WEBVTT - TGI - EP204 “Me and Mr. Joad”

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<v Speaker 1>So we get a lot of emails, as I have

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<v Speaker 1>mentioned before, and one that came through recently reminded me

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<v Speaker 1>of something we have to circle back to because it's

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<v Speaker 1>something right or mentioned that then we've never gone back to.

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<v Speaker 1>And I think it's very important. Christian Are wrote us

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<v Speaker 1>to tell us which Ninja Turtle we'd each be okay,

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<v Speaker 1>and it reminded me that writer had said there is

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<v Speaker 1>a he knows which Ninja Turtle he is. So I

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<v Speaker 1>wanted to see what with what christian Are said, how

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<v Speaker 1>it matches up with what you guys think. So Christian

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<v Speaker 1>said that Danielle would be Leonardo, that my my host

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<v Speaker 1>abilities show real Leo trade. It's also leadership quality. Writer

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<v Speaker 1>would be Donna Tello. He's intelligent and studious, a real brain.

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<v Speaker 1>That was always my idea. Will would be Michaelangelo with

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<v Speaker 1>his quick sense of humor, and Phoenie would clearly be Splinter.

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<v Speaker 1>Absolutely all right. I like it. I can I tell you.

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<v Speaker 1>As a voice over actor, I've gotten a chance to

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<v Speaker 1>be involved in almost every one of my favorite cartoons

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<v Speaker 1>from the time I was a kid, and I've never

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<v Speaker 1>from the fifty times I've auditioned for them, never gotten

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<v Speaker 1>to play a ninja turtle. It kills me. I've never

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<v Speaker 1>used being a ninja turtle on one of them too,

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<v Speaker 1>Like I want to say, like eight years ago. God,

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<v Speaker 1>I I don't. It wasn't Donna Tello though, I think

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<v Speaker 1>it was Raphael, which is the one. I don't know,

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<v Speaker 1>but I was definitely up for. I went back like

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<v Speaker 1>three or four times. I was like, this would be fun. Yeah,

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<v Speaker 1>it's amazing, and it's the one I can't cry. Well,

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<v Speaker 1>there's still time. Well, there's still time. Um. Welcome to

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<v Speaker 1>pon Meet's World. I'm Daniel Fishel, I'm right or Strong,

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<v Speaker 1>and I'm Wilfred. I'm glad that our pre show chatter

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<v Speaker 1>was short today because I feel like this recap episode

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<v Speaker 1>we're about to jump into is going to be one

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<v Speaker 1>of our longer recaps. And maybe I'm wrong, Maybe I'm wrong,

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<v Speaker 1>but it is in my notes. It is multiple multiple pages,

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<v Speaker 1>and oh my god, I'm so serious. I really liked

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<v Speaker 1>this episode. Allo. Wow, I'm actually really glad to hear that,

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<v Speaker 1>because this is my least favorite episode any episode I

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<v Speaker 1>have seen so far. And Mr Joy, yes, I would

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<v Speaker 1>not say my least favorite, but it is definitely not.

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<v Speaker 1>Several times, I'm so, I'm so glad that you did,

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<v Speaker 1>because I'm dying to hear your perspective, because I'm I

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<v Speaker 1>several times paused the show to go what and then

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<v Speaker 1>like wait, what, what's happening? And then let me just

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<v Speaker 1>recap it out loud and like, am I understanding this correctly?

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<v Speaker 1>And then it led to a really interesting fifteen or

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<v Speaker 1>twenty minute discussion between producer Jensen Carr husband at the

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<v Speaker 1>end of the night about like which just cre now

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<v Speaker 1>it depends with him its producer correct Then he's producer

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<v Speaker 1>Jensen Carp And that's that's why it came up this way,

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<v Speaker 1>because we were discussing more as producers than than as

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<v Speaker 1>husband wife, and then and then yeah, so anyway, we

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<v Speaker 1>are discussing Season two, Episode four, Me and Mr Joe.

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<v Speaker 1>Original air date October four. The synopsis is that Corey

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<v Speaker 1>and Sean learn a lesson about having something to lose

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<v Speaker 1>when trying to stage a student walk out in protest

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<v Speaker 1>of an English literature exam. Also, Eric still has a

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<v Speaker 1>demanding girlfriend. Oh, she's awful and I hate her and

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<v Speaker 1>we'll get into that later. She's a torturous score, she's awful,

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<v Speaker 1>she's awful. But that's why this episode is not very good.

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<v Speaker 1>I think she's supposed to be awful. That's the like

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<v Speaker 1>I couldn't Yeah, anyway, that's that's what I couldn't stand.

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<v Speaker 1>I was like, what is this? It's a she's awful

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<v Speaker 1>like Jason was funny choked choke while Yeah, okay. So

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<v Speaker 1>it was directed by David Trainer, written by Jeff Minnel.

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<v Speaker 1>It guest stars Jason Marsden as Jason Marsden and Sydney

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<v Speaker 1>Bennett returns as Desiree Um. I'm sorry I should say

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<v Speaker 1>it correctly, desiree Emmeline Hollinger Boumon. So we start this

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<v Speaker 1>recap in the Matthews kitchen. Amy is impressed that Corey

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<v Speaker 1>is reading The Grapes of Wrath a two pounder and

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<v Speaker 1>that he's almost done with it. Corey then flips the page,

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<v Speaker 1>explaining that he went from page five eighty two to

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<v Speaker 1>five eighty one, exposing that he's reading the book backwards,

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<v Speaker 1>so he already knows what happens. Eric runs down the

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<v Speaker 1>stairs to leave and he's going to meet his I mean,

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<v Speaker 1>I didn't, I just it was kind of funny. It was, Yeah,

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<v Speaker 1>you're setting it up like look what he's done. He's

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<v Speaker 1>oh my god, he's almost done with the grapes of wrath.

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<v Speaker 1>It's that's incredible, Okay, and now I'm on five eight one.

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<v Speaker 1>I mean it was it was a good tea up.

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<v Speaker 1>It was an interesting take a joke I hadn't seen

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<v Speaker 1>before giving giving that joke credit. Uh. Eric runs down

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<v Speaker 1>the stairs to leave. He's going to meet his new girlfriend, Desiree,

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<v Speaker 1>the controlling Southern Bell we met in the last episode.

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<v Speaker 1>Let's just talk about how crazy physical will your physical

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<v Speaker 1>humor is just top about. But you and and we

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<v Speaker 1>had so much fun. This clearly actually pushing back, but

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<v Speaker 1>it was I was like, oh my god, we were

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<v Speaker 1>having a blast with us. And then it was kind

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<v Speaker 1>of like we were working out the different beats and

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<v Speaker 1>then um I did started to do the foot shuffle thing,

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<v Speaker 1>and she's and and so we're we were really enjoying

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<v Speaker 1>working with each other. It was a ton of fun

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<v Speaker 1>of kind of getting to work with Betsy. You know,

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<v Speaker 1>it was not yeah, that is not fake, like that

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<v Speaker 1>is all like real good choreography, and like when you

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<v Speaker 1>fake her out and do the twist to get out,

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<v Speaker 1>I was like, this is this feels real in such

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<v Speaker 1>a fun way. I thought it was fine. I also

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<v Speaker 1>liked just deciding to button one button at the very

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<v Speaker 1>bottom of my shirt man V which was which was

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<v Speaker 1>a yeah, it reminded me this physicality that you guys did.

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<v Speaker 1>We talked about this in a previous episode of Boy

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<v Speaker 1>Me It's World, about how Michael was very big on

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<v Speaker 1>physical humor needing to be very real, and it did.

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<v Speaker 1>It felt like you two with this choreography and the

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<v Speaker 1>way you guys worked it out, it was no matter what,

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<v Speaker 1>just pushed back against each other, just make this real.

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<v Speaker 1>There was and it works. That's exactly why it works,

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<v Speaker 1>is that when when yeah, it was really fun and

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<v Speaker 1>you could see by the way she's gripping your arm

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<v Speaker 1>that she is genuinely pushing against you. We were having fun. Yeah,

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<v Speaker 1>it's a very it's very cool. So she says she

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<v Speaker 1>doesn't care what Eron's desire is making you do. You

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<v Speaker 1>were going to sit down and eat breakfast and then

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<v Speaker 1>just sorry, Wow, this is one of those you know,

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<v Speaker 1>we we've talked a lot about like why couldn't it

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<v Speaker 1>be Betsy, Like this could have easily been Alan, It

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<v Speaker 1>actually would have made more sense. But it's so good

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<v Speaker 1>that it's Betsy. It makes it so much funnier, so

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<v Speaker 1>much more interesting. She's most of the episode, and Rusty

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<v Speaker 1>doesn't show up until later. Like I had the same thought,

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<v Speaker 1>it was weird that he just walks in at that

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<v Speaker 1>he had finals. But yeah, but this could have easily

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<v Speaker 1>been a physical like Dad versus son physical thing. But

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<v Speaker 1>the fact that it's her makes it so much better. Well, yeah,

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<v Speaker 1>Rusty finals. Honestly, it's I wonder if he had another

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<v Speaker 1>job or something like It's seriously, it felt it felt

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<v Speaker 1>like a weird gap that he just kind of shows

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<v Speaker 1>up at that one scene. I was like, oh, yeah,

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<v Speaker 1>he's on this show. But there's a perfect example of

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<v Speaker 1>how it easily could have been Betsy. It was, and

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<v Speaker 1>it was great. Yeah, it worked really well that it

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<v Speaker 1>was her. Um Amy asks what kind of control this

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<v Speaker 1>girl has over Eric and then his pager goes off

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<v Speaker 1>because as are a needs conditioner. Eric avoids his mom

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<v Speaker 1>and rushes out the door. Um and we explain what

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<v Speaker 1>pages are to our young Were these things you wore

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<v Speaker 1>on your belt and reminded you that no, I had

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<v Speaker 1>no friends, that you guys have pages? During this of course, yeah, right,

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<v Speaker 1>we all did right, because as kid actors, we were

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<v Speaker 1>lucky enough to like get pagers. Uh, but like I

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<v Speaker 1>did most kids have them, I guess maybe like by

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<v Speaker 1>late nineties, everybody or a sidekick. Wasn't that The other

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<v Speaker 1>thing that people would have in the late nineties or

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<v Speaker 1>early nineties, it was drug dealers and child actors exactly

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<v Speaker 1>often one and the same. So you would get you

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<v Speaker 1>would get a page which somebody could call you from

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<v Speaker 1>their phone and then punch in any number to tell

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<v Speaker 1>you to call him back. But of course that instead

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<v Speaker 1>of just putting the number to call back, they became

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<v Speaker 1>an elaborate system of codes, so you would have like

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<v Speaker 1>your own pager code, and then you would have like,

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<v Speaker 1>you know, yeah, all these like elaborate way you know.

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<v Speaker 1>Of course drug dealers had elaborate codes for everything. Um,

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<v Speaker 1>but let me walk you through some. So if you

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<v Speaker 1>wanted to please as a child actor, it would usually

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<v Speaker 1>be like if we were at if I was at

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<v Speaker 1>my regular school and I got a page, it would

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<v Speaker 1>usually say like one, and that would mean you have

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<v Speaker 1>an audition. And then the next set of numbers was

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<v Speaker 1>usually the time my mom was coming to pick me up,

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<v Speaker 1>and so I would just look down I'd see the

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<v Speaker 1>number one, no, I have an audition, and then it

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<v Speaker 1>would say like one fifteen, and I'd know, okay, I've

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<v Speaker 1>got to meet her in the nurses office at one

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<v Speaker 1>fifteen and that's where you know she's going to pick

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<v Speaker 1>me up to go to. Of My pages were low battery.

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<v Speaker 1>I just had no it did. It proved to me

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<v Speaker 1>that I had no friends like oh man. So the

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<v Speaker 1>coolest page or code was my brother, whose name is Shilo.

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<v Speaker 1>You could actually spell Shiloh one backwards, yeah, seven one

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<v Speaker 1>four at four five right, so if you turn that

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<v Speaker 1>upside down, it spells. It was his very long, convoluted patriochude.

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<v Speaker 1>But it worked, okay. I love seeing it brought me back.

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<v Speaker 1>I know, well, because they did have cool neon cases.

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<v Speaker 1>I remember one of my favorite cases was a neon case.

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<v Speaker 1>But I also had a clear case, which was so cool. Um.

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<v Speaker 1>And then Corey goes back to his book. He continues

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<v Speaker 1>to read and ends with a joke. I guess you

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<v Speaker 1>want to call that a joke. He reads a quote

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<v Speaker 1>from like a famous quote from Grapes of Wrath and

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<v Speaker 1>then says, well, that came out of nowhere. Because he's

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<v Speaker 1>reading the book backwards. Yeah, I didn't think that was

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<v Speaker 1>like a probably better button, probably could have a Yeah,

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<v Speaker 1>is there a defense? Is that like will did you

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<v Speaker 1>think it was particularly funny or are you like that one?

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<v Speaker 1>I was still talking about how awesome I was with

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<v Speaker 1>my foot work and Betsy, so I'm not even registered

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<v Speaker 1>that part of the scene if I'm honest. Okay, got it,

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<v Speaker 1>I get it. That makes sense. You and Sue were

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<v Speaker 1>still like, man, yeah, the wife listen, I get it.

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<v Speaker 1>So wife mine, we actually watched this at like midnight.

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<v Speaker 1>She was asleep by when I think the joke he

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<v Speaker 1>said one. She was out already by that, right, right, Yeah,

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<v Speaker 1>she was already asleep. Yeah, I'm glad she likes the show.

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<v Speaker 1>She does, so Mr Turners, We're in Mr Turner's classroom.

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<v Speaker 1>Mr Turner asks who can explain what is happening so

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<v Speaker 1>far in the Grapes of Wrath. Corey puts his hand

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<v Speaker 1>up and Mr Turner asks if it's a muscle spasm,

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<v Speaker 1>but Corey wants a shot. Corey explains it perfectly, and

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<v Speaker 1>everyone is shocked that Corey knows what's happening, and Sean

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<v Speaker 1>says that he's a disgrace to the back row, which

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<v Speaker 1>is funny because he's not in the back row. Only

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<v Speaker 1>Sean is in the back row, which I thought was

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<v Speaker 1>kind of funny. He's in front of you a little row,

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<v Speaker 1>three rows right, and he's not in the one you referenced. So, yeah,

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<v Speaker 1>it was great. Mr. Turner says the book is a

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<v Speaker 1>perfect example of how the powerful will always exploit the powerless.

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<v Speaker 1>When Korey and Sean asked what they need to know

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<v Speaker 1>for the test, Turner says he doesn't want to hear

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<v Speaker 1>people asking about the test anymore. He says that as

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<v Speaker 1>long as everyone reads the book and engages during the

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<v Speaker 1>class discussion, there will be no test. Everyone like jumps up,

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<v Speaker 1>no test, and they run out of the room, And

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<v Speaker 1>then we're in the school cafeteria. Are just very quickly

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<v Speaker 1>to writer's point. For the last run through, the last

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<v Speaker 1>walk through we did did you did you get a

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<v Speaker 1>Turner tie reference? Oh yeah, I forgot. I didn't see

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<v Speaker 1>it in this one. I meant to go back and look.

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<v Speaker 1>The next one is way better. The next one. Yeah,

0:12:38.880 --> 0:12:41.360
<v Speaker 1>we'll talk about the next one. We're building up. There's

0:12:41.360 --> 0:12:48.559
<v Speaker 1>such a thing. How did we know? Because it's very remarkable? Yeah,

0:12:48.600 --> 0:12:51.360
<v Speaker 1>it is. It is clearly a choice that either Tony

0:12:51.480 --> 0:12:54.360
<v Speaker 1>or Sarah or together they were making like we're going

0:12:54.400 --> 0:13:09.240
<v Speaker 1>to yeah, yes, yeah. So in the school cafeteria, Mr

0:13:09.280 --> 0:13:12.200
<v Speaker 1>Feenie is sitting with Mr Turner. Phoenie comes to the

0:13:12.240 --> 0:13:18.680
<v Speaker 1>table with just a tray of coffee, the whole tray

0:13:18.720 --> 0:13:22.240
<v Speaker 1>with one thing on it, with a saucer and some

0:13:22.320 --> 0:13:25.400
<v Speaker 1>good business guys. This whole series, this is him acting

0:13:25.520 --> 0:13:27.920
<v Speaker 1>the crap out of putting sugar in that tea. It

0:13:28.000 --> 0:13:31.280
<v Speaker 1>was also cream. That's why. And actually husband producer Jensen

0:13:31.320 --> 0:13:33.240
<v Speaker 1>carp did say when I said, is that just a

0:13:33.240 --> 0:13:35.440
<v Speaker 1>tray of coffee? He said, I think it's tea? And

0:13:35.480 --> 0:13:37.520
<v Speaker 1>I said, well, are they trying to let us think

0:13:37.559 --> 0:13:40.160
<v Speaker 1>that he's British because he's coming there with black tea

0:13:40.200 --> 0:13:42.880
<v Speaker 1>that then he's putting cream in. Thank you, thank you,

0:13:43.080 --> 0:13:46.280
<v Speaker 1>And you wonder why we were confused as children? Yeah,

0:13:46.040 --> 0:13:48.400
<v Speaker 1>you get it. Thank I love this scene because this

0:13:48.480 --> 0:13:50.560
<v Speaker 1>is I mean, this whole storyline is the payoff of

0:13:50.600 --> 0:13:53.120
<v Speaker 1>what was established in that first episode of the second season.

0:13:53.120 --> 0:13:55.000
<v Speaker 1>And I remember when we were talking about it, I said,

0:13:55.040 --> 0:13:57.920
<v Speaker 1>I hope they developed this because it's really a great dynamic.

0:13:58.000 --> 0:14:02.480
<v Speaker 1>The Phoenie Turner divide. You know, I love it, and

0:14:02.640 --> 0:14:05.559
<v Speaker 1>hummus is a good joke. Yeah, hummus is a pretty

0:14:05.559 --> 0:14:07.800
<v Speaker 1>good joke. It's just a funny word. It's kids aren't

0:14:07.840 --> 0:14:10.520
<v Speaker 1>sitting there in seventh grade eating hummus normally in Philadelphia,

0:14:10.760 --> 0:14:12.800
<v Speaker 1>so it's that's to me, it was a funny joke,

0:14:12.880 --> 0:14:15.920
<v Speaker 1>especially the way Tony kind of nailed that word. It's like, okay,

0:14:15.920 --> 0:14:19.680
<v Speaker 1>this is this is funny. I writer cannot wait to

0:14:19.720 --> 0:14:22.040
<v Speaker 1>discuss with you whether or not this is because I

0:14:22.120 --> 0:14:25.560
<v Speaker 1>love the dynamic between Phoenie and Turner as well. I

0:14:25.600 --> 0:14:29.400
<v Speaker 1>thought this was not the episode for it. I didn't

0:14:29.440 --> 0:14:34.960
<v Speaker 1>get it. I like it was so such a waste

0:14:35.120 --> 0:14:36.720
<v Speaker 1>and at the end of it, I was like what

0:14:36.880 --> 0:14:39.920
<v Speaker 1>and I want to I'll bring it up at the end,

0:14:39.960 --> 0:14:42.880
<v Speaker 1>but I'm going to plant the seed now. This would

0:14:42.960 --> 0:14:47.000
<v Speaker 1>not surprise me if this was originally a season one

0:14:47.160 --> 0:14:51.280
<v Speaker 1>script where Turner just wasn't in it at all and

0:14:51.360 --> 0:14:54.920
<v Speaker 1>it was a storyline where Corey was the Turner piece

0:14:55.280 --> 0:14:59.240
<v Speaker 1>and Phoenie was the always Phoenie piece. Because this just

0:14:59.360 --> 0:15:03.800
<v Speaker 1>feels well, we'll talk about it, just planting the seed.

0:15:05.560 --> 0:15:07.840
<v Speaker 1>We will go, we will go about the episode and

0:15:07.880 --> 0:15:10.640
<v Speaker 1>we'll see what happens. So Mr Phoenie sits down with

0:15:10.720 --> 0:15:13.840
<v Speaker 1>Mr Turner. He says that Mr. Turner's fourth period English

0:15:13.880 --> 0:15:17.240
<v Speaker 1>class sure seems unusually chipper, and Phoenie asks if it

0:15:17.280 --> 0:15:20.040
<v Speaker 1>had anything to do with Turner's innovative no test policy.

0:15:20.320 --> 0:15:22.160
<v Speaker 1>Turner says it's not a policy, but as long as

0:15:22.240 --> 0:15:24.200
<v Speaker 1>kids do the work and know their stuff, he doesn't have.

0:15:24.360 --> 0:15:26.680
<v Speaker 1>He doesn't believe that they need a test. Phoenie says

0:15:26.680 --> 0:15:28.880
<v Speaker 1>that without a test, students will come to school tomorrow

0:15:28.880 --> 0:15:32.240
<v Speaker 1>knowing nothing. Turner disagrees, and Phoenie asks if he's willing

0:15:32.280 --> 0:15:35.000
<v Speaker 1>to try his theory, setting up the very first you know,

0:15:35.320 --> 0:15:39.560
<v Speaker 1>Turner Phoenie's storyline. But the stakes for the storyline are

0:15:39.680 --> 0:15:44.680
<v Speaker 1>just if you win, I'll respect you, and if I win,

0:15:45.600 --> 0:15:47.760
<v Speaker 1>you'll respect me. Yeah, maybe that's why it didn't work

0:15:47.800 --> 0:15:49.920
<v Speaker 1>for me. I just I mean, I I like that

0:15:49.960 --> 0:15:54.560
<v Speaker 1>they're exploring this, but I found this an incredibly boring storyline,

0:15:55.200 --> 0:15:57.320
<v Speaker 1>just not interesting. I was not invested, and I love

0:15:57.360 --> 0:15:59.880
<v Speaker 1>these two actors. I love these two characters, and yet

0:16:00.080 --> 0:16:03.480
<v Speaker 1>whatever reason, this tension just fell completely flat. The writing

0:16:03.560 --> 0:16:05.760
<v Speaker 1>just didn't bring it to the surface like it just

0:16:05.800 --> 0:16:07.840
<v Speaker 1>felt okay. It was supposed to be tension. I thought

0:16:07.840 --> 0:16:11.680
<v Speaker 1>it was just look, it's new school teaching versus conflict. Yeah,

0:16:11.720 --> 0:16:14.800
<v Speaker 1>but but it doesn't make any sense because Phoenie is

0:16:14.800 --> 0:16:17.520
<v Speaker 1>is a new school teacher, like he always creates crazy

0:16:17.600 --> 0:16:23.440
<v Speaker 1>life experiences to teach lessons, like the idea that maybe,

0:16:23.480 --> 0:16:25.160
<v Speaker 1>I mean, maybe I could buy that, but I don't

0:16:25.160 --> 0:16:26.600
<v Speaker 1>know why. It just didn't come to life for me,

0:16:26.760 --> 0:16:28.440
<v Speaker 1>Like I don't know, I just did not come to

0:16:28.480 --> 0:16:31.200
<v Speaker 1>life like I I get the forces at work, but

0:16:31.240 --> 0:16:34.760
<v Speaker 1>it didn't have any sparks for whatever reason. I mean,

0:16:34.880 --> 0:16:36.520
<v Speaker 1>for one thing, like you said, it could be that

0:16:36.520 --> 0:16:39.120
<v Speaker 1>there are practically no stakes. It's just, well, what happens

0:16:39.120 --> 0:16:41.280
<v Speaker 1>If I win, then I'll consider your methods. Well what

0:16:41.320 --> 0:16:43.200
<v Speaker 1>if I win, then I'll consider your methods. That may

0:16:43.240 --> 0:16:45.280
<v Speaker 1>be part of it. But to my point of maybe

0:16:45.320 --> 0:16:47.280
<v Speaker 1>this is like feels more like a Season one script.

0:16:47.520 --> 0:16:51.640
<v Speaker 1>Imagine if Corey was in the Turner position of listen,

0:16:51.680 --> 0:16:53.520
<v Speaker 1>as long as we're doing the work, we don't need

0:16:53.600 --> 0:16:55.680
<v Speaker 1>to take a test, and Phoenie saying, how would I

0:16:55.720 --> 0:16:57.840
<v Speaker 1>ever know what you've learned without a test? And it

0:16:57.880 --> 0:16:59.960
<v Speaker 1>becomes a thing, Well, let's do it. Let's not take

0:17:00.000 --> 0:17:01.960
<v Speaker 1>a test. And let's see what happens if it's now

0:17:01.960 --> 0:17:05.080
<v Speaker 1>a bet between the two of them. I feel like

0:17:05.200 --> 0:17:07.280
<v Speaker 1>that would have been I don't know, I feel like

0:17:07.320 --> 0:17:09.440
<v Speaker 1>that's kind of what we came to expect from season one,

0:17:09.480 --> 0:17:11.560
<v Speaker 1>a little bit of like and then the situation that

0:17:11.600 --> 0:17:14.200
<v Speaker 1>comes out of the episode at the end, the payoff

0:17:14.240 --> 0:17:16.879
<v Speaker 1>of Turner saying you know, well we did and we

0:17:16.920 --> 0:17:18.960
<v Speaker 1>found it all out without a test, and Phoene then

0:17:19.000 --> 0:17:24.560
<v Speaker 1>saying did we so again, We'll get to it at

0:17:24.560 --> 0:17:27.199
<v Speaker 1>the end, because that that also is the reason then

0:17:27.200 --> 0:17:29.359
<v Speaker 1>didn't work for me. At the end of the episode, Turner,

0:17:29.440 --> 0:17:32.399
<v Speaker 1>thanks Phoenie, and I'm like, for what you will right

0:17:32.560 --> 0:17:35.880
<v Speaker 1>all along? He created a whole mess in your class

0:17:35.960 --> 0:17:40.159
<v Speaker 1>and and created a whole hoop lot and for what, like,

0:17:40.240 --> 0:17:43.240
<v Speaker 1>what are you thanking him for? Exactly right, because Turner's

0:17:43.240 --> 0:17:45.600
<v Speaker 1>point is made the very next scene when we all

0:17:45.600 --> 0:17:48.680
<v Speaker 1>show up and we've all read the book and well, yeah,

0:17:48.840 --> 0:17:53.520
<v Speaker 1>so it's over done. It's done. Okay, So we're in

0:17:53.600 --> 0:17:57.200
<v Speaker 1>the Matthew's kitchen, Jason Marsden barges in and asks Amy

0:17:57.280 --> 0:18:00.320
<v Speaker 1>if she's guest starring on Baywatch because she's so hot.

0:18:01.840 --> 0:18:03.879
<v Speaker 1>Eric enters and says he has to bail on their

0:18:03.880 --> 0:18:07.840
<v Speaker 1>basketball game because something came up. Jason, Yes, I love

0:18:07.880 --> 0:18:12.200
<v Speaker 1>shorts over sweatshants with the mullet. The mullet shorts over sweatpants.

0:18:12.240 --> 0:18:14.560
<v Speaker 1>I didn't know that I saw that. And then of

0:18:14.560 --> 0:18:20.080
<v Speaker 1>course it comes back later when Will shows up. Why

0:18:20.119 --> 0:18:22.320
<v Speaker 1>did you do that? Why did people do in Philly?

0:18:22.560 --> 0:18:26.800
<v Speaker 1>It's Philly? Oh, because it's cold outside the shorts, then

0:18:26.880 --> 0:18:31.399
<v Speaker 1>do the pans and keep you for being well. I

0:18:31.400 --> 0:18:33.679
<v Speaker 1>don't know. Maybe you're playing indoors, but you have to

0:18:33.680 --> 0:18:36.199
<v Speaker 1>be outdoors before you get to indoors, So maybe the

0:18:36.240 --> 0:18:37.919
<v Speaker 1>shorts are what you end up. Maybe you take your

0:18:37.960 --> 0:18:40.000
<v Speaker 1>sweatpants off to play inside, but then you have the

0:18:40.000 --> 0:18:42.240
<v Speaker 1>sweatpants on. I don't know, but then you have to

0:18:42.240 --> 0:18:44.719
<v Speaker 1>take the shorts off to take the take your pants off.

0:18:44.720 --> 0:18:49.320
<v Speaker 1>Why wouldn't you just carry the shorts with you your

0:18:49.359 --> 0:18:53.680
<v Speaker 1>sweatpants exactly? This is a choice. This is a fashion.

0:18:53.880 --> 0:18:57.960
<v Speaker 1>Choice is a fashion? But is that just a boy

0:18:58.040 --> 0:19:00.960
<v Speaker 1>these world thing? Or like? Okay, dear listen, please write

0:19:01.000 --> 0:19:03.600
<v Speaker 1>to us if you or anyone you know has ever

0:19:03.680 --> 0:19:08.200
<v Speaker 1>worn sweatshirts shorts over sweatpants. Is that a thing in particular?

0:19:08.240 --> 0:19:12.480
<v Speaker 1>Our Philly Listeners producer and husband Jensen Carp played basketball

0:19:12.920 --> 0:19:16.480
<v Speaker 1>a lot. Did you ever Jensen where he said? Never

0:19:16.960 --> 0:19:21.800
<v Speaker 1>was California. He's like California. Okay, we just we need

0:19:21.800 --> 0:19:26.479
<v Speaker 1>our East coast listeners Connecticut aside. But again, basketball, and

0:19:26.520 --> 0:19:29.560
<v Speaker 1>you wore shorts and then you take a pair of

0:19:29.560 --> 0:19:33.119
<v Speaker 1>sweatpants and you put them over your shorts. So that

0:19:33.280 --> 0:19:35.239
<v Speaker 1>at the walk from the car and it was a car,

0:19:35.359 --> 0:19:40.320
<v Speaker 1>not a horse to the but exactly it was to

0:19:40.520 --> 0:19:43.320
<v Speaker 1>the to the gymnasticum because we didn't have the right word,

0:19:44.119 --> 0:19:47.280
<v Speaker 1>um what was you then take off your sweatpants and

0:19:47.320 --> 0:19:49.919
<v Speaker 1>you have your shorts on to play game new fangled

0:19:49.960 --> 0:19:54.840
<v Speaker 1>game called um. So, yeah, I didn't. I Also, he's

0:19:55.080 --> 0:19:56.760
<v Speaker 1>and I love Jason and I think he's very good

0:19:56.760 --> 0:19:58.600
<v Speaker 1>in this this show. But I think he just pushed.

0:19:58.680 --> 0:20:01.840
<v Speaker 1>He was so Eddie Haskell like they're now making him

0:20:01.880 --> 0:20:05.240
<v Speaker 1>so Eddie Haskell in the episode where it's again like

0:20:05.359 --> 0:20:07.760
<v Speaker 1>Mrs Smith's s yeah, and it's like, wow, oh god,

0:20:07.760 --> 0:20:10.360
<v Speaker 1>what are you doing? So it's it's a lot, Yeah,

0:20:10.440 --> 0:20:14.320
<v Speaker 1>it's a lot. So Jason takes a wild guess that

0:20:14.520 --> 0:20:18.359
<v Speaker 1>vampire Vampira or Vampira is the reason Eric is busy.

0:20:18.520 --> 0:20:21.200
<v Speaker 1>Jason gives Amy his condolences for the loss of her son.

0:20:21.440 --> 0:20:24.159
<v Speaker 1>Amy says, send the money to the foundation of the

0:20:24.280 --> 0:20:26.880
<v Speaker 1>terminally whipped, which I thought was kind of a funny joke,

0:20:26.880 --> 0:20:30.000
<v Speaker 1>and she hit the word whipped whipped. I know it

0:20:30.160 --> 0:20:33.560
<v Speaker 1>was very funny. Eric doesn't understand why Amy and Jason

0:20:33.600 --> 0:20:36.640
<v Speaker 1>are so down on Desiree, and then Eric's pager goes off.

0:20:36.920 --> 0:20:39.840
<v Speaker 1>Jason steals the pager and says, it's Desiree. She's in

0:20:39.880 --> 0:20:43.800
<v Speaker 1>the driveway and she wants water. As Eric goes to

0:20:43.880 --> 0:20:48.080
<v Speaker 1>the sink, Amy blocks him and then sprays Eric with water. Um.

0:20:48.200 --> 0:20:51.919
<v Speaker 1>Eric goes running upstairs. Desire enters and asks Jason to

0:20:52.080 --> 0:20:55.399
<v Speaker 1>fetch Eric, and then Jason says he was in the

0:20:55.400 --> 0:20:57.600
<v Speaker 1>shower when his pager went off and it wasn't pretty

0:20:57.640 --> 0:21:02.440
<v Speaker 1>that he's basically dead. Eric then walks downstairs and has

0:21:02.480 --> 0:21:04.840
<v Speaker 1>a towel tucked into his pants to cover the water,

0:21:05.000 --> 0:21:08.600
<v Speaker 1>which I why was there a kitchen towel upstairs? And

0:21:08.640 --> 0:21:11.679
<v Speaker 1>why didn't you change your pants? Not change your pants?

0:21:12.000 --> 0:21:14.560
<v Speaker 1>I don't understand that you run upstairs to get a

0:21:14.560 --> 0:21:18.199
<v Speaker 1>towel from the kitchen. Kitchen? Yeah, what the hell was

0:21:18.240 --> 0:21:20.320
<v Speaker 1>the point of that, I don't know. It was also

0:21:20.440 --> 0:21:22.840
<v Speaker 1>you were gone for a little longer, Like you were

0:21:22.840 --> 0:21:24.679
<v Speaker 1>gone long enough that you could have changed your pants.

0:21:24.760 --> 0:21:27.040
<v Speaker 1>You think, Yeah, at least thrown on a good pair

0:21:27.080 --> 0:21:30.399
<v Speaker 1>of pants under a pair of shorts, which would have

0:21:30.400 --> 0:21:33.679
<v Speaker 1>been great. And she could take Jason's shorts. Still, you

0:21:33.680 --> 0:21:36.360
<v Speaker 1>can still be wearing clothes. You could have pulled shorts off.

0:21:37.400 --> 0:21:39.760
<v Speaker 1>I don't know Sydney Bennett at all. We hung out

0:21:39.760 --> 0:21:41.720
<v Speaker 1>these not even hung out. We worked together these two weeks.

0:21:41.720 --> 0:21:43.680
<v Speaker 1>I do not know her. I'm sure she's a wonderful person.

0:21:44.160 --> 0:21:47.199
<v Speaker 1>It's the character, but every time she's on screen, I

0:21:47.400 --> 0:21:53.879
<v Speaker 1>just wrote, she's awful. You hate her so much that

0:21:53.960 --> 0:21:58.359
<v Speaker 1>it's not funny hate. Also, I didn't write this until

0:21:58.359 --> 0:22:00.199
<v Speaker 1>and so I wasn't gonna bring it up until like

0:22:00.359 --> 0:22:03.080
<v Speaker 1>the later the hallway scene later. But what I wrote

0:22:03.119 --> 0:22:07.000
<v Speaker 1>down was like, is this funny? Does anybody find this funny?

0:22:07.200 --> 0:22:12.080
<v Speaker 1>Is this entertaining? It's in the slightest, but this whole

0:22:12.119 --> 0:22:14.880
<v Speaker 1>storyline is just it's it's it's you know. It reminded

0:22:14.920 --> 0:22:19.080
<v Speaker 1>me of the girls in the Trucks Are when when

0:22:19.080 --> 0:22:22.719
<v Speaker 1>the car breaks down during the first season, until they

0:22:22.880 --> 0:22:26.640
<v Speaker 1>like manipulate the junkyard guy with the it's like this

0:22:26.880 --> 0:22:30.959
<v Speaker 1>stupid gender like women have all the power. Look at

0:22:31.000 --> 0:22:33.800
<v Speaker 1>guys being hopeless to a hot woman joke that is

0:22:33.880 --> 0:22:36.440
<v Speaker 1>just not funny, and they're pushing I mean, okay, fine,

0:22:36.480 --> 0:22:38.359
<v Speaker 1>we did one, but we already did an episode of

0:22:38.440 --> 0:22:41.480
<v Speaker 1>this storyline. So now we have an entire another episode.

0:22:41.520 --> 0:22:43.560
<v Speaker 1>What is the point of this? I don't think, Like

0:22:43.840 --> 0:22:47.280
<v Speaker 1>I honestly was like, I know all the jokes before

0:22:47.280 --> 0:22:49.480
<v Speaker 1>they happen. I know Jason is gonna be whipped in

0:22:49.520 --> 0:22:51.639
<v Speaker 1>his way, I know, you know all the things. So

0:22:51.800 --> 0:22:54.399
<v Speaker 1>is there literally a single moment of this that is funny?

0:22:54.520 --> 0:22:57.520
<v Speaker 1>Like I just couldn't find it. And the other I

0:22:57.600 --> 0:23:00.119
<v Speaker 1>wonder how long they were going to actually keep or

0:23:00.160 --> 0:23:01.399
<v Speaker 1>on the show, if she was supposed to be on

0:23:01.440 --> 0:23:04.399
<v Speaker 1>longer than this, because again, they brought me into audition

0:23:04.480 --> 0:23:06.919
<v Speaker 1>with this woman, Like the character was so important to

0:23:07.000 --> 0:23:10.720
<v Speaker 1>them that they brought me into read with her several times.

0:23:11.480 --> 0:23:14.719
<v Speaker 1>So I'm wondering if this was supposed to be another

0:23:14.800 --> 0:23:18.480
<v Speaker 1>recurring character that just didn't land, because it didn't land

0:23:18.520 --> 0:23:22.480
<v Speaker 1>it was because yeah, it's not her fault, Yeah, not

0:23:22.600 --> 0:23:24.760
<v Speaker 1>not sitting his fault. It's the character. It's because if

0:23:24.760 --> 0:23:27.520
<v Speaker 1>you take the idea of like, oh will like or sorry,

0:23:27.640 --> 0:23:31.639
<v Speaker 1>Eric is willing to put up with an awful person

0:23:31.720 --> 0:23:33.639
<v Speaker 1>because it's he gets to day to senior, right right,

0:23:33.880 --> 0:23:35.880
<v Speaker 1>There's so many cool ways you could go with that

0:23:36.080 --> 0:23:38.960
<v Speaker 1>and like have having him having to keep compromising his

0:23:39.080 --> 0:23:41.960
<v Speaker 1>values in order to appease some woman. That could have

0:23:41.960 --> 0:23:44.679
<v Speaker 1>been subtle, dynamic and interesting, and you could see like

0:23:44.720 --> 0:23:48.480
<v Speaker 1>the slow erosion of Eric's character, but instead it's like

0:23:48.840 --> 0:23:52.560
<v Speaker 1>done from the moment we see the situation the last episode,

0:23:52.760 --> 0:23:55.760
<v Speaker 1>it's like established, and then they just keep reiterating the

0:23:55.880 --> 0:23:59.040
<v Speaker 1>same thing over. There's no development, there's no change. It's

0:23:59.119 --> 0:24:03.680
<v Speaker 1>just okay, And I just didn't find he says something.

0:24:03.760 --> 0:24:06.840
<v Speaker 1>It says something in the accent. Jason walks up and

0:24:06.960 --> 0:24:09.000
<v Speaker 1>is you know, I can't believe you're doing this, and

0:24:09.040 --> 0:24:11.520
<v Speaker 1>then Eric chooses her until he doesn't. It was Yes,

0:24:11.640 --> 0:24:14.920
<v Speaker 1>it was over and over again, the same jokes, so dumb. Yeah,

0:24:14.960 --> 0:24:27.960
<v Speaker 1>I agree, I agree, I agree. Jason begs Eric to

0:24:27.960 --> 0:24:30.680
<v Speaker 1>play hoops, and desire say Jason is a little petite

0:24:30.800 --> 0:24:34.200
<v Speaker 1>to play basketball. This triggers Jason to go off on Desiree,

0:24:34.240 --> 0:24:36.800
<v Speaker 1>and Eric decides to defend Desiree in the argument. Jason

0:24:36.840 --> 0:24:39.639
<v Speaker 1>then leaves desire says Eric now has a decision to

0:24:39.640 --> 0:24:43.639
<v Speaker 1>make between his Elphin buddy and her. Jason then runs

0:24:43.680 --> 0:24:46.439
<v Speaker 1>back in and says he's not Elphin, and then he

0:24:46.520 --> 0:24:49.680
<v Speaker 1>does an impression of the elephant man, which I don't get.

0:24:49.800 --> 0:24:52.800
<v Speaker 1>That I didn't get at all, Like it almost seemed

0:24:53.640 --> 0:24:55.560
<v Speaker 1>and I could be wrong. It almost just seemed like

0:24:55.920 --> 0:24:57.959
<v Speaker 1>I was going to say Jason ad libbing, but I

0:24:58.000 --> 0:24:59.919
<v Speaker 1>doubt in his second or third episode he would have.

0:25:00.200 --> 0:25:01.760
<v Speaker 1>I don't think he ad lib but I think maybe

0:25:01.800 --> 0:25:03.920
<v Speaker 1>they had written I am a human being and he

0:25:04.400 --> 0:25:07.640
<v Speaker 1>was delivering it straight, and then on this take decided

0:25:07.680 --> 0:25:09.840
<v Speaker 1>to do a complete impression but either which is not

0:25:09.880 --> 0:25:12.880
<v Speaker 1>a good impression, but it also just doesn't make any half.

0:25:13.480 --> 0:25:15.560
<v Speaker 1>It doesn't make any sense, like either he's defending himself

0:25:15.600 --> 0:25:17.560
<v Speaker 1>I say I am a human being, which is funny,

0:25:17.800 --> 0:25:20.879
<v Speaker 1>or it was so confusing to me that before I

0:25:20.920 --> 0:25:24.359
<v Speaker 1>turned the subtitles on, which I did turn the subtitles on,

0:25:24.600 --> 0:25:25.760
<v Speaker 1>I figured out how to do it on the new

0:25:25.760 --> 0:25:27.159
<v Speaker 1>TV and I had to do it for this episode

0:25:27.160 --> 0:25:30.200
<v Speaker 1>because there were that many moments that I went what what?

0:25:30.200 --> 0:25:32.880
<v Speaker 1>What did they just say. When he did the elephant

0:25:32.880 --> 0:25:36.200
<v Speaker 1>man impression, I actually thought she must have just said

0:25:36.640 --> 0:25:41.320
<v Speaker 1>instead of elephant, she must have said elephant elephant friend.

0:25:41.880 --> 0:25:44.240
<v Speaker 1>And I was like, did she say your elephant friend?

0:25:44.280 --> 0:25:46.960
<v Speaker 1>That doesn't make any sense. And then and then so, anyway,

0:25:48.040 --> 0:25:54.040
<v Speaker 1>what I like this episode less? Now I was gonna say,

0:25:54.040 --> 0:25:59.520
<v Speaker 1>are turning great? Maybe it has something to do with

0:25:59.520 --> 0:26:01.320
<v Speaker 1>the fact that you watched it at midnight I did.

0:26:01.359 --> 0:26:03.080
<v Speaker 1>I'm gonna be totally honest you. I forgot to do

0:26:03.160 --> 0:26:05.040
<v Speaker 1>my homework last night, and as I was getting into bed,

0:26:05.080 --> 0:26:06.919
<v Speaker 1>I was like, oh, I have to watch an episode

0:26:06.920 --> 0:26:13.720
<v Speaker 1>of Boy Meets World tomorrow. Yeah, exactly. Thank god it

0:26:13.840 --> 0:26:16.000
<v Speaker 1>is dry January. That's all I have to say. I

0:26:16.080 --> 0:26:17.800
<v Speaker 1>was able to. Luckily, I was like, Okay, I can

0:26:17.800 --> 0:26:19.760
<v Speaker 1>stay up to watch this, but yes I might. I

0:26:19.840 --> 0:26:23.200
<v Speaker 1>might have so again, if you want boy funny Man

0:26:23.960 --> 0:26:28.720
<v Speaker 1>midnight half asleep boy is great? Oh my gosh. Okay.

0:26:28.880 --> 0:26:32.000
<v Speaker 1>So then we are in Mr Turner's classroom. Mr Turner

0:26:32.080 --> 0:26:35.720
<v Speaker 1>is lecturing about grapes of and a wonderful shirt about

0:26:35.720 --> 0:26:41.320
<v Speaker 1>brown tie ye seventies style that, man, I think we

0:26:41.320 --> 0:26:44.040
<v Speaker 1>should start naming them. Yeah, that's a good idea. I'm

0:26:44.040 --> 0:26:45.280
<v Speaker 1>in for a name. I did not come up with

0:26:45.320 --> 0:26:47.800
<v Speaker 1>a name, but I did think that it looked like

0:26:47.840 --> 0:26:51.240
<v Speaker 1>the pattern on the shirt twisted around and got dizzy

0:26:51.320 --> 0:26:55.480
<v Speaker 1>and like fell into the tie. Yes, exactly, it's a

0:26:55.520 --> 0:26:57.480
<v Speaker 1>pattern on a pattern. And yeah, it was like the

0:26:57.520 --> 0:27:05.399
<v Speaker 1>shirt was like it's carcasso to the shirt. I already

0:27:05.440 --> 0:27:07.240
<v Speaker 1>just saw the cut that's going to be on the internet.

0:27:08.400 --> 0:27:10.520
<v Speaker 1>So so really doesn't jump up to where you know

0:27:10.600 --> 0:27:12.560
<v Speaker 1>exactly what it's going to be, but there you go,

0:27:15.520 --> 0:27:24.439
<v Speaker 1>Hello Instagram, Hello inst So. Turner talks about the violent

0:27:24.480 --> 0:27:26.560
<v Speaker 1>and bloody battles in the book, and Shawn says it

0:27:26.640 --> 0:27:30.080
<v Speaker 1>sounds like bingo night at his trailer part Again, the

0:27:30.240 --> 0:27:32.280
<v Speaker 1>Vernons thing that you were talking about. Will it's like

0:27:32.320 --> 0:27:35.919
<v Speaker 1>the whatever crazy reference I can make to my home life.

0:27:35.960 --> 0:27:39.119
<v Speaker 1>That's that's the joke. It's so funny. Yeah it is.

0:27:39.520 --> 0:27:41.280
<v Speaker 1>It's really funny. And that was a fun That one

0:27:41.320 --> 0:27:43.840
<v Speaker 1>made me laugh. I thought that was funny. Turner says,

0:27:43.880 --> 0:27:45.880
<v Speaker 1>in a similar struggle, they have to prove to Mr

0:27:45.960 --> 0:27:48.600
<v Speaker 1>Feenie the boss that they can learn the material without

0:27:48.640 --> 0:27:51.040
<v Speaker 1>taking a test, So he passes out a paper with

0:27:51.160 --> 0:27:54.960
<v Speaker 1>questions on it that he calls a survey survey. Corey

0:27:55.000 --> 0:27:57.720
<v Speaker 1>says Turner gave them his word, and Sean admits he

0:27:57.760 --> 0:28:00.520
<v Speaker 1>actually read the book this time, which I love that.

0:28:00.680 --> 0:28:03.040
<v Speaker 1>So you read the whole five hundred and eighty two pages.

0:28:04.920 --> 0:28:07.359
<v Speaker 1>We don't even acknowledge. That's why my head still hurts.

0:28:07.800 --> 0:28:12.760
<v Speaker 1>I guess. Uh. So Corey turns in the blank paper

0:28:12.800 --> 0:28:14.920
<v Speaker 1>and says he's not taking the test. Everyone in the

0:28:14.960 --> 0:28:18.719
<v Speaker 1>class follows him and we have a revolt. And when

0:28:18.760 --> 0:28:20.520
<v Speaker 1>he when he hands in the test and then turns back,

0:28:21.040 --> 0:28:24.359
<v Speaker 1>it's pretty funny. I remember it. Yeah, So he hands

0:28:24.359 --> 0:28:26.119
<v Speaker 1>in the test like I'm not taking this and he

0:28:26.160 --> 0:28:28.120
<v Speaker 1>turns back with this worried face like I can't believe.

0:28:28.160 --> 0:28:32.159
<v Speaker 1>I just didn't want to walk back to Sean. I

0:28:32.200 --> 0:28:36.560
<v Speaker 1>do remember that. It was funny. Um. I also somewhere

0:28:36.600 --> 0:28:41.200
<v Speaker 1>in this moment was like, where's Dusty. Dusty I missed?

0:28:42.240 --> 0:28:44.360
<v Speaker 1>But has he been in any of this season? He

0:28:44.480 --> 0:28:47.520
<v Speaker 1>must don't think he has. But this episode I remembered

0:28:47.680 --> 0:28:49.959
<v Speaker 1>so many of these background actors when I saw them,

0:28:49.960 --> 0:28:52.400
<v Speaker 1>because we worked with them so much in this episode.

0:28:52.400 --> 0:28:54.160
<v Speaker 1>In particular, I think they were there earlier in the

0:28:54.200 --> 0:28:56.239
<v Speaker 1>week because, like a lot of them, because we had

0:28:56.280 --> 0:28:58.720
<v Speaker 1>to do all the stuff in the cafeteria, like marching

0:28:58.760 --> 0:29:01.800
<v Speaker 1>and chanting and stuff, and so I recognize him and

0:29:01.840 --> 0:29:04.000
<v Speaker 1>I remembered their personalities. I was like, oh my gosh,

0:29:04.000 --> 0:29:08.080
<v Speaker 1>we talked. I remember hanging out well. And there's the

0:29:08.120 --> 0:29:11.200
<v Speaker 1>one actor who is kind of the writer stand in.

0:29:11.320 --> 0:29:14.560
<v Speaker 1>He looks like it looks a little like writer and

0:29:14.640 --> 0:29:21.920
<v Speaker 1>he's he's the character in the Scream episode. Different. M yeah,

0:29:22.040 --> 0:29:25.240
<v Speaker 1>that's a different guy. Are you sure the same haircut?

0:29:25.280 --> 0:29:29.480
<v Speaker 1>He just has the writer hair different. It's the same.

0:29:28.400 --> 0:29:33.080
<v Speaker 1>It's it's the guy who took the mask off it no, no,

0:29:33.840 --> 0:29:36.480
<v Speaker 1>do you know are we thinking? Are you sure you're

0:29:36.480 --> 0:29:38.120
<v Speaker 1>not thinking of the wrong person that I'm talking about.

0:29:38.160 --> 0:29:41.760
<v Speaker 1>I'll send you a picture of him, the same guy.

0:29:41.800 --> 0:29:43.920
<v Speaker 1>I saw the guy from behind in this episode. I

0:29:43.960 --> 0:29:46.400
<v Speaker 1>was like, that haircut is exactly me. And then when

0:29:46.400 --> 0:29:49.240
<v Speaker 1>they showed from the front, and I definitely remember the

0:29:49.280 --> 0:29:51.480
<v Speaker 1>guy who was in the Scream episode. It's a completely

0:29:51.520 --> 0:29:54.440
<v Speaker 1>different background actor who also had the same haircut. This

0:29:54.440 --> 0:29:59.479
<v Speaker 1>guy is not that guy. I thought they just it

0:29:59.560 --> 0:30:02.320
<v Speaker 1>was the pular haircut and other kids had it. People

0:30:02.320 --> 0:30:08.200
<v Speaker 1>in our show had a middle part, middle part, middle part. Okay, um,

0:30:08.280 --> 0:30:12.120
<v Speaker 1>so Mr Feenie comes in and realizes everyone refused to

0:30:12.200 --> 0:30:15.240
<v Speaker 1>take the test. He asks He asks Turner if he's

0:30:15.280 --> 0:30:19.200
<v Speaker 1>out of his mind, calling him earring boy. I thought

0:30:19.200 --> 0:30:23.200
<v Speaker 1>Bill and Tony were really funny in this episode. I

0:30:23.240 --> 0:30:27.040
<v Speaker 1>just think it feels false, like the comedy work. Comedy

0:30:27.080 --> 0:30:30.480
<v Speaker 1>works for me, not for me. Yeah, it worked for me.

0:30:31.000 --> 0:30:33.560
<v Speaker 1>The build builds who you're going to take this test

0:30:34.160 --> 0:30:38.680
<v Speaker 1>or die? Like all that stuff I thought was really funny.

0:30:37.680 --> 0:30:40.600
<v Speaker 1>And yeah, I thought I liked a lot of the

0:30:40.640 --> 0:30:43.480
<v Speaker 1>comedy in this. I thought the die line was pretty funny.

0:30:43.520 --> 0:30:46.880
<v Speaker 1>I didn't I didn't laugh at earring boy, um Poenie.

0:30:46.880 --> 0:30:48.760
<v Speaker 1>This part I thought was funny. Foenie tells the class

0:30:48.760 --> 0:30:52.080
<v Speaker 1>they're delicate little flowers just beginning their high school blooming

0:30:52.280 --> 0:30:55.600
<v Speaker 1>and I love it. Cut to a reaction shot of

0:30:55.880 --> 0:30:59.200
<v Speaker 1>Ben and Writer and writer. I don't know if you

0:30:59.320 --> 0:31:03.040
<v Speaker 1>noticed your reaction to Phoenie saying this, but it was

0:31:03.560 --> 0:31:06.600
<v Speaker 1>hilarious to me. Phoene says the line, you know, you're

0:31:06.720 --> 0:31:10.240
<v Speaker 1>delicate little flowers just beginning, you're high school blooming. And

0:31:10.280 --> 0:31:15.640
<v Speaker 1>the reaction shot is you going you actually have like

0:31:15.680 --> 0:31:18.240
<v Speaker 1>a little pouts your leave a little pouty lip and

0:31:18.280 --> 0:31:20.320
<v Speaker 1>you do a little shoulder shimmy, and I don't I

0:31:20.360 --> 0:31:23.400
<v Speaker 1>couldn't tell if you were kind of grost weird out,

0:31:23.400 --> 0:31:29.360
<v Speaker 1>but I think it's almost like a yeah, yeah, I'm

0:31:30.080 --> 0:31:32.239
<v Speaker 1>in my performance in this episode. I'm sorry. It was

0:31:32.480 --> 0:31:37.400
<v Speaker 1>very big. You got really really just like really entered

0:31:37.440 --> 0:31:40.000
<v Speaker 1>awkward goofy phase of adolescence, and I was just so

0:31:40.080 --> 0:31:42.440
<v Speaker 1>uncomfortable with my face and my body. But it was

0:31:42.640 --> 0:31:46.760
<v Speaker 1>at this episode. The writing in this episode was was

0:31:47.120 --> 0:31:51.680
<v Speaker 1>went for you especially? I feel like, but I stay

0:31:51.720 --> 0:31:54.240
<v Speaker 1>here for a while, like until season four. I think

0:31:54.280 --> 0:31:57.800
<v Speaker 1>I'm in this like dumb sewn goofy phase that I'm

0:31:57.800 --> 0:32:00.240
<v Speaker 1>just not looking forward to watch him. I thinking I

0:32:00.240 --> 0:32:02.320
<v Speaker 1>think it'll it'll come down to earth faster than you

0:32:02.320 --> 0:32:07.400
<v Speaker 1>think it does. I think so too. Don't judge it

0:32:07.440 --> 0:32:11.160
<v Speaker 1>by this episode. I really think that this episode, I'm

0:32:11.200 --> 0:32:15.040
<v Speaker 1>telling you something's up with it. So we'll see, we'll

0:32:15.040 --> 0:32:17.960
<v Speaker 1>see something's up with it. Um. And then Phoenie tells

0:32:17.960 --> 0:32:20.160
<v Speaker 1>the class they will take this test or die. Corey

0:32:20.200 --> 0:32:22.120
<v Speaker 1>walks up to the front of the class and rallies

0:32:22.160 --> 0:32:24.800
<v Speaker 1>them against Phoene. He says they won't take the test,

0:32:24.880 --> 0:32:28.080
<v Speaker 1>they will die together, and they become organized like the

0:32:28.160 --> 0:32:31.000
<v Speaker 1>people in the book should have, and everyone says die

0:32:31.800 --> 0:32:35.840
<v Speaker 1>and they start a union. They remember the song. Do

0:32:35.880 --> 0:32:38.800
<v Speaker 1>you remember having everybody having to learn the song because

0:32:38.800 --> 0:32:40.880
<v Speaker 1>nobody knew it? Yeah, And so it was like this

0:32:41.080 --> 0:32:45.320
<v Speaker 1>like nineteen sixties referees. Remember you're doing in the nineties shows.

0:32:45.360 --> 0:32:49.000
<v Speaker 1>If all the kids would have known this. Michael shocked

0:32:49.200 --> 0:32:52.440
<v Speaker 1>that nobody had that. Nobody what happened? We don't know what?

0:32:52.840 --> 0:32:54.240
<v Speaker 1>He's like, what what do you mean? You don't know what?

0:32:54.320 --> 0:32:56.560
<v Speaker 1>And where? This is where a lot of his bizarre

0:32:56.560 --> 0:32:59.440
<v Speaker 1>references that we would always joke about came from. Is

0:32:59.480 --> 0:33:02.080
<v Speaker 1>these things where it was so well known in nineteen

0:33:02.120 --> 0:33:04.080
<v Speaker 1>fifty six. How do you not know about that? How

0:33:04.120 --> 0:33:07.000
<v Speaker 1>do you know? The union label? You had to teach

0:33:07.280 --> 0:33:09.440
<v Speaker 1>like how to how to sing it and everybody singing?

0:33:09.960 --> 0:33:11.600
<v Speaker 1>You know, they brought down he might might have even

0:33:11.640 --> 0:33:13.600
<v Speaker 1>brought down Ray Colcord because they have anything music wise.

0:33:13.600 --> 0:33:17.120
<v Speaker 1>They always brought people down and write it because it

0:33:17.240 --> 0:33:21.080
<v Speaker 1>obviously is an outdated nobody knew it. I remember that

0:33:21.120 --> 0:33:23.320
<v Speaker 1>nobody knew it and had none of us. It wasn't

0:33:23.360 --> 0:33:26.760
<v Speaker 1>even when were those commercials airing. They must have the seventies.

0:33:26.960 --> 0:33:28.280
<v Speaker 1>They were in this it was a it was a

0:33:28.360 --> 0:33:31.520
<v Speaker 1>jingle from the seventies and eighties and it was it

0:33:31.600 --> 0:33:36.240
<v Speaker 1>was about it was like women's rights, genes and then yeah, clothing.

0:33:36.280 --> 0:33:38.120
<v Speaker 1>I think it had to do with like the garment

0:33:38.160 --> 0:33:40.960
<v Speaker 1>district unions. Yeah, it was a sporting in the unions.

0:33:41.160 --> 0:33:43.840
<v Speaker 1>Oh my gosh, so obscure for us, it really was.

0:33:44.720 --> 0:33:46.920
<v Speaker 1>They all storm out of the class and Turner turns

0:33:46.960 --> 0:33:49.280
<v Speaker 1>to Principal Phoeny and says, oh, yeah, I could learn

0:33:49.280 --> 0:33:51.800
<v Speaker 1>a lot from you, all right, And Phoeny says, shut up.

0:33:52.120 --> 0:33:55.200
<v Speaker 1>Were you guys weirded out by the wall extension, like

0:33:55.240 --> 0:33:57.560
<v Speaker 1>the little extra bit of classroom I had to add

0:33:58.120 --> 0:34:00.280
<v Speaker 1>because it was so it's so weird. Whenever, you know,

0:34:00.280 --> 0:34:04.360
<v Speaker 1>they whenever we needed to like the left of the desk,

0:34:04.440 --> 0:34:06.840
<v Speaker 1>basically they had they would have to bring in an

0:34:06.840 --> 0:34:08.960
<v Speaker 1>extra section of wall, and you know it's added on

0:34:09.000 --> 0:34:11.239
<v Speaker 1>because you can see, like there's a pipe to like

0:34:11.719 --> 0:34:15.360
<v Speaker 1>to cover up the sea. It's called a pocket wall

0:34:15.560 --> 0:34:18.279
<v Speaker 1>or like a wall extension they bring in. But it's

0:34:18.320 --> 0:34:21.400
<v Speaker 1>so awkward in the sitcom, like because they needed space

0:34:21.440 --> 0:34:24.239
<v Speaker 1>for Pheny and Turner to have their aside away from

0:34:24.400 --> 0:34:27.080
<v Speaker 1>the kids and like to separate them in their own shot.

0:34:27.120 --> 0:34:28.719
<v Speaker 1>But they had to bring in this extra wall. It

0:34:28.760 --> 0:34:30.760
<v Speaker 1>just felt so and so some of you may be wondering,

0:34:30.800 --> 0:34:33.120
<v Speaker 1>why not just extend the wall and keep it there forever.

0:34:33.280 --> 0:34:36.200
<v Speaker 1>It's so that when they when the camera camera A

0:34:36.760 --> 0:34:39.720
<v Speaker 1>is shooting towards the children in the classroom, the camera

0:34:39.840 --> 0:34:42.560
<v Speaker 1>needs exactly you and Ben, the camera needs to be

0:34:42.640 --> 0:34:45.560
<v Speaker 1>as close to the desk as possible to get good eyes,

0:34:45.719 --> 0:34:49.680
<v Speaker 1>to get good exactly and so you can't just have

0:34:49.719 --> 0:34:52.120
<v Speaker 1>the wall there permanently because you need a camera way

0:34:52.200 --> 0:34:54.000
<v Speaker 1>up into the set. And then when you're shooting from

0:34:54.040 --> 0:34:56.640
<v Speaker 1>the opposite direction of who's standing at the desk or

0:34:56.640 --> 0:34:58.360
<v Speaker 1>behind the desk, if they need to be to the

0:34:58.440 --> 0:35:00.720
<v Speaker 1>left of it, that suddenly you need more wall. Otherwise

0:35:00.719 --> 0:35:02.960
<v Speaker 1>you're shooting off the stage. So yeah, a little shooting

0:35:02.960 --> 0:35:05.040
<v Speaker 1>through the doorway. When you're shooting on the person at

0:35:05.080 --> 0:35:06.840
<v Speaker 1>the desk, they're being shot through the door with the

0:35:06.880 --> 0:35:10.560
<v Speaker 1>cameras actually in the doorway. Classrooms are very very difficult

0:35:10.560 --> 0:35:12.799
<v Speaker 1>to shoot. And that's why I like, you see, I'm

0:35:12.840 --> 0:35:17.040
<v Speaker 1>always like staggered. So Ben's like Ben's chairs one way

0:35:17.040 --> 0:35:19.399
<v Speaker 1>and then my chair is like like you know, a

0:35:19.400 --> 0:35:22.799
<v Speaker 1>foot further downstage, just so you can see both of us,

0:35:22.800 --> 0:35:25.120
<v Speaker 1>because otherwise, like you know, classrooms do not make sense

0:35:25.160 --> 0:35:30.239
<v Speaker 1>for Sitcom's Yeah, it's very hard to shoot. So we

0:35:30.320 --> 0:35:32.439
<v Speaker 1>then go to a commercial. We come back in Mr

0:35:32.440 --> 0:35:39.960
<v Speaker 1>Turner's classroom. Mr Feeney is looking out the window and says, Ah, St. Aligius.

0:35:40.840 --> 0:35:44.959
<v Speaker 1>I looked it up. It's from Elsewhere. That's his That's yes,

0:35:45.040 --> 0:35:49.160
<v Speaker 1>that's his hospital from St. Elsewhere is St. Allegis? What

0:35:49.400 --> 0:35:53.680
<v Speaker 1>is hold on? It plays? It plays on multiple levels

0:35:54.120 --> 0:35:58.920
<v Speaker 1>because St. Allgius is also the pat patron saint of

0:35:59.040 --> 0:36:03.759
<v Speaker 1>farm workers. Interesting, okay, now that the hospital that Bill

0:36:03.880 --> 0:36:08.560
<v Speaker 1>Daniel's character worked at, it was a resident at in St. Elsewhere,

0:36:08.640 --> 0:36:11.560
<v Speaker 1>was St. Allegias. So he's it's a total meta joke.

0:36:11.640 --> 0:36:14.960
<v Speaker 1>He's looking out the window at his old show going God,

0:36:15.000 --> 0:36:17.000
<v Speaker 1>I wish I was still on that show. Okay, So

0:36:17.000 --> 0:36:19.040
<v Speaker 1>so right, let me let me correct what I said.

0:36:19.080 --> 0:36:21.480
<v Speaker 1>Not of farm workers. He is best known for being

0:36:21.480 --> 0:36:24.080
<v Speaker 1>sat Eligia's best known for being the patron saint of

0:36:24.200 --> 0:36:28.400
<v Speaker 1>horses and those who work with them. So I figured

0:36:28.520 --> 0:36:33.759
<v Speaker 1>it was tying into the grapes of wrath unionizing thing. No,

0:36:34.040 --> 0:36:37.280
<v Speaker 1>it's a great great joke about him looking looking back

0:36:37.320 --> 0:36:40.840
<v Speaker 1>at st Elsewhere and yearning for his old show. Total

0:36:40.880 --> 0:36:43.399
<v Speaker 1>meta joke. Oh it's hyster that's what. But that's what's

0:36:43.400 --> 0:36:46.120
<v Speaker 1>so great is that if you are the kids watching

0:36:46.160 --> 0:36:48.480
<v Speaker 1>the show, you're never gonna understand what he meant. If

0:36:48.480 --> 0:36:50.279
<v Speaker 1>you're the adult watching the show, you're going to get

0:36:50.280 --> 0:36:53.160
<v Speaker 1>a metal laugh because he's talking about sat Elsewhere. Right,

0:36:53.360 --> 0:36:55.680
<v Speaker 1>that makes sense? Okay, Well, I'm at least glad to

0:36:55.719 --> 0:36:57.600
<v Speaker 1>know that layer to it, because when I thought it

0:36:57.640 --> 0:37:00.640
<v Speaker 1>was just a joke about the actual pay trans Saint,

0:37:00.719 --> 0:37:03.600
<v Speaker 1>I was like, you have got to be kidding. What

0:37:03.680 --> 0:37:06.720
<v Speaker 1>the hell is happening? Now that was a great joke. Okay,

0:37:06.760 --> 0:37:09.719
<v Speaker 1>if you say so. Mr Phoeney tells Mr Turner that

0:37:09.760 --> 0:37:12.480
<v Speaker 1>the students have demonstrated the power of labor and now

0:37:12.560 --> 0:37:15.879
<v Speaker 1>they can show them what management can do. So now

0:37:16.120 --> 0:37:19.320
<v Speaker 1>it's basically like, well, I guess our first conversation about

0:37:19.360 --> 0:37:23.080
<v Speaker 1>this about whether or not they learned. We've already shown

0:37:23.520 --> 0:37:25.680
<v Speaker 1>like we have to come up with a new mission,

0:37:25.760 --> 0:37:28.440
<v Speaker 1>a new part to it. Now we've seen what the

0:37:28.560 --> 0:37:30.960
<v Speaker 1>union can do, We've got to show them what management

0:37:31.000 --> 0:37:34.360
<v Speaker 1>can do. Mr Turner is amused, by the display of

0:37:34.400 --> 0:37:37.719
<v Speaker 1>defiance that's going on, and Turner says, if he were them,

0:37:37.760 --> 0:37:39.399
<v Speaker 1>and I were them and they were there, I would

0:37:39.400 --> 0:37:45.440
<v Speaker 1>have done the same thing. And it's I mean yours, Daniel,

0:37:45.480 --> 0:37:49.640
<v Speaker 1>that was Do you want to diagram that sentence? And

0:37:49.680 --> 0:37:53.319
<v Speaker 1>he's like, no, I can't. It doesn't make any sense. Yeah,

0:37:53.560 --> 0:37:56.680
<v Speaker 1>Phoene says that as time passes, the defiance will also pass.

0:37:56.840 --> 0:37:59.440
<v Speaker 1>And then we are in the school cafeteria. Corey is

0:37:59.520 --> 0:38:02.000
<v Speaker 1>leading a protest in the cafeteria, saying he no longer

0:38:02.080 --> 0:38:06.040
<v Speaker 1>wants macaroni in the cafeteria. He wants steak with a

0:38:06.080 --> 0:38:08.360
<v Speaker 1>lobster side dish. But before we get to the lobster

0:38:08.440 --> 0:38:12.120
<v Speaker 1>side dish, I did you scream macaroni? Do you remember it?

0:38:12.800 --> 0:38:16.920
<v Speaker 1>I mean painfully no, I blocked this. I do remember

0:38:17.000 --> 0:38:18.759
<v Speaker 1>learning the song and I knew that we had to

0:38:18.760 --> 0:38:23.279
<v Speaker 1>sing it, But um, yeah, I don't remember liking doing

0:38:23.280 --> 0:38:26.040
<v Speaker 1>this episode at all. Right, and I'm watching it now.

0:38:26.080 --> 0:38:28.640
<v Speaker 1>I can kind of tell why doing so much over

0:38:28.719 --> 0:38:33.160
<v Speaker 1>the time, like the cheerleader things. We're getting there. Why

0:38:33.320 --> 0:38:35.800
<v Speaker 1>Can I ask why? Because she doesn't really do anything?

0:38:35.840 --> 0:38:38.319
<v Speaker 1>Can I ask why the lunch lady is in the

0:38:38.400 --> 0:38:41.320
<v Speaker 1>group of kids again. I think it's just a little

0:38:41.320 --> 0:38:44.279
<v Speaker 1>bit of a joke, that is, without pointing to it

0:38:44.320 --> 0:38:48.120
<v Speaker 1>at all, that she's joined them. She okay, okay, she's

0:38:48.160 --> 0:38:50.359
<v Speaker 1>now part of the union. I think as they were

0:38:50.400 --> 0:38:53.799
<v Speaker 1>talking about food, they wanted her there to be also like,

0:38:53.840 --> 0:38:56.520
<v Speaker 1>we can't get steak or lobster like I thought, you're right,

0:38:56.960 --> 0:38:59.319
<v Speaker 1>that could that that is something that someone could have

0:38:59.320 --> 0:39:00.960
<v Speaker 1>thought of and made. They could have made a joke

0:39:01.040 --> 0:39:03.319
<v Speaker 1>there about or they could have pointed out that's not

0:39:03.320 --> 0:39:09.160
<v Speaker 1>why so I didn't get yeah, so making me like

0:39:09.239 --> 0:39:12.800
<v Speaker 1>this episode less and less at half asleep. This is

0:39:12.840 --> 0:39:16.959
<v Speaker 1>a funny episode. I'll try that, just kidding. I could

0:39:16.960 --> 0:39:21.080
<v Speaker 1>never stay up until midnight. Okay. Phoenie, alongside of grinning

0:39:21.160 --> 0:39:23.640
<v Speaker 1>Mr Turner shows up with a megaphone and says, since

0:39:23.719 --> 0:39:26.640
<v Speaker 1>they want to play with George Feenie, the seventh grade

0:39:26.719 --> 0:39:29.680
<v Speaker 1>dance is canceled, as well as the entire football season.

0:39:30.080 --> 0:39:34.800
<v Speaker 1>Phoenie then clarifies to Sean that that also means no cheerleaders,

0:39:34.880 --> 0:39:41.800
<v Speaker 1>and Sean is just heartbroken. They're taking Yeah. Corey explains

0:39:41.840 --> 0:39:44.279
<v Speaker 1>that Shan needs to take sacrifices in a strike, but

0:39:44.320 --> 0:39:48.359
<v Speaker 1>Sean is crying, but he's taking my girl girls officially

0:39:48.800 --> 0:39:53.600
<v Speaker 1>horribly girl crazy now because you know, yeah, we hadn't

0:39:53.640 --> 0:39:56.640
<v Speaker 1>even yeah, I mean in the last episode, if I'm

0:39:56.640 --> 0:39:59.640
<v Speaker 1>not mistaken, like two oh three didn't really have a

0:39:59.640 --> 0:40:03.920
<v Speaker 1>whole of Sean with girls stuff. So now you have

0:40:03.960 --> 0:40:06.680
<v Speaker 1>to go back to like two oh one, too oh two,

0:40:06.680 --> 0:40:10.879
<v Speaker 1>and remember that Sean is now officially girl crazy. I'm

0:40:10.920 --> 0:40:14.040
<v Speaker 1>having flash forwards of what this podcast is going to

0:40:14.080 --> 0:40:16.440
<v Speaker 1>be like with Writer in certain episodes coming up. I'm

0:40:16.480 --> 0:40:20.120
<v Speaker 1>having forwards of Writer just like aiding this so much

0:40:20.920 --> 0:40:22.440
<v Speaker 1>and just like I don't want to I don't even

0:40:22.440 --> 0:40:23.920
<v Speaker 1>want to talk about it. I don't even want to

0:40:23.920 --> 0:40:26.880
<v Speaker 1>talk about it. Yeah, because the truth is, like I

0:40:27.040 --> 0:40:30.719
<v Speaker 1>I don't think I'm like horrible, you know, like I'm

0:40:30.760 --> 0:40:33.600
<v Speaker 1>committing I'm doing the thing. Yeah, I just this is

0:40:33.680 --> 0:40:37.120
<v Speaker 1>not what I wanted to be doing as an actor.

0:40:37.480 --> 0:40:39.640
<v Speaker 1>And they were writing these crazy, over the top things

0:40:39.680 --> 0:40:41.200
<v Speaker 1>and I would do it and I would get laugh

0:40:41.480 --> 0:40:44.480
<v Speaker 1>and I would not be having fun, Like I wouldn't

0:40:44.520 --> 0:40:47.000
<v Speaker 1>be enjoying this. But I was doing the thing, and

0:40:47.239 --> 0:40:49.080
<v Speaker 1>you had fun and show nights though, didn't you. I

0:40:49.080 --> 0:40:50.680
<v Speaker 1>mean being in front of the audience and that that

0:40:50.800 --> 0:40:52.600
<v Speaker 1>kind of energy we had and all that stuff. I

0:40:52.600 --> 0:40:55.200
<v Speaker 1>mean that was fun. I remember us enjoying that quite

0:40:55.200 --> 0:40:58.000
<v Speaker 1>a bit. Absolutely, No, there's so much fun stuff. I

0:40:58.120 --> 0:41:01.000
<v Speaker 1>just know that like have to do like you know,

0:41:01.360 --> 0:41:03.640
<v Speaker 1>falling to your knees and screaming about the cheerleaders going

0:41:03.640 --> 0:41:06.520
<v Speaker 1>away like I was probably felt the same way I

0:41:06.520 --> 0:41:09.640
<v Speaker 1>feel now, which is like, what, like is this funny?

0:41:09.800 --> 0:41:12.000
<v Speaker 1>I don't know, I don't think it's that funny, but

0:41:12.400 --> 0:41:14.480
<v Speaker 1>very just very very quickly so, and not to bring

0:41:14.480 --> 0:41:16.200
<v Speaker 1>Mash into it when I'm going to I've been listening

0:41:16.200 --> 0:41:18.040
<v Speaker 1>to a Mash podcast and one of the things that

0:41:18.080 --> 0:41:21.279
<v Speaker 1>struck me so amazing, So it was amazing is they're

0:41:21.280 --> 0:41:23.120
<v Speaker 1>having all the actors come back and they're talking about

0:41:23.120 --> 0:41:26.680
<v Speaker 1>their table reads, and their table reads used to be

0:41:26.800 --> 0:41:29.440
<v Speaker 1>sitting around a table reading the script and then a

0:41:29.520 --> 0:41:33.480
<v Speaker 1>note session. But the note session was the actors giving

0:41:33.560 --> 0:41:37.359
<v Speaker 1>the writers all the notes here's what I would do,

0:41:37.560 --> 0:41:39.839
<v Speaker 1>here's why my character wouldn't have done this, here's why

0:41:39.880 --> 0:41:42.040
<v Speaker 1>I think, and the writers would sit there quietly and

0:41:42.080 --> 0:41:43.719
<v Speaker 1>they take all the notes and they'd go back and

0:41:43.760 --> 0:41:46.160
<v Speaker 1>rewrite the script. Amazing that that sort of give and

0:41:46.239 --> 0:41:50.400
<v Speaker 1>take is incredible. Obviously you're dealing with adult, established adult

0:41:50.440 --> 0:41:52.920
<v Speaker 1>comedic actors. Yeah, I mean, if you know, I think

0:41:52.960 --> 0:41:55.359
<v Speaker 1>a lot of a lot of what I'm feeling is

0:41:55.480 --> 0:41:58.040
<v Speaker 1>just that I didn't feel in control. You know, I

0:41:58.040 --> 0:42:00.239
<v Speaker 1>didn't sure creative control, and I just had to like

0:42:00.840 --> 0:42:04.360
<v Speaker 1>perform and do this guy, which you know was the job.

0:42:03.840 --> 0:42:07.839
<v Speaker 1>It makes me uncomfortable because I didn't really like it,

0:42:07.880 --> 0:42:10.000
<v Speaker 1>and you know, I didn't like I didn't like this

0:42:10.080 --> 0:42:12.880
<v Speaker 1>sort of goofy dumb sean like I didn't like playing dumb.

0:42:13.120 --> 0:42:15.440
<v Speaker 1>I never liked it. Um, it never made sense to me.

0:42:15.520 --> 0:42:18.200
<v Speaker 1>I never was that funny to me, like you know,

0:42:18.320 --> 0:42:20.200
<v Speaker 1>and so it just didn't I don't know, but I

0:42:20.200 --> 0:42:21.959
<v Speaker 1>think we're gonna live here for a while, Like if

0:42:22.000 --> 0:42:24.920
<v Speaker 1>I remember my guess again, I think it's going to

0:42:25.000 --> 0:42:27.560
<v Speaker 1>be less time than you think, because they're already showing

0:42:27.600 --> 0:42:30.640
<v Speaker 1>splashes of Eric being dumb, and there was almost no

0:42:30.719 --> 0:42:33.160
<v Speaker 1>time where you and I were dumb together. It was like,

0:42:33.200 --> 0:42:36.000
<v Speaker 1>so they turned work dumb, and then they turned because

0:42:36.000 --> 0:42:38.000
<v Speaker 1>again they probably saw that you were uncomfortable, that you

0:42:38.040 --> 0:42:40.239
<v Speaker 1>didn't like it, that while you were committing it didn't

0:42:40.239 --> 0:42:43.200
<v Speaker 1>seem to work. Whereas when I was playing dumb, I

0:42:43.200 --> 0:42:44.959
<v Speaker 1>i liked it like I was. I could just find

0:42:44.960 --> 0:42:47.399
<v Speaker 1>the comedy in it, so they gave it to me.

0:42:47.680 --> 0:42:49.400
<v Speaker 1>And then so, I don't think you're gonna live here

0:42:49.400 --> 0:42:51.640
<v Speaker 1>as long as you think you are. Frankly, maybe maybe

0:42:51.640 --> 0:42:53.440
<v Speaker 1>the next few episodes, but it's not gonna last as

0:42:53.480 --> 0:42:56.560
<v Speaker 1>long as you think. I also think dumb. Sean doesn't

0:42:56.719 --> 0:42:59.400
<v Speaker 1>isn't as good of a partner for Corey otherwise, sorries

0:42:59.480 --> 0:43:02.880
<v Speaker 1>just like like, yeah, what so I think you're right.

0:43:02.920 --> 0:43:04.200
<v Speaker 1>I think well, I think you're right. I think it's

0:43:04.239 --> 0:43:08.000
<v Speaker 1>going to turn back before I'll take the dumb you

0:43:08.040 --> 0:43:10.560
<v Speaker 1>give me the dumb writer. That's when that one set

0:43:10.560 --> 0:43:24.480
<v Speaker 1>of footsteps is when I was carrying you. Mr Phoeney

0:43:24.520 --> 0:43:26.680
<v Speaker 1>gives everyone the opportunity to go back and take the

0:43:26.680 --> 0:43:29.680
<v Speaker 1>test within five seconds, and everyone starts to leave, but

0:43:29.760 --> 0:43:32.560
<v Speaker 1>Corey says Phoeney can't punish the seventh grade class if

0:43:33.160 --> 0:43:36.279
<v Speaker 1>there is no seventh grade class. Corey begins his pro

0:43:36.480 --> 0:43:38.600
<v Speaker 1>union song again and tries to walk out of school,

0:43:38.960 --> 0:43:43.719
<v Speaker 1>and Sean follows him, but Corey asks if anyone following, yeah,

0:43:43.920 --> 0:43:47.520
<v Speaker 1>you guys doing the tune of the union song, start

0:43:47.600 --> 0:43:51.680
<v Speaker 1>having your own conversation about how nobody is following you,

0:43:51.760 --> 0:43:53.920
<v Speaker 1>and Shawn says he wants to go back. This is

0:43:53.960 --> 0:43:57.439
<v Speaker 1>like Ben is barely singing, and yet I remember Ben

0:43:57.600 --> 0:43:59.960
<v Speaker 1>loved musicals. Do you guys remember, Like Ben would say

0:44:00.040 --> 0:44:02.319
<v Speaker 1>a lot back. I remember him and Betsy would talk

0:44:02.360 --> 0:44:06.239
<v Speaker 1>about musicals all the time. Ben was really into I guess,

0:44:06.280 --> 0:44:08.000
<v Speaker 1>but I'm I'm trying to remember. I guess he didn't

0:44:08.000 --> 0:44:10.920
<v Speaker 1>really sing that much himself. No, I think he just

0:44:11.000 --> 0:44:13.560
<v Speaker 1>liked musical He just liked musicals. But but yeah, because

0:44:13.560 --> 0:44:17.920
<v Speaker 1>he's like barely singing, the Union song doesn't necessarily have

0:44:18.200 --> 0:44:22.839
<v Speaker 1>like it's kind of a talking song. It's a chance,

0:44:22.880 --> 0:44:24.680
<v Speaker 1>it's it's meant so a bunch of people can go

0:44:24.719 --> 0:44:27.520
<v Speaker 1>and chant it as opposed to No, it's not melodic,

0:44:27.600 --> 0:44:29.279
<v Speaker 1>isn't it. I thought that's what it was. I thought so.

0:44:29.440 --> 0:44:32.880
<v Speaker 1>I think in the original commercial it's like an actual sjingle,

0:44:33.000 --> 0:44:35.560
<v Speaker 1>like it it's a real song. We just made it

0:44:35.600 --> 0:44:39.080
<v Speaker 1>into the sort of chant. Yeah. I maybe it's just

0:44:39.080 --> 0:44:41.319
<v Speaker 1>because I only knew your version of it, and you're right,

0:44:41.320 --> 0:44:43.799
<v Speaker 1>no one's really singing it. I was kind of thinking like, oh,

0:44:43.800 --> 0:44:46.200
<v Speaker 1>it's it's more of a chant, really quite a song. Yeah,

0:44:46.200 --> 0:44:50.000
<v Speaker 1>me too, well, Corey pulls Sean out of there, and

0:44:50.080 --> 0:44:51.960
<v Speaker 1>the rest of the students are ushered back to class

0:44:51.960 --> 0:44:54.680
<v Speaker 1>by Phoenie and Turner. But now Phoenie says he has

0:44:54.719 --> 0:44:57.200
<v Speaker 1>to go nuclear on Seawan and Corey, and that means

0:44:57.239 --> 0:45:01.160
<v Speaker 1>calling their mommy's. So we're in the school hallway. Eric

0:45:01.239 --> 0:45:04.960
<v Speaker 1>asks Jason how the basketball game was. In case you forgot,

0:45:05.000 --> 0:45:08.600
<v Speaker 1>there's still a Bees story going on, and guess what.

0:45:08.880 --> 0:45:11.640
<v Speaker 1>Guess what's going to happen. She's going to be awful

0:45:11.760 --> 0:45:15.960
<v Speaker 1>and he's gone same scene basically just a new location,

0:45:16.680 --> 0:45:18.719
<v Speaker 1>is it? I just it's exactly the same location that

0:45:18.800 --> 0:45:22.040
<v Speaker 1>the last scene took place. There was also the scene

0:45:22.040 --> 0:45:23.920
<v Speaker 1>in the kitchen, so I don't necessarily know. You know,

0:45:24.040 --> 0:45:25.800
<v Speaker 1>she's been awful in the kitchen, She's been awful in

0:45:25.840 --> 0:45:29.440
<v Speaker 1>the hallway. She's now awful in the hallway again. Um,

0:45:29.480 --> 0:45:31.680
<v Speaker 1>So Jason asks if Eric is in for the next

0:45:31.680 --> 0:45:33.440
<v Speaker 1>game or if they have to find a replacement, and

0:45:33.440 --> 0:45:36.560
<v Speaker 1>then Desiree just steps directly in front of Jason and

0:45:36.640 --> 0:45:39.040
<v Speaker 1>asks Eric if they can go to a new mall

0:45:39.160 --> 0:45:42.879
<v Speaker 1>on Thursday, and Jason acts like she's a vampire behind her.

0:45:44.080 --> 0:45:48.640
<v Speaker 1>Eric asked little, a little big, but you know what. Okay, Uh,

0:45:48.760 --> 0:45:51.000
<v Speaker 1>he's trying to save it. He's trying to save it,

0:45:51.080 --> 0:45:53.480
<v Speaker 1>is what he's doing. He's trying to save the grounded story.

0:45:53.840 --> 0:45:56.160
<v Speaker 1>You know, he's trying to save the comedy though you

0:45:56.160 --> 0:45:59.160
<v Speaker 1>could tell so. Eric asks if they can go on

0:45:59.200 --> 0:46:02.080
<v Speaker 1>another day because she plays basketball on Thursdays, but Desire

0:46:02.200 --> 0:46:06.359
<v Speaker 1>says she prefers Thursday. Eric stands up to Desire, telling

0:46:06.440 --> 0:46:09.680
<v Speaker 1>Jason he'll play basketball on Thursday. Eric says he's been

0:46:09.680 --> 0:46:11.719
<v Speaker 1>her slave for a month and asks what he was

0:46:11.800 --> 0:46:14.239
<v Speaker 1>ever going to get out of it, and then Desiree

0:46:14.360 --> 0:46:19.359
<v Speaker 1>French kisses Eric and says goodbye forever. And then you

0:46:19.360 --> 0:46:23.160
<v Speaker 1>guys decide that you're in agreement that you're an idiot

0:46:23.719 --> 0:46:27.879
<v Speaker 1>for breaking up with her because you have gotten could

0:46:27.880 --> 0:46:32.080
<v Speaker 1>have gotten more kisses, because girls, because girl, Yeah, I

0:46:32.120 --> 0:46:34.399
<v Speaker 1>honestly do not remember kissing this woman at all. I

0:46:34.480 --> 0:46:39.880
<v Speaker 1>was going to ask you if Jill was jealous. I

0:46:39.920 --> 0:46:42.080
<v Speaker 1>honestly don't remember kissing this girl at all. I have

0:46:42.120 --> 0:46:44.319
<v Speaker 1>not know when she kissed. I was like, huh, yes,

0:46:44.400 --> 0:46:47.879
<v Speaker 1>we kissed. Your sleeping wife was next to you, and

0:46:47.920 --> 0:46:51.320
<v Speaker 1>you're like, hey, I don't this lady, she's sound asleep

0:46:51.440 --> 0:46:54.640
<v Speaker 1>by this point, thank god, No, it was. Yeah, it's

0:46:54.800 --> 0:46:57.200
<v Speaker 1>it's so strange. You just don't. It happens so often,

0:46:58.520 --> 0:47:00.160
<v Speaker 1>you know, there's actors that come up and you're like, oh,

0:47:00.320 --> 0:47:03.919
<v Speaker 1>I guess we kissed. It's so strange. Yeah, very weird.

0:47:04.480 --> 0:47:07.160
<v Speaker 1>So yeah, I just thought that you guys agreeing that

0:47:07.200 --> 0:47:11.239
<v Speaker 1>this was a bad move when she was so awful. Truly,

0:47:11.440 --> 0:47:15.080
<v Speaker 1>there is not one redeeming quality about her except for

0:47:15.120 --> 0:47:19.040
<v Speaker 1>the fact that she has lips. And so now anyway,

0:47:19.400 --> 0:47:25.120
<v Speaker 1>she arguably the worst character in the history of the show. Yeah,

0:47:27.280 --> 0:47:29.839
<v Speaker 1>but that is I mean again, even bad characters we've

0:47:29.880 --> 0:47:33.279
<v Speaker 1>had on usually have something about them. They're funny or

0:47:33.320 --> 0:47:38.760
<v Speaker 1>there's some something. She had nothing, There was nothing there. Yeah,

0:47:38.840 --> 0:47:40.719
<v Speaker 1>I I'm not going to disagree with you. I'm not

0:47:40.719 --> 0:47:42.960
<v Speaker 1>going to disagree with you until this point. I mean,

0:47:43.000 --> 0:47:45.200
<v Speaker 1>maybe I'll change my mind as we see more characters.

0:47:45.239 --> 0:47:47.880
<v Speaker 1>But yeah, I feel and again, it is not Sydney

0:47:47.920 --> 0:47:52.000
<v Speaker 1>Bennett's fault, it's not at all. Yeah, I just want

0:47:52.040 --> 0:47:54.960
<v Speaker 1>to make sure we are not the actor's fault at all.

0:47:55.120 --> 0:47:58.759
<v Speaker 1>The way the character is written, she's just terrible. Yeah.

0:47:59.239 --> 0:48:01.400
<v Speaker 1>So in the Matthew his family living room, Corey and

0:48:01.440 --> 0:48:04.160
<v Speaker 1>Shawn are watching TV. Corey is confused why every channel

0:48:04.239 --> 0:48:07.920
<v Speaker 1>is covering the missing bomb story and not their school

0:48:08.000 --> 0:48:12.120
<v Speaker 1>walk out. Funny Allen and Amy enter and asked Corey

0:48:12.120 --> 0:48:18.880
<v Speaker 1>and Shawn what Rusty. Finally, so they asked, and do

0:48:18.960 --> 0:48:21.640
<v Speaker 1>you because you're not in this episode at all, and like,

0:48:21.960 --> 0:48:24.000
<v Speaker 1>are you ever in Tony's classroom? Are you in Mr

0:48:24.040 --> 0:48:27.280
<v Speaker 1>Turner's class Ever? I do eventually join Mr Turner's classroom.

0:48:27.280 --> 0:48:28.839
<v Speaker 1>I don't know if it's this season or if it's

0:48:28.880 --> 0:48:32.720
<v Speaker 1>season three, but I do eventually join Turner's classroom. Interesting,

0:48:32.760 --> 0:48:34.520
<v Speaker 1>I'm so curious if you'll just like pop up in

0:48:34.560 --> 0:48:36.680
<v Speaker 1>the classroom later, like I think, Yeah, I think I

0:48:36.719 --> 0:48:39.160
<v Speaker 1>pop up in the front row, just directly in front

0:48:39.160 --> 0:48:42.200
<v Speaker 1>of Yeah, just always been there when we were singing

0:48:42.200 --> 0:48:44.920
<v Speaker 1>the songs. I'm also guessing, I thought, And I bet

0:48:45.000 --> 0:48:50.719
<v Speaker 1>you this is true budgetary wise, whenever Eric has in

0:48:50.760 --> 0:48:53.520
<v Speaker 1>season two, at least, whenever Eric has a storyline where

0:48:53.520 --> 0:48:56.040
<v Speaker 1>there's multiple guest casts, you won't be on the show,

0:48:56.480 --> 0:48:59.960
<v Speaker 1>right because if there's Jason and Sydney, then there's no topend.

0:49:00.840 --> 0:49:02.960
<v Speaker 1>And you know, I think most people will will agree

0:49:03.000 --> 0:49:05.279
<v Speaker 1>that Sydney in the scope of Boy Meets World are

0:49:05.360 --> 0:49:10.719
<v Speaker 1>are World is more important than essential to Eric's development?

0:49:11.160 --> 0:49:16.680
<v Speaker 1>More Boy Meets World have been without right, So yeah,

0:49:16.719 --> 0:49:18.920
<v Speaker 1>Amy and Allen enter and asked Corey and Sean what

0:49:18.960 --> 0:49:21.040
<v Speaker 1>they were thinking starting a strike over a test and

0:49:21.080 --> 0:49:23.640
<v Speaker 1>walking out of school. Sean says that maybe what they

0:49:23.640 --> 0:49:26.040
<v Speaker 1>did wasn't very smart, but at least they stood up

0:49:26.080 --> 0:49:29.040
<v Speaker 1>for their principles, and when Alan asks what their principles

0:49:29.080 --> 0:49:38.400
<v Speaker 1>will were, Shawn says he remembers something about macar It

0:49:38.480 --> 0:49:41.120
<v Speaker 1>was great. No, it should have been more real. I

0:49:41.560 --> 0:49:45.279
<v Speaker 1>don't know what I liked it. I thought it was funny.

0:49:45.840 --> 0:49:49.400
<v Speaker 1>I thought it was funny. And Mr Turner appears at

0:49:49.400 --> 0:49:52.919
<v Speaker 1>the front door to talk to Sean, Haffa, and Costello

0:49:53.760 --> 0:49:58.040
<v Speaker 1>as a line from Rusties really really nailing home the

0:49:58.120 --> 0:50:01.759
<v Speaker 1>jokes to those seven year olds watching the show. Yes, exactly,

0:50:01.800 --> 0:50:05.600
<v Speaker 1>they are making sure they're keeping it timely. How about

0:50:05.600 --> 0:50:08.880
<v Speaker 1>the way Tony's holding that helmet, oh man, like after

0:50:08.960 --> 0:50:12.879
<v Speaker 1>this time, like and he does it the whole scene. Yeah,

0:50:13.000 --> 0:50:15.080
<v Speaker 1>it's like, that's not the way you would carry that

0:50:15.160 --> 0:50:16.759
<v Speaker 1>kind of helmet, Like I would see if there's a

0:50:16.760 --> 0:50:18.920
<v Speaker 1>full face helmet, you'd carry it like that. But like

0:50:18.960 --> 0:50:23.200
<v Speaker 1>you would grab this one by the and in the suburbs,

0:50:23.239 --> 0:50:25.880
<v Speaker 1>don't carry your helmet, you hang it on the handlebars

0:50:25.920 --> 0:50:29.160
<v Speaker 1>and walk inside. But how else are they going to

0:50:29.280 --> 0:50:32.279
<v Speaker 1>get the cool reference from Amy? Like? How else was

0:50:32.320 --> 0:50:34.200
<v Speaker 1>she going to know that he was a cool teacher?

0:50:34.440 --> 0:50:37.200
<v Speaker 1>Did you think for a second and he was going

0:50:37.239 --> 0:50:39.839
<v Speaker 1>to flirt with this, there's going to be some kind

0:50:39.840 --> 0:50:42.680
<v Speaker 1>of this is your teacher like something like that. I

0:50:42.680 --> 0:50:45.400
<v Speaker 1>was waiting for that, and you know that maybe they

0:50:45.680 --> 0:50:48.959
<v Speaker 1>considered it for it would have been inappropriate. I thought

0:50:49.000 --> 0:50:55.080
<v Speaker 1>that safe thing. Yeah, But again, like when we talked

0:50:55.080 --> 0:50:58.200
<v Speaker 1>about the other episode, the episode where Eric is in

0:50:58.320 --> 0:51:00.920
<v Speaker 1>their bedroom with a girl and he has Alan has

0:51:00.920 --> 0:51:02.880
<v Speaker 1>that whole thing about I couldn't be having an affair.

0:51:02.920 --> 0:51:05.839
<v Speaker 1>I'm not, but I could be. Why isn't it Why

0:51:05.880 --> 0:51:09.960
<v Speaker 1>couldn't Amy have made the joke of like and then

0:51:10.000 --> 0:51:12.759
<v Speaker 1>Alan be like, excuse me, Like, why couldn't they have

0:51:12.800 --> 0:51:15.839
<v Speaker 1>done something like that? But anyway they didn't, I would

0:51:15.840 --> 0:51:17.840
<v Speaker 1>have been inappropriate if as a woman showing up in Alan,

0:51:17.920 --> 0:51:25.839
<v Speaker 1>you're right the other way, Okay, Yeah, you're right, you're right, Okay, Um,

0:51:25.840 --> 0:51:27.360
<v Speaker 1>but yes, I did think that was going to happen.

0:51:27.480 --> 0:51:32.560
<v Speaker 1>And then so um, we're in the Matthews kitchen. Corey says,

0:51:32.600 --> 0:51:34.719
<v Speaker 1>the grapes of Wrath taught them to fight for their rights,

0:51:34.719 --> 0:51:36.799
<v Speaker 1>which is what they went on strike for, and now

0:51:36.840 --> 0:51:39.880
<v Speaker 1>they're in trouble for it. And uh. He says, this

0:51:39.920 --> 0:51:41.919
<v Speaker 1>is what happens when the little guys try to stand

0:51:42.000 --> 0:51:44.600
<v Speaker 1>up to the bosses. And Mr. Turner says, no, they

0:51:44.640 --> 0:51:46.840
<v Speaker 1>threw a hissy fit and walked out. They couldn't go

0:51:46.880 --> 0:51:49.920
<v Speaker 1>on strike because they don't even have jobs. Their parents

0:51:50.000 --> 0:51:53.160
<v Speaker 1>make their lunch and they sleep on sheets with little dinosaurs,

0:51:53.440 --> 0:51:57.160
<v Speaker 1>and Corey corrects him that it is rocket ships. Rocket ships.

0:51:58.360 --> 0:52:01.600
<v Speaker 1>It was great. It was I thought that was pretty

0:52:01.600 --> 0:52:03.480
<v Speaker 1>cute because I was thinking, where did the dinosaur T

0:52:03.560 --> 0:52:08.799
<v Speaker 1>shirts go? We've lost dinosaur T shirt? So he says

0:52:08.840 --> 0:52:11.640
<v Speaker 1>they are two kids playing over their heads. Turner explains

0:52:11.680 --> 0:52:13.600
<v Speaker 1>they can go to school where they are protected and

0:52:13.640 --> 0:52:16.600
<v Speaker 1>abide by the rules, but then Alan walks in says,

0:52:16.800 --> 0:52:18.920
<v Speaker 1>or they can go take an immediate test in the

0:52:18.960 --> 0:52:23.840
<v Speaker 1>real world, which is find a job or starve. Corey

0:52:23.840 --> 0:52:26.719
<v Speaker 1>says they'll go talk to feeny and Turner warns them

0:52:26.719 --> 0:52:28.880
<v Speaker 1>that Feenie isn't going away. He's going to be around

0:52:28.920 --> 0:52:32.200
<v Speaker 1>every corner and then Turner turns around and notices that

0:52:32.320 --> 0:52:34.680
<v Speaker 1>Mr Feenie is right there in the backyard working on

0:52:34.719 --> 0:52:36.840
<v Speaker 1>his garden, and he says, did you know you have

0:52:36.880 --> 0:52:40.279
<v Speaker 1>a principal living next door? And Alan responds, it's not

0:52:40.400 --> 0:52:44.480
<v Speaker 1>something we brag about. And then they go into the backyard.

0:52:44.640 --> 0:52:47.680
<v Speaker 1>Mr Turner walks outside outside and says, you live next

0:52:47.680 --> 0:52:52.320
<v Speaker 1>door to Matthew's, which and we get the joke or

0:52:52.480 --> 0:52:58.279
<v Speaker 1>turn uh whole this whole episode of just watching Writer,

0:52:58.400 --> 0:53:01.040
<v Speaker 1>it's great. Yeah, there's something off for me about this

0:53:01.080 --> 0:53:03.880
<v Speaker 1>whole episode. I mean honestly, honestly, a lot of it

0:53:03.960 --> 0:53:07.239
<v Speaker 1>is like insecurity, Like I just feel so goofy and

0:53:07.280 --> 0:53:09.520
<v Speaker 1>like not in control of my body or my face

0:53:09.600 --> 0:53:12.480
<v Speaker 1>or my voice. So I just I'm getting awkward with that,

0:53:12.560 --> 0:53:15.440
<v Speaker 1>like uncomfortable with that. I can see the acne starting,

0:53:15.480 --> 0:53:17.760
<v Speaker 1>Like I know it's coming in the next couple of seasons.

0:53:18.239 --> 0:53:20.520
<v Speaker 1>It's gonna I'm just gonna hate watching myself on the show.

0:53:20.880 --> 0:53:24.640
<v Speaker 1>But uh, that that that That's mostly what I'm reacting

0:53:24.680 --> 0:53:27.160
<v Speaker 1>to in my storyline. But the Desiree stuff, I just

0:53:27.200 --> 0:53:29.799
<v Speaker 1>think is is really bad. Like I just think it's

0:53:30.320 --> 0:53:33.800
<v Speaker 1>it's the dumbest storyline. It's it's like it's just ringing

0:53:33.800 --> 0:53:35.760
<v Speaker 1>it over and over again, trying to find the funny,

0:53:35.760 --> 0:53:38.240
<v Speaker 1>and it's not getting any funnier. It's just getting worse

0:53:38.280 --> 0:53:41.280
<v Speaker 1>and painful. Um So that that part I can definitely

0:53:41.320 --> 0:53:43.839
<v Speaker 1>say I did not like at all. And I think

0:53:43.880 --> 0:53:46.759
<v Speaker 1>for me it's actually the opposite. I think that this

0:53:46.960 --> 0:53:50.360
<v Speaker 1>a storyline is so painful to me because it feels

0:53:50.440 --> 0:53:56.359
<v Speaker 1>like such concocted like nothingness that and and and it

0:53:56.440 --> 0:53:59.760
<v Speaker 1>also isn't funny. I feel very much like a little

0:53:59.760 --> 0:54:02.720
<v Speaker 1>bit on the side of Corey and Sewn, like, yeah,

0:54:02.800 --> 0:54:06.840
<v Speaker 1>why did you guys do all this? They they said, hey, listen,

0:54:06.840 --> 0:54:08.200
<v Speaker 1>what do we need to know for a test? And

0:54:08.239 --> 0:54:10.279
<v Speaker 1>their teacher told them, don't worry about a test. I

0:54:10.320 --> 0:54:12.359
<v Speaker 1>just want you to study. And then so then they

0:54:12.400 --> 0:54:14.479
<v Speaker 1>did study, and then they were had a test thrown

0:54:14.480 --> 0:54:17.359
<v Speaker 1>at them, and now these two are in trouble and

0:54:17.840 --> 0:54:20.879
<v Speaker 1>for what like it is I just And then as

0:54:20.880 --> 0:54:23.480
<v Speaker 1>as an aside to that, I also don't think the

0:54:23.520 --> 0:54:25.879
<v Speaker 1>B story is very funny. So it's like, I feel

0:54:25.920 --> 0:54:28.600
<v Speaker 1>like this whole episode, I'm just looking for something to

0:54:28.760 --> 0:54:31.440
<v Speaker 1>feel good or funny, and I'm like, well, it's just

0:54:31.520 --> 0:54:34.520
<v Speaker 1>not working for me anyway. As I said from the beginning,

0:54:34.560 --> 0:54:36.120
<v Speaker 1>I did not like this episode. It's one of my

0:54:36.200 --> 0:54:44.319
<v Speaker 1>least favorite boat I agree. So Mr Turner says the

0:54:44.320 --> 0:54:47.080
<v Speaker 1>boys have something to apologize for. Corey says, they read

0:54:47.120 --> 0:54:48.839
<v Speaker 1>the book and they learned that you should fight back

0:54:48.880 --> 0:54:51.080
<v Speaker 1>for what you think is unfair. But they don't relate

0:54:51.120 --> 0:54:53.200
<v Speaker 1>to the book because they're not out in the real

0:54:53.239 --> 0:54:56.360
<v Speaker 1>world yet there's the stakes are much higher than their lives.

0:54:56.800 --> 0:54:59.239
<v Speaker 1>Mr Feeney can tell Corey and Sewan actually read the

0:54:59.239 --> 0:55:02.720
<v Speaker 1>book and he will take that into consideration. Poenie admits

0:55:02.760 --> 0:55:05.120
<v Speaker 1>Corey and Shawn sound like they know the material. Mr

0:55:05.160 --> 0:55:07.880
<v Speaker 1>Turner says, yet, and we found that out without a test.

0:55:08.239 --> 0:55:11.920
<v Speaker 1>But phoene says that everything that happened was a test,

0:55:12.440 --> 0:55:16.240
<v Speaker 1>and Turner says, well, I'd call it a learning experience.

0:55:16.480 --> 0:55:20.920
<v Speaker 1>And then thanks Mr Feenie. They seemed to share a

0:55:20.960 --> 0:55:26.600
<v Speaker 1>moment as co workers. And I don't understand why who

0:55:26.640 --> 0:55:29.719
<v Speaker 1>learned what? Who learned? What? Why is Tony saying, you

0:55:29.760 --> 0:55:34.640
<v Speaker 1>know what? Thank you, George. The learning experience that happened

0:55:34.760 --> 0:55:38.720
<v Speaker 1>was that Turner was right. Maybe he's thanking him because

0:55:38.760 --> 0:55:41.440
<v Speaker 1>at the end of the day, Phoenie took his advice

0:55:41.640 --> 0:55:43.960
<v Speaker 1>and they didn't give them the test, and the test

0:55:44.080 --> 0:55:47.120
<v Speaker 1>that he gave them was just right there as opposed

0:55:47.160 --> 0:55:49.560
<v Speaker 1>to the paper tests. So he's like kind of saying

0:55:49.560 --> 0:55:51.719
<v Speaker 1>to him, hey, you did you listen to me and

0:55:51.719 --> 0:55:54.520
<v Speaker 1>you learned from me and I appreciate that. Thank you, George.

0:55:55.239 --> 0:55:58.160
<v Speaker 1>Or maybe it's not that at all. Maybe I mean

0:55:58.200 --> 0:56:01.000
<v Speaker 1>he did say at the end, Phoenie did say, it

0:56:01.120 --> 0:56:04.319
<v Speaker 1>does seem as though you've taken you've you've studied, So

0:56:04.360 --> 0:56:07.520
<v Speaker 1>I will take that into consideration. So maybe his thank

0:56:07.560 --> 0:56:10.080
<v Speaker 1>you is less about thank you for creating this big

0:56:10.120 --> 0:56:12.880
<v Speaker 1>hoop law in this episode in the next for for

0:56:13.120 --> 0:56:15.880
<v Speaker 1>even though you're the old school teacher, you've given me

0:56:15.920 --> 0:56:18.319
<v Speaker 1>the opportunity to show you that there your way is

0:56:18.320 --> 0:56:20.560
<v Speaker 1>not always the right way, and I might have something

0:56:20.600 --> 0:56:23.759
<v Speaker 1>to offer to Okay, I'll take that. I'll take that.

0:56:23.800 --> 0:56:25.799
<v Speaker 1>I read it as thank you for this episode. And

0:56:25.840 --> 0:56:30.960
<v Speaker 1>I was like, this episode resolution with no actual resolution. Well,

0:56:30.960 --> 0:56:33.200
<v Speaker 1>when they want to resolve something on this show, they

0:56:33.400 --> 0:56:35.880
<v Speaker 1>just play the music and throw off the yes friends.

0:56:35.960 --> 0:56:40.160
<v Speaker 1>Now happens several times. He's just gonna go all right,

0:56:40.239 --> 0:56:43.480
<v Speaker 1>I guess we're done there, we go it's it's resolved

0:56:43.520 --> 0:56:49.880
<v Speaker 1>because they're frozen, and it says created by Michael Jacobs.

0:56:49.960 --> 0:56:52.560
<v Speaker 1>So our tag is in the school hallway. Eric is

0:56:52.640 --> 0:56:55.200
<v Speaker 1>free of Desiree and ready to play basketball, and he

0:56:55.360 --> 0:56:57.920
<v Speaker 1>is also in their uniform of shorts over sweatpants. I'm

0:56:57.960 --> 0:57:03.160
<v Speaker 1>shorted up. Jason isn't dressed to play. He says he's

0:57:03.200 --> 0:57:06.120
<v Speaker 1>too petite to play anyway, and then a pager goes

0:57:06.160 --> 0:57:09.279
<v Speaker 1>off and Eric is confused, but Jason says it's his pacemaker.

0:57:09.760 --> 0:57:13.880
<v Speaker 1>Eric notices Desire's pink pager on Jason's belt. Desiree walks

0:57:13.920 --> 0:57:17.840
<v Speaker 1>over and calls Jason her raisinet, and as Desiree leaves,

0:57:18.000 --> 0:57:28.040
<v Speaker 1>Jason jokes and says he's only in it for the breakup. Kissa,

0:57:28.360 --> 0:57:31.400
<v Speaker 1>what has the panga been doing? I think we really

0:57:31.400 --> 0:57:34.120
<v Speaker 1>needed to delve into Desiree in this episode, Danielle, and

0:57:34.160 --> 0:57:38.080
<v Speaker 1>I think we needed to be not always about Penga.

0:57:38.840 --> 0:57:42.560
<v Speaker 1>Sometimes we needed more about Georgia, Peach and Desiree. Desiree

0:57:42.640 --> 0:57:47.480
<v Speaker 1>is a strong woman standing up for her rights. Oh boy, alright, well,

0:57:47.960 --> 0:57:49.960
<v Speaker 1>she woke up just in time to say what the

0:57:49.960 --> 0:57:54.560
<v Speaker 1>hell is she wearing as she walked down? Okay, but

0:57:54.680 --> 0:57:57.280
<v Speaker 1>if we're talking about like what is the redeeming quality

0:57:57.280 --> 0:57:59.400
<v Speaker 1>of her character, it seems like they just want to

0:57:59.440 --> 0:58:03.600
<v Speaker 1>put her She looks like a dominatrix walking down. She

0:58:03.720 --> 0:58:05.600
<v Speaker 1>was like a caller on. I was like whoa, and

0:58:06.440 --> 0:58:09.480
<v Speaker 1>just like I said, what high school student is wearing

0:58:09.520 --> 0:58:13.880
<v Speaker 1>thigh high boot. Yeah, she's like just sort of carrying

0:58:13.880 --> 0:58:18.640
<v Speaker 1>a writing crop walking down like whoafe. I just hear

0:58:19.560 --> 0:58:24.280
<v Speaker 1>the man. But I feel like that was the point

0:58:24.280 --> 0:58:27.919
<v Speaker 1>of this character. Like it's just but again, they could

0:58:27.920 --> 0:58:30.120
<v Speaker 1>have you know, I think this is a really weird

0:58:30.640 --> 0:58:33.240
<v Speaker 1>pushing it too far sexually, but they could have gone

0:58:33.320 --> 0:58:36.040
<v Speaker 1>farther comedy wise, that way, if they wanted to almost

0:58:36.080 --> 0:58:43.240
<v Speaker 1>dominatrix crazy kind of a joke out of it, right,

0:58:43.320 --> 0:58:45.160
<v Speaker 1>That's what I mean. Make it more of a joke

0:58:45.520 --> 0:58:48.520
<v Speaker 1>where it's just insane kind of it would have been

0:58:48.560 --> 0:58:50.960
<v Speaker 1>that would have been inappropriate. It's all inappropriate. None of

0:58:51.000 --> 0:58:53.320
<v Speaker 1>it's appropriate. It's it's too I mean, the whole story

0:58:53.360 --> 0:58:56.480
<v Speaker 1>line is pretty terrible. But like I said earlier, there

0:58:56.520 --> 0:58:59.600
<v Speaker 1>there is a version of like, you know, giving up

0:58:59.600 --> 0:59:02.360
<v Speaker 1>your cell to be with a woman or an older

0:59:02.400 --> 0:59:05.000
<v Speaker 1>woman that you know that gives you status. There's a

0:59:05.120 --> 0:59:07.360
<v Speaker 1>version of that that could have been hysterical, of course,

0:59:07.440 --> 0:59:10.200
<v Speaker 1>the slow erosion of Eric's character or the slow erosion

0:59:10.240 --> 0:59:13.320
<v Speaker 1>of Jason's character, And instead it's just this over the top,

0:59:13.680 --> 0:59:17.800
<v Speaker 1>ridiculous joke, one note character, one note situation, and the

0:59:17.920 --> 0:59:20.600
<v Speaker 1>note is that the note is off key. It's okay

0:59:20.640 --> 0:59:23.600
<v Speaker 1>if it's one note and the note is amazing. It wasn't.

0:59:23.680 --> 0:59:25.600
<v Speaker 1>It's one note and it was a bad note. Wait,

0:59:25.640 --> 0:59:28.360
<v Speaker 1>so let's go back really quick to the backyard scene

0:59:28.360 --> 0:59:31.480
<v Speaker 1>with Phoenie. I'm sorry, with Turner and Phoenie. And instead

0:59:31.480 --> 0:59:34.720
<v Speaker 1>of Turner standing there having that conversation with Phoenie, imagine

0:59:34.720 --> 0:59:37.120
<v Speaker 1>it being Corey and this being a season one episode

0:59:37.240 --> 0:59:41.080
<v Speaker 1>where Corey goes where Corey is like, you know, yeah,

0:59:41.120 --> 0:59:43.080
<v Speaker 1>but I hey, we did it without doing a test,

0:59:43.320 --> 0:59:46.560
<v Speaker 1>and Phoenie says, but did we? And Corey e then

0:59:46.600 --> 0:59:51.360
<v Speaker 1>says thank you, Mr Phoenie exactly. That's what I'm saying. Like,

0:59:51.640 --> 0:59:54.880
<v Speaker 1>it felt like it could have been a a Phoenie

0:59:54.880 --> 0:59:59.720
<v Speaker 1>being smarter than Corey episode rather than a Phoenie somehow

0:59:59.760 --> 1:00:02.720
<v Speaker 1>have in the upper hand power dynamic with Turner and

1:00:02.800 --> 1:00:04.760
<v Speaker 1>like you're going to earn my respect. I don't know

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<v Speaker 1>it just that was the discussion that producer Jensen carpet

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<v Speaker 1>I had last No, I think I think I think

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<v Speaker 1>the point is that the episode is trying to have

1:00:12.400 --> 1:00:14.880
<v Speaker 1>it both ways, which is it's trying to have conflict

1:00:14.920 --> 1:00:18.040
<v Speaker 1>between Turner and Phoenie but still have Phoenie be the

1:00:18.080 --> 1:00:21.560
<v Speaker 1>all knowing, perfect teacher, right, and that that actually is

1:00:21.640 --> 1:00:25.960
<v Speaker 1>way less interesting than having Phoenie adjust to Turner, which

1:00:25.960 --> 1:00:28.720
<v Speaker 1>would have been way better. That's what they tried to

1:00:28.760 --> 1:00:32.160
<v Speaker 1>do though, that's why try to do that. It just

1:00:32.200 --> 1:00:35.360
<v Speaker 1>wasn't written right. They resolved it by just making Phoenie

1:00:36.360 --> 1:00:38.400
<v Speaker 1>this was all part of his master plan, which just

1:00:38.560 --> 1:00:41.800
<v Speaker 1>doesn't feel right. I think it's impossible, that's not you know.

1:00:41.840 --> 1:00:43.880
<v Speaker 1>And also, and I think with Danielle is saying she's right,

1:00:43.920 --> 1:00:46.040
<v Speaker 1>because what what what he was saying with the whole

1:00:46.760 --> 1:00:48.520
<v Speaker 1>I'll take you know, we did write the material, and

1:00:48.560 --> 1:00:49.720
<v Speaker 1>he's like, yeah, I can tell you did that, and

1:00:49.720 --> 1:00:51.920
<v Speaker 1>I'm gonna take that under advisement. It's Phenie kind of

1:00:51.920 --> 1:00:56.000
<v Speaker 1>saying giving Jonathan one like yes, I get okay, maybe

1:00:56.040 --> 1:00:59.720
<v Speaker 1>your ways aren't awful. Again, it was written poorly, but

1:01:00.040 --> 1:01:03.200
<v Speaker 1>the way that's what I think they were attempting to do. Um,

1:01:03.200 --> 1:01:05.640
<v Speaker 1>it was supposed to be old school versus new school

1:01:06.280 --> 1:01:09.000
<v Speaker 1>and one way is better than the other. No, maybe

1:01:09.040 --> 1:01:10.440
<v Speaker 1>we meet in the middle and we find out that

1:01:10.440 --> 1:01:13.040
<v Speaker 1>there's new things. That's what they were trying to do,

1:01:13.520 --> 1:01:16.560
<v Speaker 1>And I just don't think that hit at all with

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<v Speaker 1>the more. I gotta watch it in the light of

1:01:18.640 --> 1:01:27.280
<v Speaker 1>day again. Um or just right, that's exactly right. Scom

1:01:27.320 --> 1:01:30.080
<v Speaker 1>has ups and downs. Daniel is probably one of the

1:01:30.120 --> 1:01:31.720
<v Speaker 1>first episodes where she's like, you know what, I'm really

1:01:31.720 --> 1:01:35.480
<v Speaker 1>glad about. I'm not in this episode. I was not

1:01:35.640 --> 1:01:40.720
<v Speaker 1>I'm not unhappy. Our next episode is season two, episode five,

1:01:40.920 --> 1:01:45.400
<v Speaker 1>The Uninvited. It aired October one. Thank you all for

1:01:45.480 --> 1:01:47.400
<v Speaker 1>joining us for this episode of pod Meets World. You

1:01:47.400 --> 1:01:49.840
<v Speaker 1>can follow us at pod meets World show on Instagram.

1:01:49.880 --> 1:01:51.760
<v Speaker 1>You can send us your emails at pod Meats World

1:01:51.760 --> 1:01:54.400
<v Speaker 1>Show at gmail dot com. And I don't know if

1:01:54.400 --> 1:01:59.400
<v Speaker 1>you've heard, we have merch much pod meets World show

1:01:59.600 --> 1:02:03.120
<v Speaker 1>dot com. Um, and uh will, this one's yours. We

1:02:03.240 --> 1:02:08.120
<v Speaker 1>love you all, postmis pod Meets World is an I

1:02:08.200 --> 1:02:11.280
<v Speaker 1>heart podcast produced and hosted by Daniel Fishel Wilford, l

1:02:11.360 --> 1:02:14.640
<v Speaker 1>and Ryder Strong. Executive producers Jensen carp and, Amy Sugarman,

1:02:14.760 --> 1:02:17.880
<v Speaker 1>Executive in charge of production, Daniel Romo, producer and editor,

1:02:17.920 --> 1:02:21.360
<v Speaker 1>Taara soup Box producer, Jackie Rodriguez, engineer and Boy Meets

1:02:21.360 --> 1:02:23.760
<v Speaker 1>World super fan Easton Allen. Our theme song is by

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<v Speaker 1>Kyle Morton of Typhoon and you can follow us on

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<v Speaker 1>Instagram at Pod Meets World Show or email us at

1:02:29.120 --> 1:02:31.760
<v Speaker 1>Pod Meets World Show at gmail dot com