WEBVTT - Big Sur: In the Soup

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<v Speaker 1>Pushkin. Yeah, have you ever done like an RV trip

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<v Speaker 1>Lan life? You mean Van Life? Yeah, I think we

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<v Speaker 1>can't do van life. I go, van life got ruined

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<v Speaker 1>this summer COVID. You can't get a sprinter or a

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<v Speaker 1>VW like in any reason price. And then it became

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<v Speaker 1>like a hashtag Instagram tiktoki thing like van life. Right,

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<v Speaker 1>it just feels like the van life got gentrified. I

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<v Speaker 1>hope you enjoyed. These five highly produced episodes of Not

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<v Speaker 1>Lost in between seasons will be tackling such diverse topics

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<v Speaker 1>as the gentrification of van Life. Turn in next week

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<v Speaker 1>for a conversation. This is Not Lost California so far,

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<v Speaker 1>how everybody feeling. I'm Brendan France has new him feel

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<v Speaker 1>great that it's not New York. That's my friend, the

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<v Speaker 1>audio producer John Delor, just like it is an incredible

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<v Speaker 1>joy to just be out of the city. It's April

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<v Speaker 1>twenty twenty two, and after a two year hiatus spent

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<v Speaker 1>hunkering down in New York City due to COVID, we're

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<v Speaker 1>heading toward the opposite of the Big Apple, Big Sir,

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<v Speaker 1>eighty miles of vodness along the rugged coast of Central California.

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<v Speaker 1>Look at these beaches, taking in the coastal beauty. It's

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<v Speaker 1>hard to remember why I ever left California, Like, what

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<v Speaker 1>do we do in their lives? Oh, that house is

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<v Speaker 1>for sale. Maybe the world speaking to me? Live right there,

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<v Speaker 1>work remotely, make podcasts, eat soup. So you've been to

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<v Speaker 1>Big Sir? How many times I was thinking about on

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<v Speaker 1>the plane. I think like eleven or twelve times. What

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<v Speaker 1>was the first time? Big Sir is not new to me.

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<v Speaker 1>Years back, when I lived in California, I would visit

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<v Speaker 1>it all the time, and like many before me, I

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<v Speaker 1>was seduced by the areas looming redwood forests and mountains

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<v Speaker 1>on one side, the bananas wow and the drama of cliffs,

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<v Speaker 1>rock and ocean on the other. Look at the shoreline.

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<v Speaker 1>It's accessible for like a stretch, and then it just

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<v Speaker 1>turns into the sort of cliffs. It is hard to

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<v Speaker 1>overstate house dunning, Big Sir is. It is an Edenic wilderness.

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<v Speaker 1>It is Beethoven, the taj Mahal for let Mignon, Queen

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<v Speaker 1>em On, all of it all in one. And yet

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<v Speaker 1>what really makes the special for me are the thinkers,

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<v Speaker 1>artists and writers who live and visit here. Despite being

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<v Speaker 1>remote in Big s a book of poetry or a

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<v Speaker 1>good conversation are not hard to find. I can't believe

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<v Speaker 1>I can't find parking in Big s Okay, come on out,

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<v Speaker 1>you lay in your horn, no want to You can

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<v Speaker 1>take the guy out of New York City. I'd rather

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<v Speaker 1>live a life that's a little on edge, like wildfires,

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<v Speaker 1>mountain lions, and then paradise and elation, those two ends

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<v Speaker 1>of the spectrum, then this monotonous middle of the road

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<v Speaker 1>stuff that I was ever mentioned. When we arrive in

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<v Speaker 1>Big Sir village, we strike up a chat with a radiant,

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<v Speaker 1>even beatific looking stranger named Jake Podour. How did you

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<v Speaker 1>end up in Big Sir? I ended up here by accident,

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<v Speaker 1>which most other residents of Big sur will say the same.

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<v Speaker 1>They didn't actually try to live here. Jake is young,

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<v Speaker 1>has a short beard and baggy clothes, with the touch

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<v Speaker 1>of Bohemian flair, music and spirit. If I do say so,

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<v Speaker 1>is really the reason why I ended up here? Yeah?

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<v Speaker 1>I found myself in La trying to do the music

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<v Speaker 1>thing and it just was making me feel lost, and

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<v Speaker 1>I was luckily cradled by this beautiful land. I mean

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<v Speaker 1>is there enough to do as just a big sur

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<v Speaker 1>like young guy living here, Like you can get off

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<v Speaker 1>work to get by? Oh now I can before you know,

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<v Speaker 1>living in my car saving money on rent. That made

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<v Speaker 1>it work out for me in that sense. But are

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<v Speaker 1>there there a lot of car life going on? There is.

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<v Speaker 1>There's a lot of car life, a lot of transients,

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<v Speaker 1>and a lot of multi millionaires and not much more

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<v Speaker 1>in between. But right now I have a work trade situation.

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<v Speaker 1>I garden for this lady's property and live in a

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<v Speaker 1>little shack and play music, and people seem to enjoy that.

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<v Speaker 1>My journey is I ended up in the middle of

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<v Speaker 1>the road, and I've kind of been digging it because

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<v Speaker 1>I spent so much time not but I'm remembering those

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<v Speaker 1>old feelings of what it's like to be on the

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<v Speaker 1>road and to be someplace so dramatic. How is how

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<v Speaker 1>what is it like being in a place where people

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<v Speaker 1>are like travelers like us are coming through constantly, constantly,

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<v Speaker 1>Like is it it's a beautiful or is it it's invigorating.

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<v Speaker 1>I'm meeting people from all over the world. I feel

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<v Speaker 1>like I'm touring through vast lands, but really I'm just

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<v Speaker 1>on this eighty mile stretch of coastline, and I'm just

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<v Speaker 1>meeting all the most wonderful characters. As Henry Miller said

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<v Speaker 1>in Big Sirs, they put and watch the world go

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<v Speaker 1>rounds to these people who are going to be here

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<v Speaker 1>for decades. Who knows it's transitory, as you said to me,

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<v Speaker 1>it is. It's it's fun to think about some visions

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<v Speaker 1>or the future. But um, I notice, I'm happiest one.

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<v Speaker 1>I'm just right here right now. Yeah, day by day,

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<v Speaker 1>hour by hour, moment by moment. When we left Jake,

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<v Speaker 1>his words rang in my ears. Yeah, let's be right

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<v Speaker 1>here right now, which I interpreted to mean let's get

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<v Speaker 1>into the nature we travel so far to explore. Took

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<v Speaker 1>it right off the one. It was time to visit

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<v Speaker 1>the beach, driving directly off the continent of North America, said,

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<v Speaker 1>come up to the edge. Do you know this one?

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<v Speaker 1>Beach Boys? Right? So I found this song when I

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<v Speaker 1>was making a playlist for the trip. I knew one

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<v Speaker 1>of them lived up here, but I didn't know they

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<v Speaker 1>were in a song about it. Yea, before we can

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<v Speaker 1>hit the beach, we stop at a little gatehouse to

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<v Speaker 1>buy a day pass for our car. Good morning, twelve dollars. Yeah,

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<v Speaker 1>we take cash or card whatever. Okay, is it busy

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<v Speaker 1>or slow today? Starting to pick up a little bit? Yeah,

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<v Speaker 1>slower than it was yesterday at this time. Right, still

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<v Speaker 1>a weekend. All right, thank you for this, got a problem.

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<v Speaker 1>You guys are all set to go have great afternoon?

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<v Speaker 1>All right, thank you you. What do we think his

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<v Speaker 1>life out of a scott one to ten? I'm thinking ten? Right,

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<v Speaker 1>It seems like super happy. He seems happy. He's like

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<v Speaker 1>living near the beach. I'm trying not to be jealous.

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<v Speaker 1>Oh wait, oh dick, I'm gonna go put my feet

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<v Speaker 1>in the water. Okay, yeah, all right, let's do it.

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<v Speaker 1>But we're gonna have to. It's not sure it's what

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<v Speaker 1>we're gonna show some calf all right, urt your eyes

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<v Speaker 1>because my calves have not seen the sun and years.

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<v Speaker 1>Oh yeah, wow, this feels like the opposite of a

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<v Speaker 1>zoom call. It's good to touch the water. That sounds

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<v Speaker 1>a little bit like the beginning of creation. There's like

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<v Speaker 1>mist these beautiful flowers, these purple piano, the edges in

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<v Speaker 1>the green right into the water. It looks like this

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<v Speaker 1>is where man sprung forth. Yeahs such an interesting beach. Experience.

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<v Speaker 1>Though you come here, you're not swimming today because it's cold.

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<v Speaker 1>I don't think you could swim here, could you? Are

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<v Speaker 1>the waves too much? You can do whatever you want here.

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<v Speaker 1>But it's so goddamn beautiful that that is enough. There's

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<v Speaker 1>something something about over there. I can't tell if it's

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<v Speaker 1>a lot you actually look up right, if that's a

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<v Speaker 1>piece of driftwood or crazy seaweed. The large brown thing

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<v Speaker 1>down there, Yeah, that it's moving. I don't think that's

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<v Speaker 1>a long Let's go check it out, all right, Oh,

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<v Speaker 1>check that out. Those are the elephant seals. Wow, Oh

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<v Speaker 1>my god, look at these these things are massive. Wow.

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<v Speaker 1>Like when you come up to this, it looks like

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<v Speaker 1>a battlefield with all these like fallen soldiers. Yeah, you

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<v Speaker 1>see battlefield. My read is like Rockaway Beach, like sort

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<v Speaker 1>of mid August on a Wednesday, when there's not too

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<v Speaker 1>many people and everyone's really quiet. Everyone's got enough space

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<v Speaker 1>for their blanket, but everyone they're just all very chill.

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<v Speaker 1>Right now. I feel like they just parted their brains

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<v Speaker 1>out right. It's got that five what I'm saying. Trapsing

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<v Speaker 1>between the blobs of napping elephant seals was a figure

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<v Speaker 1>holding a clipboard. John and I waved and they approached us.

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<v Speaker 1>I'm Brendan Arena. John. Nice to me, what are you

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<v Speaker 1>doing here? So? I'm currently working on my PhD, and

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<v Speaker 1>this morning I was actually just out doing recites, and

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<v Speaker 1>so I was out looking at their flipper tags. Oh

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<v Speaker 1>no way, Well, look at this guy scratching his side.

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<v Speaker 1>Get How do they move? It's like such a dumb

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<v Speaker 1>basic How do they move? We have a very scientific

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<v Speaker 1>term for that on land. It's called glumping. So it's

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<v Speaker 1>galumping galumping. Have you ever seen that dance move the worm? Yeah,

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<v Speaker 1>really looks like that. That's incredible. So why do they

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<v Speaker 1>come here this spot? Yeah? So they actually come back

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<v Speaker 1>to each of these colonies because that's where they were

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<v Speaker 1>born and that's where they know to go. Is there

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<v Speaker 1>a scientific word for that sort of thing, like that

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<v Speaker 1>behavior of like going back to where you came from. Yeah,

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<v Speaker 1>it's known as like Philopatrick, Philopatrick. I like that. It's

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<v Speaker 1>like like after college, I was Philopatrick. I just ended

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<v Speaker 1>up in my dad's basement. And so where do they

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<v Speaker 1>go when they're not here? So they spend most of

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<v Speaker 1>their time out at sea? Okay, the adult females will

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<v Speaker 1>go out to the middle of the Pacific Ocean. I

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<v Speaker 1>think their round trip can come in at about ten

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<v Speaker 1>thousand kilometers that they're doing, and then after about two

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<v Speaker 1>months they come back to molt and while they're on land,

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<v Speaker 1>they're fasting the entire time, and then they'll go back

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<v Speaker 1>out to see for seven months, putting on a ton

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<v Speaker 1>of mass to then come back for the breeding seasoning.

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<v Speaker 1>I'm looking at them, I'm like inspired, Like I feel

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<v Speaker 1>like I moved way too much in New York that

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<v Speaker 1>I need to spend a little bit more in my

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<v Speaker 1>life focusing on the basics, which is napping. It looks

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<v Speaker 1>to me, maybe finding a good mate, maybe having some

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<v Speaker 1>kids for me. I was drawn to them by what

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<v Speaker 1>they can do out in the sea, because that is

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<v Speaker 1>really like how they make a living out there, you know,

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<v Speaker 1>Like it's really if they don't do well out there,

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<v Speaker 1>they're not going to be able to come back on

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<v Speaker 1>land and do well online. Right, So this is classic me.

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<v Speaker 1>I'm looking at them just chilling out after the result

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<v Speaker 1>of all their hard work, and I'm like, I want that.

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<v Speaker 1>I don't want to do the ten thousand hours of

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<v Speaker 1>work that allows this to happen. It's pretty amazing. Do

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<v Speaker 1>you know any of the like these ones that are

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<v Speaker 1>laid on the beach, any of them are familiar? We

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<v Speaker 1>do have. Yes, there is this one girl eighteen eighty

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<v Speaker 1>five who I believe is twenty this year, all right,

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<v Speaker 1>and I think she held the record for the deepest

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<v Speaker 1>dive of the seals that we've instrumented, Yeah, which was

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<v Speaker 1>about two hours and down to one thousand, seven hundred meters.

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<v Speaker 1>That's so cool. We know we have her her track

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<v Speaker 1>from that year, and then we actually chacked her several

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<v Speaker 1>years later. It seems like she's doing the same thing

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<v Speaker 1>every year. And it was where to go. The idea

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<v Speaker 1>that they keep coming back to where they came from,

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<v Speaker 1>like ISRAELI intriguing to me. But thank you so much

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<v Speaker 1>for yeah, sharing your work with us. Yeah, this is beautiful.

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<v Speaker 1>Thank you so much. Yeah, it's nice to be able

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<v Speaker 1>to come out on the beach and run across someone

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<v Speaker 1>who just hangs out with these credits all the time.

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<v Speaker 1>You guys are heading south, right, Well, we might go

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<v Speaker 1>to there's this place in Pescudero. Have you ever been

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<v Speaker 1>to Duarts? No? Oh my god, it has He's got

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<v Speaker 1>this supup So there's this soup I used to again

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<v Speaker 1>every time I visited Big I might have mentioned it

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<v Speaker 1>once or twice while planning for this trend inflatable soup

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<v Speaker 1>cream of artichoke made from artichoke they pick in the cart,

0:13:17.236 --> 0:13:20.676
<v Speaker 1>cream of vartach utter garlic. I first encountered it in

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<v Speaker 1>years two pounds of artichokes, and now I make a

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<v Speaker 1>pilgrimage to eat it anytime I'm nearby. If you know,

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<v Speaker 1>if you've been there, you can order off menu the

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<v Speaker 1>fifty fifth blended with this chili verde soup, which is

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<v Speaker 1>more pecant and spicy, chick in stock, heavy cream, salt, pepper.

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<v Speaker 1>In my mind, it contains more than just neutri super

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<v Speaker 1>grounding and almost woods like a metaphor for the ideal life.

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<v Speaker 1>It contains wisdom for living. You know, the soup's grounded

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<v Speaker 1>but spice. I've kind of been thinking about this soup

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<v Speaker 1>for five years, and soup is not the main reason

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<v Speaker 1>I decided to visit California. Soup that you talk about

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<v Speaker 1>all the time, but I just want to make sure

0:13:55.036 --> 0:13:57.476
<v Speaker 1>we hit it if we're traveling there, certainly played a

0:13:57.556 --> 0:13:59.116
<v Speaker 1>role in my decision. You gotta do the math this

0:13:59.276 --> 0:14:01.996
<v Speaker 1>even makes sense to go back. Unfortunately, because we have

0:14:02.036 --> 0:14:04.116
<v Speaker 1>to backtrack and go the other way, we didn't have

0:14:04.156 --> 0:14:05.956
<v Speaker 1>time to stop there. On the way down to being Soup,

0:14:09.356 --> 0:14:12.836
<v Speaker 1>and after our jount to the beach, the jet lag

0:14:12.916 --> 0:14:17.596
<v Speaker 1>hit us like a wave of molasses. So we checked

0:14:17.596 --> 0:14:21.596
<v Speaker 1>into the cabin, unpacked the car, and when we were

0:14:21.636 --> 0:14:26.276
<v Speaker 1>settled it was dark, and not bluish city dark, but

0:14:26.436 --> 0:14:31.676
<v Speaker 1>squid ink black dark. We lit a fire, opened a

0:14:31.716 --> 0:14:35.076
<v Speaker 1>bottle of mescow, and continued to try to be in

0:14:35.116 --> 0:14:47.436
<v Speaker 1>the present. Big God plans and mine, I'll go into

0:14:49.356 --> 0:15:22.476
<v Speaker 1>ourselves to your Dave two Walmond cappuccinos. Some people know

0:15:22.516 --> 0:15:25.876
<v Speaker 1>the best fishing spots or a good place to catch waves,

0:15:25.876 --> 0:15:29.756
<v Speaker 1>to surf. I'm like that for coffee shops. Even in

0:15:29.796 --> 0:15:31.956
<v Speaker 1>the wilderness, I can hear the siren call of a

0:15:32.036 --> 0:15:35.356
<v Speaker 1>milk frother. And thus the next morning we proceeded to

0:15:35.396 --> 0:15:38.596
<v Speaker 1>Big Sur Bakery, a casual eatery nestled in the hills

0:15:38.596 --> 0:15:45.036
<v Speaker 1>off of Highway One. So, John, I've been to Big

0:15:45.036 --> 0:15:49.036
<v Speaker 1>Sur Bakery dozens of times. What was your what's your experience?

0:15:50.796 --> 0:15:52.436
<v Speaker 1>All right? So, first of all, it's across from the

0:15:52.476 --> 0:15:57.036
<v Speaker 1>most beautiful gas station of all time, like it makes

0:15:57.076 --> 0:16:00.396
<v Speaker 1>gas look probably good for the planet, Like you imagine

0:16:00.436 --> 0:16:02.076
<v Speaker 1>that the person who works in there is like extremely

0:16:02.156 --> 0:16:06.996
<v Speaker 1>fit and doing yoga in between a humping gas bakery

0:16:07.076 --> 0:16:11.956
<v Speaker 1>is good. I mean, I've got like this, what is it?

0:16:11.996 --> 0:16:13.836
<v Speaker 1>What did you order? Why am I? It's a blueberry

0:16:13.836 --> 0:16:17.916
<v Speaker 1>strudle bluebers at least like two pounds of blue blueberries. Seriously,

0:16:17.956 --> 0:16:19.396
<v Speaker 1>but I had to give it to you because they

0:16:19.436 --> 0:16:22.636
<v Speaker 1>did not announce there was almond flower, right, and you

0:16:22.636 --> 0:16:24.476
<v Speaker 1>you like you threw it down like like it was

0:16:24.516 --> 0:16:28.596
<v Speaker 1>like a wet ragular. This is going to close off

0:16:28.636 --> 0:16:30.796
<v Speaker 1>my throat. But yeah, or you could just say I

0:16:30.796 --> 0:16:32.236
<v Speaker 1>threw it down like what you know. Either way you

0:16:32.236 --> 0:16:34.836
<v Speaker 1>could act like I'm being pretentious, or we can talk

0:16:34.836 --> 0:16:40.916
<v Speaker 1>about a medical condition. Yeah, but no. The pastry cabinet

0:16:40.916 --> 0:16:43.036
<v Speaker 1>here is like of the gods, and there's like a

0:16:43.116 --> 0:16:49.796
<v Speaker 1>little pursudo greer cheese loaves and vegetable for tatas. Let's

0:16:49.796 --> 0:16:51.596
<v Speaker 1>since you have a question though, you so when I

0:16:51.636 --> 0:16:54.396
<v Speaker 1>gave you my blueberry, it's going due to my medical emergency.

0:16:55.876 --> 0:16:57.716
<v Speaker 1>You were like, oh, well you can eat my ginger skull,

0:16:57.716 --> 0:17:00.236
<v Speaker 1>which is very generous of you, right, but ginger is

0:17:00.236 --> 0:17:02.316
<v Speaker 1>like kind of a coffee killer, you know. I mean

0:17:02.596 --> 0:17:05.636
<v Speaker 1>it's like the flavored ginger intersecting the coffee. To me,

0:17:05.716 --> 0:17:09.116
<v Speaker 1>it feels like I'm taking a pill. It's like gingers.

0:17:09.156 --> 0:17:12.396
<v Speaker 1>So huh. I don't know. I found the collision a little.

0:17:12.636 --> 0:17:14.156
<v Speaker 1>I think it's like having like a cookie or like

0:17:14.236 --> 0:17:18.116
<v Speaker 1>a you know, it's like it's like here toothpaste in

0:17:18.156 --> 0:17:24.396
<v Speaker 1>our shoes. But thank you, You're welcome, You're welcome, Thanks

0:17:24.396 --> 0:17:26.196
<v Speaker 1>for this. It's good. It's good. I'm sorry about the

0:17:26.236 --> 0:17:28.596
<v Speaker 1>almond flower thing. Like all your glance is your throat

0:17:28.596 --> 0:17:33.276
<v Speaker 1>closing up at all. John snark rolls off me as

0:17:33.316 --> 0:17:35.716
<v Speaker 1>I happily watched the line of people in yoga pants

0:17:35.796 --> 0:17:39.276
<v Speaker 1>and hiking boots stifle yawns while waiting for their coffee orders.

0:17:39.476 --> 0:17:43.116
<v Speaker 1>Often there's a flat white John Diggins texting his wife

0:17:43.116 --> 0:17:45.276
<v Speaker 1>in New York, who he left home alone with their

0:17:45.316 --> 0:17:49.356
<v Speaker 1>two kids. You can almost feel the like, as I'm leaving,

0:17:49.476 --> 0:17:53.276
<v Speaker 1>like I'm just taking this huge like sixty pound like

0:17:53.436 --> 0:17:57.156
<v Speaker 1>flak jacket combination like old hair shirt. You know, it's

0:17:57.156 --> 0:17:59.716
<v Speaker 1>like uncomfortable and it's heavy. I just like take mine

0:17:59.756 --> 0:18:01.396
<v Speaker 1>off and like, all right, you're gonna have to wear

0:18:01.436 --> 0:18:07.796
<v Speaker 1>both of them five days already, Like I can just

0:18:07.876 --> 0:18:11.676
<v Speaker 1>feel the space or it's it's like it's quieter in

0:18:11.716 --> 0:18:14.076
<v Speaker 1>my head because there's not that like it's like you

0:18:14.116 --> 0:18:15.796
<v Speaker 1>need to get up now, you need to get their pajamas,

0:18:15.796 --> 0:18:16.956
<v Speaker 1>and then like you wake up and you open your

0:18:16.956 --> 0:18:19.356
<v Speaker 1>eyes and you're like, oh no, no, I'm in California. Yeah,

0:18:19.356 --> 0:18:22.236
<v Speaker 1>I don't have to do that today. Yeah, all right,

0:18:23.076 --> 0:18:26.036
<v Speaker 1>let's um get out here. Let's go check out Henry

0:18:26.036 --> 0:18:28.916
<v Speaker 1>Motor Library. And it's a little nonprofit because Henry Moller

0:18:28.996 --> 0:18:31.116
<v Speaker 1>used to live here. And so we'll take with Magnus,

0:18:31.116 --> 0:18:33.076
<v Speaker 1>who I've known over the years. He's seen me in

0:18:33.156 --> 0:18:37.476
<v Speaker 1>different states with different hairlinths, different partners, in different cars,

0:18:39.236 --> 0:18:41.516
<v Speaker 1>and now it's years on and I'm still still here.

0:18:41.516 --> 0:18:44.356
<v Speaker 1>You'll be the harriest partner I bring to him yet. Amazing,

0:18:45.836 --> 0:18:47.436
<v Speaker 1>Let's do it. I'm glad you're here with me. Yeah,

0:18:47.436 --> 0:18:57.356
<v Speaker 1>I'm glad. We got you out black coffee for Chelsea.

0:19:00.476 --> 0:19:04.436
<v Speaker 1>Anaphylactic shock avoided, bellies full. We hop at our rig

0:19:04.476 --> 0:19:08.236
<v Speaker 1>and mosey further down Highway one. But it's that same thing,

0:19:08.316 --> 0:19:11.196
<v Speaker 1>like do you go to those natural places to recharge

0:19:11.196 --> 0:19:12.996
<v Speaker 1>and come back Yeah, but I think like if you

0:19:13.076 --> 0:19:17.156
<v Speaker 1>do the opposite, where you're living in the country most

0:19:17.196 --> 0:19:19.476
<v Speaker 1>of the time and then going to city and coming back,

0:19:19.836 --> 0:19:22.236
<v Speaker 1>that's just like it's like the inverse of like the

0:19:22.276 --> 0:19:25.356
<v Speaker 1>thing that I think I aspire to. That's that's like

0:19:26.876 --> 0:19:29.276
<v Speaker 1>the chili verde soup is the majority and in the

0:19:29.316 --> 0:19:33.636
<v Speaker 1>middle is just a little bit of artichoke. Right, you're saying,

0:19:34.676 --> 0:19:37.276
<v Speaker 1>I'm just trying to figure out, like, if I acknowledge it,

0:19:37.316 --> 0:19:39.596
<v Speaker 1>does that mean we're going to keep talking about the soup,

0:19:39.716 --> 0:19:43.196
<v Speaker 1>or if I just we come to a little turnout

0:19:43.236 --> 0:19:46.116
<v Speaker 1>where a tiny cabin sits amidst redwood trees at the

0:19:46.236 --> 0:19:49.236
<v Speaker 1>edge of a shady glade. This is perfect. Look, there's

0:19:49.236 --> 0:19:52.156
<v Speaker 1>this old wooden sign painted yell at Henry Miller Library,

0:19:52.396 --> 0:20:01.436
<v Speaker 1>Book Music, Art. All right, let's go check it out.

0:20:01.956 --> 0:20:06.716
<v Speaker 1>The Henry Miller Library is not an actual library. It's

0:20:06.756 --> 0:20:09.796
<v Speaker 1>a nonprofit art center, bookstore, and performance space set up

0:20:09.796 --> 0:20:12.436
<v Speaker 1>as a kind of memorial to the writer. Miller had

0:20:12.436 --> 0:20:14.596
<v Speaker 1>had his fill of city life and moved to Big

0:20:14.636 --> 0:20:20.956
<v Speaker 1>Serve back in the nineteen forties. Yeah. I'm just so

0:20:21.036 --> 0:20:22.396
<v Speaker 1>happy to be here, man. I think this is the

0:20:22.436 --> 0:20:24.156
<v Speaker 1>first trip in two years and I wanted to come

0:20:24.236 --> 0:20:26.356
<v Speaker 1>right to the most beautiful place I could think of,

0:20:26.516 --> 0:20:28.196
<v Speaker 1>what do you mean, first trip in two years because

0:20:28.196 --> 0:20:30.836
<v Speaker 1>of COVID, because so the show we were making it

0:20:31.156 --> 0:20:34.516
<v Speaker 1>and then stopped right And then in that time I

0:20:34.556 --> 0:20:36.596
<v Speaker 1>got a normal job, got my hair cut, my girlfriend

0:20:36.636 --> 0:20:40.556
<v Speaker 1>moved in, bought a car, started watching TV, became an American. Yeah,

0:20:40.556 --> 0:20:43.036
<v Speaker 1>and now it's kind of tapering right, and I'm back

0:20:43.036 --> 0:20:46.836
<v Speaker 1>out here. My name is Magnus Taurum, and I've been

0:20:46.916 --> 0:20:49.796
<v Speaker 1>here at the library since nineteen ninety three, and I

0:20:49.876 --> 0:20:55.316
<v Speaker 1>come I came here from Sweden. Magnus is tall, Cladden

0:20:55.356 --> 0:20:58.156
<v Speaker 1>Denham and has a full head of silver hair doing

0:20:58.196 --> 0:21:02.076
<v Speaker 1>this kind of cool scarecrow shag thing. All right, so

0:21:02.156 --> 0:21:04.956
<v Speaker 1>can you give us a lay of the land here? Um? Well,

0:21:05.356 --> 0:21:08.276
<v Speaker 1>the library is here. It's been like this since nineteen

0:21:08.316 --> 0:21:11.116
<v Speaker 1>eighty one. Very few things have changed. People don't like

0:21:11.316 --> 0:21:15.276
<v Speaker 1>things changing here. Oftentimes people would comment on a rock

0:21:15.716 --> 0:21:18.116
<v Speaker 1>that used to be in one place and now it's moved,

0:21:18.476 --> 0:21:22.876
<v Speaker 1>and they get slightly perturbed. See that railroad tree right

0:21:22.876 --> 0:21:26.036
<v Speaker 1>there is actually classic redwood that. See how the branches

0:21:26.076 --> 0:21:29.316
<v Speaker 1>are drooping, like really drooping, hanging down. That's like the

0:21:29.396 --> 0:21:32.716
<v Speaker 1>cover tree for a book about Sequoia Sampavillians, which these are.

0:21:32.956 --> 0:21:35.476
<v Speaker 1>And when when David Crosby did his concert, which was

0:21:35.916 --> 0:21:38.516
<v Speaker 1>not that long ago, he stood on this stage and suddenly,

0:21:38.556 --> 0:21:40.556
<v Speaker 1>in the middle of the concert he stopped like this,

0:21:41.556 --> 0:21:44.196
<v Speaker 1>and they looked up and he suddenly noticed that tree,

0:21:44.356 --> 0:21:54.236
<v Speaker 1>and he said, this song is for that tree. Do

0:21:54.236 --> 0:21:56.516
<v Speaker 1>you mind telling John the story of how you ended

0:21:56.556 --> 0:21:59.436
<v Speaker 1>up in Big Sir? Initially? Initially I hitchtaged down the

0:21:59.476 --> 0:22:01.276
<v Speaker 1>coast in the nineteen seventy eight the first time, and

0:22:01.316 --> 0:22:04.316
<v Speaker 1>then I sailed for seven years in the mainliness of Pacific.

0:22:04.356 --> 0:22:10.876
<v Speaker 1>And then on August twenty eight, nineteen eighty four, I

0:22:10.916 --> 0:22:13.716
<v Speaker 1>had a motorcycle accident right outside of Fernwood here in

0:22:13.756 --> 0:22:16.716
<v Speaker 1>the valley, right in Big righting A downtown the valley,

0:22:16.756 --> 0:22:19.676
<v Speaker 1>Big Sir. And I lost my consciousness and I was

0:22:19.796 --> 0:22:23.636
<v Speaker 1>laying I sprawled myself on the hood of this car,

0:22:23.876 --> 0:22:27.356
<v Speaker 1>bleeding profusely out of certainly my nose and mouth. And

0:22:27.996 --> 0:22:31.756
<v Speaker 1>I wake up and I'm holding somebody's hand, and I

0:22:31.996 --> 0:22:35.156
<v Speaker 1>opened up my eyes and I see this beautiful young woman,

0:22:35.356 --> 0:22:39.676
<v Speaker 1>and I said, how did you get here? And then

0:22:40.116 --> 0:22:43.396
<v Speaker 1>she went with me in the ambulance, and I'm still

0:22:43.476 --> 0:22:45.876
<v Speaker 1>with her a four months south of here on Parlington

0:22:45.956 --> 0:22:48.676
<v Speaker 1>Ridge where she brought me up. So that was that's

0:22:48.716 --> 0:22:52.396
<v Speaker 1>the reason I'm here is having met her, it fell

0:22:52.476 --> 0:22:55.116
<v Speaker 1>in love completely and fell in love with her and

0:22:55.236 --> 0:22:58.196
<v Speaker 1>the place. And I had so many stitches on my

0:22:58.276 --> 0:23:01.516
<v Speaker 1>lips that it took it took three weeks for us

0:23:01.596 --> 0:23:08.076
<v Speaker 1>to finally be able to come gently kiss. Magnus walks

0:23:08.156 --> 0:23:10.636
<v Speaker 1>us around the grounds of the library. There's a ping

0:23:10.716 --> 0:23:14.636
<v Speaker 1>pong table, a small stage for performances, and various folk

0:23:14.756 --> 0:23:20.396
<v Speaker 1>art sculptures nestled beneath redwood trees. This is the iconic thing.

0:23:20.476 --> 0:23:22.756
<v Speaker 1>This piano has been taking a beating for years. Yeah,

0:23:22.876 --> 0:23:25.716
<v Speaker 1>it's entropy. It's a it's a piano that's slowly rotting

0:23:26.036 --> 0:23:28.236
<v Speaker 1>in front of our eyes. Here, I had three of

0:23:28.316 --> 0:23:32.516
<v Speaker 1>those mannequins surrounding a redwood stump on which I had

0:23:32.556 --> 0:23:35.316
<v Speaker 1>a cup, and in the cup I had a Rubik's cube.

0:23:36.116 --> 0:23:38.236
<v Speaker 1>So a lot of these are is you bathe these

0:23:38.396 --> 0:23:41.436
<v Speaker 1>and they're kind of just ready maids inspired by your

0:23:41.636 --> 0:23:45.516
<v Speaker 1>wild mind. Yeah. Now that orange thing there that actually

0:23:45.596 --> 0:23:48.116
<v Speaker 1>comes from the bowling alley where they shot with the

0:23:48.156 --> 0:23:53.596
<v Speaker 1>Botskid movie. Yeah, Yeah, that's from the big sort of

0:23:53.676 --> 0:23:57.836
<v Speaker 1>fashion show that we have here, like jellyfish. All right,

0:23:57.916 --> 0:24:00.436
<v Speaker 1>And now we approached the the mL White House, which

0:24:00.436 --> 0:24:04.996
<v Speaker 1>as we converted into this beautiful little library and bookstore.

0:24:05.516 --> 0:24:12.036
<v Speaker 1>I've been poking our heads in here. So we're basically

0:24:12.116 --> 0:24:15.676
<v Speaker 1>in this place and it's like a really handsome bookstore

0:24:15.716 --> 0:24:18.436
<v Speaker 1>in a cabin, but this kind of nice warm lighting.

0:24:19.596 --> 0:24:22.356
<v Speaker 1>Is there an organization, what's the what's the roads, the selection?

0:24:22.596 --> 0:24:24.756
<v Speaker 1>It's a little bit. It's you know, they're on the shelf.

0:24:24.876 --> 0:24:28.836
<v Speaker 1>We have books that are essentially by author, pretty much alphabetical,

0:24:29.316 --> 0:24:31.476
<v Speaker 1>and then we have displaced on the tables and they

0:24:31.756 --> 0:24:34.476
<v Speaker 1>they change all the time depending on how we feel. Yeah,

0:24:35.356 --> 0:24:38.196
<v Speaker 1>but the books themselves are all kind of rotating in

0:24:38.316 --> 0:24:42.156
<v Speaker 1>and out modern classics, moniting classic classics. Yeah, it's like

0:24:42.276 --> 0:24:46.956
<v Speaker 1>an education humanities on one level. And this poster here

0:24:47.076 --> 0:24:49.596
<v Speaker 1>is from the Wild Year of twenty eleven where we

0:24:49.716 --> 0:24:53.276
<v Speaker 1>had she like Peppers and John Waters and oh my way.

0:24:53.316 --> 0:24:56.156
<v Speaker 1>So this is these are people performed at the library.

0:24:56.716 --> 0:25:03.796
<v Speaker 1>Red Hot Chili, Peppers, John Waters, MGMT, Henry Rollins. Remarkable

0:25:03.876 --> 0:25:06.796
<v Speaker 1>three and a half hours Wow. After our chat with

0:25:06.916 --> 0:25:10.876
<v Speaker 1>Magnus we Linger on at the library. This tree is

0:25:10.876 --> 0:25:14.316
<v Speaker 1>probably what about a thousand years old? How is the Redwoods?

0:25:15.156 --> 0:25:17.836
<v Speaker 1>John finds a spot of cell reception and calls his

0:25:17.956 --> 0:25:23.836
<v Speaker 1>kids before nightfalls on the East Coast. Hi, guys, where

0:25:23.876 --> 0:25:29.716
<v Speaker 1>am I? I'm in California? Hi Indi boo? How are you?

0:25:30.196 --> 0:25:34.236
<v Speaker 1>Are you tired? You're busy right now? Are you too

0:25:34.316 --> 0:25:39.156
<v Speaker 1>busy to say hi? Yeah? Meanwhile, I browsed the bookshop

0:25:39.196 --> 0:25:41.316
<v Speaker 1>and find a copy of Big sur and The Oranges

0:25:41.356 --> 0:25:44.876
<v Speaker 1>of Hieronymous Bosh Henry Miller's memoirs from when he lived here.

0:25:44.916 --> 0:25:47.036
<v Speaker 1>I sent you a video. We saw an elephant seal.

0:25:47.196 --> 0:25:49.796
<v Speaker 1>It's really big and it makes a noise like it's burping.

0:25:50.076 --> 0:25:52.516
<v Speaker 1>We whiled away the day. How tall do you think

0:25:52.556 --> 0:25:55.236
<v Speaker 1>it is? It's like a It looks like, Oh, here's

0:25:55.276 --> 0:25:57.716
<v Speaker 1>how I could do it. It looks like a fifteen

0:25:58.036 --> 0:26:02.196
<v Speaker 1>story building. Right after a while, we got ourselves together,

0:26:02.436 --> 0:26:06.956
<v Speaker 1>Hi guys, and pushed off to another iconic big surf spot.

0:26:10.356 --> 0:26:13.276
<v Speaker 1>So we're in Nepente. It's a little bit foggy out,

0:26:13.796 --> 0:26:15.796
<v Speaker 1>but we will there will be a shift when this

0:26:15.956 --> 0:26:19.676
<v Speaker 1>goes down in about a half hour's time. Designed by

0:26:19.716 --> 0:26:22.596
<v Speaker 1>a student of Frankloyd Wright, a Pente Restaurant was built

0:26:22.596 --> 0:26:25.916
<v Speaker 1>around the cliffside cabin in nineteen forty nine. In any

0:26:25.956 --> 0:26:29.596
<v Speaker 1>other setting, it's modern redwood structure and expansive terrace would

0:26:29.636 --> 0:26:32.836
<v Speaker 1>catch the eye. But here it's beauty is dwarfed by

0:26:32.916 --> 0:26:35.636
<v Speaker 1>the views in the wake and there is something stinking

0:26:35.756 --> 0:26:38.796
<v Speaker 1>set up over there, whether it's a whale or we'll seal.

0:26:39.516 --> 0:26:42.436
<v Speaker 1>Nepente's perch on a cliff allows a miles long view

0:26:42.476 --> 0:26:46.076
<v Speaker 1>of the horizon out there. See that bump, yeah, believe.

0:26:46.076 --> 0:26:49.396
<v Speaker 1>In eighteen eighty five, John and I stare males the

0:26:49.436 --> 0:26:55.076
<v Speaker 1>gape and Napente's greatest attraction the sunset. We've got sunsets

0:26:55.116 --> 0:26:58.916
<v Speaker 1>on lakes in the Midwest, which are nice, but they're

0:26:58.956 --> 0:27:03.476
<v Speaker 1>like a specific thing. This is just huge. The thing

0:27:03.516 --> 0:27:05.596
<v Speaker 1>about it for me that strikes me as like how

0:27:05.716 --> 0:27:07.916
<v Speaker 1>far it goes from left to right? Do you know

0:27:07.956 --> 0:27:09.596
<v Speaker 1>what I mean? Because the body of water is so

0:27:09.796 --> 0:27:12.796
<v Speaker 1>much larger that that pink band it's along the water

0:27:13.076 --> 0:27:14.876
<v Speaker 1>for a lake. It's like you know that big in

0:27:14.956 --> 0:27:17.716
<v Speaker 1>your in your view, like, but this is like left

0:27:17.756 --> 0:27:20.316
<v Speaker 1>to skit of two inches. It's like absolutely the entire screen,

0:27:20.476 --> 0:27:26.836
<v Speaker 1>the entire screen the Penthe pulls off the rare trick

0:27:26.876 --> 0:27:29.596
<v Speaker 1>of being a tourist destination as well as a spot

0:27:29.636 --> 0:27:34.396
<v Speaker 1>where locals meet and mingle. What is it, Jade, Jade? Yeah? Nice?

0:27:34.556 --> 0:27:36.916
<v Speaker 1>People looked at me now they go, God, Rudy, you

0:27:37.076 --> 0:27:41.036
<v Speaker 1>are local. Sometimes they even talked to each other, Alexander,

0:27:41.076 --> 0:27:42.636
<v Speaker 1>do you live in Big thir two? No, I don't.

0:27:42.676 --> 0:27:45.636
<v Speaker 1>I live in Santa Barbara. Actually, Santa Barbara is beautiful.

0:27:45.916 --> 0:27:48.076
<v Speaker 1>Yesterday I put out a prayer because I knew I

0:27:48.116 --> 0:27:51.796
<v Speaker 1>was gonna go jan thing today. Yeah, what about you? Nice? Yeah?

0:27:52.156 --> 0:27:55.596
<v Speaker 1>New York seems really inspiring. Three different people over the

0:27:55.716 --> 0:27:58.276
<v Speaker 1>day brought me jee like. One guy gave me one,

0:27:58.396 --> 0:28:00.356
<v Speaker 1>one guy gave me two, and then the other guy

0:28:00.436 --> 0:28:03.836
<v Speaker 1>gave me like. I don't think I would survive there intense.

0:28:07.236 --> 0:28:09.396
<v Speaker 1>As I sat into penthe I thought out of a

0:28:09.436 --> 0:28:13.596
<v Speaker 1>passage I'd read in Miller's memoirs earlier that day. Surely

0:28:13.716 --> 0:28:16.756
<v Speaker 1>everyone realizes, at some point along the way that he's

0:28:16.796 --> 0:28:19.356
<v Speaker 1>capable of living a far better life than the one

0:28:19.436 --> 0:28:23.516
<v Speaker 1>he has chosen. Those words stirred up an old feeling

0:28:23.756 --> 0:28:27.436
<v Speaker 1>deep inside of me. Before COVID, I had a raging

0:28:27.556 --> 0:28:30.836
<v Speaker 1>case of wanderlust. I spent years thinking there was a

0:28:30.916 --> 0:28:33.396
<v Speaker 1>better life somewhere else, if only I could find it.

0:28:34.316 --> 0:28:36.916
<v Speaker 1>But the fourth stillness of the early pandemic seemed to

0:28:36.956 --> 0:28:40.116
<v Speaker 1>inoculate me from the need to rome. I began to

0:28:40.236 --> 0:28:43.516
<v Speaker 1>enjoy the quieter pleasures of domestic life, the burble of

0:28:43.596 --> 0:28:46.396
<v Speaker 1>a stovetop espresso maker, reading on a couch with my

0:28:46.476 --> 0:28:48.716
<v Speaker 1>partner's legs in my lap, a day on a park

0:28:48.796 --> 0:28:52.436
<v Speaker 1>bench instead of a day or airplane. But here in

0:28:52.516 --> 0:28:54.996
<v Speaker 1>the penthe I was getting a sort of contact high

0:28:55.116 --> 0:28:57.436
<v Speaker 1>from past memories of when I was more footloose and

0:28:57.556 --> 0:28:59.956
<v Speaker 1>fun seeking. I mean, if you want to get drunk

0:29:00.036 --> 0:29:02.036
<v Speaker 1>or smoked ope and get high, you come to big Shirt.

0:29:02.116 --> 0:29:03.796
<v Speaker 1>And I have to admit, that's been a big shirt

0:29:03.836 --> 0:29:06.396
<v Speaker 1>for the weekend. Okay, that's good with me. I did

0:29:06.476 --> 0:29:12.196
<v Speaker 1>feel pretty good. Something's never changed. John was enjoying himself too.

0:29:12.956 --> 0:29:14.996
<v Speaker 1>But this is great. I mean, look at that fucking sunset.

0:29:15.076 --> 0:29:18.356
<v Speaker 1>Man his dad brain on pause, if only for a

0:29:18.396 --> 0:29:20.796
<v Speaker 1>brief moment. Living on the East Coast, he's seeing the

0:29:20.836 --> 0:29:22.956
<v Speaker 1>world closed for the day on the West coast once

0:29:22.956 --> 0:29:25.756
<v Speaker 1>in a while, like I think, kind of it's grounding

0:29:50.596 --> 0:29:56.716
<v Speaker 1>another beautiful day. Yeah, those red woods. If we get

0:29:56.756 --> 0:29:59.036
<v Speaker 1>out for a walk on the glade side, A walk,

0:29:59.516 --> 0:30:02.276
<v Speaker 1>a hike on the glade side. Those trees are just

0:30:02.516 --> 0:30:05.356
<v Speaker 1>I don't know what they are, but they're they're such

0:30:05.396 --> 0:30:08.836
<v Speaker 1>a presence. After a good night's sleep, our bodies felt refreshed,

0:30:09.196 --> 0:30:12.636
<v Speaker 1>and it was time to tend to our spirits. Now.

0:30:12.676 --> 0:30:15.996
<v Speaker 1>I don't necessarily believe in the New Age spirituality that's

0:30:16.036 --> 0:30:19.356
<v Speaker 1>as plentiful here as sunshine and poppy flowers. But I

0:30:19.396 --> 0:30:22.036
<v Speaker 1>would be remiss if I came through Big Sir without

0:30:22.116 --> 0:30:25.116
<v Speaker 1>checking in on the neu veaux hippie scene you see

0:30:25.356 --> 0:30:28.236
<v Speaker 1>at Big Presence Here is the Esslin Institute, a kind

0:30:28.276 --> 0:30:31.276
<v Speaker 1>of bougie New Age resort founded in the sixties that

0:30:31.436 --> 0:30:34.796
<v Speaker 1>involves a lot of bodywork and hot springs. But John

0:30:34.836 --> 0:30:38.236
<v Speaker 1>and I weren't going there. Nope. I like John, but

0:30:38.396 --> 0:30:40.516
<v Speaker 1>not enough to spend nine hundred dollars to hang out

0:30:40.516 --> 0:30:44.236
<v Speaker 1>with him in a towel eating macrobotic food. Instead, we

0:30:44.356 --> 0:30:53.236
<v Speaker 1>were heading for some bespoke spiritual maintenance. So we're going

0:30:53.356 --> 0:30:56.676
<v Speaker 1>up this hill brandcho Rico. If forgot sound healing session.

0:30:59.396 --> 0:31:01.836
<v Speaker 1>It's a little bit mysterious, the healing part. If even

0:31:01.876 --> 0:31:03.476
<v Speaker 1>if this had been called a sound bath, I would

0:31:03.476 --> 0:31:05.276
<v Speaker 1>have done it, but it happens to be called a

0:31:05.316 --> 0:31:07.916
<v Speaker 1>sound healing session, right, and I'm sure I could figure

0:31:07.956 --> 0:31:11.156
<v Speaker 1>something that needs to be healed. Paused on that and

0:31:11.236 --> 0:31:13.916
<v Speaker 1>just like look to the right, like maybe don't drive

0:31:14.836 --> 0:31:19.356
<v Speaker 1>a Ship's just beautiful, beautiful hills and their mountains right

0:31:19.396 --> 0:31:22.836
<v Speaker 1>are these mountains mountain the mountains, they're Satia mountains. Hills

0:31:22.996 --> 0:31:25.996
<v Speaker 1>is not doesn't do it? And this is again one

0:31:25.996 --> 0:31:28.556
<v Speaker 1>of those roads I would appreciate you in a little slower.

0:31:29.036 --> 0:31:31.196
<v Speaker 1>I'm afraid of heights and the fact there's no guardrail

0:31:31.276 --> 0:31:33.836
<v Speaker 1>to our right. It makes me feel a little bit nauseous.

0:31:34.636 --> 0:31:36.436
<v Speaker 1>What do you need to heal today? We'll just the

0:31:36.636 --> 0:31:39.596
<v Speaker 1>nausea from the drive up your driveway, I know, and

0:31:39.676 --> 0:31:41.676
<v Speaker 1>you're gonna lose all the things you gain when the

0:31:41.796 --> 0:31:47.716
<v Speaker 1>drive down away. I think left, but but that doesn't

0:31:47.756 --> 0:31:49.796
<v Speaker 1>look safe. Doesn't proceed about a mile and that the

0:31:49.916 --> 0:31:52.756
<v Speaker 1>three way forks stayed in the far right. This feels

0:31:52.756 --> 0:31:55.276
<v Speaker 1>like it's not the three way fork. That doesn't even

0:31:55.316 --> 0:31:56.996
<v Speaker 1>look like it's drive. We want to drive on it,

0:31:57.116 --> 0:32:04.436
<v Speaker 1>like I think this is yeah, followed this right? I

0:32:04.516 --> 0:32:06.756
<v Speaker 1>mean this looks like a road, right, That's what I think.

0:32:07.316 --> 0:32:09.476
<v Speaker 1>All right, I guess we got to just choose pick one, right,

0:32:09.556 --> 0:32:16.596
<v Speaker 1>I mean hashtag not going there half while cattle grade,

0:32:16.876 --> 0:32:20.516
<v Speaker 1>that's the cattle gray big Sir, fiddle camp. That's the

0:32:20.596 --> 0:32:22.356
<v Speaker 1>worst that could happen. We end up like in a

0:32:22.436 --> 0:32:29.076
<v Speaker 1>field of kids practicing fiddles. Well, I need to go here,

0:32:29.116 --> 0:32:30.596
<v Speaker 1>but I need to do a k term without falling

0:32:30.636 --> 0:32:32.196
<v Speaker 1>off that cliff. Yeah, I don't do that. You want

0:32:32.196 --> 0:32:36.036
<v Speaker 1>me to get out of the car first. That was

0:32:36.076 --> 0:32:38.916
<v Speaker 1>a journey. Sorry, we're late. Really, this is such a

0:32:39.036 --> 0:32:42.556
<v Speaker 1>beautiful little place in the way you're in the Shangari

0:32:42.636 --> 0:32:46.676
<v Speaker 1>Lana devil Mine is the owner of Sacred Sound and Wonder,

0:32:46.996 --> 0:32:50.236
<v Speaker 1>where she does sound healing sessions and sells crystal singing bowls.

0:32:50.796 --> 0:32:53.316
<v Speaker 1>Her home. She calls it the Starbarn is on a

0:32:53.436 --> 0:32:56.916
<v Speaker 1>huge ranch, and if John weren't feeling woozy from the drive,

0:32:57.316 --> 0:32:59.116
<v Speaker 1>he could look out and see a stunning view of

0:32:59.156 --> 0:33:02.156
<v Speaker 1>the ocean raging one hundred feet below us. I should say,

0:33:02.516 --> 0:33:05.476
<v Speaker 1>we're now peeking out of the ocean, which is just

0:33:05.556 --> 0:33:09.716
<v Speaker 1>on the other side here of sunrise sunset. It's kind

0:33:09.756 --> 0:33:14.196
<v Speaker 1>of the place to be foot So where are we?

0:33:15.156 --> 0:33:20.796
<v Speaker 1>What is ramcho Rico, which is my dear friend's family ranch.

0:33:20.956 --> 0:33:23.476
<v Speaker 1>How long have you been up in Rancho Rico? A

0:33:23.596 --> 0:33:27.356
<v Speaker 1>little over nine years now. Yeah, And I started off

0:33:27.516 --> 0:33:30.836
<v Speaker 1>living in a small cabin with a murphy bed, and

0:33:30.916 --> 0:33:35.556
<v Speaker 1>then I moved to an old renovated wine barrel. Did

0:33:35.596 --> 0:33:40.276
<v Speaker 1>you say renovated wine barrel? That's like van life, but

0:33:41.116 --> 0:33:44.876
<v Speaker 1>Diagnet doesn't move with the ocean views. That's square footage

0:33:44.916 --> 0:33:48.716
<v Speaker 1>than a New York apartment. Deva has long brown hair,

0:33:48.996 --> 0:33:51.956
<v Speaker 1>blue eyes, skinny jeans that flare at the bottom, and

0:33:52.076 --> 0:33:54.276
<v Speaker 1>the easy manner of someone who has nama stayed her

0:33:54.276 --> 0:33:57.036
<v Speaker 1>way around a yoga mat once or twice. Every culture

0:33:57.156 --> 0:34:00.916
<v Speaker 1>has some form of sound that they use in their healing.

0:34:01.716 --> 0:34:06.276
<v Speaker 1>Just shamanstrum rattles are another one that are really odd.

0:34:06.396 --> 0:34:09.396
<v Speaker 1>She gives us a sonic tour of her audio healing tool. Kid.

0:34:10.996 --> 0:34:17.156
<v Speaker 1>This one is called a sharkunak from Russia. And this

0:34:17.356 --> 0:34:25.356
<v Speaker 1>one's from the most recent ones that I got. Are

0:34:25.396 --> 0:34:33.716
<v Speaker 1>the Egyptian systems that won't feel so satisfying. I don't

0:34:33.716 --> 0:34:36.036
<v Speaker 1>know the same. That's like my favorite so far. There's

0:34:36.076 --> 0:34:39.596
<v Speaker 1>something about the tone of it. And today we're going

0:34:39.676 --> 0:34:44.316
<v Speaker 1>to You're going to deploy bowls, so if you guys

0:34:44.356 --> 0:34:48.836
<v Speaker 1>are ready, We're ready. So here's my question before we

0:34:49.556 --> 0:34:52.276
<v Speaker 1>begin this journey. Do are we supposed to think about

0:34:52.316 --> 0:34:54.676
<v Speaker 1>what we need here? Like? What? How are we supposed to? Yeah?

0:34:54.756 --> 0:34:58.996
<v Speaker 1>It helps because intention is everything. Right, just to name

0:34:59.076 --> 0:35:04.116
<v Speaker 1>what is an area that you're seeking harmony in your life?

0:35:04.196 --> 0:35:06.676
<v Speaker 1>Over the course of COVID, I feel like I've become

0:35:06.796 --> 0:35:10.436
<v Speaker 1>normal and it's been pleasant and some ways, and I'm

0:35:10.476 --> 0:35:14.916
<v Speaker 1>not completely chafing against it, but coming out to big Sir,

0:35:15.116 --> 0:35:18.996
<v Speaker 1>I'm remembering the kind of more adventurous, the wonderlust, the

0:35:19.116 --> 0:35:24.236
<v Speaker 1>kind of more roaming free character I was previous. And

0:35:25.196 --> 0:35:28.236
<v Speaker 1>I just want to make sure I calibrate properly so

0:35:28.316 --> 0:35:32.276
<v Speaker 1>I don't find myself too much one or too much

0:35:32.316 --> 0:35:35.356
<v Speaker 1>the other. All right, If I give you one that's

0:35:35.396 --> 0:35:39.236
<v Speaker 1>like an opposite flavor, is it going to muddy the

0:35:39.636 --> 0:35:41.756
<v Speaker 1>sound healing? You know what I mean? Like? No, they're

0:35:41.836 --> 0:35:45.356
<v Speaker 1>kind of like adaptogens that okay, they'll work towards your

0:35:45.636 --> 0:35:52.236
<v Speaker 1>individual constitution. I think probably my top line anxiety right

0:35:52.276 --> 0:35:57.876
<v Speaker 1>now is just like pure mortality, fear of death. I

0:35:58.236 --> 0:36:00.676
<v Speaker 1>was like never afraid of death until after I had kids,

0:36:01.196 --> 0:36:03.916
<v Speaker 1>So that's just like I think about death way more

0:36:03.956 --> 0:36:06.396
<v Speaker 1>than I ever have in my life. Is that why

0:36:06.436 --> 0:36:12.276
<v Speaker 1>you had a salad for lunch? Yeah? Right, Yeah, that's

0:36:12.356 --> 0:36:16.076
<v Speaker 1>a really big one for people right now. Is facing

0:36:16.156 --> 0:36:18.996
<v Speaker 1>our mortality. Well, if you could just solve all those things,

0:36:19.036 --> 0:36:22.236
<v Speaker 1>we could get thanks. Let's you know, we'll dive in

0:36:22.276 --> 0:36:27.156
<v Speaker 1>and see where it takes you. Well, go ahead, and

0:36:27.276 --> 0:36:32.076
<v Speaker 1>I'm going to invite you to take three nice long, deep,

0:36:32.196 --> 0:36:39.476
<v Speaker 1>slow belly breasts inhaling deep into your belly and as

0:36:39.556 --> 0:36:44.916
<v Speaker 1>you exhale, letting out a side or a sound, releasing

0:36:44.996 --> 0:36:49.036
<v Speaker 1>your jaw. Maybe rock your head just a little side

0:36:49.156 --> 0:37:06.116
<v Speaker 1>to side, and again, nice deep, full belly breaths, bringing

0:37:06.276 --> 0:37:13.396
<v Speaker 1>through great clarity balance being a little too hot, inner

0:37:13.556 --> 0:37:18.196
<v Speaker 1>peace and tranquility, Bay by day, hour by hour, mom,

0:37:18.316 --> 0:37:19.556
<v Speaker 1>by mom, and by mom, and by mom and my

0:37:19.636 --> 0:37:23.356
<v Speaker 1>mom and my mom, and in beauty we begin again

0:37:23.676 --> 0:37:26.276
<v Speaker 1>and it want to become right, Yeah, those beautiful place

0:37:26.316 --> 0:37:29.236
<v Speaker 1>I can think, so may be and so it is

0:37:29.956 --> 0:37:33.996
<v Speaker 1>God Mother, god Father, gond of Iceberg already where to

0:37:34.116 --> 0:37:38.196
<v Speaker 1>just feel the basically, I love all these purples and people.

0:37:38.236 --> 0:37:48.996
<v Speaker 1>Whereas it's like it's quiter sameles s tranquil. You want

0:37:49.036 --> 0:37:51.396
<v Speaker 1>to get drunk or Spain. How you come to big

0:37:51.436 --> 0:37:57.716
<v Speaker 1>sixty fast time? What is it? Ja? Yeah? Redwood trees,

0:37:57.796 --> 0:38:01.116
<v Speaker 1>a pure mind. I see this beautiful young woman in

0:38:01.236 --> 0:38:06.276
<v Speaker 1>the endless joy he be and I said, how did

0:38:06.356 --> 0:38:20.316
<v Speaker 1>you get here? Here? Is this one be et faboush free?

0:38:20.836 --> 0:38:27.116
<v Speaker 1>This one girl? Eighteen eighty five? I am can you

0:38:27.156 --> 0:38:29.156
<v Speaker 1>tell me that word again? Like why they come back

0:38:29.196 --> 0:38:31.796
<v Speaker 1>to the same place? And Philip Patrick Patrick both didn't

0:38:31.836 --> 0:38:40.556
<v Speaker 1>you find bashi below or something? Every year? And knows

0:38:40.556 --> 0:38:44.716
<v Speaker 1>where to go? So we had plans. I'm gonna go

0:38:44.796 --> 0:38:48.956
<v Speaker 1>put my feet in the water. Well that rabbit tisted

0:38:49.236 --> 0:39:12.316
<v Speaker 1>to take mountain night studio beaches avoid for reces, must

0:39:12.676 --> 0:39:21.516
<v Speaker 1>go back to a t the giant prize, screeching sirens

0:39:21.596 --> 0:39:31.116
<v Speaker 1>and back home in New York seems really inspired. That's

0:39:31.156 --> 0:39:32.956
<v Speaker 1>not an uncommon thing in New York to go drawn

0:39:33.156 --> 0:39:34.956
<v Speaker 1>to it. Now you're a New Yorker, I mean, there's

0:39:34.996 --> 0:39:37.076
<v Speaker 1>no doubt about it as a city that fits you. Well.

0:39:38.676 --> 0:39:43.116
<v Speaker 1>Are you too busy to say? Hi? Black coffee for Chelsea? Okay?

0:39:43.356 --> 0:39:46.196
<v Speaker 1>The wind is he at fifty fifty? Do you go

0:39:46.356 --> 0:39:49.716
<v Speaker 1>to those natural places to recharge and come back? What

0:39:49.796 --> 0:39:51.996
<v Speaker 1>are we going in our house that's got a big

0:39:52.036 --> 0:39:54.316
<v Speaker 1>share for the weekend. Okay, that's good for me. For me,

0:39:58.996 --> 0:40:02.996
<v Speaker 1>while in Big Sir, I communed with nature, vibrated away

0:40:03.076 --> 0:40:06.476
<v Speaker 1>some city grime, and marveled once again at this area's

0:40:06.556 --> 0:40:11.036
<v Speaker 1>utopic vistas. I I also realized that traveling feels different

0:40:11.076 --> 0:40:14.556
<v Speaker 1>from me now. The pandemic forced me to stay in

0:40:14.636 --> 0:40:17.236
<v Speaker 1>one place, and during that time I began to lay

0:40:17.276 --> 0:40:21.476
<v Speaker 1>down some roots. I still find roaming around exhilarating and

0:40:21.596 --> 0:40:24.636
<v Speaker 1>mind expanding, but I no longer see it as a

0:40:25.076 --> 0:40:29.396
<v Speaker 1>trial subscription to living in a new place. So instead

0:40:29.396 --> 0:40:31.276
<v Speaker 1>of going back to New York, now that my trip

0:40:31.396 --> 0:40:51.356
<v Speaker 1>is over, I'm returning home. So that's rapid tested to beaches.

0:40:51.996 --> 0:41:16.396
<v Speaker 1>Flood rush is oh myself, it's not. Oh but first

0:41:17.836 --> 0:41:19.556
<v Speaker 1>So John, I don't know if you can understand. You

0:41:19.636 --> 0:41:23.636
<v Speaker 1>had one more stop to make. How excited for two

0:41:23.716 --> 0:41:27.996
<v Speaker 1>miles to be entering Pascadero. Remember I told you about

0:41:28.036 --> 0:41:33.236
<v Speaker 1>this little roadhouse pretty much because du Art's tavern. This

0:41:33.356 --> 0:41:36.196
<v Speaker 1>place's got a good look. Oh it's got that like

0:41:36.316 --> 0:41:39.076
<v Speaker 1>sort of old L shaped spot tavern sign on the

0:41:39.156 --> 0:41:41.676
<v Speaker 1>first car. Look at these people already line it up.

0:41:41.676 --> 0:41:44.076
<v Speaker 1>It doesn't know until noon. Do you think these people

0:41:44.076 --> 0:41:45.636
<v Speaker 1>are here for the soup. They're here for the soup.

0:41:45.676 --> 0:41:47.196
<v Speaker 1>You look at those people, Look at old They are

0:41:48.196 --> 0:41:50.676
<v Speaker 1>gonna tell you guys about this soup. So can I

0:41:50.756 --> 0:41:53.236
<v Speaker 1>get the soup? And do you still don you do

0:41:53.356 --> 0:41:56.676
<v Speaker 1>half and a half? Yeah? Yeah, thank you. I'm gonna

0:41:56.716 --> 0:41:59.196
<v Speaker 1>do the exact same thing. That's the right move. Yeah. Yeah.

0:42:03.316 --> 0:42:05.996
<v Speaker 1>See how it's in the middle it's like light green,

0:42:06.156 --> 0:42:07.716
<v Speaker 1>and then in the middle it looks like a little

0:42:07.756 --> 0:42:10.156
<v Speaker 1>bit of Florida lee. All right, all right, that's the

0:42:10.276 --> 0:42:15.076
<v Speaker 1>heat art choke on the outside, Thank you very much.

0:42:16.196 --> 0:42:19.156
<v Speaker 1>You gotta get a little bit of both in this boon. God,

0:42:19.196 --> 0:42:21.556
<v Speaker 1>this has been a long time coming. Man, you have

0:42:21.676 --> 0:42:27.916
<v Speaker 1>no idea. All right, it's a good, sue, Oh fuck

0:42:27.956 --> 0:42:41.356
<v Speaker 1>you good? That's good sounds. The lead producer on this

0:42:41.556 --> 0:42:44.996
<v Speaker 1>episode of Not Lost was the brilliant Bart Warshaw, who

0:42:45.076 --> 0:42:48.236
<v Speaker 1>also sound designed to mix the episode like what I say,

0:42:48.956 --> 0:42:51.756
<v Speaker 1>it's good, sue, Like that wasn't me? A good is

0:42:51.796 --> 0:42:57.116
<v Speaker 1>not a lesser adjective than great, it is said. The

0:42:57.196 --> 0:43:00.516
<v Speaker 1>show was also produced and written by me Brendan Francis Newnham.

0:43:01.156 --> 0:43:05.716
<v Speaker 1>Our associate producer was the wonderful Amy Gaines. Editorial guidance

0:43:05.796 --> 0:43:08.996
<v Speaker 1>was provided by Julia Barton. Production assistance on this episode

0:43:09.116 --> 0:43:12.396
<v Speaker 1>also came from the unflappable Jacob Smith. Literally, but this

0:43:12.596 --> 0:43:15.396
<v Speaker 1>is the big Thanks to my friend and this episode's

0:43:15.436 --> 0:43:18.436
<v Speaker 1>travel partner, John Delore, I can say this. I could

0:43:18.436 --> 0:43:23.676
<v Speaker 1>say it's great soon you know argue that is good too.

0:43:24.076 --> 0:43:26.316
<v Speaker 1>If you'd like to hear one of our earlier collaborations,

0:43:26.396 --> 0:43:29.356
<v Speaker 1>head to the Parish of You podcast. If you check

0:43:29.396 --> 0:43:31.396
<v Speaker 1>out season one, you will get a sense of his

0:43:31.836 --> 0:43:34.956
<v Speaker 1>sound design brilliance. Or you could say he's son of

0:43:35.036 --> 0:43:38.436
<v Speaker 1>a bitch. You were so right. I underestimated you. His

0:43:38.596 --> 0:43:42.676
<v Speaker 1>studo Slafe changing but not lost. As a co production

0:43:42.716 --> 0:43:46.956
<v Speaker 1>of Pushkin Industries, Topic Studios and iHeartMedia, was developed at

0:43:46.996 --> 0:43:51.556
<v Speaker 1>Topic Studios. The show's executive producers are me Christy Gressman,

0:43:51.716 --> 0:43:55.636
<v Speaker 1>Maria Zuckerman, Lisa Lyne Gang and Lata mullad. Our theme

0:43:55.676 --> 0:43:59.196
<v Speaker 1>song was created by Alexis Georgiopolis aka ARP. He has

0:43:59.196 --> 0:44:02.156
<v Speaker 1>a new album coming out this July on Mexican Summer.

0:44:02.476 --> 0:44:05.076
<v Speaker 1>It's called New Pleasures. There's a single out now, be

0:44:05.156 --> 0:44:07.556
<v Speaker 1>sure to check it out. I've never had anything like it.

0:44:07.676 --> 0:44:11.036
<v Speaker 1>It's become CREAMA artichoke is like a mushroomy hug, but

0:44:11.156 --> 0:44:15.356
<v Speaker 1>then it's gotten this, like this little vinegary like little

0:44:15.396 --> 0:44:19.436
<v Speaker 1>sass mushroom. And a special thanks to everyone in Big

0:44:19.556 --> 0:44:22.316
<v Speaker 1>sur who made us feel at home while we were

0:44:22.316 --> 0:44:26.356
<v Speaker 1>away from home. Jake Badour, Arena Favilla and the Coastal

0:44:26.436 --> 0:44:30.036
<v Speaker 1>Lab at the UC Santa Cruz Deva Mune, my friend

0:44:30.156 --> 0:44:33.276
<v Speaker 1>Magnus torn at the Henry Miller Library, and of course

0:44:33.756 --> 0:44:39.676
<v Speaker 1>do Art's Tavern for making great soup. Thank you. It's

0:44:39.676 --> 0:44:44.036
<v Speaker 1>a thing, people, please check it out. Plus a special

0:44:44.116 --> 0:44:47.036
<v Speaker 1>thanks goes out to eighteen eighty five, who at this

0:44:47.156 --> 0:44:50.796
<v Speaker 1>point has returned to See to attend her epic dinner

0:44:50.876 --> 0:44:54.556
<v Speaker 1>party for one. Good luck out there. If you want

0:44:54.556 --> 0:44:56.756
<v Speaker 1>to see some pictures or learn something about our guests,

0:44:56.796 --> 0:45:00.356
<v Speaker 1>you can head to not Lawshow dot com. And if

0:45:00.396 --> 0:45:03.156
<v Speaker 1>you're still listening to this, you've either fallen asleep or

0:45:03.396 --> 0:45:05.996
<v Speaker 1>you really like it. And if it's the latter, do

0:45:06.156 --> 0:45:09.356
<v Speaker 1>us a favor. Head to Apple Podcast and Radium View.

0:45:10.076 --> 0:45:12.276
<v Speaker 1>It does seem like a silly thing, but it's actually

0:45:12.316 --> 0:45:15.036
<v Speaker 1>an important thing. It helps us stay on the charts,

0:45:15.476 --> 0:45:17.476
<v Speaker 1>and also I get to peak at them every once

0:45:17.516 --> 0:45:19.196
<v Speaker 1>in a while and see what you guys think so,

0:45:19.276 --> 0:45:22.196
<v Speaker 1>I'd really appreciate it. And after that, if you still

0:45:22.236 --> 0:45:25.596
<v Speaker 1>want more information, you can learn more about Topic Studios

0:45:25.636 --> 0:45:28.796
<v Speaker 1>at topic studios dot com and to find more Pushkin

0:45:28.956 --> 0:45:31.796
<v Speaker 1>podcast And there's a lot of great podcasts happening over here.

0:45:32.276 --> 0:45:35.436
<v Speaker 1>Listen on the iHeartRadio app, Apple Podcasts, or wherever you

0:45:35.516 --> 0:45:39.436
<v Speaker 1>listen to podcasts. I'm Brendan Francis, Newnham. Until next time,

0:45:40.356 --> 0:45:59.396
<v Speaker 1>bon voyage. I could have a good life from Bascadero.

0:45:59.996 --> 0:46:01.556
<v Speaker 1>You could have a great life Pascadero