WEBVTT - DeVon Franklin on His Journey through Hollywood, His Faith and His purpose

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<v Speaker 1>Either of those emotions that we choose. We then have

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<v Speaker 1>to believe that that emotion is serving.

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<v Speaker 2>Us so fine, so really and you you thirty for

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<v Speaker 2>thirty two. Right now we only about fifteen to twenty

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<v Speaker 2>minutes in brother.

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<v Speaker 3>They call it time out about ladies, gentlemen.

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<v Speaker 2>Welcome Not My Best Moment podcast myself. I'm Kevin Stage,

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<v Speaker 2>where I talk to artists, friends, athletes, entertainers about their failures.

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<v Speaker 2>If you didn't know, I'm the author of the New

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<v Speaker 2>York Times best selling book Successful Failure.

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<v Speaker 3>Yes, thank you very much.

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<v Speaker 2>This is an offshoot of that book, where we talk

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<v Speaker 2>about your successful failures. Today, I have the only Devon Franklin.

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<v Speaker 2>And I've never said this in front of Damon Franklin,

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<v Speaker 2>but I will say this today. Your family will tell you, oh,

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<v Speaker 2>you got to meet with Tyler, you got to go

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<v Speaker 2>with Oprah.

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<v Speaker 3>When you get to Hollywood, you got to go to Oprah.

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<v Speaker 3>You got to go with Tyler.

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<v Speaker 2>When you're actually in the industry, your agent will tell you,

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<v Speaker 2>if you're faith based, you got to go to divn

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<v Speaker 2>As soon as they know you love the Lord, oh

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<v Speaker 2>you got to meet Divine Franklin. Divonne is the way

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<v Speaker 2>the truth of the life. I said, I thought that

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<v Speaker 2>was a lawyer.

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<v Speaker 3>No, he is the Lord, but also Divine is Lord.

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<v Speaker 2>Let me tell y'all if y'all don't know divn Ruth

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<v Speaker 2>and Boaz, that's Devon Franklin produced that flaming hot breakthrough.

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<v Speaker 2>The Star Male Goes from Heaven, the Karate Kid All

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<v Speaker 2>that is the Von Franklin on.

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<v Speaker 4>The producer's side.

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<v Speaker 3>He also acts as well.

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<v Speaker 2>He's on Divorce Sisters, and he's on Soul on Fire,

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<v Speaker 2>which has a ninety eight percent Center score. Excuse me,

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<v Speaker 2>ninety percent on Rotten Tomatoes, Ladies and Gentlemen. He's also

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<v Speaker 2>the author of Produced by Faith. He been on stage

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<v Speaker 2>in New York City off Broadway, Off Broadway with Audible.

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<v Speaker 2>And we're not here to talk about any of that,

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<v Speaker 2>none of his successes pitch posh. Today we're here to

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<v Speaker 2>talk about. Please welcome Devon Franklin. Devon Franklin. Now we

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<v Speaker 2>were just talking off camera. I kid, but I'm very serious.

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<v Speaker 2>Every agent I've ever had, they don't know we know

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<v Speaker 2>each other, right, They are like, you know who you need.

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<v Speaker 3>To talk to? You love the Lord, you need to

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<v Speaker 3>talk to Devon Franklin.

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<v Speaker 2>I feel like you are a guiding star in the

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<v Speaker 2>faith for me, and I'm gon give your flowers right

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<v Speaker 2>here while you're alive and you can smell them in

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<v Speaker 2>the faith based but not only church way. You are

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<v Speaker 2>the goiding star for me because I grew up in

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<v Speaker 2>a wall that I didn't want to just do church

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<v Speaker 2>things only to me, you have never lost your north star.

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<v Speaker 2>You have never done anything you shouldn't be proud of.

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<v Speaker 2>But you also aren't just church movie, church movie, church movie.

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<v Speaker 2>You are just responsible for good films. Relationship Goals is

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<v Speaker 2>the most recent example. That's just a great film. Before

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<v Speaker 2>we get to anything that you wrote down, I want

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<v Speaker 2>to talk about what I wrote down. Yeah, as a

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<v Speaker 2>guy who believes in the Lord, how do you even

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<v Speaker 2>navigate Hollywood in a way that protects your faith but

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<v Speaker 2>also protects your desire to chase the creative arts in

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<v Speaker 2>a way that's not only church based film?

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<v Speaker 4>Right? You know?

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<v Speaker 1>So it's an interest. That's an interesting question, you know,

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<v Speaker 1>and hopefully I have a concise answer.

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<v Speaker 3>So because you got top yeah all day, Yeah you know.

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<v Speaker 4>But but the answer is is this.

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<v Speaker 1>It's like, you know, when I started in Hollywood, you know,

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<v Speaker 1>I started at eighteen years old, really eighteen years old?

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<v Speaker 3>What were you actually doing? At eighteen?

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<v Speaker 1>I was interning at a company called Handprint Entertainment no

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<v Speaker 1>longer exists, and the principles were Benny Medina and James

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<v Speaker 1>Lasseter Jeff Pollock who passed away, Peter Golden, and they

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<v Speaker 1>represented Will Smith and Jada and Maya Campbell and Babyface

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<v Speaker 1>Michelle and Dego Cello.

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<v Speaker 4>And so at eighteen years old, I was an intern.

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<v Speaker 3>If you don't know Fresh Prince, he created.

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<v Speaker 4>Fresh Prince and he also manages j Love, yes, you know.

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<v Speaker 1>And so I was, you know, getting coffee, uh, you know,

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<v Speaker 1>copying scripts, picking up the dry clean and getting the

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<v Speaker 1>lunch orders.

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<v Speaker 4>That's how I got started.

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<v Speaker 3>Wow.

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<v Speaker 1>And for me, you know, growing up in the church,

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<v Speaker 1>you know, I was always focused on going to Hollywood,

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<v Speaker 1>like that's where I was going, like just from a

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<v Speaker 1>from a young age, I just felt like that's where

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<v Speaker 1>I needed to be. And my faith was always important.

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<v Speaker 1>It was it was never like it was never something

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<v Speaker 1>I thought a lot about. It was just it was

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<v Speaker 1>in me, yes, you know, I mean going to church

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<v Speaker 1>every weekend. And my uncle was the pastor of the church,

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<v Speaker 1>and so I was, you know, very very involved in

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<v Speaker 1>the church usher and deaconing, you know, preaching, uh, you know,

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<v Speaker 1>playing all the thing church you play.

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<v Speaker 2>That's right, get on, get on that drum so we

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<v Speaker 2>can service. You know, that's real church.

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<v Speaker 4>You know. Yes, yes.

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<v Speaker 1>So by the time I was eighteen years old and

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<v Speaker 1>I got to Hollywood, you know, it was not even

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<v Speaker 1>a thought about like, okay, can I honor my faith?

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<v Speaker 4>I was just like, oh, this is just who I am.

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<v Speaker 1>So at eighteen years old before in the internship interview,

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<v Speaker 1>they asked me, Hey, is there anything else you want

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<v Speaker 1>us to know? And I said, well, yeah, I said,

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<v Speaker 1>I observe the Sabbath. So if taking this job, this internship,

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<v Speaker 1>would require me to work on the Sabbath, I won't

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<v Speaker 1>take it. It was just that it was just very

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<v Speaker 1>clear from the jump from the jump, and they were like, oh, okay,

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<v Speaker 1>well yeah, no problem. We anybody even know what Sabbath was?

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<v Speaker 4>Yeah?

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<v Speaker 3>What no problem? Right?

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<v Speaker 2>Cool? Cool?

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<v Speaker 3>You know.

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<v Speaker 1>I was like, hey, I don't work Friday night sundown

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<v Speaker 1>a Saturday night soundown yeah, And they were like, no problem.

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<v Speaker 4>And so that for me, the foundation was always just

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<v Speaker 4>being authentic.

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<v Speaker 3>Yeah, and being true yeah.

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<v Speaker 1>And so as I started to continue to navigate the

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<v Speaker 1>business and you know, move from being in an intern

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<v Speaker 1>to an assistant, to a junior executive to more senior

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<v Speaker 1>executive and now running my own company. It's always been

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<v Speaker 1>just be true. And part of my truth is I

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<v Speaker 1>love the Lord, you know, the follower of Christ. And

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<v Speaker 1>so the other part of this is being in the business.

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<v Speaker 1>The scripture, the scripture that says you have to study

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<v Speaker 1>to show yourself approved. That's it's and a lot of

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<v Speaker 1>times in life we want the approval, but we don't

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<v Speaker 1>want to study.

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<v Speaker 3>Okay, more there, that's good.

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<v Speaker 1>So so so as it relates to entertainment, it's one

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<v Speaker 1>thing to say, oh, I want to be successful, but

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<v Speaker 1>it's another thing to understand the path to success is

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<v Speaker 1>directly through the path of studying. I had to learn

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<v Speaker 1>the business. I had to, I mean literally every day.

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<v Speaker 1>My passion, you know, initially was like I want to

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<v Speaker 1>produce films. That was what drove me. And so but

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<v Speaker 1>every day as an intern, as an assistant, as a

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<v Speaker 1>junior executive, as it seems I'm learning the business. How

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<v Speaker 1>do you make movies? How do you make them better?

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<v Speaker 1>How do you develop stories? How do you work with writers?

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<v Speaker 1>How do you work with actors, How do you work

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<v Speaker 1>with directors? Why do some movies work? Why don't they work?

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<v Speaker 1>Like completely immersing myself in the business so that when

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<v Speaker 1>we get to a place, when I got to a

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<v Speaker 1>place where I could start making my own movies, you know,

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<v Speaker 1>I could do it in a way with credibility and

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<v Speaker 1>with experience and expertise. So the answer to the question

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<v Speaker 1>was it was about being authentic and it was about

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<v Speaker 1>committing to the process because I wanted to run my

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<v Speaker 1>own production company when I was, you know, eighteen years old.

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<v Speaker 1>I mean even when I graduated USC. My senior thesis

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<v Speaker 1>was a business plan for my production company at twenty two. Really, yes,

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<v Speaker 1>but nobody was going to give me no money to

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<v Speaker 1>run a production company.

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<v Speaker 2>Yeah.

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<v Speaker 1>It took me fourteen years, fourty fourteen years from that

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<v Speaker 1>business plan to actually starting the company.

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<v Speaker 3>Oh now that's good.

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<v Speaker 2>Yes, Okay, So you went from twenty two thirty two,

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<v Speaker 2>thirty four, thirty six, yes.

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<v Speaker 3>Always having that in your mind. Yes, how did you

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<v Speaker 3>stay humble? How did you stay focused to have this?

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<v Speaker 2>Because a lot of times I feel like social media

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<v Speaker 2>and the quickness of the Internet.

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<v Speaker 3>It robs people of the like.

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<v Speaker 2>What I'll call the nineties version eighties version right, We

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<v Speaker 2>grew up in similar areas when we grew up. When

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<v Speaker 2>you had an artist, they would take you in the

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<v Speaker 2>garage for two years. No shows, no radio, rehearsal, training,

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<v Speaker 2>all that stuff. New addition, shut up close that garage.

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<v Speaker 2>We're going to get in here and learn how to

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<v Speaker 2>be artists nowadays, no disrespect. A lot of times you

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<v Speaker 2>have a hit song, your song's number one, you go

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<v Speaker 2>straight to Coachella. But that's not the case for you.

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<v Speaker 2>How did you stay focused on your dream and work

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<v Speaker 2>your way up from literally picking up coffee and ironing?

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<v Speaker 3>Like, how did you?

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<v Speaker 2>How did you stay true to yourself, knowing what you

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<v Speaker 2>wanted to do the whole time?

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<v Speaker 1>Well, see, this is where you know, I think sometimes

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<v Speaker 1>you know, being raised in the church, we think what

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<v Speaker 1>we learned is on some level theological. But this is

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<v Speaker 1>where it became very practical to me, just that concept

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<v Speaker 1>of faith. You know, faith is a substance of things.

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<v Speaker 1>We hope for the evidence of things we don't see.

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<v Speaker 1>We walk by faith, not by sight. So you know,

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<v Speaker 1>I was like, Okay, I have the faith to believe

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<v Speaker 1>and keep seeing my company even though I don't see it.

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<v Speaker 1>And so it was that mental picture that then allowed

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<v Speaker 1>me to just focus and say, Okay, God, I believe

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<v Speaker 1>you gave me this image, so I'm going to keep working.

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<v Speaker 1>And then the other part of this is as I

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<v Speaker 1>was working and learning the business, you know, my goal was, Okay,

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<v Speaker 1>I'm going to be of service. And I think when

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<v Speaker 1>you talk about this generation, I think this is what's

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<v Speaker 1>getting lost. It's like the people that I worked for,

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<v Speaker 1>Benny Medeina, James Lasster, Will Smith, all of these amazing

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<v Speaker 1>you know, culture changers and artists. And for me, how

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<v Speaker 1>did I What did I want from that? I just

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<v Speaker 1>wanted information how do I become successful? So then how

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<v Speaker 1>did I get that information? I had to serve. I

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<v Speaker 1>had to serve, and I had to say, hey, you know,

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<v Speaker 1>let me let me because everybody wants to go put

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<v Speaker 1>me on. They want to you know, but it's like, no, no, no,

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<v Speaker 1>my work works as an intern and assistant is gonna

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<v Speaker 1>be so excellent. You're gonna you're gonna say, yeah, we

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<v Speaker 1>just gotta we gotta help this dude out right.

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<v Speaker 4>And so the way of that I did it was

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<v Speaker 4>just staying focused.

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<v Speaker 1>And there's you know, it's in this other part of it,

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<v Speaker 1>you know again, not trying to get churchy.

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<v Speaker 2>You get churchy here, turn at them. No, we love

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<v Speaker 2>the Lord here at not my best moment. You won't

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<v Speaker 2>love him on the Mother podcast, on the iHeart of

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<v Speaker 2>the Radio. But we love the Lord here are not

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<v Speaker 2>my best moment because he's from a mighty long way.

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<v Speaker 2>You could be churchytel. You can't be churching nowhere else.

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<v Speaker 2>You could be churchy here right here.

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<v Speaker 1>But you know, it's it's this idea of like staying

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<v Speaker 1>committed to the process and feeling God along the way.

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<v Speaker 1>And so what I mean by that was it was

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<v Speaker 1>even though you know, at twenty five, twenty eight, twenty nine,

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<v Speaker 1>twenty thirty, I didn't have the company, I could see

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<v Speaker 1>God's hand guiding me, moving, opening up doors, opening up opportunities.

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<v Speaker 1>So even though I didn't have exactly what I was

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<v Speaker 1>praying for in the macro sense, I could feel that

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<v Speaker 1>this is where I'm supposed to be, this is where

0:11:14.800 --> 0:11:16.920
<v Speaker 1>I need to be. There's then clearly if I was

0:11:16.960 --> 0:11:18.760
<v Speaker 1>ready for the company, I would have it. So I'm

0:11:18.800 --> 0:11:19.520
<v Speaker 1>not ready.

0:11:19.240 --> 0:11:22.040
<v Speaker 4>For it, so let me, you know, learn, let me shave.

0:11:22.480 --> 0:11:23.600
<v Speaker 4>And so that's what it was.

0:11:23.640 --> 0:11:26.360
<v Speaker 1>It was keeping that mental picture, having the faith to

0:11:26.440 --> 0:11:30.680
<v Speaker 1>believe it, and feeling God's presence along the way. So

0:11:30.720 --> 0:11:34.280
<v Speaker 1>from that twenty two to to thirty six, it was like, Okay.

0:11:34.280 --> 0:11:36.600
<v Speaker 1>There were times I was frustrated, there were times I pried,

0:11:36.640 --> 0:11:37.640
<v Speaker 1>there were times about.

0:11:37.400 --> 0:11:38.280
<v Speaker 4>God, what are you doing?

0:11:38.600 --> 0:11:40.480
<v Speaker 1>But then I would look around and say, Okay, I

0:11:40.480 --> 0:11:44.559
<v Speaker 1>see momentum, I see movement, you know, I see progress,

0:11:45.000 --> 0:11:46.720
<v Speaker 1>and sometimes that progress is incremental.

0:11:46.800 --> 0:11:47.600
<v Speaker 4>It was just a step.

0:11:47.960 --> 0:11:50.080
<v Speaker 1>You see it anyway, And it was it was that

0:11:50.280 --> 0:11:54.880
<v Speaker 1>combination that allowed me to endure to the point when

0:11:55.080 --> 0:11:56.800
<v Speaker 1>it was finally time for me to be able to

0:11:56.840 --> 0:11:58.760
<v Speaker 1>start my own, you know, company and going on my own.

0:11:59.040 --> 0:12:00.560
<v Speaker 2>I want to get to your comfort, but first I

0:12:00.559 --> 0:12:01.920
<v Speaker 2>want to I want to I want to pause here,

0:12:01.920 --> 0:12:05.120
<v Speaker 2>and I want to ask you this. In this industry,

0:12:05.440 --> 0:12:07.439
<v Speaker 2>we both came from the same place. We were both

0:12:07.480 --> 0:12:09.880
<v Speaker 2>at essence Black women in Hollywood, and I was talking

0:12:09.880 --> 0:12:11.960
<v Speaker 2>to a friend of mine and she was like, you know,

0:12:12.000 --> 0:12:15.000
<v Speaker 2>I feel like I'm in these rooms and like I'm

0:12:15.160 --> 0:12:17.920
<v Speaker 2>near these people, but I'm not these people. So you

0:12:18.000 --> 0:12:20.920
<v Speaker 2>start off at eighteen with Will Smith James Lasser, who

0:12:21.640 --> 0:12:24.560
<v Speaker 2>you know, Will has been at this level for a

0:12:24.679 --> 0:12:27.920
<v Speaker 2>long time time, right how did you And from when

0:12:27.960 --> 0:12:30.760
<v Speaker 2>I've known you, You've always been a part of like

0:12:31.040 --> 0:12:34.520
<v Speaker 2>big projects, big films, both you know, working for these

0:12:34.520 --> 0:12:36.959
<v Speaker 2>companies and on your own. But at the same time

0:12:37.760 --> 0:12:41.280
<v Speaker 2>them movies end. And what I've learned about this business,

0:12:41.360 --> 0:12:45.240
<v Speaker 2>people work with you, they are very nice. That movie ends,

0:12:45.600 --> 0:12:48.440
<v Speaker 2>They shake your hand, take your picture at the rat party.

0:12:48.760 --> 0:12:51.920
<v Speaker 2>They go on to their next project, and you go

0:12:52.040 --> 0:12:55.320
<v Speaker 2>on to yours. They might go to Calabasa's Wooden Hills,

0:12:55.559 --> 0:12:59.240
<v Speaker 2>Hidden Hills. You go back where I live, Reseda in

0:12:59.360 --> 0:13:02.040
<v Speaker 2>North Hollyoo would we go back over the valley?

0:13:02.240 --> 0:13:03.319
<v Speaker 3>You open that apartment?

0:13:03.640 --> 0:13:06.520
<v Speaker 2>You know, how do you stay focused when you're with

0:13:06.679 --> 0:13:09.040
<v Speaker 2>people who have I don't want to say made it,

0:13:09.040 --> 0:13:10.960
<v Speaker 2>but they're further along in your career. And then your

0:13:11.000 --> 0:13:13.760
<v Speaker 2>friends and family are like, oh, brother, you was with X,

0:13:13.880 --> 0:13:17.360
<v Speaker 2>Y and Z and you know, yeah, brother, I ain't

0:13:17.400 --> 0:13:22.040
<v Speaker 2>got no rent. I'm in the eating Rahmen, no packing

0:13:22.640 --> 0:13:23.760
<v Speaker 2>ceial number.

0:13:23.960 --> 0:13:24.800
<v Speaker 4>I've been there.

0:13:24.840 --> 0:13:29.280
<v Speaker 2>So how do you, like, how do you stay positive

0:13:30.400 --> 0:13:32.679
<v Speaker 2>knowing that people thought you made it into yourself?

0:13:33.360 --> 0:13:35.959
<v Speaker 3>You like, brother, I got a long way to go.

0:13:36.160 --> 0:13:39.160
<v Speaker 1>Yeah, yeah, you know, staying positive it's it's it's so

0:13:39.240 --> 0:13:43.920
<v Speaker 1>funny It's like one of my first experiences interning was,

0:13:44.320 --> 0:13:46.600
<v Speaker 1>you know, I used to drive Benny Medina around from

0:13:46.640 --> 0:13:48.000
<v Speaker 1>meeting the meeting and stuff.

0:13:47.760 --> 0:13:50.960
<v Speaker 3>And Davon, you really got it out the mud man.

0:13:51.040 --> 0:13:51.880
<v Speaker 4>People don't know that.

0:13:52.160 --> 0:13:53.240
<v Speaker 3>I didn't know that.

0:13:53.320 --> 0:13:55.240
<v Speaker 4>I just think like, oh, you know, I've only known

0:13:55.240 --> 0:13:56.560
<v Speaker 4>you as Franklin.

0:13:57.120 --> 0:13:59.560
<v Speaker 2>Like there's a certain amount of humbleness to pick up

0:13:59.640 --> 0:14:01.640
<v Speaker 2>launch and drive people around.

0:14:01.400 --> 0:14:01.880
<v Speaker 5>It that way.

0:14:02.160 --> 0:14:05.480
<v Speaker 1>Yes, absolutely, And and what I loved about it was

0:14:05.520 --> 0:14:07.120
<v Speaker 1>I got a chance to listen to the phone calls.

0:14:08.320 --> 0:14:10.800
<v Speaker 1>Oh no, So it was like it was like being

0:14:10.840 --> 0:14:13.000
<v Speaker 1>in school, so I could hear, you know, how he

0:14:13.080 --> 0:14:15.320
<v Speaker 1>was doing deals, how he was, you know, managing town.

0:14:15.480 --> 0:14:17.240
<v Speaker 4>So that was that was study for me.

0:14:17.320 --> 0:14:20.440
<v Speaker 1>That was like a masterclass, right and so and so

0:14:20.480 --> 0:14:22.200
<v Speaker 1>for me, what was so funny is there was one

0:14:22.200 --> 0:14:24.920
<v Speaker 1>time when I was intern for Benny and uh, he

0:14:25.240 --> 0:14:27.520
<v Speaker 1>was managing this artist and this artist had rented this

0:14:27.640 --> 0:14:30.480
<v Speaker 1>major house in Hollywood Hills and I'm eighteen years old

0:14:30.480 --> 0:14:32.720
<v Speaker 1>and I you know, drive him and we go up

0:14:32.720 --> 0:14:34.400
<v Speaker 1>to the to the It wasn't even an event.

0:14:34.400 --> 0:14:35.360
<v Speaker 4>Everybody was just hanging out.

0:14:35.640 --> 0:14:37.120
<v Speaker 1>So we were just hanging out on the terrace looking

0:14:37.120 --> 0:14:39.040
<v Speaker 1>out over the city and I'll never forget. I ran

0:14:39.200 --> 0:14:41.200
<v Speaker 1>the into the house and used one of the phones.

0:14:41.200 --> 0:14:43.160
<v Speaker 1>That's when landlines was still a thing. Oh you've been

0:14:43.200 --> 0:14:46.280
<v Speaker 1>in there for real, for real, and I called. I

0:14:46.360 --> 0:14:49.120
<v Speaker 1>called my folks and I said, yoh, y'all not gonna

0:14:49.120 --> 0:14:51.200
<v Speaker 1>believe where I'm at and when who I'm with, I said,

0:14:51.240 --> 0:14:54.480
<v Speaker 1>this is amazing. And the reason why I shared that

0:14:55.280 --> 0:14:57.640
<v Speaker 1>is there's one of two ways to look at things.

0:14:57.640 --> 0:15:00.400
<v Speaker 1>So like, when you're in the presence of someone who

0:15:00.520 --> 0:15:03.160
<v Speaker 1>is doing what you aspire to do, or may have

0:15:03.200 --> 0:15:06.000
<v Speaker 1>a lifestyle that you would say, oh wow, I want

0:15:06.040 --> 0:15:09.280
<v Speaker 1>that lifestyle and you don't have it. There's two ways

0:15:09.360 --> 0:15:14.360
<v Speaker 1>to deal with that, jealousy or joy. Okay, So so

0:15:14.360 --> 0:15:16.240
<v Speaker 1>so you can have You can be jealous and say,

0:15:16.280 --> 0:15:18.840
<v Speaker 1>oh man, well why not me? And and I'm being

0:15:18.880 --> 0:15:22.240
<v Speaker 1>exposed to this but I'm not it, and I'm jealous.

0:15:22.280 --> 0:15:25.920
<v Speaker 1>How do I get to be it? Or if it's

0:15:26.000 --> 0:15:28.960
<v Speaker 1>being shown to me, if I'm in the proximity of it,

0:15:29.360 --> 0:15:32.440
<v Speaker 1>that must mean I'm close to it. So let me

0:15:32.520 --> 0:15:37.040
<v Speaker 1>have joy that God is bringing people into my life

0:15:37.080 --> 0:15:40.880
<v Speaker 1>and experience that will mirror who I am and who

0:15:40.880 --> 0:15:41.520
<v Speaker 1>I'm becoming.

0:15:45.520 --> 0:15:48.360
<v Speaker 2>Keep going divine. I don't want to be there. I

0:15:48.360 --> 0:15:50.720
<v Speaker 2>don't want to mess you up, but you minister it

0:15:50.760 --> 0:15:54.600
<v Speaker 2>to me personally. I hope y'all listen it because you

0:15:54.760 --> 0:15:57.760
<v Speaker 2>in here and you to be good. Now. I love

0:15:57.960 --> 0:16:02.360
<v Speaker 2>that because I think you're saying that is really important

0:16:02.360 --> 0:16:07.360
<v Speaker 2>for people you're in a situation if either way, yeah,

0:16:07.560 --> 0:16:09.520
<v Speaker 2>you you deciding how you're.

0:16:09.400 --> 0:16:11.480
<v Speaker 3>Going to look at the situation is up to you,

0:16:12.040 --> 0:16:12.480
<v Speaker 3>right right.

0:16:12.520 --> 0:16:15.360
<v Speaker 2>You couldn't make yourself be Benny Medina that's right, eighteen

0:16:15.480 --> 0:16:17.080
<v Speaker 2>or Will Smith at twenty or two two.

0:16:17.800 --> 0:16:20.040
<v Speaker 3>You could be angry frustrated.

0:16:20.120 --> 0:16:22.600
<v Speaker 2>You could be you know, oh my god, god on,

0:16:22.680 --> 0:16:26.320
<v Speaker 2>I want to do this and at that like understandably so,

0:16:26.880 --> 0:16:29.400
<v Speaker 2>but you also took the time to say, okay, this

0:16:29.480 --> 0:16:32.720
<v Speaker 2>is you took value in the service when you could

0:16:32.720 --> 0:16:34.000
<v Speaker 2>have been angry that it wasn't.

0:16:33.800 --> 0:16:37.040
<v Speaker 1>You absolutely and listen every time, like you know, over

0:16:37.040 --> 0:16:39.200
<v Speaker 1>the years. I mean, the beautiful thing about Will is

0:16:39.240 --> 0:16:41.320
<v Speaker 1>like you know, not only working for him, but then

0:16:41.360 --> 0:16:43.200
<v Speaker 1>you know he's like a mentor and a friend who's

0:16:43.240 --> 0:16:44.120
<v Speaker 1>giving me advice and stuff.

0:16:44.160 --> 0:16:46.160
<v Speaker 4>But every time I go up to the house, I'm like,

0:16:46.920 --> 0:16:49.080
<v Speaker 4>thank you, Okay, Jesus, you showing me this.

0:16:49.600 --> 0:16:52.640
<v Speaker 1>Ooh boy, my house about to be amazing because if

0:16:52.640 --> 0:16:55.000
<v Speaker 1>you letting me see this, I'm not gonna be jealous,

0:16:55.000 --> 0:16:55.640
<v Speaker 1>if I'm gonna.

0:16:55.440 --> 0:16:58.320
<v Speaker 4>Be joyful, right because you let me know. Okay, yeah,

0:16:58.440 --> 0:16:59.720
<v Speaker 4>how you do this? This is how you live on

0:16:59.760 --> 0:17:00.280
<v Speaker 4>this level?

0:17:00.520 --> 0:17:03.680
<v Speaker 1>You know, because I think it's important because because there's

0:17:03.720 --> 0:17:08.160
<v Speaker 1>another quick idea, which is either of those emotions that

0:17:08.200 --> 0:17:12.200
<v Speaker 1>we choose, we then have to believe that that emotion

0:17:12.359 --> 0:17:13.240
<v Speaker 1>is serving us.

0:17:15.720 --> 0:17:21.359
<v Speaker 2>So so fine, So you're thirty for thirty two right now.

0:17:21.800 --> 0:17:25.399
<v Speaker 2>We only about fifteen to twenty minutes in. Brother, they

0:17:25.520 --> 0:17:28.680
<v Speaker 2>call him time out, time out. You hitting so good.

0:17:28.720 --> 0:17:32.040
<v Speaker 2>They're like, yo, get him. Don't want the Von Frankly.

0:17:32.160 --> 0:17:35.440
<v Speaker 2>I'm sorry for interrupting, y'all. Y'all don't understand. I'm trying

0:17:35.440 --> 0:17:37.960
<v Speaker 2>to be cool. Y'all, don't understand who Devin Franklin is

0:17:37.960 --> 0:17:41.440
<v Speaker 2>to me. Now you don't understand. Go ahead, I'm talking.

0:17:41.800 --> 0:17:43.159
<v Speaker 2>If you're going ahead and love it, I love it.

0:17:43.359 --> 0:17:45.800
<v Speaker 1>I'm just saying that those feelings we have to believe

0:17:46.080 --> 0:17:49.119
<v Speaker 1>service us. So so if I'm in the proximity of

0:17:49.160 --> 0:17:51.520
<v Speaker 1>something that I want or some lifestyle that I love

0:17:51.560 --> 0:17:55.960
<v Speaker 1>to live, and I choose jealousy. Right, then I have

0:17:56.040 --> 0:18:00.359
<v Speaker 1>to I think say, hey, well, why if I'm choosing jealousy,

0:18:01.040 --> 0:18:06.720
<v Speaker 1>why does jealousy serve me? And if it doesn't serve me,

0:18:07.040 --> 0:18:09.320
<v Speaker 1>then I've got to put it back, like I can't

0:18:09.320 --> 0:18:13.639
<v Speaker 1>pick up that emotion. And sometimes when we choose jealousy,

0:18:14.520 --> 0:18:18.040
<v Speaker 1>what it does is it gives us the comfort of

0:18:18.160 --> 0:18:21.280
<v Speaker 1>not actually going out and believing and living like it's

0:18:21.320 --> 0:18:24.600
<v Speaker 1>going to happen. So it's like, oh, well, I'm jealous

0:18:24.600 --> 0:18:26.920
<v Speaker 1>because oh that's just them and dah dah da da dah.

0:18:26.920 --> 0:18:28.560
<v Speaker 1>So then that gives me an excuse to be able

0:18:28.600 --> 0:18:30.639
<v Speaker 1>to say, well, you know what, I'm doing, my thing whatever,

0:18:30.720 --> 0:18:31.720
<v Speaker 1>it'll be okay.

0:18:31.560 --> 0:18:32.320
<v Speaker 3>Yeah, it won't be.

0:18:32.480 --> 0:18:34.680
<v Speaker 1>Like then we kick back in a posture of defeat

0:18:35.119 --> 0:18:39.000
<v Speaker 1>versus like when I choose joy, that emotion serves me.

0:18:39.760 --> 0:18:43.080
<v Speaker 1>Oh my goodness, it serves my soul, it serves my outlook.

0:18:43.320 --> 0:18:45.840
<v Speaker 1>I can be in any room and I'm not jealous

0:18:45.880 --> 0:18:48.800
<v Speaker 1>of them. I'm joyful because I'm in the room, or

0:18:48.840 --> 0:18:50.520
<v Speaker 1>I get a chance to go to a meeting, or

0:18:50.520 --> 0:18:53.280
<v Speaker 1>I get a chance to be in the proximity of.

0:18:53.280 --> 0:18:56.080
<v Speaker 4>A phone call. That emotion services me.

0:18:56.160 --> 0:18:58.240
<v Speaker 1>So what I've learned is that any emotion we choose,

0:18:59.160 --> 0:19:02.600
<v Speaker 1>we have to really be careful because if we're choosing it,

0:19:02.600 --> 0:19:04.000
<v Speaker 1>it's serving us in some way.

0:19:04.359 --> 0:19:07.879
<v Speaker 2>I love that and I think that that's so good,

0:19:08.000 --> 0:19:09.800
<v Speaker 2>right because say you chose jealousy.

0:19:09.800 --> 0:19:10.480
<v Speaker 3>Every time.

0:19:12.040 --> 0:19:15.000
<v Speaker 2>You you envelop everything that jealousy brings exactly and what

0:19:15.040 --> 0:19:18.959
<v Speaker 2>does it serve you? Bitterness, resentment. Now you're angry at

0:19:19.000 --> 0:19:23.320
<v Speaker 2>these people enved. Now what could have been valuable to you?

0:19:23.720 --> 0:19:26.800
<v Speaker 2>Just the earshot? Okay, this is how he works this deal. Oh,

0:19:26.840 --> 0:19:29.680
<v Speaker 2>this is how he negotiates. Now you're thinking this whole

0:19:29.680 --> 0:19:31.960
<v Speaker 2>time should have been me, He should have done that.

0:19:32.480 --> 0:19:35.800
<v Speaker 2>Now you're angry at your situation where another person is like, man,

0:19:35.840 --> 0:19:39.480
<v Speaker 2>that was a really valuable cause. So now you've actually

0:19:39.520 --> 0:19:42.879
<v Speaker 2>come to the game with experience from his level or

0:19:42.920 --> 0:19:48.120
<v Speaker 2>these people's level, with the same positioning where somebody else

0:19:48.160 --> 0:19:51.879
<v Speaker 2>gotta come up with nothing but anger, frustration, resentment.

0:19:51.960 --> 0:19:54.000
<v Speaker 1>And why that was so helpful to me and my

0:19:54.160 --> 0:20:00.120
<v Speaker 1>journey was that I approached everything from the place of

0:20:00.640 --> 0:20:04.159
<v Speaker 1>where how do I say this? The vision of who

0:20:04.240 --> 0:20:08.680
<v Speaker 1>I was become going to become right running my own company,

0:20:09.200 --> 0:20:14.000
<v Speaker 1>being my own man. That person in the future is

0:20:14.080 --> 0:20:16.120
<v Speaker 1>who I was in the present.

0:20:20.760 --> 0:20:24.400
<v Speaker 2>When you came on my email and Kurt said, divine Franklin,

0:20:24.480 --> 0:20:26.399
<v Speaker 2>I knew it was gonna be for me.

0:20:27.480 --> 0:20:29.840
<v Speaker 3>And I'm sorry if you listen and you married at me.

0:20:30.160 --> 0:20:33.240
<v Speaker 2>Too bad this time, because I don't often get to

0:20:33.240 --> 0:20:34.080
<v Speaker 2>talk to the people that.

0:20:34.080 --> 0:20:36.560
<v Speaker 3>I looked up to. Too bad. Say it again.

0:20:36.640 --> 0:20:39.600
<v Speaker 2>The money keep going, And I'm sorry for y'all because

0:20:39.640 --> 0:20:40.760
<v Speaker 2>that is so key.

0:20:40.840 --> 0:20:41.560
<v Speaker 4>It really is.

0:20:41.760 --> 0:20:44.800
<v Speaker 3>Oh man, you really gotta know who.

0:20:44.640 --> 0:20:48.120
<v Speaker 1>You are to do so, so that identity of who

0:20:48.160 --> 0:20:51.480
<v Speaker 1>I was going to be, I didn't just I didn't wait.

0:20:52.160 --> 0:20:54.680
<v Speaker 1>So when I was interning, I came in like, oh,

0:20:54.760 --> 0:20:58.080
<v Speaker 1>I'm a CEO, and training, when I was assisting.

0:20:57.760 --> 0:21:00.200
<v Speaker 4>Oh I'm a I'm I'm a producer.

0:20:59.800 --> 0:21:04.200
<v Speaker 1>And when I was an executive. Oh man, I'm being prepared.

0:21:05.760 --> 0:21:08.639
<v Speaker 1>So because what happens is when we choose that joy,

0:21:09.359 --> 0:21:12.280
<v Speaker 1>then it gives us an energy and a focus and

0:21:12.320 --> 0:21:15.560
<v Speaker 1>a commitment to every moment that we're in. All things

0:21:15.560 --> 0:21:17.320
<v Speaker 1>work together for the good of those that love Him

0:21:17.520 --> 0:21:22.040
<v Speaker 1>and are called according to His you know what I'm saying,

0:21:22.560 --> 0:21:24.840
<v Speaker 1>Like like, so it's like, okay, God, if you are

0:21:24.960 --> 0:21:28.760
<v Speaker 1>giving me this access and you're giving me these experiences.

0:21:29.320 --> 0:21:33.800
<v Speaker 1>Then allow the identity that you've shown me, let me

0:21:33.960 --> 0:21:36.480
<v Speaker 1>just live in that, and then let me be patient

0:21:37.560 --> 0:21:42.120
<v Speaker 1>with when it is time for the identity to manifest,

0:21:42.200 --> 0:21:45.000
<v Speaker 1>so to speak.

0:21:45.760 --> 0:21:50.040
<v Speaker 3>I want to shout, shout, you want to I want

0:21:50.040 --> 0:21:51.960
<v Speaker 3>to take a quick break from the show to hear from.

0:21:51.840 --> 0:22:02.320
<v Speaker 5>Our ad sponsors.

0:22:08.320 --> 0:22:10.879
<v Speaker 2>Let me ask you this because I have a lot

0:22:10.960 --> 0:22:14.800
<v Speaker 2>of friends in the industry, like myself, actors, producers. This

0:22:14.920 --> 0:22:21.040
<v Speaker 2>industry is an unhealthy amount of rejection and abandonment. We've

0:22:21.080 --> 0:22:23.040
<v Speaker 2>seen the stuff that you've made that has come to

0:22:23.119 --> 0:22:27.639
<v Speaker 2>fruition the movies and acting or producing. What about the

0:22:27.680 --> 0:22:31.399
<v Speaker 2>stuff that hasn't came that I know you were excited about.

0:22:32.000 --> 0:22:36.200
<v Speaker 2>How do you keep your faith and your excitement when

0:22:36.240 --> 0:22:38.800
<v Speaker 2>something you really wanted to do that was close to

0:22:38.840 --> 0:22:42.600
<v Speaker 2>something fell apart and you just knew it was gonna

0:22:42.600 --> 0:22:43.160
<v Speaker 2>be something.

0:22:43.840 --> 0:22:48.760
<v Speaker 3>How do you not be kind of negative about like.

0:22:49.040 --> 0:22:52.840
<v Speaker 2>Man, because that would have been great, the people would

0:22:52.840 --> 0:22:54.760
<v Speaker 2>have liked that, I would have wanted to work on that,

0:22:54.800 --> 0:22:57.480
<v Speaker 2>and you really kind of got to almost grieve that

0:22:57.560 --> 0:22:59.120
<v Speaker 2>project and move on.

0:22:59.160 --> 0:22:59.840
<v Speaker 3>To the next thing.

0:23:00.160 --> 0:23:03.119
<v Speaker 2>Sometimes that stuff sometimes it comes back, sometimes it doesn't,

0:23:03.240 --> 0:23:04.800
<v Speaker 2>it doesn't come back at all.

0:23:05.160 --> 0:23:06.080
<v Speaker 3>How do you deal with.

0:23:06.000 --> 0:23:08.400
<v Speaker 1>That where you just you just said a part of it,

0:23:08.520 --> 0:23:12.000
<v Speaker 1>which is to feel it first, feel how you feel.

0:23:12.160 --> 0:23:12.439
<v Speaker 2>You know.

0:23:12.560 --> 0:23:15.359
<v Speaker 1>So in situations where I've had projects, you know that

0:23:15.440 --> 0:23:17.719
<v Speaker 1>didn't pan out and I put a lot of energy

0:23:17.840 --> 0:23:20.200
<v Speaker 1>and effort and for whatever, and every movie has its

0:23:20.200 --> 0:23:22.479
<v Speaker 1>own life, yeah, every script, you know, and so some

0:23:22.520 --> 0:23:25.040
<v Speaker 1>scripts I can, you know, the story moves together very

0:23:25.119 --> 0:23:26.800
<v Speaker 1>quickly and I can put it together. And then there

0:23:26.840 --> 0:23:29.000
<v Speaker 1>are other scripts that take time, and then other scripts

0:23:29.160 --> 0:23:32.080
<v Speaker 1>and other projects that just fall apart. And so part

0:23:32.119 --> 0:23:33.879
<v Speaker 1>of it is just to acknowledge.

0:23:33.400 --> 0:23:38.280
<v Speaker 4>Man, this hurts. This is really man, this I'm disappointed,

0:23:39.000 --> 0:23:41.080
<v Speaker 4>you know, like like allow you talk about grief.

0:23:41.160 --> 0:23:44.240
<v Speaker 1>That's like, hey, I gotta feel this, like like, you know,

0:23:44.280 --> 0:23:46.400
<v Speaker 1>I can't believe I put all this energy and time

0:23:46.440 --> 0:23:50.040
<v Speaker 1>and effort into this and it did not work. You

0:23:50.119 --> 0:23:53.639
<v Speaker 1>gotta feel that, feel it all and say wow. The

0:23:53.760 --> 0:23:57.160
<v Speaker 1>key though, is feel it without internalizing it.

0:23:57.800 --> 0:24:00.000
<v Speaker 3>Oh okay, right, okay say that.

0:24:00.119 --> 0:24:03.000
<v Speaker 1>So, so the project didn't work, That doesn't mean that

0:24:03.080 --> 0:24:03.760
<v Speaker 1>I'm not working.

0:24:04.720 --> 0:24:08.920
<v Speaker 2>See I mixed those two together, that the project didn't work, because.

0:24:09.080 --> 0:24:11.200
<v Speaker 4>But no, it ain't got nothing to do with you.

0:24:11.000 --> 0:24:12.239
<v Speaker 4>You You you created it.

0:24:12.320 --> 0:24:14.359
<v Speaker 1>You did your part, you put it out there, and

0:24:14.400 --> 0:24:18.240
<v Speaker 1>it was just about that particular project. And sometimes what

0:24:18.320 --> 0:24:20.720
<v Speaker 1>happens because you know, we're going to creative business, right

0:24:20.840 --> 0:24:23.280
<v Speaker 1>and it's you know, we're all sensitive on some level

0:24:23.320 --> 0:24:25.920
<v Speaker 1>and all are insecure on some level, and so when

0:24:25.920 --> 0:24:27.919
<v Speaker 1>we do something or we put our all into it

0:24:27.960 --> 0:24:30.960
<v Speaker 1>it doesn't work out. There's a tendency to then internalize

0:24:30.960 --> 0:24:33.159
<v Speaker 1>and say, well, I am a failure, you know, or

0:24:33.200 --> 0:24:35.000
<v Speaker 1>where there's something wrong with me. It's like, well, no,

0:24:35.240 --> 0:24:38.280
<v Speaker 1>there's nothing wrong with you. That project just wasn't the

0:24:38.320 --> 0:24:40.360
<v Speaker 1>right project at the right time. What can you learn

0:24:40.359 --> 0:24:41.679
<v Speaker 1>from it and what can you move on and do?

0:24:41.760 --> 0:24:43.880
<v Speaker 1>And so for me, you know, when I've had those

0:24:43.920 --> 0:24:45.960
<v Speaker 1>moments when I've done, you know, worked on projects that

0:24:46.080 --> 0:24:48.680
<v Speaker 1>just fell apart, you know, I had to say, okay,

0:24:48.800 --> 0:24:49.679
<v Speaker 1>well why did.

0:24:49.560 --> 0:24:50.240
<v Speaker 4>It fall apart?

0:24:50.480 --> 0:24:53.800
<v Speaker 1>And was any of it falling apart within my control?

0:24:54.440 --> 0:24:57.480
<v Speaker 1>So it's almost like an analysis and assessment of Okay, well, no,

0:24:57.600 --> 0:25:00.600
<v Speaker 1>I did everything I could possibly do and this is

0:25:00.640 --> 0:25:01.199
<v Speaker 1>the result.

0:25:01.400 --> 0:25:02.400
<v Speaker 4>So I have to just.

0:25:02.320 --> 0:25:06.919
<v Speaker 1>Make peace with that, and then, because I'm not internalizing it,

0:25:07.040 --> 0:25:09.680
<v Speaker 1>open myself up to what really wants to come through.

0:25:10.880 --> 0:25:20.239
<v Speaker 2>Man, let me ask you this in our industry that

0:25:20.320 --> 0:25:24.040
<v Speaker 2>everything you said is true and key. Sometimes you still

0:25:24.040 --> 0:25:26.320
<v Speaker 2>got to go in them room and smile in people's faces.

0:25:26.400 --> 0:25:30.560
<v Speaker 2>Oh yeah, hode you know they one the reason why

0:25:30.600 --> 0:25:33.160
<v Speaker 2>I didn't go. And they done told you one thing

0:25:33.800 --> 0:25:36.000
<v Speaker 2>on the meeting on the phone call. I got to

0:25:36.040 --> 0:25:37.680
<v Speaker 2>see you at the brunch on the red car and

0:25:37.720 --> 0:25:39.399
<v Speaker 2>they gonna smile in your face and you know you

0:25:39.520 --> 0:25:42.280
<v Speaker 2>killed my project? How do you deal with that with

0:25:42.359 --> 0:25:45.880
<v Speaker 2>a smile? And you know internally now you know good

0:25:45.880 --> 0:25:46.440
<v Speaker 2>and well.

0:25:47.640 --> 0:25:49.840
<v Speaker 3>You know you don't.

0:25:50.440 --> 0:25:54.040
<v Speaker 2>Hey, yeah, because I'm divide, I hold gruggs.

0:25:55.200 --> 0:25:58.360
<v Speaker 3>I say, hey, how are you?

0:25:58.520 --> 0:26:01.520
<v Speaker 4>I want to hug you?

0:26:01.800 --> 0:26:05.040
<v Speaker 3>But how do you maintain your sense of composure? Focus?

0:26:06.040 --> 0:26:08.879
<v Speaker 2>Because you run through these people? It's a long career list.

0:26:08.920 --> 0:26:10.399
<v Speaker 2>You run through people all the time.

0:26:10.760 --> 0:26:14.440
<v Speaker 1>Listen you you you have to learn how to play

0:26:14.440 --> 0:26:19.159
<v Speaker 1>the game. Yeah, you gotta you gotta you just And

0:26:19.200 --> 0:26:23.840
<v Speaker 1>also here's the thing. This this business, Uh, it's a

0:26:24.000 --> 0:26:27.680
<v Speaker 1>business that certainly, you know, people can become successful quickly

0:26:27.720 --> 0:26:31.400
<v Speaker 1>and all that, but by and large it's a business

0:26:31.400 --> 0:26:32.879
<v Speaker 1>that you got to pay your dues.

0:26:33.280 --> 0:26:37.920
<v Speaker 4>Yes, and when you've paid your dues, then.

0:26:37.880 --> 0:26:40.719
<v Speaker 1>It's like, oh great, we know what you've been through

0:26:40.760 --> 0:26:41.520
<v Speaker 1>and now we're gonna give you this.

0:26:41.600 --> 0:26:42.520
<v Speaker 4>So now we're gonna give you that.

0:26:42.680 --> 0:26:45.040
<v Speaker 1>And it's almost like those moments when things don't go

0:26:45.080 --> 0:26:48.679
<v Speaker 1>the way we want and we know this person, like

0:26:48.880 --> 0:26:51.359
<v Speaker 1>because I've been in those situations for sure, it's like,

0:26:51.960 --> 0:26:54.919
<v Speaker 1>I know you the one that was killing this and

0:26:54.960 --> 0:26:55.880
<v Speaker 1>now you want to be cool.

0:26:55.960 --> 0:26:57.280
<v Speaker 4>But but again, playing.

0:26:56.960 --> 0:26:59.880
<v Speaker 1>The game is like, okay, cool, you know what, Yeah,

0:27:00.160 --> 0:27:04.080
<v Speaker 1>I am not going to give you the satisfaction of

0:27:04.119 --> 0:27:06.439
<v Speaker 1>me getting out of the character and integrity that I

0:27:06.440 --> 0:27:09.919
<v Speaker 1>want to operate in. So I'm gonna, I'm gonna I'm

0:27:10.040 --> 0:27:11.840
<v Speaker 1>a smile, I'm gonna be cool. That doesn't mean we're

0:27:11.840 --> 0:27:13.640
<v Speaker 1>gonna sit up here and be buddy buddy and go,

0:27:13.720 --> 0:27:16.680
<v Speaker 1>you know, hang out. But but what I'm never gonna do.

0:27:16.920 --> 0:27:20.080
<v Speaker 1>My aunt Donna taught me this, don't burn a bridge

0:27:20.119 --> 0:27:21.840
<v Speaker 1>because you never know when you have to cross it again.

0:27:22.880 --> 0:27:24.280
<v Speaker 4>And so that very.

0:27:24.160 --> 0:27:26.680
<v Speaker 1>Person you know, and and that doesn't mean you don't

0:27:26.720 --> 0:27:29.439
<v Speaker 1>you're not honest about how you feel. Right conversation that

0:27:29.520 --> 0:27:32.240
<v Speaker 1>I had, you know, when a deal didn't work out

0:27:32.240 --> 0:27:34.399
<v Speaker 1>the way I wanted, and I was honest, I was like, hey,

0:27:34.480 --> 0:27:36.400
<v Speaker 1>I don't I don't like this. I don't like how

0:27:36.680 --> 0:27:38.280
<v Speaker 1>you know, you guys are doing this. I don't like

0:27:38.320 --> 0:27:40.119
<v Speaker 1>how this this feels. I don't think this is the

0:27:40.200 --> 0:27:42.640
<v Speaker 1>right choice. But at the end of the day, I said,

0:27:42.800 --> 0:27:45.560
<v Speaker 1>it's your choice, so I respect it. And anytime that

0:27:45.600 --> 0:27:47.960
<v Speaker 1>I've seen them out, you know, hey, what's up, give

0:27:48.000 --> 0:27:50.560
<v Speaker 1>them a hug, how you doing, and stay cordial.

0:27:50.640 --> 0:27:52.000
<v Speaker 4>Why is that important?

0:27:53.000 --> 0:27:57.600
<v Speaker 1>Because so often it's our attitude that can be the

0:27:57.680 --> 0:28:01.439
<v Speaker 1>thing that disrupts our ability to move forward. It's the

0:28:01.520 --> 0:28:03.920
<v Speaker 1>attitude like, Okay, you know what, this person didn't me wrong.

0:28:03.960 --> 0:28:07.240
<v Speaker 4>So I'm gonna no, no, no, no, what do you want?

0:28:07.880 --> 0:28:11.560
<v Speaker 1>You want a long career, you want you want success,

0:28:11.640 --> 0:28:15.240
<v Speaker 1>you want generational success. So I'm not going to allow

0:28:15.400 --> 0:28:19.959
<v Speaker 1>this person, this situation to make me so small that

0:28:20.080 --> 0:28:21.919
<v Speaker 1>I have to get my get back or I have

0:28:22.040 --> 0:28:22.520
<v Speaker 1>to be root.

0:28:22.560 --> 0:28:23.359
<v Speaker 4>And no, I'm not gonna do that.

0:28:23.600 --> 0:28:26.639
<v Speaker 1>Yeah, I'm gonna say, you know what, if this happened,

0:28:26.640 --> 0:28:30.960
<v Speaker 1>that means that means more coming and more deals, more projects,

0:28:31.000 --> 0:28:33.080
<v Speaker 1>and so I'm not gonna even give this any more energy.

0:28:33.119 --> 0:28:35.800
<v Speaker 1>I grieved it it didn't happen, but I'm gonna be cool.

0:28:36.240 --> 0:28:38.400
<v Speaker 1>I'm gonna play the game. I'm not gonna let you

0:28:38.400 --> 0:28:42.440
<v Speaker 1>see me sweat. It's all love. We good cool. I

0:28:42.480 --> 0:28:44.680
<v Speaker 1>can't wait for the next one, you.

0:28:44.680 --> 0:28:47.719
<v Speaker 3>Know what, because this is how I've been moving.

0:28:48.600 --> 0:28:54.560
<v Speaker 2>Get in the car and yeah, it's gonna bed next one.

0:28:55.880 --> 0:28:56.479
<v Speaker 3>I'm crying.

0:28:57.000 --> 0:28:59.479
<v Speaker 2>But I think it's so important because it is in

0:28:59.520 --> 0:29:01.840
<v Speaker 2>some ways it's I don't want to say it's unnatural,

0:29:01.840 --> 0:29:05.080
<v Speaker 2>but it's unusual to like a traditional job. Yeah, Like

0:29:05.080 --> 0:29:07.480
<v Speaker 2>in a traditional job, you work your way up, one

0:29:07.520 --> 0:29:10.800
<v Speaker 2>on one. It's very easy. In this business. Somebody can

0:29:10.840 --> 0:29:13.360
<v Speaker 2>literally decide no, yeah, and I don't even have no

0:29:13.440 --> 0:29:16.320
<v Speaker 2>other reason than And the other thing is sometimes it

0:29:16.320 --> 0:29:19.560
<v Speaker 2>can be like you said, actually a lot of times

0:29:19.560 --> 0:29:22.400
<v Speaker 2>it's completely out of your control, but it feels like

0:29:22.480 --> 0:29:23.440
<v Speaker 2>you can control it.

0:29:23.680 --> 0:29:24.600
<v Speaker 4>Yeah, you know what I mean.

0:29:25.240 --> 0:29:28.240
<v Speaker 1>And that is the ah, that's the conundrum, right, Yeah,

0:29:28.440 --> 0:29:30.720
<v Speaker 1>you know what I mean. It's it's like, yeah, you know,

0:29:32.080 --> 0:29:33.920
<v Speaker 1>we have to put works behind our faith. You know,

0:29:34.680 --> 0:29:37.480
<v Speaker 1>faith that that works is dead. However, you know, we

0:29:37.480 --> 0:29:39.080
<v Speaker 1>we can only control what we can control.

0:29:39.360 --> 0:29:40.239
<v Speaker 3>Yeah, you know.

0:29:40.280 --> 0:29:42.680
<v Speaker 1>And so to your point, it's like, okay, with the project,

0:29:42.680 --> 0:29:44.239
<v Speaker 1>you do everything you can to get it where it

0:29:44.240 --> 0:29:44.719
<v Speaker 1>needs to be.

0:29:45.280 --> 0:29:46.920
<v Speaker 4>Then we have to also remember God is.

0:29:46.880 --> 0:29:49.640
<v Speaker 1>The one that's really in control man, and it's his

0:29:49.680 --> 0:29:52.200
<v Speaker 1>finger on the button and he's the one that pressed it.

0:29:52.240 --> 0:29:54.520
<v Speaker 2>But it looked like you could say yes or no.

0:29:54.640 --> 0:29:56.520
<v Speaker 2>I know God up there, but you can agree, like

0:29:56.520 --> 0:29:57.040
<v Speaker 2>they said, you.

0:29:57.000 --> 0:30:00.680
<v Speaker 4>Know you can. But my yes or no it's always no. Yeah,

0:30:00.840 --> 0:30:01.960
<v Speaker 4>stop by here's yes or no.

0:30:02.520 --> 0:30:03.040
<v Speaker 3>I love that.

0:30:03.160 --> 0:30:05.080
<v Speaker 1>And there are things right then, projects I'm trying to

0:30:05.120 --> 0:30:06.880
<v Speaker 1>sort out right now. Like I was leaning into one,

0:30:06.960 --> 0:30:09.560
<v Speaker 1>I was like, oh, there doesn't feel like God's in that.

0:30:09.680 --> 0:30:12.720
<v Speaker 1>And I feel all the time like, Okay, God, where's

0:30:12.760 --> 0:30:15.400
<v Speaker 1>where are you? Where's the momentum here? And let me

0:30:15.520 --> 0:30:17.800
<v Speaker 1>and let me, you know, follow that momentum. And the

0:30:17.840 --> 0:30:21.320
<v Speaker 1>other thing for me, which was really helpful too, because

0:30:21.320 --> 0:30:23.280
<v Speaker 1>what you're also articulating is that when you put so

0:30:23.360 --> 0:30:26.479
<v Speaker 1>much into something and let's say that's the only project

0:30:26.520 --> 0:30:29.680
<v Speaker 1>you got right at that time, you know, then there's

0:30:29.720 --> 0:30:32.360
<v Speaker 1>a disappointment there and what else am I going to do?

0:30:32.800 --> 0:30:33.040
<v Speaker 2>Yeah?

0:30:33.240 --> 0:30:35.760
<v Speaker 1>And so for me, you know, the things that kind

0:30:35.760 --> 0:30:40.719
<v Speaker 1>of have helped me stay successful mentally and emotionally is

0:30:41.200 --> 0:30:43.360
<v Speaker 1>when I first started in the business, you know, one

0:30:43.400 --> 0:30:46.160
<v Speaker 1>of my outlets was preaching, you know, and just just

0:30:46.200 --> 0:30:47.880
<v Speaker 1>always preaching. It was always somebody within on the side.

0:30:47.920 --> 0:30:49.840
<v Speaker 1>Sixteen years old, I was preaching, you know, and have

0:30:49.960 --> 0:30:52.560
<v Speaker 1>always done it over the years. And so what that

0:30:52.640 --> 0:30:56.040
<v Speaker 1>did for me was from a creative standpoint, it said,

0:30:56.120 --> 0:30:58.160
<v Speaker 1>oh it, let me know, Hollywood.

0:30:57.680 --> 0:30:58.960
<v Speaker 4>Is not my entire life.

0:31:00.080 --> 0:31:02.320
<v Speaker 1>That's so good, you know, and like like literally, like

0:31:02.320 --> 0:31:04.400
<v Speaker 1>I would be in staff meetings and I'm like, hey,

0:31:04.480 --> 0:31:06.760
<v Speaker 1>I'm not disparaging anybody else in the in you know,

0:31:06.800 --> 0:31:09.400
<v Speaker 1>anybody any other executive in what their path is.

0:31:09.440 --> 0:31:12.560
<v Speaker 4>I said, but there's more to life than just this, yeah,

0:31:12.600 --> 0:31:12.840
<v Speaker 4>you know.

0:31:12.960 --> 0:31:15.560
<v Speaker 1>And so being able to have a creative outlet, you know,

0:31:15.720 --> 0:31:18.840
<v Speaker 1>of being able to go and preach and and and articulate,

0:31:18.920 --> 0:31:21.560
<v Speaker 1>you know, the word and to help people. That gave

0:31:21.640 --> 0:31:25.720
<v Speaker 1>me a perspective that helped me navigate and mitigate the

0:31:25.760 --> 0:31:29.400
<v Speaker 1>different disappointments, because there have been a lot along the way.

0:31:29.920 --> 0:31:32.440
<v Speaker 1>But the perspective of like, this is not all my life.

0:31:32.920 --> 0:31:35.080
<v Speaker 1>And I think that's where a lot of people can

0:31:35.200 --> 0:31:39.080
<v Speaker 1>go wrong, where it's like the job, whatever, industry.

0:31:38.880 --> 0:31:40.520
<v Speaker 4>It becomes your life.

0:31:40.880 --> 0:31:43.080
<v Speaker 1>It's like, man, you know, so then if it becomes

0:31:43.080 --> 0:31:46.200
<v Speaker 1>my life, then whoever is in control of that project

0:31:46.640 --> 0:31:51.440
<v Speaker 1>that job, then they become my God. If this is

0:31:51.480 --> 0:31:55.600
<v Speaker 1>my life, If this job, this project is my life,

0:31:55.680 --> 0:31:58.160
<v Speaker 1>then whoever is in control, that's my God. I got

0:31:58.200 --> 0:32:01.280
<v Speaker 1>to make sure they're happy. If they're not happy, then

0:32:01.280 --> 0:32:03.200
<v Speaker 1>what am I gonna do? And it's like, well, wait

0:32:03.240 --> 0:32:07.920
<v Speaker 1>a minute. God is God. Your life is your life. Okay,

0:32:07.920 --> 0:32:10.640
<v Speaker 1>this project is one part of it. That person is

0:32:10.680 --> 0:32:13.800
<v Speaker 1>one part of it. If that person and what they

0:32:13.800 --> 0:32:15.760
<v Speaker 1>want you to do aligns with what God wants you.

0:32:15.760 --> 0:32:17.160
<v Speaker 4>To do, God bless perfect.

0:32:17.440 --> 0:32:19.720
<v Speaker 1>But if you honor God and that gets you out

0:32:19.760 --> 0:32:21.680
<v Speaker 1>of favor with that person, your boss.

0:32:22.120 --> 0:32:24.240
<v Speaker 4>God's got you, He's got you.

0:32:25.160 --> 0:32:31.479
<v Speaker 3>I'm so glad you don't understand. Von Franklin. It's well

0:32:31.560 --> 0:32:34.000
<v Speaker 3>for me, brother, it's well for me. I appreciate y'all

0:32:34.000 --> 0:32:34.400
<v Speaker 3>for listening.

0:32:34.800 --> 0:32:36.960
<v Speaker 2>I want to before I go into your not best moments,

0:32:36.960 --> 0:32:39.920
<v Speaker 2>I want to ask you, could you explain to a

0:32:39.960 --> 0:32:43.120
<v Speaker 2>person who doesn't understand how this industry works, what exactly

0:32:43.160 --> 0:32:46.040
<v Speaker 2>a producer is. Yes, I see a movie producer. I

0:32:46.320 --> 0:32:48.800
<v Speaker 2>follow you on Instagram. I see you in Traders. But

0:32:48.840 --> 0:32:51.120
<v Speaker 2>you don't actually go into like you just be like

0:32:51.160 --> 0:32:55.440
<v Speaker 2>I'm out here, y'all post. You don't show what out

0:32:55.480 --> 0:32:59.160
<v Speaker 2>here really is and that you're right, Yeah, you are

0:32:59.280 --> 0:32:59.680
<v Speaker 2>so right.

0:32:59.720 --> 0:33:01.560
<v Speaker 4>Now I'm actually changing that just so.

0:33:01.520 --> 0:33:04.120
<v Speaker 1>You know, I really because I realized, like I got

0:33:04.120 --> 0:33:06.160
<v Speaker 1>all this experience and I just needed I just want

0:33:06.200 --> 0:33:08.560
<v Speaker 1>to be more service to people. Plean in the you know,

0:33:08.640 --> 0:33:10.320
<v Speaker 1>anyone that's in the business or wanting to be in

0:33:10.320 --> 0:33:13.080
<v Speaker 1>the business. Like, let me just start sharing showing like, hey,

0:33:13.080 --> 0:33:13.960
<v Speaker 1>this is what this looks like.

0:33:14.160 --> 0:33:16.719
<v Speaker 2>Yes, so please explain to a person like what does

0:33:16.760 --> 0:33:18.360
<v Speaker 2>your job actually entail?

0:33:18.640 --> 0:33:18.840
<v Speaker 4>Yes?

0:33:18.920 --> 0:33:23.920
<v Speaker 1>Okay, So a producer is fundamentally the driving force behind

0:33:23.920 --> 0:33:26.880
<v Speaker 1>a project. So let's take Ruth and bo As for

0:33:26.920 --> 0:33:29.200
<v Speaker 1>a moment, the movie that I did for Netflix, and

0:33:29.240 --> 0:33:32.120
<v Speaker 1>so that was an idea that I came up with,

0:33:32.240 --> 0:33:34.520
<v Speaker 1>Let's do a modern version of this biblical love story.

0:33:34.840 --> 0:33:35.440
<v Speaker 4>Okay, great.

0:33:35.640 --> 0:33:38.760
<v Speaker 1>So then as the producer, my job is to put

0:33:38.760 --> 0:33:42.040
<v Speaker 1>it all together, meaning I gotta find the writer, I

0:33:42.080 --> 0:33:45.920
<v Speaker 1>gotta develop the take, and the take is basically, what's

0:33:46.000 --> 0:33:47.800
<v Speaker 1>the movie story of this story?

0:33:47.960 --> 0:33:48.360
<v Speaker 3>Got it?

0:33:48.600 --> 0:33:50.640
<v Speaker 1>So I gotta find, you know, the work with the writer.

0:33:50.760 --> 0:33:52.680
<v Speaker 1>I gotta develop the take, and then I have to

0:33:52.720 --> 0:33:55.200
<v Speaker 1>go sell it to a studio. So I got to

0:33:55.240 --> 0:33:58.320
<v Speaker 1>go and convince executives to say Hey, this movie is

0:33:58.440 --> 0:33:58.920
<v Speaker 1>gonna work.

0:33:59.000 --> 0:34:01.600
<v Speaker 3>Are you literally pitching? Yeah, we will be in the room.

0:34:01.680 --> 0:34:04.600
<v Speaker 4>Yeah, of course, absolutely, absolutely, yeah, Hey, this is.

0:34:05.400 --> 0:34:06.560
<v Speaker 1>This is what we want to do, this is why

0:34:06.600 --> 0:34:08.240
<v Speaker 1>I want to do it, this is why it's gonna work,

0:34:08.680 --> 0:34:10.480
<v Speaker 1>and this is what this movie is about. And then

0:34:10.480 --> 0:34:12.759
<v Speaker 1>the writer will walk them through what the movie is,

0:34:12.800 --> 0:34:14.440
<v Speaker 1>you know, the first, second, and third act and the

0:34:14.520 --> 0:34:16.839
<v Speaker 1>characters and all the things. And then once we get

0:34:16.880 --> 0:34:19.240
<v Speaker 1>the okay, then the writer has to write the script,

0:34:19.239 --> 0:34:21.720
<v Speaker 1>and the producer's job is to help develop that script,

0:34:22.120 --> 0:34:24.160
<v Speaker 1>you know, give notes to the writer, help the writer

0:34:24.320 --> 0:34:26.759
<v Speaker 1>become the best version of themselves as it relates to

0:34:26.800 --> 0:34:30.120
<v Speaker 1>that script, because that script is what's gonna get greenlit

0:34:30.280 --> 0:34:32.440
<v Speaker 1>or not. And then once the script is there, then

0:34:32.480 --> 0:34:34.479
<v Speaker 1>I got to go find the director. You know, I'll

0:34:34.480 --> 0:34:37.000
<v Speaker 1>interview multiple directors and then I'll make the choice on

0:34:37.040 --> 0:34:40.120
<v Speaker 1>who I feel is best to execute the vision. And

0:34:40.160 --> 0:34:41.800
<v Speaker 1>then I'll bring on my casting director. And then we

0:34:41.880 --> 0:34:43.719
<v Speaker 1>got to go oversee casting. And then we got to

0:34:43.760 --> 0:34:45.440
<v Speaker 1>do the budget. You know, I bring on a line producer.

0:34:45.480 --> 0:34:48.800
<v Speaker 1>So the producer is the is the It's like ground

0:34:49.040 --> 0:34:53.320
<v Speaker 1>zero for create for the creative process, the business process

0:34:53.360 --> 0:34:57.120
<v Speaker 1>for every single movie. And that's where you know, most

0:34:57.160 --> 0:35:00.919
<v Speaker 1>people don't realize that the role of the producers. For sure,

0:35:00.960 --> 0:35:03.279
<v Speaker 1>the producer is like the movies that I produce, that's

0:35:03.320 --> 0:35:04.560
<v Speaker 1>that generates the jobs.

0:35:05.080 --> 0:35:05.279
<v Speaker 2>You know.

0:35:05.480 --> 0:35:07.439
<v Speaker 1>It's like, you know, I'm getting a chance to hire

0:35:07.440 --> 0:35:10.000
<v Speaker 1>the directors, hire the actors, you know, hire you.

0:35:09.960 --> 0:35:13.680
<v Speaker 4>Know, the DP and create jobs for people you know.

0:35:13.800 --> 0:35:15.799
<v Speaker 1>And so it's great when when I can make a

0:35:15.880 --> 0:35:19.120
<v Speaker 1>project that has the opportunity to get great directors right

0:35:19.200 --> 0:35:22.200
<v Speaker 1>and great actors, that really makes me feel really good.

0:35:22.360 --> 0:35:24.239
<v Speaker 1>But that's the job of the producer, just to put

0:35:24.239 --> 0:35:26.920
<v Speaker 1>it all together and then once it's made, you know,

0:35:26.960 --> 0:35:29.640
<v Speaker 1>be there on set every day. And and a producer

0:35:29.680 --> 0:35:32.799
<v Speaker 1>is also a problem solver. I mean, you are you are.

0:35:32.880 --> 0:35:35.719
<v Speaker 1>I mean every movie that gets made, every television show

0:35:35.760 --> 0:35:40.120
<v Speaker 1>is a miracle because there are so many problems. I mean,

0:35:40.160 --> 0:35:43.080
<v Speaker 1>it's like, oh my goodness. Every day you're figuring out, Okay,

0:35:43.080 --> 0:35:44.839
<v Speaker 1>what are we gonna do here? We had this plan

0:35:45.200 --> 0:35:47.120
<v Speaker 1>that's not gonna work. We got to pivot. What you know,

0:35:47.320 --> 0:35:50.280
<v Speaker 1>you're always thinking on your feet and you're always trying

0:35:50.280 --> 0:35:52.040
<v Speaker 1>to I at least as me as a producer, I'm

0:35:52.040 --> 0:35:54.959
<v Speaker 1>always trying to be the ambassador of like, we're gonna

0:35:54.960 --> 0:35:57.640
<v Speaker 1>get through this, you know, like, hey, we're gonna get

0:35:57.640 --> 0:35:59.200
<v Speaker 1>through it. I don't know what the answer is yet,

0:35:59.200 --> 0:36:00.640
<v Speaker 1>but let's figure it out. What are the pros and

0:36:00.680 --> 0:36:02.960
<v Speaker 1>cons all the things. So we do after we're done

0:36:02.960 --> 0:36:06.760
<v Speaker 1>with production, then oversee post production with the director and everyone,

0:36:07.080 --> 0:36:09.200
<v Speaker 1>and then once the movie is done, go out and

0:36:09.239 --> 0:36:11.719
<v Speaker 1>promote it, you know, and go across the world and

0:36:11.840 --> 0:36:13.200
<v Speaker 1>promote the film and all the things.

0:36:13.239 --> 0:36:14.880
<v Speaker 4>So that's the role of the producer.

0:36:15.400 --> 0:36:18.319
<v Speaker 1>Any film that you've ever seen that you loved it,

0:36:19.200 --> 0:36:22.160
<v Speaker 1>nine times out of ten came from a producer who

0:36:22.239 --> 0:36:24.719
<v Speaker 1>found a book, or found an idea, or or talked

0:36:24.760 --> 0:36:27.200
<v Speaker 1>to this director, talk to this writer. There usually is

0:36:27.239 --> 0:36:29.480
<v Speaker 1>a producer in the mix that if it was not

0:36:29.520 --> 0:36:32.120
<v Speaker 1>for that person, that movie would have or that television

0:36:32.160 --> 0:36:33.120
<v Speaker 1>show would have never happened.

0:36:33.239 --> 0:36:36.640
<v Speaker 2>I love that. That was actually very concise. I think

0:36:36.680 --> 0:36:38.480
<v Speaker 2>you could have took an hour. I appreciate you take

0:36:38.520 --> 0:36:41.520
<v Speaker 2>a minute. That's why when Best Pictures announced, they invited

0:36:41.560 --> 0:36:42.560
<v Speaker 2>producers on stage.

0:36:42.640 --> 0:36:45.040
<v Speaker 3>Exactly right, director you directed, But when.

0:36:44.920 --> 0:36:47.600
<v Speaker 4>The movie is the movie, it's the.

0:36:47.360 --> 0:36:51.239
<v Speaker 2>They invite the producer on stage because you have low key,

0:36:51.360 --> 0:36:53.640
<v Speaker 2>not even low key Hockey, the producer has lived with

0:36:53.680 --> 0:36:55.440
<v Speaker 2>the film longer than anybody.

0:36:55.480 --> 0:36:56.200
<v Speaker 4>Absolutely.

0:36:56.360 --> 0:36:59.200
<v Speaker 2>Actors by and large do not follow a film in

0:36:59.239 --> 0:37:02.520
<v Speaker 2>the post when they wrap the actor into the next done.

0:37:02.520 --> 0:37:05.360
<v Speaker 2>And also the actors is not involved usually in development, No,

0:37:05.400 --> 0:37:07.799
<v Speaker 2>not at all. The actor doesn't come in until the

0:37:07.880 --> 0:37:10.320
<v Speaker 2>script is available to be casted.

0:37:10.400 --> 0:37:10.879
<v Speaker 4>That's right.

0:37:10.920 --> 0:37:14.480
<v Speaker 2>So I think that's really important to understand, Like that

0:37:14.520 --> 0:37:17.880
<v Speaker 2>can be years absolutely of a project.

0:37:18.040 --> 0:37:21.440
<v Speaker 4>Right. My Relationship Goals movie on Amazon Prime. I mean

0:37:21.480 --> 0:37:25.760
<v Speaker 4>that took me five years to get me Wow.

0:37:25.760 --> 0:37:27.720
<v Speaker 1>In my Flaming Hot film that I did for Disney

0:37:27.719 --> 0:37:32.080
<v Speaker 1>Plus and Hulu, that took me seven years.

0:37:31.239 --> 0:37:34.680
<v Speaker 2>Seven years, seven years. So what happened? You see Mike

0:37:34.719 --> 0:37:38.200
<v Speaker 2>Todd's book and you're like, I see a movie there. Yeah,

0:37:38.239 --> 0:37:39.720
<v Speaker 2>and you got to buy the rights?

0:37:39.800 --> 0:37:41.480
<v Speaker 4>Yeah. I hit him up and said, hey man, you know,

0:37:41.520 --> 0:37:42.920
<v Speaker 4>let's let's make a movie out of your book. He

0:37:43.000 --> 0:37:43.439
<v Speaker 4>was like great.

0:37:43.840 --> 0:37:46.759
<v Speaker 1>You know, option did get worked on the movie, pitch

0:37:46.800 --> 0:37:50.319
<v Speaker 1>sold it to Amazon, developed the script. You know, first

0:37:50.320 --> 0:37:52.759
<v Speaker 1>script needed some work, We did some more work, we

0:37:52.800 --> 0:37:55.200
<v Speaker 1>switched out writers, we got you know, got the script

0:37:55.239 --> 0:37:57.200
<v Speaker 1>finally where it needed to be, had to find the director.

0:37:57.480 --> 0:37:59.600
<v Speaker 1>Then once we got the director. You know, then it

0:37:59.640 --> 0:38:01.280
<v Speaker 1>was like we had do another pass on the script.

0:38:01.520 --> 0:38:04.040
<v Speaker 1>I mean, you know, it was just it was a process.

0:38:03.640 --> 0:38:03.839
<v Speaker 4>You know.

0:38:03.960 --> 0:38:07.399
<v Speaker 1>But but but what I love, and it goes back

0:38:07.400 --> 0:38:08.840
<v Speaker 1>to a little bit of what we talked about earlier

0:38:09.800 --> 0:38:11.880
<v Speaker 1>is having other outlets.

0:38:12.800 --> 0:38:16.080
<v Speaker 3>I was just gonna ask you, just do you stay focused.

0:38:15.800 --> 0:38:17.880
<v Speaker 1>For five years ahead of the projects, right head of

0:38:17.920 --> 0:38:20.200
<v Speaker 1>the projects and other things that I was doing, so

0:38:20.239 --> 0:38:22.360
<v Speaker 1>that I can just say, Okay, well this project is

0:38:22.520 --> 0:38:25.399
<v Speaker 1>gonna take a little longer, all right, let me. I'm

0:38:25.440 --> 0:38:27.440
<v Speaker 1>glad that I have other things that I can focus

0:38:27.480 --> 0:38:30.000
<v Speaker 1>on so that I'm not so focused on this that

0:38:30.040 --> 0:38:32.840
<v Speaker 1>my emotional state is dictated by what happens or what

0:38:32.920 --> 0:38:33.520
<v Speaker 1>doesn't happen.

0:38:35.560 --> 0:38:37.919
<v Speaker 3>That is so good, low key.

0:38:38.000 --> 0:38:41.000
<v Speaker 2>I'm really grateful to talk to you because I think

0:38:41.120 --> 0:38:43.600
<v Speaker 2>i've I've like stumbled into what you're saying.

0:38:43.800 --> 0:38:45.920
<v Speaker 3>Yeah, and now I realized it is a very helpful

0:38:45.920 --> 0:38:46.680
<v Speaker 3>position to be.

0:38:46.680 --> 0:38:50.239
<v Speaker 2>In, isn't it, Because if if everything doesn't rise and

0:38:50.280 --> 0:38:54.920
<v Speaker 2>fall with this project, it allows you to live your life.

0:38:55.160 --> 0:38:55.399
<v Speaker 4>Yeah.

0:38:55.719 --> 0:38:57.640
<v Speaker 2>I got to take my son to school, I got

0:38:57.640 --> 0:39:00.200
<v Speaker 2>my podcast, I got YouTube, I got all all the

0:39:00.280 --> 0:39:03.360
<v Speaker 2>other things that I can control because these big projects.

0:39:04.040 --> 0:39:07.839
<v Speaker 2>You can't control them fully enough, but they they have

0:39:07.880 --> 0:39:09.440
<v Speaker 2>such an impact on your life.

0:39:09.520 --> 0:39:10.360
<v Speaker 5>Yes, your mood.

0:39:10.920 --> 0:39:13.000
<v Speaker 2>But it's like the thing that is the most important.

0:39:13.000 --> 0:39:16.920
<v Speaker 2>You actually can't move along your own site. So so

0:39:16.960 --> 0:39:19.279
<v Speaker 2>many other people have to actually say yes yes for

0:39:19.360 --> 0:39:22.000
<v Speaker 2>this to actually happen exactly. So I think it's so

0:39:22.160 --> 0:39:26.879
<v Speaker 2>key that you have those other things, because otherwise your

0:39:26.960 --> 0:39:30.320
<v Speaker 2>whole personality is eving influwing with a project that you

0:39:30.360 --> 0:39:31.279
<v Speaker 2>can and control.

0:39:31.000 --> 0:39:33.440
<v Speaker 4>You're gonna go crazy. You're gonna go crazy, and.

0:39:33.719 --> 0:39:36.279
<v Speaker 2>We're crazy, an I mean you gotta be yes, Yes,

0:39:36.360 --> 0:39:36.880
<v Speaker 2>we're crazy.

0:39:36.960 --> 0:39:40.200
<v Speaker 4>There's no doubt about it. You're gonna go crazy. Heart, Okay,

0:39:40.840 --> 0:39:41.960
<v Speaker 4>I mean that's what's gonna happen.

0:39:42.440 --> 0:39:45.200
<v Speaker 1>Like, Okay, you know, I gotta find some other things

0:39:45.200 --> 0:39:47.000
<v Speaker 1>to focus on and to fill my life with.

0:39:47.360 --> 0:39:47.560
<v Speaker 5>Yeah.

0:39:47.960 --> 0:39:51.160
<v Speaker 1>That gives me the ability to endure however long this

0:39:51.280 --> 0:39:53.320
<v Speaker 1>project may take to get made.

0:39:53.920 --> 0:39:56.080
<v Speaker 2>Hey, take on a quick break here, support the show

0:39:56.120 --> 0:40:17.600
<v Speaker 2>by supporting the sponsors. Okay, Before I move on, I

0:40:17.680 --> 0:40:20.719
<v Speaker 2>want to just say, what does it feel like when

0:40:20.719 --> 0:40:23.840
<v Speaker 2>you've worked on something for five years or seven years

0:40:24.520 --> 0:40:30.680
<v Speaker 2>and it is finally done? How do you like live

0:40:30.719 --> 0:40:33.440
<v Speaker 2>with that? Is it only because you have something else working,

0:40:33.880 --> 0:40:35.919
<v Speaker 2>because at some point you're like I'm done. But also

0:40:36.040 --> 0:40:40.320
<v Speaker 2>this is like this has been your baby for literal

0:40:40.480 --> 0:40:43.000
<v Speaker 2>years and then at some point it's done. It's on

0:40:43.160 --> 0:40:46.120
<v Speaker 2>streaming or whatever. The final thing is, the last interview

0:40:46.160 --> 0:40:49.799
<v Speaker 2>has happened. Do you ever struggle with like, dang, that's

0:40:49.840 --> 0:40:53.399
<v Speaker 2>it for this project, Like it's had its life, it's

0:40:53.440 --> 0:40:56.560
<v Speaker 2>on its second DVD release or whatever that is.

0:40:56.640 --> 0:40:59.080
<v Speaker 3>Do you ever be like, dang, yeah, that's over.

0:40:59.320 --> 0:41:02.520
<v Speaker 4>Absolutely. I mean, you know when you were doing the intro.

0:41:02.640 --> 0:41:04.200
<v Speaker 1>One of the movies I worked on as a studio

0:41:04.239 --> 0:41:08.160
<v Speaker 1>executive was the remake of The Karate Kid with Jaden

0:41:08.400 --> 0:41:11.560
<v Speaker 1>and we did that film in Beijing, Yeah, you know,

0:41:11.600 --> 0:41:14.399
<v Speaker 1>and it was just it was such a phenomenal experience.

0:41:14.440 --> 0:41:16.600
<v Speaker 1>I mean I think I went to Beijing like nine

0:41:16.640 --> 0:41:20.000
<v Speaker 1>times and nine months during that period. Yeah, going back

0:41:20.040 --> 0:41:22.120
<v Speaker 1>and forth to set and working on the movie, and

0:41:22.120 --> 0:41:23.960
<v Speaker 1>then once it was done, we went out there to

0:41:24.360 --> 0:41:28.719
<v Speaker 1>promote it, and that there was that that feeling like oh.

0:41:28.400 --> 0:41:32.600
<v Speaker 4>Man, this was so good. Wow, oh man.

0:41:32.640 --> 0:41:34.400
<v Speaker 1>When I produced Ruth and Boaz, you know, it was

0:41:34.440 --> 0:41:39.319
<v Speaker 1>such a good experience. Relateship, so yeah, you know, yes,

0:41:39.480 --> 0:41:43.040
<v Speaker 1>I there is a sense of like, wow.

0:41:42.560 --> 0:41:43.520
<v Speaker 4>Does this have to end?

0:41:43.840 --> 0:41:43.960
<v Speaker 2>Right?

0:41:44.200 --> 0:41:45.480
<v Speaker 4>Does it right end?

0:41:45.800 --> 0:41:48.360
<v Speaker 1>You know, and you just and I just have to say, okay,

0:41:48.400 --> 0:41:50.120
<v Speaker 1>well we did the best we could. We made it

0:41:50.160 --> 0:41:52.960
<v Speaker 1>as well as we can and people hopefully will enjoy it.

0:41:53.000 --> 0:41:55.360
<v Speaker 4>And you just have to, you know, make peace with

0:41:55.880 --> 0:41:56.359
<v Speaker 4>moving on.

0:41:56.680 --> 0:41:58.960
<v Speaker 2>Let me ask you this last thing. I'm so sorry.

0:41:59.360 --> 0:42:03.279
<v Speaker 2>I've been almost an hour. This is my personal podcast.

0:42:03.360 --> 0:42:04.319
<v Speaker 4>This I love it.

0:42:04.480 --> 0:42:05.360
<v Speaker 3>One thing I've.

0:42:05.239 --> 0:42:06.880
<v Speaker 2>Read when I was I was reading a book on

0:42:06.920 --> 0:42:09.879
<v Speaker 2>screenwriting and they said, there's basically three movies you make,

0:42:09.960 --> 0:42:11.839
<v Speaker 2>and you actually, as a producer, might even have more.

0:42:11.960 --> 0:42:13.879
<v Speaker 3>It's the movie you write, the movie you.

0:42:13.840 --> 0:42:16.360
<v Speaker 2>Shoot in, the movie you edit, and those are often

0:42:16.880 --> 0:42:20.200
<v Speaker 2>not the same game movies because of whatever reason, the editing,

0:42:20.480 --> 0:42:23.760
<v Speaker 2>the actor you wanted, the budget, How do you negotiate?

0:42:23.800 --> 0:42:26.160
<v Speaker 2>Because I was just telling an employee of mine, a

0:42:26.200 --> 0:42:29.360
<v Speaker 2>good producer isn't the person that plans perfectly, because regardless

0:42:29.360 --> 0:42:31.960
<v Speaker 2>of how well you plan, like of course you have

0:42:32.000 --> 0:42:32.920
<v Speaker 2>time for preproduction.

0:42:33.880 --> 0:42:36.000
<v Speaker 3>A good producer is actually the person who solves the

0:42:36.000 --> 0:42:38.000
<v Speaker 3>most problems without losing their mind.

0:42:38.280 --> 0:42:41.000
<v Speaker 2>You go, how do you deal with something that you

0:42:41.200 --> 0:42:43.880
<v Speaker 2>envision being one way and for whatever reason, it's not

0:42:44.080 --> 0:42:47.120
<v Speaker 2>that way, and in short order you got to make

0:42:47.160 --> 0:42:49.960
<v Speaker 2>it another way because you actually know what it could

0:42:49.960 --> 0:42:53.360
<v Speaker 2>have been. Yes, with that director, that actor, that actress.

0:42:53.360 --> 0:42:56.520
<v Speaker 2>The audience only knows what they see. Yes, but for

0:42:56.640 --> 0:43:02.440
<v Speaker 2>relationship goals, you could have had say Denzeling, Violent Davis, whoever.

0:43:03.040 --> 0:43:05.880
<v Speaker 2>But the audience is like, oh man, I love this movie. Yeah,

0:43:05.880 --> 0:43:08.239
<v Speaker 2>but you know, man.

0:43:08.760 --> 0:43:11.960
<v Speaker 3>We had this person right right right agreeing, and.

0:43:11.800 --> 0:43:14.480
<v Speaker 2>They backed out, like how do you deal with knowing

0:43:14.560 --> 0:43:17.359
<v Speaker 2>what could have been and still delivering what is?

0:43:17.560 --> 0:43:21.040
<v Speaker 1>Yes, I'll answer that, but but there's it's four movies,

0:43:21.360 --> 0:43:23.319
<v Speaker 1>oh four, because it's also the movie.

0:43:23.320 --> 0:43:25.040
<v Speaker 4>You go sell the movie, you promote.

0:43:26.120 --> 0:43:28.880
<v Speaker 3>Oh, so that the.

0:43:28.760 --> 0:43:32.080
<v Speaker 1>Process of putting the trailer together, in the messaging, that's

0:43:32.120 --> 0:43:35.359
<v Speaker 1>another form of the movie. And sometimes you know you're

0:43:35.400 --> 0:43:38.319
<v Speaker 1>tweaking the messaging and you're tweaking the sale of the

0:43:38.400 --> 0:43:41.640
<v Speaker 1>film because you got to find the sweet spot of

0:43:41.640 --> 0:43:42.799
<v Speaker 1>what's going to get people to see it.

0:43:43.920 --> 0:43:44.560
<v Speaker 3>That is good.

0:43:44.640 --> 0:43:46.239
<v Speaker 4>So there, I think you make the movie for it.

0:43:46.360 --> 0:43:46.960
<v Speaker 3>I love that.

0:43:48.600 --> 0:43:49.880
<v Speaker 4>So so to answer.

0:43:49.680 --> 0:43:53.279
<v Speaker 1>Your question, to answer your question, you know again, this

0:43:53.360 --> 0:43:56.680
<v Speaker 1>is where my faith plays a major role in my career.

0:43:58.000 --> 0:44:04.000
<v Speaker 1>I have to trust that everything is exactly how God

0:44:04.120 --> 0:44:09.600
<v Speaker 1>needs it to be. Everything is so, so if those

0:44:09.640 --> 0:44:12.759
<v Speaker 1>people fell out and this is who has has come in,

0:44:13.280 --> 0:44:14.440
<v Speaker 1>then I have to trust and.

0:44:14.440 --> 0:44:16.640
<v Speaker 4>Say, well, then this is what was meant to be right,

0:44:17.360 --> 0:44:18.160
<v Speaker 4>and then.

0:44:18.280 --> 0:44:23.560
<v Speaker 1>I have to divorce myself from my vision.

0:44:25.000 --> 0:44:28.960
<v Speaker 4>And embrace the vision that God has for the project.

0:44:29.120 --> 0:44:30.000
<v Speaker 3>Yeah, it's like.

0:44:30.000 --> 0:44:32.440
<v Speaker 1>Okay, God allowed these people to fall out and these

0:44:32.480 --> 0:44:35.040
<v Speaker 1>people are in. So okay, let me not get so

0:44:35.160 --> 0:44:37.960
<v Speaker 1>caught up on Oh it was this, No this, I'm not.

0:44:37.920 --> 0:44:39.440
<v Speaker 4>Worried about what this is what it is?

0:44:39.719 --> 0:44:42.040
<v Speaker 1>Yeah, okay, great, this is good, so let me get

0:44:42.080 --> 0:44:44.440
<v Speaker 1>excited about that. Let me make that the best version

0:44:44.480 --> 0:44:47.160
<v Speaker 1>that it can be. It's different than how I originally

0:44:47.320 --> 0:44:50.080
<v Speaker 1>imagined it, but different doesn't mean better or worse.

0:44:50.520 --> 0:44:51.240
<v Speaker 4>It's just different.

0:44:54.400 --> 0:44:55.160
<v Speaker 5>Devon you are.

0:44:55.560 --> 0:44:58.319
<v Speaker 2>I've enjoyed every conversation I've ever had with you, but

0:44:58.520 --> 0:45:03.680
<v Speaker 2>this one I'm gonna put is my pocket because it's

0:45:03.920 --> 0:45:07.040
<v Speaker 2>really man, what's really helpful is just knowing you.

0:45:06.920 --> 0:45:09.040
<v Speaker 3>Ain't alone and you ain't crazy.

0:45:09.120 --> 0:45:11.400
<v Speaker 4>That's right, You're not you because you you.

0:45:11.080 --> 0:45:15.359
<v Speaker 2>You know you're like, Man, I had it and now

0:45:15.520 --> 0:45:18.840
<v Speaker 2>like every time it's this problem, that problem is just

0:45:18.880 --> 0:45:21.480
<v Speaker 2>be Like I was telling producer of mine.

0:45:21.520 --> 0:45:23.440
<v Speaker 3>He was like, well, I want production to go smooth,

0:45:23.440 --> 0:45:24.879
<v Speaker 3>and I was like, brother, production.

0:45:24.640 --> 0:45:29.640
<v Speaker 1>Is chaos by by definition, organized chaos you have and

0:45:29.719 --> 0:45:31.520
<v Speaker 1>in your case you karate kid.

0:45:31.560 --> 0:45:35.839
<v Speaker 3>For example, this is hundreds of people on this.

0:45:36.120 --> 0:45:40.120
<v Speaker 2>There's no way it goes smoothly. All you can do

0:45:40.400 --> 0:45:42.040
<v Speaker 2>is figure out how to make it work.

0:45:42.080 --> 0:45:43.239
<v Speaker 4>Figure out how to make it work.

0:45:43.320 --> 0:45:44.760
<v Speaker 3>You can't be nobody.

0:45:44.800 --> 0:45:47.480
<v Speaker 2>It's never like everybody who did the thing is supposed

0:45:47.480 --> 0:45:49.319
<v Speaker 2>to do the thing, and every camera worked and every

0:45:49.320 --> 0:45:51.200
<v Speaker 2>location was perfect, and the budget was perfect.

0:45:51.239 --> 0:45:54.640
<v Speaker 4>But that's but that's where creativity it really is.

0:45:54.840 --> 0:45:56.719
<v Speaker 1>And then you gotta you gotta get you gotta get it,

0:45:56.800 --> 0:45:59.840
<v Speaker 1>you know, have ingenuity, you gotta think creativity. Yeah, this

0:46:00.280 --> 0:46:01.640
<v Speaker 1>is not working. Okay, how do we still get this?

0:46:02.000 --> 0:46:04.200
<v Speaker 1>You know that light ain't working or the light is

0:46:04.239 --> 0:46:06.360
<v Speaker 1>getting ready to lose to leave, and we got to

0:46:06.360 --> 0:46:08.880
<v Speaker 1>get this shot. Yeah, okay, what can we do creatively?

0:46:09.120 --> 0:46:11.919
<v Speaker 1>Maybe change even the story to make the setting work

0:46:12.080 --> 0:46:15.680
<v Speaker 1>like that, To create the creative process is always a lie, yes,

0:46:15.880 --> 0:46:17.880
<v Speaker 1>And I think sometimes you know, when we try to

0:46:17.920 --> 0:46:22.839
<v Speaker 1>make it finite, then we become too rigid. So as

0:46:22.960 --> 0:46:26.160
<v Speaker 1>problems arise in production, it's like, oh, Okay, it wasn't

0:46:26.200 --> 0:46:29.160
<v Speaker 1>expecting that, all right, but let me pivot, Yes, let

0:46:29.160 --> 0:46:31.640
<v Speaker 1>me pivot. And the pivot is gonna be great. And

0:46:31.640 --> 0:46:32.920
<v Speaker 1>this is how we're gonna make it great. And this

0:46:32.960 --> 0:46:35.000
<v Speaker 1>is how we're gonna make it work. And then if

0:46:35.000 --> 0:46:36.719
<v Speaker 1>we got something and it didn't work out the way

0:46:36.719 --> 0:46:38.360
<v Speaker 1>we wanted we shot, it's like, oh that looked didn't

0:46:38.360 --> 0:46:39.680
<v Speaker 1>look good, Okay, then we gotta figure out how can

0:46:39.719 --> 0:46:41.880
<v Speaker 1>we go get it again? Yes, you know, okay, what

0:46:41.920 --> 0:46:42.960
<v Speaker 1>can we do? What can we lose?

0:46:43.040 --> 0:46:43.200
<v Speaker 4>You know?

0:46:43.360 --> 0:46:46.360
<v Speaker 1>So it's just it's it's a fluid process, right, and

0:46:46.400 --> 0:46:49.359
<v Speaker 1>it's a flexible process. And I think that what I've

0:46:49.440 --> 0:46:51.160
<v Speaker 1>learned is the more flexible you can be, the more

0:46:51.200 --> 0:46:54.320
<v Speaker 1>fluid you can be, the more you can actually embrace

0:46:54.360 --> 0:46:55.080
<v Speaker 1>whatever comes.

0:46:55.280 --> 0:46:57.279
<v Speaker 2>Yeah, I love that. I was just thinking about that.

0:46:57.520 --> 0:47:00.520
<v Speaker 2>On Churchy Season one, the script will written to have

0:47:00.600 --> 0:47:03.680
<v Speaker 2>Toby we Way come in and wrap for the youth.

0:47:04.320 --> 0:47:07.360
<v Speaker 3>Right, he couldn't make it. His kid got sick.

0:47:07.400 --> 0:47:10.520
<v Speaker 2>He's an actual father in real life, so and we

0:47:10.560 --> 0:47:12.839
<v Speaker 2>found out two days before he's not gonna be able

0:47:12.840 --> 0:47:15.040
<v Speaker 2>to make He's like my kids sick. I can't do it,

0:47:15.440 --> 0:47:17.759
<v Speaker 2>And we rewrote the script I was like, Okay, we

0:47:17.800 --> 0:47:18.359
<v Speaker 2>can't get him.

0:47:18.360 --> 0:47:18.880
<v Speaker 3>What can we do?

0:47:19.480 --> 0:47:24.200
<v Speaker 2>Okay, now in the script Toby can't come, Maybe we

0:47:24.239 --> 0:47:27.080
<v Speaker 2>have a Toby impersonator. And it actually ended up being

0:47:27.160 --> 0:47:31.080
<v Speaker 2>better and funnier for the character and the story that

0:47:31.160 --> 0:47:35.360
<v Speaker 2>what they wanted to happen couldn't happen. It was actually

0:47:35.400 --> 0:47:38.719
<v Speaker 2>better to not have Toby. But you have to look

0:47:38.760 --> 0:47:40.799
<v Speaker 2>at it as like, well, what do we have? This

0:47:40.920 --> 0:47:44.160
<v Speaker 2>door is closed? What do I have? What's available to me?

0:47:44.200 --> 0:47:46.560
<v Speaker 2>And I think that's honestly true creativity. Okay, I don't

0:47:46.560 --> 0:47:49.200
<v Speaker 2>want to lose you. I want to talk about some

0:47:49.239 --> 0:47:51.080
<v Speaker 2>of your not best moments, even though you've been talking

0:47:51.080 --> 0:47:55.400
<v Speaker 2>about them. You mentioned to us that you one of

0:47:55.440 --> 0:47:59.399
<v Speaker 2>your tough moments was losing your paramount production deal. Tell

0:47:59.480 --> 0:48:02.680
<v Speaker 2>us what happened and kind of how you dealt with that.

0:48:03.080 --> 0:48:03.319
<v Speaker 4>Yeah.

0:48:03.400 --> 0:48:06.759
<v Speaker 1>So, I So, when I was an executive, you know,

0:48:06.840 --> 0:48:10.359
<v Speaker 1>for Sony Pictures for ten years, well about nine years

0:48:10.400 --> 0:48:13.719
<v Speaker 1>from two thousand and five to twenty fourteen, I did

0:48:13.719 --> 0:48:17.040
<v Speaker 1>a film as an executive called Heaven Is for Real,

0:48:17.560 --> 0:48:19.839
<v Speaker 1>which came out in twenty fourteen. It was we made

0:48:19.840 --> 0:48:23.680
<v Speaker 1>it for like fifteen fourteen, fifteen million dollars in opening weekend.

0:48:23.800 --> 0:48:26.279
<v Speaker 1>It opened on Easter weekend. It made thirty million dollars

0:48:26.320 --> 0:48:28.680
<v Speaker 1>in the first five days. Oh yeah, so it was

0:48:28.719 --> 0:48:32.080
<v Speaker 1>a huge success. So two days after opening weekend, I'm

0:48:32.120 --> 0:48:34.880
<v Speaker 1>in the chairman's office of Sony Pictures. Her name is

0:48:34.880 --> 0:48:38.440
<v Speaker 1>Amy Pascal at the time, and I told her. She's like, oh,

0:48:38.480 --> 0:48:39.960
<v Speaker 1>you know, we want to promote you, want to give

0:48:39.960 --> 0:48:41.880
<v Speaker 1>you more money. You know this, this movie, Heaven Is

0:48:41.880 --> 0:48:43.560
<v Speaker 1>for Real is going to be a you know, it's

0:48:43.560 --> 0:48:45.040
<v Speaker 1>a big success. It's am I going to make a

0:48:45.120 --> 0:48:48.200
<v Speaker 1>hundred million dollars. And I said, I'm quitting, you know,

0:48:48.239 --> 0:48:50.680
<v Speaker 1>I said no, I said I'm quitting. I said, I said,

0:48:50.680 --> 0:48:52.359
<v Speaker 1>I'm making too much money for y'all that I can't

0:48:52.360 --> 0:48:57.200
<v Speaker 1>promit it. I said, but I said, I'm starting my

0:48:57.280 --> 0:48:59.239
<v Speaker 1>company and I want you to fund it. I want

0:48:59.280 --> 0:49:00.000
<v Speaker 1>you to give me a deal.

0:49:00.560 --> 0:49:01.680
<v Speaker 3>She had no idea this was coming.

0:49:01.840 --> 0:49:02.440
<v Speaker 4>She had no idea.

0:49:03.480 --> 0:49:05.680
<v Speaker 3>Absolutely no, She's ready to promote you. You're like, let

0:49:05.680 --> 0:49:06.680
<v Speaker 3>me hold hold on.

0:49:06.680 --> 0:49:09.719
<v Speaker 4>That's right, promote this, promote this.

0:49:09.640 --> 0:49:10.560
<v Speaker 3>My new company.

0:49:11.120 --> 0:49:14.759
<v Speaker 4>I don't want y'all know exact I want me exactly.

0:49:14.239 --> 0:49:16.920
<v Speaker 3>Okay, And I still want to make movies for y'all. Choice.

0:49:17.400 --> 0:49:19.000
<v Speaker 4>Yeah, it was a bold choice. It was. It was

0:49:19.040 --> 0:49:19.919
<v Speaker 4>a very bold choice.

0:49:19.920 --> 0:49:22.120
<v Speaker 1>But but at that point in time, I knew that

0:49:22.160 --> 0:49:25.640
<v Speaker 1>I had enough experience, enough expertise, and I also had success.

0:49:25.920 --> 0:49:28.520
<v Speaker 1>Yeah track record, Yeah, I had this track record, and

0:49:28.680 --> 0:49:32.480
<v Speaker 1>this movie was the basically the mission statement for the company.

0:49:32.520 --> 0:49:34.840
<v Speaker 1>I want to make movies that are uplifting and inspirational.

0:49:35.080 --> 0:49:37.480
<v Speaker 1>So she said, yes, we negotiated the deal. The first

0:49:37.520 --> 0:49:40.080
<v Speaker 1>movie I made was Miracles from Heaven with Jennifer Garner.

0:49:39.920 --> 0:49:40.719
<v Speaker 4>And Queen Latifa.

0:49:41.160 --> 0:49:44.280
<v Speaker 1>And then there was a lot of turmoil at Sony

0:49:44.320 --> 0:49:46.680
<v Speaker 1>at that time, and Amy ended up, you know, transitioning

0:49:46.680 --> 0:49:49.360
<v Speaker 1>to be a producer, and so I moved my production

0:49:49.480 --> 0:49:52.000
<v Speaker 1>deal to Fox. Got it, and I made a movie

0:49:52.000 --> 0:49:54.759
<v Speaker 1>called Breakthrough with Chrissy Metz, and I also set up

0:49:54.760 --> 0:49:57.799
<v Speaker 1>the movie Flaming Hunt that I eventually mad. While I

0:49:57.920 --> 0:50:01.000
<v Speaker 1>was at Fox, the company he got sold to Disney.

0:50:01.960 --> 0:50:04.760
<v Speaker 1>So once it was going to Disney, there was no space.

0:50:04.840 --> 0:50:08.000
<v Speaker 1>They weren't they weren't going to take my deal. So basically,

0:50:08.200 --> 0:50:11.400
<v Speaker 1>one other caveat, which is very important as a producer

0:50:12.080 --> 0:50:15.800
<v Speaker 1>in Hollywood, a lot of times your viability is directly

0:50:15.840 --> 0:50:18.719
<v Speaker 1>related to the deals that you have because when you

0:50:18.719 --> 0:50:19.960
<v Speaker 1>have a deal with the studio.

0:50:19.800 --> 0:50:21.560
<v Speaker 4>They pay your overhead, they allow you.

0:50:21.560 --> 0:50:23.600
<v Speaker 1>You know, that means you can have money for staff

0:50:23.640 --> 0:50:28.719
<v Speaker 1>and money to live on that's white while you're developing projects.

0:50:28.719 --> 0:50:31.360
<v Speaker 1>So you know, having a deal as a producer is

0:50:31.640 --> 0:50:36.799
<v Speaker 1>essential to credibility in my experience. Yes, so I moved

0:50:36.800 --> 0:50:39.200
<v Speaker 1>my deal to Fox. Fox got sold to Sony and

0:50:39.239 --> 0:50:41.880
<v Speaker 1>then right when that was happening, the Powers to be

0:50:41.920 --> 0:50:45.239
<v Speaker 1>a Paramount. This was a twenty nineteen They called me

0:50:45.280 --> 0:50:46.560
<v Speaker 1>and they're like, hey, you know, we really want to

0:50:46.560 --> 0:50:47.240
<v Speaker 1>get into Faith.

0:50:47.480 --> 0:50:48.680
<v Speaker 4>You know, we want to do a deal with you.

0:50:48.760 --> 0:50:52.600
<v Speaker 1>Great, So we closed the deal like November of twenty nineteen,

0:50:52.640 --> 0:50:53.279
<v Speaker 1>three year deal.

0:50:54.200 --> 0:50:56.160
<v Speaker 4>What happened in March of twenty twenty.

0:50:55.960 --> 0:51:06.040
<v Speaker 3>And people got sick. Everybody called the pandemic the whole world.

0:51:06.160 --> 0:51:07.279
<v Speaker 4>Man, It's like, what's going on?

0:51:07.680 --> 0:51:13.680
<v Speaker 1>So the pandemic basically took two years out of the

0:51:13.760 --> 0:51:15.960
<v Speaker 1>deal where I couldn't do anything for.

0:51:15.960 --> 0:51:18.600
<v Speaker 3>Paramoun because pandemic plus Ryder strike it was.

0:51:19.120 --> 0:51:20.560
<v Speaker 4>Just it was man.

0:51:20.719 --> 0:51:23.200
<v Speaker 1>So I went ahead and made Flame It Hot for

0:51:23.360 --> 0:51:27.280
<v Speaker 1>Fox in twenty one. But when twenty two rolled around,

0:51:27.680 --> 0:51:30.680
<v Speaker 1>I had not made a movie for Paramount, and even

0:51:30.719 --> 0:51:33.000
<v Speaker 1>though I tried, I had development, I had projects there.

0:51:33.080 --> 0:51:34.600
<v Speaker 1>None of the things went And then there were a

0:51:34.600 --> 0:51:37.440
<v Speaker 1>lot of regime changes too. During the course of my deal.

0:51:37.520 --> 0:51:39.840
<v Speaker 1>I think there were three different you know, presidents of

0:51:39.880 --> 0:51:42.880
<v Speaker 1>production and one chairman was there, another chairman came in another,

0:51:43.360 --> 0:51:44.600
<v Speaker 1>you know. It was just there was a lot of

0:51:45.400 --> 0:51:48.399
<v Speaker 1>turnover during those period of time. But at the end

0:51:48.440 --> 0:51:51.040
<v Speaker 1>of the of the deal, you know, I wanted to

0:51:51.239 --> 0:51:53.000
<v Speaker 1>extend because I was like, look, I know I can

0:51:53.040 --> 0:51:55.600
<v Speaker 1>make a movie for you guys. And they were like no,

0:51:56.160 --> 0:51:58.040
<v Speaker 1>you know, They're like, no, we're gonna We're going in

0:51:58.040 --> 0:52:02.239
<v Speaker 1>a different direction. Yeah, And I was like, wow, I said,

0:52:02.280 --> 0:52:04.840
<v Speaker 1>you know, you don't really even you don't even have

0:52:04.960 --> 0:52:07.120
<v Speaker 1>I said, to my knowledge, you don't have any producers

0:52:07.600 --> 0:52:09.960
<v Speaker 1>you know, of color that you're working with, you know,

0:52:10.040 --> 0:52:11.920
<v Speaker 1>and I even though I haven't made a movie for

0:52:11.960 --> 0:52:14.040
<v Speaker 1>you yet, we're getting close on this or we can

0:52:14.080 --> 0:52:17.279
<v Speaker 1>do that. And they were like no. So basically I

0:52:17.440 --> 0:52:19.479
<v Speaker 1>was without a company, you know, I mean, not without

0:52:19.480 --> 0:52:21.799
<v Speaker 1>a company, without a deal. Yeah, So what does that mean.

0:52:21.920 --> 0:52:24.600
<v Speaker 1>That means I had to lay people off. Oh, it

0:52:24.680 --> 0:52:26.440
<v Speaker 1>means I had to move out of my office space.

0:52:26.920 --> 0:52:29.040
<v Speaker 1>Oh my god, bro, I'm telling you.

0:52:29.000 --> 0:52:31.360
<v Speaker 4>Like it was like I had to start working with

0:52:31.440 --> 0:52:33.840
<v Speaker 4>the kitchen table, yes.

0:52:33.719 --> 0:52:38.080
<v Speaker 1>Sir, from your home, from the home, yes, oh my god.

0:52:38.239 --> 0:52:38.560
<v Speaker 3>Yes.

0:52:38.680 --> 0:52:41.160
<v Speaker 1>And if you had seen my office space, I had

0:52:41.160 --> 0:52:44.759
<v Speaker 1>a beautiful office over on in Century City, you know,

0:52:44.920 --> 0:52:47.680
<v Speaker 1>overlooking the whole city. And then I moved that office

0:52:47.680 --> 0:52:51.160
<v Speaker 1>to West Hollywood, right across from Soho House, overlooking you know,

0:52:51.200 --> 0:52:53.759
<v Speaker 1>the Beverly Hills, and it was beautiful. And then when

0:52:53.800 --> 0:52:57.080
<v Speaker 1>the deal left, I had to go home literally home, home,

0:52:57.360 --> 0:53:01.920
<v Speaker 1>literally home, Oh my god. And then I sit there

0:53:01.960 --> 0:53:04.719
<v Speaker 1>and say, okay, wow, well what well, Okay, I have

0:53:04.800 --> 0:53:07.120
<v Speaker 1>no deal, I have no company. I mean I have

0:53:07.200 --> 0:53:09.600
<v Speaker 1>no you know, staff, Yeah, myself, the company.

0:53:11.040 --> 0:53:12.680
<v Speaker 4>What am I going to do here? What am I

0:53:12.719 --> 0:53:13.120
<v Speaker 4>going to do?

0:53:13.840 --> 0:53:15.520
<v Speaker 1>And one of the things that we talked about earlier

0:53:15.760 --> 0:53:19.840
<v Speaker 1>is what really served me well, which was operating in

0:53:19.920 --> 0:53:23.359
<v Speaker 1>the identity of the producer even before I was HM.

0:53:24.000 --> 0:53:26.680
<v Speaker 1>Why that was important in that moment is that I

0:53:26.719 --> 0:53:29.680
<v Speaker 1>could have said, oh man, I didn't produce nothing for Paramount.

0:53:29.840 --> 0:53:33.239
<v Speaker 1>I'm not a good producer. You know, maybe I got

0:53:33.239 --> 0:53:35.520
<v Speaker 1>to go in a different direction. But I was like, no,

0:53:35.680 --> 0:53:37.520
<v Speaker 1>I know, I know who I am, I know what

0:53:37.600 --> 0:53:39.919
<v Speaker 1>I can do. And I just said, God, you gotta

0:53:40.000 --> 0:53:41.960
<v Speaker 1>do it. You got to you gotta show me what

0:53:42.000 --> 0:53:43.840
<v Speaker 1>you want me to do. And here's what was so crazy.

0:53:43.960 --> 0:53:46.920
<v Speaker 1>After I lose my deal, I think right around that time,

0:53:47.480 --> 0:53:49.880
<v Speaker 1>Flaming Hot came out, you know, in Disney Plus and Hulu,

0:53:49.960 --> 0:53:51.800
<v Speaker 1>and it was about the creator of Flaming Hot Cheetos.

0:53:52.280 --> 0:53:55.240
<v Speaker 1>And the movie, you know, did did very well. And

0:53:55.600 --> 0:53:57.440
<v Speaker 1>my agent at the time, you know, sent me on

0:53:57.560 --> 0:54:00.720
<v Speaker 1>meeting after meeting, and nobody wanted to do it. Nobody

0:54:00.960 --> 0:54:04.439
<v Speaker 1>even after oested the movie, even have sess to the movie.

0:54:04.480 --> 0:54:06.680
<v Speaker 1>So I'm sitting there thinking like, Lord, I know I'm

0:54:06.680 --> 0:54:09.400
<v Speaker 1>a producer, but lord, you know, I got to have

0:54:09.480 --> 0:54:11.720
<v Speaker 1>a deal in order to produce.

0:54:12.320 --> 0:54:14.160
<v Speaker 4>So I was like, okay, God, what are we gonna

0:54:14.160 --> 0:54:14.520
<v Speaker 4>do here?

0:54:14.640 --> 0:54:17.279
<v Speaker 1>I made this movie. The movie's really good. It has

0:54:17.360 --> 0:54:20.120
<v Speaker 1>great critical acclaim, it's a commercial success. It won the

0:54:20.160 --> 0:54:24.120
<v Speaker 1>Audience Awarded south by Southwest that year. Like it's a success,

0:54:24.760 --> 0:54:28.359
<v Speaker 1>but people didn't there was nobody wanted to do a deal.

0:54:28.560 --> 0:54:32.160
<v Speaker 4>So I just said, Okay, well, I'm gonna keep believing.

0:54:32.200 --> 0:54:33.799
<v Speaker 1>And then, you know, and then at that time, I'm

0:54:33.800 --> 0:54:35.960
<v Speaker 1>still preaching and doing other things, so I'm like all right,

0:54:36.080 --> 0:54:39.440
<v Speaker 1>let me just keep creating and trust it one that

0:54:39.480 --> 0:54:40.759
<v Speaker 1>this is all going to get sorted out.

0:54:40.840 --> 0:54:42.440
<v Speaker 4>So long story, short, true story.

0:54:43.840 --> 0:54:46.279
<v Speaker 1>My agent sets a meeting of breakfast for me with

0:54:46.320 --> 0:54:48.920
<v Speaker 1>Scott Stuber and at the time, you know, Scott Stuber

0:54:49.000 --> 0:54:53.120
<v Speaker 1>is like a legendary Hollywood studio executive and now he's

0:54:53.160 --> 0:54:56.560
<v Speaker 1>a producer, but at the time he ran Netflix film production.

0:54:56.960 --> 0:54:58.720
<v Speaker 4>And so we have breakfast. The meeting goes.

0:54:58.560 --> 0:55:00.759
<v Speaker 1>Great, and he's like, oh, yeah, you know, I really

0:55:00.800 --> 0:55:03.000
<v Speaker 1>want to, you know, do this, do a deal something,

0:55:03.000 --> 0:55:03.960
<v Speaker 1>you know, let's talk about it.

0:55:04.000 --> 0:55:04.720
<v Speaker 4>And so I was like cool.

0:55:04.760 --> 0:55:07.160
<v Speaker 1>So I was waiting, you know, he and my my agent,

0:55:07.160 --> 0:55:09.400
<v Speaker 1>we're talking and anyway, nothing.

0:55:09.719 --> 0:55:11.279
<v Speaker 4>I hadn't heard anything. Let me put it that way.

0:55:11.320 --> 0:55:11.759
<v Speaker 5>Yeah. Yeah.

0:55:12.520 --> 0:55:15.080
<v Speaker 1>So I'm sitting at home like, okay, god, what are

0:55:15.080 --> 0:55:17.600
<v Speaker 1>we gonna do? And my phone rings and it's Tyler

0:55:17.760 --> 0:55:20.040
<v Speaker 1>Tyler Perry and he's like, hey, man, I hear you're

0:55:20.040 --> 0:55:21.080
<v Speaker 1>doing a deal with Netflix.

0:55:21.920 --> 0:55:26.520
<v Speaker 3>I'm like, no, I ain't no way, that's serious. That's serious,

0:55:26.719 --> 0:55:29.400
<v Speaker 3>for real, for real. You don't know none of this.

0:55:29.520 --> 0:55:30.360
<v Speaker 4>I don't know none of this.

0:55:30.520 --> 0:55:36.200
<v Speaker 3>You're just watching this right right, who's doing the right me?

0:55:36.560 --> 0:55:36.680
<v Speaker 4>Oh?

0:55:36.920 --> 0:55:39.319
<v Speaker 1>So you talked to Scott. He's like, yeah, as he said,

0:55:39.320 --> 0:55:44.239
<v Speaker 1>but why don't we do it together? And I'm like, absolutely,

0:55:44.280 --> 0:55:47.319
<v Speaker 1>let's do it together. Let's do it together. And he

0:55:47.400 --> 0:55:50.399
<v Speaker 1>and I you know, went to Netflix, closed the deal

0:55:50.640 --> 0:55:53.359
<v Speaker 1>and the first movie was Get Back in the Office. No,

0:55:53.880 --> 0:55:58.280
<v Speaker 1>here's what I learned. Here's what I learned. I learned

0:55:58.520 --> 0:56:04.600
<v Speaker 1>that I don't need all of that to give me

0:56:04.680 --> 0:56:06.880
<v Speaker 1>the security in my identity.

0:56:10.239 --> 0:56:11.560
<v Speaker 3>That is good, Devon.

0:56:11.920 --> 0:56:14.279
<v Speaker 4>I'm like, I don't need it. I don't need it.

0:56:14.320 --> 0:56:18.960
<v Speaker 1>I'm more profitable being lean and because I'm the one

0:56:18.960 --> 0:56:21.520
<v Speaker 1>that's you know, creating and producing and putting it all together.

0:56:21.600 --> 0:56:23.799
<v Speaker 1>So it's like, no, I know, let me not just

0:56:24.200 --> 0:56:26.920
<v Speaker 1>go back into all that. No, let me stay like

0:56:27.000 --> 0:56:29.440
<v Speaker 1>this and let me let if that's what God wants,

0:56:29.600 --> 0:56:33.479
<v Speaker 1>he will begin to rebuild it in that way. Yeah,

0:56:33.680 --> 0:56:36.719
<v Speaker 1>but no, man, I literally still work from the home.

0:56:37.120 --> 0:56:40.759
<v Speaker 2>You know, my God, this episode on me gotta come out.

0:56:41.840 --> 0:56:46.360
<v Speaker 2>I could watch this myself. It's so that is so good.

0:56:46.560 --> 0:56:50.160
<v Speaker 2>Because I had my sound stage that was tied to

0:56:50.200 --> 0:56:52.279
<v Speaker 2>the app. We had a five year lease and in

0:56:52.320 --> 0:56:54.560
<v Speaker 2>that time, people think I'm crazy because I was like,

0:56:54.560 --> 0:56:55.920
<v Speaker 2>I'm gonna take down Netflix.

0:56:56.360 --> 0:56:58.120
<v Speaker 3>I don't know if you know. Netflix is just as

0:56:58.239 --> 0:56:59.880
<v Speaker 3>viable and out as it ever worked.

0:57:00.360 --> 0:57:02.239
<v Speaker 2>But in my mind, I'm gonna take you down, or

0:57:02.280 --> 0:57:04.800
<v Speaker 2>y'all gonna absorb me and give me a hundred million dollars.

0:57:04.960 --> 0:57:05.960
<v Speaker 3>They didn't give me a dime.

0:57:06.719 --> 0:57:10.360
<v Speaker 2>But I had to let that studio go because business

0:57:10.360 --> 0:57:14.040
<v Speaker 2>wise it didn't make sense. It was cool, there was currency,

0:57:14.040 --> 0:57:16.320
<v Speaker 2>there was credibility, but at the same time, there was

0:57:16.320 --> 0:57:19.040
<v Speaker 2>a tremendous overhead and I had to lay people off

0:57:19.040 --> 0:57:21.200
<v Speaker 2>and for me, lame people. And I know this is

0:57:21.200 --> 0:57:23.480
<v Speaker 2>probably the same for you. Laying people off is not

0:57:24.200 --> 0:57:25.400
<v Speaker 2>ever a good feeling.

0:57:25.480 --> 0:57:25.760
<v Speaker 4>Ever.

0:57:25.960 --> 0:57:30.760
<v Speaker 2>Taking somebody's livelihood away, even though you're not the reason

0:57:30.880 --> 0:57:34.720
<v Speaker 2>they don't have it, you feel personally responsible. I don't

0:57:34.800 --> 0:57:37.280
<v Speaker 2>enjoy firing people. I don't enjoy laying people off. I

0:57:37.360 --> 0:57:40.880
<v Speaker 2>don't I've been fired and I've been laid off. I

0:57:40.920 --> 0:57:44.480
<v Speaker 2>assume everybody's like me. We all got bills, kid, somebody

0:57:44.480 --> 0:57:47.000
<v Speaker 2>depending on you, Like I don't take that lightly, but

0:57:47.040 --> 0:57:50.439
<v Speaker 2>sometimes you still have to do it. Hey, guys, taking

0:57:50.440 --> 0:58:10.360
<v Speaker 2>a quick commercial break, We'll be right back. This industry

0:58:10.360 --> 0:58:11.680
<v Speaker 2>will also make you feel like.

0:58:11.720 --> 0:58:15.080
<v Speaker 3>There's certain things you gotta do to make it.

0:58:15.640 --> 0:58:18.760
<v Speaker 2>I love that you decided that something that hurts you

0:58:18.800 --> 0:58:22.120
<v Speaker 2>at a moment you decided later on, I actually don't even.

0:58:21.960 --> 0:58:22.960
<v Speaker 3>Need that to operate.

0:58:23.240 --> 0:58:26.080
<v Speaker 2>Don't need it because it's it's better for me, it's

0:58:26.120 --> 0:58:28.120
<v Speaker 2>better for business, and it doesn't define me, and.

0:58:28.080 --> 0:58:29.880
<v Speaker 1>It doesn't define me, man, because at the end of

0:58:29.920 --> 0:58:32.200
<v Speaker 1>the day, like and again, if God, you know, wants

0:58:32.320 --> 0:58:34.800
<v Speaker 1>it to be that again, then you know, I'll embrace that.

0:58:34.840 --> 0:58:36.760
<v Speaker 1>But at the time when I had you know, the

0:58:36.800 --> 0:58:39.640
<v Speaker 1>great office and the staff and all the things. Man,

0:58:39.680 --> 0:58:42.160
<v Speaker 1>it's it's a lot, and you know, it's a lot

0:58:42.200 --> 0:58:45.200
<v Speaker 1>to manage. It's pressure to pressure, and it's so I

0:58:45.600 --> 0:58:47.280
<v Speaker 1>just like the idea of like God was like, no,

0:58:47.400 --> 0:58:49.400
<v Speaker 1>we're gonna We're gonna build, take it all the way down,

0:58:50.040 --> 0:58:52.400
<v Speaker 1>you know, and and allow us to get back to

0:58:52.440 --> 0:58:55.800
<v Speaker 1>what this is about with is making stories that can

0:58:55.880 --> 0:58:59.520
<v Speaker 1>impact people in a positive way. And every when we

0:58:59.600 --> 0:59:01.720
<v Speaker 1>talked about, you know, taking fourteen years to get the

0:59:01.760 --> 0:59:05.320
<v Speaker 1>company and all the things that every day that I

0:59:05.360 --> 0:59:09.800
<v Speaker 1>spent working on someone else's movie was actually preparation for

0:59:09.880 --> 0:59:12.000
<v Speaker 1>me to be able to do my movies.

0:59:12.560 --> 0:59:17.360
<v Speaker 6>God today so so so now like I know every

0:59:17.520 --> 0:59:22.560
<v Speaker 6>aspect of everyone's job in the best way, you know,

0:59:22.720 --> 0:59:25.600
<v Speaker 6>Like I know, like like I know, like, oh, okay,

0:59:26.040 --> 0:59:27.840
<v Speaker 6>I know what this executive is thinking.

0:59:27.880 --> 0:59:30.080
<v Speaker 1>I know how I need to give them comfort as

0:59:30.080 --> 0:59:32.400
<v Speaker 1>it relates to this. I know I need to like

0:59:32.520 --> 0:59:35.040
<v Speaker 1>pull back on this. I know how, like because I'm

0:59:35.520 --> 0:59:38.600
<v Speaker 1>experienced and all the things helped me manage it.

0:59:38.640 --> 0:59:42.120
<v Speaker 4>So now you know, I've made three movies in what

0:59:42.520 --> 0:59:43.160
<v Speaker 4>year and a half.

0:59:43.200 --> 0:59:46.919
<v Speaker 1>It's it took me. It took me ten years, ten

0:59:47.040 --> 0:59:51.600
<v Speaker 1>years to make three live action movies. Wow, And I've

0:59:51.640 --> 0:59:55.560
<v Speaker 1>made three in like the past eighteen months. And I

0:59:55.600 --> 0:59:58.200
<v Speaker 1>got two more that we're working on. But that's also

0:59:58.240 --> 1:00:04.800
<v Speaker 1>where we have to believe what we say we believe. Yeah,

1:00:04.880 --> 1:00:11.439
<v Speaker 1>if we truly trust God, we have to submit all

1:00:11.480 --> 1:00:13.600
<v Speaker 1>of it and let him do what only he can

1:00:13.640 --> 1:00:15.120
<v Speaker 1>do when he's ready to do it.

1:00:15.480 --> 1:00:18.040
<v Speaker 4>Yeah, he's not, he's not subject to our timeline.

1:00:18.160 --> 1:00:19.520
<v Speaker 3>He got the whole world.

1:00:19.600 --> 1:00:20.080
<v Speaker 5>He's got it.

1:00:20.360 --> 1:00:21.600
<v Speaker 4>He's got it.

1:00:21.960 --> 1:00:24.320
<v Speaker 1>And and and one of the areas where I've you know,

1:00:24.560 --> 1:00:27.880
<v Speaker 1>found my own self inflicted frustration is what I'm trying

1:00:27.880 --> 1:00:28.640
<v Speaker 1>to tell him.

1:00:28.960 --> 1:00:33.160
<v Speaker 3>Listen, God mean divine right, I kind of need it right.

1:00:33.280 --> 1:00:35.960
<v Speaker 2>And it's always we always rushing, always we are never

1:00:36.040 --> 1:00:38.480
<v Speaker 2>mare like God, take your take your time, hey brother,

1:00:38.720 --> 1:00:39.840
<v Speaker 2>the bills coming on the.

1:00:39.800 --> 1:00:42.400
<v Speaker 4>First ever prayed that prayer, God take your time.

1:00:42.560 --> 1:00:46.320
<v Speaker 3>Never we only rushing God. They ain't never like God,

1:00:46.680 --> 1:00:48.560
<v Speaker 3>develop me, develop.

1:00:48.200 --> 1:00:52.360
<v Speaker 2>Me, Hey brother, you don't see the bills doing on

1:00:52.440 --> 1:00:54.760
<v Speaker 2>the first they ask for the morgage a kid.

1:00:55.480 --> 1:00:57.080
<v Speaker 3>I want to be clear real quick. I want to

1:00:57.120 --> 1:00:58.000
<v Speaker 3>just clarify something.

1:00:58.640 --> 1:01:01.600
<v Speaker 2>That three year period of that Paramount deal, did you

1:01:01.640 --> 1:01:04.280
<v Speaker 2>get any movie done?

1:01:04.760 --> 1:01:07.680
<v Speaker 1>The only movie that I made was for Fox during

1:01:07.680 --> 1:01:08.880
<v Speaker 1>that period, so flame it.

1:01:09.040 --> 1:01:09.600
<v Speaker 4>During that period.

1:01:09.640 --> 1:01:12.280
<v Speaker 3>So nothing actually think for Paramount.

1:01:11.680 --> 1:01:13.400
<v Speaker 1>And so mind you you know they're giving me all

1:01:13.440 --> 1:01:15.960
<v Speaker 1>this money to run the company, but the way that

1:01:15.960 --> 1:01:17.080
<v Speaker 1>they get that money back is.

1:01:17.000 --> 1:01:20.120
<v Speaker 4>Through movies being made. Yeah, and so in essence, you know,

1:01:20.160 --> 1:01:21.520
<v Speaker 4>they give me this money.

1:01:21.480 --> 1:01:24.280
<v Speaker 2>And nothing ever came to fruition for them. Now, did

1:01:24.280 --> 1:01:29.320
<v Speaker 2>you ever feel any sense of like guilty disappointment that

1:01:29.480 --> 1:01:31.640
<v Speaker 2>this like you weren't able to deliver anything for them,

1:01:31.760 --> 1:01:33.680
<v Speaker 2>or were you just like it is what it is.

1:01:33.960 --> 1:01:38.240
<v Speaker 1>I didn't feel guilty. I felt disappointed, you know, because

1:01:38.240 --> 1:01:42.040
<v Speaker 1>I always liked to deliver. I'm committed to that. Yeah,

1:01:42.080 --> 1:01:44.560
<v Speaker 1>But I also was able to look at all of

1:01:44.600 --> 1:01:46.880
<v Speaker 1>the factors that were out of my control.

1:01:47.080 --> 1:01:50.080
<v Speaker 2>Right, pandemic youn Franklin, ain't starting no.

1:01:50.000 --> 1:01:53.800
<v Speaker 3>COVID, you know strike you know, I mean, ain't.

1:01:53.800 --> 1:01:58.440
<v Speaker 2>Nobody said it's divine while we ain't got no why

1:01:58.520 --> 1:01:59.160
<v Speaker 2>the people.

1:01:58.880 --> 1:02:01.919
<v Speaker 4>Wearing masks right right, it's my fall, it's my father, Yeah,

1:02:02.080 --> 1:02:02.280
<v Speaker 4>you know.

1:02:02.400 --> 1:02:04.600
<v Speaker 1>No, I mean so so I could, I could look

1:02:04.640 --> 1:02:08.320
<v Speaker 1>at all of the circumstances and all the factors and say,

1:02:08.560 --> 1:02:11.040
<v Speaker 1>you know, I did the best that I could. And

1:02:11.120 --> 1:02:13.640
<v Speaker 1>I also understand, you know, their decision. I didn't like

1:02:13.680 --> 1:02:16.040
<v Speaker 1>it at the time, but I understood it. But here's

1:02:16.040 --> 1:02:18.000
<v Speaker 1>the other part that was it was a blessing.

1:02:19.160 --> 1:02:20.120
<v Speaker 3>You really feel that way.

1:02:20.160 --> 1:02:23.320
<v Speaker 1>Here's why it was a blessing because I needed to

1:02:23.360 --> 1:02:24.360
<v Speaker 1>get out of all of that.

1:02:25.320 --> 1:02:26.560
<v Speaker 4>I God, God was like.

1:02:26.480 --> 1:02:30.080
<v Speaker 1>Look, you're you're building this this as as it's almost

1:02:30.120 --> 1:02:35.160
<v Speaker 1>like an idol. You're building this idol, this company, this

1:02:35.280 --> 1:02:38.840
<v Speaker 1>beautiful building, these people, and then you're starting to make

1:02:38.880 --> 1:02:45.720
<v Speaker 1>decisions about how to maintain this instead of decisions of

1:02:46.440 --> 1:02:48.800
<v Speaker 1>how you do what I called you to do. Right,

1:02:49.240 --> 1:02:52.280
<v Speaker 1>So God almost like, look, I gotta rescue you. I

1:02:52.320 --> 1:02:53.560
<v Speaker 1>gotta get you out of them.

1:02:53.680 --> 1:02:56.560
<v Speaker 3>The rescue was shutting it shutting it down what you

1:02:56.680 --> 1:02:57.440
<v Speaker 3>thought you wanted.

1:02:57.560 --> 1:02:58.120
<v Speaker 4>That's right.

1:02:58.920 --> 1:03:01.920
<v Speaker 1>God said, uh, uh, okay, you did that. You did

1:03:01.960 --> 1:03:04.120
<v Speaker 1>it your way. Now we're gonna do it my way.

1:03:04.400 --> 1:03:07.040
<v Speaker 1>Want any of that to be who I've called you

1:03:07.120 --> 1:03:10.080
<v Speaker 1>to be. You're going to be more productive without any

1:03:10.120 --> 1:03:13.960
<v Speaker 1>of it. From your kitchen, from my kitchen. When I'm

1:03:13.960 --> 1:03:16.480
<v Speaker 1>not on set, I am at the house working.

1:03:17.280 --> 1:03:17.720
<v Speaker 5>Wow.

1:03:17.760 --> 1:03:19.920
<v Speaker 4>And so so it was a blessing. In the moment.

1:03:20.120 --> 1:03:21.840
<v Speaker 4>I was upset, I was disappointed.

1:03:21.880 --> 1:03:23.600
<v Speaker 1>I was wondering what I was going to do financially,

1:03:24.160 --> 1:03:26.000
<v Speaker 1>you know, I was like, oh, my goodness, you know,

1:03:26.040 --> 1:03:27.440
<v Speaker 1>I'm not going to have the right money. I'm not

1:03:27.440 --> 1:03:28.760
<v Speaker 1>gonna be able to do all these things. So I

1:03:28.840 --> 1:03:32.160
<v Speaker 1>felt I felt it. It wasn't like an easy thing

1:03:32.200 --> 1:03:34.840
<v Speaker 1>at was. But when I look back, it was like

1:03:34.960 --> 1:03:37.439
<v Speaker 1>God was saving me. He was like, no, we got

1:03:37.440 --> 1:03:39.800
<v Speaker 1>to rebuild this. We gotta because you're because you know,

1:03:40.000 --> 1:03:43.760
<v Speaker 1>we're we're driven, were and we and we care you know,

1:03:43.840 --> 1:03:45.760
<v Speaker 1>and this, and it's like once we start getting success,

1:03:45.800 --> 1:03:47.480
<v Speaker 1>then it's like, oh, I wanted this and I want that,

1:03:47.640 --> 1:03:49.840
<v Speaker 1>and there's nothing wrong with all of that. But for

1:03:49.960 --> 1:03:53.680
<v Speaker 1>me personally, what began to happen is that. You know,

1:03:53.760 --> 1:03:58.400
<v Speaker 1>my decision making was in part about this maintenance and

1:03:58.400 --> 1:04:00.440
<v Speaker 1>and well, how do I build this company and all

1:04:00.480 --> 1:04:04.840
<v Speaker 1>this stuff? And it's like who cares when I go?

1:04:05.880 --> 1:04:10.320
<v Speaker 1>The company is gone? Yeah, but what will stay? The stories?

1:04:10.600 --> 1:04:11.400
<v Speaker 5>Yeah?

1:04:11.680 --> 1:04:15.360
<v Speaker 1>The movies shows what God put me, the stories God

1:04:15.400 --> 1:04:18.520
<v Speaker 1>put within me to tell. Yeah, those are eterns of

1:04:18.560 --> 1:04:20.600
<v Speaker 1>God's Like, look, let's get back to basics.

1:04:21.160 --> 1:04:22.360
<v Speaker 4>That's what this is about.

1:04:22.480 --> 1:04:25.040
<v Speaker 1>I'm put you in this business to tell stories that

1:04:25.040 --> 1:04:27.440
<v Speaker 1>no one else can tell but you, because there are

1:04:27.480 --> 1:04:30.400
<v Speaker 1>people in this earth, my children, that need what you do.

1:04:32.400 --> 1:04:33.320
<v Speaker 3>I kind of want to cry.

1:04:34.160 --> 1:04:37.360
<v Speaker 2>I'm not even choking. I have one more question, so

1:04:37.400 --> 1:04:39.720
<v Speaker 2>I don't cry. I'm switching gears because I want you,

1:04:41.560 --> 1:04:44.080
<v Speaker 2>the Lord speaking through you to me. I hope y'all

1:04:44.080 --> 1:04:46.680
<v Speaker 2>get anything from this, but if you don't, sucks for you.

1:04:47.320 --> 1:04:48.000
<v Speaker 3>It really does.

1:04:48.680 --> 1:04:53.400
<v Speaker 2>I'm having a personal blast. I'm curious when you are

1:04:53.440 --> 1:04:56.600
<v Speaker 2>just Devarn Franklin the actor, are you relieved to just

1:04:56.680 --> 1:04:57.560
<v Speaker 2>be in your tailor?

1:04:57.760 --> 1:04:59.960
<v Speaker 4>I sure, am? I am so really?

1:05:00.320 --> 1:05:03.160
<v Speaker 1>I'm like, oh, I ain't got to worry about no budget,

1:05:03.680 --> 1:05:05.640
<v Speaker 1>I ain't got to worry about who's on time and

1:05:05.760 --> 1:05:06.480
<v Speaker 1>who's late.

1:05:07.400 --> 1:05:10.280
<v Speaker 4>What time you want me on set no problem trailer.

1:05:11.000 --> 1:05:13.120
<v Speaker 4>Oh I love it. I love that. Listen.

1:05:13.200 --> 1:05:15.520
<v Speaker 1>That is one of the greatest blessings that God has

1:05:15.560 --> 1:05:18.240
<v Speaker 1>given me is the ability to act and the opportunity

1:05:18.280 --> 1:05:21.720
<v Speaker 1>to act, because it just man, boy, it takes the

1:05:21.800 --> 1:05:22.439
<v Speaker 1>stress off.

1:05:22.520 --> 1:05:24.840
<v Speaker 4>I'm like, oh, this is good. Where do you want

1:05:24.880 --> 1:05:27.320
<v Speaker 4>me staying right here? Okay? I got it, Okay, I

1:05:27.360 --> 1:05:28.560
<v Speaker 4>learned my line. I'm ready to go.

1:05:29.520 --> 1:05:31.960
<v Speaker 2>I know it because it's for me. I remember when

1:05:32.240 --> 1:05:34.400
<v Speaker 2>the set of Church in the first season. I remember

1:05:34.480 --> 1:05:39.120
<v Speaker 2>having to act, and I remember this one time the producer,

1:05:39.200 --> 1:05:41.439
<v Speaker 2>the line producer I hired.

1:05:41.840 --> 1:05:47.600
<v Speaker 3>Chose to save money. He chose to get turkey raps

1:05:47.720 --> 1:05:52.240
<v Speaker 3>from Costco for lunch. He just had two big tubs

1:05:52.240 --> 1:05:56.440
<v Speaker 3>like you would get for a and lunch. Lunch was late.

1:05:57.040 --> 1:05:58.880
<v Speaker 2>First of all, it was late, and you know you're

1:05:58.880 --> 1:06:00.840
<v Speaker 2>getting going to grace you got so we already got

1:06:00.840 --> 1:06:01.880
<v Speaker 2>a meal penalty.

1:06:02.040 --> 1:06:02.840
<v Speaker 3>So these people are.

1:06:02.720 --> 1:06:08.600
<v Speaker 2>Like great people are happy about meal penalties. Count the heads.

1:06:09.280 --> 1:06:11.680
<v Speaker 2>And then not only was it late, he chose cold

1:06:11.720 --> 1:06:16.360
<v Speaker 2>turkey raps and I said, for the lunch for everybody

1:06:16.400 --> 1:06:17.080
<v Speaker 2>on set.

1:06:18.480 --> 1:06:19.400
<v Speaker 4>Fine lunch.

1:06:19.480 --> 1:06:21.439
<v Speaker 2>I said, no, brother, you can't do that. These people

1:06:21.480 --> 1:06:24.720
<v Speaker 2>have been here since six am. You can't feed nobody mayonnaise,

1:06:25.040 --> 1:06:28.080
<v Speaker 2>no encrusted raps from cop That is a corporate that

1:06:28.160 --> 1:06:30.880
<v Speaker 2>is an addition to whatever we have.

1:06:31.080 --> 1:06:32.960
<v Speaker 3>That can't be the thing I ate.

1:06:33.000 --> 1:06:37.240
<v Speaker 2>Today was cold, and I remember I just did a

1:06:37.240 --> 1:06:40.000
<v Speaker 2>little movie, just a little day player role brother. They said,

1:06:40.040 --> 1:06:44.680
<v Speaker 2>your call time is eleven thirty. I said, whatever, eleven thirty.

1:06:44.720 --> 1:06:48.000
<v Speaker 2>I went at breakfast. They bring my clothes to me.

1:06:48.640 --> 1:06:52.600
<v Speaker 2>I shot my little scene and went home. I seen

1:06:52.640 --> 1:06:55.080
<v Speaker 2>the production office that was arguing. I said, have a

1:06:55.080 --> 1:06:56.560
<v Speaker 2>great day. God see later.

1:06:56.800 --> 1:07:00.560
<v Speaker 3>That ain't my problem, because often problem.

1:07:00.880 --> 1:07:03.320
<v Speaker 2>I got to figure out these people are beefing, lunch

1:07:03.400 --> 1:07:05.880
<v Speaker 2>is late, this actor is sick, but on that day,

1:07:06.080 --> 1:07:08.840
<v Speaker 2>and I know y'all dealing with it, and God, bless y'all,

1:07:09.000 --> 1:07:09.400
<v Speaker 2>bless it.

1:07:09.720 --> 1:07:10.240
<v Speaker 3>I'm gone.

1:07:11.080 --> 1:07:14.080
<v Speaker 4>I just was curious. I love it. Yes, it's wonderful.

1:07:14.120 --> 1:07:17.720
<v Speaker 1>It's a great I love the opportunity to do both this.

1:07:17.960 --> 1:07:22.479
<v Speaker 1>It helps me with my mental health. Okay, it is hard,

1:07:22.600 --> 1:07:23.160
<v Speaker 1>for sure.

1:07:23.240 --> 1:07:25.640
<v Speaker 2>All right, before we let you go tell people what

1:07:25.720 --> 1:07:28.400
<v Speaker 2>they can watch that you've worked on, or what you're

1:07:28.400 --> 1:07:30.040
<v Speaker 2>working on, or where they can follow you.

1:07:30.120 --> 1:07:31.800
<v Speaker 3>All the things you said in the podcast.

1:07:31.920 --> 1:07:34.680
<v Speaker 1>Yeah, yeah, So you can watch my my latest films,

1:07:35.080 --> 1:07:38.520
<v Speaker 1>Relationship Goals with Kelly Rowland method Man on Prime Video.

1:07:38.680 --> 1:07:38.880
<v Speaker 3>Yep.

1:07:38.960 --> 1:07:42.160
<v Speaker 1>You can also watch Ruth and Boaz on Netflix with

1:07:42.520 --> 1:07:46.240
<v Speaker 1>Sorea and Tyler Lepley, who just won the NAA was

1:07:46.280 --> 1:07:47.000
<v Speaker 1>their award.

1:07:47.200 --> 1:07:50.320
<v Speaker 4>I was holding you know, that's of course, great job.

1:07:50.720 --> 1:07:53.000
<v Speaker 4>You know that out there. I was like, okay, come on, man,

1:07:53.400 --> 1:07:54.080
<v Speaker 4>Tom Brown.

1:07:54.120 --> 1:07:56.720
<v Speaker 3>They didn't fit all the way. I couldn't close it.

1:07:56.760 --> 1:07:57.840
<v Speaker 4>But it nothing good.

1:07:58.160 --> 1:07:59.400
<v Speaker 3>You know, the ribbon was a lot.

1:08:00.480 --> 1:08:02.600
<v Speaker 4>I took a risk, but that's like you gotta do it.

1:08:03.240 --> 1:08:04.000
<v Speaker 3>You gotta do it.

1:08:04.960 --> 1:08:07.760
<v Speaker 4>So Ruth de Boaz and that also starts Felisha Rashad.

1:08:08.320 --> 1:08:10.760
<v Speaker 1>I have an audible book, a new audio book on

1:08:10.880 --> 1:08:13.800
<v Speaker 1>Audible called Be True. It's the audio recording of my

1:08:13.840 --> 1:08:16.679
<v Speaker 1>one man show that I did last year New York.

1:08:16.800 --> 1:08:18.439
<v Speaker 4>And you know, I'm really really proud of that.

1:08:18.479 --> 1:08:18.960
<v Speaker 3>What was that?

1:08:19.120 --> 1:08:22.040
<v Speaker 1>Like, man, it was it was the most terrifying thing

1:08:22.080 --> 1:08:26.280
<v Speaker 1>I've ever done. Really, it's just me on stage, that's it.

1:08:26.120 --> 1:08:28.599
<v Speaker 4>And I'm not preaching. This is the performance.

1:08:28.640 --> 1:08:32.240
<v Speaker 1>I you know, produce, it, directed all of the things,

1:08:32.280 --> 1:08:34.839
<v Speaker 1>and so you know, it's one thing when you're acting

1:08:35.160 --> 1:08:37.439
<v Speaker 1>and you have other people in the scene, or you know,

1:08:37.479 --> 1:08:39.559
<v Speaker 1>the director can yell cut, let's do that again.

1:08:39.840 --> 1:08:43.120
<v Speaker 4>When you get a show, you just gotta go.

1:08:43.600 --> 1:08:46.439
<v Speaker 1>So you know, it was the craziest thing I've ever done,

1:08:46.520 --> 1:08:48.559
<v Speaker 1>and it was also one of the most rewarding things

1:08:48.560 --> 1:08:49.360
<v Speaker 1>that I've done.

1:08:49.479 --> 1:08:51.200
<v Speaker 4>You know, I really really enjoyed that.

1:08:52.080 --> 1:08:53.720
<v Speaker 1>And you know, and I'm working on a bunch of

1:08:53.720 --> 1:08:55.200
<v Speaker 1>other stuff. I have a moved with Taraji coming out

1:08:55.240 --> 1:08:57.640
<v Speaker 1>this year on Netflix. We're getting ready to announce that

1:08:57.720 --> 1:09:01.240
<v Speaker 1>day pretty soon. It's another inspiration true story.

1:09:01.360 --> 1:09:03.000
<v Speaker 4>Man. This movie, Oh.

1:09:02.720 --> 1:09:05.760
<v Speaker 1>Man, this movie is going to it's gonna be. I

1:09:05.760 --> 1:09:07.960
<v Speaker 1>think it's gonna be the inspirational movie the holiday season.

1:09:08.000 --> 1:09:10.000
<v Speaker 1>I think, really, oh yeah, I think it's that good.

1:09:10.320 --> 1:09:11.160
<v Speaker 4>I think it's that good.

1:09:11.320 --> 1:09:15.639
<v Speaker 3>You already selling it. I am selling good, ladies, gentlemen.

1:09:15.680 --> 1:09:19.360
<v Speaker 2>Davon Franklin personal mentor of mind. He not directly. And also,

1:09:19.400 --> 1:09:22.080
<v Speaker 2>I want to say this, somebody got to personally mentor you.

1:09:22.120 --> 1:09:26.679
<v Speaker 2>To be a mentor, you follow them, watch them, watch

1:09:26.720 --> 1:09:29.080
<v Speaker 2>what they do, read their books, follow their history. You

1:09:29.080 --> 1:09:31.000
<v Speaker 2>don't got to text them and call them for them

1:09:31.040 --> 1:09:32.640
<v Speaker 2>to be a mentor. They can mentor you by the

1:09:32.640 --> 1:09:34.559
<v Speaker 2>way they live their life. I want you to know that,

1:09:34.640 --> 1:09:37.960
<v Speaker 2>so y'all can stop being me. Hey man, please watch

1:09:38.000 --> 1:09:41.599
<v Speaker 2>his movies, read his book, enjoy his work, and check

1:09:41.600 --> 1:09:43.559
<v Speaker 2>out his movies when they are coming. God bless you,

1:09:43.600 --> 1:09:55.960
<v Speaker 2>Davon Franklin, y'all, my brother, thanks for having me. This

1:09:56.040 --> 1:09:58.719
<v Speaker 2>has been a Unanimous Media original. Not My Best Mama

1:09:58.840 --> 1:10:01.680
<v Speaker 2>was produced by iHeart Pop and Unanimous Media. It was

1:10:01.720 --> 1:10:05.639
<v Speaker 2>hosted by me Kevin Fredericks. Executive produced by Stephen Curry,

1:10:05.800 --> 1:10:10.040
<v Speaker 2>Eric Payden and Charlotte Sumter Vigette. Co executive producer Klena

1:10:10.200 --> 1:10:13.720
<v Speaker 2>Maria Cutney. The executive producers of the iHeart Podcasts are

1:10:13.760 --> 1:10:16.800
<v Speaker 2>Sean Titone and Jason English. This series was produced by

1:10:16.840 --> 1:10:20.960
<v Speaker 2>Peter Calter and Jabari Davis. Co producer Kurt Redman. Special

1:10:21.000 --> 1:10:23.320
<v Speaker 2>thanks to Stephen Curry and Will Pearson. Not My Best

1:10:23.320 --> 1:10:25.879
<v Speaker 2>Moment as a production of Unanimous Media and iHeart Podcasts.

1:10:26.000 --> 1:10:28.760
<v Speaker 2>For more podcasts from iHeart Radio, visit the iHeart Radio app,

1:10:28.800 --> 1:10:31.800
<v Speaker 2>Apple Podcasts, or wherever you get your podcasts.