but this was all like really early stuff.

0:30:41.400 --> 0:30:45.840
<v Speaker 1>Do you know where those demos are? Do you know

0:30:45.880 --> 0:30:49.040
<v Speaker 1>what those guys are? Albert Cravit, do you know where

0:30:49.040 --> 0:30:52.160
<v Speaker 1>those demos are? Look at me like that? Are you

0:30:52.280 --> 0:30:56.959
<v Speaker 1>fiving on right now? You know what? I know? If

0:30:56.960 --> 0:31:02.160
<v Speaker 1>anybody finds something gonna be you so that was your

0:31:02.160 --> 0:31:05.320
<v Speaker 1>first band. Yeah, it was like because I was just

0:31:05.920 --> 0:31:07.680
<v Speaker 1>I was really I moved out when I was fifteen,

0:31:08.400 --> 0:31:10.920
<v Speaker 1>and I was just like, wait, how does one do that?

0:31:12.040 --> 0:31:16.480
<v Speaker 1>Um another drumming story. Okay, I was fifteen years old,

0:31:17.560 --> 0:31:19.240
<v Speaker 1>living in l A, living in my parents house. My

0:31:19.320 --> 0:31:21.760
<v Speaker 1>dad and I were like having a hard time button heads.

0:31:23.200 --> 0:31:27.240
<v Speaker 1>There was a Buddy rich concert at Disneyland. Disneyland was

0:31:27.320 --> 0:31:30.120
<v Speaker 1>having a jazz series, so that night was going to

0:31:30.160 --> 0:31:33.880
<v Speaker 1>be Buddy Rich and then separately Freddie Hubbard and a

0:31:33.920 --> 0:31:37.520
<v Speaker 1>few other folks, and so I wanted to go see Disneyland.

0:31:38.080 --> 0:31:43.000
<v Speaker 1>Say what, Freddy Hubbard? It did? Man? Yeah, that's what

0:31:43.160 --> 0:31:48.680
<v Speaker 1>it's like inside Sugar Steve's head all the time. You

0:31:48.800 --> 0:31:51.760
<v Speaker 1>just summed it up. So I told my dad, are

0:31:51.840 --> 0:31:55.800
<v Speaker 1>you thinking of cursing out? Like? I mean, that could

0:31:55.840 --> 0:31:58.840
<v Speaker 1>go so many different ways in front of cheering, so

0:31:58.920 --> 0:32:03.080
<v Speaker 1>a sorry, sorry, no no. So I told my dad

0:32:03.120 --> 0:32:05.000
<v Speaker 1>I want to go see Buddy rich because you know,

0:32:05.240 --> 0:32:07.760
<v Speaker 1>I want to see him. My dad was like, you

0:32:07.800 --> 0:32:09.880
<v Speaker 1>went out last night. I was like, yeah, but tonight

0:32:09.960 --> 0:32:12.600
<v Speaker 1>I let see Buddy Richard. We got in this big

0:32:12.760 --> 0:32:14.480
<v Speaker 1>argument and that was the first time I did that,

0:32:14.640 --> 0:32:17.520
<v Speaker 1>Like Richard pryor thing where Richard Pryer talks about getting

0:32:17.520 --> 0:32:19.160
<v Speaker 1>into a fight with his dad and standing up and

0:32:19.720 --> 0:32:21.880
<v Speaker 1>I'll kick your ass. I'm not afraid of you anymore.

0:32:22.160 --> 0:32:26.440
<v Speaker 1>All that, and I was shaking and my dad was

0:32:26.520 --> 0:32:30.880
<v Speaker 1>like ex Green Beret, like, oh crazy jumping out of

0:32:30.880 --> 0:32:37.080
<v Speaker 1>airplanes with knives and machine guns. I'm stand up. He's

0:32:37.080 --> 0:32:41.200
<v Speaker 1>looking at me like I'm crazy. And that was it.

0:32:41.360 --> 0:32:43.280
<v Speaker 1>So it was like, you know, you live, you live

0:32:43.480 --> 0:32:47.280
<v Speaker 1>under my roof, under my rules, or you go. And

0:32:48.120 --> 0:32:57.360
<v Speaker 1>I went was Buddy rich Worth. There was some mean

0:32:57.520 --> 0:33:01.560
<v Speaker 1>press rolls, baby, I mean wait. So at the end

0:33:01.560 --> 0:33:05.520
<v Speaker 1>of the night where I got Buddy and Fronday, I'm like,

0:33:05.560 --> 0:33:11.640
<v Speaker 1>oh shout, I ain't gonna where to go. And my

0:33:11.720 --> 0:33:14.720
<v Speaker 1>mom was freaking out. Remember there's no cell phones, you

0:33:14.760 --> 0:33:17.840
<v Speaker 1>know what I mean. So but I stayed out. That

0:33:17.960 --> 0:33:20.280
<v Speaker 1>was it. I was in the street, I was in

0:33:20.320 --> 0:33:24.160
<v Speaker 1>people's couches. I slept on studio floors. I stopped. I

0:33:24.200 --> 0:33:26.640
<v Speaker 1>stopped in a car for the four Pinto for a while.

0:33:27.160 --> 0:33:28.880
<v Speaker 1>Did it ever cross your mind to go stay with

0:33:29.000 --> 0:33:33.480
<v Speaker 1>the Jefferson's and that in that building in New York?

0:33:35.240 --> 0:33:41.080
<v Speaker 1>I just got de Luxe apart exactly place. We wait,

0:33:41.200 --> 0:33:44.640
<v Speaker 1>I mean, so were you were your pre or your

0:33:44.680 --> 0:33:51.000
<v Speaker 1>fourier years? Were they independent? Yeah? I mean after I left,

0:33:51.760 --> 0:33:55.280
<v Speaker 1>I know, even before like what because even the idea

0:33:55.320 --> 0:34:00.880
<v Speaker 1>of going out like probably like I'm going that usually

0:34:00.920 --> 0:34:02.960
<v Speaker 1>like you know, father's all of that. You you ain't

0:34:03.000 --> 0:34:06.960
<v Speaker 1>telling me you going out? You're gonna ask? I was respectful,

0:34:07.040 --> 0:34:09.200
<v Speaker 1>but that's at that point. We just but what was

0:34:09.480 --> 0:34:12.680
<v Speaker 1>what was out there for you? I haven't talked to

0:34:12.840 --> 0:34:18.480
<v Speaker 1>any black celebrity that was like coming of age in

0:34:18.600 --> 0:34:22.919
<v Speaker 1>the late seventies in early eighties? So what is out

0:34:23.000 --> 0:34:26.040
<v Speaker 1>there for you? In Los Angeles during this time? Man?

0:34:26.120 --> 0:34:28.040
<v Speaker 1>It was wild. There's no House of Blues, There's no

0:34:28.200 --> 0:34:31.640
<v Speaker 1>like what Sunset Boulevard looking like? Uh? Well, there was

0:34:31.680 --> 0:34:35.160
<v Speaker 1>the Roxy. What was your hangout? What was your like?

0:34:35.280 --> 0:34:37.120
<v Speaker 1>I mean I hung out of people's houses. I hung

0:34:37.160 --> 0:34:40.400
<v Speaker 1>out it at uh I was? I was friends with

0:34:41.600 --> 0:34:46.120
<v Speaker 1>with Kennedy Gordy also known as Rockwell, we went to

0:34:46.200 --> 0:34:47.880
<v Speaker 1>high school together. I was gonna say, do you have

0:34:47.920 --> 0:34:56.480
<v Speaker 1>any Apollo connections? Not Apollo when I met? All right,

0:34:56.640 --> 0:35:01.759
<v Speaker 1>so okay to us? Now I went to a show, right,

0:35:02.480 --> 0:35:05.040
<v Speaker 1>I went to a Jo show? If Benny came in

0:35:05.719 --> 0:35:11.600
<v Speaker 1>and nobody knows about Polo right when y'all a deep connoisseurs. Yeah,

0:35:12.120 --> 0:35:15.920
<v Speaker 1>so when I mentioned it, Benny's eyes got like, how

0:35:16.000 --> 0:35:19.279
<v Speaker 1>do you know? And shut then up and then the

0:35:19.440 --> 0:35:28.440
<v Speaker 1>dance moves. I knew. I knew Benny when he was

0:35:28.480 --> 0:35:30.800
<v Speaker 1>sixteen because I was going to Beverly. I was in

0:35:30.880 --> 0:35:34.160
<v Speaker 1>the same class as Kennedy, as Rockwell and then it's

0:35:34.160 --> 0:35:41.000
<v Speaker 1>older older brother Carry and Benny was berries gopher assistant

0:35:42.120 --> 0:35:44.480
<v Speaker 1>when he had the afro on the whole thing. Benny,

0:35:44.600 --> 0:35:47.680
<v Speaker 1>Benny was his the diddy to Andre Rolle. Yeah, yeah,

0:35:47.719 --> 0:35:52.440
<v Speaker 1>that was that was big. Yeah. And uh, because you

0:35:52.520 --> 0:35:56.640
<v Speaker 1>said the second you said wave, I said, damn, that's

0:35:56.640 --> 0:36:00.160
<v Speaker 1>almost like one step removed away from Apollo. Yeah, and

0:36:00.239 --> 0:36:06.160
<v Speaker 1>so it was. But you gotta tell So I used

0:36:06.160 --> 0:36:07.799
<v Speaker 1>to find I used to be up at Barry's house

0:36:07.840 --> 0:36:10.120
<v Speaker 1>a lot. You know, you'd wake up in the morning

0:36:10.280 --> 0:36:13.800
<v Speaker 1>and Jermaine be sitting there and Diana and you know,

0:36:14.000 --> 0:36:17.080
<v Speaker 1>Marvin and everybody. I mean, it was, however, are you

0:36:17.120 --> 0:36:23.000
<v Speaker 1>getting at this point? Like and did you know like

0:36:23.200 --> 0:36:25.719
<v Speaker 1>the magnitude I had never seen, man. I grew up

0:36:25.760 --> 0:36:29.600
<v Speaker 1>in New York, you know, in apartments, I had never

0:36:29.680 --> 0:36:32.000
<v Speaker 1>seen anything like these people were living in Like I

0:36:32.040 --> 0:36:35.720
<v Speaker 1>didn't even know what existed. Get his own arcade, pinball

0:36:35.800 --> 0:36:40.120
<v Speaker 1>machines and video games and you know, VHS players all

0:36:40.160 --> 0:36:45.080
<v Speaker 1>over the place, rooms and cars and instruments and you know,

0:36:45.239 --> 0:36:47.759
<v Speaker 1>I'd never seen anything like that in my life. It

0:36:47.920 --> 0:36:50.480
<v Speaker 1>was a bugout. But yeah, that was one of the

0:36:50.520 --> 0:36:52.560
<v Speaker 1>places I used to hang. And then I stayed with people,

0:36:53.200 --> 0:36:55.800
<v Speaker 1>you know, living on couches and you know all that

0:36:55.920 --> 0:37:00.560
<v Speaker 1>kind of thing. So, but the scene, it was a

0:37:00.600 --> 0:37:07.759
<v Speaker 1>lot of clubs, clubs, studios, people's houses, studios. Clubs were good. Then. Yeah,

0:37:07.920 --> 0:37:12.480
<v Speaker 1>well I know that, you know, the the hard rock

0:37:12.560 --> 0:37:14.880
<v Speaker 1>heavy metal scene that was formed on Sunset Boulevard at

0:37:14.960 --> 0:37:17.759
<v Speaker 1>least like for the Motley Cruise and all that those.

0:37:18.120 --> 0:37:22.439
<v Speaker 1>But where would the progressive black people hang? Like? Where

0:37:22.480 --> 0:37:24.920
<v Speaker 1>were they allowed? What spaces were they allowed to be in? There?

0:37:25.000 --> 0:37:28.319
<v Speaker 1>Weren't clubs like where those bands really? Well, actually there

0:37:28.360 --> 0:37:30.480
<v Speaker 1>were some clubs on Cranshaw. There was one called the

0:37:30.520 --> 0:37:39.200
<v Speaker 1>Total Experience. All you know who I am, right, they

0:37:39.320 --> 0:37:44.360
<v Speaker 1>know more than I do. Okay, I'm just I'm Ronald McDonald.

0:37:44.560 --> 0:37:52.719
<v Speaker 1>These guys are grim rock, you know. Croy As a

0:37:52.760 --> 0:37:54.480
<v Speaker 1>middle question, so when he's when he said that, what

0:37:54.560 --> 0:37:57.840
<v Speaker 1>did that trigger with y'all too? O Son Simmons was

0:37:57.880 --> 0:38:04.279
<v Speaker 1>the owner of Total Experience. Simmons that all that the

0:38:04.360 --> 0:38:09.000
<v Speaker 1>club was also where they shot the Dold Mic I

0:38:09.040 --> 0:38:11.919
<v Speaker 1>actually did a gig in the toll Experienced once. Yeah.

0:38:12.239 --> 0:38:16.239
<v Speaker 1>Really what was that club like? Because everybody, man, it

0:38:16.360 --> 0:38:20.399
<v Speaker 1>was just that's for all the our House of Blues, Yes, yes,

0:38:20.680 --> 0:38:23.359
<v Speaker 1>And then there was a jazz place on the brand

0:38:23.480 --> 0:38:28.920
<v Speaker 1>Washington called the Parisian Room where Arthur Price sock used

0:38:28.960 --> 0:38:31.960
<v Speaker 1>to you know, Arthur Price, don't do that because you

0:38:32.040 --> 0:38:33.440
<v Speaker 1>know what, when you look at me, you don't look

0:38:33.440 --> 0:38:40.359
<v Speaker 1>at Bill. It's kind of special. That's gonna like, that's

0:38:40.360 --> 0:38:47.759
<v Speaker 1>gonna help her out the lower brown commercials that New

0:38:47.840 --> 0:38:50.040
<v Speaker 1>York's not the only one that doesn't know that because

0:38:50.080 --> 0:38:54.279
<v Speaker 1>Bill Sherman, you didn't not don't know tonight. You don't

0:38:54.280 --> 0:39:01.080
<v Speaker 1>know tonight. Let it be low. She wasn't commercial. But

0:39:01.239 --> 0:39:03.680
<v Speaker 1>in the in the seventies there was a commercial side

0:39:04.400 --> 0:39:08.160
<v Speaker 1>side Lenny's bringing out all the assists on the on

0:39:08.239 --> 0:39:13.280
<v Speaker 1>the side of mirror stories. So another reason why television

0:39:13.400 --> 0:39:17.959
<v Speaker 1>was taken away from me is whenever uh, we would

0:39:18.000 --> 0:39:23.960
<v Speaker 1>have Gingerbrell for dinner and Canada d comal. Yeah. I

0:39:24.040 --> 0:39:27.360
<v Speaker 1>would get a mug and then pour my candidate drives

0:39:27.400 --> 0:39:31.839
<v Speaker 1>just so that the yeah it can flow over. There's

0:39:31.880 --> 0:39:35.400
<v Speaker 1>must be a reason why we know each other. I

0:39:35.480 --> 0:39:41.680
<v Speaker 1>did the original reason why television, But then you don't

0:39:41.719 --> 0:39:45.520
<v Speaker 1>step up to like Martin Nelly's Oh that was like

0:39:45.640 --> 0:39:51.600
<v Speaker 1>the Champagne of parents. Stopped that real quick. No, I'm

0:39:51.640 --> 0:39:54.520
<v Speaker 1>fortunately mom, I'm sorry about this, Mom, I gotta tell

0:39:54.560 --> 0:39:57.279
<v Speaker 1>this story. The main reason why TV was taking out

0:39:57.320 --> 0:40:01.680
<v Speaker 1>my life was over Hawaiian punch commercials because if you're

0:40:01.680 --> 0:40:07.719
<v Speaker 1>a three year old, an impressionable right, right, So basically

0:40:08.400 --> 0:40:11.160
<v Speaker 1>maybe it's a racist commercial because like the wine native

0:40:11.200 --> 0:40:13.640
<v Speaker 1>guy would go to the tourists and say, how about

0:40:13.719 --> 0:40:20.000
<v Speaker 1>nice and wine punch? He's like sure, and he right.

0:40:20.160 --> 0:40:22.239
<v Speaker 1>And so one day I told my mom's mind, come here,

0:40:24.200 --> 0:40:28.080
<v Speaker 1>I want you to say sure, to ask you. She's like, huh,

0:40:28.239 --> 0:40:32.279
<v Speaker 1>just say sure, okay, okay? How about Mom said sure?

0:40:32.320 --> 0:40:36.440
<v Speaker 1>And and then no more. TV got the fact that

0:40:36.520 --> 0:40:39.560
<v Speaker 1>you're still alive ever doing that to a black moment.

0:40:39.960 --> 0:40:44.520
<v Speaker 1>I almost want to beat you myself. Dog mom, she wait,

0:40:44.760 --> 0:40:50.200
<v Speaker 1>stop all those stuff too late? You didn't get the

0:40:50.239 --> 0:40:58.560
<v Speaker 1>phone corner of the hot wheel track straight in the

0:40:58.640 --> 0:41:05.919
<v Speaker 1>straight track. The girl, Wait a minute, are you saying

0:41:05.960 --> 0:41:08.359
<v Speaker 1>if roxy roper, use a strap because that would make

0:41:08.440 --> 0:41:17.239
<v Speaker 1>me happy. But her favorite thing, we're not even get

0:41:17.280 --> 0:41:24.120
<v Speaker 1>to Mama's in like can ben his weight telling us

0:41:24.120 --> 0:41:27.239
<v Speaker 1>what her weapon of choice was on her kind of

0:41:28.120 --> 0:41:31.080
<v Speaker 1>I'm sorry rose her kind of mind. Fun one was

0:41:31.200 --> 0:41:35.280
<v Speaker 1>like she had this big um brush like a board

0:41:37.840 --> 0:41:41.719
<v Speaker 1>that wood, yeah, and with that handle, and she'd had

0:41:41.800 --> 0:41:44.440
<v Speaker 1>me come she said come here, and she said put

0:41:44.480 --> 0:41:48.759
<v Speaker 1>out your hand and I had to put knuckles up,

0:41:51.560 --> 0:42:00.279
<v Speaker 1>put out your put it out, put your hand. Yeah, yeah, sorry, yeah, yeah,

0:42:07.760 --> 0:42:11.080
<v Speaker 1>but wait, you actually said something before you got to wait,

0:42:12.040 --> 0:42:18.520
<v Speaker 1>which was you said on Crunchhall. Now the thing is Crunshaw.

0:42:19.400 --> 0:42:24.680
<v Speaker 1>That okay, that's where black focus. This is cshaw. I

0:42:24.719 --> 0:42:28.480
<v Speaker 1>mean it's still real. But that was really real. Yeah?

0:42:28.640 --> 0:42:33.200
<v Speaker 1>But was it cool? I mean did you feel I mean,

0:42:33.239 --> 0:42:37.440
<v Speaker 1>I'm when gang had activity was heavy in l A.

0:42:39.239 --> 0:42:41.080
<v Speaker 1>Were you cool then? I used to go to the

0:42:41.239 --> 0:42:43.400
<v Speaker 1>drag races. I used to do all that stuff. Man,

0:42:44.280 --> 0:42:47.800
<v Speaker 1>you went, Yes, I was out there, man, I was

0:42:47.840 --> 0:42:49.960
<v Speaker 1>in the street. My mom would have had a heart attack.

0:42:50.960 --> 0:42:56.960
<v Speaker 1>That was everywhere. But why, Like because I was free

0:42:57.000 --> 0:42:58.439
<v Speaker 1>and I was hanging out with all kinds of people,

0:42:58.480 --> 0:43:01.200
<v Speaker 1>and I'd meet people and you up in their house

0:43:01.320 --> 0:43:02.520
<v Speaker 1>that night. You don't even know who they are, you

0:43:02.560 --> 0:43:04.279
<v Speaker 1>know what I mean? Like I was like that you

0:43:04.320 --> 0:43:08.040
<v Speaker 1>were that trusting I was, Yeah, I mean I had

0:43:08.440 --> 0:43:10.319
<v Speaker 1>I thought I had a good sense of who folks were.

0:43:10.480 --> 0:43:14.120
<v Speaker 1>And I and I, you know, I would meet people,

0:43:14.920 --> 0:43:16.960
<v Speaker 1>then you'd like sleeping in their house, like knowing them

0:43:17.120 --> 0:43:19.880
<v Speaker 1>for like a night, you know. Like but like I

0:43:20.120 --> 0:43:23.440
<v Speaker 1>never had a problem. You never had a problem. You know.

0:43:23.560 --> 0:43:27.080
<v Speaker 1>My parents were just like not into me hanging with

0:43:27.200 --> 0:43:29.960
<v Speaker 1>strangers or they got to know my mom, wou wouldn't

0:43:29.960 --> 0:43:33.920
<v Speaker 1>have been dude, she she didn't know, you know, so

0:43:34.080 --> 0:43:36.200
<v Speaker 1>you got your But then I would I would yourself

0:43:36.360 --> 0:43:38.320
<v Speaker 1>fift I would go see her, like I would go

0:43:38.400 --> 0:43:41.280
<v Speaker 1>to the set. I go to the Jefferson's, to the tapings.

0:43:41.320 --> 0:43:43.919
<v Speaker 1>I go see her, you know, go watch the show.

0:43:44.000 --> 0:43:46.040
<v Speaker 1>I didn't. I mean, I still was. She worried about

0:43:46.080 --> 0:43:49.319
<v Speaker 1>you completely, but like I don't know if he's gonna

0:43:49.360 --> 0:43:52.279
<v Speaker 1>make it. And but now when Zoe turned fifteen, and

0:43:52.280 --> 0:43:53.799
<v Speaker 1>I looked at it and I was like, oh yeah,

0:43:53.960 --> 0:43:56.239
<v Speaker 1>I see now I see. I mean no, I mean

0:43:56.400 --> 0:43:58.360
<v Speaker 1>Zoe didn't leave anything, but like I was gonna says,

0:43:58.600 --> 0:44:01.600
<v Speaker 1>he's rather conservative. If she didn't leave till she was

0:44:01.880 --> 0:44:04.640
<v Speaker 1>eighteen when she went to school, you know. Yeah, but

0:44:04.760 --> 0:44:07.880
<v Speaker 1>she just never struck me as like, I mean, she

0:44:07.960 --> 0:44:10.560
<v Speaker 1>could have easily went down the low hand route she was,

0:44:11.440 --> 0:44:15.680
<v Speaker 1>but she believe me they were coming for her, really

0:44:16.719 --> 0:44:20.280
<v Speaker 1>they were coming for but no, she she held it together.

0:44:20.400 --> 0:44:22.640
<v Speaker 1>She just I was impressed the fact that she just

0:44:22.719 --> 0:44:25.960
<v Speaker 1>saw that as corny, you know what I mean, she

0:44:26.120 --> 0:44:28.759
<v Speaker 1>just like that's corny. I was like, oh, ship, you

0:44:28.880 --> 0:44:32.680
<v Speaker 1>taught me something m like because she's like like I'll

0:44:32.680 --> 0:44:35.640
<v Speaker 1>be DJ somewhere and she's like, I'm tired, like grandma.

0:44:35.920 --> 0:44:39.680
<v Speaker 1>That's how I see her as my grandmother. So how

0:44:39.760 --> 0:44:43.480
<v Speaker 1>did you How did Zaro enter your life? And how

0:44:43.600 --> 0:44:50.799
<v Speaker 1>interest Okay, well before the moment when everyone so, First

0:44:50.800 --> 0:44:52.919
<v Speaker 1>of all, I met Zoro on the lawn of Beverly

0:44:53.040 --> 0:44:56.160
<v Speaker 1>Hills High. He went there too, No, he did not

0:44:56.320 --> 0:44:59.000
<v Speaker 1>go there, but he was trying to meet people. He'd

0:44:59.040 --> 0:45:05.520
<v Speaker 1>come down from from Oregon and he wanted to meet people.

0:45:06.120 --> 0:45:09.239
<v Speaker 1>So he was we had this big lawn looked like

0:45:09.280 --> 0:45:13.120
<v Speaker 1>a country club at Beverly High, and uh, he had

0:45:13.200 --> 0:45:17.520
<v Speaker 1>this boom box, and he had a sister who was

0:45:18.000 --> 0:45:21.319
<v Speaker 1>dating a very wealthy Middle Eastern man. So this guy

0:45:21.560 --> 0:45:25.719
<v Speaker 1>would would buy him suits, silk suits and watches and things.

0:45:25.960 --> 0:45:28.960
<v Speaker 1>So he was like all he was all g Q

0:45:29.200 --> 0:45:33.200
<v Speaker 1>down on the lawn Beverly Hills High with a drum pad,

0:45:33.280 --> 0:45:35.839
<v Speaker 1>a pair of sticks, a boom box, playing earth Wind

0:45:35.840 --> 0:45:38.080
<v Speaker 1>and Fire and jamming to the earth Wind and Fire.

0:45:38.800 --> 0:45:41.480
<v Speaker 1>So of course I come out of class and I

0:45:41.800 --> 0:45:45.520
<v Speaker 1>see this dude on the lawn like sitting there playing Jupiter,

0:45:46.120 --> 0:45:50.280
<v Speaker 1>you know, And I was like, who's this cat funky?

0:45:51.040 --> 0:45:53.080
<v Speaker 1>So I went up to talk to him, and that's

0:45:53.120 --> 0:45:56.400
<v Speaker 1>how everything started. Now, Buddy Rich, that was me and

0:45:56.520 --> 0:46:01.279
<v Speaker 1>Zoro formerly known as Dan Donnelly. Okay, that's his real name,

0:46:01.800 --> 0:46:04.560
<v Speaker 1>Dan Donaldy. So he was Dan. So Dan was the

0:46:04.640 --> 0:46:07.640
<v Speaker 1>one that drove me to Disneyland. That we went. We

0:46:07.719 --> 0:46:16.879
<v Speaker 1>went to the concert together and Buick Regel cream colored

0:46:16.920 --> 0:46:19.759
<v Speaker 1>Buick regal Um. Was he what the apparency of him

0:46:19.800 --> 0:46:22.200
<v Speaker 1>as the bad influence and you know he was he

0:46:22.320 --> 0:46:26.600
<v Speaker 1>was a good kid. No, no, he he was Danny.

0:46:27.080 --> 0:46:30.880
<v Speaker 1>Now Zoro happened because I got him the audition for

0:46:30.960 --> 0:46:34.759
<v Speaker 1>New Addition? Wait, how that happened? Okay, this all leads

0:46:35.000 --> 0:46:38.200
<v Speaker 1>all this connects. Now you Zoro is a connection here

0:46:38.280 --> 0:46:41.919
<v Speaker 1>because I was trying to get record deals and doing

0:46:42.000 --> 0:46:45.120
<v Speaker 1>my thing, and at the time Gerald Busby was trying

0:46:45.160 --> 0:46:47.160
<v Speaker 1>to sign me and he was over M c A

0:46:47.719 --> 0:46:51.360
<v Speaker 1>after he had left A and M Records and so

0:46:51.719 --> 0:46:55.080
<v Speaker 1>him and Luill Silas and all them cats, and they're like,

0:46:55.120 --> 0:46:56.800
<v Speaker 1>we're trying to put a band together for New Addition.

0:46:56.880 --> 0:46:59.000
<v Speaker 1>Do you know a drummer? I said, I know a

0:46:59.080 --> 0:47:03.160
<v Speaker 1>great drummer. I called Dan. Yo, they're having a new Edition, Uh,

0:47:03.719 --> 0:47:07.319
<v Speaker 1>drum audition. Here's the address. But he went he got

0:47:07.400 --> 0:47:12.160
<v Speaker 1>the gig now, so now he's playing New Edition. I'm

0:47:12.200 --> 0:47:15.040
<v Speaker 1>going to see them play shows. I think the first

0:47:15.080 --> 0:47:19.759
<v Speaker 1>one I saw was at is there is there around Amphitheater, Westbury.

0:47:21.840 --> 0:47:23.920
<v Speaker 1>I went to see a new Edition and U t

0:47:24.120 --> 0:47:29.000
<v Speaker 1>FO opened Yo. The U t FO killed it. They

0:47:29.080 --> 0:47:32.560
<v Speaker 1>all killed it. So I'm going to see shows when

0:47:32.600 --> 0:47:35.719
<v Speaker 1>I can. Now they're playing Universally app the Theater in

0:47:35.880 --> 0:47:40.480
<v Speaker 1>Los Angeles. I go to see. I go with I

0:47:40.600 --> 0:47:46.560
<v Speaker 1>go with Rockwell we went together to the concert and

0:47:46.719 --> 0:47:54.960
<v Speaker 1>that's where I met Lisa bone yep, because she let

0:47:55.000 --> 0:48:04.680
<v Speaker 1>me started. Yes, yes, waitnute, do you know who can

0:48:04.760 --> 0:48:09.759
<v Speaker 1>you ask Bill this squeeze questions? Because my comment denominated

0:48:10.200 --> 0:48:11.800
<v Speaker 1>it's more fun with you. Do you know he's always

0:48:13.000 --> 0:48:15.280
<v Speaker 1>the drummer. He would be the quest lover of the eighties.

0:48:15.640 --> 0:48:19.000
<v Speaker 1>So basically he was a cat. He must add his

0:48:19.080 --> 0:48:21.719
<v Speaker 1>own publicist because he you know, he did it. He

0:48:21.920 --> 0:48:25.480
<v Speaker 1>was his own publicist. That's him. He was damn donnally. Okay,

0:48:25.800 --> 0:48:28.560
<v Speaker 1>he gets the gig with new addition, He's like, I

0:48:28.960 --> 0:48:31.839
<v Speaker 1>need a hook. I gotta figure this out, so he's

0:48:31.880 --> 0:48:37.280
<v Speaker 1>Spanish Zoro. He gets a hat and the pencil mustard.

0:48:37.640 --> 0:48:40.520
<v Speaker 1>So watch if you watch, because then he played with

0:48:40.600 --> 0:48:48.960
<v Speaker 1>Bobby Brown. Watch the big ass. Yeah. He then ends

0:48:49.040 --> 0:48:53.080
<v Speaker 1>up on the covers and inside of Black Beat and Soul,

0:48:54.400 --> 0:48:58.120
<v Speaker 1>right on Cynthia Hornor and all the folks. And he

0:48:58.280 --> 0:49:03.000
<v Speaker 1>turned himself into it. He made himself way before that

0:49:03.160 --> 0:49:07.839
<v Speaker 1>was really happening. Mostolls will be popping. Yeah low key,

0:49:08.560 --> 0:49:19.279
<v Speaker 1>maybe maybe should be zero supreme. Yeah, good work. No,

0:49:20.680 --> 0:49:25.279
<v Speaker 1>I'm just saying that had that might have had an

0:49:25.320 --> 0:49:29.880
<v Speaker 1>effect on me because I was beside there were no

0:49:30.040 --> 0:49:33.719
<v Speaker 1>celebrity drummers. Celebrity drummers and he was just in right on.

0:49:35.000 --> 0:49:38.160
<v Speaker 1>I know who Zara is because you know, he was

0:49:38.239 --> 0:49:40.440
<v Speaker 1>a famous drummer in the early eighties and then when

0:49:40.480 --> 0:49:42.200
<v Speaker 1>I came out of my first album eight nine, he

0:49:42.320 --> 0:49:45.799
<v Speaker 1>was came back and he was my touring drummer. Okay, see,

0:49:45.880 --> 0:49:47.400
<v Speaker 1>most of us that start with Sindy didn't know that

0:49:48.719 --> 0:49:50.800
<v Speaker 1>he came on the third album. Zara was on the

0:49:50.880 --> 0:49:55.480
<v Speaker 1>first two tours that Mama said, yeah, and he is where.

0:49:55.920 --> 0:49:59.000
<v Speaker 1>He's back in l A. He's still drumming and uh,

0:49:59.520 --> 0:50:02.520
<v Speaker 1>you know he he was explained with Frankie Valley a

0:50:02.600 --> 0:50:08.040
<v Speaker 1>couple of years ago. Wait, a hatless zero came up

0:50:08.120 --> 0:50:12.960
<v Speaker 1>to me and gave me, what time are we talking?

0:50:13.560 --> 0:50:15.640
<v Speaker 1>I was still at felonce. So let's say two thousand

0:50:15.680 --> 0:50:22.240
<v Speaker 1>and tens, A hatless Zoro came up to me outside

0:50:22.280 --> 0:50:27.319
<v Speaker 1>of thirty Rock and gave me, he's a these are

0:50:27.400 --> 0:50:29.279
<v Speaker 1>for you, and he put it in my hand and

0:50:29.400 --> 0:50:35.880
<v Speaker 1>walked away. And it was twenty of his books, his autobiography.

0:50:37.160 --> 0:50:38.640
<v Speaker 1>I didn't know, and I was just looked like, who

0:50:38.680 --> 0:50:42.560
<v Speaker 1>would do. He's a motivational speaker as well, but at

0:50:42.600 --> 0:50:44.800
<v Speaker 1>the time I was a little paranoid because now in

0:50:45.239 --> 0:50:50.839
<v Speaker 1>the in the post nine eleven, the stranger walks out

0:50:51.719 --> 0:50:53.759
<v Speaker 1>and I'm not saying you ever talked to Gnard to

0:50:53.800 --> 0:50:57.600
<v Speaker 1>Michael Walden, Zoro sort of did that to me. He

0:50:57.760 --> 0:51:01.480
<v Speaker 1>was like, brother blessings, Yeah, this is for you. You

0:51:01.520 --> 0:51:04.200
<v Speaker 1>don't know who I am. But then and he put

0:51:04.280 --> 0:51:06.759
<v Speaker 1>in my hand and he ran off. And instantly I

0:51:06.920 --> 0:51:08.919
<v Speaker 1>was like, you said some white powder and then page

0:51:12.640 --> 0:51:15.440
<v Speaker 1>or what? And I looked and I was like, oh, books.

0:51:16.000 --> 0:51:17.640
<v Speaker 1>And then when I got in the car and pulled

0:51:17.680 --> 0:51:20.360
<v Speaker 1>the book out, I was like, holy ship, that was Zoro,

0:51:20.560 --> 0:51:22.600
<v Speaker 1>Like who does that? Like that was the thing? Like

0:51:22.680 --> 0:51:31.400
<v Speaker 1>he just the night he just are you googling right now?

0:51:33.360 --> 0:51:35.120
<v Speaker 1>Am I supposed? This is what everybody should be doing.

0:51:35.200 --> 0:51:38.120
<v Speaker 1>Right was listening to quest lets And I had a

0:51:38.280 --> 0:51:44.799
<v Speaker 1>DJ company in high school. He owned the equipment because

0:51:44.800 --> 0:51:49.120
<v Speaker 1>he had the bread right and I DJA called g

0:51:49.320 --> 0:51:53.200
<v Speaker 1>Q Productions. I mean it was you know, and we

0:51:53.320 --> 0:51:56.120
<v Speaker 1>did the local house parties in Baldwin Hills and Dara Heights,

0:51:58.239 --> 0:52:02.520
<v Speaker 1>Yes Heights, yes, baby, Wow? What kind of stuff did

0:52:02.520 --> 0:52:06.520
<v Speaker 1>you play? Hills in the jungle down? You know what

0:52:06.719 --> 0:52:09.560
<v Speaker 1>was happening at the time, you know, like you said,

0:52:09.760 --> 0:52:16.880
<v Speaker 1>Yarborn people's cameo. You know, this also solidifies that a

0:52:16.960 --> 0:52:20.839
<v Speaker 1>lot of our great artists were they were? But where

0:52:20.880 --> 0:52:22.640
<v Speaker 1>were you? Because in my mind then you must have

0:52:22.680 --> 0:52:24.799
<v Speaker 1>went through some type of style evolution, like where were

0:52:24.840 --> 0:52:28.160
<v Speaker 1>you style wise at that time in the eighties rocking

0:52:28.200 --> 0:52:32.239
<v Speaker 1>parties in the jungle? Um, I was just kind of

0:52:32.320 --> 0:52:37.040
<v Speaker 1>clean cut, you know, bin Hills looking. You know, that's

0:52:37.360 --> 0:52:39.800
<v Speaker 1>what does that even look like that? You know? But

0:52:39.920 --> 0:52:43.600
<v Speaker 1>wait because that leads to my next question. Was that

0:52:43.719 --> 0:52:46.600
<v Speaker 1>Herb Albert gig real? Or was that just just for soul?

0:52:46.840 --> 0:52:50.640
<v Speaker 1>The thing sultry? That was just for soul? Trying? Because

0:52:50.640 --> 0:52:56.480
<v Speaker 1>I was making my demos in studios C, A and M.

0:52:57.120 --> 0:52:59.040
<v Speaker 1>The room in the front right and on the left right,

0:52:59.440 --> 0:53:06.640
<v Speaker 1>um Mitchell, is that the blue room? Sound road call?

0:53:06.960 --> 0:53:17.439
<v Speaker 1>All right? It was like michell, you sound you sound

0:53:17.480 --> 0:53:20.000
<v Speaker 1>like you sound like you sound like? Said McCoy right now.

0:53:21.200 --> 0:53:24.440
<v Speaker 1>Um So I was making my demos there and I

0:53:24.960 --> 0:53:28.040
<v Speaker 1>got to know everybody on the lot and then you

0:53:28.120 --> 0:53:33.480
<v Speaker 1>know they out he did ask okay, now I'm not

0:53:35.000 --> 0:53:38.200
<v Speaker 1>is the blue room? I was like, what is it? Then?

0:53:38.239 --> 0:53:40.120
<v Speaker 1>You know on the left on the left it's a

0:53:40.160 --> 0:53:43.200
<v Speaker 1>small room and had a little with Api or something.

0:53:43.239 --> 0:53:45.160
<v Speaker 1>At the time, I can't remember. That's important to note

0:53:45.200 --> 0:53:48.600
<v Speaker 1>that you actually recorded at the So I was doing

0:53:48.640 --> 0:53:53.600
<v Speaker 1>my demos there. That's the Romeo blue face, and I

0:53:53.719 --> 0:53:56.680
<v Speaker 1>know everybody on the lot, and then her that's why

0:53:56.680 --> 0:53:59.160
<v Speaker 1>I met Gerald everybody, and then Herb was like, oh, yeah,

0:53:59.200 --> 0:54:00.960
<v Speaker 1>we're doing soul training. Don't think you're not going to

0:54:01.040 --> 0:54:05.440
<v Speaker 1>get past explaining Romeo. Can you play keytar for me?

0:54:05.960 --> 0:54:09.520
<v Speaker 1>And so I did that show. Yeah, that was it,

0:54:09.680 --> 0:54:12.160
<v Speaker 1>no tour, that was that was the greatest moment in

0:54:12.239 --> 0:54:23.439
<v Speaker 1>my life. Yeah, it's like something wait but okay, so right, yeah,

0:54:23.560 --> 0:54:26.800
<v Speaker 1>I knew you would. So on my birthday when I

0:54:26.920 --> 0:54:30.200
<v Speaker 1>hopped on a plane just to have lunch at Gero's restaurant.

0:54:30.880 --> 0:54:33.080
<v Speaker 1>Remember talking to you about that, all right, So the

0:54:33.200 --> 0:54:35.239
<v Speaker 1>thing was they were like, okay, we can take you,

0:54:35.440 --> 0:54:37.800
<v Speaker 1>but you're gonna have to be here at eleven in

0:54:37.840 --> 0:54:41.640
<v Speaker 1>the morning, which is like required some action going on

0:54:42.160 --> 0:54:45.759
<v Speaker 1>for this nineteen hour trip. So I land there and

0:54:45.800 --> 0:54:47.600
<v Speaker 1>of course, like I'm still crazy out of my mind

0:54:47.640 --> 0:54:50.239
<v Speaker 1>after having been up for like twenty hours straight. But

0:54:51.080 --> 0:54:52.799
<v Speaker 1>this is a once in a lifetime mill so I'm

0:54:52.840 --> 0:54:55.440
<v Speaker 1>like trying to keep myself up and whatnot. Because I

0:54:55.520 --> 0:54:56.719
<v Speaker 1>was like, all right, I know what to do. I

0:54:56.960 --> 0:54:59.440
<v Speaker 1>watch Sultry. I've watched three episodes and then we'll go

0:54:59.520 --> 0:55:03.280
<v Speaker 1>get my food. In the first episode, I watched outside

0:55:03.320 --> 0:55:05.040
<v Speaker 1>to watch some episodes I've never watched before, and I

0:55:05.120 --> 0:55:12.120
<v Speaker 1>was like, I heard bald stuff right, And this is

0:55:12.160 --> 0:55:18.319
<v Speaker 1>a ridiculous story. Imagine, imagine, I think only is going

0:55:18.360 --> 0:55:21.520
<v Speaker 1>to get this reference. But you remember in the five

0:55:21.680 --> 0:55:24.560
<v Speaker 1>Art Beats when they went through their electric phase and

0:55:24.760 --> 0:55:33.560
<v Speaker 1>Robert I'm sorry forgive me, yes, but Lenny was rocking

0:55:33.640 --> 0:55:38.759
<v Speaker 1>his guitar on that level the eighties long Coats, and

0:55:39.880 --> 0:55:42.680
<v Speaker 1>he was killing it. And then I don't think I

0:55:42.760 --> 0:55:44.880
<v Speaker 1>think I'm the only one who supposed it online. So

0:55:45.800 --> 0:55:50.319
<v Speaker 1>then and then Don comes out to the Romeo Blue.

0:55:50.800 --> 0:55:56.040
<v Speaker 1>I was like, I found I found it, so okay,

0:55:56.080 --> 0:55:59.160
<v Speaker 1>you just did it as a favorite. Just yeah, I

0:55:59.280 --> 0:56:02.160
<v Speaker 1>got the pit I see. So wait a minute, why

0:56:02.560 --> 0:56:07.600
<v Speaker 1>didn't you sign Okay, so I assume that I was

0:56:07.640 --> 0:56:10.440
<v Speaker 1>making demos, but if you signed with Gerald Busby, they

0:56:10.480 --> 0:56:15.120
<v Speaker 1>didn't get anything of what I was doing. So even

0:56:15.200 --> 0:56:17.080
<v Speaker 1>back then, you were trying to sell us on the

0:56:17.200 --> 0:56:21.560
<v Speaker 1>vibe you are that, And I passed up about five

0:56:21.600 --> 0:56:24.359
<v Speaker 1>record deals. Gerald tried to give me a deal. Um,

0:56:25.280 --> 0:56:27.640
<v Speaker 1>then I R S Records was on the same lot.

0:56:28.160 --> 0:56:31.279
<v Speaker 1>So that's Miles Copeland, Stuart Copeland's brother who was running that.

0:56:32.600 --> 0:56:35.400
<v Speaker 1>They wanted to hook me up with this producer, Martin Russian,

0:56:35.480 --> 0:56:38.200
<v Speaker 1>who had produced The Go Goes. I didn't want to

0:56:38.239 --> 0:56:41.160
<v Speaker 1>do that and I wanted to keep my publishing, and

0:56:42.000 --> 0:56:45.880
<v Speaker 1>so that didn't happen. Then John McClean came to A

0:56:45.920 --> 0:56:50.200
<v Speaker 1>and M and completely revamped A and M with Janet

0:56:50.280 --> 0:56:54.680
<v Speaker 1>and put her with Jimmy and Terry and all that history. Um,

0:56:54.920 --> 0:56:58.080
<v Speaker 1>did you know John McClean personally or we're still friends.

0:56:58.160 --> 0:56:59.360
<v Speaker 1>We'll come back to that. We'll come back to that.

0:57:00.280 --> 0:57:03.719
<v Speaker 1>I'm making a note. Okay, good, Okay, No, we got

0:57:04.080 --> 0:57:07.080
<v Speaker 1>Si McClean questions. Okay, he's hard to nail down. So yeah,

0:57:07.120 --> 0:57:11.239
<v Speaker 1>he's he's he's uh, he's that cat. He's mysterious but

0:57:12.120 --> 0:57:14.640
<v Speaker 1>very very interesting cat and a good friend for a

0:57:14.719 --> 0:57:18.320
<v Speaker 1>long time. But he offered me a deal, not only solo,

0:57:18.360 --> 0:57:20.160
<v Speaker 1>but he offered me a deal with a bunch of

0:57:20.240 --> 0:57:25.880
<v Speaker 1>other guys, one of them being Tony Lamon's He wasn't

0:57:25.920 --> 0:57:30.800
<v Speaker 1>he Tony? You know about Tony? Right? So Tony before

0:57:30.880 --> 0:57:33.840
<v Speaker 1>Prince Okay, Tony and I went to junior high school together.

0:57:33.920 --> 0:57:37.800
<v Speaker 1>His name was Tony Fortier and he played french horn

0:57:38.080 --> 0:57:41.960
<v Speaker 1>in the orchestra that I played percussion. And later he

0:57:42.000 --> 0:57:45.040
<v Speaker 1>had come to a Wave concert and I hadn't seen

0:57:45.120 --> 0:57:46.760
<v Speaker 1>him in a few years. And then he started hanging

0:57:46.800 --> 0:57:50.960
<v Speaker 1>out and we started making music together. And he was

0:57:51.040 --> 0:57:54.920
<v Speaker 1>kind of on this like Slide meets the Beatles kind

0:57:54.920 --> 0:57:58.080
<v Speaker 1>of thing. It was funky, and I was playing most

0:57:58.120 --> 0:57:59.880
<v Speaker 1>of his instruments. Were a lot of his instruments on

0:58:00.360 --> 0:58:05.280
<v Speaker 1>certain tracks, making demos um and then and it was

0:58:05.560 --> 0:58:08.280
<v Speaker 1>it was it was like where I went with Let

0:58:08.360 --> 0:58:11.040
<v Speaker 1>Love Rule, but it was it was more on the

0:58:11.120 --> 0:58:16.520
<v Speaker 1>funk side, but it was that raw. And then I

0:58:16.680 --> 0:58:19.000
<v Speaker 1>was Then then we did a gig. We did a

0:58:19.080 --> 0:58:24.880
<v Speaker 1>gig that Sheila. I guess Prince sent Sheila to come

0:58:24.960 --> 0:58:27.760
<v Speaker 1>to the gig. She saw this gig. We used to

0:58:27.800 --> 0:58:33.280
<v Speaker 1>call those gigs in like a rehearsal showcase. Yeah, we

0:58:33.400 --> 0:58:37.800
<v Speaker 1>did the showcase. She was there. This was somewhere in

0:58:37.840 --> 0:58:39.920
<v Speaker 1>the valley. I was, yeah, I guess you was scouting

0:58:39.960 --> 0:58:43.520
<v Speaker 1>for that. I was playing bass. And then they ended

0:58:43.600 --> 0:58:48.240
<v Speaker 1>up signing Tony Um. I went my own way to

0:58:48.320 --> 0:58:51.640
<v Speaker 1>go do my stuff. But what Prince did was which

0:58:51.680 --> 0:58:56.040
<v Speaker 1>I thought was a mistake. Um is he and nothing

0:58:56.080 --> 0:58:59.240
<v Speaker 1>against this producer because I love scritty polity record, but

0:58:59.280 --> 0:59:03.439
<v Speaker 1>he put him with David Gamson. But but Tony was raw.

0:59:03.600 --> 0:59:06.320
<v Speaker 1>If I played you these demos, they were they were

0:59:06.560 --> 0:59:09.400
<v Speaker 1>as nasty as slide. I mean they were nasty, nasty

0:59:09.480 --> 0:59:13.720
<v Speaker 1>funk with all these harmonies and beetle kind of influence

0:59:13.800 --> 0:59:17.240
<v Speaker 1>and and um, I thought that the record was way

0:59:17.320 --> 0:59:21.200
<v Speaker 1>too slick. And remember Tony telling me that Prince said

0:59:21.240 --> 0:59:23.479
<v Speaker 1>that they didn't sound like records to him. He wanted

0:59:23.520 --> 0:59:25.520
<v Speaker 1>them to be more polished. But I thought it was

0:59:25.520 --> 0:59:28.080
<v Speaker 1>a mistake because Tony's whole thing was the rawness was

0:59:28.720 --> 0:59:31.440
<v Speaker 1>a big part part of his thing. That's like if

0:59:31.440 --> 0:59:33.560
<v Speaker 1>you took me let love Rural time and said, Okay,

0:59:33.600 --> 0:59:38.439
<v Speaker 1>that's great, but we're gonna have honey, who I love,

0:59:38.720 --> 0:59:41.400
<v Speaker 1>who I love? You know, Um, but you know what

0:59:41.440 --> 0:59:43.880
<v Speaker 1>I'm saying, Like great on the on the Seal records,

0:59:43.880 --> 0:59:48.840
<v Speaker 1>it's great on yes, and Trevor Horne, not for you,

0:59:50.360 --> 0:59:51.920
<v Speaker 1>you know, you know what I'm saying. So I mean

0:59:51.960 --> 0:59:56.080
<v Speaker 1>it's a different thing. So what we're talking about Tony anyway,

0:59:56.400 --> 1:00:02.600
<v Speaker 1>U where were we? No, Tony, the record was too polished. Yeah,

1:00:02.640 --> 1:00:05.880
<v Speaker 1>but before that, why do we why we were YouTube connected?

1:00:05.920 --> 1:00:08.720
<v Speaker 1>I was asking about John McLean so one of the

1:00:08.760 --> 1:00:11.000
<v Speaker 1>groups groups that they were trying to do like a

1:00:11.080 --> 1:00:17.520
<v Speaker 1>black like like Duran Duran, right, And that was John's

1:00:17.600 --> 1:00:21.640
<v Speaker 1>thing at the time. It was me, Tony uh and

1:00:21.800 --> 1:00:26.200
<v Speaker 1>like three other guys and and they were throwing the

1:00:26.280 --> 1:00:28.000
<v Speaker 1>thing in, Man, you guys are gonna be big. We're

1:00:28.000 --> 1:00:30.600
<v Speaker 1>gonna send you to SOT the France and record and

1:00:30.680 --> 1:00:32.919
<v Speaker 1>do this and do that, and the money and the deal,

1:00:32.960 --> 1:00:38.120
<v Speaker 1>and I I turned it down. Wise, I have a

1:00:38.240 --> 1:00:40.520
<v Speaker 1>quick question about this period. There's a rumor that I've

1:00:40.560 --> 1:00:44.120
<v Speaker 1>been hearing for years that, um, there was supposed to

1:00:44.120 --> 1:00:49.760
<v Speaker 1>be a movie starring you, Tony, you, Tony, Mickey Free

1:00:50.720 --> 1:00:54.520
<v Speaker 1>and somebody else as a band against the Maserati people

1:00:55.040 --> 1:00:58.280
<v Speaker 1>that Prince was ready. I didn't know about that. Maybe

1:00:58.320 --> 1:01:00.440
<v Speaker 1>maybe they always it was supposed. I think it was

1:01:00.440 --> 1:01:03.240
<v Speaker 1>supposed to be the Dawn movie. Yeah, I didn't know.

1:01:03.480 --> 1:01:04.720
<v Speaker 1>And I think you guys were supposed to play the

1:01:04.760 --> 1:01:07.560
<v Speaker 1>Coco Boys character. Wow. I didn't know the Poco Boys band.

1:01:07.600 --> 1:01:09.920
<v Speaker 1>And it was going to be that you guys against Maseratio,

1:01:10.360 --> 1:01:12.760
<v Speaker 1>So I don't know that that might have been something

1:01:12.800 --> 1:01:15.280
<v Speaker 1>that they were talking about. And then, of course, tragically

1:01:15.360 --> 1:01:20.560
<v Speaker 1>Tony died. He died in a car accident. Is Tony,

1:01:20.840 --> 1:01:25.520
<v Speaker 1>Is that how you met Ingrid Chops? Because they were dating.

1:01:25.680 --> 1:01:27.720
<v Speaker 1>They were dating at one point where they because I

1:01:27.800 --> 1:01:29.600
<v Speaker 1>heard that Tony and Prince had a falling out because

1:01:29.840 --> 1:01:33.240
<v Speaker 1>over her. Yeah, yeah, I don't want to speak for her,

1:01:33.320 --> 1:01:36.800
<v Speaker 1>but yeah, um, we met and she she came to

1:01:36.880 --> 1:01:40.000
<v Speaker 1>some of my early gigs, but I don't remember the

1:01:40.120 --> 1:01:41.680
<v Speaker 1>day I met her with Was that a gig or

1:01:41.800 --> 1:01:43.440
<v Speaker 1>was that I don't I'm not sure if it was

1:01:43.520 --> 1:01:47.800
<v Speaker 1>through Tony or just her coming to a gig. Um. Yeah,

1:01:57.560 --> 1:02:00.959
<v Speaker 1>why did you choose Romeo Blue? Um? That's the title?

1:02:01.000 --> 1:02:04.520
<v Speaker 1>Because I didn't know that. I thought Lenny Lenny Kravitz.

1:02:05.440 --> 1:02:08.320
<v Speaker 1>It sounds like a rock star, like this motherfucker. It

1:02:08.400 --> 1:02:11.680
<v Speaker 1>sounds like a doctor on Fifth Avenue or a lawyer

1:02:11.800 --> 1:02:14.720
<v Speaker 1>like I was wrong with that nothing. But at that time,

1:02:14.800 --> 1:02:17.760
<v Speaker 1>you know, you got prints and this one and Madonna,

1:02:17.920 --> 1:02:25.400
<v Speaker 1>and I was like Lenny Kravitz whenever. First, because there

1:02:25.480 --> 1:02:27.960
<v Speaker 1>was a few times where I heard the name Romeo blue,

1:02:28.040 --> 1:02:29.680
<v Speaker 1>and but I didn't give it. I didn't get Romeo

1:02:29.760 --> 1:02:32.720
<v Speaker 1>to myself. It was these dudes that I was hanging

1:02:32.720 --> 1:02:36.040
<v Speaker 1>out with. Um they did in the hood somewhere I

1:02:36.160 --> 1:02:39.600
<v Speaker 1>forget it, and they used to call me Romeo. And

1:02:41.360 --> 1:02:44.400
<v Speaker 1>I guess at that time I was talking to some girls. Yeah,

1:02:45.280 --> 1:02:48.520
<v Speaker 1>just the name they rove me a blue just sounds

1:02:48.600 --> 1:02:52.080
<v Speaker 1>like I might could steal your girl. And then like

1:02:52.160 --> 1:02:54.120
<v Speaker 1>I was like, you're not trying to have any male fans,

1:02:54.280 --> 1:02:56.920
<v Speaker 1>like with the name Romeo. And then I, um, who

1:02:57.000 --> 1:02:58.920
<v Speaker 1>talked you? Who talked to you? Out of it? Just

1:02:59.000 --> 1:03:02.080
<v Speaker 1>to be in the Lenny Kravitz, I knew it was corny.

1:03:02.320 --> 1:03:05.360
<v Speaker 1>I was just like, this is not me, okay, I

1:03:05.480 --> 1:03:08.600
<v Speaker 1>want to I want to be me like it. It

1:03:08.960 --> 1:03:12.880
<v Speaker 1>brought me back around to myself like playing this character. Yeah,

1:03:13.600 --> 1:03:16.920
<v Speaker 1>how long were you? Because I had like the spiked

1:03:16.960 --> 1:03:20.280
<v Speaker 1>hair and the clothes and blue contact lenses, like I

1:03:20.400 --> 1:03:24.840
<v Speaker 1>was doing this bow and this was this was before

1:03:25.560 --> 1:03:29.640
<v Speaker 1>there were those Now we have those soft contact lenses these.

1:03:30.600 --> 1:03:35.200
<v Speaker 1>I wanted these blue eyes, right, So my lawyer turned

1:03:35.280 --> 1:03:39.200
<v Speaker 1>me on to this special effects guy who made the

1:03:39.440 --> 1:03:44.520
<v Speaker 1>contact lenses for The Incredible Hulk for luf ridden contact.

1:03:45.160 --> 1:03:52.360
<v Speaker 1>These these contacts, these contact lenses were like bottle caps.

1:03:52.480 --> 1:03:55.800
<v Speaker 1>They were hard, and I'd go out, I'd just be

1:03:55.920 --> 1:04:01.720
<v Speaker 1>like blinking, and you know, it was ridiculous, man, but

1:04:01.840 --> 1:04:12.760
<v Speaker 1>I was but I was committed context. It was bad, man,

1:04:12.960 --> 1:04:15.560
<v Speaker 1>it was bad. It was bad. And then I just like,

1:04:15.720 --> 1:04:19.200
<v Speaker 1>you know what, I'm just gonna be n graphics man,

1:04:19.800 --> 1:04:23.400
<v Speaker 1>That's it. And then, uh so I was doing this

1:04:23.400 --> 1:04:27.720
<v Speaker 1>stuff with Tony Um and there was another band that

1:04:27.840 --> 1:04:30.920
<v Speaker 1>I was singing. I sang their demos. It was a

1:04:30.960 --> 1:04:34.440
<v Speaker 1>band called Maggie's Dream that was here in New York City,

1:04:35.160 --> 1:04:38.440
<v Speaker 1>and I was singing their demos. I was doing Tony stuff.

1:04:39.280 --> 1:04:40.720
<v Speaker 1>But all in a while I was trying to figure

1:04:40.720 --> 1:04:45.760
<v Speaker 1>out who I was. And then I met Lisa at

1:04:45.760 --> 1:04:49.880
<v Speaker 1>the New Edition concert. We then became friends for like

1:04:50.000 --> 1:04:52.640
<v Speaker 1>a year or so and then ended up being like

1:04:52.760 --> 1:04:56.920
<v Speaker 1>brother and sister. Actually the relationships turned out like that. Constantly.

1:04:57.080 --> 1:05:00.520
<v Speaker 1>We were She had boyfriends, I had girlfriends that there

1:05:00.600 --> 1:05:06.240
<v Speaker 1>wasn't like a slot, there was nothing happening. My bench

1:05:06.320 --> 1:05:10.400
<v Speaker 1>is fool right now, like in the contract, We'll see

1:05:10.440 --> 1:05:14.560
<v Speaker 1>what's up, you know what I mean? So you see

1:05:14.640 --> 1:05:16.880
<v Speaker 1>me on the off season. I got my start in

1:05:16.920 --> 1:05:22.320
<v Speaker 1>five already. So she's doing Cosby out in l A

1:05:22.440 --> 1:05:26.640
<v Speaker 1>now at Universal Studios. Same actually same actual studio as

1:05:26.640 --> 1:05:30.080
<v Speaker 1>the Jeffersons, which was interesting. So so you grew up

1:05:30.160 --> 1:05:34.720
<v Speaker 1>on the Yeah, on the set, I mean of the Jeffersons. Well,

1:05:34.800 --> 1:05:38.240
<v Speaker 1>I mean you wait, well know when I when after

1:05:38.400 --> 1:05:40.720
<v Speaker 1>Lisa and I met and became friends, and then I

1:05:41.520 --> 1:05:42.840
<v Speaker 1>I was I was going back and forth between New

1:05:42.920 --> 1:05:44.200
<v Speaker 1>York and l A. Then I came back out to

1:05:44.320 --> 1:05:46.920
<v Speaker 1>l A. At some period she said, asked me to

1:05:47.000 --> 1:05:50.520
<v Speaker 1>come to the studio, went to Universal, the same studio,

1:05:50.720 --> 1:05:54.640
<v Speaker 1>same building is my where my mom films, and we're

1:05:54.720 --> 1:05:59.959
<v Speaker 1>hanging out. She had this mustang like we're in the series.

1:06:00.040 --> 1:06:04.440
<v Speaker 1>It's must stay in convertible sixties. It was beautiful car. Anyway,

1:06:05.080 --> 1:06:06.919
<v Speaker 1>She would let me use her car in the day

1:06:07.600 --> 1:06:09.640
<v Speaker 1>while she was rehearsing and filming, so I could go

1:06:09.760 --> 1:06:12.160
<v Speaker 1>right and do my music and do whatever hustle and

1:06:12.240 --> 1:06:15.320
<v Speaker 1>I was doing, and then I would pick her up

1:06:16.040 --> 1:06:18.160
<v Speaker 1>at work. She lived in Venice at the time. Then

1:06:18.160 --> 1:06:20.280
<v Speaker 1>you gotta drive all the way from studios of the city,

1:06:20.960 --> 1:06:23.720
<v Speaker 1>all the lay at Venice, and then I would find

1:06:23.760 --> 1:06:26.200
<v Speaker 1>my way wherever I was going Eventually she's like, why

1:06:26.200 --> 1:06:29.640
<v Speaker 1>don't you just start staying over? Like just stay over,

1:06:29.760 --> 1:06:36.640
<v Speaker 1>Like here's a room, there's a rolling Stone interview. No,

1:06:36.840 --> 1:06:41.800
<v Speaker 1>it's it's in the interview interview where she's talking about

1:06:41.960 --> 1:06:47.880
<v Speaker 1>her brother Romeo A. Seriously, it exists somewhere. I've seen it. Well,

1:06:47.920 --> 1:06:51.400
<v Speaker 1>at some point you stuck in the room. Well what

1:06:51.560 --> 1:07:00.200
<v Speaker 1>had happened when? Anyway, so you know you understand my way.

1:07:00.200 --> 1:07:02.280
<v Speaker 1>We ended up. So then I would get up in

1:07:02.320 --> 1:07:04.800
<v Speaker 1>the morning, drive her to Burbanks and I would go

1:07:04.880 --> 1:07:07.400
<v Speaker 1>do my thing, pick her up. This went on for months,

1:07:08.040 --> 1:07:11.560
<v Speaker 1>and then we grew close and what do we do? Then?

1:07:11.840 --> 1:07:15.320
<v Speaker 1>You know, we fell in love and in the whole

1:07:15.320 --> 1:07:17.040
<v Speaker 1>world fell in love with you, and everybody wanted to

1:07:19.640 --> 1:07:24.400
<v Speaker 1>So is the Love Rule album about her? That whole

1:07:24.440 --> 1:07:28.040
<v Speaker 1>thing was both of us. That was really like where

1:07:28.120 --> 1:07:31.560
<v Speaker 1>we were, you know. And so in doing all that

1:07:31.600 --> 1:07:34.800
<v Speaker 1>stuff with Tony Lman's and the other group, and and

1:07:34.880 --> 1:07:36.800
<v Speaker 1>I'm turning down all these deals and I didn't go

1:07:36.880 --> 1:07:38.800
<v Speaker 1>with Tony, I didn't go with John McClain, I didn't

1:07:38.800 --> 1:07:41.600
<v Speaker 1>go with Joe Busby. I didn't go with Benny Medina.

1:07:41.720 --> 1:07:47.960
<v Speaker 1>He actually Benny offered Tony and Tony and I had

1:07:48.000 --> 1:07:51.960
<v Speaker 1>a development deal and Warner Brothers. They moved us into

1:07:52.000 --> 1:07:58.240
<v Speaker 1>the oak Wood UH apartments in Burbank, and at the

1:07:58.320 --> 1:08:00.960
<v Speaker 1>time Slide was living there too, George Clinton was there.

1:08:04.120 --> 1:08:08.160
<v Speaker 1>It was it was nasty, literally nasty. It was nasty.

1:08:08.680 --> 1:08:13.280
<v Speaker 1>And so then Lisa and I are, you know, getting close,

1:08:13.360 --> 1:08:15.400
<v Speaker 1>and we're living our life and we have we have

1:08:15.520 --> 1:08:19.439
<v Speaker 1>this whole like hippie lifestyle and all this love and

1:08:20.000 --> 1:08:24.080
<v Speaker 1>these ideals and everything, and upart moving into her house.

1:08:25.240 --> 1:08:27.920
<v Speaker 1>She's like, yeah, bring your gear. I brought my stuff.

1:08:28.080 --> 1:08:31.200
<v Speaker 1>Keep friend of Rhodes. I brought my guitars myself. I

1:08:31.280 --> 1:08:34.679
<v Speaker 1>started writing the album. That's how it started, right there,

1:08:35.520 --> 1:08:37.760
<v Speaker 1>Venice in her house. And this is before you even

1:08:37.800 --> 1:08:39.840
<v Speaker 1>had a deal, before you signed with I had no deal.

1:08:39.920 --> 1:08:41.599
<v Speaker 1>I made the record. I had no deal. The record

1:08:41.680 --> 1:08:45.080
<v Speaker 1>was done, I had no deal. Yeah, when was it finished?

1:08:45.920 --> 1:08:48.240
<v Speaker 1>And well, it came out in eighty nine, so it

1:08:48.320 --> 1:08:51.599
<v Speaker 1>was done in eight. Yeah, And then I was taking

1:08:51.640 --> 1:08:54.120
<v Speaker 1>it around everywhere and people were just like, we don't

1:08:54.120 --> 1:08:56.280
<v Speaker 1>know what to do with this. Okay, you gotta tell Okay,

1:08:56.400 --> 1:09:01.840
<v Speaker 1>there's one story that I'm envious about as far as

1:09:02.080 --> 1:09:06.160
<v Speaker 1>your daughter is concerned. Uh Hank and Chuck told me

1:09:06.240 --> 1:09:12.160
<v Speaker 1>the story that she your Zoe was the fifth person

1:09:13.479 --> 1:09:19.280
<v Speaker 1>to hear Mason of Millions, because I guess at some

1:09:19.560 --> 1:09:22.680
<v Speaker 1>time point, I don't know if they were mastering the

1:09:22.800 --> 1:09:25.320
<v Speaker 1>record there and you guys were next door, or you

1:09:25.439 --> 1:09:27.880
<v Speaker 1>were mastering your record there and they were next door,

1:09:28.200 --> 1:09:32.559
<v Speaker 1>whatever the case, but they explained to me that, um,

1:09:34.200 --> 1:09:37.719
<v Speaker 1>after being guarded about letting the outside world hearing anything

1:09:37.840 --> 1:09:41.720
<v Speaker 1>from it takes a nation of millions, that you and

1:09:41.920 --> 1:09:46.479
<v Speaker 1>pregnant Lisa were the first audience to hear the record

1:09:46.720 --> 1:09:50.840
<v Speaker 1>right when it was completed, And I was like, wow, man,

1:09:51.040 --> 1:09:56.160
<v Speaker 1>like fucking Zoe gets to hear this record before. In

1:09:56.280 --> 1:10:02.439
<v Speaker 1>the reaction in that room, though, I'm I think I

1:10:02.560 --> 1:10:07.439
<v Speaker 1>think Chuck said that it was when our chaosky one

1:10:07.520 --> 1:10:12.160
<v Speaker 1>that's like uh, Zoe started kicking uh, at least in

1:10:12.240 --> 1:10:16.960
<v Speaker 1>the stomach. So the song about Joe break so okay.

1:10:17.640 --> 1:10:24.400
<v Speaker 1>There there was no UM. I mean, there wasn't an

1:10:24.479 --> 1:10:31.599
<v Speaker 1>idea of retro. I wasn't thinking any retro had nothing

1:10:31.640 --> 1:10:33.680
<v Speaker 1>to do with it. I wanted I wanted to make

1:10:33.760 --> 1:10:37.000
<v Speaker 1>records that sounded like the records that I loved, and

1:10:37.320 --> 1:10:39.880
<v Speaker 1>I get that you weren't intentionally. And I remember the

1:10:39.960 --> 1:10:41.800
<v Speaker 1>first thing I said when I called my engineer in

1:10:42.080 --> 1:10:44.200
<v Speaker 1>New York who I was working with, I was like,

1:10:44.520 --> 1:10:48.400
<v Speaker 1>I wanted to sound I said, carpet E. I wanted

1:10:48.479 --> 1:10:51.160
<v Speaker 1>to sound like like how it sounds like us sitting

1:10:51.240 --> 1:10:53.600
<v Speaker 1>right here with these carpets in this room with I

1:10:53.680 --> 1:10:56.720
<v Speaker 1>wanted to feel organic. I wanted to hear the room.

1:10:56.800 --> 1:11:01.200
<v Speaker 1>I wanted to feel the plushness of the sound. And um,

1:11:02.400 --> 1:11:07.639
<v Speaker 1>well very much wanted that sort of innervision sonics different

1:11:07.720 --> 1:11:11.160
<v Speaker 1>music that I played obviously and so but that was

1:11:11.280 --> 1:11:13.160
<v Speaker 1>like where I was coming from. I wanted it to

1:11:13.240 --> 1:11:15.800
<v Speaker 1>be intimate in your face, and I wanted you to

1:11:15.960 --> 1:11:19.880
<v Speaker 1>hear my hands playing the instruments, you know, but not

1:11:20.120 --> 1:11:24.160
<v Speaker 1>that Okay, at least in eighty nine, Like there wasn't

1:11:24.400 --> 1:11:27.479
<v Speaker 1>uh to technology or anything like that. But the thing

1:11:27.640 --> 1:11:32.080
<v Speaker 1>is that even today, if I wanted to make something

1:11:32.200 --> 1:11:38.439
<v Speaker 1>that sonically uh close to quote the stuff that we

1:11:38.560 --> 1:11:41.800
<v Speaker 1>grew up on, um, it would cost me more. Like

1:11:41.880 --> 1:11:44.760
<v Speaker 1>it wasn't something that could be easily done. It takes time,

1:11:44.880 --> 1:11:48.200
<v Speaker 1>It takes technique, It takes having the right gear, having

1:11:48.240 --> 1:11:50.080
<v Speaker 1>all that tube equipment and all that, you know what

1:11:50.120 --> 1:11:51.760
<v Speaker 1>I mean, Like so where did you where did you

1:11:51.920 --> 1:12:01.120
<v Speaker 1>find the Because you more than God? Okay, I don't

1:12:01.160 --> 1:12:03.479
<v Speaker 1>want to Anglan no, no, no, I'm just saying you

1:12:03.680 --> 1:12:08.040
<v Speaker 1>more than Okay. So when daptone does it, they kind

1:12:08.040 --> 1:12:10.320
<v Speaker 1>of overdo it. I mean with the processing, in the

1:12:10.400 --> 1:12:13.080
<v Speaker 1>in the in the in, the compression and stuff like.

1:12:13.240 --> 1:12:16.120
<v Speaker 1>I get what they're going for, but it almost sounds

1:12:16.160 --> 1:12:21.880
<v Speaker 1>like too overdone, whereas your stuff sounds supernatural al right, like, uh,

1:12:23.520 --> 1:12:25.439
<v Speaker 1>the first song sitting on top of the world, right,

1:12:26.280 --> 1:12:33.400
<v Speaker 1>So but how are you able to mixing wise? Achieve

1:12:33.800 --> 1:12:37.639
<v Speaker 1>achieve that? Because when people go on natural, especially starting

1:12:37.680 --> 1:12:42.800
<v Speaker 1>in this ship, sounds like Kenny g or No, there

1:12:42.920 --> 1:12:44.800
<v Speaker 1>was nothing. It sounds like that. You know, use these

1:12:45.360 --> 1:12:48.519
<v Speaker 1>these tama you know these Tama drunks. I mean, was

1:12:49.479 --> 1:12:52.720
<v Speaker 1>you You did all the instruments on your and your

1:12:52.720 --> 1:12:56.200
<v Speaker 1>first records. Well, also, my engineer Henry Hurst played the

1:12:56.280 --> 1:12:59.240
<v Speaker 1>Hammond on some of the song's brilliant performances and played

1:12:59.280 --> 1:13:03.439
<v Speaker 1>like a base on a tracker or two. So what

1:13:03.479 --> 1:13:08.000
<v Speaker 1>the instruments were you using? I had I I had

1:13:08.040 --> 1:13:15.400
<v Speaker 1>a a Fender Deluxe tweet Amp. I had a epifone Sorrento,

1:13:16.040 --> 1:13:20.400
<v Speaker 1>I had a telecaster I had a set of Gretch drums.

1:13:21.120 --> 1:13:25.880
<v Speaker 1>I had a Fender base, an app that was it

1:13:27.040 --> 1:13:31.160
<v Speaker 1>and his and and this studio. How do you know

1:13:31.200 --> 1:13:32.760
<v Speaker 1>how to make the stuff with that I had? I

1:13:32.840 --> 1:13:35.360
<v Speaker 1>had a brilliant engineer, first of all, a guy by

1:13:35.400 --> 1:13:37.680
<v Speaker 1>the name of Henry Hirsch who had a studio in

1:13:37.760 --> 1:13:41.920
<v Speaker 1>Jersey and Hoboken called Waterfront. And he was brilliant. And

1:13:42.040 --> 1:13:44.639
<v Speaker 1>he and I when I was making demos with another band,

1:13:44.720 --> 1:13:47.560
<v Speaker 1>that band, I was talking about Maggie's dream Um. We

1:13:47.720 --> 1:13:49.960
<v Speaker 1>had gone there. It was like thirty dollars an hour.

1:13:50.040 --> 1:13:54.600
<v Speaker 1>It was something we could afford. And that whole thing

1:13:54.640 --> 1:13:57.320
<v Speaker 1>didn't work out. But he and I connected, We saw

1:13:57.439 --> 1:14:01.599
<v Speaker 1>eye to eye talking about music, and then I knew

1:14:01.640 --> 1:14:03.639
<v Speaker 1>that when I was gonna make my record, I'm gonna

1:14:03.640 --> 1:14:06.280
<v Speaker 1>call this guy because he gets it. And he had

1:14:06.400 --> 1:14:09.120
<v Speaker 1>He had a Triumph board. We had We didn't even

1:14:09.200 --> 1:14:11.639
<v Speaker 1>we had no tari and TRR ninety. It wasn't even

1:14:11.720 --> 1:14:15.680
<v Speaker 1>like some like crazy student a MTR ninety, which is

1:14:15.680 --> 1:14:18.599
<v Speaker 1>a great workhorse machine. But we had that he had.

1:14:18.840 --> 1:14:21.000
<v Speaker 1>We had the proper like we had forty seven tubes

1:14:21.120 --> 1:14:23.439
<v Speaker 1>and and then we ended up getting a fair Child

1:14:23.479 --> 1:14:26.040
<v Speaker 1>compressor and we had a couple of politics, but really

1:14:26.080 --> 1:14:29.519
<v Speaker 1>it wasn't that much. It wasn't that much gear. But

1:14:29.680 --> 1:14:32.880
<v Speaker 1>this guy was a genius and he taught me so

1:14:33.200 --> 1:14:35.960
<v Speaker 1>so much. He knew exactly how he did. And we

1:14:36.120 --> 1:14:38.680
<v Speaker 1>used to just I mean we used to go at it.

1:14:39.240 --> 1:14:43.559
<v Speaker 1>You know, was it trial and era we'd spent We'd

1:14:43.560 --> 1:14:46.479
<v Speaker 1>spend days on a drum sound bro. You know, I

1:14:47.880 --> 1:14:50.920
<v Speaker 1>I too would try to we start fighting. You know,

1:14:51.040 --> 1:14:54.599
<v Speaker 1>it was crazy. I would try to achieve that and couldn't.

1:14:55.439 --> 1:14:58.880
<v Speaker 1>I mean, even now, I'll say, like twenty years into

1:14:58.920 --> 1:15:04.720
<v Speaker 1>my career, I think I'm just finding satisfaction because I

1:15:06.320 --> 1:15:08.599
<v Speaker 1>but in the age of no pro tools or anything,

1:15:08.640 --> 1:15:12.519
<v Speaker 1>were you're rewinding tape over and over again, I would

1:15:12.560 --> 1:15:15.439
<v Speaker 1>have just imagined that we're taking you forever too. And

1:15:15.560 --> 1:15:17.519
<v Speaker 1>I was overdubbing one instrument on top of the other.

1:15:18.360 --> 1:15:21.400
<v Speaker 1>It was no band. It was a trip. But um,

1:15:21.800 --> 1:15:26.160
<v Speaker 1>it's all that stuff, all fears you yeah, freedom train, yea,

1:15:27.000 --> 1:15:36.759
<v Speaker 1>all that. Yeah? What was that? Yeah, I'm just saying.

1:15:37.360 --> 1:15:40.920
<v Speaker 1>So he wrote everything and I guess demo stuff at

1:15:41.160 --> 1:15:42.880
<v Speaker 1>at Leasta's house and then went to and then I

1:15:42.920 --> 1:15:46.919
<v Speaker 1>went to Waterfront and cut the album. So just completed

1:15:46.960 --> 1:15:50.960
<v Speaker 1>the album, I've had no deal taking it around. You know,

1:15:51.280 --> 1:15:54.120
<v Speaker 1>it's still the go to the Black Department, you know,

1:15:55.439 --> 1:15:58.880
<v Speaker 1>So what was the feedback. The feedback was, we think

1:15:58.920 --> 1:16:01.640
<v Speaker 1>you're talented, but you you can't do this. You need

1:16:01.720 --> 1:16:05.200
<v Speaker 1>to do what. I guess whatever was going on in

1:16:05.320 --> 1:16:14.400
<v Speaker 1>Black ready at that time in eighty eight, say like

1:16:15.520 --> 1:16:19.160
<v Speaker 1>Riley Virgin was cool, but going around all the other labels,

1:16:19.600 --> 1:16:22.760
<v Speaker 1>they were just like, we you can't do this. We

1:16:22.840 --> 1:16:24.600
<v Speaker 1>don't get you can't do this. You gotta do this.

1:16:25.840 --> 1:16:30.240
<v Speaker 1>And so even with like so who's Terence? Terrence was

1:16:30.320 --> 1:16:36.439
<v Speaker 1>hitting in there, So even with that, he was arrival.

1:16:37.040 --> 1:16:42.880
<v Speaker 1>But it was as different as he was. I still

1:16:42.920 --> 1:16:46.639
<v Speaker 1>had all those guitars and all that Terence and stuff

1:16:46.680 --> 1:16:50.040
<v Speaker 1>was way more R and B and sane. Prince was

1:16:50.160 --> 1:16:54.720
<v Speaker 1>still envy was always his own thing, and I was

1:16:54.800 --> 1:16:58.080
<v Speaker 1>coming upright. I built this garden for us and freedom.

1:16:58.120 --> 1:16:59.640
<v Speaker 1>You know. It's like it's no one you see that

1:17:00.080 --> 1:17:03.400
<v Speaker 1>couldn't get half. They couldn't see it. So then I

1:17:03.479 --> 1:17:06.840
<v Speaker 1>went to I had I was granted a five minute

1:17:06.880 --> 1:17:10.719
<v Speaker 1>meeting at Virgin in l A with this lady God

1:17:10.760 --> 1:17:17.600
<v Speaker 1>bless her, Nancy jeffries Um. You know yeah, she was,

1:17:19.120 --> 1:17:22.720
<v Speaker 1>I knew this guy who was managing me, and she said,

1:17:22.800 --> 1:17:24.640
<v Speaker 1>you got five minutes. Because she used to get on

1:17:24.720 --> 1:17:27.400
<v Speaker 1>the plane every Friday to fly back to New York

1:17:27.880 --> 1:17:30.800
<v Speaker 1>because her husband lived in New York and she spent

1:17:30.880 --> 1:17:32.439
<v Speaker 1>the weekends in New York in the week in l A.

1:17:33.360 --> 1:17:36.920
<v Speaker 1>Her husband worked with Philip Glass. He did so produced

1:17:36.960 --> 1:17:39.960
<v Speaker 1>engineers anyway, they worked together. So she goes, you got

1:17:40.040 --> 1:17:45.160
<v Speaker 1>five minutes. I put on let Love Rule, and she said,

1:17:45.320 --> 1:17:47.200
<v Speaker 1>wait a minute, and then she went and got Jeff

1:17:47.200 --> 1:17:50.719
<v Speaker 1>eare Off played le Rois, played another one. I played

1:17:50.760 --> 1:17:55.000
<v Speaker 1>b and he said hold on. He got his partner,

1:17:55.120 --> 1:17:57.600
<v Speaker 1>Jordan Harris. The three of them are sitting there and

1:17:57.840 --> 1:18:00.839
<v Speaker 1>there I'm playing three four different songs. They're writing on pads,

1:18:00.960 --> 1:18:04.680
<v Speaker 1>passing it around. I'm what's going through. I've been trying

1:18:04.720 --> 1:18:09.679
<v Speaker 1>to get signed fifteen I'm the original groups. And later

1:18:09.760 --> 1:18:11.920
<v Speaker 1>I come to find out they had written John Lennon

1:18:11.960 --> 1:18:19.120
<v Speaker 1>meets Prince And after fifteen minutes, Jeff said, come to

1:18:19.280 --> 1:18:22.200
<v Speaker 1>my office. And that was it, Like, after all those years,

1:18:22.240 --> 1:18:25.479
<v Speaker 1>then okay, we're gonna sign you. He's like, I have

1:18:25.600 --> 1:18:28.599
<v Speaker 1>no idea if we can sell a record. I don't

1:18:28.600 --> 1:18:30.680
<v Speaker 1>know how to market you. I don't know what to

1:18:30.760 --> 1:18:33.640
<v Speaker 1>do with you, but we believe in it, and so

1:18:34.640 --> 1:18:38.960
<v Speaker 1>we'll we'll deal with you. And that was it um

1:18:39.280 --> 1:18:42.560
<v Speaker 1>for all of for all of the Lennon flak that

1:18:42.720 --> 1:18:47.439
<v Speaker 1>you've gotten. Can I ask, where does where does Elvis

1:18:47.479 --> 1:18:51.080
<v Speaker 1>Scots Stello stand in nowhere? When I love us? I

1:18:51.120 --> 1:18:53.639
<v Speaker 1>love els. When I read that first Rolling Stone review

1:18:54.200 --> 1:18:56.280
<v Speaker 1>and they said that I sounded like Elvis Carstello, I

1:18:56.320 --> 1:18:58.360
<v Speaker 1>had no idea. I didn't even know that said that

1:18:58.760 --> 1:19:04.360
<v Speaker 1>the first because everybody was saying very first uh review

1:19:04.960 --> 1:19:08.920
<v Speaker 1>in Rolling Stone for that love Rulello was the was

1:19:09.439 --> 1:19:12.320
<v Speaker 1>was mentioned, But I didn't know. The only Elvis Costello

1:19:12.400 --> 1:19:14.760
<v Speaker 1>song I knew was uh, every day I write the

1:19:14.760 --> 1:19:18.200
<v Speaker 1>book or whatever. I don't know if this yeah, which

1:19:18.240 --> 1:19:21.800
<v Speaker 1>I loved, right, But I didn't understand. I didn't hear

1:19:21.840 --> 1:19:24.960
<v Speaker 1>the similarity of the tone of voice or anything. So

1:19:25.080 --> 1:19:29.160
<v Speaker 1>that was just coincidental. I have no idea. Okay, when

1:19:29.400 --> 1:19:31.559
<v Speaker 1>do you hear it? So no, I didn't know about

1:19:31.560 --> 1:19:34.320
<v Speaker 1>that Rolling Stone review. But yeah, I always felt that

1:19:34.439 --> 1:19:41.000
<v Speaker 1>your voice was closer to Elvis's tone, and I thought that, oh, well,

1:19:41.080 --> 1:19:43.920
<v Speaker 1>maybe you know he was a hero because I thought

1:19:43.960 --> 1:19:47.160
<v Speaker 1>it was just too and it's easy, little hanging fruit

1:19:47.240 --> 1:19:49.960
<v Speaker 1>just to say John Lennon. I didn't know where the

1:19:50.040 --> 1:19:55.160
<v Speaker 1>Lennon thing was coming from, truthfully. When there was a

1:19:55.200 --> 1:19:57.120
<v Speaker 1>manager who was trying to manage at the time, and

1:19:57.240 --> 1:20:01.000
<v Speaker 1>he was he had heard the record let LaRue was done,

1:20:01.640 --> 1:20:05.560
<v Speaker 1>and he said, man, have you you must be a

1:20:05.600 --> 1:20:08.599
<v Speaker 1>fan of the Plastic on a record And I said,

1:20:09.080 --> 1:20:11.600
<v Speaker 1>I don't know what you're talking about. He turned me

1:20:11.800 --> 1:20:15.080
<v Speaker 1>onto the Plastic on the record. I was like, oh wow,

1:20:15.560 --> 1:20:19.120
<v Speaker 1>like there's some similarities here, like you would never heard it.

1:20:19.240 --> 1:20:21.719
<v Speaker 1>I had never heard the Plastical. I just knew the Beatles.

1:20:22.520 --> 1:20:25.840
<v Speaker 1>And then funny enough, when I met Yoko Um. She

1:20:25.920 --> 1:20:29.040
<v Speaker 1>came to one of my first gigs in Switzerland, UM

1:20:29.160 --> 1:20:33.000
<v Speaker 1>in Geneva and she's I'm in my dress room. One

1:20:33.040 --> 1:20:34.360
<v Speaker 1>was banging on the door and like, who is it.

1:20:34.680 --> 1:20:39.880
<v Speaker 1>It's Yoko Ono. Was like, who's like trying to mess

1:20:39.920 --> 1:20:42.439
<v Speaker 1>with me? Three? Three or four more knocks. Finally I

1:20:42.520 --> 1:20:45.960
<v Speaker 1>opened the door. Is Yoko Ono and she's like, I'm

1:20:46.000 --> 1:20:49.080
<v Speaker 1>a big fan and did da da da? And she

1:20:49.280 --> 1:20:51.400
<v Speaker 1>said this so I'm not saying anything about it, like

1:20:51.600 --> 1:20:53.920
<v Speaker 1>it was just super flattering. But she was like the

1:20:54.040 --> 1:20:56.280
<v Speaker 1>way you sing is the way John wanted to sing.

1:20:57.000 --> 1:21:00.680
<v Speaker 1>And I was like, wow, that's how I called him. Yeah,

1:21:01.439 --> 1:21:07.080
<v Speaker 1>well wait, since you mentioned it, uh, what five albums

1:21:07.880 --> 1:21:10.800
<v Speaker 1>can you before? I just wanted to no, no, no,

1:21:10.880 --> 1:21:14.360
<v Speaker 1>it hasn't. Um, it's just UM. I think a lot

1:21:14.439 --> 1:21:18.880
<v Speaker 1>of those comparisons that maybe UM from back then, the

1:21:19.200 --> 1:21:22.080
<v Speaker 1>Lennon Costello things. UM. I think a lot of that

1:21:22.200 --> 1:21:25.680
<v Speaker 1>has to do with the making the close miking and

1:21:25.840 --> 1:21:30.280
<v Speaker 1>that that sounds just that in your face ship with

1:21:30.400 --> 1:21:32.560
<v Speaker 1>the vocal m and I was screaming and I was

1:21:32.720 --> 1:21:35.679
<v Speaker 1>raw and totally when I listened when I finally heard

1:21:35.760 --> 1:21:39.600
<v Speaker 1>Mother and all those songs, I was like, I was

1:21:40.479 --> 1:21:44.840
<v Speaker 1>those records maybe I found out God all those songs

1:21:44.880 --> 1:21:49.320
<v Speaker 1>I mean huge. Yeah, so that level was like that

1:21:49.560 --> 1:21:53.040
<v Speaker 1>in a sense to me when it came out was um.

1:21:53.800 --> 1:21:56.320
<v Speaker 1>And I read that review and everything, and I'm a

1:21:56.439 --> 1:21:58.840
<v Speaker 1>huge Costello fan and a huge Lendin fan. But really,

1:21:58.920 --> 1:22:02.000
<v Speaker 1>I think a lot of the comparisons from from the

1:22:02.800 --> 1:22:06.479
<v Speaker 1>rawness and the dryness rather than Yeah, at that time,

1:22:06.600 --> 1:22:08.439
<v Speaker 1>there were no dry records. That's what I'm saying, how

1:22:08.439 --> 1:22:10.800
<v Speaker 1>did you? Everybody was like whoa, I mean that record

1:22:10.880 --> 1:22:15.639
<v Speaker 1>was dry? How did you resist, you know, production, well,

1:22:16.240 --> 1:22:18.880
<v Speaker 1>because I really believed in the way this stuff sounded.

1:22:18.960 --> 1:22:22.920
<v Speaker 1>It sounded so intimate to me. And when I turned

1:22:22.960 --> 1:22:27.439
<v Speaker 1>the record in, they were like okay because they heard

1:22:27.520 --> 1:22:29.760
<v Speaker 1>the record and they signed me. But then I guess

1:22:29.800 --> 1:22:33.479
<v Speaker 1>they thought they were listening to like Ross. I was like, no,

1:22:33.640 --> 1:22:36.040
<v Speaker 1>that's it, and they were like, no, no, you gotta

1:22:36.080 --> 1:22:39.400
<v Speaker 1>get somebody to mix this record. So they called this guy,

1:22:39.920 --> 1:22:46.479
<v Speaker 1>what's his name? He mixed you too? No, Lily White, No,

1:22:47.000 --> 1:22:52.439
<v Speaker 1>And we went to Green Street Studios. James m oh god, anyway,

1:22:52.439 --> 1:22:55.880
<v Speaker 1>I'll get his name. Really nice guy. And then he

1:22:55.920 --> 1:22:58.120
<v Speaker 1>started taking it and you know, trying to make its

1:22:58.200 --> 1:23:01.840
<v Speaker 1>liquor and more and hord and then I ended up

1:23:01.880 --> 1:23:03.960
<v Speaker 1>and then it didn't. I was like, no, do they

1:23:04.040 --> 1:23:07.719
<v Speaker 1>have those mixes anywhere? I'd like to hear what because

1:23:07.760 --> 1:23:09.639
<v Speaker 1>at the time, at the time it was like bon

1:23:09.800 --> 1:23:15.200
<v Speaker 1>Jovi and it was like triggers and drums, you know

1:23:15.960 --> 1:23:22.160
<v Speaker 1>all that. So here was this stale no dope. But

1:23:22.360 --> 1:23:25.040
<v Speaker 1>I wouldn't put it on that right, you know, for

1:23:25.120 --> 1:23:28.400
<v Speaker 1>all those all that non linear you know, and all

1:23:28.479 --> 1:23:32.400
<v Speaker 1>that stuff. Um, I would have liked the mix of

1:23:32.840 --> 1:23:36.200
<v Speaker 1>built this Garden for us that would have been funny.

1:23:36.520 --> 1:23:39.559
<v Speaker 1>I'm sorry. So top five No, no, no, Now, I'm like, man,

1:23:40.120 --> 1:23:42.479
<v Speaker 1>were those mixes like once you don't know, I don't

1:23:42.479 --> 1:23:46.560
<v Speaker 1>know someone in virgin I got a call. Yeah, you're

1:23:46.600 --> 1:23:50.840
<v Speaker 1>in some buildings somewhere in I can't wait. So what's

1:23:50.880 --> 1:23:53.599
<v Speaker 1>on the let level deluxe thing that came out everything?

1:23:54.240 --> 1:23:56.360
<v Speaker 1>And I know, but what what came out on on

1:23:56.960 --> 1:24:01.120
<v Speaker 1>on that edition? Which edition? The anniversary? Yeah, the anniversary edition?

1:24:01.200 --> 1:24:04.679
<v Speaker 1>All of his like I guess demos and stuff. Every

1:24:05.240 --> 1:24:09.000
<v Speaker 1>the same exact record, but all the demos like little

1:24:09.040 --> 1:24:11.360
<v Speaker 1>cassette things singing in with a guitar or something, just

1:24:11.520 --> 1:24:14.400
<v Speaker 1>like you're I would assume the stuff that you did,

1:24:14.560 --> 1:24:18.680
<v Speaker 1>uh Cold Turkeys on there, but also like there's a

1:24:18.760 --> 1:24:23.680
<v Speaker 1>live concert. It's it's like three discs of stuff, but

1:24:24.479 --> 1:24:27.479
<v Speaker 1>a lot of your two discs. I'm sorry forgive me.

1:24:28.080 --> 1:24:34.320
<v Speaker 1>Um yeah, mixture of the living room demos and I

1:24:34.360 --> 1:24:36.840
<v Speaker 1>guess you're well, you do your lyrics inside of a

1:24:37.040 --> 1:24:40.720
<v Speaker 1>cassette player that sort of thing, I mean a lot

1:24:40.800 --> 1:24:43.439
<v Speaker 1>of times. Yeah. Yeah, so just we're all we're all

1:24:43.600 --> 1:24:46.679
<v Speaker 1>demo stuff like that. So okay, I'm sure at this point,

1:24:46.840 --> 1:24:48.960
<v Speaker 1>at the stage of your life, like their albums that

1:24:49.080 --> 1:24:51.760
<v Speaker 1>influence you and you've gotten hip to them after the fact,

1:24:52.360 --> 1:24:54.120
<v Speaker 1>you know, Like I got in the Beatles late when

1:24:54.160 --> 1:24:58.400
<v Speaker 1>I was in my twenties. But on your first album,

1:24:59.400 --> 1:25:02.519
<v Speaker 1>what were you? You're like, what was your top five?

1:25:02.640 --> 1:25:05.719
<v Speaker 1>Can't live without records? I remember when I was making

1:25:05.760 --> 1:25:13.639
<v Speaker 1>that record. Talking Book was constant, constant. I remember jamming

1:25:13.720 --> 1:25:17.800
<v Speaker 1>that day and night on my Uh. I think I

1:25:17.880 --> 1:25:22.000
<v Speaker 1>had made here? M deep, what's that made here? Oh? Yeah,

1:25:22.160 --> 1:25:24.240
<v Speaker 1>we atually? Yeah, we're talking Book was made here. I'm

1:25:24.280 --> 1:25:26.320
<v Speaker 1>sorry forgetting. And there's the roots. See that rose right

1:25:26.360 --> 1:25:29.479
<v Speaker 1>behind you. That's the Stevie Wares. I'm talking about roots.

1:25:29.720 --> 1:25:32.240
<v Speaker 1>We haven't said. Come on, man, I will lead up

1:25:32.240 --> 1:25:43.800
<v Speaker 1>to it. Dag nabbit, We've been up to you. You

1:25:43.880 --> 1:25:58.120
<v Speaker 1>ain't gonna playnna play it? Angry angry. I'm getting angry too, anyway. Yes,

1:25:58.880 --> 1:26:02.519
<v Speaker 1>ninety minutes to the center. We're an Electric Lady Studios

1:26:03.000 --> 1:26:06.000
<v Speaker 1>in New York City, home of Talking Book and the

1:26:06.320 --> 1:26:09.240
<v Speaker 1>music of My Mind and Divisions, a lot of Roy

1:26:09.479 --> 1:26:17.679
<v Speaker 1>Airs stuff and Jimi Hendrick stuff and nothing my life. Yes, wow,

1:26:18.040 --> 1:26:21.800
<v Speaker 1>yeah he recorded that here. You never recorded here. We chose,

1:26:21.960 --> 1:26:26.880
<v Speaker 1>We chose. The reason why we chose vood because well,

1:26:27.120 --> 1:26:31.400
<v Speaker 1>besides the House of Jimmy, they kept the same instruments

1:26:31.920 --> 1:26:35.439
<v Speaker 1>forever in the same microphone, So Defender Roads, they've taken

1:26:35.479 --> 1:26:39.200
<v Speaker 1>care of all the equipments. Beautiful. Yeah, like here is

1:26:39.280 --> 1:26:45.040
<v Speaker 1>where who got their coffee cup on the top of Okay,

1:26:45.160 --> 1:26:49.200
<v Speaker 1>there's a lot of damage that we here. Came here

1:26:50.200 --> 1:26:52.599
<v Speaker 1>I did. Didn't you come by during the Voodoo session? Yes, yes,

1:26:52.680 --> 1:26:55.720
<v Speaker 1>he did, and he said, quote, there's a discrepancy in

1:26:55.760 --> 1:27:14.719
<v Speaker 1>the drumming. Did everyone was I not? Oh, she's always

1:27:15.200 --> 1:27:19.280
<v Speaker 1>know you sent me a thing once. But I remember

1:27:19.320 --> 1:27:22.400
<v Speaker 1>also taking it to my studio on this is during

1:27:22.439 --> 1:27:24.599
<v Speaker 1>the five album. When I was making the five album,

1:27:25.960 --> 1:27:28.360
<v Speaker 1>it was me. I was not hip to that stutter

1:27:28.479 --> 1:27:34.560
<v Speaker 1>and drum stuff was like it always for like, go on,

1:27:36.080 --> 1:27:42.120
<v Speaker 1>you know they that's that's you, bro, Yeah, that's you.

1:27:42.320 --> 1:27:45.200
<v Speaker 1>You know. It took me along, like did you invent that? No,

1:27:45.600 --> 1:27:50.320
<v Speaker 1>it's what happened. Was what happened was I was meticulous

1:27:50.439 --> 1:27:54.680
<v Speaker 1>and straight, straighter than six o'clock. And then I never

1:27:54.760 --> 1:27:57.800
<v Speaker 1>heard that before. That's a grand poop I line right there,

1:27:58.120 --> 1:28:06.080
<v Speaker 1>come on, yeah anyway, So basically, uh, I wanted people

1:28:06.080 --> 1:28:08.479
<v Speaker 1>to think I was a computer. But then when I

1:28:08.520 --> 1:28:10.439
<v Speaker 1>heard Dreaming Eyes of Mine, and then when I heard

1:28:10.520 --> 1:28:12.880
<v Speaker 1>Jay Dilla, I was like, yo, they sound drunk, Like

1:28:15.000 --> 1:28:17.120
<v Speaker 1>that's cool. But I was still trying to be straight

1:28:17.400 --> 1:28:20.320
<v Speaker 1>with with my drummers and and meticulous because I wanted

1:28:20.320 --> 1:28:22.479
<v Speaker 1>to be like, oh man, that was LEVI is such

1:28:22.479 --> 1:28:28.439
<v Speaker 1>a metronome. But playing with D. D just naturally sounds

1:28:28.560 --> 1:28:31.360
<v Speaker 1>like a cool sign hanging from his mouth, and and

1:28:31.479 --> 1:28:35.799
<v Speaker 1>that he had some moonshine. He just always plays super

1:28:35.960 --> 1:28:39.280
<v Speaker 1>laid back and right, and it forces you. So it

1:28:39.400 --> 1:28:41.680
<v Speaker 1>took me and Pino about a good three months to

1:28:42.760 --> 1:28:46.400
<v Speaker 1>feel safe to do that, because I mean, you're also

1:28:46.520 --> 1:28:49.760
<v Speaker 1>thinking what I wanted to avoid. I was always with

1:28:49.920 --> 1:28:53.000
<v Speaker 1>D's program, but I always feared the day that another

1:28:53.120 --> 1:28:56.080
<v Speaker 1>musician would be like, damn, drums is fucked up. No, no,

1:28:56.160 --> 1:28:58.360
<v Speaker 1>But I was all old school and my laid back

1:28:58.439 --> 1:29:01.040
<v Speaker 1>too and four and I was I just wasn't in

1:29:01.120 --> 1:29:03.920
<v Speaker 1>that head. So we took it. We took it to

1:29:04.000 --> 1:29:06.080
<v Speaker 1>the whole another level. And when you said that was

1:29:06.120 --> 1:29:08.360
<v Speaker 1>like and Henry and I were like, there's something wrong

1:29:08.400 --> 1:29:10.439
<v Speaker 1>with this. And I looked at like, you know, I

1:29:10.640 --> 1:29:15.160
<v Speaker 1>told you, I know you were just like letting a hip.

1:29:15.600 --> 1:29:17.960
<v Speaker 1>So can I ask the question he told me was like,

1:29:18.280 --> 1:29:24.639
<v Speaker 1>I mean with a new excuse me, professor, Professor Kravis.

1:29:25.439 --> 1:29:29.040
<v Speaker 1>So here's my question. Within the Voodoo like the album,

1:29:29.160 --> 1:29:30.800
<v Speaker 1>can you give us an example of where we might

1:29:30.840 --> 1:29:36.759
<v Speaker 1>have heard that stutter just for something? Every song everything

1:29:38.120 --> 1:29:40.720
<v Speaker 1>behind and doing it, I mean every people are doing

1:29:40.720 --> 1:29:43.240
<v Speaker 1>it un titled right, Like really is that? Because I

1:29:43.320 --> 1:29:49.639
<v Speaker 1>hear it? I mean, it's just a beef that should

1:29:49.640 --> 1:29:51.320
<v Speaker 1>be where you think it should be, and it does

1:29:51.360 --> 1:29:56.800
<v Speaker 1>it it's behind or you know, and it's it's it's

1:29:56.840 --> 1:29:59.479
<v Speaker 1>But at the time we wanted him to play on

1:30:00.000 --> 1:30:02.640
<v Speaker 1>he's always in my hair. I really took it to

1:30:02.720 --> 1:30:05.000
<v Speaker 1>the next hip. I mean I was o Dan on

1:30:05.080 --> 1:30:11.400
<v Speaker 1>Slum Village, so by that point, you know everything, I

1:30:11.479 --> 1:30:13.880
<v Speaker 1>wasn't in the right family line at the time. They

1:30:13.960 --> 1:30:16.640
<v Speaker 1>did it right, Oh man, you don't know. Did you

1:30:16.720 --> 1:30:20.760
<v Speaker 1>ever introduced the stutup at some later point? Um? Well, Elliott, no,

1:30:21.080 --> 1:30:25.040
<v Speaker 1>because you got I mean, I consider of the next

1:30:25.120 --> 1:30:27.600
<v Speaker 1>generation of drummers. I mean, for a while, what's his

1:30:27.680 --> 1:30:35.639
<v Speaker 1>name was drumming with you? Um uh, drums with wasn't

1:30:35.800 --> 1:30:38.439
<v Speaker 1>wasn't Daryl drumming for you? For a second, Darry Jones.

1:30:38.880 --> 1:30:48.599
<v Speaker 1>Was he not drumming Daryl Jones? But you actually know? Damn.

1:30:48.760 --> 1:30:50.599
<v Speaker 1>I don't want to find this out on my own

1:30:50.760 --> 1:30:53.200
<v Speaker 1>radio show because I'm about to be loud and wrong

1:30:53.680 --> 1:30:57.360
<v Speaker 1>in the studio or live live. Who is your drumming

1:30:57.439 --> 1:31:01.080
<v Speaker 1>that Druones with your tall black Franklin Vanderbilt Jr. Damn,

1:31:01.360 --> 1:31:04.880
<v Speaker 1>all this time the first time, it's okay, that's name.

1:31:04.920 --> 1:31:07.280
<v Speaker 1>Now I've been loud and wrong like people where they're

1:31:07.320 --> 1:31:10.280
<v Speaker 1>born and not, but all this time because frank and

1:31:10.520 --> 1:31:14.920
<v Speaker 1>and Daru kind of position their drums in a very

1:31:14.960 --> 1:31:17.880
<v Speaker 1>particular way that I just thought they were the same

1:31:17.960 --> 1:31:21.200
<v Speaker 1>person based on how they They're the only people I

1:31:21.280 --> 1:31:25.519
<v Speaker 1>knew who sneered drum leans and tilts towards twelve a

1:31:25.640 --> 1:31:30.840
<v Speaker 1>clock taking for the clock again Jack White, Jack Jack White, right,

1:31:31.280 --> 1:31:35.600
<v Speaker 1>the smooth criminal Lean. Yes, So I always thought that

1:31:35.720 --> 1:31:38.880
<v Speaker 1>Daru was also your drummer and Jack White drummer. Now

1:31:38.920 --> 1:31:42.360
<v Speaker 1>I'm realizing that there's two. So it's Franklin. Yeah, he's

1:31:42.560 --> 1:31:45.400
<v Speaker 1>on he's on the New torn now. Yeah, yeah, he's bad.

1:31:46.479 --> 1:31:49.840
<v Speaker 1>One day I would get names and places on the maps. Right,

1:31:50.240 --> 1:31:52.800
<v Speaker 1>there's also a singer and I don't know if she

1:31:52.880 --> 1:31:54.519
<v Speaker 1>still with your shoes. A friend of mine. We went

1:31:54.560 --> 1:31:59.400
<v Speaker 1>to college together, y'alls? Right, Yes, how did y'all they

1:31:59.760 --> 1:32:05.479
<v Speaker 1>they did a few years with me. Unstruck the princess thing.

1:32:07.080 --> 1:32:09.240
<v Speaker 1>That's right. She sang in the because I called her.

1:32:09.320 --> 1:32:12.080
<v Speaker 1>She was in town. Had her coming joined the choir

1:32:12.160 --> 1:32:14.720
<v Speaker 1>when we did Doves Cry and the Cross. Yeah, how

1:32:14.760 --> 1:32:16.559
<v Speaker 1>did you guys think up? How did you come across her?

1:32:17.000 --> 1:32:21.000
<v Speaker 1>Through Erica Jerry who was one of the background singers.

1:32:22.400 --> 1:32:28.800
<v Speaker 1>She she was singing with um Raphael Sadik and they

1:32:28.840 --> 1:32:31.559
<v Speaker 1>were opening for me in Europe, and so we got

1:32:31.600 --> 1:32:33.280
<v Speaker 1>to know her and then I just called her. I

1:32:33.360 --> 1:32:35.640
<v Speaker 1>was like, I need three girls for the tour. She

1:32:35.760 --> 1:32:39.479
<v Speaker 1>brought them all and she she knew yaz. Yeah, we

1:32:39.560 --> 1:32:45.519
<v Speaker 1>go way back. She's amazing. Okay. So now in your

1:32:45.720 --> 1:32:50.400
<v Speaker 1>your wise age and in hindsight, I now get the stutter.

1:32:54.479 --> 1:32:57.600
<v Speaker 1>Let me just getting He went and did five that

1:32:57.680 --> 1:33:00.560
<v Speaker 1>ship so like gang bustles. So I think he you

1:33:00.640 --> 1:33:05.599
<v Speaker 1>are no, but I'm saying that, Uh, after let love rules,

1:33:06.920 --> 1:33:15.560
<v Speaker 1>let love rule comes to be colored. And that was

1:33:18.320 --> 1:33:25.760
<v Speaker 1>so when it comes out, Uh, you become a household name.

1:33:26.560 --> 1:33:31.240
<v Speaker 1>And even though I know you've had the bigger album. No, no,

1:33:31.760 --> 1:33:36.600
<v Speaker 1>it was like the introduction. But yeah, I feel like

1:33:36.720 --> 1:33:41.080
<v Speaker 1>doors open for you. And also I would like to

1:33:41.240 --> 1:33:46.040
<v Speaker 1>think that the effects of what happened during that first

1:33:46.080 --> 1:33:50.040
<v Speaker 1>album is what caused the second album to happen, because

1:33:50.080 --> 1:33:53.560
<v Speaker 1>there's act I mean, there's some confessional yeah here my

1:33:53.680 --> 1:33:57.120
<v Speaker 1>dear going on with the second album. So what I

1:33:57.200 --> 1:34:02.000
<v Speaker 1>want to know is not that a person should ever

1:34:02.120 --> 1:34:07.240
<v Speaker 1>regret moves or any of course their life takes, but

1:34:09.040 --> 1:34:14.080
<v Speaker 1>what was it to have success and what occurred that

1:34:15.000 --> 1:34:19.799
<v Speaker 1>and do you have any regrets of your initial breakout?

1:34:21.080 --> 1:34:30.920
<v Speaker 1>I hope I asked a whole lot of money. Okay,

1:34:31.200 --> 1:34:34.280
<v Speaker 1>talk to me about the effects of the effects of

1:34:34.760 --> 1:34:38.920
<v Speaker 1>the album coming out. And I mean it was fantasy.

1:34:38.960 --> 1:34:40.479
<v Speaker 1>I didn't know what was going on. Man, this was

1:34:40.600 --> 1:34:45.200
<v Speaker 1>all I had just grown up, being a fan all

1:34:45.240 --> 1:34:50.000
<v Speaker 1>my life. And now I'm now I'm doing that thing

1:34:50.360 --> 1:34:52.360
<v Speaker 1>that I love and I'm going around the world and

1:34:52.960 --> 1:34:55.240
<v Speaker 1>I'm playing and people know the music and it's like

1:34:55.360 --> 1:34:58.200
<v Speaker 1>you're the new guy, you know. I mean, Prince called

1:34:58.240 --> 1:34:59.599
<v Speaker 1>me on the phone. I mean it was like when

1:34:59.640 --> 1:35:02.519
<v Speaker 1>you're the you know, it's it's to call me on

1:35:02.640 --> 1:35:04.720
<v Speaker 1>the phone. I mean every you know what it was

1:35:04.760 --> 1:35:06.439
<v Speaker 1>like all of a sudden, you're meeting these people and

1:35:06.439 --> 1:35:08.920
<v Speaker 1>everybody's come yok, and was coming around and this you know,

1:35:09.800 --> 1:35:13.800
<v Speaker 1>and um, actually wait real quick, because you played when

1:35:13.880 --> 1:35:17.760
<v Speaker 1>you were mine at the Apollo with prints. Yes, what

1:35:17.960 --> 1:35:21.320
<v Speaker 1>was that like? Um, I don't even remember. It was

1:35:21.400 --> 1:35:24.439
<v Speaker 1>just like he wudn't hear me all the time, but

1:35:24.560 --> 1:35:26.200
<v Speaker 1>the mic wasn't that he had me and he had

1:35:26.280 --> 1:35:29.840
<v Speaker 1>me off on the side because he you know, he

1:35:29.880 --> 1:35:35.120
<v Speaker 1>didn't want me right there next time. No, but he

1:35:35.320 --> 1:35:37.439
<v Speaker 1>kicked my ass. It's just you know, but he he

1:35:37.479 --> 1:35:41.120
<v Speaker 1>always wanted to make sure, you know. But um, yeah,

1:35:41.160 --> 1:35:42.599
<v Speaker 1>that was a trip. That was one of the first times.

1:35:42.640 --> 1:35:45.840
<v Speaker 1>We think it's the first time we played live. And

1:35:45.920 --> 1:35:48.400
<v Speaker 1>then we talked about TV. And then he would call

1:35:48.520 --> 1:35:51.400
<v Speaker 1>me like we'd be in Amsterdam. He called me the

1:35:51.439 --> 1:35:53.360
<v Speaker 1>middle of night, I have a show so another city,

1:35:54.080 --> 1:35:57.400
<v Speaker 1>meet me at this club and we'd go play for

1:35:57.439 --> 1:35:58.880
<v Speaker 1>a few hours, and then he'd give me like a

1:35:59.000 --> 1:36:01.960
<v Speaker 1>bag of money, like he was so generous about it.

1:36:02.000 --> 1:36:06.280
<v Speaker 1>He'd be like, all right, I made this, and here's yours.

1:36:06.400 --> 1:36:10.320
<v Speaker 1>Here's your cut, he's your cut, and uh he walk

1:36:10.360 --> 1:36:12.599
<v Speaker 1>out with a bag of money but damn he did

1:36:12.600 --> 1:36:14.600
<v Speaker 1>the opposite with me. He wants made me take a

1:36:14.720 --> 1:36:26.840
<v Speaker 1>taxi cab like Philly. The butter was like that sounds

1:36:26.880 --> 1:36:28.680
<v Speaker 1>like more of the revolution stories too. I was like

1:36:28.720 --> 1:36:31.360
<v Speaker 1>that sound his version is different because when the revolution

1:36:31.439 --> 1:36:35.280
<v Speaker 1>was talking, he liked you mother wouldn't even come to

1:36:35.360 --> 1:36:42.800
<v Speaker 1>my cab. Remember my song lady cab driver there? That

1:36:42.920 --> 1:36:47.519
<v Speaker 1>was pretty good. That's pretty good. But anyway, it was

1:36:47.600 --> 1:36:50.800
<v Speaker 1>a fantasy. It was a fantasy. I didn't know. I

1:36:50.960 --> 1:36:53.880
<v Speaker 1>wasn't thinking I was I was just doing. I had

1:36:53.960 --> 1:36:57.960
<v Speaker 1>no idea what was going on, no idea, and financially

1:36:58.000 --> 1:36:59.920
<v Speaker 1>at that time, like were you good? Like were you making?

1:37:00.080 --> 1:37:02.160
<v Speaker 1>Where was your money? And I was renting an apartment.

1:37:02.200 --> 1:37:05.120
<v Speaker 1>I wasn't you know, I wasn't making like that. Um,

1:37:05.880 --> 1:37:07.560
<v Speaker 1>I guess. Starting on the third record, We're are you

1:37:07.600 --> 1:37:09.880
<v Speaker 1>Gonna Go? My Way? Hit, then it turned into more

1:37:09.920 --> 1:37:13.080
<v Speaker 1>of a like oh wow, oh we're going around the

1:37:13.080 --> 1:37:15.559
<v Speaker 1>world playing arenas and you know, speaking of that song,

1:37:15.720 --> 1:37:18.840
<v Speaker 1>thank you for putting that in guitar Hero, because that

1:37:18.960 --> 1:37:22.439
<v Speaker 1>turned my son's onto your music, and like we we

1:37:22.640 --> 1:37:25.719
<v Speaker 1>played that and they loved that song and that thanks

1:37:25.800 --> 1:37:28.000
<v Speaker 1>that put them onto your music. I started showing them

1:37:28.040 --> 1:38:11.479
<v Speaker 1>more your stuff. Thank you, yeah, m M cors Love

1:38:11.560 --> 1:38:14.799
<v Speaker 1>Supreme is a production of I Heart Radio. This classic

1:38:14.840 --> 1:38:17.600
<v Speaker 1>episode was produced by the team at Pandora