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Speaker 1: I'm Charlie Pellett. Stocks very close to the highs of

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Speaker 1: the first Word breaking news desk for today's afternoon call.

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Speaker 1: Here he is Bill Maloney. Good afternoon, Charlie. One percent

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Speaker 1: gains in the man US averages today, with the Dow

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Speaker 1: currently higher by a hundred and ninety eight points, Subs

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Speaker 1: gains twenty three and NAZAC rises fifty one, the small

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Speaker 1: cap six hundred rises four points, and the US ten

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Speaker 1: yield at one point seven five per set. All ten

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Speaker 1: SB sectors are higher, led by gains and energy, Materials

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Speaker 1: and the industrials down Transports rise eighty seven points, and

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Speaker 1: as a biotechs game twenty one and the vix is

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Speaker 1: lower by five percent. Down. Leaders to the upside included Caterpillar, Goldman, Sachs,

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Speaker 1: and U t X. Only Fiser and Walmart fell the

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Speaker 1: gap plunge twelve percent April comp sales war week, while

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Speaker 1: Amazon traded over seven hundred hours after Bernstein raised the

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Speaker 1: price target to a thousand dollars to share after the

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Speaker 1: Belts and I look for earnings from Electronic Arts and Disney.

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Speaker 1: Disney estimates are for a dollar forty on revenues of

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Speaker 1: thirteen point two billion, live in the first breaking news

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Speaker 1: desk on Bill Maloney, Charlie all right, thank you very much,

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Speaker 1: Bill Maloney, And to hear live breaking news over your

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Speaker 1: Bloomberg type squawk squ a w K on your terminal.

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Speaker 1: I'm Charlie Plot and that sub Bloomberg business flash. Yes,

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Speaker 1: Tchaikovsky's timeless score resounding at the Boston Opera House. Why well,

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Speaker 1: because Boston's Ballet performs Swan Lake as no other ballet does.

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Speaker 1: Here to tell us more, as the artistic director of

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Speaker 1: the Boston Ballet and the Boston Ballet School, Miko nissan

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Speaker 1: In Nko, thanks very much for being here. We're broadcasting,

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Speaker 1: of course, from the Boston Convention Exhibition UH Center. This

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Speaker 1: is just as a pro you to tonight's Greater Boston

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Speaker 1: Chamber of Commerce meeting. Thank you. Go ahead tell me

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Speaker 1: a little bit about you, and maybe you could tell

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Speaker 1: us a little bit about the creation of your version

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Speaker 1: of Swan Lake, which has broken I think just about

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Speaker 1: every record there is to break, uh in a dance

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Speaker 1: in in ballet in Boston. Well, basically, my my biggest

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Speaker 1: reasonable why creating a Swan Lake. There's been so many

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Speaker 1: changes and nobody anymore remembers what is real what is not,

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Speaker 1: So I sort of went back to the basics. This

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Speaker 1: ballot has been incredibly successful for a long time and

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Speaker 1: try to bring that forth for today's people. I e.

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Speaker 1: Preserved some of the absolute masterpieces that are in place

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Speaker 1: and then just thrown stuff that has gripped in there

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Speaker 1: over the years and tried to refresh on the production. Well,

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Speaker 1: you know, you are are making your mark the Boston

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Speaker 1: Ballet in more ways than one. Uh. You are starting

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Speaker 1: a partnership with William Forsyth, who is a famous noteworthy

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Speaker 1: American choreographer. UM used to like the George balancing of

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Speaker 1: the Boston Ballet. I don't think anybody can be George balancing,

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Speaker 1: Butchers balancing. You know, I'm having a great time and

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Speaker 1: we're doing things. We're trying to be the ballet company

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Speaker 1: of the future. And of course this new partnership with

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Speaker 1: William forsythe for Boston, it's amazing. It's a dream come

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Speaker 1: true for me. He's the biggest name in our industry

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Speaker 1: right now, and he will change the company. You know,

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Speaker 1: he develops dancers to the next level in within themselves.

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Speaker 1: They will dance even small egg better after he has

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Speaker 1: worked with them. And I had that experience personally, and

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Speaker 1: I want to share it with my dancers, and I mean,

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Speaker 1: he's he's simply remarkable and I can's just the way

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Speaker 1: to get get started on the partnership. NKO. You mentioned

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Speaker 1: the word in your industry and I thought that was

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Speaker 1: very interesting and if there is a way, maybe you

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Speaker 1: can provide us with some anecdotes based on your own

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Speaker 1: past and your history. Tell us a little bit about

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Speaker 1: you and how you have managed to accept work and

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Speaker 1: work with and utilize the concept that this is in

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Speaker 1: an industry you have to attract customers, attract people to

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Speaker 1: the ballet absolutely. Um My background is of course I

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Speaker 1: come from Finland. I was twenty years of professional dancer,

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Speaker 1: was a principal dancer at the San Francisco Ballet. Um

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Speaker 1: moved into the management after that, artistic management, and I

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Speaker 1: warned the head of the executive director several times. So

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Speaker 1: it's it's a place where you have to allow art

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Speaker 1: to take place. Every financial decision is artistic decision. Every

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Speaker 1: artistic decisions the financial decision. It's creating that and having

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Speaker 1: the thermometer to know where are we as a society

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Speaker 1: today moving forward, you know, being the ballet company of

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Speaker 1: the future, not interested being a museum church, living theater

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Speaker 1: for us, for today's people to be that relevant and

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Speaker 1: that is what So are we think challenging about when

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Speaker 1: you think of your repertoire and when you partner with

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Speaker 1: someone like like Bill forsythe is so I'm Lake, it's

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Speaker 1: a classic. It's beautiful. Now you can do the Boston

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Speaker 1: Ballet Swan Lake version. Uh, but how do you make that?

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Speaker 1: How you balance a new work, perhaps in a new

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Speaker 1: direction for the Boston Ballet and please your audience is

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Speaker 1: still needs to feel connected to the tradition, to the history. Yeah, well, um,

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Speaker 1: we have to remember small like what was the revolution

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Speaker 1: or a new thing hundred plus years ago. It's about

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Speaker 1: paying the way to the future. But it's it's creating

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Speaker 1: all these different classical ballots, neoclassical and contemporary work at

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Speaker 1: the same time. Um, it's being inclusive. Everybody is welcome,

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Speaker 1: and you know it's not just to admire things from

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Speaker 1: the from a distance, but really do be inside of

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Speaker 1: these productions as an audience member. They are as important

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Speaker 1: as the art on stage. So there's still time to

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Speaker 1: see Boston Ballet before the season's over. Correct, that's right,

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Speaker 1: there's three more weeks ago. I was gonna say to

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Speaker 1: be just played a little bit of Tchaikovsky and that,

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Speaker 1: of course is a wonderful musical allusion to the fact

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Speaker 1: that it is being performed at the Boston Opera House

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Speaker 1: through made correct. Yes, and there's there's from Tchaikovsky to

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Speaker 1: Miles Davis. The mixed program Mirrors features music by Miles

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Speaker 1: Davis the Bitches Brew, which is quite a piece of music,

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Speaker 1: Oh my god. And it's a Karl Armatchuel premier. And

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Speaker 1: to experience that music with what she has done, it's

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Speaker 1: just so unique and special. Niko Neyson and thank you

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Speaker 1: so very much for joining us well conclude this interview

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Speaker 1: with him the artistic director from Boston Ballet, listening to

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Speaker 1: Chaikovsky's Swan Lake being performed right now this week for

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Speaker 1: the Boston Ballet. We're taking stock is brought to by S.

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Speaker 1: S and C. More experienced, superior technology, independence and expertise.

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Speaker 1: That's how S. S S and C drives the future of

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Speaker 1: fund administration. S S and C. They are the future

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Speaker 1: of fund administration.